Artists

The images and information presented below are for the instruction of students and scholarly research.

 


Ivan Kliun (Иван Васильевич Клюн)
(1873-1943)

Self-Portrait 1909-1910
Self-Portrait 1909-1910

Think that you may own a painting by Ivan Kliun? We authenticate, appraise, research and issue certificates of authenticity (COA) and provide consultations for all paintings by Ivan Kliun.
Composition 1917
Composition 1917

Ivan Kliun was a painter, graphic artist and sculptor born near Kiev, Russia. Kliun was initially a book-keeper with a penchant for drawing, and became involved in art relatively later in life than his contemporaries. He received formal training in the 1890’s in Warsaw, as well as the Academy of Arts in St. Petersburg before meeting Kasimir Malevich at Rerberg's studio in Moscow.
Composition
Composition

Composition with Circle
Composition with Circle

Akva
Akva

Malevich introduced the provincial Kliun to the Russian avant-garde, which he embraced with enthusiasm. Exhibiting from 1910 (not least with the Union of Youth group), he demonstrated great competence in the new modes, often described as Cubo-Futurism. By 1915 he was producing works in the "Suprematist" style, which featured geometric shapes, and very simple forms, such as a single black circle on a blank canvas. These date mainly from the period 1915-24. He held an official position in art teaching after the revolution until 1921.
Ozonator 1914
Ozonator 1914

Portrait of a Woman
Portrait of a Woman
Courtesy The Lili Brochetain Collection

Kliun is still thought of as a minor figure in Russian art and one could not regard him as innovative. His trajectory matched so many artists post-1905: from academic art to the eager pursuit of the various concurrent artistic revolutions/movements which burgeoned before and during WWI. Popova and Brancusi are but two examples. He had the misfortune however of being committed to the Russian revolution, a revolution which at first liberated and then enslaved Russian artists. He had little choice- with the rise of Stalin it was Socialist Realism, emigration or death. Socialist Realism was the usual choice made by leftist artists- the alternative was to abandon the revolution. He died isolated and no doubt alienated in 1942.
Fairy Tale 1910
Fairy Tale 1910

Sketch of Faces
Sketch of Faces

With the renewed interest in avant-garde Russian art and the Russian nuevo-riche who have fuelled the massive price rises, Kliun is receiving considerable attention from the market. Unfortunately, he is also attracting attention from forgers for the same reason. His simpler abstract works are easy to fake, though these fakes would in no way match the compositional clarity which marks Kliun’s work.
Construction
Construction

Suprematist Construction
Suprematist Construction

Untitled
Untitled

However, Kliun also created other compositions distinctly different from that of his “Suprematist” style, including landscapes painted “en plein air” (outdoors) in the Impressionist style. These landscapes reflected the countryside where he lived, and were often a striking contrast to the majority of the body of his work. His landscapes painted during the years 1914-1915 have been compared to the style of Gaugin, and some were even copied directly from French landscapes. While some artists may have only painted in one style at a time, Kliun created Suprematist compositions and Impressionistic landscapes in tandem.
The Townscape 1911
The Townscape 1911

Still Life with Flowers and a Jug
Still Life with Flowers and a Jug

Today, Kliun’s work is housed in modern art museums all over the world, and perhaps in your own home. Still wondering about a Russian Impressionist landscape or Suprematist piece in your family estate? Contact us…it could be by Ivan Kliun.
 

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