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        <h1 class="wow fadeInLeft" data-wow-delay=".4s">Giovanni Battista Moroni (1520 – 1578)</h1>
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      <p class="wow fadeInLeft" data-wow-delay=".4s" align="justify">Giovanni Moroni art authentication. <a href="https://www.artexpertswebsite.com/appraisal/painting-appraisal.php">Giovanni Moroni appraisal</a>. <a href="https://www.artexpertswebsite.com/authentication/certificate-of-authenticity.php">Giovanni Moroni certificates of authenticity (COA)</a>.  Giovanni Moroni analysis, <a href="https://www.artexpertswebsite.com/authentication/provenance-research.php">research</a>, <a href="https://www.artexpertswebsite.com/authentication/scientific-tests.php">scientific tests</a>, <a href="https://www.artexpertswebsite.com/authentication.php">full art authentications</a>. We will help you sell your Giovanni Moroni or we will sell it for you.</p>
      <p  class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_l-z/moroni/Moroni_TheGentlemanInPink1560.jpg" alt="art" width="auto"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">The Gentleman in Pink 1560</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s" align="justify">Giovanni Moroni was an Italian mannerist painter, son of an architect, Andrea Moroni, born in Albino near Bergamo. He is also called Giambattista Moroni. Moroni was one of the great portrait painters of the sixteenth century. He trained under Alessandro Bonvicino in Brescia and worked mainly in and around his home town of Albino. He spent two short periods spent in Trento (1548 and 1551), at a time when the Council of Trent was in session. On both occasions Moroni painted a number of works (including the Altarpiece of the Doctors of the Church for the church of Santa Maria Maggiore).</p>
      <p  class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_l-z/moroni/Moroni_PortraitOfTheDoctor.jpg" alt="art" width="auto" height="auto"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Portrait of a Doctor (The Magistrate) 1560</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">It was during his stay in Trento that he also made contact with Titian and the Madruzzo family. There are claims he was trained by Titian, however, it is improbable he ever ventured to the Venetian’s studio for long, if at all. From the 1550s onwards, in fact, Moroni was often commissioned for portraits as a cheaper alternative to the busy Titian. This resulted in abundant patronage for portraits. His output was a series of portraits that, while not quite heroic, are full of dignified humanity and grounded in everyday life.</p>
      <p  class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_l-z/moroni/Moroni_TheTailor.jpg" alt="art" width="auto" height="auto"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">The Tailor, 1570-1575</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">His output of religious paintings was smaller; for example, he painted an Ultima Cena (Last Supper) for the parish at Romano in Lombardy; Coronation of the Virgin in San Alessandro della Croce, Bergamo; also for the cathedral of Verona, SS Peter and Paul, and in the Brera of Milan, the Assumption of the Virgin. Moroni was engaged upon a Last Judgment in the church of Corlago (Colnago?), when he died. Overall, his style in these paintings shows influences of his master, Lorenzo Lotto, and Girolamo Savoldo. Giovanni Paolo Cavagna was an undistinguished pupil of Moroni; however, it is said that in following generations, his insightful portraiture influenced Fra’ Galgario and Pietro Longhi.</p>
      <p  class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_l-z/moroni/Moroni_PortraitOfAMan.jpg" alt="art" width="auto"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Portrait of a Man</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">Freedberg notes that while his his religious canvases are “archaic” and show stilted unemotive saints, his portraits are remarkable for their sophisticated psychological insight, dignified air, and exquisite silvery tonality. Why was one category of his work is so limpid, and the other so expressive? One explanation is that the demands of the subject matter were different. Patrons for religious art were not interested in an individualized, expressive “Madonna”; they desired numinous archetypal saints. On the other hand, patrons were interested in the animated portraiture.</p>
      <p  class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_l-z/moroni/Moroni_PortraitOfAntonioNavagaro.jpg" alt="art" width="auto"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Portrait of Antonio Navagaro 1565</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">The National Gallery (London) has one of the best collections of his work, including the celebrated portrait known as “Il Sarto” (The Tailor) (a member of the Fenaroli family). Other portraits are found in the Uffizi, (the Nobleman pointing to Flame inscribed “Et quid volo nisi ut ardeat?”, Berlin Gallery,the Canon Ludovico de’ Terzi and Moroni’s own portrait; and in Stafford House, the seated half-figure of the Jesuit Ercole Tasso, currently termed “Titian’s Schoolmaster” (although there is no real connection).</p>
      <p  class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_l-z/moroni/Moroni_TitiansSchoolMaster1575.jpg" alt="art" width="auto" height="auto"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Titians Schoolmaster, 1575</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">The Ashmolean Museum (University of Oxford), Brooks Museum of Art (Memphis, Tennessee), Detroit Institute of Arts, the Fine Arts Museums of San Francisco, the Hermitage Museum, the Honolulu Academy of Arts, Kunsthistorisches Museum (Vienna), the Liechtenstein Museum (Vienna), the Louvre, Musée Condé Chantilly (Chantilly, France), Museo Poldi Pezzoli (Milan), the Museum of Fine Arts, Boston, National Galleries of Scotland, the National Gallery of Art (Washington D.C.), the National Gallery of Australia, the National Gallery of Canada, the National Gallery, London, the Norton Simon Museum (Pasadena, California), Pinacoteca Ambrosiana (Milan), Pinacoteca di Brera (Milan), Rijksmuseum, the Ringling Museum of Art (Florida), Studio Esseci (Padua, Italy), University of Arizona Museum of Art, Virginia Museum of Fine Arts and the Uffizi are among the public collections holding works by Giovanni Battista Moroni.</p>
      <p  class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_l-z/moroni/Moroni_JacopoFoscarini.jpg" alt="art" width="auto"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Jacopo Foscarino 1575</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">Still wondering about an Italian painting in your family collection? <a href="https://www.artexpertswebsite.com/contact/contact1.php">Contact us</a>…it could be by Giovanni Moroni.</p>
      
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