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      <div class="wow fadeInLeft" data-wow-delay=".4s">
        <h1>Marcel Duchamp (1887 – 1968)</h1>
      </div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">We Perform Marcel Duchamp art authentication. <a href="https://www.artexpertswebsite.com/appraisal/painting-appraisal.php">Marcel Duchamp appraisal</a>. <a href="https://www.artexpertswebsite.com/authentication/certificate-of-authenticity.php">Marcel Duchamp certificates of authenticity (COA)</a>.  Marcel Duchamp analysis, <a href="https://www.artexpertswebsite.com/authentication/provenance-research.php">research</a>, <a href="https://www.artexpertswebsite.com/authentication/scientific-tests.php">scientific tests</a>, <a href="https://www.artexpertswebsite.com/authentication.php">full art authentications</a>. We will help you sell your Marcel Duchamp or we will sell it for you.</p>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/duchamp/1.duchamp.jpg" alt="Duchamp, Apropos of Little Sister (A propos de jeune soeur)"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Apropos of Little Sister (A propos de jeune soeur)<br>
        1911 Oil on canvas 28 3/4 x 23 5/8 inches (73 x 60 cm)<br>
        Solomon R. Guggenheim Museum, New York </div>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/duchamp/2.duchamp.jpg" alt="Duchamp, Nude (Study), Sad Young Man on a Train (Nu [esquisse]"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Nude (Study), Sad Young Man on a Train (Nu [esquisse], Jeune homme triste dans un train)<br>
        1911–12 Oil on cardboard, mounted on Masonite 39 3/8 x 28 3/4 inches (100 x 73 cm)<br>
        The Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice </div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">Marcel Duchamp was a French-born artist, who redefined modern art in the post World War I era. While Duchamp is often associated with the Surrealist and Dadaist movements, his work remains in a league of its own. Duchamp challenged the way people think about art and artistic practices. While Duchamp did not produce a large quantity of works, the pieces he did produce were often controversial and avant-garde.</p>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/duchamp/3.duchamp.jpg" alt="Duchamp,  Poarta Sarutului, Tirgu Jiu"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Study for Chess Players (Étude pour une partie d’échecs)<br>
        1911 Brown ink with watercolor wash on writing paper 8 3/8 x 7 1/4 inches (21.2 x 18.4 cm)<br>
        Solomon R. Guggenheim Museum, New York</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">Duchamp was born in the Haute-Normandie region of France. Duchamp’s siblings Jacques Villon, Raymond Duchamp-Villon and Suzanne Duchamp-Crotti were also active artists. As a child, Duchamp drew and painted alongside his older siblings.</p>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/duchamp/4.duchamp.jpg" alt="Duchamp, The Bride Stripped Bare by Her Bachelors, Even (The Green Box)"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">The Bride Stripped Bare by Her Bachelors, Even (The Green Box),<br>
        1934 Box containing collotype reproductions on various papers<br>
        Overall: 13 x 11 1/8 x 1 in. (33 x 28.3 x 2.5 cm)</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">From 1904 to 1905 Duchamp studied at the Académie Julian in Paris. After only a year of study, Duchamp was obligated to join the army, where he worked as a printer. As a printer Duchamp was able to learn about printing processes and typography.</p>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/duchamp/5.duchamp.jpg" alt="Duchamp, Conversation"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Conversation<br>
        1909 Pen and ink and wash on paper 12 x 9 7/8″ (30.5 x 25.7 cm)</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">In 1908-09 Duchamp exhibited his work in both the Salon d’Automne and the Salon des Indépendants. Duchamp soon became acquainted with a circle of like-minded artists including Picabia, Robert Delaunay, Fernand Léger, Roger de la Fresnaye, Albert Gleizes, Jean Metzinger, Juan Gris and Alexander Archipenko. The group, hosted by Duchamp’s brother, Jacques, was known as the Puteaux Group or Orphic Cubists.</p>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/duchamp/6.duchamp.jpg" alt="Duchamp, Sundays"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Sundays<br>
        1909 Conté crayon, ink, and gouache on paper 24 x 19 1/8″ (61 x 48.5 cm)</div>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/duchamp/7.duchamp.jpg" alt="Duchamp, Landscape"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Landscape<br>
        1911 Oil on canvas 18 1/8 x 24″ (46.3 x 61.3 cm)</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">Duchamp’s first controversial work was ‘Nude Descending a Staircase, No. 2’. Duchamp gradually moved away from Cubist theory and started exploring the ‘fourth dimension’. In 1913 Duchamp entered the Armory Show in New York City, known as the International Exhibition of Modern Art, where he continued to stir the minds of critics and spectators.</p>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/duchamp/9.duchamp.jpg" alt="Duchamp,  The Passage from Virgin to Bride"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">The Passage from Virgin to Bride<br>
        1912 Oil on canvas, 23 3/8 x 21 1/4″ /59.4 x 54 cm</div>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/duchamp/10.duchamp.jpg" alt="Duchamp,  3 Standard Stoppages"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">3 Standard Stoppages<br>
        1913-14 Wood box 11 1/8 x 50 7/8 x 9″ (28.2 x 129.2 x 22.7 cm) three threads 39 3/8″ (100 cm), glued to three painted canvas strips 5 1/4 x 47 1/4″ (13.3 x 120 cm)</div>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/duchamp/11.duchamp.jpg" alt="Duchamp,  Bicycle Wheel"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Bicycle Wheel<br>
        1951 (Third version, after lost original of 1913) Metal wheel mounted on painted wood stool, 51 x 25 x 16 1/2″ (129.5 x 63.5 x 41.9 cm)</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">After 1913 Duchamp created few traditional paintings and devoted his attention to technical drawings. Duchamp became less engaged with academic painters and spent his time working in a library and studying math and science.</p>
      <p class="wow fadeInLeft" data-wow-delay=".4s">In 1915, a year after the start of World War I, Duchamp made the decision to leave Paris and emigrate to the United States. Duchamp settled in New York, where he quickly met artists and art patrons.</p>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/duchamp/12.duchamp.jpg" alt="Duchamp,  Network of Stoppages"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Network of Stoppages<br>
        1914 Oil and pencil on canvas 58 5/8″ x 6′ 5 5/8″ (148.9 x 197.7 cm)</div>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/duchamp/13.duchamp.jpg" alt="Duchamp,  To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour "></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour<br>
        1918 Oil, silver leaf, lead wire, and magnifying lens on glass (cracked), mounted between panes of glass in a standing metal frame, 20 1/8 x 16 1/4 x 1 1/2″ (51 x 41.2 x 3.7 cm)</div>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/duchamp/14.duchamp.jpg" alt="Duchamp, Designs for Chessman"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Designs for Chessman<br>
        1920 Ink, pencil, and relief printing on paper, 8 5/8 x 9″ (21.9 x 22.9 cm) each</div>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/duchamp/15.duchamp.jpg" alt="Duchamp, Monte Carlo Bond (No. 12) "></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Monte Carlo Bond (No. 12)<br>
        1924 Cut-and-pasted gelatin silver prints on lithograph with letterpress, 12 1/4 x 7 1/2″ (31.2 x 19.3 cm)</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">By 1920 Duchamp formed the Société Anonyme with Katherine Dreier and Man Ray. The group was able to bring European Dadaist ideas to New York. The group discussed ‘ready-mades’ and ‘found’ art, among other things.</p>
      <p class="wow fadeInLeft" data-wow-delay=".4s">Duchamp made his most controversial move by submitting his most iconic piece; a urinal coined ‘Fountain’, to the Society of Independent Artists. His submission outraged fellow Dadaists. Despite criticism, Duchamp continued to work and published a Dada magazine in New York known as <em>The Blind Man</em>.</p>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/duchamp/16.duchamp.jpg" alt="Duchamp, Rotary Demisphere (Precision Optics)"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Rotary Demisphere (Precision Optics)<br>
        1925 Painted papier-mâché demisphere fitted on velvet-covered disk, copper collar with plexiglass dome, motor, pulley, and metal stand, 58 1/2 x 25 1/4 x 24″ (148.6 x 64.2 x 60.9 cm)</div>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/duchamp/17.duchamp.jpg" alt="Duchamp, Nude Descending a Staircase, No. 2"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Nude Descending a Staircase, No. 2<br>
        1912 Oil on canvas 57 7/8″ x 35 1/8″<br>
        Philadelphia Museum of Art</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">In 1918 Duchamp took a break from his main artwork ‘Large Glass’ and travelled to Argentina. In Argentina Duchamp focused on playing chess, an exercise he compared to drawing.</p>
      <p class="wow fadeInLeft" data-wow-delay=".4s">In 1923, after the end of the war, Duchamp returned to Paris through the financial backing of Jacques Doucet. In Paris, Duchamp withdrew from Dadaism and began to make optical devices. The devices were known as Rotoreliefs and would spin around on a phonograph. The spinning designs were filmed and produced in 1926 as Anémic Cinéma.</p>
      <p class="wow fadeInLeft" data-wow-delay=".4s">While the Rotorelief project was not incredibly successful, Duchamp continued to play chess in France, as he thought is was more pure than art, which was easily commercialized and tainted.</p>
      <p class="wow fadeInLeft" data-wow-delay=".4s">Marcel Duchamp is now recognized for the tremendous impact he made on the art world. His pieces are in the most prestigious, international museums and collections. Do you think you own a piece by Marcel Duchamp? <a href="https://www.artexpertswebsite.com/contact/contact1.php">Contact</a> us. We are the experts on Marcel Duchamp.</p>
      
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