Authentications

 


Duplicate Original

Apollo the Luteplayer had been sold at Sotheby's in New York in 2001, where the catalogue listed it as the possible work of 17th Century artist Carlo Magnone.

It was thought to be a copy of a Caravaggio painting that hangs in the Metropolitan Museum of Art in New York, and a similar version of the same painting in Russia's Hermitage Museum.


Caravaggio Discovery, Apollo the Luteplayer

But a 17th Century description of a Caravaggio painting by biographer Giovanni Baglione corresponds exactly with Apollo the Luteplayer.

After it was cleaned and x-rays were taken, changes and corrections became visible and they suggest it is an original rather than a copy. Various adjustments, such as to the profile of the boy's hands, had been made and there were incisions that are characteristic of Caravaggio.

This would not have been done if it was a copy.

It is now believed that the painting is an original, with the Hermitage piece being a second original.

Sir Denis Mahon who is an expert on 16th and 17th century Italian art originally said the painting was not by Caravaggio, but changed his mind after it was cleaned.

It is not rare or even exceptional for artists to paint several versions of the same painting. Consider the case of Gilbert Stuart. After he painted George Washington's portrait in April 1796 he went on to duplicate his painting 72 times. All 72 are originals. He painted them all in his own hand.

If you own a painting which appears to be a fine copy, check if it is an original. Duplicate originals are very common even by the most famous artists. We have two originals of Leonardo's Madonna of the Rocks and duplicate originals by most everyone. John Singleton Copley painted three times his famous "Watson and the Shark".

Multiple originals are very common and many paintings currently labeled as copies are duplicate originals waiting to be recognized for what they are.

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