Get a Fernandez Certificate of Authenticity for your painting (COA) for your Fernandez drawing.

For all your Fernandez artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Fernandez Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fernandez painting or drawing.

If you want to sell your Fernandez painting or drawing use our selling services. We offer Fernandez selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fernandez and issuing certificates of authenticity since 2002. We are recognized Fernandez experts and Fernandez certified appraisers. We issue COAs and appraisals for all Fernandez artworks.

Our Fernandez paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fernandez certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fernandez painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fernandez paintings or drawings take longer.

Our clients include Fernandez collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Aristides Fernandez art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Aristides Fernandez or we will sell it for you.

Though almost completely self-taught, Fernandez briefly attended the San Alejandro Academy. He did not finish his studies there, however and dropped out only a year into his studies.

Fernandez was known to be a violent person, highly critical of his own work. He rejected the green color palate used by his contemporaries, and instead depicted Cuba in deep blues and grey tones. One of his most famous paintings “Lavanderas” is a great example of his use of blue tones and portrayal of Cuban life.

His style was very different from that of his contemporaries, and is difficult to categorize, though he may be linked closest to the Expressionists. During his lifetime, he was highly critical about the organized art school systems, and was always trying to separate himself from movements, styles or art groups. Nevertheless, he became good friends with many high profile artists of the day such as Jorge Arche and Victor Manuel.

Despite the fact that Fernandez did not categorize himself in any way, today he is known as being one of the forerunners in Cuban Modernism and social commentary paintings. His work was usually very socially driven and featured the “peasants” of rural Cuba, such as “La Familia.”

Almost as popular as Fernandez’s paintings are his short stories. Written mostly in the first person narrative, Fernandez was also one of the first Cuban painters to write in the horror genre. Leaving behind 17 short stories in total, his compositions were also never published during his lifetime, but were released in 1960.

Because of Fernandez’s sometimes turbulent, often mysterious and short-lived life, the possibility for previously unknown work of his surfacing is great. He was known to destroy many of his paintings due to his perfectionist nature, therefore leaving very few finished pieces in his oeuvre compared to most painters.

Fernandez’s work is very pictorial and narrative in nature and his paintings seem to tell a story about what’s going on. He rarely did still life, landscapes or portraiture—always scenes telling stories about Cuban culture and people. Sadly, like most painters, he only reached national acclaim posthumously, leaving many questions and mysteries about his work behind.

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