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He travelled to New York in 1917 for an operation on his tonsil and returned to England in 1918 after visiting other American cities. From 1920 to 1938, he was married to the painter Winifred Nicholson and lived in London. After his first exhibition of figurative works in London in 1922, his work began to be influenced by Synthetic Cubism and later by the primitive style of Rousseau. In London, Nicholson met the sculptors Barbara Hepworth (to whom he was married from 1933 to 1951) and Henry Moore. On visits to Paris, he met Mondrian, whose work in the neoplastic style was to influence him in an abstract direction, and Picasso, whose cubism would also find its way into his work. His gift, however, was the ability to incorporate these European trends into a new style that was recognizably his own. He first visited St Ives, Cornwall in 1928, where he met the fisherman and painter, Alfred Wallis. In Paris in 1933, he made his first wood relief, know as White Relief, which contained only right angles and circles. In 1937, he was one of the editors of Circle, an influential monograph on constructivism. He believed that abstract art should be enjoyed by the general public, as shown by the Nicholson Wall, a mural he created for the garden of Sutton Place in Guildford, Surrey. In 1943, he joined the St. Ives Society of Artists, and a retrospective exhibition of his work was shown at the Tate Gallery in London in 1955.
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