| Giovanni Fattori |
| (1825-1905) |
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Think that you may own a painting by Giovanni Fattori? We authenticate, appraise, research and issue certificates of authenticity (COA) and provide consultations for all paintings by Giovanni Fattori.
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Cousin Argia 1861
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| Giovanni Fattori was an Italian artist who was one of the leaders of the group known in the art world as the Macchiaoli. Fattori was born in Livorno, but would spend much of his career working in Florence. Though he came from a modest family, his talent in drawing at an early age convinced Fattori’s parents to allow him to pursue art. In 1845, Fattori was apprenticed to fellow Italian artist Giuseppe Baldini, and the following year, traveled to Firenze to study under Giuseppe Bezzuoli. |
Diego Martinelli
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| Many of Fattori’s earliest works have not survived the years, but even if they did, most art critics and historians would note that they are rather crude in comparison to those of his contemporaries. Fattori’s progress in artistic skill was said to have been rather slow by the standards of other artists of the day. Fattori’s earliest pieces were said to have been sketches, portraits and historical scenes, mostly influence by Bezzuoli. It is possible that many of these “inferior” paintings still exist today, but un-attributed or wrongly assigned to another painter. |
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sketch
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Portrait of a Man
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Mary Stuart at Crookstone 1861
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Fattori began to frequent the Café Michelangiolo in the 1850’s, which was a meeting ground for other artists. There he would take part in artistic and political discussions with other painters. Fattori would travel with friends that he met in the café to Paris in 1855 and there they discovered the techniques of the Barbizon School, and their use of “plein air” (or painting directly in the outdoors from nature). This in turn influenced Fattori’s style immensely. One of the most telling signs of how the French style influenced his work can be seen in his self-portraits; Fattori’s self-portrait as a young man is clearing in a more classical style, while his self-portrait as an older man clearly exhibits the ideals of Impressionism. |
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Self-Portrait
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Self-Portrait 1894
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From this French influence, thus, the Macchiaioli group was born. These artists were forerunners of the Impressionist style, and, in a way, offered the Italian equivalent to French Impressionism. Much like their fellow French artists, Fattori and his Macchiaioli accomplices met much criticism for their “unfinished” compositions and unconventional style. |
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Grey Day 1893
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Buoi al Carro 1890
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Much of Fattori’s oeuvre that still exists is dominated by military scenes, Tuscan landscapes, portraits and horses. |
Watchguards 1872
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Soldiers
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Garibaldi a Palermo
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| Fattori was known by his fellow painters for his candor and honesty and was greatly admired in his lifetime. In 1869, he began to teach at the Florentine Academy where he had a number of famous pupils, among them, Amadeo Modigliani. |
Portrait of a Woman 1865
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The Goddaughter 1889
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Today, Fattori’s works are housed all over the world, with one of the biggest collections being in his hometown of Livorno at the Giovanni Fattori Museum. Still wondering about a Macchiaioli influence, Italian “Impressionist” piece hanging in your home? Contact us…it could be by Giovanni Fattori.
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