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Benjamin West
(1738-1820)
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| Think that you may own a painting by Benjamin West? We authenticate, appraise, research and issue certificates of authenticity (COA) and provide consultations for all paintings by this great artist. |
| West was mainly self-taught when it came to the arts and had very little formal education to speak of. In fact, even when he became the president of the Royal Academy, it is said that West could barely spell. Born in Pennsylvania, West was the son of an innkeeper and began painting at an early age. One of his earliest influences was the famous British painter John Wollaston who taught him a number of techniques, from painting shimmery satin and silk to giving his subjects fashionable almond-shaped eyes. It is also said that West received some of his earliest artistic instruction from William Williams and Gustave Heselius. |
Self-Portrait
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| West was mainly self-taught when it came to the arts, and had very little formal education to speak of. In fact, even when he became the president of the Royal Academy, it is said that West could barely spell. Born in Pennsylvania, West was the son of an innkeeper and began painting at an early age. One of his earliest influences was the famous British painter John Wollaston who taught him a number of techniques, from painting shimmery satin and silk to giving his subjects fashionable almond shaped eyes. It is also said that West received some of his earliest artistic instruction from William Williams and Gustave Heselius.
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Three Ladies Making Music
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Lady Beauchamp-Proctor, 1778
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Ann Barbara Hill Medlycot
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| He remained in Pennsylvania painting portraits until 1759 when he moved to Italy to continue his studies. There he studied and copied the works of the Italian masters, like Raphael and Titian, until 1763 when he moved to England. West was almost immediately commissioned to paint portraits of King George III and his family. |
King George III
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| In 1768, West founded the Royal Academy of Arts with his friend and fellow painter Sir Joshua Reynolds. He served as president of the Academy from 1806 until his death in 1820. In 1772, West was appointed the official historical painter of the court and would also later serve as the Surveyor of the King's Pictures from 1791 until he died in 1820. |
Colonel Guy Johnson and Karonghyontye, 1776
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| Though already a fairly successful painter at this point, West truly began to gain notoriety at the exhibition of the Royal Academy in 1771 for his painting The Death of General Wolfe. Some critics initially snubbed this painting, but it eventually became one of the most reproduced pictures of its time. |
The Death of General Wolfe, 1770
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| Early in his career, West was known for portraiture, but once he moved to England, he became famous for his historical paintings. These historical paintings were generally on a large scale and were what West called "epic representation." |
Death of Nelson
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Departure of Regulus from Rome
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Scene
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In the 1770s and 1780s, West also started to slightly break away from Neoclassicism and began to experiment with Romanticism. He did this by incorporating fantasy themes and literary characters into his compositions, as well as creating dramatic effects through lighting. |
Juno Receiving the Cestus from Venus, 1771
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Venus Consoling Cupid Stung by a Bee
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Christ Showing A Little Child as the Emblem of Heaven
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West also supported himself financially through the sale of engravings, which little is known about today in comparison to his paintings. West was also known to use gouache as well as oil paint, which was not as widely used at that time. |
The Angel of the Resurrection, lithograph
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The Sepulchre, 1782, gouache on paper
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Today, West's paintings are housed all over New England and the United Kingdom and perhaps in your own home. Still wondering about a Colonial Era portrait or historical painting hanging in your family's estate? Contact us…it could be by Benjamin West. |
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