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        <h1 class="wow fadeInLeft" data-wow-delay=".4s">Giovanni Domenico Tiepolo (1727-1804)</h1>
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      <p class="wow fadeInLeft" data-wow-delay=".4s">We Perform Giovanni Domenico Tiepolo art authentication. <a href="https://www.artexpertswebsite.com/appraisal/painting-appraisal.php">Giovanni Domenico Tiepolo appraisal</a>. <a href="https://www.artexpertswebsite.com/authentication/certificate-of-authenticity.php">Giovanni Domenico Tiepolo certificates of authenticity (COA)</a>.  Giovanni Domenico Tiepolo analysis, <a href="https://www.artexpertswebsite.com/authentication/provenance-research.php">research</a>, <a href="https://www.artexpertswebsite.com/authentication/scientific-tests.php">scientific tests</a>, <a href="https://www.artexpertswebsite.com/authentication.php">full art authentications</a>. We will help you sell your Giovanni Domenico Tiepolo or we will sell it for you.</p>
      <p  class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_l-z/tiepolo/HeadofaPhilosopher1750's.jpg" alt="Head of a Philosopher 1750s" width="auto" height="auto"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Head of a Philosopher 1750s</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">Giovanni Domenico Tiepolo was a painter and printmaker in etching, son of artist Giovanni Battista Tiepolo and elder brother of Lorenzo Baldissera Tiepolo. Domenico was born in Venice, studied under his father, and by the age of 13 was the chief assistant to him. He was one of the many assistants, including Lorenzo, that transferred the designs of his father (executed in the ‘oil sketch’ invented by the same). By the age of 20, he was producing his own work for commissioners.</p>
      <p  class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_l-z/tiepolo/TheCharlatan.jpg" alt="The Charlatan" width="auto" height="auto"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">The Charlatan</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">He assisted his father in Würzburg 1751-3, decorating the famous stairwell fresco, in Vicenza at the Villa Valmarana in 1757, and in Madrid at the palace of Charles III from 1762-70. His painting style developed after the death of his father in 1770, at which time he returned to Venice, and worked here as well as in Genoa and Padua. His painting, though keeping the decorative influence of his father, moved from its spatial fancy and began to take a more realistic depiction. His portraits and scenes of life in Venice are characterized by movement, color, and deliberate composition.</p>
      <p  class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_l-z/tiepolo/Giovanni_Domenico_Tiepolo_-_St._Ambrose_Addressing_the_Young_St._Augustine.jpg" alt="St. Ambrose Addressing the Young St. Augustine" width="auto" height="auto"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">St. Ambrose Addressing the Young St. Augustine</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">After a lapse of 15 years, his work developed from the religious and mythological subjects of his father, to a more secular style. He produced 104 sketches of Punchinello, the standard character of the commedia dell’arte (which would later become Punch in Punch and Judy), a physically deformed clown. These were created as ‘Entertainments for the Children’, and attempted to poke fun at the pretensions and behavior of the viewer. The same protagonist featured in frescos in his family villa in Venice.</p>
      <p  class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_l-z/tiepolo/ApolloandDiana1757.jpg" alt="Apollo and Diana 1757" width="auto"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Apollo and Diana 1757</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">Many of Domenico’s works are drawings with ink wash, and he is a fine draftsman, although weaker than his father. His St. Ambrose Addressing the Young St. Augustine sketch is typical of the commissions he would receive. St. Ambrose, with the crozier and mitre, addresses and gives religious instruction to the beardless Saint Augustine. The composition has the pomp and grandiosity of his father’s work, set out as if part of a theatrical display. He, however, takes 18th century Venice as the setting for this 4th century act, drawing on his experience of the city and his many works depicting life in it. Domenico was also a significant printmaker in etching, often reproducing his own or his father’s paintings. However he produced an original series of twenty illustrations of the Flight into Egypt, and one of the fourteen Stations of the Cross.</p>
      <p  class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_l-z/tiepolo/TheProcessionotheTrojanHorsinTroy.jpg" alt="The Procession of the Trojan Horse in Troy" width="auto" height="auto"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">The Procession of the Trojan Horse in Troy</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">Still wondering about an 18th century painting in your family collection? <a href="https://www.artexpertswebsite.com/contact/contact1.php">Contact us</a>…it could be by Giovanni Domenico Tiepolo.</p>
      
      
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