The images and information presented below are for the instruction of students and scholarly research.
Franz Marc
(1880-1916)
Born in Munich,
Germany, Franz Marc would become one of the best known
German Expressionists of all time. Inspired to paint by
his artist mother, Marc attended the Munich Art Academy.
He traveled to Paris often to see the work of
Impressionists of the era, and though he revered their
work, was not entirely influenced by it. In essence,
Marc's style helped to opened up the flood gates for
abstract art, though he did not live to see it. He
volunteered for the service during World War I and was
killed in action.
His catalog is notably dominated by animal images, from
his work painting sweet pictures of kittens and dogs,
like the well-known "Cat on a Yellow Pillow" (1911), to
geometric images of horses, sheep, deer and exotic
animals like "Tiger" (1912). His compositions sometimes
consisted of animals that you couldn't see right away,
such as "Foxes" (1913). These compositions almost look
fragmented, as though you were looking at a fox or a
sheep in a broken mirror.
Cat on a Yellow Pillow
Tiger
Foxes
Marc's use of color
and warm, rich tones was in part harbored by his
association with the group "Der Blaue Rieter" (The Blue
Riders). Along with Kandinsky, he helped to found this
group which was oriented with the importance of color
and placed great value on expression and symbolism. Each
color had a meaning to Marc; yellow represented
femininity, blue was masculine and red was life and
solidity.
While Marc had become obsessed with the study of
animals, their organic nature and pulse within the world
and their anatomy, he also wanted to show them from the
inside. His paintings are highly emotional, as one would
see with "The Fate of the Animals" (1913) where a blue
deer is bucking and surrounded by jabs of harsh color.
He became such a master of animal anatomy that he was
even able to teach it for a while to other artists.
However, this obsession lead to Marc becoming over
ambitious, and he became frustrated with some of his
more progressive pieces. Due to his unhappiness with
them, he destroyed some of these works around 1908. Or
did he? Could some of these pieces been saved, and
hiding somewhere?
The Fate
of the Animals
Another reason why
there could be a great deal of Marc's work unknown and
unidentified is because he isn't really a household
name, though revered by the art community. Perhaps it is
because he chose simple and sweet subjects, and not
politically or socially driven masterpieces. Abstract
art is also very hard to authenticate, but Marc was a
master who understood painting, geometry and anatomy,
and he had a rhyme and reason to his compositions. His
work is very simple, and his subjects are un-detailed,
but they still manage to invoke a sense of feeling and
emotion.
One way to tell for sure if you have an original Marc,
is to look at the subject matter. Animals are obviously
his forte, but he could have also painted a great deal
of other things while learning at the Munich Academy
(late 1800s-early 1900s). A very small portion of his
work, mostly of dogs, appears to have been painted with
an Impressionistic hand, such as "Dog Lying Down". In
these paintings, his colors are far less vibrant, and
his style leans more to the Romantic side. They contrast
greatly from his later work with Abstract ideas. His
geometric designs are clearly from Cubist ideals and his
colors and themes are a result of his affiliation with
the Blue Riders.
Marc's catalog is also heavily filled with images of
horses grouped together or alone. To him, they portrayed
something free and pure, and later, spiritual. He found
within animals, and especially horses, something
innocent and wanted to portray that with color,
symbolism and imagery.
Alas, the end of Marc's life was nothing of the ideals
that he portrayed in his paintings. He spent his last
two years fighting in the war, and experienced fellow
friend and artist August Macke die in the war before
him. He left a journal, however, of those last two
years, producing ideas for paintings that he was never
able to create, and expressing his fear and hatred of
war. Marc was hit and killed by shrapnel in March 1916
in Verdun, France.