| Jacob Isaakszoon van Ruysdael |
| (also Jacob van Ruisdael) |
| (1628-1682) |
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The Windmill at Wijk 1670
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| Think that you may own a painting by Jacob van Ruysdael? We authenticate, appraise, research and issue certificates of authenticity (COA) and provide consultations for all paintings by Jacob van Ruysdael. |
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The Large Forest
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The Hunt
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Jacob van Ruysdael was a 17th century painter Baroque Dutch artist born in Haarlem in The Netherlands. Some art historians have called Ruysdael the most celebrated Dutch landscape painter to have ever lived. He came from a family of artists and learned to paint from his father, a painter, art dealer and frame maker, and from his uncle, Solomon van Ruysdael. After being under the tutelage of his family, Ruysdael set off for Germany where he studied for a decade, finally settling in Amsterdam. There, he established a productive studio where he trained a generation of Dutch painters.
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View of Amsterdam
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The Dam Square in Amsterdam
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It has been noted by art critics that trees were Ruysdael’s specialty when it came to painting. Art critics have noted his great talent for rendering foliage, particularly leaves and oak trees. Although he painted seascapes and coastal scenes as well, it is Ruysdael’s renditions of forests and pastures that were among his best.
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The Great Oak 1652
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The Shore at Egmond-an-Zee 1675
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These scenes show the influence of Rembrandt and are often accompanied by far away castles and cities, windmills and other Dutch country symbols. By 1655, Ruysdael had permanently settled in Amsterdam and began to adopt a brighter color palette. During this time, he was mainly painting forest scene, waterfalls and valleys, and towards the end of his career, Ruysdael focused more on distant cities and panoramas. |
Wheat Fields
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Waterfall In The Mountains in a Northern Landscape 1665
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Bentheim Castle 1653
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| One of the most interesting aspects about Ruysdael’s body of work is the way that he and the other artists in his family signed their name. His fathers’ real name was said to be Isaak de Goyer, and later on changed it to Ruysdael. His uncle, Soloman van Ruysdael, also was said to have variations on his signatures. Other works are signed “Ruisdael,” so there is really no way to tell for certain just by looking at a signature whether a piece was created by Ruysdael, his father, or his uncle. |
The Jewish Cemetary
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Winter Landscape 1670
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It is said that during his lifetime, Ruysdael was not nearly as appreciated for his talent as a landscape painter as he is today, and though he was fairly successful, most likely, he lived in poverty. During his lifetime, Ruysdael also created a few etchings, but most likely did not paint any portraits or genre pieces. Only one of his known interior paintings still exist today, however, that leaves a possibility for otherwise unknown architectural pieces by Ruysdael to surface. |
Village at Winter at Moonlight
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Two Watermills and an Open Sluice Near Singraven
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Today, Ruysdael’s work is housed all over the world and can be seen in the Louvre, Paris, as well as The Hague and the National Gallery in London, and perhaps in your own home. Still wondering about a 17th century Dutch landscape in your family estate? Contact us…it could be by Jacob van Ruysdael. |
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