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He was initially pupil of Antonio Balestra, but moved from 1725-27 to Venice, then joined the studio of Francesco Trevisani in Rome (1728-1732), and finally between 1731-34 he worked with Francesco Solimena in Naples. He then returned then to Verona, where he started a studio. But soon he was off to paint for royal and aristocratic patrons in Dresden, Vienna, and Munich.
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