|
Expertise: Claude-Emile Schuffenecker
US and France.
Professor Grossvogel is a consultant to Christie's, Sotheby's, private galleries and collectors regarding the works of Claude-Emile Schuffenecker. She is the author of the catalogue raisonné and has also also written and lectured on Gauguin and Schuffenecker and on the van Gogh forgeries. She received her PhD from Cornell University, Ithaca, NY. She spends her time between Chicago, Illinois and Nice, France.
Publications:
Catalogue Raisonné Claude-Emile Schuffenecker. 1851-1934 Volume II.
Vision Integrated Graphics, Chicago, 2008
"My Morocco" in Tingis, A Moroccan-American Magazine of Ideas and Culture, Univ. of New England, Maine, spring 2004
"Gauguin et Schuffenecker: Correspondance et non-correspondance dans la période bretonne" in Gauguin et la Bretagne, l'aube d'une révolution.
Museum exhibition catalogue, Graz (Austria), summer 2000
Claude-Emile Schuffenecker. Catalogue Raisonné. Volume I.
Alan Wofsy Fine Arts, San Francisco, 2000
"The Artist, The Patron, His Wife, and Her Lover: Count Antoine de la Rochefoucauld" in Quadri & Sculture Revista d'Arte
special issue devoted to Van Gogh. Rome, summer 1998
Herbert F. Johnson Museum of Art Handbook of the Collection
Cornell University 1998 (
Constable, Netley Abbey;
Daubigny, Fields in the Month Of June;
Degas, Au Louvre: Musee des Antiquites;
Lautrec, Le Divan Japonais;
Schuffenecker, Portrait of Julien Leclercq and his Wife;
Giacometti, Walking Man II;
Edwin Dickinson, Woodland Scene;
Signac, The Buoy,
Bonnard, La Revue Blanche 1894)
"The Van Gogh Fakes: new revelations"
The Art Newspaper, London, September 1997
"Les Désarrois du peintre Claude-Emile Schuffenecker. Le Dossier des faux Van Gogh"Le Journal des Arts, Paris, July 4, 1997
"Evolution d'une symbolique" in Schuffenecker 1851-1934 Retrospective exhibition, Musée de Pont-Aven/Musée Maurice Denis
France 1996
"Form and Fragmentation in French Art from Neo-Classicism through Neo-Impressionism" in Revolution in Form
Tampa Museum of Art 1991
"The James Joyce Centennial: Molly and Leopold Bloom's Real Dublin"
The Ithaca Times, August 1980
Claude-Emile Schuffenecker. Margin & Image exhibition catalogue
Hammer Galleries, NY 1980
The Sara Roby Foundation Collection of American Art
University Art Museum SUNY - Binghamton 1978
Steven Barbash. The Limits of Control in Drawing
University Art Museum SUNY - Binghamton 1978
|
