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        <h1>Piero di Cosimo (1462-1522)</h1>
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      <p class="wow fadeInLeft" data-wow-delay=".4s">We Perform Piero di Cosimo art authentication. <a href="https://www.artexpertswebsite.com/appraisal/painting-appraisal.php">Piero di Cosimo appraisal</a>. <a href="https://www.artexpertswebsite.com/authentication/certificate-of-authenticity.php">Piero di Cosimo certificates of authenticity (COA)</a>.  Piero di Cosimo analysis, <a href="https://www.artexpertswebsite.com/authentication/provenance-research.php">research</a>, <a href="https://www.artexpertswebsite.com/authentication/scientific-tests.php">scientific tests</a>, <a href="https://www.artexpertswebsite.com/authentication.php">full art authentications</a>. We will help you sell your Piero di Cosimo or we will sell it for you.</p>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/cosimo/Piero_di_Cosimo_Simonetta.jpg" alt="art"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Portrait of Simonetta Vespucci 1480</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">Piero di Cosimo, also known as Piero di Lorenzo, was an Italian painter. The son of a Florentine goldsmith, Piero was born in Florence and apprenticed under the artist Cosimo Rosseli, from whom he derived his popular name and whom he assisted in the painting of the Sistine Chapel in 1481.</p>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/cosimo/DiCosimo_StudyForTheHeadOfAnOldMan.jpg" alt="art"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Study for the Head of an Old Man 1480</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">In the first phase of his career, Piero was influenced by the Netherlandish naturalism of Hugo van der Goes, whose Portinari Triptych (now at the Spedale of Santa Maria Novella in Florence) helped to lead the whole of Florentine painting into new channels. From him, most probably, Cosimo acquired the love of landscape and the intimate knowledge of the growth of flowers and of animal life. The manner of Hugo van der Goes is especially apparent in the Adoration of the Shepherds, at the Berlin Museum.</p>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/cosimo/Cosimo_MadonnaAndChildWithAnAngel.jpg" alt="art"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Madonna and Child with Angels</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">He journeyed to Rome in 1482 with his master, Rosselli. He proves himself a true child of the Renaissance by depicting subjects of Classical mythology in such pictures as the Venus, Mars, and Cupid, The Death of Procris, the Perseus and Andromeda series, at the Uffizi, and many others. Inspired to the Vitruvius’ account of the evolution of man, Piero’s mythical compositions show the bizarre presence of hybrid forms of men and animals, or the man learning to use fire and tools. The multitude of nude in these works shows the influence of Luca Signorelli on Piero’s art.</p>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/cosimo/Cosimo_ASatyrMourningANymph.jpg" alt="art" width="auto"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">A Satyr Mourning a Nymph</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">If, as Vasari asserts, he spent the last years of his life in gloomy retirement, the change was probably due to Savonarola, under whose influence he turned his attention once more to religious art. The death of his master Roselli may also have had an impact on Piero’s morose elder years. The Immaculate Conception with Saints, at the Uffizi, and the Holy Family, at Dresden, best illustrate the religious fervour to which he was stimulated by the stern preacher.</p>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/cosimo/Cosimo_ImmaculateConceptionWithSaints.jpg" alt="art" width="auto"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">The Immaculate Conception with Saints</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">With the exception of the landscape background in Rosselli’s fresco of the Sermon on the Mount, in the Sistine Chapel, we have no record of any fresco work from his brush. On the other hand, Piero enjoyed a great reputation as a portrait painter: the most famous of his work is in fact the portrait of a Florentine noblewoman, Simonetta Vespucci, mistress of Giuliano de Medici. According to Vasari Piero excelled in designing pageants and triumphal processions for the pleasure-loving youths of Florence, and gives a vivid description of one such procession at the end of the carnival of 1507, which illustrated the triumph of death. Piero di Cosimo exercised considerable influence upon his fellow pupils Albertinelli and Bartolomeo della Porta, and was the master of Andrea del Sarto.</p>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/cosimo/Cosimo_Allegory.jpg" alt="art"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">Allegory</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">Giorgio Vasari includes a biography of Piero di Cosimo in his Lives of the Artists. Vasari gave Piero’s date of death as 1521, and this date is still repeated by many sources, including the Encyclopedia Britannica. However, contemporary documents reveal that he died of plague on April 12, 1522.</p>
      <p class="wow fadeInLeft" data-wow-delay=".4s">Selected works:</p>
      <ul class="wow fadeInLeft" data-wow-delay=".4s">
        <li>Portrait of Simonetta Vespucci (c. 1480) Oil on panel, 57 x 42 cm, Musée Condé, Chantilly, France</li>
        <li>Story of Jason (1486) National Gallery of South Africa, Cape Town</li>
        <li>The Visitation with Saints Nicholas and Anthony (1489-1490) Wood, 184 x 189, National Gallery of Art, Washington</li>
        <li>Venus, Mars, and Cupid (1490) Wood panel, 72 x 182 cm, Staatliche Museen, Berlin</li>
        <li>St. Mary Magdalene (1490s) Tempera on panel, 72,5 x 76 cm, Galleria Nazionale d’Arte Antica, Rome</li>
        <li>Mystical Marriage of St. Catherine of Alexandria (1493) Oil on panel, Ospedale degli Innocenti, Florence</li>
        <li>Allegory (1500) Panel, National Gallery of Art, Washington</li>
        <li>St. John the Evangelest (1504-1506) oil on panel, Honolulu Academy of Arts</li>
        <li>The Discovery of Honey (c. 1505-1510) Oil on panel, Art Museum, Worcester, Massachusetts</li>
        <li>Vulcan and Aeolus (c. 1495-1500) Oil and tempera on canvas, National Gallery of Canada, Ottawa</li>
        <li>The Finding of Vulcan on Lemnos (1495-1505) Oil and tempera on canvas, Wadsworth Atheneum, Hartford, Connecticut</li>
        <li>Perseus Frees Andromeda c. 1515, Oil on wood, 70 x 123 cm, Uffizi, Florence</li>
        <li>Giuliano da San Gallo (c. 1500) Wood panel, 47,5 x 33,5 cm, Rijksmuseum, Amsterdam</li>
        <li>The Death of Procris (c. 1500) Oil on panel, 65 x 183 cm, National Gallery, London</li>
        <li>The Adoration of the Christ Child (1505) Oil on wood, Galleria Borghese, Rome</li>
        <li>Immaculate Conception with Saints (c. 1505) Wood panel, 206 x 172 cm, Uffizi, Florence</li>
        <li>The Misfortunes of Silenus (c.1505-1510) Oil on panel, Fogg Art Museum, Cambridge, Massachusetts</li>
        <li>The Myth of Prometheus (1515) Oil on panel, Alte Pinakothek, Munich</li>
        <li>The Building of a Palace (1515-1520) oil on panel, 83 x 197 cm, Ringling Museum of Art, Sarasota, Florida</li>
      </ul>
      <p align="center" class="wow fadeInRight" data-wow-delay=".4s"><img src="uploads/artists/artists_a-k/cosimo/DiCosimo_TheMythOfPromethius.jpg" alt="art" width="auto"></p>
      <div class="boldcap wow fadeInRight" data-wow-delay=".4s">The Myth of Prometheus 1515</div>
      <p class="wow fadeInLeft" data-wow-delay=".4s">Still wondering about an Italian painting in your family collection? <a href="https://www.artexpertswebsite.com/contact/contact1.php">Contact us</a>…it could be by Piero di Cosimo.</p>
     
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