2--benois.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "benois" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "benois" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "benois" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "benois" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
3--leoni.php Ottavio Leoni Artwork Authentication & Art Appraisal

Ottavio Leoni (1578-1630)

Get a Leoni Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Leoni artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Leoni Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Leoni painting, drawing or print.

If you want to sell your Leoni painting, drawing or print use our selling services. We offer Leoni selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Leoni and issuing certificates of authenticity since 2002. We are recognized Leoni experts and Leoni certified appraisers. We issue COAs and appraisals for all Leoni artworks.

Our Leoni paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Leoni certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Leoni painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Leoni paintings or drawings take longer.

Our clients include Leoni collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ottavio Leoni art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ottavio Leoni or we will sell it for you.

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Self-Portrait 1625

Ottavio Leoni was an Italian printermaker and painter of the early-Baroque. He was best known for his portraits. He is also known as il Padovanino, for being born in Padua. He was a pupil of his father, Ottavio Leoni. He became president of the Accademia di San Luca.

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Four Portrait Heads, 1625-1630

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Urban VIII

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Portrait of a Lady 1623

His work is exhibited in places such as Fine Arts Museums of San Francisco, USA; Museum of Fine Arts, Boston, USA; National Gallery of Art, Washington D.C., USA; Bowes Museum, Durham, United Kingdom; Courtauld Institute of Art, London, United Kingdom; Harvard University Art Museums Database, Massachusetts, USA; Museum of Art, Los Angeles, USA; and Palazzo Ruspoli, Rome, Italy. He painted an Annunciation for Sant Eustachio in Rome, a Virgin and child with St. Giacinto for Santa Maria della Minerva.

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Portrait of Galileo Galilei 1624

Still wondering about an Italian painting in your family collection? Contact us…it could be by Ottavio Leoni.


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4--liberale-da-verona.php Liberale da Verona Artwork Authentication & Art Appraisal

Liberale da Verona (1441-1526)

Get a Da Verona Certificate of Authenticity for your painting (COA) for your Da Verona drawing.

For all your Da Verona artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Da Verona Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Da Verona painting or drawing.

If you want to sell your Da Verona painting or drawing use our selling services. We offer Da Verona selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Da Verona and issuing certificates of authenticity since 2002. We are recognized Da Verona experts and Da Verona certified appraisers. We issue COAs and appraisals for all Da Verona artworks.

Our Da Verona paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Da Verona certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Da Verona painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Da Verona paintings or drawings take longer.

Our clients include Da Verona collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Liberale da Verona art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Liberale da Verona or we will sell it for you.

Louis Carrogis de da Verona was an 18th century French artist, designer and writer. Most notably, he worked for the Duc de Chartres, and created a series of portraits for the duc’s household and visitors in pencil and watercolor. He created these very quickly, in a matter of less than two hours, and featured his sitters in profile. Some of da Verona’s sitters included members of the court and historically famous individuals such as a young Mozart and his father. In all, some 750 of these portraits were collected and sold after his death, and are considered most valuable by art historians.

da Verona

Page from Illuminated Choir Book

da Verona

Madonna del Cardellino

Liberale da Verona was an Italian painter of the Renaissance period, active mainly in Verona. He was a pupil of the painter Vincenzo di Stefano, although he was strongly influenced by Andrea Mantegna and Jacopo Bellini. He was featured in the Vite of Giorgio Vasari. In Verona, he painted an Adoration of the Magi in the Duomo and another for the chapel in the bishopric. He also painted a Birth and Assumption of the Virgin, and a painting of St. Stephen for the Brera Gallery. In addition to large-scale pieces, da Verona made illustrations or illuminated books, which are housed at the Cathedral of Chiusi.

da Verona

Scene from a Novella
Tempera on wood
Metropolitan Museum of Art, New York

da Verona

The Chess Players, 1475
Tempera on wood
Metropolitan Museum of Art, New York
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Saint Sebastian, c. 1480
Oil on Canvas
Princeton University Art Museum

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Study of Two Women Breastfeeding
Albertina Bilddatenbank Collection, Vienna

Still wondering about an Italian painting in your family collection? Contact us…we are the Liberale da Verona experts.


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5--da-vinci.php Leonardo da Vinci Artwork Authentication & Art Appraisal

Leonardo da Vinci (15 April 1452 – 2 May 1519)

Get a Da Vinci Certificate of Authenticity for your painting or a COA for your Da Vinci drawing or sculpture.

For all your Da Vinci artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Da Vinci Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Da Vinci painting, drawing or sculpture.

If you want to sell your Da Vinci painting, drawing or sculpture use our selling services. We offer Da Vinci selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Da Vinci and issuing certificates of authenticity since 2002. We are recognized Da Vinci experts and Da Vinci certified appraisers. We issue COAs and appraisals for all Da Vinci artworks.

Our Da Vinci paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Da Vinci certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Da Vinci painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Da Vinci paintings, drawings or sculpture take longer.

Our clients include Da Vinci collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Leonardo da Vinci art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Leonardo da Vinci or we will sell it for you.

Leonardo da Vinci set standards for representation, draftsmanship, and aesthetics that dominated the High Renaissance. Leonardo essentially changed the image of the artist, from a craftsman to a learned man with a capacity for creativity and theoretical thinking. His theories and oeuvre dominated European art for the past five hundred years. His Mona Lisa (Louvre, Paris, France) is considered the most famous painting in the world. Leonardo da Vinci was the first Italian artist to paint in oil. Few of his works were actually completed, however, and only a small number survive. (Kemp, M. “Leonardo da Vinci,” Encyclopedia of Italian Renaissance and Mannerist Art, Oxford University Press, 2004, pp. 846-847.)

da Vinci, Study of a Woman, ca. 1487, Galleria delgli Uffizi, Florence, Italy.

Study of a Woman, ca. 1487, Galleria delgli Uffizi, Florence, Italy.

Leonardo holds a place of honor in Vasari’s (1511-1574) Lives of the Most Excellent Painters, Sculptors, and Architects. Vasari was the first Italian art historian; he invented the term “Renaissance.” Vasari’s biography of Leonardo da Vinci set the tone for both scholarly and popular appreciation of Leonardo da Vinci’s oeuvre. (Clark, K., intro., Lives of the most eminent painters, sculptors, and architects by Giorgio Vasari, translated by Gaston du C. De Vere, Abrams, New York, 1979, pp. xi-xiv.) Leonardo da Vinci’s reputation was high during his own lifetime and has continued unsullied throughout art history.

The broad outlines of Leonardo da Vinci’s biography come from Vasari. Leonardo was born in Florence, the illegitimate child of a prosperous, middle class father and a mother about whom only her name—Caterina—is known. His father was a notary. Leonardo was his father’s first child; his father married four times after Leonardo’s birth. (Goldscheider, L., Leonardo da Vinci, Oxford University Press, Oxford, 1959, pp. 13-20.)

da Vinci, St. Jerome, ca. 1482, oil on panel, Pinacoteca, Vaticana, Rome.

St. Jerome, ca. 1482, oil on panel, Pinacoteca, Vaticana, Rome.

First Period in Florence

Leonardo’s father arranged an apprenticeship for Leonardo in the studio of one of the most outstanding sculptors of the time: Andrea del Verrocchio (ca. 1435-88). Verrocchio’s workshop was the largest in Florence. The name “Verrocchio” means true eye. Verrocchio worked mostly in bronze. He was also a painter, but few paintings are ascribed to his hand alone. Verrocchio trained many important painters of the time in addition to Leonardo da Vinci. (Baxandall, M., Painting and Experience of Fifteenth Century Italy: A Primer in Social History of pictorial style. New York, Oxford University Press, 1980, pp. 85-97.) Leonardo da Vinci apprenticed with Verrocchio for ten years.

da Vinci, The Annunciation, ca. 1472, painted by Leonardo da Vinci and Andrea del Vecchio, oil and tempera on panel, Galleria delgli Uffizi, Florence, Italy.

The Annunciation, ca. 1472, painted by Leonardo da Vinci and Andrea del Verrocchio, oil and tempera on panel, Galleria delgli Uffizi, Florence, Italy.

In 1472, Leonardo da Vinci joined the Compagnia di San Luca, the fraternity of artists in Florence. (Kemp, Encyclopedia, p. 848.) The Annunciation (Uffizi, Florence) was started during the 1470s, as was the portrait of Ginevra di’ Benci (National Gallery, Washington, DC), who married in 1474. (Brown, D.A., Leonardo da Vinci: Origins of a Genius, Yale University Press, New Haven, 1998, pp. 101-123.)

da Vinci, Portrait of Ginevra de' Benci, ca. 1474-5, oil on panel, National Gallery of Art, Washington, DC.

Portrait of Ginevra de’ Benci, ca. 1474-5, oil on panel, National Gallery of Art, Washington, DC.

The altarpiece of The Adoration of the Magi (Uffizi, Florence) was commissioned by the monastery of S Donata in 1481. It remains unfinished, only the under-painting was completed before Leonardo moved to Milan. (Kemp, M. Leonardo, Oxford University Press, New York, 2004, p. 45-52.)

da Vinci, The Adoration of the Magi, 1481, oil on panel, Galleria delgli Uffizi, Florence, Italy.

The Adoration of the Magi, 1481, oil on panel, Galleria delgli Uffizi, Florence, Italy.

First period in Milan

Scholars think Leonardo moved to Milan in about 1481 or 82. A letter he wrote in 1482 survives. In it, Leonardo asks for a job as a military engineer and lute player with il Moro (the ruler) Ludovico Sforza of Milan. Leonardo also proposed to work on a bronze equestrian statue of Ludovico’s father, which Leonardo never finished. (Brown, pp. 183 and 190.)

Under contract to the Sforza family during the 1480s, Leonardo did a portrait of Ludovico Sforza’s mistress Cecilia Gallerani: Portrait of a Lady with an Ermine (Kraków, Czartoryski Collection) (Pope-Hennessy, J, The Portrait in the Renaissance, New York, 1966, pp. 72-77.)

da Vinci, Lady with an Ermine, ca. 1489-90, oil on panel, Czartoryski Museum, Kraków, Poland.

Lady with an Ermine, ca. 1489-90, oil on panel, Czartoryski Museum, Kraków, Poland.

Leonardo contracted with the de’ Predis family to create an altarpiece for the church at S Francesco Grande, Milan. The contract specifies that the paintings of the Virgin was to be done in oil. (Kemp, Encyclopedia, p. 846.)

The altarpiece became an on-going legal battle. (Baxandall, M., pp. 21-25.) Out of this ordeal emerged the Virgin of the Rocks (Louvre, Paris). According to some scholars, Leonardo started another version of Virgin of the Rocks (both also known as Madonna of the Rocks) at the National Gallery in London during this time.

da Vinci, Madonna of the Rocks, 1483-6, oil on panel transferred to canvas, Louvre, Paris.

Madonna of the Rocks, 1483-6, oil on panel transferred to canvas, Louvre, Paris.

Leonardo worked on the fresco of The Last Supper in 1495. Currently in desperate condition, and poorly restored, the fresco was considered the most important painting in the world until its condition irreversibly deteriorated in the nineteenth century. (Baxandall, M., pp. 143-5.)

Many of Leonardo’s notebook sketches of fortresses, flying machines, waterworks, anatomical studies, plants, birds, clouds were from his first period in Milan. (Kemp, M., Leonardo da Vinci, the marvelous works of nature and man, Harvard University Press, Cambridge, MA, 1981, pp. 45-57.) He stayed in Milan until the French invaded in 1499.

Second Period in Florence

Leonardo went home to Florence in the spring of 1500 and had to find work quickly. The letters of noblewoman Isabella d’Este to Leonardo show the variety of projects he considered, most of which he never undertook. (Goldscheider, pp. 22-24.) Of those he started, most were unfinished: examples of such proposed but never executed projects were a painting of Christ as a child/young man and various portraits of important people of the time in Florence. (“Leonardo da Vinci,” Oxford Dictionary of Art, p. 285.)

da Vinci, Study of a Horse, undated, Galleria delgli Uffizi, Florence, Italy.

Study of a Horse, undated, Galleria delgli Uffizi, Florence, Italy.

The cartoon (preliminary drawing) for Virgin and Child with St. Anne and Lamb dates from the second Florentine period, as do less realized drawings for Madonna of the Yarnwinder. (Kemp, M., “From Scientific Examination to the Renasissance Market: The Case of Leonardo da Vinci’s ‘Madonna of the Yarnwinder,'” Journal of Medieval and Renaissance Studies, vol. 24, no. 2, Spring 1994, p. 260-63.)

In 1502, Leonardo became chief engineer and architect for Cesare Borgia. This job required extensive travel. Map of Imola (Windsor Castle) was produced during this period. (Kemp, Encyclopedia, p. 848.)

da Vinci, Study of a Woman, undated, Galleria delgli Uffizi, Florence, Italy.

Study of a Woman, undated, Galleria delgli Uffizi, Florence, Italy.

In late 1502, Leonardo started the wall-painting of Battle of Anghiari meant to celebrate the victory of Florence over Milan in 1440. In 1504, Michelangelo was commissioned to paint the companion piece: the Battle of Cascina. Neither picture was completed. Leonardo was called away in 1504 to help the Borgias plan fortresses. Most of the Battle of Anghiari, however, was completed by Leonardo, though it was destroyed in the 1560s. (Goldscheider, p. 23 and 28.)

Mona Lisa (probably started in 1501 or 2) is the best known painting of Leonardo’s second Florentine period. Vasari first proposed that the sitter was the wife of Francesco del Giocondo, Madonna Lisa. The identity of the sitter was finally affirmed by a note written by a contemporary of Leonardo da Vinci’s discovered at University of Heidelberg Library in 2005. (“Mona Lisa’s true identity,” National Geographic News, 15 January 2008, online edition accessed 1 November 2009.)

The portrait of Mona Lisa was revolutionary. During the early sixteenth century, women were conventionally shown adorned by expensive jewels and fashionable clothes. Women were posed in profile. Leonardo showed Mona Lisa wearing no jewelry, facing the viewer directly, in a three-quarter pose. Viewers are often surprised by its diminutive size—30 x 21 inches (77 x 53 cm.) The painting is on a poplar support. (“Leonardo da Vinci,” Oxford Dictionary of Art, 1998, p. 285)

da Vinci, Mona Lisa, ca. 1503-6, oil on panel, Louvre, Paris, France.

Mona Lisa, ca. 1503-6, oil on panel, Louvre, Paris, France.

Second period in Milan

Leonardo returned to Milan in the summer of 1508 and was apparently an architect for the French governor of Milan, though none of his plans survive.

This was the period of his most advanced work in geometry and human anatomy. Many scholars believe Leonardo painted St. John the Baptist in about 1509. (Kemp, Encyclopedia, p. 846.)

da Vinci, Baptism, by Leonardo da Vinici and Andrea del Verrochio, (ca. 1472-75); Galleria degli, Uffizi, Florence, Italy.

Baptism, by Leonardo da Vinici and Andrea del Verrocchio, (ca. 1472-75); Galleria degli, Uffizi, Florence, Italy.

Florence, Rome, France

Leonardo went back to Florence in 1513. He was hired by Duke Giuliano de Medici for military projects in Rome. Leonardo’s sketches from this period show an intensified interest in fluid mechanics, geometry, and optics. (Goldscheider, pp. 138-41.)

King Francis I invited Leonardo to join his court as “first painter and engineer.” Leonardo spent the rest of his life near Amboise at the Chateau de Cloux. Leonardo was in fragile health and had a partially-paralyzing stroke in about 1517. Scholars believe that assistants did much of painting from this last period of his life. Francecso Melzi, one of Leonardo’s best-known assistants, was mentioned in Leonardo’s will. Leonardo is buried in Amboise, France. (Oxford Dictionary of Art, Oxford University Press, 1988, pp. 185-86.)

da Vinci, Benois Madonna, 1478, Hermitage Museum, St. Petersburg, Russia.

Benois Madonna, 1478, Hermitage Museum, St. Petersburg, Russia.

da Vinci, Leonardo da Vinci,

Leonardo da Vinci, “St. John the Baptist,” (1513-6), oil on panel, 69 x 57 cm, Louvre, Paris.

Do you think you own a picture by Leonardo da Vinci? We authenticate, attribute and appraise any work by da Vinci.

Please contact us for more information on how we can help you with your Leonardo da Vinci: info@artexpertswebsite.com.


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6--bod Juan Boza Artwork Authentication & Art Appraisal

Juan Boza (1941-1991)

We Perform Juan Boza art authentication. Juan Boza appraisal. Juan Boza certificates of authenticity (COA). Juan Boza analysis, research, scientific tests, full art authentications. We will help you sell your Juan Boza or we will sell it for you.

Schooled at San Alejandro, Juan Boza was one of the leading artists in Afro-Cuban art. He was expelled from San Alejandro, as well as the National Art School, for political reasons. Shortly thereafter, he worked as a lithographer in the 1970’s, but was also fired because many artists were being censored and excluded by the government during that time.

Like many other Cubans, he fled on the 1980 Mariel lift, living in Key West, FL for a while, and finally settling in New York. Boza left Cuba not only to escape political oppression, but as a result of suicidal thoughts.

A student and protégé of Wilfredo Lam, many compare and contrast the two in terms of their extensive use of Afro-Cuban imagery. Boza was quoted as being very involved in his Afro-Cuban heritage, and was devoted to their religion, morals and ways of living. His art was a reflection of his own personal experiences, and became increasingly Afro-Cuban based after he received political asylum in the United States. Like so many others, he felt a sense of displacement and was alone in the States. It was only through painting images of home and his culture that he made his way in the United States.

Mainly, Boza was known for his installation pieces, featuring Afro-Cuban imagery and mixed media. He would create altars, almost shrines, of native masks, foliage, flowers, colorful drapery and other symbolic elements of Afro-Cuban history. His most famous installation was “The Legend of Sese-Eribo” (1987).

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The Legend of Sese Eribo

Though Boza rarely created oil canvas pieces, he became quite well-known as a lithographer and graphic artist as well. He mainly created lithos in the 1970’s, and due to his struggles with the government as a controversial artist, surely many of them were destroyed. However, much of his contemporary work most likely still exists, and to own one of his lithographs would be not only a remarkable piece of history, but a valuable piece of art.

One way to tell whether you have a Juan Boza lithograph or mixed media prints is to look at the style. Compare it to one of Wilfredo Lam’s prints—if it looks similar, then you may have a Boza. He was a student of Lam’s and was very fond of his work, which one can see reflected in his work. Boza was never successful as an oil painter, but worked wonders with graphics. Some of his mixed-media prints include magazine cutouts and surreal, dream-like images.

Interestingly enough, there is another Juan Boza in the world. Nicaraguan artist Juan Boza Gutierrez is a contemporary potter and ceramics painter. Though his work could never be confused with the Cuban Boza, his name may be, and might cause confusion.

Today, his work is owned in private collections, as well as in museums in the United States, London, and Mexico. Do you think you may own an original Juan Boza? Contact Art Experts. We would be glad to help you authenticate a piece of Afro-Cuban art by this great Cuban master.


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7--smits.php Jakob Smits Artwork Authentication & Art Appraisal

Jakob Smits (1855-1928)

Get a Smits Certificate of Authenticity for your painting (COA) for your Smits drawing.

For all your Smits artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Smits Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Smits painting or drawing.

If you want to sell your Smits painting or drawing use our selling services. We offer Smits selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Smits and issuing certificates of authenticity since 2002. We are recognized Smits experts and Smits certified appraisers. We issue COAs and appraisals for all Smits artworks.

Our Smits paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Smits certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Smits painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Smits paintings or drawings take longer.

Our clients include Smits collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jakob Smits art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jakob Smits or we will sell it for you.

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Self-Portrait

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Washerwoman

Jakob Smits was a Belgian painter born in Rotterdam, the Netherlands. His father was a successful interior decorator, and at the age of 18, Jakob began working with him. He would later be lucky enough to study abroad, and his travels took him to Brussels, Munich, Vienna and Rome. Smits studied in Brussels from 1873-1876, Munic from 1878-1880 and was also in Vienna and Rome in 1880.

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Mother and Three Children

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Mother and Two Children

By 1882, Smits returned home to the Netherlands to marry his cousin Antje Doetje Kramer, and he and his wife settled in Amsterdam. There, Smits received his first commission as a decorator and also worked with The Boijmans Museum of Rotterdam. Smits had two daughters with Antje, but by 1884, the couple had decided to end their marriage.

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Evening Landscape

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Lighthouse

Smits made a new home for himself in Blaricum and became the head of the Industry and Decorating School of Haarlem. During this time, he also made frequent trips to the Kempen area with his friend and fellow painter Albert Neuhuys. He was fascinated by the landscape in the Kemper region, and in 1888, he rented a cottage there. Smits later bought the cottage and that same year, married Malvina Dedeyn, the daughter of a Brussels lawyer. Malvina was essentially disinherited by her father for the marriage because her father disapproved.

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Rue de Hameau

Even though he lived in extreme poverty, this was said to be the happiest years of Smits life. He went on to have three children with Malvina, and created portraits of his family quite often. These, among other paintings of his, were exhibited in Dresden and Munich, where he received gold medals for his watercolor paintings. However, these happy days came to an end for Smits when Malvina and a new infant daughter died within days of each other in 1899. Smits remarried in 1901 to Josine van Cauteren. By this time, he was 45 years old, and was honored in Antwerp by an exhibition dedicated to his work. That following year, he took in his elderly parents after they had been robbed, placing an even further financial burden on him. Despite the fact that he was highly regarded in the art world and among his Belgian peers, Smits work sadly was not selling during his lifetime. Many of his etchings were created during the period (around 1910) due to the fact that his paintings were not selling.

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Etching

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Self portrait etching

In 1907, Smits organized an exhibition of international artists for the Mol town council, which eventually consisted of nearly 70 artists. Thus, the “School of Mol” was born, thanks to Smits. In 1910, he published a book of 25 sketches and dedicated them to the Belgian Queen, Elisabeth. Two years later, he took on noted etcher Dirk Baksteen who worked as his assistant. By this time, World War I was approaching, and he put his artistic ventures away for a time to work on the “Committee for Assistance and Providing Food for the Canton of Mol.”

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La Recolte des Pommes de Terre 1924

After the war ended, Smits surprised the art community by returning to his chalks and paints and coming out with a completely new vision and style. However, his health began to decline in 1923 due to cancer of the jaw. Despite extreme pain and discomfort, Smits continued to paint through his cancer for five years, right up until his death in February of 1928.

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Mother and Child 1901

Throughout his lifetime he achieved numerous Belgian awards such as Knight of the Order of Leopold in 1903, Officer of the Order of the Crown in 1919 and Commander in the Order of the Crown in 1927. Today his work is housed in museums all over the world, including the Jakob Smits Museum in Mol-Sluis, and perhaps in your own home. Still wondering about a Belgian painting in your family’s estate? Contact us…it could be by Jakob Smits.


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8--borgianni.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "borgianni" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "borgianni" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "borgianni" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
9--thorvaldsen.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "thorvaldsen" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "thorvaldsen" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "thorvaldsen" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "thorvaldsen" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
10--wilson.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "wilson" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "wilson" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "wilson" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "wilson" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
11--arbo.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "arbo" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "arbo" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "arbo" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "arbo" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
12--lane.php Fitz Henry Lane Artwork Authentication & Art Appraisal

Fitz Henry Lane (1804-1865)

Get a Lane Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Lane artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Lane Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lane painting, drawing or print.

If you want to sell your Lane painting, drawing or print use our selling services. We offer Lane selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lane and issuing certificates of authenticity since 2002. We are recognized Lane experts and Lane certified appraisers. We issue COAs and appraisals for all Lane artworks.

Our Lane paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lane certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lane painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lane paintings or drawings take longer.

Our clients include Lane collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Fitz Henry Lane art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Fitz Henry Lane or we will sell it for you.

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Stage Rocks and Western Shore of Gloucester Outer Harbor 1857

Fitz Henry Lane was an American painter and printmaker of a style that would later be called Luminism, for its use of pervasive light. Nathaniel Rogers Lane was born in Gloucester, Massachusetts. His father was a sailmaker who died when Lane was only sixteen. A childhood disease (possibly polio, possibly the result of accidental poisoning) left Lane with partially crippled legs, and he walked on crutches for the rest of his life.

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Graces Rock, Eastern Point, Gloucester 1864

In 1831, for unknown reasons, he applied to the Commonwealth of Massachusetts to change his name to Fitz Henry Lane. At some point in the early 20th century, Lane’s name became confused and was mistakenly believed to be Fitz Hugh Lane. He never signed any paintings as Fitz Hugh Lane, but twice signed as Fitz Henry Lane. Usually, his signature was F. H. Lane or F. H. L. From 1832 to 1847 he worked in Boston, before returning to Gloucester where he spent the rest of his life.

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Entrance of Somes Sound 1855

A contemporary of the Hudson River School, his best-known paintings depict maritime and nautical subjects, especially harbors and seaports. He had a good reputation in Gloucester and Boston during his lifetime, but fell into obscurity after his death. His work only began to receive greater recognition in the mid-20th century, when he was identified as one of the earliest pioneers of Luminism. His work now commands high prices; The Golden Rule was sold at auction for nearly $4 million in 2000. Still wondering about a 19th century American painting in your family collection? Contact us…it could be by Fitz Henry Lane.


done
13--boccaccio.php Giovanni Boccaccio Artwork Authentication & Art Appraisal

Alessandro Botticelli (1445-1510)

‘Lost’ Botticelli Unveiled
Long unseen masterpiece goes on show in Florence
John Hooper in Rome

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The never previously displayed masterpiece, is the last of four panels that make up one of Botticelli’s most disturbing works—The Story of Nastagio degli Onesti.

Behind the story of its re-emergence is a tale of two celebrity marriages, both celebrated in Florence, almost 500 years apart.

When the fashion designer Emilio Pucci announced his engagement to Cristina Nannini in 1959, he declared he was “going to marry a Botticelli”. Indeed, his marriage seems to have moved him to design one of his most celebrated print series, infused with motifs borrowed from the Renaissance master.

But Pucci’s ancestors had had an earlier involvement with Botticelli.

In 1483 Gianozzo Pucci was preparing to marry. His uncle, Lorenzo Medici, commissioned the painter to bring alive a story from the Decameron, the 14th-century masterpiece written by Giovanni Boccaccio.

Pointedly, in the circumstances, it suggests a dreadful fate awaits women who reject the entreaties of decent young suitors. The four panels making up the work remained in the Pucci family until 1868.

Three were later bought by the Catalan statesman Francisco Cambó, and donated to Madrid’s Prado Museum in 1941.

The fourth and last panel disappeared from public view and many believed it had ended up in a private collection in the US.

But the curators of the Florence exhibition, who succeeded in persuading the Spanish to lend them the third panel in the series, discovered the fourth was not on the other side of the Atlantic, but a mere a quarter of a mile from the Palazzo Strozzi.

Having been bought at auction by the late Emilio Pucci at the height of his Botticelli phase in the 60s, the painting was tracked down to the home of his widow Cristina.

“No one has seen it, including myself,” Prof Nelson said. “All the reproductions of it are old.” The artist was “not only a painter of graceful half-naked women dancing in fields, but also a painter of very dramatic, and violent, images”.

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Birth of Venus

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Paradiso

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La Vierge et L’enfant Soutenu par un Ange Sous un Garlande

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Annunciation

Botticelli would often paint his portraits in an unusual left-profile.

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Firenze

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Portrait of Dante

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Portrait of a Man with the Medal of Cosmo the Elder, 1475

done
14--lopez-dirube.php Rolando Lopez Dirube Artwork Authentication & Art Appraisal

Get a Lopez Certificate of Authenticity for your painting or a COA for your Lopez drawing or sculpture.

For all your Lopez artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Lopez Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lopez painting, drawing or sculpture.

If you want to sell your Lopez painting, drawing or sculpture use our selling services. We offer Lopez selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lopez and issuing certificates of authenticity since 2002. We are recognized Lopez experts and Lopez certified appraisers. We issue COAs and appraisals for all Lopez artworks.

Our Lopez paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lopez ertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Lopez painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lopez paintings, drawings or sculpture take longer.

Our clients include Lopez collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Rolando Lopez Dirube (1928-1997)

We perform Rolando Lopez Dirube art authentication, appraisal, certificates of authenticity (COA). analysis, research, scientific tests, full art authentications. We will help you sell your Rolando Lopez Dirube or we will sell it for you.

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Velero

Rolando Lopez Dirube was born in Havana, but traveled and lived around the world. He was best known as a muralist, but was also a teacher and mentored some of the finest contemporary Latin artists today. Dirube died in Puerto Rico, but not before he made a name for himself as one of the leading Cuban plastic artists.

Originally Dirube studied architecture in Cuba, and was among many things, a painter, muralist and sculptor. He worked in many mediums from wood and stone to oil, and was a firm believer that no artist should work in only one medium. Generally, Dirube is considered an Expressionist Cuban artist, though he may have argued on both of those titles.

Dirube was deaf from the time he was a child, and painting and art became an outlet of expression for him. His lack of hearing gave him an extraordinary advantage over his contemporaries because he felt the need to accentuate the physical beauty of all that was around him.

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The Combatants

Though Dirube went into exile in 1960, he never felt that he was creating “Cuban” art while living in or out of his native Cuba. During his lifetime, he traveled all over the United States, Latin America and Europe, which leaves a very good possibility for one of his unknown works to be in existence somewhere. Dirube chose to live the rest of his life in Puerto Rico, which has also lumped him into the category of Puerto Rican artist.

During his lifetime, Dirube participated in a number of shows, particularly while living in the United States. While he was teaching at the Student Art League in New York in the 1950’s, he was able to exhibit his work and gained notoriety.

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Mural from Hotel Riviera

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 Untitled

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Cabeza XI

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La Mujer del Papalote

Today, his work is housed in museums worldwide, from Cuba to the United States as well as Germany, Venezuela and Puerto Rico. Could you own a piece of work from Rolando Lopez Dirube? We would be glad to help you authenticate a piece of work from this great Cuban artist.


done
15--quiros.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "quiros" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "quiros" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "quiros" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "quiros" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
16--arenal.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "arenal" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "arenal" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "arenal" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "arenal" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
17--edlinger.php Johann Georg Edlinger Artwork Authentication & Art Appraisal

Johann Georg Edlinger (1741-1819)

Get a Edlinger Certificate of Authenticity for your painting (COA) for your Edlinger drawing.

For all your Edlinger artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Edlinger Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Edlinger painting or drawing.

If you want to sell your Edlinger painting or drawing use our selling services. We offer Edlinger selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Edlinger and issuing certificates of authenticity since 2002. We are recognized Edlinger experts and Edlinger certified appraisers. We issue COAs and appraisals for all Edlinger artworks.

Our Edlinger paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Edlinger certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Edlinger painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Edlinger paintings or drawings take longer.

Our clients include Edlinger collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Johann Georg Edlinger art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Johann Georg Edlinger or we will sell it for you.

Edlinger painting, Self-Portrait

Self-Portrait

Edlinger painting,Portrait of a Woman

Portrait of a Woman

Johann Georg Edlinger was an 18th century Austrian artist. He was apprenticed early on to Embert, and in 1765, traveled to Vienna to work with Tuchmeyer. In 1770, he traveled to Munich to study with Oefele, and later began to paint in the Rococo style under the influence of George de Marees.

Edlinger painting, Family Portrait 1800

Family Portrait 1800

Edlinger eventually became a well known portrait, painting the likeness of such sitters as Wolfgang Amadeus Mozart. During his lifetime, he was even hailed as quite possibly the best portrait painter in Germany.

Edlinger painting,Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart

Still wondering about an 18th century portrait in your family collection? Contact us…it could be by Johann Georg Edlinger.


done
18--forte.php Luca Forte Artwork Authentication & Art Appraisal

Luca Forte (1615-1670)

Get a Forte Certificate of Authenticity for your painting (COA) for your Forte drawing.

For all your Forte artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Forte Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Forte painting or drawing.

If you want to sell your Forte painting or drawing use our selling services. We offer Forte selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Forte and issuing certificates of authenticity since 2002. We are recognized Forte experts and Forte certified appraisers. We issue COAs and appraisals for all Forte artworks.

Our Forte paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Forte certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Forte painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Forte paintings or drawings take longer.

Our clients include Forte collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Luca Forte art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Luca Forte or we will sell it for you.

Luca Forte was an Italian painter of the Baroque period, active mainly as a still-life painter in Naples. Little documentary evidence exists about him. He was a witness to the marriage of Aniello Falcone in 1639, and collaborated on a project with Falcone. He specialized in still-lifes, often rich in fruits, as opposed to flowers. Among other contemporary still-life painters active in Naples of his day were Paolo Porpora, Giovanni Battista Ruoppolo, and Pietro Paolo Bonzi.

Still wondering about an Italian still-life painting in your family collection? Contact us…it could be by Luca Forte.


done
19--astrup.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "astrup" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "astrup" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "astrup" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "astrup" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
20--lambinet.php Emile Charles Lambinet Artwork Authentication & Art Appraisal

Emile Charles Lambinet (1815-1877)

Get a Lambinet Certificate of Authenticity for your painting (COA) for your Lambinet drawing.

For all your Lambinet artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lambinet Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lambinet painting or drawing.

If you want to sell your Lambinet painting or drawing use our selling services. We offer Lambinet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lambinet and issuing certificates of authenticity since 2002. We are recognized Lambinet experts and Lambinet certified appraisers. We issue COAs and appraisals for all Lambinet artworks.

Our Lambinet paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lambinet certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lambinet painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lambinet paintings or drawings take longer.

Our clients include Lambinet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Emile Charles Lambinet art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Emile Charles Lambinet or we will sell it for you.

Emile Charles Lambinet is often referred to as one of the members of the Barbizon school. What is strange about this is that he never actually painted in the area surrounding the Forest of Fontainebleau or the village of Barbizon. The reason he is so often associated with this school seems to be because the manner in which he approached rural subjects and landscapes was very much in the same style as the successful Barbizon artists of the day. His style of painting seemed to appeal very much to the same critics and collectors who supported the art of the Barbizon school. As well as painting landscapes he was also well known for his paintings of animals.

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Washerwoman on the Bank of a River

He studied under the history painters, Michael Martin Drolling and Emile Jean Horace Vernet. Vernet was of course well known for his paintings celebrating French military prowess, including a series of large battle pieces for Versailles. He also studied under the well known painters of the Barbizon school, Charles Daubigny and Jean Baptist Camille Corot.

He lived most of his life in the area west of Paris near to Versaille. He made regular painting trips to Ecouen, a town north of Paris. He was not the only artist to be enticed by this area. Ecouen was to become an important artist’s colony that would come to include a number of American painters such as Mary Cassatt and Henry Bacon. Mary Cassatt visited Ecouen to study with the artist Paul Soyer.

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Flower Picking

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Fishing Pool

Charles Emile Lambinet was certainly a successful painter of the nineteenth century. His work was held in high regard by art critics and collectors. It is said that what made his work special was his light and airy brushstrokes which suggest a natural setting as well as his talent for depicting atmospheric conditions such as the wind.

He exhibited in the Salon regularly between 1833, and 1878. He won a number of medals in 1843. In 1867, he was made a Knight of the Legion of Honour.

In the 1850s, and 1860s, collectors in Boston were particularly interested in his work and this helped pave the way for their interest in the Barbizon school. Joseph Foxcroft Cole, an American artist saw a number of paintings by Lambinet in Boston collections and admired them enormously. In 1860 he made his first visit to France to study under Lambinet. Joseph Foxcroft Cole was to bring back to America from his time in France an opalescent variation of the Barbizon style. Cole frequently depicted the rural landscape of Normandy and also Winchester in Massachusetts. A number of other American artists followed Cole, and this lead to Lambinet being very well known in America.

A painting, entitled, ‘Village on the Sea,’ hangs in the Museum of Fine Arts in Boston, and is typical of the work that Lambinet produced. It shows the French country side replete with French peasants, cows and cottages bordering the water.

The relationship that Charles Emile Lambinet had with his American student Joseph Foxcroft Cole was certainly an important one in his artistic career. Cole promoted the work of Lambinet to a number of prominent art collectors of the time, such as Ernest Wadsworth Longfellow. It is partly thanks to Cole that Lambinet found a good market for his work in America and particularly Boston.


done
21--siqueiros.php David Alfaro Siqueiros Artwork Authentication & Art Appraisal

David Alfaro Siqueiros (1896-1974)

Get a Siqueiros Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Siqueiros artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Siqueiros Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Siqueiros painting, drawing or print.

If you want to sell your Siqueiros painting, drawing or print use our selling services. We offer Siqueiros selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Siqueiros and issuing certificates of authenticity since 2002. We are recognized Siqueiros experts and Siqueiros certified appraisers. We issue COAs and appraisals for all Siqueiros artworks.

Our Siqueiros paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Siqueiros certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Siqueiros painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Siqueiros paintings or drawings take longer.

Our clients include Siqueiros collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform David Alfaro Siqueiros art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your David Alfaro Siqueiros or we will sell it for you.

In the grand scheme of Mexican art, David Alfaro Siqueiros is considered one of the greatest and most revolutionary of the Muralists. Other than Rivera and Orozco, no other Mexican artist has received as much attention for their socially driven and beautifully constructed murals, and with good reason. 

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Cain in the United States

Born in Chihuahua, Mexico, Siqueiros began his political and artistic career at an early age. In 1911 while attending the San Carlos Academy, Siqueiros attended the great strike, and eventually the Revolution. Throughout his life, Siqueiros’ passion for his political work and art landed him in jail and even caused him to be deported. Also considered a leader in the Vanguard movement, Siqueiros would often contribute to the anti-government paper, “La Vanguardia”.

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The People in Arms

Because of the starkly socio-political themes in Siqueiros’ work, he is generally considered a Social Realist. His style in particular is rooted in starkly European tradition, with dark backgrounds that amplify his social message. However, he also takes on a slightly Fauvist hand at times with bold colors and passionate sweeping brushstrokes. Whatever the take on Siqueiros, one can easily point out his style and techniques in most of his murals and compositions.

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Portrait of the Bourgeoise 

Though Siqueiros is best known for his murals, he also was a fairly prolific painter. It was during his prison terms that he created some of his best paintings; most likely because he could not create murals at this time (although, the possibility of a jail somewhere in Mexico decorated with his art is quite likely!).

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Mujer Con Rebozo, 1949

One specific example of his work in captivity: while he was in exile in Taxco from 1931-1932 he created over one hundred paintings alone. In 1947, Siqueiros also exhibited over 70 works at the Palacio de Bellas Artes in Mexico. Because he is more well-known as a muralist, perhaps these works have been overlooked (and certainly, artwork created in jail had a better chance of being stolen, smuggled, lost or destroyed) and the possibility of someone owning his work is very high.

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Nuestra Imagen Actual

 

In 1924, Siqueiros also began to create wood carvings while in Guadalajara, and later on created a great many lithographs as well. Among his myriad of political achievements was creating a weekly publication called “El Machete”. This would eventually be adopted by the Communist Mexican party as their official paper and communication.

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Mae Campesina, 1929 

A teacher as well, Siqueiros apprenticed Jackson Pollack and others and is also credited as being the first artist ever to experiment with acrylic and piroxylin paints.

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Paisaje, 1968 

Though Siqueiros led an intensely politically-driven life, art was also just as important to this great Mexican master.

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Self-Portrait, 1968

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22--liss.php Johann Liss Artwork Authentication & Art Appraisal

Johann Liss (1597/1590 – 1631/1627)

Get a Liss Certificate of Authenticity for your painting (COA) for your Liss drawing.

For all your Liss artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Liss Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Liss painting or drawing.

If you want to sell your Liss painting or drawing use our selling services. We offer Liss selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Liss and issuing certificates of authenticity since 2002. We are recognized Liss experts and Liss certified appraisers. We issue COAs and appraisals for all Liss artworks.

Our Liss paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Liss certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Liss painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Liss paintings or drawings take longer.

Our clients include Liss collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Johann Liss art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Johann Liss or we will sell it for you.

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A Game of Mora 1722

Johann Liss (also called Jan Lys) was a leading German Baroque painter of the 17th century, active mainly in Venice. Liss was born in Oldenburg (Holstein) in Schleswig-Holstein, Germany. After an initial education in his home state, he continued his studies, perhaps with Hendrick Goltzius in the Netherlands, visiting Amsterdam, Haarlem, and Antwerp, where he could have encountered the Flemish Jacob Jordaens. Around 1620 he travelled through Paris to Venice. He moved to Rome around 1620-2, and his first works there were influenced by the style of Caravaggio.

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The Bath of Venus

Although his earlier work was concerned with the contrasts of light and shade, his final move to Venice in the early 1620s modified his style and gave impetus to brilliant color and a spirited treatment of the painted surface.In 1627, he was created an admired large altarpiece, the Inspiration of Saint Jerome in San Nicolò da Tolentino. His loose brushstrokes seem precursor to rococo styles of Guardi brothers.This final style, along with that of other “foreign” painters residing in Venice, Domenico Fetti and Bernardo Strozzi, represent the first inroads of Baroque style into the republic.

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The Death of Abel

Liss fled to Verona to escape the Plague spreading in Venice, but succumbed there prematurely in 1629. His legacy is as a painter of both sensuous mythological and pious biblical subjects, a master of colors and Baroque painting. He was most influential to Venetian 18th century painters like Sebastiano Ricci, Giovanni Battista Tiepolo and Giovanni Piazzetta.

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Repentant sinner turning away from Temptation and offered a palm

Still wondering about a 17th century German painting in your family collection? Contact us…it could be by Johann Liss.


done
23--savinsek.php Jakob Savinšek Artwork Authentication & Art Appraisal

Jakob Savinšek (1922–1961)

Do you think you may own a painting by Jakob Savinšek?

We Perform Jakob Savinšek art authentication. Jakob Savinšek appraisal. Jakob Savinšek certificates of authenticity (COA). Jakob Savinšek analysis, research, scientific tests, full art authentications. We will help you sell your Jakob Savinšek or we will sell it for you.

1. Draft for a Monument to Jože Plečnik. 1957. Bronze

1. Draft for a Monument to Jože Plečnik. 1957. Bronze

2. Sculpture from Kirchheimer Muschelkalk. 1961. Stone.

2. Sculpture from Kirchheimer Muschelkalk. 1961. Stone.

Jakob Savinšek was a Slovenian sculptor born in the town of Kamnik in the Upper Carniolan. Savinšek moved to the capital city of Ljubljana secondary school, after which he studied medicine at the University of Ljubljana. Savinšek became interested in drawing and painting in the 1930s and 40s, though his training was interrupted by his arrest during World War II. For his own security, Savinšek joined the Slovenian Home Guard until the end of the war.

3. Signs of the 20th Century. 1960. Donaupark in Vienna.

3. Signs of the 20th Century. 1960. Donaupark in Vienna.

In 1945, Savinšek returned to his artistic development by taking classes at the Academy of Fine Arts in Ljubljana. Savinšek soon became a leading figure in Slovenian art circles.

4. Female Torso. 1956.

4. Female Torso. 1956

Savinšek is best known for his modernist sculptures. His style began as Expressionist before he developed his own aesthetic. Savinšek received several commissions to create sculptures or monuments throughout Slovenia. His work is now held in major collections including the National Gallery of Slovenia.

5. Portrait Flores. 1952.

5. Portrait Flores. 1952.

If you think you may own original artwork by Jakob Savinšek, contact Art Certification Experts for information regarding our services.


done
24--turretin.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "turretin" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "turretin" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
25--riveron.php Enrique Riveron Artwork Authentication & Art Appraisal

Enrique Riveron (1902-1998)

Get a Riveron Certificate of Authenticity for your painting or a COA for your Riveron drawing or sculpture.

For all your Riveron artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Riveron Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Riveron painting, drawing or sculpture.

If you want to sell your Riveron painting, drawing or sculpture use our selling services. We offer Riveron selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Riveron and issuing certificates of authenticity since 2002. We are recognized Riveron experts and Riveron certified appraisers. We issue COAs and appraisals for all Riveron artworks.

Our Riveron paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Riveroncertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Riveron painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Riveron paintings, drawings or sculpture take longer.

Our clients include Riveron collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Enrique Riveron art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Enrique Riveron or we will sell it for you.

Riveron, Riveron Artist With His Work

Artist With His Work

Riveron, : A Few Lines to Noella, 1976

A Few Lines to Noella, 1976

Riveron, Accent on Red, 1957

Accent on Red, 1957

Born in Cienfuegos, Cuba, Enrique Riveron worked in every medium from oil paint, to clay and experimented with a number of styles and venues of art. Riveron received his early art training at the Villate Academy in Havana. During the 1920s Riveron traveled to Europe where he attended school at the Academia de San Fernando in Madrid. Through scholarships, Riveron was able to study in Italy, France, Belgium and Spain, which greatly influenced his artistic style.

Riveron, Bird Series, 1984

Bird Series, 1984

Riveron, By the River, 1959

By the River, 1959

Because Riveron’s main art education was not in Cuba, his work had a distinctly European flavor. Riveron did not show in Cuba his 1927 solo-exhibition at the Association of Painters and Sculptors in Havana.

Riveron, Calusa, seriagraph 1979

Calusa, seriagraph 1979

Riveron, Untitled, oil on paper 1961

Untitled, oil on paper 1961

Early in his career, Riveron was known for his naturalistic depictions of city life in France and Cuba, and he gained quite a bit of attention from them. In the 1930s, Riveron began to create collages, and also experimented with Cubism and abstract art. In fact, Riveron was one of the only painters of the Vanguard era to experiment with Abstract art early on. During this time, Riveron was also an illustrator for a number of newspapers based in Cuba and the New Yorker in the United States. Even more prestigious was Riveron’s work in Hollywood as an illustrator and storyboard developer for Walt Disney Pictures in 1938.

Riveron, Enchanted Forest Series, 1982

Enchanted Forest Series, 1982

Riveron, Horas del Viajero, 1982

Horas del Viajero, 1982

Riveron, Luna de Plata, 1980

Luna de Plata, 1980

Riveron, Noc-a-tee, 1970

Noc-a-tee, 1970

Riveron, Roosevelt charicature, 1940

Roosevelt charicature, 1940

In the 1940s, Riveron switched his focus to fine art, establishing a career as a painter and sculptor. Riveron also served as a studio press correspondent for the magazine Cine Mundial and owned an art gift shop in La Brea, California.

Riveron, Sensemaya, 1988

Sensemaya, 1988

Riveron, Riveron Cartoon Of Himself

Cartoon self-portrait

Throughout his life, Riveron kept a close friendship with fellow Cuban painter Mario Carreño. While Riveron lived in the United States they corresponded through letters, which discuss intimate details of their lives and artistic developments.

Riveron, Untitled, copper nudes on aluminum, 1960

Untitled, copper nudes on aluminum, 1960

Riveron, Venus de Plata, 1985

Venus de Plata, 1985

From 1930 until his death in 1998, Riveron travelled and worked in the United States. New York and Hollywood were major landing points, as well as Wichita, Kansas. Riveron taught art in Wichita from 1944 to 1964. The University maintains a gallery of Riveron’s work to this day.

Riveron, Xecotcovah

Xecotcovah

Today, Riveron is remembered as a father of Cuban art. Riveron’s paintings, letters and illustrations are housed worldwide, including extensive collections across the United States. Riveron’s daughter, Patricia Riveron Lee, went on to become a successful jewelry designer, carrying her father’s legacy. Do you think you own a piece by Enrique Riveron? Contact us. We are the Riveron experts.


done
26--bouchard.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bouchard" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bouchard" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
27--monaldi.php Paolo Monaldi Artwork Authentication & Art Appraisal

Paolo Monaldi (1725-1780)

Get a Monaldi Certificate of Authenticity for your painting (COA) for your Monaldi drawing.

For all your Monaldi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Monaldi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Monaldi painting or drawing.

If you want to sell your Monaldi painting or drawing use our selling services. We offer Monaldi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Monaldi and issuing certificates of authenticity since 2002. We are recognized Monaldi experts and Monaldi certified appraisers. We issue COAs and appraisals for all Monaldi artworks.

Our Monaldi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Monaldi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Monaldi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Monaldi paintings or drawings take longer.

Our clients include Monaldi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Paolo Monaldi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Paolo Monaldi or we will sell it for you.

Monaldi painting, Woman Playing the Lute

Woman Playing the Lute

Paolo Mondaldi was an 18th century Italian painter. Monaldi was a student of Andrea Locatelli and mainly painted figures set in Arcadian landscapes. These figures are usually depicted having fun dancing, drinking and dancing among the ancient Roman ruins.

Monaldi painting, Peasants Dancing

Peasants Dancing

Still wondering about an 18th century Italian painting? Contact us…it could be by Paolo Monaldi.


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28--jollain.php Nicolas Rene Jollain Artwork Authentication & Art Appraisal

Nicolas Rene Jollain (1732-1804)

Get a Jollain Certificate of Authenticity for your painting (COA) for your Jollain drawing.

For all your Jollain artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Jollain Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Jollain painting or drawing.

If you want to sell your Jollain painting or drawing use our selling services. We offer Jollain selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Jollain and issuing certificates of authenticity since 2002. We are recognized Jollain experts and Jollain certified appraisers. We issue COAs and appraisals for all Jollain artworks.

Our Jollain paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Jollain certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Jollain painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Jollain paintings or drawings take longer.

Our clients include Jollain collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Nicolas Rene Jollain art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Nicolas Rene Jollain or we will sell it for you.

Jollain painting, Portrait of Jean Larond d'Alembert

Portrait of Jean Larond d’Alembert

Nicolas Rene Jollain was an 18th century French artist. Born in Paris , Jollain entered the Academy and studied under J.M. Pierre.

Jollain painting, The Entrance of Christ into Jerusalem

The Entrance of Christ into Jerusalem

Jollain won the Prix de Rome and was commissioned to create panels for the Petit Trianon at Versailles in 1786. He also painted frescoes for the chapel at Fontainbleau and for the Carthusian Monastery in Paris , as well as designs for the Gobelins in 1783.

Jollain painting, Allegorical Painting

Allegorical Painting

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Nicolas Rene Jollain.


done
29--schuffenecker.php Emile Schuffenecker Artwork Authentication & Art Appraisal

Émile Schuffenecker (1851-1934)

Get a Schuffenecker Certificate of Authenticity for your painting (COA) for your Schuffenecker drawing.

For all your Schuffenecker artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Schuffenecker Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Schuffenecker painting or drawing.

If you want to sell your Schuffenecker painting or drawing use our selling services. We offer Schuffenecker selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Schuffenecker and issuing certificates of authenticity since 2002. We are recognized Schuffenecker experts and Schuffenecker certified appraisers. We issue COAs and appraisals for all Schuffenecker artworks.

Our Schuffenecker paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Schuffenecker certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Schuffenecker painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Schuffenecker paintings or drawings take longer.

Our clients include Schuffenecker collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Emile Schuffenecker art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Emile Schuffenecker or we will sell it for you.

Schuffenecker, Notre Dame in Paris

Notre Dame in Paris

Schuffenecker, Head of a Girl

Head of a Girl

Emile Schuffenecker was a French, Post-Impressionist painter known for his involvement in the Pont Aven School and establishing the Volpini exhibition in 1889. Schuffenecker is often regarded in a controversial light, due to rumors that he imitated the work of other French artists.

Schuffenecker, Inspiring Woods

Inspiring Woods

Schuffenecker was born in Fèsne Saint-Mamès, France, but moved to Meudon shortly after the premature death of his father. Schuffenecker spent many of his early years in the company of his aunt and uncle in Paris, while studying in Christian schools. Schuffenecker was first employed at his uncle’s coffee roasting company in the Les Halles quarter of Paris.

Schuffenecker, Eiffel Tower, View of Meudon

Eiffel Tower, View of Meudon

By 1872, Schuffenecker was becoming involved in the local painting circles and developed a friendship with Paul Gauguin. Both Schuffenecker and Gauguin studied at the Academie Suisse and the Academie Colarossi.

Schuffenecker, Luxembourg Square

Luxembourg Square

In 1884, after being rejected from the Paris Salon, Schuffenecker joined the Société des Artistes Indépendants. He also exhibited in the final Impressionist exhibition in 1886.

Schuffenecker, Workers in the Field

Workers in the Field

In search of financial stability, Shuffenecker earned his teaching degree and gained employment at the Lycée Michelet in Vanves. Schuffenecker continued to teach steadily until 1914.

Schuffenecker, Spring-like Morning

Spring-like Morning

The Schuffenecker family gained a great deal of publicity after being the subjects of a Gauguin painting. It is rumored however that Gauguin and Schuffenecker had a rocky friendship throughout the years that they knew each other.

Schuffenecker, A View of the Cliffs at Etretat

A View of the Cliffs at Etretat

Many art critics believe Schuffenecker copied works by Vincent Van Gogh. It is known thorugh sketches and drawings that Schuffenecker was greatly influenced by Van Gogh and enjoyed imitating his work. It is unknown whether Schuffenecker actually forged Van Gogh’s signature on certain pieces, or if later collectors are to blame.

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Émile Schuffenecker: Self portrait

Despite the negative rumors surrounding Schuffenecker, five of his paintings are featured at the Musée D’Orsay in Paris, among other major collections. Do you think you own a painting by Emile Schuffenecker? Contact us. We are the experts on Emile Schuffenecker.


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30--koehler.php Robert Koehler Artwork Authentication & Art Appraisal

Robert Koehler (1850-1917)

Get a Koehler Certificate of Authenticity for your painting (COA) for your Koehler drawing.

For all your Koehler artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Koehler Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Koehler painting or drawing.

If you want to sell your Koehler painting or drawing use our selling services. We offer Koehler selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Koehler and issuing certificates of authenticity since 2002. We are recognized Koehler experts and Koehler certified appraisers. We issue COAs and appraisals for all Koehler artworks.

Our Koehler paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Koehler certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Koehler painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Koehler paintings or drawings take longer.

Our clients include Koehler collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Robert Koehler art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Robert Koehler or we will sell it for you.

Koehler, Alvina Roosen

Alvina Roosen

Koehler, The Strike

The Strike

Koehler was born in Hamburg, Germany and moved with his family to Milwaukee, Wisconsin where he spent much of his childhood. Koehler studied at the German-English Academy and apprenticed at a lithography studio in New York City. After a few years in New York City, Koehler realized his interest in painting and decided to study art.

Koehler, The Socialist

The Socialist

In 1873 Koehler went to Munich to study at the Royal Academy. In Germany, Koehler won several awards for his work and began teaching at a private art school in Munich. Koehler taught several students who later became independently successful. Koehler stayed abroad for nearly twenty years before returning to New York City in 1892.

Koehler, In the Park

In the Park

Koehler worked for only a short amount of time as a portrait artist in New York before receiving an offer to serve as director of the Minneapolis School of Fine Arts, now known as the Minneapolis College of Art. Koehler established himself in the arts community and helped to establish the Minneapolis Museum of Fine Art.

Koehler, First Snow

First Snow

Koehler remained in Minneapolis for the rest of his life, painting portraits, landscapes and teaching. Many of Koehler’s paintings are in important private collections and museums in Minneapolis and across the United States. Do you think you own a painting by Robert Koehler? Contact us. We are the Robert Koehler experts.


done
31--bremen.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "brueghel" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "brueghel" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
32--serusier.php Paul Sérusier Artwork Authentication & Art Appraisal

Paul Sérusier (1864-1927)

Get a Sérusier Certificate of Authenticity for your painting (COA) for your Sérusier drawing.

For all your Sérusier artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sérusier Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sérusier painting or drawing.

If you want to sell your Sérusier painting or drawing use our selling services. We offer Sérusier selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sérusier and issuing certificates of authenticity since 2002. We are recognized Sérusier experts and Sérusier certified appraisers. We issue COAs and appraisals for all Sérusier artworks.

Our Sérusier paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sérusier certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sérusier painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sérusier paintings or drawings take longer.

Our clients include Sérusier collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Paul Sérusier art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Paul Sérusier or we will sell it for you.

Sérusier, The Talisman, 1888

The Talisman, 1888

Sérusier, The Sacred Forest

The Sacred Forest

Sérusier was a French Post-Impressionist painter, known for involvement in the Nabis and the Pont Aven School. Sérusier was born in Paris, where he spent he spent most of his early years. Sérusier studied at the Condorcet Lycée, where he was well educated in Greek and Latin, classical philosophy. After graduating with degrees in philosophy and science, Sérusier decided to continue his studies in the fine arts at the Académie Julian. At the Académie, Sérusier forged many important connections and friendships, including painter Maurice Denis.

Sérusier, The Apple Harvest

The Apple Harvest

In the late 1880s, Sérusier was led to the Breton village, Pont Aven, where a thriving community of painters was beginning to take root. Leaders of the Pont Aven School included Emile Bernard and Paul Gauguin. The Pont Aven painters emphasized a fresh approach to painting, using vibrant colors and imaginative compositions. Sérusier returned to Paris, where he spread the teachings of Gauguin and the Pont Aven School. Other Parisian artists, Pierre Bonnard, Maurice Denis and Henri Ibels soon joined Sérusier in forming “les Nabis” (the Prophets). The group continued to grow in membership until 1891. The group’s demise was partly due to Gauguin’s move to Tahiti, which led artists in various directions.

Sérusier, Mother and Child in Breton Landscape

Mother and Child in Breton Landscape

Sérusier, Flock in the Black Forest

Flock in the Black Forest

Sérusier, The Night

The Night

Sérusier, Spring at the Pouldu

Spring at the Pouldu

By 1892, Sérusier decided to return to Brittany, where he painted the Breton people in the village of Huelgoat. Sérusier was also employed by the Theatre de l’Oeuvre, creating sets and costumes for the “symbolist” performances.

Sérusier, Melancholy

Melancholy

Sérusier, Aqueduct

Aqueduct

Sérusier, Laundress

Laundress

During the mid 1890s, Sérusier had the opportunity to visit a Benedictine monastery in Germany. Sérusier was highly influenced by the monk lifestyle and began to implement ideas he had learned in the monastery into his paintings. Sérusier’s spiritual beliefs slowly distanced him from his friends in Paris. Sérusier eventually

The monks’ doctrine appealed to Sérusier and upon his return to Paris he tried to convince his Nabi friends of their novelty and importance. The ideas met with no enthusiasm in Paris and Sérusier distanced himself from his former friends.

In 1908 Sérusier began to teach regularly at the Ranson Academy and published theories concerning color and form. Séruiser’s most known treatise was called ABC of Painting. Sérusier’s paintings are now in major museums and private collections in France and internationally. Do you think you own a painting by Sérusier? Contact us. We are the experts on Paul Sérusier.


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33--constable.php John Constable Artwork Authentication & Art Appraisal

John Constable (1776-1837)

Get a Constable Certificate of Authenticity for your painting (COA) for your Constable drawing.

For all your Constable artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Constable Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Constable painting or drawing.

If you want to sell your Constable painting or drawing use our selling services. We offer Constable selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Constable and issuing certificates of authenticity since 2002. We are recognized Constable experts and Constable certified appraisers. We issue COAs and appraisals for all Constable artworks.

Our Constable paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Constable certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Constable painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Constable paintings or drawings take longer.

Our clients include Constable collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John Constable art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Constable or we will sell it for you.

John Constable was born in 1776 in East Bergholt, Suffolk. He is remembered as one of the greatest British landscape artists.

Constable displayed art talent at a young age, but he did not wholeheartedly pursue a career as an artist. He worked in the family business for a while. In fact, he didn’t make the decision to follow the career path until he was 23. At this time, he joined the Royal Academy Schools.

Constable had been painting landscapes, but his success did not come easily. He could only find occasional buyers for his paintings. Although his parents gave him money to live on, he began doing portraits.

art

Golding Constable’s Flower Garden, 1815

In 1816, his father died, leaving him enough money to be financially secure. Constable was also married this year. He had dated Maria Bicknell for 7 years. The two were married despite her family’s disapproval.

art

Maria Bicknell

It wasn’t until the 1820s that Constable’s work began to receive recognition. In 1824, he won a gold medal at the Paris Salon. Others began to admire his work.

art

The Admiral’s House, 1820-1823

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Coal Brigs on Brighton Beach, 1824

Unfortunately, Constable’s wife died in 1828. This had a huge impact on his demeanor. He became depressed and subdued. It was a personality change that would linger for the rest of his life.

Constable never traveled overseas. He painted, instead, places he knew well. He produced large compositions that attracted attention not only for their artistic merit, but also for their sheer size alone.

Constable died in 1837 leaving a legacy of unique artwork. Constable’s work shows influences of the Dutch 17th century landscape painters, but his style was distinctly his own. He attempted to portray landscapes more realistically and directly. He had a very innovative way of using paint to take on the appearance of light or movement of clouds across the sky. He rejected common finishes, using globs of plain white or bright yellow paint for sunlight. If he was depicting a stormy, tempestuous day, he always painted the scene with a quick brush. The fresh approach infused his paintings with life.

art

Cathedral

art

Haywain

Before completing a painting, Constable usually made a full size oil sketch. Today, these sketches are actually more highly desired than the finished paintings. They have been praised for their uninhibited brushwork.

It’s extremely rare to find an authentic John Constable painting that is in good condition. However, it has happened before. In recent years, a painting was discovered by a woman who remarked that the particular piece of artwork had been in her family since World War I. The painting auctioned for nearly half of a million dollars.

art

A Suffolk Child, 1835

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Weymouth Bay

If you believe you own a work of art by John Constable, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by John Constable.


done
34--thomson.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "thomson" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "thomson" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
35--phillips-bert.php Bert G. Phillips Artwork Authentication & Art Appraisal

Bert G. Phillips (1868-1956)

We Perform Bert G. Phillips art authentication. Bert G. Phillips appraisal. Bert G. Phillips certificates of authenticity (COA). Bert G. Phillips analysis, research, scientific tests, full art authentications. We will help you sell your Bert G. Phillips or we will sell it for you.

Phillips, Portrait of an Indian Chief

Portrait of an Indian Chief

Phillips, The Rabbit Hunt

The Rabbit Hunt

Phillip’s first heard of Taos from his friend, Joseph H. Sharp, who travelled to Taos in 1883. Several years later, in 1898, Phillips and fellow painter, Ernest L. Blumenschein, planned a trip that would take them through Taos on their way to Mexico. After a wheel of their wagon broke, they stayed in Taos, setting up the beginning of what would soon become a thriving art colony.

Phillips, Wild Iris

Wild Iris

Phillips and Blumenschein promoted Taos to other artists, and successfully recruited many talented painters from the east coast. Forming the colony was Phillips passion and life work. He worked diligently to illustrate legendary cowboys and Native American culture, which he had previously only seen in children’s books.

Phillips, War Captain Rides

War Captain Rides

While Phillips is best known for his work in Taos, he was formally trained in highly esteemed institutions. Phillips grew up in Hudson, New York, but started training in New York City as a teenager. Phillips attended the Art Students League and the National Academy of Design. Phillips, like many artists oh his time, worked as a commercial illustrator to make a living. In the 1890s, Phillips travelled to Europe, painting in England and France. It was in Paris, that Phillips met Joseph Sharp, who inspired him to travel to Taos.

Phillips, Spring Time in Taos

Spring Time in Taos

Phillips, Taos Mountain

Taos Mountain

Phillips, Aspens

Aspens

Phillips, In the Aspens

In the Aspens

Phillips, Moonlight Vigil

Moonlight Vigil

It was not until 1915, that the original six members formed the Taos Society of Artists. The founding members included: Phillips, Blumenschein, Couse, Sharp, Berninghaus, and Dunton. The Taos Society of Artists was immediately well received by public critics. The group’s first exhibition traveled to major American art capitals.

Phillips, In the Lake at Timberlane

In the Lake at Timberlane

Phillips remained in Taos until the end of his life in 1956. The paintings of Phillips are now in major American Art collections throughout the country. So you think you own a painting by Bert. G. Phillips. Contact us. We are the experts on Bert G. Phillips.


done
36--erte.php Erte Artwork Authentication & Art Appraisal

Erte (1892-1990)

Get a Erte Certificate of Authenticity for your painting or a COA for your Erte drawing or sculpture.

For all your Erte artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Erte Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Erte painting, drawing or sculpture.

If you want to sell your Erte painting, drawing or sculpture use our selling services. We offer Erte selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Erte and issuing certificates of authenticity since 2002. We are recognized Erte experts and Erte certified appraisers. We issue COAs and appraisals for all Erte artworks.

Our Erte paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Erte certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Erte painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Erte paintings, drawings or sculpture take longer.

Our clients include Erte collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Erte art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Erte or we will sell it for you.

Romain de Tirtoff, better known in the art world as Erte, was born in St. Petersburg, Russia and would become the leader of the art deco movement.

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Symphony in Black

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Masquerade

Recognized for his slender and glamorous paintings and decoration of women and fashion, Erte would not only begin the art deco movement, but would also revive it some fifty years later in the 1970s with a line of sculptures.

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Femme de Luxe

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Duetto

Erte was the son of an admiral of the Imperial Fleet, and therefore grew up in a privileged, high society life. Erte moved to Paris at the age of 18 to study art. Here, he adopted his pseudonym, which is derived from the French pronunciation of his initials, “R” and “T.” It is said that Erte’s father wanted him to be marine officer, and that he adopted a false name so that he wouldn’t bring shame to his family.

art

Queen of the Night

art

Onde

The height of Erte’s popularity was reached in the 1920s, and to this day, he is perhaps the most recognizable artist from this era. Erte created a style all his own, and there has yet to be another artist quite like him. This style echoed the glamour of the “Roaring Twenties” in a way that no other artist could equal.

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Fashion sketch

Not just a painter, Erte worked in fashion for French designer Paul Poiret, and also worked in stage design. Erte also created ceramics and statues and illustrated nearly 250 covers for Harper’s Bazaar.

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Harper’s Bazaar cover

Erte also traveled to the United States to create costumes for the epic film “Ben Hur.” Erte was also in high demand as a fashion designer for a number of Hollywood’s leading ladies, including Lillian Gish and Joan Crawford.

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Costume Design

Today, Erte’s work is housed in the Metropolitan Museum of Art in New York as well as at the Smithsonian.

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Tuxedo

Erte was well known and in-demand in his lifetime, so it is not likely that Erte ever had to sell any of his paintings or sketches in desperation. He lived to be nearly 100 years old, continued to work well into the 1980s. However, his line of sculptures, created only in the 1970s, is still highly collectible and is quite valuable. Many of Erte’s paintings were turned into lithographs in series of 300 or more, which also makes it very possible for anyone to own his work.

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Enchantress, lithograph

While most of Erte’s more famous paintings are owned in public museums and collections, one of his lost art deco beauties could still be hanging in someone’s home, unauthenticated and otherwise unknown.

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L’Orientale

done
37--cooper_a.php Abraham Cooper Artwork Authentication & Art Appraisal

Abraham Cooper (1787-1868)

We Perform Abraham Cooper art authentication. Abraham Cooper appraisal. Abraham Cooper certificates of authenticity (COA). Abraham Cooper analysis, research, scientific tests, full art authentications. We will help you sell your Abraham Cooper or we will sell it for you.

art

Crib and Rosa 1811

Abraham Cooper was an English animal and battle painter. He was born in London and was the son of a tobacconist. At the age of thirteen he became an employee at Astley’s Amphitheatre, and was afterwards groomed in the service of Sir Henry Meux. When he was twenty-two, wishing to possess a portrait of a favorite horse under his care, he bought a manual of painting, learned something of the use of oil-colours, and painted the picture on a canvas hung against the stable wall. His master bought it and encouraged him to continue in his efforts. He accordingly began to copy prints of horses, and was introduced to Benjamin Marshall, the animal painter, who took him into his studio, and seems to have introduced him to the Sporting Magazine, an illustrated periodical to which he was himself a contributor.

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Tam O’Shanter

In 1814 he exhibited his Tam o’shater, and in 1816 he won a prize for his Battle of Ligny. In 1817 he exhibited his Battle of Marston Moor and was made associate of the Academy, and in 1820 he was elected Academician. Cooper, although ill-educated, was a clever and conscientious artist; his colouring was somewhat flat and dead, but he was a master of equine portraiture and anatomy, and had some antiquarian knowledge. He had a special fondness for Cavalier and Roundhead pictures.

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Elis Race Horse

Still wondering about a British painting in your family collection? Contact us…it could be by Abraham Cooper.


done
38--brayer.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "brayer" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "brayer" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
39--von-werefkin.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "von-werefkin" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "von-werefkin" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
40--rockwell.php Norman Rockwell Artwork Authentication & Art Appraisal

Norman Rockwell (1894-1978)

Do you think you may own a painting by Norman Rockwell?

Get a Rockwell Certificate of Authenticity for your painting (COA) for your Rockwell drawing.

For all your Rockwell artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rockwell Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rockwell painting or drawing.

If you want to sell your Rockwell painting or drawing use our selling services. We offer Rockwell selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rockwell and issuing certificates of authenticity since 2002. We are recognized Rockwell experts and Rockwell certified appraisers. We issue COAs and appraisals for all Rockwell artworks.

Our Rockwell paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rockwell certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rockwell painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rockwell paintings or drawings take longer.

Our clients include Rockwell collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Norman Rockwell art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Norman Rockwell or we will sell it for you.

Self-Portrait

Self-Portrait

Norman Rockwell was an artist who defined his generation with whimsical yet realistic depictions of true Americana. Best known for the cover illustrations that he produced for “The Saturday Evening Post” for nearly fifty years, Rockwell’s style was all his own and is still highly recognizable today. Creating a style which he would come to call “countrified realism,” Rockwell’s images are enduring and on point. One of his most famous paintings is Rosie the Riveter, and was only one of his many patriotic compositions.

Rosie the Riveter 1943

Rosie the Riveter 1943

Born in New York City, Rockwell received his first artistic training at the age of 16 at the Chase Art School. Rockwell also attended the National Academy of Design as well as the Art Students League. Early on in his career, Rockwell received commissions to create illustrations for Boys’ Life, St. Nicholas Magazine and the Boy Scouts of America. During this time, he also created book illustrations and other publications for children.

Boyscout Handbook Cover 1959

Boyscout Handbook Cover 1959

Rockwell attempted to serve in the Navy during World War I, but was turned away for being underweight. At six foot tall and 140 pounds, Rockwell was a lanky man, which essentially came through in the tall and lean characters he would come to portray. Rockwell did not give up though, and stuffed himself with food until he met the weight requirement. However, Rockwell was appointed to be a military artist and never saw active duty.

Sporting Boys, Oh Yeah!

Sporting Boys, Oh Yeah!

At the age of 21, Rockwell began to share a studio with Clyde Forsythe, a cartoonist who worked for “The Saturday Evening Post.” Through Forsythe, Rockwell gained his first commission with the Post in 1916. Over the next nearly fifty years, Rockwell would illustrate a total of nearly 330 covers for the post, as well as covers for other popular magazines of the day like “Life,” “The Country Gentlemen” and “The Literary Digest.”

Football Hero 1938

Football Hero 1938

Santa 1922

Santa 1922

Scouting 1911

Scouting 1911

The Country Gentlemen

The Country Gentlemen

In 1916, Rockwell married one of his models, whom he would later divorce in 1930. Shortly thereafter, Rockwell married his second wife, a schoolteacher, with whom he had three children. The family moved to Arlington, Vermont where Rockwell continued to paint and draw his depictions of the idealized American way of life. Rockwell would also marry again after his second wife died in 1953.

Happy Birthday Miss Jones 1956

Happy Birthday Miss Jones 1956

After the Prom 1958

After the Prom 1958

Before The Shot 1958

Before The Shot 1958

During World War II, Rockwell painted his Four Freedoms series, a group of paintings inspired by a speech from President Franklin D. Roosevelt. They were the Freedom from Want, Freedom of Worship, Freedom of Speech and Freedom from Fear, and were published by the Post.

Freedom From Want

Freedom From Want

Freedom of Worship

Freedom of Worship

Freedom of Speech

Freedom of Speech

Enter Freedom from Fear

Enter Freedom from Fear

Throughout his career, Rockwell received a number of commissions to create paintings and illustrations. He painted portraits of presidents FDR, Kennedy, Johnson, Nixon and also of other world leaders like Nehru and Nasser. He also created a number of advertisements as well as illustrations for some 40 books.

JFK

JFK

In 1943, a fire broke out in Rockwells’ studio, destroying costumes, props and a number of paintings. Rockwell was a fairly prolific artist, creating well over 2,000 works in his lifetime. However, it is speculated that most of his original pieces are housed in public and private collections (such as one Massachusetts museum where nearly 600 of his works are displayed). It is also suggested that most of the rest were destroyed in his studio fire. However, because he was so prolific, it is always possible that some of Rockwell’s work still exists today, unknown and otherwise unauthenticated. His earliest work is perhaps most likely to turn up in someone’s hands. However, anything with Rockwell’s mark is likely to be worth quite a bit; original magazines in mint condition with his illustrations, such as Life or the Post are very rare and can bring in literally thousands of dollars at auction. Rockwell also created art for catalogs, posters, booklets, sheet music, stamps, murals and playing cards…all of which would be highly valuable today in any condition.

Crest Advertisement

Crest Advertisement

Throughout his life, Rockwell won a number of awards and honors, such as the Silver Buffalo Award from the Boy Scouts of America, which is the highest adult honor they award. Rockwell also received the Presidential Medal of Freedom, the highest civilian honor awarded, for his affectionate and vivid paintings of America. Rockwell continued to create art late into his life, and died of emphysema in 1978.

Girl With Black Eye 1953

Girl With Black Eye 1953

Some art critics today consider Rockwell’s work to be a little too idealized and saccharine sweet, and some go so far as to say that he was not a serious artist and was even a little kitschy. Despite what these critics may say, Rockwell’s work was often powerful and conveyed important messages about family, racism, war and the human condition in general. Still wondering about that painting or illustration in your home that has a “Rockwellesque” feel? Contact us…it could be by Norman Rockwell.

The Problem We All Live With

The Problem We All Live With

done
41--bertrand.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bertrand" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bertrand" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
42--gattorno.php Antonio Gattorno Artwork Authentication & Art Appraisal

Antonio Gattorno (1904-1980)

We Perform Antonio Gattorno art authentication. Antonio Gattorno appraisal. Antonio Gattorno certificates of authenticity (COA). Antonio Gattorno analysis, research, scientific tests , full art authentications. We will help you sell your Antonio Gattorno or we will sell it for you.

We Perform One of the most mysterious figures ever in Cuban art is Antonio Gattorno. His work is nothing short of Surrealist genius, yet he never quite reached the same level of fame as fellow student and lifelong nemesis Salvador Dali. Much of Gattorno’s later work is similar to Dali’s in terms of scenes, imagery and technique, but Gattorno still held his own against his fellow Cuban artists. He has been considered a pioneer in the modern art movement in Cuba as well as a leader among the Vanguards. Arguably, he is the most underrated artist of the 20th century, and is relatively unknown outside of the Cuban art world.

Gattorno began his studies at the San Alejandro School at the very young age of 12. Here he studied under the famous painter Romanach and his earliest work reflects his teachings. He painted this picture of his wet nurse “Dolores” (1919) when he was only 15, and this shows his masterful grasp on portraiture at such a young age.

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Dolores

After he finished his studies at San Alejandro, he traveled to Europe on a scholarship. He was still a boy when he went to study the European masters. He returned to Cuba in 1927 and began to paint Cuban themes, but in a highly European style. These paintings are among the rarest in his collection, yet are the most highly known and prized and feature children fishing, fruits, florals, country scenes and portraits. He was very heavily involved in the early Creole movement and many of his paintings feature island imagery and Creole themes. He was highly influence by Gaugin and during this return from Cuba he concentrated on his plastic technique. One of his better known Cuban themed works is “El Rio” (1927).

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El Rio

Upon his return from Spain, Gattorno was still relatively unknown. American writer Ernest Hemingway, who lived much of his life in Cuba, took a liking to Gattorno and his work. He gave him shining reviews and in many ways helped to launch his career. It is even said that Hemingway was like a father figure to him, and they formed a life long friendship. Upon Hemingway’s advice, Gattorno packed up and moved to New York City in 1930 to help further his career.

Once in New York, Gattorno began to paint in a style that his critics called Primitive Realism. He would often paint portraits of his friends and relatives in a realistic, yet childlike way, usually in front of an open window or space where he could paint a lush background. “La Siesta,” (1940) one of his most accomplished pieces, was created during this time. “La Siesta” is a prime example of his talents as a Vanguard painter, and has been called “The Mona Lisa of Cuban art.”

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La Siesta

La Siesta was also a transitional piece for Gattorno. Note the curtains above the bed. These curtains are painted in a flowy, dreamy Surrealist style which helped to segue Gattorno into his next phase of painting. There is also a heightened sense of detail in the wood grain on the wall and the folds in the sheets on the bed.

If one would want to question why Gattorno and Dali were lifelong arch enemies, they would only have to look at Gattorno’s Surrealist painting “Hitler’s Portrait” (1942).

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Hitler’s Portrait

Salvador Dali was known for his optical illusion painting using brick walls, statues or fruit to form faces or images of people. Gattorno used this same method in “Hitler’s Portrait.” At a glance, anyone unfamiliar with Gattorno may easily mistake this work as being a Dali. Their Surrealist styles were extremely similar, which is no surprise considering they studied together in Spain as young men.

From the 1940’s on, Gattorno’s oeuvre consisted mainly of Surrealist compositions. Sadly, these are his least known works. From mythical creatures to dreamlike scenes, his work was both beautiful and bizarre. Gattorno would often do paintings of deconstructed statues, much in the same way Dali would do. During this period, he did not express his Cuban roots in his Surrealistic painting nearly as often. However, from time to time he would paint a surreal landscape reminiscent of home.

Despite his success as a Surrealist painter, he was often called an ex-patriot for living abroad for the majority of his life. He never fully abandoned his Cuban heritage and Vanguard roots in his paintings however, he was often accused of doing that as well. His studies in Europe and residence in New York make it very likely that some of his work is still out there, waiting to be authenticated. His signature, also like Dali’s, was highly recognizable and stylized in a geometric fashion.

Upon his death it is said that most of Gattorno’s work was still owned within his family’s private collection, although after his death it is said that his widow sold or gave away most of his work. This leaves a remarkable chance for someone to own a piece by this great unknown master.

Today, much of his known work is housed in museums in Cuba.

We research, appraise, authenticate and issue certificates of authenticity for works by Antonio Gattorno.


done
43--bredael-van.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bredael-van" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bredael-van" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "bredael-van" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
44--west.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "west" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "west" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "west" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
45--blocklin.php Arnold Böcklin Artwork Authentication & Art Appraisal

Arnold Böcklin (1827 – 1901)

Arnold Böcklin art authentication. Arnold Böcklin appraisal. Arnold Böcklin certificates of authenticity (COA). Arnold Böcklin analysis, research, scientific tests, full art authentications. We will help you sell your Arnold Böcklin or we will sell it for you.

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Self-Portrait 1872

Arnold Böcklin was a symbolist Swiss painter. He studied at Düsseldorf where he became a friend of Ludwig Andreas Feuerbach. Originally a landscape painter, his travels through Brussels, Zurich, Geneva and Rome, exposed him to classical and Renaissance art, and the Mediterranean landscape. These new influences brought allegorical and mythological figures into his compositions. In 1866 he resided at Bâle, in 1871 in Munich, in 1885 in Hottingen (Switzerland) and at the end of his life in Fiesole.

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The Game of the Naiads

Influenced by Romanticism his painting is symbolist within the Art Nouveau style. His pictures portray mythological, fantastical figures along classical architecture constructions (revealing often an obsession with death) creating a strange, fantasy world.

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Landscape in the Countryside 1859

Böcklin is best known for his five versions of The Isle of the Dead, which partly evokes the English Cemetery, in Florence, close to his studio and where his baby daughter Maria had been buried.

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The Isle of the Dead

Böcklin exercised an influence on Surrealist painters like Max Ernst and Salvador Dalí, and on Giorgio de Chirico.

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The War

Otto Weisert designed an Art Nouveau typeface in 1904 and named it “Arnold Böcklin” in his honor. The design uses tendrils hanging from many of the capital letters and across the top of the minuscule letters v through y.

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Flora 1875

The Böcklin typeface was later appropriated by the hippy movement and its influence can also be seen in the work of Seventies illustrators such as Roger Dean. The Stuckist artist Paul Harvey has also used the typeface in his work.

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The Plague

Böcklin’s paintings, especially The Isle of the Dead, inspired several late-Romantic composers. Rachmaninov and Heinrich Schülz-Beuthen both composed symphonic poems after it, and in 1913 Max Reger composed a set of Four Tone Poems after Böcklin of which the third movement is The Isle of the Dead (The others are The Hermit playing the Violin, At play in the waves and Bacchanal).

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Playing in the Waves

Still wondering about a painting in your family collection? Contact us…it could be by Arnold Böcklin.


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47--monteros.php Juan Espinosa de los Monteros Artwork Authentication & Art Appraisal

Juan Espinosa de los Monteros

Get a Espinosa Certificate of Authenticity for your painting (COA) for your Espinosa drawing.

For all your Espinosa artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Espinosa Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Espinosa painting or drawing.

If you want to sell your Espinosa painting or drawing use our selling services. We offer Espinosa selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Espinosa and issuing certificates of authenticity since 2002. We are recognized Espinosa experts and Espinosa certified appraisers. We issue COAs and appraisals for all Espinosa artworks.

Our Espinosa paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Espinosa certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Espinosa painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Espinosa paintings or drawings take longer.

Our clients include Espinosa collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Juan Espinosa de los Monteros art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Juan Espinosa de los Monteros or we will sell it for you.

Monteros, La Virgen Entrega el Rosario a Sto. Domingo

La Virgen Entrega el Rosario a Sto. Domingo

Monteros, Family Tree of the Fransiscan Order

La Orden de San Fransiscan

Painter during the 17th century, active in Cusco between 1638 and 1669. This painter reaffirms the baroque with a Zurbaran style by using the Flemish stamps as models. Some documents certificate that he painted for the San Juan de Dios order.

In 1655 he started his monumental “Epilogue” canvas (12 meters x 9 meters) on the San Francisco order, which represents more than 800 outstanding Franciscans. San Francisco de Asis and most important people of the order appear in full-length at the bottom of the picture. The scene is painted in the obscure shade of the Sevillian style.

His style was followed by his son and disciple José Espinosa de los Monteros, who also produced many series of canvas with saints. One of them, Santa Teresa (1682), in the middle of a flemish landscape with many little birds flying around, the same as his father did.

Some of his works are:

  • Family Tree of the Franciscan order Convento de San Francisco, Cusco.
  • Series on Santa Catalina’s life Monasterio de Santa Catalina, Cusco.
  • Latin Virgins Series (inspired by Swelinck engravings).
  • Portrait of Don Fulgencio Maldonado with Santa Catalina de Siena and San Francisco, Monasterio de la Recoleta, Arequipa.

Still wondering about a Peruvian painting in your family collection? Contact us…it could be by Juan Espinosa de los Monteros.


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48--pilo.php Carl Gustaf Pilo Artwork Authentication & Art Appraisal

Carl Gustaf Pilo (1711-1793)

We Perform Carl Gustaf Pilo art authentication. Carl Gustaf Pilo appraisal. Carl Gustaf Pilo certificates of authenticity (COA). Carl Gustaf Pilo analysis, research, scientific tests, full art authentications. We will help you sell your Carl Gustaf Pilo or we will sell it for you.

Pilo painting, Portrait of a Lady

Portrait of a Lady

Carl Gustaf Pilo was an 18th century Swedish painter. Pilo mainly worked in Denmark, and served as the painter to the Danish court. Pilo was also a director and professor at the Royal Danish Academy of Art.

Pilo painting, Coronation of Gustaf III

Coronation of Gustaf III

Pilo carefully studied the works of Rembrandt and throughout his career, met with the changing tastes of society. His work transitioned from Rococo to Neoclassical, mainly painting portraits as well as historical scenes.

Pilo painting, King Frederik V of Denmark

King Frederik V of Denmark

Pilo painting, Luise, Queen of Denmark

Luise, Queen of Denmark

After 30 years of service with the Danish court, Pilo was asked to return to Sweden. Upon his return to his home country, Pilo was named the director of the Swedish Academy. He painted actively in his home country until his death in 1793.

Pilo painting, Portrait of the Artists Wife

Portrait of the Artists Wife

Still wondering about an 18th century Danish or Swiss painting in your family collection? Contact us…it could be by Carl Gustaf Pilo.


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49--gauffier.php Louis Gauffier Artwork Authentication & Art Appraisal

Louis Gauffier (1762-1801)

Get a Gauffier Certificate of Authenticity for your painting (COA) for your Gauffier drawing.

For all your Gauffier artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gauffier Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gauffier painting or drawing.

If you want to sell your Gauffier painting or drawing use our selling services. We offer Gauffier selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gauffier and issuing certificates of authenticity since 2002. We are recognized Gauffier experts and Gauffier certified appraisers. We issue COAs and appraisals for all Gauffier artworks.

Our Gauffier paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gauffier certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gauffier painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gauffier paintings or drawings take longer.

Our clients include Gauffier collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Louis Gauffier art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Louis Gauffier or we will sell it for you.

Gauffier painting, Vallombrosa and the Arno Valley

Vallombrosa and the Arno Valley

Gauffier painting, Cleopatra and Octavian

Cleopatra and Octavian

Gauffier painting, Quiet Recess of the Holy Family in Egypt

Quiet Recess of the Holy Family in Egypt

Louis Gauffier was an 18th century French painter, who was initially trained in Paris . He won the Prix de Rome in 1784, and was renowned for creating landscapes and history paintings. Gauffier created some highly-regarded portraits as well, including pencil drawings of poets, musicians and religious figures.

Gauffier painting, Augustus Frederick, Duke of Sussex

Augustus Frederick, Duke of Sussex

Gauffier painting, Paul Marmottan

Paul Marmottan

Gauffier painting, Portrait of Elizabeth, Lady Webster

Portrait of Elizabeth, Lady Webster

Today, Gauffier’s work is housed world wide and perhaps in your own home. Still wondering about an 18th century landscape or portrait in your family estate? Contact us…it could be by Louis Gauffier.


done
50--zalce.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "zalce" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "zalce" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "zalce" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
51--janin.php Jeanne Louise Sophie Janin Artwork Authentication & Art Appraisal

Jeanne Louise Sophie Janin (1781-1842)

Get a Janin Certificate of Authenticity for your painting (COA) for your Janin drawing.

For all your Janin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Janin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Janin painting or drawing.

If you want to sell your Janin painting or drawing use our selling services. We offer Janin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Janin and issuing certificates of authenticity since 2002. We are recognized Janin experts and Janin certified appraisers. We issue COAs and appraisals for all Janin artworks.

Our Janin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Janin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Janin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Janin paintings or drawings take longer.

Our clients include Janin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jeanne Louise Sophie Janin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jeanne Louise Sophie Janin or we will sell it for you.

Janin painting, Portrait of a Lady

Portrait of a Lady

Jeanne Louise Sophie Janin was an 18th century Swiss artist. Janin mainly painted miniature portraits. Still wondering about in miniature portrait in your family collection? Contact us…it could be by Jeanne Louise Sophie Janin.


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52--van-doesburg.php Theo van Doesburg Artwork Authentication & Art Appraisal

Theo van Doesburg, 1883-1931, Néerlandais

Get a Van Doesburg Certificate of Authenticity for your painting (COA) for your Van Doesburg drawing.

For all your Van Doesburg artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Van Doesburg Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Van Doesburg painting or drawing.

If you want to sell your Van Doesburg painting or drawing use our selling services. We offer Van Doesburg selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Van Doesburg and issuing certificates of authenticity since 2002. We are recognized Van Doesburg experts and Van Doesburg certified appraisers. We issue COAs and appraisals for all Van Doesburg artworks.

Our Van Doesburg paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Van Doesburg certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Van Doesburg painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Van Doesburg paintings or drawings take longer.

Our clients include Van Doesburg collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Theo Van Doesburg art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Theo Van Doesburg or we will sell it for you.

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La Fille aux renoncules (1914)

 

Theo van Doesburg était un peintre, poète, théoricien d’art et architecte néerlandais, fondateur du mouvement De Stijl. Il est passé d’une expression naturaliste à une représentation conceptuelle qui valorisait la simplicité et les formes géométriques.

 

Né en 1883 à Utrecht, il a développé très tôt une vocation artistique, se tournant, en 1902, après une formation en art dramatique, vers une carrière d’écrivain, puis de peintre autodidacte. Six ans plus tard, il a participé à sa première exposition, à La Haye. On y a vu des œuvres naturalistes, postimpressionnistes et fauvistes, comme en témoignent les couleurs et les formes oniriques de La Fille aux renoncules (1914), style qu’il conservera jusqu’en 1915. Il publia également, dans la revue Eenheid, un article sur l’œuvre de Mondrian, qu’il rencontra l’année suivante. Il écrivait déjà depuis plusieurs années, s’interrogeant sur les nouvelles avancées de l’art contemporain, comme le cubisme et le futurisme, ainsi que sur les rapports possibles entre les deux phénomènes, dynamique et spatial, que sont respectivement la peinture et l’architecture.

 

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Mouvement héroïque (1916)

 

 

En mars 1916, Van Doesburg, Erich Wichmann et Louis Saalborn montèrent l’association d’art « De Anderen », puis, l’année suivante, il fonda la revue et le courant De Stijl, aux côtés de Piet Mondrian et de l’architecte Jacobus Johannes Pieter Oud. Mondrian, qui renonçait à toute figuration en faisant se côtoyer des plans colorés et des tensions linéaires, resta pendant longtemps le complice de Van Doesburg. Pour ce dernier, De Stijl était un rempart contre les restes du baroque moderne qui figeait la pensée, au lieu d’en reconnaître une plasticité qui la libérait de toute contingence contemporaine.

 

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Les Joueurs de cartes (1916-1917)

 

 

En 1921, il s’installa à Weimar, après un long séjour parisien. En compagnie de quelques constructivistes, il monta le Groupe G, qui poussait l’art de Weimar vers une esthétique mêlant l’humanité de l’artisanat au machinisme de la production de masse. Publiant des poèmes Dada, il a également donné des conférences de théorie artistique, notamment au Bauhaus, contribuant à leur éloignement de l’expressionisme.

 

En 1922, à son initiative, s’est ouvert à Düsseldorf le Congrès international des artistes progressistes. L’année suivante, après son installation à Paris, la Galerie l’Effort Moderne a organisé une exposition sur les artistes du groupe De Stijl, où Van Doesburg, en collaboration avec Cornelis van Eesteren, a présenté plusieurs projets de maisons « contre-constructions », bouleversant les conventions architecturales. Deux ans plus tard, les deux hommes cosignèrent le cinquième manifeste du mouvement De Stijl : « Vers une construction collective ».

 

En 1925-1926, il a publié le « Manifeste de l’Élémentarisme », avant de se lancer, en tant que peintre, dans la rénovation du café de l’Aubette, à Strasbourg. Cette inflexion artistique contre les principes fondateurs du néoplasticisme a signé sa brouille définitive avec Mondrian.

 

Une fois achevée la construction de sa maison-atelier de Meudon, à la conception minimaliste, Van Doesburg succomba à une attaque cardiaque, le 7 mars 1931 à Devos, en Suisse, où il s’était retiré.


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53--molina-espanol.php Florencio Molina Campos Artwork Authentication & Art Appraisal

Florencio Molina Campos ( 1891 – 1959 )

¿Cree que es propietario de una pintura de Florencio Molina Campos? Autenticamos, tasamos, investigamos, damos información y emitimos Certificados de Autenticidad (COA) de todas las obras de Florencio Molina Campos.

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Molina Campos

 

Nació en Buenos Aires en 1891. Sus estudios primarios y secundarios los cursó en el Colegio del Salvador. Comenzó la carrera de arquitectura, que abandonó para seguir diplomacia, que también dejó. A los 28 años se casó con María Hortensia Palacios Avellaneda, con la que tiene a su única hija Hortensia María, y de la que se separa a los cuatro años.

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Almanaque Alpargatas

 

Su afición por el campo y los paisanos comenzó de niño, cuando era llevado a pasar las vacaciones a las estancias de sus padres. Nunca recibió clases particulares de diseño, ni concurrió a institutos de enseñanza artística. Su maestro fue la naturaleza y consagró su vida al culto de la tradición y lo autóctono de su país, que hizo conocer gráficamente en todos los rincones del mundo.

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molina campos cantandole al morenito

 

Sus compañeros de trabajo lo instaron a presentar los dibujos y pinturas que él realizaba y que llamaba caricaturas. Fue así como en agosto de 1926 realizó su primera exposición en la Feria Ganadera de Palermo, integrada por 61 pasteles y acuarelas, que vende completamente gracias al gran espaldarazo que le dio el presidente de la Nacíón, el doctor Marcelo Torcuato de Alvear, quien le compró dos obras. A los pocos meses, realizó otra exposición en Mar del Plata, en el local de la galería Witcomb. Allí, conoció a Elvira Ponce Aguirre, una maestra mendocina con quien vivió el resto de sus días.

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molina campos gaucho 1956

 

Contribuyó a su éxito inicial, el convenio que firma en 1930, para ilustrar almanaques. La fábrica Alpargatas le encargó doce pinturas para ilustrar el almanaque de 1931. Las obras -que se vendían en 70 pesos- fueron entonces reconocidas por esta empresa que le pagó 500 pesos por cada una. Desde 1931 hasta 1936 se presentaron los almanaques y volvió a realizarlos entre 1940 y 1945. En estos 12 años, cerca de 18 millones de láminas litográficas con sus obras se distribuyeron por la Argentina y países vecinos, y se convirtió en la primera pinacoteca popular del arte argentino. Los almanaques comenzaron a incluir textos, en los cuales Florencio respetaba la forma en que hablaban sus queridos paisanos. Por ejemplo, decía a su personaje Tileforo Areco – “Cansao de andar vagando y de agregao en una estancia u piolando… Me dentró una comezón por saber como estaría lo que dejé cuasi de creatura”. Sus textos causaron un suceso tal, que también fue contratado para contar las historias en la radio. Continuamente viajaba por el interior buscando “su lugar” para instalarse fuera de la ciudad. Y lo encontró en Moreno, a orillas del río Reconquista, Allí, construyó su rancho al cual puso de nombre Los Estribos, en honor a la marca que utilizaba la familia Molina Campos para el ganado, característica en todas las obras de Florencio y que son dos estribos cruzados.

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molina campos la maroma

 

En 1942, fue contratado por el famoso Walt Disney, como asesor técnico para dirigir el rodaje de varias películas de dibujos animados de ambiente argentino: “El gaucho volador”, “El gaucho reidor”, “Gooffy se hace gaucho” y “Saludos amigos”. En 1956, viajó como invitado de honor por el Gobierno de Alemania Occidental para asistir al Festival Internacional cinematográfico llevando la película “Pampa Mansa” en la que aparece con sus motivos vernáculos.

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molina campos va cayendo gente al baile

 

Realizó exposiciones personales en galerías de Buenos Aires y del interior del país así como en París, Nueva York, Palm Springs, Los Angeles, Passadena, Laguna Beach, San Francisco, El Monte y Clermont de California, Minneápolis, Washington, y festejando el 30 aniversario de sus exposiciones, en la Galería Sudamericana de Nueva York. En Estados Unidos conoce al fundador de la Universidad de Texas, Edward Larocque Tinker, quien adquirió una colección de pinturas para la entidad educativa que atesora 45 de sus mejores obras.

Actuó como conferencista, periodista, publicó cuentos, escribió críticas artísticas, colaboró en revistas como narrador y dibujante, realizó paneles decorativos, entre otros, en la South American House de Londres, ilustró diversos libros en Norteamérica y el “Fausto” de Estanislao del Campo y La cierra purpúrea de Enrique Hudson.

Fue socio por aclamación de la “Mark Twain Society” y de la “Sigma-Delta-Pi” de la Universidad de California del Sud. Una serie de sus más importantes cuadros han sido requeridos a los coleccionistas de Estados Unidos por la Universidad de Texas (Austin) para exhibirlos en forma permanente.

Es el único artista extranjero que figura en la Galería Charles M. Russell (Great Falls, Montana, U.S.A.).

Molina Campos desarrolló un estilo personal, representativa de nuestro país y de su gente. Gracias a los almanaques de Alpargatas y a las exposiciones que recorrieron todo el país, su obra es ampliamente conocida. Siempre pintó a sus contemporáneos, representó a los paisanos como él los veía. Pero nunca utilizó modelos ni preparó la escena de sus cuadros. Esto resulta sorprendente cuando se observa el detalle preciosista de sus obras. La témpera era la técnica que le resultaba más cómoda. Lo último que acostumbraba a dibujar era la cara de sus personajes. Llegó a dominar el óleo con maestría, pero sólo realizó menos de 200 obras con dicha técnica.

Falleció en Buenos Aires el 16 de noviembre de 1959.


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54--huber.php Wolf Huber Artwork Authentication & Art Appraisal

Wolf Huber (1485-1553)

Get a Huber Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Huber artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Huber Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Huber painting, drawing or print.

If you want to sell your Huber painting, drawing or print use our selling services. We offer Huber selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Huber and issuing certificates of authenticity since 2002. We are recognized Huber experts and Huber certified appraisers. We issue COAs and appraisals for all Huber artworks.

Our Huber paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Huber certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Huber painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Huber paintings or drawings take longer.

Our clients include Huber collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Wolf Huber art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Wolf Huber or we will sell it for you.

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Self-Portrait 1522

Wolf Huber was an Austrian painter and printmaker. Records show that Huber was born in Feldkirch, Vorarlberg, but that by 1515 he was living in Passau. His relationship with other painters of that name living in Feldkirch is unknown, although it is widely believed that he was related to Hans Huber. Huber’s birthdate has been estimated at around 1485 on the basis of several works, dated between 1510 and 1515, which show him to have been a well-established and mature artist by that date.

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Capturing Christ 1530

Nothing is known of Huber’s training, although he likely worked in a family workshop before setting out as a journeyman painter. He likely visited northern Italy, as much of his work shows a thorough grounding in the stylistic techniques of the Italian Renaissance. Drawings of local subjects reveal that he visited the Salzkammergut at least once.

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Head Study 1522

After his relocation to Passau, Huber in 1517 became court painter to the Duke of Bavaria, Ernst, who administered the local diocese until 1540. In 1529 another local nobleman, Count Niklas II von Salm, commisioned him to rebuild Neuberg Palace on the Inn River, not far from the town, only fragments of which survive. These indicate the addition of wings in the style of the Italian Renaissance, complete with rich decorative paintings. Huber probably also designed the reliefs on the tomb of the Count’s father, Niklas I von Salm, now located in the Votivkirche in Vienna. For his work on the palace Huber was awarded a pension and a manor house, Neufils.

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The Mourning of Christ 1524

When Count Wolfgang von Salm became Passau’s bishop in 1542, he confirmed Huber’s status as court painter, further recording that he was not subject to the laws of the guild of painters. The artist died in his manor house in Passau in 1553.

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Landscape with Castle 1550

None of Huber’s architectural work has survived, and few of his paintings are extant. Those paintings still in existence show a heavy influence from the work of Albrecht Dürer; some also show distinct Mannerist tendencies. Almost none of Huber’s portraits survive, save for the pendants of mintmaster Anton Hundertpfund and his wife (dated 1526) and the unusual image of Jakob Ziegler (dated 1550), in which the scholar is presented frontally, before a panorama of the cosmos. Huber’s surviving drawings suggest a number of multi-figured compositions, now lost; his known graphic output is limited to thirteen woodcuts. Huber’s drawings were copied from an early date; his landscapes in particular bear a deal of resemblance to similar works by Albrecht Altdorfer.

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The Crucifixion

Still wondering about a 16th century German painting in your family collection? Contact us…it could be by Wolf Huber.


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55--gandolfi-gaetano.php Gaetano Gandolfi Artwork Authentication & Art Appraisal

Gaetano Gandolfi (1734-1802)

Get a Gandolfi Certificate of Authenticity for your painting (COA) for your Gandolfi drawing.

For all your Gandolfi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gandolfi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gandolfi painting or drawing.

If you want to sell your Gandolfi painting or drawing use our selling services. We offer Gandolfi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gandolfi and issuing certificates of authenticity since 2002. We are recognized Gandolfi experts and Gandolfi certified appraisers. We issue COAs and appraisals for all Gandolfi artworks.

Our Gandolfi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gandolfi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gandolfi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gandolfi paintings or drawings take longer.

Our clients include Gandolfi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gaetano Gandolfi art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gaetano Gandolfi or we will sell it for you.

Gaetano Gandolfi painting, Mythological Sketch

Mythological Sketch

Gaetano Gandolfi was an 18th century Italian painter. He was the brother of Ubaldo Gandolfi, a fellow painter, and lived for a brief period in Venice . Though he was best known for his frescoes, Gandolfi also left behind a number of beautifully detailed sketches, as well as portraits.

Gaetano Gandolfi painting,Portrait of a Cleric

Portrait of a Cleric

Still wondering about an 18th century Italian painting or sketch in your family collection? Contact us…it could be by Gaetano Gandolfi.


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56--azbe.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "azbe" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "azbe" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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57--de-la-escalera.php Jose Nicolas De la Escalera authentication and appraisal

Jose Nicolas de la Escalera (1734-1804)

We Perform Jose Nicolas De La Escalera art authentication. Jose Nicolas De La Escalera appraisal. Jose Nicolas De La Escalera certificates of authenticity (COA). Jose Nicolas De La Escalera analysis, research, scientific tests , full art authentications. We will help you sell your Jose Nicolas De La Escalera or we will sell it for you.

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The Holy Trinity

The First Cuban Painter

Jose Nicolas De la Escalera is considered to be the first true Cuban painter. Perhaps there were others before him to, but Escalera’s work has stood the test of time, and he is believed to be the oldest known Cuban painter. Little is known about Escalera today, but certainly, he received training from one of the many artists or European artistocrats which streamed into Europe during the later half of the 1600’s.

Before his time, any art that existed on the island was primitive in nature by self-taught “mulattos” or was graphic art used for the production of tobacco ads. It was Escalera that started the beginnings of non-commercial painting and brought art to this island nation. Before Escalera, there were many European, non-native artists that would produce art on the island. Escalera was truly the first Cuban to produce work in the Classic style.

Much of the work that exists today of Escalera’s are portraits and religious imagery. Some have said that his painting is in the Cuban baroque style, and mostly grace the walls of churches and cathedrals in Cuba. One may compare him as the Cuban equivalent to Michelangelo, not necessarily because of style, but because of their similarities in subject matter and innovation in the world of art. Escalera uses a style which suggests European Classical styling, and this is echoed in his color choices, as well as subject matter.

While painting under the watchful eye of the clergy, Escalera was said to have had little control over the styles of his paintings. He would be commissioned for these jobs, and would paint in a style to please his patrons. However, Escalera would have a very playful color palate at times, which would echo in the clothing on the subjects in his paintings.

When Escalera was not commissioned for murals and art work, he would paint portraits of the early Cuban aristocracy. By doing this, Escalera was also documenting life on this somewhat remote country in some of their earliest known history. Escalera was also the first to paint a picture of a “negro” slave, which appeared in a painting in the Santa Maria del Rosario church.

To find a piece of Escalera’s work would not only be worthy artistic find, but a priceless piece of Cuban history as well. Today, Escalera’s work is housed at the Museuo Nacional de Bellas Artes in Havana, as well as in churches throughout Cuba. Could you own a historic piece of art from Jose Nicolas De la Escalera? The possibilities are endless. We would be glad to help you authenticate a piece of art from this original Cuban artist, the one who started it all in the Cuban art world.

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Virgin

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58--uccello.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "uccello" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "uccello" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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59--winter.php George Winter Artwork Authentication & Art Appraisal

George Winter (1809-1876)

Get a Winter Certificate of Authenticity for your painting (COA) for your Winter drawing.

For all your Winter artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Winter Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Winter painting or drawing.

If you want to sell your Winter painting or drawing use our selling services. We offer Winter selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Winter and issuing certificates of authenticity since 2002. We are recognized Winter experts and Winter certified appraisers. We issue COAs and appraisals for all Winter artworks.

Our Winter paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Winter certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Winter painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Winter paintings or drawings take longer.

Our clients include Winter collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform George Winter art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your George Winter or we will sell it for you.

Winter, D-Mouche-Kee-Kee-Awh 1863-71

D-Mouche-Kee-Kee-Awh, 1863-71

George Winter was born in Portsea, England in 1809 and immigrated to the United States, becoming one of Indiana’s most recognized artists. Winter spent much of his life in Logansport and in the Wabash Valley in Indiana.

Winter, Indian Burial Kee-Waw-Nay Village 1837

Indian Burial Kee-Waw-Nay Village, 1837

Winter was exposed to many of London’s fine museums and galleries but received little academic training in art. In 1830, Winter arrived in New York, spending a short amount of time at the National Academy of Design before taking a stagecoach westward. Winter settled in Indiana with the intention of learning about Native American culture.

Winter, Potawatomi Camp Scene, Crooked Creek, 1837

Potawatomi Camp Scene, Crooked Creek, 1837

Winter, Francis Slocum, oil portrait

Francis Slocum, oil portrait

Winter documented the government forced relocation of the Potawatomi and Miami tribes. Many of these paintings now belong to the Tippecanoe County Historical Association. Winter documented Native American culture as their communities slowly vanished due to government intervention. Winter built relationships with members of the Miami and Potawatomi tribes and had opportunities to sketch and paint portraits of several members. Winter kept a journal describing each of his paintings.

Winter, Yo-Ca-Top-Kone. 1837

Yo-Ca-Top-Kone, 1837

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Mas-saw in Fulton County, 1837, Watercolor,Tippecanoe County Museum

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Wewissa and his Mother, 1838, Watercolor

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Wewissa, 1838, Watercolor

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General Tipton, The Conductor of the Removal, 1838, Watercolor

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Chief Sun-go-waw, 1837-8, Watercolor

Winter’s paintings portray Native Americans at a crucial point in American history. His paintings are important as both pieces of fine art and historical documents. Do you think you own a painting by George Winter? Contact us. We are the George Winter experts.


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60--delconte.php Jacopino del Conte Artwork Authentication & Art Appraisal

Jacopino del Conte (1510-1598)

We Perform Jacopino del Conte art authentication. Jacopino del Conte appraisal. Jacopino del Conte certificates of authenticity (COA). Jacopino del Conte analysis, research, scientific tests, full art authentications. We will help you sell your Jacopino del Conte or we will sell it for you.

del Conte, The Holy Family with John the Baptist

The Holy Family with John the Baptist

del Conte, Unfinished Portrait of Michelangelo, 1540

Unfinished Portrait of Michelangelo, 1540

del Conte, Saint Ignatius

Saint Ignatius, 1556

Jacopino del Conte was an eminent Italian Mannerist painter, active in both Rome and Florence. A native of Florence, Jacopino del Conte was born the same year as another Florentine master Cecchino del Salviati (whom Conte outlived by 35 years) and, like Salviati and a number of other painters, he initially apprenticed with the influential painter and draftsman Andrea del Sarto.

del Conte, Detail of Fresco (Preaching), 1538

Detail of Fresco (Preaching), 1538
Oratorio de San Giovanni Decollato (Rome)

del Conte, Detail of Fresco (Baptism of Christ) 1541

Detail of Fresco (Baptism of Christ) 1541
Oratorio de San Giovanni Decollato (Rome)

Conte’s first frescoes, including Annunciation to Zachariah (1536), Preaching of Saint John the Baptist (1538), and Baptism of Christ (1541) were in the Florentine-supported Oratory of San Giovanni Decollato, located in Rome. The ‘Preaching’ fresco was based on a drawing by Perin del Vaga. In 1547–48, in collaboration with Siciolante da Sermoneta, Conte completed the fresco decoration of the chapel of San Remigio in San Luigi dei Francesi. In 1552, he painted another work for the San Giovanni Decollato Oratory, the altarpiece Deposition, whose designs are sometimes attributed to Daniele da Volterra.

del Conte, Portrait of Cardinal Kunsthistorisches Museum, Vienna

Portrait of Cardinal Kunsthistorisches Museum, Vienna

del Conte, Portrait of Sagrada Family

Portrait of Sagrada Family
Museo del Prado, Madrid

del Conte, Portrait of Michelangelo Buonarroti 16th century

Portrait of Michelangelo Buonarroti, 16th century

Although the specific dates of his birth and death were not documented, in his final year Jacopino del Conte would have been 88 years old. Still wondering about an Italian painting in your family collection? Contact us…it could be by Jacopino del Conte.


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61--pogolotti.php Marcelo Pogolotti Artwork Authentication & Art Appraisal

Marcelo Pogolotti (1902-1988)

We Perform Marcelo Pogolotti art authentication. Marcelo Pogolotti appraisal. Marcelo Pogolotti certificates of authenticity (COA). Marcelo Pogolotti analysis, research, scientific tests, full art authentications. We will help you sell your Marcelo Pogolotti or we will sell it for you.

Marcelo Pogolotti was born and died in Havana. His family was well-off, and during his childhood, he received much of his schooling abroad in Italy. In 1919, he began to study engineering and philosophy in the US. However, he dropped these studies and enrolled in The Arts Students League in New York City in 1923. The following year, he left for a tour of Europe and visited Paris, Madrid and Rotterdam.

These studies abroad were what helped to for Pogolotti’s style. In Paris, he found Surrealism, and among the Italians he picked up futuristic painting. This is the style that he became known for, and was eventually named one of the leaders in abstract art in Cuba. Perhaps it is his training in engineering that makes him so fond of painting industrial scenes, but this becomes his trademark. His work was very socially driven, and although many have claimed that his art was propaganda, he was merely being a voice for the Cuban “peasantry.” He often depicted the pain and suffering of the working man in Cuba, and was an artistic voice against their exploitation.

One of his best known works, “Paisaje Cubano” (1933) is a perfect example of his Futurismo styling paired
with a social message.

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Paisaje Cubano, 1933

One can very clearly see the surrealist themes and futuristic, technological and rounded styling that Pogolotti became known for. His paintings would often depict soldiers, people solemnly marching in line, factories billowing with smoke and other industrial images. Workers revolting and the military as a prison
are also symbolic themes represented in his work.

Pogolotti would travel and exhibit around the world, and after one travel abroad late in his career, he came home to discover his eyesight was failing. This put a serious halt on his career as an artist. His loss of sight made it nearly impossible for him to paint with the enthusiasm and drama that he once did, and he eventually became blind. Like many other painters who lose their sight, he took to sculpture for a while, and was also a literature and art critic. Pogolotti’s sculpture pieces and early landscape work during his years in training could definitely be floating around somewhere.

Today, Pogolotti’s work is housed all over Cuba and across the world. His art represented the changing of times during the Revolution in Cuba, and was a voice seldom allowed to be heard in art expression. He will always be known as a forerunner in abstract art and one of the few futuristic/surrealist Cuban painters of his time.


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62--eakins.php Thomas Eakins Artwork Authentication & Art Appraisal

Thomas Eakins (1844-1916)

Get a Eakins Certificate of Authenticity for your painting (COA) for your Eakins drawing.

For all your Eakins artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Eakins Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Eakins painting or drawing.

If you want to sell your Eakins painting or drawing use our selling services. We offer Eakins selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Eakins and issuing certificates of authenticity since 2002. We are recognized Eakins experts and Eakins certified appraisers. We issue COAs and appraisals for all Eakins artworks.

Our Eakins paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Eakins certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Eakins painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Eakins paintings or drawings take longer.

Our clients include Eakins collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Thomas Eakins art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Thomas Eakins or we will sell it for you.

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Self-Portrait

Thomas Eakins was an American painter born in Philadelphia, and has been called one of America’s greatest painters of all time. He painted in the Realist style, and began his studies at the Pennsylvania Academy of Fine Arts. From 1866-1870 he lived and studied in Europe, studying under Jean-Leon Gerome in Paris. During his time in Europe, he also traveled to Spain quite often, and was highly influenced by Diego Velazquez. This Spanish influence can be seen in many of his paintings, particularly in his own self-portrait, as well as his other portraits and genre scenes such as two of his best known paintings, “The Gross Clinic” and “The Agnew Clinic.”

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The Gross Clinic

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The Agnew Clinic

In 1876, Eakins returned to the Pennsylvania Academy and became a noted and controversial teacher. Despite the fact that his unorthodox teaching methods, including instructing his students on how to draw nudes, he became the director of the academy in 1882. Despite the great strides that Eakins made, he was eventually fired by the board of directors in 1886 because he removed the loin cloth of a male model in the presence of female students.

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Study for a Nude Man

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The Model

After Eakins was fired from the academy, his output of work was deeply affected. He mainly painted portraiture from then on, but even these portraits benefited from his dedication to anatomy in art. Eakins also put something of a psychological angle on the portraits of his sitters, and truly captured their presence. For this reason, many of his portraits were rejected by his patrons, but remain evidence of his genius as a painter today.

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Portrait of Maude Cook

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Susan Macdowell Eakins

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Alice Kurtz

Eakins early paintings were created by using motion studies captured on film. As a result, he painted many scenes of rowers, wrestlers or boxers, capturing them in motion. He also became known as a photographer, though he did not exhibit his photographs.

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Wrestlers

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Max Schmidtt in a Single Scull

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Rowers

Eakins was lifelong friends with famous American poet Walt Whitman, and even painted his portrait.

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Walt Whitman

Today, Eakins contribution to American Realism can be seen in the Ashcan School of paintings. He has since emerged as a major figure in sexuality studies in art history due to his compositions featuring homoeroticism and his complex attitudes toward women. Eakins was truly ahead of his time, and believed in teaching men and women with equal regard, though he became a victim of so-called “puritanical prudity.” This bohemian attitude made it difficult for Eakins to rise up during his lifetime as a noted painter, though secured him as a major force in American art history.

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Amelia van Buren

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Dr. William Thomson

Still wondering about an American Realist painting in your family collection? Contact us… it could be by Thomas Eakins.


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63--delaroche.php Paul Delaroche Artwork Authentication & Art Appraisal

Paul Delaroche (1797-1856)

Get a Delaroche Certificate of Authenticity for your painting (COA) for your Delaroche drawing.

For all your Delaroche artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Delaroche Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Delaroche painting or drawing.

If you want to sell your Delaroche painting or drawing use our selling services. We offer Delaroche selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Delaroche and issuing certificates of authenticity since 2002. We are recognized Delaroche experts and Delaroche certified appraisers. We issue COAs and appraisals for all Delaroche artworks.

Our Delaroche paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Delaroche certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Delaroche painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Delaroche paintings or drawings take longer.

Our clients include Delaroche collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Paul Delaroche art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Paul Delaroche or we will sell it for you.

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The Execution of Lady Jane Grey, 1833

Hippolyte Delaroche, who was known as Paul Delaroche was born in Paris. His father was considerably wealthy and encouraged and financed the artistic training of his son. Delaroche studied under the painters, Claude Henri Watelet, who was a landscape painter, and Jean Antoine Gros who was primarily a historical painter. Gros greatly influenced his development as a history painter and called Delaroche, the ‘glory of my school.’

Delaroche made his first appearance in the Salon with the painting, ‘Josabeth saving Joas,’ and through exhibiting this painting he was to meet two other painters of the time with whom he was to become great friends, Eugene Delacroix and Theodore Gericault. He was to visit Italy many times where his Father in Law, Horace Vernet was the director of the French Academy. Delaroche produced his history paintings in a combination of romantic and classical styles. He was particularly interested in British history and produced many paintings pertaining to this, such as, ‘The Death of Queen Elizabeth’ in 1828, and ‘The Execution of Lady Jane Grey.’ This painting now hangs in the National Gallery in London. Lady Jane Grey was one of the most tragic figures of Tudor history and she was executed at a young age to prevent her inheriting the English throne of which she was an heir.

He also produced paintings of Napoleon many times such as, ‘Napoleon at Fontainebleau,’ and’ ‘Napoleon Crossing the Alps,’ which now hangs in the Louvre, and shows Napoleon advancing into Italy with a small army in 1800. He painted other famous French figures such as Joan of Arc in the painting, ‘Joan of Arc in Prison,’ with which he had a great success in the Salon of 1824, and ‘Marie Antoinette Leaving the Convention,’ which shows Marie Antoinette after her sentence had been given. He received many commissions from the French State. He was asked to paint the hemicycle of the lecture theatre in the Ecole des Beaux Arts. He produced a magnificent painting, showing the great artists of the modern ages.

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Napoleon at Fontainbleau

He also was commissioned to take part in a decorative programme for the Louvre, for which he painted the sixteenth century historical subject, ‘The Death of Duranti.’ At the age of thirty five he was the youngest artist of the nineteenth century to be elected to the National Institute of Science and Art.

He was heartbroken by the death of his wife Louise in 1845, to whom he was devoted. However, after her death he was said by some to have produced his greatest works, including a series of elaborate pictures of the Passion.

He was also a teacher and he taught many students who went on to be successful painters of the time such as Charles Landelle, Charles Daubigny, Thomas Couture and Jean Leon Gerome. In 1857, after his death a retrospective took place of his work at the Ecole des Beaux Arts.

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La Jeune Martyr

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Edward V and the Duke of York in the Tower of London

If you believe you own a work of art by Paul Delaroche, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Paul Delaroche.


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64--chabaud.php Auguste Chabaud Artwork Authentication & Art Appraisal

Auguste Chabaud (1882-1955)

Get a Chabaud Certificate of Authenticity for your painting or a COA for your Chabaud drawing or sculpture.

For all your Chabaud artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Chabaud Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Chabaud painting, drawing or sculpture.

If you want to sell your Chabaud painting, drawing or sculpture use our selling services. We offer Chabaud selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Chabaud and issuing certificates of authenticity since 2002. We are recognized Chabaud experts and Chabaud certified appraisers. We issue COAs and appraisals for all Chabaud artworks.

Our Chabaud paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Chabaud certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Chabaud painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Chabaud paintings, drawings or sculpture take longer.

Our clients include Chabaud collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Auguste Chabaud art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Auguste Chabaud or we will sell it for you.

Auguste Chabaud was a French painter and sculptor who worked in Fauve, Cubist and Expressionist styles. Born in Nimes, he studied at the art school in Avignon at the age of 14 where he worked under Pierre Grivolas. By the turn of the century, Chabaud moved to Paris where he became friends with fellow artists Matisse and Derain. Though he is typically not as well known as his contemporaries, critics have hailed Chabaud as being one of the best provincial painters of the early 20th century.

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Provencal Scenery

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Sculpture

In 1901, Chabaud embarked on a journey to the African west coast in order to earn a living. From 1903 to 1906, Chabaud is stationed in Tunisia to serve in the military. Here, he sketches the natives and scenes of bars filled with women and sailors.

Upon his return to Paris in 1907, Chabaud exhibits in the Salon d’Independants where he is finally noticed by art collectors and critics. This year also marks Chabaud’s influence from the cabarets and cafés, and general Parisian nightlife.

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Yvett in a Dress, 1907

By 1911, Chabaud begins to heavily work in the Cubist style, and in 1920, signs of his blue period begin to surface in his compositions. Chabaud marries in 1921 and has 8 children, and lives the rest of his life in general seclusion.

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Le Berger

Chabaud’s style typically encompassed a mixture of Parisian city life and country landscapes. Because he experimented and studied a number of different styles, his somber landscapes may seem in striking contrast to his bold and vivacious cabaret scenes.

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Woman

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St. Jeanette

Today, Chabaud’s work is housed worldwide, and especially in the Auguste Chabaud Museum in Graveson, France. During his lifetime, his work was exposed in New York, Chicago, Boston and all over Europe.

If you believe you own a work of art by Auguste Chabaud, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Auguste Chabaud.

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Hotel Luxe


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65--van_dyck.php Antoine van Dyck Artwork Authentication & Art Appraisal

Antoine van Dyck, 1599-1641, Belge

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Triple portrait de Charles Ier (1635 ou 1636)

 

Antoine van Dyck était un peintre et graveur baroque, connu pour ses portraits de cour.

 

Né à Anvers, Van Dyck montrait un talent précoce et a commencé à peindre dès l’âge de dix ans, auprès de Hendrick van Balen. Six ans plus tard, il a monté son propre atelier aux côtés de son ami Jan Brueghel et, en 1618, il a rejoint la guilde de Saint-Luc et est devenu le principal assistant et disciple de Pierre Paul Rubens.

 

C’est durant un premier séjour en Angleterre qu’il a étudié les compositions du Titien rassemblées dans la collection privée du comte d’Arundel et qu’il a ajouté à sa palette la subtilité du maître. Cela lui a inspiré un séjour de six ans en Italie, où il s’établit comme portraitiste. Il a travaillé sur des œuvres de commande, s’attachant à représenter des familles nobles de plain-pied, dans la tradition de Véronèse. Rentré en Flandres, il établit de bons contacts avec les milieux aristocratiques et a réalisé des portraits (notamment celui, en grandeur nature, de vingt-quatre conseillers municipaux de Bruxelles), mais également des retables et des gravures.

 

Considéré comme un genre mineur par rapport à la peinture d’histoire et religieuse, le portrait a connu au XVIIe siècle un souffle nouveau. En effet, dans une société dirigée par des laïcs, ces derniers aimaient à se faire représenter dans de riches atours afin d’affirmer leur position sociale et leur nouvelle autorité.

 

Repéré par Charles Ier, grand collectionneur d’art, il fut appelé en Angleterre et devint peintre officiel de cour en 1632. Une maison lui fut offerte à Blackfriars, dans les environs de Londres, et il reçut, en plus des émoluments de ses commandes, une pension royale qui lui permettait de vivre confortablement. Ce fut dans cet atelier qu’il réalisa les portraits de Charles Ier et de son épouse, Henriette Marie de France, de leurs enfants et des nombreux personnages de la cour du roi. Il a épousé au bout de quelques années Marie Ruthven, qui est alors devenue dame de compagnie de la reine, probablement sur l’ordre du souverain, qui désirait conserver Van Dyck à sa cour. Il a réalisé environ quarante portraits du roi et une trentaine de portraits de la reine. Les plus connus sont Charles Ier à la chasse et le Triple portrait de Charles Ier (1636), qui représente le roi de face et sous ses deux profils. Selon l’histoire, cette étrange peinture aurait été envoyée à un sculpteur italien afin qu’il s’en inspirât dans la réalisation d’un buste à l’effigie du monarque.

 

Dans ses représentations de l’aristocratie britannique, son style confère à ses modèles un mélange d’autorité et de décontraction qui devait influencer l’art du portrait en Angleterre pendant plus d’un siècle. Entre 1632 et 1641, son atelier a produit le nombre impressionnant de 400 commandes, dont certaines furent réalisées par ses disciples et auxquelles il n’apportait que la touche finale.

 

Il mourut en 1641, après être tombé malade lors d’un voyage en France, et fut inhumé dans la cathédrale Saint-Paul de Londres, où le roi fit ériger un monument à sa mémoire.


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66--deineka.php Alexander Aleksandrovich Deinekaa authentication

Alexander Aleksandrovich Deineka (1899 – 1969)

Get a Deineka Certificate of Authenticity for your painting (COA) for your Deineka drawing.

For all your Deineka artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Deineka Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Deineka painting or drawing.

If you want to sell your Deineka painting or drawing use our selling services. We offer Deineka selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Deineka and issuing certificates of authenticity since 2002. We are recognized Deineka experts and Deineka certified appraisers. We issue COAs and appraisals for all Deineka artworks.

Our Deineka paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Deineka certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Deineka painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Deineka paintings or drawings take longer.

Our clients include Deineka collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alexander Aleksandrovich Deineka art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alexander Aleksandrovich Deineka or we will sell it for you.

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Self-Portrait

Deineka was born in Kursk in 1899. Deineka studied painting at the Kharkov Art College (1915-1917). Deineka’s youth was filled with events surrounding the revolution in Russia.

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On the Building, New Workshops

In 1918 Deineka worked as a photographer in the Criminal Investigation Department, managed a section of the Regional Art Education Department, designed campaigns in Kursk.

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The Textile Women

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Future Pilots

From 1919-1920, Deineka served in the army. While in the army, Deineka was sent on an official trip to study poly-graphics in Moscow, which greatly inspired his future artistic pursuits.

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The Defense of Petrograd

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Six Nuns

In 1925 Deineka was one of the founders of Stander’s Society and created a monumental, Soviet-revolutionary piece Defense of Petrograd, 1928.

In 1928 Deineka became a member of the art association “October”, and in 1931 Deineka became a member of the Russian Association of Proletarian Artists. Deineka began to make political posters depicting pre-revolutionary history.

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Burned Village

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Defense of Sevastopol

During World War II Deineka created dramatic, monumental pictures. Surburb of Moscow (1941) and The Burned Village (1942) explore the suffering that he witnessed during the war. Defense of Sevastopol (1942) became a symbol of courage in his Moscow.

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political poster

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Occupation

Deineka not only painted, but also made mosaics in the Congressional Palace and metro stations “Mayakovakaya” (1938) and “Novokuznetskaya” (1943) in Moscow. Deineka won the Lenin Prize for his mosaic work.

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mosaic

Deineka lectured in many Institutes in and around Moscow. He was awarded by the Order of Lenin and the order of the Red Banner of Labor. Deineka became a Hero of Socialist Labor in the USSR.

Deineka’s paintings serve an important role in world history. Deineka’s work can be found in museums and collection around the United States and Europe. Do you think you own a painting by Deineka? Contact us. We are the Deineka experts.


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67--collins.php William Collins Artwork Authentication & Art Appraisal

William Collins (1788-1847)

Get a Collins Certificate of Authenticity for your painting (COA) for your Collins drawing.

For all your Collins artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Collins Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Collins painting or drawing.

If you want to sell your Collins painting or drawing use our selling services. We offer Collins selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Collins and issuing certificates of authenticity since 2002. We are recognized Collins experts and Collins certified appraisers. We issue COAs and appraisals for all Collins artworks.

Our Collins paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Collins certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Collins painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Collins paintings or drawings take longer.

Our clients include Collins collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform William Collins art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your William Collins or we will sell it for you.

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Rustic Civility 1833

William Collins was a British landscape and genre painter. Collins was a highly successful artist, whose work was better known in his day than that of his rival John Constable. He studied art with George Morland, and began to exhibit work at the RA in 1807. He continued to do so almost every year from 1807 until 1846. He was elected an associate member of the Royal Academy in 1814 and became a full member in 1820. He exhibited regularly at the Academy Summer Exhibition.

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The Seafowl

He was the father of the novelist Wilkie Collins, who wrote a biography, Memoirs of the Life of William Collins, Esq., R.A., published in 1848. His younger son, Charles Allston Collins, was also an artist.

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The Skittle Players 1832

Still wondering about a British painting in your family collection? Contact us…it could be by William Collins.


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68--jacque.php Charles Emile Jacque Artwork Authentication & Art Appraisal

Charles Emile Jacque (1813-1894)

Get a Jacque Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Jacque artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Jacque Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Jacque painting, drawing or print.

If you want to sell your Jacque painting, drawing or print use our selling services. We offer Jacque selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Jacque and issuing certificates of authenticity since 2002. We are recognized Jacque experts and Jacque certified appraisers. We issue COAs and appraisals for all Jacque artworks.

Our Jacque paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Jacque certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Jacque painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Jacque paintings or drawings take longer.

Our clients include Jacque collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles Emile Jacque art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles Emile Jacque or we will sell it for you.

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Rentre Au Village, 1865

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Interior de Basse-Cour, 1850

Charles Emile Jacque must be undoubtedly one of the most interesting members of the Barbizon School. He produced paintings, lithographs, engravings and etchings and had both a colourful life and artistic career. Not only was he a very successful painter, he also produced caricatures for leading satirical magazines of the day, ran a chicken farm and contributed articles to an agricultural journal!

Jacque was born in Paris and initially worked in the office of a notary. He was then apprenticed to a cartographer, but he easily became bored simply tracing lines and maps all day. He went to study in the studio of the painter Charles Suisse, but he did not stay there long. His family was not wealthy enough to ‘buy out’ his conscription from the French state, and he was therefore obliged to enlist and spend seven years in the military. Whilst there, he did not let his artistic talents go to waste, and he made sketches of soldiers and the military, which he sold for one franc each.

After the army, Jacque left for England, where he stayed for nearly two years. He practiced the technique of woodcutting and produced wood cuts for illustrations for some works by William Shakespeare.

He then returned to Paris, where he worked as an illustrator and caricaturist. He produced a number of caricatures on the medical profession and doctors of the day. In the 1840s, he began to concentrate on producing original etchings by the Dutch Masters. It was around this time when he became interested in landscapes and rural life. He exhibited an etching in the 1844 Salon of a painting by Theodore Rousseau, and in 1845, he submitted a portrait copied from Rembrandt.

In 1846, he was commissioned to produce an engraving of a work by Prudhorn for the Church of Murat in the Cantal region of France.

Charles Emile Jacque was a friend of the artist Jean Francois Millet, and it was with Millet that he moved to the area around the Forest of Fontainebleau. They both moved there to paint but also to escape the cholera epidemic sweeping through Paris at the time. He very quickly fell in love with the rural way of life there. He painted landscapes but also very quickly started painting barnyard animals. He particularly liked painting sheep, and we only need look at the subject and titles of some of his paintings in museums around the world to see that he had a passion for painting sheep. In the Cleveland Museum of Art, we can see a painting entitled, Shepherdess with Sheep. A painting in the National Gallery of Art in Washington is entitled The Shepherdess, and in the Courtauld Institute of Art in London, there is the painting Landscape with Sheep and Shepherd. The list of paintings of sheep by Charles Emile Jacque goes on and on.

Jacque also had a love of chickens and wrote a book about them as well as contributing articles to agricultural journals of the day. He wrote about diverse topics, such as drainage systems and raising farm animals, and also regularly went to the Jardin des Plantes in Paris where he had permission to draw and study the animals.

Charles Emile Jacque was a very successful artist of the 19th century. His work was bought by American art collectors, and in 1867, he was made a Knight of the Legion of Honour. He also sat on the jury for the Grand Prix de Rome, as well as on the jury for the Exposition Universalle in Paris.

In 1881, he began to experiment with watercolours, and in 1881, a young Camille Pissarro became his student. His two sons also went on to become artists and had a particular interest in animals, like their father.

Take another look at that 19th century painting you have of a flock of sheep, which you may have thought a rather boring subject matter. It is possible that it is by Charles Emile Jacque!

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Sheep

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Chickens

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A Shepherdess Resting With Her Flock

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69--vigeland.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vigeland" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vigeland" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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70--roerich.php Nicholas Roerich Artwork Authentication & Art Appraisal

Nicholas Roerich (1874-1947)

Get a Roerich Certificate of Authenticity for your painting (COA) for your Roerich drawing.

For all your Roerich artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Roerich Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Roerich painting or drawing.

If you want to sell your Roerich painting or drawing use our selling services. We offer Roerich selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Roerich and issuing certificates of authenticity since 2002. We are recognized Roerich experts and Roerich certified appraisers. We issue COAs and appraisals for all Roerich artworks.

Our Roerich paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Roerich certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Roerich painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Roerich paintings or drawings take longer.

Our clients include Roerich collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Nicholas Roerich art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Nicholas Roerich or we will sell it for you.

Saint Panteleimon the Healer 1916

Saint Panteleimon the Healer 1916

Nicholas Roerich was a Russian painter and spiritual teacher. He was the father of Tibetologist George Roerich (a.k.a. Yuri Roerich) and artist Svetoslav Roerich. Nicholas and his wife Helena Roerich were co-founders of the theosophical Agni Yoga Society. Born in pre-revolutionary St. Petersburg, Russia to the family of a well-to-do notary public, he lived around the world until his death in Punjab, India. Trained as an artist and a lawyer, his interests lay in literature, philosophy, archaeology and especially art.

Guests from Overseas 1899

Guests from Overseas 1899

In his early life Nicholas Roerich had close ties to Ukraine and Ukrainian culture. Influenced by such prominent Ukrainian symphatics of his time as Taras Shevchenko, Gogol, Kostomarov he had recognized Kobzar as one of his favorite books. [1]. His first painting classes N.Roerich got in the same memorial class where Shevchenko did. Inbetween 1903-06 Rerich’s drafts Pokrova was implemented in Kyiv region, in 1910 mosaic for Troyicky cathedral in famous Pechersk Lavra.

Chintamani Treasure of the World 1936

Chintamani Treasure of the World 1936

Roerich’s stage-designs for the premiere of Igor Stravinsky’s The Rite of Spring, given in Paris in 1913, and based on ancient Russian motifs, were highly innovative and influential. They were an important element in the success and the scandal of this epochal musical event. He first visited New York City in 1920. After touring the United States, he and his wife settled in the city, founding the Master Institute of the United Arts, They also joined various theosophical societies and their activities in these groups dominated their lives.

Mountains and Clouds

Mountains and Clouds

After leaving New York, the Roerichs – together with their son George and six friends – went on the five-year long ‘Roerich American Expedition’ that, in Roerich’s own words: “started from Sikkim through Punjab, Kashmir, Ladakh, Karakorem mountains, Khotan, Kashgar, Qara Shar, Urumchi, Irtysh, Altai Mountains, Oryot region of Mongolia, Central Gobi, Kansu, Tsaidam, Tibet.” with a detour through Siberia to Moscow in 1926. Between Summer 1927 and June 1928 the expedition was thought to be lost, since all contact from them ceased for a year. They had been attacked in Tibet and only the “Superiority of our firearms prevented bloodshed. … In spite of Tibet passports, expedition forcibly stopped by Tibetan authorities”. The Expedition was detained by the government for five months, and forced to live in tents in sub-zero conditions and meagre rations. Five men of the expedition died at this time. In March of 1928 they were allowed to leave Tibet, and trekked south to settle in India, where they founded a research center, the Himalayan Research Institute.

Padma Sambhava 1927

Padma Sambhava 1927

In 1929 Nicholas Roerich was nominated for the Nobel Peace Prize by the University of Paris. (He received a second nomination in 1935.) His concern for peace led to his creation of the Pax Cultura, the “Red Cross” of art and culture. His work in this area also led the United States and the twenty other members of the Pan-American Union to sign the Roerich Pact on April 15, 1935 at the White House. The Roerich Pact is an early international instrument protecting cultural property.

Book of Wisdom

Book of Wisdom

U.S. Vice-President Henry A. Wallace was a frequent correspondent and sometime follower of Roerich’s teachings, which caused some controversy when Wallace ran for President in 1948 and portions of the letters were printed by Hearst Newspapers columnist Westbrook Pegler.

Moses the Leader 1925

Moses the Leader 1925

Today, the Nicholas Roerich Museum in New York City is the artistic center of Roerich’s work. Numerous Rerikh societies continue to promote his theosophical teachings worldwide. His painting can be seen in several museums including the Roerich Department of the State Museum of Oriental Arts in Moscow; the Roerich Museum at the International Centre of the Roerichs in Moscow; the State Russian Museum in St. Petersburg, Russia; a collection in the Tretyakov Gallery in Moscow; a collection in the Art Museum in Novosibirsk, Russia; a collection in the Art Museum in Nizhny Novgorod, Russia the Roerich Hall Estate in Kullu Valley, Himachal-Pradesh (India); in various art museums in India; and a selection featuring several of his larger works in The Latvian National Museum of Art.

Ecstasy 1933

Ecstasy 1933

A recent source of information about the spiritual journeys of Nicholas and Helena Roerich is a book called “Nicholas & Helena Roerich, The Spiritual Journey of Two Great Artists & Peacemakers” by Ruth Drayer. Also see Jacqueline Decter’s biography, “Messenger of Beauty”; Kenneth Archer, “Nicholas Roerich: East and West”; and scholarly articles by John McCannon, as well as his “Searching for Shambhala,” in the magazine “Russian Life.”

Battle in the Heavens 1912

Battle in the Heavens 1912

Later developments have shown that Roerich tried to begin a new country made up of parts of Tibet, Mongolia, China and Russia. His wife, Mme. Helena Roerich wrote a book detailing how such a country should be governed by N. Roerich. Called “The Leader,” it has been translated from Russian to English by Gleb Drobychev and Gurt Wilson. Still wondering about a Russian painting in your family collection? Contact us…it could be by Nicholas Roerich.


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71--florez.php Ricardo Florez Artwork Authentication & Art Appraisal

Ricardo Flórez Gutiérrez de Quintanilla (1893 – 1983)

Get a Flórez Certificate of Authenticity for your painting (COA) for your Flórez drawing.

For all your Flórez artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Flórez Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Flórez painting or drawing.

If you want to sell your Flórez painting or drawing use our selling services. We offer Flórez selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Flórez and issuing certificates of authenticity since 2002. We are recognized Flórez experts and Flórez certified appraisers. We issue COAs and appraisals for all Flórez artworks.

Our Flórez paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Flórez certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Flórez painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Flórez paintings or drawings take longer.

Our clients include Flórez collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ricardo Florez art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ricardo Florez or we will sell it for you.

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Campesina Sembrando

Ricardo Florez was born in May of 1893 in the city of Lima. He attended the National School of Fine Arts of Lima, where he was a disciple of Teófilo Castillo and Daniel the Hernandez. They introduced him to the landscape technique, to which he added the study of the light, usual in the Andean landscape that he used to observe.

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El Vaso de Huarapo

Later he became a professor of the Fine Arts School. From the very beginning his focal subject was the landscape, using the impressionism technique, which led him to the “puntillismo”. In his so many searches on landscapes, he finally arrived in Tomayquichua, Huanuco, where he will reside until his death. He is perhaps the only Peruvian painter who has practiced in strict sense the puntillista style.

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La Brodeuse 1930

According to the version of Sabino Springett, who knew him personally, Florez made his own investigation by using two fabrics of the same dimension, which he painted simultaneously using the same subject, technique and colors. In order to demonstrate certain changes in fabrics, he used to install one of them outside his studio, while the other one remained inside. After two months he could observe changes in color due to the effects of light and temperature. He made his first exhibition was in 1917, in Casa Brandes, within a collective sample. Florez was attracted by the native “indigenismo” movement, but he kept himself by it, and he used to say he presented a late local version of the impressionism.

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Paisaje con Palmeras

From his point of view, The Tomayquichua landscapes he paints show “(…) the colors that the sun, the light and the air create, whereby the shadow of the objects is not just a gloominess of greys and blacks but a brightness full of color (…)”

His most important works are: “Mariacha”, “To Borders of the Huallaga”, “Cover of Hacienda Trujillana”, “Landscape of Huánuco”, “Cane Highway”, “Brotherhood of the Negritos”, “the Tomayquichuina”, “Panorama of Armatanga”, “Street of Tomayquichua”, among others.

art

Un Dimanche au Village 1925

Florez did not adhere to the “indiginism” as a movement, but preferred to explore in order to improve his technique and put into practice his own theories, that far from wishing to identify the problem of the indiginism like a social protest, intended to illustrate the character of the local world.

art

Vista de Tomaiquichua desde Punchagra

Still wondering about a Peruvian painting in your family collection? Contact us…it could be by Ricardo Florez.


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72--wouters.php Hendrik Emil (aka Rik) Wouters Artwork Authentication & Art Appraisal

Rik Wouters, 1882-1916, Belge

art

La Dame au Collier Jaune (1912)

Hendrik Emil (aka Rik) Wouters was a Belgian Fauvist painter and sculptor, known for his depictions of female figures going about their household chores, as well as for his self-portraits.

Born in 1882, he began his apprenticeship at the age of twelve, in the studio of his father, a furniture sculptor and decorator. In 1897, he integrated studies of sculpture at the Academy of Fine Arts of Mechelen, before joining that of Brussels, in 1900. Binding friendship with Fernand Verhaegen, he followed in particular the course “Sculpture according to nature ”by Charles Van der Stappen. It was there that he met the professional model whom he made his wife and his lifelong muse: Hélène Duerinck, known as Nel. The couple’s precarious finances and Nel’s tuberculosis forced them to settle in rue de la Sapinière, in Boitsfort, in the Brussels suburbs, a stone’s throw from the Forêt de Soigne.

art

Portrait of a Woman in Gray (1904-1905)

Already experiencing some success (he had obtained a prize in the Godecharle competition with his sculptureReverie), Wouters then made a complete artistic turnaround, embarking on painting, as an autodidact. Working first with a knife, he followed in Ensor’s footsteps, whose treatment of light he admired in his bourgeois interiors. The influence of the master is palpable in The Lady with the Gray Gloves. Seeking to achieve maximum transparency, he used particularly absorbent canvases and diluted his colors to the maximum, which gave his paintings a certain coldness and a matt effect, as in Summer morning, which he waxed. He drew constantly, often on cardboard; the paintings coming back to him too dear.

 

art

Landscape at Boitsfort (1914)

In 1911, Galerie Georges Giroux in Brussels signed an exclusive contract in Wouters. By taking the opportunity to make artistic stays in Paris and Cologne, he discovered, first on black and white reproductions, the canvases of Cézanne and Van Gogh, as well as other impressionists such as Sisley, Monet, Renoir or Degas. Returning to less absorbent canvases and colors that gained in brilliance, he thus made himself the representative of Brabant fauvism. The dynamism of itsPortrait of Ernest Wynarts (1912) reminds us of Matisse.

 

art

Portrait of Simon Lévy (undated)

Conscripted during World War I, he was held in a detention camp in Amesforth, the Netherlands, where he worked to ward off the horrors of war by depicting the daily life of the camp. Upon his release, he battled cancer of the jaw which died out after several months of suffering. His last operation having cost him an eye and part of his face, he wore a blindfold, which he represents in his Self-portrait with a black band.

Wouters died in Amsterdam in 1916, at the age of 33, and remains particularly known for his sculptural work, especially for hisMad Virgo (1910), inspired by dancer Isadora Duncan.


done
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done
74--gropeanu.php Nicolae Gropeanu Artwork Authentication & Art Appraisal

Nicolae Gropeanu (1886-1936)

Get a Gropeanu Certificate of Authenticity for your painting (COA) for your Gropeanu drawing.

For all your Gropeanu artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gropeanu Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gropeanu painting or drawing.

If you want to sell your Gropeanu painting or drawing use our selling services. We offer Gropeanu selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gropeanu and issuing certificates of authenticity since 2002. We are recognized Gropeanu experts and Gropeanu certified appraisers. We issue COAs and appraisals for all Gropeanu artworks.

Our Gropeanu paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gropeanu certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gropeanu painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gropeanu paintings or drawings take longer.

Our clients include Gropeanu collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Nicolae Gropeanu art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Nicolae Gropeanu or we will sell it for you.

LaCuilletteDesOlivesEnTunisie

La Cuillette Des Olives En Tunisie

The Weavers pastel

The Weavers, pastel

Procession In Palestine

Procession In Palestine

Femmes Dans Une Cour

Femmes Dans Une Cour

Nicolae Gropeanu was a Rumanian artist who created Orientalist scenes and French park scenes in pastels and oils in an Impressionist style. He lived and worked much of his life in Paris, and also traveled abroad to create his Orientalist scenes.

Femmes Dans Une Cour

Au Parc

Today his work is housed all over the world in public and private collections, and perhaps in your own home. Still wondering about an Orientalist scene in your family estate? Contact us…it could be by Nicolae Gropeanu.


done
75--hudson-river-school.php The Hudson River School Artwork Authentication & Art Appraisal

The Hudson River School Mid-19th Century American Art

Get a Hudson Certificate of Authenticity for your painting (COA) for your Hudson drawing.

For all your Hudson artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hudson Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hudson painting or drawing.

If you want to sell your Hudson painting or drawing use our selling services. We offer Hudson selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hudson and issuing certificates of authenticity since 2002. We are recognized Hudson experts and Hudson certified appraisers. We issue COAs and appraisals for all Hudson artworks.

Our Hudson paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hudson certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hudson painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hudson paintings or drawings take longer.

Our clients include Hudson collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform The Hudson River School art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your The Hudson River School or we will sell it for you.

Hudson River School Members: Albert Bierstadt, John William Casilear, Frederic Edwin Church, Thomas Cole, Samuel Colman, Jasper Francis Cropsey, Thomas Doughty, Robert Duncanson, Asher Brown Durand Sanford Robinson Gifford, James McDougal Hart, William Hart, William Stanley Haseltine, Martin Johnson Heade, Hermann Ottomar Herzog, Thomas Hill, David Johnson, John Frederick Kensett, Jervis McEntee, Thomas Moran, Robert Walter Weir, Worthington Whittredge

The Hudson River School, Thomas Cole: The Voyage of Life: Youth, 1842

Thomas Cole: The Voyage of Life: Youth, 1842

The Hudson River School, Thomas Cole: A View of Fort Putnam, 1825

Thomas Cole: A View of Fort Putnam, 1825

The Hudson River School coincided with a time of social and political changes in the United States. The group therefore attempted to portray the ideals and hopes of a new nation in early stages of development. Their paintings embraced the wildness of the American landscape as it was being threatened by industry and technology. As changes daunted the growing nation, this group of artists wished to preserve the initial concept of the New World in its undeveloped, natural state. The Hudson River School is associated with early conservation movements in America.

The Hudson River School, Albert Bierstadt: The Sierra

Albert Bierstadt: The Sierra

Before the 1820s, most American artists painted portraits and historical paintings. The Hudson River School was unique in its portrayal of wilderness as impressive and awe inspiring. Their romantic paintings depict the Hudson River Valley and the surrounding area, including the Catskill, Adirondack, and the White Mountains.

The Hudson River School, Albert Bierstadt: Seal Rock

Albert Bierstadt: Seal Rock

The origin of the name “Hudson River School” is not known, but some believe it to be coined by the art critic Clarence Cook or painter Homer D. Martin after the group’s popularity waned in the late 19th century.

The Hudson River School, Asher Durand: Sheep the Beeches

Asher Durand: Sheep the Beeches

The Hudson River School, Asher Durand: In the Woods

Asher Durand: In the Woods

Thomas Cole was an early leader of the Hudson River School and is commonly referred to as the founder. In the fall of 1825, Cole travelled on a steamship up the Hudson and Erie Canal. Cole was the first to paint landscapes of this area of river surrounded by the Catskill Mountains of New York State. Later in 1925 the New York Evening Post reviewed Cole’s work. The English born artist Cole’s close friend, Asher Durand, became a prominent figure in the school as well, particularly when the banknote-engraving business evaporated in the Panic of 1837.

The Hudson River School, Frederic Edwin Church: The Iceberg

Frederic Edwin Church: The Iceberg

The Hudson River School, Frederic Edwin Church: Niagara Falls, From the American Side

Frederic Edwin Church: Niagara Falls, From the American Side

After Cole’s death his close friend Asher Durand assumed leadership of the Hudson River School. The painters were complimented by the great writers Nathaniel Hawthorne, Henry David Thoreau and Ralph Waldo Emerson, who wrote literary works praising nature. Hudson River School artists also drew from European masters such as Claude Lorrain, John Constable and JMW Turner.

The Hudson River School, Jasper Francis Cropsey: Starrucca

Jasper Francis Cropsey: Starrucca

The Hudson River School, Jasper Francis Cropsey: Autumn in the Warwick Valley

Jasper Francis Cropsey: Autumn in the Warwick Valley

As the movement progressed it expanded in numbers. Artist such as Frederic Church and Albert Bierstadt migrated westward, painting large and dramatic painting. The Hudson River School artists were not plein-air painters, but rather made preparatory sketches in nature, which were later compiled into a final masterpiece.

The Hudson River School, Thomas Doughty: In the Catskills

Thomas Doughty: In the Catskills

The many of the Hudson River School Artists helped to found one of the United State’s leading fine art museums, the Metropolitan Museum of Art in New York City. Before their paintings were housed museums, interested viewers would stand in long lines to see a single painting on display. The paintings reminded city inhabitants to preserve land for national and city parks.

The Hudson River School, Thomas Worthington Whittredge: River Scene

Thomas Worthington Whittredge: River Scene

Today, many of the Hudson River School’s Paintings are owned by the Wadsworth Athenaeum in Hartford, Connecticut. Their collection included numerous works by Thomas Cole and Frederic Edwin Church. Other collections of Hudson River School paintings are concentrated in museums throughout the Northeast and in private collections internationally.

The Hudson River School, William Stanley Haseltine: Alpine Scene, 1856

William Stanley Haseltine: Alpine Scene, 1856

Do you think you own a historical Hudson School River painting? Contact us. We are the experts on the Hudson River School.


done
76--bennett.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bennett" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bennett" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
77--tovar.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "tovar" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "tovar" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
78--breda.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "breda" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "breda" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
79--permeke.php Constant Permeke Artwork Authentication & Art Appraisal

Constant Permeke, 1886-1952, Belge

art

Dock à Gand-Terneuzen (1909)

Constant Permeke, peintre et sculpteur belge, est considéré comme la figure de proue de l’expressionnisme flamand, magnifiant dans son travail l’immensité des émotions qu’il ressentait face au quotidien du peuple belge.

Permeke naquit à Anvers, d’un père conservateur de musée. Il a suivi des cours à Bruges pendant trois ans, puis à Gand (1906-1908), avant d’effectuer son service militaire, où il servait dans une compagnie stationnée à Sint-Martens-Latem. Par la suite, en mars 1908, il a partagé une chambre à Ostende avec l’artiste Gustave De Smet, avant de retourner à Latem où il a vécu en ermite pendant quelques temps. Son travail de l’époque est caractérisé par d’épaisses touches de pinceaux. En 1912, épousant Maria Delaere, il est retourné à Ostende. Son œuvre gagne alors en force d’expression à travers ses formes brutales et ses tons sombres. Ses toiles monumentales débordent du caractère passionné et extrême de son ressenti.

art

L’Étranger (1916)

Enrôlé puis blessé durant la Première Guerre mondiale, Permeke fut évacué vers un hôpital militaire anglais. Il retrouva sa famille, réfugiée à Folkestone, où naquit son fils John. En 1916, installé dans le Devonshire et découvrant Turner, il produisit de délicieux paysages anglais, hauts en couleurs, comme La Moisson dans le Devonshire, une explosion de teintes vives exprimant une joie de vivre retrouvée. Le retour à Ostende en 1919 l’a ramené à la dure réalité de l’existence des travailleurs belges et sa palette a retrouvé ses couleurs sombres, dans sa série de toiles sur la dure vie des pêcheurs. Entre deux paysages aux éléments mouvementés, Permeke revenait toujours à l’humain, aux petites gens, dont la douleur se reflétait dans l’épaisseur de sa palette sombre.
En 1921, il a exposé à Anvers et à Paris, et se rendait régulièrement à Astene, pour travailler avec Frits Van Den Berghe. Lors d’un voyage en Suisse, en 1926, il s’est inspiré des hautes chaînes des Alpes, avant d’emménager à Jabbeke, dans la maison qui abrite actuellement un musée, et où il a peint le labeur des fermiers aux corps expressionnistes, magnifiés par le travail, comme le montre La Paysanne (1929). Ce fut une période extrêmement prolifique.

art

La Moisson dans le Devonshire (1916)

À partir de 1937, Permeke a commencé à produire ses propres sculptures, représentations de l’effort humain. Malheureusement, son activité fut interdite durant la Deuxième Guerre mondiale, par des occupants nazis qui la considérait comme Entartete Kunst.

 

art

La Paysanne (1929)

Quelques temps après une rétrospective organisée à Paris, son épouse mourut, en 1948, à sa plus grande tristesse. Permeke est tombé dans la dépression et dut se faire soigner par sa fille. Cette dernière période de sa vie a vu apparaître un raffinement dans son trait et ses couleurs. Il a peint notamment un portrait de femme et des paysages bretons. À son retour de voyage, en 1951, sa santé a décliné et il est resté alité jusqu’à sa mort, en 1952. Il avait commandé à son ami George Minne la statue qui orne la tombe où il est enterré aux côtés de sa femme.


done
80--lazo.php Agustin Lazo Artwork Authentication & Art Appraisal

Agustin Lazo (1896-1971)

Get a Lazo Certificate of Authenticity for your painting (COA) for your Lazo drawing.

For all your Lazo artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lazo Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lazo painting or drawing.

If you want to sell your Lazo painting or drawing use our selling services. We offer Lazo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lazo and issuing certificates of authenticity since 2002. We are recognized Lazo experts and Lazo certified appraisers. We issue COAs and appraisals for all Lazo artworks.

Our Lazo paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lazo certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lazo painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lazo paintings or drawings take longer.

Our clients include Lazo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Agustin Lazo art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Agustin Lazo or we will sell it for you.

Lazo, El Examen

El Examen

Lazo, Fusiliamiento

Fusiliamiento

Lazo, Fusiliamiento Interrumpido

Fusiliamiento Interrumpido

Augustin Lazo was a painter and designer born in Mexico City in 1896. Lazo studied at the Open Air School of Painting, started by Alfredo Ramos Martinez.

Lazo, Robo el Banco

Robo el Banco

Lazo also attended the Escuela Nacional de Bellas Artes along with leading Mexican artists, including Rufino Tamayo, Julio Castellanos and Fernandez Ledesma.

Lazo, En la Escuela

En la Escuel

Lazo lived in Europe for a long stretch of time, where he learned about avant-garde movements. Lazo met many Surrealist artist and writers who greatly impacted his style as an artist. Lazo is considered to be partly responsible for initiating the Surrealist movement in Mexico. Lazo produced a large body of etchings and ink drawings in addition to painting. Lazo was fascinated by the work of artist, Giorgio de Chirico.

Lazo, Niños con Jaula

Niños con Jaula

Lazo, Joven con Rebozo

Joven con Rebozo

Lazo became involved with theatre, designing sets directed by Celestino Gorostiza, and writing a few dramas. Lazo was greatly involved in the art scene in Mexico, contributing his creativity and artistic discoveries. Agustin Lazo’s paintings can be found in collections all over the world. Do you think you own an Agustin Lazo painting? Contact us. We are the Agustin Lazo experts.


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81--magritte.php Rene Magritte Artwork Authentication & Art Appraisal

Rene Magritte (1898-1967)

Get a Magritte Certificate of Authenticity for your painting (COA) for your Magritte drawing.

For all your Magritte artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Magritte Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Magritte painting or drawing.

If you want to sell your Magritte painting or drawing use our selling services. We offer Magritte selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Magritte and issuing certificates of authenticity since 2002. We are recognized Magritte experts and Magritte certified appraisers. We issue COAs and appraisals for all Magritte artworks.

Our Magritte paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Magritte certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Magritte painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Magritte paintings or drawings take longer.

Our clients include Magritte collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Rene Magritte art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Rene Magritte or we will sell it for you.

The Son of Man 1964

The Son of Man 1964

Rene Magritte was a Surrealist painter, born in Belgium as the son of a tailor. Magritte’s mother committed suicide when he was only 14 for unknown reasons. A year later, he met his future wife and model for some of his paintings, Georgette Berger. Magritte went on to receive his first artistic training at the Royal Academy of Arts in Burssels from 1916-1918. Magritte initially worked as a commercial artist and even created designs for wallpaper and posters. His early influences were Fernand Leger and his earliest works were based on Cubism and Futurism.

Untitled 1926

Untitled 1926

The Menaced Assassin 1926

The Menaced Assassin 1926

In 1925, Magritte became affiliated with the Dada movement, which in turn affected his painting. During this time, he became friends with Man Ray and other Dada artists and worked for the Dada magazines “Marie” and “Aesophage.” In 1926, Magritte painted his first truly Surrealist painting entitled “The Lost Jockey.”

The Lost Jockey 1926

The Lost Jockey 1926

Magritte held his first one-man show in Brussels in 1927, which was not well-received.

Pleasure 1927

Pleasure 1927

After this, Magritte left for Paris where he stayed until 1930, where he began to work more and more with the Surrealists. He became especially close to Paul Eluard and Max Ernst during these early years.

The Lovers 1928

The Lovers 1928

Homesickness

Homesickness

Le Movement Perpetual

Le Movement Perpetual

The Cicerone 1947

The Cicerone 1947

It was while he was in Paris that Magritte formed his trademark style of academically polished paintings with the Surrealist touch. Much in the same way that Dali would paint very clean and realistic portraits and images in some of his paintings, but infused with Surrealistic elements, so would Magritte. These paintings incorporated elements of the unreal, such as a man with a trunk-like nose, or a woman’s face with the female anatomy representing her features. This would be the way that Magritte would continue to paint until his death in 1967.

Collective Invention 1934

Collective Invention 1934

The Pleasure Principle, Portrait of Edward James 1937

The Pleasure Principle, Portrait of Edward James 1937

The Rape 1945

The Rape 1945

Also not unlike Dali, Magritte would often incorporate familiar elements within his compositions. Hats, umbrellas and smoking pipes were frequently part of his compositions.

Hagel's Holiday 1958

Hagel’s Holiday 1958

The Two Mysteries 1966

The Two Mysteries 1966

Presence of Mind 1960

Presence of Mind 1960

Bright blue skies with puffy white clouds, birds, and statues, such as the Venus de Milo were also recurring themes throughout his oeuvre. Each of these recurring themes can be interpreted differently, and had significant meaning to Margritte. .

L'Avenir des Statues 1932

L’Avenir des Statues 1932

Black Magic 1934

Black Magic 1934

Memory 1948

Memory 1948

The Large Family 1963

The Large Family 1963

Self-Portrait

Self-Portrait

Even more curious are his “Treason of Pictures” paintings in which he makes the statement “This is not…,” which was perhaps Magritte’s way of making his viewers look past the painting of the apple or the pipe to see something different.

This is Not a Pipe

This is Not a Pipe

In the 1940’s, Magritte made a brief effort to change his style of painting. Following the style of Renoir, Magritte tried his hand at plein-air Impressionistic paintings from 1945-1947.

The Flowers of Evil 1946

The Flowers of Evil 1946

Le Premier Jour 1943

Le Premier Jour 1943

He also had another change in style from 1947-1948 which he called his “Cow Period” which also did not last. This period was a parody of Fauvism and was an attempt on his part to annoy the French art elite. During this period he created strange, crude paintings, with quick brush strokes. Magritte later showed these, creating something of a scandal, and even won a few admirers on the way. He essentially went back to his original Surrealist style.

Le Contenu Pictural 1947

Le Contenu Pictural 1947

La Famine 1948

La Famine 1948

In the 1950’s, he was commissioned to create frescos for the Palais des Beaux-Arts in Charleroi, and towards the end of his career began experimenting in sculpture.

The Blank Check 1965

The Blank Check 1965

statue 1967

statue 1967

Today his work is housed in modern museums all over the world, and perhaps in your own home. His paintings were often humorous and thought provoking, and to this day many of his images are still used in popular culture. Still wondering about a Surrealist painting hanging in your home? Contact us…it may be by Rene Margritte.


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82--vegalopez.php Manuel Vega Lopez Artwork Authentication & Art Appraisal

Manuel Vega Lopez (1892-1954)

art

Campina Romana

Manuel Vega Lopez was born in Pinar del Rio in 1892. He moved to Havana in 1908 and attended school at San Alejandro. He graduated in 1912, and traveled to Europe. There, he studied mainly in the Italian school of art where he painted a number of oil paintings.

In 1919, Lopez returned to Cuba. He became a professor at his Alma Matter, San Alejandro in 1926, teaching drawing and painting. Eventually, Lopez became the fourteenth director of this illustrious art school.

Lopez’s work is mainly poetic landscapes or religious themed scenes. He was also known for his intricate detail, and his love for painting nature.

art

Retrato del Cardenal Arteaga

Although it was popular to change styles during this period, Lopez did not sway from his classical style. The Vanguard movement was very strong, and Abstract and other new styles were on the rise. Nonetheless, Lopez stood his ground and stayed true to his Italian teachings by painting in a Realist way.

Despite hard times, Lopez always managed to sell his paintings during his lifetime. For this reason, most of his work is owned in private collections, and only a very few are housed in museums, such as Cuba’s Nation Museum. Like many Cuban painters, Lopez’s work isn’t generally well known—but a valuable piece of Cuban art history just the same.

His travels to Europe further increase the possibility of some of his art surfacing, unknown or otherwise unauthenticated.

art

Caravan de Ciegos

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84--kustodiev.php Boris Kustodiev Artwork Authentication & Art Appraisal

Boris Kustodiev (Борис Михаилович Кустодиев) (1878-1927)

Get a Kustodiev Certificate of Authenticity for your painting (COA) for your Kustodiev drawing.

For all your Kustodiev artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kustodiev Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kustodiev painting or drawing.

If you want to sell your Kustodiev painting or drawing use our selling services. We offer Kustodiev selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kustodiev and issuing certificates of authenticity since 2002. We are recognized Kustodiev experts and Kustodiev certified appraisers. We issue COAs and appraisals for all Kustodiev artworks.

Our Kustodiev paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kustodiev certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kustodiev painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kustodiev paintings or drawings take longer.

Our clients include Kustodiev collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Boris Kustodiev art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Boris Kustodiev or we will sell it for you.

Self-Portrait 1912

Self-Portrait 1912

Boris Kustodiev was born in Astrakhan into the family of a professor of philosophy, history of literature, and logic at the local theological seminary. His father died young, and all financial and material burdens laid on his mother’s shoulders. The Kustodiev family rented a small wing in a rich merchant’s house. It was there that the boy’s first impressions were formed of the way of life of the provincial merchant class. The artist later wrote, “The whole tenor of the rich and plentiful merchant way of life was there right under my nose… It was like something out of an Ostrovsky play.” The artist retained these childhood observations for years, recreating them later in oils and water-colors.

Portrait of the Artists Daughter, Irina 1906

Portrait of the Artists Daughter, Irina 1906

Between 1893 and 1896, Boris studied in theological seminary and took private art lessons in Astrakhan from Pavel Vlasov, a pupil of Vasily Perov. Subsequently, from 1896 to 1903, he attended Ilya Repin’s studio at the Imperial Academy of Arts in St. Petersburg. Concurrently, he took classes in sculpture under Dmitry Stelletsky and in etching under Vasiliy Mate. He first exhibited in 1896.

Easter Greetings 1912

Easter Greetings 1912

“I have great hopes for Kustodiev,” wrote Repin. “He is a talented artist and a thoughtful and serious man with a deep love of art; he is making a careful study of nature…” When Repin was commissioned to paint a large-scale canvas to commemorate the 100th anniversary of the State Council, he invited Kustodiev to be his assistant. The painting was extremely complex and involved a great deal of hard work. Together with his teacher, the young artist made portrait studies for the painting, and then executed the right-hand side of the final work. Also at this time, Kustodiev made a series of portraits of contemporaries whom he felt to be his spiritual comrades. These included the artist Ivan Bilibin (1901, Russian Museum), Moldovtsev (1901, Krasnodar Regional Art Museum), and the engraver Mate (1902, Russian Museum). Working on these portraits considerably helped the artist, forcing him to make a close study of his model and to penetrate the complex world of the human soul.

Renee Notgaft 1914

Renee Notgaft 1914

In 1903, he married Julia Proshinskaya (1880-1942) Catalog of Proshina’s work. He visited France and Spain on a grant from the Imperial Academy of Arts in 1904. Also in 1904, he attended the private studio of René Ménard in Paris. After that he traveled to Spain, then, in 1907, to Italy, and in 1909 he visited Austria and Germany, and again France and Italy. During these years he painted many portraits and genre pieces. However, no matter where Kustodiev happened to be—in sunny Seville or in the park at Versailles—he felt the irresistible pull of his motherland. After five months in France he returned to Russia. Joyfully he wrote to his friend Mate that he was back once more “in our blessed Russian land”.

Portrait of the Artists Wife 1903

Portrait of the Artists Wife 1903

The Russian Revolution of 1905, which shook the foundations of society, evoked a vivid response in the artist’s soul. He contributed to the satirical journals Zhupel (Bugbear) and Adskaya Pochta (Hell’s Mail). At that time, he first met the artists of Mir Iskusstva (World of Art), a group of innovative Russian artists. He joined their association in 1910 and subsequently took part in all their exhibitions.

Fair 1910

Fair 1910

In 1905, Kustodiev first turned to book illustrating, a genre in which he worked throughout his entire life. He illustrated many works of classical Russian literature, including Nikolai Gogol’s Dead Souls, The Carriage, and The Overcoat; Mikhail Lermontov’s The Lay of Tsar Ivan Vasilyevich, His Young Oprichnik and the Stouthearted Merchant Kalashnikov; and Leo Tolstoy’s How the Devil Stole the Peasants Hunk of Bread and The Candle.

Mir Iskusstva Members

Mir Iskusstva Members

In 1909, he was elected into Imperial Academy of Arts. He continued to work intensively, but a grave illness—tuberculosis of the spine—required urgent attention. On the advice of his doctors he went to Switzerland, where he spent a year undergoing treatment in a private clinic. He pined for his distant homeland, and Russian themes continued to provide the basic material for the works he painted during that year. In 1918, he painted The Merchant’s Wife, which became the most famous of his paintings.

The Merchant's Wife 1918

The Merchant’s Wife 1918

In 1916, he became paraplegic. “Now my whole world is my room”, he wrote. His ability to remain joyful and lively despite his paralysis was amazing. His colourful paintings and joyful genre pieces do not reveal his physical suffering, and on the contrary give the impression of a carefree and cheerful life. His Pancake Tuesday/Maslenitsa (1916) and Fontanka (1916) are all painted from his memories. He meticulously restores his own childhood in the busy city on the Volga banks.

Country 1919

Country 1919

In the first years after the Russian Revolution of 1917 the artist worked with great inspiration in various fields. Contemporary themes became the basis for his work, being embodied in drawings for calendars and book covers, and in illustrations and sketches of street decorations. His covers for the journals The Red Cornfield and Red Panorama attracted attention because of their vividness and the sharpness of their subject matter. Kustodiev also worked in lithography, illustrating works by Nekrasov. His illustrations for Leskov’s stories The Darner and Lady Macbeth of the Mtsensk District were landmarks in the history of Russian book designing, so well did they correspond to the literary images.

Bolshevik 1920

Bolshevik 1920

The artist was also interested in designing stage scenery. He first started work in the theatre in 1911, when he designed the sets for Alexandr Ostrovskv’s An Ardent Heart. Such was his success that further orders came pouring in. In 1913, he designed the sets and costumes for The Death of Pazukhin at the Moscow Art Theatre. His talent in this sphere was especially apparent in his work for Ostrovsky’s plays; It’s a Family Affair, A Stroke of Luck, Wolves and Sheep, and The Storm. The milieu of Ostrovsky’s plays—provincial life and the world of the merchant class—was close to Kustodiev’s own genre paintings, and he worked easily and quickly on the stage sets.

Portrait of Elizabeth Pushkin

Portrait of Elizabeth Pushkin

In 1923, Kustodiev joined the Association of Artists of Revolutionary Russia. He continued to paint, make engravings, illustrate books, and design for the theater up until his death on May 28, 1927, in Leningrad. Still wondering about an early 20th century Russian painting in your family collection? Contact us…it could be by Boris Kustodiev.


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85--van-dael.php Jan Frans van Dael Artwork Authentication & Art Appraisal

Jan Frans van Dael (1764-1842)

Get a Van Dael Certificate of Authenticity for your painting (COA) for your Van Dael drawing.

For all your Van Dael artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Van Dael Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Van Dael painting or drawing.

If you want to sell your Van Dael painting or drawing use our selling services. We offer Van Dael selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Van Dael and issuing certificates of authenticity since 2002. We are recognized Van Dael experts and Van Dael certified appraisers. We issue COAs and appraisals for all Van Dael artworks.

Our Van Dael paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Van Dael certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Van Dael painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Van Dael paintings or drawings take longer.

Our clients include Van Dael collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jan Frans van Dael art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jan Frans van Dael or we will sell it for you.

Van Dael painting, Vase of Flowers 1820

Vase of Flowers 1820

Van Dael painting, Roses, Tulips and Poppies

Roses, Tulips and Poppies

Jan Frans van Dael was an 18th century Belgian painter who was a favorite of many aristocrats and royal figures. He was often patronized by Louis XVIII and Empress Josephine, and specialized in still life paintings. Van Dael studied at the Antwerp Fine Art Academy, and moved to Paris in 1793. While in Paris, he lived in the Louvre and began to exhibit in the Salons in 1793. Van Dael is best known for his still life and portraits, but he also painted some history and genre scenes.

Van Dael painting, Vase of Flowers

Vase of Flowers

Still wondering about an 18th or early 19th century French or Belgian painting in your family collection? Contact us…it could be by Jan Frans van Dael.


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86--piccirilli.php Attilio Piccirilli Artwork Authentication & Art Appraisal

Attilio Piccirilli (1866-1945)

We Perform Attilio Piccirilli art authentication. Attilio Piccirilli appraisal. Attilio Piccirilli certificates of authenticity (COA). Attilio Piccirilli analysis, research, scientific tests, full art authentications. We will help you sell your Attilio Piccirilli or we will sell it for you.

art

Young Fawn

art

Candelabra

Born in Italy in 1866 Attilio Piccirilli studied art in Rome at the Academia San Luca and then came to America in 1888. He opened a workshop in New York city and was very successful receiving numerous public commissions such as for:

  • Customs House, New York
  • Rockefeller Center, New York
  • Firemen’s Memorial Monument, New York
  • Frick Reference Library, New York
  • Maine monument, New York
  • Wisconsin state capitol building, Madison
  • John McDonogh monument in Lafayette Square, New Orleans
  • San Diego Museum of Art building, San Diego
  • California building, San Diego
  • Court of the Seasons, Panama-Pacific Exposition, San Francisco
  • Figure of Lincoln, from the small original by French, in the Lincoln Memorial, Washington
  • House of the provincial legislature, Winnipeg, Canada

He died in 1945.

art

A statue by Piccirilli we recently appraised


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87--ariza.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "ariza" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "ariza" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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88--lacamera.php Fortunato Lacámera Artwork Authentication & Art Appraisal

Fortunato Lacámera (1887-1951)

Do you think you own a painting of Fortunato Lacámera? Autenticamos, appraise, investigate, give information and issue Certificates of Authenticity (COA) of all the works of Fortunato Lacámera.

Fortunato Lacámera
Fortunato Lacámera
Fortunato Lacámera, Marina con banderita
Navy with flag, 1940

Fortunato Lacámera was born in Buenos Aires on October 5, 1887. He worked at the Southern Railway as an apprentice telegraph operator, a job he resigned in 1912 to take evening lessons with Alfredo Lazzari at the Unión de la Boca Society. Thus begins his artistic training, while working as a painter of fat brush and interior decorator.

Mural cerámico de 4,80 x 5,00 m en Av. P.de Mendoza 2841, La Boca
Ceramic mural of 4.80 x 5.00 m at Av. P. de Mendoza 2841, La Boca

Since 1919 he has attended the National Salon and, later on, it will also be presented in provincial and municipal salons. In 1922 he made his first solo exhibition at the Chandler Gallery, and later also at the Amigos del Arte Association (1930); in the Salón Salón (1932), in the Moody Gallery (1937), in the Art Rooms of the Municipal Bank (1940), in the Gente de Arte de Avellaneda Association (1942), in Impulso (1943) and in the Galería Antú (1950).

Naturaleza muerta, 1948
Still life, 1948

In 1926 he participated in the beginnings of the Ateneo Popular de La Boca. In 1929 he obtained the “Stimulus Society of Fine Arts” Prize, in 1936 the Watercolorists Award of the National Direction of Fine Arts and two years later, the Stimulus Prize of the National Salon. In 1939, he entered as a teacher at the Technical School of Trades No. 4.

art
“Vuelta de Rocha”, oil on canvas, 83 x 110 cm, 1937

In 1940 he founded the Impulso People and Arts Association, where he was president until 1951, the year of his death. The artists Vicente Vento, José Luis Menghi, José Desiderio Rosso accompany him in this company and he has the early support of Miguel Carlos Victorica. The group begins its activities with a large group exhibition in which Quinquela Martín, Victorica, Diomede and Lacámera himself present their works. There they exhibited, among other artists, Pettoruti, Centurión, Butler, Forner, Castagnino, Spilimbergo and Lucio Fontana.

Sobras en la ventana, óleo sobre madera, 41,5 x 26 cm, 1925, Museo Nacional de Bellas Artes
“Study with inkwell”, oil on canvas, 50 x 70 cm

The artist dies on February 26, 1951.

His works make up the heritage of the National Museum of Fine Arts; the Museum of Fine Arts of La Boca “Benito Quinquela Martín”; the Municipal Museum of Plastic Arts “Eduardo Sívori” and the municipal museums of Tandil, Junín, Mar del Plata, Bahía Blanca and Rosario, in addition to the “Pedro de Mendoza” Museum in Santa Fe and the Military High School “Gral. San Martín”, Buenos Aires province.

art
“Esquina boquense”, oil on cardboard, 60 x 47 cm

Are you still wondering if your painting may be by Fortunato Lacámera? Get in contact with us … maybe it is and we can confirm it … we are experts in this author.


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89--rivero.php Emilio Rivero Merlin Artwork Authentication & Art Appraisal

Emilio Rivero Merlin (1890-1977)

Get a Rivero Merlin Certificate of Authenticity for your painting (COA) for your Rivero Merlin drawing.

For all your Rivero Merlin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rivero Merlin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rivero Merlin painting or drawing.

If you want to sell your Rivero Merlin painting or drawing use our selling services. We offer Rivero Merlin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rivero Merlin and issuing certificates of authenticity since 2002. We are recognized Rivero Merlin experts and Rivero Merlin certified appraisers. We issue COAs and appraisals for all Rivero Merlin artworks.

Our Rivero Merlin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rivero Merlin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rivero Merlin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rivero Merlin paintings or drawings take longer.

Our clients include Rivero Merlin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Emilio Rivero Merlin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Emilio Rivero Merlin or we will sell it for you.

art
Paisaje

Born in Havana, Emilio Rivero Merlin gained a scholarship to San Alejandro and became one of Cuba’s finest plastic artists. His paintings generally portrayed city life in Havana, and strayed away from Classical styling for an almost impressionistic feel. Merlin would eventually travel to Spain to study at the School of Fine Arts in San Fernando, where he ended up settling.

Though Merlin was known for his pictorial landscapes, Merlin was also a sculptor. Today, Merlin may be one of the most forgotten of the great Cuban artists. While art students and contemporary artists in Cuba may be familiar with his work, he is generally not known worldwide. 

art

Los Caballos

Among his many accomplishments, it is said that Merlin was the first black student to graduate from an art school. He was also a director of sorts, and helped to produce a film made in Morocco in 1923, which would later be shown in Havana. Merlin also returned to San Alejandro as so many artists did to serve as a professor.

Today, Merlin’s work is housed all over Cuba, and especially in the gallery which bears his name in Havana. He has studied, traveled and exhibited literally all over the world to the United States, Mexico, Africa, Argentina, Granada, Italy and Spain. His extensive travels combined with his generally unknown status make the possibility for some of his unknown or unauthenticated work to surface great.

Merlin’s works were colorful and even though he is not a household name, his paintings are highly respected in the Cuban art world. His portraits equaled that of any European artist, and were perhaps some of his best works.

Do you Do you think you may own a piece of art by Emilio Rivero Merlin? We would be happy to assist you in an art authentication by this great Cuban artist.

art

El Descanto

art

The Artist’s wife

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91--maron.php Anton von Maron Artwork Authentication & Art Appraisal

Anton von Maron (1733-1808)

Get a Maron Certificate of Authenticity for your painting (COA) for your Maron drawing.

For all your Maron artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Maron Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Maron painting or drawing.

If you want to sell your Maron painting or drawing use our selling services. We offer Maron selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Maron and issuing certificates of authenticity since 2002. We are recognized Maron experts and Maron certified appraisers. We issue COAs and appraisals for all Maron artworks.

Our Maron paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Maron certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Maron painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Maron paintings or drawings take longer.

Our clients include Maron collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Anton von Maron art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Anton von Maron or we will sell it for you.

von Maron painting, Peter du Cane

Peter du Cane

Anton von Maron was an 18th century Austrian painter. He studied at the academy in Vienna and in 1755 he traveled to Rome, where he lived and worked for the rest of his life.

von Maron painting, Portrait of a Man

Portrait of a Man

Von Maron was the first pupil and then the assistant of master painter Anton Raphael Mengs. He married the artists’ sister in 1765, a miniaturist painter named Theresia Concordia Mengs. As a result of their close relationship, von Maron and Mengs often collaborated on frescoes and paintings together.

von Maron painting, Portrait of a Lady

Portrait of a Lady

In 1761, von Maron was appointed court painter to Charles III of Spain and left for Madrid. However, once he returned to Rome, von Maron was quickly established as the most popular painter in the region, and took many commissions away from his master, Mengs.

von Maron painting, Empress Maria Theresa as a Widow

Empress Maria Theresa as a Widow

Towards the later half of the 18th century, von Maron was in high demand as a portrait painter, and in the grand tradition of fellow painter Pompeo Batoni, made a very good living painting the portraits of vacationing English gentlemen.

von Maron painting, Portrait of Two Gentlemen

Portrait of Two Gentlemen

Today, von Maron’s paintings are housed in prestigious collections throughout the world, and perhaps in your own home. Still wondering about an 18th century Italian painting in your family collection? Contact us…it could be by Anton von Maron.


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92--de-kooning.php Willem de Kooning Artwork Authentication & Art Appraisal

Willem de Kooning (1904-1997)

Get a De Kooning Certificate of Authenticity for your painting or a COA for your De Kooning drawing or sculpture.

For all your De Kooning artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a De Kooning Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Kooning painting, drawing or sculpture.

If you want to sell your De Kooning painting, drawing or sculpture use our selling services. We offer De Kooning selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Kooning and issuing certificates of authenticity since 2002. We are recognized De Kooning experts and De Kooning certified appraisers. We issue COAs and appraisals for all De Kooning artworks.

Our De Kooning paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Kooning certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Kooning painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Kooning paintings, drawings or sculpture take longer.

Our clients include De Kooning collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Willem de Kooning art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Willem de Kooning or we will sell it for you.

Marilyn Monroe 1954

Marilyn Monroe 1954

Untitled 1958

Untitled 1958

Willem de Kooning was an American Abstract Expressionist painter who was born in Rotterdam, the Netherlands. Some art critics have called him the leader of the Abstract Expressionist movement, perhaps even surpassing Picasso in his important contributions to this movement. Though art historians may argue as to whether or not he was the leader in this movement, de Kooning was undoubtedly a pioneer in the field of Abstract art. This is evident simply by looking at recent auction records, which value his work in the excess of $27 million dollars.

Excavation 1950

Excavation 1950

De Kooning initially began his studies at the Academie van Beeldende Kunsten en Technische Wetenschappen in Rotterdam. At night he would work as an apprentice at a commercial art and decorating company, and later, working for an art director. He traveled to Brussels and Antwerp in 1924 to continue his studies and in 1926; he left the Netherlands for The United States. He settled briefly in New Jersey before moving to New York in 1927. Once in New York, he met and became friends with fellow artist Arshille Gorky whom he would eventually share a studio with.

Asheville 1948

Asheville 1948

In his early years in New York, de Kooning took on odd jobs until he obtained a position with the WPA Federal Art Project in 1935. Shortly thereafter, he was able to paint on a full time basis. It was around this time, that de Kooning embraced the newly emerging styles of Cubism as well as Surrealism, and drew influences from his friend Gorky as well as Picasso.

Composition

Composition

Much like fellow Expressionist painter Jackson Pollock, de Kooning was an action painter, and created compositions that were just as chaotic as Pollock, yet with his own distinguishing touches. One of his trademark series began in 1938, and was known as simply “Women.” This would become a recurring theme for de Kooning, and featured women in a way few other Abstract Expressionist artists were at the time.

Woman 1944

Woman 1944

Queen of Hearts 1943

Queen of Hearts 1943

Woman and Bicycle 1952

Woman and Bicycle 1952

It wasn’t until de Kooning held his first solo exhibition in 1948 that he had truly arrived as a major artist. This exhibition featured black and white abstractions which helped to launch his reputation as a respected figure in the art world. In the 1950’s, de Kooning picked up on his “Women” series again, followed by a period of urban landscapes, rural landscapes, and in 1960’s another series of “Women.”

Woman 1949-1950

Woman 1949-1950

Woman 1952

Woman 1952

Gotham News 1955

Gotham News 1955

De Kooning returned to the Netherlands in 1968, his first visit in 42 years, for the opening of his retrospective at the Stedelijk Museum in Amsterdam. While in Europe, he began to work more with a new medium, clay and later, bronze, while he was in Rome in 1969. This would lead de Kooning to later produce life sized figures.

Graver, bronze 1972

Graver, bronze 1972

He spent the rest of his life traveling and exhibiting all over the United States, and finally settled in Long Island, NY in 1963. He received the Andrew W. Mellon prize in 1979, and was honored with a retrospective at the Museum of Modern Art in New York the same year he died, 1997.

Whose Name Was Writ in Water, 1975

Whose Name Was Writ in Water, 1975

Today, de Kooning’s work is housed in modern art museums all over the world, and perhaps in your own home. He remains one of the great American masters of the mid to later 20th century, and any his work is in greater demand today than ever. One of his original Abstract Expressionist pieces could be worth millions of dollars, and could exist anywhere from the United States to Northern Europe. Still wondering about an Abstract Expressionist piece in your family estate? Contact us…it could be by Willem de Kooning.


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94--letty.php Cythna Lindenberg Letty Artwork Authentication & Art Appraisal

Cythna Lindenberg Letty (1895-1985)

Get a Letty Certificate of Authenticity for your painting (COA) for your Letty drawing.

For all your Letty artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Letty Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Letty painting or drawing.

If you want to sell your Letty painting or drawing use our selling services. We offer Letty selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Letty and issuing certificates of authenticity since 2002. We are recognized Letty experts and Letty certified appraisers. We issue COAs and appraisals for all Letty artworks.

Our Letty paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Letty certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Letty painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Letty paintings or drawings take longer.

Our clients include Letty collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Cythna Lindenberg Letty art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Cythna Lindenberg Letty or we will sell it for you.

Cythna Letty was a South African botanical artist and is regarded as a doyenne of South African botanical art by virtue of the quality and quantity of her meticulously executed paintings, produced over a period of 40 years with the National Herbarium in Pretoria.

Oncoba spinosa Watercolour and pencil 1951

Oncoba spinosa Watercolour and pencil 1951

Cythna Letty is best remembered for her book “Wild Flowers of the Transvaal” which was published in 1962. When decimal currency was introduced in South Africa, she was asked to design the floral motifs for the 10, 20 and 50 cent coins. Besides painting she was an accomplished poet and published “Children of the Hours” when she was in her eighties.

Cythna was the eldest child of her mother Josina Christina Lindenberg’s second marriage and was named after the heroine in Percy Shelley’s poem ‘The Revolt of Islam”. The Lettys had five children and for many years the six children from Josina’s first marriage were part of an extended, disciplined family. They were taught to play a number of musical instruments.

Wild Apricot

Wild Apricot

Cythna’s father, Walter Edward Letty, had many career changes and the family were often uprooted. As a result Cythna attended a total of 13 schools, ending at the Pretoria Girls’ High School. With the outbreak of WWI, Walter enlisted and served in France, and remained there after peace was declared. Josina supported the family by illustrating genealogical charts. Her artistic skills were passed on to a number of her children, but only Cythna had a passion for botanical subjects.

Cythna’s main occupations until 1924 were teaching and nursing. For two years she worked as an artist, at the Veterinary Division at Onderstepoort near Pretoria, illustrating diseased and cancerous organs, after which she transferred to the Division of Plant Industry under Dr I.B. Pole Evans. It was here that she started on 730 contributions to “Flowering Plants of Africa”.

She resigned in 1938 to marry Oscar William Alric Forssman. After producing a son, she rejoined the Division of Botany in 1945 and stayed until 1966. She was awarded a silver medal by the Royal Horticultural Society for her exhibition of flower paintings in 1970.

Her interest in Zantedeschia led her to a study of the genus and her revision appeared in Bothalia 11: 5-26 (1973). She illustrated numerous books on botany such as the Botanical Survey Memoir Trees and shrubs in the Kruger National Park (1951) by L.E.W. Codd, who was at that time director of the Botanical Research Institute. Others were The Stapelieae (1937) by White & Sloane, and Grasses and Pastures of South Africa (1955) by Lucy K.A. Chippindall. In 1973 she received an honorary LL.D. from the University of Witwatersrand.

Her ashes were scattered in the Cythna Letty Nature Reserve near the small town of Barberton in Mpumalanga. In 1989 the National Botanical Institute published a portfolio of seven prints of flower paintings selected from two journals kept by Cythna’s mother, Josina Letty, and housed in the Institute’s Mary Gunn Library in Pretoria.

The Botanical Society of South Africa commemorated her by the awarding of the “Cythna Letty Medal” which is awarded for significant contributions to the promotion of South African flora through the medium of published botanical paintings or drawings. Plants named for her include Crassula lettyae Phillips and Aloe lettyae Reynolds.

Still wondering about an African painting in your family collection? Contact us…it could be by Cythna Letty.


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95--lebourg.php Albert Lebourg Artwork Authentication & Art Appraisal

Albert Lebourg (1861-1944)

Get a Lebourg Certificate of Authenticity for your painting (COA) for your Lebourg drawing.

For all your Lebourg artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lebourg Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lebourg painting or drawing.

If you want to sell your Lebourg painting or drawing use our selling services. We offer Lebourg selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lebourg and issuing certificates of authenticity since 2002. We are recognized Lebourg experts and Lebourg certified appraisers. We issue COAs and appraisals for all Lebourg artworks.

Our Lebourg paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lebourg certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lebourg painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lebourg paintings or drawings take longer.

Our clients include Lebourg collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Albert Lebourg art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Albert Lebourg or we will sell it for you.

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Le Quai de la Tournelle et Notre Dame de Paris, 1909

Albert Lebourg was born in Montfort-sur-Risle and received his first artistic training at the Ecole des Beaux-Arts in Rouen. Here he studied under Jean-Paul Laurens, and also studied under the architect Drouin at the Municipal School of Design. Lebourg eventually gave up on architecture, and was greatly influenced by the landscape painter Victor Delmarre. He would eventually become a great landscape painter, adhering to a more academic style early in his career and eventually finding Impressionism.

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Montfort-sur-Risle

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Untitled

Throughout his life, Lebourg traveled often, to the Netherlands and England and especially to Algeria, working as he went. From 1872-1877, Lebourg served as a drawing professor at the Societe des Beaux-Arts in Algiers. Like so many other artists, Lebourg’s time in Algeria helped him to develop his use of light and he created many landscapes while he was there.

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Canal in Rotterdam

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At “De Schie” Rotterdam, 1895

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A Street in Bercy

Upon his return to Paris, Lebourg became involved in Impressionism, and participated in Impressionist exhibits in 1879 and 1880. He became friends with Monet, Sisley and Degas, and continued to paint in the Impressionist style throughout the rest of his career.

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Chemin dans la Campagne, 1900

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Sun Setting at Pont du Chateau

Although he was almost exclusively a landscape painter, Lebourg incorporated themes in his paintings, such as the presence of water in his later works. Also, like his friend and fellow artist Monet, Lebourg would experiment with light and paint the same or similar landscapes in different shades and tones. He was particularly fond of painting the changing seasons, as well as sunrises and sunsets.

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La Pont Marie, Paris

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Sunrise in Autumn in Hondouville

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The Seine in Winter

In 1883 and again in 1886, Lebourg held his exhibitions with the Salon of the Society of French Artists. He would also regularly show his work with the Societe Nationale des Beaux-Arts from 1891 until 1914. Although Lebourg was by and large a landscape artist, he certainly produced a small number of still life, and perhaps even figure studies, and especially sketches and drawings as a student.

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Still Life

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Still Life of Flowers

Even though he was an avid traveler, Lebourg preferred the Normandy region of France above all others, and eventually settled in Rouen. He continued to paint right up until 1921 when he suffered a stroke and was paralyzed as a result.

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Bathers at Pont du Chateau

Today Lebourg’s work is housed all over the world, and perhaps even in your own home. Still wondering about an Impressionistic landscape hanging in your home? It may be by Albert Lebourg…contact us to find out.


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96--newton.php Harold Newton Artwork Authentication & Art Appraisal

Harold Newton (1932-1994)

Get a Newton Certificate of Authenticity for your painting (COA) for your Newton drawing.

For all your Newton artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Newton Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Newton painting or drawing.

If you want to sell your Newton painting or drawing use our selling services. We offer Newton selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Newton and issuing certificates of authenticity since 2002. We are recognized Newton experts and Newton certified appraisers. We issue COAs and appraisals for all Newton artworks.

Our Newton paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Newton certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Newton painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Newton paintings or drawings take longer.

Our clients include Newton collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Harold Newton art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Harold Newton or we will sell it for you.

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River Scene

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Sailboat Harbor

Harold Newton is probably the most famous group member of the Highwaymen, a Floridian group of itinerant black folk artists painting in and around Melbourne and the Treasure Coast area of Florida from around 1955 until the 1980s. They were landscapists, who used extremely rapid production methods similar to those used in commercial mass made paintings and used to sell their paintings from the trunks of their cars, visiting banks, doctor’s and real estate offices and also in parking lots along the highway to tourists coming or leaving. As a result, they became known as the Highwaymen.

About 20 years ago, some Floridians started collecting their paintings and the fashion for them has grown ever since.

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Landscape

Still wondering about a Floridian landscape painting in your family collection? Contact us… we are the Harold Newton experts.


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97--somov.php Konstantin Somov Artwork Authentication & Art Appraisal

Konstantin Somov Константин Андреевич Сомов (1869-1939)

Get a Somov Certificate of Authenticity for your painting (COA) for your Somov drawing.

For all your Somov artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Somov Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Somov painting or drawing.

If you want to sell your Somov painting or drawing use our selling services. We offer Somov selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Somov and issuing certificates of authenticity since 2002. We are recognized Somov experts and Somov certified appraisers. We issue COAs and appraisals for all Somov artworks.

Our Somov paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Somov certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Somov painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Somov paintings or drawings take longer.

Our clients include Somov collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Konstantin Somov art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Konstantin Somov or we will sell it for you.

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Self-Portrait 1898

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Portrait of N.F. Ober 1896

Konstantin Somov was a Russian Symbolist painter born in St. Petersburg. He was born into an art driven family, and was related to Andrei Ivanovich Somov, the then curator of the famed Hermitage Museum. His family was often visited by the most famous painters in Russia, and also had a vast collection of watercolors, etchings and paintings which inspired the young Somov. Growing up, he learned to sing, play piano, and of course, paint.

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Promenade after Rain 1896

Somov entered The Imperial Academy of Arts from 1888-1897 and studied under Ilya Repin. Though Somov felt that his first few years at the academy were basically pointless, he was dedicated to his studies just the same. These early academy paintings were mainly of portraits and landscapes and were inspired by the works of Fragonard and Watteau. As a result, much of Somov’s work is completed in gouache and watercolors.

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Lady by the Pool 1896

Towards the end of his studies, Somov began to switch gears from Repin-inspired compositions to paintings of men and women in 18th century dress. These paintings were far from the Realist work that his contemporaries were producing at the time. Full of poetry and elegance, these paintings created towards the end of the 19th century were the precursors to his Symbolist pieces. Some art critics have said that his work as a student was not that of a student, but that of a competent artist who has already secured a style of his own.

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Evening 1900

Somov left Russia for Paris in 1897 where he congregated with fellow Russian artists such as Benois, Lanceray and Ober. He frequented the Academie Colarossi while in Paris, and returned to St. Petersburg after only being there for a year. Once back in St. Petersburg, Somov became a member of the World of Art Society, with which he would exhibit his work around the globe.

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Lady in Blue

From 1906-1910, Somov created a number of portraits of Russian artists and poets for books and magazines. This was followed by a series of rococo-style harlequins in 1910 and also a number of illustrations for poems by Alexander Blok.

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Landscape with Pavilion

In 1918, Somov became a professor at Art College. After the Russian Revolution, he immigrated The United States in 1923, though he only stayed for a year. Somov felt that his art was not well received in the states, though he was extremely popular in Germany. After his brief stay in The United States, Somov moved to France where he lived out the rest of his life painting mainly portraits.

Today, Somov’s work is housed all over the world, and has fetched upwards of $5 million dollars auction. Still wondering about a Russian Symbolist painting in your family estate? Contact us…it could be by Konstantin Somov.


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98--presas.php Leopoldo Presas Artwork Authentication & Art Appraisal

Leopoldo Presas (1915-2009)

Cree que es propietario de una pintura de Leopoldo Presas? Autenticamos, tasamos, investigamos, damos información y emitimos Certificados de Autenticidad (COA) de todas las obras de Leopoldo Presas.

Leopoldo Presas
Leopoldo Presas

Supone que tiene una pintura de Leopoldo Presasi? Hacemos autenticación, tasación e investigación de pinturas y también emitimos certificados de autenticidad (CDA) de obras de Leopoldo Presas.

Nace en Buenos Aires en 1915. Su madre era uruguaya y sus abuelos gallegos. Su infancia transcurre en Barracas. A los dicisiete años concurre al taller de Adolfo Sorzio, que preparaba alumnos para ingresar a la Academia Nacional de Bellas Artes, donde ingresa directamente al 3er año de la Academia, luego de aprobar en forma libre los dos primeros años. Toma clases luego con Lino Enea Spilimbergo en el Instituto Argentino de Artes Gráficas. Pinta su primer autorretrato.

En 1939 integra el Grupo Orión, con Luis Barragan, Vicente Forte, Juan Fuentes, entre otros, con una estética ecléctica pero influída por el surrealismo y la pintura metafísica. Este grupo ha pasado a la historia como el primero de carácter surrealista del arte argentino.

Posando o La Modelo, de Leopoldo Presas
“Posando o La Modelo”, óleo sobre tela, 70 x 50 cms.

En 1940 ante una necesidad económica ingresa a un taller de diseños textiles y se aleja de la pintura durante cinco año. En 1945 se casa con Elsa Legaspi que se convirtió además en modelo de sus obras y alentado por su amigo Santiago Cogorno retorna a la pintura. En 1946 realiza su primer exposición individual y empieza a enviar obras a sus salones.

Leopoldo Presas, Retrato de Elsa, óleo sobre tela
Retrato de Elsa, óleo sobre tela
Leopoldo Presas, Figura oleo
“Figura oleo” Oleo s/tela 50 x 70 cm

En la década del 60, ya en plena consagración profesional, se produjeron los cambios más radicales de su pintura y pasó de la inspiración cubista a una impronta expresionista y gestual, con una materia cada vez más abundante.

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“Qué noche”, oleo sobre tela, 70 x 60 cms
Leopoldo Presas, La Crucifixión
“La Crucifixión” Oleo s/tela 200 x 130 cm, 1962

Vive en Paris entre 1979 y 1987 donde pinta su serie de puertos dedicada al Riachuelo de Buenos Aires.

Pintor de óleo y témpera, Presas era un excelente dibujante; practicó la técnica de los tapices y fundó en 1972 en La Boca el Taller de la Orilla, especializado en impresiones litográficas, serigráficas y otras técnicas de grabado artístico. Admirador de Chesterton y Wells, jugador de ajedrez.

Leopoldo Presas, Puerto
“Puerto” Oleo s/tela 80 x 120 cm (31,49″ x 47,24″) 1983

La protagonista constante de su pintura fue la figura humana, sobre todo la femenina, su inspiración más frecuente, que pintó con ternura y con sensualidad. Las naturalezas muertas, las flores y los retratos fueron sus otros temas recurrentes, aunque también creó obras de crítica social, como su serie de los cerdos, la inquietante serie de crucifixiones, los motivos de la Guerra de Vietnam y las pinturas eróticas.

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Sin título, oleo sobre tela 144 x 103 cms 1984
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Desnudo, Oleo sobre tela, 1989
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Puerto

Realizó múltiples exposiciones en el extranjero y participó de las bienales de Venecia y San Pablo con sus obras. Presas estaba convencido de que la habilidad de pintar podía apagarse de pronto. “Uno puede despertarse un día y ya no ser más pintor”, dijo en 1975, en una entrevista. Siguió: “Uno finalmente se va a morir, y eso es un poco más serio que dejar de pintar, porque la vida es más importante que la pintura. Igual que para morir, hay que estar preparado para dejar de ser pintor cuando Dios quiera”. Y la vida se le terminó antes que la pasión por la pintura: falleció el 12 de junio de 2009, a los 94 años.

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Se está preguntando todavía si su pintura puede ser de Leopoldo Presas? Póngase en contacto con nosotros….quizás lo sea y nosotros se lo podemos confirmar… somos expertos en este autor.


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99--macedo.php Giorgio Clovio Artwork Authentication & Art Appraisal

Giorgio Giulio Clovio (1498 – 1578)

We Perform Giorgio Clovio art authentication. Giorgio Clovio appraisal. Giorgio Clovio certificates of authenticity (COA). Giorgio Clovio analysis, research, scientific tests, full art authentications. We will help you sell your Giorgio Clovio or we will sell it for you.

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Self-Portrait

Giorgio Clovio was an Italian Renaissance illuminator, miniaturist, and painter. He was also called Macedo or Il Macedone because of his Macedonian origin, and was also a priest. He was the greatest illuminator of the Italian High Renaissance, and arguably the last very notable artist in the long tradition of the illuminated manuscript, before some modern revivals.

Clovio was born in Gri&zcaron;ane, in the Hungary (today Croatia), near Crikvenica in Kvarner bay in what was then the diocese of Modruš. Vasari says that at baptism Clovio’s name was Giorgio Iulio, his family name was Clovi and he was a Macedonian. Croatians claims that his Croatian name was likely Juraj Klovic and the Catholic Encyclopedia states that his original name was perhaps Glovic, while J.W.Bradley speculates that Clovio’s surname was Glovicic.

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An Illuminated Page from Colonna Hours

He was said to have trained in Dalmatia, and to have studied afterwards at Rome under Giulio Romano, and at Verosia under Girolamo dai Libri. He excelled in historical pieces and portraits, painting in minute detail, much of which needs to be seen with a magnifying-glass, and yet contriving to handle his subjects with great force and precision.

He worked in Venice, Florence and elsewhere, with a long active period in Rome where he died. He worked mostly for royal and clerical private collectors. His grave is in the Basilica of San Pietro in Vincoli, the same church that contains Michelangelo’s celebrated Moses.

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The Holy Family

Clovio arrived at Venice from Croatia at the age of 18. There he became a protégé of Cardinal Domenico Grimani and engraved medals and seals for him, as well as the Grimani Commentary Ms., an important early illuminated book (now Sir John Soane’s Museum, London). By 1524 Clovio was at Buda, at the Hungarian court of King Louis II, for whom he painted the “Judgment of Paris” and “Lucretia”. After Louis’ death in the Battle of Mohács, Clovio travelled to Rome where he continued his career.

El Greco, the celebrated Greek artist from Crete, who later worked in Spain painted two portraits of Clovio whilst still in Rome: one shows the four painters whom he considered as his masters; in this Clovio is side by side with Michelangelo, Titian and Raphael. Giorgio Giulio Clovio was also known as Michelangelo of the miniature. Books with his miniatures became famous primarily due to his skilled illustrations. He was persuasive in transferring the style of Italian high Renaissance painting into the miniature format.

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Miniature of a Woman

His most famous work is the Farnese Hours, completed in 1546 for Cardinal Alessandro Farnese, which was nine years in the making (now Morgan Library, New York). He is pointing to this work in the El Greco portrait (above). This contains twenty-eight miniatures, mostly of Old and New Testament scenes, but with a famous double-page picture representing the Corpus Christi procession in Rome. It has splendid silver-gilt covers, although they are not by Benvenuto Cellini, as Vasari claimed. The British Library has his twelve miniatures of the victories of the Emperor Charles V, and other works. The Vatican library has a manuscript life of Frederigo III di Montefeltro, Duke of Urbino, superbly illustrated by Clovio. The Towneley Lectionary is now in the New York Public Library and probably belonged to Cardinal Alessandro Farnese. Used during services, the book contained six majestic, full-page miniatures opposite miniature depictions of the Evangelists. The illustrations, introduced the relevant readings from the Scripture. They include the Resurrection and the Last Judgment.

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The Prophet Jonah and Two Destroyed Lunettes

Other illustrations by him are kept in libraries in Vienna, New York, Munich, and Paris, and other works are in many private collections. A small part of his work is viewable in Klovicevi Dvori (“Palace of Klovic”), the art gallery dedicated to him in Zagreb.

According to a description written for publication by Antonfrancesco Cirni, he also designed many of the costumes for the famously elaborate wedding festivities of Ortensia Borromeo in March 1565, which were held in the Vatican and included a tournament in the Belvedere coutyard. Such duties were often expected of a Renaissance court painter. The costumes are carefully recorded in a series of anonymous etchings, some probably based on Clovio’s design drawings.

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Pages from an Illuminated Manuscript

Croatia celebrated the 500th anniversary of his birth in 1998. The Croatian National Bank issued a special 200 kuna silver coin in commemoration. A monument to Clovio/Klovic was also raised in Drivenik. The Croatian government recently made news by purchasing Clovio’s/Klovic’s The Last Judgement, a painting Clovio/Klovic gave as a gift to Pope Clement VII. Bernardin Modric released his film The Gospel According to Klovic in 2006. Still wondering about an Italian painting in your family collection? Contact us…it could be by Giorgio Clovio.


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100--fjell.php Kai Fjell Artwork Authentication & Art Appraisal

Kai Breder Fjell (1907-1989)

Get a Fjell Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Fjell artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Fjell Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fjell painting, drawing or print.

If you want to sell your Fjell painting, drawing or print use our selling services. We offer Fjell selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fjell and issuing certificates of authenticity since 2002. We are recognized Fjell experts and Fjell certified appraisers. We issue COAs and appraisals for all Fjell artworks.

Our Fjell paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fjell certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fjell painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fjell paintings or drawings take longer.

Our clients include Fjell collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Kai Fjell art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Kai Fjell or we will sell it for you.

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Adorning the Bride 1952

Kai Fjell was a Norwegian painter, printmaker and scenographer. Fjell was born on a farm in the village Skoger near Drammen, Norway. His father was the farmer and painter Conrad Bendiks Fjeld.

Kai Fjell became a pupil of Carl von Hanno in Oslo in 1926. A year later, he enrolled at the State’s School of Art and Design of Oslo, where his main teachers were August Eiebakke and from 1929 Olaf Willums. Fjell married Ingeborg Helene Holst in 1931. His debut exhibition in Oslo Art Society in 1932 was largely unsuccessful.

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Wise Woman 1935

Kai Fjell early developed an ornamental expressionism. His pictures are heavily influenced by rural life and traditional Norwegian folk art. Fjell achieved immediate success with his exhibition at Kunstnernes Hus (The Artists’ House) in 1937, where all the exhibited paintings were sold.

Fjell’s early paintings are dominated by dark and earthy hues and often has grotesque motifs (titles include The Violent Man, The Self-killer, The Hearse). His later works are significantly brighter, more daring in their use of colour, and tranquil in mood. Throughout his long career, the female figure and various fertility-symbols are recurring motifs in Fjell’s pictures.

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Girl

Kai Fjell died in his home at Lysaker near Oslo. He was active as a painter until the end of his life. Still wondering about a Norwegian painting in your family collection? Contact us…it could be by Kai Fjell.


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101--valette.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "valette" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "valette" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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102--degottex.php Jean Degottex Artwork Authentication & Art Appraisal

Jean Degottex (1918-1988)

Get a Degottex Certificate of Authenticity for your painting (COA) for your Degottex drawing.

For all your Degottex artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Degottex Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Degottex painting or drawing.

If you want to sell your Degottex painting or drawing use our selling services. We offer Degottex selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Degottex and issuing certificates of authenticity since 2002. We are recognized Degottex experts and Degottex certified appraisers. We issue COAs and appraisals for all Degottex artworks.

Our Degottex paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Degottex certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Degottex painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Degottex paintings or drawings take longer.

Our clients include Degottex collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Degottex art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Jean Degottex or we will sell it for you.

Born in Sathonay, France, Jean Degottex was a self-taught painter and was influenced early on by Kandinsky. He spent most of his life between Paris and Cordes. Degottex first began to paint in 1938, but did not show his work for nearly ten years after that. He would finally exhibit in Paris in 1949 at the Denise Rene gallery and was also introduced by Andre Breton at a 1955 exhibition. After this point, he was fairly prolific and showed his work often throughout Europe. Though his oeuvre is generally filled with Abstract work, Degottex is also grouped with the Surrealists.

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Culture is Dead, 1968

Degottex leaned toward gestural lyric abstraction, which he created by incorporating text into his paintings. Particularly, he would incorporate Chinese text as a part of his Zen philosophy, which would also be incorporated in his art through composition. Along with artist Simon Hantai, Degottex is known as one of the forerunners of this movement.

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Ken Do, 1961, oil

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Writing 10.2.63

In the late 1960s Degottex embarked on series of paintings that were poetically linked to one another; these series were known as Metaspheres and Horspheres. The Metaspheres almost always included a circular disk, while the Horspheres dealt with the concave and the convex, and both had themes of existence and space.

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Metasphere, 1966, watercolor ink

While Degottex was clearly focused on a textual Abstract style, he would experiment with a number of mediums. Besides oil paint, he was also known to work in watercolor, acrylic and ink and created lithographs. Whether working off an Oriental theme or for reasons only Degottex knows, he also used primarily white, black and red in almost all of his art.

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1964, Indian ink on fabric

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1986, acrylic on canvas

Today his work is housed in the Guggenheim Museum in New York, The Pompidou Center in Paris and literally around the work from Japan to Austria, Israel, Amsterdam, Sweden, and widely throughout France. Because he worked nearly up until his death in 1988, it is highly possible that a number of his previously unknown works could be owned in private home collections worldwide as well.

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Suite Obscure, 1964

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103--danloux.php Henri-Pierre Danloux Artwork Authentication & Art Appraisal

Henri-Pierre Danloux (1753-1809)

Get a Danloux Certificate of Authenticity for your painting (COA) for your Danloux drawing.

For all your Danloux artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Danloux Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Danloux painting or drawing.

If you want to sell your Danloux painting or drawing use our selling services. We offer Danloux selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Danloux and issuing certificates of authenticity since 2002. We are recognized Danloux experts and Danloux certified appraisers. We issue COAs and appraisals for all Danloux artworks.

Our Danloux paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Danloux certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Danloux painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Danloux paintings or drawings take longer.

Our clients include Danloux collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henri-Pierre Danloux art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Henri-Pierre Danloux or we will sell it for you.

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Portrait of Louis de Fontanes

Henri-Pierre Danloux was an 18th century French painter and draftsman. Though Danloux was more influential as a draftsman, he was also an accomplished painter. He lived much of his life in Lyon, though he studied painting and drawing in Italy.

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Rosalie Duthé, 1792

Many of his oils were history paintings and his portraiture was filled with detailed settings and telling features of the fabric of clothes. Following the example of Jean-Baptiste-Simeon Chardin, he often painter his sitters in an informal pose.

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Jan Ladislav Dussek

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The Rev. Walker Skating on Duddingston Loch

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Portrait of Baron Besenval in His Salon, 1797

Still wondering about an 18th century French portrait or genre scene in your family collection? Contact us…it could be by Henri-Pierre Danloux.


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104--diaz-de-la-pena.php Narcisse-Virgile Diaz Artwork Authentication & Art Appraisal

Narcisse-Virgile Diaz de la Pena (1808-1876)

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Bathroom

Narcisse-Virgile Diaz de la Pena was one of the founding members of the Barbizon school. A sad set of circumstances marked his early life. He was born in Bordeaux to Spanish parents, hence his name. At the age of ten he was orphaned and brought up by a priest in Bellevue near Paris. During his teenage years he had to have one of his legs amputated due to blood poisoning. At the age of fifteen he was apprenticed to a pottery decorator. It was whilst here that he also took to painting Eastern figures in richly coloured garments.

He undertook his artists training like many artists of the day at the Louvre, where he copied the great works of art there. He was particularly inspired by the Italian High Renaissance painter Antoine de Correggio, who painted many mythological scenes and in particular his painting, ‘Antiope’, which hangs in the Louvre. He interpreted this painting in his own, ‘Nymphe Endormie’ which also now hangs in the Louvre. He was also inspired by the eighteenth century painters of the ‘fetes-galantes’, He admired Watteau and his painting ‘The Clown’, which hangs in the Phoenix Museum of art is composed of elements of Watteau’s painting’Gilles’.

He also admired enormously the work of Eugene Delacroix, particularly his orientalist paintings, and also his paintings of nymphs. He was to incorporate these orientalist themes into many of his paintings. His lameness meant he could not travel extensively, as the other artists that he admired had done. He used his imagination and the paintings of others such as Delacroix for inspiration when he was approaching orientalist themes.

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Women of the Seraglio

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Venus Disarming Cupid

Narcisse-Virgile Diaz de la Pena was initially known for his figure painting, until 1837 when he was to became a core member of the Barbizon school, and became good friends with Theodore Rousseau whom he admired greatly. During this time he was particularly known for his depiction of the dark, somber woodlands which he juxtaposed with the light. He was to incorporate his interest in orientalism into these scenes such as in the painting which hangs in the Museum of Fine Arts in Boston, ‘Bohemians going to a Fete’, which depicts exotically dressed figures descending through the Forest for a picnic. It is paintings such as these, with mythical and oriental elements that probably distinguish him from other members of the Barbizon school. This painting in particular brought him success in the Salon. He was to become a very successful artist of the day. He won three Gold medals at the Salon, and was also made a Knight of the Legion of Honour in 1851.

Due to the success of his paintings he was also quite financially well of. He was to help out a number of his artist friends of the Barbizon school such as Theodore Rousseau and Jean Francois Millet. It seems that he was an incredibly kind and gentle character. The Impressionists were of course particularly inspired by the painters of the Barbizon School, and the way in which these painters handled the light. He was to become particularly friendly with the young Renoir who went to the Forest of Fontainebleau to paint, and as well as giving him advice he also paid for canvases and pigments for him.

The Louvre has a substantial collection of works by Narcisse-Virgile Diaz de la Pena, as does the Wallace Collection in London.

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In the Fontainbleau Fores, 1860

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In the Forest


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105--zuccarelli.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "zuccarelli" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "zuccarelli" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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106--redon.php Odilon Redon Artwork Authentication & Art Appraisal

Odilon Redon (1840 – 1916)

Get a Redon Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Redon artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Redon Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Redon painting, drawing or print.

If you want to sell your Redon painting, drawing or print use our selling services. We offer Redon selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Redon and issuing certificates of authenticity since 2002. We are recognized Redon experts and Redon certified appraisers. We issue COAs and appraisals for all Redon artworks.

Our Redon paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Redon certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Redon painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Redon paintings or drawings take longer.

Our clients include Redon collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Odilon Redon art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Odilon Redon or we will sell it for you.

Redon, Self-Portrait

Self-Portrait
1880
Musee D’Orsay

Redon, Baronne Robert de Domecy

Baronne Robert de Domecy
1900 Oil on canvas
Musee d’Orsay

Odilon Redon was a French artist known for his Symbolist drawing, prints and paintings. Redon was born in Bordeaux with the name Bertrand-Jean, but his mother, Odile began calling him Odilon at a young age. Redon showed artistic talent at a young age and won awards at school for his drawings. His father urged him to study architecture, but after failing to enter the architecture program at the Ecole des Beaux Arts Redon continued taking in drawing and painting. Redon studied under the painter, Jean-Léon Gérome and the sculptor, Rodolphe Bresdin.

Redon, The Pathway to Peyrelebade

The Pathway to Peyrelebade
1840-1916 Oil on Paper
Mussee d’Orsay

Redon, Sommeil de Caliban

Sommeil de Caliban
1895-1900 Oil on wood
Musee d’Orsay

Redon, Caliban

Caliban
Charcoal on Buff Paper
Musee d’Orsay

During the Franco-Prussian War, around 1870, Redon put aside his interest in painting to serve in the army. When his military duty ended he returned to Paris and made a series of charcoal drawings and lithographic prints. These colorless works are referred to as the ¨noirs¨. His lithograph series “Dans le Reve” was first published in 1879, giving him his first bit of public recognition.

Redon, Closed Eyes

Closed Eyes
1890 Oil on Canvas 44 x 36 cm
Musee d’Orsay

Redon, Copy of Delacroix

Copy of Delacroix
Around 1872
Louvre Museum

Redon, Parsifal

Parsifal
1892 Lithograph on Paper 16.5 x 12 5/16 in
Hirshhorn Museum

In 1884 Redon gained more public attention with the release of a cult film, which told the story of an aristocrat who collected work by Redon. As Redon became more popular he started working with more colorful oils and pastels and exhibited with the Nabis.

Redon, Fille Fleur

Fille Fleur (Girl Flower)
1912 Pastel ad pencil on toned paper 53.8 x 44.9 cm
Hirshhorn Museum

Redon, Battle

Battle
1865 Charcoal on paper
Museum of Modern Art, NY

Redon, Landscape at Daybreak

Landscape at Daybreak
1872 Oil on Canvas 38.4 x 55.3 cm
Museum of Modern Art, NY

Redon, Apache
Apache (Man on Horseback)

1875 Oil over chalk on tan cardstock 25.1 x 32.4 cm
Museum of Modern Art, NY

Redon, Fishing Boat

Fishing Boat
1875 Oil on Canvas 16.8 x 21.9 cm
Museum of Modern Art, NY

Redon’s Symbolist work explores inner emotions, abstracted visions and thoughts, which portray a dream-like quality. His images range from the lovely to the grotesque. Redon compared his work to music, in that it has the power to transport you to another mental state and stimulate one’s imagination.

Redon, Eye-Balloon

Eye-Balloon
1878 Charcoal and Chalk on Colored Paper 16 5/8 x 33.3 cm
Museum of Modern Art, NY

Redon, The Well

The Well
1880 Charcoal and Chalk Paper 14 x 9 3/8 in
Museum of Modern Art, NY

In 1913 Redon had a major breakthrough in his career when he was given a solo show at the Armory in New York City. While Redon died only a few years later, his name and work continued to grow in popularity. While many of his paintings are owned by the Musee d’Orsay in Paris, his drawings and prints have spread far and wide.

Odilon Redon art authentication. Odilon Redon appraisal from . Odilon Redon certificates of authenticity (COA). Odilon Redon analysis, research, scientific tests, full art authentications. We will help you sell your Odilon Redon or we will sell it for you.


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107--pencz.php Georg Pencz Artwork Authentication & Art Appraisal

Georg Pencz (1500 – 1550)

We Perform Georg Pencz art authentication. Georg Pencz appraisal. Georg Pencz certificates of authenticity (COA). Georg Pencz analysis, research, scientific tests, full art authentications. We will help you sell your Georg Pencz or we will sell it for you.

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Portrait of a Seated Youth 1544

Georg Pencz was a German engraver, painter and printmaker. Pencz travelled to Nuremberg in 1523 and joined Albrecht Dürer’s atelier. Like Dürer, he visited Italy and was profoundly influenced by Venetian art and it is believed he worked with Marcantonio Raimondi. In 1525, he was imprisoned with the brothers Barthel Beham and Hans Sebald Beham, the so-called “godless painters”, for spreading the radical views of Thomas Müntzer by asserting disbelief in baptism, Christ and transubstantiation. The three were pardoned shortly afterwards and became part of the group known as the “Little Masters” because of their tiny, intricate and influential prints.

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Dialectica

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Music

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Abraham

Around 1539, Pencz briefly returned to Italy, visiting Rome for the first time, later to return to Nuremberg in 1540, where he became became the city painter and earned his greatest success as a portraitist. As an engraver, he ranks among the best of the German “Little Masters”. Notable prints include Six Triumphs of Petrarch and Life of Christ (26 plates). The best of his paintings are portraits, such as Portrait of a Young Man , Portrait of Marshal Schirmer and Portrait of Erhard Schwetzer and his wife.

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Portrait of a Sleeping Woman 1544

In 1550, he was named court painter by Albert, Duke of Prussia, but died before arriving at the court. Still wondering about a 16th century German painting in your family collection? Contact us…it could be by Georg Pencz.


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108--claus-emile.php Émile Claus Artwork Authentication & Art Appraisal

Émile Claus, 1849-1924, Belge

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Combat de coqs en Flandres (1882)

 

Émile Claus était un peintre luministe belge, connu en tant que « peintre du soleil ».

 

Né en 1849 dans un village des Flandres, sur les bords de la Lys, Claus, tous les dimanches, parcourait à pied les trois kilomètres qui l’éloignaient de Waregem, la ville voisine, où il suivait des cours de dessin à l’Académie.

 

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Le Pique-Nique (1887)

 

De retour en Belgique, après un apprentissage de boulanger, en France, que son père lui avait imposé, il a rejoint, de 1869 à 1874, l’Académie des Beaux-Arts d’Anvers, finançant lui-même ses études. Côtoyant des artistes naissants tels que le paysagiste Jacob Jacobs, Claus a vite attiré l’attention de la bourgeoisie locale, férue d’art. En 1882, il termina son Combat de coqs en Flandres, qui dépeint les dignitaires de la ville de Waregem se pressant autour de l’arène. L’un d’eux, le notaire Édouard Dufaux, convia Claus chez lui et lui présenta sa nièce, Charlotte, qui est devenue l’épouse du peintre. En 1883, le couple a emménagé dans une maison de campagne à Astene, dans les Flandres, qu’ils n’ont jamais quittée, à part lors d’un séjour à Londres où, durant la Première Guerre mondiale, Claus s’était réfugié et avait ouvert un atelier sur les bancs de la Tamise.

 

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Vaches traversant la Lys (1899)

Ses peintures étaient alors réalistes, et représentaient des scènes de genre qui connaissaient un certain succès. En 1887, le Musée des Beaux-Arts d’Anvers acheta une de ses œuvres, et la famille royale de Belgique se procura Le Pique-nique (1887), une toile représentant la famille d’un fermier contemplant une coterie bourgeoise sur l’autre berge de la Lys.

 

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Jenny Montigny (1902)

Sa palette naturaliste s’éclaircit pourtant sous l’inspiration du paysage lumineux de la campagne environnante. Sa célébrité lui valut de devenir l’ami d’artistes comme le sculpteur Auguste Rodin, le romancier Émile Zola, ou encore le poète Émile Verhaeren. C’est d’ailleurs sous l’influence de Claude Monet et de son ami Camille Lemonnier, qui l’initient à l’impressionnisme, qu’il a développé son style luministe, au point de fonder, en 1904, le cercle « Vie et Lumière », que rejoignent Ensor et Georges Lemmen. Son tableau des Vaches traversant la Lys (1899) fait preuve d’un travail extraordinaire sur le prisme des éclats de lumière se reflétant sur une onde que trouble le passage du troupeau.

 

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Coucher de Soleil sur le Pont de Waterloo (1916)

 

Ce fut lors d’un atelier de formation qu’il tenait à Astene qu’il rencontra la peintre Jenny Montigny, qui faisait souvent le trajet depuis Gand pour venir assister à ses cours. Malgré leurs vingt-six ans d’écart et le fait que Claus soit marié, le maître et son élève ont entretenu une relation clandestine qui a duré jusqu’à la mort de Claus.

 

Connaissant une fin de carrière difficile due à la montée d’un expressionnisme qui le rendait obsolète, Claus a toutefois fait l’objet d’une exposition qui s’est montée à Bruxelles en 1921. Les œuvres exposées, représentant notamment des paysages anglais, telles que Coucher de Soleil sur le Pont de Waterloo (1916), ont fait une impression positive sur le public.

Décédé en 1924, il est enterré dans le jardin de sa villa d’Astene.


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109--kippenberger.php Martin Kippenberger Artwork Authentication & Art Appraisal

Martin Kippenberger (1953-1997)

Get a Kippenberger Certificate of Authenticity for your painting (COA) for your Kippenberger drawing.

For all your Kippenberger artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kippenberger Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kippenberger painting or drawing.

If you want to sell your Kippenberger painting or drawing use our selling services. We offer Kippenberger selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kippenberger and issuing certificates of authenticity since 2002. We are recognized Kippenberger experts and Kippenberger certified appraisers. We issue COAs and appraisals for all Kippenberger artworks.

Our Kippenberger paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kippenberger certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kippenberger painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kippenberger paintings or drawings take longer.

Our clients include Kippenberger collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Martin Kippenberger art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Martin Kippenberger or we will sell it for you.

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Self-Portrait in Underwear

Martin Kippenberger was an influential German artist whose penchant for mischievousness made him the focus of a generation of German enfants terrible including Albert Oehlen and Markus Oehlen, Georg Herold, Dieter Göls, and Günther Förg. His work experimented with polemical ideas; and in a rush to execute every sort of image that occupied his thoughts he made a mark on the art world of the 1990s. The flow of paintings he produced was punctuated with works that were conceptual and often controversial. His obsessive pursuit of polemics often left a trail of offence; he once produced a sculpture of a toad being crucified. His art is related to the German art movement Neue Wilde (de:Neue Wilde).

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Lonesome?

His work was shown in the Venice Biennale in 1988 and 2003, and in the Documenta in 1997. He was a member of the Lord Jim Lodge. Still wondering about a German painting in your family collection? Contact us…it could be by Martin Kippenberger.


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110--flegel.php Georg Flegel Artwork Authentication & Art Appraisal

Georg Flegel (1566 – 1638)

Get a Flegel Certificate of Authenticity for your painting (COA) for your Flegel drawing.

For all your Flegel artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Flegel Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Flegel painting or drawing.

If you want to sell your Flegel painting or drawing use our selling services. We offer Flegel selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Flegel and issuing certificates of authenticity since 2002. We are recognized Flegel experts and Flegel certified appraisers. We issue COAs and appraisals for all Flegel artworks.

Our Flegel paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Flegel certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Flegel painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Flegel paintings or drawings take longer.

Our clients include Flegel collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Georg Flegel art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Georg Flegel or we will sell it for you.

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Still Life with Fruit, Carnations and a Mouse

Georg Flegel was a German painter, best known for his still life works. Flegel was born in Olomouc, Moravia. Around 1580 he moved to Vienna, where he became the assistant to Lucas van Valckenborch I, a painter and draughtsman. Flegel and his employer later moved to Frankfurt, which at the time was an important art-dealing city. As an assistant, he inserted items such as fruit, flowers, and table utensils into Valckenborch’s works.

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Still Life

In a period of about 30 years (c. 1600-1630), he produced 110 watercolor pictures, mostly still life images which often depicted tables set for meals and covered with food, flowers, and the occasional animal. Among his students were his own two sons, Friedrich and Jacob, as well as the artists Jacob Marrel and Sebastian Stoskopff.

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Still Life with Parrot

Still wondering about a German still life painting in your family collection? Contact us… it could be by Georg Flegel.


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111--smibert.php John Smibert Artwork Authentication & Art Appraisal

John Smibert (1688-1751)

Get a Smibert Certificate of Authenticity for your painting (COA) for your Smibert drawing.

For all your Smibert artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Smibert Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Smibert painting or drawing.

If you want to sell your Smibert painting or drawing use our selling services. We offer Smibert selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Smibert and issuing certificates of authenticity since 2002. We are recognized Smibert experts and Smibert certified appraisers. We issue COAs and appraisals for all Smibert artworks.

Our Smibert paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Smibert certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Smibert painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Smibert paintings or drawings take longer.

Our clients include Smibert collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Do you think you may own a painting by John Smibert?

We perform John Smibert art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Smibert or we will sell it for you.

Bishop Berkley and his Family

Bishop Berkley and his Family

John Smibert was a Scottish born painter based in Boston, Massachusetts during the early 1700’s. Smibert was one of the leading portrait painters of his time, creating some 300 portraits of early colonial Americans in the style of the Old Masters.

Captain John Gerrish

Captain John Gerrish

Eleanor Nightingale

Eleanor Nightingale

Smibert initially worked as a house painter in Edinburgh as well as in London. He would also copy paintings and learned how to draw at the Academy of Sir James Thornhill while he was in London. It wasn’t until Smibert traveled to Italy around 1719 when he was able to view the works of Raphael and Titian, and was highly influenced by their style.

Francis Brinley

Francis Brinley

Mrs. Francis Brinley and her Son Francis

Mrs. Francis Brinley and her Son Francis

Smibert was eventually offered a position to teach art in Bermuda through his friend Dean Berkeley. By 1729, Smibert had immigrated to America, staying in Newport, Road Island for a short while before landing in Boston. It is thought that in 1730 Smibert assembled what was probably the first ever art show in America. That same year, Smibert married an heiress and it was then that his career finally took off.

Judge Edmund Quincy

Judge Edmund Quincy

Today, Smibert’s work is housed all over New England in public collections and private estates, including Harvard College. Today, unknown works of Smiberts’ could still be in existence in Scotland, England, Bermuda and all over New England, particularly in Boston. Still wondering about a Colonial era portrait hanging in your family home? Contact us…it could be by John Smibert.

Mrs. William Dudley

Mrs. William Dudley

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112--runge.php Phillip Otto Runge Artwork Authentication & Art Appraisal

Phillip Otto Runge (1777-1810)

Get a Runge Certificate of Authenticity for your painting (COA) for your Runge drawing.

For all your Runge artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Runge Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Runge painting or drawing.

If you want to sell your Runge painting or drawing use our selling services. We offer Runge selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Runge and issuing certificates of authenticity since 2002. We are recognized Runge experts and Runge certified appraisers. We issue COAs and appraisals for all Runge artworks.

Our Runge paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Runge certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Runge painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Runge paintings or drawings take longer.

Our clients include Runge collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Phillip Otto Runge art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Phillip Otto Runge or we will sell it for you.

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Self-Portrait

Phillip Otto Runge was a Romantic German painter and draughtsman. Although he made a late start to his career and died young, he ranks second only to Friedrich among German Romantic painters.

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The Hunselbeck Children

Born within a family of shipbuilders, Runge, after the reading of poet Ludwig Tieck, decided to pursue an artistic career. Runge studied under Jens Juel at the Copenhagen Academy (1799-1801), then moved to Dresden, where he knew Caspar David Friedrich. In 1803 he settled in Hamburg. Runge was of a mystical, pantheistic turn of mind, and in his work he tried to express notions of the harmony of the universe through symbolism of colour, form, and numbers. He also wrote poetry and to this end he planned a series of four paintings called The Times of the Day, designed to be seen in a special building and viewed to the accompaniment of music and poetry. This concept was common romantic artistics trying to achieve “total art”, or a fusion between all forms of art. He painted two versions of Morning (Kunsthalle, Hamburg), but the others did not advance beyond drawings. Runge was also one of the best German portraitists of his period; several examples are in Hamburg. His style was rigid, sharp, and intense, at times almost naïve.

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Morning

In 1810, after researching color for several years and corresponding with Johann Wolfgang von Goethe, he published Die Farbenkugel (The Colour Sphere), in which he describes a three-dimensional schematic sphere for organizing all conceivable colors according to hue, brightness, and saturation. Pure hues were displayed around its equator. Through the central axis was a gray value scale, from black at the bottom to white at the top. Across the surface of the sphere, the colors were graded from black to the pure hue to white, in seven steps. Intermediate mixtures theoretically lay inside the sphere. Runge died, due to tuberculosis. His sphere was adopted 150 years later by the great German teacher Johannes Itten. Itten opened the sphere into a star to display the entirety at once in 2-D.

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Color Sphere

Still wondering about a 19th century German painting in your family collection? Contact us…it could be by Phillip Otto Runge.


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113--lemonnier.php Lemonnier Artwork Authentication & Art Appraisal

Anicet Charles Gabriel Lemonnier (1743-1824)

Get a Lemonnier Certificate of Authenticity for your painting (COA) for your Lemonnier drawing.

For all your Lemonnier artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lemonnier Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lemonnier painting or drawing.

If you want to sell your Lemonnier painting or drawing use our selling services. We offer Lemonnier selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lemonnier and issuing certificates of authenticity since 2002. We are recognized Lemonnier experts and Lemonnier certified appraisers. We issue COAs and appraisals for all Lemonnier artworks.

Our Lemonnier paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lemonnier certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lemonnier painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lemonnier paintings or drawings take longer.

Our clients include Lemonnier collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lemonnier art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lemonnier or we will sell it for you.

Lemonnier painting, In the Salon of Madame Geoffrin

In the Salon of Madame Geoffrin

Anicet Lemonnier was an 18th century French painter. Lemoinner studied under Vien and won the Prix de Rome in 1772. He became an Academician in 1789, and was also an administrator at the Gobelins Factory from 1810-1816.

Lemonnier painting, Vesuvius Erupting

Vesuvius Erupting

Lemonnier primarily painted mythological and historical subjects during his career, and exhibited his paintings at the Salon from 1785-1814.

Lemonnier painting, Apollo Attacking Niobe and her Children

Apollo Attacking Niobe and her Children

Today Lemonnier’s paintings are housed in collections all over the world, and perhaps in your own home. Still wondering about an 18th century French mythological painting in your family collection? Contact us…it could be by Anicet Lemonnier.


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114--parrocel.php Etienne Parrocel Artwork Authentication & Art Appraisal

Etienne Parrocel (1696-1775)

We Perform Etienne Parrocel art authentication. Etienne Parrocel appraisal. Etienne Parrocel certificates of authenticity (COA). Etienne Parrocel analysis, research, scientific tests, full art authentications. We will help you sell your Etienne Parrocel or we will sell it for you.

Parrocel painting, Saint Paul

Saint Paul

Parrocel painting, Jesus and the Samaritan

Jesus and the Samaritan

Etienne Parrocel was a French 18th century painter who primarily created religious scenes. He painted some portraits of the clergy, and it is not likely that he painted secular scenes. Most of his paintings were created for and remain in churches and were widely distributed throughout France and Italy.

Parrocel painting, Touching a Saint

Touching a Saint

Parrocel painting, Vision of a Saint

Vision of a Saint

In 1717, Parrocel traveled to Rome where he remained for the rest of his life, and was made a member of the Accademia di S. Luca in 1734.

Parrocel work, Le Romain

Le Romain

Parrocel work, Adoration of the Kings

Adoration of the Kings

Still wondering about an 18th century religious European painting in your family collection? Contact us…it could be by Etienne Parrocel.


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115--cranach.php Lucas Cranach Artwork Authentication & Art Appraisal

Lucas Cranach (the elder) (1472-1553)

Get a Cranach Certificate of Authenticity for your painting (COA) for your Cranach drawing.

For all your Cranach artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cranach Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cranach painting or drawing.

If you want to sell your Cranach painting or drawing use our selling services. We offer Cranach selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cranach and issuing certificates of authenticity since 2002. We are recognized Cranach experts and Cranach certified appraisers. We issue COAs and appraisals for all Cranach artworks.

Our Cranach paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cranach certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cranach painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cranach paintings or drawings take longer.

Our clients include Cranach collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lucas Cranach art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lucas Cranach or we will sell it for you.

The Rest of the Flight into Egypt

Venus and Cupid 1509

Lucas Cranach was a Renaissance-era German artist who was known for his paintings of nudes and for his stern and precise portraits. Cranach came from a family of artists that lived in the Saxony region. His name was derived from his birthplace, Kronach and he was the son of fellow painter Hans Moller. It is thought that Cranach received his earliest training from his father, Moller, though none of his paintings exist today.

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Portrait of a Prince of Saxony

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Portrait of the Saxon Elector John the Constant

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Anna Putsch

The earliest known existing paintings of Cranach’s hint that he lived in Vienna from 1501 until 1504. His earliest paintings show that he was most likely influenced by fellow German painter Dürer and are comprised of lyrical landscapes and whimsical scenes. These early scenes and portraits created in Vienna have been called some of his finest.

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Sampson Vanquishing the Lion

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The Ill matched Couple

In 1505, Cranach was appointed the court painter to the Saxon electors of Wittenberg where he remained for almost five decades. During this time, he also traveled about northern Europe painting portraits, including the Emperor Maximilian I. Also during this time, Cranach painted religious and mythological scenes, as well as some of the first ever German nudes. Much of his work also reflects his support of the Lutheran faith. Cranach gained a great deal of notoriety within Wittenberg and in 1537 he was even voted mayor.

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Madonna and Child

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The Birth of Christ

Art historians say that Cranach ran and operated a large workshop and worked very fast, outputting hundreds upon hundreds of portraits and paintings. Cranach also created woodcuts and etchings, and during his career painted a number of portraits of politicians and political leaders. He also had two sons that became artist, however only Lucas Cranach the younger rose to the same kind of fame as his father. Some art critics say that the younger artist so perfectly emulated the style of his father that their works are often difficult to distinguish from one another.

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The Trinity

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Judgment of Paris

Some art historians also credit Cranach as being the founder of the so-called Danube school of painting. During his travels up and down the famed river and northern Europe, Cranach came in contact with Italian Renaissance and Dutch art, which also helped to shape his personal style. The influence of the Italian Renaissance is most clearly seen in his nude compositions.

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The Nymph of the Spring

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Lucretia

Cranach’s erotic nudes remain one of the most telling aspects of his talent as an artist. During his lifetime, few other artists were painting nudes, especially in Germany. He also became notorious for his paintings of women wearing large hats.

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Venus Standing in a Landscape

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Cupid Complaining to Venus

Cranach was often encouraged or commissioned to paint them for the court, and was highly sought after by his contemporaries. He was truly an artist ahead of his time.

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Judith with the Head of Holofernes

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Martin Luther

Today, Cranach’s work is housed in museums all over the world and perhaps in your own home. Still wondering about a Renaissance-era German portrait, nude, mythological or religious painting hanging in your family’s estate? Contact us…it could be by Lucas Cranach.


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116--lecomte.php Paul Emile Lecomte Artwork Authentication & Art Appraisal

Paul Emile Lecomte (1877-1950)

Get a Lecomte Certificate of Authenticity for your painting (COA) for your Lecomte drawing.

For all your Lecomte artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lecomte Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lecomte painting or drawing.

If you want to sell your Lecomte painting or drawing use our selling services. We offer Lecomte selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lecomte and issuing certificates of authenticity since 2002. We are recognized Lecomte experts and Lecomte certified appraisers. We issue COAs and appraisals for all Lecomte artworks.

Our Lecomte paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lecomte certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lecomte painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lecomte paintings or drawings take longer.

Our clients include Lecomte collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Paul Emile Lecomte art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Paul Emile Lecomte or we will sell it for you.

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Bustling French Harbor, 1935

Paul Emile Lecomte was a French painter born in Paris. His father was painter Paul Lecomte (1842-1920), and he received much of his earliest artistic training and encouragement from him. After growing up in an artistic environment, Lecomte attended the Ecole des Beaux-Arts in Paris where he studied under Fernande Cormon.

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Paysage Anime

After he finished his academic training, Lecomte was offered and accepted a position as an official artist with the Minister de la Marine. He continued to paint for himself, nonetheless and annually exhibited his work at the salons. Watercolors, etchings and oil paintings of landscapes, seascapes and portraits dominated his oeuvre. He typically painted market and harbor scenes, particularly in Brittany. Like his father, he painted beautiful landscapes, and while their styles were similar, Lecomte veered more towards Impressionism while his father’s style was academic.

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Marche a Melon

In 1902, he won the gold medal at the Salon des Artistes Francais, as well as the silver medal in 1920 and the gold medal again in 1922. During his lifetime, he was well received by the public and by art critics alike, and his work is still highly valued today. Even though Lecomte and his father painted during the same time, his work can be distinguished from his fathers’ because he signed his work “Paul Emile Lecomte.” Still wondering about an Impressionistic landscape hanging in your home? Contact us…it could be by Paul Emile Lecomte.


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117--kuniyoshi.php Yasuo Kuniyoshi Artwork Authentication & Art Appraisal

Yasuo Kuniyoshi (1893-1953)

Get a Kuniyoshi Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Kuniyoshi artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Kuniyoshi Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kuniyoshi painting, drawing or print.

If you want to sell your Kuniyoshi painting, drawing or print use our selling services. We offer Kuniyoshi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kuniyoshi and issuing certificates of authenticity since 2002. We are recognized Kuniyoshi experts and Kuniyoshi certified appraisers. We issue COAs and appraisals for all Kuniyoshi artworks.

Our Kuniyoshi paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kuniyoshi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kuniyoshi painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kuniyoshi paintings or drawings take longer.

Our clients include Kuniyoshi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Yasuo Kuniyoshi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Yasuo Kuniyoshi or we will sell it for you.

Yasuo Kuniyoshi was born in Okayama, Japan, where he spent most of his childhood years. In Japan, Kuniyoshi attended technical schools that taught weaving and dyeing. Kuniyashi immigrated to the United States in 1906, where he briefly worked for a business in Seattle, Washington. Kuniyoshi soon moved to Los Angeles where he continued his education at the Los Angeles School of Art and Design. While in school Kuniyoshi worked steadily, picking fruit during the summer and finding hotel jobs during the winter months.

Kuniyoshi, I was just Married

I was just Married

Kuniyoshi, Somebody Tore my Poster

Somebody Tore my Poster

By 1910, Kuniyoshi decided to leave California and relocate to the thriving art scene of New York City. Kuniyoshi enrolled in classes at the National Academy and the Art Students League, studying under Robert Henri and Kenneth Hayes Miller.

Kuniyoshi, Little Joe with Cow

Little Joe with Cow

Kuniyoshi, My Fate is in Your Hand

My Fate is in Your Hand

Kuniyoshi, Woman in Front of Mirror

Woman in Front of Mirror

Kuniyoshi, New England Landscpe

New England Landscpe

Kuniyoshi travelled to Europe for the first time in 1925, where he gravitated to the art and landscape of France and Italy. When Kuniyoshi returned to the United States he became involved in the growing art community in the rural town of Woodstock, New York. Kuniyoshi became an important member and founder of the Woodstock School.

Kuniyoshi, The Swimmer

The Swimmer

Kuniyoshi, Girl in Summer

Girl in Summer

Kuniyoshi’s work varied from painting to more graphic photography and printmaking. Art Historians categorize his work as containing elements of both Orientalism and Modernism. Kuniyoshi commonly painted either still lifes or figures in humorous or illustrative scenes. During the 1930s, Kuniyoshi was exhibiting frequently throughout the country. Kuniyoshi spent time teaching in both New York City and Woodstock. AIn 1935, at the peak of career, Kuniyoshi was awarded the Guggenheim Fellowship. Kuniyoshi’s work is now in major museum collections across the United States. Do you think you own a painting or print by Kuniyoshi? Contact us. We are the experts on Yasuo Kuniyoshi.


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118--pissarro.php Camille Pissarro Artwork Authentication & Art Appraisal

Camille Pissarro (1830-1903)

We Perform Camille Pissarro art authentication. Camille Pissarro appraisal. Camille Pissarro certificates of authenticity (COA). Camille Pissarro analysis, research, scientific tests, full art authentications. We will help you sell your Camille Pissarro or we will sell it for you.

Self-Portrait 1873

Self-Portrait 1873

Woman and Child at Well

Woman and Child at Well

People think of Camille Pissarro as the quintessential French rural landscapist, plodding about muddy fields in his smock. This is strange, as he was born and remained a Danish citizen. He was not even born in Europe. His father was a Portuguese Sephardic Jew, his mother a Creole, and he entered the world on the Danish Caribbean island of St. Thomas.

The Old Market in Rouen and the Rue de le'Epicerie

The Old Market in Rouen and the Rue de le’Epicerie

Pressed unwillingly into his father’s comprador business, Camille chafed at the bonds of colonial bourgeois life. In 1852 he left abruptly for Caracas with the Danish painter Fritz Melbye, from whom he received his first artistic tuition. Three years later he was in Paris. His father by this time had capitulated to his son’s desire for an artistic career, and Camille was assisted by the French branch of the family.

Spring in Louveciennes

Spring in Louveciennes

The Forest

The Forest

Chestnut Trees At Louveciennes

Chestnut Trees At Louveciennes

It was soon apparent that Pissarro was that rarity among artists, a tolerant, stable family man. He was also intellectual and gregarious, with an unusual gift for befriending fellow-artists. To this he added a unique gift: the capacity to remain friends with artists. Yet, by no means was Pissarro an appeaser or vacillator. On the contrary, he had strong opinions on art and at times castigated his fellows (for example Bonnard). But the artists he knew admired his steadfastness and integrity. And these were no ordinary artists; Corot, Courbet and Daubigny were his first major influences, then came Monet, Renoir, Degas, Sisley, Cezanne, Gaugin, Seurat and Signac. They comprised a truly formidable team, the younger members of which looked to the kindly Pissarro as their muse or guide.

Peasant Girl Drinking Her Coffee

Peasant Girl Drinking Her Coffee

Famously, Pissarro was the only Impressionist to exhibit at all eight Impressionist shows, yet he struggled to keep his large family. In the 1860’s they were close to poverty. Only in the last decade of his life did a measure of popular success come to him.

Haymakers Resting

Haymakers Resting

In the late 1850’s, Pissarro’s works were accepted by the Salon, but he was never quite able to join the Establishment. He could have easily done so. He had a command of academic realism, even though he had left formal schooling in favor of the Academie Suisse, a loose if prestigious body which allowed artists considerable freedom.

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The Boieldiieu Bridge at Rouen, Setting Sun, Foggy Weather 1896

This pattern marks Pissarro’s whole life: he was psychologically an outsider. Always open to new ideas, in due course he became identified as anti-establishment. This no doubt affected his sales and kept him struggling long after lesser artists had succeeded commercially. Pissarro would not compromise his art for wordy gain, as much as he desired the latter.

The Boulevard Montmartre at Night 1897

The Boulevard Montmartre at Night 1897

In 1870 he fled to London to escape the Franco-Prussian war. He lived in the unfashionable south-eastern suburbs and was charmed by them. Very few artists then or since have painted the serried ranks of middle class terraces at all, let alone with the affection that Pissarro expressed. Returning to France after the war, Pissarro was appalled to find that hundreds of his paintings had been used by invading Prussian troops as duckboards. Recovering from this blow, he led the Impressionist movement, developing Pointillism in the late 1880’s before returning to his earlier style. By the time he died, blind, in 1903, he was the grand old man of French painting, but an artist’s artist rather than a celebrity.

Apple Picking 1886

Apple Picking 1886

Pissarro hated sentimentality in art. The most corrupt art of all was sentimental art, he declaimed. His rural landscapes in their somber hues, free from the artifice of genre (which would have made his paintings far more saleable), were true to this unsentimentality. There’s a timelessness, directness and honesty about his landscapes. They haven’t dated like the plethora of smirking, flirting peasants who infest so much 19th century European art, mere creatures of the Boulevard painter’s fiscal imagination. Pissarro’s rural figures are plain, neither crushed nor elated by their quotidian lives. Rather they just get on with it, with understated strength and dignity.

The Woodcutter 1879

The Woodcutter 1879

From an early date, Pissarro drew ordinary people going about their daily lives. In his time in Venezuela with Fritz Melbye the two of them would sketch interminably, recording the activities of the peasantry and townspeople they encountered. Pissarro filled sketchbooks with pencil and charcoal drawings of guitar players, cattle herders, and goose girls and so on. His early drawings presage his mature work: direct, unsentimental and descriptive. His later work is stripped of the detail and fussiness often apparent in his early drawings. A strong architectural line becomes dominant. Strength and simplicity are the hallmarks.

Harvesters Flailing

Harvesters Flailing

The Washerwoman 1880

The Washerwoman 1880

The Chat

The Chat

“Vachere au Bord de L’Eau” fits this description precisely. Done in pencil, charcoal and wash, the two figures are monumental, simple and strong. The implication is of timeless productive work, an understated tribute to the dignity of labour. The line is firm and assured, the quality of the representation high. The rudimentary, generic face of the woman is typical of Pissarro.

Vachere au Bord de L'Eau

Vachere au Bord de L’Eau

Note that in all but the most rudimentary drawings, Pissarro includes background -some sketchy trees, distant buildings, etc. – as are evident in the subject picture. Pissarro is invariably solving compositional questions in his drawing. These studies always point to more finished works, such as the gouache and watercolors shown below. Rarely does one find a figure study pure and simple. Further, the more finished, developed works follow exactly the same lines as the drawings: bold line, monumental figuring in the foreground, even when the foreground is crowded. He was said to have done watercolors and countless ink and pencil sketches, all signed Pizzarro (with a “Z” instead of an “S”, in the Spanish style). It is likely that some of these would be sketches of his memories of living in the Caribbean. He was probably the most prolific sketcher out of his contemporaries, creating four times as many as Manet and twice as many as Cezanne. Later sketches featured a look into the lives of the working class, some unsigned, so look for sketches that reflect the style of Pissarro, and depict the working class French.

Still Life 1867 *Note that he signed

Still Life 1867 *Note that he signed “Pizzaro”

The extreme change in Pissarro’s style from classical Impressionist to Divisionist and Pointilism is almost startling. His subjects remained the same, but his style drastically changed. One only has to look at “Woman Hanging Laundry” (1887) to see how Pissarro truly departed from his former style of painting. His earlier work was rigid and regimented, but through Impressionism he was able to paint with a looser feel.

Woman Hanging Laundry

Woman Hanging Laundry

Still wondering about an Impressionist landscape or composition hanging in your home? Contact us…it could be by Camille Pissarro.


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119--demarteau.php Gilles Demarteau Artwork Authentication & Art Appraisal

Gilles Demarteau (1722-1776)

Get a Demarteau Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Demarteau artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Demarteau Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Demarteau painting, drawing or print.

If you want to sell your Demarteau painting, drawing or print use our selling services. We offer Demarteau selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Demarteau and issuing certificates of authenticity since 2002. We are recognized Demarteau experts and Demarteau certified appraisers. We issue COAs and appraisals for all Demarteau artworks.

Our Demarteau paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Demarteau certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Demarteau painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Demarteau paintings or drawings take longer.

Our clients include Demarteau collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gilles Demarteau art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Gilles Demarteau or we will sell it for you.

Demarteau engraving,Young Writer

Young Writer

Demarteau engraving, Young Girl Holding a Bird

Young Girl Holding a Bird

Demarteau engraving, Portrait of a Child

Portrait of a Child

Demarteau engraving, Washerwoman

Washerwoman

Gilles Demarteau was an 18th century Flemish artist. He was primarily an engraver, and created a number of portraits, as well as genre scenes.

Demarteau engraving, Nude

Nude

Demarteau engraving,The Thief

The Thief

Still wondering about an 18th century European engraving in your family collection? Contact us…it could be by Gilles Demarteau.


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121--couse.php Eanger Irving Couse Artwork Authentication & Art Appraisal

Eanger Irving Couse (1866-1936)

Get a Couse Certificate of Authenticity for your painting (COA) for your Couse drawing.

For all your Couse artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Couse Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Couse painting or drawing.

If you want to sell your Couse painting or drawing use our selling services. We offer Couse selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Couse and issuing certificates of authenticity since 2002. We are recognized Couse experts and Couse certified appraisers. We issue COAs and appraisals for all Couse artworks.

Our Couse paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Couse certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Couse painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Couse paintings or drawings take longer.

Our clients include Couse collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Eanger Irving Couse art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Eanger Irving Couse or we will sell it for you.

Couse, The Historian

The Historian

Couse, Klikitet Head/Fur Churgas

Klikitet Head/Fur Churgas

Eanger Irving Couse was an American Artist of the Taos artists colony in New Mexico. Couse was born in Saginaw, Michigan, near settlements of Chippewa Indians. Couse left Michigan to study painting at the Art Institute of Chicago and at the National Academy of Design in New York. Couse continued his studies in Paris at the Ecole des Beaux Arts and the Académie Julian. Couse greatly enjoyed the life in France, and stayed abroad for ten years. In France, Couse spent some time travelling and painting along the northern coast.

Couse, The Water Jug

The Water Jug

When Couse returned to America he decided to settle in New Mexico, so he could study the Native people of Taos. Couse wanted to portray Indians in a positive light, rather that perpetuate the negative stereotypes that already existed.

Couse, Moonlit Falls

Moonlit Falls

Couse was surrounded by a group of like-minded, dedicated artists that gravitated to Taos. The group, known as the Taos Society of Artists, was formed in 1912. Couse served as the group’s first President, and remained an important influence.

Couse, Contemplation

Contemplation

Couse, Landscape

Landscape

Couse, Moonlight Reflections

Moonlight Reflections

Couse, Flute Player

Flute Player

Couse, Flute Player, 1930

Flute Player, 1930

Couse, The Hunter

The Hunter

Couse, The Sun Worshipper

The Sun Worshipper

Couse, A Visitor from the Past

A Visitor from the Past

Couse, The Crouching Indian

The Crouching Indian

Couse exhibited frequently and won awards for his work in Chicago, New York, Philadelphia and Paris. While Couse gained worldwide acclaim, he remained in New Mexico until his death in 1936. Couse’s paintings are now in important collections internationally. Do you think you own a painting by Eanger Irving Couse. Contact us. We are the experts on Eanger Irving Couse.


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122--robinson.php Theodore Robinson Artwork Authentication & Art Appraisal

Theodore Robinson (1852-1896)

Get a Robinson Certificate of Authenticity for your painting (COA) for your Robinson drawing.

For all your Robinson artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Robinson Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Robinson painting or drawing.

If you want to sell your Robinson painting or drawing use our selling services. We offer Robinson selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Robinson and issuing certificates of authenticity since 2002. We are recognized Robinson experts and Robinson certified appraisers. We issue COAs and appraisals for all Robinson artworks.

Our Robinson paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Robinson certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Robinson painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Robinson paintings or drawings take longer.

Our clients include Robinson collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Theodore Robinson art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Theodore Robinson or we will sell it for you.

Robinson, Self-Portrait

Self-Portrait

Robinson, Milkmaid

Milkmaid

Theodore Robinson was an American painter of Impressionist landscapes. Robinson was born in Irasburg, Vermont but spent much of his childhood in Wisconsin. Robinson studied art in Chicago for a short amount of time before moving to New York City. In New York Robinson quickly became part of the art scene and took courses at the National Academy of Design and the Art Students League.

Robinson, Low Tide, Riverside Yacht Club

Low Tide, Riverside Yacht Club

In 1876 Robinson moved to Europe to further his studies. Robinson enrolled in courses at the Ecole des Beaux Arts in Paris and worked under Carolus-Duran. While Robinson visited other European such as Venice and Bologna, he spent the most time in Paris. Robinson had several exhibitions in Paris before returning to the United States.

Robinson, Father Trognon and His Daughter at the Bridge

Father Trognon and His Daughter at the Bridge

Robinson was only back in the America for a few years before returning to France. Robinson began spending most of his time in Giverny with the Impressionist painters, led by Claude Monet. At one point Robinson lived directly next door to Monet. It is believed the two were close friends and spent much time painting and discussing their art together.

Robinson, Jamaica Vermont

Jamaica Vermont

Robinson, The Wedding March

The Wedding March

Robinson, Debacle, 1892

Debacle, 1892

Robinson, Blossoms

Blossoms

Robinson left France in 1892 to teach courses Brooklyn and Napanoch, New York. Robinson was later invited to teach at Evelyn College in Princeton, New Jersey and in Philadelphia at the Pennsylvania Academy of Fine Arts.

Robinson, Willows and Wildflowers

Willows and Wildflowers

Robinson was in and out of New York for the next several years, spending time at the Cos Cob Art Colony in Connecticut and in rural Vermont. Robinson was an influential artist in teacher throughout the northeast region. Robinson befriended American painters John Henry Twachtman and Julian Alden Weir.

Robinson was one of the first Impressionist painters in the United States during the 1880s. Robinson’s paintings are now in the collections of many museums including the Metropolitan Museum of Art in New York City, the Corcoran Gallery of Art, Washington, D.C. and the Art Institute of Chicago. Do you think you own a painting by Theodore Robinson? Contact us. We are the Theodore Robinson experts.


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123--mercie.php Marius Jean Antonin Mercié Artwork Authentication & Art Appraisal

Marius Jean Antonin Mercié (1845-1916)

Get a Mercié Certificate of Authenticity for your painting or a COA for your Mercié drawing or sculpture.

For all your Mercié artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Mercié Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mercié painting, drawing or sculpture.

If you want to sell your Mercié painting, drawing or sculpture use our selling services. We offer Mercié selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mercié and issuing certificates of authenticity since 2002. We are recognized Mercié experts and Mercié certified appraisers. We issue COAs and appraisals for all Mercié artworks.

Our Mercié paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mercié certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Mercié painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mercié paintings, drawings or sculpture take longer.

Our clients include Mercié collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Marius Jean Antonin Mercié art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Marius Jean Antonin Mercié or we will sell it for you.

French sculptor and painter, was born in Toulouse. He entered the école des Beaux Arts, Paris, and studied under Alexandre Falguière and Jouffroy, and in 1868 gained the Grand Prix de Rome. His first great popular successes were the David and Gloria Victis, which was shown and received the Medal of Honour of the Paris Salon. The bronze was subsequently placed in the Square Montholon.

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Gloria Victis, 10 ft 3 in
The largest bronze we have appraised so far.

The bronze David was one of his most popular works. The Biblical hero is depicted naked with the head of Goliath at his feet like Donatello's David, but with a turbaned head and sheathing his long sword.

Numerous reproductions exist, most of which partially cover David's nudity with a loincloth. The life size original is now in the Musée d'Orsay.

In 1887 the Lee Monument Commission chose Jean Antoine Mercie to be the sculptor of The Robert E. Lee Monument in Richmond, Virginia.

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Robert E. Lee monument
Richmond, Virginia

Other works by Mercié are:

  • The Genius of the Arts (1877), a relief, is in the Tuileries, in substitution for Antoine-Louis Barye's Napoleon III.
  • A similar work for the tomb of Jules Michelet (1879) is in the cemetery of Père Lachaise.
  • In the same year Mercié produced the statue of Arago with accompanying reliefs, now erected at Perpignan.
  • In 1882 he repeated his great patriotic success of 1874 with a group Quand Meme! replicas of which have been set up at Belfort and in the garden of the Tuileries.
  • Le Souvenir (1885), a marble statue for the tomb of Mme Charles Ferry, is one of his most beautiful works.
  • Regret, for the tomb of Alexandre Cabanel, was produced in 1892, along with William Tell, now at Lausanne.
  • Mercié also designed the monuments to Jean-Louis-Ernest Meissonier (1895), erected in the Jardin de l'Infante in the Louvre.
  • Louis Faidherbe (1896) at Lille.
  • A statue of Adolphe Thiers set up at St Germain-en-Laye.
  • The monument to Paul Baudry at Père Lachaise.
  • That of Louis-Philippe and Queen Amélie for their tomb at Dreux.
  • His stone group of Justice is at the Hotel de Ville, Paris.

Numerous other statues, portrait busts, and medallions came from the sculptor's hand, which gained him a medal of honor at the Paris Exhibition of 1878 and the grand prix at that of 1889.

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The Dance of the Sword

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David Holding Rock

Among the paintings exhibited by the artist are:

  • Venus, to which was awarded a medal in 1883.
  • Leda (1884)
  • Michelangelo studying Anatomy (1885), his most dramatic work in this medium
  • Mercié was appointed Professor of Drawing and Sculpture at the école des Beaux Arts, and was elected a member of the Academie Francaise in 1891, after being awarded the biennial prize of the Institute in 1887.

He was subsequently elected to grand officer of the Légion d'Honneur, and in 1913 became the president of the Société des Artistes Français. He died in Paris in 1916.

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Gloria Victis

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124--lancret.php Nicolas Lancret Artwork Authentication & Art Appraisal

Nicolas Lancret (1690-1743)

Get a Lancret Certificate of Authenticity for your painting (COA) for your Lancret drawing.

For all your Lancret artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lancret Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lancret painting or drawing.

If you want to sell your Lancret painting or drawing use our selling services. We offer Lancret selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lancret and issuing certificates of authenticity since 2002. We are recognized Lancret experts and Lancret certified appraisers. We issue COAs and appraisals for all Lancret artworks.

Our Lancret paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lancret certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lancret painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lancret paintings or drawings take longer.

Our clients include Lancret collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Nicolas Lancret art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Nicolas Lancret or we will sell it for you.

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The Outdoor Concert, 1743

Nicolas Lancret was a Classical, Rococo style painter of lighthearted French lifestyles with country landscape backdrops. Born in Paris, he was initially trained as an engraver, but took an interest in painting when he became apprenticed to a historical painter. His early academic training was at the Academie Royale in 1708; however, he did not complete his studies there because he was expelled for bad behavior. After apprenticing with Claude Gillot, Lancret was again accepted to the Academie Royale in 1719, and found great success as a painter the second time around.

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A Company at the Edge of a Wood

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Le Menuet, 1732

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Brother Philippe’s Geese

As a student under Gillot, Lancret learned the style of painting the “fete galante”. He met with much commercial success by depicting French social elite engaged in frivolity and fun, hence the “fete” or “party” theme to a number of his paintings. Even though he adopted this technique from his instructors, Lancret chose a color palate of his own, warm in yellows and reds, which set him apart.

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Fete Galante

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The Wedding Dance

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The Swing

Lancret’s style became so popular amongst the aristocracy that in his lifetime, his works were purchased by Louis XV and hung in the corridors of Versailles. His scenes of courtly amusement were certainly pleasing to royalty and aristocracy in his time.

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Das Moulinet

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The Bird Cage, 1735

Lancret was among all things an immensely prolific painter, creating over 700 paintings in his lifetime, as well as etchings and sketches. Many of these paintings featured a light comedy, that wasn’t so much mocking society as it was a reflection of the mannerisms of the time.

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The Marriage Contract

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A Hunter and His Servant

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Winter

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The Servant Justified

However prolific he may have been, Lancret rarely painted anything above or beyond his typical lighthearted pieces. Rarely did he paint portraits, landscapes or still life, however he did occasionally try his hand at historical or mythological compositions.

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The Earth Undated, 1730

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The Seat of Justice in the Parliament of Paris

Today, Lancret’s work is housed all over Europe, in the National Gallery in London and in the Louvre in Paris. Still wondering about a Louis XV-era French painting hanging in your home or estate? It could be by Nicolas Lancret. Contact us to find out.

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Lovers in a Landscape

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125--gifford.php Sanford Robinson Gifford Artwork Authentication & Art Appraisal

Sanford Robinson Gifford (1823-1880)

Get a Gifford Certificate of Authenticity for your painting (COA) for your Gifford drawing.

For all your Gifford artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gifford Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gifford painting or drawing.

If you want to sell your Gifford painting or drawing use our selling services. We offer Gifford selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gifford and issuing certificates of authenticity since 2002. We are recognized Gifford experts and Gifford certified appraisers. We issue COAs and appraisals for all Gifford artworks.

Our Gifford paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gifford certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gifford painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gifford paintings or drawings take longer.

Our clients include Gifford collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sanford Robinson Gifford art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sanford Robinson Gifford or we will sell it for you.

Gifford, A Gorge in the Mountains

A Gorge in the Mountains

Sanford Robinson was an American landscape painter of the Hudson River School. Gifford’s landscapes are known for their stylistic use of light called “luminism”. Gifford was born in Greenfield, New York but spent many of his early years in Hudson, New York. Gifford studied at Brown University before pursuing a career as an artist in New York City. Gifford studied the fundamentals of art under the direction of the British watercolor artist, John R. Smith. Gifford also took anatomy classes at the Crosby Street Medical College and drawing classes at the National Academy of Design.

Gifford, October in the Catskills

October in the Catskills

In 1847 Gifford exhibited for the first time at the National Academy. Gifford continued to work at the Academy as an associate. Gifford fully pursued landscape painting and became one of the greatest artists of the Hudson River School.

Gifford, A Lake Scene, 1861

A Lake Scene, 1861

Gifford traveled a great deal, painting landscapes worldwide. Gifford traveled to Europe extensively as well as making regional trips around New England. Gifford’s journeys took him as far as the Middle East, including Egypt.

Ruins of the Parthenon

Ruins of the Parthenon

Gifford, Hook Mountain on the Hudson River, 1867

Hook Mountain on the Hudson River, 1867

Gifford would return to his New York City studio to document his travels on canvas. One of Gifford’s paintings of Vermont was submitted to an annual show at the National Academy of Design in 1859 and is now at the Metropolitan Museum of Art in New York. Gifford painted more than seven hundred paintings during his career. Do you think you own a painting by Sanford Robinson Gifford? Contact us. We are the Sanford Robinson Gifford experts.


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127--giorgione.php Giorgione Artwork Authentication & Art Appraisal

Giorgione (1477 — 1510)

Get a Giorgione Certificate of Authenticity for your painting (COA) for your Giorgione drawing.

For all your Giorgione artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Giorgione Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Giorgione painting or drawing.

If you want to sell your Giorgione painting or drawing use our selling services. We offer Giorgione selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Giorgione and issuing certificates of authenticity since 2002. We are recognized Giorgione experts and Giorgione certified appraisers. We issue COAs and appraisals for all Giorgione artworks.

Our Giorgione paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Giorgione certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Giorgione painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Giorgione paintings or drawings take longer.

Our clients include Giorgione collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giorgione art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giorgione or we will sell it for you.

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Self-Portrait

Giorgione, the familiar name of Giorgio Barbarelli da Castelfranco, was an Italian painter, one of the seminal artists of the High Renaissance in Venice. Giorgione is known for the elusive poetic quality of his work, and for the fact that only very few (around six) paintings are known for certain to be his work. The resulting uncertainty about the identity and meaning of his art has made Giorgione one of the most mysterious figures in European painting.

Giorgione’s life is described in Giorgio Vasari’s Vite. The painter came from the small town of Castelfranco Veneto, outside Venice. His name sometimes appears as Zorzo. The variant Giorgione (or Zorzon) may be translated “Big George”. How early in boyhood he went to Venice we do not know, but internal evidence supports the statement of Ridolfi that he served his apprenticeship there under Giovanni Bellini; there he settled and made his fame.

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The Adoration of the Shepherds 1505

Contemporary documents record that his gifts were recognized early. In 1500, when he was only twenty-three (that is, if Vasari gives rightly the age at which he died), he was chosen to paint portraits of the Doge Agostino Barberigo and the condottiere Consalvo Ferrante. In 1504 he was commissioned to paint an altarpiece in memory of Matteo Costanzo in the cathedral of his native town, Castelfranco. In 1507 he received at the order of the Council of Ten part payment for a picture (subject not mentioned) on which he was engaged for the Hall of the Audience in the Doge’s Palace. In 1507-1508 he was employed, with other artists of his generation, to decorate with frescoes the exterior of the newly rebuilt Fondaco dei Tedeschi (or German Merchants’ Hall) at Venice, having already done similar work on the exterior of the Casa Soranzo, the Casa Grimani alli Servi and other Venetian palaces.

Vasari gives also as an important event in Giorgione’s life, and one which had influence on his work, his meeting with Leonardo da Vinci on the occasion of the Tuscan master’s visit to Venice in 1500. In September or October 1510 he died of the plague then raging in the city, and within a few days of his death we find the great art-patroness and amateur, Isabella d’Este, writing from Mantua and trying in vain to secure for her collection a nocturne by his hand.

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Portrait of a Venetian Gentleman 1510

All accounts agree in representing Giorgione as a person of distinguished and romantic charm, a great lover and musician, given to express in art the sensuous and imaginative grace, touched with poetic melancholy, of the Venetian existence of his time. They represent him further as having made in Venetian painting an advance analogous to that made in Tuscan painting by Leonardo more than twenty years before; that is, as having released the art from the last shackles of archaic rigidity and placed it in possession of full freedom and the full mastery of its means.

Giorgione also introduced a new range of subjects. Besides altarpieces and portraits he painted pictures that told no story, whether biblical or classical, or if they professed to tell such, neglected the action and simply embodied in form and color moods of lyrical or romantic feeling, much as a musician might embody them in sounds. Innovating with the courage and felicity of genius, he had for a time an overwhelming influence on his contemporaries and immediate successors in the Venetian school, including Titian, Sebastiano del Piombo, Palma il Vecchio, il Cariani, Giulio Campagnola (and his brother), and even on his already eminent master, Giovanni Bellini. In the Venetian mainland, Giorgionismo strongly influenced Morto da Feltre, Domenico Capriolo, and Domenico Mancini.

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Pastoral Concert 1508

His name and work have exercised, and continue to exercise, no less a spell on posterity. But to identify and define, among the relics of his age and school, precisely what that work is, and to distinguish it from the kindred work of other men whom his influence inspired, is a very difficult matter. There are inclusive critics who still claim for Giorgione nearly every painting of the time that at all resembles his manner, and there are exclusive critics who pare down to half a dozen the list of extant pictures which they will admit to be actually his.

While still in Castelfranco, Giorgione painted the Castelfranco Madonna, a fairly conventional sacra conversazione piece — Madonna enthroned, with saints on either side forming an equilateral triangle. However, the romantic richness of the landscape in the background marks an innovation in Venetian art. Giorgione discovered sfumato or chiaroscuro — the delicate use of shades of color to depict light and perspective — around the same time as Leonardo. His delicate color modulations result from the tiny disconnected spots of paint that he probably derived from manuscript illumination techniques and first brought into oil painting. These gave Giorgione’s works the magical glow of light for which they are famous.

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Sleeping Venus 1510

Most entirely central and typical of all Giorgione’s extant works is the Sleeping Venus at Dresden, first recognized by Morelli, and now universally accepted, as being the same as the picture seen by the Anonimo and later by Ridolfi in the Casa Marcello at Venice. An exquisitely pure and severe rhythm of line and contour chastens the sensuous richness of the presentment: the sweep of white drapery on which the goddess lies, and of glowing landscape that fills the space behind her, most harmoniously frame her divinity. The use of an external landscape to frame a nude is innovative; but in addition, to add to her mystery, she is shrouded in sleep, spirited away from accessibility to her conscious expression.

It is recorded that the master left this piece unfinished and that the landscape, with a Cupid which subsequent restoration has removed, were completed after his death by Titian. The picture is the prototype of Titian’s own Venus of Urbino and of many more by other painters of the school; but none of them attained the fame of the first exemplar. The same concept of idealized beauty is evoked in a virginally pensive Judith from the Hermitage Museum, a large painting which exhibits Giorgione’s special qualities of color richness and landscape romance, while demonstrating that life and death are each other’s companions rather than foes.

The Tempest has been called the first landscape in the history of Western painting. The subject of this painting is unclear, but its artistic mastery is apparent. The Tempest portrays a soldier and a breast-feeding woman on either side of a stream, amid a city’s rubble and an incoming storm. The multitude of symbols in The Tempest offer many interpretations, but none is wholly satisfying. Theories that the painting is about duality (city and country, male and female) have been dismissed since radiography has shown that in the earlier stages of the painting the soldier to the left was a seated female nude.

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The Tempest 1508

The Three Philosophers is equally enigmatic and its attribution to Giorgione is still disputed. The three figures stand near a dark empty cave. Sometimes interpreted as symbols of Plato’s cave or the Three Magi, they seem lost in a typical Giorgionesque dreamy mood, reinforced by a hazy light so characteristic of his other landscapes, such as the Pastoral Concert, now in the Louvre. The latter “reveals the Venetians’ love of textures”, for the painter “renders almost palpable the appearance of flesh, fabric, wood, stone, and foliage”. The painting is devoid of harsh contours and its treatment of landscape has been frequently compared to pastoral poetry, hence the title.

Giorgione and young Titian revolutionized the genre of the portrait as well. It is exceedingly difficult and sometimes simply impossible to differentiate Titian’s early pieces from Giorgione’s. The only signed and dated work by Giorgione is his portrait of Laura (1 June 1506), one of the first to be painted in the “modern manner”, distinguished by dignity, clarity, and sophisticated characterization. Even more striking is the Portrait of a Young Man from Munich (ca. 1504), acclaimed by art historians for “the indescribably subtle expression of serenity and the immobile features, added to the chiseled effect of the silhouette and modeling”.

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Portrait of Laura 1506

Though he died at the young age of 33, the precocious and versatile painter left a lasting legacy to be developed by Titian and 17th-century artists. Giorgione never subordinated line and colour to architecture, nor an artistic effect to a sentimental presentation. He was the first to paint landscapes with figures, the first to paint genre — movable pictures in their own frames with no devotional, allegorical, or historical purpose — and the first whose colours possessed that ardent, glowing, and melting intensity which was so soon to typify the work of all the Venetian School.

Kunsthistorisches Museum, Vienna

  • Judith (c. 1504) – Oil on canvas, transferred from panel, 144 x 66,5 cm, Hermitage Museum, St. Petersburg
  • Madonna and Child Enthroned between St. Francis and St. Nicasius (c. 1505) – Oil on wood, 200 x 152 cm, Duomo, Castelfranco Veneto
  • The Tempest (c. 1505) – Oil on canvas, 82 x 73 cm, Accademia, Venice
  • Pastoral Concert (c. 1508) – Oil on canvas, 110 x 138 cm, Louvre, Paris
  • Portrait of a Young Bride (Laura) (c. 1506) Oil on wood, 41 x 33,5 cm, Kunsthistorisches Museum, Vienna
  • Old Woman (c. 1508) – Oil on canvas, 68 x 59 cm, Accademia, Venice
  • Portrait of a Youth (1508-10) – Oil on canvas, 72,5 x 54 cm, Museum of Fine Arts, Budapest
  • The Three Philosophers (1509) – Oil on canvas, Kunsthistorisches Museum, Vienna
  • Portrait of Warrior with his Equerry (c. 1509) – Oil on canvas, 90 x 73 cm, Galleria degli Uffizi, Florence
  • Sleeping Venus (c. 1510) – Oil on canvas, 108,5 x 175 cm, Gemäldegalerie, Dresden
  • The Impassioned Singer (c. 1510) – Oil on canvas, 102 x 78 cm, Galleria Borghese, Rome
  • Portrait of a Young Man – Wood, 69,4 x 53,5 cm, Alte Pinakothek, Munich

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Three Philosophers

Still wondering about an Italian painting in your family collection? Contact us…it could be by Giorgione.


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128--comolera.php Paul Comolera Artwork Authentication & Art Appraisal

Paul Comolera (1818-1897)

Get a Comolera Certificate of Authenticity for your painting or a COA for your Comolera drawing or sculpture.

For all your Comolera artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Comolera Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Comolera painting, drawing or sculpture.

If you want to sell your Comolera painting, drawing or sculpture use our selling services. We offer Comolera selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Comolera and issuing certificates of authenticity since 2002. We are recognized Comolera experts and Comolera certified appraisers. We issue COAs and appraisals for all Comolera artworks.

Our Comolera paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Comolera certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Comolera painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Comolera paintings, drawings or sculpture take longer.

Our clients include Comolera collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Paul Comolera art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Paul Comolera or we will sell it for you.

Paul Comolera was born in Paris, France in 1818. He was known as one of the great Animaliers. Comolera proved to be both an incredible art talent and a competent instructor to those choosing to follow in his footsteps.

Comolera was a student of the sculptor Francois Rude and later went on to instruct Jules Moigniez (one of the greatest sculptors of the Animalier school).

Comolera’s works are much like Moigniez’s works in that they all have similar finishes, construction, form, and detail. What sets Comolera’s work apart from other sculptors is that his are of a more naturalistic style. Most of the sculptures are birds although he did produce some others such as farm animals. They do not show romantic elements.

Comolera first exhibited his works at the Salon in 1846, and he continued to exhibit there until he died in 1897.

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Greyhound

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Workhorse

Authentic Comolera pieces are more than likely figures of birds since that was his subject of choice. However, sculptures of other animals do exist. Comolera was also known to paint animals and designs on china.

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Painted Fish Plate

Today, his bronzes are very valuable. Their appeal comes in the accuracy and meticulous detail. His models were usually bronzed by the foundries of Susse Freres. Rarer models executed in lead-glazed earthenware were cast by H. Boulanger et. Cie at Choisey.  

If you believe you own a work of art by Paul Comolera, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Paul Comolera.


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129--fancelli.php Pietro Fancelli Artwork Authentication & Art Appraisal

Pietro Fancelli (1764-1850)

Get a Fancelli Certificate of Authenticity for your painting (COA) for your Fancelli drawing.

For all your Fancelli artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Fancelli Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fancelli painting or drawing.

If you want to sell your Fancelli painting or drawing use our selling services. We offer Fancelli selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fancelli and issuing certificates of authenticity since 2002. We are recognized Fancelli experts and Fancelli certified appraisers. We issue COAs and appraisals for all Fancelli artworks.

Our Fancelli paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fancelli certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fancelli painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fancelli paintings or drawings take longer.

Our clients include Fancelli collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pietro Fancelli art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pietro Fancelli or we will sell it for you.

Fancelli painting, Sketch Of A Man

Sketch Of A Man

Pietro Fancelli was an Italian Neoclassical painter. He received his initial studies from his father while living in Bologna , and spent many years in Venice . Fancelli was an elected member of the Accademia Clementina, and received a number of commissions in his lifetime for altarpieces and other decorative projects. Fancelli was initially influenced by the Venetian School , though eventually began to paint in the Bolognese style of the Neoclassic. Fancelli was inspired by his fellow Bolognese artist, Ubaldo and Gaetano Gandolfi.

Fancelli painting, Design For A Ceiling Decoration

Design For A Ceiling Decoration

Still wondering about a late 18th or early 19th century Italian piece of art in your family collection? Contact us…it could be by Pietro Fancelli.


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130--courmes.php Alfred Courmes Artwork Authentication & Art Appraisal

Alfred Courmes (1898-1993)

Get a Courmes Certificate of Authenticity for your painting (COA) for your Courmes drawing.

For all your Courmes artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Courmes Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Courmes painting or drawing.

If you want to sell your Courmes painting or drawing use our selling services. We offer Courmes selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Courmes and issuing certificates of authenticity since 2002. We are recognized Courmes experts and Courmes certified appraisers. We issue COAs and appraisals for all Courmes artworks.

Our Courmes paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Courmes certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Courmes painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Courmes paintings or drawings take longer.

Our clients include Courmes collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alfred Courmes art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alfred Courmes or we will sell it for you.

Alfred Courmes was born in Bormes-les-Mimosas, France, and received his education in Monaco. As a young man, he studied with Roger de La Fresnaye, and lived in the Provence region of France. Courmes style was formed by a variety of different influences from Cubism to Surrealism and Expressionism.

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La Marchant de Fruits

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Oedipe et le Sphinx Acétylène

Courmes’ first exhibition was in 1922 at the Societe Lyonaise des Beaux-Arts, and in 1925, he traveled to Paris to exhibit in the Salon d’Automne. The following year, Courmes moved to Belgium. It is here that Courmes style begins to evolve as he is exposed to a number of different artists in Amsterdam and Brussels. As a result, Surrealism and Flemish Expressionism slowly began to creep into his style. Courmes would return to France in 1930, where he finally began to exhibit extensively.

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Au Balcon, 1929

During his lifetime, Courmes was often commissioned to paint for the elite and the government. In 1926 he painted a portrait of Peggy Guggenheim which has since become famous, as well as a mural for the French Embassy in Canada in 1938.

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Portrait of Peggy Guggenheim, 1926

Courmes continued to work and exhibit well into the 1980s, and today his work is housed all over France and the world. During his lifetime, he won a number of awards and recognitions such as the Prix Guillaume.

art

Paysage

Because Courmes’ style was so varied and different, his work isn’t always immediately recognizable. His subjects were also completely different, from beautiful Surrealist portraits to Cubist city scenes and classical landscapes, one may never know what to expect from Courmes.

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Le Lavendou

If you believe you own a work of art by Alfred Courmes, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Alfred Courmes.


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131--thoma.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "thoma" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "thoma" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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133--hamilton.php Gavin Hamilton Artwork Authentication & Art Appraisal

Gavin Hamilton (1723-1798)

Get a Hamilton Certificate of Authenticity for your painting (COA) for your Hamilton drawing.

For all your Hamilton artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hamilton Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hamilton painting or drawing.

If you want to sell your Hamilton painting or drawing use our selling services. We offer Hamilton selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hamilton and issuing certificates of authenticity since 2002. We are recognized Hamilton experts and Hamilton certified appraisers. We issue COAs and appraisals for all Hamilton artworks.

Our Hamilton paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hamilton certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hamilton painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hamilton paintings or drawings take longer.

Our clients include Hamilton collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gavin Hamilton art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gavin Hamilton or we will sell it for you.

Hamilton painting, Oath of Brutus

Oath of Brutus

Gavin Hamilton was an 18th century Scottish Neo-Classical painter. Hamilton studied art in Rome under Augustine Mossuchi. He returned to London for a brief period where he painted portraits of nobility, but returned shortly to Italy where he lived for the rest of his life.

Hamilton painting, Venus Giving Paris Helen as His Wife

Venus Giving Paris Helen as His Wife

Hamilton mainly painted scenes of classical Roman and Greek subjects, and was also an amateur archeologist. Today, many of his paintings are housed in public and private collections in Great Britain and Italy.

Hamilton painting, Agrippina Landing at Brindisium with the Ashes of Germanicus

Agrippina Landing at Brindisium with the Ashes of Germanicus

Still wondering about an 18th century painting in your family collection? Contact us…it could be by Gavin Hamilton.


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134--ciurlionis.php Mikalojus Konstantinas Ciurlionis authentication

Mikalojus Konstantinas Čiurlionis (1875-1911)

Get a Čiurlionis Certificate of Authenticity for your painting (COA) for your Čiurlionis drawing.

For all your Čiurlionis artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Čiurlionis Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Čiurlionis painting or drawing.

If you want to sell your Čiurlionis painting or drawing use our selling services. We offer Čiurlionis selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Čiurlionis and issuing certificates of authenticity since 2002. We are recognized Čiurlionis experts and Čiurlionis certified appraisers. We issue COAs and appraisals for all Čiurlionis artworks.

Our Čiurlionis paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Čiurlionis certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Čiurlionis painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Čiurlionis paintings or drawings take longer.

Our clients include Čiurlionis collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Lightning. 1909. M.K. Čiurlionis National Art Museum.

Lightning. 1909. M.K. Čiurlionis National Art Museum.

We perform Mikalojus Konstantinas Čiurlionis art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Mikalojus Konstantinas Čiurlionis or we will sell it for you.


2. Kings’ Fairy Tale. 1908-1909.

Kings’ Fairy Tale. 1908-1909.

Mikalojus Konstantinas Čiurlionis was a Lithuanian artist, known as a painter, composer and writer. In addition to Čiurlionis’s many poems and musical compositions, he made around 300 paintings. The M.K. Čiurlionis National Art Museum was erected in his name in Kaunas, Lithuania.

3. Mist. 1906.

Mist. 1906.

Čiurlionis received formal training at the Warsaw School of Fine Arts, where he studied from 1904 to 1906. Čiurlionis later organized one of the first Lithuanian art exhibitions in 1907 and proceeded to help found the Lithuanian Union of Arts.

4. Deluge I. 1904.

Deluge I. 1904.

Čiurlionis’s legacy has remined strong since his death in 1911. His works are well documented and conserved.

5. Fairy Tale Castle. 1909.

Fairy Tale Castle. 1909.

If you think you may own original artwork by Mikalojus Konstantinas Čiurlionis, contact Art Certification Experts for information regarding our services.


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135--larkin.php William Larkin Artwork Authentication & Art Appraisal

William Larkin (1580 – 1619)

Get a Larkin Certificate of Authenticity for your painting (COA) for your Larkin drawing.

For all your Larkin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Larkin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Larkin painting or drawing.

If you want to sell your Larkin painting or drawing use our selling services. We offer Larkin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Larkin and issuing certificates of authenticity since 2002. We are recognized Larkin experts and Larkin certified appraisers. We issue COAs and appraisals for all Larkin artworks.

Our Larkin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Larkin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Larkin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Larkin paintings or drawings take longer.

Our clients include Larkin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform William Larkin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your William Larkin or we will sell it for you.

art

Portrait of an Unknown Lady 1615

William Larkin was an English painter. Suffolk Collection in Kenwood House, London has a lot of his paintings.

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The Oil Lamp

Still wondering about an English painting in your family collection? Contact us…it could be by William Larkin.


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136--curry.php John Steuart Curry Artwork Authentication & Art Appraisal

John Steuart Curry (1897-1946)

Get a Curry Certificate of Authenticity for your painting (COA) for your Curry drawing.

For all your Curry artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Curry Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Curry painting or drawing.

If you want to sell your Curry painting or drawing use our selling services. We offer Curry selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Curry and issuing certificates of authenticity since 2002. We are recognized Curry experts and Curry certified appraisers. We issue COAs and appraisals for all Curry artworks.

Our Curry paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Curry certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Curry painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Curry paintings or drawings take longer.

Our clients include Curry collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John Steuart Curry art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Steuart Curry or we will sell it for you.

Curry, Santuary

Sanctuary

Curry, Mural in Topeka, Kansas

Mural in Topeka, Kansas

Curry was given art lessons as a child, illustrating farm animals and painting landscapes. By 1916, Curry briefly attended the Kansas City Art Institute, before transferring to the Art Institute of Chicago. After a couple of years in Chicago, Curry continued his studies in Pennsylvania at Geneva College.

Curry, Self-Portrait

Self-Portrait

Curry, Tornado Over Kansas

Tornado Over Kansas

Curry, Sketching Wisconsin

Sketching Wisconsin

Curry travelled to Paris in 1926 to study the works of the ‘great masters’ such as Gustave Courbet and Titian. When Curry returned to the United States he continued his eastward migration to New York City. Curry married, but still devoted much of his time to working in his studio and even travelled with the Ringling Brothers Circus.

Curry, Our Good Earth

Our Good Earth

Curry, Ajax

Ajax

Curry, Portrait of Stanley Young

Portrait of Stanley Young

During the Great Depression Curry was employed through the Federal Art Project at a position that led him back to the Midwest, at the University of Wisconsin-Madison. Curry travelled throughout Wisconsin, educating farming communities about art. Curry was also commissioned to paint murals for the Department of Justice Building in Washington D.C and the capitol building in Topeka, Kansas.

Curry, Missed Leap (lithograph)

Missed Leap (lithograph)

Curry, Our Good Earth (lithograph)

Our Good Earth (lithograph)

Curry is often grouped with Thomas Hart Benton and Grant Wood, as the most important painters of the Regionalism in the United States. Regionalists depicted life in the Midwestern states. Curry painted farmers, families, religious scenes and landscapes, filled with farm animals and occasionally tornados.

Curry, Baptism in Kansas

Baptism in Kansas

Curry, Henry Fleming (Cover for Red Badge of Courage)

Henry Fleming (Cover for Red Badge of Courage)

Curry’s work has been purchased by the Whitney Museum of Art in New York City, among many other museums and high profile collectors. Do you think you own a painting by John Steuart Curry? Contact us. We are the experts on John Steuart Curry.


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137--sandrart-von.php Joachim von Sandrart Artwork Authentication & Art Appraisal

Joachim von Sandrart (1606-1688)

Get a Sandrart Certificate of Authenticity for your painting (COA) for your Sandrart drawing.

For all your Sandrart artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sandrart Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sandrart painting or drawing.

If you want to sell your Sandrart painting or drawing use our selling services. We offer Sandrart selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sandrart and issuing certificates of authenticity since 2002. We are recognized SandrArt Certification Experts and Sandrart certified appraisers. We issue COAs and appraisals for all Sandrart artworks.

Our Sandrart paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sandrart certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sandrart painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sandrart paintings or drawings take longer.

Our clients include Sandrart collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Joachim von Sandrart art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Joachim von Sandrart or we will sell it for you.

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Self-Portrait

Joachim von Sandrart was a German art-historian and painter born in Frankfurt. After studying in Germany, Holland and England, he journeyed in 1627 to Italy, where he became famous as a portrait-painter. He subsequently revisited Holland and then settled in Nuremberg, where he lived out the remainder of his life. His 1649 painting Peace-Banquet now sits in Nuremberg’s town hall.

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February 1642

He is best known as an author of books on art, some of them in Latin, and especially for his historical work, the Deutsche Akademie (1675-1679), of which there is a more recent edition by Sponsel (1896).

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Allegory of Vanity 1642

Still wondering about a 17th century German painting in your family collection? Contact us…it could be by Joachim von Sandrart.


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138--de-silvestre.php Louis de Silvestre Artwork Authentication & Art Appraisal

Louis de Silvestre (1675-1760)

Get a De Silvestre Certificate of Authenticity for your painting (COA) for your De Silvestre drawing.

For all your De Silvestre artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Silvestre Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Silvestre painting or drawing.

If you want to sell your De Silvestre painting or drawing use our selling services. We offer De Silvestre selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Silvestre and issuing certificates of authenticity since 2002. We are recognized De Silvestre experts and De Silvestre certified appraisers. We issue COAs and appraisals for all De Silvestre artworks.

Our De Silvestre paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Silvestre certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Silvestre painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Silvestre paintings or drawings take longer.

Our clients include De Silvestre collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Louis de Silvestre art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Louis de Silvestre or we will sell it for you.

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Self-Portrait

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Maria Amalia di Sassonia

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Auguste II

Louis de Silvestre was the court painter for the Saxon court at Dresden and Warsaw for thirty-two years. He painted many portraits of nobility and aristocrats. In the bombing of Dresden during World War II, many of his best works were destroyed. He painted the Last Supper, and other biblical and mythological scenes at Versailles as well as the Creation of Man at the Musée Fabre, Montpellier.

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Jupiter

His style of portraiture was heavily influenced by Nicholas Poussin and De La Fosse. Through his presence in the Saxon lands, he influences generations of Central European portrait painters. De Silvestre was received into the Academie Royale in 1702, and rose progressively through the ranks of the professorship. He first learned painting by apprenticing under his father, Israël Silvestre. A catalogue raisonné of his work was published in 1932.

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Marie-Louise-Elisabeth D’Orleans

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Auguste III

Still wondering about an 18th century European painting in your family collection? Contact us…it could be by Louis de Silvestre.


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140--clausell.php Joaquin Clausell Artwork Authentication & Art Appraisal

Joaquin Clausell (1866-1935)

Get a Clausell Certificate of Authenticity for your painting (COA) for your Clausell drawing.

For all your Clausell artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Clausell Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Clausell painting or drawing.

If you want to sell your Clausell painting or drawing use our selling services. We offer Clausell selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Clausell and issuing certificates of authenticity since 2002. We are recognized Clausell experts and Clausell certified appraisers. We issue COAs and appraisals for all Clausell artworks.

Our Clausell paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Clausell certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Clausell painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Clausell paintings or drawings take longer.

Our clients include Clausell collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Joaquin Clausell art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Joaquin Clausell or we will sell it for you.

Ckausell, La Ola Roja

La Ola Roja

Clausell, Fuentes Brotantes I

Fuentes Brotantes I

Joaquin Clausell Troconi was born in San Francisco de Campeche in 1866. Clausell was one of the first and best-known Impressionist painters in Mexico. Clausell began his studies in engineering and then switched to law. During this time of legal study he dedicated time to drawing political cartoons, collaborating with a periodicals, La Campaña Electoral, El Hijo del Ahuizote, el Diario del Hogar and El Universal.

Clausell, Fuentes Brotantes II

Fuentes Brotantes II

In 1892 Clausell created an anti-reelection party and started writing for La Republica. For political reasons, Clausell decided to move to New York and later Paris.

Clausell, Landscape with Woods and River

Landscape with Woods and River

In France Clausell met Camille Pissarro and maintained a friendship with Emile Zola and Gerardo Murillo. Clausell returned to Mexico with hope in the revolutionary ideals he had experienced abroad.

Clausell, Marina

Marina

In Mexico, at the age of thirty-five Clausell began a new career as a painter. Clausell painted the rich landscapes of Mexico, ranging from parks to oceans. Clausell used impressionist strokes and rich colors to interpret his surroundings. In 1935 Clausell’s love of nature led to his accidental death in the lagoons of Cempoala, Mexico.

Joaquin Clausell’s paintings are now in private collections and museums all around the world. Do you think you own a painting by Clausell? Contact us. We are the Clausell experts.


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141--blackburn.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "blackburn" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "blackburn" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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142--nasmyth-alexander.php Alexander Nasmyth Artwork Authentication & Art Appraisal

Alexander Nasmyth (1758-1840)

Get a Nasmyth Certificate of Authenticity for your painting (COA) for your Nasmyth drawing.

For all your Nasmyth artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Nasmyth Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Nasmyth painting or drawing.

If you want to sell your Nasmyth painting or drawing use our selling services. We offer Nasmyth selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Nasmyth and issuing certificates of authenticity since 2002. We are recognized Nasmyth experts and Nasmyth certified appraisers. We issue COAs and appraisals for all Nasmyth artworks.

Our Nasmyth paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Nasmyth certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Nasmyth painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Nasmyth paintings or drawings take longer.

Our clients include Nasmyth collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alexander Nasmyth art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alexander Nasmyth or we will sell it for you.

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Robert Burns

Alexander Nasmyth was a Scottish portrait and landscape painter, often called the “father of Scottish landscape painting”. Born in Edinburgh, he studied at the Trustees’ Academy under Alexander Runciman and, having been apprenticed as a heraldic painter to a coachbuilder, he, at the age of sixteen, attracted the attention of Allan Ramsay, who took the youth with him to London and employed him upon the subordinate portions of his works. Nasmyth returned to Edinburgh in 1778 and was soon largely patronized as a portrait painter. He also assisted Mr. Miller of Dalswinton as draughtsman in his mechanical researches and experiments. Mr. Miller later offered the painter a loan to enable him to pursue his studies abroad, and Nasmuth left for Italy in 1782, where he remained for two years.

Upon his return, he painted the excellent portrait of Robert Burns, now in the Scottish National Gallery, well-known through Walker’s engraving. Political feeling at that time ran high in Edinburgh, and Nasmyth’s pronounced liberal opinions, which he was too outspoken and sincere to disguise, gave offense to many of his aristocratic patrons. This led to the diminution of his practice as a portraitist. In his later years, accordingly, he devoted himself mainly to landscape work and did not disdain on occasion to set his hand to scene painting for the theatres. His subjects are carefully finished and coloured but are wanting in boldness and freedom.

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Dumbarton Castle, 1816

Nasmyth was also largely employed by noblemen throughout the country in the improving and beautifying of their estates, in which his fine taste rendered him especially skillful; and he was known as an architect, having designed the Dean Bridge in Edinburgh, and the graceful circular temple covering St Bernard’s Well. Nasmyth died in his native city.

His youngest son, James Nasmyth, was the well-known inventor of the steam hammer and his six daughters all attained a certain local reputation as artists; however, it was in his eldest son, Patrick Nasmyth, that the artistic skill of his family was most powerfully developed. Having studied under his father, Patrick went to London at the age of twenty and soon attracted attention as a clever landscapist. He was a diligent student of the works of Claude and Richard Wilson, Ruysdael, and Hobbema, upon whom his own practice was mainly founded. His most characteristic paintings are of English domestic scenes, which are full of quiet tone and colour, detailed and minute expressions of foliage, and considerable brilliancy of sky effect. They were executed with his left hand, his right having in early life been injured by an accident.

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A View in Glen Coe, Argyllshire

Still wondering about a British painting in your family collection? Contact us… we are the Alexander Nasmyth experts.


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Please call Margaret at (212) 658-0466 to make a payment.


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144--duran.php Charles Emile Auguste Duran authentication appraisal

Charles Emile Auguste Duran AKA Carolus-Duran (1856-1926)

Get a Duran Certificate of Authenticity for your painting or a COA for your Duran drawing or sculpture.

For all your Duran artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Duran Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Duran painting, drawing or sculpture.

If you want to sell your Duran painting, drawing or sculpture use our selling services. We offer Duran selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Duran and issuing certificates of authenticity since 2002. We are recognized Duran experts and Duran certified appraisers. We issue COAs and appraisals for all Duran artworks.

Our Duran paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Duran certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Duran painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Duran paintings, drawings or sculpture take longer.

Our clients include Duran collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles Emile Auguste Duran art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Charles Emile Auguste Duran or we will sell it for you.

If you search for works by Charles Emile Auguste Duran, you may come up empty handed. A highly respected academic painter and teacher, the artist adopted the name “Carolus-Duran” early in his career which he painted and worked under. Dubbed “The Prince of Color” by fellow artist Toulouse-Lautrec, Carolus-Duran’s work is a mixture of French high-society and Spanish realism.

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The Kiss, 1868

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Portrait of Madame Ernest Fedeau, 1870

Carolus-Duran was born in Lille, France and studied at the Lille Academy when he was only eleven years old. He would later move to Paris and study at the Academie des Beaux-Arts. Some of his earliest work here was influenced by Courbet. After winning a scholarship, Carolus-Duran traveled to Italy and Spain in 1861 to study the work of Velazquez. He would briefly return to France, but remained in Spain until 1868.

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Portrait of Tito, 1878

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Latour and Oulevay, 1861

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Portrait of a Woman

He would generally become known for his portrait paintings of society figures in the style of the old master Realists like Titian, Rubens and Bellini. However, from time to time, Carolus-Duran would also paint informal portraits of his friends and family, as well as landscapes, nudes, still life and historical compositions. He even tried his hand at being a sculptor.

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Portrait of Mme. Neyt

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Danae, 1900

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Bien Revolutionaire

Sometimes, these informal portraits were contrary to his usual style, and portrayed other famous artists like Manet.

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Portrait of Edouard Manet, 1880

In 1873, Carolus-Duran opened up a school and studio for emerging painters; one of the most famous of his alumni was John Singer Sargent. In 1889, Carolus-Duran was named an officer of the Legion of Honor, and in 1905 was appointed the Director of the French Academy in Rome, succeeding Eugene Guillaume. He found great success as a painter in his lifetime, and won awards and painted until his death in 1917.

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Portrait of Lilia

Strangely, this great academic painter somehow fell by the wayside and is not a household name, as his work would suggest that he should be. Perhaps because of the emergence of Impressionism during his lifetime, Carolus-Duran’s classical styling was of less interest to those who sought out the more fashionable and new painters.

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Fin D’ete, Fontainebleau

Today his work is housed worldwide including at the Metropolitan Museum of Art in New York, and the Louvre in Paris.

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The Triumph of Maria de Medici, 1875-1877

It is also likely that many of his portraits are even hanging over the mantle in a number of family estate homes, unknown or otherwise forgotten and waiting to be found.

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Madame Vigeant

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145--sisley.php Alfred Sisley Artwork Authentication & Art Appraisal

Get a Sisley Certificate of Authenticity for your painting (COA) for your Sisley drawing.

For all your Sisley artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sisley Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sisley painting or drawing.

If you want to sell your Sisley painting or drawing use our selling services. We offer Sisley selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sisley and issuing certificates of authenticity since 2002. We are recognized Sisley experts and Sisley certified appraisers. We issue COAs and appraisals for all Sisley artworks.

Our Sisley paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sisley certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sisley painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sisley paintings or drawings take longer.

Our clients include Sisley collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Alfred Sisley (1839-1899)

We perform Alfred Sisley art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alfred Sisley or we will sell it for you.

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La Grand Rue, Argentuil

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Marketplace at Marley

The Landscaper

If you were to take a look at the French countryside and let your eyes relax, ever so slightly, your eyes would create the same effect that Alfred Sisley created on canvas. To view the works of Sisley is almost like viewing a photograph through a wet pane of glass–it looks real, but slightly distorted. For this reason, Sisley is considered one of the original tour de force’s in Impressionism and landscape painting.

Sisley, a Parisian-born to English parents (though by his definition, not French, not English, but both), found little commercial success in his lifetime as a painter. Born to a wealthy family, Sisley was originally sent to the America’s to study business. However, he soon tired of it, and his family afforded the opportunity for him to study at the Atelier Gleyre in Paris in 1862. There, he was able to study with the likes of Monet and Renoir, with whom he became friends and worked alongside and founded Impressionism. Though he exhibited a number of times in many salons and galleries, Sisley’s work generally went unnoticed while he was alive. 

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The Church at Morey

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Flood at Port Marley

His ouvre consists strictly of landscapes in oil, nearly 900 in all; Sisley rarely strayed unto painting anything else. For this reason, a still-life Sisley may be in existence and unidentified. Less than a dozen still life’s or portraiture’s have been credited to Sisley to this day.

“The Forge at Mary-le-Roi” (1875) is one of the few exceptions to this rule. This painting features men in a barn forging iron—their features are undefined, and the barn is warranted the most detail. Unlike the intentions of other painters, Sisley did not try to use this scene to make a political or social statement, but merely painted it as it was.

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The Forge at Mary-le-Roi

One certain way to identify a Sisley work, would be to take careful notice of the scenery and certain details. Most commonly, his signature appears as “Sisley” in the lower right hand corner of his paintings. Sisley had a fascination with the sky, and his landscapes are dominated by this fascination. The sky in almost all of Sisley’s work takes on an almost ethereal value–his color palette is true to life, as “The Saint-Martin Canal” (1872) shows. Sisley used color and light to indicate the weather and time of day in his paintings. He also produced many landscapes of snow covered fields and country homes, and they way he shows light reflecting off of the snow is magnificent. His colors have been called soft and harmonious, and are similar to the style of painter Camille Corot, whom Sisley was highly influenced by.

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The Saint-Martin Canal

Sisley also had a fascination with he great flood of 1876, producing many paintings that year showing the after-effects. These paintings exclusively featured the Loire river. Toward the end of his life, he painted mainly near his home is the town of Moret-sur-Loing, where he stayed until he died of throat cancer in 1899.

Like many other artists of his time, Sisley took a hard hit during the Franco-Prussian War – perhaps the hardest of all. His family lost everything in their estate, and from then on, Sisley lived a life of hardship and poverty. It is for this reason that some of his earlier works, perhaps treasured and rare watercolors and etchings from the family home, could be in existence. Some of his unfinished or unrecognized works could have been stolen from the estate, making them a highly valuable item. It has been documented that he did, in fact, loose all of his paintings he was working on at the time, which were “destroyed”, and was the beginning of his financial hardships.

Today, Sisley is still considered a “little-known” artist, as his name does not ring with the same familiarity of his contemporaries, Renoir and Monet. He did not paint highly emotional political or social scenes with complex meanings. Very rarely did Sisley paint cityscapes or industrialization – simply ideal country scenes. However, he made great strides in Impressionistic landscape painting, and served as a paint-brush wielding journalist and archived the simple life in his time.


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146--campendonk.php Heinrich Campendonk Artwork Authentication & Art Appraisal

Heinrich Campendonk (1889-1957)

Get a Campendonk Certificate of Authenticity for your painting (COA) for your Campendonk drawing.

For all your Campendonk artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Campendonk Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Campendonk painting or drawing.

If you want to sell your Campendonk painting or drawing use our selling services. We offer Campendonk selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Campendonk and issuing certificates of authenticity since 2002. We are recognized Campendonk experts and Campendonk certified appraisers. We issue COAs and appraisals for all Campendonk artworks.

Our Campendonk paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Campendonk certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Campendonk painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Campendonk paintings or drawings take longer.

Our clients include Campendonk collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Heinrich Campendonk art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Heinrich Campendonk or we will sell it for you.

Composition with Two Cows, 1913

Composition with Two Cows, 1913

Heinrich Campendonk was a German expressionist painter and printmaker. He was born in Krefeld, and studied there under the Dutch artist Johan-Thorn Prikker at the Kunstgewerbeschule. After receiving an invitation from Franz Marc, Campendonk moved to Bavaria and was a member of the Der Blaue Reiter group from 1911 to 1912.

Rider with Lasso 1911

Rider with Lasso 1911

Cow with Calf 1914

Cow with Calf 1914

When the Nazi regime came to power in 1933, he was among the many modernists condemned as degenerate artists, and prohibited from exhibiting.

Mother and Child 1917

Mother and Child 1917

Das Paradies

Das Paradies

Der Abend, Russisches Marches, 1920

Der Abend, Russisches Marches, 1920

In 1916, Campendonk moved to Seeshaupt at the Starnberger See, and was appointed as a professor at the Kunstakademie in Düsseldorf in 1926. He was dismissed from his job in 1933 and moved to Belgium, where he spent the rest of his life working at the Rijksakademie in Amsterdam, first teaching Decorative Art, printmaking and stained-glass, then as the Academy Director.

Mystical Crucifixion, 1926-28

Mystical Crucifixion, 1926-28

Harlequin

Harlequin

Three Cats

Three Cats

Campendonk did not return to Germany after World War II, but continued working on his teaching career. During this time, he received many commissions for painting stained glass windows from Germany and the Netherlands. He was awarded the Quellinus-Preise of the city of Amsterdam in 1956, and was dubbed a knight by the order of de Neederlandse Leeuw. He died in Amsterdam in 1957.

Hirtenbild

Hirtenbild

Still wondering about a painting in your family collection? Contact us…it could be by Heinrich Campendonk.


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147--molne.php Hector Molne Artwork Authentication & Art Appraisal

Hector Molne (b. 1937)

Get a Molne Certificate of Authenticity for your painting (COA) for your Molne drawing.

For all your Molne artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Molne Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Molne painting or drawing.

If you want to sell your Molne painting or drawing use our selling services. We offer Molne selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Molne and issuing certificates of authenticity since 2002. We are recognized Molne experts and Molne certified appraisers. We issue COAs and appraisals for all Molne artworks.

Our Molne paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Molne certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Molne painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Molne paintings or drawings take longer.

Our clients include Molne collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Do you think you may own a painting by Hector Molne ?

We Perform Hector Molne art authentication. Hector Molne appraisal. Hector Molne certificates of authenticity (COA). Hector Molne analysis, research, scientific tests, full art authentications. We will help you sell your Hector Molne or we will sell it for you.

The Rest of the Flight into Egypt

Cuba

The Rest of the Flight into Egypt

Gauteque en el Potrerito

Hector Molne was born in Camaguey, Cuba, and studied at the Escuela de Arts Plasticas in his home town. As a student, Molne was awarded a scholarship to study in Paris at La Grande Chaumiere. Throughout his career, he held exhibitions in Cuba, Costa Rica, Los Angeles and throughout Florida, including in Miami, where he eventually settled.

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Caminante No Hay Camino

Molne’s oeuvre is a combination of Cuban national images and symbolism and Expressionist styling. His stunning compositions feature guarijos (roughly meaning, country man) and beautiful landscapes of the Cuban countryside. Molne has participated in a number of important group exhibitions of Cuban art during his lifetime in Havana, Camaguey, Scandanavia, France, Costa Rica and The United States.

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Cumbancheros

Today, Molne’s work is housed all over the world, and is still highly sought after at auctions by collectors. His son, Marcel Molne is an expert on his father’s art and performs art authentications for Art Certification Experts.

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Malecon Habanero

Still wondering about a Cuban country scene in your family estate? Contact us…it could be by Hector Molne.


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148--arche.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "arche" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "arche" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "arche" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "arche" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
149--whittredge.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "whittredge" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "whittredge" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "whittredge" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "whittredge" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
150--vincent.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vincent" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vincent" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "vincent" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
151--grant.php Sir Francis Grant Artwork Authentication & Art Appraisal

Sir Francis Grant (1803-1878)

Get a Grant Certificate of Authenticity for your painting (COA) for your Grant drawing.

For all your Grant artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Grant Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Grant painting or drawing.

If you want to sell your Grant painting or drawing use our selling services. We offer Grant selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Grant and issuing certificates of authenticity since 2002. We are recognized Grant experts and Grant certified appraisers. We issue COAs and appraisals for all Grant artworks.

Our Grant paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Grant certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Grant painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Grant paintings or drawings take longer.

Our clients include Grant collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sir Francis Grant art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sir Francis Grant or we will sell it for you.

art

Portrait of Queen Victoria

Sir Francis Grant was a notable Scottish artist of the 19th century. He also served as President of the Royal Academy. The son of a Scottish country gentleman, Grant was born in Kilgraston near Bridge of Earn in Perth and Kinross, and educated at Harrow School. He was a self-taught painter who first exhibited at the Royal Academy in 1834 – a sporting picture called Melton Breakfast. Following a series of other successful sporting pictures (including The Melton Hunt and The Cottesmore Hunt), he became an established painter, highly sought-after as a portraitist. His subjects included Queen Victoria and Lord Palmerston.

An Associate of the Royal Academy from 1842, Grant was elected a full Academician in 1851. In 1866, on the death of Charles Eastlake, Edwin Landseer turned down the seat of Academy President, and Grant was elected instead. He was knighted soon afterwards.

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Duke and Duchess of Beaufort

Still wondering about a painting in your family collection? Contact us…it could be by Sir Francis Grant.


done
152--lubitch.php Ossip Lubitch Artwork Authentication & Art Appraisal

Ossip Lubitch (1896-1990)

Get a Lubitch Certificate of Authenticity for your painting (COA) for your Lubitch drawing.

For all your Lubitch artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lubitch Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lubitch painting or drawing.

If you want to sell your Lubitch painting or drawing use our selling services. We offer Lubitch selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lubitch and issuing certificates of authenticity since 2002. We are recognized Lubitch experts and Lubitch certified appraisers. We issue COAs and appraisals for all Lubitch artworks.

Our Lubitch paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lubitch certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lubitch painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lubitch paintings or drawings take longer.

Our clients include Lubitch collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ossip Lubitch art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ossip Lubitch or we will sell it for you.

art

Danseuse au Miroir Ossip Lubitch was a Post-Impressionist painter born in Grodno, now Belorussia, into a Jewish family. From 1915-1919 Lubitch studied at the Odessa Art College and the following year moved to Berlin. While in Berlin, he worked as a decorator for the Berlin Opera as well as local cabarets.

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Snow in Montparnasse

In 1923, Lubitch moved to Paris where he met fellow artists Antoine Bourdelle and Pavel Chlischchev. Here he studied the works of the old masters like Goya, and the new masters like Degas. In 1925 he was accepted into the Salon des Tuileries, and in 1934 he published “Cirque” which featured sketches and poems of circus scenes.

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The Clown and the Dancer

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Circus Scene

Lubitch was arrested in Paris during World War II and was sent to a concentration camp in Drancy, barely missing the convoy to Auschwitz. Somehow, he was lucky enough to escape the camp with his life. It was not until after the war that his career began to pick up. During this time, he met and married his wife Suzanne Boulboire, also a painter whom he later had a daughter with. Lubitch spent his time painting portraits, still life and landscapes, and exhibited his work around the world in New York, Milan, Jerusalem and Paris.

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Flowers and Still Life

Today his work is housed in various collections and museums worldwide. During his lifetime, he commemorated the Holocaust by donating the drawings he produced while in Drancy to the Yad Vasheim Institute in Jerusalem. Still wondering about a post-Impressionist painting or sketch in your home? Contact us…it may be by Ossip Lubitch.

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Study of a Woman

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153--nouy-lecomte-du.php Jules-Jean Antoine Lecomte du Nouy Artwork Authentication & Art Appraisal

Jules-Jean-Antoine Lecomte du Nouy (1789-1863)

Get a Nouy Certificate of Authenticity for your painting or a COA for your Nouy drawing or sculpture.

For all your Nouy artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Nouy Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Nouy painting, drawing or sculpture.

If you want to sell your Nouy painting, drawing or sculpture use our selling services. We offer Nouy selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Nouy and issuing certificates of authenticity since 2002. We are recognized Nouy experts and Nouy certified appraisers. We issue COAs and appraisals for all Nouy artworks.

Our Nouy paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Nouy certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Nouy painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Nouy paintings, drawings or sculpture take longer.

Our clients include Nouy collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jules-Jean-Antoine Lecomte Du Nouy art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jules-Jean-Antoine Lecomte Du Nouy or we will sell it for you.

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Christian Women at the Tomb of the Virgin

Jules-Jean Antoine Lecomte du Nouy was born into a noble piedmontese family who settled in France in the fourteenth century. He entered the Ecole des Beaux -Arts in 1861, where he studied under Charles Gleyre, and two years later he trained under Emile Signol. His fascination with all subjects historical and exotic, lead him to enter the studio of the great painter Jean-Leon Gerome. He was to go on to become a great Orientalist, first rate portraitist, as well as a talented sculptor.

He first exhibited in the Salon in 1863, and received a critical approval in 1865, with his painting entitled, “Le Sentinel grec”. This painting was based on the Greek tragedy, ‘Oresteia,’ by Aeschylus. One year later he won a Gold Medal for another classical subject, with a painting entitled, ‘Invocation of Neptune.’

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Adolphe Cremieux

In 1865, Jean-Leon Gerome persuaded him to go on a trip to Egypt with Felix Clement, as Clement had received a commission to decorate a palace near Cairo. Following this trip, Lecomte du Nouy’s paintings, sought to portray the opulence of the Orient. In his painting entitled, ‘The Guard of the Seraglio: Souvenir of Cairo,’ he portrays the grounds of the Khedival royal family, and shows the Harem Pavillion of the Gazirah Palace.

The painting entitled, ‘A Eunuch’s Dream,’ which hangs in the Cleveland Museum of Art, shows a eunuch dreaming. He exhibited the painting with a passage from the French philosopher, Montesquieu’s Persian letters;

“No passion had ever been more alive than that of the enuch Cosrou for the slave girl Zelide.”

The painting was a mixture of Arabian fable, and topographical observation.

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White Slave

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Demosthenes Practising his Oratory

In both his Orientalist paintings, and his other work, Lecomte du Nouy also sought to make use of the eerie qualities of half light to dramatic, and melancholic effect. He was a successful painter of his time, and in 1869 the French State bought one of his paintings.

In 1872, he was to go on a long voyage, which took in Greece, Egypt, Turkey, and Asia Minor. This lengthy trip was to provide him with much inspiration for his Oriental Paintings. Once back in Paris, he was commissioned by the Roman Catholic church to provide an altar piece for a church of St Vincent de Paul in Paris. He painted scenes from the life of St Paul.

Later on in his life, whilst en route to Constantinople, he stopped in Bucharest to visit his brother, Andre Lecomte du Nouy, who was a court architect. He ended up staying several years, as he received commissions for portraits of members of the royal family, together with commissions for frescoes in Romanian Churches.

In 1895, he exhibited his first sculpture, and he received an honourable mention for his ‘Mort de Gavroche,’ at the Salon of 1901.

Jules-Jean-Antoine- Lecomte du Nouy, throughout his long life lived through many art movements, including the great Impressionist movement. Art historians, and critics have commented that he always remained faithful to his own style of painting, without being influenced by the changing movements around him.

Paintings by Lecomte du Nouy can be found in the Cleveland Museum of Art, the Danish Museum in New York City, and the Musee d’Art et d’Histoire in Paris.

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The Opium Smoker

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155--corne.php Michele Felice Cornè Artwork Authentication & Art Appraisal

Michele Felice Cornè (1752-1845)

Get a Cornè Certificate of Authenticity for your painting (COA) for your Cornè drawing.

For all your Cornè artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cornè Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cornè painting or drawing.

If you want to sell your Cornè painting or drawing use our selling services. We offer Cornè selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cornè and issuing certificates of authenticity since 2002. We are recognized Cornè experts and Cornè certified appraisers. We issue COAs and appraisals for all Cornè artworks.

Our Cornè paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cornè certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cornè painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cornè paintings or drawings take longer.

Our clients include Cornè collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Michele Felice Cornè art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Michele Felice Cornè or we will sell it for you.

Captain Cook Cast Away on Cape Cod 1802

Captain Cook Cast Away on Cape Cod 1802

Michele Felice Cornè was an Italian born American artist. Cornè was thought to have arrived in America in 1800, landing in Salem, Massachusetts. Cornè continued to paint and also taught in Salem until 1806 when he moved to Boston. He remained there until 1822 when he moved to Newport, Rhode Island where he lived the remainder of his life.

Ship Hercules in Naples

Ship Hercules in Naples

Though it is known that Cornè was originally from Naples, Italy, it is not known what type of artistic training he may have had. His style is classically Neopolitan and it is likely that he created a number of pieces in Italy before coming to America.

Two Children at Play with a White Bird

Two Children at Play with a White Bird

Cornè was not limited to a certain genre of painting, and produced a number of portraits, landscapes, seascapes and historical scenes in his lifetime. He also did not limit himself to one certain type of medium or canvas and used oil, pen and ink, watercolor and gouache on canvas, wood and paper, and also created lithographs.

Landing of the Pilgrims

Landing of the Pilgrims

Imaginary Harbor View

Imaginary Harbor View

Among his artistic endeavors, Cornè is credited to have been the first person to introduce the tomato as an edible vegetable in America. Until then, it was widely believed in the New World that tomatoes were poisonous. A plaque even commemorates Cornè for his introduction of the tomato on his home in Newport to this day.

Ship America

Ship America

One notable aspect of some of Cornè’s marine scenes is his inclusion of the title of the painting at the bottom in script. In these paintings, Cornè makes the title a decorative part of the composition.

Brig Nancy Ann of Newburyport Moses Brown Commander Entering the Mole of Naples 1811

Brig Nancy Ann of Newburyport Moses Brown Commander Entering the Mole of Naples 1811

Perseverance Wrecked near Tarpauline Cove 1805

Perseverance Wrecked near Tarpauline Cove 1805

Still wondering about a New England seascape or Neopolitan painting hanging in your home? Contact us…it could be by Michele Felice Cornè.


done
156--zandomeneghi.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "zandomeneghi" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "zandomeneghi" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "zandomeneghi" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
157--dossi.php Dosso Dossi Artwork Authentication & Art Appraisal

Domenichino (1581-1641)

We Perform Dosso Dossi art authentication. Dosso Dossi appraisal. Dosso Dossi certificates of authenticity (COA). Dosso Dossi analysis, research, scientific tests, full art authentications. We will help you sell your Dosso Dossi or we will sell it for you.

art

Bacchus 1524

Dosso Dossi, real name Giovanni di Niccolò de Luteri, was an Italian Renaissance painter who belonged to the Ferrara School of Painting. Dossi was probably born in Tramuschio di Mirandola. His early training and life is not well-documented; his father was a bursar (spenditore or fattore) for the Dukes of Ferrara. He may have had training locally with Lorenzo Costa or in Mantua, where he is known to be in 1512. By 1514, he would begin three decades of service for dukes Alfonso I and Ercole II d’Este, becoming principal court artist. Dosso worked frequently with his brother Battista Dossi, who had trained in the Roman workshop of Raphael. He frequently provided the dukes in the ephemeral decorations of furniture and theater sets. He is known to have worked alongside il Garofalo in the Costabili polyptych. One of his pupils is Giovanni Francesco Surchi (il Dielai).

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Circe and Her Lovers in a Landscape

Dosso Dossi is known less for his naturalism or attention to design, and more for cryptic allegorical conceits in paintings around mythological themes, a favored subject for the humanist Ferrarese court (see also Cosimo Tura and the decoration of the Palazzo Schifanoia). Freedburg uses the term sprezzatura to refer to Dossi’s caricature-like, primitivist, and eccentric distortions of proportion. Dossi is also known for the atypical choices of bright pigment for his cabinet pieces. Some of his works, such as the Deposition have lambent qualities that suggest some of Correggio’s works.

art

The Virgin Appearing to St. John the Baptist and St. John the Evangelist

The painting Aeneas in the Elysian Fields was part of the Camerino d’Alabstro of Alfonso I in the Este Castle, decorated with canvases depicting bacchanalia and erotic subjects including Feast of the Gods by Giovanni Bellini and Venus Worship by Titian. The frieze paintings were based on the Aeneid; this scene by Dossi is book 6, lines 635-709, wherein Aeneas is guided over the bridge into the Elysian Fields by Cumaean Sibyl. Orpheus with the Lyre flits in the forest; In the background are the ghostly horses of dead warriers and diverse entertained bodies.

art

Aeneas and Achates on the Libyan Coast 1520

In Hercules and the Pygmies, Hercules has fallen aseep after defeating Antaeus, and is set upon by an army of thumb-size pygmies, whom he defeats. He gathers them in his lion skin. Paintings depicting a powerful Hercules were commonly made for the then-ruler Duke Ercole II d’Este. The subjects of the Myth of Pan or Tubalcain are unknown.

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Witchcraft, Allegory of Hercules 1535

In Ferrara, among his pupils were Gabrieale Capellini, Jacopo Panicciati, and Giovanni Francesco Surchi.

Selected works:

  • Holy Family with Donors (1514, Philadelphia Museum of Art)
  • Allegory of Fortune, c.1530; oil on canvas, 178 x 216.5 cm, J. Paul Getty Museum
  • Three Ages of Man or Rustic Idyll; 77.5 x 11.8 cm, Metropolitan Museum of Art
  • Aeneas in the Elysian Fields , (1518-1521) National Gallery of Canada, Ottawa
  • Aeneas, Barber Institute, Birmingham
  • Hercules and the Pygmies Alte Galerie am Landesmuseum Johanneum Graz
  • A Myth of Pan, (Getty Museum, Los Angeles)
  • Tubalcain (Allegory of Music) Museo Horne Florence
  • Witchraft Stregoneria (Choice of Hercules between Vice and Virtue) Galleria degli Uffizi
  • Saint Michael (Staatliche Kunstsammlungen, Dresden)
  • Saint George and the Dragon (Staatliche Kunstsammlungen, Dresden)
  • The Virgin Appearing to Sts John the Baptist and John the Evangelist,(1520s,Uffizi, Florence)
  • Jupiter, Mercury and the Virtue, (1524, Wawel Castle, Kraków)

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Madonna and Child 1525

Still wondering about an Italian painting in your family collection? Contact us…it could be by Dosso Dossi.


done
158--gilpin.php Sawrey Gilpin Artwork Authentication & Art Appraisal

Sawrey Gilpin (1733-1807)

Get a Gilpin Certificate of Authenticity for your painting (COA) for your Gilpin drawing.

For all your Gilpin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gilpin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gilpin painting or drawing.

If you want to sell your Gilpin painting or drawing use our selling services. We offer Gilpin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gilpin and issuing certificates of authenticity since 2002. We are recognized Gilpin experts and Gilpin certified appraisers. We issue COAs and appraisals for all Gilpin artworks.

Our Gilpin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gilpin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gilpin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gilpin paintings or drawings take longer.

Our clients include Gilpin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sawrey Gilpin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sawrey Gilpin or we will sell it for you.

art

Horses in a Storm

Sawrey Gilpin was an English animal painter. Gilpin was born in Cumbria, the son Captain John Bernard Gilpin, a soldier and amateur artist. His elder brother William Gilpin was a clergyman, schoolmaster, and author of several influential works on picturesque scenery.

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“From Remarks on Forest Scenery and Other Woodland Views”

Apprenticed to the marine painter Samuel Scott of Covent Garden, Sawrey came to specialise in painting animals, particularly horses and dogs, which he sometimes added to backgrounds by other artists, including Philip Reinagle, George Barret and J. M. W. Turner. He was patronised by Prince William Augustus, Duke of Cumberland. Gilpin was Director and President of the Society of Artists, and a member of the Royal Academy from 1796.

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Sheep by a Cottage

Sawrey Gilpin married Elizabeth Broom; their son William Sawrey Gilpin also became an artist, and in later life a landscape gardener. Works by Sawrey Gilpin are in the collections of the Courtauld Institute of Art, Tate Britain, and the Royal Academy in London and the Fitzwilliam Museum, Cambridge.

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Furiband with his Owner

Still wondering about a British painting in your family collection? Contact us…it could be by Sawrey Gilpin.


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159--hayter.php Sir George Hayter Artwork Authentication & Art Appraisal

Sir George Hayter (1792 – 1871)

Get a Hayter Certificate of Authenticity for your painting (COA) for your Hayter drawing.

For all your Hayter artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hayter Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hayter painting or drawing.

If you want to sell your Hayter painting or drawing use our selling services. We offer Hayter selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hayter and issuing certificates of authenticity since 2002. We are recognized Hayter experts and Hayter certified appraisers. We issue COAs and appraisals for all Hayter artworks.

Our Hayter paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hayter certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hayter painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hayter paintings or drawings take longer.

Our clients include Hayter collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sir George Hayter art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sir George Hayter or we will sell it for you.

art

Self-Portrait 1843

Sir George Hayter was a notable English painter, specialising in portraits and large works involving in some cases several hundred invididual portraits. Queen Victoria appreciated his merits and knighted him in 1841.

Hayter was the son of Charles Hayter (1761-1835), a miniature painter and popular drawing-master and teacher of perspective who was appointed Professor of Perspective and Drawing to Princess Charlotte and published a well-known introduction to perspective and other works.

Initially tutored by his father, he went to the Royal Academy Schools early in 1808, but in the same year, after a disagreement about his art studies, ran away to sea as a midshipman in the Royal Navy. His father secured his release, and they came to an agreement that Hayter should assist him while pursuing his own studies.

In 1809 he secretly married Sarah Milton, a lodger at his father’s house (he was 15 or 16, she 28), the arrangement remaining secret until around 1811.

At the Royal Academy Schools he studied under Fuseli, and in 1815 was appointed Painter of Miniatures and Portraits by Princess Charlotte. Hayter was awarded the British Institution’s premium for history painting for the Prophet Ezra (1815; Downton Castle), purchased by Richard Payne Knight.

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Queen Victoria State Portrait

Around 1816 he separated from his wife, having begun a relationship with Louisa Cauty, with whom he lived openly for the next decade, despite not having divorced.

Encouraged by his patron, John Russell, 6th Duke of Bedford, he traveled to Italy to study in 1816. There he met Canova, who’s studio he attended while painting his portrait, where he absorbed Canova’s classical style. He is also believed to have learned sculpture from Canova at this time. Canova was Perpetual Principal of the Accademia di San Luca (Rome’s premier artistic institution) and doubtless put Hayter forward for honorary membership on the strength of his painting ‘The Tribute Money’ which was very favourably received in Rome. Hayter thereby became the Academy’s youngest ever member.

Returning to London in 1818, Hayter practiced as a portrait painter in oils and history painter. Dubbed ‘The Phoenix’ by William Beckford, Hayter showed a pomposity that irritated his fellow artists, but he mixed freely with many aristocratic families. His unconventional domestic life (separated from his wife, yet living with his mistress) set him apart from official Academy circles: he was never elected to the Royal Academy.

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Venus, Supported by Iris, Complaining to Mars 1820

Hayter was most productive and innovative during the 1820s. George Agar-Ellis (later Lord Dover) commissioned the Trial of Queen Caroline in the House of Lords in 1820 (exh. 1823; London, National Portrait Gallery); painted on a large scale (2.33×2.66 m), Hayter’s first (and most successful) contemporary history painting revealed a taste for high drama effectively realised. In the Trial of William, Lord Russell, in the Old Bailey in 1683 (1825; Woburn Abbey) Hayter celebrated John Russell’s ancestry, in a work reminiscent of fashionable tableaux vivants of the country-house set.

In 1826 Hayter settled in Italy. The Banditti of Kurdistan Assisting Georgians in Carrying off Circassian Women (untraced), completed in Florence for John Proby, 1st Earl Carysfort, demonstrated Hayter’s assimilation of the style and exotic subject-matter of contemporary French Romantic art.

Returning to London in 1818, Hayter practiced as a portrait painter in oils and history painter. Dubbed ‘The Phoenix’ by William Beckford, Hayter showed a pomposity that irritated his fellow artists, but he mixed freely with many aristocratic families. His unconventional domestic life (separated from his wife, yet living with his mistress) set him apart from official Academy circles: he was never elected to the Royal Academy.

In 1827 his mistress, Louisa Cauty, died after poisoning herself with arsenic. Although it was apparently an accident, in a bid for attention, it was widely assumed that he had driven her to suicide, and he was forced by the scandal to move from Florence to Rome.

By late 1828 he was in Paris, where his portraits of English society members (some exhibited at the Salon in 1831) were stylistically akin to the work of recent French portrait painters such as François Gérard.

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Tribute Money 1817

In 1831 Hayter returned to England. His grandiose plan to paint the first sitting after the passage of the Reform Bill resulted in Moving the Address to the Crown on the Opening of the First Reformed Parliament in the Old House of Commons, 5 February 1833 (1833-43; London, N.P.G.), for which he executed nearly 400 portrait studies in oil. Having painted the young Princess Victoria (1832-3; destr.; oil sketch, Brit. Royal Col.), Hayter was not a surprising choice as the new Queen’s Portrait and Historical Painter. On the death of Sir David Wilkie in 1841 Hayter was appointed Principal Painter-in-Ordinary to the Queen, which caused some annoyance at the Royal Academy as this appointment had historically been the preserve of the President, then Sir Martin Archer Shee. In 1842 Hayter was knighted. He painted several royal ceremonies including Queen Victoria’s coronation of 1837 and marriage of 1840 and also the Christening of the Prince of Wales of 1843 (all Brit. Royal Col.). He also painted several royal portraits including his most well know work the State Portrait of the new Queen Victoria, but because Albert preferred German painters such as F. X. Winterhalter, Hayter was eased out of royal circles.

By the mid-1840s Hayter’s portrait style was considered old-fashioned. He adjusted his type of history painting to suit the more literal taste of the early Victorian era (e.g. Wellington Viewing Napoleon’s Effigy at Madame Tussaud’s; destr. 1925; engraving, 1854). He also produced fluent landscape watercolours (many of Italian views), etchings (he published a volume in 1833), decorative designs and sculpture. The contents of Hayter’s studio were auctioned at Christie’s, London, on 19 April 1871.

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Self-Portrait 1863

His younger brother, John (1800-95), was also an artist, known chiefly as a portrait draughtsman in chalks and crayons. The latter’s great-great-grandson was the influential printmaker Stanley William Hayter. Still wondering about a painting in your family collection? Contact us…it could be by Sir George Hayter.


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160--marc.php Franz Marc Artwork Authentication & Art Appraisal

Franz Marc (1880-1916)

Get a Marc Certificate of Authenticity for your painting (COA) for your Marc drawing.

For all your Marc artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Marc Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Marc painting or drawing.

If you want to sell your Marc painting or drawing use our selling services. We offer Marc selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Marc and issuing certificates of authenticity since 2002. We are recognized Marc experts and Marc certified appraisers. We issue COAs and appraisals for all Marc artworks.

Our Marc paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Marc certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Marc painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Marc paintings or drawings take longer.

Our clients include Marc collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Franz Marc art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Franz Marc or we will sell it for you.

Born in Munich, Germany, Franz Marc would become one of the best known German Expressionists of all time. Inspired to paint by his artist mother, Marc attended the Munich Art Academy. He traveled to Paris often to see the work of Impressionists of the era, and though he revered their work, was not entirely influenced by it. In essence, Marc’s style helped to opened up the flood gates for abstract art, though he did not live to see it. He volunteered for the service during World War I and was killed in action.

His catalog is notably dominated by animal images, from his work painting sweet pictures of kittens and dogs, like the well-known “Cat on a Yellow Pillow” (1911), to geometric images of horses, sheep, deer and exotic animals like “Tiger” (1912). His compositions sometimes consisted of animals that you couldn’t see right away, such as “Foxes” (1913). These compositions almost look fragmented, as though you were looking at a fox or a sheep in a broken mirror.

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Cat on a Yellow Pillow

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Tiger

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Foxes

Marc’s use of color and warm, rich tones was in part harbored by his association with the group “Der Blaue Rieter” (The Blue Riders). Along with Kandinsky, he helped to found this group which was oriented with the importance of color and placed great value on expression and symbolism. Each color had a meaning to Marc; yellow represented femininity, blue was masculine and red was life and solidity.

While Marc had become obsessed with the study of animals, their organic nature and pulse within the world and their anatomy, he also wanted to show them from the inside. His paintings are highly emotional, as one would see with “The Fate of the Animals” (1913) where a blue deer is bucking and surrounded by jabs of harsh color. He became such a master of animal anatomy that he was even able to teach it for a while to other artists. However, this obsession lead to Marc becoming over ambitious, and he became frustrated with some of his more progressive pieces. Due to his unhappiness with them, he destroyed some of these works around 1908. Or did he? Could some of these pieces been saved, and hiding somewhere?

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The Fate of the Animals

 

Another reason why there could be a great deal of Marc’s work unknown and unidentified is because he isn’t really a household name, though revered by the art community. Perhaps it is because he chose simple and sweet subjects, and not politically or socially driven masterpieces. Abstract art is also very hard to authenticate, but Marc was a master who understood painting, geometry and anatomy, and he had a rhyme and reason to his compositions. His work is very simple, and his subjects are un-detailed, but they still manage to invoke a sense of feeling and emotion.

One way to tell for sure if you have an original Marc, is to look at the subject matter. Animals are obviously his forte, but he could have also painted a great deal of other things while learning at the Munich Academy (late 1800s-early 1900s). A very small portion of his work, mostly of dogs, appears to have been painted with an Impressionistic hand, such as “Dog Lying Down”. In these paintings, his colors are far less vibrant, and his style leans more to the Romantic side. They contrast greatly from his later work with Abstract ideas. His geometric designs are clearly from Cubist ideals and his colors and themes are a result of his affiliation with the Blue Riders.

Marc’s catalog is also heavily filled with images of horses grouped together or alone. To him, they portrayed something free and pure, and later, spiritual. He found within animals, and especially horses, something innocent and wanted to portray that with color, symbolism and imagery.

Alas, the end of Marc’s life was nothing of the ideals that he portrayed in his paintings. He spent his last two years fighting in the war, and experienced fellow friend and artist August Macke die in the war before him. He left a journal, however, of those last two years, producing ideas for paintings that he was never able to create, and expressing his fear and hatred of war. Marc was hit and killed by shrapnel in March 1916 in Verdun, France.


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161--lozano.php Manuel Rodriguez Lozano Artwork Authentication & Art Appraisal

Manuel Rodriguez Lozano (1895-1971)

Get a Lozano Certificate of Authenticity for your painting (COA) for your Lozano drawing.

For all your Lozano artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lozano Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lozano painting or drawing.

If you want to sell your Lozano painting or drawing use our selling services. We offer Lozano selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lozano and issuing certificates of authenticity since 2002. We are recognized Lozano experts and Lozano certified appraisers. We issue COAs and appraisals for all Lozano artworks.

Our Lozano paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lozano certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lozano painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lozano paintings or drawings take longer.

Our cLozanonts include Lozano collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Manuel Rodriguez Lozano art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Manuel Rodriguez Lozano or we will sell it for you.

Lozano, Portrait of Andres Henestrosa

Portrait of Andres Henestrosa

Lozano, Amor

Amor

Manuel Rodriguez Lozano was a Mexican artist who despite his artistic strength never received the acclaim of his contemporaries. Lozano is known for his sensual portraits of Mexican women, often incorporated with Christian references. Lozano’s models were commonly young with Indian ¨Mestizo¨ features. The portraits can be described as physical and erotic, showing nude couples. Lozano wanted to emphasize the beauty of native, Mexican women instead of the typical European model.

Lozano, Farewell, 1940

Farewell, 1940

Lozano spent a great deal of time in the avant-garde art circles of Europe, spending a lengthy stretch of eight years overseas. Lozano’s time abroad greatly impacted the style of his work and his attitude.

Lozano, La Ramera

La Ramera

Lozano returned to Mexico in the 1920s during the formation of the muralist movement. In 1940 Lozano became the director of the School of Fine art in Mexico, overseeing a period of political and artistic change. During this time Lozano painted La Pieda, a mural that can be seen at the Museo de Bellas Artes in Mexico City.

Lozano, Self portrait

Self portrait

In 1948 Lozano exhibited in the Orangerie Museum of Paris as well as in his home country. In opposition to the monopoly exercised by the Mexican muralists, Lozano distanced himself from official circles and exhibited in independent galleries in Mexico City.

Lozano, portrait

Portrait

In 1968 Lozano exhibited a retrospective of his best work before his death a few years later. Lozano is an important Mexican artist who strayed from the mainstream masters of his time. Lozano’s work can be found in collections and museums internationally. Do you think you own a Manuel Rodriguez Lozano? Contact us. We are the Lozano experts.


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162--repin.php Ilya Repin Artwork Authentication & Art Appraisal

Ilya Repin (Илья Ефимович Репин) (1844-1930)

Get a Repin Certificate of Authenticity for your painting or a COA for your Repin drawing or sculpture.

For all your Repin artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Repin Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Repin painting, drawing or sculpture.

If you want to sell your Repin painting, drawing or sculpture use our selling services. We offer Repin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Repin and issuing certificates of authenticity since 2002. We are recognized Repin experts and Repin certified appraisers. We issue COAs and appraisals for all Repin artworks.

Our Repin paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Repincertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Repin painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Repin paintings, drawings or sculpture take longer.

Our clients include Repin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ilya Repin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ilya Repin or we will sell it for you.

Self-Portrait

Self-Portrait

Ilya Repin was a leading Russian painter and sculptor of the Peredvizhniki artistic school. His realistic works often expressed great psychological depth and exposed the tensions within the existing social order. Beginning in the latter-1920s, detailed works on him were being published in the USSR and about a decade later, a Repin cult was established in the Soviet Union and he was being held up as a model “progressive” and “realist” to be imitated by “Socialist Realist” artists in the USSR.

Sadko in the Underwater Kingdom 1876

Sadko in the Underwater Kingdom 1876

Repin was born in the town of Chuguev near Kharkov in the heart of the historical region called Sloboda Ukraine. His parents were Russian military settlers. In 1866, after apprenticeship with a local icon painter named Bunakov and preliminary study of portrait painting, he went to Saint Petersburg and was shortly admitted to the Imperial Academy of Arts as a student. From 1873 to 1876 on the Academy’s allowance, Repin sojourned in Italy and lived in Paris, where he was exposed to French impressionist painting, which had a lasting effect upon his use of light and colour. Nevertheless, his style was to remain closer to that of the old European masters, especially Rembrandt, and he never became an impressionist himself. Throughout his career, he was drawn to the common people from whom he himself traced his origins, and he frequently painted country folk, both Ukrainian and Russian, though in later years he also painted members of the Imperial Russian elite, the intelligentsia, and the aristocracy, including Tsar Nicholas II.

Easter Procession in the Region of Kursk 1880-1883

Easter Procession in the Region of Kursk 1880-1883

In 1878, Repin joined the free-thinking “Association of Peredvizhniki Artists”, generally called “the Wanderers” or “The Itinerants” in English, who, at about the time of Repin’s arrival in the capital, rebelled against the academic formalism of the official Academy. His fame was established by his painting of the “Volga Barge Haulers”, a work which portrayed the hard lot of these poor folk but which was not without hope for the youth of Russia. From 1882 he lived in Saint Petersburg but did visit his Ukrainian homeland and on occasion made tours abroad.

Apples and Leaves 1879

Apples and Leaves 1879

Beginning shortly before the assassination of Tsar Alexander II in 1881, he painted a series of pictures dealing with the theme of the Russian revolutionary movement: “Refusal to Confess”, “Arrest of a Propagandist”, “The Meeting”, and “They did not Expect Him”, the last of which is undoubtedly his masterpiece on the subject, mixing contrasting psychological moods and Russian and Ukrainian national motifs. His large-scale “Religious Procession in the Province of Kursk” is sometimes considered an archetype of the “Russian national style” displaying various social classes and the tensions among them set within the context of a traditional religious practice and united by a slow but relentless forward movement.

Grand Duke Choosing his Bride 1885

Grand Duke Choosing his Bride 1885

In 1885, Repin completed one of his most psychologically intense paintings, “Ivan the Terrible and his Son.” This canvas displayed a horrified Ivan embracing his dying son, whom he had just struck and mortally wounded in an uncontrolled fit of rage. The visage of terrified Ivan is in marked contrast with that of his calm, almost Christlike son.

Ivan the Terrible and his Son

Ivan the Terrible and his Son

One of Repin’s most complex paintings, “The Reply of the Zaporozhian Cossacks to Sultan of Turkey” occupied many years of his life. He conceived this painting as a study in laughter, but also believed that it involved the ideals of liberty, equality, and fraternity; in short, Ukrainian Cossack republicanism. Begun in the late 1870s, it was only completed in 1891, and, ironically, was immediately purchased by the Tsar. The Tsar paid 35,000 rubles for the painting, an enormous amount for that time.

The Reply of the Zaporozhian Cossacks to Sultan Mehmed IV of Turkey 1880-1891
The Reply of the Zaporozhian Cossacks to Sultan Mehmed IV of Turkey 1880-1891

During his maturity, Repin painted many of his most celebrated compatriots, including the novelist Leo Tolstoy, the scientist Dmitri Mendeleev, the imperial official Pobedonostsev, the composer Mussorgsky, the philanthropist Pavel Tretyakov, and the Ukrainian poet and painter, Taras Shevchenko. In 1903 he was commissioned by the Russian government to paint his most grandiose design, a 400 x 877 cm canvas representing a ceremonial session of the State Council.

Leo Tolstoy 1887

Leo Tolstoy 1887

Repin himself designed his home Penaty (literally, “the Penates”) or the Roman “Household Gods”, located just to the north of Saint Petersburg. After the 1917 October Revolution, Penaty was incorporated into Finland. He was invited by various Soviet institutions to come back to his homeland but refused the invitation giving the excuse that he was too old to make the journey. During this period, Repin devoted much time to painting religious subjects, though his treatment of these was usually innovative and not traditional.

October 17, 1905

October 17, 1905

With the exception of a portrait of Provisional Government head, Alexander Kerensky, he never painted anything substantial on the subject of the 1917 revolutions or the Soviet experiment that followed. His last painting, a joyous and exuberant canvas called “The Hopak”, was on a Ukrainian Cossack theme. In 1930, he died in Kuokkala, Finland (now Repino, Leningrad Oblast). The Penates are part of the World Heritage Site Saint Petersburg and Related Groups of Monuments. In 1940, Penaty was opened for the public as a house museum. Alexander Glazunov’s Oriental Rhapsody, Op. 29 (1889) is dedicated to Ilya Repin.

Athanasy Fet

Athanasy Fet

Still wondering about a 19th century Russian painting in your family collection? Contact us…it could be by Ilya Repin.


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163--durand.php Asher Brown Durand Artwork Authentication & Art Appraisal

Asher Brown Durand (1796-1886)

Get a Durand Certificate of Authenticity for your painting (COA) for your Durand drawing.

For all your Durand artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Durand Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Durand painting or drawing.

If you want to sell your Durand painting or drawing use our selling services. We offer Durand selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Durand and issuing certificates of authenticity since 2002. We are recognized Durand experts and Durand certified appraisers. We issue COAs and appraisals for all Durand artworks.

Our Durand paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Durand certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Durand painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Durand paintings or drawings take longer.

Our clients include Durand collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Asher Brown Durand art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Asher Brown Durand or we will sell it for you.

Durand, Self-Portrait, 1857

Self-Portrait, 1857

Durand, Kindred Spirits, 1860

Kindred Spirits, 1860

Durand was born in New Jersey in 1796. Durand’s house is now recognized as a national landmark in an area referred to as “Durand-Heden”.

Durand, The Planes of Dover

The Planes of Dover

Asher Durand was a leading, American painter of the Hudson River School, known masterful landscape painting rendered directly from nature. Durand followed the spiritual philosophy of the Hudson River School, which believed that nature was a manifestation of God.

Durand, The Beeches, 1845

The Beeches, 1845

Durand worked under an engraver in his early life. As Durand’s skills grew he became a part-owner and manager of a New York engraving firm. Durand was known as the country’s top engraver. Durand was responsible for engraving historical documents, including the Declaration of Independence for John Trumbull.

Durand, The Trysting Tree, 1868

The Trysting Tree, 1868

Around 1830 Durand was encouraged to initiate a career as an oil painter. Durand worked side-by-side with Thomas Cole, drawing the lakes and foliage in the Adirondacks. Durand also made frequent drawing trips to the Catskills and the White Mountains of New Hampshire. Durand would return to his studio and transform his drawings into epic, oil paintings.

Durand, Dance of the Haymakers

Dance of the Haymakers

Durand was active in the New York community of artists, organizing the New-York Drawing Association, now known as the National Academy of Design, and the Sketch Club, known as the Century Association.

Durand is known as a leading figure of the Hudson River School. Durand’s paintings helped to define a genre of landscape painting and set high standards for his peers to follow. Durand’s paintings are highly sought after to this day. Do you think you may own a painting by Asher Durand? Contact us. We are the Asher Durand experts.


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164--klengel.php Johann Christian Klengel Artwork Authentication & Art Appraisal

Johann Christian Klengel (1751-1824)

Get a Klengel Certificate of Authenticity for your painting (COA) for your Klengel drawing.

For all your Klengel artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Klengel Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Klengel painting or drawing.

If you want to sell your Klengel painting or drawing use our selling services. We offer Klengel selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Klengel and issuing certificates of authenticity since 2002. We are recognized Klengel experts and Klengel certified appraisers. We issue COAs and appraisals for all Klengel artworks.

Our Klengel paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Klengel certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Klengel painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Klengel paintings or drawings take longer.

Our clients include Klengel collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Johann Christian Klengel art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Johann Christian Klengel or we will sell it for you.

Klengel painting, Landscape with Goats, Cows and Statue

Landscape with Goats, Cows and Statue

Klengel painting, Grazing Under Threatening Skies

Grazing Under Threatening Skies

Klengel painting, The Vintners Cottage

The Vintners Cottage

Klengel painting, Landscape

Landscape

Johann Christian Klengel was an 18th century German painter known for his traditional and idyllic landscapes.

Klengel painting, Castle Ruins

Castle Ruins

His work influenced fellow artists such as Friedrich and Dahl and he was a member of the Berliner Akademie. Though he did not produce any known portraits in his lifetime, Klengel also created sketches and genre scenes.

Klengel painting, Sketch of Cattle

Sketch of Cattle

Klengel painting, Sketch of Peasant Girls

Sketch of Peasant Girls

Still wondering about an 18th century German landscape in your family collection? Contact us…it could be by Johann Christian Klenge


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166--lebasque.php Henri Lebasque Artwork Authentication & Art Appraisal

Henri Lebasque (1861-1944)

Get a Lebasque Certificate of Authenticity for your painting (COA) for your Lebasque drawing.

For all your Lebasque artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lebasque Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lebasque painting or drawing.

If you want to sell your Lebasque painting or drawing use our selling services. We offer Lebasque selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lebasque and issuing certificates of authenticity since 2002. We are recognized Lebasque experts and Lebasque certified appraisers. We issue COAs and appraisals for all Lebasque artworks.

Our Lebasque paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lebasque certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lebasque painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lebasque paintings or drawings take longer.

Our clients include Lebasque collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henri Lebasque art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Henri Lebasque or we will sell it for you.

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Young Girl in a Hammock

Henri Lebasque was considered to be a painter of the “joy and light”, and painted in an Expressionist style. He was born in Champaigne, France and was a student of Leon Bonnat as well as Humbert. He attended the School of Fine Arts in Angers in 1886. Lebasque was also a founder of the “Nabis” group, and created an individualistic style of painting the good life that was all his own.

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Garden Scene

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Woman Sewing

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Nude

Lebasque liked to use his family members as models for portraits and as figures in his light dappled landscapes and garden scenes.

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Marthe Lebasque Reading

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Nono in a Chaise Lounge

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Marthe et Nono, 1917

He would typically sign his work “H. Lebasque” in cursive on the front of his canvas. His association with Seurat and Signac, who taught him the importance of light and color, influenced Lebasque’s style heavily. Figures in his paintings usually bear the same stylized features, and his paintings usually featured interiors, gardens and leisurely scenes.

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Light Transfigured

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Gate In the Garden in Lagny, 1905

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Young Girl Dreaming in a Room

Lebasque exhibited with the Salon des Independents for the first time in 1896, and met Luce and Signac, who introduced him to Pointillism. Along with his fellow painter and friend Matisse, Lebasque also helped to form the Salon d’Automne in 1903. His work would also be later compared to another group that was founded during this time, the Fauves or “the beasts” because of his use of thick and heavy brush strokes. However, critics who did not appreciate the work of the Fauves during that time were more drawn to Lebasque for his more sophisticated approach to this wild style.

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Young Girl, Table, and Vase

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Still Life With Peaches

Lebasque continued to paint right up until his death, and today his work is housed in museums all over France and around the world. Though his name does not ring as familiar today as Matisse, Pissaro and his other contemporaries, Lebasque was hailed in his lifetime as being creative and individualistic. Still wondering about an Expressionist garden scene hanging in your home? It may be by Henri Lebasque. Contact us to find out.


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167--saryan.php Martiros Saryan Artwork Authentication & Art Appraisal

Martiros Saryan (1880-1972)

Get a Saryan Certificate of Authenticity for your painting (COA) for your Saryan drawing.

For all your Saryan artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Saryan Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Saryan painting or drawing.

If you want to sell your Saryan painting or drawing use our selling services. We offer Saryan selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Saryan and issuing certificates of authenticity since 2002. We are recognized Saryan experts and Saryan certified appraisers. We issue COAs and appraisals for all Saryan artworks.

Our Saryan paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Saryan certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Saryan painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Saryan paintings or drawings take longer.

Our clients include Saryan collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Martiros Saryan art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Martiros Saryan or we will sell it for you.

Martiros Saryan was an Armenian painter, known for his involvement with the Russian symbolist group, Golubaya Roza (Blue Rose). Saryan was born in Nor Nakhichevan (modern-day Rostov-on-Don) Russia to Armenian parents.

Saryan, Lusik Saryan, 1941

Lusik Saryan, 1941

Saryan, Sketch for book cover

Sketch for book cover

As a child in Nor Nakhichevan, Saryan excelled in school and showed an early talent in drawing. In 1897 Saryan began studying painting formally at the Moscow School of Arts. Saryan exhibited regularly in Moscow and apprenticed under Valentin Serov and Konstantin Korovin, reputable names in Russian art.

Saryan, Lake of Fairies, 1905

Lake of Fairies, 1905

After completing his studies, Saryan began to travel frequently, visiting Turkey, Egypt, Iran, Georgia and Southern Armenia (modern-day Azerbaijan). Saryan tried to aid Armenian refugees who were fleeing from political unrest and genocide in Echmiadzin.

Saryan, Armenia landscape

Armenia landscape

In 1916 Saryan married Lusik Agayan, who he met while travelling in Tiflis. Eventually, Saryan returned to his family in Nor Nakhichevan, where he started a museum of Armenian Local Lore.

Saryan, Armenia landscape, 1959

Armenia landscape, 1959

Saryan received a lot of attention after displaying forty-five paintings at the Lotus exhibition, featuring Armenian and Russian painters. Saryan used the exhibition to show both old and new work that reflected his travels and Armenian culture. Saryan also created G. Chalkhushyan’s Red Book, in response to the Armenian Genocide.

Saryan, Self-portrait

Self-portrait

In 1921 Saryan decided to move to Soviet Armenia, as most of his work responded to the Armenian landscape. Saryan became known as an Armenian artist, and was asked to design the National Emblem and flag for Soviet Armenia. In addition, Saryan designed an image of his re-born homeland for the curtain of First Drama Theater in Yerevan.

Saryan, Summer Heat, Running Dog

Summer Heat, Running Dog

Later in Saryan’s career, he designed several opera sets for the Odessa Opera House and in the Moscow Stanislavski Theater. Saryan continued to travel while he painted, designed sets and illustrated Armenian and Persian publications.

Saryan, Still-Life

Still-Life

Unfortunately during the 1930s, many of Saryan’s paintings were destroyed during times of political unrest. After World War II the Academy of artists of the USSR was established, which claimed Saryan’s work could not be considered national, because of its formalism. In essence, Saryan’s work was compared to an Armenian version of the French bourgeois.

Saryan, Lotus

Lotus

Saryan, Woman with Mask

Woman with Mask

Saryan, Green Grocer

Green Grocer

Saryan, Flowers for the Armenian Soldiers of the Great Patriotic War

Flowers for the Armenian Soldiers of the Great Patriotic War

Saryan, Ararat Valley: Picking Cotton, 1945

Ararat Valley: Picking Cotton, 1945

Saryan, Steppe Flowers, Still Life

Steppe Flowers, Still Life

It was not until the 1950s that regional standards concerning art changed, and Saryan was again revered as an artist. Saryan continued to travel and paint the Armenian landscape included in the series ‘My Motherland’, which was awarded the Lenin prize in 1961.

After Saryan’s death in 1972, his home in Yerevan was converted into a museum of his work. Saryan’s work is now in museums and private collections internationally. Do you think you own a painting by Martiros Saryan? Contact us. We are the experts on Martiros Saryan.


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168--hodges.php William Hodges Artwork Authentication & Art Appraisal

William Hodges (1744 – 1797)

Get a Hodges Certificate of Authenticity for your painting (COA) for your Hodges drawing.

For all your Hodges artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hodges Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hodges painting or drawing.

If you want to sell your Hodges painting or drawing use our selling services. We offer Hodges selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hodges and issuing certificates of authenticity since 2002. We are recognized Hodges experts and Hodges certified appraisers. We issue COAs and appraisals for all Hodges artworks.

Our Hodges paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hodges certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hodges painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hodges paintings or drawings take longer.

Our clients include Hodges collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform William Hodges art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your William Hodges or we will sell it for you.

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The HMS Revolution and the HMS Adventure in Tahiti

William Hodges was an English painter. He was a member of James Cook’s second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic. Hodges was a student of William Shipley and Richard Wilson. During his early career, he made a living by painting theatrical scenery.

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Portrait of James Cook

Hodges accompanied Cook to the Pacific as the expedition’s artist in 1772-1775. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cook’s journals from the voyage.

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A Crater Near the Pacific Ocean

Most of the large-scale landscape oil paintings from his Pacific travels for which Hodges is best known were also produced after his return to London; he received a salary from the Admiralty for the purposes of completing them. These paintings are especially notable as being some of the first landscapes to use light and shadow for dramatic purposes. Hodges’ use of light as a compositional element in its own right was a marked departure from the classical landscape tradition. Contemporary art critics complained that his use of light and color contrasts gave his paintings a rough and unfinished appearance.

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Dodo and Red Parakeet 1773

Hodges also produced many portrait sketches of Pacific Islanders and scenes from the voyage involving members of the expedition. However, his skills as a portrait artist were average, at best. In 1778, Hodges traveled to India, the first English professional landscape painter to visit that country. He remained there for 6 years, staying in Lucknow with Claude Martin in 1783. Later in life he traveled on the Continent, including a visit to St. Petersburg in Russia in 1790.

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A Mosque at Gazipoor, 1787

In late 1794, Hodges opened an exhibition of his own works in London that included two large paintings called The Effects of Peace and The Effects of War. In late January, 1795, the exhibition was visited by Prince Frederick, Duke of York and Albany, the second son of King George III. The Duke took offense at the political nature of Hodges’ paintings and ordered the exhibition closed; this Royal censure effectively ended Hodges’ career as a painter.

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View of the Ruins of a Palace at Gazipoor 1787

Hodges retired to Devon and became involved with a bank which failed during the banking crisis of March, 1797. On March 6 of that year, he died from what was officially recorded as “gout in the stomach”, but which was also rumored to be suicide from an overdose of laudanum.

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Posession Bay in the Island of South Georgia

Still wondering about a British painting in your family collection? Contact us…it could be by William Hodges.


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169--kennington.php Sir Thomas Benjamin Kennington Artwork Authentication & Art Appraisal

Sir Thomas Benjamin Kennington (1856-1916)

Get a Kennington Certificate of Authenticity for your painting (COA) for your Kennington drawing.

For all your Kennington artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kennington Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kennington painting or drawing.

If you want to sell your Kennington painting or drawing use our selling services. We offer Kennington selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kennington and issuing certificates of authenticity since 2002. We are recognized Kennington experts and Kennington certified appraisers. We issue COAs and appraisals for all Kennington artworks.

Our Kennington paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kennington certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kennington painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kennington paintings or drawings take longer.

Our clients include Kennington collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sir Thomas Benjamin Kennington art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sir Thomas Benjamin Kennington or we will sell it for you.

Kennington, Rowing on the Thames, 1871

Rowing on the Thames, 1871

Kennington, Amongst the Rocks

Amongst the Rocks

Sir Thomas Benjamin Kennington was born in Great Grimsby, Lincolnshire in 1856. Kennington is well known for his portrait and genre paintings. Kennington’s interest in art began when he was a student in England. Kennington began taking courses at the Liverpool school of Art. After a few years of study he decided to further his education at the Julian Academy in Paris. Kennington was given a thorough training in the Victorian manner. Kennington’s paintings are a reflection of his formal training in England and France.

Kennington, Babies' Beach

Babies’ Beach

Kennington frequently portrayed scenes from everyday life in his paintings. His subjects ranged from middle-class men engaging in leisure hobbies to the injustices of urban poverty.

Kennington, Orphans 1885

Orphans 1885

In 1886 Kennington was a founder of the New English Arts Club along with his peers Whistler and Sickert. Kennington later helped to found the Imperial Art League. Between 1880 and 1916 Kennington exhibited frequently at the Royal Academy as well as other major galleries. During his lifetime Kennington showed hundreds of paintings.

A Mother's Love

A Mother’s Love

Kennington’s paintings are highly valuable to collectors in England and the United States. Kennington’s work belongs to museums internationally. Do you think you own a painting by Sir Thomas Benjamin Kennington? Contact us. We are the Sir Thomas Benjamin Kennington experts.


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170--kline.php Franz Kline Artwork Authentication & Art Appraisal

Franz Kline (Franz Jozef Kline) (1910 – 1962)

Get a Kline Certificate of Authenticity for your painting (COA) for your Kline drawing.

For all your Kline artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kline Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kline painting or drawing.

If you want to sell your Kline painting or drawing use our selling services. We offer Kline selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kline and issuing certificates of authenticity since 2002. We are recognized Kline experts and Kline certified appraisers. We issue COAs and appraisals for all Kline artworks.

Our Kline paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kline certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kline painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kline paintings or drawings take longer.

Our clients include Kline collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Franz Kline art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Franz Kline or we will sell it for you.

Kline, Painting Number 2

Painting Number 2
1954 Oil on Canvas
Museum of Modern Art, New York 

Kline, Untitled

Untitled
1957 Oil and Charcoal on Paper 43 x 55.7 cm 

Kline, Untitled

Untitled
1948 Oil on collage on paperboard 71.3 x 56.4 in.

Franz Kline was an American, Abstract Expressionist painter, known for his bold mark making, which categorized him as an “action painter”. Though Kline spent most of his career in New York City, he was born in the small town of Wilkes-Barre, Pennsylvania. Kline attended a private academy as a child before moving to Massachusetts as a young man, to study at Boston University.

Kline, Delaware Gap

Delaware Gap
1958 Oil on Canvas 198.6 x 269.5 cm

Kline, Untitled

Untitled
1948 Oil and Paper Collage 58.6 x 76.2

While receiving a formal academic and art education, Kline started spending summers painting in Provincetown, Massachusetts. Provincetown was known for its thriving art colony that attracted artists from all over North America. After Kline graduated from Boston University in 1935, he decided to continue his education in London, where he studied at Heatherley’s School until 1938.

Kline, Palladio

Palladio
1961 Oil on Canvas 266.1 x 193.7 cm

Kline, Black Reflections

Black Reflections
1959 Oil and Pasted paper on paper
Metropolitan Museum of Art

Kline soon returned to the United States, settling in New York City. The big city proved as an inspiring subject matter for Kline, who began painting urban scenes in the manner of Sloan or Glackens. By the end of the 1940s, Kline’s work began to become more abstract, as he was exposed to cubist and abstract expressionist painters.

Kline, Chief

Chief
1950 Oil on Canvas 58 3/8 in x 6 ft 1.5 in
Museum of Modern Art, New York

Kline, Untitled II

Untitled II
1952 Ink and Oil on paper
Museum f Modern Art, New York

By 1950 Kline began to develop his signature style of seemingly spontaneous black and white paintings. Before making bold brush strokes on a final painting, Kline would tear through phonebook pages, making practice sketches.

Kline, In-text plate from 21 Etchings and Poems

In-text plate from 21 Etchings and Poems
1960 21.2 x 36.7 cm
Museum of Modern Art, New York

Kline, White Forms

White Forms
1955 Oil on Canvas 6 ft 2 3/8 in x 50 ¼ in
Museum of Modern Art, New York

Kline, Untitled (Study for Mahoning II)

Untitled (Study for Mahoning II)
1960 Ink on Paper, Mounted on Board 36.8 x 40 cm
Modern Museum of Art, New York

Kline held his first solo exhibition at the Egan Gallery at 1950, where he soon gained recognition for his energetic and innovative paintings. After creating an extensive series of black and white paintings, Kline slowly began to reintroduce color into his paintings.

Kline continued to exhibit at the Egan Gallery several times in his lifetime. In 1962 Kline died in New York City, with a solid reputation as an American abstract-expressionist painter. His works are now in major American and modern art collections around the world. Do you think you own a painting by Franz Kline? Contact us. We are the Kline experts.


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171--grosvalds.php Jazeps Grosvalds Artwork Authentication & Art Appraisal

Jazeps Grosvalds (1891–1920)

Get a Grosvalds Certificate of Authenticity for your painting (COA) for your Grosvalds drawing.

For all your Grosvalds artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Grosvalds Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Grosvalds painting or drawing.

If you want to sell your Grosvalds painting or drawing use our selling services. We offer Grosvalds selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Grosvalds and issuing certificates of authenticity since 2002. We are recognized Grosvalds experts and Grosvalds certified appraisers. We issue COAs and appraisals for all Grosvalds artworks.

Our Grosvalds paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Grosvalds certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Grosvalds painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Grosvalds paintings or drawings take longer.

Our clients include Grosvalds collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Do you think you may own a painting by Jazeps Grosvalds?

We perform Jazeps Grosvalds art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Jazeps Grosvalds or we will sell it for you.

1. Oriental Landscape. 1918. Watercolor on Paper.

1. Oriental Landscape. 1918. Watercolor on Paper.

2. White Crosses. 1916. Oil painting.

2. White Crosses. 1916. Oil painting.

Jazeps Grosvalds was a Latvian artist born in the capital city of Riga. After finishing his primary education in Latvia, Grosvalds travelled to Germany. Grosvalds was soon exposed to the work of modern artists experimenting with new styles, such as Manet and Van Gogh. Grosvalds spent a year studying in Munich before being drafted to serve in the Russian imperial army. After finishing his service Grosvalds left for Paris where he continued his artistic training.

Grosvalds was both influenced by current movements led by the Impressionists, as well as the Old Masters.

3. Old Refugee. 1917. Oil painting.

3. Old Refugee. 1917. Oil painting.

In 1914 Grosvalds returned to Latvia, leaving France as war was on the horizon. Back in Riga, Grosvalds formed several artistic groups, such as Green Flower, The Expressionists Group, and Riga Artists Group.

4. Path of the Nightmare. 1916. Watercolor on Paper.

4. Path of the Nightmare. 1916. Watercolor on Paper.

Grosvalds was called back to the Russian army in 1915, joining the Latvian Rifleman. Grosvalds continued to paint, documenting his active duty across Persia and the Caucasus.

5. Kurds on the Roof. 1916. Watercolor and Gouache. Latvian Museum of Art.

5. Kurds on the Roof. 1916. Watercolor and Gouache. Latvian Museum of Art.

If you think you may own original artwork by Jazeps Grosvalds, contact Art Certification Experts for information regarding our services.


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172--campin.php Robert Campin Artwork Authentication & Art Appraisal

Robert Campin (AKA Master of Flemalle) (1375/80-1444)

Get a Campin Certificate of Authenticity for your painting (COA) for your Campin drawing.

For all your Campin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Campin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Campin painting or drawing.

If you want to sell your Campin painting or drawing use our selling services. We offer Campin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Campin and issuing certificates of authenticity since 2002. We are recognized Campin experts and Campin certified appraisers. We issue COAs and appraisals for all Campin artworks.

Our Campin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Campin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Campin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Campin paintings or drawings take longer.

Our clients include Campin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Robert Campin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Robert Campin or we will sell it for you.

Portrait Of A Woman

Portrait Of A Woman

The Virgin And Child Before A Firescreen

The Virgin And Child Before A Firescreen

Virgin And Child Before A Fireplace

Virgin And Child Before A Fireplace

Robert Campin was born some time between 1375-1380 in Tournai, the Netherlands, and is considered to be one of the founders of Netherlandish painting during the early Renaissance. It is thought by some art historians that Campin was also the “Master of Flemalle,” the so-called unknown author of the mantelpiece at the Flemalle monastery. However, there is some speculation whether or not it was actually Campin who created the mysterious piece.

St. Barbara

St. Barbara

John The Baptist

John The Baptist

St. Veronica

St. Veronica

During Campin’s time, he was undoubtedly influenced by the masters of illuminated manuscripts; however, his work shows a greater presence of Realism than any other artist during his era. Prior to the 20th century, art historians credited Jan van Eyck as the first painter to depart from Gothic art conventions. This departure has since been attributed to Campin, due to the belief that he painted the altarpiece of Flemalle (Also known as “The Merode Altarpiece”).

Flemalle Altarpiece Tryptic

Flemalle Altarpiece Tryptic

Campin’s earliest influences were the Limburg brothers, as well as painters of the Burgundy court. However, he soon moved on the three-dimensional figure representation as well as depth exploration. In his later works, Campin was obsessed with perspective, and was thought to have taught fellow Netherlandish artist Rogier van der Weyden

Morning Trinity Throne Of GOd

Morning Trinity Throne Of GOd

Nativity

Nativity

Art historians have even credited Campin’s work “Christ Blessing with the Virgin in Prayer” as the piece which influenced the beginning of the diptych. Though not a diptych itself, “Christ Blessing the Virgin in Prayer” inspired his followers to begin this trend of painting matching panel scenes that were hinged and would close like a small book.

Christ Blessing The Virgin IN Prayer

Christ Blessing The Virgin IN Prayer

Though most of Campin’s works are likely to be housed in public and private collections, the possibility of one of his unknown works or sketches surfacing is still quite possible. Stolen altarpieces during wartime and drawings stuffed in between the pages of old books still surface today, and such a work by Campin would be quite valuable. As it was the style of the day, most of these works would likely be of religious subjects, and would possess a quality unlike that of any other artist of his era. These pieces could include panels, diptychs and triptychs.

Portrait Of A Man

Portrait Of A Man

Today, Campin’s works are housed at the Hermitage Museum, The Prado Museum and the National Gallery in London. Still wondering about an early 15th century Netherlandish painting or drawing in your family estate? Contact us…it could be by Robert Campin.


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173--taos.php Taos Society Artists Artwork Authentication & Art Appraisal

The Taos Society of Artists (1915-1927)

Do you think you may own a painting by one of the Taos Society Artists? We perform art art authentications, art appraisals, art research and provide Certificates of Authenticity (COA) as well as consultations, for all paintings by the Taos Society Artists.

Taos, Phillips

Phillips “Moonlit Vigil”

Taos, Phillips

Phillips “Portrait of an Indian Chief”

The Taos Society of Artists was an organized group of American painters based out of Taos, New Mexico. Members associated with the group primarily painted Native American scenes, Pueblo architecture, and the desert landscape. The foundation set by the original members of the Taos Society of Artists paved the way for the Taos art colony, a community where artists continue to flock. The Society had ties to the Society of Western Artists, which worked in New Mexico, among other locations.

Taos, Sharp

Sharp “Blanket Bull Crow Papoose”

Taos, Sharp

Sharp “Studio Visitors”

The founding Artists in the Taos Society of Artists included: Joseph H. Sharp, Bert G. Phillips, Ernest L. Blumenschein, E.Irving Couse, Oscar E. Berninghaus and Herbert Dunton. Other members associated with the Society include: Victor Higgins, Julius Rolshoven, E. Martin Hennings, Walter Ufer and BJO Nordfeldt. In 1924, Catherine C. Critcher became the only woman to join the group. Kenneth Adams was the last member to join the group, for the Society’s last active year.

Taos, Couse

Couse “The Historian”

Taos, Blumenschein

Blumenschein “Superstition”

Taos, Higgins

Higgins “Pink and Red”

Joseph H. Sharp was the first of the group to visit Taos. Sharp later met Bert G. Phillips and Ernest L. Blumenschein on Paris and urged them to travel to New Mexico. Phillips and Blumenschein took Sharp’s advice and headed on a painting trip to Mexico, via New Mexico. While in Taos, the painter’s wagon wheel broke, leading them to settle in Taos rather than continue course across the border.

Taos, Ufer

Ufer “In his Garden”

Taos, Ufer

Ufer “The Gateway”

Blumenschein later met E.I Couse and recruited him to join their painting group in the southwest. Couse followed suit and recruited his friend Oscar E. Berninghaus, who consequently recruited Herbert Dunton. After the addition of Dunton, the group had a critical mass, and held their first meeting in 1915 on the first of July.

Taos, Berninghaus

Berninghaus “Red Pepper Time”

Though all of the artists had their own styles and academic backgrounds, they were drawn together by the magnificent environment of Taos. Many of the artists came from the industrial east coast, or Midwest, and were overwhelmed by the beauty and diversity of the desert, mountains, forests and native culture.

Taos, Berninghaus

Berninghaus “Stage Coach”

Though the group formally broke apart in 1927, Taos remains to be a thriving art colony visited by artists of all nationalities and creeds. Today, galleries, museums, artist studios and residencies can be found in Taos. Many of the works by the original Taos Society of Artists can be found in regional and international collections. Do you think you own a painting by one of the Taos Society of Artists? Contact us. We are experts on the Taos Society of Artists.


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174--de-la-carcova.php Ernesto de la Cárcova Artwork Authentication & Art Appraisal

Ernesto de la Cárcova (1866-1927)

Do you think you own a painting of Ernesto de la Cárcova? Autenticamos, appraise, investigate, give information and issue Certificates of Authenticity (COA) of all the works of Ernesto de la Cárcova.

Ernesto de la Cárcova, Sorpresa - 1896
Sorpresa – 1896

He was undoubtedly one of the most outstanding painters of the so-called Generation of the Eighties, during the last years of the 19th century and the first of the following. He began his painting studies in 1885 and then continued his training in Paris, Rome and Turin. There he was influenced by the brothers Doménico and Girolamo Induno, the first to react against academicism.

From the aesthetic point of view, in the early years of the decade the Italian influence predominated in his work, mainly from the “macchiaioli”. The expressive brushstroke against the academic coldness and the preference for verismo in the form of representation. His famous paintings with social content date from this time. This is demonstrated by his 1894 painting “Sin pan y sin trabajo” which was a vibrant reaction against academicism not only for its pathetic and impressive theme, but also for the technique of modeling through color.

Ernesto de la Cárcova, Sin pan y sin trabajo, 1892-93, Óleo sobre tela 125,5 x 216 cm
Without bread and without work, 1892-93, Oil on canvas 125.5 x 216 cm

In the 1890 Turin Salon, King Umberto I acquired one of his works: the Old Man Head cake.

Later he made portraits and still lifes in oil and pastel. Towards the end of his creative cycle, de la Cárcova began to use a lively light, which greatly clarified his palette and announced the Argentine impressionism that was to flourish in the country during the subsequent period. This is demonstrated by his works “Contraluz”, “Sobre el banco del jardín” and “Naturaleza en silencio”.

Ernesto de la Cárcova, La esposa del artista
The artist’s wife
Ernesto de la Cárcova, El banco del jardín, 1927
The garden bench, 1927

He was the founder and first director of both the Superior School of Fine Arts that today bears his name and the National Academy of Fine Arts, he formed numerous disciples, some of whom reached the highest peaks of art such as Carlos Miguel Victorica, Cesáreo B De Quirós, Carlos Ripamonte and others.

Ernesto de la Cárcova, Naturaleza muerta, sin fecha, óleo sobre tela 62 x 56 cm.
Still life, undated, oil on canvas 62 x 56 cm.

He obtained numerous awards in international salons and the Presidency of France awarded him the Legion of Honor in the rank of Knight and later in that of Officer.

Still thinking about that painting from the family collection? Get in contact with us…. It could be from Ernesto de la Cárcova.


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175--griveau.php Lucien Griveau Artwork Authentication & Art Appraisal

Lucien Griveau

Get a Griveau Certificate of Authenticity for your painting (COA) for your Griveau drawing.

For all your Griveau artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Griveau Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Griveau painting or drawing.

If you want to sell your Griveau painting or drawing use our selling services. We offer Griveau selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Griveau and issuing certificates of authenticity since 2002. We are recognized Griveau experts and Griveau certified appraisers. We issue COAs and appraisals for all Griveau artworks.

Our Griveau paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Griveau certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Griveau painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Griveau paintings or drawings take longer.

Our clients include Griveau collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lucien Griveau art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lucien Griveau or we will sell it for you.

Paysage

Paysage

Lucien Griveau was a French Impressionist landscape painter who painted in the style of the Barbizon school.

Landscape And River

Landscape And River

Today, Griveau’s paintings are housed all over France and perhaps in your own home. Still wondering about a French landscape painting? Contact us…it could be by Lucien Griveau.


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176--de-jongh-tinus.php Tinus de Jongh Artwork Authentication & Art Appraisal

Martinus Johannes “Tinus” de Jongh (1885-1942)

Get a De Jongh Certificate of Authenticity for your painting (COA) for your De Jongh drawing.

For all your De Jongh artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Jongh Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Jongh painting or drawing.

If you want to sell your De Jongh painting or drawing use our selling services. We offer De Jongh selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Jongh and issuing certificates of authenticity since 2002. We are recognized De Jongh experts and De Jongh certified appraisers. We issue COAs and appraisals for all De Jongh artworks.

Our De Jongh paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Jongh certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Jongh painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Jongh paintings or drawings take longer.

Our clients include De Jongh collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Tinus de Jongh art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Tinus de Jongh or we will sell it for you.

Diep River, Cape

Diep River, Cape

De Jongh was one of South Africa’s most popular painters. Self-taught, he began his career as a decorator in Holland and then pursued painting full-time. He achieved some note when the Stedelijk Museum in Amsterdam purchased one of his early pictures. He arrived in South Africa in 1921, practicing a sober style within the Dutch tradition typified by still life with birds and hare. The light and landscape of South Africa soon caused him to abandon his muted palette in favor of more saturated colors. His formulaic approach to painting Cape landscapes with gabled farmhouses created such a demand that he abandoned his considered brushwork in favor of a broader palette knife technique. His etchings sold in the hundreds through his dealer, Louis Woolf.

Cape Farmhouse

Cape Farmhouse

In 1934, controversy arose from allegations that Woolf had forged the artist’s signature on thousands of them. De Jongh’s sentimental variations of the Cape landscape attracted many admirers, much to the dismay of some. In 1929, W.H. Hill, a Durban art critic, wrote: “Mr. de Jongh wears a Van Dyke beard, he affects a black velvet jacket and brown trousers, and he lives at ‘Rembrandt House’. His four pictures are what one would expect from a gentleman who wears a Van Dyke beard and commits other crimes enumerated. He sees South Africa through a beautiful haze of crushed strawberry jam and some of the clots of yellow on his canvas must be at least a quarter of an inch thick.”

Landscape

Landscape

Still wondering about an African painting in your family collection? Contact us…it could be by Tinus de Jongh.


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178--morland.php George Morland Artwork Authentication & Art Appraisal

George Morland (1763-1804)

Get a Morland Certificate of Authenticity for your painting (COA) for your Morland drawing.

For all your Morland artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Morland Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Morland painting or drawing.

If you want to sell your Morland painting or drawing use our selling services. We offer Morland selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Morland and issuing certificates of authenticity since 2002. We are recognized Morland experts and Morland certified appraisers. We issue COAs and appraisals for all Morland artworks.

Our Morland paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Morland certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Morland painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Morland paintings or drawings take longer.

Our clients include Morland collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform George Morland art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your George Morland or we will sell it for you.

art

The Miseries of Idleness

art

Blind Mans Bluff

George Morland was an 18th century English painter. Morland mainly painted rustic scenes of peasants and country folk in interiors, playing games and living out their daily life. He exhibited first at the Royal Academy when he was only ten years old, and was an apprentice by the time he was fourteen.

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The Comforts of Industry

Morland lived a fairly dramatic life, and was on the run from creditors, and even was paralyzed for a short time. Both of these personal disadvantages did not completely hinder Morland from creating a large oeuvre all the same. However, his risky lifestyle led to his death of a seizure from “brain fever.”

Morland painting, The Laborers Luncheon

The Laborers Luncheon

Morland was also known as a painter of animals, particularly painting them in their natural setting; the outdoors.

Morland painting, Setters and a Pointer

Setters and a Pointer

Still wondering about an 18th century British painting in your family collection? Contact us…it could be by George Morland.


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179--serebriakova.php Zinaida Evgenievna Serebriakova Artwork Authentication & Art Appraisal

Zinaida Evgenievna Serebriakova (Зинаида Евгеньевна Серебрякова) (1884-1967)

Do you think you may own a painting by Zinaida Evgenievna Serebryakova?

Get a Serebriakova Certificate of Authenticity for your painting (COA) for your Serebriakova drawing.

For all your Serebriakova artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Serebriakova Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Serebriakova painting or drawing.

If you want to sell your Serebriakova painting or drawing use our selling services. We offer Serebriakova selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Serebriakova and issuing certificates of authenticity since 2002. We are recognized Serebriakova experts and Serebriakova certified appraisers. We issue COAs and appraisals for all Serebriakova artworks.

Our Serebriakova paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Serebriakova certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Serebriakova painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Serebriakova paintings or drawings take longer.

Our clients include Serebriakova collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Zinaida Evgenievna Serebriakova art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Zinaida Evgenievna Serebriakova or we will sell it for you.

art

Self-Portrait 1909

art

Portrait of Vera Fokine

Zinaida Evgenievna Serebriakova was a Modernist Russian painter, and was one of the best known and most highly regarded of her time. She was the daughter of the sculptor Evgenii Lanceray and was said to have been raised in an environment that helped to foster a love of the arts. The Lanceray family was said to be one of the most cultured lineages in all of Czarist Russia.

art

Portrait of the Artist’s Daughter

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Portrait of a Woman 1931

Serebriakova’s first major influence in art came from a visit to the canals of Venice, Italy. During this time, Venice was one of the major art centers of the world, and Serebriakova found herself inspired by this beautiful city. Soon thereafter in 1901 she was attending classes at the School of the Princess Maria Tenisheva, and then studied in Paris at the Academie de la Grande Chaumiere. While in Paris, Serebriakova studied under Ossip Braz, who influenced her style tremendously.

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Still Life 1934

Serebriakova enjoyed a relatively successful career as a precocious young and talented artist, until her family fortunes were ravaged due to the Revolution. Her husband died in 1921, leaving her to struggle in order to make a living, and as a result, had to move out of the country. Thus, Serebriakova began to travel widely, including ventures into North Africa, while keeping Paris her base home.

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Camels, pastel 1928

From the years 1910 until 1932, Serebriakova took place in a world wide tour of her work. As a member of the World of Art, she visited a number of locations while exhibiting her work, including Toronto and Los Angeles in 1925, Moscow in 1927, Brussels and Paris in 1928, and also in Japan.

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Sleeping Nude 1931

Serebriakova finally earned her French citizenship in 1947 and before her death, was reunited with her older children in the 1960’s. This return to the then USSR fostered a new found appreciation for her work in her home country, and Serebriakova became popular in Russia once again.

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Nude 1932

In general, Serebriakova became known for her stunning nudes. These were executed with a style that art historians say differentiated from that of most other Russian artists of her time. Her style is most closely related to that of Expressionism, and art critics have noted a great deal of dynamism, emotion and even eroticism in her brush strokes that collectors are hard pressed to find among the work of her peers. It is said that her art is driven by the pursuit of female beauty, and that she demonstrated a strong sense of color, particularly in blue and red.

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Pastel 1922

Today, Serebriakova’s work is more highly coveted by collectors than ever, fetching prices upwards of $1 million at auction. Her works are housed in modern art collections all over the world, and perhaps in your own home. Still wondering about a Russian nude painting in your family estate? Contact us…it could be by Zinaida Evgenievna Serebriakova.


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180--klinger.php Max Klinger Artwork Authentication & Art Appraisal

Max Klinger (1857 – 1920)

Get a Klinger Certificate of Authenticity for your painting or a COA for your Klingerdrawing, print or sculpture.

For all your Klingerartworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Klinger Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Klingerpainting, drawing, print or sculpture.

If you want to sell your Klingerpainting, drawing, print or sculpture use our selling services. We offer Klinger selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Klingerand issuing certificates of authenticity since 2002. We are recognized Klingerexperts and Klinger certified appraisers. We issue COAs and appraisals for all Klinger artworks.

Our Klingerpaintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Klingercertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Klingerpainting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Klingerpaintings, drawings or sculptures take longer.

Our clients include Klingercollectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Max Klinger art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Max Klinger or we will sell it for you.

art

The Fisherman

Max Klinger was a German Symbolist painter, sculptor and printmaker. Klinger was born in Leipzig and studied in Karlsruhe. An admirer of the etchings of Menzel and Goya, he shortly became a skilled and imaginative engraver in his own right.

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Death

His best known work is a series of ten etchings entitled Paraphrases about the Finding of a Glove (printed 1881). These pictures were based on images which came to Klinger in dreams after finding a glove at an ice-skating rink. In the leitmotic device of a glove—belonging to a woman whose face we never see—Klinger anticipated the research of Freud and Kraft-Ebbing on fetish objects. In this case, the glove becomes a symbol for the artist’s romantic yearnings, finding itself, in each plate, in different dramatic situations, and performing the role that we might expect the figure of the beloved herself to fulfil. Semioticians have also seen in the symbol of the glove an example of a sliding signifier, or signifier without signified—in this case, the identity of the woman which Klinger is careful to conceal. The plates suggest various psychological states or existential crises faced by the artist protagonist (who bears a striking resemblance to the young Klinger).

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Scene from Eve and The Future

Klinger traveled extensively around the art centres of Europe for years before returning to Leipzig in 1893. From 1897 he mostly concentrated on sculpture; his marble statue of Beethoven was an integral part of the Vienna Secession exhibit of 1902.

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Sirene

Klinger was cited by many artists (notably Giorgio de Chirico) as being a major link between the Symbolist movement of the 19th century and the start of the metaphysical and Surrealist movements of the 20th century. Still wondering about a 19th century illustration in your family collection? Contact us…it could be by Max Klinger.


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181--carducci.php Vincenzo Carducci Artwork Authentication & Art Appraisal

Vincenzo Carducci (1568-1638)

Get a Carducci Certificate of Authenticity for your painting (COA) for your Carducci drawing.

For all your Carducci artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Carducci Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Carducci painting or drawing.

If you want to sell your Carducci painting or drawing use our selling services. We offer Carducci selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Carducci and issuing certificates of authenticity since 2002. We are recognized Carducci experts and Carducci certified appraisers. We issue COAs and appraisals for all Carducci artworks.

Our Carducci paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Carducci certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Carducci painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Carducci paintings or drawings take longer.

Our clients include Carducci collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Vincenzo Carducci art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Vincenzo Carducci or we will sell it for you.

art

The Vision of St. Anthony of Padua 1631

Vincenzo Carducci was an Italian painter. Born in Florence, and was trained as a painter by his brother Bartolomeo, whom he followed to Madrid. He was initially called to work on the decoration of the Escorial for Philip II of Spain. He worked a great deal for the subsequent monarchs, Philip III and Philip IV, and his best pictures are those he executed for them as decorations in the Prado. Examples of his work are preserved at Toledo, Valladolid, Segovia, and several other Spanish cities. For many years he labored in Madrid as a teacher of his art, and among his pupils were Giovanni Ricci, Pedro Obregon, Vela, Francisco Collantes, and other distinguished representatives of the Spanish school during the 17th century.

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St. Jerome Hearing the Trumpet of the Last Judgement 1626

He also authored a treatise, De las Excelencias de la Pintura or Diálogos de la pintura, su defensa, origen, essencia, definición, modos, y diferencias, published in 1633. Witten in classical tradition as a dialogue between a master and an apprentice. Following strict piety of the Spanish realm, the text urges:

“Shame on me and all those who rash and impudent, and without meditation and without improving our souls, in this world set out to paint a portrait of the most Holy Queen of Angels, Mother of the Almighty, she who was full of grace, she who will be our means for gaining heaven…How well this was understood by that holy monastic painter Brother Juan Fesulano..(who) never started to paint without praying first..and (who) wept whenever he painted Christ on the Cross.”

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St. Francis Receiving Stigmata

Carducci also assailed the verism of practiced by some such as Velázquez, and particularly was critical of Caravaggio and his followers, on whom he wrote:

“His new dish is cooked with condiments, with so much flavor, appetite, and relish that he has surpassed everybody with such choice tidbits and a license so great that I am afraid the others will suffer apoplexy in ther true principles, because most painters follow him as if they were famished. They do not stop to reflect of the fire of his talent which is so forceful, nor whether they are able to digest such an impetuous, unheard of, and incompatible technique, nor whether they possess Caravaggio’s nimbleness of painting without preparation. Did anyone ever paint, and with so much success, as this monster of genius and talent, almost without rules, without theory, without learning and meditation, solely by the power of this genius and the model in front of him which he simply copied so admirably.? I heard a zealot of our profession say that the appearance of this man mean a foreboding of ruin and end of painting, and how at the close of this visible world the Antichrist, pretending to be the real Christ with false and strange miracles and monstrous deeds would carry with him to damnation a very large number of people moved by his works which seemed so admirable (although they were in themselves deceptive, false, and without truth or permanence).

“Thus this Anti-Michelangelo with his showy and external copying of nature his admirable technique and liveliness has been able to persuade such a large number of all kinds of people that his is good painting and that his theory and practice are right,that they have turned their backs on the true manner of perpetuating themselves and on true knowledge in this matter.”

Still wondering about an Italian painting in your family collection? Contact us…it could be by Vincenzo Carducci.


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182--knoller.php Martin Knoller Artwork Authentication & Art Appraisal

Martin Knoller (1725-1804)

Get a Knoller Certificate of Authenticity for your painting (COA) for your Knoller drawing.

For all your Knoller artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Knoller Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Knoller painting or drawing.

If you want to sell your Knoller painting or drawing use our selling services. We offer Knoller selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Knoller and issuing certificates of authenticity since 2002. We are recognized Knoller experts and Knoller certified appraisers. We issue COAs and appraisals for all Knoller artworks.

Our Knoller paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Knoller certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Knoller painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Knoller paintings or drawings take longer.

Our clients include Knoller collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Martin Knoller art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Martin Knoller or we will sell it for you.

Knoller painting, Portrait of Anton von Maron

Portrait of Anton von Maron

Martin Knoller was an 18th century Austrian painter. Knoller mainly painted portraits and genre scenes.

Knoller painting, Peasants Resting by a Waterfall

Peasants Resting by a Waterfall

Still wondering about an 18th century Austrian painting in your family collection? Contact us…it could be by Martin Knoller.


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183--la-tour-de.php Maurice Quentin de la Tour Artwork Authentication & Art Appraisal

Maurice Quentin de la Tour (1704-1788)

We Perform Maurice Quentin de la Tour art authentication. Maurice Quentin de la Tour appraisal. Maurice Quentin de la Tour certificates of authenticity (COA). Maurice Quentin de la Tour analysis, research, scientific tests, full art authentications. We will help you sell your Maurice Quentin de la Tour or we will sell it for you.

Self-Portrait 1751

Self-Portrait 1751

Maurice Quentin de la Tour was a French portrait painter of the Rococo style, who worked primarily with pastels. Among his most famous subjects were Voltaire, Louis XV, and Madame de Pompadour. He was born in Saint-Quentin, Aisne, the son of a musician who disapproved of his painting career. At the age of fifteen, La Tour went to Paris where he entered the studio of the Flemish painter Jacques Spoede. He then went to Rheims in 1724, and England in 1725, returning to Paris to resume his studies around 1727. After his return to Paris, he began working with pastels.

Madame de Pompadour

Madame de Pompadour

In 1737 La Tour exhibited the first of a splendid series of 150 portraits that served as one of the glories of the Paris Salon for the next 37 years. He was able to endow his sitters with a distinctive air of charm and intelligence, and he excelled at capturing the delicate play of facial features.

Portrait of Brother Fiacre

Portrait of Brother Fiacre

In 1746, he was received into the Academie Royale and in 1751 was promoted to councillor. La Tour was made portraitist to the king in 1750, a position he held until 1773, when he suffered a nervous breakdown. For a time, the painter Joseph Ducreux was his only student. He founded an art school and became a philanthropist before being confined to his home because of mental illness. He retired at the age of 80 to Saint-Quentin.

Self-Portrait

Self-Portrait

de la Tour Discovery

artThe director of the Instituto Cervantes, César Antonio Molina, the director of the Museo del Prado, Miguel Zugaza, and Professor José Milicua, a Trustee of the Museum, today announced the discovery of a previously unknown work by the French artist Georges de la Tour (1593-1652).

The attribution was made by Professor Milicua, while the painting belongs to the Spanish State and was on long term deposit at the Palacio de la Trinidad, headquarters of the Instituto Cervantes.

The discovery of the painting, now identified as undoubtedly a work by La Tour depicting Saint Jerome reading a Letter, is an exceptionally important one, as it represents a further addition to the small corpus of known works by the leading French painter of the 17th century. Only one other work by La Tour is to be found in Spain: the Blind Man playing the Hurdy-gurdy, acquired by the Museo del Prado in 1991 with funds from the Villaescusa Bequest.

The recently discovered painting of Saint Jerome reading a Letter by Georges de la Tour depicts the saint half-length, without any specific attributes, situated in the centre of the composition and reading a letter, holding a pair of pince-nez.

Given the lack of documentary evidence, the attribution­ as argued in the report by Professor Milicua and the opinion of other experts consulted – has been based on the quality of handling, which is comparable to other autograph works by the artist. It can be detected in details such as the free brushwork of the hair and the characteristic light touches to the picture surface made with the point of the brush, as well through comparisons with other similar compositions.

Until now, the only early biographical reference to locate a work by La Tour in Spain is a reference by the Count de Maule, a 19th-century traveler.

In 1813, the Count pointed to the existence of the painting “Man blowing on an ember to light his pipe, by Georges de la Tour” in the collection of Sebastián Martínez, a collector and friend of Goya who lived in Cadiz.

The whereabouts of that canvas is now unknown, although a number of copies exist.

For this reason, the first and only work which has until now filled the total gap in this great master’s representation in Spain is the painting acquired in London by the Museo del Prado in 1991, once again underlining the importance of the present discovery of Saint Jerome reading a Letter.

Recognition of Georges de la Tour as one of the most important French painters of the 17th century dates back to 1915, when the great German connoisseur Hermann Voss definitively identified De La Tour as the author of some of his famous night scenes.

Since then, various exhibitions and a recent bibliography have added to and disseminated our knowledge of the artist’s oeuvre. The only exhibition to have been devoted to De La Tour in Spain was the one held in 1994 at the Museo del Prado, which reunited the series of “Musicians”, with a catalogue by Juan J. Luna, Curator at the Museum.

Georges de La Tour was born in Vic sur la Seille (Lorraine) in 1593 and died in Lunéville (Lorraine) in 1652. He is known to have been “painter in ordinary” to the King of France and to have received commissions from the Duke of Lorraine as well as other leading members of the regional aristocracy, but the high esteem in which he was held during his lifetime soon declined after his death.

For this reason, there is little secure information with regard to his artistic training, although his evident early absorption of elements of Caravaggio’s style may point to a possible study trip to Italy. On the other hand, he may have gained this knowledge in Flanders or, less probably, in Paris.

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Maurice Quentin de la Tour.


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185--bassano.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bassano" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bassano" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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186--baumeister.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "baumeister" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "baumeister" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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187--abbott.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "abbott" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "abbott" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
188--gentileschi.php Artemesia Gentileschi Artwork Authentication & Art Appraisal

Artemisia Gentileschi (1593 – 1653)

Get a Gentileschi Certificate of Authenticity for your painting (COA) for your Gentileschi drawing.

For all your Gentileschi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gentileschi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gentileschi painting or drawing.

If you want to sell your Gentileschi painting or drawing use our selling services. We offer Gentileschi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gentileschi and issuing certificates of authenticity since 2002. We are recognized Gentileschi experts and Gentileschi certified appraisers. We issue COAs and appraisals for all Gentileschi artworks.

Our Gentileschi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gentileschi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gentileschi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gentileschi paintings or drawings take longer.

Our clients include Gentileschi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Artemisia Gentileschi art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Artemisia Gentileschi or we will sell it for you.

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Self-Portrait 1630’s

Artemesia Gentileschi was an Italian Early Baroque painter, today considered one of the most accomplished painters in the generation influenced by Caravaggio (Caravaggisti). In an era when women painters were not easily accepted by the artistic community, she was the first female painter to become a member of the Accademia di Arte del Disegno in Florence. She was also one of the first female artists to paint historical and religious paintings, at a time when such heroic themes were considered beyond a woman’s reach.

Gentileschi was born in Rome, on July 8, 1593, the first child of the painter Orazio Gentileschi, one of the greatest representatives of the school of Caravaggio. Artemisia was introduced to painting in her father’s workshop, showing much more talent than her brothers, who worked alongside her. She learned drawing, how to mix color and how to paint. Since her father’s style took inspiration from Caravaggio during that period, her style was just as heavily influenced in turn. But her approach to subject matter was different from her father’s.

The first work of the young 18-year-old Artemisia (even if many at the time suspected that she was helped by her father) was the Susanna e i Vecchioni (Susanna and the Elders) (1610, Schönborn collection in Pommersfelden). The picture shows how Artemisia assimilated the realism of Caravaggio without being indifferent to the language of the Bologna school (which had Annibale Carracci among its major artists).

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Susanna and the Elders

In 1612, despite her early talent, Artemisia was denied access to the all-male professional academies for art. At the time, her father was working with Agostino Tassi to decorate the vaults of Casino della Rose inside the Pallavicini Rospigliosi Palace in Rome, so Orazio hired the Tuscan painter to tutor his daughter privately. During this tutelage, Tassi raped Artemisia. Even though Tassi initially promised to marry Artemisia in order to restore her reputation, he later reneged on his promise and Orazio reported Tassi to the authorities.

In the ensuing 7-month trial, it was discovered that Tassi had planned to murder his wife, had enjoined in adultery with his sister-in-law and planned to steal some of Orazio’s paintings. During the trial Artemisia was given a gynecological examination and was tortured using a device made of thongs wrapped around the fingers and tightened by degrees — a particularly cruel torture to a painter. Both procedures were used to corroborate the truth of her allegation, the torture device used due to the belief that if a person can tell the same story under torture as without it, the story must be true. At the end of the trial Tassi was imprisoned for one year. The trial has subsequently influenced the feminist view of Artemisia Gentileschi during the late 20th century.

The painting Giuditta che decapita Oloferne (Judith beheading Holofernes) (1612 – 1613), displayed in the Capodimonte Museum of Naples, is impressive for the violence portrayed, and has been interpreted as a wish for psychological revenge for the violence Artemisia had suffered.

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Judith Beheading Holofernes 1612-1613

One month after the trial, in order to restore her honor, Orazio arranged for his daughter to marry Pierantonio Stiattesi, a modest artist from Florence. Shortly afterwards the couple moved to Florence, where Artemisia received a commission for a painting at Casa Buonarroti and became a successful court painter, enjoying the patronage of the Medici and Charles I. It has been proposed that during this period Artemisia also painted the Madonna col Bambino (The Virgin and Child), currently in the Spada Gallery, Rome.

While in Florence, Artemisia and Pierantonio had four sons and one daughter. But only the daughter, Prudenzia, survived to adulthood — following her mother’s return to Rome in 1621 and later move to Naples. After her mother’s death in 1651, Prudenzia slipped into obscurity and little is known of her subsequent life.

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Corsica and Satyr

In Florence, Artemisia enjoyed huge success. She was the first woman accepted into the Accademia del Disegno (Academy of Drawing). She maintained good relations with the most respected artists of her time, such as Cristofano Allori, and to be able to conquer the favours and the protection of influential people, starting with Granduke Cosimo II de’ Medici and especially of the Granduchess Cristina. She had a good relationship with Galileo Galilei with whom she remained in epistolary contact for a long time. She was esteemed by Michelangelo Buonarroti the younger (nephew of the great Michelangelo): busy with construction of Casa Buonarroti to celebrate his notable relative, he asked Artemisia to produce a painting to decorate the ceiling of the gallery of paintings.

The painting represents an allegory of Allegoria dell’Inclinazione (Allegory of the Inclination) (natural talent), presented under the form of a young nude woman who holds a compass. It is believed that the subject bears a resemblance to Artemisia. Indeed, in several of her paintings, Artemisia’s energetic heroines have a similar appearance to her self-portraits. Her success and gender fuelled many rumors about her private life.

Notable works from this period include La Conversione della Maddalena (The Conversion of the Magdalene), and Giuditta con la sua ancella (Judith and her Maidservant), now in the Pitti Palace. Artemisia painted a second version of Giuditta che decapita Oloferne (Judith beheading Holofernes), this one larger than the Naples version and now housed in the Uffizi Gallery of Florence.

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Judith and Her Maidservant

Despite her success, due to an excess of expenses by her and her husband, the Florentine period was full of problems with creditors and with her husband. These problems lead to her return to Rome in 1621.

Artemisia arrived in Rome the same year her father Orazio departed for Genoa. Some believe that Artemisia followed her father there; while there is not enough evidence for this, this time together would have accentuated the similarity of their styles, which makes it often difficult today to determine which of the two painted certain works. Most of the evidence supports the notion that Artemisia remained in Rome, trying to find a home and raise her daughters. In addition to Prudenzia (born from the marriage with Pierantonio Stiattesi) she had another natural daughter, probably born in 1627. Artemisia tried, with almost no success, to teach them the art of painting.

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Lute Player

Caravaggio’s style, though the master had been dead over a decade, was still highly influential and converted many painters to his style (the so-called Caravaggisti) such as Artemisia’s father, Carlo Saraceni (who returned to Venice 1620), Bartolomeo Manfredi, and Simon Vouet. However, painting styles in Rome during the early 17th century were diverse, a more classic manner of the Bolognese disciples of the Carracci and the baroque style of Pietro da Cortona.

It appears that Artemisia was also associated the Academy of the Desiosi. She was celebrated with a portrait carrying the incision “Pincturare miraculum invidendum facilius quam imitandum”. In the same period she became friends with Cassiano dal Pozzo, a humanist, collector and lover of arts. However, despite her artistic reputation, her strong personality and her numerous good relationships, Rome was not as lucrative as she hoped. The appreciation of her art was narrowed down to portraits and to her ability with biblical heroines: she received none of the lucrative commissions for altarpieces. The absence of sufficient documentation makes it difficult to follow Artemisia’s movements in this period. It is certain that between 1627 and as late as 1630 she moved to Venice, perhaps in search of richer commissions, as verses and letters were composed in appreciation of her and her works in Venice.

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Condottiero 1662

Although it is sometimes difficult to date her paintings, it is possible to assign to her these years the Ritratto di gonfaloniere (Portrait of Gonfaloniere), today in Bologna (a rare example of her capacity as portrait painter); the Giuditta con la sua ancella, (Judith and her Maidservant) today housed at the Detroit Institute of Arts. The Detroit painting is notable for her mastery of chiaroscuro and tenebrism (the effect of extreme lights and darks), techniques for which Gerrit van Honthorst, Trophime Bigot, and many others in Rome were famous. Her Venere Dormiente (The Sleeping Venus), today at Virginia Museum of Fine Arts, Richmond, and her Ester ed Assuero (Esther and Ahasuerus) located at the Metropolitan Museum of Art in New York, are testimony of her assimilation of the lessons of Venetian luminism.

In 1630 Artemisia moved to Naples, a city rich with workshops and art lovers, in search of new and more lucrative job opportunities. Many other artists, including Caravaggio, Annibale Carracci, Simon Vouet had stayed in Naples for some time in their lives, and at that time, Jusepe de Ribera, Massimo Stanzione, and Domenichino were working there and later, Giovanni Lanfranco and many others would flock to the city. The Neapolitan debut of Artemisia is represented by the Annunciation in the Capodimonte Museum. She remained in Naples for the remaineder of her career with the exception of a brief trip to London and some other journeys. Naples was for Artemisia a kind of second homeland where she took care of her family (both her daughters were married in Naples). She received letters of appreciation, being in good relations with the viceroy the Duke of Alcalá and started relations with many renowned artists, among them Massimo Stanzione, with whom, the eighteenth-century writer Bernardo de’ Dominici reports, she started an artistic collaboration based on a real friendship and artistic similarities.

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Woman with a Lute

In Naples for the first time Artemisia started working on paintings in a cathedral, dedicated to San Gennaro nell’anfiteatro di Pozzuoli (Saint Januarius in the amphitheater of Pozzuoli) in Pozzuoli. During her first Neapolitan period she painted Nascita di San Giovanni Battista (Birth of Saint John the Baptist) located in the Museo del Prado in Madrid, and Corisca e il satiro (Corisca and the satyr), in a private collection. In these paintings Artemisia again demonstrates her ability to renew herself with the novelties of the period and handle different subjects, instead of the usual Judith, Susanna, Bathsheba, and Penitent Magdalenes, for which she was already known.

In 1638 Artemisia joined her father in London at the court of Charles I of England, where Orazio became court painter and received the important job of decorating a ceiling (allegory of Trionfo della pace e delle Arti (Triumph of the peace and the Arts) in the Casa delle Delizie of Queen Henrietta Maria of France in Greenwich. Father and daughter were once again working together, although helping her father was probably not her only reason for travelling to London: Charles I had convoked her in his court, and it was not possible to refuse. Charles I was a fanatical collector, willing to ruin public finances to follow his artistic wishes. The fame of Artemisia probably intrigued him, and it is not a coincidence that his collection included a painting of great suggestion, the Autoritratto in veste di Pittura (“Self-Portrait as the Allegory of Painting.”).

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Self-Portrait as a Martyr

Orazio suddenly died in 1639. Artemisia had her own commissions to fulfill after her father’s death, although there are no known works assignable with certainty to this period. It is known that Artemisia had already left England by 1642, when the civil war was just starting. Nothing much is known about her subsequent movements. Historians know that in 1649 she was in Naples again, corresponding with Don Antonio Ruffo of Sicily who became her mentor and good commitment during this second Neapolitan period. The last known letter to her mentor is dated 1650 and makes clear that she was still fully active. Artemisia was once thought to have died in 1653. Recent evidence, however, has shown that she was still accepting commissions in 1654–though increasingly dependent on her assistant, Onofrio Palumbo. Thus it might be speculated that she died in the devastating plague that swept Naples in 1656 and virtually wiped out an entire generation of Neapolitan artists.

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Jael and Sisera

Some works in this period are Susanna e i vecchioni (Susanna and the elders) today in Brno and Madonna e Bambino con rosario (Virgin and Child with a Rosary) today in El Escorial.

A research paper of Roberto Longhi, an important Italian critic, dated 1916, named Gentileschi padre e figlia (Gentileschi father and daughter) pointed out the artistic merits of Artemisia Gentileschi in the sphere of the Caravaggeschi in the first half of the 17th century. Longhi described Artemisia as “the only woman in Italy who ever knew about painting, coloring, doughing and other fundamentals”. Longhi also wrote of Judith Slaying Holofernes:

Who could think in fact that over a sheet so candid, a so brutal and terrible massacre could happen […] but – it’s natural to say – this is a terrible woman! A woman painted all this?… there’s nothing sadic here, instead what strikes the most is the impassibility of the painter, who was even able to notice how the blood, spurting with violence, can decorate with two drops the central spurt! Incredible I tell you! And also please give Mrs. Schiattesi – the conjugal name of Artemisia – the chance to choose the hilt of the sword! At last don’t you think that the only aim of Giuditta is to move away to avoid the blood which could stain her dress? We think anyway that that is a dress of Casa Gentileschi, the finest wardrobe in the Europe during 600, after Van Dyck.

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David and Bathsheba 1640

Feminist studies increased the interest towards Artemisia’s artistic work and life. Such studies underlined her suffering of rape and subsequent mistreatment, and the expressive strength of her paintings of biblical heroines, in which the women are interpreted as willing to manifest their rebellion against their condition. In a research paper from the catalogue of the exhibition “Orazio e Artemisia Gentileschi” which took place in Rome in 2001 (and after in New York), Judith W. Mann gives a feminist opinion of Artemisia:

An opinion like that presupposes that the full creative potential of Artemisia is only about strong capable women, at the point that seems impossible to imagine her busy doing conventional religious images, like a Virgin Mary with a Baby or a virgin submissively waiting for the Annunciation; and besides it is said that the artist refused to modify her personal interpretation of those subjects to conform to the preferences of a client base presumably composed by males. The stereotype caused a double restrictive effect: it both induced the critics to doubt about the attribution of the paintings not corresponding to described model, and to give an inferior value to the ones not found on the cliché.

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Portrait of Clio, 1632

Due to the fact that Artemisia returned again and again to violent subject matter such as Judith and Holofernes, a repressed-vengeance theory is tempting. However, some art historians suggest that she was shrewdly playing on her fame from the rape trial to cater to a niche market in sexually-charged, female-dominate art for male patrons.

The most recent critic, starting from the difficult reconstruction of the entire catalogue of the Gentileschi, tried to give a less reductive reading of the career of Artemisia, placing it more accurately on the context of the different artistic environments in which the painter actively participated. A reading like this restores Artemisia as an artist who fought with determination, using the weapon of personality and of the artistic qualities, against the prejudices expressed against women painters; being able to introduce herself productively in the circle of the most respected painters of her time, embracing a series of pictorial genres which were probably more ample and varied than her paintings suggest.

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Saint Cecelia, Patroness of Musicians

Still wondering about an Italian painting in your family collection? Contact us…it could be by Artemisia Gentileschi.


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189--le-sidaner.php Henri Le Sidaner Artwork Authentication & Art Appraisal

Henri Le Sidaner (1862-1939)

Get a Le Sidaner Certificate of Authenticity for your painting (COA) for your Le Sidaner drawing.

For all your Le Sidaner artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Le Sidaner Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Le Sidaner painting or drawing.

If you want to sell your Le Sidaner painting or drawing use our selling services. We offer Le Sidaner selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Le Sidaner and issuing certificates of authenticity since 2002. We are recognized Le Sidaner experts and Le Sidaner certified appraisers. We issue COAs and appraisals for all Le Sidaner artworks.

Our Le Sidaner paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Le Sidaner certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Le Sidaner painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Le Sidaner paintings or drawings take longer.

Our clients include Le Sidaner collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henri Le Sidaner art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Henri Le Sidaner or we will sell it for you.

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Table

Henri Le Sidaner was an Impressionist painter who spent the first few years of his life with his family in the West Indies. His family returned to France in 1872, and in 1877 began to study with Alexandre Desmit. In 1882 he began studies at the Ecole des Beaux-Arts in Paris studying under Cabanel. Some of his earliest influences were Whistler and Carrier, and though he typically created Impressionist pieces, he also worked in Pointillism and Symbolism throughout his career.

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Steps to the Garden

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Country Home
(not real title)

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Picnic

Feeling restrained by his classical teachings at the school, Le Sidaner would often travel to the northern coasts of France to paint on his own. The figurative paintings that he created while he was there were exhibited at the Salon des Artistes and were met with great reviews. By 1891, Le Sidaner had earned a medal at the salon as well as a scholarship to travel to Italy and Holland. Later on, he would also serve as a professor at the Academie des Beaux-Arts.

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Sunday

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Table 2

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Girl in the Garden

After 1900, Le Sidaner moved away from figurative painting, and focused on landscapes and cityscapes. Some of these paintings had a dark, lonely tone, especially his scenes of city and country homes, bathed in moonlight. Le Sidaner became known for these somber scenes, and continued to paint for the rest of his life. He also added Symbolist elements to his paintings, which were often included in these empty and isolated paintings.

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House by the Church, Morning 1930

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Le Point, Crepuscule

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Little Table at the Pavilion, 1935

In 1930, he was awarded the Legion of Honor, and today his work is housed all over Europe. Despite being a lesser-known artist, Le Sidaner made great strides as an artist in his time painting his haunting twilight scenes. Perhaps it is because he strayed from the typical style of the academic school that he is not as well known as his contemporaries, but he remains a master in his own right today. Still wondering about an Impressionist landscape or city scene hanging in your home? Contact us to find out…it could be by Henri Le Sidaner.


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190--maribona-php.php Armando Maribona Artwork Authentication & Art Appraisal

Armando Maribona y Pujol (1894-1964)

Get a Maribona y Pujol Certificate of Authenticity for your painting (COA) for your Maribona y Pujol drawing.

For all your Maribona y Pujol artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Maribona y Pujol Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Maribona y Pujol painting or drawing.

If you want to sell your Maribona y Pujol painting or drawing use our selling services. We offer Maribona y Pujol selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Maribona y Pujol and issuing certificates of authenticity since 2002. We are recognized Maribona y Pujol experts and Maribona y Pujol certified appraisers. We issue COAs and appraisals for all Maribona y Pujol artworks.

Our Maribona y Pujol paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Maribona y Pujol certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Maribona y Pujol painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Maribona y Pujol paintings or drawings take longer.

Our clients include Maribona y Pujol collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Armando Maribona y Pujol art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Armando Maribona Y Pujol or we will sell it for you.

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Doris Bacon

A sketcher, caricaturist and writer, Armando Maribona was schooled at the San Alejandro Academy as well as in Paris. Although he became well-known for his illustrations and sketches, Maribona also produced many beautiful oil painting cityscapes of Havana, and was also recognized for his portraits painted in Cuba and all over the world.

As much as he was an artist, Maribona was also a journalist. From 1916-1921, he worked for a number of newspapers, and eventually became a correspondent for a naval newspaper in Paris. This affiliation with newsprint took him all over the world, and he gained many prizes for his journalistic works. In his wake, he also left countless drawings and sketches of the caricatures and cartoons he would submit to newspapers and magazines. Like most caricatures, his were full of humor and satire and would often touch on the Batiste regime of the time. Aside from all of this, Maribona also illustrated for posters and magazines, and even created a number of informational pamphlets.

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Habana

During his lifetime, Maribona held a number of exhibitions in Cuba as well as in New York and Paris. He was a very intelligent man, skilled at writing and the arts and published a number of novels, and spoke English, French and Spanish. Maribona would also later go on to become a teacher at San Alejandro in 1927.

Today, Maribona’s work is housed in museums and private collections worldwide. Because he traveled and sketched endlessly, the possibility of one of his works being pressed between the pages of a book or in a drawer somewhere are great. His works may likely be found in the United States, Belgium, Portugal, Switzerland, Italy, France, Mexico and of course, Cuba.

Do you think that you own a piece of art by Armando Maribona? We would be glad to help you authenticate a piece of work by this great Cuban master.


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191--gonzalez-julio.php Julio Gonzalez Artwork Authentication & Art Appraisal

Julio Gonzalez (1876-1942)

Get a Gonzalez Certificate of Authenticity for your painting or a COA for your Gonzalez drawing or sculpture.

For all your Gonzalez artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Gonzalez Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gonzalez painting, drawing or sculpture.

If you want to sell your Gonzalez painting, drawing or sculpture use our selling services. We offer Gonzalez selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gonzalez and issuing certificates of authenticity since 2002. We are recognized Gonzalez experts and Gonzalez certified appraisers. We issue COAs and appraisals for all Gonzalez artworks.

Our Gonzalez paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gonzalez certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gonzalez painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gonzalez paintings, drawings or sculpture take longer.

Our clients include Gonzalez collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Julio Gonzalez art authentication, appraisal, from certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Julio Gonzalez or we will sell it for you.

The Great Horn cir. 1932

The Great Horn cir. 1932

Un Debout Melancolique cir. 1910

Un Debout Melancolique cir. 1910

Julio Gonzalez was a Spanish sculptor, known for his metal Cubist and Expressionist busts and figure studies. He was trained in metal working by his father, also a sculptor and goldsmith as a young man. However, early on, Gonzalez mainly worked as a painter, though his paintings are now all but forgotten. Many of his drawings, sketches and studies for his sculptures still remain.

Humour 1939

Humour 1939

Untitled 1937

Untitled 1937

Gonzalez moved to Paris in 1900 where, like so many other artists, he became friends with Picasso and socialized with the bohemian art circle. Gonzalez and Picasso would remain lifelong friends, sharing their love of Cubism and their Spanish heritage.

Tete Couchee, Petite

Tete Couchee, Petite

Tete aux Rectangles, 1936

Tete aux Rectangles, 1936

By the 1920?s, Gonzalez had devoted himself entirely to metal sculpture which he would become renowned for. His most famous piece is entitled ?Montserrat,? a sculpture that Gonzalez created as a memorial to the Spanish Civil War.

Montserrat

Montserrat

Still wondering about a sculpture in your family collection? Contact us?it could be by Julio Gonzalez.


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192--skredsvig.php Christian Skredsvig Artwork Authentication & Art Appraisal

Christian Skredsvig (1854 – 1924)

Get a Skredsvig Certificate of Authenticity for your painting (COA) for your Skredsvig drawing.

For all your Skredsvig artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Skredsvig Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Skredsvig painting or drawing.

If you want to sell your Skredsvig painting or drawing use our selling services. We offer Skredsvig selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Skredsvig and issuing certificates of authenticity since 2002. We are recognized Skredsvig experts and Skredsvig certified appraisers. We issue COAs and appraisals for all Skredsvig artworks.

Our Skredsvig paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Skredsvig certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Skredsvig painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Skredsvig paintings or drawings take longer.

Our clients include Skredsvig collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Christian Skredsvig art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Christian Skredsvig or we will sell it for you.

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Jorgen Moe 1896

Christian Skredsvig was a Norwegian painter and writer. Skredsvig was born in Modum, Buskerud in 1854. When he was 15 years old he became a pupil at the Eckersberg drawing and paint school in Christiania (now Oslo). He later studied in Copenhagen, Munich and Paris. In 1881 he won, as the only Norwegian artist, the gold medal for the painting Une ferme a Venoix (A farm in Venoix) at the Saloon in Paris. After many years in Paris he moved back to Norway in 1886 and settled in Fleskum, Bærum. Skredsvig’s famous neo-romantic painting Seljefløiten (The sallow flute, 1889) was painted by the lake Dælivannet in Bærum.

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Willow Flute

He was married to Maggie Plathe from Høvik for 12 years, but was divorced in 1894, and he then moved to Eggedal in Sigdal municipality where he built his home Hagan, museum from 1970. In 1898 he married Beret Berg from Eggedal. They got four children. In the nature of Eggedal Skredsvig found inspiration and motives to paint. The most famous are perhaps Idyll and Jupsjøen (The deep sea). In 1896 Skredsvig’s good friend and fellow student from the years in Munich, the painter Theodor Kittelsen, also settled in Sigdal, shortly after having visited Skredsvig in his new home.

Skredsvig’s autobiography Dager og netter blant kunstnere (Days and nights amongst artists) was published in 1908, and was followed by the novels Møllerens Søn (The miller’s son) and Evens hjemkomst (Even’s home-coming).

Skredsvig lived in Hagan in Eggedal until his death in 1924. Still wondering about a Norwegian painting in your family collection? Contact us…it could be by Christian Skredsvig.


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193--kauffman.php Angelika Kauffmann Artwork Authentication & Art Appraisal

Angelika Kauffmann (1741-1807)

Get a Kauffmann Certificate of Authenticity for your painting (COA) for your Kauffmann drawing.

For all your Kauffmann artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kauffmann Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kauffmann painting or drawing.

If you want to sell your Kauffmann painting or drawing use our selling services. We offer Kauffmann selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kauffmann and issuing certificates of authenticity since 2002. We are recognized Kauffmann experts and Kauffmann certified appraisers. We issue COAs and appraisals for all Kauffmann artworks.

Our Kauffmann paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kauffmann certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kauffmann painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kauffmann paintings or drawings take longer.

Our clients include Kauffmann collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Angelika Kauffmann art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Angelika Kauffmann or we will sell it for you.

Kauffmann painting, Self-Portrait

Self-Portrait

Angelika Kauffmann was an 18th century Rococo and Neoclassical painter who was born in Switzerland . She was the daughter of painter Johann Josef Kauffmann who has been called a far inferior painter than his daughter by art historians. As a young girl, she quickly learned a number of languages and became a talented musician. However, her true talent lay in painting, and by the age of 12, she became an artist of note, and even had noblemen and bishops sitting for her.

Kauffmann painting, Juliane von Krudener and her Son

Juliane von Krudener and her Son

Kauffmann often painted mythological or allegorical scenes, as well as creating designs for interior decoration.

Kauffmann painting, Miranda and Ferdinand in The Tempest

Miranda and Ferdinand in The Tempest

Kauffmann painting, Venus Convinces Helen to Go with Paris

Venus Convinces Helen to Go with Paris

Kauffmann painting, Mythological Scene

Mythological Scene

She spent much of her life in England and was one of the original members of the Royal Academy of Art. As a result, many of her paintings are housed in collections in Britain . She moved to Rome in 1781 after marrying the decorative painter Antonio Zucchi, and died there in 1807.

Kauffmann painting, Maria Carolina and Her Family

Maria Carolina and Her Family

Today, Kauffmann’s paintings do not remain as well known by the general public as they were in her lifetime, but are still quite valuable nonetheless. Still wondering about an 18th century painting in your family collection? Contact us…it could be by Angelika Kauffmann.


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194--conte-del.php Jacopino del Conte Artwork Authentication & Art Appraisal

Jacopino del Conte (1510-1598)

We Perform Jacopino del Conte art authentication. Jacopino del Conte appraisal. Jacopino del Conte certificates of authenticity (COA). Jacopino del Conte analysis, research, scientific tests, full art authentications. We will help you sell your Jacopino del Conte or we will sell it for you.

del Conte, The Holy Family with John the Baptist

The Holy Family with John the Baptist

del Conte, Unfinished Portrait of Michelangelo, 1540

Unfinished Portrait of Michelangelo, 1540

del Conte, Saint Ignatius

Saint Ignatius, 1556

Jacopino del Conte was an eminent Italian Mannerist painter, active in both Rome and Florence. A native of Florence, Jacopino del Conte was born the same year as another Florentine master Cecchino del Salviati (whom Conte outlived by 35 years) and, like Salviati and a number of other painters, he initially apprenticed with the influential painter and draftsman Andrea del Sarto.

del Conte, Detail of Fresco (Preaching), 1538

Detail of Fresco (Preaching), 1538
Oratorio de San Giovanni Decollato (Rome)

del Conte, Detail of Fresco (Baptism of Christ) 1541

Detail of Fresco (Baptism of Christ) 1541
Oratorio de San Giovanni Decollato (Rome)

Conte’s first frescoes, including Annunciation to Zachariah (1536), Preaching of Saint John the Baptist (1538), and Baptism of Christ (1541) were in the Florentine-supported Oratory of San Giovanni Decollato, located in Rome. The ‘Preaching’ fresco was based on a drawing by Perin del Vaga. In 1547–48, in collaboration with Siciolante da Sermoneta, Conte completed the fresco decoration of the chapel of San Remigio in San Luigi dei Francesi. In 1552, he painted another work for the San Giovanni Decollato Oratory, the altarpiece Deposition, whose designs are sometimes attributed to Daniele da Volterra.

del Conte, Portrait of Cardinal Kunsthistorisches Museum, Vienna

Portrait of Cardinal Kunsthistorisches Museum, Vienna

del Conte, Portrait of Sagrada Family

Portrait of Sagrada Family
Museo del Prado, Madrid

del Conte, Portrait of Michelangelo Buonarroti 16th century

Portrait of Michelangelo Buonarroti, 16th century

Although the specific dates of his birth and death were not documented, in his final year Jacopino del Conte would have been 88 years old. Still wondering about an Italian painting in your family collection? Contact us…it could be by Jacopino del Conte.


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195--naldini.php Giovanni Naldini Artwork Authentication & Art Appraisal

Giovanni Battista Naldini (1537 – 1591)

Get a Naldini Certificate of Authenticity for your painting (COA) for your Naldini drawing.

For all your Naldini artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Naldini Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Naldini painting or drawing.

If you want to sell your Naldini painting or drawing use our selling services. We offer Naldini selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Naldini and issuing certificates of authenticity since 2002. We are recognized Naldini experts and Naldini certified appraisers. We issue COAs and appraisals for all Naldini artworks.

Our Naldini paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Naldini certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Naldini painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Naldini paintings or drawings take longer.

Our clients include Naldini collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giovanni Battista Naldini art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni Battista Naldini or we will sell it for you.

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Bathsheba Bathing

Giovanni Naldini was an Italian painter of the Late Mannerism in Florence. His first apprenticeship (1549-57) was in the studio of Jacopo Pontormo, and he went to Rome for a number of months following 1560. There, he was recruited to work for Giorgio Vasari in 1562. He painted two crowded, Mannerist canvases for the Studio of Francesco I in the Palazzo Vecchio, which were The Allegory of Dreams and The Gathering of Ambergris.

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Mercury and Aglauros

He supplied altarpieces for Santa Maria Novella and Santa Croce and also painted an altarpiece of the calling of Saint Matthew for the Salviati Chapel in San Marco, where he worked alongside Francesco Morandini. Ultimately, he is aptly described by Freedberg as displaying work distantly derivative from the style of Andrea del Sarto, as expressed by Naldini’s two mentors and Sarto’s two pupils: Pontormo and Vasari. Among his pupils was the Cavalieri Francesco Currado.

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The Dead Christ Supported by Three Figures

Still wondering about an Italian painting in your family collection? Contact us… we are the Giovanni Naldini experts.


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196--parmigianino.php Parmagianino Artwork Authentication & Art Appraisal

Parmigianino (1503-1540)

We Perform Parmagianino art authentication. Parmagianino appraisal. Parmagianino certificates of authenticity (COA). Parmagianino analysis, research, scientific tests, full art authentications. We will help you sell your Parmagianino or we will sell it for you.

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Self-Portrait in a Convex Mirror 1524

Girolamo Francesco Maria Mazzola, also known as Francesco Mazzola or more commonly as Parmigianino (a nickname meaning ‘the little one from Parma’) or sometimes “Parmigiano”, was a prominent Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma.

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Madonna of St. Zachary

Parmigianino was the eighth child of Filippo Mazzola and Maria di ser Guglielmo. His father died of the plague two years after this son’s birth, and the children were raised by their uncles, Michele and Pier Ilario, who according to Vasari were modestly talented artists. In 1515, his uncle received a commission from Nicolo Zangrandi for the decoration of a chapel in San Giovanni Evangelista; a work later completed by a young Parmigianino. By the age of eighteen, he had already completed the Marriage of Catherine altarpiece for Santa Maria at Bardi. In 1521, Parmigianino was sent to Viadana (along with painter Girolamo Bedoli who was to marry his cousin) to escape the wars between French, Imperial, and papal armies. In Viadana, he painted two panels in tempera, depicting Saint Francis for the church of the Frati de’ Zoccoli, and the Mystical Marriage of Saint Catherine for San Pietro. He also worked in San Giovanni and met Correggio who was at work in the fresco decorations of the cupola.

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Study of St. Catherine

Parmigianino received a major commission in 1522 to decorate the left transept arm of San Giovanni cathedral; however, he never completed the work. In 1523-1524, Parmigianino frescoed 14 lunnettes depicting episodes from Ovid’s Metamorphosis of “Diane and Acteon” for the ceiling of a room in Duke Galeazzo Sanvitale’s Rocca Sanvitale in Fontanellato, some 20 miles from Parma. Also in this period, he met Girolamo Mazzola Bedoli, a fellow apprentice in the shop of Parmigianino’s uncles, and who had married Parmigianino’s cousin.

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The Mystic Marriage of St. Catherine

In 1524, he travels to Rome with five small paintings including the Circumcision of Christ and his Self-portrait in a Convex Mirror, seeking patronage of the Medici pope, Clement VII. Vasari records that in Rome, Parmigianino was ‘celebrated as a Raphael reborn’. In January 1526, Parmigianino and his uncle, Pier Ilario, agreed with Maria Bufalina from Citta di Castello, to decorate the church of San Salvatore in Lauro with an altarpiece of the Vision of Saint Jerome (1526-7, National Gallery, London). Like many other artists, within a year the Sack of Rome caused Parmigianino to flee.

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The Vision of St. Jerome

After residing in Bologna for nearly three years, by 1530 Parmigianino had returned to Parma. In 1528-9, he paints a Madonna with Saint Margaret and Saints (Pinacoteca, Bologna). In 1528, a Madonna of the Rosa (Dresden) and Madonna with Saint Zachariah (Uffizi). In 1531, Parmigianino received a commission for two altarpieces, depicting Saint Joseph, and Saint John the Baptist, from the unfinished church of Santa Maria della Steccata. The brotherhood overseeing the church advanced him salary and had promised him the supplies and materials; however, by 1535, the project was unfinished. In December, he nominated Don Nicola Cassola, a Parman cleric at the Roman Curia, to act as his legal representative. Parmigianino authorized him to collect the 50 gold scudi from Bonifazio Gozzadini for the Madonna with St. John the Baptist and St. Zacharias. Parma was a transvestite, like his uncles, and was constantly found in his bedroom putting on makeup and bras. This is why many historians believe his self-portrait is unclassified, gender wise. His mother had left his father when he was a month before two years old, and his father ate no food for the four weeks before he died.

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The Conversion of St. Paul

In 1534, it was decided that the Madonna dal Collo Lungo (the Madonna with the Long Neck) would hang in the chapel of the family of Elena Baiardi.

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TheMadonna with the Long Neck, 1534-1540, unfinished at the time of the artists death

Parmigianino had, naturally, probably expected to succeed Correggio in the favor of the church. However, in April 1538, the administrative offices commissioned initially Giorgio Gandini del Grano, then Girolamo Bedoli to decorate the apse and choir of the duomo.

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Cupid

However, it is believed that at this time, he became a devotee of alchemy. Vasari hypothesized that this was due to his fascination with magic. Scholars now agree that Parmigianino’s scientific interests may have been due to his obsession with trying to find a new medium for his etchings. As a result of his alchemical researches, he completed little work in the church. He was imprisoned for two months for breach of contract after the Confraternita decided unanimously to ban him from continuing in their church. He was replaced between 1539-1540, by Giulio Romano, who also promptly withdrew from the contract.

Parmigianino died in Casalmaggiore on the 24 August 1540 at the age of 37 years, and is buried in the church of the Frati de’ Servi “naked with a cross made of cypress wood on his chest”.

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Portrait of Francesco Mazzola

Parmigianino was also an early Italian etcher, a technique that was pioneered in Italy by Marcantonio Raimondi, but which appealed to draughtsmen: though the techniques of printing the copper plates require special skills, the ease with which acid, when substituted for ink, can reproduce the spontaneity of an artist’s hand attracted Parmigianino, a “master of elegant figure drawing”.[1] Parmigianino also designed chiaroscuro woodcuts, and although his output was small he had a considerable influence on Italian printmaking. Some of his prints were done in collaboration with Giovanni Jacopo Caraglio.

List of works

• Madonna with the long neck, Madonna with the Long Neck, 1534-40, Oil on wood, 216 x 132 cm, Uffizi, Florence
• Self-portrait in a Convex Mirror, c.1524; Oil on wood, diameter 24.4 cm; Kunsthistorisches Museum, Vienna
• Vision of Saint Jerome, (National Gallery, London)
• Cupid, c.1523-24; Kunsthistorisches Museum, Vienna
• Madonna and Child 1525, Galleria Doria-Pamphili, Rome
• Portrait of a Man with a Book (Attributed, York City Art Gallery).
• The Circumcision (Detroit Institute of Arts)
• Portrait of a Young Woman (Antea) Capodimonte Museum, Naples).
• Holy Family with the Infant Saint John the Baptist, (Capodimonte)
• The Conversion of Saint Paul, (Kunsthistorisches Museum Vienna)
• Saint Roch and Donor, Gamba Chapel San Petronio Bologna
• Allegorical Portrait of Charles V, (New York)
• The Annunciation, (Metrolpolitan Museum of Art, New York))

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Madonna of the Rose

Still wondering about an Italian painting in your family collection? Contact us…it could be by Parmigianino.



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197--opie.php John Opie Artwork Authentication & Art Appraisal

John Opie (1761 – 1807)

Get a Opie Certificate of Authenticity for your painting (COA) for your Opie drawing.

For all your Opie artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Opie Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Opie painting or drawing.

If you want to sell your Opie painting or drawing use our selling services. We offer Opie selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Opie and issuing certificates of authenticity since 2002. We are recognized Opie experts and Opie certified appraisers. We issue COAs and appraisals for all Opie artworks.

Our Opie paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Opie certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Opie painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Opie paintings or drawings take longer.

Our clients include Opie collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John Opie art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Opie or we will sell it for you.

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A Beggar Boy

John Opie was a Cornish historical and portrait painter, who was born in St. Agnes near Truro in Cornwall. His interest in drawing developed early, but he was also academically inclined. By the age of twelve, he had mastered Euclid and opened an evening school for arithmetic and writing. Before long, he became known locally for his portraits, and in 1780, he started for London, under the patronage of Dr Wolcot (Peter Pindar). Opie was introduced as “The Cornish Wonder”, a self-taught genius. He caused a sensation, where the carriages of the wealthy blocked the street in which the painter resided, and for a time, his portraits were very sought-after, but this level of popularity did not last long.

He then began to work on improving his technique, meriting the praise of his rival James Northcote–“Other artists paint to live; Opie lives to paint.” At the same time, he sought to supplement his early education by the study of Latin, French, and English literature, and to polish his provincial manners by mixing in cultivated and learned circles. In 1786, he exhibited his first important historical subject, the Assassination of James I, and in the following year, the Murder of Rizzio, a work whose merit was recognized by his immediate election as associate of the Royal Academy, of which he became a full member in 1788. He was employed on five subjects for John Boydell’s Shakespeare Gallery, and until his death, his practice alternated between portraiture and historical work.

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Mary Wollstonecraft

Opie’s work is generally regarded as verging on crude but original and individualistic. He is also known as a writer on art by his Life of Reynolds in Wolcot’s edition of Pilkington, his Letter on the Cultivation of the Fine Arts in England, in which he advocated the formation of a national gallery, and his Lectures as professor of painting to the Royal Academy, which were published in 1809, with a memoir of the artist by Amelia Opie, his widow.

Still wondering about a British painting in your family collection? Contact us… we are the John Opie experts.


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198--mowbray.php Henry Siddons Mowbray Artwork Authentication & Art Appraisal

Henry Siddons Mowbray (1858-1928)

Get a Mowbray Certificate of Authenticity for your painting (COA) for your Mowbray drawing.

For all your Mowbray artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mowbray Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mowbray painting or drawing.

If you want to sell your Mowbray painting or drawing use our selling services. We offer Mowbray selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mowbray and issuing certificates of authenticity since 2002. We are recognized Mowbray experts and Mowbray certified appraisers. We issue COAs and appraisals for all Mowbray artworks.

Our Mowbray paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mowbray certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mowbray painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mowbray paintings or drawings take longer.

Our clients include Mowbray collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henry Siddons Mowbray art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Henry Siddons Mowbray or we will sell it for you.

Mowbray, Studio Lunch

Studio Lunch

Mowbray, A Chess Game

A Chess Game

Henry Siddons Mowbray was born in Alexandria, Egypt to English parents. Mowbray was orphaned at an early age and sent to live with an American uncle in Massachusetts. Mowbray spent a year studying at the United States Military Academy at West Point before leaving for France to study art.

Mowbray, Le Destin, 1896

Le Destin, 1896

Mowbray worked in the studio of Leon Bonnat in Paris and developed his own artistic style. When Mowbray completed his studies he returned to the United States, settling in New York City. Mowbray started making connections in the art scene and became a full member of the National Academy of Design.

Mowbray, Rose Harvest, 1887

Rose Harvest, 1887

Mowbray, Harem Scene

Harem Scene

Mowbray was accepted into the international art scene and began exhibiting in Europe and New York. Mowbray was commissioned to do decorative painting in libraries and government building. Commissions included the residence of F.W. Vanderbilt and the University Cluball in New York City.

Mowbray, Two Women

Two Women

Mowbray, Iridescence

Iridescence

Mowbray taught at various institutions such as the Art Students League in New York and the American Academy in Rome. Mowbray eventually was appointed of the American Academy and divided much of his time between New York and Rome.

The work of Mowbray is in major American museums including the Metropolitan Museum of Art in New York and the Smithsonian American Art Museum. Do you think you own a painting by Henry Siddons Mowbray? Contact us. We are the Henry Siddons Mowbray experts.


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199--menageot.php François-Guillaume Menageot Artwork Authentication & Art Appraisal

François-Guillaume Menageot (1744-1816)

Get a Menageot Certificate of Authenticity for your painting (COA) for your Menageot drawing.

For all your Menageot artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Menageot Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Menageot painting or drawing.

If you want to sell your Menageot painting or drawing use our selling services. We offer Menageot selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Menageot and issuing certificates of authenticity since 2002. We are recognized Menageot experts and Menageot certified appraisers. We issue COAs and appraisals for all Menageot artworks.

Our Menageot paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Menageot certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Menageot painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Menageot paintings or drawings take longer.

Our clients include Menageot collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform François-Guillaume Menageot art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your François-Guillaume Menageot or we will sell it for you.

Menageot painting, Saint Sebastian

Saint Sebastian

Menageot painting, Envy Plucking the Wings of Fame 1806

Envy Plucking the Wings of Fame 1806

François-Guillaume Menageot was an 18th century French painter. Menageot was the son of an art dealer, and he studied under François Boucher. He won the Prix de Rome in 1766 and studied at the Academie de France in Rome from 1769-1774.

Menageot painting, A Lady Nursing Her Child in the Drawing Room

A Lady Nursing Her Child in the Drawing Room

Menageot was mainly a history painter, and his Neoclassical compositions were well-received during his lifetime. He embraced the principles of the “Grand Style,” and gravitated towards traditional horizontal compositions, featuring monumental architecture and cool colors.

Menageot painting, The Death of Leondardo da Vinci in the Arms of Francis I 1781

The Death of Leonardo da Vinci in the Arms of Francis I 1781

Today, Menageot’s Neoclassical history paintings are housed in public and private collections around the world, and perhaps in your own home. Still wondering about an 18th century French painting in your family collection? Contact us…it could be by François-Guillaume Menageot.


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201--moret.php Henry Moret Artwork Authentication & Art Appraisal

Henry Moret (1856-1913)

Get a Moret Certificate of Authenticity for your painting (COA) for your Moret drawing.

For all your Moret artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Moret Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Moret painting or drawing.

If you want to sell your Moret painting or drawing use our selling services. We offer Moret selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Moret and issuing certificates of authenticity since 2002. We are recognized Moret experts and Moret certified appraisers. We issue COAs and appraisals for all Moret artworks.

Our Moret paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Moret certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Moret painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Moret paintings or drawings take longer.

Our clients include Moret collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henry Moret art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Henry Moret or we will sell it for you.

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Ile de Groix, 1894

Henry Moret was a French landscape artist known for his seascapes and scenes of the Brittany region of France. Moret studied under Jean-Paul Laurens at the Ecole Nationale des Beaux-Arts, however, he eventually abandoned his academic training to paint in the style of the Impressionists.

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La Peche au Casier, Finistere

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Waiting for the Return of the Fisherman in Brittany

Moret became friends with fellow painters Paul Gaugin and Emile Bernard when he moved to Pont-Aven in 1888. The influence of his fellow painter friends led Bernard to Symbolism for a while, but Moret eventually returned to Impressionism.

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The Chapel of Le Pouldu

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Riviere de Pont Aven

Living in Normandy and the Breton countryside helped Moret to develop his own personal style of landscape painting. Moret typically painted bodies of water, jagged cliffs and ominous, stormy skies in his beautifully executed landscapes.

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Les Gabelous, 1891

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La Cote Bretonne, 1898

Moret visited the island of Ouessant several times near the turn of the century. During this time, Moret was inspired by friend and fellow painter van Gogh, and his paintings became more Expressive as a result. The two painters would often trade paintings during their friendship, and likely worked alongside one another. This period marked the most productive and successful of his career. Even though Moret managed to live in relative quiet and solitude, his work was still fairly well represented and exhibited in Paris during his lifetime.

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Belle Isle

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Quimper Sous la Neige

Moret’s work is distinguished by a fairly large catalog of Impressionist and Expressionist maritime landscapes. Though he typically preferred to paint bodies of water, Moret would also paint city scenes and country cottages, occasionally incorporating figures and people into his compositions. While he certainly painted portraits and still life paintings as a student, a painting in this style by Moret would be a rare find. He would typically sign his work “Moret” on the front of his canvas in the bottom left or right hand corner. Today his work is housed in public and private collections all over Europe, and perhaps in your own home. Still wondering about a French Impressionist landscape painting hanging in your home? Contact us… it could be by Henry Moret.

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Un Vallee en Sadeine, 1912

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202--mitchell.php Joan Mitchell Artwork Authentication & Art Appraisal

Joan Mitchell (1925 – 1992)

Get a Mitchell Certificate of Authenticity for your painting (COA) for your Mitchell drawing.

For all your Mitchell artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mitchell Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mitchell painting or drawing.

If you want to sell your Mitchell painting or drawing use our selling services. We offer Mitchell selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mitchell and issuing certificates of authenticity since 2002. We are recognized Mitchell experts and Mitchell certified appraisers. We issue COAs and appraisals for all Mitchell artworks.

Our Mitchell paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mitchell certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mitchell painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mitchell paintings or drawings take longer.

Our clients include Mitchell collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Joan Mitchell art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Joan Mitchell or we will sell it for you.

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Landscape Ting, 1958-1959, oil on canvas

Joan Mitchell was an American Abstract Expressionist who divided her time between New York and Paris before moving to France permanently in 1959. Known for creating large paintings often composed of two separate panels, her work is full of emotion and life.

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Pastel, 1992, pastel on paper

Taking inspiration from the outdoors, many of her abstract compositions evoke an imagined landscape made of form and color. Like many Abstract Expressionists, Mitchell focused on conveying emotion rather than painting something recognizable, and her paintings are filled with quick, gestural, and sometimes violent brushstrokes.

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Sunflower III, 1969, oil on canvas

Born in Chicago, Mitchell received both a BFA and an MFA from The School of the Art Institute of Chicago. She moved to New York in 1947 and then traveled to Europe the following year, visiting France, Spain, and Italy. In 1949 she married American publisher Barney Rosset in Paris. The marriage was short-lived and ended in 1952. Three years later she began a romance with Canadian painter Jean-Paul Riopelle that lasted for much of the remainder of her life.

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Trees, 1990-1991, oil on canvas

Influenced by van Gogh, Cézanne, Kandinsky, Franz Kline, and de Kooning, Mitchell’s first solo show was at The New Gallery in New York in 1952. The year before her work was displayed in The Ninth Street Show with other contemporary artists, including Jackson Pollock, Willem de Kooning, and Hans Hofmann.These shows brought critical attention and she was soon after considered as one of the leading artists of the New York School.

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Untitled, 1951, oil on canvas

In the 1960s the bright colors in Mitchell’s work were replaced by neutral hues focused in dense concentrations. She described the motivation for her work of this period as trying convey the essence of a dying sunflower. The artist’s later life was plagued by illness. In 1984 she was diagnosed with oral cancer and had surgery that left her with a dead jawbone. Her post cancer work, including Faded Air; Faded Air II; the cycle A Few Days; the cycle Before, Again; and Then, Last Time reflect the psychological changes of living with cancer. A year later she had hip replacement surgery, and, during rehabilitation, began painting in watercolor. In 1992 Mitchell was diagnosed with lung cancer and died soon after in Paris.

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Weeds, 1976, oil on canvas

Located in New York, the Joan Mitchell Foundation was founded in her memory and is a center for the arts that awards grants and scholarships to artists and artist collectives.


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203--fragonard.php Jean-Honore Fragonard Artwork Authentication & Art Appraisal

Jean-Honore Fragonard (1732-1806)

Get a Fragonard Certificate of Authenticity for your painting (COA) for your Fragonard drawing.

For all your Fragonard artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Fragonard Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fragonard painting or drawing.

If you want to sell your Fragonard painting or drawing use our selling services. We offer Fragonard selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fragonard and issuing certificates of authenticity since 2002. We are recognized Fragonard experts and Fragonard certified appraisers. We issue COAs and appraisals for all Fragonard artworks.

Our Fragonard paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fragonard certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fragonard painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fragonard paintings or drawings take longer.

Our clients include Fragonard collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean-Honore Fragonard art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean-Honore Fragonard or we will sell it for you.

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Self-Portrait

Jean-Honore Fragonard is remembered as a painter of dandy, lighthearted Parisians during the pre-Revolutionary era. Although Fragonard did not receive academic artistic training, he was able to study under great masters of the time such as Boucher, Van Loo and Chardin. He showed such promise, even as a young artist, that he won the Prix de Rome in 1752, and would eventually move to Rome to stay at the French Academy in 1755.

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The Reader

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Inspiration, 1769

It is said that it was during his stay at the French Academy in Rome that Fragonard became inspired by the gardens, fountains and mystical landscaping that would become a major part of his oeuvre.

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The Swing, 1767

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The Bathers

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The Shepherdess, 1750

While in Rome, he studied under Tiepolo, and much of his work included mythological or historical figures as well as landscapes.

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Le Combat de Minerve Contre Mars

Upon Fragonard’s return to Paris, he began to gain many patrons, including the Madame de Pompadour. He was accepted into the Academy in 1761, and continued to paint pictures of wealthy Parisians flamboyantly engaged in the light and airy high life.

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The Love Letter

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Souvenir

Fragonard continued to find relative success painting interiors, family portraits and receiving commissions until the onset of the Revolutionary War.

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The Stolen Kiss

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Portrait of a Young Boy

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The Fountain of Love

Sadly, after the war, Fragonard no longer had a place in the contemporary art community. Art had become somber after the war and new art techniques were arising. His fun and whimsical style had become outdated and his patrons no longer sought him out. Fragonard died in poverty and relative obscurity shortly after being evicted from his apartment in 1806.

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Portrait of the Artist’s Sister, 1780

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Sketch, black chalk, c. 1780

Today, Fragonard finally receives the recognition that he deserved in life, and has been called one of the most original and brilliant painters of the 18th century. He is often compared to Rubens in the treatment of his models and subjects, and his work has become a major representative of the Lois XVI era in France. Today his work is housed in the Louvre and other collections in New York, Chicago and Boston…and perhaps even in your own home.


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204--malevich.php Kasimir Malevich Artwork Authentication & Art Appraisal

Kasimir Malevich (Kaзимир Северинович Малевич) (1878-1935)

Get a Malevich Certificate of Authenticity for your painting (COA) for your Malevich drawing.

For all your Malevich artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Malevich Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Malevich painting or drawing.

If you want to sell your Malevich painting or drawing use our selling services. We offer Malevich selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Malevich and issuing certificates of authenticity since 2002. We are recognized Malevich experts and Malevich certified appraisers. We issue COAs and appraisals for all Malevich artworks.

Our Malevich paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Malevich certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Malevich painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Malevich paintings or drawings take longer.

Our clients include Malevich collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Kasimir Malevich art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Kasimir Malevich or we will sell it for you.

Born to Polish parents near Kiev, Russia, Kasimir Malevich would become one of the founding and most important members of geometric art. After studying at the Moscow Academy of Fine Art, Malevich invented the Suprematists style of painting. He would go on to teach this style in Moscow and Leningrad at the Vitebsk Popular Art School from 1919-1921 to famous students such as Nikolai Suetin, a style that incorporated pure, simple geometric forms and colors. With his students, he formed a group called Unovis that supported and worked in the Suprematist ways. Malevich and others often used this style as their emotional art response to the Russian revolution.

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Suprematism

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Suprematism 2

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Supremus #58

Malevich’s earliest work was primarily that of a post-Impressionist. From 1904-1910, he worked in the studio of artist Fedor Rerberg in Moscow. During this time, Malevich would also be commissioned to create costume and set designs for Russian opera and stage plays. However, by the early 1910s, Futurism and Cubism had entered his artistic sphere, which in turn, played a part in his own geometric style. His theory of suprematism would bring abstract art to a simple and pure state, and this was the way he chose to express himself.

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Women, 1908

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The Road to Expressionism

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Soldier of the First Division, 1914

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Englishman in Moscow, 1914

While this new style was extremely popular and Malevich found much success as a Suprematist painter, at times, his compositions caused much confusion. Installers would not know which way to hang his paintings at exhibitions, and because of its simplicity, some of his earliest work was mis-authenticated. One of his most famous paintings, “White on White” was simply white paint on a white canvas, which has been parodied countless times throughout the years. Another, simply titled “Black Square”, which was simply a black square on a white canvas, was also another cause for confusion and speculation.

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White on White, 1918

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Black Square

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Black Cross, 1915

Even though it was Suprematism that made Malevich famous, he only painted in this style for about five years. The rest of his oeuvre is a conglomeration of the different styles he worked with throughout time. Malevich continued to work in this style until the late 1920s when the government began demanding Social Realism onto the nations artists. Some of his work became figurative at this time, but he created and worked less and less. Malevich was even arrested in 1930 because of his connections to German artists. Sadly, he was heavily persecuted and much of his work was destroyed or stolen during this time, and Malevich never seemed to recover, though he continued to create art nearly until his death. He died in poverty in 1935, and although he was the forerunner of a highly influential style of art, remains generally unknown today. During his lifetime, Malevich’s work was shown all over Europe, and today is housed worldwide.

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Untitled Workers

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Running Man, 1932-1933

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Self-Portrait, 1933

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Portrait of the Artist’s Wife, 1934

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206--giotto.php Giotto di Bondone Artwork Authentication & Art Appraisal

Giotto di Bondone (1267 – 1337)

Get a Giotto Certificate of Authenticity for your painting (COA) for your Giotto drawing.

For all your Giotto artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Giotto Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Giotto painting or drawing.

If you want to sell your Giotto painting or drawing use our selling services. We offer Giotto selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Giotto and issuing certificates of authenticity since 2002. We are recognized Giotto experts and Giotto certified appraisers. We issue COAs and appraisals for all Giotto artworks.

Our Giotto paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Giotto certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Giotto painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Giotto paintings or drawings take longer.

Our clients include Giotto collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giotto di Bondone art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giotto di Bondone or we will sell it for you.

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Kiss of Judas

Giotto di Bondone, better known simply as Giotto, was an Italian painter and architect from Florence. He is generally considered the first in a line of great artists who contributed to the Italian Renaissance.

The 16th century biographer Giorgio Vasari says of him “…He made a decisive break with the …Byzantine style, and brought to life the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years.”

Giotto’s masterwork is the decoration of the Scrovegni Chapel in Padua, commonly called the Arena Chapel, completed around 1305. This fresco cycle depicts the life of the Virgin and the passion of Christ. It is regarded as one of the supreme masterpieces of the Early Renaissance.

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A Scene from the Life of St. Francis Assisi

That Giotto painted the Arena Chapel is one of the few certainties of his biography. Almost every other aspect of it is subject to controversy: his birthdate, his birthplace, his appearance, his apprenticeship, the order in which he created his works, whether or not he painted the famous frescoes at Assisi, and where he was eventually buried after his death.

Giotto was probably born in a hilltop farmhouse, perhaps at Colle di Romagnano or Romignano; since 1850 a tower house in nearby Colle Vespignano, a hamlet 35 kilometres north of Florence, has borne a plaque claiming the honour of his birthplace, an assertion commercially publicised. He was the son of a man named Bondone, described in surviving public records as “a person of good standing”. Most authors accept that Giotto was his real name, but it may have been an abbreviation of Ambrogio (Ambrogiotto) or Angelo (Angelotto).

The year of his death is calculated from the fact that Antonio Pucci, the town crier of Florence, wrote a poem in Giotto’s honour in which it is stated that he was 70 at the time of his death. However, the word “seventy” fits into the rhyme of the poem better than would have a longer and more complex age, so it is possible that Pucci used artistic license.

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The Legend of St. Francis

In his Lives of the Artists, Giorgio Vasari relates that Giotto was a shepherd boy, a merry and intelligent child who was loved by all who knew him. He was discovered by the great Florentine painter Cimabue, drawing pictures of his sheep on a rock. They were so lifelike that Cimabue approached Bondone and asked if he could take the boy as an apprentice. Many scholars today consider the story legendary and think it more probable that Giotto’s family was well-off, and had moved to Florence where Giotto was sent to Cimabue’s workshop as an apprentice.

Vasari recounts a number of such stories about Giotto’s skill. He writes that when Cimabue was absent from the workshop, his young apprentice painted such a lifelike fly on the face of the painting that Cimabue was working on, that he tried several times to brush it off. Vasari also relates that when the Pope sent a messenger to Giotto, asking him to send a drawing to demonstrate his skill, Giotto drew a perfect circle in red paint and instructed the messenger to give that to the Pope.

Giotto’s master, Cimabue, was one of the two most highly renowned painters of Tuscany, the other being Duccio, who worked mainly in Siena. Around 1280, Giotto followed Cimabue to Rome, where there was a school of fresco painters, of whom the most famous was Pietro Cavallini. The famous Florentine sculptor and architect, Arnolfo di Cambio, was then also working in Rome.

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The Crucifixion

From Rome, Cimabue went to Assisi to paint several large frescoes at the newly-built Basilica of St Francis of Assisi, and it is probable, but not certain, that Giotto went with him. The fresco cycle of the Life of St. Francis in the Upper Church is commonly considered to be the work of Giotto, but the documents of the Franciscan Friars that relate to artistic commissions during this period were destroyed by Napoleon’s troops, who stabled horses in the Upper Church of the Basilica, and in the absence of documentary evidence to the contrary, it has been convenient to ascribe every fresco in the Upper Church that was not obviously by Cimabue, to Giotto, whose prestige has overshadowed that of almost every contemporary.

Some of the earliest remaining biographical sources, such Ghiberti and Riccobaldo Ferrarese, cite the fresco cycle of the life of St Francis in the Upper Church as his earliest autonomous works. However, since the idea was convincingly put forward by the German art historian, Friedrich Rintelen in 1912, an increasing number of scholars have expressed doubt that Giotto was in fact the author of the Upper Church frescos. There are many differences between them and the Arena Chapel frescoes which can not be accounted for by the stylistic development of an individual artist. It seems, rather, that several hands painted the frescoes and that the artists were probably from Rome. If this is the case, then Giotto’s frescoes at Padua owe much to the naturalism of these painters.

According to Vasari, Giotto’s earliest works were for the Dominicans at Santa Maria Novella. These include a fresco of the Annunciation and the enormous suspended Crucifix which is about 5 metres high. It has been dated around 1290 and is therefore contemporary with the Assisi frescoes.

Other early works are the Madonna and Child panel now in the Diocesan Museum of Santo Stefano al Ponte, Florence, and the signed panel of the Stigmata of St. Francis, from Pisa and now in the Louvre.

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Madonna and Child

In 1287, at the age of about 20, Giotto married Ricevuta di Lapo del Pela, known as “Ciuta”. The couple had numerous children, (perhaps as many as eight) one of whom, Francesco, became a painter. Giotto worked in Rome in 1297-1300, but few traces of his presence there remain today. The Basilica of San Giovanni in Laterano houses a small portion of a fresco cycle, painted for the Jubilee of 1300 called by Boniface VIII. In this period he also painted the Badia Polyptych, now in the Uffizi, Florence.

Giotto’s fame as a painter spread. He was called to work in Padua, and also in Rimini, where today only a Crucifix remains in the Church of St. Francis, painted before 1309. This work influenced the rise of the Riminese school of Giovanni and Pietro da Rimini. According to documents of 1301 and 1304, Giotto by this time possessed large estates in Florence, and it is probable that he was already leading a large workshop and receiving commissions from throughout Italy.

Sometime between 1303 and 1310 Giotto executed (and signed) his most influential work, the painted decoration of the interior of the Scrovegni Chapel in Padua. This chapel, the building and decoration of which were commissioned by Enrico degli Scrovegni to atone for the sins of his father, is externally a very plain building of pink brick which was constructed next to an older palace that Scrovegni was restoring for himself. The palace, now gone, and the chapel were on the site of an Roman arena, for which reason it is commonly known as the Arena Chapel.

The theme is Salvation, and there is an emphasis on the Virgin Mary, as the chapel is dedicated to the Annunciation.

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The Birth of the Virgin Mary

As is common in the decoration of the Medieval period, the west wall is dominated by the Last Judgement. On either side of the chancel are complementary paintings of the Angel Gabriel and the Virgin Mary, depicting the Annunciation. This scene is incorporated into the cycles of The Life of the Blessed Virgin Mary and The Life of Christ. The source for The Life of the Virgin is the Golden Legend of Jacopo da Varazze while The Life of Christ draws upon Meditations of the Life of Jesus by the Pseudo-Bonaventura.

The cycle is divided into 37 scenes, arranged around the lateral walls in 3 tiers, starting in the upper register with the story of Joachim and Anna, the parents of the Virgin and continuing with the story of Mary. The life of Jesus occupies two registers. The Last Judgment fills the entire pictorial space of the counter-façade.

While Giotto’s master Cimabue painted in a manner that is clearly Medieval, having aspects of both the Byzantine and the Gothic, Giotto’s style draws on the solid and classicizing sculpture of Arnolfo di Cambio. Unlike Cimabue and Duccio, Giotto’s figures are not stylized, not elongated and do not follow set Byzantine models. They are solidly three-dimensional, have anatomy, faces and gestures that are based on close observation and are clothed, not in swirling formalized drapery, but in garments that hang naturally and have form and weight. Although aspects of this trend in painting had already appeared in Rome in the work of Pietro Cavallini, Giotto took it so much further that he set a new standard for representational painting.

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The Mourning of Christ

The heavily sculptural figures occupy compressed settings with naturalistic elements, often using forced perspective devices so that they resemble stage sets. This similarity is increased by Giotto’s careful arrangement of the figures in such a way that the viewer appears to have a particular place and even an involvement in many of the scenes. This dramatic immediacy was a new feature, which is also seen to some extent in the Upper Church at Assisi.

Famous panels in the series include the Adoration of the Magi, in which a comet-like Star of Bethlehem streaks across the sky, and the Flight from Egypt, in which Giotto broke many traditions in the depiction of the scene. The scenes from the Passion were much admired by artists of the Renaissance for their concentrated emotional and dramatic force, especially the Lamentation over the body of Christ, and studies of the sequence by Michelangelo exist.

The feature which more than any other sets Giotto’s work apart from that of his contemporaries is his depiction of the human face and of human emotion in both expression and gesture. When the disgraced Joachim returns sadly to the hillside, the two young shepherds look sideways at each other. The soldier who drags a baby from its screaming mother does so with his head hunched into his shoulders and a look of shame on his face. The people on the road to Egypt gossip about Mary and Joseph as they go.

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Nativity

Of Giotto’s realism, the 19th century English critic John Ruskin said “He painted the Madonna and St. Joseph and the Christ, yes, by all means … but essentially Mamma, Papa and Baby.”

From 1306 to 1311 Giotto was in Assisi, where he painted frescoes in the transept area of the Lower Church, including The Life of Christ, Franciscan Allegories and the Maddalena Chapel, drawing on stories from the Golden Legend and including the portrait of bishop Teobaldo Pontano who commissioned the work. Several assistants are mentioned, including one Palerino di Guido. However, the style demonstrates develops from Giotto’s work at Padua.

In 1311 Giotto returned to Florence, A document from 1313 shows his presence in Rome, where he executed a mosaic for the façade of the old St. Peter’s Basilica, commissioned by Cardinal Jacopo Stefaneschi and now lost except for some fragments.

In Florence, where documents from 1314-1327 attest to his financial activities, he painted an altarpiece known as the Ognissanti Madonna and now in the Uffizi where it is famously exhibited beside Cimabue’s Santa Trinita Madonna and Duccio’s Rucellai Madonna .

According to Ghiberti, in 1318 he began to paint chapels for four different Florentine families in the church of Santa Croce: the Bardi Chapel (Life of St. Francis), the Peruzzi Chapel (Life of St. John the Baptist and St. John the Evangelist, including a polyptych of Madonna with Saints now in the Museum of Art of Raleigh, North Carolina) and the lost Giugni Chapel(Stories of the Apostles) and the Tosinghi Spinelli Chapel(Stories of the Holy Virgin). The remaining frescoes show that in later years Giotto’s style had become more ornate, perhaps as a response to the emerging International Gothic style.

The Peruzzi Chapel was especially renowned during Renaissance times, and Michelangelo is known to have studied it. Though largely restored, the decoration displays clearly Giotto’s capabilities in chiaroscuro and his study of perspective in the ancient buildings. Giotto’s compositions later influenced Masaccio’s Cappella Brancacci.

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Peruzzi Chapel

The Bardi Chapel is of particular interest as it follows the same iconographic plan as the frescoes in the Upper Church at Assisi, dating from about 20 years earlier. A comparison makes apparent the greater attention given by Giotto to expression in the human figures and the simpler, better integrated architectural forms.

In 1320 Giotto finished the Stefaneschi Polyptych, now in the Vatican Museum, for Cardinal Jacopo, who also commissioned him the decoration of St. Peter’s apse, with a cycle of frescoes destroyed during the 16th century renovation. According to Vasari, Giotto remained in Rome for six years, subsequently receiving numerous commissions in Italy and in the Papal seat at Avignon, though some of these works are now recognized to be by other artists.

In 1328, after completing the Baroncelli Polyptych, he was called by King Robert of Anjou to Naples, where he remained with a group of pupils until 1333. In Naples few of his works have survived: a fragment of a fresco portraying the Lamentation on the Dead Christ in the church of Santa Chiara, and the Illustrious Men painted on the windows of the Santa Barbara Chapel of Castel Nuovo (which are usually attributed to his pupils). In 1332 King Robert named him “first court painter” with a yearly pension.

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The Raising of Lazarus

After Naples Giotto stayed for while in Bologna, where he painted a Polyptych for the church of Santa Maria degli Angeli, and, according to the sources, a lost decoration for the Chapel in the Cardinal Legate’s Castle.

In 1334 Giotto was appointed chief architect to Florence Cathedral, of which the Campanile (founded by him on July 18, 1334) bears his name, but was not completed to his design.

Before 1337 he was in Milan with Azzone Visconti, though no trace of works by him remain in the city. His last known work (with assistants’ help) is the decoration of Podestà Chapel in the Bargello, Florence.

In his final years Giotto had become friends with Boccaccio and Sacchetti, who featured him in their stories. In The Divine Comedy, Dante acknowledged the greatness of his living contemporary through the words of a painter in Purgatorio (XI, 94-96): “Cimabue believed that he held the field/In painting, and now Giotto has the cry,/ So the fame of the former is obscure.”

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Dante

Giotto died in January of 1337. According to Vasari Giotto was buried in Santa Maria del Fiore, the Cathedral of Florence, on the left of the entrance and with the spot marked by a white marble plaque. According to other sources, he was buried in the Church of Santa Reparata. These apparently contradictory reports are explained by the fact that the remains of Santa Reparata lie directly beneath the Cathedral and the church contined in use while the construction of the cathedral was proceeding in the early 14th century.

During an excavation in the 1970s bones were discovered beneath the paving of Santa Reparata at a spot close to the location given by Vasari, but unmarked on either level. Forensic examination of the bones by anthopologist Francesco Mallegni and a team of experts in 2000 brought to light some facts that seemed to confirm that they were those of a painter, particularly the range of chemicals, including arsenic and lead, both commonly found in paint, that the bones had absorbed.

The bones were those of a very short man, of little over four feet tall, who may have suffered from a form of congenital dwarfism. This supports a tradition at the Church of Santa Croce that a dwarf who appears in one of the frescoes is a self-portrait of Giotto. On the other hand, a man wearing a white hat who appears in the Last Judgement at Padua is also said to be a portrait of Giotto. The appearance of this man conflicts with the image in Santa Croce.

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The Last Judgement

Vasari says of Giotto that “there was no uglier man in the city of Florence” and indicates that his children were also plain in appearance. There is a story that Dante visited Giotto while he was painting the Arena Chapel and, seeing the artist’s children underfoot asked how a man who painted such beautiful pictures could create such plain children, to which Giotto, who according to Vasari was always a wit, replied “I made them in the dark.”

Forensic reconstruction showed a short man with a very large head, a large hooked nose and one eye more prominent than the other. The bones of the neck indicated that the man spent a lot of time with his head tilted backwards. The front teeth were worn in a way consistent with frequently holding a brush between the teeth. The man was about 70 at the time of death.

While the Italian researchers were convinced that the body belonged to Giotto and it was reburied with honor near the grave of Brunelleschi, others have been highly skeptical.

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The Holy Innocents

Still wondering about an Italian painting in your family collection? Contact us…it could be by Giotto.


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207--ambrogiani.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "ambrogiani" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "ambrogiani" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "ambrogiani" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
208--breton.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "breton" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "breton" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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209--pequignot.php Jean Pierre Pequignot Artwork Authentication & Art Appraisal

Jean Pierre Pequignot (1764-1804)

Do you think you may own a painting by Jean Pierre Pequignot ?

We Perform Jean Pierre Pequignot art authentication. Jean Pierre Pequignot appraisal. Jean Pierre Pequignot certificates of authenticity (COA). Jean Pierre Pequignot analysis, research, scientific tests, full art authentications. We will help you sell your Jean Pierre Pequignot or we will sell it for you.

The Rest of the Flight into Egypt

Woman by a River

Jean Pierre Pequignot was a French born landscape painter who spent much of his artistic career in Naples, Italy. Much like fellow French born, Italian based painter Pierre Jacques Volaire, Pequignot also studied under Joseph Vernet. Pequignot also studied under Jacques-Louis David and at the French Academy.

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Le Soir 1800

Pequignot traveled to Rome where he became friends with Girodet, and were eventually forced to flee to Naples in 1793, where Pequignot would remain for the rest of his life. While in Naples, he would create fantasy landscape paintings, featuring women sleeping by lakes, mythological figures, towering trees and narrow paths.

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Landscape

Still wondering about a dreamlike French or Italian landscape hanging in your home? Contact us…it could by Jean Pierre Pequignot.


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210--kelley.php Mike Kelley Artwork Authentication & Art Appraisal

Mike Kelley

Get a Kelley Certificate of Authenticity for your painting or a COA for your Kelley drawing or sculpture.

For all your Kelley artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Kelley Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kelley painting, drawing or sculpture.

If you want to sell your Kelley painting, drawing or sculpture use our selling services. We offer Kelley selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kelley and issuing certificates of authenticity since 2002. We are recognized Kelley experts and Kelley certified appraisers. We issue COAs and appraisals for all Kelley artworks.

Our Kelley paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kelley certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kelley painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kelley paintings, drawings or sculpture take longer.

Our clients include Kelley collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Mike Kelley art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Mike Kelley or we will sell it for you.

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mike kelley portrait

 

Contemporary American artist Mike Kelley is known for his works that combine a wide variety of objects, including sculpture, textile, drawing, painting, photography, collage, video and sound installations, writing, found objects (most famously stuffed animals), and photocopies. Set up in galleries and museums, these installations were meant to be interacted with, and performance was a often a key component of Kelley’s work. As art critic Jerry Saltz claimed in 2005, Kelley’s pieces were indicative of the “clusterfuck aesthetics,”or overstimulation of media commonly found in contemporary art.

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Arena #7, found objects, 1990

 

As a youth, Kelley was a member of the band Destroy All Monsters in Wayne Michigan, his hometown. Born to a working class family (his father was the head of maintenance for the local school district and his mother was a cook), the artist’s upbringing and involvement in the Detroit underground music scene influenced his work. Throughout his career he explored themes of repression, class, politics, and gender, and his art brought upquestions about normality and perversion. In his later work, biography and autobiography became increasingly important.

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Deodorized Central Mass with Satellites, mixed media including stuffed animals and air freshener, 1991-1999

 

Kelley received his BFA from the University of Michigan in 1976. He then moved to California and graduated from CalArts with an MFA in 1978. Inspired by his instructors at Cal, including John Baldessari, Laurie Anderson, David Askevold, Douglas Heubler, and Jonathon Borofsky, Kelley became part of the Los Angeles art scene, and in 1979 his mixed-media performance Poltergeist in collaboration with Askevold gained critical attention.

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Educational Complex, synthetic polymer, latex, foam core, fiberglass, and wood, 1995

 

Using a variety of textiles and stuffed animals, Kelley’s work in the 1980s was predominantly satirical and represented the investment of love and devotion people give to these objects. One of Kelley’s stuffed animals appears on the cover of Sonic Youth’s 1992 album Dirty. The band had previously collaborated with the artist and provided music during an hour-and-a-half recitation of the poem Plato’s Cave, Rothko’s Chapel, Lincoln’s Profile.

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Kandor Series, mixed media, 2010-2011

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Move Love Hours Than Can Ever Be Repaid and The Wages of Sin, mixed media including stuffed animals and crochets blankets, 1987

 

Inspired by pop culture, one of Kelley’s last works was a collaborative sculpture series entitled Kandor, after the city on planet Krypton from which Kal-El, or Superman, escaped. On January 31, 2012, Kelley was found dead of an apparent suicide.Coming together through Facebook, his fans organized and recreated one of his famous works, More Love Hours Than Can Ever Be Repaidbetween February and March 2012 in a parking lot near the artist’s studio. Retrospectives of Kelley’s work include exhibitions at the Whitney Museum of American Art (1993), the Museum of Contemporary Art in Barcelona (1997), the Tate Liverpool (2004), and the Stedelijk Museum in Amsterdam (2012).


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211--dobricevic.php Lovro Marinov Dobričević Artwork Authentication & Art Appraisal

Lovro Marinov Dobričević (1420 -1473)

Do you think you may own a painting by Lovro Marinov Dobričević?

Get a Dobričević Certificate of Authenticity for your painting (COA) for your Dobričević drawing.

For all your Dobričević artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dobričević Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dobričević painting or drawing.

If you want to sell your Dobričević painting or drawing use our selling services. We offer Dobričević selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dobričević and issuing certificates of authenticity since 2002. We are recognized Dobričević experts and Dobričević certified appraisers. We issue COAs and appraisals for all Dobričević artworks.

Our Dobričević paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dobričević certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dobričević painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dobričević paintings or drawings take longer.

Our clients include Dobričević collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lovro Marinov Dobričević art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Lovro Marinov Dobričević or we will sell it for you.

1. Dominican Church and Monastery in Dubrovnik

1. Dominican Church and Monastery in Dubrovnik

2. Detail of painting in the church of Our Lady in Dances, Dubrovnik

2. Detail of painting in the church of Our Lady in Dances, Dubrovnik

Lovro Marinov Dobričević was a Venetian artist born in Kotor, Montenegro. Dobričević is best known for his altarpieces in the Dominican and Franciscan monasteries of Dubrovnik. While he spent most of his career working in or near Dubrovnik, he was trained in Venice alongside Michele Giamboni.

3. Altarpiece in Church of St. Marija na Dancama

3. Altarpiece in Church of St. Marija na Dancama

4. Detail of St. Julia 1460. Church of St. Marija na Dancama

4. Detail of St. Julia 1460. Church of St. Marija na Dancama

Dobričević used a traditional technique of the time, painting with tempera on cedar. His level of skill and mastery of painting religious subjects meant that he received numerous commissions. By the 1450s, he opened a workshop that facilitated a number of projects.

5. Madonna with Child. Kotor Cathedral.

5. Madonna with Child. Kotor Cathedral.

Dobričević had an artistic family, as his wife and two sons Vicko and Marin Lovro were also painters.

If you think you may own original artwork by Lovro Marinov Dobričević, contact Art Certification Experts for information regarding our services.


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212--van-de-cappelle.php Jan Van de Cappelle Artwork Authentication & Art Appraisal

Jan Van de Cappelle (1849-1914)

Get a De Cappelle Certificate of Authenticity for your painting (COA) for your De Cappelle drawing.

For all your De Cappelle artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Cappelle Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Cappelle painting or drawing.

If you want to sell your De Cappelle painting or drawing use our selling services. We offer De Cappelle selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Cappelle and issuing certificates of authenticity since 2002. We are recognized De Cappelle experts and De Cappelle certified appraisers. We issue COAs and appraisals for all De Cappelle artworks.

Our De Cappelle paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Cappelle certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Cappelle painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Cappelle paintings or drawings take longer.

Our clients include De Cappelle collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jan Van de Cappelle art authentication, appraisal, certificates of authenticity (COA), Cappelle analysis, research, scientific tests, full art authentications. We will help you sell your Jan Van de Cappelle or we will sell it for you.

Cappelle, A State Yacht and Other Craft in Calm Water

A State Yacht and Other Craft in Calm Water
Oil on Wood 69.9 x 92.4 cm
Metropolitan Museum of Art, NY

Cappelle, A Calm, 1654

A Calm, 1654
Oil on Canvas

Cappelle was born in Amsterdam, where he trained to be a dyer. Cappelle became quite wealthy and respected in his craft, but realized his true interest was in painting.

Cappelle was a serious art collector and owned about five hundred Rembrandt drawings as well as paintings by Rubens, van Dyke, and Brouwer.

Cappelle taught himself to paint during his spare time, teaching himself through practice and studying the old masters. Cappelle won great praise as a painter of marine scenes characterized by a silver/gray tonality. His most iconic paintings depict grand ships on tranquil seas.

Cappelle’s paintings are now in most major European and American museums. The Rijksmuseum and the National Gallery London have the most extensive collections of his work.

Cappelle, Home Fleet Saluting the Barge, 1650

Home Fleet Saluting the Barge, 1650
Oil on Panel 64 x 92.5 cm
Rijksmuseum Amsterdam

Cappelle, Calm, 1650-55

Calm, 1650-55

Cappelle, Winter Landscape, 1650

Winter Landscape, 1650

Do you still think you may be the owner of Jan Van de Cappelle original? Contact us. We are the Jan Van de Cappelle experts.


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213--mauve-francais.php Anton Mauve Artwork Authentication & Art Appraisal

Anton Mauve, 1838-1888, Néerlandais

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Chevauchée du matin sur la plage (1876)

Anton Mauve, né à Zaandam en 1838, était un peintre réaliste, chef de file de l’école de La Haye et profondément impliqué dans plusieurs sociétés de promotion artistique.

Fils de chapelain mennonite et élevé à Haarlem, il s’est initialement formé, à l’âge de seize ans, auprès des peintres animaliers Pieter Frederick van Os et Wouter Verschuur. C’est ensuite aux côtés de son collègue et ami Paul Gabriël qu’il s’est concentré sur la peinture en extérieur. Le petit village d’Oosterbeek, où ils effectuaient de fréquents séjours, devint le Barbizon néerlandais de ces peintres profondément influencés par l’école française du même nom.

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Bergère au troupeau de moutons (1857-1888)

En 1871, y ayant installé son studio, Mauve devint un des membres clés de l’École de peinture de La Haye, aussi connue sous le nom d’École grise, à cause de leur palette sombre et de leur préférence pour les temps nuageux. Le critique Jacob van Santen Kolff y voyait une nouvelle manière de traduire des atmosphères. À cette époque, Mauve était également membre du Studio Pulchri, la société artistique la plus influente de La Haye, et d’une organisation qui œuvrait pour la promotion de l’aquarelle en tant que forme artistique, alors qu’elle n’avait été jusqu’alors perçue qu’en simple technique.

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Sur la Plage (1870-1879)

Le travail de Mauve dépeint des figures et des animaux en extérieur, souvent d’ailleurs dans un contexte paysan, comme le montre l’homme en plein labeur dans Le Travail des Champs. Dans un registre carrément bourgeois, Chevauchée du matin sur la plage (1876) représente des cavaliers se promenant au bord de la mer. Comble du réalisme, les animaux laissent derrière eux, au premier plan du tableau, une traînée de crottin. Très prisés aux États-Unis, ses tableaux animaliers, tels que Bergère au troupeau de moutons (1857-1888), sont tellement côtés qu’ils affichent aujourd’hui deux catégories de prix, selon que le troupeau apparaisse de face ou de dos.

Cousin par alliance de Vincent van Gogh, qui l’a mentionné pas moins de 152 fois, de façon directe ou indirecte, dans sa correspondance, Mauve l’avait notamment convié à passer plusieurs semaines dans son studio, au début de sa carrière, afin de le laisser expérimenter la peinture à l’huile et à l’aquarelle. Il lui avait également fourni une aide financière afin qu’il monte son propre atelier, avant de se brouiller avec lui, apprenant que son cousin s’était mis en ménage avec une prostituée.

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Bateaux de pêche (1876)

En 1885, Mauve a quitté la ville pour s’installer dans le village de Laren, en compagnie notamment de son ami Jozef Israëls. Cette région est depuis connue sous le nom du « pays de Mauve ». Il y est mort de façon soudaine en 1888, mais son œuvre a continué à influencer de nombreux autres peintres de son temps, dont l’écossais Robert McGregor


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214--delvaux-paul.php Paul Delvaux Artwork Authentication & Art Appraisal

Paul Delvaux, 1897-1994, Belge

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Le miroir (1936)

 

Paul Delvaux était un peintre post-impressionniste, expressionniste et surréaliste.

 

C’est aux côtés de son meilleur ami, l’artiste Émile Salkin, qu’il a tracé ses premiers traits, reproduisant les squelettes du musée d’histoire naturelle de Bruxelles. Après avoir intégré l’Académie des beaux-arts, où il a découvert le symbolisme et la peinture décorative, il  réalisé des toiles post-impressionnistes, puis expressionnistes, qui trahissent l’influence de son compatriote James Ensor. Sa famille, réticente face à ses choix artistiques, avait d’abord souhaité qu’il intègre des études d’architecture, mais sa rencontre avec le peintre Franz Courtens, en 1919, avait fini par les convaincre de le laisser s’inscrire aux cours de peinture de Constant Montald.
Prenant part à la vie artistique, il a réalisé une série de toiles tournant autour du thème des chemins de fer, dont Trains du soir. Il travaillait d’après nature et on l’apercevait souvent au Rouge-Cloître, dans la forêt de Soignes. En 1924, il a exposé avec le groupe d’artistes impressionnistes « Le Sillon ». À noter qu’il avait à cette époque pris l’habitude de détruire ses tableaux après chaque changement d’inspiration.

 

C’est peu de temps après que Delvaux aborda un thème qu’il ne devait jamais abandonner : celui des nus, après la révélation d’une exposition expressionniste. Son Nu couché (1934) trahit, dans son atmosphère tranquille et réservée, l’influence de l’expressionnisme flamand illustré par Constant Permeke et Gustave de Smet.

 

La même année, comme Magritte, il fut frappé par le surréalisme en contemplant pour la première fois un tableau de Chirico, lors de sa visite de l’exposition du Minotaure en 1934. S’inspirant de Magritte, Ensor et Chirico, il a alors entamé une série de toiles dont la première s’intitulait Femmes en dentelles,avant de participer à l’exposition des surréalistes à Paris en 1938.

 

Ses thèmes étaient fixés. Paul Delvaux, sous la coupe de sa mère, fut élevé dans la crainte du monde féminin. Les thèmes récurrents de son corpus sont des femmes dénudées, ignorées par des hommes en costumes et des éphèbes posant dans des paysages ou des milieux urbains figés et hiératiques. Ces femmes irradient d’une sensualité pourtant vertueuse. « Je les peins parce qu’elles sont belles et désirables, » expliquait Delvaux. Par ailleurs, quand on lui demandait s’il était un surréaliste, il répondait : « Pas toujours. Je ne suis pas un inventeur de formes. Je suis plutôt, disons, un naturaliste : je ne déforme pas la nature et je ne le veux pas. » Les critiques qualifieraient volontiers son art de réalisme magique.

 

Plus tard, il composa de gigantesques fresques qui ornent encore les murs du Casino d’Ostende ou du Palais des Congrès de Bruxelles. Lors de l’exposition universelle de 1958, il produisit avec ses élèves La Carte littéraire de Belgique, une peinture à l’huile sur panneaux d’aggloméré de 3 mètres sur 5, conservée à la Bibliothèque Royale de Belgique.

 

Après 1945, il a longtemps vécu dans le petit village de Saint-Idesbald, qui accueille depuis 1982 un musée qui lui est consacré et qui abrite la plus importante collection au monde de toiles, dessins et estampes de l’artiste. Ce dernier est mort en 1994.


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215--tatlin.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "tatlin" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "tatlin" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "tatlin" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "tatlin" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
216--van-ruysdael.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "van-ruysdael" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "van-ruysdael" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "van-ruysdael" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "van-ruysdael" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
217--lauge.php Achille Lauge Artwork Authentication & Art Appraisal

Achille Lauge (1861-1944)

Get a Lauge Certificate of Authenticity for your painting (COA) for your Lauge drawing.

For all your Lauge artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lauge Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lauge painting or drawing.

If you want to sell your Lauge painting or drawing use our selling services. We offer Lauge selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lauge and issuing certificates of authenticity since 2002. We are recognized Lauge experts and Lauge certified appraisers. We issue COAs and appraisals for all Lauge artworks.

Our Lauge paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lauge certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lauge painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lauge paintings or drawings take longer.

Our clients include Lauge collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Achille Lauge art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Achille Lauge or we will sell it for you.

Achille Lauge was a French Neo-Impressionist and Pointillist painter who became well known for his beautiful landscapes. Born to a family of farmers in Arzens, France, he began studies at the Ecole des Beaux-Arts at the age of 20 and studied under Alexandre Cabanel. Lague lived in Paris from 1886 until 1888, when he returned to his family home in the south of France where he worked and lived for the rest of his life.

art

Autumn

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Flowering Almond Trees

Lauge primarily painted landscapes near his home, and would typically sign his work “A.Lauge” on the front of his canvas. However, it is quite likely that during his years as a student he created a number of still life, portraits and sketches, probably in the Impressionist style. Lauge really only worked in Pointillism from 1888-1896, and abandoned the style for the most part afterwards.

art

Bouquet of Roses

After the turn of the century, Lauge often applied an impasto technique of using large brushstrokes and leaving behind thick applications of paint.

art

La Route de Campagne Pres de Caihau, 1908

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La Vignes in Automne a Caihau, 1915

During his lifetime, he exhibited often at the Salon des Independents, but did not truly gain the notoriety that he deserved until after his death at a 1968 Guggenheim exhibit. Still wondering about a Pointillist or Impressionist landscape hanging in your home? Contact us to find out…it may be by Achille Lauge.


done
218--venetsianov.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "venetsianov" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "venetsianov" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "venetsianov" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "venetsianov" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
219--warhol.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "warhol" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "warhol" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "warhol" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "warhol" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
220--russell-charles.php Charles Marion Russell Artwork Authentication & Art Appraisal

Charles Marion Russell (1864-1926)

Get a Russell Certificate of Authenticity for your painting or a COA for your Russell drawing or sculpture.

For all your Russell artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Russell Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Russell painting, drawing or sculpture.

If you want to sell your Russell painting, drawing or sculpture use our selling services. We offer Russell selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Russell and issuing certificates of authenticity since 2002. We are recognized Russell experts and Russell certified appraisers. We issue COAs and appraisals for all Russell artworks.

Our Russell paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Russell certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Russell painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Russell paintings, drawings or sculpture take longer.

Our clients include Russell collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles Marion Russell art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles Marion Russell or we will sell it for you.

art

When Blackfoot and Sioux Meet

Charles Marion Russell was an American painter and sculptor. Art historians have called Russell one of the greatest artists of the American West, and today, his landscapes serve as a reminder of how vast the west once was. Though he never had any formal artistic training, Russell’s work was from the heart and was a product of true American ambition.

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Wild Horse Hunters

He was born into an upper-class family in St. Louis, MO, and as a young man, worked as a hunter and trapper, as well as on a sheep ranch. Russell eventually became a cowboy, and painted and sketched during his spare time. He would mold small animal figurines with clay and sketch the livestock that he watched over as well.

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Wolf with Bone

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Indians Crossing the Plains 1902

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When East meets West

Prior to 1900, Russell created few watercolor or oil paintings worth noting, with most of his best work being made during the last two decades of his life. His subject matter was generally a reflection of his work as a cowboy, and featured typical ranch scenes as well as depictions of Plains Indians.

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Watercolor, War 1899

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Meat for Wild Men

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Waiting and Mad

Russell rose to fame as an artist the truly American way and is the stuff of legends. While working as a cattle hand at the O-H Ranch in the winter of 1886-1887, Russell used his artistic flair to create his first taste of publicity. Instead of a regular letter informing the owner that his cattle survived the winter, the ranch foreman sent the owner a postcard sized watercolor that Russell had painted, depicting a skeletal steer being watched by hungry wolves under a gray sky. This postcard was displayed by the owner to friends and acquaintances and eventually ended up in a shop window in Helena, Montana. After this, work steadily began to stream in for the artistic ranch hand and thus, his art career was born.

art

Elk in Lake Macdonald

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When Horseflesh Comes High

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A Doubtful Handshake

Russell also credited his success as an artist to his wife Nancy. Russell married Nancy in 1896, and the couple moved to Great Falls, Montana the following year. Though he became a local celebrity in Great Falls and found much success, it was Nancy that helped Russell to gain a name for himself on an international level. She set up many exhibitions of his work all over the United States and even in London, creating a great following for the ranch hand turned artists’ work.

art

In the Land of Kootenai

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The Horse Thieves

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The Judith Basin Roundup

Some time early in his career, Russell began to add a buffalo skull to his paintings as his mark or as a part of his signature. He would work the buffalo skull into the foreground, and it was later copyrighted as his logo. Art historians say that this was his silent way of showing respect to his Indian friends as a representation for their hardship and for their loss of the great buffalo; their source of life and prosperity.

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Portrait of a Native American “Young Boy” with Buffalo Skull in lower left corner

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Blackfeet Warrior with Skull signature

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Buffalo Hunting

Today, Russell’s paintings are housed all over the United States, including his painting “Lewis and Clark Meeting the Flathead Indians,” which is displayed at the capital building in Helena, Montana. His paintings sell for upwards of $5 million dollars at auction, and are in high demand by collectors.

art

An illustrated letter from Russell to his friend

Still wondering about a painting of the early American West in your family collection? Contact us…it could be by Charles Marion Russell.


done
221--deineka-alexander.php Alexander Aleksandrovich Deineka Artwork Authentication & Art Appraisal

Alexander Aleksandrovich Deineka (1899 – 1969)

We Perform Alexander Aleksandrovich Deineka art authentication. Alexander Aleksandrovich Deineka appraisal. Alexander Aleksandrovich Deineka certificates of authenticity (COA). Alexander Aleksandrovich Deineka analysis, research, scientific tests, full art authentications. We will help you sell your Alexander Aleksandrovich Deineka or we will sell it for you.

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Self-Portrait

Deineka was born in Kursk in 1899. Deineka studied painting at the Kharkov Art College (1915-1917). Deineka’s youth was filled with events surrounding the revolution in Russia.

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On the Building, New Workshops

In 1918 Deineka worked as a photographer in the Criminal Investigation Department, managed a section of the Regional Art Education Department, designed campaigns in Kursk.

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The Textile Women

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Future Pilots

From 1919-1920, Deineka served in the army. While in the army, Deineka was sent on an official trip to study poly-graphics in Moscow, which greatly inspired his future artistic pursuits.

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The Defense of Petrograd

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Six Nuns

In 1925 Deineka was one of the founders of Stander’s Society and created a monumental, Soviet-revolutionary piece Defense of Petrograd, 1928.

In 1928 Deineka became a member of the art association “October”, and in 1931 Deineka became a member of the Russian Association of Proletarian Artists. Deineka began to make political posters depicting pre-revolutionary history.

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Burned Village

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Defense of Sevastopol

During World War II Deineka created dramatic, monumental pictures. Surburb of Moscow (1941) and The Burned Village (1942) explore the suffering that he witnessed during the war. Defense of Sevastopol (1942) became a symbol of courage in his Moscow.

art

political poster

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Occupation

Deineka not only painted, but also made mosaics in the Congressional Palace and metro stations “Mayakovakaya” (1938) and “Novokuznetskaya” (1943) in Moscow. Deineka won the Lenin Prize for his mosaic work.

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mosaic

Deineka lectured in many Institutes in and around Moscow. He was awarded by the Order of Lenin and the order of the Red Banner of Labor. Deineka became a Hero of Socialist Labor in the USSR.

Deineka’s paintings serve an important role in world history. Deineka’s work can be found in museums and collection around the United States and Europe. Do you think you own a painting by Deineka? Contact us. We are the Deineka experts.


done
222--dirube.php Rolando Lopez Dirube Artwork Authentication & Art Appraisal

Rolando Lopez Dirube (1928-1997)

Get a Dirube Certificate of Authenticity for your painting or a COA for your Dirube drawing or sculpture.

For all your Dirube artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Dirube Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dirube painting, drawing or sculpture.

If you want to sell your Dirube painting, drawing or sculpture use our selling services. We offer Dirube selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dirube and issuing certificates of authenticity since 2002. We are recognized Dirube experts and Dirube certified appraisers. We issue COAs and appraisals for all Dirube artworks.

Our Dirube paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dirube certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dirube painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dirube paintings, drawings or sculpture take longer.

Our clients include Dirube collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Rolando Lopez Dirube art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Rolando Lopez Dirube or we will sell it for you.

art

Velero

Rolando Lopez Dirube was born in Havana, but traveled and lived around the world. He was best known as a muralist, but was also a teacher and mentored some of the finest contemporary Latin artists today. Dirube died in Puerto Rico, but not before he made a name for himself as one of the leading Cuban plastic artists.

Originally Dirube studied architecture in Cuba, and was among many things, a painter, muralist and sculptor. He worked in many mediums from wood and stone to oil, and was a firm believer that no artist should work in only one medium. Generally, Dirube is considered an Expressionist Cuban artist, though he may have argued on both of those titles.

Dirube was deaf from the time he was a child, and painting and art became an outlet of expression for him. His lack of hearing gave him an extraordinary advantage over his contemporaries because he felt the need to accentuate the physical beauty of all that was around him.

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The Combatants

Though Dirube went into exile in 1960, he never felt that he was creating "Cuban" art while living in or out of his native Cuba. During his lifetime, he traveled all over the United States, Latin America and Europe, which leaves a very good possibility for one of his unknown works to be in existence somewhere. Dirube chose to live the rest of his life in Puerto Rico, which has also lumped him into the category of Puerto Rican artist.

During his lifetime, Dirube participated in a number of shows, particularly while living in the United States. While he was teaching at the Student Art League in New York in the 1950's, he was able to exhibit his work and gained notoriety.

art

Mural from Hotel Riviera

art

 Untitled

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Cabeza XI

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La Mujer del Papalote

Today, his work is housed in museums worldwide, from Cuba to the United States as well as Germany, Venezuela and Puerto Rico. Could you own a piece of work from Rolando Lopez Dirube? We would be glad to help you authenticate a piece of work from this great Cuban artist.


done
223--pittoni.php Giambattista Pittoni Artwork Authentication & Art Appraisal

Giambattista Pittoni (1687-1767)

We Perform Giambattista Pittoni art authentication. Giambattista Pittoni appraisal. Giambattista Pittoni certificates of authenticity (COA). Giambattista Pittoni analysis, research, scientific tests, full art authentications. We will help you sell your Giambattista Pittoni or we will sell it for you.

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Annunciation 1758

Giambattista Pittoni was a Italian painter of the late-Baroque or Rococo period, active mainly in his native Venice.

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The Death of Sophonisba

Pittoni is best known for his “grand-manner” canvases depicting religious, historical, and mythological subjects (such as Sophonisba and Polyxena). He was a co-founder of the official painter’s academy in Venice (in competition to the old fraglia or painter’s guild), the Accademia di Belle Arti di Venezia, and he succeeded as President (1758-1761) his contemporary Giovanni Battista Tiepolo. Pittoni never left his native Venice, but completed commissions from German, Polish, Russian, and Austrian patrons. His mature palette was noted, as was Tiepolo’s, for his lightness of tone. Besides Tiepolo, Pittoni’s influences were Giovanni Battista Piazzetta, Sebastiano Ricci, and Antonio Balestra. His paintings were of a Rococo style, but later became more sedate in their approach towards Neoclassicism.

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The Continence of Scipio

Still wondering about an Italian painting in your family collection? Contact us…it could be by Giambattista Pittoni.


done
224--bredael.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bredael" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bredael" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "bredael" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
225--cipriani.php Giovanni Battista Cipriani Artwork Authentication & Art Appraisal

Giovanni Battista Cipriani (1727-1785)

Get a Cipriani Certificate of Authenticity for your painting (COA) for your Cipriani drawing.

For all your Cipriani artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cipriani Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cipriani painting or drawing.

If you want to sell your Cipriani painting or drawing use our selling services. We offer Cipriani selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cipriani and issuing certificates of authenticity since 2002. We are recognized Cipriani experts and Cipriani certified appraisers. We issue COAs and appraisals for all Cipriani artworks.

Our Cipriani paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cipriani certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cipriani painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cipriani paintings or drawings take longer.

Our clients include Cipriani collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giovanni Battista Cipriani art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni Battista Cipriani or we will sell it for you.

Cipriani painting, Mythological Scene

Mythological Scene

Giovanni Battista Cipriani was an 18th century Italian painter. He was born in Florence and studied under Antonio Domenico Gabbiani. Cipriani was also a skilled draftsman and engraver.

Cipriani painting, Temple of Jupiter

Temple of Jupiter

Cipriani typically painted and made engravings of religious and mythological elements, as well as historical and genre scenes. Angel’s and Cupid’s in particular were often used in his compositions.

Cipriani painting, Sarah´s Angels

Sarah´s Angels

Cipriani painting, Jessica´s Angels

Jessica´s Angels

Cipriani painting, Three Cupids

Three Cupids

Still wondering about an 18th century Italian painting in your family collection? Contact us…it could be by Giovanni Battista Cipriani.


done
228--lopez-y-portana.php Vicente López y Portaña Artwork Authentication & Art Appraisal

Vicente López y Portaña (1772-1850)

Get a López Portaña Certificate of Authenticity for your painting (COA) for your López Portaña drawing.

For all your López Portaña artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a López Portaña Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your López Portaña painting or drawing.

If you want to sell your López Portaña painting or drawing use our selling services. We offer López Portaña selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating López Portaña and issuing certificates of authenticity since 2002. We are recognized López Portaña experts and López Portaña certified appraisers. We issue COAs and appraisals for all López Portaña artworks.

Our López Portaña paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The López Portaña certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your López Portaña painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research López Portaña paintings or drawings take longer.

Our clients include López Portaña collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Vicente López y Portaña art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Vicente López y Portaña or we will sell it for you.

López, Self-Portrait

Self-Portrait

López, Portrait

Portrait

Vincente López Portaña was a highly esteemed Spanish painter, known as one of the best portrait artists of his time.López was born in Valencia, Spain to parents Critóbal López Sanchordi and ManuelaPortaña Meer. López started painting at the age of thirteen as a student of Antonio de Villanueva, a Franciscan monk in Valencia. López formally studied at the Academy of San Carlos, where he was awarded a scholarship to continue his studies in Madrid at the Academia Real de Bellas Artes de San Fernando, a highly regarded institution in Spain’s capital. In Madrid, López worked for Mariano Salvador Maella, after completing his studies at the Academy.

López, Duke of Infantado

Duke of Infantado

In 1794 López returned to Valencia to accept a position as vice-president of the painting department at the Academy of San Carlos. After seven years time, he became the President of the Academy. During this same time period, López married Maria Piquer and had two sons. Both of his sons became painters, yet never gaining the same recognition as their father.

López, Adoration of the Trinity

Adoration of the Trinity

López, Portrait

Portrait

López, Painting for the Royal Palace

Painting for the Royal Palace

In 1802 López became an honorary court painter, receiving commissions from, King Charles IV. López’s work for the court boosted his reputation, and led to further work for King Ferdinand VII, who appointed López as official court painter. López eventually took over Goya’s position as the top Royal Court Painter. López not only painted portraits for the royal family but also gave drawing lessons to Maria Isabella of Portugal and Maria Josepha of Saxony. López eventually became the President of the Royal Academy of Fine Arts of San Fernando.

López served as a court painter in Madrid until the end of his life. When he died, he was serving Queen Isabella II. During López’s career he painted countless royal portraits as well as historical and religious paintings.

López, Portrait of Francisco de Goya

Portrait of Francisco de Goya

One of López’s best-known works is a portrait of the painter, Francisco de Goya. López’s works are now housed at the Museo del Prado, among other famous collections around the world. Do you think you own a painting by Vincente López y Portaña? Contact us. We are the López experts.


done
229--macdonald-wright.php Stanton MacDonald-Wright Artwork Authentication & Art Appraisal

Stanton MacDonald-Wright (1890-1973)

Get a MacDonald-Wright Certificate of Authenticity for your painting (COA) for your MacDonald-Wright drawing.

For all your MacDonald-Wright artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a MacDonald-Wright Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your MacDonald-Wright painting or drawing.

If you want to sell your MacDonald-Wright painting or drawing use our selling services. We offer MacDonald-Wright selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating MacDonald-Wright and issuing certificates of authenticity since 2002. We are recognized MacDonald-Wright experts and MacDonald-Wright certified appraisers. We issue COAs and appraisals for all MacDonald-Wright artworks.

Our MacDonald-Wright paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The MacDonald-Wright certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your MacDonald-Wright painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research MacDonald-Wright paintings or drawings take longer.

Our clients include MacDonald-Wright collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Stanton MacDonald-Wright art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Stanton MacDonald-Wright or we will sell it for you.

MacDonald-Wright, Raigo, 1955

Raigo, 1955

MacDonald-Wright, Airplane Synchromy in Yellow-Orange

Airplane Synchromy in Yellow-Orange

Stanton MacDonald-Wright was an American painter, best known for collaboratively founding the Synchromist movement along with Morgan Russell. Synchromism is an abstract movement that emphasizes the use of “chords of color” to evoke the sensation of music. Synchromism was the first abstract movement initiated by American artists.

MacDonald-Wright, Oriental, 1918

Oriental, 1918

MacDonald-Wright was born in Charlottesville, Virginia but spent much of his childhood in California, after his family relocated to Santa Monica in 1900. MacDonald-Wright realized his interest in art at an early age and enrolled at the Los Angeles Art Students League.

MacDonald-Wright, Introspection

Introspection

MacDonald-Wright, Scherzo Form

Scherzo Form

MacDonald-Wright, Creation Synchromy

Creation Synchromy

MacDonald-Wright, Synchromy in Purple

Synchromy in Purple

After only two years of study in California, MacDonald-Wright decided to receive further training in Europe, and enrolled at the Sorbonne, the Académie Julian, the Ecole des Beaux-Arts and the Académie Colarossi in France. MacDonald-Wright studied optical sciences and color theory under leading instructors, including Michel-Eugène Chevreul, Hermann von Helmholtz, and Ogdon Rood. MacDonald-Wright drew from not only his instructors, but also the current art trends in Paris, primarily the Cubist movement. While abroad, MacDonald-Wright met fellow American painter, Morgan Russell, who would soon become his partner in developing the Synchromist movement.

MacDonald-Wright, Oriental Synchromy

Oriental Synchromy

In 1913, MacDonald-Wright and Russell organized their first Synchromist exhibition in Munich, Germany. The artists used bold and vibrant colors, unlike the usual cubist painters of the time. In the next several years, their work continued to become less representational and more abstracted.

MacDonald-Wright, Cañon

Cañon

MacDonald-Wright, Yin Synchromy #2

Yin Synchromy #2

As World War I began to set in motion, MacDonald-Wright returned to the United States, exhibiting in New York before returning to Los Angeles. MacDonald-Wright ‘s modernist work made a major impact on the California art scene, and local art institutions revered him. In 1935, MacDonald-Wright became the director of the Southern California division of federal Works Projects Administration (WPA) that was enforced during the Great Depression era. MacDonald-Wright had the opportunity to work on several social projects, including murals in Santa Monica City Hall.

As MacDonald-Wright worked less on fine art and more on civic projects, his style became more traditional and reminiscent of the American Regionalist movement. MacDonald-Wright also made efforts in filmmaking, writing and taught an art history course at the University of California in Los Angeles. After World War II, MacDonald Wright continued to travel, maintaining studios in Japan and Italy.

The work of MacDonald-Wright in now in major museum collections around the world. MacDonald-Wright’s contributions to Synchromism made a major impact on modernism in Europe and in the United States. Do you think you own a painting by MacDonald-Wright? Contact us. We are the experts on Synchromist works by Stanton MacDonald-Wright.


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230--van-gogh.php Vincent van Gogh Artwork Authentication & Art Appraisal

Vincent Van Gogh (1853-1890)

We Perform Vincent van Gogh art authentication. Vincent van Gogh appraisal. Vincent van Gogh certificates of authenticity (COA). Vincent van Gogh analysis, research, scientific tests, full art authentications. We will help you sell your Vincent van Gogh or we will sell it for you.

Self-Portrait with Grey Felt Hat, 1887

Self-Portrait with Grey Felt Hat, 1887

An unsuccessful commercial artists in life, Vincent van Gogh is perhaps one of the most tragic and creative artists to have come out of the 19th century. Van Gogh is generally considered one of the greatest Dutch painters next to Rembrandt, and his paintings are among the most valuable and collectible pieces of art in the world. His use of color, brushstroke technique and themes were revolutionary, and echoed the mental illnesses (schizophrenia and epilepsy among them) that plagued him and eventually caused his death. At one time he even attempted to take the life of fellow painter Paul Gauguin, and eventually took his own life.

Van Gogh has left the art world with many unanswered questions, mysteries, and an oeuvre of valuable paintings. The market for works by van Gogh is very quiet, even if from time to time there is a thunderous sale. Most years, as few as 15 to 30 van Gogh paintings may change hands. It is not that the body of his work is so limited; he left some 2,200 pieces including drawings and sketches for instance. Rather, it seems to be that owners of a van Gogh want to keep it and to live with it longer.

Café Terrace at Night 1888

Café Terrace at Night 1888

The Starry Night 1889

The Starry Night 1889

In fact, if you have a doubt as to whether or not you indeed own a Vincent van Gogh piece, you may be able to use “The Starry Night” as a jumping ground for comparison. At this time, Vincent was one of the few to use such bold colors and brush strokes, way before the Fauve movement after the turn of the century. His themes are usually dark; nearly empty rooms, quiet waterfront or café scenes or the French countryside. Though born in the Netherlands, Vincent worked and studied in Paris and lived there until his death. Most of his work is either based on Dutch or French life, and can easily be recognized by style. His portraiture is rarely flattering, but crude, and is perhaps why he did not have many patrons during his lifetime. However, now these crude portraits, like “La Mousme”, which is housed in the National Gallery of Art in Washington D.C., are considered masterful works of art for their unusual take on a subject.

La Mousme, 1888

La Mousme, 1888

It would seem presumptuous to think we have inventoried every last drawing he gave away, every sketch he made somewhere to please someone, or all the illustrated letters he ever wrote. This is why researching if a painting or drawing is perhaps an undiscovered van Gogh is always a thrill.

We have extensive resources and experience researching his works, particularly in France, where much reference material and archives are concentrated about his life, works and writings. We invite and welcome research and art authentication projects of works by, or possibly by, Vincent van Gogh.


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232--romanach.php Leopoldo Romanach Artwork Authentication & Art Appraisal

Leopoldo Romanach (1862-1951)

Get a Romanach Certificate of Authenticity for your painting (COA) for your Romanach drawing.

For all your Romanach artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Romanach Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Romanach painting or drawing.

If you want to sell your Romanach painting or drawing use our selling services. We offer Romanach selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Romanach and issuing certificates of authenticity since 2002. We are recognized Romanach experts and Romanach certified appraisers. We issue COAs and appraisals for all Romanach artworks.

Our Romanach paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Romanach certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Romanach painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Romanach paintings or drawings take longer.

Our clients include Romanach collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Leopoldo Romanach art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Leopoldo Romanach or we will sell it for you.

Painter, teacher, and world traveler, Leopoldo Romanach gave inspiration to nearly three generations of Cuban painters. During his lifetime, he gained great acclaim and won medals and awards world-wide for his art. He carved a place for himself among other painters during the Early Republic period by using pure color methods, chiaroscuro and by applying his European training in his art.

Born in Cuba, Romanach moved to Spain at a young age and was schooled there most of his youth. At the age of fifteen he moved back to Cuba and later on enrolled at the San Alejandro Academy. He also received training in Italy on grants and afterwards lived in New York City for many years.

In 1900, he moved back to Cuba and became a professor at his Alma Matter, the San Alejandro School. There, he became inspiration for up and coming Cuban artists such as Amelia Pelaéz. Though trained in the Classical form, Romanach was very open to new methods of painting for his students, and did not discourage them from modern ideas.

Romanach is set apart from most well-known Cuban painters because he was never really a part of the Vanguard movement. Though he lived and worked in Cuba during the height of its popularity, Romanach did not choose to incorporate distinctly Cuban themes in his paintings. He did not use the Caribbean color palate of his contemporaries, nor did he paint Cuban myths or symbols. One could look at his paintings and guess that they were of any place in the world, and not necessarily Cuba. For example, “Paisaje con Cascada” is a painting of a waterfall. 

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Paisaje con Cascada

This could be of a waterfall anywhere, and there are no clues as to whether or not it is a Cuban landscape. Perhaps it was Romanach’s initial training in Rome that inspired him to embrace a more “worldly” style, but it makes his work distinct from other artists still today.

The bulk of Romanach’s artistic oeuvre consists of landscapes, though he also painted beautiful portraiture, usually in the European style. However, even his seascapes don’t initially give away a Cuban essence, as one can see in “Marina”.

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Marina, 1940

For this reason, some of Romanach’s work may have been wrongly authenticated as Floridian or even European work. His seascapes especially were reminiscent of those done by European Impressionists, and a palm tree would be the only thing that contrasts his work from theirs. From the blurry shoreline to the wispy clouds in an intense blue sky, Romanach’s seascapes take on a highly European feel.

Though his themes were not highly Cuban, political or innovative in nature, his work was stunning nonetheless. At times, he has an almost Impressionistic hand, but his portraiture is almost always photo Realistic—with a hint of Expressionism. Take for instance, his chiaroscuro laden portrait “Viejo Barba Blanca”.

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Viejo Barba Blanca, 1940

This portrait has all of the Classical elements used by the old masters, but the subject is given a depth and personality that is usually lost by other artists.

One way to tell whether or not you own a piece of art by Romanach is to look for his signature. Unlike most artists, he would often sign in the upper right hand corner, underlining his name. There is no mistaking his signature. In the beginning of his career while he was in school at San Alejandro, Romanach produced many sketches. However, it is his oil paintings he is best known for, so it is possible that there are some sketches of his still floating around, not authenticated.

Romanach’s work has been displayed world-wide and is currently housed in Cuba and Miami. He is still remembered today as a great art teacher, and accomplished and award winning Cuban painter.


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233--ligozzi.php Jacopo Ligozzi Artwork Authentication & Art Appraisal

Jacopo Ligozzi (1547 – 1627)

Get a Ligozzi Certificate of Authenticity for your painting (COA) for your Ligozzi drawing.

For all your Ligozzi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ligozzi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ligozzi painting or drawing.

If you want to sell your Ligozzi painting or drawing use our selling services. We offer Ligozzi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ligozzi and issuing certificates of authenticity since 2002. We are recognized Ligozzi experts and Ligozzi certified appraisers. We issue COAs and appraisals for all Ligozzi artworks.

Our Ligozzi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ligozzi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ligozzi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ligozzi paintings or drawings take longer.

Our clients include Ligozzi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jacopo Ligozzi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jacopo Ligozzi or we will sell it for you.

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The Chapel of the Blessed Giovanni della Vima 1607

Jacopo Ligozzi was an Italian painter, illustrator, designer, and miniaturist of the late Renaissance and early Mannerist styles. Born in Verona, he was the son of the artist Giovanni Ermanno Ligozzi, and part of a large family of painters and artisans. After a time in the Hapsburg court in Vienna where he displayed drawings of animal and botanical specimens, he was invited to come to Florence, receiving the patronage of the Medici as one of the court artists. Upon the death of Giorgio Vasari in 1574, he became head of the Accademia del Disegno (now the Accademia di Belle Arti Firenze), the officially patronized guild of artists, which was often called to advise on diverse projects. He served Francesco I, Ferdinando I, Cosimo II and Ferdinando II, Grand Dukes of Tuscany. He worked on some projects with Bernardino Poccetti. Late in life, he was named director of the grand-ducal Galleria dei Lavori, a workshop providing designs for artworks made mainly for export: embroidered textiles and for the newly popular medium of pietre dure, mosaics of semiprecious stones and colored marbles.

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Sacrifice of Isaac 1596

Ligozzi completed many pen and wash drawings on religious or mythologic images or for heraldic images. He is known best for his depictions of fauna and flora; Ligozzi in this part of his work reflects the nascent scientific pursuits of the Medici, particularly with his botanical work. His botanically-correct depictions of plants can even include exquisitely-observed root systems. Ligozzi was commissioned to create some of the depictions found in the encyclopedic visual catalogue of the plant collections of Bolognese Ulisse Aldrovandi (kept in the Gabinetto Disegni e Stampe of the Uffizi Gallery). He is an Audubon of late Renaissance Florence. He is credited with bringing the lusher color-palate of Verona to Florence.

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Martyrdom of St. Catherine 1590’s

He was influential among some subsequent Florentines including Bartolomeo Bimbi, among direct pupils are Donato Mascagni, known as Frate Arsenio. He died in Florence. Still wondering about an Italian painting in your family collection? Contact us…it could be by Jacopo Ligozzi.


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234--kikoine.html Michel Kikoine Artwork Authentication & Art Appraisal

Michel Kikoine (1892-1968)

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Paysage d’Annay-sur-Serein

Michel Kikoine was an Impressionist painter born in Belarus, who would become known for his beautiful landscapes. He began studying art as a boy at the Kruger School of Drawing in Minsk, the Belarusian capital. Here he met and became friends with fellow artists Soutine and Kremegne whom he remained friends with all his life. At the age of 19, Kikoine moved to the Montparnasse district of Paris with his two friends to pursue his artistic career.

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Standing Woman

While in Paris, Kikoine studied at the Ecole Nationale Superieure des Beaux Arts. Among his many teachers were Pissarro and Cezanne, whose teachings would have a lasting impression on the artist.

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French Landscape

Because of his artistic training and the time that he was active, Kikoine is considered to be an artist from the School of Paris. Like his masters, Kikoine would employ rich beautiful colors in bold strokes to create an Impressionist style. He would also typically sign his work “Kikoine” somewhere on the front of his canvas.

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Outdoors: Still Life with a Bird

Kikoine had his first exhibit in 1919, and afterwards would often show his work at the Salon d’Automne. Kikoine married in 1914 and had a daughter and a son, Jankel Jacques, who would also become a painter. Kikoine gained enough success as a painter for his family to live comfortably. He would spend the summers with his family in the country, where he would paint landscapes in homage to Cezanne. In 1926, he settled for a while on a farm in the Burgundy region where he worked with Soutine, Kremegne and others.

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Landscape

The onset of World War II kept Kikoine and his family out of Paris, due to the fact that they were Jewish. Somehow they managed to avoid deportation and death by hiding out in Toulouse during the war. Kikoine is one of many Jewish painters from the Montparnasse area to have survived the Holocaust, and much of his work is now housed in Jewish and Holocaust museums worldwide.

Upon the liberation of France, Kikoine moved back to Paris and resumed painting. However, most of his post-World War II paintings are self-portraits, portraits and nudes. He spent the last decade of his life in Cannes in the south of France, where he would again paint landscapes until his death.

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Landscape, 1960s

Kikoine traveled all over France during his lifetime and was a fairly prolific painter. Some of his work was no doubt lost or stolen during the German occupation of France, so there could be treasured Kikoine works out there, unauthenticated and otherwise unknown. Still wondering about a landscape painting hanging in your home? It may be by Michel Kikoine…contact us to find out.


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235--galle.php Emile Galle Artwork Authentication & Art Appraisal

Emile Galle (1846-1904)

We Perform Emile Galle art authentication. Emile Galle appraisal. Emile Galle certificates of authenticity (COA). Emile Galle analysis, research, scientific tests , full art authentications. We will help you sell your Emile Galle or we will sell it for you.

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Blue crystal bowl

Emile Galle was a French Art Nouveau artist who created primarily glass pieces. Born in Nancy, France, his original interests were in philosophy and botany, and Galle even took up sketching for a while. Eventually, Galle learned glass making at the Meisenthal factory in Germany, and then returned to his own fathers’ factory in Nancy. He would first experiment with designs on glass in enamel, but would graduate to carved and etched opaque glass.

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Moth Vase, 1900

Some of Galle’s first designs were of floral or plant motifs, probably due to his interest in botany. He found success as a glass artist when his work gained praise at the 1878 Paris Exhibition. Galle continued to find success as well as worldwide fame for his beautiful floral glass decorations by the end of the 19th century.

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Orange bowl

At the height of Galle’s career, he opened a workshop where his pieces could be mass produced. His workshop remained in operation after his death until 1913 and was operated by a number of fine artisans including fellow Art Nouveau decorator Eugene Rosseau. Besides glass, his factory also produced earthenware and cabinetry.

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Blue green jug

During his lifetime, Galle was also a fervent supporter of social issues ranging from the problems of the working class to even combating against genocide. He also authored a book that was published posthumously.

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Orange jug with handles

Galle is noted for the beauty of his glass decoration despite having very little artistic training. His inspiration came from his love of the natural elements, and he often incorporated minerals like silver and gold into his pieces.

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Dragonfly Coupe

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236--krafft.php Barbara Krafft Artwork Authentication & Art Appraisal

Barbara Krafft (1764-1825)

Get a Krafft Certificate of Authenticity for your painting (COA) for your Krafft drawing.

For all your Krafft artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Krafft Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Krafft painting or drawing.

If you want to sell your Krafft painting or drawing use our selling services. We offer Krafft selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Krafft and issuing certificates of authenticity since 2002. We are recognized Krafft experts and Krafft certified appraisers. We issue COAs and appraisals for all Krafft artworks.

Our Krafft paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Krafft certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Krafft painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Krafft paintings or drawings take longer.

Our clients include Krafft collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Barbara Krafft art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Barbara Krafft or we will sell it for you.

Barbara Krafft painting, Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart

Barbara Krafft was an 18th century painter. She was best known for her famous portrait of composer Wolfgang Amadeus Mozart. Still wondering about an 18th century portrait in your family collection? Contact us…it could be by Barbara Krafft.


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237--klimt.php Gustav Klimt Artwork Authentication & Art Appraisal

Gustav Klimt (1862-1918)

Get a Klimt Certificate of Authenticity for your painting (COA) for your Klimt drawing.

For all your Klimt artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Klimt Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Klimt painting or drawing.

If you want to sell your Klimt painting or drawing use our selling services. We offer Klimt selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Klimt and issuing certificates of authenticity since 2002. We are recognized Klimt experts and Klimt certified appraisers. We issue COAs and appraisals for all Klimt artworks.

Our Klimt paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Klimt certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Klimt painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Klimt paintings or drawings take longer.

Our clients include Klimt collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gustav Klimt art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gustav Klimt or we will sell it for you.

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Hygieia

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Portrait of Lady Adele Block-Baur I

Gustave Klimt was an Austrian painter and illustrator born on July 14, 1862. He founded the school of painting known as the Vienna Sezzession. His works were highly intellectual, dealing with psychological issues while still being intensely erotic.

In 1883, Klimt began working with his brother as an artist-decorator. They had studied decorating together at a young age and shown remarkable abilities. A few years later, he began painting mural decorations for buildings in Vienna. Among the other important decoration projects to his credit are his Beethoven frieze and numerous illustrations for books.

Gustav Klimt’s art combines symbolism and Art Nouveau. He pained decorative allegorical scenes and also produced portraits accentuated by unnatural colors that formed his own concept of beauty.

One of Klimt’s most popular paintings is a brilliant example of his style. The Kiss captures the passion of two lovers. The painting is a swirling, rectangle speckled explosion of color. Only the faces and hands of the couple peek from the colorful, vibrant display.

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The Kiss

Although Klimt began as a decorator, he moved into his own studio at age 30 to begin the easel painting that would later produce such works as mentioned. He was bothered by the art world’s embracing of naturalism, and he took steps to break free of the naturalistic constraints that he felt repressed artistic creativity.

Klimt was quoted as saying, “All art is erotic.” This assumption is evident in his paintings. Klimt’s work was more sensual than that of his peers. Because of this, he was often subjected to criticism. In fact, his work was often displayed behind a screen in an effort to shield the young from corruption.

Klimt’s work can be characterized by vivid, juxtaposition of form and colors. These were so different from abrupt styles, but his brushstrokes are in no way aimless. There is a focused pattern to the ornate decorative style, perhaps a tension between pleasure and pain. His paintings seem to have “eternal” features, not confined to a particular time period or space. Many of his paintings display a delightful blend of opposites such as the concepts of pleasure and pain or life and death.

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Death and Life

The fact that Klimt drew from so many influences gives his work a very unique and elegant look. Many of his paintings incorporate gold. Women were favorite subjects for Klimt, but the fact that he painted them in a sensual way and often without clothing did not help his acceptance in a time of repression. Many of his paintings display nude women.

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Landscape

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Flower Garden

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Tree of Life

Many of Klimt’s drawings have resurfaced in recent years. Klimt often made quick sketches as studies for his larger paintings. The majority of Klimt’s sketches are figurative drawings of women embracing or in sensual poses. Since Klimt only signed work that he sold, many of his sketches were left unsigned. Sketches that Klimt did sell were often sold to men, who bought the sketches for their own pleasure rather than for exhibition. It was extremely rare and inappropriate for men to hang drawings of nude women in their homes. Consequently, a great number of Klimt’s sketches have been well preserved. In addition to quick, study-sketches, Klimt completed a number of finished, charcoal drawings. Drawings by Klimt are extremely valuable and sought after by fine art collectors.

Klimt drawing,

“The Death of Juliet”, 1886-7

Klimt drawing, Study for

Study for “Lewdness” drawing for the Beethoven frieze, 1902

Klimt drawing, Pregnant Woman with Man” sketch, 1903-4

Pregnant Woman with Man” sketch, 1903-4

Klimt drawing,

“Allegory of Sculpture”, 1897

Klimt drawing,

“The Embrace”

Klimt drawing,

“Tragedy”, 1897

Klimt drawing, Sketch

Sketch

Klimt drawing, Study for

Study for “Three Ages of Woman”, 1905 Charcoal drawing

Klimt drawing, Sketch

Sketch

Klimt drawing,

“Embracing Couple”, pencil on paper, 1898-99

Klimt drawing,

“Nude”, 1905-6, red pencil sketch

Klimt drawing, Study for

Study for “The Maiden” 1912-13, pencil

Klimt drawing, Study for

Study for “Water Serpents II” 1904, pencil

Klimt drawing, Study for

Study for “Water Serpents I” 1904, pencil

Klimt drawing, Study for

Study for “The Dancer” pencil

Klimt died from pneumonia in 1918, shortly after World War I began, but not before he left his mark in the art world. Do you think you may own a painting or drawing by Gustav Klimt? Contact us, we are the Gustav Klimt experts.


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238--del-verrocchio.php Andrea del Verrocchio Artwork Authentication & Art Appraisal

Andrea del Verrocchio (1435-1488)

Get a Del Verrocchio Certificate of Authenticity for your painting or a COA for your Del Verrocchio drawing or sculpture.

For all your Del Verrocchio artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Del Verrocchio Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Del Verrocchio painting, drawing or sculpture.

If you want to sell your Del Verrocchio painting, drawing or sculpture use our selling services. We offer Del Verrocchio selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Del Verrocchio and issuing certificates of authenticity since 2002. We are recognized Del Verrocchio experts and Del Verrocchio certified appraisers. We issue COAs and appraisals for all Del Verrocchio artworks.

Our Del Verrocchio paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Del Verrocchio certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Del Verrocchio painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Del Verrocchio paintings, drawings or sculpture take longer.

Our clients include Del Verrocchio collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Andrea Del Verrocchio art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Andrea Del Verrocchio or we will sell it for you.

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del Verrocchio, Madonna and Child, ca. 1420, Gemäldegalerie, Berlin, Germany

Andrea del Verrocchio, born Andrea di Michele di Francesco de’ Cioni, was an influential Italian sculptor, goldsmith and painter who worked at the court of Lorenzo de’ Medici in Florence. His pupils included Leonardo da Vinci, Perugino, Ghirlandaio and Sandro Botticelli, but he also influenced Michelangelo. He worked in the serenely classic style of the Early-High Renaissance.

Verrocchio was born in Florence in 1435 to Michele di Francesco Cioni, who worked as a tile and brick maker and, later, as a tax collector. Michele never married, and had to provide financial support for some members of his family. Michele’s fame rose upon his joining the Medici court, in which he remained until his workshop moved to Venice.

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Baptism of the Christ, 1474-5, Uffizi Gallery, Florence, Italy

Andrea started to work as a goldsmith in the workshop of Giulio Verrocchi, from whom it seems that he took his surname. The possibility of an apprenticeship with Donatello remains unconfirmed. His first efforts in painting date probably from the 1460s, when he worked in Prato alongside Filippo Lippi.

Around 1465 he worked at the lavabo of the Old Sacristy in San Lorenzo (Florence). Between 1465 and 1467 he executed the funerary monument to Cosimo de’ Medici for the crypt under the altar of the same church, and in 1472 he completed the monument to Piero and Giovanni de’ Medici in the Old Sacristy.

In 1466 the Guild of Traders of Florence commissioned from Verrocchio a bronze group entitled Christ and St. Thomas for an external niche of the church of Orsanmichele. The work was placed there in 1483. He devised a composition of two figures, with Christ in the centre of the niche, and the Saint stretched out, in order to avoid a rigid frontal view and to aid the spectator in better identifying the two characters.

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Madonna with St. John the Baptist, 1475-8, Duomo, Pistoia,Italy

In 1468 Verrocchio made a famous candelabra, now in Amsterdam, for a corridor of Florence’s Town Hall. In the early 1470s he made a voyage to Rome, while in 1474 he executed the Forteguerri monument for the Cathedral of Pistoia, which he left unfinished.From 1474-1475 is the Baptism of Christ, now housed in the Uffizi. Leonardo helped his master finish the background and the left angel. The only autograph painting by Verrocchio is the Madonna with Child and Saints, in the Cathedral of Pistoia.

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Statue of David, ca. 1473-5, Bronze, Museo Nazionale del Bargello,Florence, Italy

After the mid-1470s Verrocchio was devoted mainly to sculpture, at first following the standard Florentine canons. These are well in evidence in the bronze statue of David (c. 1476, now at Bargello), commissioned by Lorenzo and Giuliano de’ Medici. Verrocchio’s David is underage, modestly clad in contrast to Donatello’s provocative David, and haughty in his conquest. The Gothic-like, idealistic beauty of the features is closer in spirit to Ghiberti than to the innovative Donatello. Around 1478 he finished a Winged Cherubim with Dolphin, today housed in Palazzo Vecchio and originally intended for a fountain in the Medici villa of Careggi: this work is influenced by dynamic naturalism which Verrocchio learned from Desiderio da Settignano. Of the same period are the Dama col mazzolino and the relief for the funerary monument of Francesca Tornabuoni for Santa Maria sopra Minerva in Rome (now in the Bargello).

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Putto with Dolphin. ca. 1470. Bronze. Palazzo Vecchio, Florence, Italy

In 1478 Verrocchio began what was to become his most famous work, an equestrian statue of the condottiero Colleoni, who had died three years before. The work was commissioned by the Republic of Venice. It was the first attempt to produce such a group with one of the horse’s legs not touching the base. The statue is also notable for the carefully-observed expression of stern command upon Colleoni’s face.

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Portrait of a Woman with Bouquet, ca. 1475-80, Marble, height: 61 cm, Museo Nazionale del Bargello, Florence, Italy

Verrocchio sent to his commissioners a wax model in 1480, and in 1488 he finally moved to Venice to assist at the metal fusion of the group. However, he died in the same year before the work was finished.

Major works
• The Baptism of Christ (1472-1475) – Oil on wood, 177 x 151 cm, Galleria degli Uffizi, Florence
• Madonna with the Saints John the Baptist and Donatus (1475-1483) – Wood, 189 x 191 cm, Duomo, Pistoia
• Saint Monica – Panel, Santo Spirito, Florence
• Tobias and the Angel (1470-1480) – Egg tempera on poplar, National Gallery, London
• Christ and St. Thomas (1467-83) – Bronze, Orsanmichele, Florence

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Tobias and the Angel, ca. 1470, National Gallery of Art, London, England

Still wondering about an Italian painting in your family collection? Contact us…it could be by Andrea de Verrocchio.


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240--etty.php William Etty Artwork Authentication & Art Appraisal

William Etty (1787 – 1849)

Get a Etty Certificate of Authenticity for your painting (COA) for your Etty drawing.

For all your Etty artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Etty Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Etty painting or drawing.

If you want to sell your Etty painting or drawing use our selling services. We offer Etty selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Etty and issuing certificates of authenticity since 2002. We are recognized Etty experts and Etty certified appraisers. We issue COAs and appraisals for all Etty artworks.

Our Etty paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Etty certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Etty painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Etty paintings or drawings take longer.

Our clients include Etty collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform William Etty art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your William Etty or we will sell it for you.

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King of Lydia Shows his Wife to Gyges

William Etty was an English painter, best known for his paintings of nudes. He was born at York. In accordance with the wishes of his father he served seven years of apprenticeship to a printer of Hull. He was, however, enabled to prosecute his studies in painting through the generosity of his uncle, William Etty, who in 1806 invited him to London. In 1807 he entered the Royal Academy School, studying under Henry Fuseli, and he also studied privately for a year under under Sir Thomas Lawrence, whose influence for some time dominated his art.

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The Duet

He copied a great deal from the old masters in the National Gallery and was a constant student in the Life School of the Academy, even after he had become an Adademician. He paid a brief visit to Paris and Florence in 1816, and in 1822 he took a longer journey to Italy, spending most of his time in Venice. From his studies of the Venetian masters he acquired that excellence in color for which his works are chiefly known.

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Window in Venice

His works are exhibited extensively in major British galleries. On his return to England in 1824, his “Pandora Crowned by the Seasons” was much applauded, and he was made a member of the National Academy in 1828. From this time he was very successful and attained a good competence. He resided in London until 1848, but on account of failing health he retired to York, where he died.

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Study of a Peacock

Etty painted very unequally. His work at its best possesses great charm of color, especially in the glowing, but thoroughly realistic, flesh tints. The composition is good, but his drawing is sometimes faulty, and his work usually lacks life and originality. He often endeavored to inculcate moral lessons by his pictures. He himself considered his best works to be “The Combat,” the three “Judith” pictures, “Beniah, David’s Chief Captain” (all in the National Gallery of Scotland, Edinburgh, “Ulysses and the Sirens” (Manchester Gallery), and the three pictures of Joan of Arc.” He is also represented in the Victoria and Albert Museum in London, and in English provincial museums, and in the Metropolitan Museum, New York, by “The Three Graces”, considered by many his masterpiece.

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Standing Nude

Still wondering about a British painting in your family collection? Contact us…it could be by William Etty.


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241--miro.php Joan Miro Artwork Authentication & Art Appraisal

Joan Miro (1893-1983)

Get a Miro Certificate of Authenticity for your painting (COA) for your Miro drawing.

For all your Miro artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Miro Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Miro painting or drawing.

If you want to sell your Miro painting or drawing use our selling services. We offer Miro selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Miro and issuing certificates of authenticity since 2002. We are recognized Miro experts and Miro certified appraisers. We issue COAs and appraisals for all Miro artworks.

Our Miro paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Miro certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Miro painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Miro paintings or drawings take longer.

Our clients include Miro collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Joan Miro art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Joan Miro or we will sell it for you.

Person Throwing a Stone at a Bird

Person Throwing a Stone at a Bird

Constellation: Awakening in the Early Morning

Constellation: Awakening in the Early Morning

Miro was one of the key Surrealists of the twentieth century. Younger than Duchamp, Ernst, Picabia, or Picasso, he learned about the avant-garde of Paris second-hand by seeing reproductions of their work at galleries in his native Barcelona (Arnson, History of Modern Art, p. 350).

Nocturne

Nocturne

He spent most of his life in the Catalonia part of Spain, in Barcelona and Mallorca and considered himself a Catalan rather than a Spaniard. As a result, a substantial body of writings, archives and reference material is in the Catalan language. The rest is in Spanish and French, because he lived in Paris several years and worked for decades with the fine art printer Mourlot to publish his lithographs. He also worked a little in New York.

Paysage Catalan

Paysage Catalan

In 1919, Miro moved to Paris. While his early work was more influenced by Cubism and even Fauvism, after leaving Spain, his work more clearly shows the influence of the Surrealists. Miro did not have his own studio until late in life, after World War II. While in Paris, friends allowed him to use various studios temporarily. He was impecunious during this Paris period; starved of food and outside sources of entertainment, he was plunged into the world of his own subconscious.

Landscape (The Hare)

Landscape (The Hare)

In contrast to this rich inner-world focus, Miro’s work is typically almost minimalist in its use of space. It almost inevitably includes flat biomorphic shapes, moving in a seemingly gravity-less environment. Curved lines appear and guide the viewer through the composition. Miro’s works usually features creatures combining the mystical with the primitive and childlike, as in the painting below.

Inverted Personages

Inverted Personages

Miro’s works seem to be profoundly symbolic, but the meaning of the symbols isn’t always obvious. They feature identifiable, simply-rendered shapes, such as the moon, birds, and women in the painting above. These are combined in a personal, sometimes arcane, sometimes joyous, language and distinctive iconography. Over the course of his life, one can trace the development of a particular theme: stars, birds, the sea, animals, and indefinable biomorphic forms. In comparison, the subject work is characterized by a more uniform, schematic color field. The shapes in the subject work are simple as well, but less rooted in nature or a personal mythology; they are more purely abstract. The overall design of the subject work is bold, even stark in comparison with the playful, whimsical character of authenticated Miro’s.

Lithograph

Lithograph

Miro had a penchant for the subversive side of Surrealism. He also liked using offbeat supports for his drawings, for example, newspapers, sandpaper, books and even calendars. In his appropriation and transformation of found objects, he insisted on a connection with reality, even if the level of reality he explored was metaphysical rather than empirical.

The Carbide Lamp

The Carbide Lamp

In undisputed Miro drawings of the 1950’s to the end of his life, color is used more sparingly than in the subject work. The palette of the subject work is nearly iridescent. Its colors were not found in a search of all the available literature and online research services for other drawings, paintings, lithographs, or any other authenticated work by Miro. Between his paintings, numerous drawings, ceramics, many series of etchings, woodcuts, engravings and lithographs there are perhaps 150,000 original Miro’s. The Miro Foundation alone has a collection of 11,000 pieces. The result is a vibrant Miro market. Every year some 60 million dollars are spent for his works, sometimes more, if some important Miro collection is dispersed.

Woman and Bird in the Moonlight

Woman and Bird in the Moonlight

We are periodically asked to research or authenticate Miro works and we are well equipped to do so, being that we are fluent in all the archives and reference material languages, including Catalan. Most of Miro’s works are happy and playful. We enjoy them and always look forward to looking again at what he created. Still wondering about an Abstract or Surrealist painting hanging in your home? Contact us…it could be by Joan Miro!


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242--colucci.php Gio Colucci Artwork Authentication & Art Appraisal

Gio Colucci (1892-1974)

Get a Colucci Certificate of Authenticity for your painting (COA) for your Colucci drawing.

For all your Colucci artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Colucci Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Colucci painting or drawing.

If you want to sell your Colucci painting or drawing use our selling services. We offer Colucci selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Colucci and issuing certificates of authenticity since 2002. We are recognized Colucci experts and Colucci certified appraisers. We issue COAs and appraisals for all Colucci artworks.

Our Colucci paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Colucci certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Colucci painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Colucci paintings or drawings take longer.

Our clients include Colucci collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gio Colucci art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gio Colucci or we will sell it for you.

Italian-born Gio Colucci came to Paris in the late 1920s and quickly received recognition for his art. Mainly a painter, Colucci also worked in ceramics and glass, and even did book illustrations. His style was Cubist/Expressionist and he painted in very earthy tones of yellow, red and brown.

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Bal Musette, 1927

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Boire Dans Le Cafe, 1927

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Femmes Au Cafe, 1930

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Promenade, 1950

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Nude with Still Life

If you believe you own a work of art by Gio Colucci, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Gio Colucci.


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243--clovio.php Giorgio Clovio Artwork Authentication & Art Appraisal

Giorgio Giulio Clovio (1498 – 1578)

Get a Macedo Certificate of Authenticity for your painting (COA) for your Macedo drawing.

For all your Macedo artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Macedo Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Macedo painting or drawing.

If you want to sell your Macedo painting or drawing use our selling services. We offer Macedo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Macedo and issuing certificates of authenticity since 2002. We are recognized Macedo experts and Macedo certified appraisers. We issue COAs and appraisals for all Macedo artworks.

Our Macedo paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Macedo certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Macedo painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Macedo paintings or drawings take longer.

Our clients include Macedo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giorgio Clovio art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giorgio Clovio or we will sell it for you.

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Self-Portrait

Giorgio Clovio was an Italian Renaissance illuminator, miniaturist, and painter. He was also called Macedo or Il Macedone because of his Macedonian origin, and was also a priest. He was the greatest illuminator of the Italian High Renaissance, and arguably the last very notable artist in the long tradition of the illuminated manuscript, before some modern revivals.

Clovio was born in Gri&zcaron;ane, in the Hungary (today Croatia), near Crikvenica in Kvarner bay in what was then the diocese of Modruš. Vasari says that at baptism Clovio’s name was Giorgio Iulio, his family name was Clovi and he was a Macedonian. Croatians claims that his Croatian name was likely Juraj Klovic and the Catholic Encyclopedia states that his original name was perhaps Glovic, while J.W.Bradley speculates that Clovio’s surname was Glovicic.

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An Illuminated Page from Colonna Hours

He was said to have trained in Dalmatia, and to have studied afterwards at Rome under Giulio Romano, and at Verosia under Girolamo dai Libri. He excelled in historical pieces and portraits, painting in minute detail, much of which needs to be seen with a magnifying-glass, and yet contriving to handle his subjects with great force and precision.

He worked in Venice, Florence and elsewhere, with a long active period in Rome where he died. He worked mostly for royal and clerical private collectors. His grave is in the Basilica of San Pietro in Vincoli, the same church that contains Michelangelo’s celebrated Moses.

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The Holy Family

Clovio arrived at Venice from Croatia at the age of 18. There he became a protégé of Cardinal Domenico Grimani and engraved medals and seals for him, as well as the Grimani Commentary Ms., an important early illuminated book (now Sir John Soane’s Museum, London). By 1524 Clovio was at Buda, at the Hungarian court of King Louis II, for whom he painted the “Judgment of Paris” and “Lucretia”. After Louis’ death in the Battle of Mohács, Clovio travelled to Rome where he continued his career.

El Greco, the celebrated Greek artist from Crete, who later worked in Spain painted two portraits of Clovio whilst still in Rome: one shows the four painters whom he considered as his masters; in this Clovio is side by side with Michelangelo, Titian and Raphael. Giorgio Giulio Clovio was also known as Michelangelo of the miniature. Books with his miniatures became famous primarily due to his skilled illustrations. He was persuasive in transferring the style of Italian high Renaissance painting into the miniature format.

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Miniature of a Woman

His most famous work is the Farnese Hours, completed in 1546 for Cardinal Alessandro Farnese, which was nine years in the making (now Morgan Library, New York). He is pointing to this work in the El Greco portrait (above). This contains twenty-eight miniatures, mostly of Old and New Testament scenes, but with a famous double-page picture representing the Corpus Christi procession in Rome. It has splendid silver-gilt covers, although they are not by Benvenuto Cellini, as Vasari claimed. The British Library has his twelve miniatures of the victories of the Emperor Charles V, and other works. The Vatican library has a manuscript life of Frederigo III di Montefeltro, Duke of Urbino, superbly illustrated by Clovio. The Towneley Lectionary is now in the New York Public Library and probably belonged to Cardinal Alessandro Farnese. Used during services, the book contained six majestic, full-page miniatures opposite miniature depictions of the Evangelists. The illustrations, introduced the relevant readings from the Scripture. They include the Resurrection and the Last Judgment.

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The Prophet Jonah and Two Destroyed Lunettes

Other illustrations by him are kept in libraries in Vienna, New York, Munich, and Paris, and other works are in many private collections. A small part of his work is viewable in Klovicevi Dvori (“Palace of Klovic”), the art gallery dedicated to him in Zagreb.

According to a description written for publication by Antonfrancesco Cirni, he also designed many of the costumes for the famously elaborate wedding festivities of Ortensia Borromeo in March 1565, which were held in the Vatican and included a tournament in the Belvedere coutyard. Such duties were often expected of a Renaissance court painter. The costumes are carefully recorded in a series of anonymous etchings, some probably based on Clovio’s design drawings.

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Pages from an Illuminated Manuscript

Croatia celebrated the 500th anniversary of his birth in 1998. The Croatian National Bank issued a special 200 kuna silver coin in commemoration. A monument to Clovio/Klovic was also raised in Drivenik. The Croatian government recently made news by purchasing Clovio’s/Klovic’s The Last Judgement, a painting Clovio/Klovic gave as a gift to Pope Clement VII. Bernardin Modric released his film The Gospel According to Klovic in 2006. Still wondering about an Italian painting in your family collection? Contact us…it could be by Giorgio Clovio.


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246--forty.php Jean Jacques Forty Artwork Authentication & Art Appraisal

Jean Jacques Forty (1743-1801)

Get a Forty Certificate of Authenticity for your painting (COA) for your Forty drawing.

For all your Forty artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Forty Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Forty painting or drawing.

If you want to sell your Forty painting or drawing use our selling services. We offer Forty selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Forty and issuing certificates of authenticity since 2002. We are recognized Forty experts and Forty certified appraisers. We issue COAs and appraisals for all Forty artworks.

Our Forty paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Forty certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Forty painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Forty paintings or drawings take longer.

Our clients include Forty collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Jacques Forty art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean Jacques Forty or we will sell it for you.

Forty painting, Self-Portrait

Self-Portrait

Jean Jacques Forty was an 18th century French painter. He mainly painted portraits as well as historical and religious scenes.

Forty painting, Jacob Recognizing The Robe Of Joseph

Jacob Recognizing The Robe Of His Son Joseph

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Jean Jacques Forty.


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247--mariotto.php Mariotto Artwork Authentication & Art Appraisal

Mariotto di Bigio di Bindo Albertinelli (1474 – 1515)

Get a Mariotto Certificate of Authenticity for your painting (COA) for your Mariotto drawing.

For all your Mariotto artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mariotto Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mariotto painting or drawing.

If you want to sell your Mariotto painting or drawing use our selling services. We offer Mariotto selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mariotto and issuing certificates of authenticity since 2002. We are recognized Mariotto experts and Mariotto certified appraisers. We issue COAs and appraisals for all Mariotto artworks.

Our Mariotto paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mariotto certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mariotto painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mariotto paintings or drawings take longer.

Our clients include Mariotto collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Mariotto art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Mariotto or we will sell it for you.

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Portrait of a Lady

Mariotto was a High Renaissance Italian painter of the Florentine school, closely involved with Fra Bartolomeo and influenced by Raphael.

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The Madonna and Child in a Landscape

He was born in Florence.Already as a 12-year old boy, he became a pupil of Cosimo Rosselli, and a fellow-pupil with Fra Bartolomeo with whom he formed such an intimate brotherly rapport that in 1494 the two started their own studio in Florence. Vasari’s opinion was that Mariotto was not so well grounded in drawing as Bartolomeo, and he tells that, to improve his hand he had taken to drawing the antiquities in the Medici garden, where he was encouraged by Madonna Alfonsina, the mother of Duke Lorenzo II de’ Medici. When the Medici were temporarily banished in 1494, he returned to his friend, whose manner he copied so assiduously, according to Vasari, that his works were taken for Baccio’s. When, in the wake of Savonarola’s morality campaign, Baccio joined the Dominican order as Fra Bartolomeo in 1500 and gave up painting, Albertinelli, beside himself with the loss, would have joined him; but, spurred by his success in completing an unfinished Last Judgment of Bartolomeo’s, he resolved to carry on alone. Among his many students was Jacopo da Pontormo and Giuliano Bugiardini.

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Madonna and Child Enthroned 1514

Mariotto was a most restless person and carnal in the affairs of love and apt to the art of living, and, taking a dislike to the studies and brain-wracking necessary to painting, being also often stung by the tongues of other painters, as is their way, he resolved to give himself to a less laborious and more jovial profession, and so opened the most lovely hostelry outside the Porta San Gallo, and at the sign of the Dragon at the Ponte Vecchio a tavern and inn. This life he led for many months, saying that he had taken up an art that was without muscles, foreshortening or perspective and, better still, without faultfinding, and that the art that he had given up imitated flesh and blood, but this one created flesh and blood; in this if you had good wine you heard yourself praised, but in that every day you were blamed. But at last the low life became an annoyance to him, and, filled with remorse, he returned to painting. ::—Giorgio Vasari, Le Vite de’ più eccelenti architetti, pittori… vol. iv.

Albertinelli’s paintings bear the imprint of Perugino’s sense of volumes in space and perspective, Fra Bartolomeo’s coloring, the landscape portrayal of Flemish masters like Memling, and Leonardo’s sfumato technique. His chief paintings are in Florence, notably his masterpiece, the Visitation (1503) at the Uffizi.

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The Visitation 1503

Still wondering about an Italian painting in your family collection? Contact us…it could be by Mariotto.


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248--wasmann.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "wasmann" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "wasmann" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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249--bell.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bell" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bell" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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250--salmon.php Robert Salmon Artwork Authentication & Art Appraisal

Robert Salmon (1775-1845 estimated)

Do you think you may own a painting by Robert Salmon?

Get a Salmon Certificate of Authenticity for your painting (COA) for your Salmon drawing.

For all your Salmon artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Salmon Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Salmon painting or drawing.

If you want to sell your Salmon painting or drawing use our selling services. We offer Salmon selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Salmon and issuing certificates of authenticity since 2002. We are recognized Salmon experts and Salmon certified appraisers. We issue COAs and appraisals for all Salmon artworks.

Our Salmon paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Salmon certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Salmon painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Salmon paintings or drawings take longer.

Our clients include Salmon collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Robert Salmon art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Robert Salmon or we will sell it for you.

The Snow Sophia

The Snow Sophia

Robert Salmon was a British born painter who lived and worked in America and was known for his seascapes and marine paintings. He was born Robert Salomon in Cumberland, the son of a jeweler, and as a young man, studied the seascape paintings of the Dutch masters. Little else is known of his artistic training, but it is likely that he was self taught.

Moonlight and Lighthouse 1836

Moonlight and Lighthouse 1836

In 1806, he moved to Liverpool and by that time had changed his name from “Salomon” to Salmon. Today, many of his paintings from this period exist, and it is likely that there is also a great deal more prior to this time penned as “Salomon.” Some art historians date 1800 as being the year of his official name change, though this remains one of the mysteries surrounding this great painter. Shortly after his move to Liverpool, Salmon moved to Scotland where he lived and worked for a time in Greenock, and in 1828, he set sail for America.

Royal Naval Vessels off Pembroke Dock

Royal Naval Vessels off Pembroke Dock

Shipwrecked, Greenock Scotland 1814

Shipwrecked, Greenock Scotland 1814

Salmon arrived in New York in 1828 and settled in Boston the following year. He lived in Boston until 1842 when it is believed by some that he was lost at sea.

Boston Harbor

Boston Harbor

Dream 1839

Dream 1839

However, proof that he survived his journey back to Europe has been found in Italy, where paintings of his have been discovered and date until at least 1845. Since Salmon’s last surviving paintings are dated 1845, this is the date that art historians attribute to his death, though others say he may have survived until 1851.

St. Lucia

St. Lucia

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Sloop on the Mersey

Art historians have credited Salmon as being an influence on a younger generation of maritime painters. His use of old English techniques and love for the sea resonated on canvas and created some of the finest marine paintings of his era. Some have said that he was a bit eccentric, and certainly loved the sea for he traversed it quite extensively. It is not likely that he painted many portraits, landscapes or still life pieces, as he devoted himself entirely to painting ships, shores and seaport and naval activities.

The East Indiaman Warley

The East Indiaman Warley

Shipping off Whitehaven

Shipping off Whitehaven

Some of Salmon’s early paintings are housed today in the National Maritime Museum of London as well as the Maritime Museum of Boston and the Brooklyn Museum in New York. Others are housed in private collections all over the United Kingdom and New England, and perhaps in your own home. Still wondering about a marine painting hanging in your home? Contact us…it could be by Robert Salmon.


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251--includes
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252--defaux.php Alexandre Defaux Artwork Authentication & Art Appraisal

Alexandre Defaux (1826 – 1900)

Get a Defaux Certificate of Authenticity for your painting (COA) for your Defaux drawing.

For all your Defaux artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Defaux Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Defaux painting or drawing.

If you want to sell your Defaux painting or drawing use our selling services. We offer Defaux selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Defaux and issuing certificates of authenticity since 2002. We are recognized Defaux experts and Defaux certified appraisers. We issue COAs and appraisals for all Defaux artworks.

Our Defaux paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Defaux certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Defaux painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Defaux paintings or drawings take longer.

Our clients include Defaux collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alexandre Defaux art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alexandre Defaux or we will sell it for you.

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The Bazaar

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Feeding Time

Alexandre Defaux was born in Bercy, France in 1826. Defaux is most noted for his picturesque landscapes and idyllic depiction of rural life. Defaux studied under the master painter, Jean-Baptiste Camille Corot and attended the Barbizon School.

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Brasee de Fleurs dans une Jardiniere

Defaux’s paintings are in the classic style of the Barbizon School, named for the French town of Barbizon. Defaux’s masterful paintings are known for their delicate and calm beauty.

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A Sunday on Normandy Beach

Defaux paintings show an exquisite attention to detail and a play on sunlight and shadow. Defaux’s works typically include farm animals, especially poultry and rustic farm buildings.

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Two Cows

Defaux occasionally painted coastal scenes, interiors and townscapes. Defaux painted a majority of his landscapes in Normandy, France.

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(framed piece)

Defaux’s solid reputation led to regular exhibitions with the School of Paris, France. Defaux’s work is currently in museums and private collections throughout the United States and Europe. Do you think you own an Alexandre Defaux? Contact us. We are the Defaux experts.


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253--roux.php Vincent Roux Artwork Authentication & Art Appraisal

Vincent Roux (1928-1992)

Get a Roux Certificate of Authenticity for your painting or a COA for your Roux drawing or sculpture.

For all your Roux artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Roux Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Roux painting, drawing or sculpture.

If you want to sell your Roux painting, drawing or sculpture use our selling services. We offer Roux selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Roux and issuing certificates of authenticity since 2002. We are recognized Roux experts and Roux certified appraisers. We issue COAs and appraisals for all Roux artworks.

Our Roux paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rouxcertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Roux painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Roux paintings, drawings or sculpture take longer.

Our clients include Roux collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Vincent Roux art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Vincent Roux or we will sell it for you.

The Rest of the Flight into Egypt

Self-Portrait, 1984

The Rest of the Flight into Egypt

Saint Tropez, 1990

Vincent Roux was a French Expressionist artist born in Marseilles. He studied at the National School of Fine Arts in Marseilles and received the Torrents prize for painting there in 1951. He had a wild style of painting using bold colors similar to that of the Fauves and employed heavy impasto (the technique of using thick paint to create a rough texture) on many of his compositions.

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Sainte Victoire, 1985

In 1953, Roux entered the Academie Julian where he was mentored by Albert Gliezes and studied under Matisse and Brianchon. He was known by his friends and contemporaries as “red-headed Vincent,” and became known for his seascapes and also for his “primitive” sculptures.

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Primitive Sculpture

Throughout his career he traveled France extensively, dividing his time between Paris, Saint Tropez and Aix-en-Provence. He also frequented Venice often and painted during his travels.

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Venice, 1977

He continued to paint his Expressionistic landscapes and seascapes in an almost Fauvist style right up until his death in 1992. Today, his work is housed all over France and perhaps in your own home. Still wondering about a French Expressionist painting hanging in your home? Contact us…it could be by Vincent Roux.


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255--blanchet.php Louis-Gabriel Blanchet Artwork Authentication & Art Appraisal

Louis-Gabriel Blanchet (1705-1772)

We Perform Louis-Gabriel Blanchet art authentication. Louis-Gabriel Blanchet appraisal. Louis-Gabriel Blanchet certificates of authenticity (COA). Louis-Gabriel Blanchet analysis, research, scientific tests, full art authentications. We will help you sell your Louis-Gabriel Blanchet or we will sell it for you.

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Portrait of Giovanni Paolo Pannini

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Portrait of a Man in a Red Coat

Louis-Gabriel Blanchet was an 18th century French painter. He mainly painted portraits of nobility and famous artists and musicians of 18th century Europe, as well as mythological scenes. He was active in Rome after winning second place in the Prix de Rome in 1727. In 1752, Blanchet painted the “Vision of Constantine” (now housed in the Louvre), which was a copy of a fresco at the Vatican. Art historians have compared his work as a portrait painter with that of fellow 18th century portrait painter Pompeo Girolamo Batoni.

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Portrait of Wolfgang Amadeus Mozart, age 14

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Portrait of a Gentleman

Still wondering about an 18th century French portrait in your family collection? Contact us…it could be by Louis-Gabriel Blanchet.


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256--dou.php Gerrit Dou Artwork Authentication & Art Appraisal

Gerrit (or Gerard) Dou (1613-1675)

Get a Dou Certificate of Authenticity for your painting (COA) for your Dou drawing.

For all your Dou artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dou Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dou painting or drawing.

If you want to sell your Dou painting or drawing use our selling services. We offer Dou selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dou and issuing certificates of authenticity since 2002. We are recognized Dou experts and Dou certified appraisers. We issue COAs and appraisals for all Dou artworks.

Our Dou paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dou certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dou painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dou paintings or drawings take longer.

Our clients include Dou collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gerrit (Or Gerard) Dou art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gerrit (Or Gerard) Dou or we will sell it for you.

Dou

Self Portrait c. 1650
Rijksmuseum, Amsterda
Self-Portrait

A recently rediscovered and highly important 17th century painting by Gerrit Dou (Leiden 1613-1675) will be offered during the second New York Old Master Paintings sale of 2005, to be held at Christie’s Rockefeller. A sleeping dog beside a terracotta jug, a basket, and a pile of kindling wood is a masterpiece of 1650 by the acclaimed Dutch painter who was the first and most famous member of the Leiden ‘fine’ painters (Leidse Fijnschilders) – and Rembrandt’s most accomplished pupil.

Dou

Recently Discovered Painting

Estimated at $2,000,000-3,000,000, the work has been unpublished since 1908, has never appeared at a public exhibition, and is one of the finest Dou’s to come on the market in living memory.

Dou

Still Life with Young Boy Blowing Bubbles 1635-6
Oil on Canvas

Dou

The Dropsical Woman 1663
Oil on Panel
Louvre Museum

Dou

An Evening School
Oil on Wood
Metropolitan Museum of Art, New York

Gerrit Dou specialized in small-format paintings, the details and surfaces of which he carefully observed and meticulously rendered. Entering Rembrandt’s studio at the age of 13, Dou’s ability was quickly recognized. His paintings were sought after by the greatest collectors of the day, including Charles II of England and by the age of 28 Dou’s style was hailed by historians and art theorists.

Dou

Self Portrait c. 1665
Metropolitan Museum of Art

Dou

Astronomer by Candlelight
Oil on Panel
Getty Museum Los Angeles

Dou

Woman Bather
Oil on Panel
The State Hermitage Museum, St. Petersburg

The subject matter and format of this Dou is unique within his oeuvre (only one other horizontal still life by the artist is known) and the painting has overtones of a Vanitas still life. Emphasizing the transitory nature of earthly life, the work keeps with the strong tradition for such themes in Leiden. However, its exact meaning remains unclear, and the visual richness of Dou’s imagery and the multi-layered interpretation played a large part in the appeal of his paintings to contemporary audiences.

Dou

Sick woman at Doctor’s c. 1650
Oil on Panel
The Sate Hermitage Museum, St. Petersburg

Dou

The Herring Seller
Oil on Panel
The State Hermitage Museum, St. Petersburg

Dou

Soldier Bather
Oil on Panel
The State Hermitage Museum, St. Petersburg

Are you still wondering about a 17th century painting in your family collection? Contact us. We are the Dou experts.


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257--lochner.php Stephan Lochner Artwork Authentication & Art Appraisal

Stephan Lochner (1400-1451)

Get a Lochner Certificate of Authenticity for your painting (COA) for your Lochner drawing.

For all your Lochner artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lochner Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lochner painting or drawing.

If you want to sell your Lochner painting or drawing use our selling services. We offer Lochner selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lochner and issuing certificates of authenticity since 2002. We are recognized Lochner experts and Lochner certified appraisers. We issue COAs and appraisals for all Lochner artworks.

Our Lochner paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lochner certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lochner painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lochner paintings or drawings take longer.

Our clients include Lochner collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Stephan Lochner art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Stephan Lochner or we will sell it for you.

The Rest of the Flight into Egypt

Adoration of the Magi

Stephan Lochner was a German Gothic-era painter. Praised for his clean style of painting, Lochner was an inspiration for many German artists to come. Highly detailed and beautifully illuminated, Lochner is remembered today as one of Cologne’s greatest painters. Known for his religious and mystical paintings, Lochner’s work was a prime example of Gothic art.

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Madonna of the Rose Bush

Little is known about his early life except that Lochner primarily painted in the Cologne region of Germany. Art historians consider his work to be the best representation of the school of Cologne. He was thought to have settled in Cologne around 1430, and created works for the church of St. Laurenz.

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Presentation in the Temple 1447

Some art historians believe that he may have received his earliest training in the Netherlands, and probably from artist Robert Campin. It is assumed that he visited the Netherlands again in the 1430’s, due to the fact that his work resembles that of fellow artists Van Eyck. This northern influence is apparent in the carefully created details of the cloth in his paintings.

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The Last Judgement 1435

In 1447, Lochner became a member of the town council of Cologne. During this time he continued to create religious themed pieces for churches in Cologne and surrounding towns, as well as illustrations for books in his workshop. Lochner also created triptychs and tomb decoration throughout his career.

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Adoration of the Child 1445

Today, much of Lochner’s known work is housed in museums in Germany and in the churches and buildings for which they were created. Still wondering about a 15th century Gothic German painting in your family’s estate? Contact us…it could be by Stephan Lochner.

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Saints Catherine, Hubert and Quirinus with a Donor 1435

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259--mellery.php Xavier Mellery Artwork Authentication & Art Appraisal

Xavier Mellery (1845-1921)

Get a Mellery Certificate of Authenticity for your painting (COA) for your Mellery drawing.

For all your Mellery artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mellery Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mellery painting or drawing.

If you want to sell your Mellery painting or drawing use our selling services. We offer Mellery selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mellery and issuing certificates of authenticity since 2002. We are recognized Mellery experts and Mellery certified appraisers. We issue COAs and appraisals for all Mellery artworks.

Our Mellery paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mellery certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mellery painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mellery paintings or drawings take longer.

Our clients include Mellery collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Xavier Mellery art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Xavier Mellery or we will sell it for you.

art

Interieur a Ile de Marken

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The Italian Renaissance

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Immortality

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The Hours, Eternity and Death

Xavier Mellery was a Belgian Symbolist painter, who created dreamlike compositions, many of which were allegories of life and death. These sometimes nightmarish paintings were precursors for the Surrealist movement, and this combined with a Realist/Classical style became his calling card. Mellery was a member of the famed “Les Vingts” (AKA, Les XX or The Twenty), which were a group of avant-garde artists that took Europe by storm.

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Autumn 1893

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Le Chene

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The Stairs

Mellery mentored and taught many artists during his lifetime, and was an inspiration for a whole generation of Surrealist painters. Today, Mellery’s paintings are housed all over the world, and perhaps in your own home. Still wondering about a Symbolist Belgian painting in your family estate? Contact us…it could be by Xavier Mellery.


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260--long.php Sydney Long Artwork Authentication & Art Appraisal

Sydney Long ( 1871-1955 )

Get a Long Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Long artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Long Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Long painting, drawing or print.

If you want to sell your Long painting, drawing or print use our selling services. We offer Long selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Long and issuing certificates of authenticity since 2002. We are recognized Long experts and Long certified appraisers. We issue COAs and appraisals for all Long artworks.

Our Long paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Long certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Long painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Long paintings or drawings take longer.

Our clients include Long collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sydney Long art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sydney Long or we will sell it for you.

Sydney Long was an Australian artist, active as a painter and printmaker. His work may be considered an example of the Art Nouveau style in Australia, and he is one of the country’s most important representatives of the Symbolist movement. Many of his images portray magical, almost dreamlike scenes, inviting the viewer to experience something almost transcendental or reverential. He remains a popular artist in his homeland, where many of his paintings remain on permanent display.

 

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By Tranquil Waters, 1984, Art Gallery of New South Wales, Sydney

 

Long first came to the attention of the art world in the 1890s, while studying at the Art Society of New South Wales at Sydney. His painting By Tranquil Waters, executed in 1894, was purchased that year by the National Gallery of Art of New South Wales. The painting, an Impressionistic scene of boys bathing in Cook’s River, attracted significant critical attention, as did its purchase by the National Gallery.

 

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Spirit of the Plains, 1897, Queensland Art Gallery, Brisbane, gift of William Howard-Smith in memory of his grandfather, Ormond Charles Smith 1940

 

Following the success of this painting, Long began working in a style that was increasingly decorative, with a color palette that was often restricted to a small range of blues and grey-greens. His works’ flatness—in which the picture plane’s two-dimensionality is emphasized—illustrate the influence of Symbolism and the English Aesthetic movement. Paintings such as Spirit of the Plains (1897) and Flamingoes (c. 1907) demonstrate this stylistic idiom. These works, as well as paintings such as Pan (1898), also highlight Long’s desire to depict mythical subject matter through a uniquely Australian lens.

 

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Pan, 1898, Art Gallery of New South Wales, Sydney, gift of J.R. McGregor 1943

 

In September of 1910 Long left Australia for England, a journey he had been wanting to undertake for several years. For the next decade he lived, studied, and worked primarily in London, making occasional visits to Paris and Bruges.

 

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Flamingoes, c. 1907, National Gallery of Australia, Canberra

 

It was during this London period, in 1918, that Long began his studies with printmaking. His aquatint reproductions of earlier paintings—notably Pan and Spirit of the Plains—became particularly successful, and Long was recognized as a noteworthy printmaker when he returned to Sydney in 1918.

 

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Pan, 1919, aquatint, Art Gallery of New South Wales, Sydney

 

After his return to Australia Long settled in Sydney in 1925, where he set up a studio and taught etching. For years he remained one of the country’s foremost printmakers. When the art world’s vogue for etchings fell out of favor in the mid-1930s, Long returned to painting. He continued painting landscape scenes during the last decades of his life. When his health began to fail he and his wife, Catherine Brennan, returned to London in 1952, where he died in 1955.


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261--danielle.php Thomas Daniell Artwork Authentication & Art Appraisal

Thomas Daniell (1749-1840)

We Perform Thomas Daniell art authentication. Thomas Daniell appraisal. Thomas Daniell certificates of authenticity (COA). Thomas Daniell analysis, research, scientific tests, full art authentications. We will help you sell your Thomas Daniell or we will sell it for you.

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Gate Leading to a Musjed at Chunar Ghur, 1797

Thomas Daniell was an English landscape painter. He was born at the Chertsey inn, kept by his father, in 1749, and apprenticed to an heraldic painter. Daniell, however, was animated with a love of the romantic and beautiful in architecture and nature. Up to 1784 he painted topographical subjects and flower pieces. By this time his two nephews had come under his influence, the younger, Samuel, being apprenticed to Medland the landscape engraver, and the elder, William, being under his own care.

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Idgah at Amroha 1810

That same year (1784) he embarked for India accompanied by William, and found at Calcutta ample encouragement. Here he remained ten years, and on returning to London he published his largest work, Oriental Scenery, in six large volumes, not completed till 1808. From 1795 until 1828 he continued to exhibit Eastern subjects, temples, jungle hunts, &c., and at the same time continued the publication of illustrated works. These are Views of Calcutta; Oriental Scenery, 144 plates; Views in Egypt; Excavations at Ellora; Picturesque Voyage to China. These were for the most part executed in aquatint.

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Sher Shah

He was elected an Academician in 1790, fellow of the Royal Society of Arts about the same time, and at different times member of several minor societies. His nephews both died before him; his Indian period had made him independent, and he lived a bachelor life in much respect at Kensington till his death.

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A Mosque

Still wondering about a British painting in your family collection? Contact us…it could be by Thomas Daniell.


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262--andre-barbier.php Andre Barbier Artwork Authentication & Art Appraisal

Andre Barbier (1883-1970)

We Perform Born in Arras, France, Andre Barbier came from a wealthy family of lawyers. By the age of 20, Barbier moved to Paris where he began exhibiting his paintings of still-lifes and landscapes. Barbier’s landscape painting would incite him to travel to the Normandy coast and the Riviera, and especially to Italy in search of new scenery.

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Varengeville

In 1916, Barbier met Claude Monet and after exchanging paintings and a fruit basket, the two became friends. Monet was very taken by Barbier and remained friends with him until his death in 1926, and even sponsored his work at exhibitions.

Barbier exhibited extensively in the salons until as far as three years before his death. From 1903-1914 Barbier exhibited in the Salon des Independents, and then until 1924 at the Salon des Tuileries.

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Hornfleur, L’entrée Du Port

Although Barbier is mainly known for his Impressionistic landscapes and seascapes, he also produced engravings and lithographs as well. Even though Barbier’s family is known to own the bulk of his collection, his work is still collected in Europe and America. There is always the possibility of one of his works surfacing at an estate sale or in an odd antique store, or even in someone’s attic.

Andre Barbier art authentication. Andre Barbier appraisal from . Andre Barbier certificates of authenticity (COA). Andre Barbier analysis, research, scientific tests, full art authentications. We will help you sell your Andre Barbier or we will sell it for you.


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264--bonington.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bonington" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bonington" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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265--largillie-de.php Nicolas de Largilliere Artwork Authentication & Art Appraisal

Nicolas de Largilliere (1656-1746)

Get a De Largilliere Certificate of Authenticity for your painting (COA) for your De Largilliere drawing.

For all your De Largilliere artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Largilliere Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Largilliere painting or drawing.

If you want to sell your De Largilliere painting or drawing use our selling services. We offer De Largilliere selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Largilliere and issuing certificates of authenticity since 2002. We are recognized De Largilliere experts and De Largilliere certified appraisers. We issue COAs and appraisals for all De Largilliere artworks.

Our De Largilliere paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Largilliere certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Largilliere painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Largilliere paintings or drawings take longer.

Our clients include De Largilliere collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Nicolas de Largilliere art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Nicolas de Largilliere or we will sell it for you.

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Self-Portrait

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Portrait of a Boy, 1710

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La Belle Strasbourgeoise

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Voltaire

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Peintre

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Louis-Urbain le Pelletier

Nicolas de Largilliere was an influential French academic portrait painter. Scholars believe that he painted nearly 2000 portraits, a massive accomplishment for any artist. He was born in Paris and trained in Antwerp and later set up a studio in London with Sir Peter Lely.

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Portrait of a Young Gentleman

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Study for Portrait of a Young Man

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Study for Hands

  De Largilliere specialized in portraits of non-aristocratic individuals, including writers, philosophers and musicians, although he did paint for the nobility as well. He became the director of the Academie Royale in 1686, and trained important later painters such as Jean-Baptiste Oudry.

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Louis XIV and His Heirs

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Family Portrait

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Adelaide de Gueidan and Her Younger Sister on a Cembalo

Still wondering about a late 17th century or early 18th century French painting in your family collection? Contact us…it could be by Nicolas de Largilliere.


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268--suetin.php Nikolai Suetin Artwork Authentication & Art Appraisal

Get a Suetin Certificate of Authenticity for your painting (COA) for your Suetin drawing.

For all your Suetin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Suetin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Suetin painting or drawing.

If you want to sell your Suetin painting or drawing use our selling services. We offer Suetin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Suetin and issuing certificates of authenticity since 2002. We are recognized Suetin experts and Suetin certified appraisers. We issue COAs and appraisals for all Suetin artworks.

Our Suetin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Suetin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Suetin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Suetin paintings or drawings take longer.

Our clients include Suetin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Nikolai Suetin (Николай Михайлович Суетин) (1897-1954)

We perform Nikolai Suetin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Nikolai Suetin or we will sell it for you.

Graphic artist, ceramic decorator, designer and painter Nikolai Suetin was a Russian-born artist who studied under Malevich. Primarily a painter, Suetin was involved in the Russian avant-garde as well as the Suprematist movement. His use of Suprematist style was the most abundant in the 1920s and featured overlaying square blocks of color. 

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Tea Service, 1923, with Suprematist design

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Dynamics in Suprematism, 1921

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Suprematism, 1920-1921

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Surface Form in Suprematism, 1920-1921

While the term “Suprematist” may conjure up hateful connotations, in connection to Russian art, it was applied to the visual phenomena of the objective world. Simply put, it was a movement where artists would express their feelings as a pure form of creative art. The Suprematists looked for purity in their art, which was translated into clean and simple forms.

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Construction, 1921

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Composition

Suetin was often commissioned to create magazine covers for Russian magazines, and used a very graphic style. Suetin would also create advertisements for shops and other promotional materials as well. His color palate was usually very much a reflection of Russian symbolism and red, white and black were often used in his compositions. He also used a number of Eastern or Oriental themes in his work, such as giant red circles.

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Rythmical Sequence

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Decorative Composition, 1924-1925

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Composition, 1922, watercolor

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Ceramics and Textile design, 1921

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Magazine Cover

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Book Cover

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Mural Study, 1920

Typically considered an Abstract artist, his work is very geometrical, and can be compared to that of Kandinsky and the work of Bauhaus artists. Suetin worked in a number of mediums from oil and watercolor to gouache, as well as a number of materials such as paper and linen and of course, ceramics. Because of his highly graphic style, Suetin would also work in Cubism from time to time.

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Composition in Cubism, 1920

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Composition with a Cross, 1921

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Plate, 1923-1924

It was quite popular to own a piece of Russian avant-garde art in the 1920s, and work such as Suetin’s is often found at estate sales. Although he lived well into the 1950s, Suetin’s most prolific period was from the late 1910s through the early 1930s. Suetin’s work can be found worldwide, and may even be one of your own family heirlooms.

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Abstract Composition, 1919

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Composition, 1930

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270--schiaffino.php Eduardo Schiaffino Artwork Authentication & Art Appraisal

Eduardo Schiaffino (1858-1935)

Get a Schiaffino Certificate of Authenticity for your painting (COA) for your Schiaffino drawing.

For all your Schiaffino artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Schiaffino Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Schiaffino painting or drawing.

If you want to sell your Schiaffino painting or drawing use our selling services. We offer Schiaffino selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Schiaffino and issuing certificates of authenticity since 2002. We are recognized Schiaffino experts and Schiaffino certified appraisers. We issue COAs and appraisals for all Schiaffino artworks.

Our Schiaffino paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Schiaffino certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Schiaffino painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Schiaffino paintings or drawings take longer.

Our clients include Schiaffino collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Eduardo Schiaffino art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Eduardo Schiaffino or we will sell it for you.

Schiaffino, El Molle

El Molle

Eduardo Schiaffino was an Argentine painter, art critic and historian. A member of a group known as the “Generation of the Eighties”, he founded the National Museum of Fine Arts in Buenos Aires and sparked the development of painting in the country.

Schiaffino was born in Buenos Aires where he studied with the Venetian Giuseppe Agujari (1840-1885). In 1876 when he was only 18, Schiaffino founded the Society to promote Fine Arts. In 1905 the institution would be renamed as the National Academy of Fine Arts. In 1884 Schiaffino received a Government grant to travel to Europe and he also acted as a foreign correspondent for the newspaper “El Diario”, publishing various articles on artistic themes under the pseudonym Zig Zag.

As from 1885 Schiaffino studies in Paris with Raphael Collin and Pierre Puvis de Chavannes, the outstanding symbolist that would be recognized as a master by Cézanne, van Gogh, Seurat, Gauguin, Bonnard, Vuillard, Hodler and Picasso.

In 1891 Schiaffino returned to Buenos Aires and participated with another people in founding the Buenos Aires Athenaeum, a group dedicated to enhancing the Hispanic American culture through the participation of outstanding people like Ruben Darío and Leopoldo Lugones.

In 1895 when the government agreed to create the National Museum of Fine Arts, Schiaffino achieved a desired goal, this being a project for which he had long struggled. He acted as its first director until 1910. The trend in painting during that period was for symbolism, which he publicly and polemically criticized — but he hung the works in the Museum just the same.

After the Centennial International Exhibition, Schiaffino left his position as Director of the Museum and accepted another one as an Argentine diplomatic in different countries in Europe, but in 1933 he returned to Buenos Aires and published his most important book “Painting and Sculpture in Argentina.”

Sciaffino, El Reposo, 1889

El Reposo, 1889

As an artist Schiaffino joined to the spiritualism and symbolism movements appearing at the end of the century. In general, his paintings raised controversial reactions among people of that time and have not received favorable reviews up until nowadays.

Still wondering about that Argentine painting in your family collection? Contact us…we are the Eduardo Schiaffino experts.


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271--francis.php Sam Francis Artwork Authentication & Art Appraisal

Sam Francis (1923-1994)

Get a Francis Certificate of Authenticity for your painting or a COA for your Francis drawing, print or sculpture.

For all your Francis artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Francis Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Francis painting, drawing, print or sculpture.

If you want to sell your Francis painting, drawing, print or sculpture use our selling services. We offer Francis selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Francis and issuing certificates of authenticity since 2002. We are recognized Francis experts and Francis certified appraisers. We issue COAs and appraisals for all Francis artworks.

Our Francis paintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Francis certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Francis painting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Francis paintings, drawings or sculptures take longer.

Our clients include Francis collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sam Francis art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Sam Francis or we will sell it for you.

Sam Francis was born in San Mateo, California and would become one of America’s renowned Abstract artists. Francis was not initially interested in art, and was a student of medicine and psychology at the University of California in Berkeley. The onset of World War II sent Francis into action where he served in the Air Force. However, a plane crash left him wounded and hospitalized for many years, plagued with spinal tuberculosis. While convalescing, Francis discovered art to pass the time. Upon his release and return to Berkeley, he had changed his course to study art and eventually received a BA and an MA.

In the 1950s, Francis moved to Paris, where he was influenced by Abstract artists such as Rothko and Still. While in Paris, his paintings were primarily one color compositions, but eventually he would create splashed oil paintings, similar to the work of Pollock, whom he also studied and admired.

This particular style of Abstract art was called “Tachisme” by the French. “Tachisme” is a non-geometric Abstract style which is executive with impulsive splashes or “tache” in French. The bulk of Francis’s work is in this improvisational style.

Francis also spent a great deal of time in Japan, which would also have an effect on his painting. He studied Zen Buddhism while in Japan, and it is reflected in some of his later works. This oriental influence can be seen in his compositions with excess white space and thin paint texture. It is this phase of using the oriental theory of “negative space” that also helped to transition Francis into Minimal Art.

Besides painting, Francis was also a sculptor and print maker. In fact, Francis is said to have been one of the first Abstract artists to bring his art to a broader graphic media through lithography. He even had a print shop of his own, aptly named The Litho Shop, where he was able to recreate his work through etching and lithography. He continued to work in his shop creating screen prints and aquatints nearly until his death in 1994.

Much of Francis’s art can be seen today in modern art museums around the world today, especially in Europe, Japan and The United States. Like the work of so many other Abstract artists, Francis’s work may be interpreted by some as random or unorganized. However, he had a method to all of his art which either was mean to show space, light or symmetry and patterns. It is for this reason that Abstract art is sometimes hard to distinguish from one artist to the next. Still not sure about that mysterious Abstract piece in your home? Call us for a professional opinion.


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272--schendel-van.php Petrus van Schendel Artwork Authentication & Art Appraisal

Petrus van Schendel (1806-1870)

Get a Schendel Certificate of Authenticity for your painting (COA) for your Schendel drawing.

For all your Schendel artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Schendel Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Schendel painting or drawing.

If you want to sell your Schendel painting or drawing use our selling services. We offer Schendel selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Schendel and issuing certificates of authenticity since 2002. We are recognized Schendel experts and Schendel certified appraisers. We issue COAs and appraisals for all Schendel artworks.

Our Schendel paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Schendel certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Schendel painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Schendel paintings or drawings take longer.

Our clients include Schendel collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Petrus van Schendel art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Petrus van Schendel or we will sell it for you.

The Market Stall

The Market Stall

Market Scene At Night

Market Scene At Night

Market Girls

Market Girls

Fruit Seller

Fruit Seller

Petrus van Schendel was a Netherlandish painter born in Belgium to a Dutch family. Van Schendel has been called “the master of light and atmosphere” by art critics, and his work was classical in nature, yet fresh in technique. He studied at the Antwerp Academy, where he studied under and worked there until 1928. That same year, he moved to Holland where he lived in Rotterdam, Amsterdam and The Hague before he finally settled in Brussels in 1845.

Girl, Head And Shoulders

Girl, Head And Shoulders

A Summer Evening By Candle And Moonliight

A Summer Evening By Candle And Moonliight

Fish Market

Fish Market

Van Schendel was a talented portrait painter, but is notable today for his stunning depictions of night time market scenes. These compositions are beautifully executed and employ candle light and shadow in a way that few other artists so successfully achieved. Van Schendel’s paintings almost seem to glow and come alive. He began these paintings once he settled in Brussels, and won a number of prizes for them, even winning a gold medal for his painting “A Moonlit Market.”

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A Moonlit Market Place

These night time market scenes were painted by torch, candle or moonlight, giving him extraordinary use of shadow. Not only did van Schendel use these techniques outside, but for interior scenes as well. These were usually created with oil on panel, as opposed to canvas.

Pheasant Vendor By Candlelight

Pheasant Vendor By Candlelight

Candle-Lit Interior

Candle-Lit Interior

Night Reading

Night Reading

He exhibited and traveled all over Europe, particularly in Brussels, Paris and at the Royal Academy in London. Today, his work is housed all over Europe, and perhaps in your own home. Still wondering about a Belgian night time scene in your family estate? Contact us…it could be by Petrus van Schendel.


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273--alphen.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "alphen" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "alphen" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "alphen" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
274--fontana-prospero.php Prospero Fontana Artwork Authentication & Art Appraisal

Prospero Fontana (1512 – 1597)

Get a Prospero Fontana Certificate of Authenticity for your painting (COA) for your Prospero Fontana drawing.

For all your Prospero Fontana artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Prospero Fontana Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Prospero Fontana painting or drawing.

If you want to sell your Prospero Fontana painting or drawing use our selling services. We offer Prospero Fontana selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Prospero Fontana and issuing certificates of authenticity since 2002. We are recognized Prospero Fontana experts and Prospero Fontana certified appraisers. We issue COAs and appraisals for all Prospero Fontana artworks.

Our Prospero Fontana paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Prospero Fontana certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Prospero Fontana painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Prospero Fontana paintings or drawings take longer.

Our clients include Prospero Fontana collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Prospero Fontana art authentication, appraisal, certificates of authenticity (COA). analysis, research, scientific tests, full art authentications. We will help you sell your Prospero Fontana or we will sell it for you.

art

The Holy Family with St. Jerome

Prospero Fontana was an Italian painter of the late Renaissance. Fontana was born in Bologna, and became a pupil of Innocenzo da Imola. He afterwards worked for Perin del Vaga in the Palazzo Doria in Genoa. Towards 1550, it is reported that Michelangelo introduced him to Pope Julius III as a portrait-painter; and he was pensioned at the pontifical court. He later joined Vasari’s studio in Florence, and worked in frescoes at the Palazzo Vecchio (1563-65). He is an early representative of the Bolognese school of painting. Sabbatini, Sammachini and Passerotti were three of his principal pupils or colleagues. His daughter, Lavinia Fontana, was also a prominent painter of mostly conventional religious canvases.

art

Pieta

Returning to Bologna, after doing some work in Fontainebleau (France) and in Genoa, he opened a school of art, in which he became briefly the preceptor of Lodovico and Agostino Carracci. He has left a large quantity of work in Bologna. His altarpiece of the Adoration of the Magi, in the church of Santa Maria delle Grazie, being considered his masterpiece. It is not unlike the style of Paul Veronese. He died in Rome in 1597.

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Sketch of a Woman

Still wondering about an Italian painting in your family collection? Contact us…it could be by Prospero Fontana.


done
275--van-mieris.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "van-mieris" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "van-mieris" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "van-mieris" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "van-mieris" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
276--cezanne.php Paul Cézanne Artwork Authentication & Art Appraisal

Paul Cézanne(1839-1906)

Get a Cézanne Certificate of Authenticity for your painting (COA) for your Cézanne drawing.

For all your Cézanne artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cézanne Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cézanne painting or drawing.

If you want to sell your Cézanne painting or drawing use our selling services. We offer Cézanne selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cézanne and issuing certificates of authenticity since 2002. We are recognized Cézanne experts and Cézanne certified appraisers. We issue COAs and appraisals for all Cézanne artworks.

Our Cézanne paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cézanne certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cézanne painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cézanne paintings or drawings take longer.

Our clients include Cézanne collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Paul Cézanne art authentication, appraisal, certificates of authenticity (COA),analysis, research, scientific tests, full art authentications. We will help you sell your Paul Cézanne or we will sell it for you.

French painter Paul Cézanne was born at Aix-en-Provence in the south of France in January of 1839. As he grew older, he studied law, but he had a passion for drawing and attended drawing classes much to the opposition of his father. After finally securing his reluctant father’s blessing and financial backing, Cézanne relocated to Paris to pursue his artistic endeavors.

art

Apples

art

The Mardi Gras

Cézanne exhibited very little in his lifetime, living comfortably off his father’s inheritance. He escaped into artistic isolation when he was creating a new work. Today he is known as one of the forerunners of modern painting. This can be attributed to the fact that he was one of the first to put down on canvas exactly what he saw in nature. He also had a fresh view of space, mass, and color.

Although Cézanne was known as an impressionist, he exhibited more control than the traditional impressionist. Brushstrokes were tamed to create more solid, concrete works that he likened to “art of the museums”.

Cézanne’s works in 1865-70 have been categorized as his “romantic” period. Each of these paintings was dramatic. They dealt with subjects of violence and fantasy. The paintwork was heavy with harsh colors.

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Portrait of Louise-Auguste Cézanne, the Artist’s Father, 1866

In the early 1870s, Cézanne strayed from his romantic approach. He began to use the color and lighting of impressionism and he stopped using such harsh strokes. His work took on a softer shape.

In the late 1870s, Cézanne’s work evolved again- this time into a “constructive” phase. He began grouping brushrokes into patterns that formed mass on their own. This continued on into the early 90s.

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Madame Cézanne in a Red Armchair, 1877

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Homme aux bras croises, 1877

Late in life, Cézanne became even more reclusive. He began to focus more on still lifes of objects surrounded by common things like apples or tablecloths. He painted many views of Mont-Sainte-Victoire, a nearby landmark that he could view from his studio.

He also concentrated on landscapes. The landscapes of his final years have a more unfinished, transparent look.

By the time Cézanne died in 1906, his art had made its way around Europe, building foundations for movements like cubism. It influenced virtually all of the art of the early 20th century.

If you believe you own a work of art by Paul Cézanne, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Paul Cézanne.

art

Card Players, 1892

art

Self-Portrait

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Landscape with Brook

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277--strigel.php Bernhard Strigel Artwork Authentication & Art Appraisal

Bernhard Strigel (1460-1528)

Get a Strigel Certificate of Authenticity for your painting (COA) for your Strigel drawing.

For all your Strigel artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Strigel Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Strigel painting or drawing.

If you want to sell your Strigel painting or drawing use our selling services. We offer Strigel selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Strigel and issuing certificates of authenticity since 2002. We are recognized Strigel experts and Strigel certified appraisers. We issue COAs and appraisals for all Strigel artworks.

Our Strigel paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Strigel certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Strigel painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Strigel paintings or drawings take longer.

Our clients include Strigel collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Bernhard Strigel art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Bernhard Strigel or we will sell it for you.

The Rest of the Flight into Egypt

Portrait Dr George Thannstetter 1515

The Rest of the Flight into Egypt

Portrait of Sybilla von Freyberg

Bernhard Strigel was a German painter who worked during the Gothic-era, Renaissance transition. He was the son of a painter and was a student of the Ulmer school. He mainly painted portraits, many of which were later copied by fellow German artists. However, religious themed compositions were still very popular during his era, and he created many of those as well.

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Christ Taking Leave of His Mother

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Portrait of a Man 1528

Little is known about the details of Strigel’s life, except that he was often commissioned to paint portraits of wealthy and powerful German families. In an era when most artists were primarily painting religious scenes for churches, Strigel was one of the only German portrait painters in his league. Therefore, a German portrait from this period could have been very likely crafted from Strigels’ hand. One of his most famous sitters was Emperor Maximilian and his family.

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Emperor Maximilian and his Family 1516

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Emperor Maximilian I

Art historians have attributed most of Strigel’s paintings based on an inscription from the Cuspinian Family, who own some of his works in their private collection. Two of his known works are also housed in the Kunsthistorisches Museum in Vienna. However, many more could be in existence somewhere in Europe, unknown and otherwise unauthenticated.

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Mary and the Holy Family

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St. Ladislas Presents Wladislav II and His Sons to the Virgin

It is also known that, like so many other painters of the time, he painted altarpieces for churches in the Ulm region and other towns around Swabia. Perhaps the reason that so few paintings have been one hundred percent identified as being from Strigel is the fact that he worked between the Gothic and Renaissance periods. Therefore, his style was not constant, but ever evolving to meet with the change of times.

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The Holy Family

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Portrait of Conrad Rehlinger and his Children 1517

Today his work is housed in museums all over Europe and in private collections and perhaps in your own home. Still wondering about a German heirloom portrait in your family’s estate? Contact us…it could be by Bernhard Strigel.

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Portrait of a Man

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278--ernst.php Max Ernst Artwork Authentication & Art Appraisal

Max Ernst (1891-1976)

Get a Ernst Certificate of Authenticity for your painting or a COA for your Ernstdrawing, print or sculpture.

For all your Ernstartworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Ernst Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ernstpainting, drawing, print or sculpture.

If you want to sell your Ernstpainting, drawing, print or sculpture use our selling services. We offer Ernst selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ernstand issuing certificates of authenticity since 2002. We are recognized Ernstexperts and Ernst certified appraisers. We issue COAs and appraisals for all Ernst artworks.

Our Ernstpaintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ernstcertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ernstpainting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ernstpaintings, drawings or sculptures take longer.

Our clients include Ernstcollectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Max Ernst art authentication, appraisal, certificates of authenticity (COA). analysis, research, scientific tests, full art authentications. We will help you sell your Max Ernst or we will sell it for you.

L'Ange du Foyer ou Le Triomphe du Surrealism 1937

L’Ange du Foyer ou Le Triomphe du Surrealism 1937

Max Ernst has been hailed as the master of Surrealism, and was one of the forerunners of this popular movement. Born in Cologne, Germany, Ernst was originally a student of philosophy at the University in Bonn, but quickly abandoned his studies. At that time, he was interested in psychology and the art of the mentally ill, but his focus eventually moved on to his own artistic endeavors. He would eventually become one of the greatest names in Surrealism and the Dada movement.

Oedipus Rex 1922

Oedipus Rex 1922

Ernst showed his work for the first time in 1912 at the Galerie Feldman in Cologne. His earliest work was Expressionistic in nature. In 1913, he traveled to Paris where he lived and worked for a time. Ernst began to first create Surrealist paintings, prints and collages in 1919 after a meeting with artist Paul Klee. Ernst was essentially self taught, though it is likely that he worked alongside and was helped by other famous artists of the day, such as Klee. Ernst mainly used catalogs and textbooks to create these cut out collages, which he would use to create bizarre quotations for compositions. Ernst would also use found objects, such as in his 1919 collage “Fruit of a Long Experience.”

Fruit of a Long Experience 1919

Fruit of a Long Experience 1919

The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses 1921

The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses 1921

Elephant Celebes 1921

Elephant Celebes 1921

The onset of World War I halted Ernst’s artistic endeavors while he served in the German army; however, serving in the war gave him a great deal of inspiration. After his service, Ernst formed the Cologne, Germany Dada group with Jean Arp and Alfred Grunwald. His paintings during the early 1920’s were brimming with German Romanticism, such as dark forests, ghostlike figures, gloomy caves and cliffs and moonlight dappled landscapes, and were probably a result of his time serving in the war. Ernst would again revisit German Romanticism in the late 1920’s, but with a Surrealist twist.

Untitled 1920

Untitled 1920

Fishbond Forrest 1927

Fishbond Forrest 1927

After Us Motherhood 1927

After Us Motherhood 1927

Cage, Forrest and Black Sun 1927

Cage, Forrest and Black Sun 1927

In 1922, Ernst moved to the Montparnasse region of France, and a few years later began to experiment with an art technique that he called “frottage.” This would become an automatic method used by the Surrealists where they would use a pencil or other drawing tool to rub on paper over a textured surface, therefore creating a “rubbing” imprint on the paper. Later, Ernst would also create the Surrealist technique of “grattage” with Joan Miro, which is the practice of scraping dry paint off of a canvas to create a design.

Frottage

Frottage

Frottage 1970

Frottage 1970

Ernst held his first exhibition of Surrealist paintings in 1925 in Paris. His paintings were often controversial, especially his 1926 painting “The Virgin Spanking the Christ Child before Three Witnesses: Andre Breton, Paul Eluard and the Painter.”

The Virgin Spanking the Christ Child before Three Witnesses: Andre Breton, Paul Eluard and the Painter 1926

The Virgin Spanking the Christ Child before Three Witnesses: Andre Breton, Paul Eluard and the Painter 1926

His paintings also took on an erotic tone after he married his second wife in 1927, whom Ernst called an inspiration for all of his paintings that year. In 1930, Ernst also worked alongside Salvador Dali and Luis Bunuel to create the film “L’Age d’or.”

nude, The Garden of France 1962

nude, The Garden of France 1962

Ernst held his first American exhibit in 1932 at the Julien Levy Gallery in New York City. In 1934, Ernst began to sculpt when he became friends with fellow artist Alberto Giacometti. At the onset of World War II, Ernst was named an enemy alien and was detained in Europe for a short while. However, he was able to escape and flee to the United States with Peggy Guggenheim in 1941. Ernst and Guggenheim were married the following year. However, this relationship also did not last, and Ernst married his fourth wife in a double wedding with fellow artist Man Ray in 1946.

Antipope 1941

Antipope 1941

After he fled to the United States, Ernst made America his primary home for many years, living mostly in Sedona, Arizona. While in Arizona, he was inspired by the pictorial landscape, and also created a number of found art sculptures.

The King Playing with the Queen sculpture

The King Playing with the Queen sculpture

In his early days in the US, Ernst lived in New York City, working alongside other refugee artists like Marc Chagall and Marcel Duchamp. Together, these three were integral in the development of Abstract Expressionism. Despite marrying socialite and art aficionado Peggy Guggenheim, Ernst did not start to achieve a great deal of success as an artist until after their marriage ended. His 1948 manifesto “Beyond Painting” gained him a great deal of notoriety, and he shortly found financial success thereafter.

Feast of the God 1948

Feast of the God 1948

Throughout his entire career, Ernst had a fixation with birds which translated through onto his canvas. In some of his paintings, he features a character called “Loplop,” a bird-like creature which represents his alter ego, and also served as a narrator for his paintings.

The Word or Woman Bird 1921

The Word or Woman Bird 1921

Loplop Introduces Loplop 1930

Loplop Introduces Loplop 1930

The Robing of the Bride 1940

The Robing of the Bride 1940

In 1963, Ernst finally moved back to Europe where he lived in a small town in the south of France where he continued to work until his death in 1976. Ernst died in Paris on the day before his 85th birthday, and is buried in the famous Pere Lachaise Cemetary.

Sign for a School of Monsters 1968

Sign for a School of Monsters 1968

Today, Ernst’s work is housed in modern art museums all over the world, and perhaps in your own home. Because Ernst moved around quite often and did not gain notoriety until late in his career, some of his unknown works could be literally anywhere. Furthermore, as a hostile alien in Europe during World War II, many of his pieces may have been seized by the government and are somewhere still in storage, just waiting to be found. Still wondering about a Surrealist collage or painting hanging in your home? Contact us…it could be by Max Ernst.


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279--soyer.php Isaac Soyer Artwork Authentication & Art Appraisal

Isaac Soyer (1902-1981)

We Perform Isaac Soyer art authentication. Isaac Soyer appraisal. Isaac Soyer certificates of authenticity (COA). Isaac Soyer analysis, research, scientific tests, full art authentications. We will help you sell your Isaac Soyer or we will sell it for you.

A Family

A Family

Isaac Soyer was a Russian painter who emigrated to the United States in 1912. He was the younger brother of painters Moses and Raphael Soyer. His work is generally less known than that of his older brothers, though it closely mirrors in style, tone and subject to the work of his brother Raphael. His style is considered to be Social Realism.

A Nickel a Shine 1937 Lithograph

A Nickel a Shine 1937 Lithograph

Still wondering about a Russian or American painting in your family collection? Contact us…it could be by Isaac Soyer.


done
280--beechey.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "beechey" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "beechey" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
281--kraus.php Georg Melchior Kraus Artwork Authentication & Art Appraisal

Georg Melchior Kraus (1737-1806)

Get a Kraus Certificate of Authenticity for your painting (COA) for your Kraus drawing.

For all your Kraus artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kraus Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kraus painting or drawing.

If you want to sell your Kraus painting or drawing use our selling services. We offer Kraus selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kraus and issuing certificates of authenticity since 2002. We are recognized Kraus experts and Kraus certified appraisers. We issue COAs and appraisals for all Kraus artworks.

Our Kraus paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kraus certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kraus painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kraus paintings or drawings take longer.

Our clients include Kraus collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Georg Melchior Kraus art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Georg Melchior Kraus or we will sell it for you.

Kraus painting, Portrait of a Lady

Portrait of a Lady

Georg Melchior Kraus was an 18th century German painter. He is often cited as one of the most popular German painters of the 18th century by art historians and scholars. Kraus mainly painted portraits, and was often affiliated with Johann Wolfgang von Goethe.

Kraus painting, Goethe

Goethe

Kraus was a fairly prolific artist and created illustrations for children’s books in addition to his portraits, and died at the hands of French soldiers after his home was attacked during the Napoleonic wars.

Kraus painting, Portrait of Marie Caroline Robert

Portrait of Marie Caroline Robert

Still wondering about an 18th century German portrait in your family collection? Contact us…it could be by Georg Melchior Kraus.


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282--coetzee.php Christo Coetzee Artwork Authentication & Art Appraisal

Christo Coetzee (1929-2000)

Get a Coetzee Certificate of Authenticity for your painting (COA) for your Coetzee drawing.

For all your Coetzee artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Coetzee Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Coetzee painting or drawing.

If you want to sell your Coetzee painting or drawing use our selling services. We offer Coetzee selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Coetzee and issuing certificates of authenticity since 2002. We are recognized Coetzee experts and Coetzee certified appraisers. We issue COAs and appraisals for all Coetzee artworks.

Our Coetzee paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Coetzee certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Coetzee painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Coetzee paintings or drawings take longer.

Our clients include Coetzee collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Christo Coetzee art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Christo Coetzee or we will sell it for you.

art

Space 1, 1980

Christo Coetzee was a South Africa painter, known for his still life, abstract paintings. He was born in Johannesburg and lived and traveled all around the world in Paris, Japan and London. Today his works are housed all over the world and perhaps in your own home.

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Montanaya, 1956 Suite, 1975-1978

Still wondering about a South African painting in your family collection? Contact us…it could be by Christo Coetzee.


done
283--ames.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "ames" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "ames" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
284--caroto.php Giovanni Francesco Caroto Artwork Authentication & Art Appraisal

Giovanni Francesco Caroto (1480-1558)

Get a Caroto Certificate of Authenticity for your painting (COA) for your Caroto drawing.

For all your Caroto artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Caroto Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Caroto painting or drawing.

If you want to sell your Caroto painting or drawing use our selling services. We offer Caroto selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Caroto and issuing certificates of authenticity since 2002. We are recognized Caroto experts and Caroto certified appraisers. We issue COAs and appraisals for all Caroto artworks.

Our Caroto paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Caroto certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Caroto painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Caroto paintings or drawings take longer.

Our clients include Caroto collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giovanni Francesco Caroto art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni Francesco Caroto or we will sell it for you.

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Portrait of a Child with a Drawing

Giovanni Francesco Caroto was an Italian painter of the Renaissance, active mainly in his native city of Verona. He initially apprenticed under Liberale da Verona (1445-1526/29), a conservative painter infused with the style of Mantegna. Caroto after a stay in Milan, began responding to the other influences from Francesco Bonsignori, Leonardo da Vinci, Raphael, and Giulio Romano; but he never lost a certain individuality and his rich Veronese color. He is perhaps best known for having trained, along with the younger Antonio Badile, the prominent Mannerist painter, Paolo Veronese, who was active mainly in Venice.

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Portrait of a Young Benedictine

Good examples of his art are in the Castello, Milan, the Chiesa de Carità, Mantua, in the Uffizi and Pitti, Florence, and in the museums of Dresden, Budapest, etc. His works are sometimes confused with those of his brother Giovanni, who was likewise a talented painter.

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Sophonisba Drinking the Poison

Still wondering about an Italian painting in your family collection? Contact us…it could be by Giovanni Caroto.


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285--liticica.php Hélio Oiticica Artwork Authentication & Art Appraisal

Hélio Oiticica (1937 – 1980)

We Perform Hélio Oiticica art authentication. Hélio Oiticica appraisal. Hélio Oiticica certificates of authenticity (COA). Hélio Oiticica analysis, research, scientific tests, full art authentications. We will help you sell your Hélio Oiticica or we will sell it for you.

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Hélio Oiticica

 

Nace en Rio de Janeiro en 1937. Estudió en la Escuela del Museo de Arte Moderno de Rio de Janeiro. Atraído por el movimiento neoconcretista se une al Grupo Frente y en 1959 se incorpora al Grupo Neoconreto. Participa en las Bienales de San Pablo de 1957 y 1959.

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helio oiticica bilateral teman 1960 tn

 

En 1959 comenzó a realizar obras en tres dimensiones a las que pertenecen las series Relieve Espacial y Núcleo, con planos que incorporan el espacio como parte integral de la obra. De esta forma llega al arte ambiental.

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helio oiticica gran nucleo 1960 tn

 

A mediados de los años 60 el artista se aproxima a la cultura popular y del carnaval y el resultado es la serie Parangolés, que es la primera de las manifestaciones ambientales del artista, utilizando capas, estandartes y tiendas.

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helio oiticica homenaje a mondrian 1964 tn

 

En 1967 vendría Tropicalia, un jardín laberíntico con plantas, loros, arena, satirizando tópicos culturales brasileños y poniendo de manifiesto el conflicto entre la tradición y la tecnología

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helio oiticica metaesquema 1958 tn

 

En 1970 forma parte de una muestra organizada por el Museum of Modern Art . En ese mismo año recibe una beca de la Fundación Guggenheim y vive en Estados Unidos hasta 1978, año en que vuelve a Rio de Janeiro, iniciando así la última parte de su breve carrera.

Fallece el 22 de marzo de 1980.

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helio oiticica metaesquema tn

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286--dejongh.php Ludolf de Jongh Artwork Authentication & Art Appraisal

Ludolf de Jongh (1616-1679)

We Perform Ludolf de Jongh art authentication. Ludolf de Jongh appraisal. Ludolf de Jongh certificates of authenticity (COA). Ludolf de Jongh analysis, research, scientific tests, full art authentications. We will help you sell your Ludolf de Jongh or we will sell it for you.

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Hunters and Dogs

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Hunters in an Inn

Ludolf de Jongh was a 17th century Dutch painter who studied with Delft portraitist Cornelis Saftleven. His earliest known paintings were created in Rotterdam and were portraits and genre pices.

De Jongh traveled to France in 1635, where he studied and painted for seven years. Following his return to Holland, de Jongh became the most popular and successful Dutch painter of the 1650s. He was highly innovative and responded to the changing tastes in Dutch art during the time and was not married to one particular style or subject.

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Hunters Resting in a Wooded Landscape

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Messenger Reading to a Group in a Tavern

Despite his popularity, de Jongh all but gave up painting in the 1660s to become involved in law enforcement in Rotterdam. However, before he made his exit as an artist, de Jongh created some of the most expressive Dutch portraits of his time and greatly influenced future Dutch master Pieter de Hooch.

De Jongh was unique among his fellow Dutch painters of the time because he painted a wide variety of subjects from landscapes and portraits to genre pieces and historical paintings. This wide variety of styles has led Art Certification Experts and authenticators to wrongly attribute his pieces to others in the past. As a result, a great number of pieces by this Dutch master may still be somewhere unknown or wrongly identified.

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Playing the Hostess

Still wondering about a 17th century Dutch painting in your possession? Contact us… we are the Ludolf de Jongh experts.

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Portrait of a Woman

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287--kane.php John Kane Artwork Authentication & Art Appraisal

John Kane (1860-1934)

Get a Kane Certificate of Authenticity for your painting (COA) for your Kane drawing.

For all your Kane artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kane Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kane painting or drawing.

If you want to sell your Kane painting or drawing use our selling services. We offer Kane selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kane and issuing certificates of authenticity since 2002. We are recognized Kane experts and Kane certified appraisers. We issue COAs and appraisals for all Kane artworks.

Our Kane paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kane certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kane painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kane paintings or drawings take longer.

Our clients include Kane collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John Kane art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Kane or we will sell it for you.

John Kane was an American painter of Naïve art. Kane was born to Irish parents in West Calder, Scotland. When Kane was still young his father died. Kane left school to work in shale mines for a paraffin company. Kane often experimented with paraffin and made molds out of the hot, malleable material.

Kane, Child Seated on Wall

Child Seated on Wall

Kane, Balmoral Castle

Balmoral Castle

When Kane was nineteen he immigrated to the United States to live with his brother near Pittsburgh, Pennsylvania. Kane worked very physically demanding jobs as the Industrial Revolution was reaching its peak in the United States. Kane’s jobs included working for the Baltimore and Ohio Railroad, working for the steel industry at the National Tube Company and working the coke ovens for Henry Clay Frick. Kane lived a nomadic life working in coalmines in Alabama, Tennessee, Kentucky and Western Pennsylvania.

Kane, Farm Scene with Three Horses

Farm Scene with Three Horses

In 1891 Kane was in a railroad accident, which severed his left leg. Kane was given an artificial limb, but could no longer do such rigorous work. The Baltimore & Ohio Railroad continued to employ Kane as a watchman, a job that Kane kept for several years.

Kane, Self-Portrait, 1929

Self-Portrait, 1929

Kane eventually left his job as a watchman to paint steel railroad cars at the Pressed Steel Car Company. Kane enjoyed painting and started picking up jobs as a house painter and making paintings on old boards that he would find for free. For three years, Kane submitted his paintings to an art contest sponsored by the Carnegie Museum of Art. After two years of rejection, one of Kane’s paintings was finally accepted into the show. Kane’s unexpected success at the age of sixty-seven, was well publicized by the local and regional media. Kane finally received recognition for his work and he reconciled his relationship with his wife, who he had been separated from for many years.

Kane, Girl with Doll Carriage

Girl with Doll Carriage

Kane was the first self-taught American painter in the 20th century to exhibit in a museum. Kane triumphed the odds of an untrained artist making his way to the top of the art scene. Kane had his first solo show in 1931 at the age of seventy-one. Kane’s work is now in the collections of the Museum of Modern Art, Whitney Museum of American Art, and the Metropolitan Museum of Art in New York. Kane is one of the first outsider artists in Modern American Art. Do you think you own a painting by John Kane? Contact us. We are the John Kane experts.


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288--hagen.php August Matthias Hagen Artwork Authentication & Art Appraisal

August Matthias Hagen (1794–1878)

1. Mountains. 1835. Oil on Canvas. Hermitage Museum.

1. Mountains. 1835. Oil on Canvas. Hermitage Museum.

Get a Hagen Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Hagen artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Hagen Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hagen painting, drawing or print.

If you want to sell your Hagen painting, drawing or print use our selling services. We offer Hagen selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hagen and issuing certificates of authenticity since 2002. We are recognized Hagen experts and Hagen certified appraisers. We issue COAs and appraisals for all Hagen artworks.

Our Hagen paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hagen certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hagen painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hagen paintings or drawings take longer.

Our clients include Hagen collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform August Matthias Hagen art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your August Matthias Hagen or we will sell it for you.

2. Waterfall near Salzburg. 1851.

2. Waterfall near Salzburg. 1851.

August Matthias Hagen was a Baltic artist born in the village of Trikata in Latvia. Despite becoming blind in one eye after a childhood accident, Hagen decided to pursue a career as an artist. Hagen moved to Tartu, Estonia in 1810 where he began working in the printmaking studion of Karl August Senff. After travelling to Germany and Switzerland in the 1820s, Hagen began his career as an art instructor in Tartu.

Hagen is best known for his paintings and prints of landscapes. He most frequently drew scenes from Tartu, the city where he spent most of his adult life. He painted both the architecture and surrounding environment with great precision.

3. Tartu tähetorn. Aquatint print. ca 1827-1833. Tartu Art Museum.

3. Tartu tähetorn. Aquatint print. ca 1827-1833. Tartu Art Museum.

In addition to his oil painting and prints, Hagen did a number of well executed drawings and ink paintings on paper. Many of his works on paper are in the collection of the University of Tartu, where Hagen taught drawing.

4. A drawing of Rauna skyline. 1833. University of Tartu.

4. A drawing of Rauna skyline. 1833. University of Tartu.

In addition to painting scenes around Estonia, Hagen drew form landscapes in Latvia, Findland, the Alps and Caucasus. After retiring from teaching, Hagen spent an extended amount of time in Germany with his daughter. The deterioration of his eyesight made it hard for him to work during the last years of his life.

5. Cēsis Castle. 1843. Sepia ink and white ink on paper.

5. Cēsis Castle. 1843. Sepia ink and white ink on paper.

If you think you may own original artwork by August Matthias Hagen, contact Art Certification Experts for information regarding our services.


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289--steiler.php Joseph Stieler Artwork Authentication & Art Appraisal

Joseph Karl Stieler (1781—1858)

Do you think you may own a painting by Joseph Karl Stieler?

Get a Stieler Certificate of Authenticity for your painting (COA) for your Stieler drawing.

For all your Stieler artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Stieler Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Stieler painting or drawing.

If you want to sell your Stieler painting or drawing use our selling services. We offer Stieler selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Stieler and issuing certificates of authenticity since 2002. We are recognized Stieler experts and Stieler certified appraisers. We issue COAs and appraisals for all Stieler artworks.

Our Stieler paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Stieler certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Stieler painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Stieler paintings or drawings take longer.

Our clients include Stieler collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Joseph Karl Stieler art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Joseph Karl Stieler or we will sell it for you.

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Beethoven 1820

Joseph Karl Stieler was a German painter. Born in Mainz to a family of engravers and die-cutters, Stieler received some artistic training from his father, August Friedrich Stieler (1736-1789). Stieler began his career as a painter of miniatures.

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Amalie von Schintling 1831

His portrait style was most especially shaped during his work in the Parisian atelier of Francois Gérard, a student of Jacques-Louis David. In 1808, he established himself as an independent portraitist in Frankfurt am Main. He traveled through Italy in 1810. In 1816, he traveled to Vienna to paint the portrait of Emperor Francis I of Austria. Between February and April 1820, he worked on his portrait of Beethoven, which is probably the most well-known representation of the composer today.

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Johann Wolfgang von Goethe 1828

Stieler worked mainly in the service of the Bavarian court. His painted likenesses in Schloss Nymphenburg, Schönheitengalerie, the so-called Gallery of Beauties, were commissioned by King Ludwig I. Stieler also painted the portraits of Goethe, Amalia of Greece, Friedrich Wilhelm Joseph von Schelling, Johann Ludwig Tieck, and Alexander von Humboldt. He died at Munich.

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Nanette Heine 1829

The most distinguishing feature of Stieler’s portraits is its utter focus on the sitter. Decorative additions are left out, and there is nothing that distracts the viewer’s scrutiny. Stieler accomplished this concentration through deliberate light-dark contrast, which above all highlights the accurately characterized facial features.

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Family Portrait

Still wondering about a 19th century German painting in your family collection? Contact us…it could be by Joseph Stieler.


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290--udine.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "udine" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "udine" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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291--pantoja.php Juan Pantoja de La Cruz Artwork Authentication & Art Appraisal

Juan Pantoja de La Cruz (1555-1608)

We Perform Juan Pantoja de La Cruz art authentication. Juan Pantoja de La Cruz appraisal. Juan Pantoja de La Cruz certificates of authenticity (COA). Juan Pantoja de La Cruz analysis, research, scientific tests, full art authentications. We will help you sell your Juan Pantoja de La Cruz or we will sell it for you.

Pantoja, King Felipe of Spain

King Felipe of Spain

Pantoja, Infanta Isabel Clara Eugenia, 1599

Infanta Isabel Clara Eugenia, 1599

Juan Pantoja de La Cruz is one of most well known Spanish court painters. Pantoja worked with royalty on a regular basis and painted portraits of both Philip II and Philip III. Many of Pantoja’s paintings are now in Madrid’s Museo del Prado.

Pantoja, Birth of a Virgin, 1603

Birth of a Virgin, 1603

Pantoja was born in Valladolid, Spain where he spent the majority of his childhood years. As a young man, Pantoja moved to Madrid to work under the court painter, Alonso Sánchez Coello. Through this apprenticeship, Pantoja gained valuable experience working alongside a master court painter. In 1585, after a long period of training, Pantoja began to receive commissions from the court. A few years later, Coello died, leaving Pantoja to take his place as the master painter. Pantoja took control of the workshop during the reign of Philip II, who formalized Pantoja’s position of court painter in 1598.

Pantoja, Infantes Don Felipe and Doña Ana, 1607

Infantes Don Felipe and Doña Ana, 1607

During Pantoja’s career he painted portraits of Philip II and Prince Philip (Philip III) and the Spanish Queen (Margarita of Austria). Pantoja traveled with the royal family to Valladolid, Burgos, Lerma and the Escorial. A number of Pantoja’s paintings and frescoes have been destroyed throughout the centuries.

Pantoja, Felipe II

Felipe II

Pantoja is generally classified as a Mannerist painter, but includes Baroque elements in many of his paintings. Pantoja was often commissioned to make religious, mythological, landscape, still life, animal and historical paintings in addition to portraits.

Pantoja, Felipe Manuel, Prince of Savoya

Felipe Manuel, Prince of Savoya

Pantoja, Portrait of a Woman

Portrait of a Woman

Pantoja, Doña Catalina de la Cerda, 1602

Doña Catalina de la Cerda, 1602

Pantoja, Doña Margarita de Austria-Stiria

Doña Margarita de Austria-Stiria

Pantoja, Anna Habsburská

Anna Habsburská

The paintings of Juan Pantoja de La Cruz are extremely valuable for their historic content. Pantoja’s paintings are now in Museo del Prado, among other major Spanish collections. Do you think you own a painting by Juan Pantoja de La Cruz? Contact us. We are the experts.


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292--phillips-ammi.php Ammi Phillips Artwork Authentication & Art Appraisal

Ammi Phillips (1788-1865)

Do you think you may own a painting by Ammi Phillips?

We Perform Ammi Phillips art authentication. Ammi Phillips appraisal. Ammi Phillips certificates of authenticity (COA). Ammi Phillips analysis, research, scientific tests, full art authentications. We will help you sell your Ammi Phillips or we will sell it for you.

Girl in Pink 1832

Girl in Pink 1832

Ammi Phillips was an early American folk art painter born in Colebrook, Connecticut. Phillips was a self-taught artist, and learned how to paint from studying imported prints. He was also known as the Border Limner and the Kent Limner and worked in Connecticut, Massachusetts and New York.

Cornelius Allerton

Cornelius Allerton

Portrait of a Man

Portrait of a Man

Portrait of a Woman

Portrait of a Woman

Phillips was an itinerant portrait painter and today there are 500 known works of his catalogued in public and private collections. Though he was a self-taught artist, it is generally thought by art historians that Phillips studied the works of other painters of the day to create his own fluid style. Very few details of Phillips life are known today, leaving holes in his history and the possibility for his work to surface almost anywhere.

Portrait of Harriet Campbell 1815

Portrait of Harriet Campbell 1815

Mary Jane Soggs and Her Little Brother Henry

Mary Jane Soggs and Her Little Brother Henry

His earliest paintings are somewhat awkward, as is the case with any new self-taught artist. These early period paintings, all dated in 1811 led way to other transitional pieces that showed his gaining talent for using light and recreating fabrics on canvas. He used a fairly luminous and bright palette, but also used a relatively uniform style for posing and costuming his sitters. Throughout his career, it is evident that he grew in leaps and bounds as an artist and his skill as a painter only grew over the years.

Mrs. Mayer and Daughter

Mrs. Mayer and Daughter

Mrs. Day

Mrs. Day

Despite the fact that he was a self-taught artist, Phillips became renowned for his brilliant compositions and was considered a master in color and design. It is this use of color that connects Phillips to the folk art movement, as bright hues were usually downplayed by traditional portrait painters of the day. Like other folk artists, Phillips paintings were also highly detailed as well, but obviously naïve and not photo realistic, no matter how beautifully executed. One only has to look at the hands of his sitters to realize that Phillips was indeed a self-taught artist.

Joseph Slade 1816

Joseph Slade 1816

Young Girl with a Cat and Dog

Young Girl with a Cat and Dog

Abraham Sleight

Abraham Sleight

Though he moved his family quite often, Phillips would attempt to become a part of his community in each new city. He socialized and became friends with the prominent people of each town he lived in to gain patrons and commissions, instead of spending money on advertising. Unlike some of his contemporaries, Phillips did not generally paint portraits of notable Americans, but more of notable locals in the towns in which he lived.

Reverend Jonas Coe

Reverend Jonas Coe

Colonel and Mrs. William

Colonel and Mrs. William

Today, Phillips’ paintings are housed in public and private collections all over New England, including at The Metropolitan Museum of Art in New York City and The Art Institute of Chicago. Still wondering about an early American folk-art portrait hanging in your family’s estate? Contact us…it could be by Ammi Phillips.


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293--petrov_vodkin.php Kuzma Petrov-Vodkin Artwork Authentication & Art Appraisal

Kuzma Petrov-Vodkin (Кузьма Сергеевич Петров-Водкин) (1878-1939)

We Perform Kuzma Petrov-Vodkin art authentication. Kuzma Petrov-Vodkin appraisal. Kuzma Petrov-Vodkin certificates of authenticity (COA). Kuzma Petrov-Vodkin analysis, research, scientific tests, full art authentications. We will help you sell your Kuzma Petrov-Vodkin or we will sell it for you.

Bathing of a Red Horse

Bathing of a Red Horse

Kuzma Petrov-Vodkin was born in Khvalynsk (now Engels) outside Saratov, to the family of a shoe maker. His first exposure to art was in his early childhood, when he took some lessons from a couple of icon painters and a signmaker. Still, Petrov-Vodkin didn’t quite see himself in art at that time; after graduating from middle school, he took a summer job at a small shipyard with plans to get into railroad college in Samara. After failing his exam, he turned to “Art Classes of Fedor Burov” in 1893.

Motherhood

Motherhood

In April 1895, Burov died and for some time Petrov-Vodkin took different painting jobs in the vicinity of Saratov. By chance, his mother’s employer invited a well-known architect, R. Meltzer. Petrov-Vodkin was introduced to the guest and impressed him enough to get an invitation to study art at Saint Petersburg. The education was financed by a charitable subscription among local merchants. He also met at this time Borisov-Musatov, an important painter resident in Saratov, who encouraged Petrov-Vodkin to continue his studies.

Dream

Dream

Petrov-Vodkin stayed in Saint Petersburg from 1895 to 1897 studying at the Baron Stieglits School, before moving to the Moscow School of Painting, Sculpture and Architecture. There Petrov-Vodkin was a student of Valentin Serov, Isaak Levitan and especially Konstantin Korovin. In 1901 he traveled to Munich to take classes with Aschbe. He graduated in 1904. While in Paris in 1906 he met and married Maria Jovanovic (1885-1960), a daughter of Serbian immigrant hotel-keepers. She remained his lifelong companion. They had two daughters, one of whom died in childhood.

Petrograd Madonna

Petrograd Madonna

Even during his college years, Petrov-Vodkin managed to enter into conflict with the Russian Orthodox Church, which discarded his work on a chapel in Samara and ultimately destroyed it as unacceptable. A number of his early works were deemed too erotic. His first well-known work was The Dream (1910), which sparked a discussion among contemporary Russian artists. The main defender of the painting was Alexandre Benois, and his main detractor – Ilya Repin (thus, the work was discussed by two major Russian painters of the time). Other major works of that time include Boys at play, and, notably, Bathing of a Red Horse, his most iconic work. The latter became an instant classic, and, in a sense, trademark for the artist.

Boys at Play

Boys at Play

During this stage in his artistic development, Petrov-Vodkin extensively used an aesthetic of Orthodox icon together with brighter colors and unusual compositions. His works were often deemed blasphemous and erotic. From 1924 to 1926 Petrov-Vodkin lived in France with his family. During his earlier years, Petrov-Vodkin developed his “spherical perspective”: a unique twist that distorted the drawing as to represent the viewer high enough to actually notice the spherical curve of the globe. He used it extensively through his works like Death of a Comissar and In the Line of Fire, which make the observer seem more distant, but actually close. It is argued that this twist has been built upon Byzantine perspective – an inverted perspective used in iconography.

In the Line of Fire

In the Line of Fire

Petrov-Vodkin used darker tones with time, but his paintings became more detailed. He started painting still life and portraits, stepping further away from his previous themes. With help from the Soviet government, he made several trips across the Soviet Union, producing many works with didactic purposes. In 1927, Petrov-Vodkin contracted pulmonary tuberculosis and had to curtail painting for several years. He turned to literature and wrote three major semi-autobiographical volumes, Khvalynsk, Euclid’s Space and Samarkandia. The first two of these are considered on a par with the finest Russian literature of the time.

Death of a Comissar

Death of a Comissar

The return to painting was problematic: his draftsmanship became caricature-like, and his subjects often turned satirical – this is ascribed to the suffocating atmosphere caused by Stalinist cultural policies of the 1930’s through the Great Purge of 1937-1939. However there arenotable among works of this period, in partucular 1919. Alarm. (1934), which basically displays the uneasiness of the time. Petrov-Vodkin died of tuberculosis in February of 1939. Until the mid-1960s, Petrov-Vodkin was nearly forgotten in the Soviet Union as not true to the spirit of Socialist Realism. However, during the time of Nikita Khrushchev he was rediscovered and rightfully reinstalled as one of the major Russian painters.

Thirsty Warrior

Thirsty Warrior

Still wondering about a 20th century Russian painting in your family collection? Contact us…it could be by Kuzma Petrov-Vodkin.


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294--palmer.php Samuel Palmer Artwork Authentication & Art Appraisal

Samuel Palmer(1805-1881)

We Perform Samuel Palmer art authentication. Samuel Palmer appraisal. Samuel Palmer certificates of authenticity (COA). Samuel Palmer analysis, research, scientific tests, full art authentications. We will help you sell your Samuel Palmer or we will sell it for you.

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Self-Portrait

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A Hilly Scene

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Coming from Evening Church 1830

Samuel Palmer was a 19th century Romantic painter, etcher, printmaker and writer. He was born in London and was the son of a bookseller and Baptist minister. Palmer began to paint churches as a boy and despite the fact that he had little formal training; he exhibited with the Royal Academy at the very young age of 14.

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The Rest of the Flight into Egypt 1825

Palmer’s earliest works were inspired by Turner, and also William Blake after their meeting in 1824. For nearly a decade, Palmer painted in a style similar to Blake’s and today, art critics hail these pieces as his best. In generally, these early Blake-inspired paintings were of landscapes in north Kent. It is said that these paintings were kept secret to only Palmer and a few of his very close friends. They have been described as “mystical” and highly unconventional for his day, and would have certainly stood out among works from his contemporaries.

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A Cornfield at Midnight

During this time, Palmer had rented a run-down cottage that was nicknamed “Rat Abbey,” where he lived until 1835. While he was living in “Rat Abbey,” Palmer met with another group of artists that also were under Blake’s influence who called themselves “The Ancients.” Among them were artists Edward Calvert and George Richmond, these two being probably among the select few to ever have viewed his Shoreham landscapes.

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Garden in Shoreham

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Old Trees Lullingstone Park 1828

Upon returning to London in 1835, Palmer married and began to create far more atypical landscapes and city scenes. During this time, he began to sketch around Wales and Devonshire as well, creating peaceful scenes of sunsets and the countryside. However, these peaceful scenes of the rural English countryside would be shattered by swing riots of the 1830’s. Discontent in his surrounding environment and money running low, Palmer and his wife decided to take a belated honeymoon to Italy where he could create more commercial scenes.

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A Dream in Appenine 1864

Once in Italy, Palmer’s palette became distinctively lighter, and in some art critics opinion, almost too bright.

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The City of Rome and the Vatican from Western Hills

His time in Italy produced a number of quality sketches for inspiration on future paintings once he and his wife returned to London. However, after his return he found limited success among his patrons. To make matters worse, Palmer discovered upon his return that his brother had sold all of his early paintings, and he was forced to pay a large sum to have them returned. How many of these paintings was palmer able to secure again? Could there be a few paintings that were not returned to the artist?

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Harvest Moon

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Harvest Moon, etching

Palmer became a full member of the Water Colour Society in 1854, which gave him the motivation to continue painting. Towards the end of his career, Palmer took to teaching as many artists did, which in turn took away from time spent on creating his own art. Palmer did, however, achieve some amount of success in the art world for his later landscapes, mostly due to the fact that he incorporated some of the mystical qualities of his early Shoreham landscapes. Some of Palmer’s best works are said to be illustrations for poems by Milton as well as his etchings. Palmer only found meager success and financial security towards the end of his days, which were shrouded by sadness over the death of his eldest son.

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The Gleaning Field

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The Waterfalls 1836

After Palmer’s death in 1881, he was all but forgotten by the art world and art collectors. New styles of painting were emerging, and his mystical landscapes had become passé. In 1909, Palmer’s surviving son destroyed paintings, sketches, notebooks and an unknown amount of original arts by his father in order to “save it from a more humiliating fate.”

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Christmas, etching

Interest in Palmer’s work began to resurface when the curator for the Victoria and Albert Museum, Martin Hardie, organized a showing of his drawings, etchings and wood cuts. However, it wasn’t until the 1950’s that Palmer’s work truly became noticed for its distinct quality. Today his Shoreham landscapes still have a dramatic effect on English artists and have inspired the works of many. His work even inspired a resurgence of landscape printmaking at the Goldsmith’s College in 1920. In 2006, The Metropolitan Museum of art ran the first large retrospective of his work, forging an even larger interest in his pieces in the new millennia.

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A Path Through a Cornfield, watercolor

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Early Morning 1825

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The Lonely Tower, etching

Many of the existing works by Palmer today may have been done by the art forger Tom Keating. However, art historians note that these were crudely recreated or mimicked and thus, could be easily spotted. Today, Palmer’s work is housed in public and private collections around the world, and perhaps in your own home.

Still wondering about a British landscape in your family estate? Contact us…it could be by Samuel Palmer.


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296--ocampo.php Isidoro Ocampo Artwork Authentication & Art Appraisal

Isidoro Ocampo (1910-1983)

Get a Ocampo Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Ocampo artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Ocampo Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ocampo painting, drawing or print.

If you want to sell your Ocampo painting, drawing or print use our selling services. We offer Ocampo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ocampo and issuing certificates of authenticity since 2002. We are recognized Ocampo experts and Ocampo certified appraisers. We issue COAs and appraisals for all Ocampo artworks.

Our Ocampo paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ocampo certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ocampo painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ocampo paintings or drawings take longer.

Our clients include Ocampo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Isidoro Ocampo art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Isidoro Ocampo or we will sell it for you.

Ocampo, Alfarero (potter preparing clay)

Alfarero (potter preparing clay)

Ocampo, The Knife Sharpener

The Knife Sharpener

Isidoro Ocampo was born in Veracruz, Mexico in 1910. Ocampo completed training as a merchant before deciding to pursue formal training as an artist. From 1928 to 1932, Ocampo attended evening classes at the San Carlos Academy of Fine Art in Mexico City.

Ocampo, Political cartoon

Political cartoon

In 1929, Ocampo became a member of a workshop for book art, creating more than two hundred woodcuts and lithographs. His graphic work illustrated books, newspapers, and magazines, and many of his graphic works were also published by Imprenta y Editorial Cultura.

Ocampo, color lithograph, illustration

Color lithograph, Illustration

In 1936, Ocampo became a member of the Liga de Escritores y Artistas Recolucionarios (League of the Revolutionary Writers and Artists, LEAR) as well as The Taller de Grafica Popular (Workshop of Popular Graphic Artists), associating with many of Mexico’s leading artists. Ocampo also worked to found the Sociedad para el Impulso de las Artes Plasticas.

Ocampo, Man with a Sack of Potatoes

Man with a Sack of Potatoes

Ocampo, lithograh

Lithograh

Ocampo had his first solo exhibition in 1941 and continued to exhibit in the following years. He was chosen as a representative of Mexico to participate in the 1952 Biennial in Venice. Isidoro Ocampo’s paintings continue to be exhibited internationally.

Do you think you own an Isidoro Ocampo? Contact us. We are the Isidoro Ocampo experts.


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297--boltraffio.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "boltraffio" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "boltraffio" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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298--brancusi.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "brancusi" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "brancusi" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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299--carreno-mario.php Mario Carreno Artwork Authentication & Art Appraisal

Mario Carreno (1913-1999)

Get a Carreno Certificate of Authenticity for your painting (COA) for your Carreno drawing.

For all your Carreno artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Carreno Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Carreno painting or drawing.

If you want to sell your Carreno painting or drawing use our selling services. We offer Carreno selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Carreno and issuing certificates of authenticity since 2002. We are recognized Carreno experts and Carreno certified appraisers. We issue COAs and appraisals for all Carreno artworks.

Our Carreno paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Carreno certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Carreno painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Carreno paintings or drawings take longer.

Our clients include Carreno collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Mario Carreno art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Mario Carreno or we will sell it for you.

Born in Havana, Mario Carreno was immediately drawn to painting in the art world. He eventually became enthralled with graphic arts, which later led to his own stylized and geometric designs. Though born in Cuba, Carreno eventually became a Chilean national.

Schooled at San Alejandro, Carreno first exhibited his work in 1930. He traveled to Madrid in 1931 to study at the San Fernando School where he became friends with Pablo Neruda. He was not able to fully support himself on painting at this time, so he worked in graphic arts to make a living. While in Europe, he also studied in France alongside Dominican artist Jaime Colson, and also made friends with Rafael Alberti and Federico Garcia Lorca.

Once the Spanish Civil War broke out, he moved to Mexico. There, he met and worked alongside some of Mexico’s most famous muralists such as Diego Rivera and Jose Orozco, as well as other famous artists like Rufino Tamayo and Frida Kahlo. This association was greatly influential to Carreno, and afterwards, signs of Muralist influence began to infiltrate his paintings.

In the 1940’s, Carreno lived in New York City, and mainly worked on Abstract art. It was very fashionable at the time, and was the next step in his journey as an artist. While living in New York, he would often co-mingle with the likes of other Abstract artists, such as Pablo Picasso and Wilfredo Lam, which further gave him inspiration for finding his own style of painting.

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Bucaro

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Dos Mujeres

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Female Head

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Frutera

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Lithograph

Carreno’s work has generally been described as tropical surrealism, but it’s really much more than that. Like so many artists, his work embodies a culmination of his own personal history and influences, and the styling of the muralists, tropicalia, Spanish Surrealism and even commercial art can be seen in his work.

Though he never returned to Cuba after 1957, Carreno became an important teacher to a whole generation of Chilean artists. While he did not teach at one school exclusively, he would often have classes at cultural centers and was involved with the Catholic School of the Arts, as well as the University of Chile.

Even though Carreno left Cuba to live in Chile, it was not for lack of love for his home country. In fact, Carreno preferred Cuba over New York or any European city. However, the constant inner turmoil within Cuba and his protest against war and human suffering led Carreno to find peace in the plains and mountains of Chile. This more tranquil scenery was highly reflected in his work, and can be seen echoing in his landscapes as well as his themes.

While Carreno lived a generally quiet life outside of the public eye, he traveled quite extensively in search of artistic training. Spain, France, New York, Mexico, Chile, and of course, Cuba were all his homes. This great span of traveling leaves the possibility for one of his works to surface wide open. Furthermore, Carreno was well-known, but certainly not on the same level as some of his Surrealist and Abstract contemporaries. The likelihood of his work being owned in a private collection is therefore greater.

In 1982, Carreno was awarded the National Prize of Art for his work in plastic art. His works are housed in private collections and museums all over the world.

Still wondering about a painting in your family collection? Contact us…it could be by Mario Carreno.


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300--garofalo.php Il Garofalo Artwork Authentication & Art Appraisal

Il Garofalo (1481-1559)

Get a Garofalo Certificate of Authenticity for your painting (COA) for your Garofalo drawing.

For all your Garofalo artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Garofalo Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Garofalo painting or drawing.

If you want to sell your Garofalo painting or drawing use our selling services. We offer Garofalo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Garofalo and issuing certificates of authenticity since 2002. We are recognized Garofalo experts and Garofalo certified appraisers. We issue COAs and appraisals for all Garofalo artworks.

Our Garofalo paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Garofalo certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Garofalo painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Garofalo paintings or drawings take longer.

Our clients include Garofalo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Il Garofalo art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Il Garofalo or we will sell it for you.

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The Sleeping Baby Jesus

Benvenuto Tisi, or Il Garofalo, was a Late Renaissance-Mannerist Italian painter of the School of Ferrara. Garofalo’s career began in the court of the Duke d’Este. His early works have been described as “idyllic”, but they often conform to the elaborate conceits favored by the artistically refined Ferrarese court.

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The Agony in the Garden

Born in Ferrara, Garofalo is claimed to have apprenticed under Panetti, and perhaps Costa, and was a contemporary of Dosso Dossi and sometimes collaborator. In 1495, he worked at Cremona under Boccaccino, who initiated him into Venetian colouring. He may have spent three years (1509-1512) in Rome. This led to a classical style, more influenced by Giulio Romano.

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A Pagan Sacrifice

Even his least successful works retain, amid their frigid and porcelain quality, a harmony which marks Venetian colouring. His youthful works include the Boar Hunt in the Palazzo Sciarra. Later, the Knight’s Procession in the Palazzo Colonna in Rome — gave promise of an Italianate Cuyp, less commonplace and more romantic and refined than the Dutch artist.

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St. Sebastian

His youthful works, such as The Boar Hunt in the Palazzo Sciarra and The Virgin in the Clouds with Four Saints (1518) in the Academy of Fine Arts in Venice are among his masterpieces. The Pietà (1527) in the Brera Gallery in Milan reveals an increasingly stylized treatment. The Madonna (1532) in the Modena Gallery is a charming picture; however, the large Triumph of Religion in the Atheneum at Ferrara has been described as a “bookish” affair, whose episodes are difficult to elucidate. Garofalo is one of the painters known and described by Vasari. From 1550 until his death, Garofalo was blind. In 1520, Girolamo da Carpi is said to have apprenticed in Garofalo’s workshop and worked with him on the Ferrarese projects from 1530-1540.

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The Holy Family with St. Catherine

Anthology of works:

  • Madonna and Child (1510) – Galleria dell’Arte Studiolo, Milan
  • Holy Family – Musee de Angers
  • Adoration of the Child (1508-1509) – Pinacoteca Nazionale, Ferrara
  • Neptune and Pallas (1512) – Art Gallery, Dresden
  • Madona delle Nuvole (1514) – Pinacoteca Nazionale, Ferrara
  • Madonna del Baldacchino (1517) – National Gallery, London
  • Massacre of the Innocents (1519) – Pinacoteca Nazionale, Ferrara
  • Madonna del Pilastro (1523) – Pinacoteca Nazionale, Ferrara
  • Madonna Enthroned with Saints (1524) – Duomo, Ferrara
  • Madonna in Glory (1532) – Musei Capitolini, Rome
  • St. Sebastian – Museo di Capodimonte, Naples
  • Madonna Enthroned with Saints
  • Annunciation (1528) – Musei Capitolini, Rome
  • Madonna Enthroned with Saints (1532) – Modena
  • Raising of Lazarus (1534) – Pinacoteca Nazionale, Ferrara
  • Washing the Feet of Christ – National Gallery, Washington DC
  • Blessing of Saint John the Baptist (1542) – San Salvatore, Bologna
  • Annunciation (1550) Pinacoteca di Brera, Milan
  • The Virgin and Child with Saints Dominic and Catherine of Siena (c. 1500-1505) – National Gallery, London
  • The Madonna and Child Enthroned with Saints William of Aquitaine, Clare, Anthony of Padua and Francis (1517-1518) – National Gallery, London
  • A Pagan Sacrifice (1526) – National Gallery, London
  • The Holy Family with Saints John the Baptist, Elizabeth, Zacharias and (?) Francis (1520) – National Gallery, London
  • Saint Catherine of Alexandria (c. 1515-1530) – National Gallery, London
  • The Agony in the Garden (1520s-1530s) – National Gallery, London
  • The Vision of Saint Augustine (c. 1518) – National Gallery, London
  • An Allegory of Love (c. 1527-1539) – National Gallery, London
  • Christ and the Samaritan Woman (1536)
  • Madonna with Saint John and Saint Elisabeth – Courtauld Institute, London
  • Jesus in the Orchard
  • The Triumph of Bacchus (1517 unfinished draft by Raffael, 1540 finished by Garofalo) – Gemäldegalerie Alter Meister, Dresden, Germany
  • Holy Family
  • Mars, Venus and Cupido – Wawel Royal Castle, Krakow

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Madonna and Child, 1510

Still wondering about an Italian painting in your family collection? Contact us…it could be by Il Garofalo.


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301--delpy.php H.C. Delpy Artwork Authentication & Art Appraisal

Hippolyte Camille (H.C.) Delpy (1842-1910)

Get a Delpy Certificate of Authenticity for your painting (COA) for your Delpy drawing.

For all your Delpy artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Delpy Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Delpy painting or drawing.

If you want to sell your Delpy painting or drawing use our selling services. We offer Delpy selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Delpy and issuing certificates of authenticity since 2002. We are recognized Delpy experts and Delpy certified appraisers. We issue COAs and appraisals for all Delpy artworks.

Our Delpy paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Delpy certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Delpy painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Delpy paintings or drawings take longer.

Our clients include Delpy collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform H.C. Delpy art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your H.C. Delpy or we will sell it for you.

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Landscape with Cattle

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Le Rivierea Pont Sur Yvonne

H.C. Delpy was born to a wealth family in the region of Yonne, France in 1842. Delpy is a master, landscape painter of the late 19th century. Delpy’s work is representative of his time at the Barbizon School and his study with master painters Corot and Daubigny.

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art

Delpy’s landscapes can be described as naturalistic and serene. Delpy’s landscapes portray broad rivers at sunset with trees or figures on the riverbanks. Delpy stayed true to his style, never tempted by the loose-brush strokes, of Impressionism.

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Au Bord de l’Oise

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art

Delpy had considerable success as a salon painter in France. He became a member of the Society of French artists and participated in the World Exposition of 1900. Paris held two major exhibitions of his work in 1890 and 1908.

Do you think you own an H.C. Delpy? Contact us. We are the Delpy experts.


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302--grohar.php Ivan Grohar Artwork Authentication & Art Appraisal

Ivan Grohar (1867–1911)

1. Brna. 1899. Oil on Canvas. The Ljubljana City Museum.

Get a Grohar Certificate of Authenticity for your painting (COA) for your Grohar drawing.

For all your Grohar artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Grohar Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Grohar painting or drawing.

If you want to sell your Grohar painting or drawing use our selling services. We offer Grohar selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Grohar and issuing certificates of authenticity since 2002. We are recognized Grohar experts and Grohar certified appraisers. We issue COAs and appraisals for all Grohar artworks.

Our Grohar paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Grohar certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Grohar painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Grohar paintings or drawings take longer.

Our clients include Grohar collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Do you think you may own a painting by Ivan Grohar?

We perform Ivan Grohar art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Ivan Grohar or we will sell it for you.

1. Brna. 1899. Oil on Canvas. The Ljubljana City Museum.

2. The Sower. 1907. Oil on canvas. Museum of Modern Art (Ljubljana)

2. The Sower. 1907. Oil on canvas. Museum of Modern Art (Ljubljana)

Ivan Grohar was a Slovenian artist known as a leading Slovenian Impressionist. Grohar was born in Spodnja Sorica under the Austro-Hungarian Empire. Grohar’s early artistic training included a summer working under the church painter, Matija Bradaška. Grohar attempted to flee military service by relocating to Venice. Unfortunately a lack of funding forced him to return and complete extra service time.

3. Jaslic. 1896. Oil on Canvas.

3. Jaslic. 1896. Oil on Canvas.

In 1892, Grohar received funding to study painting in Vienna. Grohar eventually completed his studies at the Graz School of Painting and returned to Slovenia to open his own studio. In the early 1900s, Grohar exhibited in cities across Europe such as London, Warsaw, Berlin and Belgrade.

4. Jesensko sonce/ Autumn Farm. 1908. Oil on canvas.

4. Jesensko sonce/ Autumn Farm. 1908. Oil on canvas.

While Grohar’s early works are often religious in theme, he is best remembered in Slovenia for his later, impressionist paintings. Grohar painted both portraits and landscapes with varying palettes.

5. Garden. 1907. Oil on Canvas. National Gallery of Slovenia.

5. Garden. 1907. Oil on Canvas. National Gallery of Slovenia.

If you think you may own original artwork by Ivan Grohar, contact Art Certification Experts for information regarding our services.


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303--eastman.php Seth Eastman Artwork Authentication & Art Appraisal

Seth Eastman (1808-1875)

Get a Eastman Certificate of Authenticity for your painting (COA) for your Eastman drawing.

For all your Eastman artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Eastman Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Eastman painting or drawing.

If you want to sell your Eastman painting or drawing use our selling services. We offer Eastman selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Eastman and issuing certificates of authenticity since 2002. We are recognized Eastman experts and Eastman certified appraisers. We issue COAs and appraisals for all Eastman artworks.

Our Eastman paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Eastman certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Eastman painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Eastman paintings or drawings take longer.

Our clients include Eastman collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Seth Eastman art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Seth Eastman or we will sell it for you.

Eastman, Hudson River with a Distant View of West Point, 1834

Hudson River with a Distant View of West Point, 1834

Seth Eastman was an American artist, known for his depictions of Native American life. Eastman was born in Brunswick, Maine in 1808. Eastman joined the military at the young age of sixteen. Eastman studied at the West Point Military Academy. After graduating, Eastman was posted at Fort Snelling in Minnesota. Eastman took it upon himself to learn about Native American culture, particularly about the Sioux. Eastman painted and drew Native American communities and who lived along the upper Mississippi River.

Eastman, Dakotah Feast and the Dance of the Giant Indian

Dakotah Feast and the Dance of the Giant Indian

In 1833 Eastman returned to West Point as an instructor. Eastman was able to use his skills as an artist while teaching a course in map drawing. Eastman taught for several years before returning to Fort Snelling as commander. Eastman continued to paint and learn about the Sioux culture.

Eastman, Cypress Florida, 1840

Cypress Florida, 1840

Eastman painted a number of paintings for the United States Congress and the Bureau of Indian Affairs. Eastman was later appointed to work alongside explorer Henry Rowe Schoolcraft, illustrating Indian life. In total Eastman made nearly three hundred illustrations for Schoolcraft’s publication on Indian tribes.

Eastman, Sara Soto, Florida 1840

Sara Soto, Florida 1840

Eastman continued to receive important commissions and was asked by the military to paint various forts. Some of Eastman’s paintings are know seen as controversial because he showed brutal scalpings and violence. Congress has since removed some of Eastman’s paintings from public view.

Eastman, The Escape

The Escape

Eastman, A Sioux chief

A Sioux chief

Eastman married Sacred Stands, the daughter of Sioux chief, Cloud Man. The marriage ended and in 1835 Eastman remarried Mary Henderson, the daughter of a West Point doctor. Eastman had many children and lived in Fort Snelling, continuously illustrating the Sioux for the publication of Dacotah, or Life and Legends of the Sioux Around Fort Snelling.

Seth Eastman’s work serves as an important record what life was like for the Sioux. Eastman’s work hangs in important national and private collections. Do you think you may own a painting by Seth Eastman? Contact us. We are the Eastman experts


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304--von-aachen-hans.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "von-aachen-hans" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "von-aachen-hans" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
305--westall-william.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "westall-william" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "westall-william" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
306--troppa.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "troppa" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "troppa" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
307--de-mango.php Leonardo de Mango Artwork Authentication & Art Appraisal

Leonardo de Mango (1843-1930)

Get a De Mango Certificate of Authenticity for your painting (COA) for your De Mango drawing.

For all your De Mango artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Mango Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Mango painting or drawing.

If you want to sell your De Mango painting or drawing use our selling services. We offer De Mango selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Mango and issuing certificates of authenticity since 2002. We are recognized De Mango experts and De Mango certified appraisers. We issue COAs and appraisals for all De Mango artworks.

Our De Mango paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Mango certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Mango painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Mango paintings or drawings take longer.

Our clients include De Mango collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Leonardo De Mango art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Leonardo De Mango or we will sell it for you.

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City at Night

Leonardo de Mango was an Orientalist Italian painter known for his exotic portrayals of Eastern landscapes and figure study compositions. Like many other Orientalist painters, Mango delved himself into the culture of his subjects, and lived in and traveled to many places worldwide instead of just passing through. Though he spent most of his life in Turkey, Mango also traveled to Syria, Lebanon, Egypt and a number of other places in his lifetime

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Man and Dog

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Market Scene

He would generally date and sign his work “De Mango” in a distinct script on the front of his canvas. Mango is primarily known for his Orientalist compositions, and though he certainly painted academic subjects as a student, these pieces would likely be a rare find.

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Still Life with Fruits

Mango’s interest in art began when he taught himself to draw at the age of 19. Two years later, he enrolled in the Naples Academy of Fine Arts where he studied until 1870. While he was a student, Mango studied under Flippo Palizzi, a landscape artist. However, he was most certainly more influenced by teacher and painter Domenico Morelli, an Orientalist painter. Morelli painted romantic genre themes that include religious imagery and historical activities, and his style was certainly a precursor to the one that Mango would adapt.

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Scena Orientale Lungo il Fiume, 1910

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Boy on a Bull

Mango spent nearly 50 years living in Istanbul, Turkey, arriving during the reign of the Sultan Abjulhamid II. It is said that while he lived there, he created some 1,500 paintings and drawings in his Beyoglu studio. Mango lived in Istanbul until his death in 1930, and painted in the plein air technique, as well as in his studio. He was forced to leave briefly in 1911 during the Tripolitanian War, but returned in 1912.

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Studio of Leonardo de Mango

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Il Faro Ahirkapi

He was known for his delicate treatment of scenes and was praised for his creation of soft light on his canvases. He was a highly prolific artist, and worked in a number of mediums, but generally chose to use oil, watercolor, ink and pencil. He exhibited quite often, and was always well received, and considered to be a gateway painter to the East.

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Fishing

Today, Mango’s work is housed in public and private collections all over the world, and perhaps in your own home. Still wondering about an Orientalist painting hanging on your wall? Contact us; it could be by Leonardo de Mango.

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Merchant with Basket

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308--rothko.php Mark Rothko Artwork Authentication & Art Appraisal

Mark Rothko (1903-1970)

Get a Rothko Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Rothko artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Rothko Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rothko painting, drawing or print.

If you want to sell your Rothko painting, drawing or print use our selling services. We offer Rothko selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rothko and issuing certificates of authenticity since 2002. We are recognized Rothko experts and Rothko certified appraisers. We issue COAs and appraisals for all Rothko artworks.

Our Rothko paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rothko certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rothko painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rothko paintings or drawings take longer.

Our clients include Rothko collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Mark Rothko art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Mark Rothko or we will sell it for you.

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Self-Portrait 1936

Mark Rothko born Marcus Rothkowitz, was a Latvian-born American painter and printmaker who is classified as an abstract expressionist, although he rejected not only the label but even being an abstract painter. Rothko was born in Dvinsk, Latvia (Vitebsk guberniya, then part of the Russian Empire). His father Jacob was a pharmacist and an intellectual, who provided his children with a secular and political, rather than religious upbringing. However, following the Russian pogrom against Jews, incited by the 1905 revolution, Jacob repented and became a Baal teshuva. Unlike Jews in most cities of Czarist Russia, those in Dvinsk were spared a violent outbreak of reprisal. In an environment where Jews were often blamed for many of the evils that befell Russia, Rothko’s early childhood was plagued with fear, as he witnessed the occasional violence brought down upon Jews by Cossacks attempting to stifle revolutionary uprisings. An image that remained with him throughout his adult life was that of dug-up pits, where Cossacks were alleged to have buried Jews they kidnapped and murdered. Some critics interpret Rothko’s later use of rectangular forms as a formal representation of these graves. However, Rothko’s memory may be disputed, as no mass executions were said to have been committed in or near Dvinsk during this period.

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Untitled, Nude 1926

The Rothkowitzes were highly educated, despite Jacob’s modest income, and able to speak Russian, Yiddish and Hebrew. Following Jacob’s conversion to Orthodox Judaism, he sent Marcus, his youngest son, to the cheder at age five, where Rothko studied the Talmud. This had the adverse effect of stigmatizing him as an outsider within his own family, as his elders were educated in the public school system. As a Jew, the young Marcus was therefore an outsider among outsiders.

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Edge of the Sea

Fearing that his sons were about to be drafted into the Czarist army, Jacob decided to emigrate to the United States, following the path of many other Jews who left Dvinsk in the wake of the Cossack purges, including two of his brothers who managed to establish themselves as clothing manufacturers in Portland, Oregon, not an uncommon profession among Eastern European immigrants. Marcus remained in Russia with his mother and elder sister Sonia; they joined Jacob and the elder brothers later, arriving at Ellis Island in the winter of 1913, following a 12-day journey at sea. Shortly after their arrival, on March 27, 1914, Jacob died, leaving his family without economic support. One of Marcus’ great aunts worked as an unskilled laborer and Sonia worked a cash register, while Marcus found employment in one of his uncle’s warehouses, selling newspapers to employees. Later, Marcus’ mother took in boarders and Sonia worked as a dental assistant, while the other brothers opened a pharmacy, following in their father’s footsteps.

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Untitled, Seated Woman with Crossed Legs 1935

Marcus started school in America in 1913, quickly accelerating from third to fifth grade, completing the remaining four grades in three years, then graduating to the secondary level which he completed, with honors, at Lincoln High School in Portland, in June of 1921 at the age of seventeen. He picked up his fourth language, English, and became an active member of the Jewish community center, where he proved adept at political discussions. Like his father, Marcus was liberal and passionate about such issues as worker’s rights and women’s right to contraception. Typical among Jewish liberals, Rothko supported the Russian Revolution yet his political conviction may be described as decorative in the sense that he was never politically engaged. Though he would later protest Nelson Rockefeller’s decision to remove by force Diego Rivera’s mural in the main building of Rockefeller Center, Rothko’s political convictions were typical of his culture and upbringing and mostly rhetoric.

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Underground Fantasy 1940

Following graduation, he received a scholarship to Yale. The scholarship was based on academic performance, but it has been suggested that Yale only made the scholarship offer in order to lure Marcus’ friend, economist Aaron Director. After one year, the scholarship ran out and Marcus was forced to take menial jobs to support his studies. Marcus found the Waspish Yale community too elitist and racist for his taste; Marcus and Aaron Director started a satirical magazine, The Yale Saturday Evening Pest, which lampooned the school’s stuffy, bourgeois attitude. Following his second year, he dropped out, returning only after 46 years to receive an honorary degree.

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No. 9, 1954

In the fall of 1923, found employment in the garment district and took up residence on the Upper West Side. It was while visiting a friend at the Art Students League of New York that he witnessed students sketching a nude model. According to Rothko, this was the beginning of his life as an artist. He was twenty years old and had taken some art classes in high school but his initial experience was far from an immediate calling. Even his self-described “beginning” at the Art Students League of New York is not exactly true, for, two months after he returned to Portland to visit his family, he joined a theater group run by Clark Gable’s wife, Josephine Dillon. Whatever his promise as an actor, at 5’10” and a sturdy weight, Clark Gable he was not.

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Rites of Lilith 1945

Returning to New York, Rothko enrolled in the New School of Design, where one of his instructors was the artist Arshile Gorky, probably his first encounter with a member of the avant-garde. That Autumn, he took courses at the Art Students League of New York taught by still-life artist Max Weber, another Russian Jew. It was from Weber that Rothko began to see art as a tool of emotional and religious expression and Rothko’s earliest paintings portray a Weberian influence.

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Untitled 1945-1946

Rothko’s move to New York provided a fertile atmosphere for the experience of art from all cultures and periods. Modernist painters showed in the New York Galleries, and the city’s museums were an invaluable resource for the foster of a budding artist’s knowledge, experience and skills. Among those early influences were the works of the German Expressionists, the surrealist work of Paul Klee and the paintings of Georges Rouault. In 1928, Rothko had his own showing with a group of young artists at the appropriately named Opportunity Gallery. His paintings covered dark, moody, expressionist interiors as well as urban scenes and were generally well-accepted among critics and peers. Despite some growing success, Rothko still needed to supplement his income, and in 1929, he began giving classes in painting and clay sculpture at the Center Academy where he remained as teacher until 1952. During this time, he met Adolph Gottlieb, who, along with Barnett Newman, Joseph Sloman and John Graham, was part of a group of young artists surrounding the painter Milton Avery, 15 years Rothko’s senior. Avery’s stylized natural scenes, utilizing a rich knowledge of form and color, would be a tremendous influence on Rothko, whose own paintings soon after meeting Avery, began to address similar subject matter and color, as in Rothko’s 1933/34 Bathers, or Beach Scene.

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Red on Maroon

Rothko, Gottlieb, Newman, Sloman, Graham and their mentor Avery, spent considerable time together, vacationing at Lake George and Gloucester, Massachusetts, spending their days painting and their evenings discussing art. Avery was very generous with his attention to these young artists, hosting literary readings and giving courses to them on nude drawings. During a 1932 visit to Lake George, Rothko met Edith Sachar, a jewelry designer. The two were married on November 12th and maintained, at first, a close and mutually supportive relationship. The following summer, Rothko’s first one-man show was held at the Portland Art Museum, consisting mostly of drawings and aquarelles, as well as the works of Rothko’s pre-adolescent students from the Center Academy. His family was unable to understand his decision to be an artist, especially at a time when the Depression was at its all time worst. Having suffered serious financial setbacks, the Rothkoviches were mystified by Rothko’s seeming indifference to financial necessity. They felt he was doing his mother a disservice by not finding a more lucrative (and realistic) career.

In 1936, Rothko began writing a book, never completed, about the similarities in the art of children and the work of modern painters. The work of modernists, influenced by primitive art, could be compared to that of children in that “child art,” according to Rothko, “transforms itself into primitivism, which is only the child producing a mimicry of himself.” In this same manuscript, he observed that “the fact that one usually begins with drawing is already academic. We start with color.” The modernist artist, like the child and the primitive whom he is influenced by, expresses an innate feeling for form that is, in the best and most universal work, expressed without mental interference; it is a physical and emotional, non-intellectual experience. Rothko was using fields of color in his aquarelles and city scenes and his subject matter and form was, by this time, decidedly non-intellectual, of formal concern, though the composition betrays a deep intellect. Rothko seemed to have reached an illumination concerning the progression of his later works; however it is to the next period we must turn our attention, before proceeding to the mature, rectangular fields of color and light that either culminated or self-destructed in the Rothko Chapel.

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Multiform Composition

This period, between the primitivist and playful urban scenes and aquarelles of the early period and the late, transcendent fields of color, is one of transition, incorporating elements from both his early and late periods. It is marked by a rich and often complex milieu provoked mostly by two important events in Rothko’s life: the onset of World War and his reading of Friedrich Nietzsche.

Rothko separated from his wife, Edith Sachar, in the summer of 1937, following Edith’s increased success in the jewelry business. Apparently, he did not enjoy working for his wife and felt both threatened by and jealous of her financial success; Rothko was, by comparison, a financial failure. He and Edith reconciled in the Fall, yet their relationship remained tense. On the 21st of February, Rothko finally became a citizen of the United States, prompted by fears that the growing Nazi influence in Europe might provoke sudden deportation of American Jews. A similar rise of Nazi sympathy in the United States only increased these fears and in January of 1940, Marcus Rothkovich changed his name to Mark Rothko, as the name “Roth,” a common abbreviation, had become, as a result of its commonality, identifiably Jewish. Following the Hitler-Stalin Pact of 1939, Rothko, along with Avery, Gottlieb, and others, left the American Artists’ Congress in protest of the Congress’ association with radical communism. In June, he and a number of other artists formed the Federation of Modern Painters and Sculptors. Their agenda was to keep art free from political propaganda.

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Untitled Study

On June 13, 1943, Rothko and Edith separated again. Rothko suffered a long depression following their divorce. Thinking a change of scenery might help, Rothko returned to Portland and later traveled to Berkeley, where he met artist Clyfford Still, with whom he began a close friendship. Still’s deeply abstract paintings would be of considerable influence on Rothko’s later works. In the fall, Rothko returned to New York where he met the collector Peggy Guggenheim and her assistant, Howard Putzel, who convinced Guggenheim to show Rothko in her Art of the Century gallery. In 1944, photographer Aaron Siskind introduced Rothko to Mary Alice Beistle, a 23-year old illustrator of children’s books, and the two fell in love and were married in the spring of 1945. The marriage was considerably happier than his first. Rothko’s one-man show at the Guggenheim in late 1945 resulted in few sales (priced between $150 and $750) and less-than-favorable reviews. Sensing that his art was becoming passé and no longer a viable medium for the direction he was moving (stimulated by Still’s abstract landscapes of color), Rothko broke with the Surrealists, explaining:

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No. 2 1951

“I insist upon the equal existence of the world engendered in the mind and the world engendered by God outside of it. If I have faltered in the use of familiar objects, it is because I refuse to mutilate their appearance for the sake of an action which they are too old to serve, or for which perhaps they had never been intended. I quarrel with surrealists and abstract art only as one quarrels with his father and mother; recognizing the inevitability and function of my roots, but insistent upon my dissent; I, being both they, and an integral completely independent of them.”

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Untitled 1948

Rothko could no longer bring himself to continue interpreting the unconscious symbolism of everyday forms. The experiment had run its course. His future lay with abstraction; in it, Rothko found release from the Surrealist program of the humanist impulse to mere “memory and hallucination.” Despite the abandonment of his project as a “Mythomorphic Abstractionist” (as described by Art News), Rothko became primarily identified with his Surrealist works for the remainder of the 1940’s. The Whitney Museum included them in their annual exhibit of Contemporary Art from 1943 to 1950. The “Abstract Expressionist” movement was a loose consortium of mostly secular, urban Jews including Rothko and two other artists he was associated with, Gottlieb and Newman. Self-perceived outsiders and intellectuals, they viewed the freedom afforded by Modernism with no small degree of suspicion, interpreting this freedom as a source of suffering as opposed to release.

His 1945 masterpiece Slow Swirl at Edge of Sea magnificently illustrates Rothko’s newfound propensity towards abstraction. Interpreted by many critics as a meditation on Rothko’s courtship of his second wife Mell, the painting presents two humanlike forms embraced in a swirling, floating atmosphere of shapes and colors, subtle grays and browns. The rigid rectangular background foreshadows Rothko’s later experiments in pure color. The painting was completed, not coincidentally, the year the Second World War ended.

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No. 3 1949

1946 saw the creation of Rothko’s new “multiform” paintings. In viewing the catalogue raisonne, one finds a gradual metamorphosis from surrealistic, myth-influenced paintings of the early part of the decade to those highly abstract, Clyfford Still-influenced forms of pure color. The term “multiform” is applied by art critics; it was never utilized by Rothko himself, yet it is an accurate description of these paintings, which, as with his paintings of the latter part of the previous decade, are best viewed as a period of transition from that of surrealism to abstraction. Several of them, including No. 18 (1948) and Untitled (also 1948), are masterpieces in their own right. Rothko himself described these paintings as possessing a more organic structure, as self-contained units of human expression. For Rothko, these blurred blocks of various colors, devoid of landscape or human figure, let alone myth and symbol, possessed their own life force. They contained a “breath of life” he found lacking in most figurative painting of the era. This new form seemed filled with possibility, whereas his experimentation with mythological symbolism was, at best, a tired formula, much as he viewed his late 1930’s experiments in urban settings. The “multiforms” brought Rothko to a realization of his mature, signature style, the only style Rothko did not fully abandon, perhaps only because he died before he had the chance.

Earlier that year Rothko spent some time in California following a brief resurgence of interest among Californians in his Surrealist paintings. He found work teaching at the California School of Fine Art and while there encountered the work of Clyfford Still. Rothko, in the middle of a crucial period of transition, was impressed by Still’s abstract fields of color, influenced in part by the landscapes of Still’s native North Dakota. In 1947, during a subsequent semester teaching at the School of Fine Art, Rothko and Still flirted with the idea of founding their own curriculum; they would realize this idea the following year in New York. Named “The Subjects of the Artists School,” they employed David Hare and Robert Motherwell, among others. Though it would fold the same year, the school was the center of a flurry of activity in contemporary art. In addition to his experience teaching, Rothko began contributing articles to two new art publications, Tiger’s Eye and Possibilities. Using the forum as an opportunity to assess the current art scene, Rothko also discussed in detail his own artwork and philosophy of art . These articles reveal an artist in transition, seeking to eliminate figurative elements from his work. He described his new method as “unknown adventures in an unknown space,” free from “direct association with any particular, and the passion of organism.”

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Untitled 1949

In the spring of 1968, Rothko suffered an aneurysm of the aorta, a result of his chronic high blood pressure. Ignoring doctor’s orders, Rothko continued to drink and smoke heavily, avoid exercise and maintain an unhealthy diet. However, he followed the advice not to paint pictures larger than a yard in height and turned his attention to smaller formats, including acrylics on paper. Due to impotence, Rothko and his wife Mell separated on New Year’s Day 1969, and he moved into his studio. Sensing the end was near, Rothko and his financial advisor, Bernard Reis, created a foundation intended to fund “research and education” that would receive the bulk of Rothko’s work following his death. (Reis later sold the paintings to the Marlborough Gallery at a considerable loss and pocketed the difference with Gallery representatives, the result of which was one of the longest and most heavily hyped legal battles in art history.)

On February 25, 1970, Oliver Steindecker, Rothko’s assistant, found the artist in his kitchen, lying dead on the floor in front of the sink, covered in blood. His arms had been sliced open with a razor lying at his side. During autopsy it was discovered he had also overdosed on anti-depressants. He was 66 years old.

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No. 61, 1953

Today, Mark Rothko remains one of the most famous painters of the 20th century, and his works are housed in museums and private collections world wide. Still wondering about a painting in your family collection? Contact us…it could be by Mark Rothko.


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309--linton.php William Linton Artwork Authentication & Art Appraisal

William Linton (1791 – 1876)

Get a Linton Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Linton artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Linton Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Linton painting, drawing or print.

If you want to sell your Linton painting, drawing or print use our selling services. We offer Linton selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Linton and issuing certificates of authenticity since 2002. We are recognized Linton experts and Linton certified appraisers. We issue COAs and appraisals for all Linton artworks.

Our Linton paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Linton certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Linton painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Linton paintings or drawings take longer.

Our clients include Linton collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform William Linton art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your William Linton or we will sell it for you.

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Castle Campbell
1820 Oil on Canvas
Wolverhampton Art Gallery

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Albanian Mountains with Corfu in Distance
1830s Oil on Canvas
Wolverhampton Art Gallery

William Linton was a British artist, best known for his landscape paintings. While Linton was born in Liverpool, he sent much of his childhood in Landcaster, Cartmel and Windemere. When Linton was an adolescent he had a position working in the office of a merchant. Linton was dissatisfied with his position and started copying master artworks. The aspiring artist was most drawn to landscapes and found inspiration in the work of Claude Gellee and Claude-Joseph Vernet.

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Positano, Gulf of Salerno
1840s Oil on Canvas
Wolverhamton Art Gallery

By 1817 Linton decided to fully commit himself to painting and moved to London, where he entered the Royal Academy and British Institution. During the early 1820s Linton helped to found the Society of British Artists, of which he later became the President.

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Carthage
1830 Oil on fabric
Cleveland Museum of Art

In 1828 Linton decided to spend the year in Italy, travelling and sketching the landscape. Linton visited several sites along the Mediterranean, which later became the subjects of sketches and epic landscape paintings. By the 1830s Linton had a solid reputation as a landscape painter and was even compared to J.M.W. Turner by art critics. Linton enjoyed consistent commissions from wealthy patrons, including the Earl of Ellesmere.

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Temples of Paestum
Oil on Canvas 149 x 240.4 cm
Tate Gallery

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Bury from Blackford Gridge
Oil Painting
Lancashire Museum

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View of Broad Oak Printworks
1827 Oil on wood
Lancashire Museum

Linton, Portrait of Allan Wardner

Portrait of Allan Wardner
1879 Drawing
Indianapolis Museum of Art

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City of Ancient Greece
1842-1851 Engraving on paper
New York Public Library

In 1831 Linton married the niece of the Countess of Winterton, Julia Adelina Swettenham, and settled in Marylebone, London, where he opened his own gallery. Linton’s reputation remained strong up until the end of his life. His paintings are now in major British collections, including the Tate Britain, Fitwilliam Museum and the Wolverhampton Art Gallery.

Do you think you own a painting by William Linton? Contact us. We are the experts on William Linton.


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310--sirani.php Elisabetta Sirani Artwork Authentication & Art Appraisal

Elisabetta Sirani (1638-1665)

Get a Sirani Certificate of Authenticity for your painting (COA) for your Sirani drawing.

For all your Sirani artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sirani Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sirani painting or drawing.

If you want to sell your Sirani painting or drawing use our selling services. We offer Sirani selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sirani and issuing certificates of authenticity since 2002. We are recognized Sirani experts and Sirani certified appraisers. We issue COAs and appraisals for all Sirani artworks.

Our Sirani paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sirani certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sirani painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sirani paintings or drawings take longer.

Our clients include Sirani collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Elisabetta Sirani art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Elisabetta Sirani or we will sell it for you.

art

Self-Portrait, 1658

Elisabetta Sirani was an Italian painter whose father was the painter Giovanni Andrea Sirani of the School of Bologna, and the principal assistant of Guido Reni.

art

Portia Wounding her Thigh, 1664

art

Melpomene, The Muse of Tragedy

She painted an Assumption at the Parish Church of Borgo Panigale. Also a Saint Eustache, and Judith with the Head of Holofernes (Burghley House, Stamford, England); Baptism of Christ (1658); and Madonna with child and Infant Saint John (Museo Civico, Pesaro); Saint Jerome (Pinacoteca Nazionale, Bologna), and Portrait of Anna Maria Ranuzzi.

art

Judith with the Head of Holofernes

art

Personification of Music

 

art

Self-Portrait 1660

Still wondering about an Italian painting in your family collection? Contact us…it could be by Elisabetta Sirani.


done
311--brescia.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "boizot" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "boizot" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
312--russell.php Morgan Russell Artwork Authentication & Art Appraisal

Morgan Russell (1886-1953)

Get a Morgan Russell Certificate of Authenticity for your painting (COA) for your Morgan Russell drawing.

For all your Morgan Russell artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Morgan Russell Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Morgan Russell painting or drawing.

If you want to sell your Morgan Russell painting or drawing use our selling services. We offer Morgan Russell selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Morgan Russell and issuing certificates of authenticity since 2002. We are recognized Morgan Russell experts and Morgan Russell certified appraisers. We issue COAs and appraisals for all Morgan Russell artworks.

Our Morgan Russell paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Morgan Russell certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Morgan Russell painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Morgan Russell paintings or drawings take longer.

Our clients include Morgan Russell collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Morgan Russell art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Morgan Russell or we will sell it for you.

Russell, Cosmic Synchrony

Cosmic Synchrony

Morgan Russell was an American abstract painter, born in New York City. Russell and fellow painter, Stanton Macdonald co-founded “Synchromism”, a sub-category of the Modernist art movement.

Russell, Reclining woman, 1920

Reclining woman, 1920

In 1903 Russell initiated his studies in an architecture program, but quickly changed his concentration to sculpture. Russell made various contacts at the Art Students League of New York, studying and posing as a model for Arthur Lee and James Earle Fraser. Gertrude Vanderbilt Whitney financed Russell’s trip to Paris in 1906.

Russell, Synchromy

Synchromy

Russell, Synchromy, 1920

Synchromy, 1920

On a second trip to Paris in 1909, Russell had the opportunity to study with Matisse. During the following years, Russell developed his own techniques of using color and pattern. By 1911 Russell had teamed up with Stanton Macdonald Wright, with whom he began to form the Synchromist movement. The two artists organized their first Synchromist exhibit at Der Neue Kunstsalon in Munich, Germany. Following shows were held at the Galerie Bernheim in Paris and at the Armory Show in New York.

Russell, Study for Woman in Purple

Study for Woman in Purple

Synchromism is defined as a pure form of abstract painting, which does not contain identifiable, representational forms. The Synchromist manifesto links the transcendent powers of color and music. Other artists who experimented with early Synchromism included Thomas Hart Benton, Andrew Dasburg, Patrick Henry Bruce. A similar movement known as Orphism complimented Synchromism.

Russell, Study for Synchromy in Blue Violet

Study for Synchromy in Blue Violet

Russell, Synchromy in Orange: to Form, 1913

Synchromy in Orange: to Form, 1913

Russell, Still Life with Bouquet in Watering Can

Still Life with Bouquet in Watering Can

Russell, Synchromy No. 3

Synchromy No. 3

Russell, Still-life

Still-life

Russell, Synchromy: to Form, 1914

Synchromy: to Form, 1914

Russell, Serated Nude

Serated Nude

Russell spent most of his time from 1909 to 1946 living and working in Paris. Near the time of his death, Russell returned to America and spent his last days in Philadelphia. Russell’s paintings are now in American art collections across the country. Do you think you own a Synchromist painting by Morgan Russell? Contact us. We are the Morgan Russell experts.


done
313--colman.php Samuel Colman Artwork Authentication & Art Appraisal

Samuel Colman (1832-1920)

Get a Colman Certificate of Authenticity for your painting (COA) for your Colman drawing.

For all your Colman artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Colman Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Colman painting or drawing.

If you want to sell your Colman painting or drawing use our selling services. We offer Colman selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Colman and issuing certificates of authenticity since 2002. We are recognized Colman experts and Colman certified appraisers. We issue COAs and appraisals for all Colman artworks.

Our Colman paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Colman certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Colman painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Colman paintings or drawings take longer.

Our clients include Colman collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Samuel Colman art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Samuel Colman or we will sell it for you.

Samuel Colman was an American painter of the Hudson River School. Colman was born in Portland, Maine but moved to New York City as a child. Colman was exposed to art and literature from an early age, studying under well-known artists such as Asher Durand. In 1850 Colman exhibited for the first time at the National Academy of Design.

Colman, Niagara Falls, 1863

Niagara Falls, 1863

Colman, Morning, 1859

Morning, 1859

In 1854 Colman started his own studio on New York City, where he was able to execute his large-scale landscape paintings. Colman continued to exhibit and became a full member of the National Academy by 1862.

Colman, A View of Yosemite Spiller Canyon and Bridgeport Valley, CA

A View of Yosemite Spiller Canyon and Bridgeport Valley, CA

While Colman maintained a studio in New York City, he was a constant traveler. Most of his paintings depicted landscapes from American wilderness or international cities and ports. Colman loved travelling to Europe, particularly France and Spain. Colman was intrigued by historical structures such as castles and aqueducts. By 1870 Colman began to explore the wild west of the United States, painting the mountainous landscape.

Colman, Storm King on the Hudson

Storm King on the Hudson

Colman is most known for his involvement in the Hudson River School. Colman would take excursions outside of New York City to document scenes around the Hudson and the northeast. Colman painted the intricate ships that would come in and out of the Hudson harbors.

Colman, On the River Blanco, Monterey, Mexico, 1898

On the River Blanco, Monterey, Mexico, 1898

From 1861 to 1871 Colman served as co-founder and president of the American Watercolor Society. Colman also became a member of the New York Etching Club, expanding his portfolio of work on paper. Colman received additional commissions as an interior designer, working with Louis Comfort Tiffany to design homes in and around New York City.

Colman, Near Cro's Next on the Hudson, NY

Near Cro’s Nest on the Hudson, NY

Colman, Becalmed in the Highlands

Becalmed in the Highlands

Colman, Shipping on the Hudson

Shipping on the Hudson

Colman, Autumn Lake Scene, Genese Valley, 1863

Autumn Lake Scene, Genese Valley, 1863

Colman, Sunset Lake George, 1860

Sunset Lake George, 1860

Colman, Near Cordova, Spain

Near Cordova, Spain

Colman, A Rainbow on the Hudson

A Rainbow on the Hudson

The landscape painting of Colman are now in major museum collections around the United States, including the Smithsonian American Art Collection in Washington DC. Do you think you own a painting by Samuel Colman? Contact us. We are the experts on Samuel Colman.


done
314--picasso-gallery.php Pablo Picasso Artwork Authentication & Art Appraisal

About authenticating a Picasso

Pablo Picasso: Discovering and Authenticating his Art

Pablo Picasso was the most prolific artist who ever lived. His entire oeuvre is gigantic and even sections of it are impressive, such as his enormous graphic work production or just the number of books he illustrated, some 156 of them. As if a huge quantity of paintings, drawings books would not be enough, he added sculptures and ceramics. Picasso never limited himself to oil and canvas, and was always looking for ways to work in as many different mediums and styles as he could.

Pablo Picasso, Self-portait, 1901

Self-portait, 1901

Pablo Picasso, Le Gourmet 1901

Le Gourmet, 1901

The result is an extremely active market in Picasso works. Every year some 3,000 Picasso works are sold and bought, amounting to about 200 million US dollars in business. At this juncture, Picasso is the best seller of the art market.

Pablo Picasso, Girl in Chemise 1905

Girl in Chemise, 1905

It is because Picasso was so prolific in his career, that many of his paintings and sculptures are privately owned, and why so many are discovered and authenticated each year. Prints, collages, sketches and sculptures of his are all worth incredible value, and many are discovered in basements, attics and home collections each year.

Pablo Picasso, The Card Player, 1913-1914

The Card Player, 1913-1914

Picasso also lived a very long life (he died at age 92!) and continued to create art until his death. In fact, his late period is his most prolific, and he produced more work at that time than any other. Unlike many other well-known and sought after artists, Picasso died well into the 20th century. Therefore a great possibility exists for a much younger market of art collectors to privately own his pieces.

Pablo Picasso painting, Girl on a Pillow, 1936

Girl on a Pillow, 1936

Still wondering about a painting or sculpture in your family collection? Contact us…it could be by Pablo Picasso.


done
315--perry.php Lilla Cabot Perry Artwork Authentication & Art Appraisal

Lilla Cabot Perry (1848-1933)

We Perform Lilla Cabot Perry art authentication. Lilla Cabot Perry appraisal. Lilla Cabot Perry certificates of authenticity (COA). Lilla Cabot Perry analysis, research, scientific tests, full art authentications. We will help you sell your Lilla Cabot Perry or we will sell it for you.

Perry, Self-Portrait, 1892

Self-Portrait, 1892

Lilla Cabot Perry was an American, Impressionist painter of portraits and landscapes. Perry was born in Boston to a wealthy family. As a child Perry was exposed to music, art and literature. Perry’s family would entertain distinguished guests including Ralph Waldo Emerson and Louisa May Alcott. During the Civil War Perry’s parents were active abolitionists, housing soldiers and protecting slaves in their fight for freedom.

Perry, The Black Hat, 1914

The Black Hat, 1914

Perry married a Harvard scholar and gave birth to three children before initiating her career as an artist. In 1884 Perry started training as a painter with Alfred Quentin Collins. Perry received a foundation in the arts from Collins but was more inspired by Impressionist painter Robert Vonnoh who practiced plein-air painting in France.

Perry, A Snowy Day, 1926

A Snowy Day, 1926

In 1885 Perry received formal training at Cowles Art School in Boston, where she continued to develop technically and conceptually as a painter. A few years later Perry moved with her family to Paris. In Europe Perry was able to study from master paintings at the Louvre and Prado and enroll in painting courses at the Academie Colarossi and Academie Julian. Perry showed success as an artist in Paris, exhibiting in the Salon of the Société des Artistes Indépendants. The accepted paintings included a portrait of her husband and a portrait of one of her daughters.

Perry, A Cup of Tea

A Cup of Tea

In 1889 Perry decided to move to Giverny, France to study with Claude Monet, who she found greatly inspiring. Perry spent nine summers in Giverny painting with Monet.

In 1889 Perry and her family returned to Boston, where the art community was less interested in the Impressionist movement. Perry made it her goal to popularize Impressionism by giving lectures and organizing exhibitions.

Perry, Mother and Baby

Mother and Baby

In 1893 Perry was selected to represent Massachusetts at the World’s Columbian Exposition in Chicago, Illinois. Perry showed seven paintings at the Exposition. In the following years Perry exhibited regularly in Boston and in Paris at the Société Nationale des Beaux-Arts at the Salon de Champ de Mars.

Perry followed her husband to Japan where she lived for three years. In Japan Perry was greatly inspired by Asian prints. Perry returned to Boston from Japan more popular then ever. Perry was awarded a bronze medals at the International Louisiana Purchase Exhibition in St. Louis and at the Panama Pacific International Exposition in San Francisco, California.

In 1913, Perry helped to form the Guild of Boston Artists, which opposed modern, avant-garde trends. Perry was an influential force in popularizing Impressionist painting in the United States. Do you think you own a painting by Lilla Cabot Perry? Contact us. We are the Lilla Cabot Perry experts.


done
316--boilly.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "boilly" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "boilly" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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317--angelico.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "angelico" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "angelico" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
318--nahl.php Johann August Nahl Artwork Authentication & Art Appraisal

Johann August Nahl (1752-1825)

Get a Nahl Certificate of Authenticity for your painting (COA) for your Nahl drawing.

For all your Nahl artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Nahl Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Nahl painting or drawing.

If you want to sell your Nahl painting or drawing use our selling services. We offer Nahl selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Nahl and issuing certificates of authenticity since 2002. We are recognized Nahl experts and Nahl certified appraisers. We issue COAs and appraisals for all Nahl artworks.

Our Nahl paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Nahl certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Nahl painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Nahl paintings or drawings take longer.

Our clients include Nahl collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Johann August Nahl art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Johann August Nahl or we will sell it for you.

Nahl painting, Nude

Nude

Johann August Nahl was an 18th century Swiss painter. He was mainly known for painting portraits as well as mythological scenes. Nahl was the son of Johann August Nahl the Elder who was a sculptor.

Nahl painting, Orpheus and Eurydice

Orpheus and Eurydice

Still wondering about an 18th century European painting in your family collection? Contact us…it could be by Johann August Nahl.


done
319--lafrensen.php Niclas Lafrensen Artwork Authentication & Art Appraisal

Niclas Lafrensen (1737-1807)

Get a Lafrensen Certificate of Authenticity for your painting (COA) for your Lafrensen drawing.

For all your Lafrensen artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lafrensen Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lafrensen painting or drawing.

If you want to sell your Lafrensen painting or drawing use our selling services. We offer Lafrensen selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lafrensen and issuing certificates of authenticity since 2002. We are recognized Lafrensen experts and Lafrensen certified appraisers. We issue COAs and appraisals for all Lafrensen artworks.

Our Lafrensen paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lafrensen certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lafrensen painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lafrensen paintings or drawings take longer.

Our clients include Lafrensen collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Niclas Lafrensen art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Niclas Lafrensen or we will sell it for you.

Lafrensen painting, Consolation in Lonliness

Consolation in Lonliness

Niclas Lafrensen was an 18th century Rococo French painter. He studied under his father in Stockholm and attended the Swedish Academy.

Lafrensen painting, Princess de Lamballe

Princess de Lamballe

Lafrensen lived and worked in Paris from 1762-1769 where he worked primarily as a miniaturist. He was commissioned in 1769 to return to Stockholm where he created miniatures for the court.

Lafrensen painting, Dangerous Liasons

Dangerous Liasons

Still wondering about an 18th century portrait in your family collection? Contact us…it could be by Niclas Lafrensen.


done
320--desmarees.php Georg Desmarees Artwork Authentication & Art Appraisal

Georg Desmarees (1697-1776)

Get a Desmarees Certificate of Authenticity for your painting (COA) for your Desmarees drawing.

For all your Desmarees artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Desmarees Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Desmarees painting or drawing.

If you want to sell your Desmarees painting or drawing use our selling services. We offer Desmarees selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Desmarees and issuing certificates of authenticity since 2002. We are recognized Desmarees experts and Desmarees certified appraisers. We issue COAs and appraisals for all Desmarees artworks.

Our Desmarees paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Desmarees certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Desmarees painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Desmarees paintings or drawings take longer.

Our clients include Desmarees collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Georg Desmarees art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Georg Desmarees or we will sell it for you.

Desmarees painting,Self-Portrait

Self-Portrait

Desmarees painting, Portrait of Franz Karl von Soyer

Portrait of Franz Karl von Soyer

Desmarees painting,Portrait of a Gentleman

Portrait of a Gentleman

Desmarees painting,Portrait of Carl Theodor, 1750

Portrait of Carl Theodor, 1750

Georg Desmarees was an 18th century Swedish artist. He primarily painted portraits of affluent members of European society.

Desmarees painting,Portrait of a Violinist

Portrait of a Violinist

Still wondering about an 18th century European painting in your family collection? Contact us…it could be by Georg Desmarees.


done
321--boizot.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "boizot" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "boizot" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
322--ganesco-alexandre.php Alexandre Ganesco Artwork Authentication & Art Appraisal

Alexandre Ganesco (1910-1979)

Get a Ganesco Certificate of Authenticity for your painting (COA) for your Ganesco drawing.

For all your Ganesco artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ganesco Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ganesco painting or drawing.

If you want to sell your Ganesco painting or drawing use our selling services. We offer Ganesco selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ganesco and issuing certificates of authenticity since 2002. We are recognized Ganesco experts and Ganesco certified appraisers. We issue COAs and appraisals for all Ganesco artworks.

Our Ganesco paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ganesco certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ganesco painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ganesco paintings or drawings take longer.

Our clients include Ganesco collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alexandre Ganesco art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alexandre Ganesco or we will sell it for you.

Les Six Jours

Les Six Jours

The 14th Of July

The 14th Of July

Paysage 1953

Paysage 1953

Alexandre Ganesco was a painter and a relative of the sculptor Constantin Ganesco. Today his paintings are housed all over France, and perhaps in your own home. Still wondering about an early 20th century French painting in your family estate? Contact us…it could be by Alexandre Ganesco.


done
323--haring.php Keith Haring Artwork Authentication & Art Appraisal

KEITH HARING art authentication

Get a HARING Certificate of Authenticity for your painting or a COA for your HARING drawing or sculpture.

For all your HARING artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a HARING Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your HARING painting, drawing or sculpture.

If you want to sell your HARING painting, drawing or sculpture use our selling services. We offer HARING selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating HARING and issuing certificates of authenticity since 2002. We are recognized HARING experts and HARING certified appraisers. We issue COAs and appraisals for all HARING artworks.

Our HARING paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The HARING certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your HARING painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research HARING paintings, drawings or sculpture take longer.

Our clients include HARING collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform KEITH HARING art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your KEITH HARING or we will sell it for you.

As of September 2012, the Keith Haring Foundation no longerauthenticates works produced by Keith Haring. Our Keith Haring experts are well-versed in his art, having had many years ofexperience in authenticating Keith Haring paintings, drawings, sculpture,and other work. Please call us at: 1 (800) 480-4292 or email us at info@artexpertswebsite.com to discuss your Keith Haring with us.

Keith Haring was born in 1958 in central Pennsylvania. After movingto New York in 1978 and registering at School of Visual Arts, Haringbecame a key player in the club scene. Haring painted with andcollaborated with prominent graffiti/pop artists such as Jean-MichelBasquiat (aka SAMO). Drawing from African, Japanese, and MiddleEastern imagery, and mixing them with contemporary, everydayobjects, Keith Haring’s pictures emphasized accessible, universalsymbols.

In 1982, Keith Haring’s most famous image—Radiant Child—appeared on Times Square billboard.

Haring painted on empty subway posters, the Berlin Wall, as well as cars, buses, radios, telephones, and even hot air balloons.

Keith Haring was diagnosed with AIDS in 1988 and succumbed to the virus in 1990.

We would be honored to help you authenticate any works you think were created by Keith Haring. Call us at 1 (800) 480-4292 or email us at info@artexpertswebsite.com with any questions about your Keith Haring.


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324--tischbein-the-younger.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "tischbein-the-younger" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "tischbein-the-younger" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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325--moigniez.php Jules Moigniez Artwork Authentication & Art Appraisal

Jules Moigniez (1835-1894)

We Perform Jules Moigniez art authentication. Jules Moigniez appraisal. Jules Moigniez certificates of authenticity (COA). Jules Moigniez analysis, research, scientific tests, full art authentications. We will help you sell your Jules Moigniez or we will sell it for you.

art

Bassett Hound

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Lion

Jules Moigniez was born in France in 1835. He began his studies under Paul Comolera. Because of Comolera’s interest in the subject, Moigniez began sculpting birds. Throughout his career, his subjects of choice would actually be game birds. He also sculpted horses and dogs. Today, he is remembered as one of the great anamalier sculptures, and his work is admired for its detail, craftsmanship, and unique style.

Moigniez’s first exhibit took place when he was 20 years old. It was in 1855 at the Paris Exposition Universelle. At this event, he exhibited a plaster titled Pointer Stopping at A Pheasant. From this point on, he exhibited his works. He began showing his pieces at the Salon from 1859-1892. During this time, he showcased thirty sculptures at the Salon and exhibited other pieces in England. His work became most popular with the people of England although he experienced success with art enthusiasts in England and America. Most of his game bird sculptures are thought to have been sold in America. 

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Hawk

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Pheasant and Mink

Moigniez’s father was a metal glider. He wholeheartedly supported his son’s pursuit of art. For this reason, most of Moigniez’s bronzes were actually cast by his father in a foundry established in 1857. Moigniez’s foundry also cast the bronzes of a few other, select artists. His father, just like Moigniez, was a meticulous worker, focusing much attention to detail. The bronzes stand out from the work of many others of the time period in that many of them were embellished. They didn’t always have the standard finish. For example, some were gilded or silver plated. Many bore unusual finishes. It became a Moigniez trademark. Other artists would later follow in the trend that Moigniez started.

In 1869, at the age of 34, Moigniez became very ill. Unfortunately, he never recovered. He stopped producing new sculptures, and in 1894, he committed suicide. After Moigniez’s death, his father continued to keep his son’s legacy alive by casting his son’s works. When Moigniez’s father passed away, Aususte Gouge bought the plasters and models. He had cast most of Paul Comolera’s works (Moigniez’s instructor). Gouge produced Moigniez’s sculptures for several more years. Moigniez will be remembered as a truly talented anamalier sculptor.

Because of his popularity, pieces by Moigniez do exist in the United States; however a Moigniez signature does not guarantee that the bronze is the work of the artist. In fact, some of the bronzes bearing the signature of Moigniez have been found to be the work of a California artist named Max Turner. In the 1960s, an art dealer added the Moigniez signature to many of his pieces to boost sales. It is highly possible that the work of Turner is actually partly responsible for helping solidify Moigniez’s reputation as such a renowned anamalier sculptor.

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Fox

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326--cosway.php Richard Cosway Artwork Authentication & Art Appraisal

Richard Cosway (1742-1821)

Get a Cosway Certificate of Authenticity for your painting (COA) for your Cosway drawing.

For all your Cosway artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cosway Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cosway painting or drawing.

If you want to sell your Cosway painting or drawing use our selling services. We offer Cosway selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cosway and issuing certificates of authenticity since 2002. We are recognized Cosway experts and Cosway certified appraisers. We issue COAs and appraisals for all Cosway artworks.

Our Cosway paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cosway certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cosway painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cosway paintings or drawings take longer.

Our clients include Cosway collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Richard Cosway art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Richard Cosway or we will sell it for you.

Cosway painting, Self-Portrait

Self-Portrait

Cosway painting, Margaret Cocks

Margaret Cocks

Richard Cosway was an 18th century English painter. Cosway typically painted miniature paintings and portraits in the Rococo style, and became famous for his depictions of fashionable people of his era. Though he was best known for his miniatures, Cosway also created a number of sketches as well.

Cosway painting, Lady Sarah Sophia Fane

Lady Sarah Sophia Fane

Cosway painting, Portrait of Horace Beckford

Portrait of Horace Beckford

Cosway painting, The Music Lesson

The Music Lesson

Cosway’s work can be characterizes by his short and quick brush strokes, and by his technique of placing his subjects on a light background so that they stand out. Cosway also utilized the ivory on which he painted his miniatures by using only light washes of color so that the brilliance of the ivory underneath could shine through.

Cosway painting, Portrait of a Man

Portrait of a Man

Still wondering about a miniature British painting in your family collection? Contact us…it could be by Richard Cosway.


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327--cimabue.php Cimabue Artwork Authentication & Art Appraisal

Cenni di Pepo (Giovanni) Cimabue (1240 – 1302)

Get a Cimabue Certificate of Authenticity for your painting (COA) for your Cimabue drawing.

For all your Cimabue artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cimabue Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cimabue painting or drawing.

If you want to sell your Cimabue painting or drawing use our selling services. We offer Cimabue selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cimabue and issuing certificates of authenticity since 2002. We are recognized Cimabue experts and Cimabue certified appraisers. We issue COAs and appraisals for all Cimabue artworks.

Our Cimabue paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cimabue certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cimabue painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cimabue paintings or drawings take longer.

Our clients include Cimabue collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Cimabue art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Cimabue or we will sell it for you.

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Maesta

Cimabue, also known as Bencivieni Di Pepo or in modern Italian, Benvenuto Di Giuseppe, was an Italian painter and creator of mosaics from Florence. He is also popularly known as the artist who discovered Giotto. Cimabue is generally regarded as the last great painter working in the Byzantine tradition. The art of this period comprised scenes and forms that appeared relatively flat and highly stylized. Cimabue was a pioneer in the move towards naturalism, as his figures were depicted with rather more life-like proportions and shading.

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Stained Glass Window at Siena Cathedral

Owing to little surviving documentation, not much is known about Cimabue’s life. He was born in Florence. His career was described in Giorgio Vasari’s The Lives of the Most Excellent Painters, Sculptors, and Architects (called, in Italian, Le Vite), widely regarded as the first art history book, though it was completed over 200 years after Cimabue’s death. Although it is one of the few early records we have of him, its accuracy is uncertain. Vasari wrote that in the artist’s youth:

“Instead of studying his letters, Cimabue spent all his time covering his paper and his books with pictures showing people, horses, houses, and various other things he dreamt up.”

Such remarks concerning precocious devotion to art are, however, common in artists’ biographies of the 16th and 17th centuries. He was mentioned in Dante’s Purgatorio. Cimabue died in Pisa.

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St. Francis

Judging this by the commissions that he received, Cimabue appears to have been a highly-regarded artist in his day. While he was at work in Florence, Duccio was the major artist, and perhaps his rival, in nearby Siena. Cimabue was commissioned to paint two very large frescoes for the Basilica of St. Francis of Assisi. They are on the walls of the transepts: a Crucifixion and a Deposition. Unfortunately these works are now dim shadows of their original appearance. During occupancy of the building by invading French troops, straw caught fire, severely damaging the frescoes. The white paint was partially composed of silver, which oxidized and turned black, leaving the faces and much of the drapery of the figures in negative.

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The Last Judgment Fresco

Another sadly-damaged work is the great Crucifix of Santa Croce at Florence. It was the major work of art lost in the flood in Florence in 1966. Much of the paint from the body and face washed away.

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Crucifix 1287-1288

Among Cimabue’s few surviving works are the Madonna of Santa Trinita, once in the church of Santa Trinita, and now housed, with Duccio’s Rucellai Madonna and Giotto’s Ognissanti Madonna, in the Uffizi Gallery.

In the Lower Church of Saint Francis in Assisi is an extremely important fresco, depicting The Madonna and Christ Child enthroned with angels and Saint Francis. It is claimed to be a work of Cimabue’s old age.

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The Madonna of St. Francis

Two additional, very fine paintings attributed to Cimabue are now to be seen in New York at the Frick Collection. The Flagellation of Jesus was purchased by the Frick in 1950 and long considered to be of uncertain authorship, possibly Duccio’s. But in 2000, the National Gallery in London acquired a Virgin and Child with many similarities (size, materials, red borders, incised margins, etc.) The two pictures are now thought to be parts of a single work, a diptych or triptych altarpiece, and their attribution to Cimabue is fairly secure.

A tiny devotional painting of a “Madonna and Child with SS. Peter and John the Baptist” at the National Gallery of Art in Washington, DC was painted by Cimabue or one of his students around 1290. It is significant because it shows a cloth of honor that may well be the first patchwork quilt in Western art.

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Madonna and Child with John the Baptist and St. Peter

While the Flagellation is owned by the Frick (and is one of only two Cimabues in the United States), the Virgin and Child is in the U.S. temporarily. For a short time, the two works can be viewed side-by-side. The pair are believed to date from 1280.

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Healing of a Sick Man, Fresco

Still wondering about a 13th century Italian painting in your family collection? Contact us…it could be by Cimabue.


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328--veneziano.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "veneziano" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "veneziano" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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329--gall.php Francois Gall Artwork Authentication & Art Appraisal

Francois Gall (1912-1987)

Get a Gall Certificate of Authenticity for your painting (COA) for your Gall drawing.

For all your Gall artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gall Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gall painting or drawing.

If you want to sell your Gall painting or drawing use our selling services. We offer Gall selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gall and issuing certificates of authenticity since 2002. We are recognized Gall experts and Gall certified appraisers. We issue COAs and appraisals for all Gall artworks.

Our Gall paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gall certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gall painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gall paintings or drawings take longer.

Our clients include Gall collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francois Gall art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Francois Gall or we will sell it for you.

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Les Jardins du Luxembourg

Francois Gall was a figure and still life painter who studied at the Ecole des Beaux-Arts in Paris. Born in Transylvania to Hungarian parents, Gall traveled to Rome to study art in 1929, and returned the following year to teach art at the Hungarian College.

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A Street Scene in Rome

Gall finally moved to Paris in 1936 where he studied under Devambez and was heavily influenced by the French Impressionists.

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Jeune Fille a la Terasse

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Paris Scene

Like so many other Impressionist painters, Gall chose to portray beautiful young women engaged in a variety of lighthearted activities for the bulk of his career. In particular, Gall would often portray ballerinas (like Degas) and women lounging at the beach (like Monet). However, unlike Gall’s Impressionistic predecessors, Gall took a different approach to Impressionism and strived for a more realistic approach and used appealing and vibrant colors.

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Ballerina, 1940

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Danseuses dans la Coulisse

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Plage de Trouville

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Deauville

Also typical of the French school of Impressionism were Gall’s Parisian city scenes of women at café’s or relaxing in lush gardens.

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Young Woman in the Garden

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Untitled girl in garden

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In Montmartre

Despite the fact that he was not a highly experimental painter in an era where Surrealism, Abstract and Futurism were popular, Gall managed to find success with his dated style of painting. Perhaps it was due to the fact that he stayed true to typical genre’s that were pleasing to the public, such as ballerinas and beach scenes. Another of his frequent subjects was horse races and jockeys, again created with vibrant colors.

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Untitled at the horse race

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Going to the Gate

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Les Courses a Auteuil, Paris

Gall would gain French citizenship in 1945, and in 1947 he won his first award at the Paris Salon. Gall was also awarded the Francis Smith prize in 1967 and a number of other decorations and honors throughout his career.

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Bouquet de Fleurs

During his lifetime, Gall exhibited his work extensively worldwide from New York to Rome, Mexico, Stockholm, and London and of course, Paris. Gall enjoyed great success as a painter and left behind a relatively large collection of paintings and sketches. Today his paintings are housed in Paris, Boston, Budapest, and perhaps even in your own home.


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330--oost-van.php Jacob van Oost Artwork Authentication & Art Appraisal

Jacob van Oost (1639-1713)

We Perform Jacob Van Oost art authentication. Jacob Van Oost appraisal. Jacob Van Oost certificates of authenticity (COA). Jacob Van Oost analysis, research, scientific tests, full art authentications. We will help you sell your Jacob Van Oost or we will sell it for you.

Jacob van Oost was a Flemish Baroque painter and son and pupil of Jacob van Oost the Elder. He settled in Lille, where he continued his father’s tradition, albeit in a somewhat more diffuse style, in which suggestive use is made of flaky, smeared brushstrokes. His life-like Portrait of a Man (1697) is a good example of his painting style.

Much of his work remains in the churches and museums of that city.

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Above, firefighters take a painting by Flemish artist van Oost, known as “The Younger”, out of a window with ropes from a former monastery in Bouvines, near Lille, Northern France, as a result of a fire which broke out on the premises. The religious piece is 300 x150 cm.

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Untitled

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Family Still wondering about a Flemish Baroque painting in your family collection? Contact us…we are the Jacob van Oost experts.


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331--peyron.php Jean-Francois Peyron Artwork Authentication & Art Appraisal

Jean-Francois Peyron (1744-1814)

We Perform Jean-Francois Peyron art authentication. Jean-Francois Peyron appraisal. Jean-Francois Peyron certificates of authenticity (COA). Jean-Francois Peyron analysis, research, scientific tests, full art authentications. We will help you sell your Jean-Francois Peyron or we will sell it for you.

Peyron painting, The Death of Socrates

The Death of Socrates

Jean-Francois Peyron was an 18th century Dutch painter. Best known for his historical scenes, Peyron studied under Dandre-Bardon and was also a student of Louis Lagrenee.

Peyron painting, The Death of General Valhubert at the Battle of Austerlitz

The Death of General Valhubert at the Battle of Austerlitz

Peyron won the Prix de Rome in 1773, beating out rival Jacques-Louis David. Peyron and David would have a life long rivalry, though today, Peyron is considerably less known.

Peyron painting, Mourning

Mourning

Peyron spent seven years in Rome after winning the grand prix, and he became highly influenced by the work of the Old Italian masters. He developed a very dark palette and mainly painted religious and historical subjects. Many of these paintings feature death or a funeral as the subject of the composition.

Peyron painting, Belisarius Receiving Hospitality from a Peasant 1779

Belisarius Receiving Hospitality from a Peasant 1779

Throughout his career, Peyron found much success and procured wealthy patrons such as King Louis XVI. Today his works are housed all over the world, including in The Louvre in Paris.

Peyron painting, The Funeral of Militiades

The Funeral of Militiades

Still wondering about an 18th century painting in your family collection? Contact us…it could be by Jean-Francois Peyron.


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332--amberger.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "amberger" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "amberger" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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333--solari.php Andrea Solari Artwork Authentication & Art Appraisal

Andrea Solari (1460-1524)

Get a Solari Certificate of Authenticity for your painting (COA) for your Solari drawing.

For all your Solari artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Solari Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Solari painting or drawing.

If you want to sell your Solari painting or drawing use our selling services. We offer Solari selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Solari and issuing certificates of authenticity since 2002. We are recognized Solari experts and Solari certified appraisers. We issue COAs and appraisals for all Solari artworks.

Our Solari paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Solari certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Solari painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Solari paintings or drawings take longer.

Our clients include Solari collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Andrea Solari art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Andrea Solari or we will sell it for you.

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The Madonna Nursing

Andrea Solari (also Solario) was an Italian Renaissance painter. Initially named Andre del Gobbo, he was one of the most important followers of Leonardo da Vinci, and brother of Cristoforo Solari, who gave him his first training. One can note the influence of da Vinci and the similarity to his famed “Mona Lisa” in the way that Solari painted his portraits and incorporated landscape in the background.

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Portrait of Charles D’Amboise

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Man with a Pink Carnation 1495

His paintings can be seen in Venice, Milan, and the Château de Gaillon (Normandie, France).

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Cleopatra

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Woman with a Lute

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Salome with the Head of John the Baptist

Still wondering about an Italian painting in your family collection? Contact us…it could be by Andrea Solari.


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335--prado-espaniol.php Marina Núñez del Prado Artwork Authentication & Art Appraisal

Marina Núñez del Prado (1908-1995)

¿Cree que es propietario de una pintura de Marina Núñez del Prado? Autenticamos, tasamos, investigamos, damos información y emitimos Certificados de Autenticidad (COA) de todas las obras de Marina Núñez del Prado.

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Ofrenda A La Pachamama 1929

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Plegaria

Marina Núñez del Prado nace el 17 de octubre de 1908 en La Paz, Bolivia. Se formó entre 1926y 1929 en la Escuela Nacional de Bellas Artes de La Paz, admirando el trabajo del escultor italiano Miguel Angel Buonaroti. Desde 1930 a 1938 fue profesora de escultura y anatomía artística. 

Trabajó principalmente con granito negro, alabastro, basalto y onyx blanco, así como con muchos tipos de maderas nativas de Bolivia. Su obra se caracteriza por figuras pesadas pero con muchas curvas y sensualidad, así como de estilizados cuerpos femeninos. En su primera época su interés se encaminó hacia lo indígena lo que le permitió, posteriormente construir un lenguaje acorde a su tiempo, una obra ligada al paisaje, al hombre y la mujer de los Andes.

Es reconocida como la más importante escultora boliviana del siglo XX.
Entre 1948 y 1958 viajó exhibiendo su obra en numerosos países, regresando posteriormente a Bolivia. En los último años de su vida fijó su residencia en Perú donde viviría con su marido un escritor peruano. En Lima, en el distrito de San Isidro esta aún su casa, hoy convertida en una fundación, donde sus esculturas se muestran al público. Fallece en Lima en 1995.

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Mi Madre 1951

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Espiritu De La Nube 1958

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Nocturno 1958

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336--lemmen-georges.php Georges Lemmen Artwork Authentication & Art Appraisal

Georges Lemmen (1865-1916)

We Perform Georges Lemmen art authentication. Georges Lemmen appraisal. Georges Lemmen certificates of authenticity (COA). Georges Lemmen analysis, research, scientific tests, full art authentications. We will help you sell your Georges Lemmen or we will sell it for you.

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Self-Portrait

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Nude on a Chair

Georges Lemmen was a Belgian artist who painted in the Pointillist style. He initially began his studies at the St. Josse-ten-Noode School of drawing, and was influenced by Toulouse-Lautrec and Degas. Lemmen’s earliest works are in the Impressionist style, and clearly show the influence of the French masters. In 1888, he joined “Les Vingt” (the twenty), a group of avant-garde artists, and there, he met fellow Belgian artist Theo Van Rysselberghe. Through Rysselberghe’s influence, Lemmen was exposed to Pointillism.

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The Carousel

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View of the Thames

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Vase of Flowers

After the 1891 death of Seurat, the founder of Pointillism, Lemmen began to break away again from Pointillism and returned to a more traditional Impressionist style. However, some art critics say that his color palette during this time was more reminiscent of the ones used by another popular group, Les Nabis.

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Man Reading

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Little Pierre

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Bust of a Young Girl

During his career, Lemmen exhibited often in Belgium and Brussels and even traveled to England. While he is best known for his paintings, Lemmen also created book illustrations, posters, drawings, pastels, gouaches, ceramics and even carpets during his lifetime.

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Portrait of a Woman in a Hat with a Red Ribbon

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Portrait of Mme Lemmen

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Seated Young Woman with a Blue Hat

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The New Baby

Still wondering about a Belgian Pointillism or Impressionist piece hanging in your home? Contact us…it could be by Georges Lemmen.


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337--chodowiecki.php Daniel Nikolaus Chodowiecki authentication and appraisal

Daniel Nikolaus Chodowiecki (1726-1801)

Get a Chodowiecki Certificate of Authenticity for your painting (COA) for your Chodowiecki drawing.

For all your Chodowiecki artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Chodowiecki Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Chodowiecki painting or drawing.

If you want to sell your Chodowiecki painting or drawing use our selling services. We offer Chodowiecki selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Chodowiecki and issuing certificates of authenticity since 2002. We are recognized Chodowiecki experts and Chodowiecki certified appraisers. We issue COAs and appraisals for all Chodowiecki artworks.

Our Chodowiecki paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Chodowiecki certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Chodowiecki painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Chodowiecki paintings or drawings take longer.

Our clients include Chodowiecki collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Daniel Nikolaus Chodowiecki art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Daniel Nikolaus Chodowiecki or we will sell it for you.

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German Landscape with River and Cows

Daniel Nikolaus Chodowiecki was an 18th century German painter and engraver. He was known as the most popular illustrator in Prussia during his lifetime, though he is best known as an engraver. Chodoweicki painted a number of oil paintings as well, his most famous being “The Departure of Jean Calais.” He also created book illustrations for a number of well known stories, including Don Quixote and Shakespears plays.

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The Hypnotist

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La Danse Macabre

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Socrates

Still wondering about an 18th century German painting or illustration in your family collection? Contact us…it could be by Daniel Nikolaus Chodowiecki.


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338--damiano.php Bernard Damiano Artwork Authentication & Art Appraisal

Bernard Damiano (1926-2000)

Get a Damiano Certificate of Authenticity for your painting or a COA for your Damiano drawing or sculpture.

For all your Damiano artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Damiano Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Damiano painting, drawing or sculpture.

If you want to sell your Damiano painting, drawing or sculpture use our selling services. We offer Damiano selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Damiano and issuing certificates of authenticity since 2002. We are recognized Damiano experts and Damiano certified appraisers. We issue COAs and appraisals for all Damiano artworks.

Our Damiano paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Damiano certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Damiano painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Damiano paintings, drawings or sculpture take longer.

Our clients include Damiano collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Bernard Damiano art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Bernard Damiano or we will sell it for you.

Originally from Cuneo, Italy, Bernard Damiano and his family were forced to immigrate to France the year he was born. Although his family was poor, Damiano was able to cultivate a love for art and began to learn art application at 14 and was particularly interested in wood sculpture.

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Self-Portrait, 1985

At the age of 20, Damiano began to take lessons from painter Giulio Boetto and also attended the Albertina Academy. In 1948 years later, he began to work in stone and marble and moved to Nice. During this time, he also worked with wood again, albeit as a cabinet maker.

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Cityscape

Although he was making connections with other artists such as Sylvain Vigny, Damiano does not really begin to expose his work until 1960. From then until 1965, he participated in a number of exposures along coastal France. In 1966 Damiano finally moved with his family to Paris where his artistic career finally took off.

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Untitled, 1968

Damiano spent much of his time between Nice and Sanremo, Italy, and worked up until his death in 2000. He also exhibited frequently during his lifetime, and was fairly prolific. He would typically paint in oil on canvas, but was known to paint with tempera paint from time to time.

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Three Women 1988

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Nude

His paintings are generally of an Expressionistic nature, featuring distorted faces of people, particularly of himself. While his style may be of a disturbing nature to some, it is certainly recognizable as his own. It is notable that his work became increasingly more disturbing as the years rolled on, and his earlier work is softer and more linear. Here, Damiano displayed his love for this old masters with this self-portrait styled after Rembrandt.

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Self-Portrait in the Image of Rembrandt, 1985

Damiano was still highly active well into the 1980’s, and traveled and exposed often between Italy and France. This leaves the possibility for someone to own his art very likely indeed. Damiano had a number of Italian and French patrons, many of whom are still likely to be alive today.

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Portrait of Giovanni Testori 1985

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Cena di San Silvestro 1985

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Giuditta e Oloferne 1985

Still wondering about an Italian Expressionist painting in your family collection? Contact us…it could be by Bernard Damiano.


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339--vanschendel.php Petrus van Schendel Artwork Authentication & Art Appraisal

Petrus van Schendel (1806-1870)

Petrus van Schendel art authentication. Petrus van Schendel appraisal. Petrus van Schendel certificates of authenticity (COA). Petrus van Schendel analysis, research, scientific tests, full art authentications. We will help you sell your Petrus van Schendel or we will sell it for you.

The Market Stall

The Market Stall

Market Scene At Night

Market Scene At Night

Market Girls

Market Girls

Fruit Seller

Fruit Seller

Petrus van Schendel was a Netherlandish painter born in Belgium to a Dutch family. Van Schendel has been called “the master of light and atmosphere” by art critics, and his work was classical in nature, yet fresh in technique. He studied at the Antwerp Academy, where he studied under and worked there until 1928. That same year, he moved to Holland where he lived in Rotterdam, Amsterdam and The Hague before he finally settled in Brussels in 1845.

Girl, Head And Shoulders

Girl, Head And Shoulders

A Summer Evening By Candle And Moonliight

A Summer Evening By Candle And Moonliight

Fish Market

Fish Market

Van Schendel was a talented portrait painter, but is notable today for his stunning depictions of night time market scenes. These compositions are beautifully executed and employ candle light and shadow in a way that few other artists so successfully achieved. Van Schendel’s paintings almost seem to glow and come alive. He began these paintings once he settled in Brussels, and won a number of prizes for them, even winning a gold medal for his painting “A Moonlit Market.”

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A Moonlit Market Place

These night time market scenes were painted by torch, candle or moonlight, giving him extraordinary use of shadow. Not only did van Schendel use these techniques outside, but for interior scenes as well. These were usually created with oil on panel, as opposed to canvas.

Pheasant Vendor By Candlelight

Pheasant Vendor By Candlelight

Candle-Lit Interior

Candle-Lit Interior

Night Reading

Night Reading

He exhibited and traveled all over Europe, particularly in Brussels, Paris and at the Royal Academy in London. Today, his work is housed all over Europe, and perhaps in your own home. Still wondering about a Belgian night time scene in your family estate? Contact us…it could be by Petrus van Schendel.


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341--reni.php Guido Reni Artwork Authentication & Art Appraisal

Guido Reni (1575 – 1642)

Get a Reni Certificate of Authenticity for your painting (COA) for your Reni drawing.

For all your Reni artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Reni Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Reni painting or drawing.

If you want to sell your Reni painting or drawing use our selling services. We offer Reni selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Reni and issuing certificates of authenticity since 2002. We are recognized Reni experts and Reni certified appraisers. We issue COAs and appraisals for all Reni artworks.

Our Reni paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Reni certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Reni painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Reni paintings or drawings take longer.

Our clients include Reni collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Guido Reni art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Guido Reni or we will sell it for you.

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Self-Portrait 1602

Guido Reni was a prominent Italian painter of high-Baroque style. Born in Bologna into a family of musicians, Guido Reni was the son of Danieli Reni and Ginevra de’ Pozzi. As a child of nine, he was apprenticed under the Bolognese studio of Denis Calvaert. Soon after, he was joined in that studio by Albani and Domenichino. He may also have trained with a painter by the name of Ferrantini. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named Accademia degli Incamminati (Academy of the “newly embarked,” or progressives), led by Lodovico Caracci. They went on to form the nucleus of a prolific and successful school of Bolognese painters who followed Annibale Carracci to Rome. Like many other Bolognese painters, Reni’s painting was thematic and eclectic in style.

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Abduction of Deianira 1620-1621

In 1602, Reni and Albani moved to Rome to work with the teams led by Annibale Carracci in fresco decoration of the Farnese Palace. By 1604-5, he received an independent commission for an altarpiece to be placed in St Peter’s Basilica of the Crucifixion of St. Peter. After a few year sojourn in Bologna, he returned to Rome to become one of the premier painters during the papacy of Paul V (Borghese).

Reni’s frescoed ceiling of the large central hall of garden palace, Casino dell’Aurora located in the grounds of the Palazzo Pallavicini-Rospigliosi, is considered his masterpiece. The casino was originally a pavilion commissioned by Cardinal Scipione Borghese; the rear portion overlooks the Piazza Montecavallo and Palazzo del Quirinale. The massive fresco is framed in quadri riportati and depicts Apollo in his Chariot preceded by Dawn (Aurora) bringing light to the world. The work is restrained in classicism, copying poses from Roman Sarcophagi, and showing far more simplicity and restraint than Carracci’s riotous Triumph of Bacchus and Ariadne in the Farnese. Reni in this painting is allies himself more with the sterner Cavaliere d’Arpino,Lanfranco, and Albani “School” of mytho-historic painting, and less with the more crowded frescoes characteristic of Pietro da Cortona. There is little concession to perspective, and the vibrantly colored style is antithetical to the tenebrism of Carravagio’s followers. Payments showed that he was paid in 247 scudi and 54 baiocchi upon completion on September 24, 1616.

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The Archangel Michael

He also frescoed in Paoline Chapel of Santa Maria Maggiore in Rome as well as the Aldobrandini wings of the Vatican. According to rumor, the pontifical chapel of Montecavallo (Chapel of the Annuciation) was assigned to Reni to paint. However, because he felt underpaid by the ministers, the artist left for Bologna, leaving the role of the preeminent artist in Rome to Domenichino.

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Penitent Magdalene 1635

In later years, Reni traveled to Naples to complete a commission to paint a ceiling in a chapel of the San Gennaro. However, in Naples, the other local prominent painters, including Corenzio, Caracciolo and Ribera, were vehemently resistant to competitors, and according to rumor, conspired to poison or otherwise harm Reni (as may have befallen Domenichino in Naples before him). He passed briefly by Rome, but left that city abruptly, during the pontificate of Urban VIII, after being reprimanded by Cardinal Spinola.

Returning to Bologna, more or less permanently, Reni established a successful and prolific studio. He was commissioned to decorate the cupola of the chapel of Saint Dominic in the Basilica of San Domenico in Bologna, between 1613 and 1615, resulting in the radiant fresco St Dominic’s Glory, a masterpiece that can stand the comparison with the exquisite Arca di San Domenico below. He also contributed to the decoration of the Rosary Chapel in the same church with the Resurrection.

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La Fortuna

In Ravenna, he painted the chapel in the cathedral with his admired picture of the Israelites gathering Manna. Reni, after departing Rome, alternately painted in a variety of styles, true to the eclectic tastes of many of Carracci trainees. For example, his altarpiece for Samson Victorious formulates stylized poses characteristic of mannerism. In contrast his Crucifixion and his Atlanta and Hipomenes depict dramatic diagonal movement coupled with the effects of light and shade that betray the influence of Caravaggio. His turbulent and violent Massacre of the Innocents (Pinacoteca, Bologna) is painted in a manner reminiscent of Raphael. In 1630, he painted the Pallion del Voto with images of St. Ignatius and Francis Xavier, painted during the plague of 1630 that attacked Bologna.

His most distinguished pupil was Simone Cantarini, named “Il Pesarese,”; he painted a portrait of his master, now in the Bolognese Gallery. Other trainees were Domenico Maria Canuti and Giovanni Battista Michelini. The Uffizi Gallery holds a self-portrait. Two other noted pupils were Giacomo Semenza and Francesco Gessi. His themes are mostly biblical and mythological in subject. He painted few portraits; those of Sixtus V, Bernardino Cardinal Spada, and the so called Beatrice Cenci are among the most noticeable. The identity of the Cenci portrait is very doubtful, since Beatrice Cenci was executed in Rome before Reni ever lived there and so could not have sat for the portrait. Many etchings are attributed to Guido Reni, some after his own paintings and some after other masters. They are spirited, in a light style of delicate lines and dots. Reni’s technique was used by the Bolognese school and was the standard for Italian printmakers of his time. Reni died in Bologna in 1642.

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Bacchus and Ariadne

He is buried with Elisabetta Sirani in the Rosary Chapel of the Basilica of San Domenico in Bologna. The Louvre contains twenty of his pictures, the National Gallery of London seven, and others once there have now been removed to other public collections. The most interesting of the seven is the small “Coronation of the Virgin,” painted on copper. It was probably painted before the master left Bologna for Rome. Still wondering about an Italian painting in your family collection? Contact us…it could be by Guido Reni.


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343--cariani.php Giovanni Cariani Artwork Authentication & Art Appraisal

Giovanni Cariani (Giovanni Busi/ Il Cariani) (1490 -1547)

Get a Cariani Certificate of Authenticity for your painting (COA) for your Cariani drawing.

For all your Cariani artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cariani Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cariani painting or drawing.

If you want to sell your Cariani painting or drawing use our selling services. We offer Cariani selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cariani and issuing certificates of authenticity since 2002. We are recognized Cariani experts and Cariani certified appraisers. We issue COAs and appraisals for all Cariani artworks.

Our Cariani paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cariani certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cariani painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cariani paintings or drawings take longer.

Our clients include Cariani collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giovanni Cariani art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni Cariani or we will sell it for you.

Cariani, Concert

Concert

Cariani, Four Courtesans and Three Gentlemen

Four Courtesans and Three Gentlemen

Giovanni Cariani was an Italian painter during the High Renaissance. It is not known for certain where Cariani was born, but it is believed to be Bergamo. Cariani spent much of his life and career in Venice, where he lived as early as 1509.

Cariani, Poet playing instrument and young woman

Poet playing instrument and young woman

Il Cariani painting, The Concert 1518-1520

The Concert 1518-1520

Many details of Cariani’s life are speculative or not known at all. It can be seen in his paintings that Giovanni Bellini, Carpaccio, Palma il Vecchio and Giorgione influenced Cariani, whether he trained under them or just studied their work.

Cariani, Portrait of Two Young Men

Portrait of Two Young Men

Il Cariani painting, Portrait of a Man

Portrait of a Man

Il Cariani painting, Portrait of a Girl

Portrait of a Girl

Cariani frequently visited Bergamo where he spent time painting in a more relaxed environment. Another well-known painter, Lorenzo Lotto painted in Bergamo during the same time frame.

Cariani, Saint Sebastian

Saint Sebastian

Many details of Cariani’s life are speculative or not known at all. It can be seen in his paintings that Giovanni Bellini, Carpaccio, Palma il Vecchio and Giorgione influenced Cariani, whether he trained under them or just studied their work.

Cariani, Resting Woman with White Dog in Landscape

Resting Woman with White Dog in Landscape

Cariani, Afflicting Mary

The Visitation

Cariani, Portrait of Nürnberger Patriziers

Portrait of Nürnberger Patriziers

Cariani, Portrait of Woman with Subjects

Portrait of Woman with Subjects

Cariani, Portrait of a Gentleman Wearing a Gold Chain

Portrait of a Gentleman Wearing a Gold Chain

Cariani, Portrait of a Man with a Book and a Necklace of Shells

Portrait of a Man with a Book and a Necklace of Shells

Cariani’s name has recently come to the attention of the media after a new portrait of Leonardo da Vinci was found at the National Gallery in Washington D.C.

Cariani, Portrait of Leonardo da Vinci

Portrait of Leonardo da Vinci

Il Cariani painting, Seduction, 1515

Seduction, 1515

Il Cariani painting, Allegory of a Venetian Victory

Allegory of a Venetian Victory

Cariani’s paintings are now in important collections around the world. Some of the high profile museums that own his work, include the Hermitage Museum in Russia, the Kunsthistorisches Museum Databank in Vienna, National Galleries of Scotland, National Gallery of Canada, National Gallery of London, The Royal Collection of the UK, and the National Gallery of Art in Washington D.C. In Cariani’s home country, his work is housed at the Ca’ Rezzonico-Museo del Settecento Veneziano.

Il Cariani painting, Sacred Conversation

Sacred Conversation

Il Cariani painting, Holy Family

Holy Family

Do you think you own a painting by Giovanni Cariani? Contact us. We are the experts on Cariani.


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344--castagno.php Andrea del Castagno Artwork Authentication & Art Appraisal

Andrea del Castagno (1421 – 1457)

Get a Castagno Certificate of Authenticity for your painting (COA) for your Castagno drawing.

For all your Castagno artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Castagno Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Castagno painting or drawing.

If you want to sell your Castagno painting or drawing use our selling services. We offer Castagno selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Castagno and issuing certificates of authenticity since 2002. We are recognized Castagno experts and Castagno certified appraisers. We issue COAs and appraisals for all Castagno artworks.

Our Castagno paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Castagno certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Castagno painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Castagno paintings or drawings take longer.

Our clients include Castagno collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Andrea del Castagno art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Andrea del Castagno or we will sell it for you.

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Assumption

Andrea del Castagno was an Italian painter from Florence, influenced chiefly by Tommaso Masaccio and Giotto di Bondone. His works include frescoes in Sant’Apollonia in Florence and the painted equestrian monument of Niccolò da Tolentino (1456) in the Cathedral in Florence. He in turn influenced the Ferrarese school of Cosmè Tura, Francesco del Cossa and Ercole de’ Roberti.

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Eve 1450

Andrea del Castagno was born at Castagno, a village near Monte Falterona, not far from Florence. During the war between Florence and Milan, he lived in Corella, returning to his home after its end. In 1440 he moved to Florence under the protection of Bernadetto de’ Medici. Here he painted the portraits of the citizens hanged after the Battle of Anghiari on the facade of the Palazzo del Podestà, gaining the nickname of Andrea degli Impiccati.

Little is known about his formation, though it has been hypothised that he apprenticed under Fra Filippo Lippi and Paolo Uccello. In 1440-1441 he executed the fresco of Crucifixion and Saints in the Ospedale di Santa Maria Nuova, whose perspective-oriented construction and figures shows the influence of Masaccio.

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Crucifxion 1455

In 1442 he was in Venice where he executed frescoes in the San Tarasio Chapel of the church of San Zaccaria. Later he also worked in St. Mark’s Basilica, leaving a fresco of Death of the Virgin (1442-1443).

Back in Florence, he designed a stained window with Deposition for the local Cathedral. On May 30, 1445 he became member of the Guild of the Medicians. From the same year is the fresco of Madonna with Child and Santi in the Contini Bonacossi Collection (Uffizi).

In 1447 he worked in the refectory of Sant’Apollonia in Florence, painting, in the lower part, Last Supper fresco], accompanied by other scenes portraying the Deposition, Resurrection, and Crucifixion, which are now damaged. He also painted a lunette in the cloister, depicting a Pietà.

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The Vision of St. Jerome

The Last Supper displays del Castagno’s talents at his best. The arrangement of balanced figures in an architectural setting is particularly noted. For instance, Saint John’s posture of innocent slumber neatly contrasts Jude the Betrayer’s tense, upright pose, and the hand positions of the final pair of apostles on either end of the fresco mirror each other with accomplished realism. The colors of the apostles’ robes and their postures contribute to the balance of the piece.

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The Last Supper

The detail and naturalism of this fresco portray the ways in which del Castagno departed from earlier artistic styles. The highly detailed marble walls hearken back to Roman “First Style” wall paintings, and that the pillars and statues recall Classical sculpture and preface trompe l’oeil painting. Furthermore, the color highlights in the hair of the figures, flowing robes, and a credible perspective in the halos foreshadow advancements to come.

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Queen Esther

In 1449-1450 he painted the Assumption with Saints Julian and Miniato for the church of San Miniato fra le Torri (now in Berlin). In the same years he collaborated with Filippo Carducci to a series of Illustrious People for the the Villa Carducci at Legnaia. These include Pippo Spano, Farinata degli Uberti, Niccolò Acciaioli, Dante, Petrarca, Boccaccio, the Cumaean Sibyl, Esther and Tomiri.

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Portrait of a Man

Also from around 1450 is the Crucifixion in London, as well as the David with Goliath’s Head and the Portrait of a Man in Washington. Between January 1451 and September 1453 he completed the frescoes with Scenes of Life of the Virgin left unfinished by Domenico Veneziano in the Florentine church of Sant’Egidio (now lost). In October Filippo Carducci commissioned him frescoes for his villa at Soffiano, of which today an Eve and a ruined Madonna with Child survive.

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Resurrection 1447

In 1455 Andrea del Castagno worked in the Basilica della Santissima Annunziata (frescoes with Trinity with St. Jerome and Two Female Saints and St. Julian and the Redeemer, the former showing a stressed realism). Also to those years is attributed a Crucifixion for St. Apollonia. In 1456 he executed in the Cathedral the famous fresco of the Equestrian Statue of Niccolò da Tolentino, paralleling the similar painting by Paolo Uccello portraying John Hawkwood.

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Equestrian Statue of Niccolò da Tolentino

Giorgio Vasari, an artist and biographer of the Italian Renaissance, alleged that Castagno murdered Domenico Veneziano, although this seems rather unlikely – given that Veneziano died in 1461, four years after Castagno died of the plague. Still wondering about an Italian painting in your family collection? Contact us…it could be by Andrea del Castagno.


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345--leibl.php Wilhelm Leibl Artwork Authentication & Art Appraisal

Wilhelm Leibl (1844 -1900)

Get a Leibl Certificate of Authenticity for your painting (COA) for your Leibl drawing.

For all your Leibl artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Leibl Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Leibl painting or drawing.

If you want to sell your Leibl painting or drawing use our selling services. We offer Leibl selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Leibl and issuing certificates of authenticity since 2002. We are recognized Leibl experts and Leibl certified appraisers. We issue COAs and appraisals for all Leibl artworks.

Our Leibl paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Leibl certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Leibl painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Leibl paintings or drawings take longer.

Our clients include Leibl collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Wilhelm Leibl art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Wilhelm Leibl or we will sell it for you.

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Peasant Boy

Wilhelm Leibl was a German realist painter of portraits and scenes of observed life. Leibl was born in Cologne and in 1861 began his first training with Hermann Becker, a local painter. He entered the Munich Academy in 1864, subsequently studying with several artists including Carl Theodor von Piloty. He set up a group studio in 1869, with Johann Sperl, Theodor Alt, and Rudolf Hirth du Frênes. At about the same time, Gustave Courbet visited Munich to exhibit his work, making a considerable impression on many of the local artists by his demonstrations of alla prima painting directly from nature. Leibl’s paintings, which already reflected his admiration for the Dutch old masters, became looser in style, their subjects rendered with thickly brushed paint against dark backgrounds. Later in 1869, Leibl went to Paris for a nine month stay during which he met édouard Manet.

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The Village Politician 1877

Upon his return to Germany, Leibl lived in Munich until 1873, when he moved to the isolated Bavarian countryside. Living among peasants, he depicted his neighbors in everyday scenes devoid of sentimentality or anecdote. The sketchlike quality of his painting was replaced by greater precision and attention to drawing. Living from 1878 to 1882 in Berbling, he painted perhaps his best-known work, the Three Women in Church (Kunsthalle, Hamburg). Its intensely realistic style recalls Hans Holbein in its clarity of definition. During the following years he moved to the town of Aibling and, in 1892, to Kutterling, as his paintings united the disciplined drawing he had adopted in the 1880s with a new delicacy and luminosity.

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The Spinner 1892

Leibl painted with no preliminary drawing, setting to work directly with color, an approach that has parallels to Impressionism. His commitment to the representation of reality as the eye sees it earned him recognition in his lifetime as the preeminent artist of a group, including Carl Schuch, Wilhelm Trübner, and Hans Thoma, whose works are described as being of the Leibl-Circle.

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The Newspaper

He executed a small number of etchings in a meticulous style. His charcoal drawings are conceived in great masses of light and shadow, blocked in as though he were using a brush and paint. Leibl continued painting until his death in Würzburg in 1900. Still wondering about a German painting in your family collection? Contact us…it could be by Wilhelm Leibl.


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346--pautrot.php Ferdinand Pautrot Artwork Authentication & Art Appraisal

Ferdinand Pautrot (1832-1874)

We Perform Ferdinand Pautrot art authentication. Ferdinand Pautrot appraisal. Ferdinand Pautrot certificates of authenticity (COA). Ferdinand Pautrot analysis, research, scientific tests, full art authentications. We will help you sell your Ferdinand Pautrot or we will sell it for you.

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Bird and Insect

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Rearing Horse with a Terrier and a Rat

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Two Dogs

Ferdinand Pautrot was born in Poitiers, France in 1832. This French sculptor exhibited in the Salon in Paris from 1861 to 1870. Very little is known about his life. Most of his subjects were sculptures of dogs, birds, wild animals, and horses. Each of his sculptures is very detailed and naturalistic. They look as if they are actually in a state of movement rather than being artificially posed. 

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Setter and Bird

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Rooster and Lizard

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348--aublet.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "aublet" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "aublet" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
349--chasseriau.php Theodore Chasseriau Artwork Authentication & Art Appraisal

Theodore Chasseriau (1827-1877)

Get a Chasseriau Certificate of Authenticity for your painting (COA) for your Chasseriau drawing.

For all your Chasseriau artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Chasseriau Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Chasseriau painting or drawing.

If you want to sell your Chasseriau painting or drawing use our selling services. We offer Chasseriau selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Chasseriau and issuing certificates of authenticity since 2002. We are recognized Chasseriau experts and Chasseriau certified appraisers. We issue COAs and appraisals for all Chasseriau artworks.

Our Chasseriau paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Chasseriau certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Chasseriau painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Chasseriau paintings or drawings take longer.

Our clients include Chasseriau collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Theodore Chasseriau art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Theodore Chasseriau or we will sell it for you.

Theodore Chasseriau was born in the Dominican Republic, but moved with his family to Paris at the age of one. He was a child prodigy and entered the studio of Jean-Auguste-Dominique Ingres at the age of eleven. He also studied with Amaury Duval, and Ziegler. Ingres said of him, “This child will be the Napolean of painting.” He made his Salon debut in 1830, with two biblical subjects, and two portraits.

Chasseriau was attracted to Oriental subject matters very early on in his career, and from as early as 1828, he copied drawings of Arabs and Mamluks from popular prints. It is said that his friendships with Duazats, and Marilhat also had a role to play in his fascination with the Orient.

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Venus

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Two Young Constantine Jewesses Rocking Child

In 1840, he followed Ingres to Rome, and while he was there he became interested in the Romantic efforts of Delacroix. Chasseriau was disappointed with his time in Rome, and is quoted as saying, “It is not in Rome that we can see real life.” On his return to Paris in 1841, he received a number of commissions to produce decorations for church, and public buildings. He was commissioned to decorate the church of Saint Merri. This was the first of a series of religious and allegorical paintings produced between 1844, and 1854 for public buildings. In his decorations he sought to exemplify majesty, and sublimity, and his decorations later influenced Gustave Moreau’s symbolist style.

In 1845, he sent a painting to the Salon, entitled, “Caliph de Constantine followed by his escort.” This painting pre-dates his journey to Algeria, and it is thought that he took his inspiration from an evocative passage, describing the pageantry of the Druse Warriors in Lamartine’s, “Voyage en Orient,” published in 1835. It is said that in its scales, and decorative effects, it recalled early Renaissance frescoes, and reflected Chasseriau’s involvement with the mural decoration for the Cours des Comptes. In fact it was this mural decoration for the Cours des Comptes in the Palais d’Orsay, which also established him as one of the leading decorative artists of the nineteenth century. Unfortunately, these decorations were later destroyed in a fire. The painting, “Caliph de Constantine,” now hangs in the Musee National du Chateau de Versailles.

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Caliph de Constantine

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Two Sisters

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Peace

In 1846, he followed in the footsteps of Delacroix, and traveled to Algeria, where he stayed for two months. This trip was to have a profound effect on him. The watercolours, and detailed drawings that he produced during his time there was to provide inspiration, and material for his work for the next ten years of his life.

Chasseriau was also a prolific draftsman, and like Ingres he drew portraits in graphite, and he also worked as an illustrator, illustrating an edition of Shakespeare’s Othello.

Paintings by Chasseriau can be seen all over the world. The Louvre museum, in particular, has a selection of his portraits, and his Oriental paintings, such as, “Interior of an Arab school in Constantine.” The Fogg Art Museum in the States also holds a number of his paintings, including, “Arab Horsemen Carrying Away Their Dead,” and “Arab Combat.”

If you believe you own a work of art by Theodore Chasseriau, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Theodore Chasseriau.

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Othello and Desdemona in Paris

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Joseph, his Brothers’ Slave in Egypt

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Nymph

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350--marin.php John Marin Artwork Authentication & Art Appraisal

John Marin (1870-1953)

Get a Marin Certificate of Authenticity for your painting (COA) for your Marin drawing.

For all your Marin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Marin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Marin painting or drawing.

If you want to sell your Marin painting or drawing use our selling services. We offer Marin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Marin and issuing certificates of authenticity since 2002. We are recognized Marin experts and Marin certified appraisers. We issue COAs and appraisals for all Marin artworks.

Our Marin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Marin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Marin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Marin paintings or drawings take longer.

Our clients include Marin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John Marin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Marin or we will sell it for you.

Marin, Morse Mountain, Small Point, Maine Series

Morse Mountain, Small Point, Maine Series

Marin, The Bathers, 1933

The Bathers, 1933

John Marin was an American painter of the modernist movement. Marin was born in Rutherford, New Jersey but spent much of his childhood in the town of Weehawken. Marin studied at Stevens Institute of Technology for a year before realizing his interest in fine art. In 1899 Marin enrolled at the Pennsylvania Academy of the Fine Arts in Philadelphia where he studied under Thomas Pollock Anshutz and William Merritt Chase.

Marin, River Movement, New York City 1925

River Movement, New York City 1925

Marin furthered his studies in Europe, where he remained for six years. Marin panted in travelled landscapes in France, Holland, Belgium, England and Italy. During his travels, Marin mostly painted with watercolors. His paintings were atmospheric and abstract, using the transparent and opaque qualities of his preferred medium.

Marin, Spring No. II

Spring No. II

Eventually Marin returned to the United States and settled in New York City. Marin was well received in New York and exhibited frequently. Marin had his first solo exhibition at the Alfred Stieglitz Gallery in 1909. The show was the beginning of a long working relationship with Stieglitz, who gave Marin financial and moral support.

Marin, Cape Split, 1940

Cape Split, 1940

Marin, Mid-Manhattan

Mid-Manhattan

Marin, Movement in Brown with Sun

Movement in Brown with Sun

Marin maintained a studio in New York City for several years, where he continued to paint and build a national reputation for his modernist landscapes. Marin’s work is now in American Art collections across the country. Major New York museums such as the Metropolitan Museum of Art, the Museum of Modern Art, Whitney Museum of Art and the Brooklyn Museum all boast paintings by Marin. Marin’s work can also be found in Chicago, Cleveland, Boston and Washington D.C museums.

Marin, Head of Cape, Cape Split Maine, 1942

Head of Cape, Cape Split Maine, 1942

Marin, Lower Manhattan

Lower Manhattan

Marin, NY Series

NY Series

Marin, Sea, Cape Split Maine

Sea, Cape Split Maine

Marin, Cathedral of Meaux, etching

Cathedral of Meaux, etching

Marin, Woolworth Building

Woolworth Building

Marin, Landscape, 1925

Landscape, 1925

Marin, Cape Split, 1935

Cape Split, 1935

John Marin is a highly regarded name in American Art of the twentieth century. Do you think you own a painting by John Marin? Contact us. We are the experts on John Marin.


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351--prenner.php Anton Joseph von Prenner Artwork Authentication & Art Appraisal

Anton Joseph von Prenner (1711-1793)

We Perform Anton Joseph von Prenner art authentication. Anton Joseph von Prenner appraisal. Anton Joseph von Prenner certificates of authenticity (COA). Anton Joseph von Prenner analysis, research, scientific tests, full art authentications. We will help you sell your Anton Joseph von Prenner or we will sell it for you.

Anton Joseph von Prenner painting, Portrait of a Lady

Portrait of a Lady

Anton Joseph von Prenner was an 18th century painter. He was born in Austria and mainly painted portraits. Still wondering about a portrait in your family collection? Contact us…it could be by Anton Joseph von Prenner.


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352--dongen.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "dongen" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "dongen" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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353--twombly.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "twombly" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "twombly" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
354--sargent_h.php Henry Sargent Artwork Authentication & Art Appraisal

Henry Sargent (1770-1845)

Do you think you may own a painting by Henry Sargent? We authenticate, appraise and research all paintings by this great artist.

Nathaniel Amory

Nathaniel Amory

Henry Sargent was an American portrait and genre painter, born in Gloucester, Massachusetts. Sargent worked in Boston and traveled all over New England painting portraits as well as religious and historical scenes.

The Landing of the Pilgrims

The Landing of the Pilgrims

He studied under Benjamin West in London and was skilled in painting textures as well as textiles and accessories. One of Sarents’ most famous paintings, “The Tea Party” is considered to be one of the very first “genre” paintings in early American history. This painting depicts a group of wealthy Bostonians socializing and having tea in an upper class home.

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The Tea Party

Other genre paintings in Sargents’ oeuvre include “The Dinner Party.” This painting is very similar to “The Tea Party” in its execution, composition and style. Sargent painted both of these genre scenes almost as if he were an outsider to the respective parties instead of a guest. Could there be other paintings in existence, unknown and otherwise unauthenticated in Sargents’ “Party” series?

The Dinner Party

The Dinner Party

Today Sargents’ work is housed all over New England in public and private collections, including in Faneuil Hall in Boston and the Museum of Fine Arts in Boston. Still wondering about a genre painting or Boston portrait hanging in your family’s estate? Contact us…it could be by Henry Sargent.

Benjamin Lincoln

Benjamin Lincoln

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355--riemenschneider.php Tilman Riemenschneider Artwork Authentication & Art Appraisal

Tilman Riemenschneider (1460-1531)

Do you think you may own a sculpture by Tilman Riemenschneider?

We Perform Tilman Riemenschneider art authentication. Tilman Riemenschneider appraisal. Tilman Riemenschneider certificates of authenticity (COA). Tilman Riemenschneider analysis, research, scientific tests, full art authentications. We will help you sell your Tilman Riemenschneider or we will sell it for you.

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Self-Portrait

Tilman Riemenschneider was a German sculptor who lived and worked in the time of the Renaissance. Born in Heilgenstadt, Germany, Riemenshneider is known as one of the most prolific and best loved German sculptors between the Gothic and Renaissance periods. Many consider him to be one of the finest German sculptors of all time, and one of the greatest sculptors of the Middle Ages.

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Assumption of the Virgin, Central Panel of the Marienaltar 1505

Riemenshneider’s style is characterized by the way his subjects are beautifully detailed. The faces in his sculptures are very expressive, and the clothing and accessories are painstakingly detailed down to the last fold. Some art historians say that his subjects have a look of inner expression, as if they are deep in thought. While many of his contemporaries were creating sculpture in the Classical style and with overly emotional characters, Riemenshneider set himself apart by exquisite simplicity. This beautifully executed method of showing emotion in sculpture is what has set Riemenshneider apart throughout history from any other sculptor.

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The Last Supper

Very little is known about Riemenshneider’s early life. Art historians think that he learned the trade of woodcarving and incidentally, sculpting as a teenager in either Ulm or Strasbourg. Historians also conclude that he most likely studied the work of Martin Schongauer, due to the fact that some of his work mirrors Schongauer’s copper engravings.

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Altar

Riemenshneider settled in Würzburg in 1483 where he joined the Saint Luke’s Guild of painters, sculptors and glass workers. Throughout his life, Riemenshneider married four times. His first wife brought him land and money, and made it possible for go from being an assistant to a master craftsman on his own. From then on, Riemenshneider began to receive numerous commissions from local churches and from councils in towns neighboring Würzburg. His first major commission came in 1490 when he was hired to create an altarpiece for the St. Mary Magdalene in nearby Münnerstadt. The following year, Würzburg ordered life-sized stone carvings of Adam and Eve for the Marienkapelle, the church of the town council.

art

Eve

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Adam and Eve

These commissions made Riemenshneider a very wealthy and well known citizen of Würzburg. By 1500, he owned a number of properties around town and was known throughout his region for his skill as a master sculptor of both wood and stone. By this time, his workshop boasted more than forty apprentices that created paintings, sculptures and woodcarvings. Throughout his career, Riemenshneider showed a proficiency in working with a number of mediums from wood and marble to alabaster and limestone. Most of these pieces would be gilded or painted, but Riemenschneider was said to have been one of the first to not use a great deal of color, but to keep his pieces monochromatic instead.

art

Angel with a Candlestick

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Virgin Annunciate 1500

Riemenshneider was also a politician and in 1504 he became a council member of the city of Würzburg. He also held the office of mayor from 1520 until 1524. This high social standing brought him even more profitable commissions and kept his workshop very busy until the Peasants’ War from 1524-1525. As a result of the Peasants’ War, all of the council members of Würzburg were imprisoned and tortured, including Riemenshneider. Legend has it that Riemenshneider’s hands were both broken while he was being tortured, ending his artistic career. After he was released from prison, his property and most of his fortune was lost and no more work was produced in his workshop. After his death in 1531, Riemenshneider’s son, Jörg took over his workshop.

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Holy Blood Altar

While Riemenshneider was undoubtedly a masterful sculpture, his paintings are all but forgotten. His works in wood and stone are abundant and still beautifully preserved; however, there are considerably less of his paintings known or in existence. How many paintings did his workshop produce during his career? Where are they now?

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Mary Magdalene

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Statue

Furthermore, since Riemenshneider was a master artist who created pieces over 500 years ago, the possibility of some of his pieces being plundered throughout the ages is great. Existing altarpieces in churches in Würzburg and its surrounding areas may look complete, but it is possible that statues may have been stolen from these public places.

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Mother and child

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Madonna and child

Today, the largest collection of Riemenshneider’s work can be found in Würzburg at the Mainfränkisches Museum at the Marienberg citadel. There are more than 80 pieces in the collection, most of which are wooden altar pieces. Much of his other pieces are still in the churches and buildings for which they were created, as well as tombs and some “secular” settings. His sculptures are also housed in the United States and in London as well.

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Tomb

Still wondering about a transitional Goth/Renaissance period German statue or painting in your family’s estate? Contact us…it could be by Tilman Riemenschneider.


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356--lawson.php Ernest Lawson Artwork Authentication & Art Appraisal

Ernest Lawson (1873-1939)

Get a Lawson Certificate of Authenticity for your painting (COA) for your Lawson drawing.

For all your Lawson artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lawson Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lawson painting or drawing.

If you want to sell your Lawson painting or drawing use our selling services. We offer Lawson selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lawson and issuing certificates of authenticity since 2002. We are recognized Lawson experts and Lawson certified appraisers. We issue COAs and appraisals for all Lawson artworks.

Our Lawson paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lawson certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lawson painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lawson paintings or drawings take longer.

Our clients include Lawson collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ernest Lawson art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ernest Lawson or we will sell it for you.

Lawson, The Lock, New Hope, Pennsylvania

The Lock, New Hope, Pennsylvania

Lawson, Old Grand Central

Old Grand Central

Ernest Lawson was a Canadian-American painter born in Halifax, Nova Scotia. While Lawson lived in many cities across North America, he is most known for his association with The Eight, an innovative group of New York City based painters. The Eight was led by Robert Henri and included: Everett Shinn, John French Sloan, Arthur B. Davies, Maurice Prendergast, George Luks and William J. Glackens.

Lawson, The Flatiron Building

The Flatiron Building

Lawson showed talent and creativity from an early age. In 1891, Lawson left his Canadian home to join the thriving art scene in New York City. Lawson enrolled in classes at the Art Students League, an institution where numerous artists started their career. Lawson also spent time in Cos Cob, Connecticut, where he studied Impressionist techniques under J. Alden Weir and John Twachtman.

Lawson, Coral Gables

Coral Gables

Lawson greatly identified with the Impressionist style and decided to study in the France, where Impressionism originated. In Paris Lawson worked alongside the painter Alfred Sisley and Somerset Maugham, a writer from England.

Lawson, Early Spring

Early Spring

Lawson eventually returned to New York City, where started working with the future members of The Eight. In New York, Lawson lived on the Hudson River, north of the city. Lawson painted landscapes and cityscapes year-round, capturing the winter snows and early spring growth. The influence of Twachtman’s instruction remained apparent in Lawson’s work.

Lawson, Harlem River

Harlem River

Lawson, Spring Night on the Harlem River

Spring Night on the Harlem River

Lawson, Upper New York City

Upper New York City

Lawson, Scene across the river, 1910

Scene across the river, 1910

Lawson, The Bathers

The Bathers

Lawson, Winter

Winter

Lawson, Harlem Valley, Winter

Harlem Valley, Winter

Lawson, Autumn, Norfolk Meadows Connecticut

Autumn, Norfolk Meadows Connecticut

Lawson, Segovia

Segovia

Lawson, Boys Bathing

Boys Bathing

Lawson showed frequently in New York City and often participated in exhibits with the other members of The Eight. Lawson is possibly one of the less-known members and seldom organized group events. Despite Lawson’s more subtle reputation, Lawson is now remembered for his great contribution to American Impressionism. Lawson’s work is now in major museums and private collections across the United States. Do you think you own a painting by Ernest Lawson? Contact us. We are the Ernest Lawson experts.


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357--savage.php Edward Savage Artwork Authentication & Art Appraisal

Edward Savage (1761-1831)

Do you think you may own a painting by Edward Savage?

Get a Savage Certificate of Authenticity for your painting (COA) for your Savage drawing.

For all your Savage artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Savage Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Savage painting or drawing.

If you want to sell your Savage painting or drawing use our selling services. We offer Savage selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Savage and issuing certificates of authenticity since 2002. We are recognized Savage experts and Savage certified appraisers. We issue COAs and appraisals for all Savage artworks.

Our Savage paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Savage certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Savage painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Savage paintings or drawings take longer.

Our clients include Savage collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Edward Savage art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Edward Savage or we will sell it for you.

Edward Savage Jr.

Edward Savage Jr.

Edward Savage was an American painter born in Princeton, Massachusetts. Little is known about his artistic training except that he was originally a goldsmith and is considered one of the finest artists of the Federal period. The first known work by Savage was a commission to paint Gen. George Washington’s portrait for Harvard University in 1789. Considering that this was a fairly high profile commission, one can only assume that Savage had established himself as a respected painter by this time. It is thought that he was a self-taught artist, possibly copying the work of John Singleton Copley, who painted in the popular neoclassical style of the day.

George Washington, The Stedman Bust Portrait

George Washington, The Stedman Bust Portrait

Savage traveled to London in 1791 to study under Benjamin West, as so many other artists of his time would do. During this time, it is thought that he also visited Italy. While in London, Savage also learned how to engrave in mezzotint and stipple. He returned to America in 1794 and was married in Boston that same year. Shortly thereafter he moved to Philadelphia, then to New York and Princeton in the following years. It is thought that Savage did not complete any other engravings after he moved from Philadelphia.

Congress Voting the Declaration of Independence

Congress Voting the Declaration of Independence

In 1804, Savage was called to paint the Washington family, which was a large panorama that measured over nine feet long. This was painted at the height of his career and is considered to be the first Federalist painting. It is believed that Savage had an assistant help him to paint this massive piece. It was eventually owned by P.T. Barnum.

The Washington Family 1804

The Washington Family 1804

In 1810, Savage became a proprietor of the Columbian Gallery and added a number of his paintings to this gallery/museum. He was also a partner and investor in a Massachusetts cotton factory. It does not appear that these outside ventures put a damper on Savage’s artistic career as he continued to paint through these investments.

A View from The Northeast

A View from The Northeast

Besides his portraits and historical scenes, Savage was known for his engravings and even produced a few miniatures and panoramas, and typically signed his work “E. Savage.”

Mrs. Abiel Holmes

Mrs. Abiel Holmes

Joseph Griffiths 1794

Joseph Griffiths 1794

He exhibited his work in London and all over New England and painted a number of subjects from scenes of literary and mythological history to famous politicians of his time. Today his work is housed in public and private collections all over New England, and perhaps in your own home. Still wondering about that heirloom portrait or historical scene hanging in your family estate? Contact us…it could be by Edward Savage.

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Cheever Children

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358--manzoni.php Piero Manzoni Artwork Authentication & Art Appraisal

Piero Manzoni (1904 – 1963)

We Perform Piero Manzoni art authentication. Piero Manzoni appraisal from . Piero Manzoni certificates of authenticity (COA). Piero Manzoni analysis, research, scientific tests, full art authentications. We will help you sell your Piero Manzoni or we will sell it for you.

Manzoni, Achrome

Achrome
c. 1960 Kaolin on canvas 7 1/8 x 9 5/8″ (18.1 x 24.3 cm)

Manzoni, Achrome

Achrome
circa 1958 kaolin on canvas
Walker Art Center

Manzoni, Achrome

Achrome
Polystyrene and kaolin 53 x 43 cm
Cultural Heritage of Intesa Sanpaolo

Piero Manzoni was an Italian conceptual artist, known for critiquing Italian social values. Manzoni was born Count Meroni Manzoni di Chiosca e Poggiolo, in the town of Socino in the province of Cremona.

Manzoni, Achrome

Achrome
1962 Fiberglass on velvet-covered wood 32 x 25 1/2 x 10 3/8″ (81.3 x 64.8 x 26.4 cm)

Manzoni, Achrome

Achrome
Kaolin and wrinkled canvas 70 x 100 cm
Cultural Heritage of Intesa Sanpaolo

Manzoni, Achrome

Achrome
1959 Kaolin on canvas 90 x 70 cm
Private collection

Manzoni’s work was greatly impacted by Yves Klein’s exhibition ‘Epoca Blu’, which was on display at the Galleria Apollinaire. Manzoni created his series of ‘Achromes’ in response to Klein’s monochromes. In the Achrome series, Manzoni experimented with a type of white clay known as kaolin, which he would use to coat canvases. Some of his later Achromes included white cotton, fiberglass, rabbit skin, cobalt chloride and bread.

Manzoni, Una linea lunga

Una linea lunga
(12 Line series) 1959 cardboard tube

Manzoni, Line

Line 18.82m (12 Line series)
1959 Ink on paper with cardboard container object: 267 x 70 x 70 mm

In 1959 Manzoni started showing in Milan at the Gallery Azimuth. It was in Milan that Manzoni innovated the idea of showing multiples in his series, ’12 Lines’ and ‘Bodies of Air’. The latter exhibit consisted of an edition of forty-fie balloons on tri-pods. The balloons were to be inflated by either the artist of consumer, depending on the price of purchase.

Manzoni, Artist's Breath

Artist’s Breath
1959-1960 wooden box 4,8 x 42,5 x 12,3 cm

Manzoni, Thumbprint

Thumbprint
1960 Ink on paper with colored mat, Sheet 7 7/8 x 6 5/8″ (20 x 16.8 cm)

In 1960, Manzuni’s exhibition ‘Consumption of Art by the Art-Devouring Public’ consisted of edible hard-boiled eggs, carrying the artist’s thumbprint. In 1961 Manzoni’s work became even more controversial after producing ‘Merda d’Artista’ or ‘Artist’s Shit’. The project consisted of ninety sealed cans. The contents of the cans, which weigh thirty grams each, remain a mystery. The mystery cans continue to sell for prices as high as $80,000.

Manzoni, Artist's Shit No. 014

Artist’s Shit No. 014
1961 Metal, paper, and “artist’s shit” 1 7/8″ (4.8 cm) x 2 1/2″ (6.5 cm) in diameter

Manzoni’s work is regarded to be a parody of consumer culture and the art market. Ironically, the value of Manzoni’s work continues to rise in the market. Do you think you own a piece by Piero Manzoni? Contact us. We are the experts on Piero Manzoni.


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359--ender.php Thomas Ender Artwork Authentication & Art Appraisal

Thomas Ender (1793-1875)

Get a Ender Certificate of Authenticity for your painting (COA) for your Ender drawing.

For all your Ender artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ender Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ender painting or drawing.

If you want to sell your Ender painting or drawing use our selling services. We offer Ender selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ender and issuing certificates of authenticity since 2002. We are recognized Ender experts and Ender certified appraisers. We issue COAs and appraisals for all Ender artworks.

Our Ender paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ender certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ender painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ender paintings or drawings take longer.

Our clients include Ender collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Thomas Ender art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Thomas Ender or we will sell it for you.

Ender painting,Orava Castle

Orava Castle

Ender painting,Landscape

Landscape

Ender painting,The Pieniny Mountains with the Dunajec River

The Pieniny Mountains with the Dunajec River

Ender painting,The Maranhao River and Landscape

The Maranhao River and Landscape

Thomas Ender was an 18th century Austrian painter. Ender studied at the Vienna Academy of Art, and traveled with Archduke Johann through Russia and Asia, as well as throughout the Hapsburg Empire. He was mostly known for his beautifully executed watercolor landscapes, but he created a number of landscapes in oil as well.

Ender illustration ,Landscape and a Renaissance Mansion

Landscape and a Renaissance Mansion

Still wondering about an 18th century European landscape in your family collection? Contact us…it could be by Thomas Ender.


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360--orphism.php Orphism Artwork Authentication & Art Appraisal

Orphism (Orphic cubism) French-based movement (founded 1912)

We Perform Orphism art authentication. Orphism appraisal. Orphism certificates of authenticity (COA). Orphism analysis, research, scientific tests, full art authentications. We will help you sell your Orphism or we will sell it for you.

The term “Orphism” was created in 1912 by the French poet Guillaume Apollinaire in reference to the paintings of Robert Delaunay. Apollinaire drew a connection between the colorful, cubist-like canvases, and the mythological figure, Orpheus, who symbolizes the art of song and lyre. The Greek legend describes Orpheus as the ideal, mystically inspired artist.

Orphism, Kupka

Kupka, Study for the Montée

The term “orphique” was previously used by the Symbolists to refer to inner experiences. It was not until the Orphist Movement that the term became a more literal reference to an innovative use of color and light. The Orphist Movement was an important stepping-stone from Cubism to pure Abstraction.

Orphism, Kupka

Kupka, Fugue for Two Colors, 1912

Orphists include Jacques Villon, Robert Delauney, Sonia (Terk) Delauney, and the Czech painter, Frantisek Kupka. Artists who were associated with the movement include Fernand Léger, Francis Picabia, Marcel Duchamp, Patrick Henry Bruce, and Andrew Dasburg. Orphism inspired not only individual artists but also organized groups, such as the German Blaue Reiter group, the Canadian/American Synchromists, and the Puteaux group.

Orphism, Kupka

Kupka, Study for Around a Point

Orphism, Kupka

Kupka, Prism

Orphism, Robert Delaunay

Robert Delaunay, Homage to Bleriot

Orphism, Robert Delaunay

Robert Delaunay, Circular Forms

Orphism, Robert Delaunay

Robert Delaunay, Joy of Life

The Puteaux Group, also referred to as Section D’Or, was a direct offshoot from the Orphist Movement. The innovative artist collective was led by Jacques Villon, who was the elder brother to artists Marcel and Raymond Duchamp. Villon hosted artist discussion groups in the village of Puteaux where he lived.

Orphism, Robert Delaunay

Robert Delaunay, Relief-Rhythm

Orphism, Robert Delaunay

Robert Delaunay, Sun Tower Airplane, 1913

Orphism, Picabia

Picabia, Balance

Orphism aimed to convey sensation through form and color, as well as an existential view that recognized infinite states of being. Robert Delaunay drew from the writings of chemist Michel-Eugène Chevreul who published The Principles of Harmony and Contrast of Colors and their Applications to the Arts.

Orphism, Jacques Villon

Jacques Villon, Man Sitting

Orphism, Jacques Villon

Jacques Villon, Maternity

Orphism, Jacques Villon

Jacques Villon, Crucifixion, lithograph

Orphism, Sonia Delaunay

Sonia Delaunay, Untitled

While Orphism was a Paris-based movement, its philosophy spread throughout Europe. Many critics see links between Orphism and the Synchromist Movement, initiated by American artists Stanton Wright-MacDonald and Morgan Russell. The Synchromists also grew from Cubism, replacing the monotone cubist canvases with bold, vibrant color. The Synchromists adamantly claimed their ideals differed from the Orphists, and they were not synonymous movements.

Orphism, Sonia Delaunay

Sonia Delaunay, Rhythm

Orphism, Sonia Delaunay

Sonia Delaunay, Electric Prisms

Orphism, Robert Delaunay

Robert Delaunay, Windows Open Simultaneously 1st Part 3rd Motive

The Orphists inspired the future generation of abstract painters, who continued to experiment with color, movement, and nonrepresentational forms. Orphist paintings are now in reputable fine art collections across Europe and the United States.

Do you think you own an Orphist painting? Contact us. We are the experts on Orphism.


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361--karcher.php Amalie Kärcher Artwork Authentication & Art Appraisal

Amalie Kärcher (1800’s-1871)

Get a Kärcher Certificate of Authenticity for your painting (COA) for your Kärcher drawing.

For all your Kärcher artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kärcher Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kärcher painting or drawing.

If you want to sell your Kärcher painting or drawing use our selling services. We offer Kärcher selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kärcher and issuing certificates of authenticity since 2002. We are recognized Kärcher experts and Kärcher certified appraisers. We issue COAs and appraisals for all Kärcher artworks.

Our Kärcher paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kärcher certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kärcher painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kärcher paintings or drawings take longer.

Our clients include Kärcher collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Amalie Kärcher art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Amalie Kärcher or we will sell it for you.

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Bouquet of Flowers on a Table

Amalie Kärcher was a 19th century German artist. She mainly painted still life compositions of flowers and fruit. Little is known about her life, but many of her paintings still exist today.

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Still Life with Fruit 1850

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Still Life with Grapes, Peaches and a Butterfly on a Mossy Plank

Still wondering about a German still life painting in your family collection? Contact us…it could be by Amalie Kärcher.


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362--bartolo.php Domenico di Bartolo Artwork Authentication & Art Appraisal

Domenico di Bartolo (1400-1447)

We Perform Domenico di Bartolo art authentication. Domenico di Bartolo appraisal. Domenico di Bartolo certificates of authenticity (COA). Domenico di Bartolo analysis, research, scientific tests, full art authentications. We will help you sell your Domenico di Bartolo or we will sell it for you.

di Bartolo

Madonna of Humanity 1433

Domenico di Bartolo was an Italian painter of the Sienese School. He was born sometime between 1400-1404 in Asciano and died in 1445 (or 1447). According to Vasari, he was a nephew of Taddeo di Bartolo. Employed by Vecchietta in the masterpiece fresco The Care of the Sick in the Pellegrinaio (Pilgrim’s Hall) of the Ospedale de Santa Maria della Scala in Siena.

di Bartolo

Care of Sick, 1441

In this painting, wealthy donors visit the hospital to find men washing the ill, and a rotund friar hearing confession. In 1434, he also painted a fresco panel of Emperor Sigismund Enthroned (Imperatore Sigismundo in trono) for the Duomo di Siena.

di Bartolo

Panel in Sienna

di Bartolo

The Marriage of the Foundlings 1440

Still wondering about a 15th century Italian painting in your family collection? Contact us…we are the Domenico di Bartolo experts.


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363--lepine.php Stanislas Lepine Artwork Authentication & Art Appraisal

Stanislas Lepine (1835-1892)

Get a Lepine Certificate of Authenticity for your painting (COA) for your Lepine drawing.

For all your Lepine artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lepine Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lepine painting or drawing.

If you want to sell your Lepine painting or drawing use our selling services. We offer Lepine selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lepine and issuing certificates of authenticity since 2002. We are recognized Lepine experts and Lepine certified appraisers. We issue COAs and appraisals for all Lepine artworks.

Our Lepine paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lepine certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lepine painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lepine paintings or drawings take longer.

Our clients include Lepine collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Stanislas Lepine art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Stanislas Lepine or we will sell it for you.

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Le Canal de L’Ourcq a Pantin

Stanislas Lepine was a French Impressionist landscape painter born in Caen. He devoted himself to painting in 1935 and eventually moved to Paris to work at various artists’ studios. By 1859, he is finally able to study with Eugene Boudin, though he never received any academic training. The following year he meets Camille Corot in Normandy and becomes his student. Lepine worked alongside Corot for the next 15 years, and his final style is attributed to his time with the great landscape artist.

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Pont de Mondo

Along with being heavily influenced by Corot, Lepine also looked up to fellow painter Jongkind for inspiration on his color palette and use of light. Lepine had his first Impressionist exhibition in 1874, and his paintings of the ports in Caen and city scenes of Montmartre met with great acclaim.

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The Port at Caen

Lepine had a few wealthy patrons during his lifetime, such as the Comte Doria, as well as an influential art dealer. Nonetheless, he died suddenly and in relative poverty in 1892. He typically signed his work “S. Lepine” and rarely painted anything other than cityscapes and landscapes, though a figure study or still life would be a rare find.

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Landscape

Today his work is housed all over France and perhaps in your own home. Still wondering about an Impressionist landscape hanging on your wall? Contact us, it could be by Stanislas Lepine.

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Cityscape


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364--hennessy.php William John Hennessy Artwork Authentication & Art Appraisal

William John Hennessy (1839 – 1917)

Get a Hennessy Certificate of Authenticity for your painting (COA) for your Hennessy drawing.

For all your Hennessy artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hennessy Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hennessy painting or drawing.

If you want to sell your Hennessy painting or drawing use our selling services. We offer Hennessy selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hennessy and issuing certificates of authenticity since 2002. We are recognized Hennessy experts and Hennessy certified appraisers. We issue COAs and appraisals for all Hennessy artworks.

Our Hennessy paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hennessy certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hennessy painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hennessy paintings or drawings take longer.

Our clients include Hennessy collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform William John Hennessy art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your William John Hennessy or we will sell it for you.

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Gathering Apples, Normandy

William John Hennessy was an Irish artist. Hennessy was born in Thomastown, County Kilkenny in 1839. His father, John Hennessy, was forced to leave Ireland in 1848 as a result of his involvement in the Young Ireland movement. He landed in Canada and settled in New York. William, his mother, Catherine, and brother joined their father there in 1849. He gained admittance to the National Academy of Design in 1854 and exhibited his first works there.

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Mon Brave

Hennessy developed a skill in wood engraving and was hired to illustrate the works of renowned poets, including that of Tennyson, Longfellow and Whittier. As an American he became the co-founder of the Artists’ Fund Society, and an honorary member of the American Society of Painters in Watercolours. In 1870 he moved to London where he became a member of the Royal Institute of Oil Painters in 1902. Between 1879 and 1907 the Royal Hibernian Academy displayed eight of his paintings.

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The Snowball Fight

Still wondering about a British painting in your family collection? Contact us…it could be by William John Hennessy.


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365--menzel-von.php Adolph von Menzel Artwork Authentication & Art Appraisal

Adolph Friedrich Erdmann von Menzel (1815-1905)

Get a Menzel Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Menzel artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Menzel Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Menzel painting, drawing or print.

If you want to sell your Menzel painting, drawing or print use our selling services. We offer Menzel selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Menzel and issuing certificates of authenticity since 2002. We are recognized Menzel experts and Menzel certified appraisers. We issue COAs and appraisals for all Menzel artworks.

Our Menzel paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Menzel certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Menzel painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Menzel paintings or drawings take longer.

Our clients include Menzel collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Adolph von Menzel art authentication, appraisal, certificates of authenticity (COA),analysis, research, scientific tests, full art authentications. We will help you sell your Adolph von Menzel or we will sell it for you.

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Pencil Drawing 1891

Adolph von Menzel was a German artist noted for drawings, etchings, and paintings. His father was the headmaster of a school for girls, and intended to educate his son as a professor; but he would not thwart his taste for art. Left an orphan in 1832, Menzel had to maintain his family. In 1833 Sachse of Berlin published his first work, an album of pen-and-ink drawings reproduced on stone, to illustrate Goethe’s little poem, Kunstlers Erdenwallen. He executed lithographs in the same manner to illustrate Denkwürdigkeiten aus der brandenburgisch-preussischen Geschichte; The Five Senses and The Prayer, as well as diplomas for various corporations and societies.

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Portrait of Opera House

From 1839 to 1842 he produced 400 drawings, largely introducing to Germany the technique of wood engraving, to illustrate the Geschichte Friedrichs des Grossen (History of Frederick the Great) by Franz Kugler. He subsequently brought out Friedrichs der Grossen Armee in ihrer Uniformirung (The Uniforms of the Army under Frederick the Great), Soldaten Friedrichs der Grossen (The Soldiers of Frederick the Great); and finally, by order of the king Frederick William IV, he illustrated the works of Frederick the Great, Illustrationen zu den Werken Friedricks des Grossen (1843-1849). By these works Menzel established his claim to be considered one of the first, if not actually the first, of the illustrators of his day in his own line.

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Die Tafelrunde

Meanwhile Menzel had set himself to study unaided the art of painting, and he soon produced a great number and variety of pictures, always showing keen observation and honest workmanship in subjects dealing with the life and achievements of Frederick the Great, and scenes of everyday life, such as In the Tuileries, The Ball Supper, and At Confession. Among the most important of these works are The Forge (1875) and The Market-place at Verona. Invited to paint The Coronation of William I at Koenigsberg, he produced an exact representation of the ceremony without regard to the traditions of official painting.

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View from a window

In Germany he received many honors, and was the first painter to be given the Order of the Black Eagle in 1898 which included a title of nobility, becoming von Menzel. Still wondering about a 19th century German painting in your family collection? Contact us…it could be by Adolph von Menzel.


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366--delelie.php Adriaan de Lelie Artwork Authentication & Art Appraisal

Adriaan de Lelie (1755-1820)

We Perform Adriaan de Lelie art authentication. Adriaan de Lelie appraisal. Adriaan de Lelie certificates of authenticity (COA). Adriaan de Lelie analysis, research, scientific tests, full art authentications. We will help you sell your Adriaan de Lelie or we will sell it for you.

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The Grape Seller

Adriaan de Lelie was an 18th century Dutch painter, known for his portraits of Dutch aristocrats and the nobility. De Lelie studied portraiture in Düsseldorf as well as Antwerp, and was said to have essentially invented the Dutch conversation piece. He is best known for his historical paintings which depict the Felix Meritis Society, a group of forty prominent Antwerp residents.

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Conversation About a Painting

Still wondering about a Dutch portrait or historical painting in your family collection? Contact us…it could be by Adriaan de Lelie.


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367--gigola.php Giovanni Battista Gigola Artwork Authentication & Art Appraisal

Giovanni Battista Gigola (1769-1841)

Get a Gigola Certificate of Authenticity for your painting (COA) for your Gigola drawing.

For all your Gigola artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gigola Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gigola painting or drawing.

If you want to sell your Gigola painting or drawing use our selling services. We offer Gigola selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gigola and issuing certificates of authenticity since 2002. We are recognized Gigola experts and Gigola certified appraisers. We issue COAs and appraisals for all Gigola artworks.

Our Gigola paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gigola certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gigola painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gigola paintings or drawings take longer.

Our clients include Gigola collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giovanni Battista Gigola art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni Battista Gigola or we will sell it for you.

Gigola painting, Portrait of a Woman

Portrait of a Woman

Giovanni Battista Gigola was an Italian painter, who mainly painted portraits. Still wondering about an Italian portrait in your family collection? Contact us…it could be by Giovanni Battista Gigola


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368--canaletto.php Giovanni Antonio Canaletto Artwork Authentication & Art Appraisal

Giovanni Antonio Canaletto (1697-1768)

Get a Canaletto Certificate of Authenticity for your painting (COA) for your Canaletto drawing.

For all your Canaletto artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Canaletto Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Canaletto painting or drawing.

If you want to sell your Canaletto painting or drawing use our selling services. We offer Canaletto selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Canaletto and issuing certificates of authenticity since 2002. We are recognized Canaletto experts and Canaletto certified appraisers. We issue COAs and appraisals for all Canaletto artworks.

Our Canaletto paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Canaletto certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Canaletto painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Canaletto paintings or drawings take longer.

Our clients include Canaletto collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giovanni Antonio Canaletto art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni Antonio Canaletto or we will sell it for you.

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Ponte di Rialto

Giovanni Antonio Canaletto was an 18th century Italian artist. He learned to paint from his father, Bernardo Canale, and travelled with him to Rome in 1719. While in Rome, Canaletto sketched ancient ruins that would later become the basis of many of his works. He held his first public exhibition in 1720, which found great success. He found many Italian patrons and English collectors that helped Canaletto to build his career, and he often catered to the tastes of the English market. He painted landscapes, portraits and genre scenes, though it was his landscapes that brought him notoriety.

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Plaza de San Marcos, Venice

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Rio dei Mendicanti

One of his most importrant patrons was an Englishman named Joseph Smith, who lived in Venice. Through the aid of Smith, Canaletto sold a large collection of his work to King George III, and by the 1730’s, the demand for Canaletto’s work was so high that he hired studio assistants. Canaletto later moved to London and painted views of the Thames. He moved back to Rome in 1751 and was elected to the Venetian Academy of Fine Arts in 1763. Canaletto died of fever at the age of 71, and today, his works are still widely displayed in public and private collections throughout Europe.

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Old Washington Bridge Over the Thames

Still wondering about an 18th century portrait or landscape in your family collection? Contact us…it could be by Giovanni Antonio Canaletto.


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369--sulskis.php Rimantas Šulskis Artwork Authentication & Art Appraisal

Rimantas Šulskis (1943–1995)

Do you think you may own a painting by Rimantas Šulskis?

We Perform Rimantas Šulskis art authentication. Rimantas Šulskis appraisal. Rimantas Šulskis certificates of authenticity (COA). Rimantas Šulskis analysis, research, scientific tests, full art authentications. We will help you sell your Rimantas Šulskis or we will sell it for you.

1. Dreamers. Copper sculptures.

1. Dreamers. Copper sculptures.

2. Fauna. Copper sculpture.

2. Fauna. Copper sculpture.

Rimantas Šulskis was a Lithuanian artist born in Kaunas. Šulskis served in the Soviet army and worked various jobs in Kaunas before beginning his fine arts training. Šulskis studied at the State Art Institute from 1968 to 1974. After graduating, Šulskis began teaching sculpture.

3. Bird Man. Copper sculpture.

3. Bird Man. Copper sculpture.

Šulskis was known for his innovative copper sculptures, monotypes and drawings. He often worked with imagery related to mythological or Christian symbols.

4. Copper Kingdom (part of series I-X). Copper sculpture series.

4. Copper Kingdom (part of series I-X). Copper sculpture series.

While Šulskis’s work was not well received by the Soviets, he achieved great success later in his life. During the last years of his life he created “Copper Kingdom” I-X, one of his most ambitious and admired projects.

5. Copper Kingdom (part of series I-X). Copper sculpture series.

5. Copper Kingdom (part of series I-X). Copper sculpture series.

If you think you may own original artwork by Rimantas Šulskis, contact Art Certification Experts for information regarding our services.


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370--ward.php Johanna Ellaphie Ward-Hilhorst Artwork Authentication & Art Appraisal

Johanna Ellaphie Ward-Hilhorst (1920-1994)

We Perform Johanna Ellaphie Ward-Hilhorst art authentication. Johanna Ellaphie Ward-Hilhorst appraisal. Johanna Ellaphie Ward-Hilhorst certificates of authenticity (COA). Johanna Ellaphie Ward-Hilhorst analysis, research, scientific tests, full art authentications. We will help you sell your Johanna Ellaphie Ward-Hilhorst or we will sell it for you.

Botanical Sketch

Botanical Sketch

Johanna Ellaphie Ward-Hilhorst was a noted South African botanical artist. She received her early education in Pretoria. After matriculating from Pretoria Girls’ High School, she started work in 1939 as a cartographer in the Survey Department of the Witwatersrand Gold Mines. At the end of WWII, she moved to the Netherlands to study watercolour painting under the eye of her uncle, Gerhardus Hilhorst, a distinguished natural history artist.

Returning to South Africa, she worked in the advertising world as a freelance commercial artist in Cape Town and Johannesburg until her retirement in 1970, when she finally had the time to indulge her talents as a botanical artist. Since she always had a love and fascination for the genus Pelargonium, she set about illustrating all the known species. This massive project resulted in the publication of three volumes in 1977, 1981 and 1988. The entire collection of the original 314 watercolours and 160 habit sketches in pencil was acquired by the Brenthurst Library in Johannesburg in 1989. Recently completed plates of Pelargonium were found in the studio after her tragic murder.

Pelargonium Punctatum

Pelargonium Punctatum

She was a prolific worker, finishing over 800 botanical watercolour paintings in 24 years. Other genera on which she worked included Sarcocaulon, Haemanthus, Rhus, Plectranthus, Hessea, Strumaria, as well as Gasteria,Serruria and Diascia. She was in great demand by botanists to illustrate plants from their particular fields of interest. Forty-two of her paintings were published in Flowering Plants of Africa, and she also made frequent contributions to Bothalia, Aloe, SA Journal of Botany, National Cactus & Succulent Journal, Cactus & Succulent Journal (USA) and Veld & Flora.

Examples of her work are in the permanent collection of the Hunt Institute for Botanical Documentation, in Pittsburgh, P.A., the Shirley Sherwood Collection and many other important private collections. Still wondering about an African painting in your family collection? Contact us… it could be by Johanna Ellaphie Ward-Hilhorst.


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371--gris.php Juan Gris Artwork Authentication & Art Appraisal

Juan Gris (1887-1927)

Get a Gris Certificate of Authenticity for your painting (COA) for your Gris drawing.

For all your Gris artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gris Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gris painting or drawing.

If you want to sell your Gris painting or drawing use our selling services. We offer Gris selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gris and issuing certificates of authenticity since 2002. We are recognized Gris experts and Gris certified appraisers. We issue COAs and appraisals for all Gris artworks.

Our Gris paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gris certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gris painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gris paintings or drawings take longer.

Our clients include Gris collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Juan Gris art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Juan Gris or we will sell it for you.

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Portrait of Josette Gris, 1916

Juan Gris was born Jose Victoriano Gonzalez-Perez in Madrid, Spain. He was originally trained in mechanical drawing at the Escuela de Artes y Manufacturas in Spain. In 1905, he also studied art under Jose Maria Carbonero. In his early days as an artist, Gris submitted sketches and paintings to magazines in a style completely different from Cubism that featured the Parisian elite in an Oriental style, as well as caricatures.

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Alegria, 1907

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Le Frou Frou, 1910

By 1910, Gris began to take his painting more seriously, and during this time he made friends with Georges Braque, another leading Cubist. He was also friends with Matisse and Modigliani, and admired and worked with Picasso, whose Cubist portrait he painted in 1912.

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Portrait of Picasso

It is said that this is one of the most important paintings from the early days of Cubism, and showed Gris’ great respect for Picasso. However, as art aficionado Gertrude Stein once commented, Gris was someone that Picasso would gladly have wiped off the map.

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Harlequin with Guitar, 1919

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Mandolino, 1919

Gris painted in both analytic and synthetic Cubism in a style completely different from most other Cubists at the time. While Braque and Picasso were painting their compositions in one color, Gris harkened on inspiration from friend and fellow painter Matisse and made his Cubist paintings colorful and lively.

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Landscape at Ceret, 1913

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Glass, Cup and Newspaper, 1913

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The Open Window, 1921

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Guitar and Fruit, 1926

Another way that Gris separated himself from other painters was by his use of papier colle, a type of collage art. This was a part of his synthetic experimentation with Cubsim, in which he would use labels, cards, and newspaper and magazine clippings and incorporate them into his compositions.

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The Botte of Anis del Mono

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The Man at the Café, 1914

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Breakfast, 1914

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The Sunblind, 1914

During his lifetime, Gris also created set designs for the Russian ballet. He died at the very young age of 40, his last known work begin “Woman with a Basket”.

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Woman with a Basket

As one can see, Gris was again moving towards a more sophisticated style of Cubism at the time of his death. Who knows what kind of movement could have been created if his life wasn’t tragically cut short?

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La Baie, 1923, sketch

Gris’ synthetic Cubist styles are well-known, and most are likely in public collections, and some of his paintings fetch millions of dollars at auction. However, his earliest paintings and compositions created in his final days may still be somewhere, unauthenticated and otherwise unknown. Still wondering about your mysterious Cubist painting? It may be by Juan Gris. Contact us to find out.


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372--da-verona.php Liberale da Verona Artwork Authentication & Art Appraisal

Liberale da Verona (1441-1526)

Get a Da Verona Certificate of Authenticity for your painting (COA) for your Da Verona drawing.

For all your Da Verona artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Da Verona Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Da Verona painting or drawing.

If you want to sell your Da Verona painting or drawing use our selling services. We offer Da Verona selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Da Verona and issuing certificates of authenticity since 2002. We are recognized Da Verona experts and Da Verona certified appraisers. We issue COAs and appraisals for all Da Verona artworks.

Our Da Verona paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Da Verona certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Da Verona painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Da Verona paintings or drawings take longer.

Our clients include Da Verona collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Liberale da Verona art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Liberale da Verona or we will sell it for you.

Louis Carrogis de da Verona was an 18th century French artist, designer and writer. Most notably, he worked for the Duc de Chartres, and created a series of portraits for the duc’s household and visitors in pencil and watercolor. He created these very quickly, in a matter of less than two hours, and featured his sitters in profile. Some of da Verona’s sitters included members of the court and historically famous individuals such as a young Mozart and his father. In all, some 750 of these portraits were collected and sold after his death, and are considered most valuable by art historians.

da Verona

Page from Illuminated Choir Book

da Verona

Madonna del Cardellino

Liberale da Verona was an Italian painter of the Renaissance period, active mainly in Verona. He was a pupil of the painter Vincenzo di Stefano, although he was strongly influenced by Andrea Mantegna and Jacopo Bellini. He was featured in the Vite of Giorgio Vasari. In Verona, he painted an Adoration of the Magi in the Duomo and another for the chapel in the bishopric. He also painted a Birth and Assumption of the Virgin, and a painting of St. Stephen for the Brera Gallery. In addition to large-scale pieces, da Verona made illustrations or illuminated books, which are housed at the Cathedral of Chiusi.

da Verona

Scene from a Novella
Tempera on wood
Metropolitan Museum of Art, New York

da Verona

The Chess Players, 1475
Tempera on wood
Metropolitan Museum of Art, New York
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Saint Sebastian, c. 1480
Oil on Canvas
Princeton University Art Museum

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Study of Two Women Breastfeeding
Albertina Bilddatenbank Collection, Vienna

Still wondering about an Italian painting in your family collection? Contact us…we are the Liberale da Verona experts.


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373--kadar.php Bela Kadar Artwork Authentication & Art Appraisal

Bela Kadar (1877-1956)

Get a Kadar Certificate of Authenticity for your painting (COA) for your Kadar drawing.

For all your Kadar artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kadar Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kadar painting or drawing.

If you want to sell your Kadar painting or drawing use our selling services. We offer Kadar selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kadar and issuing certificates of authenticity since 2002. We are recognized Kadar experts and Kadar certified appraisers. We issue COAs and appraisals for all Kadar artworks.

Our Kadar paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kadar certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kadar painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kadar paintings or drawings take longer.

Our clients include Kadar collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Bela Kadar art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Bela Kadar or we will sell it for you.

Bela Kadar was an Expressionist artist, born in Hungary who created powerful images based on Hungarian culture and legends. Prior to World War II, Kadar created bright and whimsical paintings in gouache, oil and watercolor depicting Eastern European life and heritage. Cheerful landscapes and images of Magyar (Hungarian) culture and peasant fables are sprinkled throughout his oeuvre. Though his artwork is Expressionist by nature, Kadar experimented with and employed a number of techniques from Futurism to Cubism as well as Constructivism and Neo-Primitivism. Kadar managed to mold and merge these techniques into a playful style of his own.

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Mystical Landscape

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Two Girls

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Women and Horses in the Country

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Woman with Child, 1930

Kadar’s height of popularity as an artist was in the 1920s and 30s. During this time, he exhibited around the world in New York, Philadelphia, Berlin and of course, Budapest.

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Woman with Cat, 1930

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Still Life, 1930

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Four Women

Almost a victim of the Holocaust, Kadar spent a year in the Budapest ghetto (1944-45) where he managed to render almost 50 drawings about the pain and suffering he endured.

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Man and Woman at Window

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Untitled sketch

During his lifetime, Kadar was a highly prolific artist and created a number of sketches and paintings. It is likely that during the end of World War II, a number of Kadar’s works may have been stolen or otherwise destroyed during occupation. Today his paintings are housed world wide and perhaps in your own home. Still wondering about a Hungarian folk painting hanging in your home? It could be by Bela Kadar…contact us to find out.

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Music

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374--reinagle.php Ramsay Reinagle Artwork Authentication & Art Appraisal

Ramsay Richard Reinagle (1775 – 1862)

Get a Reinagle Certificate of Authenticity for your painting (COA) for your Reinagle drawing.

For all your Reinagle artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Reinagle Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Reinagle painting or drawing.

If you want to sell your Reinagle painting or drawing use our selling services. We offer Reinagle selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Reinagle and issuing certificates of authenticity since 2002. We are recognized Reinagle experts and Reinagle certified appraisers. We issue COAs and appraisals for all Reinagle artworks.

Our Reinagle paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Reinagle certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Reinagle painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Reinagle paintings or drawings take longer.

Our clients include Reinagle collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ramsay Reinagle art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ramsay Reinagle or we will sell it for you.

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Portrait of a Boy, Reading

Ramsay Richard Reinagle was an English portrait, landscape, and animal painter, and son of Philip Reinagle. He was a pupil of his father, whose style he followed, and he exhibited at the Royal Academy as early as 1788. He afterwards went to Italy, and was studying in Rome in 1796. Subsequently he visited Holland in order to study from the Dutch masters. After his return home he painted for a time at Robert Barker’s panorama in Leicester Square, and then entered into partnership with Thomas Edward Barker, Robert’s eldest son, who was not himself an artist, in order to erect a rival building in the Strand. They produced panoramas of Rome, the Bay of Naples, Florence, Gibraltar, Algeciras Bay, and Paris, but in 1816 disposed of their exhibition to Henry Aston Barker and John Burford

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George Heath

In 1805 Reinagle was elected an associate of the Society of Painters in Watercolours, and in 1806 a member. He became its treasurer in 1807, and was president from 1808 to 1812 Between 1806 and 1812 he sent to its exhibitions sixty-seven drawings, mostly Italian landscapes and scenery of the English lakes. During the same period he exhibited portraits and landscapes in oil at the Royal Academy, of which he became an associate in 1814, and an academician in 1823. He was a clever copyist of the old masters, and is said to have been much employed by a picture-dealer in restoring and ‘improving ‘ their works.

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Water Spaniel 1815

In 1848 he sent to the Royal Academy exhibition as his own work a small picture of ‘Shipping a Breeze and Rainy Weather off Hurst Castle’ painted by a young artist named J. W. Yarnold, which he had purchased at a broker’s shop, and in which he had made some slight alterations. Attention was called to the imposition, and a full inquiry made by the academy resulted in his being called upon to resign his diploma as a royal academician. In 1850 he published in the ‘Literary Gazzette’ two letters in which he unsuccessfully endeavored to exculpate himself.

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John Constable

He continued to exhibit at the academy until 1857, but in his later years sank into poverty, and was assisted by a pension from the funds of the academy. He died at Chelsea on 17 November 1862. His youngest son, George Philip Reinagle succeeded him as a painter.

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Simon McGillivray 1824

There are by Reinagle in the Victoria and Albert Museum a small oil-painting of ‘Rydal Mountains’ and seven landscapes in water-colours. The Bridgewater and Grosvenor Galleries had each a landscape by him, and there is in the National Gallery of Scotland a fine copy of the ‘Coup de Lance’ by Rubens. Three plates, ‘Richmond’, ‘Sion House,’ and ‘The Opening of Waterloo Bridge’ in W. B. Cooke’s The Thames were engraved after him by Robert Wallis, and many of the illustrations in Peacock’s Polite Repository from 1818 to 1830, were engraved by John Pye from his designs. There is also a view of ‘Haddon Hall’ engraved by Robert Wallis, in the ‘Bijou ‘ for 1828, and one of ‘Bothwell Castle’ engraved by Edward Finden, in Tillotson’s Album of Scottish Scenery, 1860. Reinagle wrote the scientific and explanatory notices to Turner’s Views in Sussex published in 1819, and the life of Allan Ramsay in Allan Cunningham’s Lives of the British Painters.

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A Ruined Castle, 1806

Still wondering about a British painting in your family collection? Contact us…it could be by Ramsay Reinagle.


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375--von_kaulbach.php Wilhelm von Kaulbach Artwork Authentication & Art Appraisal

Wilhelm von Kaulbach (1805 – 1874)

Wilhelm von Kaulbach art authentication. Wilhelm von Kaulbach appraisal. Wilhelm von Kaulbach certificates of authenticity (COA). wilhelm von Kaulbach analysis, research, scientific tests, full art authentications. We will help you sell your Wilhelm von Kaulbach or we will sell it for you.

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Painting School in Munich 1853

Wilhelm von Kaulbach was a German painter. He was born in Arolsen in Waldeck (now Bad Arolsen, Hesse). His father, who was poor, combined painting with the goldsmith’s trade, but means were found to place Wilhelm, a youth of seventeen, in the art academy of Düsseldorf, then becoming renowned under the directorship of Peter von Cornelius. Young Kaulbach contended against hardships, even hunger. But his courage never failed; and, uniting genius with industry, he was ere long foremost among the young national party which sought to revive the arts of Germany. The ambitious work by which Louis I sought to transform Munich into a German Athens afforded the young painter an appropriate sphere. Cornelius had been commissioned to execute the enormous frescoes in the Glyptothek, and his custom was in the winters, with the aid of Kaulbach and others, to complete the cartoons at Düsseldorf, and in the summers, accompanied by his best scholars, to carry out the designs in colour on the museum walls in Munich. But in 1824 Cornelius became director of the Bavarian academy. Kaulbach, not yet twenty, followed, took up his permanent residence in Munich, labored hard on the public works, executed independent commissions, and in 1849, when Cornelius left for Berlin, succeeded to the directorship of the academy, an office which he held till his death. His son Hermann (1846-1909) also became a distinguished painter.

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Portrait of a Nursemaid 1850

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Portrait of a Nursemaid (#2) 1850

Kaulbach matured, after the example of the masters of the Middle Ages, the practice of mural or monumental decoration; he once more conjoined painting with architecture, and displayed a creative fertility and readiness of resource scarcely found since the era of Raphael and Michelangelo. Early in the series of his multitudinous works came the famous Narrenhaus, the appalling memories of a certain madhouse near Düsseldorf; the composition all the more deserves mention for points of contact with Hogarth. Somewhat to the same category belong the illustrations to Reineke Fuchs. These, together with occasional figures or passages in complex pictorial dramas, show how dominant and irrepressible were the artists sense of satire and enjoyment of fun; character in its breadth and sharpness is depicted with keenest relish, and at times the sardonic smile bursts into the loudest laugh. Thus occasionally the grotesque degenerates into the vulgar, the grand into the ridiculous, as in the satire on the Pigtail Age, a fresco outside the New Pinakothek.

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Sketches for the Frescoes at New Pinakothek 1850

Yet these exceptional extravagances came not of weakness but from excess of power. Kaulbach tried hard to become Grecian and Italian; but he never reached Phidias or Raphael; in short the blood of Dürer, Holbein and Martin Schöngauer ran strong in his veins. The art products in Munich during the middle of the 19th century were of a quantity to preclude first-rate quality, and Kaulbach contracted a fatal facility in covering wall and canvas by the acre. He painted in the Hofgarten, the Odeon, the Palace and on the external walls of the New Pinakothek. His perspicuous and showy manner also gained him abundant occupation as a book illustrator: in the pages of the poets his fancy revelled; he was glad to take inspiration from Wieland, Goethe, even Klopstock; among his engraved designs are the Shakespeare gallery, the Goethe gallery and a folio edition of the Gospels. With regard to these examples of the Munich school, it was asserted that Kaulbach had been unfortunate alike in having found Cornelius for a master and King Louis for a patron, that he attempted subjects far beyond him, believing that his admiration for them was the same as inspiration; and supplied the lack of real imagination by “a compound of intellect and fancy.”

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Illustration for Faust

Nevertheless in such compositions as the “Destruction of Jerusalem” and the “Battle of the Huns” Kaulbach shows creative imagination. As a dramatic poet he tells the story, depicts character, seizes on action and situation, and thus as it were takes the spectator by storm. The manner may be occasionally noisy and ranting, but the effect after its kind is tremendous. The cartoon, which, as usual in modern German art, is superior to the ultimate picture, was executed in the artist’s prime at the age of thirty. At this period, as here seen, the knowledge was little short of absolute; subtle is the sense of beauty; playful, delicate, firm the touch; the whole treatment artistic.

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Destruction of Jerusalem

Ten or more years were devoted to what the Germans term a “cyclus” – a series of pictures depicting the Tower of Babel, the Age of Homer, the Destruction of Jerusalem, the Battle of the Huns,(Hunnenschlact) the Crusades and the Reformation. These major tableaux, severally 30 feet long, and each comprising over one hundred figures above life-size, are surrounded by minor compositions making more than twenty in all. The idea is to congregate around the world’s historic dramas the prime agents of civilization; thus here are assembled allegoric figures of Architecture and other arts, of Science and other kingdoms of knowledge, together with lawgivers from the time of Moses, not forgetting Frederick the Great. The chosen situation for this imposing didactic and theatric display is the Treppenhaus or grand staircase in the new museum, Berlin; the surface is a granulated, absorbent wall, specially prepared; the technical method is that known as “water-glass,” or “liquid flint,” the infusion of silica securing permanence. The same medium was adopted in the later wall-pictures in the Houses of Parliament, Westminster.

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Butterflies 1860

The painter’s last period brings no new departure; his ultimate works stand conspicuous by exaggerations of early characteristics. The series of designs illustrative of Goethe, which had an immense success, were melodramatic and pandered to popular taste. The vast canvas, more than 30 ft. long, the Sea Fight at Salamis, painted for the Maximilianeum, Munich, evinces wonted imagination and facility in composition; the handling also retains its largeness and vigor; but in this astounding scenic uproar moderation and the simplicity of nature are thrown to the winds, and the whole atmosphere is hot and feverish.

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The Guardian Angel

Kaulbach’s was a beauty-loving art. He is not supreme as a colorist; he belongs in fact to a school that holds color in subordination; but he laid, in common with the great masters, the sure foundation of his art in form and composition. Indeed, the science of composition has seldom if ever been so clearly understood or worked out with equal complexity and exactitude; the constituent lines, the relation of the parts to the whole, are brought into absolute agreement; in modern Germany painting and music have trodden parallel paths, and Kaulbach is musical in the melody and harmony of his compositions. His narrative too is lucid, and moves as a stately march or royal triumph; the sequence of the figures is unbroken; the arrangement of the groups accords with even literary form; the picture falls into incident, episode, dialogue, action, plot, as a drama. The style is eclectic; in the Age of Homer the types and the treatment are derived from Greek marbles and vases; then in the Tower of Babel the severity of the antique gives place to the suavity of the Italian renaissance; while in the Crusades the composition is let loose into modern romanticism, and so the manner descends into the midst of the eighth century. And yet this scholastically compounded art is so nicely adjusted and smoothly blended that it casts off all incongruity and becomes homogeneous as the issue of one mind. But a fickle public craved for change; and so the great master in later years waned in favor, and had to witness, not without inquietude, the rise of an opposing party of naturalism and realism. Still wondering about a 19th century German painting in your family collection? Contact us…it could be by Wilhelm von Kaulbach.


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done
377--nolde.php Emil Nolde Artwork Authentication & Art Appraisal

Emil Nolde (1867 – 1956)

Get a Nolde Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Nolde artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Nolde Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Nolde painting, drawing or print.

If you want to sell your Nolde painting, drawing or print use our selling services. We offer Nolde selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Nolde and issuing certificates of authenticity since 2002. We are recognized Nolde experts and Nolde certified appraisers. We issue COAs and appraisals for all Nolde artworks.

Our Nolde paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Nolde certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Nolde painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Nolde paintings or drawings take longer.

Our clients include Nolde collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Emil Nolde art authentication, appraisal, certificates of authenticity (COA) analysis, research, scientific tests, full art authentications. We will help you sell your Emil Nolde or we will sell it for you.

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Masks, 1911

Emil Nolde was a German painter and printmaker, who was one of the first Expressionists, a member of Die Brücke, and is considered to be one of the great watercolor painters of the 20th century. He is known for his vigorous brushwork and expressive choice of colors. Golden yellows and deep reds appear frequently in his work, giving a luminous quality to otherwise somber tones. His watercolors include vivid, brooding stormscapes and brilliant florals.

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Red Flowers

He was born as Emil Hansen on a farm in North Schleswig near the village of Nolde, Germany, near the present-day German-Danish border which is now part of the Danish municipality of Burkal. He died in Seebüll, Neukirchen, Germany. He was raised on a farm by his parents who were devout Protestants of Frisian and Danish descent. Even as a boy, he drew and painted, and from 1902 and on, he called himself after his birthplace.

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White Tree Trunks, 1908

Between 1884 and 1891, he studied to become a carver and illustrator in Flensburg. He spent his years of travel in Munich, Karlsruhe and Berlin. From 1906 to 1907, he was a member of the artist group Die Brücke (The Bridge).

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The Last Supper, 1909

Nolde was a supporter of the Nazi party in the early 1920s, having become a member of its Danish section. He expressed negative opinions about Jewish artists and considered Expressionism to be a distinctively Germanic style. This view was shared by some other members of the Nazi party, notably Joseph Goebbels.

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The Wave

However, Hitler rejected all forms of modernism as “degenerate art”, and Nolde’s work was officially condemned by the Nazi regime. Until that time, he had been held in great prestige in Germany. Over 1,000 of his works were removed from museums, and some were included in the Degenerate Art exhibition of 1937, despite his protests, which including a personal appeal to Nazi gauleiter Baldur von Schirach in Vienna. He was not allowed to paint, even in private, after 1941. Nevertheless, during this period he created hundreds of watercolors, which he hid. He called them the Unpainted Pictures.

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Wildly Dancing Children

After World War II, Nolde was once again honored, receiving the German Order of Merit, the country’s highest civilian decoration. Apart from paintings, Nolde’s work includes many prints often in color and watercolor paintings of various sizes, including landscapes, religious images, flowers, stormy seas, and scenes from Berlin nightlife. A famous series of paintings covers the German New Guinea Expedition, visiting the South Seas, Moscow, Siberia, Korea, Japan, and China. The Schiefler Catalogue raisonné of his prints contains 231 etchings, 197 woodcuts, 83 lithographs, and 4 hectographs.

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Islander

Still wondering about a German painting in your family collection? Contact us… we are the Emil Nolde experts.


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378--raphael.php Raphael Artwork Authentication & Art Appraisal

Raffaello Sanzio AKA Raphael (1483-1520)

Get a Raphael Certificate of Authenticity for your painting (COA) for your Raphael drawing.

For all your Raphael artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Raphael Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Raphael painting or drawing.

If you want to sell your Raphael painting or drawing use our selling services. We offer Raphael selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Raphael and issuing certificates of authenticity since 2002. We are recognized Raphael experts and Raphael certified appraisers. We issue COAs and appraisals for all Raphael artworks.

Our Raphael paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Raphael certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Raphael painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Raphael paintings or drawings take longer.

Our clients include Raphael collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Raffaello Sanzio AKA Raphael art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Raffaello Sanzio AKA Raphael or we will sell it for you.

Raphael painting, The Three Graces

The Three Graces

Raphael, Bindo Altoviti

Bindo Altoviti

Raphael, La Fornarina

La Fornarina

One of the triumvirate of High Renaissance art (along with Michelangelo and Leonardo da Vinci), Raffaello Sanzio (or Santi), known as Raphael, was born in Urbino, Italy, on April 6, 1483. Rafael’s father, Giovanni Santi, was a painter at the court of Federico da Montefeltro, the Duke of Urbino, and doubtless taught his son the fundamentals of art, with Raphael helping out in his father’s studio from a young age.

Where Raphael received his formal training is unclear. His father died in 1494, when his son was 11 years old, and at some point the young Raphael made his way to Perugia to apprentice under Perugino, at the time one of the most admired and influential painters working in Italy. All of the early works of Raphael show Perugino’s influence, from the figures with their sweet expressions to the formalized background landscapes dotted with pencil-trunked trees. Raphael’s earliest known commission (1501) was for an altarpiece for Andrea Baronci’s chapel in the church of Sant’Agostino in Città di Castello, near Urbino. (The work was damaged badly in an earthquake in 1789, but fragments have found their way to various collections.)

Raphael painting, Portrait of a Man With an Apple

Portrait of a Man With an Apple

Raphael painting, Portrait of a Lady With a Unicorn

Portrait of a Lady With a Unicorn

Pope Leo X With Two Cardinals, by the artist Raphael

Pope Leo X With Two Cardinals

The fact that Raphael was regarded as a prodigy is evidenced by the fact that, shortly after the Baronci commission, Pintorecchio, another leading artist of his time, requested that Raphael make compositional drawings for frescoes in the Piccolomini Library in Siena.

Despite these early successes, Raphael evidently felt the need to broaden his experience and, in 1504, armed with a letter of recommendation from the Duke of Urbino’s sister-in-law to the ruler of Florence, Raphael moved there. Many of Raphael’s celebrated depictions of the Virgin and Child date from this time. In this period he also completed three large altarpieces: The “Ansidei Madonna”, the “Baglioni Altarpiece and the “Madonna del Baldacchino.” His first portraits also date from this period. 

In 1508 Raphael was summoned to Rome by Pope Julius II to execute frescoes for four rooms of the Vatican Palace. It was an amazing accomplishment for an artist who was 26 years old. The first commission was the decoration of the Stanza della Segnatura, a room that probably was used by the pope as a library. It contains some of the artist’s best-known works, including the “School of Athens,” the “Parnassus,” and the “Disputation of the Holy Sacrament.” The most famous of these works, “The School of Athens,” displays the greatest thinkers of the Greek world, most notably Plato and Aristotle, who are at the center of the composition. Raphael has used contemporaries as stand-ins for the philosophers: In the place of Plato, for instance, it is likely that the portrait is that of Leonardo; likewise, Michelangelo is in the foreground (depicted as Heraclitus), leaning against a block. Raphael himself peers out at the viewer from the center of a group of scholars that are crowded together at the far right edge of the composition.

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Madonna and Child

In addition to the Vatican frescoes, Raphael also was engaged to design 10 tapestries with scenes from the acts of the apostles to hang in the Sistine Chapel (for which Michelangelo completed the ceiling in 1512). The tapestries were woven in Brussels from cartoons, or drawings, of which seven survive. Because he had a large and well-organized workshop of artists and decorative specialists, which executed work following his designs, Raphael also was able to accept commissions for a number of altarpieces, a few small devotional works and a number of projects for the rich Sienese banker Agostino Chigi.

The last of Raphael’s works was an altarpiece, “The Transfiguration of Christ,” which is believed to have been completed by one of his students, Giulio Romano. The artist died on Good Friday of 1521, his 37th birthday, after he contracted a fever, probably caused by an insect bite. He may well have healed had it not been for the medical practices of the day, which prompted doctors to bleed him with leeches in an attempt to get the “bad blood” out. He was buried the next day in the Pantheon.

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The Expulsion of Heliodorus

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Entombment

We authenticate, attribute and appraise works by Raphael. If you think you may have a Raphael, please contact us.


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379--guerin.php Pierre Narcisse Guerin Artwork Authentication & Art Appraisal

Pierre Narcisse Guerin (1774-1833)

Get a Guerin Certificate of Authenticity for your painting (COA) for your Guerin drawing.

For all your Guerin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Guerin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Guerin painting or drawing.

If you want to sell your Guerin painting or drawing use our selling services. We offer Guerin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Guerin and issuing certificates of authenticity since 2002. We are recognized Guerin experts and Guerin certified appraisers. We issue COAs and appraisals for all Guerin artworks.

Our Guerin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Guerin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Guerin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Guerin paintings or drawings take longer.

Our clients include Guerin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pierre Narcisse Guerin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pierre Narcisse Guerin or we will sell it for you.

Guerin painting, Henri de la Rochejaqeulin

Henri de la Rochejaqeulin

Guerin painting, Enee Speaking with Didon

Enee Speaking with Didon

Pierre Narcisse Guerin was a French Neoclassical painter. He has been called one of the most successful French painters of his period by some art historians, and was a student of David.

Guerin painting, Napoleon Pardoning the Rebels at Cairo

Napoleon Pardoning the Rebels at Cairo

Guerin won the Prix de Rome in 1797, and was later named the director of the French Academy in Rome in 1822. He was a teacher of many great French artists of a younger generation, including Gericault and Delacroix, and has been credited as being one of the artists to help contribute towards the transition from the Neoclassical style of painting to Romanticism.

Guerin painting, The Return of Marcus Sextus

The Return of Marcus Sextus

Still wondering about a French mythological, historical or political painting in your family collection? Contact us…it could be by Pierre Narcisse Guerin.


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380--baboulene.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "baboulene" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "baboulene" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
381--fromentin.php Eugene Fromentin Artwork Authentication & Art Appraisal

Eugene-Samuel-Auguste Fromentin (1820-1876)

Get a Fromentin Certificate of Authenticity for your painting (COA) for your Fromentin drawing.

For all your Fromentin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Fromentin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fromentin painting or drawing.

If you want to sell your Fromentin painting or drawing use our selling services. We offer Fromentin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fromentin and issuing certificates of authenticity since 2002. We are recognized Fromentin experts and Fromentin certified appraisers. We issue COAs and appraisals for all Fromentin artworks.

Our Fromentin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fromentin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fromentin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fromentin paintings or drawings take longer.

Our clients include Fromentin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Eugene-Samuel-Auguste Fromentin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Eugene-Samuel-Auguste Fromentin or we will sell it for you.

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Falcon

Eugene Fromentin was one of the great Orientalists of France. He was also a prolific writer and art historian. He was born in La Rochelle, and initially went to Paris to study law, where he succeeded in passing his law exams. He always had a desire to be an artist, and he eventually managed to persuade his Father to allow him to train under the classical landscapist Remond. After a time, Fromentin changed his mind, and decided to continue his studies under the more naturalistic painter, Cabat.

In 1846, Fromentin made a secret trip to Algeria with Charles Labbe, who was also to become an Orientalist painter. The following year two Orientalist paintings inspired by this trip were accepted by the Salon. The favourable reception at the Salon encouraged Fromentin to return to Algeria. On his return to Paris he exhibited eleven Orientalist paintings in the Salon, and thus his reputation as an Orientalist painter was firmly established.

The Arab cavalier was a favourite subject matter of Fromentin, and his first Oriental works are divided between Arabs astride camels, and those mounted on horseback. He married in 1852, and after his honeymoon he returned to Algeria .This is said to have been one of his most successful trips as it resulted in two books, and also a store of sketches, and visual images that he was to draw on for the rest of his life.

Fromentin’s most successful Salon was that of 1859, when he gained a First Class medal as well as the Legion of Honneur. He also received praise from progressive critics such as Baudelaire, and a young Degas. In 1861, an Oriental painting of his, exhibited at the Salon was purchased by the French State. In the Salon of 1864 a painting entitled, “Windstorm on the Esparto Plains of the Sahara,” was picked out by a well known art critic of the time as being, “one of the best pictures of the exhibition.”

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Windstorm on the Esparto Plains of the Sahara

Fromentin was as well known for his writings, as he was for his art. He published two travel books, one in 1856 entitled, “A Summer in the Sahara,’ and another in 1858, entitled ‘A Year in the Sahel.”

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Thieves in the Night

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On the Nile

In 1869, Fromentin formed part of a delegation of artists invited on a three month long trip to Egypt to witness the opening of the Suez Canal. Other members of the delegation included the painters Bonnat, Berchere, and Gerome, as well as the writer Theophile Gautier. Fromentin used this trip as an opportunity to paint, and also to write. A painting produced during this trip, entitled, “Dahabiyyah on the Nile at Luxor,” now hangs in the Art Institute of Chicago.’

Art Historians have said that the inauguration of the Suez Canal marked a new era of colonial imperialism, and at the same time marked the twilight of a certain type of pictorial Orientalism.

In the same year as his trip to Egypt, Fromentin also produced a painting which now hangs in the Musee d’Orsay showing a convoy of men travelling through the desert decimated by the desert heat, and entitled, ‘Land of Thirst.’

During the 1870s, Fromentin became particularly interested in the Dutch, and Flemish Masters. He believed that their talent was very much undervalued in France. In the year of his death he published an eloquent study of Dutch and Flemish art entitled, “Les Maitres d’autre fois.”

Collections of paintings by Fromentin can be found in museums in France and America.

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Centaurs

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Stallions

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382--nasmyth.php Alexander Nasmyth Artwork Authentication & Art Appraisal

Alexander Nasmyth (1758-1840)

Alexander Nasmyth art authentication. Alexander Nasmyth appraisal. Alexander Nasmyth certificates of authenticity (COA). Alexander Nasmyth analysis, research, scientific tests, full art authentications. We will help you sell your Alexander Nasmyth or we will sell it for you.

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Robert Burns

Alexander Nasmyth was a Scottish portrait and landscape painter, often called the “father of Scottish landscape painting”. Born in Edinburgh, he studied at the Trustees’ Academy under Alexander Runciman and, having been apprenticed as a heraldic painter to a coachbuilder, he, at the age of sixteen, attracted the attention of Allan Ramsay, who took the youth with him to London and employed him upon the subordinate portions of his works. Nasmyth returned to Edinburgh in 1778 and was soon largely patronized as a portrait painter. He also assisted Mr. Miller of Dalswinton as draughtsman in his mechanical researches and experiments. Mr. Miller later offered the painter a loan to enable him to pursue his studies abroad, and Nasmuth left for Italy in 1782, where he remained for two years.

Upon his return, he painted the excellent portrait of Robert Burns, now in the Scottish National Gallery, well-known through Walker’s engraving. Political feeling at that time ran high in Edinburgh, and Nasmyth’s pronounced liberal opinions, which he was too outspoken and sincere to disguise, gave offense to many of his aristocratic patrons. This led to the diminution of his practice as a portraitist. In his later years, accordingly, he devoted himself mainly to landscape work and did not disdain on occasion to set his hand to scene painting for the theatres. His subjects are carefully finished and coloured but are wanting in boldness and freedom.

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Dumbarton Castle, 1816

Nasmyth was also largely employed by noblemen throughout the country in the improving and beautifying of their estates, in which his fine taste rendered him especially skillful; and he was known as an architect, having designed the Dean Bridge in Edinburgh, and the graceful circular temple covering St Bernard’s Well. Nasmyth died in his native city.

His youngest son, James Nasmyth, was the well-known inventor of the steam hammer and his six daughters all attained a certain local reputation as artists; however, it was in his eldest son, Patrick Nasmyth, that the artistic skill of his family was most powerfully developed. Having studied under his father, Patrick went to London at the age of twenty and soon attracted attention as a clever landscapist. He was a diligent student of the works of Claude and Richard Wilson, Ruysdael, and Hobbema, upon whom his own practice was mainly founded. His most characteristic paintings are of English domestic scenes, which are full of quiet tone and colour, detailed and minute expressions of foliage, and considerable brilliancy of sky effect. They were executed with his left hand, his right having in early life been injured by an accident.

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A View in Glen Coe, Argyllshire

Still wondering about a British painting in your family collection? Contact us… we are the Alexander Nasmyth experts.


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383--longhi-alessandro.php Alessandro Longhi Artwork Authentication & Art Appraisal

Alessandro Longhi (1733-1813)

Get a Longhi Certificate of Authenticity for your painting (COA) for your Longhi drawing.

For all your Longhi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Longhi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Longhi painting or drawing.

If you want to sell your Longhi painting or drawing use our selling services. We offer Longhi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Longhi and issuing certificates of authenticity since 2002. We are recognized Longhi experts and Longhi certified appraisers. We issue COAs and appraisals for all Longhi artworks.

Our Longhi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Longhi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Longhi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Longhi paintings or drawings take longer.

Our clients include Longhi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alessandro Longhi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alessandro Longhi or we will sell it for you.

Longhi painting, Portrait of Carlo Goldoni

Portrait of Carlo Goldoni

Alessandro Longi was an 18th century Italian painter. Longhi trained under his father, painter Giuseppe Nogari, and also studied to be an engraver. He was best known for his paintings of Venetian noble men, and was the father of painter Pietro Longhi.

Longhi painting, Portrait of a Man

Portrait of a Man

Longhi’s work is praised by art historians for its depictions of the clothing and robes that his sitters wear. Longhi was also the official portrait painter to the Venetian Academy.

Longhi painting, Portrait of Jacopo Gradenigo

Portrait of Jacopo Gradenigo

Still wondering about an 18th century Italian portrait in your family collection? Contact us…it could be by Alessandro Longhi.


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384--debut.php Marcel Debut Artwork Authentication & Art Appraisal

Marcel Debut (1865-1933)

We Perform Marcel Debut art authentication. Marcel Debut appraisal. Marcel Debut certificates of authenticity (COA). Marcel Debut analysis, research, scientific tests , full art authentications. We will help you sell your Marcel Debut or we will sell it for you.

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Bronze Nymphs Candlesticks

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The Genie

Marcel Debut was born in 1865. He was the son of the famous sculptor Didier Debut. In Paris, Marcel studied under Henri Chapu at the Ecole des Beaux in Paris. From 1883 until the outbreak of World War I, he exhibited his sculptures at the Salon in Paris.

Marcel was a sculptor of both people and animals. His sculptures of people are the ones that earned him most recognition; however, he made a very well known sculpture of a deerhound. His very detailed sculptures were popular during the Romantic period, but they show impressionistic characteristics.

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Porteur’Eau Tunisien

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Gallic Warrior

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385--vanderlyn.php John Vanderlyn Artwork Authentication & Art Appraisal

John Vanderlyn (1775-1852)

Do you think you may own a painting by John Vanderlyn? We authenticate, appraise and research all paintings by this great artist.

Vanderlyn painting, Death of Jane McCrea

Death of Jane McCrea

John Vanderlyn was an American Neoclassical painter born in Kingston, New York. The grandson of painter Pieter Vanderlyn, John Vanderlyn originally studied business, only creating art as a hobby. However, after attending art classes at the drawing school of Archibald Robertson, Vanderlyn emerged himself further into his art.

Vanderlyn painting, Still Life Fruit in a Neoclassical Setting

Still Life Fruit in a Neoclassical Setting

Vanderlyn eventually traveled to Philadelphia where he worked in the studio of Gilbert Stuart. Money was scarce for Vanderlyn at the time, and he was only able to continue his studies through his benefactor, Aaron Burr, whose family he would paint throughout the years. This enabled him to travel to France in 1796, where he stayed for five years, working and studying.

Vanderlyn painting, Theodosia Burr

Theodosia Burr

For the next few years, Vanderlyn would continue to travel between the United States and Europe, essentially going to England, Paris and Rome. While in Rome, he painted his famous picture “Marius and the Ruins of Carthage” which he later won a gold medal for in Paris.

Vanderlyn painting, Marius and the Ruins of Carthage

Marius and the Ruins of Carthage

This led to relative fame for Vanderlyn and a succession of important paintings would follow. His 1814 painting “Ariadne Asleep on the Island of Naxos,” depicting the classical character in the nude also gained him critical acclaim.

Vanderlyn painting, Ariadne Asleep on the Island of Naxos 1814

Ariadne Asleep on the Island of Naxos 1814

Vanderlyn finally returned to the states for good in 1815, and upon his return, he was commissioned to paint portraits of various important American political figures, among them Washington, James Monroe, Andrew Jackson and Zachary Taylor. At this time, Vanderlyn was also showing panoramas, but neither these nor his portraits brought him much financial success.

Vanderlyn painting, Washington

Washington

Vanderlyn painting, James Monroe

James Monroe

Not until 1842 would Vanderlyn come back into the limelight, when he was commissioned by the government to paint “The Landing of Columbus” which was to hang in the rotunda in the nations’ capital. Vanderlyn traveled to Paris to execute this painting, but it is said that he hired a French assistant who most likely painted the entire picture. Vanderlyn died in his hometown of Kingston ten years later, practically penniless and sadly forgotten.

Vanderlyn painting, The Landing of Columbus

The Landing of Columbus

One of the most interesting things about John Vanderlyn is that it is likely that he was the first American born artist to have traveled to France instead of England to receive academic training. Art historians credit Vanderlyn for bringing the Neoclassical style to the United States. Vanderlyn’s style was very academic, and did not typically stray from the artistic tastes of the day into more creative waters.

Vanderlyn painting, Sampson Vryling Stoddard Wilder

Sampson Vryling Stoddard Wilder

Today, Vanderlyns’ paintings are housed all over the United States, particularly in New England, and perhaps in your own home. Still wondering about a family portrait or early American landscape hanging in your home? Contact us…it could be by John Vanderlyn


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386--kazaks.php Jēkabs Kazaks Artwork Authentication & Art Appraisal

Jēkabs Kazaks (1895-1920)

Get a Kazaks Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Kazaks artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Kazaks Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kazaks painting, drawing or print.

If you want to sell your Kazaks painting, drawing or print use our selling services. We offer Kazaks selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kazaks and issuing certificates of authenticity since 2002. We are recognized Kazaks experts and Kazaks certified appraisers. We issue COAs and appraisals for all Kazaks artworks.

Our Kazaks paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kazaks certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kazaks painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kazaks paintings or drawings take longer.

Our clients include Kazaks collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jēkabs Kazaks art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jēkabs Kazaks or we will sell it for you.

1. Portrait of Julijas Sproga. 1920. Oil painting.

1. Portrait of Julijas Sproga. 1920. Oil painting.

2. Peldetajas. 1917.

2. Peldetajas. 1917.

Jēkabs Kazaks was a Latvian painter born in the capital city of Riga. Kazaks began his artistic training in 1913 at the Riga Art School. Continued his studies in Penza from 1915 to 1917. Kazaks was inspired by the work of fellow Lithuanian painter, Jazeps Grosvalds.

3. Refugees. 1917. Oil on Canvas.

3. Refugees. 1917. Oil on Canvas.

Kazaks was known for working with a variety of media, including oil and watercolor painting as well as printmaking techniques. Kazaks created a number of portraits depicting refugees, self-portraits, and genre scenes.

4. Ladies at the Seaside. 1920. Oil on Canvas. Latvian National Museum of Art.

4. Ladies at the Seaside. 1920. Oil on Canvas. Latvian National Museum of Art.

Kazaks joined the Expressionist Group of Riga in 1919 and later became the first chairman of Riga Artists’ Group. The work of Kazaks plays an important role in Latvian art history. Many of his paintings and drawings are now in the Latvian National Museum of Art in Riga.

5. Portrait of Karl Baltgaile. 1917. Oil on Canvas.

5. Portrait of Karl Baltgaile. 1917. Oil on Canvas.

If you think you may own original artwork by Jēkabs Kazaks, contact Art Certification Experts for information regarding our services.


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388--lurcat.php Jean Lurçat Artwork Authentication & Art Appraisal

Jean Lurçat (1892-1966)

art

Woman With a Cigarette, 1920

Jean Lurçat was a French Expressionist/Surrealist artist born in Vosges. He was exposed to art as a young boy when his parents introduced him to the founder of the Ecole Nancy, Victor Prouve. He traveled to Paris when he was 20, enrolling at the Ecole des Beaux-Arts and then the Academie Colarossi.

art

The Collar, 1921

Throughout his career, Lurçat would form a style of his own, derived from his travels through the Mediterranean, North Africa and the Middle East. His unique style had a primitive, native art feel and was composed of symbols and hieroglyphic-like imagery. Within this style, he created ceramics, paintings, tapestry and a number of other art pieces.

art

Ceramic Bowl with Lid

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“Le Coque” ceramic tile

It was in fact Lurçat’s tapestry creations that brought him the most attention, and he is even often credited with bringing this age old art form back into fashion. He has been called the leading tapestry designer of the 20th century, and worked for the Aubusson factory creating his textile designs.

art

Still Life Tapestry

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Aubusson Tapestry

During his lifetime, Lurçat also traveled to Spain and the Sahara where he was influenced to paint a number of Surrealist landscapes. He was only briefly associated with the Surrealist movement, as he experimented often with Expressionism and tribal art.

art

Landscape, 1930


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389--polenov.php Vasily Dmitrievich Polenov Artwork Authentication & Art Appraisal

Vasily Dmitrievich Polenov (1844-1927)

We Perform Vasily Dmitrievich Polenov art authentication. Vasily Dmitrievich Polenov appraisal. Vasily Dmitrievich Polenov certificates of authenticity (COA). Vasily Dmitrievich Polenov analysis, research, scientific tests, full art authentications. We will help you sell your Vasily Dmitrievich Polenov or we will sell it for you.

Polenov, Russian Courtyard

Russian Courtyard

Polenov, Staraya Melnica

Staraya Melnica

Polenov, Parthenon

Parthenon

Polenov, Klyazma River, 1887

Klyazma River, 1887

Polenov, Pond

Pond

Vasily Polenov was a Russian landscape painter of the Peredvizhniki movement of realist artists. Polenov was introduced to art at a young age by his mother an amateur painter and supporter of the fine arts. Polenov received a well-rounded education, studying at both St. Petersburg University and at the Academy of Arts. In 1871, Polenov completed his law degree and was awarded a gold medal for one of his paintings.

Polenov, Portrait of Isaac Levitan

Portrait of Isaac Levitan

Polenov, For Whom People Hold Me

For Whom People Hold Me

Polenov, Lake Tiberiades

Lake Tiberiades

Eventually, Polenov decided to pursue a career as an artist rather than law. Polenov served in the Russo-Turkish War from 1877-1878 as an artist, documenting wartime and historical events. During this time Polenov was able to spend much of his time developing painting techniques and themes.

Polenov, Caesar

Caesar

Polenov, The Nomads

The Nomads

After the war, Polenov became a pensioner of the Academy of Arts, which allowed him the opportunity to travel around Europe painting portraits and landscapes. Polenov was fond of landscape painting and gravitated to the Barbizon school painters in France.

Polenov, Sinner

Sinner

Polenov, Birchwood valley in Abramtzeno

Birchwood valley in Abramtzeno

Polenov, Early Snow

Early Snow

Polenov, From the

From the “Life of Christ Series”: Martha has taken him into her house.

Polenov, Moscow Backyard

Moscow Backyard

By the late 1870s, Polenov established himself as one of the best landscape painters in Russia. Polenov showed his paintings at the Itinerants’ Society of Traveling Exhibitions, bringing ‘plein air’ painting onto the national art scene.

During the 1880s, Polenov continued to travel, depicting the landscapes of Greece and the Middle East. Polenov’s reputation grew and in 1882, he was invited to teach at the Moscow School of Painting. Many of Polenov’s students rose to stardom, including Isaac Levitan, Constantin Korovin, A. Arkhipov. In addition to landscapes, Polenov made several religious paintings and theatre sets. Polenov is also known for designing the Savya Mamontov mansion in Abramtsevo. Polenov’s mansion in Borok now stands as a national art museum. The village of Borok is now referred to as Polenovo in his memory.

Polenov greatly impacted generations of painters in Russia. Do you think you own a painting by this Russian master? Contact us. We are the experts on Vasily Polenov.


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390--pellegrini.php Domenico Pellegrini Artwork Authentication & Art Appraisal

Domenico Pellegrini (1759-1840)

We Perform Domenico Pellegrini art authentication. Domenico Pellegrini appraisal. Domenico Pellegrini certificates of authenticity (COA). Domenico Pellegrini analysis, research, scientific tests, full art authentications. We will help you sell your Domenico Pellegrini or we will sell it for you.

Pellegrini painting, Portrait of Admiral John Jervis 1806

Portrait of Admiral John Jervis 1806

Domenico Pellegrini was an 18th century Italian painter. Pellegrini mainly painted portraits of wealthy Europeans in and around Milan.

Pellegrini painting, Portrait of Madame Junot and Her Daughter

Portrait of Madame Junot and Her Daughter

Pellegrini painting, Sir Thomas Masterman Hardy 1809

Sir Thomas Masterman Hardy 1809

Still wondering about an 18th century Italian portrait in your family collection? Contact us…it could be by Domenico Pellegrini.


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391--kangeq.php Aron of Kangeq Artwork Authentication & Art Appraisal

Aron of Kangeq (1822–1869)

Get a Kangeq Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Kangeq artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Kangeq Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kangeq painting, drawing or print.

If you want to sell your Kangeq painting, drawing or print use our selling services. We offer Kangeq selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kangeq and issuing certificates of authenticity since 2002. We are recognized Kangeq experts and Kangeq certified appraisers. We issue COAs and appraisals for all Kangeq artworks.

Our Kangeq paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kangeq certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kangeq painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kangeq paintings or drawings take longer.

Our clients include Kangeq collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Aron Of Kangeq art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Aron Of Kangeq or we will sell it for you.

Kangeq was an Inuit artist from Greenland. He made a number of watercolor and woodblock prints, illustrating the history of Greenland. As Kangeq was also an oral historian, he was able to pictorialize legends, often only known to his people. He also provided an account of conflicts with their Danish colonizers.

1. Tupilak Woman and Man. Watercolor. Not dated

1. Tupilak Woman and Man. Watercolor. Not dated

While little information is printed on Kangeq in English, his paintings and prints are highly cherished by both Greenlandic and international collectors. His images are also commonly used to illustrate articles pertaining to Inuit history in Greenland.

2. Missionary and Greenlanders. Watercolor. Not dated

2. Missionary and Greenlanders. Watercolor. Not dated

3. Qasapi has just killed the Norsemen chief Uunngortoq. Woodcut. 1860.

3. Qasapi has just killed the Norsemen chief Uunngortoq. Woodcut. 1860.

Kangeq’s prints sometimes show violent battles between the Inuit people and the Danish colonizers. In “Qasapi has just killed a Norsemen chief Uungortoq” an Inuit man is proudly holding a severed limb as a trophy. The Norsemen is seen defeated on the ground.

4. Aron of Kangeq. Watercolor. Greenland National Museum and Archive.

4. Aron of Kangeq. Watercolor. Greenland National Museum and Archive.

Beyond the more politically minded prints, Kangeq also showed daily rituals. As a hunter, he showed the process of handling meat and hydes.

5. Legend of “Giviok” or “Kiviok.” Watercolor. 1860.

5. Legend of “Giviok” or “Kiviok.” Watercolor. 1860.

Beyond the more politically minded prints, Kangeq also showed daily rituals. As a hunter, he showed the process of handling meat and hydes.

If you think you may own original artwork by Aron of Kangeq, contact Art Certification Experts for information regarding our services.


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392--sanz-carta.php Valentin Sanz Carta Artwork Authentication & Art Appraisal

Valentin Sanz Carta (1849-1898)

Get a Sanz Carta Certificate of Authenticity for your painting (COA) for your Sanz Carta drawing.

For all your Sanz Carta artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sanz Carta Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sanz Carta painting or drawing.

If you want to sell your Sanz Carta painting or drawing use our selling services. We offer Sanz Carta selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sanz Carta and issuing certificates of authenticity since 2002. We are recognized Sanz Carta experts and Sanz Carta certified appraisers. We issue COAs and appraisals for all Sanz Carta artworks.

Our Sanz Carta paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sanz Carta certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sanz Carta painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sanz Carta paintings or drawings take longer.

Our clients include Sanz Carta collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Valentin Sanz Carta art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Valentin Sanz Carta or we will sell it for you.

Another of the finest Cuban landscape painters was Valentin Sanz Carta. Though born in the Canary Islands, Sanz Carta settled in Havana and began his career as a portrait painter. Sanz Carta ended up being one of the finest colonial painters Cuba had to offer.

He received his education at the Provincial Academy of Fine Arts in the Canary Islands. Sanz Carta preferred to paint things as they were, in a Realist and Naturalist light, and was said to have never painted anything differently than it represented in real life. He preferred the natural light of the outdoors to a studio, and often used the “plein-air” technique, though in a Realist way.

By the time Sanz Carta came to Cuba, he was already established in the Canary Islands and Madrid as a notable painter. Even though he settled in Cuba, it was not his geographic status that made him a Cuban painter. It was the subject matter. Sanz Carta portrayed the Cuban countryside in a beautiful light that was neither Impressionistic or unnatural, but true to the beauty of his adopted home.

art

Paisaje Con Riachuelo y Rocas

In particular, Sanz Carta was fascinated with the sea, and would often incorporate it in his work. He was considered one of the finest landscape painters in Cuba in his lifetime, and was awarded the Landscape Painting Chair at San Alejandro. He held this position from 1887 until his death in 1898.

Sanz Carta also held a professorship at San Alejandro. Among his students were Maria Ariza Delance, Teódulo Jiménez Hernandez and Antonio Rodriguez Morey.

art

Paisaje Con Malangas y Cocoteros

Today, Sanz Carta’s work is housed extensively in Spain and Cuba and throughout the Caribbean. Could you own a piece of art by Valentin Sanz Carta? We would be glad to help you authenticate a piece of work by this great Cuban artist.


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393--bayeu.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bayeu" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bayeu" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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394--roques.php Joseph Roques Artwork Authentication & Art Appraisal

Joseph Roques (1757-1847)

Get a Roques Certificate of Authenticity for your painting (COA) for your Roques drawing.

For all your Roques artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Roques Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Roques painting or drawing.

If you want to sell your Roques painting or drawing use our selling services. We offer Roques selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Roques and issuing certificates of authenticity since 2002. We are recognized Roques experts and Roques certified appraisers. We issue COAs and appraisals for all Roques artworks.

Our Roques paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Roques certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Roques painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Roques paintings or drawings take longer.

Our clients include Roques collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Joseph Roques art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Joseph Roques or we will sell it for you.

Self-Portrait of the Artist, circa 1800

Self-Portrait of the Artist, circa 1800

Guillaume-Joseph Roques was a French neoclassical and romantic painter.

He taught at the Royal Academy of Arts in Toulouse where Jean Auguste Dominique Ingres was among his pupils. He was a prolific artist and one of the most notable exponents of neoclassicism outside of the centre of the movement in Paris, though later in life he tended towards romanticism.

His most notable paintings include a copy of Jacques-Louis David’s Death of Marat (1793) and a series of works covering the life of the Virgin Mary, painted from 1810-1820 for the choir of the church of Notre-Dame de la Daurade in Toulouse.

Still wondering about an 18th or 19th century French Neoclassical painting in your family collection? Contact us…it could be by Joseph Roques.


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395--benton.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "benton" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "benton" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
396--vernet.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vernet" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vernet" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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397--lie.php Jonas Lie Artwork Authentication & Art Appraisal

Jonas Lie (1880 – 1940)

Get a Lie Certificate of Authenticity for your painting (COA) for your Lie drawing.

For all your Lie artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lie Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lie painting or drawing.

If you want to sell your Lie painting or drawing use our selling services. We offer Lie selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lie and issuing certificates of authenticity since 2002. We are recognized Lie experts and Lie certified appraisers. We issue COAs and appraisals for all Lie artworks.

Our Lie paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lie certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lie painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lie paintings or drawings take longer.

Our clients include Lie collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jonas Lie art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jonas Lie or we will sell it for you.

art

Setting Sail

Jonas Lie was a Norwegian-born painter who matured in America. He often depicted the sea, channels, and ships with dramatic perspective and powerful use of color.

art

Harbor Sails 1920’s

When asked how to say his name, he told The Literary Digest “The correct pronunciation of my name is yonas lee. Although I have adopted the anglicized pronunciation of Jonas in this country, Lie, however, is pronounced lee in Scandinavia, and I have insisted upon it in English also.” (Charles Earle Funk, What’s the Name, Please?, Funk & Wagnalls, 1936.)

art

Birches 1903

Still wondering about a painting in your family collection? Contact us…it could be by Jonas Lie.


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398--hamilton-richard.php Richard Hamilton Artwork Authentication & Art Appraisal

Richard Hamilton ( 1922 – 2011 )

We Perform Richard Hamilton art authentication. Richard Hamilton appraisal. Richard Hamilton certificates of authenticity (COA). Richard Hamilton analysis, research, scientific tests, full art authentications. We will help you sell your Richard Hamilton or we will sell it for you.

art

richard hamilton portrait

 

British painter and collage artist Richard Hamilton is widely considered by critics and art historians as the creator of Pop Art; his 1956 collage Just What Is It That Makes Today’s Homes So Different, So Appealing? is deemed the first Pop work. Like all of his pieces, this collage critiques contemporary society and the trappings of popular culture.

art

AAH!, 1963, collotype, screenprint, and ink on paper

 

Born in Pimlico, London, Hamilton discovered his skill for drawing while working for an electrician at an early age. He eventually enrolled in night classes at Saint Martins School of Art, which eventually led to admission into the Royal Academy of Art. After the war, where he continued to make use of his skills as a technical draftsman, he went back to the Royal Academy, only to be expelled due to “not profiting from the instruction” of the school. He thus enrolled at the Slade School of Art, University College, London. Shortly after he began showing work at the Institute of Contemporary Arts while teaching classes at the Central School of Art and Design.

art

$he, 1958-1961, oil, cellulose nitrate paint, paper and plastic, on wood

 

The Hanover Gallery in London hosted the artist’s first show in 1955. The work created for this show owed a large debt to the artist Marcel Duchamp, one of Hamilton’s primary sources of inspiration. Hamilton was attracted not only to the messages about modern life inherent in much of Duchamp’s work, but was also influenced by the concept of a ‘ready-made’ object. This working method materialized in Hamilton’s own use of popular magazines and mass-produced newspapers as the primary source material for his collages.

art

Just What Is It That Makes Today’s Homes So Different, So Appealing?, 1956, collage

 

For the This is Tomorrow exhibition at the Whitechapel Gallery in London in 1956, Hamilton created his iconic collage Just What Is It That Makes Today’s Homes So Different, So Appealing?, which shows the affluent ideal home of the time, with a beautiful couple and all the accoutrements of modernity. The piece was reproduced for posters and catalogs for the show and was therefore widely circulated.

art

The Transmogrifications of Bloom, 1984-1985, etching and aquatint on paper, from Ulysses series

 

In a letter dated January 16, 1957 Hamilton explains his idea of Pop Art and the inspiration behind the piece: “Pop Art is: popular, transient, expendable, low-cost, mass-produced, young, witty, sexy, gimmicky, glamorous, and Big Business.” In 1992 the BBC asked Hamilton to recreate his famous collage based upon the ideals of the 90s. He replaced the original male body builder for an accountant and used a female body builder in place of the original nude woman sitting on the sofa.

art

Image 1 of Le Chef-d’oevre inconnu- a painting in three parts, 2012, computer generated image with overpainting

 

After This is Tomorrow, Hamilton taught classes at the Royal College of Art from 1957 – 1961. After the death of his first wife he traveled to the U.S. in 1963 where he met and befriended Duchamp at that artist’s show at the Pasadena Art Museum in California. Because of this meeting, Hamilton would later curate an exhibition of Duchamp’s work at the Tate Gallery in London in 1966, the first retrospective of Duchamp’s art in Britain.

art

Portrait of Hugh Gaitskell as a Famous Monster of Filmland, 1964, photograph and oil

 

In the 1970s much of Hamilton’s work centered on the process of printmaking. Demonstrating the increasingly political nature of the artist’s work is his 1982 painting The Citizen. Commenting on the Blanket Protests in Northern Ireland, the work recalls a devotional diptych and contrasts a Christ-like figure on the right with excrement-smeared walls of the prison on the left. Hamilton’s final work, Le chef d’oevre inconnu – a painting in three parts, was left unfinished. A large triptych, the work is composed of inkjet prints with images manipulated in Photoshop that depict critical moments from Balzac’s The Unknown Masterpiece.

art

The Citizen, 1981-1983, oil on canvas

 

Retrospectives of Hamilton’s work have been held at the Tate Gallery, London; the Solomon R. Guggenheim Museum in New York; the Museu d’Art Contemporani de Barcelona; the Museum Ludwig in Cologne; and the Neue Nationalgaleri, Berlin. The Tate Gallery and the Kunstmuseum Winterthur in Winterthur Switzerland contain the largest collections of his work.


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prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "barducci" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
400--auguste.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "auguste" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "auguste" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "auguste" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "auguste" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
401--quidor.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "quidor" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "quidor" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "quidor" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "quidor" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
402--martin.php Henri Martin Artwork Authentication & Art Appraisal

Henri Jean Guillaume Martin (1860-1943)

Get a Martin Certificate of Authenticity for your painting (COA) for your Martin drawing.

For all your Martin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Martin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Martin painting or drawing.

If you want to sell your Martin painting or drawing use our selling services. We offer Martin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Martin and issuing certificates of authenticity since 2002. We are recognized Martin experts and Martin certified appraisers. We issue COAs and appraisals for all Martin artworks.

Our Martin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Martin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Martin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Martin paintings or drawings take longer.

Our clients include Martin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henri Martin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Henri Martin or we will sell it for you.

Self-Portrait

Self-Portrait

Paysage du Midi

Paysage du Midi

Henri Martin was a Post-Impressionist painter, born Henri-Jean Guillaume Martin in Toulouse, France. He began his formal artistic training at the age of 17 at the Toulouse School of Fine Arts where he studied under Eugene Delacroix and Jules Garipuy. Martin obtained a scholarship and moved to Paris in 1879 where he continued his studies with the artist Jean-Paul Laurens.

Le Devot

Le Devot

First Communion

First Communion

Deux Paysans

Deux Paysans

Martin won a gold medal at the Paris Salon in 1883, and was again awarded a scholarship which would take him to Italy. Here he was influenced by the work of past Venetian painters such as Giotto and Masaccio, and studied and admired their use of light.

Jeune Couple dans un Verger au Printemps 1892

Jeune Couple dans un Verger au Printemps 1892

Maison Paysanne Pres de Labistide-du-Vert 1920

Maison Paysanne Pres de Labistide-du-Vert 1920

He held his first exhibition in 1886, and was awarded with a medal again in 1889, this time for a Pointillist composition. He studied the work of the Divisionists, and even though he did not completely dedicate himself to their principles, many of his paintings are influence by or are wholly Pointillist pieces. Martin continued to win prizes for his art throughout his career, and won the grand prize at the 1900 World Fair. After winning this award he met and became friends with the sculptor Rodin.

Serenity, Vergil

Serenity, Vergil

Woman with Flowers

Woman with Flowers

Orpheé

Orpheé

In 1900, Martin’s reclusive ways led him out of Paris, and that same year he purchased “Marquayrol,” an old farmhouse where he would live out the rest of his life. Some critics have said that he created his best work during his tranquil years at Maryquayrol. Martin would visit his hometown of Toulouse, often painting the architecture and scenery and capturing the timelessness of the stone buildings, forests and surrounding ancient bridges.

Madame Henri Martin Assise Sur La Margelle d'un des Bassins de Marquayrol

Madame Henri Martin Assise Sur La Margelle d’un des Bassins de Marquayrol

Les Travaux des Champs

Les Travaux des Champs

Orpheé

Orpheé

Though he was a Post-Impressionist by definition, some critics have also grouped him with the Symbolists. During his career, Martin was often commissioned by the government to create murals and to decorate public buildings. While he is best known for his Impressionistic paintings, Martin was a fairly prolific and experimental painter, and his style was varied at times as a result. Though he is considerably less-known today than his contemporaries, during his lifetime Martin found great success as a painter and his pieces are still coveted in the art world.

La Petite Pergola

La Petite Pergola

Today, Martin’s work is housed all over France, and perhaps in your own home. Still wondering about a French Impressionist painting hanging in your home? Contact us…it could be by Henri Martin.


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403--crivelli-giovanni.php Giovanni Crivelli Artwork Authentication & Art Appraisal

Giovanni Crivelli (1700-1760)

Get a Crivelli Certificate of Authenticity for your painting (COA) for your Crivelli drawing.

For all your Crivelli artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Crivelli Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Crivelli painting or drawing.

If you want to sell your Crivelli painting or drawing use our selling services. We offer Crivelli selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Crivelli and issuing certificates of authenticity since 2002. We are recognized Crivelli experts and Crivelli certified appraisers. We issue COAs and appraisals for all Crivelli artworks.

Our Crivelli paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Crivelli certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Crivelli painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Crivelli paintings or drawings take longer.

Our clients include Crivelli collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We Perform Giovanni Crivelli art authentication. Giovanni Crivelli appraisal. Giovanni Crivelli certificates of authenticity (COA). Giovanni Crivelli analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni Crivelli or we will sell it for you.

art

Cat Stealing the Fish

Giovanni Crivelli was an Italian painter and the son of the well known painter Angelo Maria Crivelli. The elder Crivelli was a very successful Milanese still life and bird painter, and had two sons (Giovanni and Jacopo) who followed in his footsteps. The sons work matches the father’s in quality. Separating the three is by no means easy, due to the fact that their compositions were so similar and that few works were signed.

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Hunting Dog and Game

Being exceptionally popular in their time, the Crivelli’s spawned many imitators. The followers rarely attained the mastery of the Crivelli’s, however, and there is usually little difficulty in distinguishing them from their followers.

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Lupo Aggredito da Cani

The Crivelli’s followed the tradition of their time in style and composition. Typically the backgrounds are imaginary landscapes analogous to Capriccios. These form nothing more than a broad setting for the foreground action. The Crivelli’s manifest a kind of organized, directed realism in a Romantic framework. The care and pride in verisimilitude of the animal and bird portraits is obvious, as is the casualness of the misty backgrounds. In a world of urbanized peasantry, almost all Italians were close to the barnyard, if not the soil. The buyers of this art were of course wealthy urbanites, but they too would have had strong rural roots. They no doubt appreciated the realistic yet sentimental portrayal of everyday farm creatures.

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Ornamental Landscape with Partridges

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Ornamental Landscape with Partridges

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Fagiani, Gallina d’acqua, cardellini altri valatili

Still wondering about a late 17th century or early 18th century Italian painting in your family estate? Contact us…it could be by one of the Crivelli masters!


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404--the--eight.php The Eight Artwork Authentication & Art Appraisal

The Eight

We Perform The Eight art authentication. The Eight appraisal. The Eight certificates of authenticity (COA). The Eight analysis, research, scientific tests, full art authentications. We will help you sell your The Eight or we will sell it for you.

The Eight, Robert Henri

Robert Henri “Snow in New York”

The Eight, Robert Henri

Robert Henri “Cafferty”

The Eight was a group of artists from Philadelphia and New York that came together after being rejected from the 1907 spring exhibition at the National Academy. In the winter of 1908 the rejected artists united and created their own exhibition at the Macbeth Gallery in New York City. The show received a tremendous public response, changing the course of American art, as we know it.

The Eight, Luks

Luks “The Miner”

The Eight, Luks

Luks “Morning Shadows”

The Eight cannot be defined by a particular style or aesthetic, but by their philosophy and desire to counter the academic restrictions imposed on artists. Five artists of The Eight later formed the historical Ashcan School of painting, known for depicting poor neighborhoods of New York City. After the exhibition’s debut at the Macbeth Gallery, a New York journalist coined the term “The Eight” in his review of this monumental moment in art history.

The Eight, Shinn

Shinn “Bowery Museum”

The Eight, Shinn

Shinn “Washington Square”

The members of The Eight included: Robert Henri, William Glackens, George Luks, Everett Shinn, John French Sloan, Arthur B. Davies, Ernest Lawson and Maurice Prendergast. The Eight was led by Robert Henri, a painter from Philadelphia who moved to who moved to New York 1900. Henri joined the National Academy in 1905, studying for two years before challenging the institution’s standards.

The Eight, Sloan

Sloan “Jefferson Market”

The Eight, Sloan

Sloan “South Beach Bathers”

The Eight, Lawson

Lawson “Scene Across the River”

The Eight, Lawson

Lawson “Harlem River Valley”

The Eight, Davies

Davies “Interwoven”

The Eight, Davies

Davies “Across the Harbor”

The Eight received a lot of attention after their first exhibition, but not all positive. Many critics thought their work was inappropriate or unrefined. Audiences were not used to seeing negative depictions of American life, including overcrowded tenements, gritty street scenes and poverty stricken immigrants.

The Eight, Prendergast

Prendergast “The Balloon”

The Eight, Prendergast

Prendergast “Street Scene”

Many of The Eight worked as illustrators for newspapers, providing on-site sketches before photojournalism took off. Consequently, the artists were not accustomed to painting idealized scenes, but the harsh realities of American life. This became an overriding theme of the Ashcan School, formed by Henri, Glackens, Luks, Shinn and Sloan. Lawson and Prendergast were categorized as landscape painters and Davies was grouped as a Symbolist.

The Eight, Glackens

Glackens “Hammerstein’s Roof Garden”

The Eight, Glackens, Tennis at Newport, 1919

Glackens, Tennis at Newport, 1919

The 1908, Macbeth Gallery exhibition was the only time The Eight formally showed together. The show did however tour the country, affiliating itself with the Pennsylvania Academy of Fine Arts, where many of the Philadelphia artists had previously studied under instructor Thomas Pollock Anshutz.

The Paintings of The Eight are now in museums and private collections around the world. The Eight are particularly important for changing the course of art, diminishing the popularity of American Impressionism and giving more artistic freedom to painters. Do you think you own a painting by The Eight? Contact us. We are the experts on The Eight.


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405--maurer_a.php Alfred Henry Maurer Artwork Authentication & Art Appraisal

Alfred Henry Maurer (1868-1932)

We Perform Alfred Henry Maurer art authentication. Alfred Henry Maurer appraisal. Alfred Henry Maurer certificates of authenticity (COA). Alfred Henry Maurer analysis, research, scientific tests, full art authentications. We will help you sell your Alfred Henry Maurer or we will sell it for you.

Maurer, Arrangement

Arrangement

Alfred Henry Maurer was an American modernist painter born in New York City. Maurer left school at the age of sixteen to work as a lithographer for his father. Growing up in New York City, Maurer had the opportunity to meet a variety of artists and craftsmen. In addition to working as a printer, Maurer was exposed to sculpture by John Quincy Adams Ward and painting by William Merritt Chase.

Maurer, Girl

Girl

Maurer moved to Paris for four years to paint and immerse himself in the European art world. Maurer established an international reputation as an artist and won several awards in New York, Belgium and Munich. As Maurer matured as an artist he began to deviate in style from other artists. Maurer stopped making realist paintings and primarily painted in a cubist or fauvist manner. Though seen as avant-garde, Maurer exhibited at the 291 Gallery and in the 1913 Armory Show in New York City.

Maurer, Bowl with Pear, Still Life

Bowl with Pear, Still Life

Maurer befriended other avant-garde artists in New York such as Arthur Dove, Marsden Hartley and John Marin. The Society of Independent Artists frequently asked Maurer to exhibit with them, and in 1919 he became their director.

Maurer, Abstract Head

Abstract Head

Maurer, Still Life with Bananas and Pomegranate

Still Life with Bananas and Pomegranate

Maurer, Two Heads, 1929

Two Heads, 1929

Maurer, Head with Green Dress

Head with Green Dress

Erhard Weyhe, who managed his paintings and exhibitions for the rest of his career, represented Maurer. While many of Maurer’s paintings are in private collections, major museums, including the Whitney Museum of American Art in New York, also own his paintings. Maurer made an important impression on abstract art in America.

Maurer, Two Sisters

Two Sisters

Maurer, Fauve Landscape with Trees

Fauve Landscape with Trees

Maurer, Standing Figure and a Study of a Milliner Shop, 1900

Standing Figure and a Study of a Milliner Shop, 1900

Maurer, Portrait of a Girl in a Flowered Dress

Portrait of a Girl in a Flowered Dress

Maurer, Fauve Landscape, 1907

Fauve Landscape, 1907

Maurer, Floral Still Life with Calla Lily, 1928

Floral Still Life with Calla Lily, 1928

Maurer, Blue Flowers

Blue Flowers

Maurer, Still Life with Orange Carnation

Still Life with Orange Carnation

Maurer, Still Life with Cup

Still Life with Cup

Do you think you own a painting by Alfred Henry Maurer? Contact us. We are the experts on Alfred Henry Maurer.


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406--de-la-gandara.php Antonio de la Gandara Artwork Authentication & Art Appraisal

Antonio de la Gandara (1861-1917)

Get a De La Gandara Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your De La Gandara artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a De La Gandara Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De La Gandara painting, drawing or print.

If you want to sell your De La Gandara painting, drawing or print use our selling services. We offer De La Gandara selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De La Gandara and issuing certificates of authenticity since 2002. We are recognized De La Gandara experts and De La Gandara certified appraisers. We issue COAs and appraisals for all De La Gandara artworks.

Our De La Gandara paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De La Gandara certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De La Gandara painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De La Gandara paintings or drawings take longer.

Our clients include De La Gandara collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Antonio de la Gandara art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Antonio de la Gandara or we will sell it for you.

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Gabriel de Yturri, 1886

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La Femme au Voile

Antonio de la Gandara was born in Paris, France, known for his paintings of the fashionable ladies of the Belle Epoque. His father was from Mexico and his mother was from England, and his artistic abilities eventually became reflective of all three cultures. At age 15, de La Gandara was admitted to the Ecole des Beaux-Arts and was a pupil of Jean-Léon Gérome. He was honored in 1883 at the Salon des Champs-Elysées, and was singled out by the jury for his portrait of Saint Sebastian; the first work he ever exhibited.

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Portrait of Madame Gautrau, 1891

art

Portrait of Madame Rémy Salvator

art

Portrait of Mme d’Annunzio

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Portrait of M del Solar

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La Bague a l’émeraude

This early achievement was to set the pretense for de La Gandara’s success over the next few years in Paris. He became a favorite among the art elite, and had Princes and Princess sit for him, as well as duchesses and other historical notables like Paul Verlaine and Sarah Bernhardt.

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Paul Verlaine, lithograph, 1895

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Caricature d’artistes du “Chat Noir”

During this time, de La Gandara was highly influenced by fellow painter Chardin, and followed the artists use of simplicity and fine detail to achieve his beautiful portraits. He also worked alongside other famous artists such as James McNeil Whistler and Jean-Louis Forain illustrating books and volumes of poetry, such as “The Bats” by French poet Robert de Montesquiou. This book, published in 1893, has since become a rare collector’s item.

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Robert de Montesquiou

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La Femme au Chien

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Ida Rubenstein

Gandara held his first exhibition in New York in 1898, which was met with much acclaim and great success. Art critics felt that this show confirmed him as one of the greatest painters of his time. His portraits were also routinely published in magazines and newspapers, like the fashionable “Le Figaro” magazine, and many of which even made it to the front page.

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Mme de La Gandara, pastel, 1895

Throughout his career, de la Gandara exhibited all over the world in the United States, Paris, Brussels, Berlin, Barcelona, Dresden and Saragossa. Sadly, after his death in 1917, his popularity quickly waned.

However, a new and growing interest in late 19th century art has brought his work back into the spotlight, and his work has once again regained popularity. Still wondering about a French portrait in your family collection? Contact us…it could be by Antonion de la Gandara.


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407--rembrandt.php Rembrandt van Rijn Artwork Authentication & Art Appraisal

Rembrandt Harmenszoon van Rijn (1606-1669)

Get a Rembrandt Certificate of Authenticity for your painting (COA) for your Rembrandt drawing.

For all your Rembrandt artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rembrandt Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rembrandt painting or drawing.

If you want to sell your Rembrandt painting or drawing use our selling services. We offer Rembrandt selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rembrandt and issuing certificates of authenticity since 2002. We are recognized Rembrandt experts and Rembrandt certified appraisers. We issue COAs and appraisals for all Rembrandt artworks.

Our Rembrandt paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rembrandt certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rembrandt painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rembrandt paintings or drawings take longer.

Our clients include Rembrandt collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Rembrandt van Rijn art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Rembrandt van Rijn or we will sell it for you.

A Young Woman Trying on Earrings, 1657

A Young Woman Trying on Earrings, 1657

Rembrandt van Rijn has been acclaimed to be one of the most famous painters in all of art history. His name is synonymous with fine classical art, chiaroscuro shading and priceless works of art.

Landscape with a Castle 1632

Landscape with a Castle 1632

For nearly 400 years, art students and appreciators have studied his style and subject matter, and emulated his techniques. For this reason, Rembrandt is perhaps one of the most frequently copied and forged artists of all.

The Slaughtered Ox, 1638

The Slaughtered Ox, 1638

Through scholars at The Rembrandt Research Project, we now know that only some 300 oil paintings by Rembrandt are authentic.

Portrait of a Young Girl 1645

Portrait of a Young Girl 1645

Everyone wants to think that their painting is a Rembrandt…whether because of the prestige, or simply because they hope that they have a valuable painting. Though research has disproved many paintings as being Rembrandt in recent years, the possibility still remains for more of his paintings to surface. Rembrant’s career spanned over four decades, and 300 paintings is a relatively small oeuvre for such a long, illustrious career. There are no doubt authentic Rembrandt paintings hanging on walls and tucked away in attics around the world…it’s just a matter of time before someone discovers their hidden secrets.

St. Peter in Prison

St. Peter in Prison

Still wondering about a painting in your family collection? Contact us…it could be by Rembrandt.


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408--jonsborg.php Kåre Jonsborg Artwork Authentication & Art Appraisal

Kåre (Mikkelsen) Jonsborg (1912-1977)

Get a Jonsborg Certificate of Authenticity for your painting (COA) for your Jonsborg drawing.

For all your Jonsborg artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Jonsborg Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Jonsborg painting or drawing.

If you want to sell your Jonsborg painting or drawing use our selling services. We offer Jonsborg selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Jonsborg and issuing certificates of authenticity since 2002. We are recognized Jonsborg experts and Jonsborg certified appraisers. We issue COAs and appraisals for all Jonsborg artworks.

Our Jonsborg paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Jonsborg certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Jonsborg painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Jonsborg paintings or drawings take longer.

Our clients include Jonsborg collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Kåre Jonsborg art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Kåre Jonsborg or we will sell it for you.

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Tapestry Design

Kåre Jonsborg was a Norwegian painter and textile artist. He studied under Professor Georg Jakobsen and graduated at Statens Kunstakademi (State Academy of Art), Oslo. His works span from oil, tempera, woodcutting all the way to stone mosaics. He was the creator of some of the biggest monumental art decorations in Norway, tapestries in Oslo City Hall, and has been innovative in his art. Jonsborg is represented in the National Gallery in Oslo and has been awarded a number of distinctions including The King’s Medal For Merits and The Fearnley Scholarship. He was also an invited participant at the international biennale, “Biennale internationale de tapisserie” in Musée cantonal des Beaux-Arts in Lausanne and is discussed in the work of Pierre Verlet-Michel Florisone and Adolf Hoffmeister-Francois Tabard: “Le grand livre de la tapisserie” (La Bibliotèque des arts, Paris).

He has also created a number of altar pieces among others in Svalbard Church and designs for monumental tapestries in Oslo City Hall. He also created a vast production of figurative paintings and tapestry designs. For many years, he had a fruitful partnership with the textile artist Else Halling in Norsk Billedvev, aiming to find a useful range of plant dyes for dying wool from spelsau. The cooperation resulted in significant achievements.

The works of the artists Sigurd Winge, Else Hagen, Kåre Jonsborg and others mark a new era in Norwegian room art. In his art, he was dedicated to geometrical theories of how to build and compose pictures of the art and color theories of Piero della Francesca, Paul Cézanne, Pablo Picasso and Eugène Delacroix. All his life he studied the old masters and travelled throughout Europe and collected a vast documentation of the masters’ composition techniques. He also taught at the Statens Kunst- og Håndverksskole (The State Art and Crafts School) in Oslo.

Still wondering about a Norwegian painting in your family collection? Contact us…it could be by aring;re Jonsborg.


done
409--anker.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "anker" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "anker" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "anker" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "anker" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
410--watteau-francois.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "watteau-francois" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "watteau-francois" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "watteau-francois" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
411--rethel.php Alfred Rethel Artwork Authentication & Art Appraisal

Alfred Rethel (1816 – 1859)

Get a Rethel Certificate of Authenticity for your painting (COA) for your Rethel drawing.

For all your Rethel artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rethel Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rethel painting or drawing.

If you want to sell your Rethel painting or drawing use our selling services. We offer Rethel selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rethel and issuing certificates of authenticity since 2002. We are recognized Rethel experts and Rethel certified appraisers. We issue COAs and appraisals for all Rethel artworks.

Our Rethel paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rethel certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rethel painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rethel paintings or drawings take longer.

Our clients include Rethel collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alfred Rethel art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alfred Rethel or we will sell it for you.

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Self-Portrait 1839

Alfred Rethel was a German historical painter. Rethel was born at Aix-la-Chapelle (Aachen) in 1816. He showed an interest in art in his early life, and at the age of thirteen he executed a drawing which procured his admission to the academy of Düsseldorf. Here he studied for several years, and produced, among other works, a figure of St Boniface, which attracted much attention.

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Soldiers and Girls

At the age of twenty, Rethel relocated to Frankfurt, and was selected to decorate the walls of the imperial hall in the Rmer with figures of famous men. At the same period he produced a series of designs illustrative of Old Testament history. Four years later, Rethel was the successful competitor for the work of ornamenting the restored council house of his native city with frescoes depicting prominent events in the career of Charlemagne, but the execution of this work was delayed for some six years. Meanwhile Rethel occupied himself with the production of easel pictures and of drawings. In 1842, he began a striking series of designs dealing with the Crossing of the Alps by Hannibal, in which the weird power which animates his later art becomes first apparent.

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Death

In 1844 Rethel visited Rome, executing, along with other subjects, an altar-piece for one of the churches of his native land. In 1846, he returned to Aix, and commenced his Charlemagne frescoes. But mental derangement, attributed, it is believed, to an accident that he suffered in childhood, began to manifest itself. While he hovered between madness and sanity, Rethel produced some of the most striking, individual, and impressive of his works. Strange legends are told of the effect produced by some of his weird subjects. He painted Nemesis pursuing a Murderer a flat stretch of landscape, with a slaughtered body, while in front is the assassin speeding away into the darkness, and above an angel of vengeance. The picture, so the story goes, was won in a lottery at Frankfurt by a personage of high rank, who had been guilty of an undiscovered crime, and the contemplation of his prize drove him mad.

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Nemesis 1837

Another design which Rethel executed was “Death the Avenger,” a skeleton appearing at a masked ball, scraping daintily, like a violinist, upon two human bones. The drawing haunted the memory of his artist friends and disturbed their dreams; and, in expiation, he produced his pathetic design of “Death the Friend.” Rethel also executed a powerful series of drawings “The Dance of Death” suggested by the Belgian insurrections of 1848. It is by such designs as these, executed in a technique founded upon that of Albrecht Dürer, and animated by an imagination akin to that of the elder master, that Rethel is most widely known. Rethel died at Düsseldorf in 1859.

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La Danse Macabre (The Dance of Death)

Still wondering about a 19th century German painting in your family collection? Contact us…it could be by Alfred Rethel.


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412--cuban-art.php Cuban art Artwork Authentication & Art Appraisal

Cuban Art

Get a Cuban Art Certificate of Authenticity for your painting (COA) for your Cuban Art drawing.

For all your Cuban Art artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cuban Art Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cuban Art painting or drawing.

If you want to sell your Cuban Art painting or drawing use our selling services. We offer Cuban Art selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cuban Art and issuing certificates of authenticity since 2002. We are recognized Cuban Art Certification Experts and Cuban Art certified appraisers. We issue COAs and appraisals for all Cuban Art artworks.

Our Cuban Art paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cuban Art certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cuban Art painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cuban Art paintings or drawings take longer.

Our clients include Cuban Art collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Cuban art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Cuban or we will sell it for you.

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Guajiros by Abela

Considering the small population of Cuba, of only a million and a half in 1900, it produced a remarkable number of talented artists who flourished during the first 75 years of the 20th century.

Cubans everywhere have good reason to be proud of their artistic heritage.

Of course, Cuba had talented painters long before the early 1900s, and their paintings bring back the echo of a quaint and distant past, the memories of which exist only in our imagination. No one today, can quite imagine what Cuba was like, and what it was like to live in Cuba, in 1850.

These earlier paintings, precious as they are, windows into the past, are nevertheless not so different from other paintings, done in other lands, around the same time.

What sets apart the generation that started to paint in the first few decades of the 1900s is that for the most part, their paintings were unlike anything painted anywhere else.

This is not to deny that Europeans and various modern art movements influenced Cuban painters, but precisely this is all it ever was, an influence. The best Cuban art produced during these golden years of the 20th century is absolutely Cuban. It is nobody else’s art. Just look at it.

Cubans and lovers of things Cuban, have long recognized the merit of these painters and aspired to own and enjoy some of these paintings.

While most of these willing collectors live outside Cuba, the largest stock of Cuban paintings is in Cuba.

There never was an exodus of Cuban paintings. See the history of the past 50 years.

As a result, something bad happened to Cuban art in the past couple of decades. Cuban paintings by the great masters started to multiply, as if they all had their studios in Miami, and as if they were all still alive and painting from sunrise to sunset.

Chaos, lawsuits, gallery closings, great amounts of money lost, disparaged collectors, loss of confidence, were the results.

Seeing this situation, we decided to put together the best possible team of Cuban Art Certification Experts. We contacted all the surviving members we could locate of all the great Cuban artists and asked them if they would cooperate with us.

We were lucky that we were able to make contact with the Gattorno family members, and also the Carreno, Arche, Rodriguez, Lam, Rivero, Eiriz and some others.

Considering that most of the archives, records, and the largest collections, for most Cuban painters, are in Cuba, we also made contact with art professionals in Cuba and asked them if they would assist us in art authentication research.

The result of these efforts if that today we have the finest team of Cuban Art Certification Experts, Cuban art researchers and Cuban independent art consultants ever put together.

We are not associated with any art gallery. We do not buy or sell Cuban paintings. We have no vested interest in the Cuban paintings we research.

We perform totally objective and independent research and art authentications.

If you would like to know if a Cuban painting is authentic, contact Art Certification Experts. We have the resources, the experience, and the finest team of specialists to do so. Many of them lived for decades with these artists and are intimately knowledgeable about their paintings.

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Mujeres Con Rio by Gattorno

done
413--vuillard.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vuillard" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vuillard" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
414--lanskoy.php Andre Lanskoy Artwork Authentication & Art Appraisal

Andre Lanskoy Андрей Ланской (1902-1976)

Get a Lanskoy Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Lanskoy artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Lanskoy Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lanskoy painting, drawing or print.

If you want to sell your Lanskoy painting, drawing or print use our selling services. We offer Lanskoy selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lanskoy and issuing certificates of authenticity since 2002. We are recognized Lanskoy experts and Lanskoy certified appraisers. We issue COAs and appraisals for all Lanskoy artworks.

Our Lanskoy paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lanskoy certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lanskoy painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lanskoy paintings or drawings take longer.

Our clients include Lanskoy collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Andre Lanskoy art authentication,appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Andre Lanskoy or we will sell it for you.

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Love and Tyranny, 1966

Andre Lanskoy was an Expressionist and Abstract painter born in Moscow, and was the son of a Russian count. He was a student at the School of Pages at the time of the Revolution. Lanskoy also lived in Kiev where he studied under the painter Soudeikine. He later settled in Paris in 1921 and attended the Academie de la Grande Chaumiere. During this time he studied and admired the work of Matisse and Van Gogh, whose influence is apparent in his earliest work.

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Portrait of a Man with a Pipe

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Portrait of a Woman

In 1923, Lanskoy was discovered by Wilhelm Uhde who helped him to organize his first one-man show in Paris in 1925. These earliest paintings were painted from his imagination and memory, instead of models, and were also Expressionist still life, interiors and landscapes. Lanskoy would not show his work again until 1938 in the Netherlands, and would continue to regularly exhibit his work after that in Zurich, Paris, New York, London, Brussels and Berlin.

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Family in Their Home

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Still Life

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Still Life With Herrings

Lanskoy began to paint in a more Abstract style in the 1940s, and began to slowly move further away from Expressionism. These paintings were increasingly more graphic and colorful, full of geometric shapes and thickly painted brush strokes. It is his Abstract paintings and lithographs that Lanskoy is perhaps best known for, and are also the type of compositions that dominate his oeuvre.

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Composition

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Abstract lithograph

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L’Arc en Ciel et L’Arlequin

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Composition in Gouache

From early on in his career, Lanskoy was fairly consistent about how he signed his artwork. On his Expressionist paintings, he typically used “Lanskoy” or “A. Lanskoy” in bold capital letters on the front of his canvas. This was carried on into his Abstract pieces, and also most lithographs and prints that he created.

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Abstraction in Red

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Untitled

Despite working in a variety of mediums from oil, watercolor, gouache, and lithograph, Lanskoy also created tapestry design.

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Tapestry design

Today, Lanskoy’s work is housed in modern art museums around the world, and perhaps in your own home. Still wondering about an Abstract painting hanging in your home? It could be by Andre Lanskoy…contact us to find out.


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415--delaunay_s.php Sonia Delaunay Artwork Authentication & Art Appraisal

Sonia Delaunay (November 14, 1885 – December 5, 1979)

We Perform Sonia Delaunay (November 14, 1885 – December 5, 1979) Sonia Delaunay art authentication. Sonia Delaunay appraisal. Sonia Delaunay certificates of authenticity (COA). Sonia Delaunay analysis, research, scientific tests, full art authentications. We will help you sell your Sonia Delaunay or we will sell it for you. The work of Sonia Delaunay may be hard for some authenticators to distinguish. In many cases, her style was very similar to that of her husband, fellow painter Robert Delaunay. The two, in fact, worked side by side, so naturally that their styles complemented one another. In some cases it is nearly impossible to tell which Delaunay created which painting but a trained and educated eye can pick out the work from either husband or wife.

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Disk Composition

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Electric Prisms, 1914, Pompidou Center, Paris

Sonia Delaunay was born in the Ukraine, and raised by her uncle, whose family was eventually able to formally adopt her. Delaunay traveled often as a child, and was enrolled in art school in St. Petersburg at the age of 16. She was eventually sent to Germany to continue her art studies at the Karlsruhe Academy of Fine Arts.

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Yellow Nude

Delaunay finally moved to Paris in 1905 to pursue her art career. Though she was married to a German art dealer at the time she met Robert Delaunay, the two began a relationship and were married in 1910. Together they created Orphism, a whole new arena of Abstract and Cubist art that infused color, motion and geometry.

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Flamenco Singers, 1915

While her husband remained focused on his painting, Sonia delved into the world of fashion and textiles during the First World War. Her take on high fashion included lyrical pieces that were full of movement—an inspiration from her themes as a painter. Many of Sonia’s compositions mirrored contemporary fashion patterns of today and were always bright, colorful and geometric.

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Fabric Pattern, 1928

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Fabric Pattern

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Composition 34, 1930

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Composition 31, 1930

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Composition 12, 1930

By the 1930s, Sonia returned to painting, which she would continue even after her husbands death in 1941, though she produced little work from then until 1950. Even after she began to work again, her later paintings gained little interest, though this was a very prolific period for her. In 1968 she donated a number of her husbands and her own works to the National Art Museum in Paris, perhaps in hope of regaining notoriety.

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Composition

Even though Sonia Delaunay may have been seen by some as following in her husbands footsteps, she made great strides on her own as an artist. In fact, Sonia was the first woman to ever have her work exhibited in the Louvre during her lifetime, a great honor for any artist. During her lifetime, she often was invited to lecture at universities like the Sorbonne, and is even credited as being one of the first to suggest “ready to wear” clothing.

Because Sonia led a very long, very bohemian lifestyle, the possibility of owning one of her pieces is great, as is the possibility of her work being wrongly authenticated. Today her work is housed all over France and she is remembered as a forerunner in abstract art and as an inspiration to generations of female artists.

If you suspect you may own a Delaunay, please contact us.


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416--kuindzhi.php Arkhip Kuindzhi Artwork Authentication & Art Appraisal

Arkhip Kuindzhi (1842-1910)

Get a Kuindzhi Certificate of Authenticity for your painting (COA) for your Kuindzhi drawing.

For all your Kuindzhi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kuindzhi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kuindzhi painting or drawing.

If you want to sell your Kuindzhi painting or drawing use our selling services. We offer Kuindzhi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kuindzhi and issuing certificates of authenticity since 2002. We are recognized Kuindzhi experts and Kuindzhi certified appraisers. We issue COAs and appraisals for all Kuindzhi artworks.

Our Kuindzhi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kuindzhi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kuindzhi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kuindzhi paintings or drawings take longer.

Our clients include Kuindzhi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Arkhip Kuindzhi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Arkhip Kuindzhi or we will sell it for you.

Surf and Clouds 1882

Surf and Clouds 1882

Arkhip Kuindzhi was a Russian landscape painter, born in January 1841 in Mariupol (present-day Ukraine), but he spent his youth in the city of Taganrog. He grew up in a poor family, and his father was a Greek shoemaker Ivan Khristoforovich Kuindzhi (sometimes spelt Emendzhi). Arkhip was six years old when he lost his parents, so that he was forced to make his living, working at the church building site, grazing domestic animals, and working at the corn merchant’s shop. During the five years, from 1860 to 1865, Arkhip Kuindzhi worked as retoucher in the photo studio of Isakovich in Taganrog. Kuindzhi tried to open his own photographer’s studio, but without success. After that Kuindzhi left Taganrog for Saint Petersburg.

Elbrus 1890-1895

Elbrus 1890-1895

He studied painting mainly independently and in St.Petersburg Academy of arts (from 1868; the full member since 1893). He was co-partner of mobile art exhibitions (Peredvizhniki, a group of Russian realist artists who in protest to academic restrictions formed an artists’ cooperative, which evolved into the Society for Traveling Art Exhibitions (Peredvizhniki in 1870. During this early period Kuinczhy felt Ivan Aivazovsky’s influence.

Dnepr in the Morning 1881

Dnepr in the Morning 1881

In 1872 the artist left the academy and worked as a freelancer. The painting Na ostrove Valaam (On the Valaam Island) was the first artwork, which Pavel Tretyakov acquired for his art gallery. In 1873, Kuindzhi exhibited his painting The Snow, which received the bronze medal at the International Art Exhibition in London in 1874. In the middle of 1870s he created a number of paintings in which the landscape motif was designed for concrete social associations in the spirit of Peredvizhniki (Forgotten village, 1874; Chumatski path, 1875; both – in Tretyakov gallery).

Moon Spots in the Forest, Winter

Moon Spots in the Forest, Winter

In his mature period Kuindzhy aspired to transfer the most expressive on illumination of a condition of the nature. He applied composite receptions (high horizon, etc.), creating panoramic views. Using light effects and intense colors shown in main tones, he depicted the illusion of illumination (The Ukrainian night, 1876; Birch Grove, 1879; After a thunderstorm, 1879; all three are in Tretyakov Gallery; Night on Dnepr, 1880 in Russian museum, St.Petersburg). His later works are remarkable by decorative effects of color building.

Evening in the Ukraine 1878

Evening in the Ukraine 1878

Kuindzhi lectured at the St.Petersburg Academy of arts (Professor since 1892; professor-head of landscape workshop since 1894; but he was fired in 1897 for support of student’s protests). Among his students were artists such as Arkady Rylov, Nicholas Roerich, Konstantin Bogaevsky, and others. Kuindzhi initiated creation of the Society of artists (1909; later – the Society named after A.I. Kuindzhi).

Forest Expanses

Forest Expanses

Still wondering about a 19th century Russian painting in your family collection? Contact us…it could be by Arkhip Kuindzhy.


done
417--tintoretto.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "tintoretto" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "tintoretto" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
418--jeaurat.php Etienne Jeaurat Artwork Authentication & Art Appraisal

Etienne Jeaurat (1699-1789)

Get a Jeaurat Certificate of Authenticity for your painting (COA) for your Jeaurat drawing.

For all your Jeaurat artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Jeaurat Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Jeaurat painting or drawing.

If you want to sell your Jeaurat painting or drawing use our selling services. We offer Jeaurat selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Jeaurat and issuing certificates of authenticity since 2002. We are recognized Jeaurat experts and Jeaurat certified appraisers. We issue COAs and appraisals for all Jeaurat artworks.

Our Jeaurat paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Jeaurat certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Jeaurat painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Jeaurat paintings or drawings take longer.

Our clients include Jeaurat collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Etienne Jeaurat art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Etienne Jeaurat or we will sell it for you.

Jeaurat painting, Two Women

Two Women

Jeaurat painting, Musical Soiree

Musical Soiree

Etienne Jeaurat was an 18th century French history and genre painter. He was appointed chancellor and rector of the Academie Royale and regularly exhibited at the Salon for a decade. Gobelins made tapestries from his designs, and during the 1750s, he painted natural, unsentimental street scenes of Paris.

Jeaurat painting, Le Transport des Filles de Joie de l'Hopital

Le Transport des Filles de Joie de l’Hopital

Still wondering about an 18th century Parisian painting in your family collection? Contact us…it could be by Etienne Jeaurat


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419--bayeu-y-subias.php Francisco Bayeu Artwork Authentication & Art Appraisal

Francisco Bayeu y Subias (1734-1795)

We Perform Francisco Bayeu art authentication. Francisco Bayeu appraisal. Francisco Bayeu certificates of authenticity (COA). Francisco Bayeu analysis, research, scientific tests, full art authentications. We will help you sell your Francisco Bayeu or we will sell it for you.

Bayeu, Olympus, The Fall of the Giants

Olympus, The Fall of the Giants

Bayeu, Religious painting

Religious painting

Francisco Bayeu was a Spanish painter of the neoclassical period. Bayeu is known for painting religious and historical works. Bayeu was born in the village of Zaragoza, Spain. Bayeu began studying art at an early age with local Zaragoza painters, José Luzán an Antonio González Velázquez. Bayeu excelled at painting and was awarded a scholarship for his painting “Tyranny of the Gerion”. Bayeu’s scholarship enabled him to study at the Academia Real de Bellas Artes de San Fernando in Madrid.

Bayeu, Sagrada Family

Sagrada Familia

After a few years of study, Bayeu returned to Zaragoza to look after his younger brothers following the death of his parents. Fortunately Bayeu made lasting contacts in Madrid, and he was invited assist Anton Raphael Mengs in painting the Royal Palace of Madrid. After completing a major project in Spain’s capital, Bayeu’s reputation began to spread.

Bayeu, Manuel de Godoy

Manuel de Godoy

Bayeu, Patron of the Spanish Infantry

Patron of the Spanish Infantry

Bayeu, Patron of the Spanish Infantry II

Patron of the Spanish Infantry II

Bayeu, Fresco

Fresco

Bayeu, Battle of the Giants

Battle of the Giants

Bayeu, Picnic in the Country

Picnic in the Country

Bayeu, Allegory of the Spanish State

Allegory of the Spanish State

Bayeu continued to work alongside Spain’s greatest painters, including Francisco de Goya. Goya painted a portrait of Bayeu, which hangs in the Museo del Prado in Madrid.

Bayeu received many titles throughout his career and achieved the status of court painter for King Charles III. Bayeu worked as a professor and director at his alma mater, the Academia Real de Bellas Artes de San Fernando. Bayeu painted numerous frescos in Royal palaces and cathedrals in Spain. The College of San Ildefonso, the Royal Monastery of the Incarnation and the Basilica of our Lady de Pilar are a few sites where Bayeu worked.

Bayeu is remembered as one of the greatest Spanish painters of his time. His paintings are now housed in the Museo del Prado among other major collections. Do you think you own a painting by Francisco Bayeu? Contact us. We are the Francisco Bayeu experts.


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420--crome.php John Crome Artwork Authentication & Art Appraisal

John Crome (1768-1821)

Get a Crome Certificate of Authenticity for your painting (COA) for your Crome drawing.

For all your Crome artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Crome Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Crome painting or drawing.

If you want to sell your Crome painting or drawing use our selling services. We offer Crome selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Crome and issuing certificates of authenticity since 2002. We are recognized Crome experts and Crome certified appraisers. We issue COAs and appraisals for all Crome artworks.

Our Crome paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Crome certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Crome painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Crome paintings or drawings take longer.

Our clients include Crome collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John Crome art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Crome or we will sell it for you.

Crome painting, Yarmouth Harbour, Evening

Yarmouth Harbour, Evening

John Crome was an 18th century English Romantic artist. He is sometimes referred to as “Old Crome” to distinguish himself from his son, John Berney Crome, who was also a well-known artist.

Croce painting, Moonrise on the Yare

Moonrise on the Yare

Crome was the son of a weaver and was initially apprenticed as a young man to a sign maker. Art historians say that he taught himself to paint by copying the works of Gainsborough and Hobbeman, and went on to become the founder of the Norwich School of Painters. Crome worked in both oil and watercolor and was said to have created some 300 paintings, many of which were landscapes.

Croce painting, Mousehold Heath

Mousehold Heath

Still wondering about an 18th century English painting in your family collection? Contact us…it could be by John Crome.


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421--dadd.php Richard Dadd Artwork Authentication & Art Appraisal

Richard Dadd (1817 – 1886)

Get a Dadd Certificate of Authenticity for your painting (COA) for your Dadd drawing.

For all your Dadd artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dadd Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dadd painting or drawing.

If you want to sell your Dadd painting or drawing use our selling services. We offer Dadd selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dadd and issuing certificates of authenticity since 2002. We are recognized Dadd experts and Dadd certified appraisers. We issue COAs and appraisals for all Dadd artworks.

Our Dadd paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dadd certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dadd painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dadd paintings or drawings take longer.

Our clients include Dadd collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Richard Dadd art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Richard Dadd or we will sell it for you.

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Master Stroke

Richard Dadd was an English painter of the Victorian era, noted for his depictions of fairies and other supernatural subjects, Orientalist scenes, and enigmatic genre scenes, rendered with obsessively minuscule detail. Most of the works for which he is best known were created while he was incarcerated in a psychiatric hospital.

Dadd was born at Chatham, Medway in Kent, England, the son of a chemist. His aptitude for drawing was evident at an early age, leading to his admission to the Royal Academy of Arts at the age of 20. With William Powell Frith, Augustus Egg, Henry O’Neil and others, he founded The Clique, of which he was generally considered the leading talent.

In July of 1842 Sir Thomas Phillips, the former mayor of Newport, chose Dadd to accompany him as his draftsman on an expedition through Europe to Greece, Turkey, Palestine and finally Egypt. In November of that year they spent a grueling two weeks in Palestine, passing from Jerusalem to Jordan and returning across the Engaddi wilderness. Toward the end of December, while travelling up the Nile by boat, Dadd underwent a dramatic personality change, becoming delusional and increasingly violent, and believing himself to be under the influence of the Egyptian god Osiris. His condition was initially thought to be sunstroke.

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Crazy Jane 1885

On his return in the spring of 1843, he was diagnosed to be of unsound mind and was taken by his family to recuperate in the countryside village of Cobham, Kent. In August of that year, having become convinced that his father was the Devil in disguise, Dadd murdered him with a knife and fled for France. En route to Paris Dadd attempted to murder another tourist with a razor, but was unsuccessful and was arrested by the police. Dadd confessed to the murder of his father and was returned to England, where he was committed to the criminal department of Bethlem psychiatric hospital (also known as Bedlam).

Which condition he suffered from is unclear, but it is usually understood to be a form of schizophrenia. Alternatively, it is sometimes claimed that he suffered from what is now known as bipolar disorder. He appears to have been genetically predisposed to mental illness; two of his siblings were similarly afflicted, while a third had “a private attendant” for unknown reasons.

In the hospital he was allowed to continue to paint and it was here that many of his masterpieces were created, including his most celebrated painting, The Fairy Feller’s Master-Stroke, which he worked on between 1855 and 1864. Also dating from the 1850s are the thirty-three watercolor drawings titled Sketches to Illustrate the Passions, which include Grief or Sorrow, Love, and Jealousy, as well as Agony-Raving Madness and Murder. Like most of his works these are executed on a small scale and feature protagonists whose eyes are fixed in a peculiar, unfocused stare. Dadd also produced many shipping scenes and landscapes during his incarceration, such as the ethereal 1861 watercolor Port Stragglin. These are executed with a miniaturist’s eye for detail which belie the fact that they are products of imagination and memory.

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Titania Sleeping

After 20 years at Bethlem, in July of 1864, perhaps because Bedlam was overcrowded, Dadd was moved to a new lunatic asylum at Broadmoor, outside London. Here he remained, painting constantly and receiving infrequent visitors until January 7, 1886, when he died, “from an extensive disease of the lungs.”

The Fairy Feller’s Master-Stroke, was to become the title of a song by the rock band Queen. Come unto these Yellow Sands, a play based on his life, was written by Angela Carter. Oliver Knussen considered naming his piece Flourish with Fireworks after The Fairy Feller’s Master-Stroke, as its composition owes a lot to the small, exquisite, quirky details in the painting and contains a similar attempted correlation of large and small scale. The Wee Free Men, a novel by Terry Pratchett, edited in 2003, was in a central part inspired by The Fairy Feller’s Master-Stroke. Pratchett’s friend Neil Gaiman includes a reference to Dadd in Sandman. The painting also is a plot element in The Witches of Chiswick by Robert Rankin.

In 1987 a long-lost watercolor by Dadd, The Artist’s Halt in the Desert, was discovered by Peter Nahum on the BBC TV programme “Antiques Roadshow”. Made while the artist was incarcerated, it is based on sketches made during his tour of the Middle East, and shows his party encamped by the Dead Sea, with Dadd at the far right.) It was later sold for £100,000 to the British Museum.

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Portrait of a Young Man

Still wondering about a British painting in your family collection? Contact us…it could be by Richard Dadd.


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422--loir.php Francois-Joseph Luigi Loir Artwork Authentication & Art Appraisal

Luigi Loir (1845-1916)

Get a Loir Certificate of Authenticity for your painting (COA) for your Loir drawing.

For all your Loir artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Loir Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Loir painting or drawing.

If you want to sell your Loir painting or drawing use our selling services. We offer Loir selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Loir and issuing certificates of authenticity since 2002. We are recognized Loir experts and Loir certified appraisers. We issue COAs and appraisals for all Loir artworks.

Our Loir paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Loir certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Loir painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Loir paintings or drawings take longer.

Our clients include Loir collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Luigi Loir art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Luigi Loir or we will sell it for you.

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Paris in the Morning

Luigi Loir was born Francois-Joseph Luigi Loir in Austria to a French family working for the aristocracy. He received his first artistic training in 1853 at the Beaux-Art Academy in Parma. Early in his career, Loir became famous for his mural and ceiling paintings. In 1865, he studied mural painting under Pastelot in Paris, and received his first big commission as a mural painter decorating the ceilings of the Chateaux de Diable the following year. Loir would eventually become one of the best Naturalist Parisian cityscape painters of his day.

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Still Life of Roses and Cherries

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Les Jeunes Pierrots, 1900

During this time, Loir had continued to paint, sketch and illustrate on his own. Parisian street scenes, figure studies, and early echoes of the Belle Epoque dotted his compositions. In 1865, Loir also began to regularly show his work at the salons, showing not only his Parisian cityscapes, but those created in other regions of France as well. Loir would show hints of Impressionism in his work, but was never truly associated with this movement.

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Les Boulevards Sous la Pluie

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La Baraque

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Street Scene in Treport, 1885

Loir quickly found success as an artist, and his work was quickly bought up by the French state as well as a number of museums during his lifetime. The government also began to commission him for work, most notably an 1870 work for the military recording the battles in Bouret. That same year, Loir was elected to be the official painter of the boulevards of Paris due to his great depiction and love for the Parisian cityscape.

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Vue des Quais de Seine a Paris, 1900

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Paris in the Snow

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Skating Scene, Twilight

Besides being a celebrated painter of city scenes, Loir was also a graphic designer for advertisements as well as music and book illustrations. Among his many commercial designs was the cover for the official 1900 Exposition Universelle in Paris. This work helped to earn Loir a place in the world of poster art. While it was typical of most artists of his day to paint primarily in oil, Loir did not limit himself to this medium and painted quite often in gouache and watercolor.

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Côte à Biarritz

Loir was awarded the Legion of Honor in 1898, and continued to remain active in art right up until his death. Today, Loir’s work is housed all over Europe in France, Austria and Russia. Still wondering about a Parisian cityscape hanging in your home? Contact us. It could be by Luigi Loir.


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423--cignaroli.php Giambettino Cignaroli Artwork Authentication & Art Appraisal

Giambettino Cignaroli (1706-1770)

Get a Cignaroli Certificate of Authenticity for your painting (COA) for your Cignaroli drawing.

For all your Cignaroli artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cignaroli Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cignaroli painting or drawing.

If you want to sell your Cignaroli painting or drawing use our selling services. We offer Cignaroli selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cignaroli and issuing certificates of authenticity since 2002. We are recognized Cignaroli experts and Cignaroli certified appraisers. We issue COAs and appraisals for all Cignaroli artworks.

Our Cignaroli paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cignaroli certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cignaroli painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cignaroli paintings or drawings take longer.

Our clients include Cignaroli collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giambettino Cignaroli art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giambettino Cignaroli or we will sell it for you.

Cignaroli painting,St. Nicolas of Bari with Two Children

St. Nicolas of Bari with Two Children

Giambettino Cignaroli was an 18th century Italian painter. He was the student of Antonio Balestra and painted in the Rococo style. He was born and died in Verona, and worked mostly in and around that area his entire life. He mainly painted religious and mythological subjects.

Cignaroli painting, The Finding of Moses

The Finding of Moses

Still wondering about an 18th century Italian painting in your family collection? Contact us…it could be by Giambettino Cignaroli.


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424--hickel.php Anton Hickel Artwork Authentication & Art Appraisal

Anton Hickel (1745-1798)

Get a Hickel Certificate of Authenticity for your painting (COA) for your Hickel drawing.

For all your Hickel artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hickel Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hickel painting or drawing.

If you want to sell your Hickel painting or drawing use our selling services. We offer Hickel selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hickel and issuing certificates of authenticity since 2002. We are recognized Hickel experts and Hickel certified appraisers. We issue COAs and appraisals for all Hickel artworks.

Our Hickel paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hickel certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hickel painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hickel paintings or drawings take longer.

Our clients include Hickel collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Anton Hickel art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Anton Hickel or we will sell it for you.

Anton Hickel painting, Portrait of a Woman

Portrait of a Woman

Anton Hickel was the brother and student of Joseph Hickel. He became an itinerant portrait painter throughout the Hapsburg Empire and the Holy Roman Empire .  Forced to leave France with the French Revolution in 1789, he traveled to London .  He stayed in England until 1797 when he moved to Hamburg.

Anton Hickel painting, Portrait of a Man

Portrait of a Man

Still wondering about an 18th century portrait in your family collection? Contact us…it could be by Anton Hickel.


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425--de-stael.php Nicolas de Staël Artwork Authentication & Art Appraisal

Nicolas de Staël (1914-1955)

Get a De Staël Certificate of Authenticity for your painting (COA) for your De Staël drawing.

For all your De Staël artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Staël Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Staël painting or drawing.

If you want to sell your De Staël painting or drawing use our selling services. We offer De Staël selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Staël and issuing certificates of authenticity since 2002. We are recognized De Staël experts and De Staël certified appraisers. We issue COAs and appraisals for all De Staël artworks.

Our De Staël paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Staël certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Staël painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Staël paintings or drawings take longer.

Our clients include De Staël collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Nicolas De Staël art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Nicolas De Staël or we will sell it for you.

Figures Au Bord de Mer

Figures Au Bord de Mer

Nicolas de Staël was a painter known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles.Nicolas de Staël was the son of a Russian Lieutenant General, Baron Vladimir Stael von Holstein, (a member of the Staël von Holstein family, and the last Commandant of the Peter and Paul Fortress) and his wife, Olga Sakhanskaya. De Staël’s family was forced to emigrate to Poland in 1919 because of the Russian Revolution; Both, his father and stepmother, would die in Poland and the orphaned Nicolas de Staël would be sent with his older sister Marina to Brussels to live with a Russian family (1922).

Le Concert

Le Concert

He eventually studied art at the Brussels Académie royale des beaux-arts (1932). In the 1930s, he traveled throughout Europe, lived in Paris (1934) and in Morocco (1936) (where he first met his companion Jeannine Guillou, also a painter and who would appear in some of his paintings from 1941-1942) and Algeria. In 1936 he had his first exhibition of Byzantine style icons and watercolors at the Galerie Dietrich et Cie, Brussels. He joined the French Foreign Legion in 1939 and was demobilized in 1941. Sometime in 1940 he met one of his future dealers Jeanne Bucher.

Bateaux

Bateaux

In 1941, he moved to Nice where he met Jean Arp, Sonia Delaunay and Robert Delaunay, and these artists would inspire his first abstract paintings, or “Compositions”. In 1942, Jeannine and Nicolas de Staël’s first child, Anne was born. The growing family also included Jeannine’s nine year old son Antoine. In 1943 (during the Nazi occupation), de Staël returned to Paris with Jeannine, but the war years were extremely difficult. During the war his paintings were included in several group exhibitions and in 1944 he had his first one-man exhibition at the Galerie l’Esquisse. In April 1945 he had a one-man exhibition at the Galerie Jeanne Bucher and in May 1945 his paintings were included in the first Salon de Mai. De Staël’s work was also included in the Salon d’Automne that year. In Paris in 1944 he met and befriended Georges Braque, and by 1945 his exhibition’s brought him critical fame. However times were so difficult, and success’s came too late as Jeannine died in February 1946, from illness brought on by malnutrition.

The Shelf

The Shelf

De Staël met Francoise Chapouton in the spring of 1946, and they married in May. In October 1946 thanks to his friendship with artist André Lanskoy (whom he met in 1944) de Staël made a contract with Louis Carré who agreed to buy all the paintings that he produced. By January 1947 the de Staël family moved into larger quarters thanks to increased recognition and increased sales. In 1947 he befriended his neighbor American private art dealer Theodore Schempp. De Stael’s new studio in Paris was very close to Georges Braque’s and the two painters became very close friends. In April 1947 his second daughter Laurence was born.In April 1948 his son Jerome was born, also that same year in Paris he began a long friendship with German artist Johnny Friedlaender. His paintings began to attract attention worldwide. In 1950 he had a one-man exhibition at the Galerie Jacques Dubourg in Paris and Schempp introduced de Stael’s paintings to New York, with a private exhibition at his Upper East Side apartment. He sold several paintings to important collectors including Duncan Phillips of the Phillips Collection. He had considerable success in the United States, and England in the early 1950s. In 1950 Leo Castelli organized a group exhibition at the Sidney Janis Gallery in New York City that included him. In 1952 He had one-man exhibitions in London, Montevideo, Uruguay, and in Paris. In March 1953 he had his first official one-man exhibition at M. Knoedler & Co. in New York City. The show was both a commercial and critical success. In 1953 he had an exhibition at the Phillips Gallery in Washington DC, (known today as The Phillips Collection in Washington DC) and they acquired two more of his canvasses. Visiting the United States in 1953 de Staël and Francoise visited MoMA, the Barnes Foundation in Merion, Pennsylvania and various other important institutions.

Agrigente

Agrigente

After returning to Paris, de Staël met visiting New York art dealer Paul Rosenberg who offered de Staël an exclusive contract. De Staël signed with Paul Rosenberg partially because Rosenberg was French and because he was an important New York art dealer who showed many Cubist painters whom Nicolas de Staël admired. By the end of 1953 the demand for de Staël’s paintings was so great that Paul Rosenberg raised his prices and continually requested more paintings. The demand was so high for his planned spring 1954 exhibition, that Rosenberg requested an additional fifteen paintings. Once again this exhibition was both commercially and critically successful. In April 1954 de Staël’s fourth child Gustave was born. In that spring he had a successful exhibition in Paris at Jacques Dubourg’s gallery. His new paintings marked his departure from abstraction and a return to figuration, still-life and landscape. In the fall of 1954 he moved with his family to Antibes.

Homage a Sydney Bechet

Homage a Sydney Bechet

But by 1953, de Staël’s depression led him to seek isolation in the south of France (eventually in Antibes). He suffered from exhaustion, insomnia and depression. In the wake of a disappointing meeting with a disparaging art critic on March 16, 1955 he committed suicide. He leapt to his death from his eleventh story studio terrace, in Antibes. He was 41 years old.

La Rout d'Ouzes 1954

La Rout d’Ouzes 1954

De Staël ‘s work was quickly recognised within the post-war art world, and he became one of the most influential artists of the 1950s. However, he moved away from abstraction in his later paintings, seeking a more “French” lyrical style, returning to representation (seascapes, footballers, jazz musicians, seagulls) at the end of his life. His return to imagery during the early 1950s can be seen as an influential precedent for the American Bay Area Figurative Movement, as many of those abstract painters made a similar move; returning to imagery during the mid-1950s. His painting style is characterized by a thick impasto showing traces of the brush and the palette knife, and by a division of the canvas into numerous zones of color (especially blues, reds and whites). His most well-known late paintings of beaches and landscapes are dominated by the sky and effects of light.

Les Mouettes 1955

Les Mouettes 1955

Much of de Staël ‘s late work – in particular his thinned, and diluted oil on canvas abstract landscapes of the mid-1950s predicts Color field painting and Lyrical Abstraction of the 1960s and 1970s. Nicolas de Staël ‘s bold and intensely vivid color in his last paintings predict the direction of much of contemporary painting that came after him including Pop Art of the 1960s. Still wondering about a Russian painting in your family collection? Contact us…it could be by Nicolas de Staël.


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426--dubois-pillett.php Albert Dubois-Pillet Artwork Authentication & Art Appraisal

Albert Dubois-Pillet (1846-1890)

Get a Dubois Certificate of Authenticity for your painting (COA) for your Dubois drawing.

For all your Dubois artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dubois Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dubois painting or drawing.

If you want to sell your Dubois painting or drawing use our selling services. We offer Dubois selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dubois and issuing certificates of authenticity since 2002. We are recognized Dubois experts and Dubois certified appraisers. We issue COAs and appraisals for all Dubois artworks.

Our Dubois paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dubois certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dubois painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dubois paintings or drawings take longer.

Our clients include Dubois collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Albert Dubois-Pillet art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Albert Dubois-Pillet or we will sell it for you.

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The Seine at Bercy

Albert Dubois-Pillet was born in Paris and initially attended the Imperial Military School in Saint-Cyr. Shortly thereafter, Dubois-Pillet fought in the Franco-Prussian War as an officer and was captured by the Germans. After his release, Dubois-Pillet found inspiration in the works of the neo-Impressionists and began to paint.

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Lady Carrying Bread, 1889

One style that Dubois-Pillet used was Pointillism, inspired by the styling of fellow neo-Impressionist Georges Seurat.

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Bords de Riviere, 1888

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Bords de Rivieres et Trois Chalands, 1886

Watercolors and oil paint were the main medium of Dubois-Pillet, but as is the case with many artists, there must be a number of sketches left behind, forgotten or otherwise misplaced.

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“Bord de Marne a L’Aube” 1886 watercolor

Dubois-Pillet had a very brief career as an artist, cut tragically short by his death at the age of 44. Most of his best work was created in the 1880’s and he left behind an oeuvre of calm landscapes, seascapes and images of rural French life.


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427--cappiello.php Leonetto Cappiello Artwork Authentication & Art Appraisal

Leonetto Cappiello (1875-1942)

Get a Cappiello Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Cappiello artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Cappiello Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cappiello painting, drawing or print.

If you want to sell your Cappiello painting, drawing or print use our selling services. We offer Cappiello selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cappiello and issuing certificates of authenticity since 2002. We are recognized Cappiello experts and Cappiello certified appraisers. We issue COAs and appraisals for all Cappiello artworks.

Our Cappiello paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cappiello certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cappiello painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cappiello paintings or drawings take longer.

Our clients include Cappiello collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Leonetto Cappiello art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Leonetto Cappiello or we will sell it for you.

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Parapluie Revel 1922

Leonetto Cappiello was an Italian poster art designer who lived in Paris. He is now often called “the father of modern advertising.” Cappiello had no formal training in art. The first exhibition of his work was in 1892, when a painting was displayed at the municipal museum in Florence.

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Pates Baroni 1921

Cappiello started his career as a caricaturist illustrating in journals like Le Rire, Le Cri de Paris, Le Sourire, L’Assiette au Beurre, La Baionnette, Femina, and others. His first album of caricatures, “Lanterna Magica,” was made in 1896. In 1898, he moved to Paris, and his caricatures were published in Le Rire for the first time.

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Bitter Campari 1921

Cappiello made his name during the poster boom period in the early 20th century, with designs similar to those of Jules Chéret. His first poster, for the newspaper Frou-Frou, was made in 1899.He signed first contract for posters with printer P. Vercasson in 1900. He was married to Suzanne Meyer Cappiello 1901. Between 1901 and 1914, he created several hundred posters in a style that revolutionized the art of poster design. Cappiello redesigned the fin-de-siècle pictures into images more relevant to the faster pace of the 20th century. During this period, Capiello continued as a caricaturist.

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L’Oie d’Or 1935

During World War I, Cappiello worked as an interpreter in Italy. Afterwards, he devoted his career fully to poster design. In 1919, he signed a contract with publisher Devambez.

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Chocolat Au Lait Suchard

Still wondering about an Italian art piece in your family collection? Contact us…it could be by Leonetto Cappiello.


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428--helleu.php Paul-Cesar Helleu Artwork Authentication & Art Appraisal

Paul-Cesar Helleu (1859-1927)

Get a Helleu Certificate of Authenticity for your painting (COA) for your Helleu drawing.

For all your Helleu artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Helleu Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Helleu painting or drawing.

If you want to sell your Helleu painting or drawing use our selling services. We offer Helleu selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Helleu and issuing certificates of authenticity since 2002. We are recognized Helleu experts and Helleu certified appraisers. We issue COAs and appraisals for all Helleu artworks.

Our Helleu paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Helleu certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Helleu painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Helleu paintings or drawings take longer.

Our clients include Helleu collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Paul-Cesar Helleu art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Paul-Cesar Helleu or we will sell it for you.

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The Feathered Hat

Paul-Cesar Helleu was a French artist, originally trained in ceramics. Born in Vannes, he moved to Paris at the age of 17 where he studied academic painting under Gerome. He would also study at the Ecole des Beaux-Arts under Theodore Deck.

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Vase of Flowers, 1896

Helleu quickly became known for his sketches and portraits of beautiful French women during the Belle Epoque era. The majority of Helleu’s oeuvre is in fact filled with sketches and studies of fashionable women of the day. Though there is no official catalogue of every sketch or portrait, it has been suggested that Helleu created literally hundreds of portraits.

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Portrait of a Lady in Profile

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Study of a Woman’s Head

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My Three Children, 1897

In particular, Helleu was fond of sketching women in elegant hats. He would employ the dry point method of sketching, as opposed to charcoal or pencil. It was said that he used a diamond point pen to improve his etchings and drawings. To add color, Helleu would also employ pastels and crayon pencils.

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Elegant Au Chapeau

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Femme Elegante

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Woman with Blue Eyes, 1890

Helleu’s favorite model by far was his wife, Alice Guerin, and later Madame Helleu, whom he met when and began sketching when she was only 14. Later, their eldest daughter Ellen would also become a favorite model of his. Both Helleu and his wife became high society figures, and their graceful and elegant lifestyle was echoed in his compositions.

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Madame Helleu at the Home of John Singer Sargent

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Madame Helleu in Her Husband’s Studio

Fellow painter John Singer Sargent became a great friend and mentor to Helleu. He was a well-liked figure in society and was constantly in demand to create portraits of the Parisian elite. Few other artists of his time were able to capture the realistic beauty of the elegant and fashionable women of his time.

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On the Sofa

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Woman in White

The possibility of owning a sketch of a beautiful society woman by Helleu is great, due to the fact that he was a truly prolific artist. Helleu also created still life and portrait paintings in his same graceful style, though these are fewer and far between. Besides his talents as a portrait painter, Helleu also created the astrological scene on the ceiling of New York City’s Grand Central Station in 1912.

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Portrait of a Young Woman

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429--van_gogh_bio.php Vincent van Gogh Artwork Authentication & Art Appraisal

Vincent Van Gogh (1853-1890)

We Perform Vincent van Gogh art authentication. Vincent van Gogh appraisal. Vincent van Gogh certificates of authenticity (COA). Vincent van Gogh analysis, research, scientific tests, full art authentications. We will help you sell your Vincent van Gogh or we will sell it for you.

Self-Portrait with Grey Felt Hat, 1887

Self-Portrait with Grey Felt Hat, 1887

An unsuccessful commercial artists in life, Vincent van Gogh is perhaps one of the most tragic and creative artists to have come out of the 19th century. Van Gogh is generally considered one of the greatest Dutch painters next to Rembrandt, and his paintings are among the most valuable and collectible pieces of art in the world. His use of color, brushstroke technique and themes were revolutionary, and echoed the mental illnesses (schizophrenia and epilepsy among them) that plagued him and eventually caused his death. At one time he even attempted to take the life of fellow painter Paul Gauguin, and eventually took his own life.

Van Gogh has left the art world with many unanswered questions, mysteries, and an oeuvre of valuable paintings. The market for works by van Gogh is very quiet, even if from time to time there is a thunderous sale. Most years, as few as 15 to 30 van Gogh paintings may change hands. It is not that the body of his work is so limited; he left some 2,200 pieces including drawings and sketches for instance. Rather, it seems to be that owners of a van Gogh want to keep it and to live with it longer.

Café Terrace at Night 1888

Café Terrace at Night 1888

The Starry Night 1889

The Starry Night 1889

In fact, if you have a doubt as to whether or not you indeed own a Vincent van Gogh piece, you may be able to use “The Starry Night” as a jumping ground for comparison. At this time, Vincent was one of the few to use such bold colors and brush strokes, way before the Fauve movement after the turn of the century. His themes are usually dark; nearly empty rooms, quiet waterfront or café scenes or the French countryside. Though born in the Netherlands, Vincent worked and studied in Paris and lived there until his death. Most of his work is either based on Dutch or French life, and can easily be recognized by style. His portraiture is rarely flattering, but crude, and is perhaps why he did not have many patrons during his lifetime. However, now these crude portraits, like “La Mousme”, which is housed in the National Gallery of Art in Washington D.C., are considered masterful works of art for their unusual take on a subject.

La Mousme, 1888

La Mousme, 1888

It would seem presumptuous to think we have inventoried every last drawing he gave away, every sketch he made somewhere to please someone, or all the illustrated letters he ever wrote. This is why researching if a painting or drawing is perhaps an undiscovered van Gogh is always a thrill.

We have extensive resources and experience researching his works, particularly in France, where much reference material and archives are concentrated about his life, works and writings. We invite and welcome research and art authentication projects of works by, or possibly by, Vincent van Gogh.


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430--vanderlyn_j.php John Vanderlyn Artwork Authentication & Art Appraisal

John Vanderlyn (1775-1852)

Do you think you may own a painting by John Vanderlyn? We authenticate, appraise and research all paintings by this great artist.

Vanderlyn painting, Death of Jane McCrea

Death of Jane McCrea

John Vanderlyn was an American Neoclassical painter born in Kingston, New York. The grandson of painter Pieter Vanderlyn, John Vanderlyn originally studied business, only creating art as a hobby. However, after attending art classes at the drawing school of Archibald Robertson, Vanderlyn emerged himself further into his art.

Vanderlyn painting, Still Life Fruit in a Neoclassical Setting

Still Life Fruit in a Neoclassical Setting

Vanderlyn eventually traveled to Philadelphia where he worked in the studio of Gilbert Stuart. Money was scarce for Vanderlyn at the time, and he was only able to continue his studies through his benefactor, Aaron Burr, whose family he would paint throughout the years. This enabled him to travel to France in 1796, where he stayed for five years, working and studying.

Vanderlyn painting, Theodosia Burr

Theodosia Burr

For the next few years, Vanderlyn would continue to travel between the United States and Europe, essentially going to England, Paris and Rome. While in Rome, he painted his famous picture “Marius and the Ruins of Carthage” which he later won a gold medal for in Paris.

Vanderlyn painting, Marius and the Ruins of Carthage

Marius and the Ruins of Carthage

This led to relative fame for Vanderlyn and a succession of important paintings would follow. His 1814 painting “Ariadne Asleep on the Island of Naxos,” depicting the classical character in the nude also gained him critical acclaim.

Vanderlyn painting, Ariadne Asleep on the Island of Naxos 1814

Ariadne Asleep on the Island of Naxos 1814

Vanderlyn finally returned to the states for good in 1815, and upon his return, he was commissioned to paint portraits of various important American political figures, among them Washington, James Monroe, Andrew Jackson and Zachary Taylor. At this time, Vanderlyn was also showing panoramas, but neither these nor his portraits brought him much financial success.

Vanderlyn painting, Washington

Washington

Vanderlyn painting, James Monroe

James Monroe

Not until 1842 would Vanderlyn come back into the limelight, when he was commissioned by the government to paint “The Landing of Columbus” which was to hang in the rotunda in the nations’ capital. Vanderlyn traveled to Paris to execute this painting, but it is said that he hired a French assistant who most likely painted the entire picture. Vanderlyn died in his hometown of Kingston ten years later, practically penniless and sadly forgotten.

Vanderlyn painting, The Landing of Columbus

The Landing of Columbus

One of the most interesting things about John Vanderlyn is that it is likely that he was the first American born artist to have traveled to France instead of England to receive academic training. Art historians credit Vanderlyn for bringing the Neoclassical style to the United States. Vanderlyn’s style was very academic, and did not typically stray from the artistic tastes of the day into more creative waters.

Vanderlyn painting, Sampson Vryling Stoddard Wilder

Sampson Vryling Stoddard Wilder

Today, Vanderlyns’ paintings are housed all over the United States, particularly in New England, and perhaps in your own home. Still wondering about a family portrait or early American landscape hanging in your home? Contact us…it could be by John Vanderlyn


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432--gonzalez-miguel.php Mariano Miguel Gonzalez Artwork Authentication & Art Appraisal

Mariano Miguel Gonzalez (1885-1954)

Get a Gonzalez Certificate of Authenticity for your painting (COA) for your Gonzalez drawing.

For all your Gonzalez artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gonzalez Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gonzalez painting or drawing.

If you want to sell your Gonzalez painting or drawing use our selling services. We offer Gonzalez selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gonzalez and issuing certificates of authenticity since 2002. We are recognized Gonzalez experts and Gonzalez certified appraisers. We issue COAs and appraisals for all Gonzalez artworks.

Our Gonzalez paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gonzalez certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gonzalez painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gonzalez paintings or drawings take longer.

Our clients include Gonzalez collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Mariano Miguel Gonzalez art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Mariano Miguel Gonzalez or we will sell it for you.

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The Witch

Though born in Spain, Mariano Miguel Gonzalez would become an influential Cuban artists and a director of the San Alejandro Academy. During his lifetime, he worked as an artist, a professor and a journalist, and went down in San Alejandro history as being an influential figure in typography and engraving.

From his home in Madrid, Gonzalez traveled all of Europe, and in 1904, traveled to Cuba to work as an illustrator. He traveled back to Spain in 1908, only to return to Havana in 1910 where he became an editor of a naval newspaper. By 1912, Gonzalez had gained full Cuban citizenship and went on to become a professor at San Alejandro and taught landscape painting.

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Our Lady Das Marinas

Among his scholastic achievements, Gonzalez was also highly published and worked with a number of newspapers and magazines. He exhibited his work extensively in both Europe and the United States, and of course in Cuba. Along with a number of collective exhibits, Gonzalez held one man shows in Madrid, New York, Cincinnati, Mexico and Havana. His style is one part Classical, one part plastic, and reflects the rural life of Cuba and the city life of Havana during pre-revolutionary times.

While Gonzalez was a beautiful painter of landscapes and portraiture, he dedicated his life to the art of engraving. He continued to teach engraving at San Alejandro until his death in 1954. He was, in fact, one of the first Cuban artists to push this form of art on the island nation, and through his influence, engraving became more widely used among Cuban artists.

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A Street of Trinidad

Because Gonzalez began his artistic career in Europe, there may be a number of paintings of his still existing there today, unauthenticated or otherwise unknown. He also was known to travel the Caribbean islands, and would paint or draw scenes of these neighboring islands from time to time.

Do you Do you think you may own a piece of art by Mariano Miguel Gonzalez? We would be glad to help you authenticate a piece of art by this great Cuban artist.

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Don Nicolas Rivero

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Untitled

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Untitled

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433--ple.php Henri Honore Plé Artwork Authentication & Art Appraisal

Henri Honore Plé (1853-1922)

We Perform Henri Honore Plé art authentication. Henri Honore Plé appraisal. Henri Honore Plé certificates of authenticity (COA). Henri Honore Plé analysis, research, scientific tests, full art authentications. We will help you sell your Henri Honore Plé or we will sell it for you.

Small bronze
Small bronze
Thief
Thief
Houndsmaster
Houndsmaster

Henri Honore Plé was born in Paris on March 8, 1853. He died in the same city on January 31, 1922.

He was a student of Gerault and Mathurin Moreau. He began exhibiting at the Salon in 1877. He was made a member of the prestigious Societe des Artistes Francais.

From 1877 until 1900 he actively exhibited and won several medals and prizes including a bronze medal at the 1900 Exposition Universelle. He received public and private commissions including one for a City Hall statue in Paris and another in Compiegne.

In the US one of his bronzes is in the collection of the St. Louis Art Museum.

Indian Chief
Indian Chief

Private collection, California. We appraised this superb bronze.

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434--wood.php Grant Wood Artwork Authentication & Art Appraisal

Grant Wood (1892-1942)

Get a Wood Certificate of Authenticity for your painting (COA) for your Wood drawing.

For all your Wood artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Wood Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Wood painting or drawing.

If you want to sell your Wood painting or drawing use our selling services. We offer Wood selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Wood and issuing certificates of authenticity since 2002. We are recognized Wood experts and Wood certified appraisers. We issue COAs and appraisals for all Wood artworks.

Our Wood paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Wood certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Wood painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Wood paintings or drawings take longer.

Our clients include Wood collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Grant Wood art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Grant Wood or we will sell it for you. Grant Wood was an American Regionalist painter born in Iowa to Quaker parents. He is perhaps best-known for his famous painting American Gothic. This painting was created at the height of his career and features all of the ironic and historical meanings that Wood liked to incorporate in his Regional paintings. The farmer in this painting was actually his dentist.

American Gothic 1930

American Gothic, 1930

Wood’s father moved with his family from Iowa to Cedar Rapids in 1901. As a young boy, Wood discovered his talent for art and was very active in school. He created scenery for the school plays and also illustrated for his high school yearbook. With his friend Marvin Cone, Wood also volunteered often with the Cedar Rapids Art Association. Immediately after he graduated from high school, Wood left Cedar Rapids for Minneapolis, where he attended art school. Wood returned to Cedar Rapids in 1911 and was a teacher in a one room school house in the country.

Landscape

Landscape

In 1913, Wood moved to Chicago, where he attended the Art Institute. While in Chicago, Wood also worked for a silversmith. He was eventually called to duty and served in World War I as a camouflage painter. After the war, Wood returned to Cedar Rapids and taught art in the public school system. From 1920 to 1928, Wood travelled with his friend Marvin Cone to Europe, where they studied all of the current trends in European painting, focusing mostly on Impressionism.

Winter

Winter

In 1928, having been commissioned to make stained-glass windows for the Cedar Rapids Veterans Memorial Building, he traveled to Munich to supervise the windows’ production; there he encountered early Dutch painting, and was inspired to give up Impressionism in favor of his characteristic mature style. Wood was particularly influenced by Hans Memling’s use of repetition, color and smooth surfaces, and outlines became integral in Wood’s regional paintings of the American Midwest.

Woman With Plants

Woman With Plants

In 1932, Wood helped to found the Stone City Art Colony in Anamosa, Iowa, an art school and artists’ colony. It was here that Wood hoped others would come and create artworks also in a regional Midwest style. Wood also taught art at the University of Iowa from 1935 until his death in 1942.

Parson Weems Fable 1939

Parson Weems Fable, 1939

It was not until this time when Wood returned to his home state that his style would become solely regional. This return to Iowa signaled a change in his painting style, which would be both an ironic and affectionate look at rural country living and its history. Wood fully emerged himself in the country way of life, often wearing overalls when he would pose for pictures and envisioning himself as a farmer.

Fall Plowing

Fall Plowing

Young Corn 1931

Young Corn, 1931

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Haying, 1939, Oil on Canvas, 32.8 x 37.7 cm, National Gallery of Art, Washington DC

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New Road, 1939, Oil on Canvas on Paperboard, 33 x 37.9 cm, National Gallery of Art, Washington DC

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Tree Planting, 1937, Lithograph, 21.28 x 27.63 cm, Ball State University Museum

Throughout his life, Wood would continue to lecture on the concept of regional art and is today considered one of America’s leading Regional painters. Today, Wood’s work is housed all over the United States, especially in Iowa.

Still wondering about a rural Midwestern painting in your home? Contact us…it could be by Grant Wood.


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435--fontana-lucio-espaniol.php Lucio Fontana - Art Certification Experts Artwork Authentication & Art Appraisal

Lucio Fontana (1899 – 1968)

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Composición azul

Este pintor y escultor, hijo del escultor italiano Luis Fontana,  nació en Rosario (provincia de Santa Fe, Argentina), el 19 de febrero de 1899.

Su obra es considerada controvertida, al igual que su pensamiento, que influyó tanto en Italia como en Europa.

 A los seis años se fue a Italia. Allí estudió en el Instituto Técnico Carlo Cattaneo y en la Academia Brera de Milán (1920). En 1917 se alistó en el ejército italiano y combatió en la Primera Guerra Mundial. En 1921 regresó a su patria, donde estuvo siete años. Allí trabajó como escultor junto a su padre, hasta que en 1924 abrió su propio estudio.

Sus primeros encargos fueron el monumento a Juana Blanco (cementerio del Salvador-Rosario), en 1926, bajo la influencia de Maillol (en el modelado y en la composición).

En 1928 regresó a Italia, e ingresó de nuevo en la Academia Brera, donde tuvo como maestro a Adolfo Wildt.  Explora entonces todos los aspectos de la materia hasta alcanzar un arte depurado.  Dos años más tarde será cofundador del grupo de los Abstractos Italianos y al miemos tiempo presenta su primera exposición, organizada por la Galeria Il Milione, en Milán.

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Concetto Spazial 1961

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Concetto Spaziale, 1962

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Concetto Spazial 1964

En la década de 1930 logró romper con la tradición académica y se unió al movimiento abstracto milanés, dejándose influir por el futurismo.

Entre 1934 y 1939 vivió en París, donde conoció a Miró, Brancusi y se vinculó al grupo Abstraction-Creation. En ese entonces realizó relieves en terracota, lápidas grabadas en cemento coloreado y esculturas cerámicas (Naturaleza muerta).

En 1939 regresó a la Argentina, abandonó la abstracción y comenzó a dedicarse a la escultura figurativa de tendencia expresionista y lanzó una “protesta artística” contra la guerra. En 1946 fundó la academia Altamira y dio a conocer el Manifiesto Blanco, que anuncia el fin del lienzo pintado y el comienzo de un arte móvil y dinámico al mismo tiempo que un cambio del fondo y de la forma.

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Concetto Spazial , Naturaleza, Escultura 1961

Al año siguiente regresó a Milán, donde fundó el movimiento espacialista. Ese mismo año redactó su primer Manifiesto Espacial, luego hizo tres más: el segundo (1949), tercero (1950) y cuarto (1951). A partir del fin de los años 40, Lucio Fontana compone arabescos de neón, con el fin de crear un “ambiente espacial”. Anuncia así el fin del arte, pinta abstracciones interestelares y hace monocromas. Luego, con el fin de “abrir el espacio” perfora los lienzos o los desgarra de un cuchillazo.

En los años 60 vuelve a las formas sencillas, pintadas o esculpidas o a esculturas objeto.

Lucio Fontana falleció el 7 de septiembre de 1968 en Varese (Italia).


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436--granacci.php Francesco Granacci Artwork Authentication & Art Appraisal

Francesco Granacci (1469 – 1543)

Get a Granacci Certificate of Authenticity for your painting (COA) for your Granacci drawing.

For all your Granacci artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Granacci Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Granacci painting or drawing.

If you want to sell your Granacci painting or drawing use our selling services. We offer Granacci selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Granacci and issuing certificates of authenticity since 2002. We are recognized Granacci experts and Granacci certified appraisers. We issue COAs and appraisals for all Granacci artworks.

Our Granacci paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Granacci certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Granacci painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Granacci paintings or drawings take longer.

Our clients include Granacci collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francesco Granacci art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Francesco Granacci or we will sell it for you.

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Annunciation

Francesco Granacci was an Italian painter of the Renaissance. Born at Villamagna di Volterra, he trained in Florence at the studio of Domenico Ghirlandaio, and was employed in frescoes for San Marco on commission of Lorenzo de’Medici. He is featured in Giorgio Vasari’s Vite.

His early works were influenced from the style of Filippino Lippi, like the Enthroned Madonna between Saint Michael and John the Baptist (Staatliche Museen, Berlin), Adoration of the Child (Honolulu Academy of Arts) and four histories of Saint John the Baptist.

In 1508, Gramacci went to Rome, where, with other artists, he helped Michelangelo transfer cartoons to the Sistine chapel ceiling. Returning to Florence, he painted a Madonna with Child with Saints Francesco and Jerome for the convent of the Saint Agostiniani of San Gallo (now in the Gallery of the Academy), a Madonna della Cintola for the Company of San Benedetto Bigi, and in 1515 he participated in the decorations to celebrate the visit to Florence of Pope Leo X.

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Madonna and Child 1520

In 1519, he painted a Madonna with Child and Saint John. Works between 1520-1525, betray a direct infuence of Fra Bartolomeo, including a Madonna in throne between Saints Sebastiano and Francesco for Castelfiorentino, Sacred Conversation for Montemurlo), while and altarpiece of the Assumption is is influenced by Pietro Perugino. In 1527, he paints the Entrance of Charles VIII into Florence and a canvas of the Ten thousand martyrs for the Church of San Simone e Giuda in Florence. He is buried in the church of Sant’Ambrogio in Florence.

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Entry of Charles VIII into Florence

Still wondering about an Italian painting in your family collection? Contact us…it could be by Francesco Granacci.


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439--ray.php Man Ray Artwork Authentication & Art Appraisal

Man Ray (Emmanuel Radnitzky) (1890 – 1976)

Get a Man Ray Certificate of Authenticity for your painting or a COA for your Man Ray drawing or sculpture.

For all your Man Ray artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Man Ray Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Man Ray painting, drawing or sculpture.

If you want to sell your Man Ray painting, drawing or sculpture use our selling services. We offer Man Ray selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Man Ray and issuing certificates of authenticity since 2002. We are recognized Man Ray experts and Man Ray certified appraisers. We issue COAs and appraisals for all Man Ray artworks.

Our Man Ray paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Man Ray certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Man Ray painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Man Ray paintings, drawings or sculpture take longer.

Our clients include Man Ray collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Man Ray art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Man Ray or we will sell it for you.

Man Ray (born as Emmanuel Radnitzky) was a modernist artist, who played a significant role in the Dada and Surrealist movements. Man Ray explored many genres including photography, painting, sculpture, collage, assemblage and performance.

Man Ray was born in Philadelphia to a family of Russian-Jewish Immigrants. At the age of seven, his family moved to Brooklyn, New York, where the family changed its surname to simply “Ray” to escape anti-Semitic discrimination. Most art historians believe that Ray was influenced by his father’s tailoring business, which he ran from home, and his mother’s practice of making clothes and patchwork. The creativity and craftsmanship of his parents came through in young Man Ray. At primary school, he showed strong drafting skills and often visited art museums. After high school, Man Ray declined a scholarship to study architecture and set-up a studio in his parents home. He was able to make some money doing commercial art and illustration.

In 1912 Man Ray enrolled in the Ferrer School, where he could formally study art. Around the same time Man Ray met Marcel Duchamp who soon became a friend and influence in his work and life. By 1915 Many Ray had his first solo show, exhibiting paintings, drawings and assemblages. It would be a few years until he focused on experimental photography.

As Man Ray’s work progressed he became more involved in the Dada movement, which emphasized conceptual practices and use of “ready-mades”. In 1920 he worked with Duchamp and Katherine Dreier to found the Société Anonyme and publish “New York Dada”.

In 1921 Man Ray decided to move to Paris, and settled in the Montparnasse quarter for the next twenty years. In Paris, Man Ray produced photographs and experimental films with some of the most well known avant-garde, surrealist and dada artists. Ray exhibited with Pablo Picasso, Joan Miró, Jean Arp and Max Ernst, among others.

Man Ray also produced many photographs of the model, Kiki de Montparnasse, with whom he had a relationship for a short time.

Eventually Man Ray practiced innovative photographic techniques, which he referred to as “rayograms”. Man Ray’s assistant photographer, Lee Miller was also his lover for many years.

During the Second World War, Man Ray left Paris and returned to the United States. At this time Man Ray travelled to Los Angeles, where he met Juliet Browner, whom he married in a “double wedding” alongside Max Ernst and Dorothea Tanning.

Man Ray grew discontent in the United States and returned to Paris, where he spent the last years of his life. Man Ray is now known as one of the most important modern artists of the dada and surrealist movements. Do you think you own a work by Man Ray? Contact us. We are the Man Ray experts.


done
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done
441--gower.php George Gower Artwork Authentication & Art Appraisal

George Gower (1540-1596)

Get a Gower Certificate of Authenticity for your painting (COA) for your Gower drawing.

For all your Gower artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gower Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gower painting or drawing.

If you want to sell your Gower painting or drawing use our selling services. We offer Gower selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gower and issuing certificates of authenticity since 2002. We are recognized Gower experts and Gower certified appraisers. We issue COAs and appraisals for all Gower artworks.

Our Gower paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gower certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gower painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gower paintings or drawings take longer.

Our clients include Gower collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform George Gower art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your George Gower or we will sell it for you.

Gower painting, Self-Portrait

Self-Portrait
1579
Private Collection

Gower painting, Elizabeth I (Armada Portrait)

Elizabeth I (Armada Portrait)
1588
National Portrait Gallery, London

George Gower was an English painter, best known for painting Queen Elizabeth and becoming her Serjeant Painter in 1581. Not much information is known about Gower’s early life and family, other than the fact that his grandfather was Sir John Gower of Stettenham, Yorkshire.

Gower painting, Mary Cornwallis

Mary Cornwallis
c. 1580
Manchester Art Gallery

Gower’s earliest known work dates to 1573 and consists of a pair of portraits for Sir Thomas Kytson and Lady Kytson. Both portraits now belong to the Tate Gallery in London.

Gower painting, Sir Thomas Coningsby

Sir Thomas Coningsby
1572 Oil on panel 94 x 69.9 cm
National Portrait Gallery, London

In 1581 Gower’s appointment as “Serjeant Painter” drastically changed the course of his career. Gower proceeded to paint numerous aristocrats in England in addition to the Queen herself. Gower not only painted portraits, but was commissioned to do most of the royal, decorative painting. Gower painted coaches and furniture, as well as a fountain and clock at the Hampton Court Palace.

Gower painting, Sir Thomas Kytson

Sir Thomas Kytson
1573 Oil on oak panel 527 x 400 mm
Tate Gallery

Gower is possibly best known for the “Armada Portrait” of Queen Elizabeth, which now hangs at the Woburn Abbey, in addition to a smaller version, which belongs to the National Portrait Gallery in London.

Gower painting, Sir Thomas Kytson

Lady Kytson
1573 Oil on Wood
Tate Gallery

While many details of Gower’s work and life are unknown, his surviving works are greatly valued in British and international collections. His work is an important addition to any medieval or British collection. Do you think you may own a painting by George Gower? Contact us. We are the Gower experts.


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done
443--sidaner-le.php Henri Le Sidaner Artwork Authentication & Art Appraisal

Henri Le Sidaner (1862-1939)

Get a Le Sidaner Certificate of Authenticity for your painting (COA) for your Le Sidaner drawing.

For all your Le Sidaner artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Le Sidaner Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Le Sidaner painting or drawing.

If you want to sell your Le Sidaner painting or drawing use our selling services. We offer Le Sidaner selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Le Sidaner and issuing certificates of authenticity since 2002. We are recognized Le Sidaner experts and Le Sidaner certified appraisers. We issue COAs and appraisals for all Le Sidaner artworks.

Our Le Sidaner paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Le Sidaner certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Le Sidaner painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Le Sidaner paintings or drawings take longer.

Our clients include Le Sidaner collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henri Le Sidaner art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Henri Le Sidaner or we will sell it for you.

art

Table

Henri Le Sidaner was an Impressionist painter who spent the first few years of his life with his family in the West Indies. His family returned to France in 1872, and in 1877 began to study with Alexandre Desmit. In 1882 he began studies at the Ecole des Beaux-Arts in Paris studying under Cabanel. Some of his earliest influences were Whistler and Carrier, and though he typically created Impressionist pieces, he also worked in Pointillism and Symbolism throughout his career.

art

Steps to the Garden

art

Country Home
(not real title)

art

Picnic

Feeling restrained by his classical teachings at the school, Le Sidaner would often travel to the northern coasts of France to paint on his own. The figurative paintings that he created while he was there were exhibited at the Salon des Artistes and were met with great reviews. By 1891, Le Sidaner had earned a medal at the salon as well as a scholarship to travel to Italy and Holland. Later on, he would also serve as a professor at the Academie des Beaux-Arts.

art

Sunday

art

Table 2

art

Girl in the Garden

After 1900, Le Sidaner moved away from figurative painting, and focused on landscapes and cityscapes. Some of these paintings had a dark, lonely tone, especially his scenes of city and country homes, bathed in moonlight. Le Sidaner became known for these somber scenes, and continued to paint for the rest of his life. He also added Symbolist elements to his paintings, which were often included in these empty and isolated paintings.

art

House by the Church, Morning 1930

art

Le Point, Crepuscule

art

Little Table at the Pavilion, 1935

In 1930, he was awarded the Legion of Honor, and today his work is housed all over Europe. Despite being a lesser-known artist, Le Sidaner made great strides as an artist in his time painting his haunting twilight scenes. Perhaps it is because he strayed from the typical style of the academic school that he is not as well known as his contemporaries, but he remains a master in his own right today. Still wondering about an Impressionist landscape or city scene hanging in your home? Contact us to find out…it could be by Henri Le Sidaner.


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444--dahl_h.php Hans Dahl Artwork Authentication & Art Appraisal

Hans Dahl (1849 – 1937)

We Perform Hans Dahl art authentication. Hans Dahl appraisal. Hans Dahl certificates of authenticity (COA). Hans Dahl analysis, research, scientific tests, full art authentications. We will help you sell your Hans Dahl or we will sell it for you.

Dahl, By the Fjord

By the Fjord
Oil on Canvas

Dahl, By the Water's Edge

By the Water’s Edge
Oil on Canvas

Hans Dahl is one of Norway’s most well known painters. He is best remembered for his genre and landscape paintings. Dahl was born in Granvin, Hardangerfjord in Western Norway, which was part of Sweden at the time.

Dahl, Fjord with Sailing Boat

Fjord with Sailing Boat
Oil on Canvas

Dahl, Upon Sunny Waves

Upon Sunny Waves
Oil on Canvas

As a young boy, Dahl revealed a talent for the arts but had to postpone his artistic training to serve in the Swedish army. Dahl served as a lieutenant until 1873, at which time he began his studies in Karlsruhe where Dahl was instructed by Hans Fredrik Gude and Wilhelm Riefstahl. After a few years in Karlsruhe, Dahl moved to Dusseldorf and continued to study under Eduard von Gebhardt and Wilhelm Sohn.

Dahl, Endless Column 1

Transporting Hay
Oil on Canvas

Dahl, On the Mountaintop

On the Mountaintop
Oil on Canvas

Dahl, Near Summer Home in Balestrand

Near Summer Home in Balestrand 1920
Oil on Canvas

In 1888, Dahl moved to Berlin to but continued to summer in Norway at Balestrand, where he had a summer home. After 1919, Dahl lived in Balestrand full-time, where he remained until his death in 1937.

Dahl, Girl in a Field

Girl in a Field
Oil on Canvas

Hans Dahl is still remembered as one of Norway’s most famous landscape and genre paintings. His paintings are now in major museums and international collections.

Still wondering about a Norwegian painting in your family collection? Contact us. We are theHans Dahl experts.


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445--picabia.php Francis Picabia Artwork Authentication & Art Appraisal

Francis Picabia (1879-1953)

We Perform Francis Picabia art authentication. Francis Picabia appraisal. Francis Picabia certificates of authenticity (COA). Francis Picabia analysis, research, scientific tests, full art authentications. We will help you sell your Francis Picabia or we will sell it for you.

Cyclope 1926

Cyclope 1926

Spanish Woman 1902

Spanish Woman 1902

Young Girl 1912

Young Girl 1912

Francis Picabia was, above all, a Parisian. Paris being the centre of the art world prior to WWII, Picabia sat like a spider in the middle of its web, consuming the varied meals that appeared before him.

Udnie 1913

Udnie 1913

Dances at the Spring

Dances at the Spring

Balance 1919

Balance 1919

He was born towards the end of the last great era of academic painting, and joined in each rebellion against it with enthusiasm, as did so many of his contemporaries such as Matisse and Picasso. But few could match Picabia’s eclecticism. He devoured each new movement, applying his formidable skills to forge new means of artistic expression from the moribund hulk of traditional painting. But it was, of course, this moribund hulk that Picabia and the rest had emerged from, like glittering, ungrateful butterflies. The academy provided their skills, their discipline.

Papillons 1929

Papillons 1929

Early in life, Picabia was a follower of the Barbizon School, mixed with an imitation of Sisley. So at the mature age of 27 he was still in thrall to the 19th century. Matisse and the Fauvists changed all that, as did Picasso. Note his solemn cubist still life, done in 1909, and the timid imitation of Fauvist savagery in his Sierra Morena series (1909). It took Picabia a long time to get a grip on the revolution.

Still Life

Still Life

Virgin with Infant 1935

Virgin with Infant 1935

But eventually he did. In 1910 Picabia met the Duchamp brothers and their notions of “ready-made” art. From then on, no art movement was safe from Picabia’s take on it. And he was by no means merely imitative, but showed real originality at times, not to mention a sense of humor.

Cocolo

Cocolo

He was a leading Dadaist, Surrealist, and Modernist- at different times. In the 20s and 30s he experimented with multiple perspectives, producing what he called his “transparences” (see “Hera” 1929, and “Corrida Transparence” below).

Hera

Hera

Corrida Transparence

Corrida Transparence

Picabia, for all his experimentation and vacillation, was consistent in one vital respect: his devotion to precision. There’s nothing sloppy or casual about Picabia. He remained true to his academic roots. Even his prolific output of slight works on paper illustrates care and precision. Picabia was to the end the most formal of radicals.

Self-Portrait 1946

Self-Portrait 1946

Today, Picabia’s work is housed in modern art museums all over the world, and perhaps in your own home. Still wondering about a modern art painting in your family estate? Contact us…it could be by Francis Picabia.


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446--delvaux-new.php Paul Delvaux Artwork Authentication & Art Appraisal

Paul Delvaux (1897-1994)

We Perform Paul Delvaux art authentication. Paul Delvaux appraisal. Paul Delvaux certificates of authenticity (COA). Paul Delvaux analysis, research, scientific tests, full art authentications. We will help you sell your Paul Delvaux or we will sell it for you.

The Call of the Night

The Call of the Night

Paul Delvaux was a Belgian painter, famous for his surrealist paintings with female nudes. Delvaux was born in Antheit in the Belgian province of Lige, the son of a lawyer. The young Delvaux took music lessons, studied Greek and Latin, and absorbed the fiction of Jules Verne and the poetry of Homer. All of his work was to be influenced by these readings, starting with his earliest drawings showing mythological scenes. He studied at the Brussels Académie royale des Beaux-arts, albeit in the architecture department owing to his parents’ disapproval of his ambition to be a painter. Nevertheless, he pursued his goal, attending painting classes taught by Constant Montald and Jean Deville. The painters Frans Courtens and Alfred Bastien also encouraged Delvaux, whose works from this period were primarily naturalistic landscapes. He completed some 80 paintings between 1920 and 1925, which was the year of his first solo exhibition.

The Chateau

The Chateau

Entry into the City

Entry into the City

Reclining Nude 1947

Reclining Nude 1947

Delvaux’s paintings of the late 1920s and early 1930s, which feature nudes in landscapes, are strongly influenced by such Flemish Expressionists as Constant Permeke and Gustave De Smet. A change of style around 1933 reflects the influence of the metaphysical art of Giorgio de Chirico, which he had first encountered in 1926 or 1927. In the early 1930s Delvaux found further inspiration in visits to the Brussels Fair, where the Spitzner Museum, a museum of medical curiosities, maintained a booth in which skeletons and a mechanical Venus figure were displayed in a window with red velvet curtains. This spectacle captivated Delvaux, supplying him with motifs that would appear throughout his subsequent work. In the mid-1930s he also began to adopt some of the motifs of his fellow Belgian Rene Magritte, as well as that painter’s deadpan style in rendering the most unexpected juxtapositions of otherwise ordinary objects.

Dawn Over the City

Dawn Over the City

Pygmalion 1939

Pygmalion 1939

Delvaux acknowledged his influences, saying of de Chirico, “with him I realized what was possible, the climate that had to be developed, the climate of silent streets with shadows of people who can’t be seen, I’ve never asked myself if it’s surrealist or not.” Although Delvaux associated for a period with the Belgian surrealist group, he did not consider himself “a Surrealist in the scholastic sense of the word.” As Marc Rombaut has written of the artist: “Delvaux … always maintained an intimate and privileged relationship to his childhood, which is the underlying motivation for his work and always manages to surface there. This ‘childhood,’ existing within him, led him to the poetic dimension in art.”

The Tree Women of Giorno 1937

The Tree Women of Giorno 1937

Sea Nymphs 1938

Sea Nymphs 1938

The paintings Delvaux became famous for usually feature numbers of nude women who stare as if hypnotized, gesturing mysteriously, sometimes reclining incongruously in a train station or wandering through classical buildings. Sometimes they are accompanied by skeletons, men in bowler hats, or puzzled scientists drawn from the stories of Jules Verne. Delvaux would repeat variations on these themes for the rest of his long life, although some departures can be noted. Among them are his paintings of 1945-47, rendered in a flattened style with distorted and forced perspective effects, and the series of crucifixions and deposition scenes enacted by skeletons, painted in the 1950s.

The Sleeping Venus

The Sleeping Venus

Good Friday

Good Friday

The Conversation

The Conversation

In the late 1950s he produced a number of night scenes in which trains are observed by a little girl seen from behind. These compositions contain nothing overtly surrealistic, yet the clarity of moonlit detail is hallucinatory in effect. Trains had always been a subject of special interest to Delvaux, who never forgot the wonder he felt as a small child at the sight of the first electric trams in Brussels.

The Iron Age 1951

The Iron Age 1951

Girl at a Train Station 1976

Girl at a Train Station 1976

In 1959 he executed a mural at the Palais du Congrés in Brussels, one of several large scale decorative commissions Delvaux undertook. He was named director of the Académie royale des Beaux-arts in 1965. In 1982 the Paul Delvaux Museum opened in Saint-Idesbald. Delvaux died in Veurne in 1994.

The Village of the Mermaids 1942

The Village of the Mermaids 1942

L'Offrande, 1963

L’Offrande, 1963

Still wondering about a painting in your family collection? Contact us…it could be by Paul Delvaux.


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447--mene.php Pierre Jules Mene Artwork Authentication & Art Appraisal

Pierre Jules Mene (1810-1892)

We Perform Pierre Jules Mene art authentication. Pierre Jules Mene appraisal. Pierre Jules Mene certificates of authenticity (COA). Pierre Jules Mene analysis, research, scientific tests, full art authentications. We will help you sell your Pierre Jules Mene or we will sell it for you.

art

Valet de Limier

Pierre Jules Mene was born in Paris on March 25, 1810. Today, he is remembered as the most successful animal sculptor of his time. He was one of the most famous of a group of sculptors known as “Les Animaliers”. The story of Mene’s art beginnings is a fascinating one.

His father was a metal turner, and he taught his son to work with metal at an early age. Mene learned the principles of casting metal and earned a living making metal furniture accents and clock decorations. He also spent a lot of his time in Paris drawing. He did receive a bit of art instruction, but he never attended any noteworthy schools. In most ways, he taught himself the craft that would later make him famous. During this time period, he made numerous sketches of animals. These would later serve as blueprints from which to make his structures.

Mene’s first exhibit was in 1838 of a Dog and Fox cast in bronze. He exhibited annually at the Salons. Throughout his lifetime, he exhibited a couple of models each year. He received numerous awards for his work. His subjects of choice were horses and dogs.

art

The Accolade

art

Stallion

Mene’s bronze sculptures displayed animals in various aspects whether they are at play, hunting, or in still life. The best estimate of his body of work is that he modeled over 150 different subjects. The bronze casts he produced from these models are numerous, estimated in the thousands.

Unlike some artists who are known for their reclusive nature, Mene was an outgoing man who was known for his personality. He mingled with painters, musicians, and sculptors. As his career progressed, his bronzes were sold throughout Europe and America. His success grew, and he began to receive more and more recognition for his art. His son in law, Auguste Cain began to work in conjunction with Mene, and the two set the standard for this genre of art.

art

Poultry Fowl

art

David Slays Goliath

Although his work was produced in quantity, he was meticulous about making sure all the models and casts were perfectly preserved and taken care of. He was adamant that each bronze was as flawless as the first.

When he died in 1877, Auguste Cain continued to produce his work. He maintained the high standards of quality. Until 1879, he continued to produce works in Mene’s name.

When Cain died in 1892, production finally halted. Many of Mene’s models were sold to the Susse Freres foundry. Well into the 20th century, Mene’s bronzes were still cast and sold. They all bore the mark or seal.

art

Arab Falconer on Horseback

art

After the Hunt in Scotland

Although most of his pieces can be found at the Louvre or other French museums, pieces have been uncovered elsewhere. His work was greatly admired on the British market, and some of the pieces have found their way to the United States.

Mene’s work has earned its rightful place in art history. His bronzes are known for their realism, detail, and flawless quality. The bronzes carry a timeless, classic appeal sure to be enjoyed by art enthusiasts for many years to come. If you suspect you may own a Mene, please contact us.


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448--guiard.php Adélaïde Labille-Guiard Artwork Authentication & Art Appraisal

Adélaïde Labille-Guiard (1749-1803)

Get a Labille Certificate of Authenticity for your painting (COA) for your Labille drawing.

For all your Labille artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Labille Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Labille painting or drawing.

If you want to sell your Labille painting or drawing use our selling services. We offer Labille selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Labille and issuing certificates of authenticity since 2002. We are recognized Labille experts and Labille certified appraisers. We issue COAs and appraisals for all Labille artworks.

Our Labille paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Labille certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Labille painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Labille paintings or drawings take longer.

Our clients include Labille collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Adélaïde Labille-Guiard art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Adélaïde Labille-Guiard or we will sell it for you.

Labille-Guiard painting, Self-Portrait with Two Students

Self-Portrait with Two Students

Adélaïde Labille-Guiard was an 18th century French portrait painter. She studied oil painting under Francois-Andre Vincent and pastels at the Académie de St.-Luc in Paris with Maurice Quentin de La Tour. Labille-Guiard lived in the Louvre during the French Revolution and painted portraits of a dozen members of the National Convention.

Labille-Guiard painting, Robespierre

Robespierre

Labille-Guiard painting, Portrait of Madame de Selve

Portrait of Madame de Selve

Labille-Guiard painting, Pajou

Pajou

She painted many portraits of notable people at the time, including other artists. She was married to artist Francois-Andre Vincent.

Labille-Guiard painting, Francois-Andre Vincent

Francois-Andre Vincent

Today, Labille-Guiard’s paintings are housed in collections all over the world, and perhaps in your own home. Still wondering about an 18th century French painting in your family estate? Contact us…it could be by Adélaïde Labille-Guiard.


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449--fontana-luis.php Luis Fontana Artwork Authentication & Art Appraisal

Lucio Fontana ( 1899 – 1968 )

Luis Fontana art authentication. Luis Fontana appraisal. Luis Fontana certificates of authenticity (COA). Luis Fontana analysis, research, scientific tests, full art authentications. We will help you sell your Luis Fontana or we will sell it for you.

This painter and sculptor, son of the Italian sculptor Luis Fontana, was born in Rosario (Santa Fe province, Argentina), on February 19, 1899.

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Lucio Fontana

 

His work is considered controversial, as is his thinking, which influenced both Italy and Europe.

At the age of six he went to Italy. There he studied at the Carlo Cattaneo Technical Institute and at the Brera Academy in Milan (1920). In 1917, he enlisted in the Italian army and fought in World War I. In 1921 he returned to his homeland, where he spent seven years. There he worked as a sculptor with his father, until in 1924 he opened his own studio.

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fontana spatial concept 1952

 

His first commissions were the monument to Juana Blanco (Salvador-Rosario cemetery), in 1926, under the influence of Maillol (in modeling and composition).

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fontana spatial concept 1959

 

In 1928 he returned to Italy, and entered the Brera Academy again, where he had Adolfo Wildt as his teacher. He then explores all aspects of the subject until he reaches a refined art. Two years later he will be co-founder of the group of the Italian Abstracts and at the same time presents his first exhibition, organized by the Il Milione Gallery, in Milan.

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fontana spatial concept 1960

 

In the 1930s he managed to break with the academic tradition and joined the Milanese abstract movement, allowing himself to be influenced by Futurism.

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fontana concetto spaziale 1957

 

Between 1934 and 1939 he lived in Paris, where he met Miró, Brancusi and joined the Abstraction-Creation group. At that time he made reliefs in terracotta, gravestones engraved in colored cement and ceramic sculptures (Still Life).

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fontana concetto spaziale 1963

 

fontana concetto In 1939 he returned to Argentina, abandoned abstraction and began to dedicate himself to figurative sculpture with an expressionist tendency and launched an “artistic protest” against the war. In 1946 he founded the Altamira academy and unveiled the White Manifesto, which heralds the end of the painted canvas and the beginning of a mobile and dynamic art as well as a change of background and form. 1963

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fontana crucifixion 1948

 

The following year he returned to Milan, where he founded the space movement. That same year he wrote his first Space Manifesto, then he made three more: the second (1949), third (1950) and fourth (1951). Starting in the late 1940s, Lucio Fontana composed neon arabesques, in order to create a “space atmosphere”. Thus he announces the end of art, paints interstellar abstractions and makes monochrome. Then, in order to “open the space”, he perforates the canvases or tears them with a knife.

In the 1960s he returned to simple forms, painted or sculpted or to object sculptures.

Lucio Fontana passed away on September 7, 1968 in Varese (Italy).


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450--soto.php Jesus-Rafael Soto Artwork Authentication & Art Appraisal

Jesus-Rafael Soto (1923-2005)

Get a Soto Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Soto artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Soto Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Soto painting, drawing or print.

If you want to sell your Soto painting, drawing or print use our selling services. We offer Soto selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Soto and issuing certificates of authenticity since 2002. We are recognized Soto experts and Soto certified appraisers. We issue COAs and appraisals for all Soto artworks.

Our Soto paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Soto certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Soto painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Soto paintings or drawings take longer.

Our clients include Soto collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jesus-Rafael Soto art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jesus-Rafael Soto or we will sell it for you.

Jesus-Rafael Soto was born in Ciudad Bolivar, Venezuela and became known in the art world as a prominent Kinetic artist, and perhaps even as the founder of this fluid type of art. By Kinetic, this means that his work seemed to move and flow, though it was usually made by normal means and mediums. Soto is also considered one of the forerunners for the Geometric movement in Venezuelan art.

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Barcelona, 1992

Working in the Op Art movement, Soto’s work was very modern and as the term implies, optical in nature. Many of his pieces were large installation works or mobiles, but he also created a number of optical paintings, much like ones you would see in professional offices in the 1980s, as well as etchings and prints.

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Vibration, 1962, Oil on Wood

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Untitled etching

Soto’s early training was at the School of Fine Arts in Caracas, Venezuela, and not surprisingly, his earliest influences were based on Cubism and Cezanne. Through the 1940s Soto taught at the Maracaibo School of Fine Arts where he even became the director. Upon his move to Paris in the 1950s his art took on a distinctly geometric style. During this time, Soto also worked as a professional musician and played the guitar for a number of Latin American singers. Born into a family of poor musicians, this was not a surprising early occupation for Soto.

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Untitled

It is said that during this initial move to Paris, Soto was also highly influenced by Alexander Calder and his mobiles. This was surely the key influence for Soto in creating his geometric, kinetic and space-friendly pieces.

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Sphere installation piece

Though perhaps he is best known for his installation pieces, Soto is known for his geometric prints as well. There is little known about his early work pre-Paris, and it would be intriguing to find one of his pieces done with a Cubist hand or in the style of Cezanne.

It has been said that Soto’s installation pieces seemed to interact with the space they were created for, and can be found all over the world. Soto continued to create work well into the 21st century, so newer pieces of his may surely be in someone’s possession. Optical illusions done in black and white, 3D images painted on plexiglass and prints covered in colorful squares are all indicative of Soto’s work.

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Spiral, 1950

Soto died of cancer at his home in Paris in March of 2005. Some of his most prominent installation pieces can be seen at the Pompidou Centre in Paris at banks and government buildings worldwide. There is also a museum of his masterworks at The Museum of Modern Art Jesus Soto in his home town of Ciudad Bolivar.

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Installation piece, Toronto

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Cuadrados Sobre Blanco Y Rayado

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Tes Pequenas Blancas Y Negras, 1979

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452--preller.php Alexis Preller Artwork Authentication & Art Appraisal

Alexis Preller (1911-1975)

We Perform Alexis Preller art authentication. Alexis Preller appraisal. Alexis Preller certificates of authenticity (COA). Alexis Preller analysis, research, scientific tests, full art authentications. We will help you sell your Alexis Preller or we will sell it for you.

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The Candle 1948

Alexis Preller was a South African painter. Preller was highly influenced by European Surrealists. He painted scenes of African life, not in realistic terms, but in fantasy settings.

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South African Still Life, 1947

Still wondering about a South African painting in your family collection? Contact us…it could be by Alexis Preller.


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453--gay.php August Gay Artwork Authentication & Art Appraisal

August Gay (1890-1948)

Get a Gay Certificate of Authenticity for your painting (COA) for your Gay drawing.

For all your Gay artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gay Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gay painting or drawing.

If you want to sell your Gay painting or drawing use our selling services. We offer Gay selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gay and issuing certificates of authenticity since 2002. We are recognized Gay experts and Gay certified appraisers. We issue COAs and appraisals for all Gay artworks.

Our Gay paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gay certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gay painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gay paintings or drawings take longer.

Our clients include Gay collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform August Gay art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your August Gay or we will sell it for you.

August Gay was a French born painter, best known for his involvement in the northern California school of art. Gay was born and spent the first ten years of his life in the village of Rabou, France. In 1900 Gay’s family immigrated to the United States, making a new family home in Alameda, California.

Gay, Vada

Vada

Gay, Old China Town in Pacific Grove

Old China Town in Pacific Grove

Gay realized his interest in art at an early age and enrolled in classes in San Francisco at the California College of Fine arts and at the California College of Arts and Crafts in Oakland. Through his coursework, Gay became a close associate of fellow painter, Seldon Gile. Gile and Gay were the first artists to start a school of painting known as the Society of Six.

Gay, Garden Scene-Gile's Red Chair

Garden Scene-Gile’s Red Chair

The society was comprised of six plein-air painters (Selden Connor Gile, Maurice Logan, William H. Clapp, August F. Gay, Bernard von Eichman, and Louis Siegriest) based out of Oakland, California. The group formed in 1917 and exhibited together for around fifteen years. The group was known for their colorful and modern landscapes of northern California. Art historians generally categorize the Society of Six as American Post-Impressionists.

Gay, The Robert Louis Stevenson House

The Robert Louis Stevenson House

While Gay was closely involved with the Society of Six, he spent most of his time living in Monterey and exhibiting in Oakland. In Monterey Gay shared a studio with Clayton S. Price in a building known as the Stevenson House. Gay most commonly painted the Monterey wharf and other coastal scenes around the Monterey Bay.

Gay, Fishing Boat Aground, 1930

Fishing Boat Aground, 1930

Gay, Hatton Dairy Ranch

Hatton Dairy Ranch

Gay, Street Scene

Street Scene

Gay, Moonshine, Monterey

Moonshine, Monterey

Gay, Moss Landing Salt-works

Moss Landing Salt-works

Gay, Monterey Harbor

Monterey Harbor

Gay, Marin County

Marin County

To support himself during the rough times of the Great Depression, Gay was forced to work at fish factories until the art market rebounded. Gay spent the last years of his life working as a furniture designer and custom framer for the Monterey Guild. While working, Gay continued to paint until his death in 1948. Gay’s popularity continued to grow posthumously. Gay’s paintings are now in major museum collections throughout California. Do you think you may own a painting by August Gay? Contact us. We are the experts on August Gay.


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454--koler.php Johann Köler Artwork Authentication & Art Appraisal

Johann Köler (1826–1899)

Do you think you may own a painting by Johann Köler?

Get a Köler Certificate of Authenticity for your painting (COA) for your Köler drawing.

For all your Köler artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Köler Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Köler painting or drawing.

If you want to sell your Köler painting or drawing use our selling services. We offer Köler selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Köler and issuing certificates of authenticity since 2002. We are recognized Köler experts and Köler certified appraisers. We issue COAs and appraisals for all Köler artworks.

Our Köler paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Köler certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Köler painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Köler paintings or drawings take longer.

Our clients include Köler collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Johann Köler art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Johann Köler or we will sell it for you.

1. Italian Woman with Children by a Stream. 1862. Oil on Canvas. Art Museum of Estonia.

1. Italian Woman with Children by a Stream. 1862. Oil on Canvas. Art Museum of Estonia.

2. Self Portrait. 1859. Oil on Canvas.

2. Self Portrait. 1859. Oil on Canvas.

Johann Köler was an Estonian artist who led the Estonian national awakening, an era in which Estonia began to see itself as a self-governing nation. Köler’s paintings depict a national consciousness through his many portraits, genre scenes and landscape paintings.

3. Christ on the Cross. 1857-1859. Oil painting. Kumu Art Museum, Estonia.

3. Christ on the Cross. 1857-1859. Oil painting. Kumu Art Museum, Estonia.

Köler was born in a rural area in Viljandi County, presently known as Ivaski. Despite being from a family of peasants, he attended school in Livonia and began to apprentice at an artist’s workshop in Võnnu.

4. Portrait of Lady. 1876. Oil on Canvas. Enn Kunila’s Art Collection.

4. Portrait of Lady. 1876. Oil on Canvas. Enn Kunila’s Art Collection.

Köller moved to St. Petersburg by 1846, where he enrolled at the Imperial Art Academy. As a student, Köller refined his skills in painting and drawing. He proceeded to travel throughout Europe, visiting capital cities such as Rome, Berlin and Paris. Köller returned to St. Petersburg in 1861 with a request to instruct the Duchess Maria Aleksandrovna, daughter of the Czar. As a member of the imperial court, Köller promoted Estonia and encouraged the period of national awakening.

5. Girl at the source. 1959-1961. Oil on Canvas. Art Museum of Estonia.

5. Girl at the source. 1959-1961. Oil on Canvas. Art Museum of Estonia.

Köller is findly remembered in Estonia, where he has been featured on postage stamps and commemorated with a memorial. contact Art Certification Experts for information regarding our services.


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455--de-lempicka.php Tamara de Lempicka Artwork Authentication & Art Appraisal

Tamara de Lempicka (1898-1980)

Get a De Lempicka Certificate of Authenticity for your painting (COA) for your De Lempicka drawing.

For all your De Lempicka artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Lempicka Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Lempicka painting or drawing.

If you want to sell your De Lempicka painting or drawing use our selling services. We offer De Lempicka selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Lempicka and issuing certificates of authenticity since 2002. We are recognized De Lempicka experts and De Lempicka certified appraisers. We issue COAs and appraisals for all De Lempicka artworks.

Our De Lempicka paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Lempicka certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Lempicka painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Lempicka paintings or drawings take longer.

Our clients include De Lempicka collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Tamara De Lempicka art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Tamara De Lempicka or we will sell it for you.

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Self-Portrait in Green Bugatti, 1925

Tamara de Lempicka was born Tamara Gorska in Poland and became one of the best-known painters of the Art Deco era. Sought after mainly as a portrait artist, her paintings are sensual and simple, yet highly stylized. Many of her sensual and exotic nudes have been hailed as being the best of the era, and are many are reflections of her own erotic lifestyle. Hints of old Dutch Master and Cubist techniques are sprinkled through her own unique style, which serves as a reminder of modern tastes in art during the height of her popularity.

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Nude

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Beautiful Rafaella, 1927

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Sleeping Woman, 1935

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Mother Superior, 1939

It is said that Lempicka’s first love of art was founded in 1911 on a trip with her grandmother to Italy. As a young woman, Lempicka married and moved to Russia. Her husband was later arrested during the Russian revolution. After negotiating his release, Lempicka, her young daughter and her husband fled to Paris in 1918 where she took her first art classes at the Academie de la Grand Chaumiere. She also traveled again to Italy in 1925 to study the work of the old masters.

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Unfinished Portrait of First Husband

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The Women

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Women in Green

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Women in Blue

Lempicka quickly became a success in the 1920’s Parisian social scene. A beautiful woman in her own right, Lempicka resembled actress Greta Garbo, which no doubt helped in her rise to fame. Lempicka became notorious for her numerous parties and fashionable hairstyles and dress, as well as for her love affairs with men and women alike. Her style was a perfect reflection of the excess of the roaring 20Õs and was the perfect glamorous illustration her patrons were looking for. Entertainers, artists, writers and European nobility were among her many sitters, as well as her socialite friends. Lempicka also often picked up models straight from the streets of Paris; sailors, policeman, prostitutes, whoever caught her eye would be invited to sit for her.

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The Young Ladies, 1927

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Woman in a Hat with Flowers

Besides gaining notoriety as a great Art Deco portrait painter, Lempicka was also commissioned to create art for magazines, as well as still life. Lempica’s work was unlike anything else at the time, and is still easily distinguished today. She took great pride in the fact that her paintings had a very “finished” look, which was seen as being clean and classic, yet exciting and modern.

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Adam and Eve

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Marquis Sommi, 1925

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Madame Allan Bott

In the late 1930s, Lempicka moved to the United States with her second husband, the Baron Raoul Huffner. Lempicka found herself just as well received among the social scenes in New York and Hollywood. However, her career came to a halt in the 1950s when Art Deco slowly started going out of fashion. She continued to attempt to paint in a looser style, but little interest was shown in these pieces, and after 1962 she swore to never exhibit her work again.

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Calla Lillies, 1941

Near the end of her life in the 1970’s, Art Deco had a brief revival and her older works found a place in the art world again. She gained a short bout of popularity again before her death in 1980. Today, Lempicka’s work is housed in modern art museums around the world including the Pompidou Center in Paris. To own a painting by Tamara de Lempicka would be quite obvious, and also very likely due to the fact that she was a highly prolific painter. Still not quite sure about an Art Deco portrait hanging in your home? Contact us…it could be by Tamara de Lempicka.


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456--konchalovsky.php Pyotr Konchalovsky Artwork Authentication & Art Appraisal

Pyotr Konchalovsky (Пётр Петрович Кончаловский) (1876-1956)

Get a Konchalovsky Certificate of Authenticity for your painting (COA) for your Konchalovsky drawing.

For all your Konchalovsky artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Konchalovsky Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Konchalovsky painting or drawing.

If you want to sell your Konchalovsky painting or drawing use our selling services. We offer Konchalovsky selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Konchalovsky and issuing certificates of authenticity since 2002. We are recognized Konchalovsky experts and Konchalovsky certified appraisers. We issue COAs and appraisals for all Konchalovsky artworks.

Our Konchalovsky paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Konchalovsky certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Konchalovsky painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Konchalovsky paintings or drawings take longer.

Our clients include Konchalovsky collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pyotr Konchalovsky art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pyotr Konchalovsky or we will sell it for you.

Self-Portrait 1910

Self-Portrait 1910

Pyotr Konchalovsky was a Russian painter, a member of Jack of Diamonds group. Pyotr was born in the village of Slavianka, Kharkov gubernia (currently Ukraine) on February 21, 1876. His father was an art publisher. In 1889, the Konchalovskies moved to Moscow and their house became a part of the Moscow art scene of 1890s. Their house was often visited by Valentin Serov, Mikhail Vrubel, Vasily Surikov. Later, Pyotr married a daughter of Vasily Surikov, who always praised the art of his son-in-law.

Tolstoy Visiting the Artist

Tolstoy Visiting the Artist

During his gymnasium years Konchalovsky attended classes of Moscow Art School. In 1896-1898 he traveled to Paris and studied at the Juliet Academy. In 1899, he returned to Russia and entered the Imperial Academy of Arts in Saint Petersburg, graduating in 1907. At the Academy, he studied under Savinsky, Zaleman and Kovalevsky. Since 1909, he exhibited frequently, participating in the Golden Fleece, Fraternity, Mir Iskusstva, and New Society of Artists. He was a founding member of the society Jack of Diamonds in 1909. Beginning in 1918 he taught art. In 1922, he had his first solo exhibition at the Tretyakov Gallery.

Visarova 1917

Visarova 1917

During that period, he mostly drew still lifes and landscapes. His paintings — as of all other Jacks of Diamond — were strongly influenced by Paul Cézanne. Later he started to paint portraits (often Parade Portraits) that were considered as the examples of Socialist Realism style.

Vsevolod Meyerkhold

Vsevolod Meyerkhold

Pyotr Konchalovsky was a very prolific painter, and is known to have created more than five thousand works. Many of his descendants were people in the world of art. His son Mikhail Petrovich Konchalovsky (b. 1906) was a notable painter. His daughter Natalia Konchalovsky (1903-1988) was a notable children’s writer and her husband Sergei Mikhalkov was a notable poet, the author of children’s poetry and two versions of the National Anthem of the Soviet Union and the present National Anthem of Russia. Their son (grandson of Pyotr) Andrei Konchalovsky is a world-renowned film writer, director and a painter. His son (Egor Konchalvsky. great-grandson of Pyotr) is also a notable film director.

Still Life 1919

Still Life 1919

Still wondering about an early 20th century Russian painting in your family collection? Contact us…it could be by Pyotr Konchalovsky.


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457--mosnier.php Jean-Laurent Mosnier Artwork Authentication & Art Appraisal

Jean-Laurent Mosnier (1743-1808)

Get a Mosnier Certificate of Authenticity for your painting (COA) for your Mosnier drawing.

For all your Mosnier artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mosnier Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mosnier painting or drawing.

If you want to sell your Mosnier painting or drawing use our selling services. We offer Mosnier selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mosnier and issuing certificates of authenticity since 2002. We are recognized Mosnier experts and Mosnier certified appraisers. We issue COAs and appraisals for all Mosnier artworks.

Our Mosnier paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mosnier certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mosnier painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mosnier paintings or drawings take longer.

Our clients include Mosnier collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean-Laurent Mosnier art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean-Laurent Mosnier or we will sell it for you.

Mosnier painting, Portrait of Count Alexander Stroganoff 1805

Portrait of Count Alexander Stroganoff 1805

Mosnier painting, Portrait of Sophia Stroganoff 1808

Portrait of Sophia Stroganoff 1808

Jean-Laurent Mosnier was an 18th century French painter. He was known particularly for his portraits of French nobles, including Marie Antoinette and Louis XVI. He painted many portraits while he was the court painter at Versailles, and also traveled to Russia where he painted from 1795 until his death in 1808.

Mosnier painting, Woman and Child

Woman and Child

Mosnier painting, Portrait of Anna Muravyova-Apostol With Her Son and Daughter 1799

Portrait of Anna Muravyova-Apostol With Her Son and Daughter 1799

Still wondering about an 18th century French portrait in your family collection? Contact us…it could be by Jean-Laurent Mosnier.


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done
459--cignani.php Carlo Cignani Artwork Authentication & Art Appraisal

Carlo Cignani (1628 – 1719)

Get a Cignani Certificate of Authenticity for your painting (COA) for your Cignani drawing.

For all your Cignani artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cignani Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cignani painting or drawing.

If you want to sell your Cignani painting or drawing use our selling services. We offer Cignani selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cignani and issuing certificates of authenticity since 2002. We are recognized Cignani experts and Cignani certified appraisers. We issue COAs and appraisals for all Cignani artworks.

Our Cignani paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cignani certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cignani painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cignani paintings or drawings take longer.

Our clients include Cignani collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carlo Cignani art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Carlo Cignani or we will sell it for you.

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Madonna of the Rosary

Carlo Cignani was an Italian painter of the Bolognese school, active in the Baroque period. He was born to a noble family in Bologna, where he studied first under Battista Cairo and later under Francesco Albani, to whom he remained closely allied, and was his most famous disciple. He was, however, also strongly influenced by the genius of Correggio. For instance, his masterpiece, the Assumption of the Virgin, around the cupola of the church of the Madonna del Fuoco at Forlì, is inspired by the Correggio’s frescoes in the cupola of the Cathedral of Parma. These frescoes occupied Cignani for some twenty years.

In 1681, Cignani returned to Bologna from Parma. He opened an accademia del nudo for painting from models and had as one of his pupils Giuseppe Maria Crespi. He had some of the defects of his masters: his elaborate finish and his audacious artificiality in the use of color and in composition mark Albani’s influence. Despite that, he imparted to his work more of an intellectual character than his mentors. As a man Cignani was eminently amiable, unassuming and generous.

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Allegoria della Primavera

He accepted no honors offered him by the duke of Parma, but lived and died an artist. He moved to Forlì in 1686, where he died. When the Accademia Clementina for Bolognese artists was founded in 1706, Cignani was posthumously elected Principe in absencia for life. His most famous pictures, in addition to the Assumption already cited, are the Entry of Paul III into Bologna; the Francois I Touching for Kings Evil; a Power of Love, painted under a fine ceiling by Agostino Carracci, on the walls of a room in the ducal palace at Parma; an Adam and Eve (at the Hague); and two of Joseph and Potiphars Wife (at Dresden and Copenhagen).

His son Felice Cignani (1660-1724) and nephew Paolo Cignani (1709-1764) were also painters. His most noted pupils were Marcantonio Franceschini and Federico Bencovich. Other pupils include Giacomo Boni, Andrea & Francesco Bondi; Giovanni Girolamo Bonesi; Girolamo Domini; Francesco Galli; Bonaventura Lamberti; Matteo Lamboni; Camilla Lauteri; Stefano Maria Legnani; Charles Lucy (born 1692), Francis Mancini; and Paolo Antonio Paderna.

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Joseph and Potiphar’s Wife

Still wondering about an Italian painting in your family collection? Contact us…it could be by Carlo Cignani.


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460--keeffe-o.php Georgia O’Keeffe Artwork Authentication & Art Appraisal

Georgia O’Keeffe (1887-1986)

We Perform Georgia O’Keeffe art authentication. Georgia O’Keeffe appraisal. Georgia O’Keeffe certificates of authenticity (COA). Georgia O’Keeffe analysis, research, scientific tests, full art authentications. We will help you sell your Georgia O’Keeffe or we will sell it for you.

Photo of the Artist taken by Stieglitz, 1918

Photo of the Artist taken by Stieglitz, 1918

Georgia O’Keeffe was an American painter, who was famous for her abstract flower paintings and nature-themed compositions. She is considered to be one of the greatest painters of the 20th century, let alone one of the greatest female artists to ever have lived. She was famous for painting magnified, large-scale images of flowers as well as shells, leaves, bones, and landscapes of New Mexico.

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Music Pink And Blue II

Shell No.1

Shell No.1

Not from My Garden

Not from My Garden

O’Keeffe was born in Wisconsin to a family of dairy farmers. As a girl, she took watercolor courses from Sarah Mann, a local artist. Later, her family would move to Williamsburg, Virginia, and in 1905, O’Keeffe enrolled in the Art Institute of Chicago. In 1907, she moved to New York and studied at the Art Students League under the famous painter, William Merritt Chase.

Jack in the Pulpit, No. IV

Jack in the Pulpit, No. IV

Poppies 1950

Poppies, 1950

In 1908, O’Keeffe moved back to Chicago where she found work as an illustrator. However, she became ill with measles in 1910 and moved back to Virginia to be with her family. From 1908 to 1912, it is said that O’Keeffe stopped painting completely. Apparently, she had an epiphany that she could not distinguish herself as a painter in the traditional academic style.

Autumn Leaves

Autumn Leaves

In 1912, O’Keeffe found inspiration to paint again after taking a summer class at the University of Virginia. She was introduced to the work of Arthur Wesley Dow and was encouraged to express herself on canvas through lines, color and shape. From 1912 to 1916, O’Keeffe would teach drawing at a number of schools in New York, South Carolina, and Texas. By 1916, O’Keeffe had fostered a relationship with her future husband, photographer Alfred Stieglitz. O”Keeffe moved back to New York, and they married when his divorce from his first wife was finalized in 1924. She was often a model for Stieglitz, sometimes in the nude, and photos of her caused a sensation at his exhibitions.

Photo By Stieglitz 1921

Photo By Stieglitz, 1921

O’Keeffe’s earliest work in New York, in the 1920s, featured her large-scale flower paintings. Most of these are painted as though the artist was looking at the subject close-up, as if through a magnifying glass. By this time, O’Keeffe had begun to paint primarily in oil, which was a major change considering that she had painted almost exclusively with watercolors throughout the 1910’s. With help from Stieglitz, her work gradually was exhibited every year, and by the later half of the 1920’s, O’Keeffe had earned a reputation as an important painter. She was extremely popular, and her paintings were highly sought-after and commanded even higher prices. In fact, a 1928 sale of six of her calla lily paintings for $25,000 was the largest sum ever commanded for a living American artist at that time.

Calla Lily Turned Away

Calla Lily Turned Away

Other than her large-scale paintings of sensuous looking flowers, O’Keeffe is also known for her almost surrealist landscape paintings of the American Southwest. From 1929 until 1949, O’Keeffe visited Santa Fe and Taos, New Mexico often. On her journeys there, she collected and painted bones and was inspired by the beautiful colors of the desert.

Ram's Head White Hollyhock and Little Hills 1935

Ram’s Head White Hollyhock and Little Hills, 1935

Horses Skull on Blue

Horses Skull on Blue

Ranchos Church New Mexico 1930

Ranchos Church New Mexico. 1930

O’Keeffe’s popularity continued to grow through the 1930s and 1940s, though a bout with illness again kept her from working through most of 1932, and she did not paint again until 1934. She had a number of one-woman exhibitions at this time, most notably at the Museum of Modern Art in New York in 1946, which was the first solo female exhibition the museum ever had. She also showed her work at the Whitney and at The Art Institute of Chicago. That same year, her husband died and after taking care of his estate, O’Keeffe settled in New Mexico permanently in 1949.

Oriental Poppies

Oriental Poppies

Throughout the 1950s and 1960s, O’Keeffe continued to paint in her adobe house in Abiquiu, New Mexico; however, by the early 1970s, her eyesight began to fail her. In 1973, O’Keeffe became friends with local potter Juan Hamilton who taught her how to work clay. Though her health was deteriorating, O’Keeffe continued to create art. She continued to work unassisted right up until she was 96 years old. Her last unassisted oil painting was created in 1972; watercolor in 1978; and graphite in 1984.

Banana Flower No. 1 1935 charcoal drawing

Banana Flower No. 1, 1935, charcoal drawing

One of the most enduring mysteries about Georgia O’Keeffe that remains is her undiscovered works on paper. For reasons unknown, O’Keeffe had a hidden cache of drawings, pastels, watercolors, and charcoals that, until recently, were hidden from the public. Until recently, only a few of O’Keeffe’s works on paper had been seen by art scholars, so it had been assumed that O’Keeffe generally did not work on paper or simply threw her sketches out. These uncovered works now show that O’Keeffe had a lifelong love affair with sketching and working on paper and left a very extensive catalogue of them behind. Sketchbooks, floral pastels, abstract watercolors and more revealed a different side of O’Keeffe to art critics. It is said that after her death and at the closing of her estate, her drawers were overflowing with literally hundreds of sketches and watercolors.

Evening Star No. V 1917 watercolor

Evening Star No. V, 1917, watercolor

Blue Shapes 1919 watercolor

Blue Shapes, 1919, watercolor

Perhaps this new discovery of O’Keeffe’s works on paper is so surprising is because Stieglitz was a fervent promoter of her work, yet her works on paper were rarely exhibited until after his death. Surely, he would have tried to implore O’Keeffe to show these works, which are more than just practice sketches. However, some critics conclude that perhaps O’Keeffe and Stieglitz considered her watercolors to be of a lower class than her oil paintings, and in the best interest of her career, decided not to show them. Throughout her life, O’Keeffe retained an air of mystery about herself by dressing dramatically, not smiling in photos and being a generally reserved person. Perhaps in the end, O’Keeffe was just too shy to show these sketches and watercolors which showed her more spontaneous side. To O’Keeffe, these works must have been very special and private, and art lovers and critics are lucky to have access to them. Art collectors are also lucky because this new discovery means that perhaps a number of O’Keeffe’s sketches are still out there, unknown and otherwise unauthenticated from virtually any point in her artistic career.

Drawing 1915

Drawing, 1915

Still wondering about that floral watercolor or sketch of a New Mexico landscape in your home? Contact us… we are the Georgia O’Keeffe experts.


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461--preti.php Mattia Preti Artwork Authentication & Art Appraisal

Mattia Preti (1613 – 1699)

We Perform Mattia Preti art authentication. Mattia Preti appraisal. We Perform Mattia Preti certificates of authenticity (COA). Mattia Preti analysis, research, scientific tests, full art authentications. We will help you sell your Mattia Preti or we will sell it for you.

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Concert, 1630’s

Mattia Preti was a Italian Baroque artist who worked in Italy and Malta. Born in the small town of Taverna in Calabria, Preti was sometimes called Il Cavalier Calabrese (the Knight of Calabria). His early apprenticeship is said to have been with the “Caravaggist” Giovanni Battista Caracciolo, which may account for his life-long interest in the style of Caravaggio.

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Jacob Blessing his Grandchildren

Probably before 1630, Preti joined his brother Gregorio (also a painter), in Rome, where he became familiar with the techniques of Caravaggio and his school as well as with the work of Guercino, Rubens, Reni, Giovanni Lanfranco and Paolo Veronese. In Rome, he painted fresco cycles in Sant’Andrea della Valle and San Carlo ai Catinari. Between 1640 and 1646, he spent time in Venice. Returning to Rome in 1641-42, 1650-51, and 1660-61. He painted frescoes for the church of San Biago at Modena (1653-6) and participated in the fresco decoration of the Palazzo Pamphilj in Valmontone (1658-59), where he worked along with Pier Francesco Mola, Gaspar Dughet, Francesco Cozza, Giovanni Battista Tassi (il Cortonese), and Guglielmo Cortese.

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The Triumphant Christ

During most of 1656-1660, he worked in Naples, where he was influenced by the other major Neapolitan painter of his era, Luca Giordano. One of Preti’s masterpieces were a series of large frescoes, ex-votos of the plague (which were painted on seven city gates but have since been lost to the ravages of time), depicting the Virgin or saints delivering people from the plague. Two sketches are in the Capodimonte Museum in Naples. The bozzeto of the Virgin with the baby Jesus looming over the dying and their burial parties envisions a Last Judgement presided over by a woman. Preti’s salary for the work was 1500 ducats. Preti also won a commission to supervise the construction, carving, and gilding for the nave and transcept of San Pietro a Maiella.

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St. Sebastian

Having been made a Knight of Grace in the Order of St John, he visited the order’s headquarters in Malta in 1659 and spent most of the remainder of his life there. Preti transformed the interior of St. John’s Co-Cathedral in Valletta, with a huge series of paintings on the life and martyrdom of St. John the Baptist (1661-1666). His increased reputation led to an expanded circle of patrons, and he received commissions from all over Europe.

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Aeneas, Anchises and Ascanius Fleeing Troy 1630’s

Preti was fortunate to enjoy a long career and have a considerable artistic output. His paintings, representative of the exuberant late Baroque style, are held by many great museums, including important collections in Naples, Valletta, and in his hometown of Taverna.

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The Incredulity of St. Thomas

Still wondering about an Italian painting in your family collection? Contact us…it could be by Mattia Preti.


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463--montenegro.php Roberto Montenegro Artwork Authentication & Art Appraisal

Roberto Montenegro (1887 – 1968)

Do you think you may own a painting or illustration by Roberto Montenegro?

Get a Montenegro Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Montenegro artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Montenegro Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Montenegro painting, drawing or print.

If you want to sell your Montenegro painting, drawing or print use our selling services. We offer Montenegro selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Montenegro and issuing certificates of authenticity since 2002. We are recognized Montenegro experts and Montenegro certified appraisers. We issue COAs and appraisals for all Montenegro artworks.

Our Montenegro paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Montenegro certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Montenegro painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Montenegro paintings or drawings take longer.

Our clients include Montenegro collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Roberto Montenegro art authentication., appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Roberto Montenegro or we will sell it for you.

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Cabeza Azteca

Montenegro began his studies in Guadalajara, Mexico under a Brazilian artist, Felix Bernardelli. Montenegro initially made illustrations for modernist art periodical, “Revista Moderna.”

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Retrato de Chucho Reyes y Autor Retrato

Montenegro soon moved to Mexico City and studied at the Academia de San Carlos alongside notables Diego Rivera, Angel Zarraga and Francisco Goitia.

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L’Epicerie Du Bon Poete, 1939

Montenegro was awarded a scholarship from the Mexican government to study at the Academia de San Fernando in Madrid. Montenegro continued his studies in Europe, moving to Paris in 1907. In Paris Montenegro met Picasso, Juan Gris, Braque and Jean Cocteau. It was perhaps during this early sojourn to Europe that Montenegro picked up his distinctly “European” style. While much of Montenegro’s work echoes Mexican traditions and styles, he also ventured out into Surrealism to create a style of his own that was much different from his contemporaries.

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La Primera Dama, 1942

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Profile

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Odalisca

It has been said by some that Montenegro is one of the hardest Mexican artists to pinpoint in style as well as in technique. This is not surprising because Montenegro often bounced from one style to another and didn’t have any distinct techniques, which he incorporated in his compositions. Because of his extensive travels and often changing style, the possibility for an unknown Montenegro piece to surface is great.

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Desesperacíon

Rarely did Montenegro’s work pose a particularly social message, and if it did, it was certainly not as loud as that of other muralists of the time like Diego Rivera. However, because of Montenegro’s Surrealist nature, his work is full of symbolism, such as his 1949 piece Desesperacion, featuring a fleeing horse.

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Puerto de Venecia

During World War I Montenegro left France and spent five years in Mallorca. After the war, Montenegro returned to Mexico to paint several frescoes in the convent of San Pedro and San Pablo. During this period Montenegro is most recognized for his mural entitled “Fiesta de la Santa Cruz.”

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La Fiesta de la Santa Cruz

In addition to working as a fine artist, Montenegro organized the first popular arts festival, published “Pintura Mexicana del Periodo 1800-1860,” and was involved with choreography and stage designs.

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Retrato de Mujer

While Montenegro is well known for his murals, lithographs, oil paintings, stained glass and book illustrations, it is Montenegro’s portraits that brought him the most fame. Do you think you own a Montenegro illustration or painting? Contact us, we are the Montenegro experts.


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464--hove.php Anne-Birthe Hove Artwork Authentication & Art Appraisal

Anne-Birthe Hove (1954-2012)

1. From the series: Sermitsiaq. Intaglio print. Signed ‘abh.’ Greenland National Gallery of Art.

1. From the series: Sermitsiaq. Intaglio print. Signed ‘abh.’ Greenland National Gallery of Art.

Get a Hove Certificate of Authenticity for your painting or a COA for your Hovedrawing, print or sculpture.

For all your Hoveartworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Hove Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hovepainting, drawing, print or sculpture.

If you want to sell your Hovepainting, drawing, print or sculpture use our selling services. We offer Hove selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hoveand issuing certificates of authenticity since 2002. We are recognized Hoveexperts and Hove certified appraisers. We issue COAs and appraisals for all Hove artworks.

Our Hovepaintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hovecertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hovepainting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hovepaintings, drawings or sculptures take longer.

Our clients include Hovecollectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Do you think you may own a painting by Anne-Birthe Hove?

We perform Anne-Birthe Hove art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Anne-Birthe Hove or we will sell it for you.

2. Untitled print. Etching, drypoint, aquatint. Greenland National Gallery of Art.

2. Untitled print. Etching, drypoint, aquatint. Greenland National Gallery of Art.

While Hove worked with a range of media she is best remembered for printmaking. She used a variety of techniques, including etching, drypoint, aquatint, chine collé, etc. Her prints combined the elements of her drawings and paintings, showing flat areas of color with more sketch-like, intuitive markings.

3. Series: Have Exercises. Etchin, chine collé. 2010. Owner, Thomas Stensgaard.

3. Series: Have Exercises. Etchin, chine collé. 2010. Owner, Thomas Stensgaard.

Hove had an extensive career. She exhibited in numerous galleries around the world and was a member of various groups. For ten years she was president of the KIMIK group, as well as a member of Koloristerne, a Danish association. Many of her illustrations were used on postage stamps for a contemporary art series.

4. Untitled “Self-Portrait.” Watercolor. Owned by Thomas Stensgaard.

4. Untitled “Self-Portrait.” Watercolor. Owned by Thomas Stensgaard.

Hove’s work continued to develop throughout her life. In addition to her more iconic graphic work and illustrations, she made a number of sculptures. These ranged from more traditional Inuit carvings out of soapstone, to sleeker more contemporary installations.

5. Untitled. Carved soapstone sculpture. Owned by Thomas Stensgaard.

5. Untitled. Carved soapstone sculpture. Owned by Thomas Stensgaard.

Hove’s work is now in the permanent collection of Greenland’s National Art Gallery, as well as museums and private collections around the world.

If you think you may own original artwork by Anne-Birthe Hove, contact Art Certification Experts for information regarding our services.


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465--romano_a.php Antoniazzo Romano Artwork Authentication & Art Appraisal

Antoniazzo Romano (1430-1510)

Antoniazzo Romano art authentication. Antoniazzo Romano appraisal. Antoniazzo Romano certificates of authenticity (COA). Antoniazzo Romano analysis, research, scientific tests, full art authentications. We will help you sell your Antoniazzo Romano or we will sell it for you.

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Nativity 1480-1485

Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili, was an Italian Early Renaissance painter, the leading figure of the Roman school during the 15th century. Antoniazzo was born in the Colonna quarter of Rome. He was influenced at first by the decorative manner of Benozzo Gozzoli and Beato Angelico, as well as by the local painters of Lazio. His first recorded work is from 1461, a replica (untraced) of the miraculous Virgin and Child of St. Luke in the Basilica of Santa Maria Maggiore of Rome, for the seignor of Pesaro, Alessandro Sforza.

From 1464 he worked for the papal court, producing at first a triptych of the Virgin and Child with Saints in Rieti. In 1467 he completed the decoration of the funerary chapel of Cardinal Bessarion in the church of Santi Apostoli of Rome, not far from his birthplace. In the centre of the decoration was an icon of the Virgin, now in the Chapel of St Anthony, a copy of the Byzantine icon in the Santa Maria in Cosmedin, the church of the Greeks in Rome. This icon in the Santi Apostoli is one of the most remarkable examples of Antoniazzo’s considerable production of Virgins, generally taken from Byzantine models: he was indeed a much sought-after copier of icons. Later he worked to a series of frescoes in the Monastery of Tor de’ Specchi in Rome, featuring stories of the life of S. Francesca Romana, and to the decoration of the public rooms of the Palazzo Venezia.

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Madonna Enthroned with the Infant, Christ and Saints 1487

In the 1470s Antoniazzo worked to the decoration of the Vatican Palace with artists like Perugino, Melozzo da Forlì and Ghirlandaio. Through their influence his figures acquired gentler expressions and their garments were ornamented with decorative patterns, though always retaining several Medieval features.

Together with Melozzo he worked to frescoes in Santa Maria sopra Minerva, and subsequently painted for that church a famous Annunciation (1482). In the years between 1475 and 1480 Antoniazzo’s production of altarpieces and panels with images of the Virgin increased as a result of the encouragement of the cult of the Virgin by Pope Sixtus IV. His later works show an increasing mannerism in their features, which were later imitated by several painters, whose works had been often attributed to the master.

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Annunciation

Antoniazzo was one of the three founders of the Compagnia di San Luca, the guild of painters and illuminators in Rome, and signed the statutes in 1478.

A portion of his Madonna and Child with Donor from the Houston, Texas Museum of Fine Arts was chosen as the art masterpiece United States Postal Service’s Christmas stamp for 1991.

Still wondering about an Italian painting in your family collection? Contact us…it could be by Antoniazzo Romano.


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466--leon.php Fidelio Ponce de Leon Artwork Authentication & Art Appraisal

Fidelio Ponce de Leon (1895-1949)

Get a Ponce De Leon Certificate of Authenticity for your painting (COA) for your Ponce De Leon drawing.

For all your Ponce De Leon artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ponce De Leon Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ponce De Leon painting or drawing.

If you want to sell your Ponce De Leon painting or drawing use our selling services. We offer Ponce De Leon selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ponce De Leon and issuing certificates of authenticity since 2002. We are recognized Ponce De Leon experts and Ponce De Leon certified appraisers. We issue COAs and appraisals for all Ponce De Leon artworks.

Our Ponce De Leon paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ponce De Leon certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ponce De Leon painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ponce De Leon paintings or drawings take longer.

Our clients include Ponce De Leon collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Fidelio Ponce de Leon art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Fidelio Ponce de Leon or we will sell it for you.

Ponce de Leon

Figures, 1935

Mystery shrouds the life of Fidelio Ponce de Leon, named by many as one of the most authentic Cuban painters of his era. His peers and fellow artists have also called him one of the best plastic artists of his time.

Born Alfredo Ramón Jesús de la Paz Fuentes Pons, the details of his life are at times sketchy. He studied at San Alejandro but it is not known if he finished his studies there. Ponce literally disappeared from the art scene from 1918-1923. It was later learned that he spent those years in a small town, teaching children to draw. During this time, it is also said that he was working in advertising, perhaps in Havana. There have even been rumors that he died of starvation, when in fact he died of complications due to tuberculosis.

Ponce de Leon

Sketch of woman with bow

Unlike many of his contemporaries, Ponce never ventured outside of Cuba for artistic training or inspiration. He traveled abroad to Russia and Mexico, but did not search for artistic instruction in Paris or other European art centers. He created almost all of his artwork in Cuba, and he received all of his formal instruction in Cuba as well. For this reason, many have called him one of the most authentic Cuban painters of his era.

Ponce de Leon

Portrait of Dr. Mario D. Cardenas Pupo

Ponce de Leon

Untitled, Portrait of a Woman

It is said by some that Ponce was a very likable person, but it is also said that he was a sad man, and even an alcoholic. It is likely that there is truth to both, but his sadness is what mostly came through in his artwork. Oil paintings, ceramics, watercolors, charcoals, engravings and papier-mâché were all part of his oeuvre, but it is his oil paintings that he is known for.

Ponce de Leon

La Niña Amadita / The Girl Amadita

A student of Romanach while at The San Alejandro Academy, he was very fond of using white space in his compositions. Religious imagery, such as Jesus and crucifixes, sad children and people sick with tuberculosis are major themes in his work. For example, “Figuras” shows his use of white and his somber themes.

Some of Ponce’s oil paintings venture towards the abstract, featuring dripping organic compositions. However, these compositions came much later in his career, between the mid to late 1040s.

Almost as common as his oil paintings are his charcoal sketches. Usually somberly themed, they are wispy portraits, which also utilize the white space that Ponce was so fond of.

Ponce de Leon

Devotional 1947 Oil on Canvas

Ponce’s style is hard to classify—whether Expressionist, Impressionist or Abstract, none would argue that he painted in the true Vanguard spirit. Today, some of his work is deteriorating due to his lack of knowledge on how to mix his oil paints; so authenticating his work has never been more important. The sooner it is in the hands of professionals, the sooner it may be restored or properly displayed.

Today Ponce’s work is housed in museums all over Cuba and has been sold to private collections for hundreds of thousands of dollars.

Still wondering about a Cuban painting in your family collection? Contact us…we are the Fidelio Ponce de Leon experts.


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467--millet.php Jean-François Millet Artwork Authentication & Art Appraisal

Jean-François Millet (1814-1875)

Get a Millet Certificate of Authenticity for your painting (COA) for your Millet drawing.

For all your Millet artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Millet Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Millet painting or drawing.

If you want to sell your Millet painting or drawing use our selling services. We offer Millet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Millet and issuing certificates of authenticity since 2002. We are recognized Millet experts and Millet certified appraisers. We issue COAs and appraisals for all Millet artworks.

Our Millet paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Millet certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Millet painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Millet paintings or drawings take longer.

Our clients include Millet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean-François Millet art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean-François Millet or we will sell it for you.

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Landscape with Two Peasant Women

Jean-François Millet was a French painter, born in the rural village of Gruchy in Normandy, France. Millet is best known for painting scenes of peasant workers and helping to found the Barbizon school.

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Logger Preparing Bundles of Sticks

Millet began his education by studying under village priests, who tutored him in Latin and modern literature. In 1833 Millet moved to Cherbourg to study painting with the portrait artist, Paul Dumouchel. Millet proved to be a talented artist and continued to study under various painters. By 1837, Millet’s instructors funded his move to Paris, enabling him to study at the Ecole des Beaux-Arts. Millet exhibited in the 1840 Salon in Paris before returning to Cherbourg to continue working as a portrait painter.

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The Hay Bundlers

After a series of emotional setbacks in Cherbourg and Paris, Millet married Catherine Lemaire and settled in the rural village of Le Havre, an ideal setting for Millet’s genre paintings. By 1949 Millet began to receive recognition for his work, exhibiting in the Salon and completing a state commission. Millet and his wife decided to move to Barbizon, where he eventually helped to establish the widely known, Barbizon school. During this time period Millet painted two of his masterpieces, “Angelus” and “The Gleaners”. Both paintings have become internationally known images, often used to promote worker rights and labor movements. Throughout the late 1800s, Millet’s career and reputation continued to grow. Wealthy patrons commissioned Millet to complete a large number of oils and pastels.

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Portrait of a Woman

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Portrait of a Man

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(Green, Green)The Nun’s Parrot, 1839

Millet was chosen to exhibit three paintings in the Exposition Universelle, including “The Gleaners”, “Angelus” and “Potato Planters”.

Angelus, 1859

Angelus, 1859

Millet is known as a master painter and has inspired generations of artists from Vincent Van Gogh to Georges Seurat. Millet’s images are frequently reproduced and used for commercial purposes in present day culture.

Fiadeira

Wool Spinner

Shepherdess

Shepherdess

Into Flowers

Spring

Woman shepherding her herd

Woman shepherding her herd

Gleaners

Gleaners

Sketch for Gleaners

Sketch for Gleaners

Self-Portrait

Self-Portrait

The Charcoal Burner's Hut

The Charcoal Burner’s Hut

Woman with a Rake

Woman with a Rake

Forest Worker

Forest Worker

Janela

Woman in the Window

Collecting Brushwood

Collecting Brushwood

Woman making bread

Woman making bread

Castel Vendon

Castel Vendon

Sheep Pen, Moonlight

Sheep Pen, Moonlight

Woman Sewing by Lamplight

Woman Sewing by Lamplight

Afternoon Nap

Afternoon Nap

The Goose Girl

The Goose Girl

Maternal Care

Maternal Care

Millet’s paintings are now in major collections across the globe, including the Musée d’Orsay in Paris, and the Museum of Fine Arts in Boston. Currently there are known to be around 700 paintings and 3,000 works on paper by Jean-Francois Millet. Do you think you may own a painting or a work by Millet? Our researchers can help you find out. Contact us. We are the Jean-François Millet experts.


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468--gentileschi-orazio.php Orazio Gentileschi Artwork Authentication & Art Appraisal

Orazio Lomi Gentileschi (1563 – 1639)

We Perform Orazio Gentileschi art authentication. Orazio Gentileschi appraisal. Orazio Gentileschi certificates of authenticity (COA). Orazio Gentileschi analysis, research, scientific tests, full art authentications. We will help you sell your Orazio Gentileschi or we will sell it for you.

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The Lute Player

Orazio Gentileschi was an Italian Baroque painter, one of more important painters influenced by Caravaggio (the so-called Caravaggisti). He was the father of the painter Artemisia Gentileschi. Orazio Lomi de Gentileschi was born in Pisa to a family of Florentine origin. It appears that De Gentileschi was his correct surname, Lomi being the surname which his mother had borne during her first marriage. He studied under his half-brother Aurelio Lomi, whom in course of time he surpassed.

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Madonna with Child

In the late 1570s or early 1580s Gentileschi moved to Rome, and was associated with the landscape-painter Agostino Tassi, executing the figures for the landscape backgrounds of this artist in the Palazzo Rospigliosi, and it is said in the great hall of the Quirinal Palace, although by some authorities the figures in the last-named building are ascribed to Giovanni Lanfranco. He worked also in the churches of Santa Maria Maggiore, San Nicola in Carcere, Santa Maria della Pace and San Giovanni in Laterano.

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Judith and Holofernes 1620

However, Gentileschi’s main influence starting from the early 17th century was Caravaggio, also in Rome at the time, whose style he was one of the best followers of. Sharing with the former the shadowy character, he took part to several adventures in the Rome’s streets, and in 1603 he was called as witness in the process against Caravaggio. In 1612 he was again called to the Tribunal of Rome, this time to speak against Tassi, charged of the rape of his daughter Artemisia. After Caravaggio’s flee from Rome, Gentileschi developed a more personal Tuscan lyricism, characterized by lighter colors and precision in details reminiscent of his Mannerist beginnings. After a long sojourn in the Marche, in the early 1620s Gentileschi went to Genoa, and then to Paris, at the court of Marie de Medici.

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Diana the Huntress

In 1626 he left France to work for Charles I of England, where he remained for the rest of his life. His works became increasingly conventional and decorative, but were appreciated by the local aristocracy for their classicism. Van Dyck included him in his portraits of a hundred illustrious men. Gentileschi died in 1639 in London.

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St. Francis and the Angel 1612

Gentileschi’s best works are Saints Cecilia and Valerian, in the Galleria Borghese of Rome; David after the death of Goliath (c. 1610), in the Palazzo Doria, Genoa; and some works in the royal palace, Turin, noticeable for vivid and uncommon coloring. The Annunciation (1623), painted in Genoa and now in the Galleria Sabauda of Turin, is considered by several authorities his masterpiece. Its plenty of graceful details, as well as the total absence of the earlier chiaroscuro, show the lessening of Caravaggio’s influence at the time. The main work of the English period was a series of ceiling paintings at the palace at Greenwich, now in Marlborough House, London.

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Annunciation 1623

Still wondering about an Italian painting in your family collection? Contact us…it could be by Orazio Gentileschi.


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469--hokusai.php Katsushika Hokusai Artwork Authentication & Art Appraisal

Katsushika Hokusai (1760-1849)

Get a Hokusai Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Hokusai artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Hokusai Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hokusai painting, drawing or print.

If you want to sell your Hokusai painting, drawing or print use our selling services. We offer Hokusai selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hokusai and issuing certificates of authenticity since 2002. We are recognized Hokusai experts and Hokusai certified appraisers. We issue COAs and appraisals for all Hokusai artworks.

Our Hokusai paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hokusai certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hokusai painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hokusai paintings or drawings take longer.

Our clients include Hokusai collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Katsushika Hokusai art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Katsushika Hokusai or we will sell it for you.

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The Great Wave at Kanagawa (from 36 views of Mount Fuji), c.1829

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The Waterfall

Katsushika Hokusai was an early 19th century Ukiyo-e (pictures of the floating world) Japanese print maker known for his depictions of Mt. Fuji and stylized ocean waves. HE was born in Edo (now Tokyo) and it is said that he began to draw at a very early age, and even had his own workshop by the time he was 15. He studied under Kasukawa Shunsho, and during his early years, created portraits of actors. In fact, many of these portraits were actually advertisements for theaters and brothels.

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Two Women

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Shirabyoshi Court Performer

For the next fourteen years, Hokusai remained connected to the Katsukawa Sunsho school, and also studied with Yusen at the Kano school. Hokusai began to experiment with western styles and ideas from other art schools, which is thought to be the reason that he was expelled from Shunsho in 1792. This, however, would also lead Hokusai to become a major influence on European artists like James McNeill Whistler and even Claude Monet.

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Mount Fuji

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Boy on Mount Fuji

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Fine Wind, Clear Morning on Mount Fuji

Hokusai led a somewhat tumultuous life, and had very poor luck in his personal affairs, and lived much of his life in poverty. He suffered great personal losses when two of his wives and his eldest son died. His personal memoirs state that he moved nearly 100 times during his life due to his restless nature. This was very strange considering that, traditionally, average Japanese families rarely ever moved. This makes the possibility for lost works of his to surface all over Japan or elsewhere, due to his frequent moves.

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Flock of Chickens

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Red Flowers

Much to the dismay of art historians and researchers, Hokusai also signed his works in a variety of different ways. He changed his name several times, some estimate more than thirty times, making it difficult for some to authenticate his works. He went by Shunro and Shori, and finally settle on Hokusai. One of these names was Gakyo-rojin, which means “old man mad with painting. This was a perfect definition for workaholic Hokusai, who worked on his craft day and night.

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Thunder Storm at the Foot of the Mountain

During his prolific career, Hokusai created many drawings, prints, and sketches, an estimated amazing 30,000 or more works. His series, 36 Views of Mt. Fuji is among his most popular works, and actually consists of 46 designs. He also published a series of manga sketchbooks, and later on at the age of 75 a three volume book entitled One Hundred Views of Mount Fuji.

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One Hundred Tales, Ghost Emerging From Well

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Manga Sketches

Hokusai continued to work right up until the day he died, and it is said that the last words he uttered on his deathbed were, If heaven give me ten more years, or an extension of even five years, I shall surely become a true artist.

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Inume Pass in Kai Province

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A Wild Sea at Choshi in Shimosa Province

Today, Hokusai’s prints are housed in prestigious collections all over the world, and perhaps in your own home. Still wondering about a Japanese print, painting or sketch in your family estate? Contact us…it could be by Katsushika Hokusai.


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470--dubucand.php Alfred Dubucand Artwork Authentication & Art Appraisal

Alfred Dubucand (1828-1894 or 1898)

We Perform Alfred Dubucand art authentication. Alfred Dubucand appraisal. Alfred Dubucand certificates of authenticity (COA). Alfred Dubucand analysis, research, scientific tests , full art authentications. We will help you sell your Alfred Dubucand or we will sell it for you.

Alfred Dubucand, French school, was born in Paris on November 25, 1828 and studied sculpture under Lequien.  From 1867 until 1883 he exhibited at the Paris Salon. In 1879 he was awarded the bronze medal.

Dubucand was primarily an “animalier”, an animal sculptor, and of dogs, hunting scenes, domestic animals and Orientalist hunts in particular.  He is believed to have died in 1894 but some texts give the date as 1898.

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Hunting in the Sahara. 1875

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Thoroughbred Stallion

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471--monet.php Claude Monet Artwork Authentication & Art Appraisal

Claude Monet (1840-1926)

Get a Monet Certificate of Authenticity for your painting (COA) for your Monet drawing.

For all your Monet artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Monet Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Monet painting or drawing.

If you want to sell your Monet painting or drawing use our selling services. We offer Monet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Monet and issuing certificates of authenticity since 2002. We are recognized Monet experts and Monet certified appraisers. We issue COAs and appraisals for all Monet artworks.

Our Monet paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Monet certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Monet painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Monet paintings or drawings take longer.

Our clients include Monet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Claude Monet art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Claude Monet or we will sell it for you.

Is There an Undiscovered Monet Somewhere?

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The Park at Giverny

We appraise, authenticate and offer certificates of authenticity for works by Claude Monet. Caricatures

Before he left Le Havre and moved to Paris in 1859, Claude Monet was a caricaturist. Here in his own words, is what he did:

“I ornamented the margins of my text books, I decorated the blue paper of my exercise books with ultra fantastic designs and represented in the most irreverent manner possible, the features of my masters—either drawing their faces in front view or in profile.

“I became very quickly adept at this game. At fifteen, I was known by the whole of Le Havre as a caricaturist. My reputation was so well established that I was commissioned by everyone for these types of portraits. It was in effect, in consideration of the sheer number of commissions that I received as well as the insufficiency of the allowance that I received from my mother, that prompted the audacious decision that I made to charge a fee for my portraits. This of course, scandalized my family. I would charge ten to twenty francs depending on whether I liked the look of my clients or not and this method worked extremely well. In a month, the number of clients had doubled and I was able to charge a fixed rate of twenty francs without reducing in any way the demand. Had I continued this way, I would today be a millionaire!

“Thus, by this means, I became someone of importance in the town. There, along the shop front of the only framers in business at Le Havre, were my caricatures, insolently sprawled-out in groups of five or six, to be seen in full in little gold frames, under glass like real works of art. Moreover, when I saw strollers gathering to gap at them with admiration and cry “It is so and so!”, I was bursting with pride.”

Obviously, all these many caricatures executed between about 1854 and 1859 have not been accounted for.

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Dr. Leclenche, 1864

It would be 30 years before Monet would enjoy a small measure of success in Paris and 50 before he received enough recognition that someone in Le Havre could have heard of him.

What happened to the many caricatures during these 50 years? As people died and their estates were sold, some may well have ended up in some little antique shops in Le Havre, to be purchased later by American tourists arriving to the city on the big transatlantic liners.

The famous Compagnie Generale Transatlantique was founded in Le Havre in 1855 and by 1864 there was regular and busy service to New York. For the next 80 years millions of transatlantic tourists would pass through Le Havre.

Of course, there are countless other possibilities. Some of the early unframed caricatures were probably stuck in some books and someone somewhere may still be using today, unknowingly, a Monet drawing as a page marker.

The Boudin Period

There is another possibility.

In 1858 Monet met Eugene Boudin in the frame shop which sold both of their works. Monet’s caricatures and Boudin’s little landscapes. Monsieur Gavier, the framer, introduced them.

Soon, the two began to paint together, outdoors, en plein air. These were the very first of Monet’s landscape paintings.

Here is the earliest one we known of: View of Rouelles, done in 1858 and which he exhibited at the municipally sponsored art exhibition in Le Havre in the same year. It was the first painting he ever exhibited.

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View of Rouelles, 1858

Is it possible that some other landscapes executed before Monet moved to Paris in 1859 stayed behind in Le Havre?

Yes, indeed, because we certainly do not have enough paintings to account for all he must have painted with Boudin during 1858 and 1859. Surely this lone painting he exhibited in 1858 is not the one and only he executed in the course of almost two years.

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Flowers and Fruits

The Fakes That Are Not

Then, we have the intriguing fact that in the late 1800s Monet was advertising in French newspapers, offering paintings of trees, cathedrals and haystacks. Furthermore, he indicated that each would be unique because he would paint each one in different shades and colors. Essentially, these were copies he made of some of his works which have by now become so famous, but they were executed in different colors. It is almost certain that some of the paintings which have been rejected as fakes, are indeed authentic Monet works.

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The White Water Lillies

We do not know how many such copies Monet painted and sold through his classified ads. We also do not know if they were of inferior quality.

Monet painted quickly before his eyesight became so poor that all he saw were blurry color masses. During a stay at Fresselines with the poet Maurice Rollinat he executed 23 paintings. On his trip to Zaandam, in Holland, in 1871, he executed some 20 and another 12 from what seems to have been a quick tour of Amsterdam. This is to say that Monet could probably have turned a copy of one of his own paintings in a few hours.

The American Connection

By 1886, Durand-Ruel, Monet’s dealer, is doing so poorly trying to sell paintings in France, and is such dire financial straights, that he decides to try to sell some paintings in America. He organizes an exhibition of 300 paintings in New York at the American Art Association. Among them are 49 works by Monet and the exhibition is a success. American art Critics are ecstatic. Americans fall in love with impressionism. The next year, another 12 paintings by Monet are included in a new American exhibition.

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The Walkers Bazille and Camille

From this point on, we lose a precise count of how many Monet paintings are sent to America. One thing is certain, it is a very large quantity and it can be measured by the quick changes in Monet’s lifestyle.

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La Promenade

American money allowed him to buy his house, additional land, to build his famous garden, greenhouses, additional buildings, to divert a stream for his pond, to build a Japanese bridge, a second studio and eventually to hire 6 full time gardeners. He was also able to travel, going to Norway and several times to London.

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On the Beach at Trouville

He entertained groups of friends who stayed for several days. Eight children and grand children lived with him. More often than not, 25 or 30 people were eating and living, and eight or nine were receiving wages, on his property at Giverny. So we know that many paintings went to America, for Monet to have been able to do all this and to maintain this opulent lifestyle.

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Haystacks, End of the Summer, Morning

Has every single painting sold to an American buyer in the 1880s and 1890s been accounted for? For now we know of exactly 2,050 paintings and about 500 drawings by the father of impressionism. It seems reasonable to think that another little Monet, waiting to be discovered, is quietly sleeping somewhere.


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474--duncanson.php Robert Scott Duncanson Artwork Authentication & Art Appraisal

Robert Scott Duncanson (1821-1872)

Get a Duncanson Certificate of Authenticity for your painting (COA) for your Duncanson drawing.

For all your Duncanson artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Duncanson Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Duncanson painting or drawing.

If you want to sell your Duncanson painting or drawing use our selling services. We offer Duncanson selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Duncanson and issuing certificates of authenticity since 2002. We are recognized Duncanson experts and Duncanson certified appraisers. We issue COAs and appraisals for all Duncanson artworks.

Our Duncanson paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Duncanson certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Duncanson painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Duncanson paintings or drawings take longer.

Our clients include Duncanson collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Robert Scott Duncanson art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Robert Scott Duncanson or we will sell it for you.

Duncanson, Landscape with Rainbow

Landscape with Rainbow

Robert Scott Duncanson was born in Seneca County, New York. Duncanson lived with both his father in Canada and his mother in Ohio. Duncanson was referred to as a “freeborn person of color” as his mother was an African American. Duncanson faced racial discrimination at multiple points in his career. At one point his family was unable to attend his exhibitions. Duncanson persevered, having success that started in Cincinnati and spread around the world.

Duncanson, Vale of Kasmir, 1870

Vale of Kasmir, 1870

Duncanson was a self-taught artist, receiving no formal training. Duncanson copied prints and portraits to build technical skills. Duncanson collaborated with a photographer to do an experimental series titles, “Chemical Paintings”. In 1848 Duncanson was looking for a change and decided to relocate to Detroit. Duncanson remained in Detroit only a short while making portrait and genre paintings, before returning to Cincinnati.

Duncanson, Maiden Rock, Lake Pepin 1862

Maiden Rock, Lake Pepin 1862

Duncanson’s career took off after receiving a large commission from abolitionist minister, Charles Avery. Duncanson was introduced to a number of abolitionist contacts that continued to supply him with work.

Uncle Tom and Little Eva, 1853

Uncle Tom and Little Eva, 1853

As Duncanson’s reputation grew he moved farther into the landscape painting genre. Duncanson worked alongside fellow artists Whittredge and Sonntag who were part of the Hudson River School. Duncanson went on frequent sketching expeditions, returning to his studio in Cincinnati to make finished paintings. The Ohio River Valley became Duncanson’s primary subject. Duncanson tried to make the same spiritual and philosophical connections to work, as the Hudson River School painters had done.

In 1851 the wealthy Cincinnati patron, Nicholas Longworth, commissioned Duncanson to paint eight murals in his home. The extensive assignment further boosted Duncanson’s reputation.

View of Cincinnati from Covington, Kentucky, 1851

View of Cincinnati from Covington, Kentucky, 1851

When the Civil War began Duncanson fled to Canada and the United Kingdom where he continued to paint landscapes. In 1866 Duncanson returned to Cincinnati with a widened horizon and more experience on his shoulders. Duncanson continued to paint into his late life. Duncanson’s paintings are an important contribution to African American and American landscape painting. Robert Scott Duncanson’s paintings are in collections across the United States and Canada. Do you think you own a painting by Robert Scott Duncanson? Contact us. We are the Robert Scott Duncanson experts.


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475--davies.php Arthur Bowen Davies Artwork Authentication & Art Appraisal

Arthur Bowen Davies (1863-1928)

Get a Davies Certificate of Authenticity for your painting (COA) for your Davies drawing.

For all your Davies artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Davies Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Davies painting or drawing.

If you want to sell your Davies painting or drawing use our selling services. We offer Davies selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Davies and issuing certificates of authenticity since 2002. We are recognized Davies experts and Davies certified appraisers. We issue COAs and appraisals for all Davies artworks.

Our Davies paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Davies certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Davies painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Davies paintings or drawings take longer.

Our clients include Davies collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Arthur Bowen Davies art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Arthur Bowen Davies or we will sell it for you.

Davies, Heart's Hansel

Heart’s Hansel

Davies, Interwoven

Interwoven

Arthur Bowen Davies was an avant-garde, American artist born in Utica, New York. Davies left Utica in 1879 to study at the Chicago Academy of Design and at the School of the Art Institute of Chicago. Davies only stayed in Chicago for a few years before moving to New York City. Davies continued his art studies in New York, taking courses at the Art Students League. Davies supported himself by working as an illustrator, billboard painter and a draftsman for engineers.

Davies, Arethusa

Arethusa

Davies quickly became involved in the New York art scene and was an important artist of the historical, Ashcan school of painting. Other artists in Davies’ circle included William Glackens, Robert Henri, George Luks, Everett Shinn, John French Sloan, Ernest Lawson and Maurice Prendergast. The group of avant-garde painters was also known as The Eight. The Ashcan artists countered the conservatism of the National Academy of Design.

Davies, Down in the Valley

Down in the Valley

Davies commonly painted figures in an unearthly or fantasy world. Davies referenced former art movements including Art Nouveau, Cubism and Tonalism. Davies showed frequently and organized an extensive show at the Armory in New York in 1913. The show made a major impact on American Art, and served as one of the first Modern art exhibits in the United States. Davies travelled extensively in Europe in the United States, making visits to Holland, France, England, and the West of the United States.

Davies, Dancing Children

Dancing Children

Davies, Springtime Delight

Springtime Delight

Davies, Two Standing Female Nudes

Two Standing Female Nudes

Davies, Misty Morning, 1900

Misty Morning, 1900

Davies, Green Hills, 1925

Green Hills, 1925

Davies, Figure in Glass, etching

Figure in Glass, etching

Davies, Arms Up, 1916

Arms Up, 1916

Davies, Across the Harbor

Across the Harbor

Davies, Madonna of the Hills

Madonna of the Hills

Davies paintings now belong to major museum collections including the Metropolitan Museum of Art and the Museum of Modern Art in New York, the LA County Museum of Art, the National Gallery of Art, and the Smithsonian American Art Museum, among many others. Do you think you own a painting by Arthur Bowen Davies? Contact us. We are the experts on Arthur Bowen Davies.


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476--pena-diaz-de-la.php Narcisse-Virgile Diaz de la Pena Artwork Authentication & Art Appraisal

Narcisse-Virgile Diaz de la Pena (1808-1876)

Get a Diaz De La Pena Certificate of Authenticity for your painting (COA) for your Diaz De La Pena drawing.

For all your Diaz De La Pena artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Diaz De La Pena Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Diaz De La Pena painting or drawing.

If you want to sell your Diaz De La Pena painting or drawing use our selling services. We offer Diaz De La Pena selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Diaz De La Pena and issuing certificates of authenticity since 2002. We are recognized Diaz De La Pena experts and Diaz De La Pena certified appraisers. We issue COAs and appraisals for all Diaz De La Pena artworks.

Our Diaz De La Pena paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Diaz De La Pena certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Diaz De La Pena painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Diaz De La Pena paintings or drawings take longer.

Our clients include Diaz De La Pena collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Narcisse-Virgile Diaz De La Pena art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Narcisse-Virgile Diaz De La Pena or we will sell it for you.

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Bathroom

Narcisse-Virgile Diaz de la Pena was one of the founding members of the Barbizon school. A sad set of circumstances marked his early life. He was born in Bordeaux to Spanish parents, hence his name. At the age of ten he was orphaned and brought up by a priest in Bellevue near Paris. During his teenage years he had to have one of his legs amputated due to blood poisoning. At the age of fifteen he was apprenticed to a pottery decorator. It was whilst here that he also took to painting Eastern figures in richly coloured garments.

He undertook his artists training like many artists of the day at the Louvre, where he copied the great works of art there. He was particularly inspired by the Italian High Renaissance painter Antoine de Correggio, who painted many mythological scenes and in particular his painting, ‘Antiope’, which hangs in the Louvre. He interpreted this painting in his own, ‘Nymphe Endormie’ which also now hangs in the Louvre. He was also inspired by the eighteenth century painters of the ‘fetes-galantes’, He admired Watteau and his painting ‘The Clown’, which hangs in the Phoenix Museum of art is composed of elements of Watteau’s painting’Gilles’.

He also admired enormously the work of Eugene Delacroix, particularly his orientalist paintings, and also his paintings of nymphs. He was to incorporate these orientalist themes into many of his paintings. His lameness meant he could not travel extensively, as the other artists that he admired had done. He used his imagination and the paintings of others such as Delacroix for inspiration when he was approaching orientalist themes.

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Women of the Seraglio

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Venus Disarming Cupid

Narcisse-Virgile Diaz de la Pena was initially known for his figure painting, until 1837 when he was to became a core member of the Barbizon school, and became good friends with Theodore Rousseau whom he admired greatly. During this time he was particularly known for his depiction of the dark, somber woodlands which he juxtaposed with the light. He was to incorporate his interest in orientalism into these scenes such as in the painting which hangs in the Museum of Fine Arts in Boston, ‘Bohemians going to a Fete’, which depicts exotically dressed figures descending through the Forest for a picnic. It is paintings such as these, with mythical and oriental elements that probably distinguish him from other members of the Barbizon school. This painting in particular brought him success in the Salon. He was to become a very successful artist of the day. He won three Gold medals at the Salon, and was also made a Knight of the Legion of Honour in 1851.

Due to the success of his paintings he was also quite financially well of. He was to help out a number of his artist friends of the Barbizon school such as Theodore Rousseau and Jean Francois Millet. It seems that he was an incredibly kind and gentle character. The Impressionists were of course particularly inspired by the painters of the Barbizon School, and the way in which these painters handled the light. He was to become particularly friendly with the young Renoir who went to the Forest of Fontainebleau to paint, and as well as giving him advice he also paid for canvases and pigments for him.

The Louvre has a substantial collection of works by Narcisse-Virgile Diaz de la Pena, as does the Wallace Collection in London.

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In the Fontainbleau Fores, 1860

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In the Forest

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477--domenichino.php Domenichino Artwork Authentication & Art Appraisal

Domenichino (1581-1641)

Get a Domenichino Certificate of Authenticity for your painting (COA) for your Domenichino drawing.

For all your Domenichino artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Domenichino Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Domenichino painting or drawing.

If you want to sell your Domenichino painting or drawing use our selling services. We offer Domenichino selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Domenichino and issuing certificates of authenticity since 2002. We are recognized Domenichino experts and Domenichino certified appraisers. We issue COAs and appraisals for all Domenichino artworks.

Our Domenichino paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Domenichino certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Domenichino painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Domenichino paintings or drawings take longer.

Our clients include Domenichino collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Domenichino art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Domenichino or we will sell it for you.

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St. Cecelia with an Angel

Domenico Zampieri (or Domenichino), was a prominent high Baroque Italian painter of the Bolognese School, or Carracci School, of painters. He was born at Bologna, son of a shoemaker, and there was initially apprenticed under Denis Calvart. Soon he left to work in the Accademia degli Incamminati of the Carracci brothers. Leaving Bologna for Rome (1601), he became one of the most talented apprentices to emerge from Annibale Carracci's supervision, working alongside a senior contemporary like Albani and Guido Reni, as well as lifetime rivals such as Lanfranco.

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St. Sebastian

Because of his stature, he was nicknamed "little Domenico". The panel depicting The Maiden and the Unicorn (1604-5) in Annibale's Gallery series titled The Loves of the Gods is attributed to Domenichino. Also in the Palazzo Farnese he painted three mythologic landscapes in the Loggia del Giardino. With the support of Monsignor Giovanni Battista Agguchi, the maggiordomo to Cardinal Aldobrandini and later Gregory XV, and Giovanni's brother Cardinal Girolamo Agguchi, Domenichino obtained commission for the Cappella dei Santissimi Fondatori in the medieval basilica of the Abbey of Grottaferrata (1608-10) a few miles outside Rome, and where the titular abbot was Odoardo Farnese. He also was commissioned for frescoes in church of Sant'Onofrio. Albani saw that he participated in decorating the Palazzo Mattei (1606-07) and Villa Odescalchi at Bassano di Sutri (today Bassano Romano). Reni worked with him on frescoes in the Oratorio di Sant'Andrea and at San Gregorio Magno. Working on The Scourging of St. Andrew (a fresco in the church of San Gregorio Magno), the artist was rumored to work himself into a passion, using threatening words and actions, and that Annibale Carracci, surprising him, exclaimed with joy, "To-day, my dear Domenichino, thou art teaching me."

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Girl with a Unicorn, Fresco Detail

After the passing of Annibale in 1609, the Roman art scene was dominanted the master's pupils. Domenichino's next commissions were scenes al fresco of the life of St. Cecilia for the Polet Chapel of San Luigi dei Francesi (1613-1614). Domenichino painted in fresco in San Silvestro al Quirinale, San Carlo ai Catinari, Santa Maria in Trastevere, Sant'Andrea della Valle and Santa Maria della Vittoria in Rome, as well as in the Villa Aldobrandini at Frascati.

Both Annibale and Domenichino were among the few landscape artists of the early Roman baroque, and would influence Claude Lorrain in the next.

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The Murder of St. Peter the Martyr

He was considered unsociable by many, and ultimately excited the rivalry of Lanfranco. Shortly after Domenichino had completed for the Oratorian church of San Girolamo della Carità his celebrated for Communion of St. Jerome (1614, Vatican Pinacoteca), Lanfranco circulated copies of Agostino Carracci's (1591-97) painting of the Ultima Comunione di San Girolamo, alleging, not wholly without merit, plagiarism. Inspection of the two mirrored canvases would suggest that while he closely paraphrases Agostino, the accusation of plagiarism is debatable, since Domenichino's treatment is sharper, less crowded, and more focused on the beggarly figure of St Jerome.

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Adam and Eve

In 1630, Domenichino moved to Naples, to work on a series of frescoes (never wholly completed) of the life of St. Januarius in the Cappella del Tesoro. The so-called Cabal of Naples formed by the painters Corenzio, Ribera and Caracciolo banded together as to exclude non-Napolitan competition, and criticized and defaced the Bolognese artist's work. For instance, it is said he often found his previous day's work was rubbed out. Whether constant anxiety or rumored poison assailed him, he died in Naples in 1641.

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The Hunt of Diana

Despite his prodigious output, Domenichino had a slow and labored style of painting, garnering him the nickname of Bue ("Ox") among Carracci acolytes. Domenichino, in the tradition of Annibale Carracci, restrained the late-Mannerist and Baroque impulses that were contorting the canvases of contemporaries; and aimed for a more settled peaceful representations.

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The Virgin, Infant and John the Baptist

Among the painters that apprenticed under him or which he influenced were Andrea Camassei (1602-1649), Giovanni Agnolo Canini, Giacomo Castro, Francesco Cozza (1605-82), Giovanni Domenico Cerrini, Francesco Grimaldi, Vincenzo Manenti, Francesco di Maria, Pietro del Po, Antonio Ricci (Barbalunga), Giovanni Battista Ruggieri, Giovanni Battista Salvi, il Sassoferrato (1609-85), Pietro Testa (1611-50), and Giovanni Domenico Cerrini (1609-81) Attributed work

  • The Virgin, Infant Jesus, and John the Baptist, (1599-1600, Louvre Museum)
  • The Assumption of the Blessed Virgin (1601) in the Rosary chapel of the Basilica of San Domenico in Bologna.
  • Maiden with the Unicorn, (1602-4, Farnese Gallery, Palazzo Farnese, Rome; fresco under direction by Annibale Carraci) *Abraham Leading Isaac to Sacrifice, (1602, Kimbell Art Museum, Dallas)
  • Landscape with Baptism of Christ, (Pinacoteca Nazionale di Bologna)
  • Martyrdom of Saint Cecilia, (Pinacoteca Nazionale di Bologna)
  • Portrait of Cardinal Aguchi, (1605, Uffizi, Florence)
  • Landscape with Flight into Egypt, (1605, Oberlin College)
  • Landscape with Hermit, (1606, Louvre)
  • Landscape with Fording, (1607, Galleria Doria-Pamphilj)
  • Scourging of Saint Andrew, (1608, San Gregorio Magno, Rome, commissioned by Scipione Borghese)
  • The Rapture of St. Paul, (1608, Louvre)
  • Myth of Diana, (1609, Palazzo Giustiniani, now Odescalchi, Bassano (di Sutri) Roman)
  • Exequeys for a Dead Emperor, (1612, Prado Museum, Madrid)
  • Landscape with Fortifications, (1634-5, Denis Mahon Collection, London)
  • Cumaen Sybil, (1610, Pinacoteca Capitolina, Rome)
  • Legends of SS. Nilus and Bartholomew, (1610, Abbey of Grottaferrata commissioned by Odoarde Farnese)
  • Triumphal Arch of Allegories, (1610, Prado Museum)
  • Way to Calvary, (1610, Getty Museum, California)
  • Communion of St Jerome, (1614, Vatican Pinacoteca)
  • Scenes of the life of St. Cecilia (1613-1614) Frescoes, San Luigi dei Francesi, Rome
  • Saint Cecilia Giving Alms to the Poor
  • Saint Cecilia before the Judge
  • Landscape with St Jerome, (Glasgow Art Gallery and Museum)
  • Landscape with Sylvia and Satyrs, (1614, Pinacoteca Nazionale di Bologna
  • Timocles captive before Alexander the Great, (1615, Louvre Museum)
  • Chariot of Apollo, (1615, Palazzo Costaguti, Rome)
  • Cumaen Sybil, (1617, Galleria Borghese)
  • Madonna of the Rosary, (Pinacoteca Nazionale di Bologna)
  • Hunt of Diana and Nymphs, (1617, Galleria Borghese)
  • Madonna and Child with Saints John the Baptist and Petronius, (1629, Galleria Nazionale d'Arte Antica, Rome)
  • Saint Agnes, (1620, Royal Collection, Windsor)
  • Madonna of Loreto before Saints John the Baptist, Eligius, and Anthony Abbot, (1620, North Carolina Museum of Art)
  • Reynaud and Armida, (1621, Louvre)
  • Martyrdom of St Peter of Verona (copy after Titian), (1621, Pinacoteca Nazionale Di Bologna)
  • Myth of Apollo, (1622, Stanza di Apollo, Villa Belvedere (Aldobrandini), Frascati, now National Gallery, London)
  • Pendentives on Evangelists, (1622-28, Sant'Andrea della Valle) MatthewMarkLukeJohn
  • Scourging of St Andrew(Rome)
  • Landscape with Hercules battling Achelous, (1622, Louvre) based on Ovid's Metamorphosis, Cant. IX.
  • Saint Ignatius de Loyola's Vision of Christ and God the Father, (1620-22, Matthiesen Fine Art, London) commissioned by Cardinal Odoarde Farnese for canonization, for the Casa Professa near Il Gesu uring Gregory XV papacy.
  • Landscape and the flight to Egypt, (1623, Louvre)
  • Landscape with Washer-women and Child, (1623, Louvre)
  • Adam and Eve, (1625, Musee des Beax-Arts, Grenoble)
  • An Allegory of Agriculture, Astronomy and Architecture, (1625, Galleria Sabauda, Turin)
  • Rebuke of Adam and Eve, (1626, National Gallery Art, Washington D.C.)
  • Martyrdom of St. Agnes, (Galleria Nazionale of Bologna)
  • Death of Adonis, (Loggia of the Giardino, Palazzo Farnese) image
  • Martyrdom of St Sebastian, (Santa Maria degli Angeli e dei Martiri)
  • Assumption of the Virgin, (Santa Maria di Trastevere)
  • Landscape with Herminia and Shepherds, (1625, Louvre) Cant. VII, Tasso's Jerusalem Liberated
  • Landscape with Hercules dragging giant Cacus out of cave]], (1622, Louvre) from Ovid's Metamophosis
  • Saint Cecilia with an Angel, (1618, Louvre)
  • Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta, (1622, LA Museum of Art)
  • Sacrifice of Isaac, (1628, Prado Museum, Madrid)
  • Landscape with Hermit, (1623, Louvre)
  • Landscape and the Flight to Egypt, (1623, Louvre)
  • Frescoes in San Gennaro, (1631, Naples, unfinished)
  • Landscape with Tobias laying hold of the Fish, (1618, National Gallery, London)
  • Repose of Venice, (Hermitage, St. Petersburg)
  • Assumption of Mary Magdalene into Heaven, (Hermitage, St. Petersburg)

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Renaud and Armida

Still wondering about an Italian painting in your family collection? Contact us...it could be by Domenichino.


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478--birch.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "birch" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "birch" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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479--bazille.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bazille" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bazille" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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480--barbier-jean.php Jean-Jacque-Francois Le Barbier authentication

Jean-Jacque-Francois Le Barbier (1738-1828)

Get a Le Barbier Certificate of Authenticity for your painting (COA) for your Le Barbier drawing.

For all your Le Barbier artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Le Barbier Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Le Barbier painting or drawing.

If you want to sell your Le Barbier painting or drawing use our selling services. We offer Le Barbier selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Le Barbier and issuing certificates of authenticity since 2002. We are recognized Le Barbier experts and Le Barbier certified appraisers. We issue COAs and appraisals for all Le Barbier artworks.

Our Le Barbier paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Le Barbier certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Le Barbier painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Le Barbier paintings or drawings take longer.

Our clients include Le Barbier collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean-Jacques-Francois Le Barbier art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean-Jacques-Francois Le Barbier or we will sell it for you.

art

Homage to Diane

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La Magnanimite de Lycurgue

Jean-Jacques-Francois Le Barbier was an 18th century French Neoclassical painter. Le Barbier began his studies in Rouen at 17 and traveled to Paris after he won his first prize for drawing. He spent many years in Switzerland as an illustrator and returned to France in 1780. Afterwards, he regularly exhibited with the salons, depicting religious and historical scenes.

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Les Dieux Fleuves

Still wondering about an 18th century French painting in your family collection? Contact us...it could be by Jean-Jacques-Francois Le Barbier.

 


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481--roesen.php Severin Roesen Artwork Authentication & Art Appraisal

Severin Roesen (1815-1872)

Get a Roesen Certificate of Authenticity for your painting (COA) for your Roesen drawing.

For all your Roesen artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Roesen Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Roesen painting or drawing.

If you want to sell your Roesen painting or drawing use our selling services. We offer Roesen selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Roesen and issuing certificates of authenticity since 2002. We are recognized Roesen experts and Roesen certified appraisers. We issue COAs and appraisals for all Roesen artworks.

Our Roesen paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Roesen certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Roesen painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Roesen paintings or drawings take longer.

Our clients include Roesen collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Severin Roesen art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Severin Roesen or we will sell it for you.

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Still Life with Strawberries

Severin Roesen was a painter known for his still lifes of flowers and fruit. Born in Cologne, in Germany, he immigrated to the United States in 1848.

His studio was much frequented by his friends, who would sit all day with this genial, well read and generous companion, smoking his pipes and drinking his beer, and he was seldom without this beverage. . . . In one corner of the finished painting would always appear the faint outline of a beer glass, and when a customer objected to its presence, he would say, ‘Why, do you not like beer?’ and then take it out.—”August Roesen [sic], Artist: An Interesting Williamsport Genius Recalled by His Works,” (Williamsport Sun and Banner, June 27, 1895)

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Flowers and Fruit

German native Severin Roesen is most famous for his abundant fruit and flower still lifes and is today recognized as one of the major American still-life painters of the mid-nineteenth century.

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Still Life with Fruit 1865

A large number of Roesens paintings were discovered in Williamsport, Pennsylvania, the booming lumber town where the artist lived from about 1860 to 1872. Roesen’s pictures of nature’s abundance found a ready market in the town’s growing population (many of German descent) of prosperous merchants and lumbermen, who purchased them to adorn their newly built homes as well as taverns, restaurants, and hotels. One hotelier and brewer, Jacob Flock, owned more than fifty paintings by Roesen, which were presumably traded for lodging and for beer, the artist’s favorite beverage.

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Still Life, Fruit and Wine

While Roesen’s paintings reveal a meticulous attention to detail in their precise arrangements and close brushwork, his subject matter, even down to specific motifs, did not change throughout his career. Sometimes he made near copies of paintings, but usually he merely rearranged and reassembled stock elements.

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Floral Still Life with Nest of Eggs

Numerous items in Fruit and Wine Glass, for example, also appear in other paintings. The footed desert plate full of strawberries is a common motif. The pilsner glass, sometimes accompanied by an open bottle of champagne, is interchangeable with a wine goblet filled with lemonade used elsewhere. The glass is nearly always placed at the lower left edge of the painting; a halved lemon often appears nearby. Branches full of grapes arranged from lower left to upper right provide the composition with a graceful S-curve and subtly lead the viewer’s eye over the entire display. Here the composition is balanced by light and dark grapes at either side and filled in by scattered raspberries, cherries, peaches, apples, pears, and apricots. Many of these compositional elements, if not the items depicted, were derived from seventeenth-century Dutch still life paintings by such artists as Jan van Huysem.

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Still Life, Strawberries, Grapes and Peaches

Little is known about Roesen. He came to New York around 1848 and exhibited for several years there at the American Art-Union. He probably left that city in the mid-1850s, and settled in Williamsport around 1860. His whereabouts after 1872 remain uncertain. Still wondering about a 19th century German still life painting in your family collection? Contact us…it could be by Severin Roesen.


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482--cebej.php Anton Čebej Artwork Authentication & Art Appraisal

Anton Čebej (1722–1774)

Get a Cebej Certificate of Authenticity for your painting (COA) for your Cebej drawing.

For all your Cebej artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cebej Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cebej painting or drawing.

If you want to sell your Cebej painting or drawing use our selling services. We offer Cebej selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cebej and issuing certificates of authenticity since 2002. We are recognized Cebej experts and Cebej certified appraisers. We issue COAs and appraisals for all Cebej artworks.

Our Cebej paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cebej certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cebej painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cebej paintings or drawings take longer.

Our clients include Cebej collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

1. Saint Leopold. C. 1765. Oil on Canvas. National Gallery of Slovenia.

Saint Leopold. C. 1765. Oil on Canvas. National Gallery of Slovenia.

We perform Anton Čebej art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Anton Čebej or we will sell it for you.

2. The Death of Saint Joseph. 1773. Oil on Canvas.

The Death of Saint Joseph. 1773. Oil on Canvas.

Anton Čebej was a Slovenian baroque painter born in the town of Sturje. Čebej is best known for his religious paintings, such as “St. Leopold” and “The Death of Saint Joseph. While little is known about Čebejs personal life, scholars do know that he received artistic training in Venice. The influence of Italian painting can clearly be seen in his work. Čebej’s early frescoes, for example, show the influence of Giovanni Battista Tiepolo.

3. Jesus. Not dated. Oil on panel.

Jesus. Not dated. Oil on panel.

Čebej’s later work shows less Italian influence and is more akin to the work of Valentin Metzinger. Some historians presume that Čebej worked in Metzinger’s studio in Ljubljana.

4. Virgin and Child. Oil on panel. National Gallery of Slovenia.

Virgin and Child. Oil on panel. National Gallery of Slovenia.

While most of Čebej’s work has been found in Slovenia, paintings have also ben discovered in Croatia and Germany. A number of Anton Čebej’s paintings are in the collection of the National Gallery of Slovenia.

5. Slovenščina. 18th century. Oil on canvas. National Gallery of Slovenia.

Slovenščina. 18th century. Oil on canvas. National Gallery of Slovenia.

If you think you may own original artwork by Anton Čebej, contact Art Certification Experts for information regarding our services.


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483--anquetin.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "anquetin" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "anquetin" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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484--ngatane.php Ephraim Ngatane Artwork Authentication & Art Appraisal

Ephraim Ngatane (1938-1971)

Get a Ngatane Certificate of Authenticity for your painting (COA) for your Ngatane drawing.

For all your Ngatane artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ngatane Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ngatane painting or drawing.

If you want to sell your Ngatane painting or drawing use our selling services. We offer Ngatane selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ngatane and issuing certificates of authenticity since 2002. We are recognized Ngatane experts and Ngatane certified appraisers. We issue COAs and appraisals for all Ngatane artworks.

Our Ngatane paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ngatane certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ngatane painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ngatane paintings or drawings take longer.

Our clients include Ngatane collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ephraim Ngatane art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ephraim Ngatane or we will sell it for you.

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Dancers

Ephraim Ngatane was a South African painter. Ngatane painted the shantytowns and lifestyles of the people near his home town of Lesotho and Johannesburg. Sports, music and social gatherings dominated his oeuvre.

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The Latest News

Ngatane’s work has been described as Abstract and Expressive, and his passion for painting can be seen in the bold brush strokes he was fond of using. Ngatane’s compositions typically involve heavy impasto, applied by thick textured knife strokes on his canvas.

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Snow on Location

Still wondering about a South African painting in your family collection? Contact us…it could be by Ephraim Ngatane.


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485--mei.php Lydia Mei Artwork Authentication & Art Appraisal

Lydia Mei (1896–1965)

Do you think you may own a painting by Lydia Mei?

Get a Mei Certificate of Authenticity for your painting (COA) for your Mei drawing.

For all your Mei artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mei Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mei painting or drawing.

If you want to sell your Mei painting or drawing use our selling services. We offer Mei selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mei and issuing certificates of authenticity since 2002. We are recognized Mei experts and Mei certified appraisers. We issue COAs and appraisals for all Mei artworks.

Our Mei paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mei certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mei painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mei paintings or drawings take longer.

Our clients include Mei collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lydia Mei art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lydia Mei or we will sell it for you.

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1. Self Portrait. 1931. Watercolor

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2. Blue Blossoms. 1946. Watercolor.

Lydia Mei was an Estonian artist, known for her watercolor and still-life paintings. Mei was born on Hiiumaa, an Estonian island in the Baltic Sea. Mei came from an artistic family, with three sisters who all became prominent Estonian artists. The Mei sisters built public profiles during the New Objectivity in Estonia, which countered Expressionism.

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3. Still life .1960. Watercolor.

Mei began her training in architecture, taking courses at the Petrograd Women’s Polytechnic Institute. After finishing her studies in 1918, Mei concentrated on painting. In the 1920s, Mei built a portfolio of watercolor paintings.

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4. Still life with snowbells. 1928. Watercolor. Estonian Museum of Art, Tallinn.

In addition to having artistic sisters, Mei married a fellow artist, Anton Starkopf in 1928. Starkopf was a reputable Estonian sculptor. After Mei’s marriage she remained active, painting flower bouquets and other household objects.

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5. Still life, Flowers. 1944. Watercolor.

Mei’s still life and watercolor paintings are now in major collections and museums in Estonia and around the world. If you think you may own original artwork by Lydia Mei, contact Art Certification Experts for information regarding our services.


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486--paerels.php Willem Paerels Artwork Authentication & Art Appraisal

Willem Paerels (1878-1962)

We Perform Willem Paerels art authentication. Willem Paerels appraisal. Willem Paerels certificates of authenticity (COA). willem Paerels analysis, research, scientific tests, full art authentications. We will help you sell your Willem Paerels or we will sell it for you.

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Le Dejeuner 1913

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Lake View

Willem Paerels was a Belgian painter and graphic artist and a founder of Brabant Fauvism. This type of Fauvism was exclusive to the Brabant province in Brussels. Paerels first exhibited with the group in 1912 at the Galerie Giroux in Brussels, where the group showed their Fauvist pieces, with Impressionist touches. They were praised for their use of glowing colors and softer approach to Fauvism then their German counterparts.

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The Harbor of Blankenberghe

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The Violin

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Still Life with Flowers

Today Paerels work is housed all over the world, and perhaps in your own home. Still wondering about a Belgian Fauvist or Impressionist piece in your family estate? Contact us…it could be by Willem Paerels.


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487--limousin.php Léonard Limousin Artwork Authentication & Art Appraisal

Léonard Limousin (1506-1575)

Get a Limousin Certificate of Authenticity for your painting (COA) for your Limousin drawing.

For all your Limousin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Limousin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Limousin painting or drawing.

If you want to sell your Limousin painting or drawing use our selling services. We offer Limousin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Limousin and issuing certificates of authenticity since 2002. We are recognized Limousin experts and Limousin certified appraisers. We issue COAs and appraisals for all Limousin artworks.

Our Limousin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Limousin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Limousin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Limousin paintings or drawings take longer.

Our clients include Limousin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Léonard Limousin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Léonard Limousin or we will sell it for you.

Léonard Limousin, The Resurrection
The Resurrection (detail), ca. 1553. Copper with enamel and gilding, 106 by 74 cm. Louvre Museum.

Léonard Limousin, or Limosin, (ca. 1506- ca. 1575) was an enamel artist working in Limoges, France. Like other contemporary Limoges enamellers, such as the Penicauds and Pierre Reymond, Limousin began working with traditional and religious imagery before establishing himself as an important court portraitist.

Léonard Limousin, The Crucifixion
Léonard Limousin, The Crucifixion

His earliest known works date to around 1533 and depict subjects such as the Passion and the Last Judgment after engravings produced by Albrecht Dürer. Even at this early stage in his career, Limousin’s technique shows his gift for brilliance, elegance, and freedom of design.

Léonard Limousin, Cimmerian Sibyl
Cimmerian Sibyl, ca. 1535-1540. Copper and enamel with gilding, 13 by 13 cm. The British Museum

Around 1535, Limousin is introduced by French counselor and ambassador, to Francis I, to the court at Fontainebleau. Limousin’s sensitivity to Italian mannerism can be traced to this period as a product of his experience with artists such as Il Rosso and Francesco Pellegrino. One of Limousin’s most well known series was produced around this time consisting of 21 apostles, prophets, and sibyls, and relies upon a similar cycle produced by Primaticcio.

Léonard Limousin, European Sibyl
European Sibyl, ca. 1535-1540. Copper with enamel and gilding, 13 by 13 cm. The British Museum.

Léonard Limousin, Sibyl of Agripa
Sibyl of Agripa, ca. 1535-1540. Copper with enamel and gilding, 13 by 13 cm. The Metropolitan Museum of Art.

Under Francis I, the fashion of portraiture was beginning to surface and gain popularity. Undoubtedly, the works produced by Limousin during these years would begin to build a reputation for his work in portraiture. Limousin’s fame and career as an artist would be further secured in 1548, when under the reign of Henry II, Limousin was named the official “esmaileur peintre”, or painter and enameller.

Léonard Limousin, Portrait of a Woman
Portrait of a Woman, possibly Anne d’Este, mother of Catherine de Lorraine, ca. 1555-1560. Copper with enamel and gilding, 30 by 24 cm. The British Museum.

The difficulties of working subtle tones and color variation are nearly abandoned in his enamel works. The profile of Henry II stands, stark and pale, against a brilliant background of lapis lazuli. In many portraits produced by Limousin, the elements of the face are delineated stiffly and stylized, more consistent with caricature. Instead, Limousin opts for decorative details such as the pearled collar and head covering worn by Anne, or the fur collar worn by Henry II. Notably, he treats his contemporary subjects with similar treatments he uses for mythological subjects, such as the portrait of Aeneas. The simplicity and symbolism inherent in his portraits would make these enamel plaques popular not only as portraits, but also as decorative pieces.

Léonard Limousin, Henri II, King of France
Henri II, King of France, ca. 1555-60. Copper with enamel and gilding, 8.9 X 6.8 cm. The Metropolitan Museum of Art.

The plaques produced by Limousin were coveted by collectors throughout the ages. These works were integrated into the decoration of the hôtel of Catherine de’ Medici, the castle of Anet, and though many were lost some would later resurface in such illustrious collections as seen in the Metropolitan Museum of Art and the British Museum.

Though the exact date of Limousin’s death continues to be unknown, his last signed work known is dated to 1574. Limousin’s workshop is accredited with producing more than 1,000 individual enamel pieces, in addition to drawings, prepatory works, and engravings. Only one painting by Limousin is known to survive, The Incredulity of Saint Thomas, 1555. Do you think you own a work by Léonard Limousin? Contact us. We are the Limousin  experts.


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489--canova.php Antonio Canova Artwork Authentication & Art Appraisal

Antonio Canova (1757-1822)

Get a Canova Certificate of Authenticity for your painting or a COA for your Canova drawing or sculpture.

For all your Canova artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Canova Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Canova painting, drawing or sculpture.

If you want to sell your Canova painting, drawing or sculpture use our selling services. We offer Canova selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Canova and issuing certificates of authenticity since 2002. We are recognized Canova experts and Canova certified appraisers. We issue COAs and appraisals for all Canova artworks.

Our Canova paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Canova certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Canova painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Canova paintings, drawings or sculpture take longer.

Our clients include Canova collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Antonio Canova art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Antonio Canova or we will sell it for you.

Antonio Canova was an 18th century Italian Neoclassical painter and sculptor. He was best known for his marble sculptures that art historians have said were hailed for their delicate renditions of nude flesh. Canova’s work has been credited as being the epitome of Neoclassical sculpture and as the refined return of classical sculpture after the long reign of highly dramatic Baroque art.

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Self-Portrait

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Psyche Revived by Cupid´s Kiss

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Venus

Most of Canova´s sculptures feature mythological figures such as Cupid and Psyche, The Three Graces and other religious and fantastical characters. He visited London, Naples, Venice and Rome during his career and was commissioned by a number of wealthy and powerful patrons in his lifetime. He died due to complications with his ribs at the age of 64 as a result of his lifelong use of the carving tools that helped him to create his beautiful masterpieces.

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The Three Graces

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Magdalen

Today, Canova´s sculptures are housed in prestigious collections at The Louvre, The Hermitage, and perhaps in your own home. Though he was best known as a sculptor, it is likely that many of his paintings and sketches are still in existence, but otherwise unknown.Still wondering about a painting or sculpture in your family collection? Contact us…it could be by Antonio Canova


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490--settignano.php Desiderio da Settignano Artwork Authentication & Art Appraisal

Desiderio da Settignano (c.1430-1464)

Think that you may have a sculpture by Desiderio da Settignano?

We Perform Desiderio Da Settignano art authentication. Desiderio Da Settignano appraisal. Desiderio Da Settignano certificates of authenticity (COA). Desiderio Da Settignano analysis, research, scientific tests, full art authentications. We will help you sell your Desiderio Da Settignano or we will sell it for you.

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Jesus and John

Desiderio da Settignano was an Italian sculptor active during the Renaissance. He came from a family of stone carvers and stone masons in Settignano, near Florence. His work shows the influence of Donatello, specifically his use of low reliefs.

In 1450-55 he finished a frieze with cherubims in the Pazzi Chapel of Santa Croce in Florence. In 1453 he immatriculated in the Guild of Stone and Wood Craftsmen of the city, and later executed the Tomb of chancellor Carlo Marsuppini in the same church, inspired to Bernardo Rossellino’s tomb of Leonardo Bruni. It shows the defunct lying on the sarcophagus, with a triumphal arch, supported by pilasters, hanging over him. Of circa 1455 is the bust of Marietta Strozzi, now in Berlin, and a Maledeine in polychrome wood, for the church of Santa Trinita in Florence; the latter’s soft rendering has been favorably compared to the seemingly ageing of the contemporary Donatello’s work.

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The Young St. John the Baptist, 1450-1453

In 1461 he finished a Tabernacle for the Sacrament Chapel in San Lorenzo. He died in Florence in 1464. The most famous of his pupils is Simone Ferrucci.

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A Little Boy, Bust 1455-1460

Selected works

  • The tomb of Carlo Marsuppini in Santa Croce, Florence
  • Coat of Arms of the Gianfigliazzi and Minerbetti Families (c.1445-50) – stone
  • Beauregard Madonna (c.1455) – marble relief
  • A Little Boy (c.1455-1460) – marble bust
  • Virgin and Child (c.1455-1460) – marble relief
  • The Christ Child (c. 1460) – marble bust
  • The Altar of the Sacrament in San Lorenzo, Florence (completed in 1461)
  • Saint Jerome in the Desert (c.1461) – marble

Still wondering about a sculpture in your family collection? Contact us…it could be by Desiderio da Settignano.


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491--goya.php Francisco de Goya Artwork Authentication & Art Appraisal

Francisco de Goya (1746-1828)

Get a Goya Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Goya artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Goya Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Goya painting, drawing or print.

If you want to sell your Goya painting, drawing or print use our selling services. We offer Goya selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Goya and issuing certificates of authenticity since 2002. We are recognized Goya experts and Goya certified appraisers. We issue COAs and appraisals for all Goya artworks.

Our Goya paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Goya certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Goya painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Goya paintings or drawings take longer.

Our clients include Goya collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francisco de Goya art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Francisco de Goya or we will sell it for you.

We will help you sell your Francisco de Goya or we will sell it for you. Francisco de Goya was born March 30, 1746, in Fuendetodos, a village in northern Spain. Today, he is known as one of the greatest artists to come out of Spain and is considered one of the fathers of modern art. From the time he was a teenager, Goya devoted himself entirely to the pursuit of his art. He tried several times to enroll in the Royal Academy of San Fernando, but had no success. He traveled to Rome during this time and eventually returned to Spain in the 1770s. During this time, he painted several church frescoes of local churches. His early works depict everyday scenes. He painted images of every day life with the mastery of one who was a practiced observer.

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Spring Goya finally enrolled in the Royal Academy and went on to be King Charles III’s painter, and eventually King Charles IV’s painter. By this time, his works had become darker, raising controversy. The darker works coincide with him becoming deaf due to an illness. By 1800, he had to withdraw many of his works because he is unable to submit them to his old clientele. They were much darker in nature and not well-received.

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Family of Carlos IV By 1800, Goya’s work did another turn. He began to chronicle images from the war in his paintings. They displayed the suffering of war times in a style so realistic that it had not previously been seen. These paintings are known as the “black paintings”.

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Caprice Goya eventually became overwhelmed by all that he’d seen, and he decided to leave Spain. He moved to France, where he would spend the rest of his life. At the age of 70 he retired to his villa, where he is thought to have decorated his walls with a series of “black baintings”. While these dark and mysterious paintings have become his most celebrated works, recent controversy has actually arisen that the paintings could possibly be the work of his son or grandson. Regardless, his last years were spent in illness. During this time, he created some lithography work.

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Teresa Sureda When looking back on Goya’s body of work, it is easy to see how it evolved into much bleaker, realistic views of what he perceived as a harsh world. Perhaps it’s understandable from a man who saw so much suffering and opted to let that suffering take on the form of art.

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Portrait of his Grandson Many of his paintings, although different, exhibit common similarities. It can be noted that many of the figures in Goya’s paintings have prominent mouths. These mouths are often expressive, whether sneering, screaming, biting, etc. The mouths themselves are sometimes the focal point of the pictures. The figures of the people in the paintings aren’t always realistic representations in that they often appear to be looming. Many of the figures appear to be threatening shapes, suggesting impending doom.

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Carpio Solana All of his later works have an underlying thread of despair. It is as if the artist viewed the entire world as one consumed by hate and negativity. Still, it is this frank portrayal of the darker emotions and occurrences of life that make his work so popular today.

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Woman It was previously thought that Goya painted a series of compositions known as his “black paintings”. These depicted mythological characters, frightening demons and ghastly images in a—you guessed it—dark palate. Perhaps it is his dark nature and history that caused people to credit these to Goya. Even the most famous of his “black paintings”, “The Colossus” is now no longer considered to be Goya’s work. However, the Goya catalogue has also changed dramatically besides these “black paintings”. From a list of more than 550 known works, nearly 150 have been discredited leaving a mere 400 compositions to his credit.

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Consedsa de Chinchon

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Woman with her dog While it comes as no surprise that Goya’s “black paintings” have been discredited, this leaves the art world with mainly portraits from this great artist. Nobility, family, and the Spanish upper crust are mainly portrayed in Goya’s oeuvre. Even though the “black paintings” were not typical of Goya’s style, while they were credited to him, they gave his memory a sort of mystical whimsy, and now we are only able to guess whom the real creator of those paintings may be.

Goya Discovery

artIt is every art collector’s dream: beneath clumsy over-painting and the murk of centuries, restorers cleaning an ancient oil painting find an unknown work by an Old Master.

Paulino Gimenez, an art restorer from Malaga, announced at the weekend, after 10 months of investigation, that a privately owned painting attributed to Salvador Maella, a lesser contemporary of the Spanish painter Francisco de Goya, was the work of the master himself.

The Goya is known as the “Inmaculada” (The Immaculate Virgin) and shows the Virgin Mary standing on clouds gazing into heaven.

It is valued at US $3,800,000 and auction houses are competing to take charge of the sale.

The work is thought to have been painted around 1781 when Goya-then 35 and already winning important commissions-was painting similar works.

“Through X-rays and chemical investigation of the pigment and the canvas we have found several similarities between this painting and another Goya of the same period, in particular a so-called hidden face typical of Goya’s work, a cat, which is the cloud on which the Virgin stands,” said Mr. Gimenez.

Not content with his own conclusions, Mr. Gimenez sought the help of a chemical scientist, Enrique Parra Crego of Madrid’s Analytical Laboratory for the Restoration and Conservation of Artworks. Dr. Crego concluded that the preparation, materials and canvas were “consistent with the attribution to Francisco de Goya”.

In particular, the “Inmaculada” shows similarities with two of Goya’s best-known works that hang in the Prado Museum in Madrid. They are the twin scenes of Madrid’s ill-fated revolt against Napoleon’s occupying troops in 1808, El Dos de Mayo and El Tres de Mayo [the Second and Third of May].

Furthermore, details of the “Inmaculada” are comparable to a similar work Asunta that Goya painted in 1781, particularly the face of one of the angels, and a shadow cast on the Virgin’s arm. That painting is privately owned. “Everything suggests that both works were created by Goya at around the same date,” says Mr. Gimenez. Another comparable painting is a Goya crucifixion in the Prado.

The painting, dated between the late Baroque era and the beginnings of Neoclassicism, was taken to Mr. Gimenez’s workshop in Malaga in January in an appalling state. The canvas was not only ravaged by the passage of more than two centuries, but had been inexpertly overpainted to obscure its original religious nature, and repeatedly revarnished.

This is not the first unrecognised Goya to have been been recently discovered. Last year two previously unknown works were found by chance when experts went to value another painting in a collector’s home in Madrid. They found one Goya on a bedroom wall and another lurking in a dark corridor. The owner had no idea who painted the works and had considered them of little value. But Mr. Gimenez had every reason to be cautious before going public with his discovery.

In 1996, the director of the Prado, Jose Maria Luzon, was swept from office in disgrace after he announced with huge fanfare the discovery of a hitherto unknown Goya. That painting, described by Mr. Luzon as “a cracker of a Goya”, turned out to be the work of Maella. A preliminary sketch was even logged in the Prado’s own records as a Maella.

Still wondering about a painting in your family collection? Contact us… we are the Francisco de Goya experts.

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The 3rd of May 1808, 1814

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The Kite

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The Funeral of Sardina

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The 2nd of May

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Children with a Cart, 1778

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The Witches’ Sabbath, 1797-8

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Self-Portrait

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The Nude Maja, 1800

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The Clothed Maja, 1803

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Flight of Witches

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St. Peter Repentant

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Friar Peter Binds El Maragato with a Rope

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The Miracle of St. Anthony

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The Madhouse

done
492--cappelle-de.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "cappelle-de" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "cappelle-de" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "cappelle-de" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "cappelle-de" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
493--wyeth.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "wyeth" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "wyeth" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "wyeth" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "wyeth" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
494--soest-von.php Konrad von Soest Artwork Authentication & Art Appraisal

Konrad von Soest (1394-1422)

Get a Von Soest Certificate of Authenticity for your painting (COA) for your Von Soest drawing.

For all your Von Soest artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Von Soest Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Von Soest painting or drawing.

If you want to sell your Von Soest painting or drawing use our selling services. We offer Von Soest selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Von Soest and issuing certificates of authenticity since 2002. We are recognized Von Soest experts and Von Soest certified appraisers. We issue COAs and appraisals for all Von Soest artworks.

Our Von Soest paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Von Soest certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Von Soest painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Von Soest paintings or drawings take longer.

Our clients include Von Soest collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Konrad von Soest art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Konrad von Soest or we will sell it for you.

The Rest of the Flight into Egypt

Nativity Scene

Konrad von Soest was a 15th century Gothic German painter known for his westfälischen or “soft style” of painting. It is thought that he was born around 1370 and died around 1422. Few details of his life are known, except that he was born in Dortmund.

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The Crucifixion

His paintings were extremely influential in the development of other 15th century German artists style, and is considered the lone master of westfälischen today.

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Afbeelding

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Brillenträger

Von Soest’s only known signed painting is the many paneled piece that hangs in the Niederwildungen Parish Church, dated around 1404. There are other works attributed to him that are housed in churches in both Dortmund and Soest. Because so little is known about this great master and what he could have created, the possibility for one of his nearly 600 year old paintings to surface somewhere is great.

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Coronation

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Wildunger Altar

Still wondering about a German Gothic-era painting hanging in your family’s estate? Contact us…it could be by Konrad von Soest.


done
495--barocci.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "barocci" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "barocci" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "barocci" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
496--delmarle.php Felix del Marle Artwork Authentication & Art Appraisal

Felix del Marle (1889-1952)

We Perform Futurist painter Felix del Marle was born in Pont-Sur-Sambre, France and studied at the School of Fine Arts in Valenciennes. Later, del Marle would also study in Brussels, and finally moved to Paris in 1912. There he shared a studio with fellow artist Gino Severini and was exposed to Futurism in 1913. He would be the only Frenchman to sign their manifesto and be officially associated with the Futurists.

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Looping, 1914

Like many of the other Futurists, his flirtation with the movement would be short lived—only about three years. The Futurist movement dealt with motion, light and technology, often infusing machinery and other technological symbols, and was started by Italian artists like Giacomo Balla. After he moved on from Futurism, del Marle was influenced by Abstract artist Kupka and would paint in this style from the 1920s until his death. Del Marle has also been associated with the De Stijl style of Abstract painting, which focused on squares of color and can be seen in his 1947 piece “Composition”.

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Composition, 1947

Del Marle would work in a number of mediums from oil to charcoal and gouache. He also painted under the name Mac Del Marle or simply went by just his last name.

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Untitled gouache on paper

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Le Group Vouloir, 1925

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Untitled

Like most Abstract artists of his era, it would not be likely that self-portraits, still life or landscapes would be found an attributed to him, but mostly geometric compositions. However, in the 1930s he worked in neoplasticism, a type of sculpture, and created very linear models. Del Marle did, however, design modular furniture in an Abstract style.

Del Marle was very interested in creating a synthesis of the arts, and was even known to create three-dimensional models of his paintings in order to convince architects to build his designs.

Today, del Marle’s work is housed in museums all over France and Europe. Because he was an Abstract painter for most of his career, his work may be hard to immediately identify. However, a professional authenticator would be able to thoroughly research a piece by del Marle.


done
497--hunt.php William Holman Hunt Artwork Authentication & Art Appraisal

William Holman Hunt (1827-1910)

Get a Hunt Certificate of Authenticity for your painting (COA) for your Hunt drawing.

For all your Hunt artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hunt Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hunt painting or drawing.

If you want to sell your Hunt painting or drawing use our selling services. We offer Hunt selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hunt and issuing certificates of authenticity since 2002. We are recognized Hunt experts and Hunt certified appraisers. We issue COAs and appraisals for all Hunt artworks.

Our Hunt paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hunt certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hunt painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hunt paintings or drawings take longer.

Our clients include Hunt collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform William Holman Hunt art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your William Holman Hunt or we will sell it for you.

art

The Flight of Madeline and Porphyro during the Drunkness attending the Revelry Eve of Saint Agnes

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The Hireling Shepherd

William Holman Hunt was a British golden age painter and was one of the founding members of the pre-Raphaelite movement. Hunt helped to form this translucent and mystical style which was influenced by Renaissance art and initially rejected by the Royal Academy. Along with fellow painter John Everett Millais, Hunt began a style which would become very popular and successful, both artistically and commercially and embodied the ideals set by the painter Raphael.

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The Light of the World

Though his first name was William, he eventually took to using his middle name “Holman” and signed his paintings that way. The young Hunt found little success at the outset of his career, and was deemed as a clumsy painter, and his compositions were thought to be ugly. He eventually found fame with his religious paintings, as well as for his naturalistic scenes of urban and country life.

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May Morning on Magdalen Tower

Religion would become a major influence in Hunt’s art, and he even made a pilgrimage to the Holy Land in order to research one of his works. While there he painted many landscapes of the region as well as a number of religious compositions.

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The Lantern Maker’s Courtship

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The Finding of the Savior in the Temple

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The Shadow of Death

Hunt also created portraits as well as illustration for books and poems, all with the same intricate attention to detail that the pre-Raphaelites would become known for. These paintings were rife with symbolism and bold color, and were comprised of mythological and religious figures, as well as regional figures and objects. Hunt thought that it was the duty of the artist to show the correspondence between fact and sign and out of all of the pre-Raphaelites was said to have been the most true to their ideals.

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Isabella and the Pot of Basil

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The Scapegoat

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Portrait of a Woman

Towards the end of his career, Hunt’s eyesight began to fail him. As a result, he accepted the help of fellow painter Edward Robert Hughes in completing a number of his paintings, including his famous “The Lady of Shalott.”

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The Lady of Shalott

Today, Hunt’s paintings are housed all over the world and are highly sought after at auction for their mystical radiance and religious elements. Still wondering about a British painting in your family collection? Contact us…it could be by William Holman Hunt.


done
498--restout.php Jean Restout Artwork Authentication & Art Appraisal

Jean Restout (1692-1768)

Get a Restout Certificate of Authenticity for your painting (COA) for your Restout drawing.

For all your Restout artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Restout Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Restout painting or drawing.

If you want to sell your Restout painting or drawing use our selling services. We offer Restout selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Restout and issuing certificates of authenticity since 2002. We are recognized Restout experts and Restout certified appraisers. We issue COAs and appraisals for all Restout artworks.

Our Restout paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Restout certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Restout painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Restout paintings or drawings take longer.

Our clients include Restout collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Restout art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean Restout or we will sell it for you.

Restout painting, Self-Portrait

Self-Portrait

Jean Restout was an 18th century French artist, and mainly painted in the Neoclassical style. He was born in Rouen to a family of painters and studied at the Royal Academy. Restout won the Prix de Rome in 1717, however, he did not accept the prestigious award and opted to stay in France rather than travel to Italy.

Restout painting, Mythological Scene 1763

Mythological Scene 1763

Even though Restout stayed behind, he continued to exhibit at the salons, create altarpieces, and also designed tapestries for the Gobelins Factory. Restout had a son, Jean Bernard Restout, who was also an artist.

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Pentecost

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Jean Restout.


done
499--ziesenis.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "ziesenis" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "ziesenis" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "ziesenis" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
500--basquiat.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "basquiat" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "basquiat" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
501--kahlo.php Frida Kahlo Artwork Authentication & Art Appraisal

Frida Kahlo (1907-1954)

Get a Kahlo Certificate of Authenticity for your painting (COA) for your Kahlo drawing.

For all your Kahlo artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kahlo Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kahlo painting or drawing.

If you want to sell your Kahlo painting or drawing use our selling services. We offer Kahlo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kahlo and issuing certificates of authenticity since 2002. We are recognized Kahlo experts and Kahlo certified appraisers. We issue COAs and appraisals for all Kahlo artworks.

Our Kahlo paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kahlo certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kahlo painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kahlo paintings or drawings take longer.

Our clients include Kahlo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Frida Kahlo art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Frida Kahlo or we will sell it for you.

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Self-Portrait With Monkeys

Frida Kahlo was an artist with an interesting life. Born on July 6, 1907, the artist usually reported her birthday as July 7, 1910. She had a reputation for not always being honest and up front, so that may actually be one of many falsehoods.

She was born in Mexico City, in a home she called the “Blue House”. At 6 years old, she was stricken with polio. This caused her right leg to be much thinner than the other leg for the rest of her life.

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My Grandparents, My Parents and I, 1936

As an adolescent, Kahlo hung out with a group of mischievous, rebellious boys at the National Preparatory School. They loved to pull pranks on professors. It was at the prep school that Frida met artist Diego Rivera, who would later become her husband. He had been hired to paint a mural in the auditorium of the school.

When Kahlo was 18, she suffered a broken spinal column, broken pelvis, several fractures in her leg, and broken ribs when she was involved in a horrible bus accident. Her right foot was crushed, and her shoulder was also injured. She was on bed-rest for a month, immobile. She made a remarkable recovery, and her boredom in bed prompted her to start painting.

Kahlo’s recovery was remarkable, but it left her with chronic pain. Numerous operations would be in her future. Still, her sense of humor and zest for life remained intact. In fact, it is even reported that she joked that she held the world record for the most operations. Although that is probably an overstatement, she did undergo about thirty operations in her lifetime. Alcohol and drugs became crutches to help her mask the pain.

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Two Fridas

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What Water Gave Me, 1938

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Henry Ford Hospital, 1932

In 1929, Kahlo married Diego Rivera. This was a tumultuous marriage. Although the love was evident, there were also extramarital affairs and strong undercurrents of hatred. The marriage dissolved after about a year. There was, however, a positive side to the shattered union. Rivera actually helped Kahlo’s career in many ways. He persuaded her to dress in Mexican clothing complete with color-splashed dresses and exotic jewelry. This eventually became her trademark.

Kahlo’s work was intensely emotional. The pain she suffered because of her rocky marriage translated into incredible artwork. Her paintings became a way to cope with her accident and her physical and emotional battles.

Kahlo was a people-magnet. Her outgoing persona made her popular with her fans. Her off-color humor and affection for tequila made her all the more endearing, and men admired her exotic beauty. This eventually led to a succession of scandalous affairs, one of which was with Communist leader Leon Trotsky. The scandal came into play because it happened when he and his wife were guests in Kahlo’s home. She and Rivera were both arrested for the murder of Leon Trotsky, but they were eventually dismissed as suspects.

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Elabrazo de Amor del Universo

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Broken Column

Kahlo was popular all over the world. In America, people adored her for her artwork and her stunning beauty. In Mexico, she also had a legion of admirers although she only had one exhibition in Mexico in 1953. She was placed in the middle of the exhibition on a hospital bed. She entertained her guests, drank, and carried on for the entire evening.

Later this year, Kahlo suffered a gangrene infection in her leg, and she had to have it amputated below the knee. She became depressed, and she even made a couple of suicide attempts. When she died in 1954, no autopsy is done. Her last diary entry has led many to believe her death was a result of suicide. It read, “I hope the leaving is joyful, and I hope to never return.”

Almost every one of Kahlo’s paintings is a self-portrait. Many are both breathtaking and bewildering. They deal with abstract emotions, and many of them are a bit bloody and disturbing. These self-portraits continue to fascinate art enthusiasts today.

Frida Kahlo originals are hard to come by. Each bears her distinctive mark and seal. Singing sensation Madonna is a Kahlo fan and reported to have pieces by the famous artist. However, most of these originals come with a high price tag. Most others are housed in museums.


done
502--d-oggiono.php Marco d’Oggiono Artwork Authentication & Art Appraisal

Marco d’Oggiono (1470 – 1549)

Get a D’Oggiono Certificate of Authenticity for your painting (COA) for your D’Oggiono drawing.

For all your D’Oggiono artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a D’Oggiono Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your D’Oggiono painting or drawing.

If you want to sell your D’Oggiono painting or drawing use our selling services. We offer D’Oggiono selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating D’Oggiono and issuing certificates of authenticity since 2002. We are recognized D’Oggiono experts and D’Oggiono certified appraisers. We issue COAs and appraisals for all D’Oggiono artworks.

Our D’Oggiono paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The D’Oggiono certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your D’Oggiono painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research D’Oggiono paintings or drawings take longer.

Our clients include D’Oggiono collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Marco d’Oggiono art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Marco d’Oggiono or we will sell it for you.

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Archangel Triumphing Over Lucifer

Marco d’Oggiono was an Italian painter and a chief pupil of Leonardo da Vinci, whose works he repeatedly copied. He was born at Oggiono near Milan. Of the details of his life, we know almost nothing — not even the date of his important series of frescoes painted for the church of Santa Maria della Pace in Milan. Lanzi gives 1530 as the date of his death, but various writers in Milan say it took place in 1540; the best accepted date is 1549.

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Head of the Virgin Sketch

He was a hard-working artist, but his paintings are wanting in vivacity of feeling and purity of drawing, while, in his composition, it has been said that “Intensity of color does duty for intensity of sentiment”. He copied Da Vinci’s Last Supper repeatedly, and one of his best copies is in the possession of the Royal Academy of Arts in England.

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The Last Supper

His two most notable pictures — one in the Pinacoteca di Brera (representing St. Michael) and the other in the private gallery of the Bonomi family (representing the Madonna) — are signed Marcus. Other examples of his work can be seen in Berlin, Paris, St. Petersburg and Turin; the one in Russia being a clever copy of the Last Supper by Leonardo. He cannot be regarded as an important artist, or even a very good copyist, but in his pictures the sky and mountains and the distant landscapes are always worthy of consideration, and in these, we probably get the painter’s best original work.

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The Holy Family with Saint Giovannino and An Angel

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The Virgin and Child

Still wondering about an Italian painting in your family collection? Contact us… we are the Marco d’Oggiono experts.


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503--richmond.php George Richmond Artwork Authentication & Art Appraisal

George Richmond (1809 – 1896)

Get a Richmond Certificate of Authenticity for your painting (COA) for your Richmond drawing.

For all your Richmond artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Richmond Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Richmond painting or drawing.

If you want to sell your Richmond painting or drawing use our selling services. We offer Richmond selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Richmond and issuing certificates of authenticity since 2002. We are recognized Richmond experts and Richmond certified appraisers. We issue COAs and appraisals for all Richmond artworks.

Our Richmond paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Richmond certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Richmond painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Richmond paintings or drawings take longer.

Our clients include Richmond collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform George Richmond art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your George Richmond or we will sell it for you.

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Self-Portrait 1830

George Richmond was an English painter. His early work was much inspired by William Blake, and, with Samuel Palmer and Edward Calvert, he was a member of the Blake-influenced group known as “The Ancients”. This influence faded in later life, when he produced relatively conventional portraits.

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Portrait of a Young Woman

George Richmond was the father of the painter William Blake Richmond and grandfather of the naval historian, Admiral Sir Herbert Richmond. Still wondering about a painting in your family collection? Contact us…it could be by George Richmond.


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504--escobarydeflores.php Vicente Escobar Artwork Authentication & Art Appraisal

Vicente Escobar y de Flores (1762-1834)

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Portrait

After Jose Nicolas De la Escalera was Vicente Escobar. Escobar was the second truly Cuban artist in history whose art is still in existence today. Escobar was not only one of the first Cuban natives to being painting in a style other than “primitive,” but was also the first to open a painting workshop/studio in Cuba.

Escobar painted in the Classical style during the Colonial era, and was best known for his portraits of the royal court. He would mostly paint portraiture of the generals and social ladies of Havana high society. However, it was through a very rare and interesting history that this came to be.

In Cuba in the 1700s, only “white” painters were allowed to come to court and paint for nobility. Escobar was a native Cuban, and was considered “black.” However, his style must have impressed the Cuban aristocrats because he was in high demand, despite his social status. However, through paperwork and royal decrees, Escobar bought his way into the royal court and was issued a certificate of “blood purity.” Therefore, in the Havana art world, Escobar is sometimes mentioned as “the black painter who died being white.” Eventually, Escobar was appointed Royal Court Artists by the Spanish Queen.

Though little is known about his formal training, many have compared his works to that of Goya. His lively color palate is reminiscent of Spanish Realism, and Escobar employed some of the same methods as Goya in his portraits by posing them in certain angles. By doing this, Escobar was able to capture the same kinds of darks and lights that are familiar in Spanish art. His subjects often have the stiff and cold characteristics that come along with portraits of nobility.

While most of Escobar’s existing works are in Cuba, the possibility for them to exist elsewhere is quite great. Though Escobar probably never traveled abroad himself, his wealthy clients certainly must have. Some of his most frequent commissions were for naval captains, who may have brought portraits of themselves or their family back to Spain or other parts of Europe. Due to the similarity of Escobar’s style to that of many Spanish artists, some of his work could have been wrongly authenticated or otherwise ignored.

Today, Escobar’s work hangs in museums in Havana and all over Cuba. Escobar was said to have helped to characterize the transition from 18th to 19th century painting in Cuba. To own one of his oil paintings would not only be a valuable asset to the art world, but to history as well. Could you possibly own a piece of art piece of art from Vicente Escobar? We would be happy to help you authenticate a piece of art from this great historic Cuban artist.

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Agustin de la Heras

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505--lam.php Wifredo Lam Artwork Authentication & Art Appraisal

Wifredo Lam (1902-1982)

Get a Lam Certificate of Authenticity for your painting or a COA for your Lamdrawing, print or sculpture.

For all your Lamartworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Lam Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lampainting, drawing, print or sculpture.

If you want to sell your Lampainting, drawing, print or sculpture use our selling services. We offer Lam selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lamand issuing certificates of authenticity since 2002. We are recognized Lamexperts and Lam certified appraisers. We issue COAs and appraisals for all Lam artworks.

Our Lampaintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lamcertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lampainting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lampaintings, drawings or sculptures take longer.

Our clients include Lamcollectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Wifredo Lam art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Wifredo Lam or we will sell it for you.

Voodoo rituals. European culture. Chinese and Caribbean heritage. All of these things represent the culmination of Wifredo Lam’s artistic career. Perhaps one of the most eclectic painters in the world, his work is one part Afro-Cuban inspired, one part abstract and surreal and one part his own innovation and style. It has been argued that he is one of the most important artists to come out of the 20th century.

Born in the turn of the century in Cuba, Lam was able to go to school in Europe during some of the most important movements in art. His mother was of Afro-Cuban lineage and his father was Chinese. He grew up watching his grandmother perform Voodoo rituals that later influenced his art. While in Europe, he was highly impacted by the work of Henri Matisse and had a very close friendship with Pablo Picasso, who was also his associate. Lam eventually joined the Surrealists, thought his best-known work later on was clearly abstract and Cubist. Though he lived most of his life in Paris, he used his Cuban heritage as inspiration in conceiving his art.

Lam’s work is often full of dark themes; death, anger, and sometimes even fear. This can be attributed to the death of his wife and son early on in his career. After only two years of marriage, he lost both his wife and infant son to tuberculosis in 1931. This no doubt affected the themes in his art after this time, along with the war in Europe and the ever changing social and political conflicts in Cuba.

A painter, printmaker and sculptor, his art is all his own. He painted with a very tropical color palate, using the vibrant greens, reds and oranges of the Caribbean isles. For a while, he did an extensive study of tropical plants, from which he adapted this palate. One example of his style is “Mulitples des Membres des Loa” (1973).

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Mulitples des Membres des Loa

This style is typical of his lithographs, which usually contain a preying mantis/organic subject, and are reminiscent of Cuban and Voodoo cultural elements. These lithographs were mostly created in the early 70′s and are unique in the fact that they were all printed into signed and numbered into limited editions of 99, not an even 100. Furthermore, due to the fact that he lived primarily in Paris, his art titles are in French, and not Spanish.

One of his best examples of Lam’s work from his time in Europe is “Anamu” (1942). One can clearly see the Cubist influences that Lam uses in this oil on canvas painting.

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Anamu

His interest in African art and primitive masks can clearly be seen in this painting, which is another theme in his art. His Afro-Cuban themed art works take on a usually earthy color palate, with darker tones and Cubist elements.

Lam’s work from 1947 to 1952 became increasingly more Cuban inspired due to his move back from Europe to Havana. He often incorporated his Cubist and Surreal influences with Afro-Cuban aspects to create his art at this time. His painting “Mere et Infant” (mother and child) is a perfect example of the style he was creating at this time.

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Mere et Infant

In the beginning of his career while studying at San Alejandro art school in Cuba, Lam initially painted in the traditional realist style, doing mostly landscapes and still life. There is little catalogued or publicly or privately owned work of his from this era. It is quite possible that some of his work from this time has yet to be authenticated due to it’s striking contrast from the abstract art he became known for. Some of these would have been painted in Cuba; others in Spain, since he lived there for a time before the war. It is said that these paintings were done in a Realist Spanish style, and would likely have been sold in Europe.

Lam was, among other things, a sculptor. However, he also created decorative pottery and items for the home, such as this jug.

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He was also an avid sketcher, and used linear styling similar to Picasso, creating intricate drawings from one connected line.

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Linear Sketch

Wifredo Lam was a highly respected artist during his lifetime, and to this day, his lithographs alone are worth thousands of dollars. He was unconventional in his styling, and his work is housed all over the world, as well as in private collections.

Wifredo Lam art authentication. Wifredo Lam appraisal from . Wifredo Lam certificates of authenticity (COA). wifredo Lam analysis, research, scientific tests, full art authentications. We will help you sell your Wifredo Lam or we will sell it for you.


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506--chaigneau.php Jean Ferdinand Chaigneau Artwork Authentication & Art Appraisal

Jean Ferdinand Chaigneau (1830-1906)

Get a Chaigneau Certificate of Authenticity for your painting (COA) for your Chaigneau drawing.

For all your Chaigneau artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Chaigneau Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Chaigneau painting or drawing.

If you want to sell your Chaigneau painting or drawing use our selling services. We offer Chaigneau selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Chaigneau and issuing certificates of authenticity since 2002. We are recognized Chaigneau experts and Chaigneau certified appraisers. We issue COAs and appraisals for all Chaigneau artworks.

Our Chaigneau paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Chaigneau certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Chaigneau painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Chaigneau paintings or drawings take longer.

Our clients include Chaigneau collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Ferdinand Chaigneau art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean Ferdinand Chaigneau or we will sell it for you.

Jean Ferdinand Chaigneau was one of the, ‘Little Masters,’ of the Barbizon School. He certainly deserved this title, as he lived, and died at Barbizon, and loved the surrounding countryside. He was to depict it, time and time again, in his paintings. He was born in Bordeaux, and was brought up by his Grandfather, who was a collector, and founder of the Museum of Public Instruction. He spent two years studying drawing in Bordeaux, and then moved to Paris in 1847.

In Paris, he lived with his uncle, the painter of marine, and landscapes scenes, Raymond Eugene Goethals. He became friends with, and studied under the painter Jacques-Raymond Brascassat, who was well known for his paintings of animals. Brascassat loved animals so much, that he kept a wolf and two foxes in a stable near his studio. He was also to study with the painters, Picot and Coignet, but it was Brascassat who was to have a big influence on the young Chaigneau. Chaigneau also began to take classes at the Ecole des Beaux Arts in Paris.

It was through his association with Brascassat, that he developed the wish to paint both landscapes, and animals. His debut at the Salon was in 1848, with a painting entitled, ‘Memories of the surroundings of Bordeaux.’ He was to go on to send landscapes of Normandy, Auvergne, and Limousin to the Salon.

The year 1858, was to be an important one for him. He took the decision to move to Barbizon to be close to the nature that he loved, and the artists that he admired. He became particularly good friends with Jean- Francois Millet, and Charles Emile Jacque. It was however, Emile Jacque that was to have the biggest influence on him, and had a particular influence on his choice of subject matter. Emile Jacque was of course well known, as a great landscape, and animal painter of the time. He was especially well known for his depiction of sheep. Chaigneau was to follow in his footsteps, and began to produce scenes of the Forest of Fontainebleau, as well as scenes from the Forest of Chailly. He also, like Emile Jacque produced an enormous number of paintings, depicting flocks of sheep.

It was Emile Jacque who taught him to produce etchings, and he produced his first published etchings in 1864. He also produced watercolours. He was a very successful artist of his time. The State bought a number of his paintings, including in 1870, a painting, entitled, ‘Flock of Sheep in the Plains.’ He also, was well known internationally, and between 1868, and 1881, he was to exhibit in Paris and London. He also exhibited in Spain, and in Chile. The American dealer, Samuel Putman Avery purchased a number of his paintings for American collectors.

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The Edge of the Forest

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Shepherdess at Twilight

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Le Jardin de L’artiste
Courtesy: Rehs Galleries, Inc., New York City

Throughout his time at Barbizon his love of animal painting was at the forefront, and he created the, ‘Society of Animal Painters,’ with Charles Emile Jacque. Chaigneau also began to teach art students in Barbizon, and his son who was also a student of his, exhibited his first painting at the age of seventeen, at the Salon of 1896.

Sadly, a creeping paralysis meant that he gradually had trouble in painting. He died at Barbizon, surrounded by the nature and animals that he loved so much.

If you believe you own a work of art by Jean Ferdinand Chaigneau, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Jean Ferdinand Chaigneau.


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507--russell_john.php John Russell Artwork Authentication & Art Appraisal

John Russell (1745-1806)

Do you think you may own a painting by John Russell? We perform art art authentications, art appraisals, art research and Certificates of Authenticity (COA) and provide free consultations for all paintings by John Russell.

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Portrait of a Lady Holding a Book, 1801

John Russell was an English painter renowned for his portrait work in oils and pastels, and as a writer and teacher of painting techniques. Born in Guildford, Surrey, he trained under the tutelage of Francis Cotes RA, one of the pioneers of English pastel painting, and – like Cotes – became an admirer of the pastel drawings of Rosalba Carriera.

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Portrait of George de Ligne Gregory, 1793

Russell set up his own studio in 1767. Although nominally based in London, Russell traveled extensively around Britain, undertaking portraits.

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Portrait of Micoc and her Son, 1769

His pastels technique prompted him to write Elements of Painting with Crayons, published in 1772, by which time he had won premiums for his drawings from the Society of Arts in 1759 and 1760 and entered the Royal Academy school of art in 1770, winning its gold medal for figure drawing the same year. He exhibited at the Society of Artists in 1768 and exhibited 330 works at the Academy from 1769 until his death, being elected a full Academician in 1788.

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The Sign Writer 1790’s

In 1789, Russell was commissioned to paint a portrait of the royal physician Francis Willis. The results obviously pleased the monarch as, in 1790, Russell was appointed Crayon [pastel] Painter to King George III, Queen Charlotte, the Prince of Wales (both of whom Russell also painted) and the Duke of York. With such royal patronage, he developed a large and fashionable clientele.

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Porter of the Royal Academy, 1791-1793

His portraits were engraved by Collyer, Turner, Heath, Dean, Bartolozzi, Trotter and other prominent engravers. A man of deep religious beliefs (a devout follower of George Whitefield), Russell was also interested in astronomy (he was a friend of Sir William Herschel) and in mathematics, inventing a scientific apparatus used to exhibit an accurate map of the moon he painted in 1795.

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Lunar Globe

Unfortunately, he was troubled by ill-health for much of his life and in 1803, became almost deaf following a bout of cholera. He died in Hull in 1806 after contracting typhus. His son, William Russell (1780-1870) was also a successful painter.

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Portrait of a Man in a Blue Jacket

Still wondering about a British painting in your family collection? Contact us…it could be by John Russell.


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508--hackert.php Jacob Philipp Hackert Artwork Authentication & Art Appraisal

Jacob Philipp Hackert (1737-1807)

Get a Hackert Certificate of Authenticity for your painting (COA) for your Hackert drawing.

For all your Hackert artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hackert Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hackert painting or drawing.

If you want to sell your Hackert painting or drawing use our selling services. We offer Hackert selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hackert and issuing certificates of authenticity since 2002. We are recognized Hackert experts and Hackert certified appraisers. We issue COAs and appraisals for all Hackert artworks.

Our Hackert paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hackert certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hackert painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hackert paintings or drawings take longer.

Our clients include Hackert collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jacob Philipp Hackert art authentication, appraisal. certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jacob Philipp Hackert or we will sell it for you.

Hackert painting, Autumn

Autumn

Jacob Philipp Hackert was an 18th century German landscape painter. Hackert spent much of his life in Italy , and often collaborated with his brother, Johann Gottlieb Hackert.

Hackert painting, The Waterfalls of Turni

The Waterfalls of Turni

Hackert was a student of Le Sueur, a well known French painter who showed him the ways of the Dutch landscape painters. However, after he moved to Italy , Hackert was more influenced by the Neoclassical style of Poussin, and his work also began to show touches of Romanticism.

Hackert painting, Italian Landscape

Italian Landscape

Today, Hackert’s paintings are housed in prominent collections around the world, and perhaps in your own home. Still wondering about an 18th century European landscape in your family collection? Contact us…it could be by Jacob Philipp Hackert.


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509--goitia-garcia.php Francisco Bollaín y Goitia García Artwork Authentication & Art Appraisal

Francisco Bollaín y Goitia García (1882 – 1960)

Get a Goitia Certificate of Authenticity for your painting (COA) for your Goitia drawing.

For all your Goitia artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Goitia Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Goitia painting or drawing.

If you want to sell your Goitia painting or drawing use our selling services. We offer Goitia selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Goitia and issuing certificates of authenticity since 2002. We are recognized Goitia experts and Goitia certified appraisers. We issue COAs and appraisals for all Goitia artworks.

Our Goitia paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Goitia certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Goitia painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Goitia paintings or drawings take longer.

Our clients include Goitia collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francisco Bollaín y Goitia García art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Francisco Bollaín y Goitia García or we will sell it for you.

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Paisaje de los Ahorcados

Goitia was a realist painter from Fresnillo in the state of Zacatecas, Mexico. Like many of the principal artists of Mexico, Goitia studied at the Academy of San Carlos in Mexico City. After completing his studies in Mexico, Goitia travelled to Europe. Goitia’s work was greatly impacted by his studies in Spain and Italy. In 1904 Goitia studied under Francisco Galí in Barcelona, Spain. Goitia was later awarded a grant to work in Rome, Italy. In 1912, due to political changes, Goitia lost his grant and returned to Mexico.

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Mar de Barcelona

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Paisaje de Zacatecas

During the Mexican Revolution, Goitia was the official painter for General Angel of Pancho Villa’s army. It is told that Goitia used executed soldiers as models in his paintings, hanging them in various positions.

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In Goitia’s later life, he worked as a professor at The Academy of San Carlos and studied indigenous groups of Mexico. Goitia led a modest, solitary life in Xochimilco, Mexico drawn to the poverty of his surroundings. Goitia’s painting often depict poverty-stricken or morose environments.

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Autorretrato con Mano Pecho

Goitia’s paintings are in collections throughout Mexico, Europe and the United States. Do you think you own a Goitia? Contact us. We are the Goitia experts.


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510--izquierdo.php María Izquierdo Artwork Authentication & Art Appraisal

María Izquierdo (1902-1955)

Get a Izquierdo Certificate of Authenticity for your painting (COA) for your Izquierdo drawing.

For all your Izquierdo artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Izquierdo Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Izquierdo painting or drawing.

If you want to sell your Izquierdo painting or drawing use our selling services. We offer Izquierdo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Izquierdo and issuing certificates of authenticity since 2002. We are recognized Izquierdo experts and Izquierdo certified appraisers. We issue COAs and appraisals for all Izquierdo artworks.

Our Izquierdo paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Izquierdo certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Izquierdo painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Izquierdo paintings or drawings take longer.

Our clients include Izquierdo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform María Izquierdo art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your María Izquierdo or we will sell it for you.

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Mi tía mi amiguita y yo

“I avoid…political themes because they do not have expressive or poetic strength, and I think that, in the world of art, a painting is an open window to human imagination.” -María Izquierdo

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Ofrenda

Coming from a traditional family, Izquierdo married and had two children at a very young age. Izquierdo moved with her family to Mexico City, where her life took a drastic change. She became interested in art and culture and soon left her husband, a military officer.

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Retrato y niños

Initially, Izquierdo enrolled at the Escuela Nacional de Bellas Artes, but she had a resistance to formal training and stopped taking classes. Izquierdo met painter Rufino Tamayo, and the two artists became lovers and shared a studio space for a number of formative years. Tamayo respected Izquierdo’s naïve style of painting, and they both shared a strong respect for imagery of Mexico. Tamayo helped Izquierdo develop watercolor skills, which expanded her painting techniques. Tamayo ultimately married another young artist but this did not deter Izquierdo in her painting pursuits.

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Though Izquierdo is often overshadowed, by the iconic Frida Kahlo, Izquierdo was actually the first female Mexican artist to exhibit outside of Mexico in 1930 at Manhattan’s Art Center.

Frida Kahlo and Izquierdo were both photographed publicly in native, Mexican clothing. Izquierdo was denied a major mural commission from the National Palace in Mexico City as a result of Diego Rivera’s assertion that she was not qualified to paint the mural.

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Malabrista (circus painting)

Despite Izquierdo’s setbacks, she became known for her use of Mexican colonial style and use of naïve, childhood imagery. Izquierdo did a number of circus paintings, creating a playful and yet melancholy picture.

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Horses in the River

Sueño y Presentimiento was one of Izquierdo’s last epic paintings before she had a stroke in 1949. The painting illustrates a premonitory dream of Izquierdo holding her own decapitated head. Izquierdo was of course not decapitated, but her stroke greatly limited her ability to mentally function.

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Sueño y Presentimiento

Izquierdo is a prominent figure in Mexican art, and her work is known throughout Latin America, the United States and Europe. Do you think you own a painting by Maria Izquierdo? Contact us. We are the Izquierdo experts.


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511--demuth.php Charles Demuth Artwork Authentication & Art Appraisal

Charles Demuth (1883-1935)

Get a Demuth Certificate of Authenticity for your painting (COA) for your Demuth drawing.

For all your Demuth artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Demuth Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Demuth painting or drawing.

If you want to sell your Demuth painting or drawing use our selling services. We offer Demuth selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Demuth and issuing certificates of authenticity since 2002. We are recognized Demuth experts and Demuth certified appraisers. We issue COAs and appraisals for all Demuth artworks.

Our Demuth paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Demuth certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Demuth painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Demuth paintings or drawings take longer.

Our clients include Demuth collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles Demuth art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles Demuth or we will sell it for you.

Demuth, Buildings, Lancaster 1930

Buildings, Lancaster 1930

Demuth, Trees and Barns Bermuda, 1917

Trees and Barns Bermuda, 1917

Demuth, Turkish Bath with Self-Portrait, 1918

Turkish Bath with Self-Portrait, 1918

Charles Demuth was an American artist who developed a style known as Precisionism. Demuth was born in Lancaster, Pennsylvania, where he spent the entirety of his childhood. Unfortunately, Demuth suffered from poor health most of his life. He struggled through polio as well as early on-set diabetes. Despite health issues, Demuth showed strong skills in the arts and academics. Demuth attended the Franklin and Marshall Academy and Drexel University before enrolling at the Pennsylvania Academy of Fine Arts (PAFA) in Philadelphia.

Demuth, I Saw the Figure 5 in Gold, 1928

I Saw the Figure 5 in Gold, 1928

At PAFA, Demuth worked alongside William Carlos Williams. Williams’ poem Figure 5 in Gold inspired Demuth’s most famous painting, I saw the Figure 5 in Gold. The poem is about watching a fire engine passing through the rain, while waiting for Marsden Hartley. Demuth made a total of nine pieces, honoring friends, artists and writers who were important to him, including Georgia O’Keefe, Arthur Dove, Charles Duncan, John Marin, Gertrude Stein, Eugene O’Neill and Wallace Stevens.

Demuth, Wild Orchids, 1920

Wild Orchids, 1920

After completing his studies in Philadelphia, Demuth continued his education in Europe, studying at the Académie Colarossi and the Académie Julian in Paris. In France, Demuth was quickly accepted into the art scene and could become public about his homosexuality. Through the good fortune of being introduced to Alfred Stieglitz, Demuth became a member of the “Stieglitz Group” and was given shows at the Anderson and Intimate Galleries in New York City.

Demuth, Spring, 1921

Spring, 1921

In 1927, Demuth returned to his hometown, Lancaster, to paint a series of local factories. Demuth finished the seventh painting in the series, After All, in 1933. Shortly after completing the series Demuth died from diabetic complications. Though Demuth was only in his fifties when his life ended, he had enough time to make a name for himself in the art world. Demuth was represented by Alfred Stieglitz, as well as major New York City museums. Demuth’s paintings were shown at the Whitney and the Museum of Modern Art in New York. After his death, Demuth’s childhood home in Lancaster was converted into a museum and the Demuth Foundation of the Arts.

Demuth, Incense of a New Church, 1921

Incense of a New Church, 1921

Demuth, Aucassiu and Nicolette, 1921

Aucassiu and Nicolette, 1921

Demuth, The Boat Ride from Sorrento

The Boat Ride from Sorrento

Demuth, Welcome to our City

Welcome to our City

Demuth, Machinery

Machinery

Demuth, In the Garden of the Chateau

In the Garden of the Chateau

Demuth, In the Provence 2

In the Provence 2

Demuth, Calle Lilies

Calla Lillies

Demuth, My Egypt, 1927

My Egypt, 1927

Charles Demuth is now recognized as an influential figure in twentieth century American art. Demuth’s paintings belong to major museums and private collections across the United States. Do you think you own a painting by Charles Demuth? Contact us. We are the Charles Demuth experts.


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513--david-francais.php Gerard David Artwork Authentication & Art Appraisal

Gerard David, 1460-1523, Belge

David est originaire d’Oudewater, une petite ville flamande située près de Gouda. À l’âge de 24 ans, il rejoint la corporation des imagiers et selliers de Bruges et gravit les échelons jusqu’à en devenir doyen vingt ans plus tard. En 1507, il rejoint, aux côtés de Petrus Christus, la confrérie de Notre-Dame de l’Arbre Sec, une fondation religieuse médiévale engagée dans la charité et consacrée à l’Immaculée conception. Il y trouvait la possibilité de nourrir une vie spirituelle dédiée au christianisme, mais également des opportunités commerciales, car la confrérie comptait ce qui se faisait de meilleur parmi la bourgeoisie et l’aristocratie de Bruges, et les commandes privées d’œuvres d’art affluaient.

Ayant épousé Cornelia Cnoop, fille du doyen de la guilde des orfèvres, il lui dédie un panneau de La Vierge entre les vierges sur lequel il se représente lui-même. Ce fut pendant longtemps sa seule œuvre authentifiée avec certitude. Il réalise également La Justice de Cambyse, actuellement exposée à Bruges. En 1506, l’abbaye ligurienne de La Cervara lui fait commande d’un polyptyque dont les panneaux sont aujourd’hui exposés dans des musées des deux côtés de l’Atlantique.

Ses scènes religieuses, magnifiquement colorées, sont célèbres pour leur sérénité et leur atmosphère presque onirique.

On n’en sait par ailleurs guère plus sur la vie personnelle du peintre. Son œuvre et son parcours ont été popularisés auprès d’un large public qui l’avait largement oublié grâce au travail biographique de l’historien anglais James Weale, qui avait entrepris, vers la fin du XIXe, un immense travail de reconstruction de son corpus. Aux côtés des œuvres d’artistes tels que Jan Provoost ou encore Adrien Isenbrant, les peintures de David furent montrées à Bruges en 1902 lors de l’exposition consacrée aux primitifs flamands.

Ces artistes, contemporains de l’humanisme italien, évoluaient vers une acceptation de l’idéal de la Renaissance à laquelle se mêlait l’austérité de l’héritage médiéval du Nord de l’Europe, comment en témoignent les nombreuses représentations d’intérieur bourgeois. Pétris de culture chrétienne, les artistes transposent volontiers le sacré dans ces représentations de la vie quotidienne. Sans compter les portraits et des scènes religieuses, Gerard David a également produit des paysages aux couleurs paisibles, genre qui en était alors à ses débuts, en Europe. Le décor de son triptyque et de sa nativité présente des arbres au feuillage extraordinairement détaillé qui témoigne de son talent.


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514--obidos.php Josefa de Óbidos Artwork Authentication & Art Appraisal

Josefa de Óbidos (1630 – 1684)

We Perform Josefa de Óbidos art authentication. Josefa de Óbidos appraisal. Josefa de Óbidos certificates of authenticity (COA). Josefa de Óbidos analysis, research, scientific tests, full art authentications. We will help you sell your Josefa de Óbidos or we will sell it for you.

Óbidos, Nativity

Nativity

Óbidos, Still-Life

Still life

Josefa de Óbidos was a Spanish-born painter, who became well-known in Portugal during the Baroque era. Óbidos was born in Seville, Spain to a Spanish mother and a father of Portuguese origin. Óbidos moved to Portugal with her family in 1634, where she spent much of her life and painting career. The family lived in Peniche until relocating to Coimbra in 1644. Óbidos’ father was a successful painter, who painted the main altar of Coimbra’s Convent of the Grace.

Óbidos, Religious painting

Religious painting

Obidos’s first surviving works are engravings, created in the 1640s. Though Obidos was only a teenager, her engravings show a great deal of talent for the arts. Obidos’s father, Baltazar, was a great influence on her work, exposing her art at an early age.

Óbidos, Nativity

Nativity

Óbidos,Lactation of St. Bernard

Lactation of St. Bernard

Óbidos,Pascal

Pascal

Óbidos,Maria Magdalena

Maria Magdalena

Óbidos,Still-Life

Still life

Óbidos,St. Joseph

St. Joseph

Óbidos,Jesus, Savior of the World

Jesus, Savior of the World

Today, many of Obidos’s paintings are housed in Lisbon’s National Museum of Ancient Art. Obidos’s paintings are not only in Portugal, but have spread to collections worldwide.

Obidos died in the town of Óbidos, Portugal, where she was laid to rest at the Church of Saint Peter of Obidos. Josefa Obidos is one of the few well-known woman painters of the Baroque era.

Do you think you own a painting by Josefa Obidos? Contact us. We are the Josefa Obidos experts.


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515--peter.php Wenzel Peter Artwork Authentication & Art Appraisal

Wenzel Peter (1745-1829)

We Perform Wenzel Peter art authentication. Wenzel Peter appraisal. Wenzel Peter certificates of authenticity (COA). wenzel Peter analysis, research, scientific tests, full art authentications. We will help you sell your Wenzel Peter or we will sell it for you.

Peter painting, Self-Portrait

Self-Portrait

Peter painting, Adam and Eve in the Garden of Eden

Adam and Eve in the Garden of Eden

Wenzel Peter was an 18th century Austrian painter. He specialized in painting animals, though also painted religious subject.

Peter painting, Hares and Rabbits in a Glen

Hares and Rabbits in a Glen

Peter painting, Deer

Deer

Still wondering about an 18th century Austrian painting in your family collection? Contact us…it could be by Wenzel Peter.


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516--subleyras.php Pierre Subleyras Artwork Authentication & Art Appraisal

Pierre Subleyras (1699-1749)

Get a Subleyras Certificate of Authenticity for your painting (COA) for your Subleyras drawing.

For all your Subleyras artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Subleyras Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Subleyras painting or drawing.

If you want to sell your Subleyras painting or drawing use our selling services. We offer Subleyras selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Subleyras and issuing certificates of authenticity since 2002. We are recognized Subleyras experts and Subleyras certified appraisers. We issue COAs and appraisals for all Subleyras artworks.

Our Subleyras paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Subleyras certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Subleyras painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Subleyras paintings or drawings take longer.

Our clients include Subleyras collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pierre Subleyras art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pierre Subleyras or we will sell it for you.

Pierre Subleyras

Pierre Subleyras

Pierre Subleyras was a French painter born at Uses (Gard). He left France for Italy in 1728, having carried off the grand prix. He there painted for the Canons of Asti “Christ’s Visit to the House of Simon the Pharisee” (Louvre, engraved by Subleyras himself), a large work, which made his reputation and procured his admission into the famed Roman artists guild, Accademia di San Luca.

The Amorous Courtesan

The Amorous Courtesan

Cardinal Valenti Gonzaga next obtained for him the order for “Saint Basil and the Emperor Valens” (small study in Louvre), which was executed in mosaic for St Peter’s. Pope Benedict XIV and all the princes of Rome sat to him. The pope himself commanded two great paintings, the “Marriage of St Catherine” and the “Ecstasy of St Camilla”, which he placed in his own private apartments.

Pope Bendedict XIV

Pope Bendedict XIV

Subleyras shows greater individuality in his curious genre pictures, which he produced in considerable number (Louvre). In his illustrations of Fontaine and Boccaccio his true relation to the modern era comes out; and his drawings from nature are often admirable (see one of a man draped in a heavy cloak in the British Museum). Exhausted by overwork, Subleyras tried a change to Naples, but returned to Rome at the end of a few months to die. His wife, the celebrated miniature painter, Maria Felice Tibaldi, was sister to the wife of Tremollière.

Charon Ferrying Dead Souls Across the River Styx

Charon Ferrying Dead Souls Across the River Styx

Still wondering about an 18th century French painting or portrait in your family collection? Contact us…it could be by Pierre Subleyras.


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517--giambono.php Michele Giambono Artwork Authentication & Art Appraisal

Michele Giambono (1400 – 1462)

Get a Giambono Certificate of Authenticity for your painting (COA) for your Giambono drawing.

For all your Giambono artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Giambono Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Giambono painting or drawing.

If you want to sell your Giambono painting or drawing use our selling services. We offer Giambono selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Giambono and issuing certificates of authenticity since 2002. We are recognized Giambono experts and Giambono certified appraisers. We issue COAs and appraisals for all Giambono artworks.

Our Giambono paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Giambono certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Giambono painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Giambono paintings or drawings take longer.

Our clients include Giambono collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Michele Giambono art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Michele Giambono or we will sell it for you.

art

The Man of Sorrows 1440s

Michele Giambono was an Italian painter of the Early Renaissance in Venice. Giambono’s style, in general, remains archaic and iconic, and seems generally unaffected by Florentine experimentation with perspective and dimensionality of figures. He designed some of the mosaics in the Mascoli chapel in the church of Saint Mark’s Basilica.

art

Polyptych of St. James 1450

Still wondering about an Italian painting in your family collection? Contact us…it could be by Michele Giambono.


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518--piranesi.php Giovanni Battista Piranesi Artwork Authentication & Art Appraisal

Giovanni Battista Piranesi (1720-1778)

We Perform Giovanni Battista Piranesi art authentication. Giovanni Battista Piranesi appraisal. Giovanni Battista Piranesi certificates of authenticity (COA). Giovanni Battista Piranesi analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni Battista Piranesi or we will sell it for you.

Piranesi engraving, Four Figures

Four Figures

Giovanni Piranesi was an 18th century Italian engraver. Piranesi was the son of a master builder, and studied architecture. He visited Rome in 1740 and became infatuated with the diversity in the architecture of the city.

Piranesi work, Roman Ruins

Roman Ruins

Piranesi work, Ancient Port

Ancient Port

Piranesi was taught etching by Giuseppe Vasi and as a result, began to etch landscapes and cityscapes of Rome. These etchings were more than mere views and panoramas of a beautiful city, but were visual echoes of the artists’ great love for monumental Rome.

Piranesi work, Untitled 1780

Untitled 1780

Piranesi work, Fantasy of a Magnificent Wall Monument 1765

Fantasy of a Magnificent Wall Monument 1765

Still wondering about an 18th century Italian print or etching in your family collection? Contact us…it could be by Giovanni Piranesi.


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519--hart_w.php William Hart Artwork Authentication & Art Appraisal

William Hart (1823-1894)

We Perform William Hart art authentication. William Hart appraisal. William Hart certificates of authenticity (COA). william Hart analysis, research, scientific tests, full art authentications. We will help you sell your William Hart or we will sell it for you.

William Hart was a Scottish-American painter of the Hudson River School. Hart was born in Paisley, Scotland but moved to the United States with his family as a child. Early in Hart’s career he worked under a carriage painter in upstate New York, painting landscape scenes on coach panels.

Hart, Mount Madison from the Androscoggin River

Mount Madison from the Androscoggin River

Hart, Hudson River Valley

Hudson River Valley

During the 1840s, Hart returned to Scotland to formally study painting. Hart returned to New York in the late 1840s with a strong background as a landscape artist. Hart exhibited at the National Academy of Design, where later became a member and exhibited for several decades. Hart also exhibited at the Brooklyn Art Association and in travelling exhibitions around the United States.

Hart, Mounts Wahsington and Madison from the Androscoggin River

Mounts Wahsington and Madison from the Androscoggin River

In 1858 Hart opened a studio in New York City in the Tenth Street Studio Building, popular with other artists in the Hudson River School. Hart would leave the city frequently to do sketched around the Hudson River ports and rural areas. Hart also enjoyed painting cattle, which became a major theme in his paintings. Hart’s brother, James McDougal Hart, was also a painter and enjoyed the same subjects as William.

Hart, Mount Chocorua and Moat Mountain

Mount Chocorua and Moat Mountain

Hart, Mount Washington from the Intervale

Mount Washington from the Intervale

Hart, Cows in the Valley

Cows in the Valley

Hart, Views in the Valley of the White Mountains

Views in the Valley of the White Mountains

Hart, Autumn Brook, 1876

Autumn Brook, 1876

Hart, Summer Meadow

Summer Meadow

Hart, Sunset Landscape, Troy, NY

Sunset Landscape, Troy, NY

While Hart enjoyed his time in the outdoors, he would return to his studio to execute his polished, large-scale pieces. Though Hart often worked in oils, he was quite talented at watercolor and served as president of the American Watercolor Society in the 1870s.

Hart’s paintings are now in major museum collections in New York City, Boston and Washington DC. Do you think you may own a Hudson River School painting by William Hart? Contact us. We are the experts on William Hart.


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520--weir.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "weir" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "weir" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
521--panerai.php Ruggero Panerai Artwork Authentication & Art Appraisal

Ruggero Panerai (1862-1923)

We Perform Ruggero Panerai art authentication. Ruggero Panerai appraisal. Ruggero Panerai certificates of authenticity (COA). Ruggero Panerai analysis, research, scientific tests, full art authentications. We will help you sell your Ruggero Panerai or we will sell it for you.

Alla Stazione 1885

Alla Stazione 1885

The Crossing

The Crossing

In The Paddock

In The Paddock

Ruggero Panerai was an Italian Impressionist style artist. He studied under Giovanni Fattori at the Florentine Academy, and eventually became a professor himself at the Bolognese Accademia in 1888. He exhibited in Paris the following year at the Exposition Universelle.

Militari in Perlustrazione

Militari in Perlustrazione

Veduta di Piazza Cavour

Veduta di Piazza Cavour

While Panerai was best known for his landscapes and military scenes, he created compositions with a variety of themes such as pastoral scenes and even portraits of dogs.

Pastorella

Pastorella

Sheep

Sheep

Still wondering about a late 19th century Italian Impressionist style painting hanging in your home? Contact us…it could be by Ruggero Panerai.


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522--cavalcanti.php Emiliano di Cavalcanti Artwork Authentication & Art Appraisal

Emiliano di Cavalcanti (1897-1976)

Get a Di Cavalcanti Certificate of Authenticity for your painting (COA) for your Di Cavalcanti drawing.

For all your Di Cavalcanti artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Di Cavalcanti Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Di Cavalcanti painting or drawing.

If you want to sell your Di Cavalcanti painting or drawing use our selling services. We offer Di Cavalcanti selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Di Cavalcanti and issuing certificates of authenticity since 2002. We are recognized Di Cavalcanti experts and Di Cavalcanti certified appraisers. We issue COAs and appraisals for all Di Cavalcanti artworks.

Our Di Cavalcanti paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Di Cavalcanti certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Di Cavalcanti painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Di Cavalcanti paintings or drawings take longer.

Our clients include Di Cavalcanti collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Emiliano di Cavalcanti art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Emiliano di Cavalcanti or we will sell it for you.

Mulher deitada com peixes e frutas 1956

Mulher deitada com peixes e frutas 1956

Mulheres de Pescadores 1938

Mulheres de Pescadores 1938

Emiliano di Cavalacanti was a Brazilian painter. He was born in Rio de Janeiro and moved to São Paulo in 1917. Though São Paulo was a less artistic city than Rio de Janeiro at the time, di Cavalcanti became involved in the art scene just the same. Along with a number of other young artists, he became one of the “Group of Five,” and with Mario de Andrade, spearheaded “Modernismo.” The group also organized “The Week of Modern Art” in February of 1922, which historically marked Brazilian Modernism.

Five Girls From Guartingueta 1930

Five Girls From Guartingueta 1930

While living in Paris from 1923-1925, di Cavalcanti was exposed to the European modernist, not least of all Pablo Picasso. His work is a clear mixture of Brazilian themes, mostly featuring mulatto women, as well as chic European styling.

Duas mulatas na verando 1951

Duas mulatas na verando 1951

Shortly after his visit to Paris, di Cavalcanti returned to Brazil and settled in Rio de Janeiro. He spent the rest of his life alternating between Rio de Janeiro and São Paulo, and showed his work there often. Di Cavalcanti was considered to be the most popular Brazilian artist by the 1950’s, and had prominent exhibitions in 1951 and 1953 at the São Paulo Biennial exhibitions.

Samba 1925

Samba 1925

Today di Cavalcanti’s work is housed in modern art museums all over the world, and perhaps in your own home. Still wondering about a Brazilian modernist painting in your family estate? Contact us…it could be by Emiliano di Cavalcanti.


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523--breitner.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "breitner" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "breitner" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
524--parsimagi.php Karl Pärsimägi Artwork Authentication & Art Appraisal

Karl Pärsimägi

Do you think you may own a painting by Karl Pärsimägi?

We Perform Karl Pärsimägi art authentication. Karl Pärsimägi appraisal. Karl Pärsimägi certificates of authenticity (COA). Karl Pärsimägi analysis, research, scientific tests, full art authentications. We will help you sell your Karl Pärsimägi or we will sell it for you.

1. Self-Portrait with Hat. 1931. Oil on canvas. Tartu Art Museum.

1. Self-Portrait with Hat. 1931. Oil on canvas. Tartu Art Museum.

2. The Farmhouse with the Stonewall. 1935. Oil on Canvas. Tartu Art Museum.

2. The Farmhouse with the Stonewall. 1935. Oil on Canvas. Tartu Art Museum.

Karl Pärsimägi was an Estonian artist born in Võrumaa, Estonia. Despite Pärsimägi’s humble beginnings of being raised in a peasant family, he began formal artistic training at the age of seventeen. Pärsimägi attended the Pallas Art School under several mentors, including Konrad Mäe, Nikolai Triigi, Ado Vabbe and Anton Starkopf.

3. Portrait of a Woman. 1935. Oil on Canvas.

3. Portrait of a Woman. 1935. Oil on Canvas.

Following Pärsimägi’s studies, he travelled to Germany and France with a group of artists from Tartu, Estonia. After spending an extended period of time in Paris, Pärsimägi exhibited his work at Tallinn’s Art Hall, in Estonia’s capital.

4. Toomemäe motiiv. 1936. Oil on Paper. Tartu Art Museum

4. Toomemäe motiiv. 1936. Oil on Paper. Tartu Art Museum

Pärsimägi was greatly influenced by French artists Henri Matisse and Paul Cézanne’s use of color and contrast. Pärsimägi made the unfortunate decision to stay in Paris and continue painting while France came under German occupation. Pärsimägi was placed in Drancy concentration camp, where he died in 1942. Despite Pärsimägi’s unfortunate death, his legacy is maintained through his artwork. Many of his paintings are in major museum collections in Estonia.

5. Paris. Not dated. Oil on Board. Tartu Art Museum.

5. Paris. Not dated. Oil on Board. Tartu Art Museum.

If you think you may own original artwork by Karl Pärsimägi, contact Art Certification Experts for information regarding our services.


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525--motherwell.php Robert Motherwell Artwork Authentication & Art Appraisal

Robert Motherwell (1915 – 1991)

Get a Motherwell Certificate of Authenticity for your painting or a COA for your Motherwell drawing, print or sculpture.

For all your Motherwell artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Motherwell Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Motherwell painting, drawing, print or sculpture.

If you want to sell your Motherwell painting, drawing, print or sculpture use our selling services. We offer Motherwell selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Motherwell and issuing certificates of authenticity since 2002. We are recognized Motherwell experts and Motherwell certified appraisers. We issue COAs and appraisals for all Motherwell artworks.

Our Motherwell paintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Motherwell certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Motherwell painting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Motherwell paintings, drawings or sculptures take longer.

Our clients include Motherwell collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Robert Motherwell art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Robert Motherwell or we will sell it for you.

Motherwell, Elegy to the Spanish Republic No. 110

‘Elegy to the Spanish Republic No. 110’
1971 Acrylic with pencil and charcoal on canvas 82 x 114 inches
Solomon R. Guggenheim Museum

Robert Motherwell was an American artist, known for his abstract expressionist paintings and prints. Motherwell was part of the New York School, which included Jackson Pollock, Mark Rothko, Willem de Kooning and Philip Guston.

Motherwell, Personage (selfportrait)

Personage (selfportrait)
1943 Paper collage, gouache, and ink on board 40 7/8 x 25 15/16 inches (103.8 x 65.9 cm)
The Solomon R. Guggenheim Foundation

Motherwell was born in Aberdeen, Washington but spent much of his childhood in San Francisco. Motherwell excelled as an academic and attended the prestigious, Stanford University in California. Motherwell earned his Bachelor’s degree in philosophy, and enrolled in a Ph. D. program at Harvard, which he discontinued after one year.

Motherwell, Blue Air

Blue Air
1946 Oil and sand on paperboard mounted on paperboard 41 1/2 X 28 3/8 IN. (105.3 X 72.0 CM.)

After Motherwell abandoned his philosophy studies, he decided to immerse himself in art and art history. Motherwell moved to New York City and took art courses as Columbia University under the tutelage of Meyer Shapiro. While Motherwell was mainly based out of New York, he frequented the Provincetown artist colony in Massachusetts, where he instructed such artists as Cy Twombly.

Motherwell, Elegy to the Spanish Republic, 70

Elegy to the Spanish Republic, 70
1961 Oil on canvas 69 x 114 in. (175.3 x 289.6 cm)

Motherwell, The Little Spanish Prison

The Little Spanish Prison
1941-44 Oil on canvas, 27 1/4 x 17 1/8″ (69.2 x 43.5 cm)
Museum of Modern Art, New York

It was in New York that Motherwell joined the circle of abstract expressionists. Motherwell was an essential addition to the group, due to ability to write and speak about the work they were creating. Motherwell’s collected writings are essential to study of the abstract expressionist movement. Motherwell contributed to several publications, including the surrealist magazine VVV, and the Dyn.

Motherwell, Western Air

Western Air
1946-47 Oil and sand on canvas 6′ x 54″ (182.9 x 137.2 cm)
Museum of Modern Art, New York

Motherwell, Personage, with Yellow Ochre and White

Personage, with Yellow Ochre and White
1947 Oil on canvas 6′ x 54″ (182.8 x 137 cm)
Museum of Modern Art, New York

Motherwell, Elegy to the Spanish Republic, 54

Elegy to the Spanish Republic, 54
1957-61 Oil on canvas 70″ x 7′ 6 1/4″ (178 x 229 cm)
Museum of Modern Art, New York

Motherwell, Untitled from Madrid Suite

Untitled from Madrid Suite
1965-66 One from a portfolio of ten lithographs, composition 19 13/16 x 25 3/4″ (50.3 x 65.4 cm)
Museum of Modern Art, New York

Motherwell, New England Elegy 2

New England Elegy 2
1966 Synthetic polymer paint on canvas 6′ 10″ x 11′ 7″ (208.3 x 351.1 cm)

Motherwell, Open Number 24 in Variations of Orange

Open Number 24 in Variations of Orange
1968 Synthetic polymer paint and charcoal on canvas 6′ 9″ x 9′ 7 1/8″ (205.6 x 292.3 cm)
Museum of Modern Art, New York

Motherwell, Paris Review

Paris Review
1967 Silkscreen 34 1/2 x 26″ (85.2 x 66.0 cm)

Motherwell’s paintings are now in major modern art collections across the United States. Do you think you own an abstract expressionist painting by Robert Motherwell? Contact us. We are the Motherwell experts.


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527--davolterra.php Daniele da Volterra Artwork Authentication & Art Appraisal

Daniele da Volterra (1509-1566)

Daniele da Volterra art authentication. Daniele da Volterra appraisal. Daniele da Volterra certificates of authenticity (COA). Daniele da Volterra analysis, research, scientific tests, full art authentications. We will help you sell your Daniele da Volterra or we will sell it for you.

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The Prophet Elias 1560’s

Daniele Ricciarelli, better known as Daniele da Volterra, was an Italian mannerist painter and sculptor. He is best remembered for his association, for better or worse, with the late Michelangelo. Several of Daniele’s most important works were based on designs made for that purpose by Michelangelo. After Michelangelo’s death Daniele was hired to cover the genitals in his Last Judgment with vestments and loincloths. This earned him the nickname “Il Braghettone” (“the breeches maker”).

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The Last Judgement by Michelangelo, with alterations by da Volterra

Daniele Ricciarelli was born in Volterra (in today’s Lazio). As a boy, he initially studied with the Sienese artists Il Sodoma and Baldassare Peruzzi, but he was not well received and left. He appears to have accompanied the latter to Rome in 1535, and helped paint the frescoes in the Palazzo Massimo alle Colonne. He then became an apprentice to Perin del Vaga.

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Portrait of a Man

From 1538 to 1541 he helped Perin with the painting of frescoes in the villa of Cardinal Trivulvives at Salone, in the Massimi chapel in Trinità dei Monti, and the chapel of the crucifixion in San Marcello al Corso. He was commissioned the painting of a frieze in the main salon of the Palazzo Massimo alle Colonne, with the life of Fabius Maximus.

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Madonna and Child

In Rome he also started working in the circle of Michelangelo and befriended him. Michelangelo used his influence with Pope Paul III to secure Daniele commissions and the post of superintendent of the works of the Vatican, a position he retained until the Pope’s death. Michelangelo provided him with sketches on which Daniele based some of his paintings, especially his series of frescoes in the Orsini chapel in the Trinità dei Monti, the commission for which Daniele had received in December of 1541.

Later Daniele was commissioned by Paul III to complete the decoration of the Sala Regia. On the death of the pope in 1549 he lost his position as superintendent and the pension to which it entitled him. He then devoted himself chiefly to sculpture.He died in Rome, 1566. According to Daniele’s will, the marble knee of the missing left leg of the Christ from Michelangelo’s Deposition was in his possession at the time of his death.

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Descent from the Cross 1545

Daniele’s best-known painting is the Descent from the Cross in the Trinità dei Monti (circa 1545), after drawings by Michelangelo; by an excess of praise this work was at one time grouped with Raphael’s Transfiguration and the Last Communion of St. Jerome by Domenichino as the most famous pictures in Rome. Daniele’s two-sided painting of David killing Goliath (c. 1555) in the Louvre too seems to have been based on Michelangelo’s designs; for a long time it was attributed to him.

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Massacre of the Innocents 1557

Other notable works include the Massacre of the Innocents (1557) in the Uffizi Gallery, Florence, a portrait he drew of Michelangelo and a bust he made from Michelangelo’s death mask.

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Bust of Michelangelo

A well-known sculpture is the Cleopatra in the Belvedere. From France Daniele received the commission to make a bronze equestrian statue of Henry II, but he finished only the horse; this was later used for a statue of Louis XIII at the Place Royale and melted down during the French Revolution.

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Sibyl

He also chiseled away a part of the fresco and repainted the larger part of Saint Catherine and the entire figure of Saint Blaise behind her. This was done because in the original version Blaise had appeared to look at Catherine’s naked behind, and because to some observers the position of their bodies suggested sexual intercourse.

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Moses on Mt. Sinai

The loincloths and draperies in the lower half of the fresco, however, were not painted by Daniele. His work on the Last Judgment was interrupted at the end of 1565 by the death of Pope Pius IV, after which the scaffolding he used had to be removed quickly because the chapel was needed for the election of a new pope. Still wondering about an Italian painting in your family collection? Contact us…it could be by Daniele da Volterra.


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528--danby.php Francis Danby Artwork Authentication & Art Appraisal

Francis Danby (1793 – 1861)

Get a Danby Certificate of Authenticity for your painting (COA) for your Danby drawing.

For all your Danby artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Danby Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Danby painting or drawing.

If you want to sell your Danby painting or drawing use our selling services. We offer Danby selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Danby and issuing certificates of authenticity since 2002. We are recognized Danby experts and Danby certified appraisers. We issue COAs and appraisals for all Danby artworks.

Our Danby paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Danby certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Danby painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Danby paintings or drawings take longer.

Our clients include Danby collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francis Danby art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Francis Danby or we will sell it for you.

Danby, The Shipwreck

The Shipwreck
1859 Oil on Canvas

Danby, View of a Norwegian Lake Before the Sun has Dissipated the Early Morning Mist

View of a Norwegian Lake Before the Sun has Dissipated the Early Morning Mist
1833 Oil on Canvas
Fitzwilliam Museum

Francis Danby was an Irish painter, known for his contributions to the Romantic period. Danby was born in a small town in southern Ireland, but moved with his family to Dublin when he was still a young child. In Dublin was exposed to painting and began to take drawing lessons at the Royal Dublin Society’s schools, where he studied under James Arthur O’Connor. Once Danby felt comfortable drawing, he began painting landscape.

Danby, A Boat-Builder's Yard

A Boat-Builder’s Yard
1840 Oil sketch National Gallery, London

By 1824 Danby decided to move to London, in search of more opportunities. Danby moved with his tutor O’Connor and his peer George Petrie. The ambitious trio of painters soon ran out of funds and was forced to return to Dublin on foot. On their way back to Dublin they made a stop in Bristol, where Danby started selling watercolor landscapes. Danby had a streak of luck selling his pieces and decided to stay in Bristol. Danby set up a small studio and began working on larger oil paintings, which he would send to exhibitions in London.

Danby, Three Sisters of Phaeton weeping over the tomb of their brother ”

Three Sisters of Phaeton weeping over the tomb of their brother
1845 Oil on Canvas
Art Gallery of New South Wales

By 1828, Danby had enough funds and artistic recognition to return to London. Before long, Danby had an exhibition at the British Institution and was elected as an Associate Member of the Royal Academy. A year later, Danby’s relationship with the Academy soured and his wife left him for another painter.

Danby, Boys Sailing a Little Boat

Boys Sailing a Little Boat
1822 Oil on Canvas
Bristol City Art Museum

Danby left London for more than a decade and settled in Geneva Switzerland. Outside of the United Kingdom, Danby led the life of a Bohemian, building ships and making trips to Paris among other locations in Europe.

Danby, Sunset at Sea After a Storm

Sunset at Sea After a Storm
1824 Oil on Canvas
Bristol City Art Museum

Danby, Anglers by a Wooded Stream

Anglers by a Wooded Stream
1800s Chalk and Watercolor on paper 28.3 x 38.2 cm
The Courtauld Institute of Art

Danby, View of Cader Idris, Wales

View of Cader Idris, Wales
1800s Watercolor on Paper 30.3 x 47.4 cm
The Courtauld Institute of Art

In 1840 Danby returned to England after recovering from his failed marriage and tumultuous career. In England Danby was able to connect with his two sons (James Francis Danby and Thomas Danby) and exhibited his most recent paintings. Danby settled in Exmouth, Devon, where he spent the last decades of his life.

Danby, Dead Calm- Sunset at the Bight of Exmouth

Dead Calm- Sunset at the Bight of Exmouth
1855 Oil on Canvas
Royal Albert Memorial Museum and Art Gallery

Danby, Burning of an Old Boat

Burning of an Old Boat
No date, Watercolor on Paper
Smithsonian American Art Museum

Danby is now remembered as one of the foremost British painters of the Romantic period. His paintings are in major British and international collections. Do you think you own a painting by Francis Danby? Contact us. We are the Danby experts.


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530--peale-anna.php Anna Claypoole Peale Artwork Authentication & Art Appraisal

Anna Claypoole Peale (1791-1878)

Do you think you may own a miniature portrait by Anna Claypoole Peale?

We Perform Anna Claypoole Peale art authentication. Anna Claypoole Peale appraisal. Anna Claypoole Peale certificates of authenticity (COA). Anna Claypoole Peale analysis, research, scientific tests, full art authentications. We will help you sell your Anna Claypoole Peale or we will sell it for you.

Portrait of a Woman 1822

Portrait of a Woman 1822

Portrait of Nancy

Portrait of Nancy

Anna Claypoole Peale was an early American artist and the niece of famous painter Charles Willson Peale. She came from a long line of famous American painters and is considered by some art historians as the most important female miniaturist in America. Furthermore, Anna and her sister Sarah were among the earliest and most successful professional female painters in American history.

Portrait of a Woman 1818

Portrait of a Woman 1818

Peale grew up in Pennsylvania and received some of her earliest training from her father, artist James Peale. She also often worked alongside her sister, Sarah Miriam Peale. Anna and Sarah shared a studio together and both sisters enjoyed thriving artistic careers. Both Anna and Sarah assisted their father in the studio by painting fabric on their fathers’ portraits, such as shawls and drapery.

Rosalba Peale

Rosalba Peale

In 1811, she began to exhibit her work at the Pennsylvania Academy of Fine Arts. Both Anna and Sarah were eventually named Academician of the Pennsylvania Academy of Fine Arts, and were the only women to ever receive that honor. In 1818, Anna was taken to Washington D.C. by her father to paint portraits of General Andrew Jackson and James Monroe.

Portrait of a Man

Portrait of a Man

Anna had studios in both Philadelphia and Baltimore and often traveled to Washington D.C., Boston and New York. In general, the bulk of her oeuvre consists of miniature watercolor portraits painted on ivory. However, she was also known to paint still life paintings, and had a great talent for them. These paintings are said to be beautifully executed and very few, and to find one would be a rare treasure.

Still Life

Still Life

Peale eventually married the Reverend William Straughton in 1829, but he tragically died only a few short months after their wedding. Anna married again in 1841 and it is said that she gave up painting shortly thereafter.

Today, her miniature portraits are owned in public and private collections throughout the United States, and perhaps in your own home. Still wondering about a family heirloom miniature portrait hanging in your home? Contact us…it could be by Anna Claypoole Peale.


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done
533--delaunay-sonia.php Sonia Delaunay Artwork Authentication & Art Appraisal

Sonia Delaunay (November 14, 1885 – December 5, 1979)

Get a Delaunay Certificate of Authenticity for your painting (COA) for your Delaunay drawing.

For all your Delaunay artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Delaunay Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Delaunay painting or drawing.

If you want to sell your Delaunay painting or drawing use our selling services. We offer Delaunay selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Delaunay and issuing certificates of authenticity since 2002. We are recognized Delaunay experts and Delaunay certified appraisers. We issue COAs and appraisals for all Delaunay artworks.

Our Delaunay paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Delaunay certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Delaunay painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Delaunay paintings or drawings take longer.

Our clients include Delaunay collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sonia Delaunay art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sonia Delaunay or we will sell it for you.

The work of Sonia Delaunay may be hard for some authenticators to distinguish. In many cases, her style was very similar to that of her husband, fellow painter Robert Delaunay. The two, in fact, worked side by side, so naturally that their styles complemented one another. In some cases it is nearly impossible to tell which Delaunay created which painting but a trained and educated eye can pick out the work from either husband or wife.

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Disk Composition

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Electric Prisms, 1914, Pompidou Center, Paris

Sonia Delaunay was born in the Ukraine, and raised by her uncle, whose family was eventually able to formally adopt her. Delaunay traveled often as a child, and was enrolled in art school in St. Petersburg at the age of 16. She was eventually sent to Germany to continue her art studies at the Karlsruhe Academy of Fine Arts.

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Yellow Nude

Delaunay finally moved to Paris in 1905 to pursue her art career. Though she was married to a German art dealer at the time she met Robert Delaunay, the two began a relationship and were married in 1910. Together they created Orphism, a whole new arena of Abstract and Cubist art that infused color, motion and geometry.

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Flamenco Singers, 1915

While her husband remained focused on his painting, Sonia delved into the world of fashion and textiles during the First World War. Her take on high fashion included lyrical pieces that were full of movement—an inspiration from her themes as a painter. Many of Sonia’s compositions mirrored contemporary fashion patterns of today and were always bright, colorful and geometric.

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Fabric Pattern, 1928

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Fabric Pattern

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Composition 34, 1930

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Composition 31, 1930

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Composition 12, 1930

By the 1930s, Sonia returned to painting, which she would continue even after her husbands death in 1941, though she produced little work from then until 1950. Even after she began to work again, her later paintings gained little interest, though this was a very prolific period for her. In 1968 she donated a number of her husbands and her own works to the National Art Museum in Paris, perhaps in hope of regaining notoriety.

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Composition

Even though Sonia Delaunay may have been seen by some as following in her husbands footsteps, she made great strides on her own as an artist. In fact, Sonia was the first woman to ever have her work exhibited in the Louvre during her lifetime, a great honor for any artist. During her lifetime, she often was invited to lecture at universities like the Sorbonne, and is even credited as being one of the first to suggest “ready to wear” clothing.

Because Sonia led a very long, very bohemian lifestyle, the possibility of owning one of her pieces is great, as is the possibility of her work being wrongly authenticated. Today her work is housed all over France and she is remembered as a forerunner in abstract art and as an inspiration to generations of female artists.

If you suspect you may own a Delaunay, please contact us.


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534--fabris.php Pietro Fabris Artwork Authentication & Art Appraisal

Pietro Fabris (1740-1792)

Get a Fabris Certificate of Authenticity for your painting (COA) for your Fabris drawing.

For all your Fabris artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Fabris Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fabris painting or drawing.

If you want to sell your Fabris painting or drawing use our selling services. We offer Fabris selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fabris and issuing certificates of authenticity since 2002. We are recognized Fabris experts and Fabris certified appraisers. We issue COAs and appraisals for all Fabris artworks.

Our Fabris paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fabris certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fabris painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fabris paintings or drawings take longer.

Our clients include Fabris collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pietro Fabris art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Pietro Fabris or we will sell it for you.

Fabris painting, Peasants Making Merry In A Landscape

Peasants Making Merry In A Landscape

Pietro Fabris was an 18th century Italian painter. Fabris generally painted landscapes with figures in the Italian countryside or near the Mediterranean.

Fabris painting, A Mediterranean Port Scene

A Mediterranean Port Scene

Fabris also painted many depictions of the famed Mt. Vesuvius erupting .

Fabris painting, Eruption Of Mt. Vesuvius

Eruption Of Mt. Vesuvius

Still wondering about an 18th century Italian landscape in your family collection? Contact us…it could be by Pietro Fabris.


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535--caraccciolo.php Giovanni Caracciolo Artwork Authentication & Art Appraisal

Giovanni Battista Caracciolo (1570 – 1637)

Get a Caracciolo Certificate of Authenticity for your painting (COA) for your Caracciolo drawing.

For all your Caracciolo artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Caracciolo Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Caracciolo painting or drawing.

If you want to sell your Caracciolo painting or drawing use our selling services. We offer Caracciolo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Caracciolo and issuing certificates of authenticity since 2002. We are recognized Caracciolo experts and Caracciolo certified appraisers. We issue COAs and appraisals for all Caracciolo artworks.

Our Caracciolo paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Caracciolo certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Caracciolo painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Caracciolo paintings or drawings take longer.

Our clients include Caracciolo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giovanni Caracciolo art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni Caracciolo or we will sell it for you.

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Flaegllation of Christ 1609

Giovanni Caracciolo was an Italian artist and important Neapolitan follower of Caravaggio. Caracciolo was born in Naples. Caravaggio arrived there in late 1606 after killing a man in a brawl in Rome. His stay in the city lasted only about eight months, with another brief visit in 1609/1610, yet his impact on artistic life there was profound. Caracciolo, only a few years younger than Caravaggio, was among the first there to adopt the startling new style with its sombre palette, dramatic tenebrism, and sculptural figures in a shallow picture plane defined by light rather than by perspective. Among the Neapolitan Caravaggisti were Giuseppe Ribera, Carlo Sellitto, Artemisia Gentileschi, and Caracciolo’s pupil, Mattia Preti, then early in his career.

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Sleeping Cupid

Among the earliest works showing the influence of Caravaggio was the Liberation of St Peter (1608-09), painted for the same church (Chiesa del Monte della Misericordia) and a couple of years after the master’s The Seven Acts of Mercy. His painting became more polished after a trip to Rome in 1614, by which time he had become the leader of the new Neapolitan school, dividing his time between religious subjects (altarpieces and, unusually for a Caravaggist, frescos) and paintings for private patrons.

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The Liberation of St. Peter 1608-1609

After 1618 he visited Genoa, Rome and Florence. In Rome he came under the influence of the revived Classicism of the Carracci cousins and the Emilian school, and began working towards a synthesis of their style with his own tenebrism – his Cupid, with its bravura handling of the red cloth, shows the influence of the Carracci synthesis. Back in Naples, he translated this into grandiose, wide-ranging scenes frescos including his masterpiece The Washing of the Feet of 1622, painted for the Certosa di San Martino. He also painted further works in Santa Maria La Nova and San Diego all Ospedaletto.

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Salome

Still wondering about an Italian painting in your family collection? Contact us…it could be by Giovanni Caracciolo.


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536--marquet.php Albert Marquet Artwork Authentication & Art Appraisal

Albert Marquet (1875-1947)

Get a Marquet Certificate of Authenticity for your painting (COA) for your Marquet drawing.

For all your Marquet artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Marquet Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Marquet painting or drawing.

If you want to sell your Marquet painting or drawing use our selling services. We offer Marquet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Marquet and issuing certificates of authenticity since 2002. We are recognized Marquet experts and Marquet certified appraisers. We issue COAs and appraisals for all Marquet artworks.

Our Marquet paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Marquet certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Marquet painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Marquet paintings or drawings take longer.

Our clients include Marquet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Albert Marquet art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Albert Marquet or we will sell it for you.

Albert Marquet was a Fauve painter born in the Bordeaux region of France. He attended the School of Decorative Arts in Paris and studied under Gustave Moreau at the early age of 15. Marquet also studied at the Ecole des Beaux-Arts and became friends with fellow painter Henri Matisse while they were both students. The two worked side-by-side decorating the halls of the Grand Palace for the Paris Exposition in 1900, and remained lifelong friends.

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Gulf View in Hornfleur, 1911

Unlike fellow Fauve painter Matisse, Marquet’s style of painting was more of an answer to anti-Impressionism. Marquet eventually broke away from Fauvism and created a style of his own, most likely because he did not value bright and intense color in the same way that his fellow Fauve painters did. While other painters were using pure, saturated color, Marquet was experimenting with gray scales and hues used by the Impressionists in some of his paintings.

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Bouquet Dans un Vase Bleu

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Quai des Augustins Sous la Neige

Once an established painter, Marquet painted what he liked, and not necessarily what society or artistic tastes of the day deemed fashionable. He was an introverted painter and kept to himself. During his early years as a Fauve painter, he created portraits, nudes, still life and more. He first exhibited with the Fauves in 1905 at the Salon d’Automne. Marquet was also a seasoned traveler and made trips to Russia, Holland and North Africa. He was truly a bohemian painter, and lived in a number of places around the world and only truly settled in Paris two years before his death.

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Beach at Fecamp

After a 1912 visit to Morocco with Matisse, primarily painted landscapes. Marquet would also change his materials in 1925 and abandoned almost all other mediums besides watercolor. During his travels, Marquet would frequent a number of places such as Venice, Tunisia, Naples and Algeria. Due to the fact that he traveled so much, a number of his paintings are of ports and exotic landscapes.

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Le Port de Algier

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Mosque of Laghonat

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Naples Le Voilier

From 1910 to 1914, Marquet briefly broke away from painting landscapes, and focused on nudes and interior brothel scenes. However, he eventually returned to landscapes, and continued to paint in the same style, fairly consistently, for the rest of his life, typically signing his work “Marquet” in cursive script on the front of his canvases.

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Nu En Buste Allonge

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Nude

Today, Marquet’s work is housed in public and private collections worldwide, and perhaps in your own home. Still wondering about a unique Fauvist landscape or figure study hanging in your home? Contact us… it could be by Albert Marquet.


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537--de-largilliere.php Nicolas de Largilliere Artwork Authentication & Art Appraisal

Nicolas de Largilliere (1656-1746)

Get a De Largilliere Certificate of Authenticity for your painting (COA) for your De Largilliere drawing.

For all your De Largilliere artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Largilliere Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Largilliere painting or drawing.

If you want to sell your De Largilliere painting or drawing use our selling services. We offer De Largilliere selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Largilliere and issuing certificates of authenticity since 2002. We are recognized De Largilliere experts and De Largilliere certified appraisers. We issue COAs and appraisals for all De Largilliere artworks.

Our De Largilliere paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Largilliere certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Largilliere painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Largilliere paintings or drawings take longer.

Our clients include De Largilliere collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Nicolas de Largilliere art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Nicolas de Largilliere or we will sell it for you.

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Self-Portrait

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Portrait of a Boy, 1710

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La Belle Strasbourgeoise

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Voltaire

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Peintre

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Louis-Urbain le Pelletier

Nicolas de Largilliere was an influential French academic portrait painter. Scholars believe that he painted nearly 2000 portraits, a massive accomplishment for any artist. He was born in Paris and trained in Antwerp and later set up a studio in London with Sir Peter Lely.

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Portrait of a Young Gentleman

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Study for Portrait of a Young Man

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Study for Hands

  De Largilliere specialized in portraits of non-aristocratic individuals, including writers, philosophers and musicians, although he did paint for the nobility as well. He became the director of the Academie Royale in 1686, and trained important later painters such as Jean-Baptiste Oudry.

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Louis XIV and His Heirs

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Family Portrait

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Adelaide de Gueidan and Her Younger Sister on a Cembalo

Still wondering about a late 17th century or early 18th century French painting in your family collection? Contact us…it could be by Nicolas de Largilliere.


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540--saint-aubin.php Gabriel-Jacques Saint-Aubin Artwork Authentication & Art Appraisal

Gabriel-Jacques Saint-Aubin (1724-1780)

Get a Saint-Aubin Certificate of Authenticity for your painting (COA) for your Saint-Aubin drawing.

For all your Saint-Aubin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Saint-Aubin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Saint-Aubin painting or drawing.

If you want to sell your Saint-Aubin painting or drawing use our selling services. We offer Saint-Aubin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Saint-Aubin and issuing certificates of authenticity since 2002. We are recognized Saint-Aubin experts and Saint-Aubin certified appraisers. We issue COAs and appraisals for all Saint-Aubin artworks.

Our Saint-Aubin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Saint-Aubin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Saint-Aubin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Saint-Aubin paintings or drawings take longer.

Our clients include Saint-Aubin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gabriel-Jacques Saint-Aubin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gabriel-Jacques Saint-Aubin or we will sell it for you.

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Street Scene in Paris, 1760, oil on canvas, National Gallery of Art, London, U.K.

Gabriel-Jacques Saint-Aubin (1724-80) was the most famous of the four artistic Saint-Aubins. He was a major representative of French Rococo, the prevalent style after Louis XIV’s death in 1715. This style was championed by the French nobility who left Versailles for Parisian townhouses or hotels in Paris after the Sun King (Louis XIV) died. Saint-Aubin is best known for his depictions of everyday life in Paris. In the picture above, the commedia dell’arte, featuring the characters Crispin and Harlequin is being performed on a wooden stage, pedestrians stop to enjoy it. Saint-Aubin is especially appreciated by art historians for his paintings of Paris Salons and other art shows.

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On the Shingle, 1883

He liked to travel and spent three months in Grenada with the painters Gerome and Pasini in 1883 and many of his paintings became classed as being of the school of Orientalism. He was throughout his life given many labels, Genre painter, Impressionist, Traditional Realist, Orientalist. It seems finally however that he chose to define himself. Following two trips to Tunisia in 1901 and 1904, he chose to settle there in 1905. He bought a Tunisian Palace called ‘Dar Ben Abdullah’ in the old part of the city and it is certainly the history of the area and a love of Islamic art that attracted him there.

He was to become the President of the Society of Tunisian Artists and following his death his palace became a centre for traditional Tunisian art and a regional museum.

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On the Beach at Treport

Albert Aublet’s work sells in the region of $5,000 to $30,000.


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541--rojas.php Cristobal Rojas Artwork Authentication & Art Appraisal

Cristobal Rojas (1857-1890)

Get a Rojas Certificate of Authenticity for your painting (COA) for your Rojas drawing.

For all your Rojas artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rojas Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rojas painting or drawing.

If you want to sell your Rojas painting or drawing use our selling services. We offer Rojas selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rojas and issuing certificates of authenticity since 2002. We are recognized Rojas experts and Rojas certified appraisers. We issue COAs and appraisals for all Rojas artworks.

Our Rojas paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rojas certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rojas painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rojas paintings or drawings take longer.

Our clients include Rojas collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Cristobal Rojas art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Cristobal Rojas or we will sell it for you.

Said to be one of the most important Venezuelan painters of the 19th century, Cristobal Rojas was not initially destined to become a great painter. The son of a doctor, Rojas enjoyed drawing as a boy, but at age 13, his father died and he had to work at a tobacco factory to support his family.

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The First and Last Communion, 1888

An 1876 earthquake flattened his home in Miranda, and his family moved to Caracas. Here, Rojas finally was able to study art at the Central University of Venezuela. Many of his first paintings depict the devastation in Miranda, and are done in oil. In his early years as a painter, Rojas also helped to decorate cathedrals around Caracas, working along Antonio Herrera Toro.

By 1884, Rojas was on his way to study in Paris on a scholarship. Inspired by works at the Louvre, Rojas dedicated himself to studying the old masters, which can be seen in his work. Specifically, Rojas’ work was greatly influenced by Rembrandt, as can be seen in his obvious use of chiaroscuro shading. Rojas also became friendly with some of the earliest Impressionists, and even took cues from Degas. This flirtation with Impressionism can clearly be seen in his 1887 self-portrait.

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Self-Portrait, 1887

During this time in Paris, the themes of Rojas’ work were heavily influenced by the writings of Dante, family and religious themes. During this time, he lived with fellow artist Emile Boggio and belonged to a group of Venezuelan artists that embraced Dutch styling. Boggio was particularly influential to Roja’s work during his style transition from early Latin American symbolism to more European styling, particularly while he was painting “Dante and Beatriz to the Borders of Leteo”.

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Dante and Beatriz to the Borders of Leteo, 1889

In 1890, Rojas’ health began to decline due to the onset of tuberculosis, and he had to return to Venezuela. Shortly after his return, he tragically died, very young and very early into his artistic career.

Rojas’s work is a strange collaboration of post-Romantic and Latin American symbolism. It can be assessed that his work pre-Paris (1876-1884) is consistently more favored to Latin American styling, and his work while living in Paris (1884-1890) is decidedly more influenced by European styles.

Although Rojas typically painted in oil, he also left a number of charcoal sketches behind.

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Sketch, 1890

Due to Rojas ever-evolving style (from Latin American symbolism to post-Romanticism, to Classical and Impressionism) his work can be extremely hard to authenticate for some. Even though his artistic career was relatively short-lived (13 years) he left behind a great legacy and remains one of the greatest Venezuelan artists of all time.

Today, Rojas work is housed in Venezuela and in public and private collections world wide. Rojas even had a school of design named in his honor in Caracas, Venezuela (The Cristobal Rojas School of Visual Arts).


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542--previtali.php Andrea Previtali Artwork Authentication & Art Appraisal

Andrea Previtali (1470-1528)

We Perform Andrea Previtali art authentication. Andrea Previtali appraisal. Andrea Previtali certificates of authenticity (COA). Andrea Previtali analysis, research, scientific tests, full art authentications. We will help you sell your Andrea Previtali or we will sell it for you.

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The Madonna and Child with a Donor

Andrea Previtali was an Italian painter of the Renaissance period, active mainly in Bergamo. He was a pupil of the painter Giovanni Bellini. In Bergamo, he painted a John the Baptist preaching with other saints (1515) for the church of Santo Spirito; a San Benedetto and other saints for cathedral, a Deposition from the Cross for Sant Andrea. Other works in Accademia Carrara. Still wondering about an Italian painting in your family collection? Contact us…it could be by Andrea Previtali.


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543--kobke.php Christen Kobke Artwork Authentication & Art Appraisal

Christen Kobke (1810-1848)

Get a Kobke Certificate of Authenticity for your painting (COA) for your Kobke drawing.

For all your Kobke artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kobke Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kobke painting or drawing.

If you want to sell your Kobke painting or drawing use our selling services. We offer Kobke selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kobke and issuing certificates of authenticity since 2002. We are recognized Kobke experts and Kobke certified appraisers. We issue COAs and appraisals for all Kobke artworks.

Our Kobke paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kobke certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kobke painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kobke paintings or drawings take longer.

Our clients include Kobke collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Christen Kobke art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Christen Kobke or we will sell it for you.

Kobke painting, Portrait of Frederik Sodring

Portrait of Frederik Sodring

Christen Kobke was a 19th century Danish painter. He was the son of a baker and entered the art school in Copenhagen in 1821 at the age of eleven. He studied there until 1831 and began to paint from nature in the Realist style. Kobke eventually became known for his paintings of Danish landmarks and historical buildings as well as of portraits of friends, family and fellow artists.

Kobke painting, Frederiksburg

Frederiksburg

Kobke traveled to Dresden and then to Italy where he painted a number of landscapes. These landscapes were met with little favor upon his return to Denmark , and though he was talented, found few commissions and little attention during his lifetime.

Kobke painting, Forum, Pompeii

Forum, Pompeii

Today, art scholars praise Kobke’s work as a landscape painter, and his compositions are housed worldwide. Still wondering about a 19th century Danish or Italian landscape in your family collection? Contact us…it could be by Christen Kobke.


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544--dillis.php Johann Georg von Dillis Artwork Authentication & Art Appraisal

Johann Georg von Dillis (also, Georg Maximillian Johann von Dillis) (1759-1841)

Johann Georg von Dillis art authentication. Johann Georg von Dillis appraisal. Johann Georg von Dillis certificates of authenticity (COA). Johann Georg von Dillis analysis, research, scientific tests, full art authentications. We will help you sell your Johann Georg von Dillis or we will sell it for you.

Dillis painting,Waterfalls in a Mountain Forest 1797

Waterfalls in a Mountain Forest 1797

Dillis painting,Tivoli

Tivoli

Johann Georg von Dillis was an 18th century German painter. He has been regarded by some art historians as one of the leading German painters of the late 18th and early 19th century. He was a master of both portraiture and traditional landscape painting, and also served as a professor at the Munich Academy.

Dillis painting,Landscape 1800

Landscape 1800

Dillis painting,Landscape with a River and Bridge

Landscape with a River and Bridge

Still wondering about an 18th century German painting in your family collection? Contact us…it could be by Johann Georg von Dillis.


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545--kobilca.php Ivana Kobilca Artwork Authentication & Art Appraisal

Ivana Kobilca (1861–1926)

Do you think you may own a painting by Ivana Kobilca?

Get a Kobilca Certificate of Authenticity for your painting (COA) for your Kobilca drawing.

For all your Kobilca artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kobilca Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kobilca painting or drawing.

If you want to sell your Kobilca painting or drawing use our selling services. We offer Kobilca selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kobilca and issuing certificates of authenticity since 2002. We are recognized Kobilca experts and Kobilca certified appraisers. We issue COAs and appraisals for all Kobilca artworks.

Our Kobilca paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kobilca certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kobilca painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kobilca paintings or drawings take longer.

Our clients include Kobilca collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ivana Kobilca art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ivana Kobilca or we will sell it for you.

1. Self-Portrait. Oil on canvas. 1910. National Gallery of Slovenia.

1. Self-Portrait. Oil on canvas. 1910. National Gallery of Slovenia.

2. Summer. 1889. Oil on Canvas.

2. Summer. 1889. Oil on Canvas.

Ivana Kobilca was a Slovenian painter born in Ljubljana. Kobilca is known as the most prominent female painter from Slovenia. As a young woman, Koblica travelled to Vienna, where she spent time studying and copying works at the Academy of Arts. Koblica then continued her studies in Munich. After completing her studies, Koblica began exhibiting her work across Europe, receiving praise in Germany and France among other countries.

3. Parisian with Letter. 1893. Oil on Canvas.

3. Parisian with Letter. 1893. Oil on Canvas.

Koblica produced a large number of portraits and genre scenes. Her early style was marked by realism, while her later work became more Impressionist. Most of her works were made with oils on canvas or pastels on paper.

4. Still Life with Plums. 1900. Oil on Canvas.

4. Still Life with Plums. 1900. Oil on Canvas.

Koblica is now a national icon of Slovenia. Her face has appeared on the national currency and many of her works are in the National Gallery of Slovenia.

5. Goose Herder (sketch). After 1900. Oil on Canvas.

5. Goose Herder (sketch). After 1900. Oil on Canvas.

If you think you may own original artwork by Ivana Kobilca, contact Art Certification Experts for information regarding our services.


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546--cesar.php Cesar Artwork Authentication & Art Appraisal

Cesar Baldaccini, AKA Cesar (1921-1998)

We Perform Cesar art authentication. Cesar appraisal. Cesar certificates of authenticity (COA). Cesar analysis, research, scientific tests, full art authentications. We will help you sell your Cesar or we will sell it for you.

A French assemblage sculptor, Cesar was one of the forerunners of “found art.” He was known to visit scrap yards and re-use car parts and other scrap metal. He would use these actual objects instead of what they were meant to represent.

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Self-Portrait, 1973

Cesar was born in Marseille and studied there at the Ecole des Beaux-Arts. He was born to an Italian father and a French mother, and grew up very poor. His childhood poverty forced him in a way to become creative, and it was in the junkyards where he found free or cheap materials. However, it wasn’t until the 1950s that he really began to work with metal and soldering, and in 1952 he created his first sculptures in steel.

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Scorpion Statue

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Poulette

The 1960s marked the height of his popularity, and his signature style had taken off among the Parisian social elite. His 1965 giant thumbs for the Tate Modern Museum in London.

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Gold Thumb

In 1970 he became the Studio Director of the Ecole Nationale des Beaux-Arts, and the following years he began creating jewelry and worked in Plexiglas.

While Cesar is best known for his work in scrap metal, his complete oeuvre is varied, as he experimented and worked in numerous mediums. Cesar would work in virtually anything he could find from cardboard to resin and of course, paper. He also worked as a designer, creating posters for strip clubs and saloons.

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Pink Poster

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Mural

Perhaps his best claim to fame would be that he designed the French film “Cesar” award, aptly named after the artist.

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French “Cesar” award

While Cesar remained prolific until his death in 1998, it is speculated that he didn’t have much of a hand in his later works. By this time, he had a team of artists working for him to complete his visions. Today, Cesar’s work can be found in a number of museums around the world, as well as throughout squares and gardens in Paris.

If you believe you own a work of art by Cesar, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Cesar.


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547--stothart.php Thomas Stothard Artwork Authentication & Art Appraisal

Thomas Stothard (1755 – 1834)

Get a Stothard Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Stothard artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Stothard Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Stothard painting, drawing or print.

If you want to sell your Stothard painting, drawing or print use our selling services. We offer Stothard selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Stothard and issuing certificates of authenticity since 2002. We are recognized Stothard experts and Stothard certified appraisers. We issue COAs and appraisals for all Stothard artworks.

Our Stothard paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Stothard certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Stothard painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Stothard paintings or drawings take longer.

Our clients include Stothard collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Thomas Stothard art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Thomas Stothard or we will sell it for you.

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Infancy

Thomas Stothard was an English painter and engraver. He was born in London, the son of a well-to-do innkeeper in Long Acre. Being a delicate child, he was sent at the age of five to a relative in Yorkshire, and attended school at Acomb, and afterwards at Tadcaster and at Ilford, Essex. Showing talent for drawing he was apprenticed to a draughtsman of patterns for brocaded silks in Spitalfields, and during his spare time he attempted illustrations for the works of his favourite poets. Some of these drawings were praised by Harrison, the editor of the Novelist’s Magazine. Stothard’s master having died, he resolved to devote himself to art.

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A Sailor Returns in Peace

In 1778 he became a student of the Royal Academy, of which he was elected associate in 1792 and full academician in 1794. In 1812 he was appointed librarian, having served as assistant for two years. Among his earliest book illustrations are plates engraved for Ossian and for Bell’s Poets; and in 1780 he became a regular contributor to the Novelist’s Magazine, for which he produced 148 designs, including his eleven illustrations to Peregrine Pickle and his graceful subjects from Clarissa and Sir Charles Grandison.

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“Thy Need is Greater than Mine”

From 1786, Thomas Fielding, a friend of Stothard’s and engraver, produced engravings using designs of Stothard, Angelika Kauffmann, and of his own. Arcadian scenes were especially esteemed. Fielding realized these in color, using copper engraving, and achieved excellent quality. Stothard’s designs had an exceptional aesthetic appeal.

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The Vintage

He designed plates for pocket-books, tickets for concerts, illustrations to almanacs, portraits of popular actors–into all these he infused a grace and distinction which make them sought after by collectors. Among his more important series are the two sets of illustrations to Robinson Crusoe, one for the New Magazine and one for Stockdale’s edition, and the plates to The Pilgrim’s Progress (1788), to Harding’s edition of Goldsmith’s Vicar of Wakefield (1792), to The Rape of the Lock (1798), to the works of Solomon Gessner (1802), to William Cowper’s Poems (1825), and to The Decameron; while his figure-subjects in the superb editions of Samuel Rogers’s Italy (1830) and Poems (1834) prove that even in old age his imagination was still fertile, and his hand firm. He is at his best in subjects of a domestic or a gracefully ideal sort; the heroic and the tragic were beyond his powers.

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Robinson Crusoe

The designs by Stothard were estimated by art historian Ralph Nicholson Wornum to number five thousand, and of these about three thousand have been engraved. His oil pictures are usually small in size. Their coloring is often rich and glowing, being founded upon the practice of Rubens, of whom Stothard was a great admirer. The “Vintage,” perhaps his most important oil painting, is in the National Gallery. He was a contributor to John Boydell’s Shakespeare Gallery, but his best-known painting is the “Procession of the Canterbury Pilgrims,” also in the National Gallery, the engraving from which, begun by Luigi and continued by Niccolo Schiavonetti and finished by James Heath, was immensely popular. The commission for this picture was given to Stothard by Robert Hartley Cromek, and was the cause of a quarrel with his friend William Blake. It was followed by a companion work, the “Flitch of Bacon,” which was drawn in sepia for the engraver but was never carried out in color.

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Robinson Crusoe Rediscovered

In addition to his easel pictures, Stothard decorated the grand staircase of Burghley House, near Stamford in Lincolnshire, with subjects of War, Intemperance, and the Descent of Orpheus in Hell (1799-1803); the mansion of Hafod, North Wales, with a series of scenes from Froissart and Monstrelet (1810); the cupola of the upper hall of the Advocates’ Library, Edinburgh (later occupied by the Signet Library), with Apollo and the Muses, and figures of poets, orators, etc. (1822); and he prepared designs for a frieze and other decorations for Buckingham Palace, which were not executed, owing to the death of George IV. He also designed the magnificent shield presented to the Duke of Wellington by the merchants of London, and executed with his own hand a series of eight etchings from the various subjects which adorned it. In the British Museum is a collection, in four volumes, of engravings of Stothard’s works, made by Robert Balmanno.

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The Meeting of Othello and Desdemona, 1799

Still wondering about a British engraving or painting in your family collection? Contact us…it could be by Thomas Stothard.


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549--filonov.php Pavel Filonov Artwork Authentication & Art Appraisal

Pavel Filonov (Павел Николаевич Филонов) (1883-1941)

Get a Filonov Certificate of Authenticity for your painting (COA) for your Filonov drawing.

For all your Filonov artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Filonov Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Filonov painting or drawing.

If you want to sell your Filonov painting or drawing use our selling services. We offer Filonov selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Filonov and issuing certificates of authenticity since 2002. We are recognized Filonov experts and Filonov certified appraisers. We issue COAs and appraisals for all Filonov artworks.

Our Filonov paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Filonov certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Filonov painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Filonov paintings or drawings take longer.

Our clients include Filonov collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pavel Filonov art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pavel Filonov or we will sell it for you.

Self-Portrait

Self-Portrait

Filonov was born in Moscow on January 8, 1883 (Gregorian calendar) or December 27, 1882 (Julian calendar). In 1897, he moved to St. Petersburg where he took art lessons. In 1908, he entered St. Petersburg Academy of Arts, from which he was expelled in 1910.In 1910-1914, he took part in the arts group Soyuz Molodyozhi created by artists Elena Guro and Mikhail Matyushin. In 1912, he wrote the article The Canon and the Law, in which he formulated the principles of analytical realism, or “anti-Cubism”. According to Filonov, Cubism represents objects using elements of their surface geometry but “analytical realists” should represent objects using elements of their inner soul. He was faithful to these principles for the remainder of his life.

The Holy Family 1914

The Holy Family 1914

During the years 1913 to 1915, Filonov was close to Vladimir Mayakovsky, Velimir Khlebnikov, and other futurists. In the autumn of 1916, he enlisted for service in World War I and served on the Romanian front. Filonov participated actively in the Russian Revolution of 1917 and served as the Chairman of the Revolutionary War Committee of Dunay region.

Portrait of the Artists Sister 1915

Portrait of the Artists Sister 1915

In 1919, he exhibited in the First Free Exhibit of Artists of All Trends at the Hermitage. In 1923, he became a professor of St. Petersburg Academy of Arts and a member of the Institute for Artistic Culture (INKhUK). He organized a large arts school of Masters of Analytical Realism (over seventy artists). Their work influenced suprematism and expressionism.

Man and Woman, Adam and Eve 1912-1913

Man and Woman, Adam and Eve 1912-1913

In 1929, a large retrospective exhibition of Filonov art was planned at the Russian Museum; however, the Soviet government forbade the exhibition from going forward. From 1932 onward, Filonov literally starved but still refused to sell his works to private collectors. He wanted to give all his works to the Russian Museum as a gift so as to start a Museum of Analytical Realism. He died of starvation on December 3, 1941 during the Siege of Leningrad.

Banquet of Kings 1913

Banquet of Kings 1913

Under the umbrella of Universal Flowering, Filonov put forth a manner of working that proceeded from the particular to the general. He believed that objects and fields should be built up from small details and bits and stated that doing it the other-way-round was nothing short of “charlatanism”. To this end, he worked, and required his students to work, with very small brushes in painting and the finest of points when drawing. Most of Filonov’s works were saved by his sister Yevdokiya Nikolayevna Glebova. She stored the paintings in the Russian Museum’s archives and eventually donated them as a gift. Exhibitions of Filonov’s work were forbidden. In 1967, an exhibition of Filonov’s works in Novosibirsk was permitted. In 1988, his work was allowed in the Russian Museum. In 1989 and 1990, the first international exhibition of Filonov’s work was held in Paris.

Animals 1930

Animals 1930

During the period of half-legal status of Filonov’s works it was seemingly easy to steal them; however, there was a legend that Filonov’s ghost protected his art and anybody trying to steal his paintings or to smuggle them abroad would soon die, become paralyzed, or have a similar misfortune. Still wondering about an early 20th century Russian painting in your family collection? Contact us…it could be by Pavel Filonov.


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550--guttero-espaniol.php Alfredo Guttero Artwork Authentication & Art Appraisal

Alfredo Guttero (1882-1932)

We Perform Francois Gall art authentication. Francois Gall appraisal. Francois Gall certificates of authenticity (COA). Francois Gall analysis, research, scientific tests , full art authentications. We will help you sell your Francois Gall or we will sell it for you.

Alfredo Guttero art authentication. Alfredo Guttero appraisal Alfredo Guttero certificates of authenticity (COA). Alfredo Guttero analysis, research, scientific tests, full art authentications. We will help you sell your Alfredo Guttero or we will sell it for you.

Guttero, Lazy Women

Lazy Women

Guttero, Portrait of Alberto

Portrait of Alberto

Alfredo Guttero was an Argentine artist born at the end of the 19th century who could not leave aside the Modernism that took place up until the first decade of the following century. This movement that was a combination between technique and art that appeared at the same time in different European countries and in the United States had many points of contact with regard to the style, in spite of different stands.

Probably Guttero was the Argentine plastic artist much more motivated to faithfully capture the Modernism techniques in his work, because Guttero could observe the evolution of this movement directly during his long stay in Europe between 1904 and 1927. Thus the drawings of his characters appear in static attitudes. Nevertheless the intention of initiating certain movements is also expressed, bringing them precisely to the kinetic thing. His work would then be identified with the participation in the cinema art of remarkable development since the end of the 19th century. These characters could be well observed in “Feria” (Fair)” Fair” or “La Feria” (The Fair) (1929). Also in his painting “Bathers or Florentine Bathers”(1925) where the movement is insinuated by the tracing of the waves as a slightly perceptible detail so as not to be immediately noticed. This picture specially remarks naturalism in the sensual attitudes of the bathers in full suits emphasizing realistic details like the wet clothes stuck on the rounded shapes of their bodies and the noticeable hair in the armpits of the women.

Guttero, The Announcement

The Announcement

Guttero, Ligure Baggers, 1926

Ligure Baggers, 1926

The portraits, specially men portraits (Guttero seems to be mostly interested in the masculine psychology), fully represent the melancholy. They are Fitzgerald-men, languid men with an ambiguous sexuality. When we analyze Lucien Cavarry’s portrait, we observe that the musician is leaned on an armchair, his cadaverous arms hanging inert like the needles of a clock stopped at nine thirty. The pink and violet color of his skin, and the deep circles around his eyes insinuate he might be ill. The strange white of his suit, between contamination and perversion, demonstrates that Guttero’s paintings with people using clothes are much more sexy than those of nude people. Also the portrait of Alberto Candioti, Argentine diplomatic in Italy,where Guttero paints the man in a boastful attitude, almost a metaphysical count. He uses a conceited black cap with the volume and the gravity of the mountains and a monocle that seems to muddy rather than to clarify his vision.

But with regard to women, the relation of Guttero with them is different. The artist tends to keep certain distance. Sometimes he paints them like sketches of his ideas, almost like molds or stereotypes; and sometimes Guttero shows them with an arrogant attitude like his “Georgelina”, with distrust mounted on the fallen eyelids, the black bow of her hat that becomes a way and the minimal smile of her lips.

Guttero, Florentine Bathers

Florentine Bathers

Guttero, Women facing the sea

Women facing the sea

The artist clearly identifies himself by using the colors imagined by us to represent the elements of technology of that time. This is evident in a series of landscapes of the twenties and the thirties. These landscapes show port zones with predominance of industrial buildings of impersonal architecture and other innovative elements of technology. The planes transmit a cold sensation with predominance of straight lines forming squared surfaces, with only the appearance of a solitary tree. An example is the “El Arroyo Vega” (1930) (“The Vega Creek”) for the exquisite and graceful composition of riders on celestial animals crossing upon the round arch bridge thus achieving a fantasy scene of “naive ” art which is not to be seen in other pieces of Guttero.

But Guttero is also the artist of textures. His paintings are made with oily pencil, oil, tempera and cooked plasters, this latter technique invented by the artist. This cooked plaster is a mixture of plaster paste and pigments joined with glue that the artist generally applied on wood panels.

Guttero, The boat on the river

The boat on the river

Guttero, Suburb

Suburb

Between 1927 and 1932, year of his sudden death, Alfredo Guttero took part in an intensively managed many exhibitions and other activities that dramatically impacted the Argentine cultural life. Besides he actively continued with the production and exhibition of works of art. In 1931 Guttero took part in the First Baltimore Pan-American Exhibition of Contemporary Paintings where he was awarded with the Museum of Art prize for his painting Annunciation ” (“The Announcement”). In 1932 Guttero achieved the First Municipal Prize with his work “Oda” (“The Ode”). He died when he was fifty years old.

Still wondering about that Argentine painting in your family collection? Contact us…we are the Alfredo Guttero experts.

Guttero, Georgelina, 1915

Georgelina, 1915

Guttero, Venus of River Plate 1928

Venus of River Plate 1928

Guttero, Figure

Figure

Guttero, The Market

The Market

Guttero, Portrait of Lucien de Cavarry , 1911

Portrait of Lucien de Cavarry , 1911

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552--matta.php Roberto Matta Artwork Authentication & Art Appraisal

Roberto Matta (1911-2002)

Do you think you may own a painting by Roberto Matta?

Get a Matta Certificate of Authenticity for your painting (COA) for your Matta drawing.

For all your Matta artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Matta Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Matta painting or drawing.

If you want to sell your Matta painting or drawing use our selling services. We offer Matta selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Matta and issuing certificates of authenticity since 2002. We are recognized Matta experts and Matta certified appraisers. We issue COAs and appraisals for all Matta artworks.

Our Matta paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Matta certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Matta painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Matta paintings or drawings take longer.

Our clients include Matta collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Roberto Matta art authentication, appraisal. certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Roberto Matta or we will sell it for you.

La Mela 1951

La Mela 1951

Roberto Matta was a Surrealist Chilean artist born in Santiago, notably on 11/11/1911. Typically known just as “Matta,” he is perhaps Chile’s best-known and most famous artist, though he did not typically think of himself as a “Latin American” artist. Matta became a French citizen in the 1960’s and was even awarded the Nobel Prize in Art in 1995. Matta became well known for his cosmic Surrealist landscapes and paintings of space, as well as his use of political and social imagery within his compositions.

Dark Light 1940

Dark Light 1940

Rocks 1940

Rocks 1940

Years of Fear 1941

Years of Fear 1941

Matta initially studied architecture at the Catholic university in Santiago, however a 1933 trip to Paris landed him in the studio of Le Corbusier. He worked there in Paris at the famous architects’ studio as a draftsman for two years. During this time, Matta traveled to Spain to visit his Aunt and during his visit, became friends with fellow Chilean and poet Pablo Neruda. Through Neruda, Matta was introduced to Andre Breton and Salvador Dali—thus his lifelong love affair with Surrealist art began.

Endless Muse 1940

Endless Muse 1940

Matta worked in London briefly in 1936 and in 1937 Breton invited Matta to join the Surrealists. In 1938, Matta began creating drawings for the Surrealist publication “Minotaure.”

Space Travel 1938

Space Travel 1938

Much like the also popular Futurists of the time, Matta’s work was focused on movement as well as the fruits of progress, like machinery and high-tech imagery. During this time he was mainly creating drawings, however, in 1938 Matta slowly began to create more and more paintings while he was staying in Brittany. One of his first and most important oil compositions “Invasion of the Night” 1940 gained Matta great acclaim. “Invasion of the Night” also served as a pre-cursor to the work he would continue to create, using diffused light and colorful, and featureless backgrounds.

Invasion of the Night 1940

Invasion of the Night 1940

Elle Loge la Folie 1970

Elle Loge la Folie 1970

The onset of World War II forced Matta to flee from Europe during his switch from sketching to painting, and in 1938, he moved to New York. Matta did not exhibit in the United States until 1940 when he had his first show at the Julian Levy Gallery in New York City. Matta continued to work and live in the United States until 1948, and lived between South America and Europe through the 1960’s where he had homes in London, Paris and Rome.

Maternity 1960

Maternity 1960

There are many different themes that can clearly be seen in Matta’s work throughout the decades. In the 1940’s and 1950’s, his compositions reflected his ideas about politics.

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La Femme Affamee 1945

It's a Pity 1946

It’s a Pity 1946

Joueurs d'echecs 1954

Joueurs d’echecs 1954

By the 1960’s, Matta’s bold infusion of clay onto his canvas gave his already Surrealist paintings even more dimensions. In the 1960’s, Matta would again return to politically themed compositions, focusing on themes like Vietnam, the American Civil Rights struggle and the Spanish Civil War.

Death in the Afternoon 1965

Death in the Afternoon 1965

untitled 1965

untitled 1965

During this time, a shift can also be seen in his style. While he continued to paint in the Surrealist style, he also began to emphasize the idea of “automatism.” This idea of automatism, popular among the Surrealists, encouraged the artist to abandon conscious control of their compositions, thus creating spontaneous imagery and letting the subconscious lead. Much later in his career, from the 1990’s until his death in 2002, Matta created mainly aquatint etchings featuring sexual themes, as well as sculptures and ceramics and even a few large scale canvases.

Morphology du Ciel 1996

Morphology du Ciel 1996

Fleur en Fleur 1997

Fleur en Fleur 1997

Untitled 1997

Untitled 1997

Though Matta was essentially expelled from the Surrealists in 1947 after a fight with Breton, he was truly one of the most experimental artists in the group. He would combine natural, organic elements with otherworldly life forms, machinery and strange creatures all in a cosmic landscape. Most of all, Matta experimented with Abstract forms within his Surrealist compositions. Despite the fact that he was no longer officially belonged to the Surrealist group, he continued to paint in that style his entire career. Art critics have said that Matta’s work can be divided into two different sections; apocalyptic painting and cosmic painting. Matta also stands out from any of the other Surrealists because his themes are political and social in nature, while most other Surrealists dealt with dreams and the psyche.

Etre Ave 1945

Etre Ave 1945

Les Roses sont Belles: 1951

Les Roses sont Belles: 1951

Pecador Justificado 1952

Pecador Justificado 1952

A self-described “wanderer,” Matta traveled and lived practically all over the world. Despite living and working all over South America, North America and Europe, he also traveled to Russia, Cuba and Scandanavia. Because he was so well traveled, the likelihood of a newly discovered Matta original surfacing on any of these continents is very great. Sketches, paintings, aquatints, etchings, sculptures, drawings and more are all likely mediums that this highly prolific artist used.

The Clown 1934

The Clown 1934

Rain 1941

Rain 1941

Contra Vosotros Asesinos de Palomas 1950

Contra Vosotros Asesinos de Palomas 1950

Tout le Gout 1960

Tout le Gout 1960

Blotti Sous L'escorpion 1970

Blotti Sous L’escorpion 1970

L'Ultima Cena 1985

L’Ultima Cena 1985

N'abolira 1990

N’abolira 1990

Still wondering about a cosmic Surrealist painting hanging in your home? It could be by Roberto Matta…contact us to find out.


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554--rubens-francais.php Pierre Paul Rubens Artwork Authentication & Art Appraisal

Pierre Paul Rubens, 1577-1640, Belge

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>Autoportrait (1623)

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Autoportrait, Rubens et Isabella Brant dans le chèvrefeuille 1609 Huile sur toile 178 x 136,5 cm

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Portrait équestre du duc de Lerma 1603 Musée du Prado, Madrid

Pierre Paul Rubens était un peintre baroque flamand de l’école d’Anvers, représentant artistique de la Contre-Réforme catholique. Connu pour ses nombreux portraits de commande, il a surtout travaillé à des projets monumentaux et à des séries religieuses, mythologiques ou historiques. Il occupait également des fonctions diplomatiques, une position sociale privilégiée pour un artiste.

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Vierge à l’enfant adoré par les anges 1608 425 x 250 cm Santa Maria à Vallicella

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Infante Isabella Clara Eugenia 1615 105 x 74 centimètres Kunsthistorisches Museum, Vienne

Né à Siegen d’un avocat prospère qui s’était vu forcé d’abjurer la foi protestante, Rubens a reçu une éducation classique. C’est chez sa marraine, la comtesse Christine d’Épinoy, qu’il a découvert des Véronèse qu’il s’entraînait à copier. Âgé de quatorze ans, il fut alors placé en apprentissage chez plusieurs peintres éminents. En 1598, il intègra la guilde de Saint-Luc comme maître indépendant.

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Élévation de la croix 1610-1611
Panneau central 462 x 341
Cathédrale Notre-Dame d’Anvers

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Prométhée lié 1611-12
Huile sur toile 243,5 x 209,5 cm
Musée d’art de Philadelphie

En 1600, Rubens partit vivre huit ans en Italie. Il s’y est inspiré des toiles de la Renaissance. Là, il a copié les œuvres du Titien, de Raphaël, du Caravage, avant de devenir peintre de cour au service du duc Vincent de Gonzague. Ce fut durant son séjour à Rome qu’il a exécuté son premier chef-d’œuvre, Sainte-Hélène à la Vraie Croix.

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Exchange of the Princesses 1622-1625
Oil on Canvas 394 x 295 cm
Musée du Louvre, Paris

Envoyé en mission diplomatique à la cour de Philippe III, il a réalisé un Portrait équestre du duc de Lerme (1603) dont les couleurs fougueuses trahissent les influences du Titien ainsi que du Caravage. De retour en Italie, il a produit de nombreux portraits, tels que le Portrait de Maria Serra Pallavicino, qui a influencé ses successeurs, de Van Dyck à Gainsborough. De 1606 à 1608, à Rome, il a effectué sa plus grande œuvre de commande pour le maître-autel de l’église Chiesa Nuova. Cette toile représente le Pape Grégoire le Grand entouré de saints adorant une icône de la Vierge à l’enfant.

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Adam et Eve Première moitié du 17e siècle
Huile sur toile 237 x 184 cm
Musée du Prado, Madrid

C’était un homme polyglotte et marqué par l’influence italienne qui revint à Anvers en 1608. Jusqu’en 1621, il fut peintre officiel de la cour d’Albert. Il travailla également dans son propre atelier dont le succès lança l’école d’Anvers. En 1609, il avait épousé Isabella Brant, fille d’un influent humaniste, ce qui contribua à asseoir d’autant plus sa position sociale. Son influence artistique marquée par la force de la couleur, source de sensations, l’a placé au centre d’une querelle picturale qui n’était pas sans rappeler celle des anciens et des modernes : d’un côté, les adeptes de la couleur, de l’autre, les disciples de Poussin, préférant la perfection de la forme.

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Portrait d’Helen Fourment 1638
Huile sur bois 176 x 83 cm
Musée Kunsthistorisches

Il a accueilli et formé de nombreux élèves dans son atelier, la Rubenshuis, dont Van Dyck. Cette période a notamment vu la réalisation de L’Érection de la Croix (1610), considérée comme le premier exemple d’art religieux baroque.

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Vénus au miroir 1615
Huile sur toile

Peintre de cour sous l’infante Isabelle d’Autriche, il a réalisé la série des Médicis, deux grands cycles allégoriques. Ce fut durant un séjour à Londres qu’il exécuta L’Allégorie sur les bénédictions de la paix (1629), tableau qu’il a offert à Charles Ier, dans l’espoir d’un futur plus pacifique.

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Massacre des Innocents 1611-12
Huile sur toile
Musée des beaux-arts de l’Ontario

Les dix dernières années de sa vie se déroulèrent à Anvers, et furent marquées par des œuvres plus intimistes ou par des paysages. Sa seconde épouse, Hélène Fourment, lui inspira ces personnages aux formes généreuses qui sont encore à l’heure actuelle sa marque de fabrique, comme dans Les Trois grâces. Il décéda après une crise de goutte, en 1640.


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555--peale-raphaelle.php Raphaelle Peale Artwork Authentication & Art Appraisal

Raphaelle Peale (1774-1825)

Do you think you may own a painting by Raphaelle Peale?

We Perform Raphaelle Peale art authentication. Raphaelle Peale appraisal. Raphaelle Peale certificates of authenticity (COA). Raphaelle Peale analysis, research, scientific tests, full art authentications. We will help you sell your Raphaelle Peale or we will sell it for you.

Enter Raphaelle Peale, portrait by Charles Willson Peale, the artists father

Enter Raphaelle Peale, portrait by Charles Willson Peale, the artists father

Raphaelle Peale was an early American artist and the first son of famous artist Charles Willson Peale. Peale grew up in Annapolis, Maryland and was taught how to paint by his father. By 1804, Peale began to travel all over the known states and worked mostly in Philadelphia and Baltimore.

Martha Sellman Welch 1820

Martha Sellman Welch 1820

Along with his brother, fellow painter Rembrandt, Peale traveled to the southern states as a young man. Peale painted miniatures while his brother painted full sized portraits, visiting both Charleston and Savannah.

Absalom Jones, 1810

Absalom Jones, 1810

By 1815, Peale’s health began to decline, and so did his portrait paintings. From then until his death in 1825 he devoted himself to still life paintings, only painting portraits again during his 1820 visit to Maryland. His still life paintings were often very realistic looking, and his use of light was brilliant, like on the apple in “Still Life with Cake.”

Still Life with Cake

Still Life with Cake

The majority of his still life paintings are typical fruit and vegetable on a table composition, incorporating other elements like books and flowers. Many art historians consider Raphaelle Peale to be the first professional American still life painter.

A Dessert 1814

A Dessert 1814

Still Life with Orange and Book

Still Life with Orange and Book

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Still Life with Strawberries and Nuts

Watermelons and Morning Glories

Watermelons and Morning Glories

While Peale’s portraits were just as beautiful as any other painters’ at the time, it was truly his still life paintings that set him apart from all the rest. One of Peale’s most famous paintings of a sheet shows his true mastery of detail and textures. Titled both “Venus Rising from the Sea-A Deception” and also “After the Bath,” this 1822 still life is almost photographic and shows the detailed folds of a sheet. This sheet conceals a bather and only the foot and arm of the bather (Venus) are in view.

Venus Rising from the Sea-A Deception 1822

Venus Rising from the Sea-A Deception 1822

Peale also was fond of depicting peaches in his still life compositions, a result perhaps from his visit to Savannah.

Still Life with Peach

Still Life with Peach

A Bowl of Peaches

A Bowl of Peaches

Basket of Peaches

Basket of Peaches

Today, Peale’s work is housed all over New England and owned in private and public collections. His unknown works could be anywhere from as far south as Georgia all the way north to Maryland. Still wondering about an early American still life painting hanging in your family’s estate? Contact us…it could be by Raphaelle Peale.


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556--dewing.php Thomas Wilmer Dewing Artwork Authentication & Art Appraisal

Thomas Wilmer Dewing (1851-1938)

Get a Dewing Certificate of Authenticity for your painting (COA) for your Dewing drawing.

For all your Dewing artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dewing Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dewing painting or drawing.

If you want to sell your Dewing painting or drawing use our selling services. We offer Dewing selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dewing and issuing certificates of authenticity since 2002. We are recognized Dewing experts and Dewing certified appraisers. We issue COAs and appraisals for all Dewing artworks.

Our Dewing paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dewing certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dewing painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dewing paintings or drawings take longer.

Our clients include Dewing collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Thomas Wilmer Dewing art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Thomas Wilmer Dewing or we will sell it for you.

Dewing, 1890

Dewing, 1890

Dewing, Lady in Yellow

Lady in Yellow

Thomas Wilmer Dewing was an American artist born in Newton Lower Falls, Massachusetts. Dewing attended the Académie Julian in Paris before settling in New York City. Dewing often painted the female figure in interior settings. Dewing’s figures were often playing instruments such as the lute or piano, in an elegant, interior setting.

Dewing, The Song

The Song

Dewing, Girl with Lute

Girl with Lute

Dewing is known as a “tonalist” painter, a genre that emphasizes atmosphere and shadow rather than narrative. While Dewing was successful, tonalism quickly faded from the art scene as abstraction became more popular.

Dewing, The Gossip

The Gossip

Dewing was also associated with the American Impressionist painters. Dewing belonged to the Ten American Painters, a group that formed out of the Society of American Artists. Dewing spent most f his time in New York, but spent summers working in New Hampshire at the Cornish Art Colony. The rural setting of Cornish greatly inspired Dewing’s landscape paintings. It was important for Dewing to get out of the city in able to paint plein-air paintings. Dewing would return to New York in the fall with a renewed spirit, ready to exhibit his work. Dewing was able to make a lot of connections through his wife, Maria Oakey Downing, who was also a well-known painter in New York City.

Dewing, The Lute

The Lute

In the past decade tonalist paintings have become more desirable again, which has raised the value and popularity of Dewing’s work. Dewing’s paintings are in numerous private collections and museums across the United States. A large number of Dewing’s painting are now belong to the Smithsonian Institute in Washington DC.

Dewing, The Piano

The Piano

Do you think you own a painting by Thomas Wilmer Dewing? Contact us. We are the Thomas Wilmer Dewing experts.


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557--genga.php Girolamo Genga Artwork Authentication & Art Appraisal

Girolamo Genga (1476 – 1551)

Get a Genga Certificate of Authenticity for your painting or a COA for your Genga drawing or sculpture.

For all your Genga artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Genga Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Genga painting, drawing or sculpture.

If you want to sell your Genga painting, drawing or sculpture use our selling services. We offer Genga selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Genga and issuing certificates of authenticity since 2002. We are recognized Genga experts and Genga certified appraisers. We issue COAs and appraisals for all Genga artworks.

Our Genga paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Genga certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Genga painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Genga paintings, drawings or sculpture take longer.

Our clients include Genga collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Girolamo Genga art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Girolamo Genga or we will sell it for you.

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The Martyrdom of St. Sebastian

Girolamo Genga was an Italian painter and architect of the late Renaissance, Mannerist style. Genga was born near Urbino. According mainly to Giorgio Vasari’s biography, by age thirteen Genga had gained an apprenticeship in Orvieto under Luca Signorelli. He was afterwards for three years with Pietro Perugino, in company with Raphael. He next worked in Florence and Siena(where he decorated the Petrucci palace c. 1508), along with Timoteo della Vite; and in the latter city he painted various compositions for Pandolfo Petrucci, a leading local statesman.

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Annunciation

Returning to Urbino, he was employed by Duke Guidobaldo da Montefeltro in the decorations of his palace, and showed extraordinary aptitude for theatrical adornments. He is recorded as having help design the decorations for the Duke’s funeral in 1508. From Urbino, he went to Rome and painted church of Santa Caterina da Siena one of his masterpieces: The Resurrection.

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Madonna and Child

Francesco Maria I della Rovere, duke of Urbino, recalled Genga, and commissioned him to execute works in connection with his marriage to Eleonora Gonzaga in 1522. This prince being soon afterwards expelled by Pope Leo X, Genga followed him to Mantua, whence he went for a time to Pesaro. The duke of Urbino was eventually restored to his dominions; he took Genga with him, and appointed him the ducal architect and decorator. He worked extensively on the Villa Imperiale on Mount Accio

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Three Male Nudes

Among his work in Urbino, was the scenography of plays, for example, Castiglione described the sumptuous decoration (presumably Genga’s) of the performance of Bibbiena’s La Calandria in Urbino on 6 February of 1513. He also decorated the chapel of San Martino in the cathedral.

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A Jesse Tree 1535

Genga was a sculptor as well as a musician. Among his pupils were Francesco Menzocchi, Raffaellino del Colle, Agnolo Bronzino, and Dosso Dossi. His own son Bartolommeo (1518-1558) became a respected architect. There are few extant paintings or Genga. One of his leading works is in the church of S. Agostino in Cesena: a triptych in oil, representing the Annunciation, God the Father in Glory, and the Madonna and Child. Among his architectural labors are the church of San Giovanni Battista in Pesaro; the bishop’s palace at Senigallia; the façade of the cathedral of Mantua, ranking high among the productions of the 16th century; and fortifications near Pesaro. Genga retired to a house in the vicinity of Urbino, continuing still to produce designs in pencil.

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The Flight of Aeneas from Troy 1507-1510

Still wondering about an Italian painting in your family collection? Contact us…it could be by Girolamo Genga.


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558--balthus.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "balthus" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "balthus" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
559--del-vaga.php Perino del Vaga Artwork Authentication & Art Appraisal

Perino del Vaga (1501-1547)

Get a Del Vaga Certificate of Authenticity for your painting (COA) for your Del Vaga drawing.

For all your Del Vaga artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Del Vaga Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Del Vaga painting or drawing.

If you want to sell your Del Vaga painting or drawing use our selling services. We offer Del Vaga selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Del Vaga and issuing certificates of authenticity since 2002. We are recognized Del Vaga experts and Del Vaga certified appraisers. We issue COAs and appraisals for all Del Vaga artworks.

Our Del Vaga paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Del Vaga certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Del Vaga painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Del Vaga paintings or drawings take longer.

Our clients include Del Vaga collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Perino Del Vaga art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Perino Del Vaga or we will sell it for you.

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Mother and Child

Perino del Vaga or Perin del Vaga is the nickname of Piero Buonaccorsi, an Italian painter of the Late Renaissance/Mannerism. His father ruined himself by gambling, and became a soldier in the invading army of Charles VIII. His mother died when he was but two months old; but shortly afterwards he was taken up by his father’s second wife. Perino was first apprenticed to a druggist, but soon passed into the hands of a mediocre painter, Andrea da Ceri, and when eleven years of age, of Ridolfo Ghirlandajo.

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The Holy Family 1540

Perino was one of Ghirlandaio’s most talented pupils. Another mediocre painter, Vaga from Toscanella, undertook to settle the boy in Rome. Perino, when he at last reached Rome, was utterly poor, and with no clear prospect beyond journey-work for trading decorators. He was eventually entrusted with some of the subordinate work undertaken by Raphael in the Vatican. He assisted Giovanni da Udine in the stucco and arabesque decorations of the Loggie Vaticane, and executed some of those small but finely composed scriptural subjects which go by the name of Raphael’s Bible, Raphael himself furnishing the designs.

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Sketch of Women

Perino’s examples are: Abraham and Isaac, Jacob wrestling with the Angel, Joseph and his Brothers, the Hebrews crossing the Jordan, Fall and Capture of Jericho, Joshua commanding Sun to stand still, Birth of Christ, Baptism and the Last Supper. Some of these are in bronze-tint, while others are in full color. He also painted, after Raphael’s drawings, figures of the planets in the great hall of the Appartamenti Borgia. Perino was soon regarded as his major assistant, second only to Giulio Romano.

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Tarquinius Superbus Founds the Temple of Jove in the Capital, Fresco

To Raphael himself he was always exceedingly attentive. His solo works in the city include the hall of Palazzo Baldassini (1520-1522), a noble building in the center of the city, and the Pietà in the church of Santo Stefano del Cacco.

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La Carita Romana, Fresco

After Raphael’s death in 1520 and the plague of 1523, a troubled period ensued for Perino. He returned to Florence, and befriended Rosso Fiorentino and executed an admirable design of 10,000 Martyrs (now lost).

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Adoration of the Child 1534

In 1527 Andrea Doria invited Perin to Genova to decorate the Palace of Fassolo, where he also executed numerous altarpieces and designs for tapestries. Perino accepted an invitation to Genoa, to help design decorate the newly rebuilt Palazzo del Principe for Andrea Doria. Fresco decoration began in 1529, starting with a now destroyed Quos Egos from the Aeneid. rapidly founded a quasi-Roman school of art in the Ligurian city. He ornamented the palace in a style similar to that of Giulio Romano in the Mantuan Palazzo del Te, and frescoed historical and mythological subjects in the apartments, fanciful and graceful arabesque work with sculptural and architectural details. Among the principal works are: the War between the Gods and Giants, Horatius Codes defending the Bridge, and the Fortitude of Mutius Scaevola. The most important work of all, the Shipwreck of Acneas, is no longer extant. From Genoa Perino twice visited Pisa, and began some painting in the cathedral.

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Study for a Dead Christ, the Louvre

A year later he returned to Rome and frescoed the Pucci Chapel in the Trinità dei Monti. Pope Paul III granted him a regular salary. He retouched many works of Raphael. He painted the decoration for the Paoline Chapel and other halls of Castel Sant’Angelo, some frescoes in the church of San Marcello, a monochrome in the Stanza della Segnatura in the Vatican and a cartoon of the Sistine Chapel.

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The Holy Family with St. John The Baptist, unfinished

Perino was engaged in the general decoration of the Sala Reale, begun by Paul III when he died on the 19th of October 1547. He is buried in the Pantheon. His work in the Castel Sant’Angelo was continued by his student Pellegrino Tibaldi

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The Goddess Roma, Sketch

Del Vaga’s style was renowned for his vitality and elegance. His paintings are considered important in the mediation between the Roman Raphaelesque tradition and the first Florentine Mannerism. He combined the manners of Raphael and Andrea del Sarto. Many of his works were engraved, even in his own lifetime. Daniele da Volterra, Girolamo Siciolante da Sermoneta, Luzio Romano and Marcello Venusti (Mantovano) were among his principal assistants.

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The Holy Family

Still wondering about an Italian painting in your family collection? Contact us…it could be by Perino del Vaga.


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560--allen.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "allen" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "allen" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
561--camoin.php Charles Camoin Artwork Authentication & Art Appraisal

Charles Camoin (1879-1965)

Get a Camoin Certificate of Authenticity for your painting (COA) for your Camoin drawing.

For all your Camoin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Camoin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Camoin painting or drawing.

If you want to sell your Camoin painting or drawing use our selling services. We offer Camoin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Camoin and issuing certificates of authenticity since 2002. We are recognized Camoin experts and Camoin certified appraisers. We issue COAs and appraisals for all Camoin artworks.

Our Camoin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Camoin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Camoin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Camoin paintings or drawings take longer.

Our clients include Camoin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles Camoin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles Camoin or we will sell it for you.

Born in Marseille, Charles Camoin lost his father at an early age and was raised by his mother. Although she traveled often while he was a child, Camoin’s artistic training did not suffer. He was able to begin his studies at sixteen at the Ecole Des Beaux Arts in Marseille. During this time Camoin was also attending the Ecole de Commerce. He would later transfer to the Ecole Des Beaux Arts in Paris where he studied under Gustave Moreau in 1898. Shortly thereafter, Moreau died. While he was not able to benefit greatly from Moreau’s teachings because of his death, Camoin was able to make many friends in the art world, especially with Fauvist painters like Manguin, Marquet as well as Matisse.

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The Open Window

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Flowers and Fruits

Camoin found immediate success, even as a student, and actually was able to finance his studies by selling his work and from winning panting competitions. He painted beautiful still life compositions, focusing on color in Post-Expressionistic and Fauvist styles, and worked in a variety of other genres as well. Although he is generally considered a Fauvist painter, Camoin never truly committed to one style or another. Camoin held his first exhibition at the age of twenty-five at Bert Weil in Paris and also showed at the Salon d’Automne many times from 1905 on through the rest of his career.

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La Petite Lina, 1907

While he was still a student, Camoin had a short-lived friendship with Cezanne. He was stationed in Provence during his military service in 1902 was able to study under this great master for three months. Cezanne became a great influence in his work. Sadly, Cezanne died in 1906, and Camoin was only able to learn from him for a short while. To a lesser extent, Camoin was also influence by Renoir whom he met in 1918. This meeting helped him to transition out of Fauvism and into a softer post-Impressionist style.

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Bois Due Bologne 1909 Provence

Camoin was highly active during the early 1900s and traveled and worked constantly. In 1905, he joined many of his artist friends in the south of France to study the Mediterranean coastline. Therefore, many of his paintings during this time have a “Cote d’Azure” feeling or theme.

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Port de Cassis

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St. Tropez

He would eventually keep one studio in St. Tropez and one in Montmarte, and devoted himself to painting nudes, portraits, still life, landscapes and harbor views.

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Terasse a St. Tropez

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Minaret a Tanger, 1913

In 1955, Camoin would become an officer of the Legion of Honour, an esteemed award for any artist. He also won the Grand Prize of Italy in that same year. In his lifetime, his work was exhibited all over France as well as in Chicago and New York. This makes the possibility for both European and American art collectors to own his work very great.

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Nude

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Le Petit Rhone, 1930

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Femme Blonde au Chapeau

While he typically worked in oil paintings, Camoin also often created chalk and pastel sketches. Many of his works are also signed “Ch. Camoin” conspicuously on the front lower left or right hand corner of his compositions.

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Pin Parasol Aix En Provence
This painting clearly shows a sample of Camoin’s signature on the lower left hand corner, and is a heavily Fauvist piece.

Today, Camoin’s work is housed all through Europe in venues like the Berlin National Gallery and the Bonn Museum in Germany and at Grosvenor Gallery and the Stern Pissaro Gallery in London. His work is also housed at the Alger Museum, and throughout France at the Toulouse-Lautrec Museum, the Des Beaux-Arts Museum and the National Museum of Art. Camoin died in 1965 in Paris, and worked nearly up until his death.

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La Passerelle de Chatou, 1962

If you believe you own a work of art by Charles Camoin, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Charles Camoin.


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562--buttura.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "buttura" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "buttura" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> Antoine Eugene Ernest Buttura authentication
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done
563--scortesco.php Paul Scortesco Artwork Authentication & Art Appraisal

Paul Scortesco (1895-1976)

Get a Scortesco Certificate of Authenticity for your painting (COA) for your Scortesco drawing.

For all your Scortesco artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Scortesco Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Scortesco painting or drawing.

If you want to sell your Scortesco painting or drawing use our selling services. We offer Scortesco selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Scortesco and issuing certificates of authenticity since 2002. We are recognized Scortesco experts and Scortesco certified appraisers. We issue COAs and appraisals for all Scortesco artworks.

Our Scortesco paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Scortesco certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Scortesco painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Scortesco paintings or drawings take longer.

Our clients include Scortesco collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Paul Scortesco art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Paul Scortesco or we will sell it for you.

Les Dnaseuses Gitanes

Les Danseuses Gitanes

Paul Scortesco was a French artist who painted scenes of dancers, clowns, still life, seascapes and Parisian life. He often signed his work simply “Scortesco” on the front of his canvases, and traveled all over Europe, creating scenes of Venice and other cities. Still wondering about a French dance hall, landscape or still life hanging in your home? Contact us…it could be by Paul Scortesco.


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564--dou-gerrit.php Gerrit (ou Gérard) Dou Artwork Authentication & Art Appraisal

Gerrit Dou, 1613-1675, Néerlandais

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Autoportrait à la pipe (1640)

 

Gerrit (ou Gérard) Dou était un peintre néerlandais de l’Âge d’Or. Représentant des Leiden fjinschilders, il est connu pour son travail de genre.

 

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La femme hydropique (1663)

Né à Leiden en 1613, il a d’abord étudié le dessin dans l’atelier de Bartholomeus Dolendo avant de suivre les traces de son père, maître-verrier. À l’âge de quatorze ans, devenant le disciple de Rembrandt, il acquit la maîtrise de la couleur et du clair-obscur. Se détachant de l’influence de son maître, il adopta un style d’une précision miniaturiste, caractérisé par une finesse du trait et un goût du détail qui l’obligeait à fabriquer lui-même des pinceaux adaptés à cette minutie. Il s’aidait également d’une loupe et d’un cadre de perspective faits de fils tendus en travers de la toile.

 

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L’École du soir (1660-1665)

Il peignait des scènes de genre et d’intérieur, souvent éclairées à la bougie ou à la chandelle, dont les couleurs harmonieuses et transparentes conféraient au sujet qui posait parmi des objets familiers une impression de vie. Ses œuvres, dont la côte dépasse aujourd’hui celle de son maître, sont généralement de petit format, et les musées d’Europe présentent de nombreuses pièces parmi les deux-cent qu’on lui connaît. La femme hydropique (1663), par exemple, une représentation satyrique des médecins-charlatans, fut le premier don fait au musée du Louvre.

 

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Femme qui joue du clavecin (1665)

Chef-d’œuvre de luminosité, L’École du soir illustre parfaitement sa maîtrise des scènes à la chandelle, avec pas moins de quatre sources d’éclairage. Le critique Baer y a également vu le symbole de l’illumination des sens qui permet d’atteindre à la véritable compréhension. Philips Angels, dans son Lof der Schilderkunst, a chanté les mérites de son imitation de la nature et de ses illusions. Ses œuvres exprimaient également le débat sur le paragone qui secouait la scène artistique contemporaine : qui de la peinture, de la poésie ou de la sculpture représentait le mieux la nature ? Dou a étudié cette comparaison dans son œuvre Le vieux peintre au travail, qui montre que la capacité d’imitation du peintre s’améliore avec l’âge, contrairement au sculpteur, dont l’instrument de travail (le corps), s’use. Selon lui, l’art dépassait même la nature, notamment dans l’exaltation de la lumière.

 

Dou a connu une véritable gloire, notamment auprès de la reine Christine de Suède, qui possédait onze de ses œuvres, et Cosimo III de Médicis lui a acheté au moins un tableau, qui se trouve actuellement aux Offices. S’il avait également reçu de nombreuses offres d’établissement dans des cours étrangères, notamment celle de Charles II d’Angleterre, il a pourtant choisi de ne pas quitter Leiden.

 

Dou a gardé toute sa renommée après sa mort, en 1675, malgré un siècle d’oubli entre 1860 et 1970, quand l’Impressionnisme a fait passer de mode la précision de son style, qui n’est revenue en vogue qu’avec l’hyper-réalisme de Dali.


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565--luis.php Fernando Luis Artwork Authentication & Art Appraisal

Fernando Luis (1931-1983)

Get a Luis Certificate of Authenticity for your painting (COA) for your Luis drawing.

For all your Luis artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Luis Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Luis painting or drawing.

If you want to sell your Luis painting or drawing use our selling services. We offer Luis selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Luis and issuing certificates of authenticity since 2002. We are recognized Luis experts and Luis certified appraisers. We issue COAs and appraisals for all Luis artworks.

Our Luis paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Luis certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Luis painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Luis paintings or drawings take longer.

Our clients include Luis collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Fernando Luis art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Fernando Luis or we will sell it for you.

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Intriguer with Diabolic Dog

Born in Havana, Fernando Luis initially studied architecture at the University of Havana. Although he never finished, Luis picked up on another subject, one that was always important in his life—art. Luis never had formal training, and is perhaps one of the best self-taught artists that Cuba had to offer.

For a short time, Luis taught painting in Cuba, but eventually left with his family for Spain. There, he found more artistic inspiration and the colors in his painting changed dramatically. In Spain, he was also able to have more access to works from painters he admired, like Goya and Picasso. This newfound inspiration in Spain led Luis to work around the clock, leaving a vast catalog of works behind. Luis eventually moved to Miami, which helped him to rekindle his Caribbean color palate.

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Untitled

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Untitled

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Untitled

Luis’s most popular works were his “Intriguer” and “Informer” series. These series were meant to be reflections of human life, and are often disturbing. Much like his contemporary Antonia Eiriz, Luis would paint sometimes horrific scenes. However, Luis would used highly geometrical shapes and bold, fauvist colors to show his perception of reality. Through these pieces, Luis painted the irony of life’s struggles in a way that was all his own. In a way, Luis’s color palate and subjects are similar to that of Fauve painter Franz Marc.

In fact, it is Luis’s “Intriguer” and “Informer” series that surround this artist with mystery. According to his wife and daughter, there are a number of lost works in this series. Whether they are sketches or oil paintings is unknown, but they would be unmistakable. Luis’s style was very distinct, and a lost painting from this series would not be difficult to identify. Luis was also reportedly working on another painting called “The Spy of the House of Love” which was meant to be exhibited in Spain. The whereabouts of this painting are unknown.

How many more paintings by this great Cuban master are hiding away somewhere? Europe, the United States and Cuba could all be considered hunting grounds for these lost treasures.

Fernando Luis art authentication. Fernando Luis appraisal from . Fernando Luis certificates of authenticity (COA). Fernando Luis analysis, research, scientific tests, full art authentications. We will help you sell your Fernando Luis or we will sell it for you.


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566--rublev.php Andrei Rublev Artwork Authentication & Art Appraisal

Andrei Rublev (1370-1430)

Get a Rublev Certificate of Authenticity for your painting (COA) for your Rublev drawing.

For all your Rublev artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rublev Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rublev painting or drawing.

If you want to sell your Rublev painting or drawing use our selling services. We offer Rublev selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rublev and issuing certificates of authenticity since 2002. We are recognized Rublev experts and Rublev certified appraisers. We issue COAs and appraisals for all Rublev artworks.

Our Rublev paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rublev certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rublev painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rublev paintings or drawings take longer.

Our clients include Rublev collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Andrei Rublev art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Andrei Rublev or we will sell it for you.

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The Archangel Michael (1420’s)

Andrei Rublev is considered to be the greatest early Russian painter of Icons, frescoes and miniatures for illuminated manuscripts. There is little information about his life. It is not known where he was born. Andrei Rublev probably lived in the Troitse-Sergiyeva Lavra under Nikon of Radonezh, who became hegumen after the death of Sergii Radonezhsky (1392).

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Holy Trinity

The first mention of Rublev is in 1405 when he decorated icons and frescos for the Cathedral of the Annunciation of the Moscow Kremlin in company with Theophanes the Greek and Prokhor of Gorodets. His name was the last of the list of masters as the junior both by rank and by age.

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Christ

Chronicles tell us that in 1408 he painted (together with Daniil Cherni) the Assumption Cathedral in Vladimir and in 1425–1427 the Cathedral of St. Trinity in the Troitse-Sergiyeva Lavra. After Daniil’s death Andrei came to Moscow’s Andronikov Monastery where he painted his last work, frescoes of the Savior Cathedral. He is also believed to have painted at least one of the miniatures in the Khitrovo Gospels. The only work authenticated as entirely his is the icon of the Old Testament Trinity (ca 1410), in the Tretyakov Gallery, Moscow. It is also known as the Hospitality of Abraham.

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Christ Before Pontius Pilatus

In Rublev’s art two traditions are combined: highest asceticism and classic harmony of Byzantine manners. The characters of his paintings are always peaceful and calm. After some time his art came to be perceived as the ideal of Church painting and of iconic art. He died at Andronikov Monastery on January 29 of 1430 (this date is still questionable). His art influenced many different artists including Dionisy. At Stoglavi Sobor (1551) Rublev’s icon style was announced as a model for church paintings. He was canonized in 1988 by the Russian Orthodox Church. The church celebrates his memory on July 4.

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The Savior

Since 1959 the Andrei Rublev museum has been open in Andronnikov Monastery, showing the art of his works and his epoch. In 1966, Andrei Tarkovsky made a film loosely based on Rublev’s life: see Andrei Rublev (film).

Still wondering about a 14th or 15th century religious Russian painting in your family collection? Contact us…it could be by Andrei Rublev.


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567--eybl.php Franz Eybl Artwork Authentication & Art Appraisal

Franz Eybl (1806-1880)

Get a Eybl Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Eybl artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Eybl Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Eybl painting, drawing or print.

If you want to sell your Eybl painting, drawing or print use our selling services. We offer Eybl selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Eybl and issuing certificates of authenticity since 2002. We are recognized Eybl experts and Eybl certified appraisers. We issue COAs and appraisals for all Eybl artworks.

Our Eybl paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Eybl certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Eybl painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Eybl paintings or drawings take longer.

Our clients include Eybl collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Franz Eybl art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Franz Eybl or we will sell it for you.

Franz Eybl painting, Portrait of a Lady

Portrait of a Lady

Franz Eybl painting, Portrait of a Young Man

Portrait of a Young Man

Franz Eybl painting, Count Miklos

Count Miklos

Franz Eybl painting, Josef Walz

Josef Walz

Franz Eybl was a 19th century Austrian portrait painter and lithographer, who was born in the outskirts of Vienna in an area known as Gumpendorf. Eybl showed artistic talent at an early age and entered the Academy of Fine Arts in Vienna at the young age of ten. He began his studies under masters Josef Klieber and Josef Mossmer. After a few years, Eybl began to study under Johann Baptist von Lampi and Franz Caucig. Eybl received a formal education, reproducing casts of statues, a common practice in art academies of the day. While Eybl learned a variety of techniques, he excelled at history painting, which he studied under Johann Peter Krafft.

In 1825, the Academy awarded the Gundel Prize, and in 1828, he won the Lampi prize. These awards mark Eybl’s high status as a student and painter. In 1830, a few years after leaving the Academy, Eybl married Antonia Jordan and began a successful career as a portrait, landscape and history painter. In addition to painting, Eybl produced a number of lithographs and drawings that demonstrate his thorough training and mastered skills. Eybl is believed to have made over four hundred lithographs, on par with the prolific artist, Josef Kriehuber.

Franz Eybl painting, Portrait of a Girl

Portrait of a Girl

In 1843 Eybl became a member of the Academy, a prestigious position given only to artists with strong reputations. Art historians credit Eybl, along with Matthias Ranftl and Josef Danhauser, as being one of the principal painters in Vienna of the Biedermeier period. Eybl died at his main residence, Belvedere, and was entombed in Vienna’s famous cemetery, Zentralfriedhof. Other tombs at the same cemetery include famous composers, Beethoven, Brahms and Schubert.

Franz Eybl painting, Self-portrait in Hat, 1840

Self-portrait in Hat, 1840
Oil on Canvas, 70 x 56 cm
österreichische Gallery

Franz Eybl painting, Girl Reading, 1850

Girl Reading, 1850
Oil on Canvas

Eybl’s paintings and prints are now in major art collections around the world. Do you Do you think you may own a piece by Franz Eybl? Contact us…we are the Franz Eybl experts.


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568--bison.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bison" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bison" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "bison" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


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569--berruguete.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "berruguete" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "berruguete" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> Alonso Gonzalez de Berruguete authentication
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done
570--feininger.php Lyonel Feininger Artwork Authentication & Art Appraisal

Lyonel Charles Feininger (1871 – 1956)

Get a Feininger Certificate of Authenticity for your painting (COA) for your Feininger drawing.

For all your Feininger artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Feininger Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Feininger painting or drawing.

If you want to sell your Feininger painting or drawing use our selling services. We offer Feininger selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Feininger and issuing certificates of authenticity since 2002. We are recognized Feininger experts and Feininger certified appraisers. We issue COAs and appraisals for all Feininger artworks.

Our Feininger paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Feininger certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Feininger painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Feininger paintings or drawings take longer.

Our clients include Feininger collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lyonel Feininger art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lyonel Feininger or we will sell it for you.

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The Church of the Minorities

Lyonel Feininger was a German-American painter and caricaturist. Feininger was born to parents of German descent and grew up in New York City. He moved to Berlin, in 1887, to study at the Königliche Akademie Berlin under Ernst Hancke and art schools in Berlin with Karl Schlabitz and in Paris with sculptor Filippo Colarossi. He started working as a caricaturist for several magazines including Harper’s Round Table, Harper’s Young People, Humoristische Blätter, Lustige Blätter, Das Narrenschiff, Berliner Tageblatt and Ulk.

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Upper Weimar

Feininger married Clara Fürst, daughter of the painter Gustav Fürst and they had two daughters. Later he had also several children together with Julia Berg and they later married. The artist is represented with drawings at the exhibitions of the annual Berlin Secession in the years 1901 through 1903.

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Gables I, Lueneberg

Feininger only started working as an artist at the age of 36, after having worked as a commercial caricaturist for twenty years for various newspapers and magazines in both the USA and Germany; he was a member of the Berliner Sezession in 1909, was associated with expressionist group Die Brücke, the Novembergruppe, Gruppe 1919, the Blaue Reiter circle and The Blue Four. Famously, he designed the cover for the Bauhaus 1919 manifesto – an expressionist woodblock ‘cathedral’. He also taught at the Bauhaus for several years.

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One World

When the NSDAP came to power in 1933, the situation became unbearable for Feininger and his wife, who was partly Jewish. They moved to America after his work was exhibited in the ‘degenerate art’ (Entartete Kunst) in 1936, but before the 1937 exhibition in Munich.

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Gelmeroda VII

Feininger was one of the very few fine artists also to draw comic strips as a cartoonist. His short-lived strips, The Kin-der-Kids and Wee Willie Winkie’s World were noted for their fey humor and graphic experimentation. Feininger also had intermittent activity as a pianist and composer, with several piano compositions and fugues for organ extant. His son, Andreas Feininger, became famous as a photographer of New York City.

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Lady in Mauve 1922

Still wondering about a German painting in your family collection? Contact us…it could be by Lyonel Feininger.


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571--sodoma-il.php Il Sodoma Artwork Authentication & Art Appraisal

Il Sodoma (1477 – 1549)

Get a II Sodoma Certificate of Authenticity for your painting (COA) for your II Sodoma drawing.

For all your II Sodoma artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a II Sodoma Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your II Sodoma painting or drawing.

If you want to sell your II Sodoma painting or drawing use our selling services. We offer II Sodoma selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating II Sodoma and issuing certificates of authenticity since 2002. We are recognized II Sodoma experts and II Sodoma certified appraisers. We issue COAs and appraisals for all II Sodoma artworks.

Our II Sodoma paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The II Sodoma certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your II Sodoma painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research II Sodoma paintings or drawings take longer.

Our clients include II Sodoma collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Il Sodoma art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Il Sodoma or we will sell it for you.

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Saint Sebastian, 1525

Il Sodoma was the name given to the Italian Mannerist painter Giovanni Antonio Bazzi. Il Sodoma painted in a manner that superimposed the High Renaissance style of early 16th century Rome onto the traditions of the provincial Sienese School. Il Sodoma spent the bulk of his professional life in Siena and some time in Rome.

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Allegory of Celestial Love

Il Sodoma was of the family de Bazis and born at Vercelli in Piedmont in 1477. His first master was the “archaic” Martino Spanzotti, and he also appears to have been a student of the painter Giovenone. After acquiring the strong coloring and other distinctive stylistic features of the Lombard school and somehow absorbing the superficial mannerisms of Leonardo (Freedberg 1993:117), he traveled to Siena before 1503, perhaps at the behest of agents of the Spannocchi family. There, he began with fresco cycles for Olivetan monks and a series of small Ovidian ceiling panels and a frieze depicting the career of Julius Caesar for Sigismondo Chigi at Palazzo Chigi.

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The Three Graces, 1525

Along with Pinturicchio, Il Sodoma was one of the first to practice in Siena the style of the High Renaissance. His first important works were seventeen frescoes in the Benedictine Monastery of Monte Oliveto Maggiore, on the road from Siena to Rome, illustrating the life of St. Benedict in continuation of the series that Luca Signorelli had begun in 1498. Gaining fluency in the prevailing popular style of Pinturicchio, Sodoma completed the set in 1502 and included a self-portrait with badgers.

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Pieta, 1540

Sodoma was invited to Rome in 1508 by the celebrated Sienese merchant Agostino Chigi and was employed there by Pope Julius II in the Stanza della Segnatura in the Vatican. He executed two great compositions and various ornaments and grotesques in vaulted ceilings divided in feigned compartments in the antique manner that Pinturrichio had recently revived, working at the same time as Raphael. Vasari’s rhetorical story that Sodoma’s larger works did not satisfy the pope, who engaged Raphael to substitute a program of Justice, Poetry, and Theology, is not borne out by the documents.

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The Death of Lucretia, 1513

Before October 1510, he was in Siena, where he painted the exterior of Palazzo Chigi in monochrome chiaroscuro with scenes from the Bible and from antiquity, the first such work seen in Siena (Bartalini 2001:553). His painting at this time began to show distinct Florentine influences, especially of Fra Bartolommeo.

Called again to Rome by Chigi, in the Villa Chigi (now the Farnesina), working alongside Baldassare Peruzzi, Sodoma painted subjects from the life of Alexander the Great: Alexander in the Tent of Darius and the Nuptials of the Conqueror with Roxana, which some people consider his masterpiece. When Leo X became pope (1513), Sodoma presented him with a picture of the Death of Lucretia (or of Cleopatra, according to some accounts). Leo gave him a large sum of money as a reward and created a cavaliere for him.

Sodoma returned to Siena and, at a later date, sought work in Pisa, Volterra, and Lucca. From Lucca, he returned to Siena not long before his death on 14 February 1549 (older narratives say 1554). He had supposedly squandered his property and is said, without documentary support, to have died in penury in the great hospital of Siena.

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St. George and the Dragon

In his youth, Sodoma had married, but he and his wife soon separated. A daughter married Bartolomeo Neroni, called also Riccio Sanese or Maestro Riccio, one of Sodoma’s principal pupils. It is said that Sodoma jeered at Giorgio Vasari’s Lives of the Artists, and as a result, Vasari repaid him by presenting a negative account of Sodoma’s morals and demeanor and withheld praise of his work. According to Vasari, the name by which Sodoma was known was “Il Mattaccio” (the Madcap, the Maniac), this epithet having been bestowed upon him by the monks of Monte Oliveto. He dressed gaudily, like a mountebank, and his house was a Noah’s ark, owing to the strange miscellany of animals he kept there. He was a cracker of jokes, fond of music, and he sang poems he composed on indecorous subjects.

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The Rape of the Sabine Women, 1506-1507

Vasari alleges that Sodoma was always a negligent artist. His early success in Siena, where he painted many portraits being partly due to lack of competition, was a judgment in which Sidney Freedberg concurs. Vasari asserts that as he aged, he became too “lazy” to make cartoons for his frescoes but daubed them straight onto the wall. Vasari nevertheless admits that Sodoma produced some works of very fine quality and that during his lifetime his reputation was high.

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The Flagellation of Christ, 1510

Some of his works, including the Holy Family now in the Pinacoteca, have been mistaken for works of Leonardo da Vinci. His easel pictures are rare, and there are two in the National Gallery, London. Some critics see in Sodoma’s Madonna in the Brera the direct influence of this master. Modern criticism follows Morelli in supposing that Raphael painted Sodoma’s portrait in The School of Athens, while a drawing at Christ Church is supposed to be a portrait of Raphael by Sodoma.

Among his masterpieces are the frescoes, completed in 1526, in the Chapel of St. Catherine of Siena painted for the church of San Domenico (Siena), depicting the saint in ecstasy, fainting as she receives the Eucharist from an angel. In the oratory of S. Bernardino, there are scenes from the history of the Virgin, painted in conjunction with Pacchia and Beccafumi (1536-1538) — the Visitation and the Assumption. In S. Francesco, there are the Deposition from the Cross (1513) and Christ Scourged. Many critics regard one or the other of these paintings as Sodoma’s masterpiece. In the choir of the Cathedral at Pisa, there is the Sacrifice of Abraham, and in the Uffizi Gallery of Florence, there is a St. Sebastian.

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The Mystic Marriage of St. Catherine, 1539-1540

Still wondering about an Italian painting in your family collection? Contact us…it could be by Il Sodoma.


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572--bodom.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bodom" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bodom" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
573--lebacq.php Georges-Émile Lebacq Artwork Authentication & Art Appraisal

Georges-Émile Lebacq, 1876-1950, Belge

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Entrée de la propriété près de Cougnac (1945)

Peintre impressionniste et poète né à Jemappes, en Belgique, Georges-Émile Lebacq a également travaillé à l’aquarelle et aux pastels, et s’est exprimé à travers des portraits, des paysages et des natures mortes.

 

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La Maison bombardée (1917)

Contemporain du poète Émile Verhaeren, il s’est associé à lui, au début de sa carrière artistique, en 1896, pour publier de la poésie dans « Le Coq Rouge », une revue symboliste créée par Georges Eekhoud. Âgé de 19 ans, il réalisait alors des portraits, et profitait de ses connections dans le monde artistique pour rencontrer James Ensor ou Maurice Maeterlinck. Il a également fondé la revue « Le Thyrse », et a publié deux recueils de poèmes : « Nuits Subversives » (1897) et « Irrésolvables » (1899), une série de nouvelles poétiques.

 

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Melle H. Lebacq (1926)

Tournant le dos à l’écriture, il a commencé à se consacrer entièrement à la peinture dès 1907. Avide de découvertes, Lebacq a vécu à Cagnes-sur-Mer, puis dans le Valois et le Quercy, et a également fait le tour de l’Europe, avant de partir en Algérie et au Moyen-Orient, trouvant son inspiration dans différentes luminosités. « Mon maître a été mon vagabondage, » disait-il. Établi pour un temps dans le Sud de la France, il s’est lié d’amitié avec le peintre cannois Louis Pastour, et a séjourné non loin du domaine racheté par Renoir.

 

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Soir à Chamant (Oise) (1928)

Tout d’abord autodidacte et participant à ses premières expositions en tant qu’artiste officiel alors qu’il était engagé durant la Première Guerre mondiale (comme celle des Peintres du front belge en 1917), il s’inscrit, en 1920, à l’Académie Julian et a ensuite passé la majeure partie de sa carrière en France. Un de ses carnets datant de la guerre, contenant 93 croquis, fut dérobé par les Allemands dans le saccage de son atelier, avant d’être retrouvé en 2009.

Installé dans le Quercy après la Seconde Guerre mondiale, Lebacq devint le peintre officiel de la région. Il a notamment peint une rue de Gourdon et la décoration de la basilique de Rocamadour. Il travaillait alors beaucoup au fusain ou au pastel. Puis, en 1927, c’est la consécration, avec le prix du Salon des Artistes Français, remporté pour Abandon.

Si ses portraits liminaires sont résolument classiques, ses toiles tardives appartiennent à la mouvance impressionniste, comme Lumière d’été à Cagnes-sur-Mer (vers 1918) ou Le Repos en terrasse. Le délicat jeu de lumières et de couleurs a poussé la critique à qualifier sa peinture « d’harmonie douce ». Plus tard, il reviendra vers un postimpressionnisme d’une facture classique. Entrée de la propriété près de Cougnac (1945), par exemple, montre un chemin de terre qui serpente à travers une forêt calme qu’éclairent des éclats de lumière trouant les feuillages.

Même s’il a passé la majeure partie de sa vie en France, Lebacq revenait souvent en Flandres pour peindre et fut enterré, à sa mort, en 1950, dans le cimetière de Wenduin


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574--gabo.php Naum Gabo Artwork Authentication & Art Appraisal

Naum Gabo (Naum Neemia Pevsner) (1890 – 1977)

We Perform Naum Gabo art authentication. Naum Gabo appraisal from . Naum Gabo certificates of authenticity (COA). Naum Gabo analysis, research, scientific tests, full art authentications. We will help you sell your Naum Gabo or we will sell it for you.

Gabo, Sculpture- Linear Construction in Space No 2

Sculpture- Linear Construction in Space No 2
1957-8
Birmingham Museum and Art Gallery, UK

Gabo, Head of a Woman

Head of a Woman
c. 1917-20 (after a work of 1916) Celluloid and metal, 24 1/2 x 19 1/4 x 14″ (62.2 x 48.9 x 35.4 cm)

Naum Gabo was a leading Russian artist, known for his Constructivist and Kinetic sculptures. Gabo was born with the name, Naum Neemia Peysner, in the small town of Bryansk in Russia. Gabo changed his name to differentiate himself from his brother, Antoine Peysner, who was also an artist.

Gabo, Construction through a Plane

Construction through a Plane (Construction on a Plane)
1937 Perspex with Wood Base
National Galleries of Scotland

Before developing an interest in the arts, Gabo studied medicine and natural sciences at Munich University. In 1912 Gabo entered an engineering school in Munich, where he studied for only one year before moving to Paris with his brother. Around 1915 fled from the war, living in Copenhagen and Oslo. It was in Scandinavi that Gabo first started making constructions out of board and wood.

Gabo, Spiral Theme

Spiral Theme
1941 Celluloid on Perspex Base
National Galleries of Scotland

By 1917 Gabo decided to return to Russia, where he became involved in Moscow politics and worked alongside other prominent, Russian artists. Gabo taught at The Higher Art Technical Workshop with such names as Tatlin, Kandinsky and Rodchenko. Gabo also participated in the ‘Agit-prop’ exhibitions in Russia.

Gabo, Linear Construction in Space No. 1

Linear Construction in Space No. 1 (Variation)
1943 Lucite with Nylon Thread
Phillips Collection

In 1920, Gabo and his brother Pevnser co-wrote ‘Realistic Manifesto’, which defined the premises of pure Constructivism. The manifesto was later presented at an outdoor bandstand in Moscow. The brothers had several joint exhibitions together and well recognized in Paris and London. In the late 1920s Gabo moved to Germany, where he was involved in the de Stijl movement and the Bauhaus. Gabo also designed a fountain in Dresden, which was unfortunately destroyed during the war.

Gabo, Opus 5

Opus 5
1953 Wood Engraving in Brown Ink
Cleveland Museum of Art

Gabo, Arch No. 2

Arch No. 2
1958-1963 Bronze
The Courtauld Institute of Art

From 1932 to 1935, Gabo and his brother left Germany and settled in Paris, where they joined the Abstraction-Creation group, along with Piet Mondrian. By the late 1930s, as World War II intensified, Gabo moved to Cornwall, England. Gabo started working with English sculptors such as Barbara Hepworth and Ben Nicholson.

Gabo, Column

Column (enlarged version of 1923 original)
1975 Steel 194 x 154 in
Courtauld Institute of Art

Gabo, Construction in Space

Construction in Space
1953 Phosphor Bronze
Courtauld Institute of Art

Gabo, Costruction on a Plane

Costruction on a Plane
1937 Plastics, Wood
Courtauld Institute of Art

Gabo, Quartz Stone

Quartz Stone
1963-64 Marble Stone
Courtauld Institute of Art

By the end of Gabo’s life, he had survived a revolution and two world wars. Amidst an atmosphere of war and political unrest, Gabo created ‘idealist’ forms to counter the chaos around him. Gabo made important contributions to modern sculpture in Europe, which has influenced artists around the world.

Do you think you own a sculpture by Naum Gabo? Contact us. We are the Gabo experts.


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575--bidauld.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bidauld" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bidauld" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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576--herbin.php Auguste Herbin Artwork Authentication & Art Appraisal

Auguste Herbin (1882-1960)

Get a Herbin Certificate of Authenticity for your painting (COA) for your Herbin drawing.

For all your Herbin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Herbin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Herbin painting or drawing.

If you want to sell your Herbin painting or drawing use our selling services. We offer Herbin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Herbin and issuing certificates of authenticity since 2002. We are recognized Herbin experts and Herbin certified appraisers. We issue COAs and appraisals for all Herbin artworks.

Our Herbin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Herbin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Herbin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Herbin paintings or drawings take longer.

Our clients include Herbin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Auguste Herbin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Auguste Herbin or we will sell it for you.

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Trigo

Auguste Herbin was born near the Belgian border of France to a family of artisans. He initially attended the Ecole des Beaux-Arts in Lille, and then moved to Paris in 1898 and studied drawing at the Ecole des Beaux-Arts there. Not unlike fellow painter Pablo Picasso, Herbin was an artist who was constantly growing and changing in style and method. His earliest works are primarily done in the style of the Impressionists and Fauves. Herbin also had a flirtation with Cubism when it was a brand new movement, but would return to a more Expressionistic style.

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Still Life with Fruit, 1904

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Portrait of a Woman, 1907

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Cubist Landscape, 1912

In the 1920s, Herbin took another chance at creating progressive art and created a number of paintings that challenged traditional artistic rules and properties. He did away with typical-figure ground compositions and created his own style of art called Constructivism that broke all the rules. However, he received harsh criticism for these pieces and decided to paint in a more typical, figurative fashion again. Herbin later disowned the pieces from this period.

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Landscape, 1924

Even though Herbin gained notoriety as a painter early on, it is his Abstract works that he is perhaps best known for. He continued to paint in the Abstract style the rest of his life, with color being an integral part of his compositions.

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Synchromy in Dark Blue, 1941

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Cause

In the 1940s, Herbin flexed his creative side again and created a technique he called “Alphabet Plastique” in the Abstract style. In this movement, he assigned colors to each letter of the alphabet. He also incorporated musical notes and geometric shapes into these compositions. This was not only meant to be art, but a puzzle to unlock. By assigning each shape or letter a color, you were given a key to unlocking the secret behind his painting.

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Red, 1946

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Yes, 1951

For example, in every one of these “Alphabet Plastique” paintings, the letter “D” is represented by a dark red color. Similarly, the musical note “D” is always represented by an orange circle. With these paintings, Herbin created a new form of art that you could not only decode, but “sing” if you wished.

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Sunday 1, 1950

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Friday 1, 1951

In 1953, Herbin suffered from lateral paralysis which forced him to learn to paint with his left hand. This, however, did not stop him from creating his geometric Abstract compositions right up until his death in 1960. Again, like friend Picasso, Herbin continued to paint right up until the end, his style completely different than the one that he initially started out with as an artist.

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Nude, 1960

Today, Herbin’s work is housed at the Guggenheim Museum in New York and in other galleries and museums worldwide. Still wondering about that colorful Abstract painting in your home? It may be by Auguste Herbin—contact us to find out.


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577--cossa.php Francesco del Cossa Artwork Authentication & Art Appraisal

Francesco del Cossa (1430 – 1477)

We Perform Francesco del Cossa art authentication. Francesco del Cossa appraisal. Francesco del Cossa certificates of authenticity (COA). Francesco del Cossa analysis, research, scientific tests, full art authentications. We will help you sell your Francesco del Cossa or we will sell it for you.

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Triumph of Venus, 1469-1470

Francesco del Cossa was an Italian early-Renaissance (or Quattrocento) painter of the School of Ferrara. He is known to have been the son of a stonemason in Ferrara. Although little is known about his early works, it is known that he traveled outside of Ferrara in his late twenties or early thirties.

Cossa is best known for his frescoes. One of the first records we have of him is in 1456 when he was an assistant to his father, Cristofano del Cossa, at that time employed in painting the carvings and statues on the high altar in the chapel of the bishop’s palace at Ferrara.

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Santa Lucia 1470

In conjunction with Cosimo Tura, Cossa is now known for fresco decoration of the summer pleasure villa/palazzo known as the Palazzo Schifanoia, located just outside the city gates. Together, they painted a series of the elaborate allegories around the themes of zodiacal signs and months of the year. These were only partially restored in the 20th century, and there are three that are reasonably assigned to Cossa. Of these, one of the most remarkable images is the horde of naked toddlers in the Allegory of May – Triumph of Apollo. Apparently a sign of springtime’s prolific blossoming, the crowded rows of babies mass like a phalanx of infantile Rockettes.

The Allegory of April has a depiction of the trio of Graces, one of the earliest Post-classical representations of the naked intertwined dancers in painting. Sandro Botticelli’s version in Primavera dates from 1482. See the 1501 version of the Three Graces (now at Chantilly). Assuming the date of death of Cossa is correct, this one must have been completed prior to the others.

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Fresco Detail

Unhappy that he had been paid by the square foot for his work for Duke Borso and complaining he was being paid the same as the “worst dauber in Ferrara”, Cossa left Ferrara for Bologna in 1470. In Bologna he obtained many commissions under the patronage of the Bentivoglio family. Here he painted his two masterpieces: the Virgin and Child with two saints and a portrait of Alberto de’ Catanei (1474) and fresco of the Madonna del Baracano, representing the Virgin and Child with portraits of Giovanni Bentivoglio and Maria Vinziguerra (1472).

In the National Gallery of London there is a picture by him representing St. Vincent Ferrer, an “Annunciation”, in the Dresden collection, which has been attributed to Pollaiuolo, and a fine profile portrait at Locko Park near Derby, said to represent Duke Ercole I of Ferrara. He executed stained glass windows in Bologna, the best of which is a circular window, in the church of San Giovanni in Monte, representing St. John in Patmos; this bears his signature.

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Polyhymnia

Still wondering about an Italian painting in your family collection? Contact us…it could be by Francesco del Cossa.


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578--jouett.php Matthew Harris Jouett Artwork Authentication & Art Appraisal

Matthew Harris Jouett (1788-1827)

Get a Jouett Certificate of Authenticity for your painting (COA) for your Jouett drawing.

For all your Jouett artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Jouett Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Jouett painting or drawing.

If you want to sell your Jouett painting or drawing use our selling services. We offer Jouett selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Jouett and issuing certificates of authenticity since 2002. We are recognized Jouett experts and Jouett certified appraisers. We issue COAs and appraisals for all Jouett artworks.

Our Jouett paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Jouett certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Jouett painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Jouett paintings or drawings take longer.

Our clients include Jouett collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Matthew Harris Jouett art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Matthew Harris Jouett or we will sell it for you.

John Grimes

John Grimes

Matthew Harris Jouett was an early American painter born in Mercer County, Kentucky. He was born into a family of military heroes and was originally schooled in law; however, Jouett spent much of his time painting and drawing and developed a love for the arts. Jouett was called to action in the War of 1812 and was appointed as a captain after serving in the 28th Infantry.

George Rogers Clark

George Rogers Clark

After serving in the war, Jouett taught himself how to paint, in particular, studying and composing portraits and miniatures. In 1816, he left for Boston to study under Gilbert Stuart for four months. Later that year, he returned to Kentucky and began to gain notoriety as a prominent portrait painter. He painted not only in Kentucky but as far south as New Orleans as well. Jouett was one of many artists who spent their winters in New Orleans and was said to have been one of the first American painters of the West as well.

James Porter

James Porter

Asa Blanchard

Asa Blanchard

During his lifetime, it is thought that Jouett painted over 300 portraits of wealthy and prominent sitters all over the United States as well as paintings of the ever-growing middle class. Many of his portraits now hang in public and private collections, such as the Metropolitan Museum of Art.

Thomas Jefferson

Thomas Jefferson

One of Jouett’s best known paintings of Lafayette now hangs in the Kentucky Capital Building. Still wondering about a family heirloom portrait hanging in your home? Contact us…it could be by Matthew Harris Jouett.


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579--tour-de-la.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "tour-de-la" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "tour-de-la" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
580--glackens.php William Glackens Artwork Authentication & Art Appraisal

William James Glackens (1870-1938)

Get a Glackens Certificate of Authenticity for your painting (COA) for your Glackens drawing.

For all your Glackens artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Glackens Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Glackens painting or drawing.

If you want to sell your Glackens painting or drawing use our selling services. We offer Glackens selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Glackens and issuing certificates of authenticity since 2002. We are recognized Glackens experts and Glackens certified appraisers. We issue COAs and appraisals for all Glackens artworks.

Our Glackens paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Glackens certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Glackens painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Glackens paintings or drawings take longer.

Our clients include Glackens collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform William James Glackens art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your William James Glackens or we will sell it for you.

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Still Life with Three Glasses 1920s

William James Glackens was a U.S. realist painter. Glackens studied at the Pennsylvania Academy of the Fine Arts and later moved to New York City, where he co-founded what came to be called the Ashcan School art movement. He was known for his dark-hued paintings of street scenes and daily life in the city’s neighborhoods.

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House at Eastern Point 1918

One of the country’s first Realist painters, Glackens belonged to a group of artists dubbed by the press “the Eight Independent Painters” or The Eight, who chose to exhibit their works without pre-approval by the juries of the existing art establishment. The Eight exhibited at the Macbeth Gallery in New York City in 1908, showing works outside the controlling group’s rigid definition of artistic beauty. The show went on to tour museums in nine U.S. cities over the next year.

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The Race Track 1909

During much of his career as a painter, Glackens also worked as an illustrator for newspapers and magazines in Philadelphia and New York City. His brother was the cartoonist and illustrator Louis Glackens. Still wondering about a Realist American painting in your family collection? Contact us…it could be by William Glackens.


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581--de-marseilles.php Charles LaCroix de Marseilles Artwork Authentication & Art Appraisal

Charles LaCroix de Marseilles (1700-1782)

Get a De Marseilles Certificate of Authenticity for your painting (COA) for your De Marseilles drawing.

For all your De Marseilles artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Marseilles Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Marseilles painting or drawing.

If you want to sell your De Marseilles painting or drawing use our selling services. We offer De Marseilles selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Marseilles and issuing certificates of authenticity since 2002. We are recognized De Marseilles experts and De Marseilles certified appraisers. We issue COAs and appraisals for all De Marseilles artworks.

Our De Marseilles paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Marseilles certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Marseilles painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Marseilles paintings or drawings take longer.

Our clients include De Marseilles collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles LaCroix De Marseilles art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles LaCroix De Marseilles or we will sell it for you.

LaCroix de Marseilles painting, View of a Harbor

View of a Harbor

LaCroix de Marseilles painting, The Fishers

The Fishers

Charles LaCroix de Marseilles was an 18th century French landscape painter. He was one of the few French painters who concentrated almost exclusively on the painting of polished marine scenes.

LaCroix de Marseilles painting, Mediterranean Port Scenes

Mediterranean Port Scenes

Still wondering about a French marine landscape in your family collection? Contact us…it could be by Charles LaCroix de Marseilles.


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583--pacheco-espanol.php Luisa Mariaca Dietrich de Pacheco Artwork Authentication & Art Appraisal

María Luisa Pacheco ( 1919-1982 )

We Perform ¿Cree que es propietario de una pintura de María Luisa Pacheco? Autenticamos, tasamos, investigamos, damos información y emitimos Certificados de Autenticidad (COA) de todas las obras de María Luisa Pacheco.

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maria luisa pacheco

 

Marina Luisa Mariaca Dietrich de Pacheco, conocida como María Luisa Pacheco nació en La Paz, Bolivia, en 1919. Estudia con su padre arquitecto y en la Escuela de Bellas Artes de La Paz durante los años 40.

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maria luisa pacheco catavi 1974 tn

 

Gana una beca para estudiar en Madrid con el pintor cubista Daniel Vázquez. Posteriormente se contacta con Antoni Tápies y otros miembros de la vanguardia española adoptando un estilo abstracto y funda el Grupo de Ocho Artistas Contemporáneos cuando regresa a La Paz en 1955.

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maria luisa pacheco cuspide 1968 tn

 

En 1956 se muda a Nueva York, donde continúa su labor artística. Pasado un año, obtiene la Beca ‘Guggenheim’, premio que repetiría los siguientes años (1959 y 1960).

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maria luisa pacheco oleo sin titulo tn

 

A finales de la década del 1960 amplió el concepto indigenista. Sus obras pueden llegar a identificarse con estructuras arquitectónicas modernas, tanto de Nueva York como con el paisaje andino.

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maria luisa pacheco sin titulo 1962 tn

 

Ha realizado más de un centenar de exposiciones, en América y Europa principalmente, siendo objeto de varios premios. Mantuvo para identificarse el apellido de su primer esposo.

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maria luisa pacheco wila 1972 tn

 

Falleció en Nueva York en 1982.


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584--claudel.php Camille Claudel Artwork Authentication & Art Appraisal

Camille Claudel (1864-1943)

We Perform Camille Claudel art authentication. Camille Claudel appraisal. Camille Claudel certificates of authenticity (COA). Camille Claudel analysis, research, scientific tests, full art authentications. We will help you sell your Camille Claudel or we will sell it for you.

Perhaps the most famous and talented female sculptor to ever live, Camille Claudel was both student and mistress to the sculptor Rodin. Together the two had a volatile and passionate private and professional relationship, and Claudel lived a life of drama that ended sadly like so many other artists. Certainly, many portray Claudel as being nothing without the assistance of Rodin, but this is a grave misinterpretation. Claudel had a talent and passion for sculpture far before she was ever associated with Rodin, and in better circumstances, may have been more successful in her lifetime.

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Untitled

Born in Aisne, France, Claudel moved to Paris with her family around 1881. As a child, Claudel was fascinated with stones and minerals, so her future love of sculpting should have come as no surprise. She began her studies at the Academie Colarossi, which was one of the few art schools open to female students at the time. In 1893 Claudel became an assistant in Rodin’s studio.

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Claudel working, c.1893

At this time, Rodin was at the height of his popularity among the French social elite. For a while, Claudel found great success herself, and did not need the name of the great Rodin to elevate her to success. She had a number of commissions and patrons and found regular work in the beginning, but this was not to last.

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The Wave, 1897

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The Implorer, 1900

Claudel was desperate to separate herself from Rodin’s name and wanted to create an identity all her own. Therefore, she became rather reclusive and did not typically mingle amongst other artists. Sadly, this may have been a cause of her mental decline, mixed with Rodin’s eventual rejection. The two never lived together because Rodin would not leave the other woman in his life. An abortion was rumored to be the cause of the end of their relationship in 1892, though the two continued to see each other through 1898.

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Untitled

By 1905, Claudel had begun to completely lose her sanity. She was known to disappear for long periods of time, and destroyed a number of her statues (an estimated 90 in total). She even accused Rodin of plotting to kill her and of stealing her ideas, a result of her increasing paranoia. Claudel was eventually committed to an asylum in 1913 where she remained for thirty years until her death.

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L’Age Mur

Claudel faced a number of obstacles in her quest to become a sculptor. Not only was she a woman, but also was shamed by her family and society because of her relationship with Rodin. Her critics were also harsh to Claudel after her exhibitions, citing that her beautiful sculptures were far too sensual and provocative.

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The Waltz

Today, her works are housed worldwide and contemporary critics now notice the mastery of her sculpture. However, because of the tumultuous state of her life, especially towards the end, the possibility for owning one of her pieces is great. No one really knows what she may have done in the midst of her insanity, be it selling statues at any price, or giving them away to strangers.

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Le Petite Chatelaine

If you believe you own a work of art by Camille Claudel, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Camille Claudel.


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585--duccio.php Duccio Artwork Authentication & Art Appraisal

Duccio di Buoninsegna (1255-1319)

Get a Di Buoninsegna Certificate of Authenticity for your painting (COA) for your Di Buoninsegna drawing.

For all your Di Buoninsegna artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Di Buoninsegna Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Di Buoninsegna painting or drawing.

If you want to sell your Di Buoninsegna painting or drawing use our selling services. We offer Di Buoninsegna selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Di Buoninsegna and issuing certificates of authenticity since 2002. We are recognized Di Buoninsegna experts and Di Buoninsegna certified appraisers. We issue COAs and appraisals for all Di Buoninsegna artworks.

Our Di Buoninsegna paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Di Buoninsegna certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Di Buoninsegna painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Di Buoninsegna paintings or drawings take longer.

Our clients include Di Buoninsegna collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Duccio art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Duccio or we will sell it for you.

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The Virgin and Child With Twenty Angels and Nineteen Saints

Duccio was the most influential Sienese artist of his time and one of the key figures in the development of European painting. Duccio is considered to have had a major influence on the formation of the International Gothic style, and to have influenced Simone Martini and the brothers Ambrogio and Pietro Lorenzetti, among others.

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The Calling of the Apostles Peter and Andrew

His works include the Rucellai Madonna (1285) for Santa Maria Novella (now in the Uffizi) and the fabled Maestà (1308-11), his masterpiece, for Siena’s cathedral. Originally carried through the streets of Siena in a religious ceremony, the multi-paneled Maesta represented a major step forward in painterly style and narrative storytelling through visual art.

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Madonna with Child

His Madonna and Child, painted on a wood panel around the year 1300, was purchased in November 2004 by the Metropolitan Museum of Art in New York City for an estimated sum in excess of 45 million USD, the most expensive purchase ever by the museum. In 2006 James Beck, a scholar at Columbia University stated that he believes the painting is a nineteenth century forgery; the Metropolitan Museum’s curator of European Paintings has disputed Beck’s assertion. Still wondering about a 14th century Italian painting in your family estate? Contact us…it could be by Duccio.


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586--koch.php Joseph Anton Koch Artwork Authentication & Art Appraisal

Joseph Anton Koch (1768-1839)

Get a Koch Certificate of Authenticity for your painting (COA) for your Koch drawing.

For all your Koch artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Koch Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Koch painting or drawing.

If you want to sell your Koch painting or drawing use our selling services. We offer Koch selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Koch and issuing certificates of authenticity since 2002. We are recognized Koch experts and Koch certified appraisers. We issue COAs and appraisals for all Koch artworks.

Our Koch paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Koch certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Koch painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Koch paintings or drawings take longer.

Our clients include Koch collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Joseph Anton Koch art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Joseph Anton Koch or we will sell it for you.

Koch painting, Landscape with Rainbow

Landscape with Rainbow

Joseph Anton Koch was an 18th century Austrian painter. Koch was active primarily in Rome after he settled there in 1795.

Koch painting, Landscape with Abraham and Three Angels

Landscape with Abraham and Three Angels

Though he painted a number of scenes from Dante’s Inferno, Koch is now best known for his idyllic landscapes. The landscapes often feature biblical figures and have a distinctive Romantic style, most often featuring mountains.

Koch painting, Mountain Scene

Mountain Scene

Still wondering about an 18th century Austrian or Italian painting in your family collection? Contact us…it could be by Joseph Anton Koch.


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587--vonhanno.php Carl von Hanno Artwork Authentication & Art Appraisal

Carl von Hanno (1901-1953)

Carl von Hanno art authentication. Carl von Hanno appraisal. Carl von Hanno certificates of authenticity (COA). Carl von Hanno analysis, research, scientific tests, full art authentications. We will help you sell your Carl von Hanno or we will sell it for you.

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Boats on the Water 1948

Carl von Hanno was a Norwegian painter. Hanno’s early style was influenced by cubism, and politically motivated. He later developed a personal, colorful style, often portraying seascapes. Carl von Hanno was a teacher at The State’s School of Art and Design of Oslo 1937-51

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Portrait of a Man

Still wondering about a Norwegian painting in your family collection? Contact us…it could be by Carl von Hanno.


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588--der-goes.php Hugo van der Goes Artwork Authentication & Art Appraisal

Hugo van der Goes (before 1436-1482)

We Perform Hugo van der Goes art authentication. Hugo van der Goes appraisal. Hugo van der Goes certificates of authenticity (COA). Hugo van der Goes analysis, research, scientific tests, full art authentications. We will help you sell your Hugo van der Goes or we will sell it for you.

The Fall Of Adam

The Fall Of Adam

Adoration Of The Shepherds

Adoration Of The Shepherds

Hugo van der Goes has been called the greatest Netherlandish painter of the late 15th century. Very little is known about his life prior to 1467 when he became a master in the painters’ guild at Ghent. Van der Goes had been given many commissions for the town of Ghent and by 1475 he was the dean of the painters’ guild.

The Lamentation

The Lamentation

It is said that van der Goes suffered greatly from depression and in 1481, had a mental breakdown. Though he recovered from this breakdown, he died the following year of unknown causes.

Mary Magdelaine

Mary Magdelaine

The only painting by van der Goes that is securely documented is a large triptych of the Nativity, famously known as the Portinari Altarpiece in Florence. This piece shows his influence by the Italian Renaissance masters, as well as his talent with oil paints and ornamental detail.

The Portinari Altar

The Portinari Altar

His last work is generally thought to have been “Death of the Virgin,” which art critics call a beautiful a poignant piece, despite the torment that the artist was undoubtedly feeling at the time.

Death Of The Virgin

Death Of The Virgin

Van der Goes did not sign any of his work, as was typical of painters during his era, and most of his surviving works are merely attributed to him. Though it would be very rare to find one of his oil painting today, it is always possible, and it is certainly possible that one of his sketches may surface.

Pen And Ink Sketch

Pen And Ink Sketch

Today, Van der Goes work is housed in public and private collections all over Europe, and perhaps in your own home. Still wondering about a 15th century sketch or religious painting in your family estate? Contact us…it could be by Hugo van der Goes.


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589--d_oggiono.php Marco d’Oggiono Artwork Authentication & Art Appraisal

Marco d’Oggiono (1470 – 1549)

We Perform Marco d’Oggiono art authentication. Marco d’Oggiono appraisal. Marco d’Oggiono certificates of authenticity (COA). Marco d’Oggiono analysis, research, scientific tests, full art authentications. We will help you sell your Marco d’Oggiono or we will sell it for you.

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Archangel Triumphing Over Lucifer

Marco d’Oggiono was an Italian painter and a chief pupil of Leonardo da Vinci, whose works he repeatedly copied. He was born at Oggiono near Milan. Of the details of his life, we know almost nothing — not even the date of his important series of frescoes painted for the church of Santa Maria della Pace in Milan. Lanzi gives 1530 as the date of his death, but various writers in Milan say it took place in 1540; the best accepted date is 1549.

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Head of the Virgin Sketch

He was a hard-working artist, but his paintings are wanting in vivacity of feeling and purity of drawing, while, in his composition, it has been said that “Intensity of color does duty for intensity of sentiment”. He copied Da Vinci’s Last Supper repeatedly, and one of his best copies is in the possession of the Royal Academy of Arts in England.

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The Last Supper

His two most notable pictures — one in the Pinacoteca di Brera (representing St. Michael) and the other in the private gallery of the Bonomi family (representing the Madonna) — are signed Marcus. Other examples of his work can be seen in Berlin, Paris, St. Petersburg and Turin; the one in Russia being a clever copy of the Last Supper by Leonardo. He cannot be regarded as an important artist, or even a very good copyist, but in his pictures the sky and mountains and the distant landscapes are always worthy of consideration, and in these, we probably get the painter’s best original work.

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The Holy Family with Saint Giovannino and An Angel

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The Virgin and Child

Still wondering about an Italian painting in your family collection? Contact us… we are the Marco d’Oggiono experts.


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590--krafft-barbara.php Barbara Krafft Artwork Authentication & Art Appraisal

Barbara Krafft (1764-1825)

We Perform Barbara Krafft art authentication. Barbara Krafft appraisal. Barbara Krafft certificates of authenticity (COA). Barbara Krafft analysis, research, scientific tests, full art authentications. We will help you sell your Barbara Krafft or we will sell it for you.

Barbara Krafft painting, Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart

Barbara Krafft was an 18th century painter. She was best known for her famous portrait of composer Wolfgang Amadeus Mozart. Still wondering about an 18th century portrait in your family collection? Contact us…it could be by Barbara Krafft.


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591--tristan-de.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "tristan-de" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "tristan-de" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "tristan-de" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
592--borgey.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "borgey" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "borgey" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "borgey" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "borgey" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


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593--mengs.php Anton Raphael Mengs Artwork Authentication & Art Appraisal

Anton Raphael Mengs (1728-1779)

Get a Mengs Certificate of Authenticity for your painting (COA) for your Mengs drawing.

For all your Mengs artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mengs Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mengs painting or drawing.

If you want to sell your Mengs painting or drawing use our selling services. We offer Mengs selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mengs and issuing certificates of authenticity since 2002. We are recognized Mengs experts and Mengs certified appraisers. We issue COAs and appraisals for all Mengs artworks.

Our Mengs paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mengs certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mengs painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mengs paintings or drawings take longer.

Our clients include Mengs collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Anton Raphael Mengs art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Anton Raphael Mengs or we will sell it for you.

Mengs painting, Self-Portrait

Self-Portrait

Mengs painting, St. John the Baptist, 1774

St. John the Baptist, 1774

Anton Raphael Mengs was an 18th century German painter. He studied under his father in Dresden and Rome, and was influenced early on by the works of the Italian Renaissance painters. Some art historians have said that Mengs was considered to be the greatest living painter of his day.

Mengs painting, Maria Luisa of Parma 1765

Maria Luisa of Parma 1765

Mengs was named the court painter for the Elector of Saxony, Augustus II in the 1750’s. While working for the Saxon court, Mengs painted a number of large portraits for the nobility.

Mengs painting, Portrait of a Man

Portrait of a Man

During the height of Mengs’ popularity, he was still highly influence by the Baroque in his religious paintings. However, Mengs was also working at the same time to bring Neoclassical elements into his art and the art world.

Mengs painting, Perseus and Andromeda 1777

Perseus and Andromeda 1777

Mengs also spent many years as the court painter to Charles III of Spain, and decorated many rooms in the Royal Palace in Madrid, as well as at the Vatican.

Mengs painting, Charles III 1761

Charles III 1761

Still wondering about an 18th century European painting in your family collection? Contact us…it could be by Anton Raphael Mengs.


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594--skackauskas.php Algis Skačkauskas Artwork Authentication & Art Appraisal

Algis Skačkauskas (1955 – 2009)

Do you think you may own a painting by Algis Skačkauskas?

Get a Skačkauskas Certificate of Authenticity for your painting (COA) for your Skačkauskas drawing.

For all your Skačkauskas artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Skačkauskas Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Skačkauskas painting or drawing.

If you want to sell your Skačkauskas painting or drawing use our selling services. We offer Skačkauskas selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Skačkauskas and issuing certificates of authenticity since 2002. We are recognized Skačkauskas experts and Skačkauskas certified appraisers. We issue COAs and appraisals for all Skačkauskas artworks.

Our Skačkauskas paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Skačkauskas certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Skačkauskas painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Skačkauskas paintings or drawings take longer.

Our clients include Skačkauskas collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Algis Skačkauskas art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Algis Skačkauskas or we will sell it for you.

1. Wine on the Meadow of the Hills. 2005. Oil painting.

1. Wine on the Meadow of the Hills. 2005. Oil painting.

2. Gitaristas nakčia. 2005. Oil painting.

2. Gitaristas nakčia. 2005. Oil painting.

Algis Skačkauskas was a Lithuanian painter who was active during the last decade of the Soviet era. Skačkauskas’s work is often classified as Neoexpressionist. He became one of Lithuania’s most prominent artists during the 1980s and 1990s.

3. Nuotaka. 1982. Oil painting.

3. Nuotaka. 1982. Oil painting.

After serving in the Soviet Army, Skačkauskas began to study painting at the Lithuanian State Art Institute. After completing his studies he became a teacher at the Vilnius Vienožinskis Art School. Skačkauskas also began exhibiting both in Lithuania and internationally.

4. Mitologinė kompozicija. 1986. Oil painting.

4. Mitologinė kompozicija. 1986. Oil painting.

Skačkauskas was an active member of the Lithuanian Artists’ Union and a group of painters called “24.” His paintings were highly praised and accepted into numerous group shows and museums. Skačkauskas’s paintings are now in the permanent collection of the Lithuanian Art Museum and the Kaunas MK Ciurlionis Art Musuem.

5. Skęstantis ir valgantieji. 1988. Oil painting.

5. Skęstantis ir valgantieji. 1988. Oil painting.

If you think you may own original artwork by Algis Skačkauskas, contact Art Certification Experts for information regarding our services.


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595--chardin.php Jean Baptiste Chardin Artwork Authentication & Art Appraisal

Jean-Baptiste-Simeon Chardin (1699-1779)

Get a Chardin Certificate of Authenticity for your painting (COA) for your Chardin drawing.

For all your Chardin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Chardin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Chardin painting or drawing.

If you want to sell your Chardin painting or drawing use our selling services. We offer Chardin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Chardin and issuing certificates of authenticity since 2002. We are recognized Chardin experts and Chardin certified appraisers. We issue COAs and appraisals for all Chardin artworks.

Our Chardin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Chardin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Chardin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Chardin paintings or drawings take longer.

Our clients include Chardin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Baptiste Chardin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean Baptiste Chardin or we will sell it for you.

Jean Baptiste Chardin was the creator of modern still life and is considered to be one of the finest painters of the 18th century. Compared to Rembrandt and an inspiration for future artists such as Matisse, Cezanne and Van Gogh, Chardin was a master in the truest sense, but his name is generally lesser known than other artists.

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Still Life

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The Silver Goblet

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Wild Strawberries

Born in Paris on the cusp of the new century, Chardin had virtually no early formal artistic training and was self-taught. He studied and was influenced by the 17th century low country masters, and eventually created a Rococo style for himself. He generally painted historical subjects and every day domestic scenes.

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Grace Before Meal

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The Mother’s Advice

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Girl Peeling Vegetables

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Still Life with Cat and Fish

By 1728, Chardin was admitted to the Royal Academy of Painting and Sculpture and from this point on, painted scenes of bourgeois Parisians. In fact, one of his earliest patrons was King Louis XV. Chardin was highly sought after at the time because he was able to achieve a highly realistic texture on canvas simply by working with brushstrokes and glazes. This great talent earned him the title of the “grand magician” by his critics and patrons.

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Boy Playing With Cards

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The Young Schoolmistress

In the last years of his life, Chardin’s eyes began to fail so he turned to pastels. While these paintings were not as highly valued during his lifetime, they are truly coveted now. Chardin also created a number of self-portraits which are highly recognizable. He is pictured strangely wearing scarves around his head and neck, and even what looks like a ladies hat in one, as well as a pair of spectacles.

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Self-Portrait

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Self-Portrait, pastel on paper

As can be seen in his painting “Still Life with Peaches,” Chardin would often incorporate his name into his composition as simply “chardin.”

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Still Life With Peaches

Perhaps the reason that Chardin’s work has stood the test of time is that his themes are very universal. He painted the bourgeois in the same light as the peasantry, and portrayed them doing normal activities and not just lounging or posing.

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Lady Sealing a Letter

Many of his critics have hailed him for the way that he captured humanity in his paintings, and for this reason, his work still resonates with collectors today. Many of his paintings are housed in the Louvre and other venues world wide, and perhaps even in your home.

If you believe you own a work of art by Jean Baptiste Chardin, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Jean Baptiste Chardin.


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596--grau.php Enrique Grau Artwork Authentication & Art Appraisal

Enrique Grau (1920 – 2004)

Get a Grau Certificate of Authenticity for your painting or a COA for your Grau drawing or sculpture.

For all your Grau artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Grau Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Grau painting, drawing or sculpture.

If you want to sell your Grau painting, drawing or sculpture use our selling services. We offer Grau selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Grau and issuing certificates of authenticity since 2002. We are recognized Grau experts and Grau certified appraisers. We issue COAs and appraisals for all Grau artworks.

Our Grau paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Grau certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Grau painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Grau paintings, drawings or sculpture take longer.

Our clients include Grau collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Enrique Grau art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Enrique Grau or we will sell it for you.

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Enrique Grau (1920 – 2004)

 

His country of origin was Panama. He was born in 1920 and spent his childhood and adolescence in Cartagena de Indias, but he studied in Bogotá, Colombia, where his family moved when he was six years old. Grau had a natural predisposition for drawing and painting and his cultural training was promoted by his maternal grandmother who had also dabbled in painting, sculpture and journalism.

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the hanged tn

 

In 1941 he moved to New York, with a scholarship granted by the Colombian government to continue his training in the Art Students’ League. He remains there for three years, then continuing his studies in Italy, where he perfected his development as a muralist, painter and draftsman.

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enrique grau la cayetana tn

 

In 1945, he traveled to Bogotá, set up his first professional studio there, and held his first solo exhibition at the National Library. He participates in the annual exhibition of coastal artists and wins the first prize with his SAUDADE work that he shares with the teacher Alejandro Obregón.

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enrique grau la gran banista 1962 oleo sobre tela tn

 

In 1955 the Cartagena Secretary of Education awarded him a scholarship to specialize in fresco painting in Florence. From that moment on, his paintings show the influence of Spanish cubism.

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enrique grau the key 1963 tn

 

In 1984 he begins to produce a series of bronze sculptures in New York, thus representing in a third dimension some of his paintings of the human figure. This group called it “Twelve Bronzes for History”.

In recent years, he also devoted himself to the investigation of tropical flora and fauna, as we can see in his series “The Little Journey of Baron Von Humboldt” or in the series “Iguanas”, inspired by a trip to the Galapagos Islands. .

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EnriqueGrau My model 1966 Oil on canvas tn

 

Enrique Grau is one of the most important Colombian painters of the 20th century. In his work, miscegenation, eroticism and the tropical landscape come together to erect a magical universe. Among his many exhibitions are memorable those he did at the Guggenheim Museum in New York and at the National Museum of Modern Art in Paris.

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enrique grau couple charcoal and pastel on paper 1995 tn

 

He died in March 2004 in Bogota, Colombia, leaving an immense artistic legacy of his work to the city of Cartagena de Indias.

Still wondering about an Italian painting in your family collection? Contact us…it could be by Enrique Grau.


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597--werefkin.php Marianne von Werefkin Artwork Authentication & Art Appraisal

Marianne von Werefkin (Марианна Владимировна Верёвкина) (1860-1938)

We Perform Marianne von Werefkin art authentication. Marianne von Werefkin appraisal. Marianne von Werefkin certificates of authenticity (COA). Marianne von Werefkin analysis, research, scientific tests, full art authentications. We will help you sell your Marianne von Werefkin or we will sell it for you.

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Self-Portrait, 1908

Marianne von Werefkin was born the daughter of the commander of the Ekaterinaburg Regiment. In 1880, she became a student of Ilya Repin, the most important painter of Russian Realism. Her progress was dealt a setback by a hunting accident in 1888 in which she shot her right hand, the one with which she painted. In 1892, she met Alexej von Jawlensky, who desired to make her his muse, and in 1896, she, Jawlensky, and their servant moved to Munich. For the sake of Jawlensky’s painting, Werefkin interrupted her painting for almost ten years.

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Woman in Blue, 1909

She created her first expressionist works in 1907. In these, she followed Paul Gaugin’s and Louis Anquetin’s style of “surface painting”, while also showed the influence of Edvard Munch. In 1909, the Neue Knstlervereinigung Munchen (New Association of Artists in Munich, NKVM) was founded, and it became a forum of exhibitions and programming. In 1911, der Blaue Reiter was founded. It put out an eponymous almanac and held its first exhibition in the winter of 1911-1912. In 1912, von Werefkin and Jawlensky left the NKVM and joined the Blaue Reiter.

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The Biergarten, 1907

At the outbreak of the First World War, they immigrated to Switzerland near Geneva. They later moved to Zurich. By 1918, they had separated, and Werefkin moved alone to Ascona on Lago Maggiore. In 1924, she founded the artist group “Großer Bär”, (Big Bear, Ursa Major). In her later years, she painted posters. Her friends, Carmen and Diego Hagmann, protected her from poverty. She was later buried in the Russian graveyard in Ascona.

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The Family, 1922

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Autumn (school), 1907

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Police Sentinel in Vilnius, 1914

The Lonely Path, by Marianne von Werefkin

The Lonely Path, 1910

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Portrait of Marianne von Werefkin, 1909

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Red City, 1909

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The Skaters, 1911

Still wondering about a 19th century Russian or Swiss painting in your family collection? Contact us…it could be by Marianne von Werefkin.


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598--hayman.php Francis Hayman Artwork Authentication & Art Appraisal

Francis Hayman (1708-1776)

Get a Hayman Certificate of Authenticity for your painting (COA) for your Hayman drawing.

For all your Hayman artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hayman Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hayman painting or drawing.

If you want to sell your Hayman painting or drawing use our selling services. We offer Hayman selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hayman and issuing certificates of authenticity since 2002. We are recognized Hayman experts and Hayman certified appraisers. We issue COAs and appraisals for all Hayman artworks.

Our Hayman paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hayman certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hayman painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hayman paintings or drawings take longer.

Our clients include Hayman collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francis Hayman art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Francis Hayman or we will sell it for you.

Hayman painting, The Gasciogne Family

The Gasciogne Family

Francis Hayman was an 18th century English painter and illustrator. He was one of the founding members of the Royal Academy , and was also its first official librarian. He was born in Devon and initially began his career as a set painter for London ‘s Drury Lane Theater.

Hayman painting, Dancing Milkmaids

Dancing Milkmaids

Hayman was highly influenced by the French Rococo style, and was equally gifted painting portraits, landscapes and genre and history scenes.

Hayman painting, Satan Envies Adam and Eve

Satan Envies Adam and Eve

He later illustrated scenes from Shakespeare’s plays, as well as a number of other publications and went on to become an instructor of a number of well-known British artists, among them, Thomas Gainsborogh.

Hayman painting, Scene from Shakespears

Scene from Shakespears “As You Like It”

Still wondering about an 18th century British painting in your family collection? Contact us…it could be by Francis Hayman.


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599--kroyer.php Peder Severin Kroyer Artwork Authentication & Art Appraisal

Peder Severin Kroyer (1851-1909)

Get a Kroyer Certificate of Authenticity for your painting or a COA for your Kroyer drawing or sculpture.

For all your Kroyer artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Kroyer Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kroyer painting, drawing or sculpture.

If you want to sell your Kroyer painting, drawing or sculpture use our selling services. We offer Kroyer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kroyer and issuing certificates of authenticity since 2002. We are recognized Kroyer experts and Kroyer certified appraisers. We issue COAs and appraisals for all Kroyer artworks.

Our Kroyer paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kroyer certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kroyer painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kroyer paintings, drawings or sculpture take longer.

Our clients include Kroyer collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Peder Severin Kroyer art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Peder Severin Kroyer or we will sell it for you.

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Self-Portrait

Peder Severin Kroyer was a Norwegian-born Danish painter, and is considered to be one of the most famous “Painters of Light” during the 19th century.

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The Artists’ Luncheon

Kroyer studied at the Copenhagen Academy of Arts where he established his ideals for creating compositions that showed a harmony between beauty and nature. Kroyer frequently visited Paris, where he was a student of Bonnat and became influenced by the work of the Impressionists, which further heightened his development of the use of light.

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Marie in the Garden

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Wine Harvest in Tyrol

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Osteria Ravello, Italy

Kroyer visited Skagen in 1882, and returned their regularly thereafter during the summer to complete the major part of his works. Kroyer eventually became the leader of the colony of artists at Skagen.

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Summer Afternoon on Skagen Beach

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Summer Evening at Skagen

During his lifetime, Kroyer was a fairly versatile artist and created many different types of art in many different mediums from sculpture to engraving and watercolor, and created portraits, landscapes and genre scenes. He was awarded many prestigious awards during his lifetime, and was named a Chevalier of the Legion of Honor in 1888.

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Three Fisherman Pulling a Boat

Today, many of Kroyer’s paintings are housed in the Museum of Copenhagen and perhaps in your own home. Still wondering about a 19th century Danish painting in your family collection? Contact us…it could be by Peder Severin Kroyer.


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600--waldo.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "waldo" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "waldo" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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601--galien-laloue.php Eugene Galien Laloue Artwork Authentication & Art Appraisal

Eugene Galien Laloue (1854-1941)

We Perform Eugene Galien Laloue art authentication. Eugene Galien Laloue appraisal. Eugene Galien Laloue certificates of authenticity (COA). Eugene Galien Laloue analysis, research, scientific tests, full art authentications. We will help you sell your Eugene Galien Laloue or we will sell it for you.

Eugene Galien Laloue was one of the great artists of the Paris street scene, which he produced in an Impressionist style. His paintings stand out from those of other artists of the day due to the way in which he was able to depict the landmarks and monuments of Paris, giving special attention to the architectural detail.

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Paris le Marche aux Fleurs
Courtesy Rehs Galleries, Inc., New York

He was born in Paris, in Monmartre, and was one of nine children. After the death of his Father at the age of sixteen, he left school to work in the office of a Notary. However, this was the time of the Franco Prussian War and he quickly left this job to enlist in the army. It is thought that whilst in the military he decided to become an artist. After leaving the army he found a job with French Railways as an illustrator. He produced illustrations of the tracks that were being laid from Paris to the provinces.

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Place de la Republique
Courtesy Rehs Galleries, Inc., New York

He exhibited for the first time at the Museum of Reims with a painting entitled, ‘Flower Market along the Seine under the Snow.’ After that he exhibited at the Paris Salon, and was to exhibit there regularly thereafter. He was said to have taken scrupulous notes of the paintings he sold and the price paid.

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Flower Market
Courtesy Rehs Galleries, Inc., New York

He was to produce paintings of his beloved Paris all his life, and particularly liked to portray the city in Autumn and Winter. He was to go on to produce countless paintings of the monuments of Paris such as the Arc de Triomphe and the Louvre. Many of his paintings tell a story, in that they show what Paris life of the early 1900s, was like, with its horse drawn carriages, trolley cars, bustling boulevards, and its markets. In a sense he was a recorder of the history of the city.

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Un 14 Juillet Place de la Republique de la Bastille
Courtesy Rehs Galleries, Inc., New York

He was, however, a solitary figure and did not have close friends among other artists of the day, and also did not like to travel. When he painted other cities, it was from postcards and photographs. He also used pseudonyms, and art historians have said that this was due to his reclusive personality and the wish to remain somewhat anonymous.

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Foire aux Pains D’epicerie La Nation
Courtesy Rehs Galleries, Inc., New York

One of the pseudonyms that he used was J. Lievin. He took this name from the name of a soldier that he met during the Franco Prussian war. He also used the surname Galiany. Galiany was an Italian version of his French surname. His father was Italian. The third name that he was known to have used is Dupuy Leon after someone that lived in his region. There is a possibility that he also used other pseudonyms as well.

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La Madeleine Sous La Neige
Courtesy Rehs Galleries, Inc., New York

Although his notoriety is due to the depiction of Paris street scenes, it should not be forgotten that his paintings dealt with other subjects also. At the beginning of the First World War he was too old to join up and so he took to painting scenes of battle. He paid particular attention to the details of the individual soldiers, and in particular their costumes. He also produced magnificent landscapes of Normandy, and the area around Barbizon, and the Forest Of Fontainebleau. Whereas his Paris scenes dealt with the seasons of autumn and winter, he depicted his landscapes of Normandy and the area around the Forest of Fontainebleau in the spring and summer.

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La Place de la Republique Sous la Neige
Courtesy Rehs Galleries, Inc., New York

Eugene Galien Laloue, as a man, is certainly a bit of a mystery, his reclusive nature, and the number of pseudonyms that he used certainly set him apart from his contemporaries of the day. He was also to marry three times, but the strange thing about his marriages was that they were all sisters, whom he married one after the other!

Towards the beginning of the Second World War he went to live with his daughter in the village of Cherence, just a mile or so from Vetheuil, the village where Monet lived for a number of years. It was there that he died.

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Place Clichy
Courtesy Rehs Galleries, Inc., New York

Paris street scenes by Eugene Galien Laloue are certainly sought after and valuable. If you have a painting of a Paris street scene with particular attention paid to the architectural detail, it is possible that it is by him. The fact that the signature is not Galien Laloue or any of his other known pseudonyms should not discount it as one of his paintings, as art historians believe there is a possibility that he may have used other names as well of which we are not aware. If you suspect you may own a Laloue, please contact us.


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602--von-prenner.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "von-prenner" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "von-prenner" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
603--cotes.php Francis Cotes Artwork Authentication & Art Appraisal

Francis Cotes (1726-1770)

Get a Cotes Certificate of Authenticity for your painting (COA) for your Cotes drawing.

For all your Cotes artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cotes Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cotes painting or drawing.

If you want to sell your Cotes painting or drawing use our selling services. We offer Cotes selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cotes and issuing certificates of authenticity since 2002. We are recognized Cotes experts and Cotes certified appraisers. We issue COAs and appraisals for all Cotes artworks.

Our Cotes paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cotes certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cotes painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cotes paintings or drawings take longer.

Our clients include Cotes collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francis Cotes art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Francis Cotes or we will sell it for you.

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Miss. Francis Lee, 1769

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Miss. Summerville

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Baron Hawke

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Lady Stanhope and the Countess of Effingham

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Liet. Col. Francis Smilth

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Portrait of a Gentleman

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Portrait of a Lady

Francis Cotes as an 18th century British portrait painter. He was a member and a powerful director of the Royal Academy. Cotes worked mostly in pastels, and often added naturalistic backgrounds to his society portraits. Cotes was particularly sought after for his portraits of children, and today his works are housed in museums worldwide. Still wondering about a portrait in your family collection? Contact us…it could be by Francis Cotes.


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605--gromaire.php Marcel Gromaire Artwork Authentication & Art Appraisal

Marcel Gromaire (1892-1971)

Get a Gromaire Certificate of Authenticity for your painting (COA) for your Gromaire drawing.

For all your Gromaire artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gromaire Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gromaire painting or drawing.

If you want to sell your Gromaire painting or drawing use our selling services. We offer Gromaire selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gromaire and issuing certificates of authenticity since 2002. We are recognized Gromaire experts and Gromaire certified appraisers. We issue COAs and appraisals for all Gromaire artworks.

Our Gromaire paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gromaire certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gromaire painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gromaire paintings or drawings take longer.

Our clients include Gromaire collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Marcel Gromaire art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Marcel Gromaire or we will sell it for you.

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Snow, 1912

Marcel Gromaire was a French Expressionist painter and designer born in Noyelles-sur-Sambre. Gromaire originally studied law in Paris, and even received his diploma, but he is essentially drawn to art. While he was beginning his own independent studies, Gromaire was called away to fight in the war from 1912 until 1916 when he was wounded. While serving in the war, Gromaire continued to draw and sketch while traveling and fighting all over Europe. Not surprisingly, the war was also an influence on Gromaire’s work and is echoed in a number of his compositions.

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World War, 1925

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Nude Sketch

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Nude

While Gromaire was essentially a self-taught artist, he would often frequent the studios in Montparnasse to study his fellow artists. Matisse was a big influence on Gromaire, and he was able to study his style briefly at the Academie de la Palette and the Academie Ranson.

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Watercolor Cityscape

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The Brooklyn Bridge

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Moulins Aux Toits Rouges, 1949

In 1919, Gromaire was able to return to Paris where he began to receive some notoriety as a painter. His work is highly admired by one Dr. Girardin who bought a great deal of his paintings. Upon Dr. Girardin’s death in 1953, some 80 oil paintings were donated to the Museum of Modern Art in Paris. These post-war paintings show a German-Impressionist influence, as well as Gromaire’s interest in Flemish art.

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Les Buveurs de Biere, 1924

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Le Chemineau, 1925

During his lifetime, Gromaire exhibited extensively in the United States, Germany and France. He won the Legion of Honor in 1954, and also the National Guggenheim prize in 1956. Gromaire also taught at the Ecole Nationale Superieure from 1950 to 1962 as a professor. Not just an artist, Gromaire was also a writer and often wrote critiques and opinion articles about art and cinema.

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La Place Blanche, 1928

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Ouvrier Pres du Peole, 1949

Gromaire’s art is not nearly as well known as his contemporaries, but his artistic talent is undeniable, and his compositions are still highly valued at auction today. Furthermore, his style was never the same, perhaps making it hard for one to distinguish whether one of their prized family heirloom paintings was indeed by Gromaire or not. In fact, it appears that Gromaire was even inspired by Cubism for his 1950 painting “Blonde Nude at the Window”.

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Nude Blonde Woman at the Window, 1950

Whether it is a sketch of a nude or a political post-World War I painting you may own, let us help you determine whether it was painted by Marcel Gromaire.


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606--ponce-fidelio.php Fidelio Ponce de León Artwork Authentication & Art Appraisal

Fidelio Ponce de León ( 1895-1949 )

We Perform Fidelio Ponce de León art authentication. Fidelio Ponce de León appraisal. Fidelio Ponce de León certificates of authenticity (COA). Fidelio Ponce de León analysis, research, scientific tests, full art authentications. We will help you sell your Fidelio Ponce de León or we will sell it for you.

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FidelioPonce

 

El misterio envuelve la vida de Fidelio Ponce de León, uno de los pintores cubanos más auténticos de su época. Sus pares y artistas colegas también lo consideran como uno de los mejores artistas plásticos de su tiempo.

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Figures-1935_tn

 

Su nombre verdadero era Alfredo Ramón Jesús de la Paz Fuentes Pons y los detalles de su vida son bastante vagos. Estudió en San Alejandro pero no se sabe si terminó allí sus estudios. Ponce literalmente desapareció de la escena artística entre los años 1918 y 1923. Más tarde se supo que pasó esos años en una pequeña ciudad, enseñando a los niños a dibujar. Durante ese tiempo, también se dice que trabajó en publicidad, probablemente en La Habana. Se dice también que murió de hambre cuando en realidad murió de complicaciones, consecuencia de una tuberculosis.

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La Nina Armadita tn

 

A diferencia de muchos de sus contemporáneos, Ponce salió de Cuba pero nunca buscó afuera algún tipo de inspiración artística o acrecentar sus conocimientos sobre arte. Viajó a Rusia y a México pero no se dirigió a Paris ni a otros centros europeos de arte. Produjo casi toda su obra en Cuba y recibió toda su instrucción formal en Cuba. Por esta razón muchos lo han reconocido como uno de los más auténticos pintores cubanos de su era.

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Portrait of a woman tn

 

Se dice que Ponce era una persona simpática pero también se dice que era un hombre triste y además alcohólico. Es probable que ambas referencias sean ciertas, pero su tristeza es lo refleja su trabajo artístico. Las óleos cerámicas, acuarelas, carboncillos, grabados y papel-maché eran parte de su obra, pero se lo conoce mayormente por sus pinturas al óleo.

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Portrait of Dr Mario D Cardenas Pupo tn

 

Estudiante de Romanach mientras estuvo en la Academia San Alejandro, era muy aficionado a utilizar el blanco en sus composiciones. La mayoría de sus temas están compuestos por imaginería religiosa, imágenes de Jesús y de crucifijos, por niños tristes y gente tuberculosa. Por ejemplo “Figuras” muestra su uso del blanco y sus temas sombríos.

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Sketch of woman with bow tn

 

Algunas de sus pinturas al óleo se orientan hacia la abstracción. Sin embargo, estas composiciones vinieron mucho después en su carrera, en la segunda parte de la década del cuarenta.

Sus dibujos de carboncillo son tan comunes como sus pinturas al óleo. Generalmente con temas sombríos, son retratos desvaídos, que utilizan el blanco al que era tan aficionado Ponce.

El estilo de Ponce es difícil de clasificar, expresionismo, impresionismo o abstracción, ninguno indicaría que pintaba con un espíritu vanguardista. Actualmente, alguno de sus trabajos se están deteriorando debido a su falta de conocimiento sobre la mezcla de pinturas al óleo; en consecuencia autenticar su pintura es una tarea muy importante. Cuanto más pronto se pongan sus pinturas en manos de profesionales, tanto más rápidamente podrán ser restauradas o exhibidas adecuadamente.

Hoy en día los trabajos de Ponce se exhiben en toda Cuba y han sido vendidas a colecciones privadas en cientos de miles de dólares.


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607--neil-o.php Henry Nelson O’Neil Artwork Authentication & Art Appraisal

Henry Nelson O’Neil (1817-1880)

Get a O’Neil Certificate of Authenticity for your painting (COA) for your O’Neil drawing.

For all your O’Neil artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a O’Neil Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your O’Neil painting or drawing.

If you want to sell your O’Neil painting or drawing use our selling services. We offer O’Neil selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating O’Neil and issuing certificates of authenticity since 2002. We are recognized O’Neil experts and O’Neil certified appraisers. We issue COAs and appraisals for all O’Neil artworks.

Our O’Neil paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The O’Neil certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your O’Neil painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research O’Neil paintings or drawings take longer.

Our clients include O’Neil collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henry Nelson O’Neil art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Henry Nelson O’Neil or we will sell it for you.

The Pre-Raphaelite 1857

The Pre-Raphaelite, 1857

Henry Nelson O’Neil was a historical genre painter and minor Victorian writer. He worked primarily with historical and literary subjects, but his best-known paintings dealt with the Indian Mutiny. Eastward, Ho! dates August 1857 but exhibited the following year and depicts the British troops embarking for India. A second painting, Home Again, (1859) shows the troops returning to England. He also had popular successes with romantic scenes portraying the deaths of Mozart and Raphael, depicted as though mentally transported to heaven by their own religious art. In The Last Moments of Mozart, the dying composer listens to singers performing part of his Requiem. The Last Moments of Raphael shows the painter contemplating the unseen figure of Christ in his Transfiguration.

Ophelia

Ophelia

O’Neil was a member of The Clique, a group of artists in the 1840s who, like the later Pre-Raphaelite Brotherhood, met regularly to discuss and criticize one another’s works. The other members of The Clique were Augustus Egg, Alfred Elmore, Richard Dadd, William Powell Frith, John Phillip, and Edward Matthew Ward.

A Picnic

A Picnic

Most of The Clique opposed the Pre-Raphaelites, but O’Neil was the most virulent in his condemnation of the movement, attacking them in both paintings and writings. Among them was his futuristic fantasy 2000 Years Hence, which portrayed Britain in the year 3967 as a frozen wasteland excavated by an archaeologist from New Zealand. The archaeologist uncovers evidence of the decline of British culture in the nineteenth century, allowing O’Neil to vent his own distinctly reactionary political views, predicting dire consequences of the Reform Act of 1867.

Home Again 1858

Home Again, 1858

Still wondering about a 19th century painting in your family collection? Contact us… we are the Henry Nelson O’Neil experts.


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609--marie-pierre.php Jean Baptiste Marie Pierre Artwork Authentication & Art Appraisal

Jean Baptiste Marie Pierre (1713-1789)

Get a Marie Pierre Certificate of Authenticity for your painting (COA) for your Marie Pierre drawing.

For all your Marie Pierre artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Marie Pierre Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Marie Pierre painting or drawing.

If you want to sell your Marie Pierre painting or drawing use our selling services. We offer Marie Pierre selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Marie Pierre and issuing certificates of authenticity since 2002. We are recognized Marie Pierre experts and Marie Pierre certified appraisers. We issue COAs and appraisals for all Marie Pierre artworks.

Our Marie Pierre paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Marie Pierre certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Marie Pierre painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Marie Pierre paintings or drawings take longer.

Our clients include Marie Pierre collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Baptiste Marie Pierre art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean Baptiste Marie Pierre or we will sell it for you.

Marie Pierre painting, Mythological Scene

Mythological Scene

Jean Baptiste Marie Pierre was an 18th century French painter. Marie Pierre was best known for his mythological paintings of gods and goddesses painted in the Neoclassical style.

Marie Pierre painting, Garden Ornament, Red Chalk on Paper

Garden Ornament, Red Chalk on Paper

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Jean Baptiste Marie Pierre.


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610--oggiono-d.php Marco d’Oggiono Artwork Authentication & Art Appraisal

Marco d’Oggiono (1470 – 1549)

We Perform Marco d’Oggiono art authentication. Marco d’Oggiono appraisal. Marco d’Oggiono certificates of authenticity (COA). Marco d’Oggiono analysis, research, scientific tests, full art authentications. We will help you sell your Marco d’Oggiono or we will sell it for you.

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Archangel Triumphing Over Lucifer

Marco d’Oggiono was an Italian painter and a chief pupil of Leonardo da Vinci, whose works he repeatedly copied. He was born at Oggiono near Milan. Of the details of his life, we know almost nothing — not even the date of his important series of frescoes painted for the church of Santa Maria della Pace in Milan. Lanzi gives 1530 as the date of his death, but various writers in Milan say it took place in 1540; the best accepted date is 1549.

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Head of the Virgin Sketch

He was a hard-working artist, but his paintings are wanting in vivacity of feeling and purity of drawing, while, in his composition, it has been said that “Intensity of color does duty for intensity of sentiment”. He copied Da Vinci’s Last Supper repeatedly, and one of his best copies is in the possession of the Royal Academy of Arts in England.

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The Last Supper

His two most notable pictures — one in the Pinacoteca di Brera (representing St. Michael) and the other in the private gallery of the Bonomi family (representing the Madonna) — are signed Marcus. Other examples of his work can be seen in Berlin, Paris, St. Petersburg and Turin; the one in Russia being a clever copy of the Last Supper by Leonardo. He cannot be regarded as an important artist, or even a very good copyist, but in his pictures the sky and mountains and the distant landscapes are always worthy of consideration, and in these, we probably get the painter’s best original work.

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The Holy Family with Saint Giovannino and An Angel

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The Virgin and Child

Still wondering about an Italian painting in your family collection? Contact us… we are the Marco d’Oggiono experts.


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611--giani.php Felice Giani Artwork Authentication & Art Appraisal

Felice Giani (1758-1823)

Get a Giani Certificate of Authenticity for your painting (COA) for your Giani drawing.

For all your Giani artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Giani Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Giani painting or drawing.

If you want to sell your Giani painting or drawing use our selling services. We offer Giani selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Giani and issuing certificates of authenticity since 2002. We are recognized Giani experts and Giani certified appraisers. We issue COAs and appraisals for all Giani artworks.

Our Giani paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Giani certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Giani painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Giani paintings or drawings take longer.

Our clients include Giani collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Felice Giani art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Felice Giani or we will sell it for you.

Giani painting, Vulcan's Armor

Vulcan’s Armor

Felice Giani was an 18th century Italian Neoclassical painter. Giani received his first studies in Bologna from 1780-1783 at the Accademia di San Luca, and studied under Pompeo Batoni. Giani was initially influenced by Ancient Roman and Greek art, as well as old masters Raphael and Michelangelo, among others.

Giani painting, Fresco Studies

Fresco Studies

Giani was eventually given comissions by Napoleon, and in 1819, was elected to the Congregation of the Virtuosi of the Pantheon.

Giani painting, Neoclassical Scene

Neoclassical Scene

Still wondering about an 18 th century Italian painting in your family collection? Contact us…it could be by Felice Giani.


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613--sohlberg.php Harald Oskar Sohlberg Artwork Authentication & Art Appraisal

Harald Oskar Sohlberg (1869- 1935)

Do you think you may own a painting by Harald Sohlberg?

Get a Sohlberg Certificate of Authenticity for your painting (COA) for your Sohlberg drawing.

For all your Sohlberg artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sohlberg Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sohlberg painting or drawing.

If you want to sell your Sohlberg painting or drawing use our selling services. We offer Sohlberg selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sohlberg and issuing certificates of authenticity since 2002. We are recognized Sohlberg experts and Sohlberg certified appraisers. We issue COAs and appraisals for all Sohlberg artworks.

Our Sohlberg paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sohlberg certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sohlberg painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sohlberg paintings or drawings take longer.

Our clients include Sohlberg collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Harald Oskar Sohlberg art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Harald Oskar Sohlberg or we will sell it for you.

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Self-Portrait, Paris, 1896

Harald Sohlberg was a Norwegian Neo-romantic painter, particularly known for his depictions of the mountains of Rondane and the town of Røros.

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After the Snowstorm

Still wondering about a Norwegian painting in your family collection? Contact us...it could be by Harald Sohlberg.

Contact us today to learn more!

BY EMAIL: INFO@ARTEXPERTSWEBSITE.COM
WE TYPICALLY RESPOND TO INQUIRIES WITHIN 24 HOURS.

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614--simonis.php Kazys Šimonis Artwork Authentication & Art Appraisal

Kazys Šimonis (1887 –1978)

Do you think you may own a painting by Kazys Šimonis?

Get a Šimonis Certificate of Authenticity for your painting (COA) for your Šimonis drawing.

For all your Šimonis artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Šimonis Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Šimonis painting or drawing.

If you want to sell your Šimonis painting or drawing use our selling services. We offer Šimonis selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Šimonis and issuing certificates of authenticity since 2002. We are recognized Šimonis experts and Šimonis certified appraisers. We issue COAs and appraisals for all Šimonis artworks.

Our Šimonis paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Šimonis certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Šimonis painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Šimonis paintings or drawings take longer.

Our clients include Šimonis collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Kazys Šimonis art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Kazys Šimonis or we will sell it for you.

1. Music Chords. 1934. Tempera on Paper.

1. Music Chords. 1934. Tempera on Paper.

2. Memories. 1923. Tempera on board.

2. Memories. 1923. Tempera on board.

Kazys Šimonis was a Lithuanian artist born in the village of Starkonys in the North of the country. During Šimonis’s service in the Russian Army he was stationed in Kiev, where his interest in painting began. Šimonis began by taking evening classes and working with local artists. When his service ended, Šimonis moved to Kaunas where he trained to be a teacher and continued his artistic training.

3. Untitled. Not Dated. Oil on Canvas.

3. Untitled. Not Dated. Oil on Canvas.

Šimonis spent a short amount of time living and working in Paris and Berlin before returning to Kaunas. For the rest of his life, Šimonis was an active member of Lithuanian art associations and taught classes at several institutions.

4. Untitled. Not Dated. Oil on board.

4. Untitled. Not Dated. Oil on board.

Over the course of his career, Šimonis painted around 2,000 paintings. His works include landscape, portraits, posters and decorative panels. His style is sometimes referred to as “fantasy” or folk art.

5. In the Forest. Not Dated. Oil on Canvas.

5. In the Forest. Not Dated. Oil on Canvas.

If you think you may own original artwork by Kazys Šimonis, contact Art Certification Experts for information regarding our services.


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616--cochin.php Charles-Nicolas Cochin Artwork Authentication & Art Appraisal

Charles-Nicolas Cochin (the Younger) (1715-1790)

Get a Cochin Certificate of Authenticity for your painting (COA) for your Cochin drawing.

For all your Cochin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cochin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cochin painting or drawing.

If you want to sell your Cochin painting or drawing use our selling services. We offer Cochin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cochin and issuing certificates of authenticity since 2002. We are recognized Cochin experts and Cochin certified appraisers. We issue COAs and appraisals for all Cochin artworks.

Our Cochin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cochin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cochin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cochin paintings or drawings take longer.

Our clients include Cochin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles-Nicolas Cochin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles-Nicolas Cochin or we will sell it for you.

Clérisseau painting, Portrait of a Woman

Portrait of a Woman

Clérisseau drawing, Encyclopedie Front Piece

Encyclopedie Front Piece

Charles-Nicolas Cochin was an 18th century French artist. He was an engraver and a draftsmen, as well as an art critic. He created numerous independent drawings as well as designs for paintings and sculptures.

Clérisseau drawing, The Village Bride

The Village Bride

Clérisseau drawing, The Yew Tree Ball

The Yew Tree Ball

Cochin worked for King Louis XV and was commissioned to create commemorative prints for every birth, death and marriage that took place at court. He was also named curator of royal drawings and lived at the Louvre, though in 1773, he fell out of favor with the court. He was a teacher and an advocate of drawing from nature in the Rococo style.

Clérisseau drawing, The Statue of Jupiter

The Statue of Jupiter

Clérisseau drawing, Madame Geoffrin Playing Cards

Madame Geoffrin Playing Cards

Still wondering about an 18th century French drawing? Contact us…it could be by Charles-Nicolas Cochin.


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617--super_dali_fakes.php Salvador Dali Artwork Authentication & Art Appraisal

Salvador Dali (1904-1989)

Fakes, Prints, Forgeries and Mysteries of the Surreal

Salvador Dali art authentication. Salvador Dali appraisal. Salvador Dali certificates of authenticity (COA). Salvador Dali analysis, research, scientific tests, full art authentications. We will help you sell your Salvador Dali or we will sell it for you.

Salvador Dali is known world-wide as one of the greatest artists of the 20th century, and one of the leading names in Surrealism. Second favorite only to Picasso in his native Spain, Dali’s prints, oil paintings and other mediums of art continue to be highly collectible today, and command the highest dollar at auction. However, towards the end of his career, Dali’s art ethics took a turn for the worse in some ways, and through some fault, or none, of his own, a great upheaval began to take place in the art world over his name.

The market is flooded with more Dali prints, sketches, paintings, fakes and forgeries than one can fathom…and all of them hold value. Yes, even a drawing passed off as a Salvador Dali original may be more valuable than you think. Please read our sections above on Dali’s forgeries, fakes and mysteries surrounding his career to understand why.

Despite the numerous problems that may surround authenticating a print by Dali, one thing remains certain…authentic Dali’s are nearly priceless, and collectors are eager to buy his work. It is important for you to protect your investment, and a Certificate of Authenticity will give you the peace of mind you deserve.

Educate yourself about your Dali art print, sketch or painting…only you can help preserve the value of a possibly priceless piece of art. Contact Art Certification Experts today with questions about your Salvador Dali print, painting, sketch or artwork.


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618--dunker.php Balthazar Anton Dunker Artwork Authentication & Art Appraisal

Balthazar Anton Dunker (1746-1807)

Get a Dunker Certificate of Authenticity for your painting (COA) for your Dunker drawing.

For all your Dunker artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dunker Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dunker painting or drawing.

If you want to sell your Dunker painting or drawing use our selling services. We offer Dunker selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dunker and issuing certificates of authenticity since 2002. We are recognized Dunker experts and Dunker certified appraisers. We issue COAs and appraisals for all Dunker artworks.

Our Dunker paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dunker certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dunker painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dunker paintings or drawings take longer.

Our clients include Dunker collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Balthazar Anton Dunker art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Balthazar Anton Dunker or we will sell it for you.

Dunker painting,Tree and Lake Scene

Tree and Lake Scene

Balthazar Anton Dunker was an 18th century German painter. He was best known for his pen and ink drawings of landscapes.

Dunker painting,Landscape

Landscape

Still wondering about an 18th century European painting in your family collection? Contact us…it could be by Balthazar Anton Dunker.


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619--sedej.php Maksim Sedej Artwork Authentication & Art Appraisal

Maksim Sedej (1909–1974)

Do you think you may own a painting by Maksim Sedej?

Get a Sedej Certificate of Authenticity for your painting (COA) for your Sedej drawing.

For all your Sedej artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sedej Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sedej painting or drawing.

If you want to sell your Sedej painting or drawing use our selling services. We offer Sedej selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sedej and issuing certificates of authenticity since 2002. We are recognized Sedej experts and Sedej certified appraisers. We issue COAs and appraisals for all Sedej artworks.

Our Sedej paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sedej certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sedej painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sedej paintings or drawings take longer.

Our clients include Sedej collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Maksim Sedej art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Maksim Sedej or we will sell it for you.

1. Boy with Masks. 1950. Oil on Jute.

1. Boy with Masks. 1950. Oil on Jute.

2. Three People at the Table. Oil on Canvas.

2. Three People at the Table. Oil on Canvas.

Maksim Sedej was a Slovenian painter born in the town of Dobračeva. Dedej began his artistic training in 1928, when he began attending the Zagreb Acedemy of Fine Arts. Sedej continued to paint figurative portraits and genre scenes after graduating in 1932.

3. On Balcony I. 1937. Oil on Canvas. Narodna Galerija.

3. On Balcony I. 1937. Oil on Canvas. Narodna Galerija.

Sedej was a well-established painter who showed work at the prestigious Venice Biennale two different years, representing Yugoslavia. In addition to showing his work in major venues, Sedej worked as a professor at the Ljubljana Academy of Fine Arts and Design.

4. Self-Portrait. 1950. Oil on Canvas.

4. Self-Portrait. 1950. Oil on Canvas.

While Sedej is best known for his many oil on canvas paintings, he also won awards for his illustrations. Sedej’s many accomplishments made him into a major figure in Slovenia during the mid-20th century.

5. Harlequin’s Assassination. 1965. Oil on Canvas.

5. Harlequin’s Assassination. 1965. Oil on Canvas.

If you think you may own original artwork by Maksim Sedej, contact Art Certification Experts for information regarding our services.


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620--pradier.php Jean Jacques Pradier Artwork Authentication & Art Appraisal

Jean Jacques Pradier (1790-1882)

We Perform Jean Jacques Pradier art authentication. Jean Jacques Pradier appraisal. Jean Jacques Pradier certificates of authenticity (COA). Jean Jacques Pradier analysis, research, scientific tests, full art authentications. We will help you sell your Jean Jacques Pradier or we will sell it for you.

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The Three Graces

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Seated Sappho

Jean Jacques Pradier also went by the name James Pradier. He was born in Geneva, Switzerland in 1790. At a young age, Pradier showed signs of artistic talent. For this reason, his parents secured for him an apprenticeship with a jeweler. It was during this apprenticeship that he learned metal engraving.

After attending drawing classes in Geneva, Pradier left for Paris in 1807. Three years later, he was registered at the Ecole des Beaux-Arts and began studying sculpture under Francois-Frederic Lemont. He also received guidance from painter Francois Gerard.

In 1813, Pradier won the prestigious Prix de Rome. From there, he went on to reside in Rome at the French Academy from the years 1814 to 1819.

After leaving the Academy, Pradier returned to France where he exhibited at the Salon in 1819. He began displaying Classical female subjects that had a hint of eroticism. Some features in his works of females include flawless posture and a contrast between skin and heavily pleated drapery. 

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Daphne and Panther

His sculptures had a cool Neoclassical surface finish. Many of the sculptures have mythological features with underlying eroticism. In fact, some of his works actually caused a scandal. His 1834 work Satyr and Bacchante raised the eyebrows of conservative government members who refused to purchase it. This sculpture is now housed in the Louvre.

Among his famous sculptures are the twelve Victories inside the dome of the Invalides. Pradier was commissioned to design and create twelve figures to encompass Napoleon’s tomb, as if standing guard. These figures are twelve huge marble creations. Each is winged and clothed in draping. Each one is crafted in an impressive, elegant style. The expressions on the faces of the creations are grave, further enhancing Pradier’s cold but impressive style.

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Twelve Victories

Pradier, although primarily a sculptor, also produced some paintings. He is known and remembered as a painter, sculptor, and composer.

Pradier died in 1852 and is buried in the Pere-Lachaise cemetery in Paris.

Authentic works of Pradier tend to share similar characteristics. Many of them are of mythological characters. He had an affection for sculpting the female form. Most of the sculptures are erotic, showing women draped in a way that displays and complements the female form.

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Sappho, 1848

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Psyche

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Atalanta Fastening her Sandal, 1850

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Leda, 1851

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Polypheme

It is highly likely that undiscovered works of Pradier exist. He was internationally known and produced a large number of small-scale works that he distributed throughout his career. Many of the small creations are reductions of his large-scale pieces. Many of them are bronzes.


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621--cozens.php Alexander Cozens Artwork Authentication & Art Appraisal

Alexander Cozens (1717-1786)

Get a Cozens Certificate of Authenticity for your painting (COA) for your Cozens drawing.

For all your Cozens artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cozens Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cozens painting or drawing.

If you want to sell your Cozens painting or drawing use our selling services. We offer Cozens selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cozens and issuing certificates of authenticity since 2002. We are recognized Cozens experts and Cozens certified appraisers. We issue COAs and appraisals for all Cozens artworks.

Our Cozens paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cozens certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cozens painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cozens paintings or drawings take longer.

Our clients include Cozens collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alexander Cozens art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alexander Cozens or we will sell it for you.

Cozens painting, The Cloud

The Cloud

Alexander Cozens was an 18th century British painter. He was thought to be the first English painter to work entirely with landscapes, and invented the “blot” drawing method. This method was created by Cozens and was basically a way to turn an unintended blot of ink on a piece of paper into a work of art, via his imagination. Some art historians call this type of painting and drawing the pre-cursor to abstract expressionism.

Cozens painting, A Mountainous Landscape

A Mountainous Landscape

Cozens was also a writer and draftsman, but was best known for his landscapes of the Alps and the Italian countryside. It is said that his work influenced Girtin and Turner, and today his paintings are housed in prestigious collections world wide.

Cozens painting, Mountain Landscape with a Hollow

Mountain Landscape with a Hollow

Still wondering about an 18th century British landscape in your family collection? Contact us…it could be by Alexander Cozens.


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622--van-dyck.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "van-dyck" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "van-dyck" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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623--blondel.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "blondel" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "blondel" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
624--troost.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "troost" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "troost" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
625--bascom.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bascom" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bascom" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
626--pisanello.php Pisanello Artwork Authentication & Art Appraisal

Pisanello (1395-1455)

We Perform Pisanello art authentication. Pisanello appraisal. Pisanello certificates of authenticity (COA). Pisanello analysis, research, scientific tests, full art authentications. We will help you sell your Pisanello or we will sell it for you.

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Portrait of a Princess of the House of Este

Pisanello, or Antonio di Puccio Pisano or Antonio di Puccio da Cereto), erroneously called Vittore Pisano by Giorgio Vasari was one of the most distinguished painters of the early Italian Renaissance and Quattrocento. He was acclaimed by poets such as Guarino da Verona and praised by humanists of his time who compared him to such illustrious names as Cimabue, Phidias and Praxiteles.

He is known for his resplendent frescoes in large murals, elegant portraits, small easel pictures, and many brilliant drawings. He is the most important commemorative portrait medallist in the first half of the 15th century.

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The Conversion of St. Paul

He was employed by the Doge of Venice, the Pope in the Vatican and the courts of Verona, Ferrara, Mantua, Milan, Rimini, and by the King of Naples. He stood in high esteem of the Gonzaga and Este families. He had many of his works wrongly ascribed to other artists such as Piero della Francesca, Albrecht Dürer and Leonardo da Vinci, to name a few. While most of his paintings have perished, a good many of his drawings and medals have survived.

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Portrait of Leonillo d’Este

His life is somewhat shrouded in mystery. He was born between 1380 and 1395 and died between 1450 and 1455 (probably between 14 July and 8 October 1455). He was a native of Pisa but spent his early years in San Vigilio sul Lago in the territory of Verona. He was probably given his early training by a Veronese painter (perhaps Altichiero or Stefano da Verona) as his early style is in the tradition of Veronese painting.

Between 1415 and 1420 he was the assistant of the renowned painter and illuminator Gentile da Fabriano from whom he acquired his refined, delicate, detailed style. Pisanello also acquired from him a taste for precious materials and beautiful fabrics that can be found in his later paintings. The frescoes in the Doge’s Palace at Venice, on which they worked together, have perished as well as the frescoes in the Basilica of St. John Lateran and the palaces of Mantua and Pavia.

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Tournament Battle, sketch

In 1422 he was reported to be in Mantua in the serice of young Ludovico Gonzaga, son of the Marchese of Mantua Gianfrancesco Gonzaga. He continued to work for the Gonzaga family until the 1440s.

Giorgio Vasari, an artist and biographer of the Italian Renaissance, states that Pisanello also worked in the workshop of Andrea del Castagno, author of the painted equestrian monument of Niccolò da Tolentino (1456) in the Cathedral in Florence. He must also have known Paolo Uccello, the painter of the Battle of San Romano with its many horses. Pisanello’s love of drawing horses probably finds its origin in this relationship. But as there is so much unknown of his life, this attribution by Vasari is not reliable and may only be a legend.

His Madonna and quail, now in the Museo di Castelvecchio in Verona, is signed by “Antonius Pisanus”. It is tentatively dated at c.1420. The style is a blend of the styles of Gentile da Fabriano and Stefano da Verona. This might show that Pisanello was also a pupil of the latter in Verona.

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Madonna and Quail

Pisanello stayed again in Verona in 1424. However, according to some scholars, he painted frescoes about hunting and fishing and jousts in Pavia the same year. These were commissioned by the Duke of Milan Filippo Maria Visconti. There is no trace of these frescoes left.

Back in Mantua with the Gonzagas between 1424 and 1426, he painted one of his important surviving works: the fresco Annunciation in San Fermo, Verona. It was used to embellish the funeral monument of Nicolò di Brenzoni by the Florentine sculptor Nanni di Bartolo.

When Gentile da Fabriano died in Rome between August and October 1427, his work at the Basilica of St. John Lateran was unfinished. Pisanello completed the frescoes of his former master between 1431 and 1432. All these frescoes were destroyed when the basilica was rebuilt in the 17th century by Francesco Borromini. The Kupferstichkabinet in Berlin has a pale sketch of this fresco, drawn by Borromini. While in Rome, he became more and more influenced by the classical style of Renaissance art.

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Study of a Young Man with His Hands Tied Behind his Back

His drawings are generally prized as jewels of the quattrocento, and are wonderful examples of the elegant garb of the time, including spectacular hats. In contrast with his contemporaries, his drawings are not drafts for future paintings but are autonomous work of art. He compiled several books of drawings, detailed and accurate studies of fauna and flora drawn with a poetic naturalism, and elegant costumes.

Pisanello traveled to several Italian cities and was introduced to a number of courts. He stayed for a while in Florence. In this period he painted two important portraits: Emperor Sigismund, now in the Kunsthistorisches Museum, Vienna (but the attribution is still contested) and Portrait of a Man (now in the Palazzo Rosso, Genoa).

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Portrait of Emperor Sigismund

He returned to Verona between 1433 and 1438. His fresco masterpiece from this period is Saint George and the Princess of Trebizond (1436-38) at the Pellegrini Chapel, Sant’Anastasia, Verona. It had to be restored after water seepage badly damaged the fresco at the end of the 19th century. He prepared for this painting with a large number of drawings. Many of these famous drawings are on display in the Louvre, Paris.

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She Griffin Suckling Children 1440

From 1435 Pisanello became more and more interested in portraiture and medalmaking. dates from this period.

His Vision of Saint Eustace, now at the National Gallery in London, long ascribed to Albrecht Dürer because of its perfection of this very fine panel, shows most animals in profile or defined poses with miniature-like delicacy. The story in this small painting (egg tempera on wood) is probably only a pretext for showing “noble” animals (horses, hunting dogs, stag, bear…) and the most noble creature of all: the hunting courtier.

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The Vision of Saint Eustace

In 1438 the Council of Basel negotiated with the Byzantine Emperor John VIII Palaiologos. On this occasion Pisanello struck a commemorative medal of the emperor. He also made some drawings with portraits of the emperor and his retinue (on display at the Louvre, Paris), suggesting he had a commission for a painting or fresco for the Este residence.

He thus became the inventor of the fields of portrait medals and artist’s medals. During his lifetime Pisanello was best known for his medals. He has been copied many times in later generations. The medallist art declined when it deviated from the art of Pisanello. Before him, medals were struck like minted coins. Pisanello, on the other hand, melted his medals the same as a bronze low-relief, clearly showing the work of a painter and a modeler. He even signed his medals with Opus Pisani pictoris (made by the painter Pisano). In his view the portraits in his medals equal the portraits in his paintings. He even adds allegories at the reverse of his medals, such as the unicorn in the Cecilia Gonzaga medal, underlying the noble character of the princess.

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Medal, Innocence and Unicorn in a Moonlit Landscape 1447

In 1438 a war broke out between the ruler of Milan Filippo Maria Visconti and the republic of Venice. Pisanello was in Mantua with Gianfancresco Gonzaga. They decided to play a part in the capture of Verona. Consequently the Venetian government called him a rebel and threatened him with a stiff sentence. Only an intercession by a powerful friend could preserve him.

After a stay in Milan between 1440 and 1441, he went back to Ferrara in 1441. There he painted his acclaimed portrait of Lionello d’Este, now on display at the Accademia Carrara, Bergamo. His Virgin and the saints Anthony the Abbot and George (National Gallery, London) probably dated from the same period. The impressive fresco cycle Scenes of War and Chivalry in the Palazzo Ducale di Mantova, Mantua probably dates from 1447.

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The Virgin and Child with Saints

From December 1448, to the end of his life he lived in Naples, where he enjoyed great repute at the Aragon court. The poet Porcellio even wrote an ode in honor. He may have lived five or six years longer, but there is no more mention of him in the records.

Specimens of his work as a painter still exist in Rome, Venice, Verona, Pistoia and two in the National Gallery, London (Vision of Saint Eustace and The Virgin and Child with Saint George and Saint Anthony Abbot). Many of his drawings can now be found at the Biblioteca Ambrosiana in Milan, Italy and the Louvre, Paris.

He influenced many of his contemporaries, but did not create his own school. His genius shone briefly and after his death he was quickly forgotten in the rise of the humanistic and classical culture of the Renaissance. He is now considered the last and most magnificent artist of the courtly style of the Gothic art in the 15th century, called the International Gothic style. On the other hand, he may also be considered as one of the first leaders of the Renaissance movement. His style was ahead of his time, his medals are timeless, his landscapes are more realistic than ever, yet his Legend of St. George, one of his best paintings, is also the most archaistic painting in his oeuvre.

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St. George and the Princess (detail)

Still wondering about an Italian painting in your family collection? Contact us…it could be by Pisanello.


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627--brabazon.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "brabazon" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "brabazon" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
628--prendergast.php Maurice Brazil Prendergast Artwork Authentication & Art Appraisal

Maurice Brazil Prendergast (1858-1924)

We Perform Maurice Brazil Prendergast art authentication. Maurice Brazil Prendergast appraisal. Maurice Brazil Prendergast certificates of authenticity (COA). Maurice Brazil Prendergast analysis, research, scientific tests, full art authentications. We will help you sell your Maurice Brazil Prendergast or we will sell it for you.

Prendergast, Street Scene

Cornish Hills

Maurice Brazil Prendergast was an American, Post-Impressionist painter born in Newfoundland, Canada. When Prendergast was a child his family moved to Boston from Canada after the closure of their northern trading post. In Boston Prendergast assisted a commercial artist who made bright, graphic work. This early graphic work later impacted Prendergast’s style as a painter.

Prendergast, Along the Seine

Along the Seine

Prendergast was not a particularly social artist and never married or had children. Prendergast spent much of his time with his brother, who was also an artist and a frame maker.

Prendergast, Franklin Park Boston

Franklin Park Boston

Prendergast decided to study painting formally and enrolled at the Académie Julian and the Académie Colarossi in Paris. French instructors as well as Canadian artist James Morrice and English painters, Walter Sickert and Aubrey Beardsley, influenced Prendergast. Prendergast was exposed to Impression and Post-Impressionism, which was far more popular in Europe than in the United States. Prendergast became good friends with leading Post-Impressionists like Vuillard and Bonnard. Prendergast was able to formulate his own style, based on his early work experience in Boston and his studies in Europe. Prendergast was known for his use of pattern, vibrant colors and flat colors. Prendergast’s paintings often reference textiles or mosaics.

Prendergast, The Tuileries Gardens, 1895

The Tuileries Gardens, 1895

Prendergast, The Balloon, 1898

The Balloon, 1898

Prendergast is commonly associated with a group of American painters called The Eight, which included Robert Henri, Everett Shinn, John Sloan, Arthur B. Davies, Ernest Lawson, George Luks, and William Glackens. The Twentieth century group was known for its avant-garde style.

Prendergast, May Day Central Park

May Day Central Park

Prendergast’s style changed after a trip to Venice in 1898. Prendergast greatly appreciated the work of Vittore Carpaccio, who made Italian genre scenes. Under the influence of Carpaccio, Prendergast’s style became even more complex and pattern oriented. Prendergast was also influenced by the structure and expressive colors in Cezanne paintings. Few other American artists at that time appreciated Cezanne’s innovative style.

Prendergast, The Mall Central Park, 1901

The Mall Central Park, 1901

Prendergast often painted in watercolors, only switching to oil paints and monotypes later in his life. Many of Prendergast’s paintings are now in important museums and private collections. Do you think you own a painting by Maurice Brazil Prendergast? Contact us. We are the Maurice Brazil Predergast experts.


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629--ole.php Eduard Ole Artwork Authentication & Art Appraisal

Eduard Ole (1898–1995)

Do you think you may own a painting by Eduard Ole?

Get a Ole Certificate of Authenticity for your painting (COA) for your Ole drawing.

For all your Ole artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ole Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ole painting or drawing.

If you want to sell your Ole painting or drawing use our selling services. We offer Ole selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ole and issuing certificates of authenticity since 2002. We are recognized Ole experts and Ole certified appraisers. We issue COAs and appraisals for all Ole artworks.

Our Ole paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ole certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ole painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ole paintings or drawings take longer.

Our clients include Ole collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Eduard Ole art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Eduard Ole or we will sell it for you.

1. Still-life Collage. 1924. Kumu de Tallinn.

1. Still-life Collage. 1924. Kumu de Tallinn.

2. Portrait. 1957. Oil on Canvas. 55 x 46 cm.

2. Portrait. 1957. Oil on Canvas. 55 x 46 cm.

Eduard Ole was an Estonian painter born in Kaagjärve, a rural district in the Governorate of Livonia. Ole began in studies in Valga before enrolling at Penza Art School, connected with the St. Petersburg Academy of Arts. As a student, German Expressionism as well as other modern, abstract movements influenced Ole.

3. Passengers. 1929. Oil painting.

3. Passengers. 1929. Oil painting.

Ole returned to Estonia in 1918, where he began working as a teacher and organizing local exhibitions. Ole helped found the ‘Group of Estonian Artists’ in Tartu, marked by its modern and experimental aesthetic. By the mid-1920s, after travelling to Paris, Ole returned to a more figurative style. When Ole returned to Estonia he made a number of landscapes and skillful portraits.

4. Christmas. 1926. Oil on Canvas. Tartu Museum.

4. Christmas. 1926. Oil on Canvas. Tartu Museum.

Ole fled Estonia during World War II, relocating to Finland and eventually settling in Sweden. In Scandinavia, Ole continued painting landscapes and worked as an illustrator in Stockholm. Towards the end of his life, Ole was granted the Culture Award of Estonians in Sweden.

5. Late Autumn Landscape. 1944. Watercolor

5. Late Autumn Landscape. 1944. Watercolor

Ole’s oeuvre can be noted for its great range of style, palette and subject matter. Many of his works are in major museum collections in Estonia. If you think you may own original artwork by Eduard Ole, contact Art Certification Experts for information regarding our services.


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630--von-kaulbach.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "von-kaulbach" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "von-kaulbach" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
631--monticelli.php Adolphe Monticelli Artwork Authentication & Art Appraisal

Adolphe Monticelli (1824-1886)

Get a Monticelli Certificate of Authenticity for your painting (COA) for your Monticelli drawing.

For all your Monticelli artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Monticelli Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Monticelli painting or drawing.

If you want to sell your Monticelli painting or drawing use our selling services. We offer Monticelli selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Monticelli and issuing certificates of authenticity since 2002. We are recognized Monticelli experts and Monticelli certified appraisers. We issue COAs and appraisals for all Monticelli artworks.

Our Monticelli paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Monticelli certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Monticelli painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Monticelli paintings or drawings take longer.

Our clients include Monticelli collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Adolphe Monticelli art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Adolphe Monticelli or we will sell it for you.

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Still Life

Adolphe Monticelli was a French painter born in Marseille. Monticelli taught himself to paint by studying the Old Masters at the Louvre and also studied under Paul Delaroche at the Ecole des Beaux-Arts. He spent most of his life living between Marseille and Paris, and was known for his fashionable portraits, lively court scenes and landscapes.

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Promenade dans la Clairiere

Monticelli painted in a loose Romantic style that was Impressionist in nature. In truth, Monticelli’s work preceded the Impressionist movement, and was achieved by applying thick impasto paint strokes to his canvas. His work was highly admired by up and coming painters like Vincent van Gogh. In fact, van Gogh has been noted as saying that he felt his work was an extension or a continuation of Monticelli’s.

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Chefs Cooking on Rotisseries

Monticelli also often worked alongside fellow painter Paul Cezanne when he would travel to the south of France. The two painted landscapes together, and Cezanne’s influence can clearly be seen in Monticelli’s paintings. Towards the end of his career, Monticelli’s style became even freer and spontaneous. Despite the fact that he enjoyed a fairly prolific and notable career, Monticelli sadly died in relative poverty and obscurity.

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Flowers in a Blue Vase

Today, his work is housed in public and private collections in Europe and the United States, and perhaps in your own home. Still wondering about an early Impressionist painting hanging in your home? Contact us…it may be by Adolphe Monticelli.

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Portrait of a Woman

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632--genke-meller.php Nina Genke-Meller Artwork Authentication & Art Appraisal

Nina Genke-Meller (Нина Генриховна Генке-Меллер) (1893 – 1954)

We Perform Nina Genke-Meller art authentication. Nina Genke-Meller appraisal. Nina Genke-Meller certificates of authenticity (COA). Nina Genke-Meller analysis, research, scientific tests, full art authentications. We will help you sell your Nina Genke-Meller or we will sell it for you.

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Suprematic Composition 1910

Nina Genke-Meller was a Ukrainian-Russian avant-garde artist, (Suprematist), designer, graphic artist and scenographer. Genke was born in Moscow. Her father Genrikh Genke was Dutch, and her mother Nadezhda Tikhanova was Russian.

In 1912 she graduated from Levandovskaya Private Gymnasium in Kiev. She received a title to teach Russian language and history. In 1913 she started to teach history, geography and drawing in the Higher Primary College for Women in Skoptsi. It was Skoptsi where her inspiration to art sprang to life. There Nina Genke met an artist Yevgenia Pribylska who was a head of the Art Studio in a Folk Center.

In 1914 she began attending Aleksandra Ekster’s studio in Kiev for her art education. From 1915 to 1919 she was an assistant in Ekster’s studio. At the same time Nina Genke worked as an artist in Skoptsi (Skoptsy) Village Folk Centre with supervisor Yevgeniya Pribilskaya and in the Verbovka Village Folk Centre, founded by N. Davidova.

She was closely connected with the Supremus group that was led by Kazimir Malevich, the founder of Suprematism. After 1915, Nina Genke worked as a head and a chief artist of the Verbovka Village Folk Centre (province in Kiev). She attracted famous avant-garde artists such as Kazimir Malevich, Nadezhda Udaltsova, Aleksandra Ekster, Ivan Kliun, Ivan Puni, Lyubov Popova, Olga Rozanova, Ksenia Boguslavskaya and others to the creative peasant artisans Co-operative.

In the period after the October Revolution of 1917, she participated in decorating the streets of Kiev and Odessa for Revolution Festivities together with Aleksandra Ekster and Kliment Red’ko, involved herself in designing grandiose shows, as well as, a book graphic design.

Nina Genke was a chief artist of the Golfstream futuristic publishing house led by poet-Futurist, Mykhail Semenko. During the period 1920-1924 she taught art in the All-Ukrainian State Center Studio. Nina Genke also held a position of the Deputy Head of the Board on Fine Arts in Vserabis.

Later Nina Genke worked as an interior designer, a scenographer, a supervisor of decorative and applied arts institutions, etc. She was married to Vadym Meller, another well-known artist. Nina Genke-Meller died in Kiev. Still wondering about a painting in your family collection? Contact us…it could be by Nina Genke-Meller.


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633--kneller.php Sir Godfrey Kneller Artwork Authentication & Art Appraisal

Sir Godfrey Kneller, 1st Baronet (1646-1723)

Get a Kneller Certificate of Authenticity for your painting (COA) for your Kneller drawing.

For all your Kneller artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kneller Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kneller painting or drawing.

If you want to sell your Kneller painting or drawing use our selling services. We offer Kneller selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kneller and issuing certificates of authenticity since 2002. We are recognized Kneller experts and Kneller certified appraisers. We issue COAs and appraisals for all Kneller artworks.

Our Kneller paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kneller certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kneller painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kneller paintings or drawings take longer.

Our clients include Kneller collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sir Godfrey Kneller art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sir Godfrey Kneller or we will sell it for you.

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Self-Portrait

Sir Godfrey Kneller was the leading portrait painter in England during the late 17th and early 18th centuries, and was court painter to British monarchs from Charles II to George I. His major works include The Chinese Convert (1687); a series of ten reigning European monarchs, including King Louis XIV of France; over 40 “Kit-cat portraits” of members of the Kit-Cat Club; and ten “beauties” of the court of William III, to match a similar series of ten beauties of the court of Charles II painted by his predecessor as court painter, Sir Peter Lely.

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The Duchess of Mazarin

Kneller was born Gottfried Kniller in Lübeck, Germany. Kneller studied in Leiden, but became a pupil of Ferdinand Bol and Rembrandt in Amsterdam. He worked in Rome and Venice in the early 1670s, painting historical subjects and portraits, and later moved to Hamburg. He came to England in 1674, at the invitation of the Duke of Monmouth, accompanied by his brother, John Zacharias Kneller, who was an ornamental painter. He was introduced to, and painted a portrait of, Charles II. In England, Kneller concentrated almost entirely on portraiture. He founded a studio which churned out portraits on an almost industrial scale, relying on a brief sketch of the face with details added to a formulaic model, aided by the fashion for gentlemen to wear full wigs. His portraits set a pattern that was followed until William Hogarth and Joshua Reynolds.

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John Locke

Nevertheless, he established himself as a leading portrait artist in England. When Sir Peter Lely died in 1680, Kneller was appointed Principal Painter to the Crown by Charles II. He was later knighted by William III. He produced a series of “Kit-cat” portraits of 48 leading politicians and men of letters, members of the Kit-Cat Club. Created a baronet by King George I, he was also head of the Kneller Academy of Painting and Drawing 1711-1716 in Great Queen Street, London. His paintings were praised by Whig luminaries such as John Dryden, Joseph Addison, Richard Steele, and Alexander Pope.

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Sir John Vanbrugh, one of Kneller’s first “Kit-cat” portraits

Kneller died of fever in 1723 and his remains were interred in Twickenham Church (he was a churchwarden there when the 14th century nave collapsed in 1713 and was involved in the plans for its reconstruction). The site of the house he built in 1709 in Whitton near Twickenham is now occupied by the mid-19th century Kneller Hall, home of the Royal Military School of Music.

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John Banckes 1676

In his hometown Lübeck there are works to be seen in the St. Annen Museum and in Saint Catherine Church. His former works at St. Mary’s Church were destroyed by the Bombing of Lübeck 1942.

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Dorothy Mason

Still wondering about an English painting in your family collection? Contact us…it could be by Sir Godfrey Kneller.


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634--romano-antoniazzo.php Antoniazzo Romano Artwork Authentication & Art Appraisal

Antoniazzo Romano (1430-1510)

Get a Antoniazzo Romano Certificate of Authenticity for your painting (COA) for your Antoniazzo Romano drawing.

For all your Antoniazzo Romano artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Antoniazzo Romano Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Antoniazzo Romano painting or drawing.

If you want to sell your Antoniazzo Romano painting or drawing use our selling services. We offer Antoniazzo Romano selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Antoniazzo Romano and issuing certificates of authenticity since 2002. We are recognized Antoniazzo Romano experts and Antoniazzo Romano certified appraisers. We issue COAs and appraisals for all Antoniazzo Romano artworks.

Our Antoniazzo Romano paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Antoniazzo Romano certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Antoniazzo Romano painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Antoniazzo Romano paintings or drawings take longer.

Our clients include Antoniazzo Romano collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Antoniazzo Romano art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Antoniazzo Romano or we will sell it for you.

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Nativity 1480-1485

Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili, was an Italian Early Renaissance painter, the leading figure of the Roman school during the 15th century. Antoniazzo was born in the Colonna quarter of Rome. He was influenced at first by the decorative manner of Benozzo Gozzoli and Beato Angelico, as well as by the local painters of Lazio. His first recorded work is from 1461, a replica (untraced) of the miraculous Virgin and Child of St. Luke in the Basilica of Santa Maria Maggiore of Rome, for the seignor of Pesaro, Alessandro Sforza.

From 1464 he worked for the papal court, producing at first a triptych of the Virgin and Child with Saints in Rieti. In 1467 he completed the decoration of the funerary chapel of Cardinal Bessarion in the church of Santi Apostoli of Rome, not far from his birthplace. In the centre of the decoration was an icon of the Virgin, now in the Chapel of St Anthony, a copy of the Byzantine icon in the Santa Maria in Cosmedin, the church of the Greeks in Rome. This icon in the Santi Apostoli is one of the most remarkable examples of Antoniazzo’s considerable production of Virgins, generally taken from Byzantine models: he was indeed a much sought-after copier of icons. Later he worked to a series of frescoes in the Monastery of Tor de’ Specchi in Rome, featuring stories of the life of S. Francesca Romana, and to the decoration of the public rooms of the Palazzo Venezia.

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Madonna Enthroned with the Infant, Christ and Saints 1487

In the 1470s Antoniazzo worked to the decoration of the Vatican Palace with artists like Perugino, Melozzo da Forlì and Ghirlandaio. Through their influence his figures acquired gentler expressions and their garments were ornamented with decorative patterns, though always retaining several Medieval features.

Together with Melozzo he worked to frescoes in Santa Maria sopra Minerva, and subsequently painted for that church a famous Annunciation (1482). In the years between 1475 and 1480 Antoniazzo’s production of altarpieces and panels with images of the Virgin increased as a result of the encouragement of the cult of the Virgin by Pope Sixtus IV. His later works show an increasing mannerism in their features, which were later imitated by several painters, whose works had been often attributed to the master.

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Annunciation

Antoniazzo was one of the three founders of the Compagnia di San Luca, the guild of painters and illuminators in Rome, and signed the statutes in 1478.

A portion of his Madonna and Child with Donor from the Houston, Texas Museum of Fine Arts was chosen as the art masterpiece United States Postal Service’s Christmas stamp for 1991.

Still wondering about an Italian painting in your family collection? Contact us…it could be by Antoniazzo Romano.


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635--solar-espanol.php Xul Solar Artwork Authentication & Art Appraisal

Xul Solar ( 1887- 1963 )

We Perform Oscar Agustín Alejandro Schulz Solari nació en San Fernando, Buenos Aires, en 1887. De madre italiana y padre alemán y adoptó el nombre de Xul Solar para firmar sus trabajos.

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solar

 

Estudió arquitectura en la Facultad de Ingeniería. Entre 1911 y 1924 recorrió algunos países europeos como Inglaterra, Francia e Italia. En Milán conoció a su compatriota, el pintor modernista Emilio Pettoruti, a quien le mostró sus dibujos realizados a partir de 1914. En su viaje a Berlín ya se intuía su contacto con el dadaísmo. También recibió influencia del pintor Paul Klee.

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xul solar barreras melodicas 1948

 

Se interesó en la filosofía, las ciencias ocultas y las creencias de las distintas culturas, y en 1919 sus obras ya reflejaban esta inquietud espiritual, con la aplicación de colores vivos, formas y símbolos geométricos, figuras sencillas y, a menudo, palabras. Su primera muestra la realiza en Milán en 1920. Expone óleos siguiendo las corrientes del arte europeo: expresionismo y fauvismo, aunque siempre dentro del espiritualismo místico y un imaginativo simbolismo. También exhibe acuarelas influidas por cierta interpretación del Art Nouveau y síntesis geométricas que lo acercan a la abstracción.

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xul solar entierro 1915

 

Los signos lingüísticos le llamaban poderosamente la atención. Llegó a dominar diez idiomas e incluso a crear alguno. Xul hizo uso, en sus creaciones, de letras y signos gráficos, e incluso se le atribuye la creación de un lenguaje pictórico denominado “neocriollo”, mezcla del español y el portugués, basado en consideraciones astrológicas y de un idioma universal denominado “panlingua”. Cada uno de sus pequeños cuadros en acuarela encierra una anécdota, un relato resuelto mediante signo pictográficos.

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xul solar los cuatro 1922

 

Los símbolos que imperan en las pinturas de Xul son dragones, bandera, serpientes, altares, imágenes de tarot, signos astrológicos, esvásticas y escaleras.

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xul solar min main ya 1962

 

Desde su retorno a la Argentina en 1924 realiza pocas exposiciones y se relaciona con el grupo intelectual de vanguardia que edita la revista martin Fierro a la que se incorpora como colaborador.

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xul solar signos zodiacales pares 1953

 

Fallece en el Tigre, Buenos Aires, en 1963. En 1990 se abre su casa-museo, donde se exhibe gran parte de su obra.


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636--sagrits.php Richard Sagrits Artwork Authentication & Art Appraisal

Get a Sagrits Certificate of Authenticity for your painting (COA) for your Sagrits drawing.

For all your Sagrits artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sagrits Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sagrits painting or drawing.

If you want to sell your Sagrits painting or drawing use our selling services. We offer Sagrits selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sagrits and issuing certificates of authenticity since 2002. We are recognized Sagrits experts and Sagrits certified appraisers. We issue COAs and appraisals for all Sagrits artworks.

Our Sagrits paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sagrits certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sagrits painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sagrits paintings or drawings take longer.

Our clients include Sagrits collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Richard Sagrits (1910–1968)

Do you think you may own a painting by Richard Sagrits?

We perform Richard Sagrits art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Richard Sagrits or we will sell it for you.

1. Kalastajat. 1960. Oil on board.

1. Kalastajat. 1960. Oil on board.

2. Landscape. 1960. Oil painting.

2. Landscape. 1960. Oil painting.

Richard Sagrits was an Estonian painter from Karepa, Estonia. Sagrits began his studies at Rakvere Gymnasium before enrolling at the State School of Arts in Tallinn. Sagrits started in a theater program before transitioning to the graphic arts. With the support of his parents, Sagrits entered the Art School of Pallas.

3. Kunda, Great Construction. 1960. Oil on board.

3. Kunda, Great Construction. 1960. Oil on board.

4. Stormy Day. 1963. Oil on board.

4. Stormy Day. 1963. Oil on board.

Sagrits produced a wide body of work, ranging from landscapes and seascapes to children’s illustrations and folkloric graphics. Sagrits was active in Northern Estonia as well as in his country’s capital. The Karepa Kalame Farm Museum was eventually erected to honor of Sagrits. It stands in Sagrit’s birthplace.

5. Yaroslavl City, Winter. 1944. Oil painting.

5. Yaroslavl City, Winter. 1944. Oil painting.

If you think you may own original artwork by Richard Sagrits, contact Art Certification Experts for information regarding our services.


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638--gebhardt-von.php Eduard von Gebhardt Artwork Authentication & Art Appraisal

Eduard von Gebhardt (1838–1925)

Get a Von Gebhardt Certificate of Authenticity for your painting (COA) for your Von Gebhardt drawing.

For all your Von Gebhardt artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Von Gebhardt Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Von Gebhardt painting or drawing.

If you want to sell your Von Gebhardt painting or drawing use our selling services. We offer Von Gebhardt selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Von Gebhardt and issuing certificates of authenticity since 2002. We are recognized Von Gebhardt experts and Von Gebhardt certified appraisers. We issue COAs and appraisals for all Von Gebhardt artworks.

Our Von Gebhardt paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Von Gebhardt certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Von Gebhardt painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Von Gebhardt paintings or drawings take longer.

Our clients include Von Gebhardt collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Do you think you may own a painting by Eduard von Gebhardt?

We perform Eduard von Gebhardt art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Eduard von Gebhardt or we will sell it for you.

1. Estonian Peasant. 1867. Oil on Paper.

1. Estonian Peasant. 1867. Oil on Paper.

2. Rich Man and Poor Lazarus. 1865. Oil on Canvas. Crocker Art Museum.

2. Rich Man and Poor Lazarus. 1865. Oil on Canvas. Crocker Art Museum.

Eduard von Gebhardt was an Estonian born in Järva-Jaani. Gebhardt trained as an artist in St. Petersburg, Russia from 1855 until 1858. In the 1860s, Gebhardt began training with the Düsseldorf School under Wilhelm Sohn. Gebhardt became an integral part of the Düsseldorf School, where he continued on as an instructor.

3. Raising of Lazarus. 1896.

3. Raising of Lazarus. 1896.

Gebhardt’s paintings are often religious in theme, illustrating scenes from the Reformation. He also created a series of murals titled “Scenes from the Life of Christ.” In addition to Gebhardt’s religious work, he painted a number of more classical portraits.

4. Portrait of a Woman, Sketch. Date unknown. Oil on Paper. 40 x 30 cm.

4. Portrait of a Woman, Sketch. Date unknown. Oil on Paper. 40 x 30 cm.

Gebhardt painted many portraits of peasants, rather than just focusing on the bourgeoisie. He showed poor men and women with forlorn expressions and sometimes tattered clothes. Gebhardt’s humble perspective gives the viewer a more realistic view of what like was like at the time.

5. Estonian Peasant. 1864. Oil on Paper.

5. Estonian Peasant. 1864. Oil on Paper.

If you think you may own original artwork by Eduard von Gebhardt, contact Art Certification Experts for information regarding our services.


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639--costa-olga.php Olga Costa Artwork Authentication & Art Appraisal

Olga Costa (1913-1993)

Get a Costa Certificate of Authenticity for your painting (COA) for your Costa drawing.

For all your Costa artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Costa Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Costa painting or drawing.

If you want to sell your Costa painting or drawing use our selling services. We offer Costa selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Costa and issuing certificates of authenticity since 2002. We are recognized Costa experts and Costa certified appraisers. We issue COAs and appraisals for all Costa artworks.

Our Costa paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Costa certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Costa painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Costa paintings or drawings take longer.

Our clients include Costa collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Olga Costa art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Olga Costa or we will sell it for you.

While Olga Costa was German born and of Russian descent, she made a name for herself as a Mexican painter. Olga Costa was born Olga Kostakovsky in Leipzig, Germany. Costa spent her early childhood years in Berlin with her father, Jakob Kostakovsky, a known violinist. At the age twelve, Costa ventured to Mexico with her family who eventually settled in Mexico City. Costa met master painters Diego Rivera, Frida Kahlo and Rufino Tamayo and began her studies at the National School of Plastic Arts.

Costa, Puesto de Mercado

Puesto de Mercado

Costa

Costa, Fruitero

Fruitero

Costa married José Chávez Morado, a well-known painter in Mexico. Costa and Morado actively fought for social justice in Mexico. They were particularly active in their local community in Guanajuato, Mexico.

Costa, etching

etching

Costa’s many oil and gouache paintings are rich in Mexican imagery and technique. After traveling to Japan in the 1940s, Costa incorporated aspects of Japanese art and composition into her vibrant paintings of Mexico.

Costa, El Duelo

El Duelo

In 1945 Costa held her first individual exhibition in the Galería de Arte Mexicana. Costa is known today as one of the most important Mexican artists. Do you think you own a painting by Olga Costa? Contact us. We are the Costa experts.


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640--pokitonov.php Ivan Pavlovich Pokitonov Artwork Authentication & Art Appraisal

Ivan Pavlovich Pokitonov (also Pokhitonov and Покитонов Иван) (1851-1923)

We Perform Ivan Pavlovich Pokitonov art authentication. Ivan Pavlovich Pokitonov appraisal. Ivan Pavlovich Pokitonov certificates of authenticity (COA). Ivan Pavlovich Pokitonov analysis, research, scientific tests, full art authentications. We will help you sell your Ivan Pavlovich Pokitonov or we will sell it for you.

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Unruly Dog

Ivan Pokitonov was a Post-Impressionist Ukranian painter who was exiled to Belgium, where he spent much of his career as a painter.

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Seascape

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Landscape

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Winter Landscape

He was primarily a landscape painter, though he also created a number of genre scenes, as well as Parisian street scenes.

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Quai de Tournelle, Paris 1909

However, his most endearing paintings were those of the European countryside.

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Landscape with Windmill

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Horse Cart in Front of an Old House, Minsk

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Rouelle a Torre del Greco, Naples

Today, his paintings are housed in museums all over the world, and perhaps in your own home. Still wondering about a landscape or Post Impressionist painting in your family estate? Contact us…it could be by Ivan Pokitonov.


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641--de-la-pena.php Narcisse-Virgile Diaz de la Pena Artwork Authentication & Art Appraisal

Narcisse-Virgile Diaz de la Pena (1808-1876)

Get a Diaz De La Pena Certificate of Authenticity for your painting (COA) for your Diaz De La Pena drawing.

For all your Diaz De La Pena artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Diaz De La Pena Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Diaz De La Pena painting or drawing.

If you want to sell your Diaz De La Pena painting or drawing use our selling services. We offer Diaz De La Pena selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Diaz De La Pena and issuing certificates of authenticity since 2002. We are recognized Diaz De La Pena experts and Diaz De La Pena certified appraisers. We issue COAs and appraisals for all Diaz De La Pena artworks.

Our Diaz De La Pena paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Diaz De La Pena certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Diaz De La Pena painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Diaz De La Pena paintings or drawings take longer.

Our clients include Diaz De La Pena collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Narcisse-Virgile Diaz De La Pena art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Narcisse-Virgile Diaz De La Pena or we will sell it for you.

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Bathroom

Narcisse-Virgile Diaz de la Pena was one of the founding members of the Barbizon school. A sad set of circumstances marked his early life. He was born in Bordeaux to Spanish parents, hence his name. At the age of ten he was orphaned and brought up by a priest in Bellevue near Paris. During his teenage years he had to have one of his legs amputated due to blood poisoning. At the age of fifteen he was apprenticed to a pottery decorator. It was whilst here that he also took to painting Eastern figures in richly coloured garments.

He undertook his artists training like many artists of the day at the Louvre, where he copied the great works of art there. He was particularly inspired by the Italian High Renaissance painter Antoine de Correggio, who painted many mythological scenes and in particular his painting, ‘Antiope’, which hangs in the Louvre. He interpreted this painting in his own, ‘Nymphe Endormie’ which also now hangs in the Louvre. He was also inspired by the eighteenth century painters of the ‘fetes-galantes’, He admired Watteau and his painting ‘The Clown’, which hangs in the Phoenix Museum of art is composed of elements of Watteau’s painting’Gilles’.

He also admired enormously the work of Eugene Delacroix, particularly his orientalist paintings, and also his paintings of nymphs. He was to incorporate these orientalist themes into many of his paintings. His lameness meant he could not travel extensively, as the other artists that he admired had done. He used his imagination and the paintings of others such as Delacroix for inspiration when he was approaching orientalist themes.

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Women of the Seraglio

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Venus Disarming Cupid

Narcisse-Virgile Diaz de la Pena was initially known for his figure painting, until 1837 when he was to became a core member of the Barbizon school, and became good friends with Theodore Rousseau whom he admired greatly. During this time he was particularly known for his depiction of the dark, somber woodlands which he juxtaposed with the light. He was to incorporate his interest in orientalism into these scenes such as in the painting which hangs in the Museum of Fine Arts in Boston, ‘Bohemians going to a Fete’, which depicts exotically dressed figures descending through the Forest for a picnic. It is paintings such as these, with mythical and oriental elements that probably distinguish him from other members of the Barbizon school. This painting in particular brought him success in the Salon. He was to become a very successful artist of the day. He won three Gold medals at the Salon, and was also made a Knight of the Legion of Honour in 1851.

Due to the success of his paintings he was also quite financially well of. He was to help out a number of his artist friends of the Barbizon school such as Theodore Rousseau and Jean Francois Millet. It seems that he was an incredibly kind and gentle character. The Impressionists were of course particularly inspired by the painters of the Barbizon School, and the way in which these painters handled the light. He was to become particularly friendly with the young Renoir who went to the Forest of Fontainebleau to paint, and as well as giving him advice he also paid for canvases and pigments for him.

The Louvre has a substantial collection of works by Narcisse-Virgile Diaz de la Pena, as does the Wallace Collection in London.

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In the Fontainbleau Fores, 1860

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In the Forest

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642--rousseau.php Theodore Rousseau Artwork Authentication & Art Appraisal

Theodore Rousseau (1819-1877)

Get a Rousseau Certificate of Authenticity for your painting (COA) for your Rousseau drawing.

For all your Rousseau artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rousseau Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rousseau painting or drawing.

If you want to sell your Rousseau painting or drawing use our selling services. We offer Rousseau selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rousseau and issuing certificates of authenticity since 2002. We are recognized Rousseau experts and Rousseau certified appraisers. We issue COAs and appraisals for all Rousseau artworks.

Our Rousseau paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rousseau certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rousseau painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rousseau paintings or drawings take longer.

Our clients include Rousseau collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Theodore Rousseau art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Theodore Rousseau or we will sell it for you.

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The Pool

Theodore Rousseau was a leading painter of the Barbizon School in France. Rousseau was introduced to art at an early age through the many artists in his family. Rousseau’s uncle exposed him to outdoor painting, taking him on outings in the countryside. Rousseau traveled around the Auvergne, a wild and rugged region of France and made hundreds of sketches and drawings of his surroundings.

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Tranquil Sunset

Rousseau had an acrimonious relationship with the Paris salons and the art academics of the time. Rousseau’s paintings were often refused for entrance at the salons.

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Under the Birches, Evening

One journal describing Rousseau’s paintings noted:

(Rousseau) only likes the painful and convulsive side of nature; the trees devastated by the wind, the branches fallen by the wind, spread out by old age…’

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Rousseau was often dismayed by negative feedback, and for sometime he stopped submitting his work to the Salons. During this time of ‘artistic exile’ from Barbizon, Rousseau produced some of his finest paintings. These paintings included The Chestnut Avenue and The Marsh in the Lands, which now hang in the Louvre.

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Effet d’Orange

Rousseau settled in Barbizon, living and painting in a small cottage that he bought. Many artists came to paint with Rousseau, nick-named ‘the rejected one’. Rousseau did not waiver in his determination to create landscapes and he continued to paint with the same devotion. It is said that what distinguishes Rousseau’s paintings from his contemporaries, is his superb way of handling light. Rousseau paved the way for future Impressionist painters such as Monet.

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Forest in Fontainbleu

Rosseau was fascinated by the powerful orange and crimson sunsets in the Forest of Fontainebleau, which he painted many times.

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Sunset Over the Plain of Barbizon

Rousseau had many pupils, including Narcisse-Virgile Diaz de la Pena. Narcisse was initially influenced by the work of Eugene Delacroix but was drawn to Rousseau when he visited Barbizon in 1835. Rousseau encouraged Narcisse to concentrate on painting realistic landscapes. Rousseau’s pupil was one of the first of the Barbizon group to achieve financial and popular success. Rousseau’s popularity grew into public acceptance in the late 1840s. Rousseau was invited to sit on the committee of the Paris Salon and received a large commission form the French State to produce a landscape. In 1949, Rousseau received a First Class medal from the Salon. In 1852 Rousseau was named a Knight of the Legion of Honor.

Rousseau faced hard times in his older life, as his wife struggled with a mental illness. Rousseau grew ill on a trip to the Alps, and was never able to recover. Rousseau died in the presence of his lifelong friend, painter Jean-Francois Millet.

As one of the leaders of the School of Barbizon, Rousseau’s paintings are highly sought after. Rousseau’s paintings are in museums and collections throughout Europe and the United States. Do you think you own a painting by Rousseau? Contact us. We are the Rousseau experts.


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643--modersohn-becker.php Paula Modersohn-Becker Artwork Authentication & Art Appraisal

Paula Modersohn-Becker (1876 – 1907)

Get a Modersohn Certificate of Authenticity for your painting (COA) for your Modersohn drawing.

For all your Modersohn artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Modersohn Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Modersohn painting or drawing.

If you want to sell your Modersohn painting or drawing use our selling services. We offer Modersohn selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Modersohn and issuing certificates of authenticity since 2002. We are recognized Modersohn experts and Modersohn certified appraisers. We issue COAs and appraisals for all Modersohn artworks.

Our Modersohn paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Modersohn certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Modersohn painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Modersohn paintings or drawings take longer.

Our clients include Modersohn collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Paula Modersohn-Becker art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Paula Modersohn-Becker or we will sell it for you.

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Self-Portrait with Necklace 1906

Paula Modersohn-Becker was a German painter and one of the most important representatives of early expressionism. Paula Becker was born and grew up in Dresden-Friedrichstadt. She was the third of seven children. Her father, the son of a Russian university professor, was employed with the German railway. He and Modersohn-Becker’s mother, who was from an aristocratic family, provided the children a cultured and intellectual environment in the home. In 1888 her parents moved from Dresden to Bremen. While visiting an aunt in London, England, she received her first instruction in drawing. Apart from her teacher’s training in Bremen in 1893-1895, Paula took private instruction in painting. In 1896 she participated in a course for painting and drawing sponsored by the “Verein der Berliner Künstlerinnen” (Union of Berlin Female Artists) which offered art studies to women.

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Reclining Mother and Child

At the age of 22, she encountered the artistic community of Worpswede. In this “village”, artists such as Fritz Mackensen (1866-1953) and Heinrich Vogeler (1872-1942) had retreated to protest against the domination of the art academy and life in the big city. At Worpswede, Paula Modersohn-Becker took painting lessons from Mackensen. The main subjects were the life of the farmers and the northern German landscape. At this time she began close friendships with the sculptor Clara Westhoff (1875-1954) and the poet Rainer Maria Rilke (1875-1926). She also fell in love during this period, and in 1901 she married a fellow Worpswede painter, Otto Modersohn. In marrying Otto, she also became a step-mother to Otto’s daughter, Elsbeth Modersohn, the child from his first marriage to Helene Modersohn, then deceased.

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Still Life

Between 1900 and 1907, Paula made several extended trips to Paris for artistic purposes, sometimes living separately from her husband, Otto. During one of her residencies in Paris, she took courses at the école des Beaux-Arts. She visited contemporary exhibitions often, and was particularly intrigued with the work of Paul Cézanne. Other post impressionists were especially influential, including Vincent Van Gogh and Paul Gaugin. Fauve influences may also appear in such works as Poorhouse Woman with a Glass Bottle. The influence by the work of French painter, Jean-Francois Millet, who was widely admired among the artists in the Worpswede group, may be seen in such pieces as her 1900 Peat Cutters.

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Old Poorhouse Woman with a Glass Bottle

In her last trip to Paris in 1906, she produced a body of paintings from which she felt very great excitement and satisfaction. During this period of painting, she produced her initial nude self-portraits (something rather unprecedented by a female painter) and portraits of friends such as Rainer Maria Rilkeand Werner Sombart. Some critics consider this period of her art production to be the strongest and most compelling.

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Self-Portrait, Pregnant

In 1907, Paula Modersohn-Becker returned to her husband in Worpswede. Their relationship, which had been particularly strained in 1906, had taken a turn towards improvement. Paula’s long-lived wish to conceive and bear a child was fulfilled. Her daughter Mathilde (Tillie) Modersohn was born on November 2nd, 1907. Paula and Otto were joyous. Sadly, the joy became soon overshadowed by tragedy, as Paula Modersohn-Becker died suddenly in Worpswede on November 20th from an embolism.

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Landscape 1907

Still wondering about a German painting in your family collection? Contact us…it could be by Paula Modersohn-Becker.


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644--codesido.php Julia Codesido Artwork Authentication & Art Appraisal

Julia Codesido (1892- 1979)

Get a Codesido Certificate of Authenticity for your painting (COA) for your Codesido drawing.

For all your Codesido artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Codesido Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Codesido painting or drawing.

If you want to sell your Codesido painting or drawing use our selling services. We offer Codesido selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Codesido and issuing certificates of authenticity since 2002. We are recognized Codesido experts and Codesido certified appraisers. We issue COAs and appraisals for all Codesido artworks.

Our Codesido paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Codesido certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Codesido painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Codesido paintings or drawings take longer.

Our clients include Codesido collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Julia Codesido art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Julia Codesido or we will sell it for you.

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Toro de Baro y Llama de Madera

Julia Codesido was born in Lima. In 1919 she entered the just founded School of Beaux Arts doing her studies under the teaching of Master Daniel Hernandez and later with painting teacher Jose Sabogal. She was an admirer of Mr. Sabogal and practiced the doctrine of the national “Indigenous Movements” although the followers of the Sabogal-oriented aesthetic thinking detested that relation because they considered it “limited”.

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Frutera Ayacuchana 1933

The painting of this artist was known for its surprising strength that outranked his male colleagues and for its unique way within the sustained margins regarding themes and techniques by the followers of the indigenous culture. Julia Codesido had the energy of expression with delicate aspects of chromatism that although they transcribe the preset norms to her followers by the Sabogal tendency, they also show, as an independent, robust and capable spirit of over flying the hidden attitude of a dogmatic limitation. She surpassed this circumstance by using her strong personality. We can mention three phases of evolution in her paintings.

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Nativity

First, those years from the 1920’s to 1935 when she was influenced by her master: hard stroke, bordered of width, black features, angled face features, big eyes of deep ad firm pupil, all that in glorification at the type of the half-breed between indigenous and Spaniard. Toward 1935 appears the influence of the Mexican mural style: Heads of big size that remind the same type that Siqueiros painted and compositions with reminiscent of a Siqueiros mixed bag, and of Greco, as we can see it in the painting “The prayer in the garden” in which a group of sleepy Apostles of sort of Mexican type conception, appeared completed by the dawn praying figure of Christ, similar in theme, title, composition and colorful to the namesake of Cretan in the Budapest Museum of Beaux Arts.

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Devout with a Candle

This is an indication, as in her mind, of the spirit wide range and her operations further than the frontier of the national theme. And she is exactly the only one of the indigenous group that let her extend to renovating tendencies of the plastic arts without abandon her primitive and Loyal relations. Some of her outstanding paintings are:

Caballito de Totora Amarillo(Little horse from Totora Amarilla) Morena Limeña (Brunette from Lima) Desnuda echada (Laid Nude) Elevación (Elevation) Desnuda en la villa (Nude at the ville) Vuelos (Flying) Santa Rosa Paisaje de Chosica (Chosica LandscapeN Nevadas (Snows) Tres indígenas (Three Indians) Tapadas. 1945 Mujer (Woman) Huayno Paisaje (Landscape) Che Guevara Velas 1931 (Candles) Still wondering about a Peruvian painting in your family collection? Contact us…it could be by Julia Codesido.


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645--rayo.php Omar Rayo Artwork Authentication & Art Appraisal

Omar Rayo 1928 – 2010

Realizamos autenticación de arte Omar Rayo, evaluación, certificados de autenticidad (COA), análisis, investigación, pruebas científicas, autenticaciones de arte completo. Te ayudaremos a vender tu Omar Rayo o te lo venderemos.

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maestro omar rayo

 

Nace en Roldanillo, Colombia, en 1928. Su primer acercamiento al arte fue a través de un curso de dibujo por correspondencia, con una academia de Buenos Aires. Tenía 16 años. Realizaba sus planchas y las devolvía a la espera de una nueva lección. Cuando terminó el curso, en 1947, se fue a Cali. Al año siguiente se va a Bogotá donde trabaja como ilustrador y se relaciona con intelectuales y literatos. En esa época produce retratos en trozos de madera de los bohemios que frecuentaban el café donde reunían. Este fue su primer paso a la fama.

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omar rayo corteza del arco iris tn

 

En 1953 inicia un periplo por Latinoamérica, realizando exposiciones y relacionándose con distintos artistas locales. Llegó incluso a convivir con indígenas en el Amazonas. Este viaje influye de forma decisiva en su formación: estudia arte incaico y mesoamericano y el contacto con el arte precolombino lo empujó a analizar la factibilidad artística de la geometría, que sería fundamental en su obra.

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omar rayo el pajaro del rio tn

 

En 1958 regresa a su país y en 1959 mediante una beca se traslada a México donde se pone en contacto con el taller de grabado La Esmeralda. Al año siguiente recibe la beca Guggenheim y se traslada a Nueva York, donde se establece definitivamente en 1976.

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omar rayo embrion de dragon XXVIII tn

 

A principio de los 70 se dedica especialmente a la realización de grabados en relieve mediante la técnica del “intaglio”, con series de animales, objetos y figuras humanas. Y en pintura introduce la abstracción del arte precolombino. Representa cintas que van y vienen, aparecen y desaparecen. Logra así un juego de líneas sin principio ni fin, con colores vivos.

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omar rayo sin titulo tn

 

Viajó a Nueva York y un galerista se entusiasmó con esos objetos cotidianos que salían del relieve de una hoja en blanco. Rayo les imprimía humor: eran tijeras o lápices doblados como si fueran trozos de cartulina, había frutas, mujeres desnudas. Su galerista no fue el único emocionado con el nuevo descubrimiento: sus obras fueron a parar a la colección del Museo de Arte Moderno de Nueva York.

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omar rayo trama para una metafora serigrafia tn

 

En 1981 se inauguró en su ciudad natal el Museo Rayo de Dibujo y Grabado Latinoamericano. Diseñado por el arquitecto mexicano Leopoldo Gout, el recinto alberga un conjunto de unas dos mil obras del artista, amén de salas de exposiciones itinerantes, biblioteca y talleres de artes gráficas. Lamentablemente fueron sustraídas 45 obras del museo.

Con una salud debilitada, fallece el 7 de junio de 2010 en Palmira, Colombia, a la edad de 82 años.


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646--londonio.php Francesco Londonio Artwork Authentication & Art Appraisal

Francesco Londonio (1723-1783)

Get a Londonio Certificate of Authenticity for your painting (COA) for your Londonio drawing.

For all your Londonio artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Londonio Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Londonio painting or drawing.

If you want to sell your Londonio painting or drawing use our selling services. We offer Londonio selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Londonio and issuing certificates of authenticity since 2002. We are recognized Londonio experts and Londonio certified appraisers. We issue COAs and appraisals for all Londonio artworks.

Our Londonio paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Londonio certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Londonio painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Londonio paintings or drawings take longer.

Our clients include Londonio collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francesco Londonio art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Francesco Londonio or we will sell it for you.

Londonio painting, Peasant Family

Peasant Family

Francesco Londonio was an 18th century Italian painter. He mainly painted pastoral Italian landscapes or genre scenes featuring peasants or country folks. Still wondering about an 18 th century Italian painting in your family collection? Contact us…it could be by Francesco Londonio.


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647--allston.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "allston" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "allston" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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648--hernandez.php Daniel Hernández Morillo Artwork Authentication & Art Appraisal

Daniel Hernández Morillo (1856 – 1932)

Get a Hernández Certificate of Authenticity for your painting (COA) for your Hernández drawing.

For all your Hernández artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hernández Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hernández painting or drawing.

If you want to sell your Hernández painting or drawing use our selling services. We offer Hernández selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hernández and issuing certificates of authenticity since 2002. We are recognized Hernández experts and Hernández certified appraisers. We issue COAs and appraisals for all Hernández artworks.

Our Hernández paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hernández certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hernández painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hernández paintings or drawings take longer.

Our clients include Hernández collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Daniel Hernández Morillo art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Daniel Hernández Morillo or we will sell it for you.

In the Garden

In the Garden

Hernández was born in Hurpay, Huancavelica, Peru. He studied under Leonardo Barbieri, and in 1875, after attaining a scholarship from the Peruvian government, he traveled to Europe. Hernández lived in Italy for ten years studying classical art before moving to Paris.

Mujer Cargando Lena

Mujer Cargando Lena

While in France, Hernández was awarded the gold medal at the 1900 Exposition Universelle and was given the the Légion d’Honneur in 1901. Paris offered him the enchantment of its sweet and sensual art of rococo style and that is why he decided to become a great admirer of the female beauty. The best proof of that are his “lazy women” and his extremely beautiful portraits.

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Self-Portrait

In 1917 he returned to Peru to organize, inaugurate and direct the National School of Beaux Arts of Lima, invited by the Government. He held the position of director until his death in 1932.

If we observe his work we find that his talent allows him to show an excellent ability and a precious oriented and spontaneous execution. The freshness of his colors highlights the beauty of the images, especially his ladies that he painted with eternal charming admiration. He was the most requested official painter of his time. He was permanently executing work to decorate the palace of Government and other State entities. In the same way, he was admired and reviewed by the most distinguish personalities of Lima’s society. Among the most famous work that are available we can mention portraits of “Simon Bolivar”, “Don Francisco Pizarro”, “R.P. Manuel Hernández”, “Mrs. Luisa de Mesones”, “The lazy one”, “Woman with bouquet”, “Italian peasant” and others.

Capitulacion de Ayachuco

Capitulacion de Ayachuco

Still wondering about a painting in your family collection? Contact us…it could be by Daniel Hernandez Morillo.


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649--tischbein-the-elder.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "tischbein-the-elder" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "tischbein-the-elder" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "tischbein-the-elder" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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650--suarez.php Julio Suárez Marzal Artwork Authentication & Art Appraisal

Julio Suárez Marzal (1906 – date unknown)

Do you think you may own a painting or illustration by Julio Suárez Marzal? We perform art art authentications, art appraisals, art research and provide Certificates of Authenticity (COA) as well as consultations, for all paintings or illustrations by Julio Suárez Marzal.

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Camino a La Cantera, Cerro Leones, 1930

Julio Suárez Marzal was born on November 18, 1906, at Tapalque in the Province of Buenos Aires, Argentina. His mother was French, his father from the Spanish province of Galicia.

Suárez began to paint at the age of fifteen, enrolling in the school of Fine arts, Buenos Aires, in 1923. In 1926 he graduated first in sculpture and second in painting. In 1929 he registered as an art teacher and soon moved to Mendoza, the city, which became his life-long home.

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Poema de la pampa

Suárez Marzal is known as an illustrator, cartoonist, painter, muralist, writer and teacher. Suárez Marzal drew animated film cartoons for the Herald Tribune Company of the USA and illustrated books in Mendoza. Suárez Marzal taught art in Mendoza schools and at the University of Cuyo.

From the late 1920s to the early 1950s, Suárez Marzal participated in numerous Argentinean exhibitions. In the early 1950s, his work was included in national exhibitions with the most important Argentinean artists of the time. Suárez Marzal is known for creating “muralism” which modifies the Latin American muralist style of the 1920s and 30s in a Cubist manner.

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Canterista cenando

Suárez Marzal is perhaps most noted for founding and directing the Fader Museum. Suárez Marzal converted the magnificent mansion and grounds of Emiliano Guinazu in Mendoza into an innovative museum.

Suárez Marzal preserved Fader’s original murals inside the Guinazu mansion, and provided many additional works by Fader and other renowned artists.

Suárez Marzal worked diligently to create the first “museum park” on the Guinazu grounds. Suárez Marzal used geometric lines and cypress trees to form outdoor rooms for sculptural exhibitions. Suárez Marzal attempted to make a museum that stepped outside of the traditional, formal boundaries.

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Mensaje de la tierra

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Suárez Marzal

Suárez Marzal retired in 1967. While little documentation can be found on the life of Suárez Marzal, he has been called “The unsung hero of Argentinean art.”

Do you think you own a Suárez Marzal painting or illustration? Contact us, we are experts on the work of Suárez Marzal.


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651--metzinger.php Jean Metzinger Artwork Authentication & Art Appraisal

Jean Metzinger (1883-1956)

Get a Metzinger Certificate of Authenticity for your painting (COA) for your Metzinger drawing.

For all your Metzinger artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Metzinger Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Metzinger painting or drawing.

If you want to sell your Metzinger painting or drawing use our selling services. We offer Metzinger selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Metzinger and issuing certificates of authenticity since 2002. We are recognized Metzinger experts and Metzinger certified appraisers. We issue COAs and appraisals for all Metzinger artworks.

Our Metzinger paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Metzinger certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Metzinger painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Metzinger paintings or drawings take longer.

Our clients include Metzinger collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Metzinger art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean Metzinger or we will sell it for you.

Jean Metzinger was a French painter and one of the founding members of the Cubist movement. Along with Albert Gleizes, Metzinger helped to compose the first Cubist manifesto, “Du Cubism” in 1912. Though Metzinger originally was influenced by Impressionism and then Fauvism, he would become most famous for his Cubist works, which he would later abandon to focus on Realism near the end of his career.

Born in Nantes, France, Metzinger received little or no formal artistic training. However, it is said that he had some instruction from Hypolitte Touront, an academic portrait painter. He moved to Paris in 1903 to pursue his career as a painter, and upon his arrival became friends with artist Robert Delaunay. Delaunay would introduce him to the future Cubist crowd. By 1910, Metzinger was exhibiting his works with the Salon des Independents, and by 1913 was a member of the Section d’Or.

After serving in World War I, Metzinger began to exhibit his work around the world, in London, Berlin, Chicago and New York. He briefly abandoned Cubism in the 1920s, and even though towards the end he left Cubism completely, some of his later pieces still show a Cubist influence. Metzinger spent the last years of his career living in the country, and from 1950 to 53 was an art teacher at the Academie Frochot.

Though Metzinger was just an integral entity in the formation of Cubism, just as much Picasso and Braque, his work remains lesser known outside of the art world. Today, his work is housed in modern art museums all over France and perhaps in your own home. Still wondering about a Cubist composition hanging on your wall? Contact us…it could be by Jean Metzinger.


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652--van-der-goes.php Hugo van der Goes Artwork Authentication & Art Appraisal

Hugo van der Goes (before 1436-1482)

Get a Der Goes Certificate of Authenticity for your painting (COA) for your Der Goes drawing.

For all your Der Goes artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Der Goes Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Der Goes painting or drawing.

If you want to sell your Der Goes painting or drawing use our selling services. We offer Der Goes selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Der Goes and issuing certificates of authenticity since 2002. We are recognized Der Goes experts and Der Goes certified appraisers. We issue COAs and appraisals for all Der Goes artworks.

Our Der Goes paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Der Goes certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Der Goes painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Der Goes paintings or drawings take longer.

Our clients include Der Goes collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Hugo Van Der Goes art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Hugo Van Der Goes or we will sell it for you.

The Fall Of Adam

The Fall Of Adam

Adoration Of The Shepherds

Adoration Of The Shepherds

Hugo van der Goes has been called the greatest Netherlandish painter of the late 15th century. Very little is known about his life prior to 1467 when he became a master in the painters’ guild at Ghent. Van der Goes had been given many commissions for the town of Ghent and by 1475 he was the dean of the painters’ guild.

The Lamentation

The Lamentation

It is said that van der Goes suffered greatly from depression and in 1481, had a mental breakdown. Though he recovered from this breakdown, he died the following year of unknown causes.

Mary Magdelaine

Mary Magdelaine

The only painting by van der Goes that is securely documented is a large triptych of the Nativity, famously known as the Portinari Altarpiece in Florence. This piece shows his influence by the Italian Renaissance masters, as well as his talent with oil paints and ornamental detail.

The Portinari Altar

The Portinari Altar

His last work is generally thought to have been “Death of the Virgin,” which art critics call a beautiful a poignant piece, despite the torment that the artist was undoubtedly feeling at the time.

Death Of The Virgin

Death Of The Virgin

Van der Goes did not sign any of his work, as was typical of painters during his era, and most of his surviving works are merely attributed to him. Though it would be very rare to find one of his oil painting today, it is always possible, and it is certainly possible that one of his sketches may surface.

Pen And Ink Sketch

Pen And Ink Sketch

Today, Van der Goes work is housed in public and private collections all over Europe, and perhaps in your own home. Still wondering about a 15th century sketch or religious painting in your family estate? Contact us…it could be by Hugo van der Goes.


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653--halle.php Noël Hallé Artwork Authentication & Art Appraisal

Noël Hallé (1711-1781)

Get a Hallé Certificate of Authenticity for your painting (COA) for your Hallé drawing.

For all your Hallé artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hallé Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hallé painting or drawing.

If you want to sell your Hallé painting or drawing use our selling services. We offer Hallé selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hallé and issuing certificates of authenticity since 2002. We are recognized Hallé experts and Hallé certified appraisers. We issue COAs and appraisals for all Hallé artworks.

Our Hallé paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hallé certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hallé painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hallé paintings or drawings take longer.

Our clients include Hallé collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Noël Hallé art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Noël Hallé or we will sell it for you.

Halle painting, Cornelia, Mother of The Gracchi

Cornelia, Mother of The Gracchi

Noël Hallé was an 18th century French Classical Rococo painter. Hallé was originally trained as an architect and eventually became a supreme painter of historical and religious subjects. Despite being a painter, Hallé was also an inspector of tapestries at the Gobelines factory and a well respected engraver.

Halle painting, The Death of the Seneca

The Death of the Seneca

Hallé was often commissioned by French nobles to create allegorical paintings as well as portraits. He was named a member of the Order of St. Michel and also led the Academie de France in Rome.

Halle painting, Holy Family

Holy Family

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Noël Hallé.


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654--genin.php Lucien Genin Artwork Authentication & Art Appraisal

Lucien Genin (1894-1953)

Get a Genin Certificate of Authenticity for your painting (COA) for your Genin drawing.

For all your Genin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Genin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Genin painting or drawing.

If you want to sell your Genin painting or drawing use our selling services. We offer Genin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Genin and issuing certificates of authenticity since 2002. We are recognized Genin experts and Genin certified appraisers. We issue COAs and appraisals for all Genin artworks.

Our Genin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Genin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Genin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Genin paintings or drawings take longer.

Our clients include Genin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lucien Genin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Lucien Genin or we will sell it for you.

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Le Casino Tanton de la Marne

Lucien Genin came from a family of stone cutters who were attached to the Cathedral of Rouen. He initially studied art at the Ecole des Beaux Arts in Rouen, and at the age of nineteen he left his native Rouen to study at the Ecoles des Arts Décoratifs in Paris.

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Paris, La Rue Norvin, 1922

He settled in Montmartre and immediately became part of the 1920s bohemian Paris art scene. He became good friends with well known characters of the day such as the painter Elisée Maclet, the sculptor, Giovanni Léonardi and the poet Max Jacobs.

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Lapin Agile

In his art he became well known for depicting the city of Paris as well as the characters that inhabited it. Art critics have also commented that he managed to catch beautifully the spirit of the city in the period between the First and Second World wars.

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Canotiers Sur Les Bords de Marne

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Stairs to the Sacre-Coeure

A good friend of his, the writer Réne Fauchois, said that Genin had two passions in life: the first, his art and the second, red wine.

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Le Pont Mary

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Rue de Paris Animee

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655--chase.php William Merritt Chase Artwork Authentication & Art Appraisal

William Merritt Chase (1849-1916)

Get a Merritt Chase Certificate of Authenticity for your painting (COA) for your Merritt Chase drawing.

For all your Merritt Chase artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Merritt Chase Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Merritt Chase painting or drawing.

If you want to sell your Merritt Chase painting or drawing use our selling services. We offer Merritt Chase selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Merritt Chase and issuing certificates of authenticity since 2002. We are recognized Merritt Chase experts and Merritt Chase certified appraisers. We issue COAs and appraisals for all Merritt Chase artworks.

Our Merritt Chase paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Merritt Chase certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Merritt Chase painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Merritt Chase paintings or drawings take longer.

Our clients include Merritt Chase collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform William Merritt Chase art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your William Merritt Chase or we will sell it for you.

An American painter with European training, William Merritt Chase was one of the foremost artists of his era. Born in Indiana, he became a prolific artists and teacher. Chase taught at the Art Students League and eventually opened his own school, The Chase School of Art in New York in 1896. Among his many students were Georgia O’Keefe and Charles Sheeler, and he often rubbed elbows with the American art elite. Chase was a very prominent social figure and was well known for being fashionable and keeping a studio filled with exotic artistic elements.

A master in oil and watercolor, he was also eclectic and ever changing. Due to his love of travel and unending quest for new artistic methods, Chase’s work took on a transformation mid-career. He painted both in America and abroad, and his methods took new shape as a result.

His early work is dominated by the dark color palate that he adapted while studying abroad in Munich. In the beginning he created mostly traditional portraiture, such as the “The Portrait of William Gurley Munson” (1868).

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Portrait of William Gurley Munson

He was highly sought after for these soft and realistic portraits, done in the Classical style. However, after traveling to Venice and Holland, he discovered the use of light and became a master at it. He was able to produce realist light on hair, and shining through trees onto the grass like in this painting “Sunlight and Shadow”.

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Sunlight and Shadow, 1884

This painting was revolutionary for him, and signaled his beginning as one of America’s first Impressionistic landscape painters. It was during this time that he began to use the Impressionists’ lighter color palate. He had also adopted the “plein-air” method of painting outdoors, and brought it with him to his school of teaching.

Chase is also noted as one of the first American painters to document leisure activities in recreational parks. Some of his landscape work of New York City’s parks are breathtaking, and are reminiscent of an era gone by. Ladies in bonnets with parasols strolled in the lush parks of New York City in his landscaping, far before the days of skyscraper backdrops and joggers in sweat suits. One such painting is “In Brooklyn Navy Yard”, which is the perfect combination of Realism and Impressionistic styling.

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In Brooklyn Navy Yard, 1887

At times, Chase was accused by his critics of painting in too European a style. His landscaping series of real people in Brooklyn and Manhattan were an answer to this criticism, and his audience received this work well. He painted modern life of the day, and his work shows us a time before New York became the metropolis it is today.

Along with beautiful Classical portraiture, Chase also had a penchant for painting lively portraits, and was sought after for them. One can clearly see the difference in his styles by comparing and contrasting the playful “Carmencita” one of his most famous pieces with the traditional “Dorothy”, a portrait of his daughter. Both are spectacularly detailed, but the subjects and styling are almost completely different.

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Carmencita, 1890

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Dorothy, 1902

Chase was a family man, and used his wife and nine children as subjects for his work on a regular basis. He would also paint things in close proximity to him, such as his studio, his parents’ back yard, or New York City. During his career, he created more than 2,000 still-life, landscapes, portraits and interiors.

To this date, there are no records of a Chase painting ever being stolen. However, through his extensive travels, paintings could have easily been lost along the way, or sold abroad and never documented.

One of the most interesting aspects of Chase’s career is his influence on teaching other artists. He taught literally hundreds of students during this time, and the possibility of Chase collaborating with students is immense. Could there be a painting out there attributed to a lesser known artist who collaborated with Chase as a student? The possibility certainly exists, and only a trained eye could tell.

Today, William Merritt Chase’s work is exhibited in museums all over America. In his lifetime, he won a number of awards for his work, and grants and scholarships for students bear his name, and will always be known as a forerunner for American Impressionism.

If you believe you own a work of art by William Merritt Chase, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by William Merritt Chase.


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656--hanno-von.php Carl von Hanno Artwork Authentication & Art Appraisal

Carl von Hanno (1901-1953)

Get a Von Hanno Certificate of Authenticity for your painting (COA) for your Von Hanno drawing.

For all your Von Hanno artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Von Hanno Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Von Hanno painting or drawing.

If you want to sell your Von Hanno painting or drawing use our selling services. We offer Von Hanno selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Von Hanno and issuing certificates of authenticity since 2002. We are recognized Von Hanno experts and Von Hanno certified appraisers. We issue COAs and appraisals for all Von Hanno artworks.

Our Von Hanno paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Von Hanno certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Von Hanno painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Von Hanno paintings or drawings take longer.

Our clients include Von Hanno collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carl von Hanno art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Carl von Hanno or we will sell it for you.

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Boats on the Water 1948

Carl von Hanno was a Norwegian painter. Hanno’s early style was influenced by cubism, and politically motivated. He later developed a personal, colorful style, often portraying seascapes. Carl von Hanno was a teacher at The State’s School of Art and Design of Oslo 1937-51

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Portrait of a Man

Still wondering about a Norwegian painting in your family collection? Contact us…it could be by Carl von Hanno.


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658--longhi-pietro.php Pietro Longhi Artwork Authentication & Art Appraisal

Pietro Longhi (1702-1785)

Get a Longhi Certificate of Authenticity for your painting (COA) for your Longhi drawing.

For all your Longhi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Longhi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Longhi painting or drawing.

If you want to sell your Longhi painting or drawing use our selling services. We offer Longhi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Longhi and issuing certificates of authenticity since 2002. We are recognized Longhi experts and Longhi certified appraisers. We issue COAs and appraisals for all Longhi artworks.

Our Longhi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Longhi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Longhi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Longhi paintings or drawings take longer.

Our clients include Longhi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pietro Longhi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pietro Longhi or we will sell it for you.

Longhi painting, Painter in his Studio

Painter in his Studio

Longhi painting, The Tooth Puller

The Tooth Puller

Pietro Longhi was an 18th century Italian painter. Longhi was the son of portrait painter Alessandro Longhi, but unlike his father, generally painted genre scenes in the Rococo style.

Longhi painting, Patrician Family

Patrician Family

Longhi made careful preparatory sketches before he painted his genre scenes. Unlike many other painters of the day, he did not have to seek out patrons, but instead he worked steadily for a number of wealthy noble families.

Longhi painting, The Concert

The Concert

Longhi’s paintings of real places and real people doing every day things in the Rococo style brought him great fame during his lifetime. Today he is still revered by art scholars for his unusual themes and innovative ideas for his time.

Longhi painting, The Ventian Lady's Morning

The Ventian Lady’s Morning

Still wondering about an 18th century Italian painting in your family collection? Contact us…it could be by Pietro Longhi.


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659--rowlandson.php Thomas Rowlandson Artwork Authentication & Art Appraisal

Thomas Rowlandson (1756 – 1827)

Do you think you may own an illustration by Thomas Rowlandson?

Get a Rowlandson Certificate of Authenticity for your painting (COA) for your Rowlandson drawing.

For all your Rowlandson artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rowlandson Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rowlandson painting or drawing.

If you want to sell your Rowlandson painting or drawing use our selling services. We offer Rowlandson selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rowlandson and issuing certificates of authenticity since 2002. We are recognized Rowlandson experts and Rowlandson certified appraisers. We issue COAs and appraisals for all Rowlandson artworks.

Our Rowlandson paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rowlandson certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rowlandson painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rowlandson paintings or drawings take longer.

Our clients include Rowlandson collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Thomas Rowlandson art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Thomas Rowlandson or we will sell it for you.

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Discomforts of an Epicure, Self-Portrait 1787

Thomas Rowlandson was an English caricaturist. He was born in Old Jewry, in the City of London, the son of a tradesman or city merchant. On leaving school he became a student at the Royal Academy. At the age of sixteen, he lived and studied for a time in Paris, and he later made frequent tours to the Continent, enriching his portfolios with numerous jottings of life and character. In 1775 he exhibited a drawing of Delilah visiting Samson in Prison, and in the following years he was represented by various portraits and landscapes. He was spoken of as a promising student; and had he continued his early application he would have made his mark as a painter. But by the death of his aunt, a French lady, he inherited £7,000, plunged into the dissipations of the town and was known to sit at the gaming-table for thirty-six hours at a stretch.

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Washing Day 1810

In time poverty overtook him; and the friendship and example of James Gillray and Henry William Bunbury seem to have suggested caricature as a means of filling an empty purse. His drawing of Vauxhall, shown in the Royal Academy exhibition of 1784, had been engraved by Pollard, and the print was a success. Rowlandson was largely employed by Rudolph Ackermann, the art publisher, who in 1809–issued in his Poetical Magazine The Schoolmaster’s Tour–a series of plates with illustrative verses by Dr. William Combe. They were the most popular of the artist’s works. Again engraved by Rowlandson himself in 1812, and issued under the title of the Tour of Dr Syntax in Search of the Picturesque, they had attained a fifth edition by 1813, and were followed in 1820 by Dr Syntax in Search of Consolation, and in 1821 by the Third Tour of Dr Syntax in Search of a Wife. He also produced a body of erotic prints and woodcuts, many of which would be considered pornographic today.

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The Concert 1812

The same collaboration of designer, author and publisher appeared in the English Dance of Death, issued in 1814-16, one of the most admirable of Rowlandson’s series, and in the Dance of Life, 1822. Rowlandson also illustrated Smollett, Goldsmith and Sterne, and his designs will be found in The Spirit of the Public Journals (1825), The English Spy (1825), and The Humourist (1831). He died in London, after a prolonged illness, on 22 April 1827.

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The Anatomist 1811

Rowlandson’s designs were usually done in outline with the reed-pen, and delicately washed with color. They were then etched by the artist on the copper, and afterwards aquatinted –usually by a professional engraver, the impressions being finally colored by hand. As a designer he was characterized by the utmost facility and ease of draughtsmanship, and the quality of his art suffered from this haste and over-production. He dealt less frequently with politics than his fierce contemporary, Gillray, but commonly touching, in a rather gentle spirit, the various aspects and incidents of social life. His most artistic work is to be found among the more careful drawings of his earlier period; but even among the exaggerated caricature of his later time we find hints that this master of the humorous might have attained to the beautiful had he so willed.

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Stolen Kisses

His work included a personification of the United Kingdom named John Bull who was developed from about 1790 in conjunction with other British satirical artists such as Gillray and George Cruikshank. Still wondering about a British cartoon or illustration in your family collection? Contact us…it could be by Thomas Rowlandson.


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660--wilkie.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "wilkie" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "wilkie" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
661--luks.php George Benjamin Luks Artwork Authentication & Art Appraisal

George Benjamin Luks (1867-1933)

Get a Luks Certificate of Authenticity for your painting (COA) for your Luks drawing.

For all your Luks artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Luks Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Luks painting or drawing.

If you want to sell your Luks painting or drawing use our selling services. We offer Luks selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Luks and issuing certificates of authenticity since 2002. We are recognized Luks experts and Luks certified appraisers. We issue COAs and appraisals for all Luks artworks.

Our Luks paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Luks certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Luks painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Luks paintings or drawings take longer.

Our cLuksnts include Luks collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform George Benjamin Luks art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your George Benjamin Luks or we will sell it for you.

Luks, Houston Street, 1917

Houston Street, 1917

Luks, Spring Morning, Houston and Division, New York

Spring Morning, Houston and Division, New York

George Benjamin Luks was an American genre painter born in Williamsport, Pennsylvania. At a young age, Luk’s family moved to Pottsville in Southern Pennsylvania. Luk’s parents often gave assistance to coal mining families that lived in the area.

Luks, Café Francis, 1906

Café Francis, 1906

At a young age, Luks moved to Philadelphia to study art at the Pennsylvania Academy. Luks showed great skill as an art student and was urged to continue his studies in Europe. Luks spent time in various art schools overseas, living in Dusseldorf, Paris and London.

Luks, Morning Shadows

Morning Shadows

In 1893 Luks returned to Philadelphia where he continued to paint and worked as an illustrator for the Philadelphia Press. Luks joined a group of artists led by Robert Henri. The innovative group included John Sloan, William Glackens and Everett Shinn. In 1896 Luks and many of his peers moved to New York City, eventually forming a larger group known as “The Eight”.

Luks, Mahanoy City, PA

Mahanoy City, PA

Luks, In Between the Act

In Between the Act

Luks, Colliers, Pottsville, Pennsylvania, 1924

Colliers, Pottsville, Pennsylvania, 1924

The Eight” countered the conservative principles held by the National Academy of Design and held their own exhibitions. After an influential exhibition in 1908, “The Eight” expanded into the Ashcan school artists. The Ashcan artists were dedicated to painting “real life” scenes rather than idealized or fantastical scenes. Luks is known for his paintings of urban street scenes and middle class workers. Luks commonly painted street vendors and bustling immigrant markets. Luks painted with loose brush strokes somewhat influenced by the impressionists. While Luk’s subject matter was humble, he often signed his name with a bright red paint.

Luks, Noontime, St. Botolph Street, Boston 1923

Noontime, St. Botolph Street, Boston 1923

Luks, Women with carriages in the park

Women with carriages in the park

Luks, The Wrestlers, 1905

The Wrestlers, 1905

Luks, Portrait of Edward W. Root

Portrait of Edward W. Root

Luks, The Docks

The Docks

Luks, The Miner

The Miner

Luks, Central Park

Central Park

Luks, Allen Street

Allen Street

Luks, Drawing

Untitled

Luks became a professor at the Art Students League and eventually started his own school so he could teach independently. Luks prided himself on his independence and rebellious nature. Luks, known by his friends as a heavy drinker, died in a bar fight in 1933.

Luks made important contributions to the Modern art movement in America. The paintings of Luks are now in museums and private collections across the United States. Do you think you own a painting by George Benjamin Luks? Contact us. We are the George Benjamin Luks experts.


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663--mauve.php Anton Rudolf Mauve Artwork Authentication & Art Appraisal

Anton Rudolf Mauve (1838-1888)

Get a Mauve Certificate of Authenticity for your painting (COA) for your Mauve drawing.

For all your Mauve artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mauve Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mauve painting or drawing.

If you want to sell your Mauve painting or drawing use our selling services. We offer Mauve selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mauve and issuing certificates of authenticity since 2002. We are recognized Mauve experts and Mauve certified appraisers. We issue COAs and appraisals for all Mauve artworks.

Our Mauve paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mauve certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mauve painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mauve paintings or drawings take longer.

Our clients include Mauve collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Anton Rudolf Mauve art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Anton Rudolf Mauve or we will sell it for you.

Mauve, Heath at Laren, 1887

Heath at Laren, 1887

Mauve, Sheep on a Dyke undated

Sheep on a Dyke undated

Anton Rudolf Mauve was a Dutch realist painter born in 1838. Mauve was one of most prominent leaders of The Hague School of painting and is now remembered for his masterful paintings and influence on the early work of his cousin-by-law, Vincent van Gogh.

Mauve, Morning Ride on the Beach

Morning Ride on the Beach

Mauve was born in the provincial town of Zaandam in North Holland, but moved to Haarlem shortly after his birth. The picturesque landscape of North Holland greatly influenced the subject matter of Mauve’s paintings.

Mauve, The Woodcutter, 1880

The Woodcutter, 1880

In 1886 Mauve moved to the Laren, where he helped to found the Laren School with his partners Jozef Israels and Albert Nehuys. Mauve initially studied in the studio of Van Os, an academic and traditional painter. Mauve eventually strayed from Os’s painting methods and began using looser brushwork and a more intense and brilliant palette.

Mauve, Passing through the Heath c. 1885-8

Passing through the Heath c. 1885-8

Mauve, Rider in the Snow c.1879

Rider in the Snow c.1879

Mauve’s paintings almost always depict harmonious, rural landscapes. Common scenes include the meadows and country roads of the Oosterbeek and Wolfhezen districts as well as the coast of Scheveningen in Holland.

Mauve, Les Bucherons (Loggers)

Les Bucherons (Loggers)

Mauve, Portrait of Mauve

Portrait of Mauve

Mauve, Feeding Time

Feeding Time

Mauve’s landscapes usually include people and animals, often peasants working the land or herding sheep or cattle. While Mauve lived in many regions of Holland, he spent the last years of his live in the countryside near Laren and Arnhem.

Mauve, Landscape

Landscape

Mauve, Benezit, Sheen

Benezit, Sheen

When Van Gogh was just beginning to paint he worked under Mauve. Their working relationship ended as Mauve insisted that Van Gogh paint in a more realistic and traditional manner. Though Van Gogh eventually developed his own unique style, Mauve is remembered for influencing Van Gogh’s early work.

Mauve, Shepherdess with a Flock of Sheep

Shepherdess with a Flock of Sheep

Anton Mauve’s paintings are now in private collections around the world as well as in major museums in London, Amsterdam, New York, Boston and San Francisco. Do you think you own a painting by the Dutch master, Anton Mauve? Contact us. We are the experts on Anton Mauve.


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664--gandolfi-u.php Ubaldo Gandolfi Artwork Authentication & Art Appraisal

Ubaldo Gandolfi (1728-1781)

We Perform Ubaldo Gandolfi art authentication. Ubaldo Gandolfi appraisal. Ubaldo Gandolfi certificates of authenticity (COA). Ubaldo Gandolfi analysis, research, scientific tests, full art authentications. We will help you sell your Ubaldo Gandolfi or we will sell it for you.

Ubaldo Gandolfi painting, Portrait of a Woman

Portrait of a Woman

Ubaldo Gandolfi painting, Head of a Boy in Profile

Head of a Boy in Profile

Ubaldo Gandolfi was an 18th century Italian painter. Gandolfi generally painted mythological and religious scenes in the Rococo style.

Ubaldo Gandolfi painting, Mercury Lulling Argus to Sleep

Mercury Lulling Argus to Sleep

art

Bacchus and Ariadne

Still wondering about an 18th century Italian painting in your family collection? Contact us…it could be by Ubaldo Gandolfi.


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665--natoire.php Charles Joseph Natoire Artwork Authentication & Art Appraisal

Charles Joseph Natoire (1700-1777)

Get a Natoire Certificate of Authenticity for your painting (COA) for your Natoire drawing.

For all your Natoire artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Natoire Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Natoire painting or drawing.

If you want to sell your Natoire painting or drawing use our selling services. We offer Natoire selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Natoire and issuing certificates of authenticity since 2002. We are recognized Natoire experts and Natoire certified appraisers. We issue COAs and appraisals for all Natoire artworks.

Our Natoire paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Natoire certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Natoire painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Natoire paintings or drawings take longer.

Our clients include Natoire collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles Joseph Natoire art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles Joseph Natoire or we will sell it for you.

Natoire painting, The Expulsion from Paradise 1740

The Expulsion from Paradise 1740

Natoire painting, Venus and Vulcan

Venus and Vulcan

Natoire painting, Psyche at Her Toilet

Psyche at Her Toilet

Natoire painting, Le Reveil de Venus

Le Reveil de Venus

Charles Joseph Natoire was an 18th century French rococo artist who mainly painted decorative studies for the French Crown, including religious and mythological scenes. He won the Prix de Rome in 1721 and studied in Rome for five years. He was later named Director of the French Academy in Rome, and during this time, almost completely stopped painting.

Natoire sketch, Sketch of a Soldior

Sketch of a Soldier

Natoire sketch, Study for The Head of Venus

Study for The Head of Venus

Natoire work, The Glory of the Prince

The Glory of the Prince

He taught Fragonard and Robert Hubert and towards the end of his career, took up landscape painting. Many of his paintings were also studies for frescoes that have since been lost. The largest collection that is still in existence is at the Hôtel de Soubise in Paris.

Natoire work, View in the Gardens at Arceuil, with Figures and Peacocks by a Stairway

View in the Gardens at Arceuil, with Figures and Peacocks by a Stairway

Natoire work, Gardens of the Villa d'Este at Tivoli

Gardens of the Villa d’Este at Tivoli

Natoire work, Landscape with Shepherds and their Herds amidst Roman Ruins

Landscape with Shepherds and their Herds amidst Roman Ruins

Today, Natoire’s work is housed all over the world, including the National Gallery in Washington, D.C. and the Metropolitan Museum of Art in New York and perhaps in your own home. Still wondering about an 18th century French painting in your family collection? Contact us… we are the Charles Joseph Natoire experts.


done
666--zoffany.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "zoffany" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "zoffany" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "zoffany" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
667--soyer_isaac.php Isaac Soyer Artwork Authentication & Art Appraisal

Isaac Soyer (1902-1981)

We Perform Isaac Soyer art authentication. Isaac Soyer appraisal. Isaac Soyer certificates of authenticity (COA). Isaac Soyer analysis, research, scientific tests, full art authentications. We will help you sell your Isaac Soyer or we will sell it for you.

A Family

A Family

Isaac Soyer was a Russian painter who emigrated to the United States in 1912. He was the younger brother of painters Moses and Raphael Soyer. His work is generally less known than that of his older brothers, though it closely mirrors in style, tone and subject to the work of his brother Raphael. His style is considered to be Social Realism.

A Nickel a Shine 1937 Lithograph

A Nickel a Shine 1937 Lithograph

Still wondering about a Russian or American painting in your family collection? Contact us…it could be by Isaac Soyer.


done
668--rubens.php Sir Peter Paul Rubens Artwork Authentication & Art Appraisal

Sir Peter Paul Rubens (1577 – 1640)

Get a Rubens Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Rubens artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Rubens Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rubens painting, drawing or print.

If you want to sell your Rubens painting, drawing or print use our selling services. We offer Rubens selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rubens and issuing certificates of authenticity since 2002. We are recognized Rubens experts and Rubens certified appraisers. We issue COAs and appraisals for all Rubens artworks.

Our Rubens paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rubens certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rubens painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rubens paintings or drawings take longer.

Our clients include Rubens collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sir Peter Paul Rubens art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sir Peter Paul Rubens or we will sell it for you.

Rubens, Self-Portrait, Rubens and Isabella Brant in the Honeysuckle Bower

Self-Portrait, Rubens and Isabella Brant in the Honeysuckle Bower 1609
Oil on Canvas 178 x 136.5 cm

Rubens, Equestrian Portrait of the Duke of Lerma

Equestrian Portrait of the Duke of Lerma 1603
Museo del Prado, Madrid

Peter Paul Rubens was a Flemish Baroque painter, born in Siegen, Westphalia. Rubens is best known for his portraits, history paintings and Counter-Reformation altarpieces. Rubens usually painted mythological and allegorical subjects. While Rubens was based out of Antwerp, where his main studio was located, he worked throughout Europe and was knighted by the Kings of Spain and England.

Rubens, Virgin and Child Adored by Angels 1608

Virgin and Child Adored by Angels 1608
425 x 250 cm
Santa Maria in Vallicella

Rubens, Infante Isabella Clara Eugenia 1615

Infante Isabella Clara Eugenia 1615
105 x 74 cm
Kunsthistorisches Museum, Vienna

Rubens’ father, Jan Rubens was the legal advisor to Anna of Saxony, who was married to William I of Orange. Jan Rubens was imprisoned for having an affair with Anna of Saxony but was eventually released and gave birth to Peter Paul Rubens with Maria Pypelincks. The family moved to Cologne, where Rubens spent much of his early childhood. In 1589, two years after Jan Ruben’s death, Rubens and his mother moved to Antwerp.

Rubens, Elevation of the Cross 1610-1611

Elevation of the Cross 1610-1611
Central Panel 462 x 341
Our Lady Cathedral, Antwerp

Rubens, Prometheus Bound 1611-12

Prometheus Bound 1611-12
Oil on Canvas 243.5 x 209.5 cm
Philadelphia Museum of Art

In Antwerp, Rubens was raised as a Catholic and received a humanist education. Rubens studied Latin, literature and worked as an apprentice under Tobias Verhaeght. Rubens showed tremendous artistic talent and continued to study under two Mannerists, Adam van Noort and Otto van Veen. By 1598, Rubens completed his education and entered the Guild of St. Luke as a mater painter.

Rubens, Exchange of the Princesses

Exchange of the Princesses 1622-1625
Oil on Canvas 394 x 295 cm
Musée du Louvre, Paris

In 1600, Rubens spent the year in Italy, visiting Venice and Mantua, where he met the Duke Vincenzo I of Gonzaga. The Duke provided funding for Rubens to travel to Rome and Florence, where he studied Greek and Roman art. In Rome, Rubens painted his first altarpiece at the church of Santa Croce in Gerusalemme.

Rubens, Adam and Eve First half of 17th Century

Adam and Eve First half of 17th Century
Oil on Canvas 237 x 184 cm
Museo del Prado, Madrid

In 1603, Rubens continued his travels in Spain, spending much of his time in Madrid, where he painted the Duke of Lerma. The following year, Rubens returned to Italy and spent the next four years moving between Mantua, Genoa and Rome. Rubens had a steady flow of work, painting portraits and illustrating palaces.

Rubens, Portrait of Helen Fourment 1638

Portrait of Helen Fourment 1638
Oil on wood 176 x 83 cm
Kunsthistorisches Museum

Between 1606 and 1608, Rubens received one of his most important commissions, painting the High Altar of the Santa Maria cathedral in Vallicella. Rubens became greatly influenced by Italian art and culture, often signing his name “Pietro Paolo Rubens”.

Rubens, Venus at the Mirror 1615

Venus at the Mirror 1615
Oil on Canvas

In 1608, Rubens returned to Antwerp to see his mother, who died shortly before his return. Rubens decided to stay in Antwerp and the following year Rubens was appointed to be a court painter under Albert VII, the Archduke of Austria and Infanta Isabella Clara Eugenia of Spain. That same year, Rubens married Isabella Brant, the daughter of humanist, Jan Brant.

Rubens, Sleeping Muse

Massacre of the Innocents 1611-12
Oil on Canvas
Art Gallery of Ontario

In 1610 Rubens designed a house and studio, which is now the Rubenshuis Museum, in the style of an Italian villa. Rubens worked with various apprentices and students, as well as collaborating with other well-known artists. Rubens house became a major art and cultural center in Antwerp. Rubens also established a copyright for his prints, which were distributed throughout Europe.

During Rubens later years, he bought a chateau outside of Antwerp, where he painted numerous landscape paintings and lived with his second wife, Helene. By the time of his death, Rubens had established himself as a prolific, master painter. Rubens is currently one of the most highly valued Old Master painters. Rubens paintings are now in major museums and collections around the world. Do you think you own a painting by Peter Paul Rubens? Contact us. We are the Rubens experts!


done
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done
670--gonzaga.php Pietro Gonzaga Artwork Authentication & Art Appraisal

Pietro Gonzaga (1751-1831)

Get a Gonzaga Certificate of Authenticity for your painting (COA) for your Gonzaga drawing.

For all your Gonzaga artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gonzaga Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gonzaga painting or drawing.

If you want to sell your Gonzaga painting or drawing use our selling services. We offer Gonzaga selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gonzaga and issuing certificates of authenticity since 2002. We are recognized Gonzaga experts and Gonzaga certified appraisers. We issue COAs and appraisals for all Gonzaga artworks.

Our Gonzaga paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gonzaga certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gonzaga painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gonzaga paintings or drawings take longer.

Our clients include Gonzaga collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pietro Gonzaga art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pietro Gonzaga or we will sell it for you.

Gonzaga painting, An Architectural Fantasy of Magnificent Courtyards

An Architectural Fantasy of Magnificent Courtyards

Pietro Gonzaga was an 18th and early 19 th century Italian artist. He was mainly known for his decoration and ornate designs for 18th century architecture. Gonzaga also created sketches and plans for plays and stage design.

Gonzaga painting, Design for an Egyptian Stage Scene

Design for an Egyptian Stage Scene

Still wondering about an 18th century Italian sketch in your family collection? Contact us…it could be by Pietro Gonzaga.


done
671--ledesma.php Gabriel Fernández Ledesma Artwork Authentication & Art Appraisal

Gabriel Fernández Ledesma (1900-1983)

Get a Ledesma Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Ledesma artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Ledesma Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ledesma painting, drawing or print.

If you want to sell your Ledesma painting, drawing or print use our selling services. We offer Ledesma selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ledesma and issuing certificates of authenticity since 2002. We are recognized Ledesma experts and Ledesma certified appraisers. We issue COAs and appraisals for all Ledesma artworks.

Our Ledesma paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ledesma certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ledesma painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ledesma paintings or drawings take longer.

Our clients include Ledesma collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gabriel Fernández Ledesma art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gabriel Fernández Ledesma or we will sell it for you.

Ledesma, First Communion, 1925

First Communion, 1925

Ledesma, The Black Gloves, 1940

The Black Gloves, 1940

Gabriel Fernández Ledesma was an important painter, printmaker, draftsman graphic designer and professor in twentieth-century Mexico. Fernández Ledesma was born in Aguascalientes, Mexico in 1900. Fernández Ledesma developed an interest in art and traditional ceramics of his region at an early age. At only fifteen years of age, Fernández Ledesma founded a group of independent artists. Shortly after, Fernández Ledesma moved to the Mexico City to study painting formally at the School of Fine Arts.

Ledesma, Industrial Landscape, 1929

Industrial Landscape, 1929

In 1921 Fernández Ledesma and fellow artist Roberto Montenegro, were given the opportunity to design Mexico’s pavilion at the International Exposition in Rio de Janeiro. Fernández Ledesma quickly established a strong reputation as an artist and designer in Mexico City. Fernández Ledesma exhibited frequently, displaying vibrant landscapes, still life paintings and portraits. Fernández Ledesma later represented Mexico in an exhibit in Paris entitled, “Mexican Art Life and Politics”.

Ledesma, Still Life with Boat, 1938

Still Life with Boat, 1938

In 1925 Fernández Ledesma became a professor central School of Fine Arts. Together with Díaz de León, Fernández Ledesma oversaw expositions of the Ministery of Education from 1931-1932.

In 1926 Fernández Ledesma directed and edited the periodical Forma, dedicated to contemporary fine art. Fernández Ledesma received a grant from the Guggenheim to work on his book “Life in the Death”. In addition to his prolific work as a fine artist, Fernández Ledesma designed suits and worked as an art director for theatrical productions.

Ledesma, Portrait of a Young Girl, 1930

Portrait of a Young Girl, 1930

Fernández Ledesma was awarded a medal named for “José Guadalupe Posada” recognizing his great work as an artist, writer and teacher. Fernández Ledesma held major exhibitions athe the Palace of Fine Arts in 1981 to 1982, and in the vestibule of the Procuraduría General de la República.

Do you still think you may own a painting by Gabriel Fernández Ledesma? Contact us. We are the Fernández Ledesma experts.


done
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done
673--soyer-moses.php Moses Soyer Artwork Authentication & Art Appraisal

Moses Soyer (1899-1974)

Get a Moses Soyer Certificate of Authenticity for your painting (COA) for your Moses Soyer drawing.

For all your Moses Soyer artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Moses Soyer Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Moses Soyer painting or drawing.

If you want to sell your Moses Soyer painting or drawing use our selling services. We offer Moses Soyer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Moses Soyer and issuing certificates of authenticity since 2002. We are recognized Moses Soyer experts and Moses Soyer certified appraisers. We issue COAs and appraisals for all Moses Soyer artworks.

Our Moses Soyer paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Moses Soyer certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Moses Soyer painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Moses Soyer paintings or drawings take longer.

Our clients include Moses Soyer collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Moses Soyer art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Moses Soyer or we will sell it for you.

Self-Portrait 1959

Self-Portrait 1959

Nude with Black Drape

Nude with Drape

Moses Soyer was born in Russia and arrived in New York City with his family in 1912. The twin of Raphael and brother of Isaac, also well-known painters (and remarkably similar in subject and style), Soyer’s talent for drawing was early apparent. He received formal training for several years during WWI. Like many artists of his generation, he was deeply affected by the Depression. He was heavily involved with the WPA and completed a series of murals in 1940 for the WPA.

Three Brothers

Three Brothers

Many of his portraits of the 1930’s were of unemployed workers. Strongly Social Realist in inclination, Soyer criticized Regionalism, then gaining popularity in the USA. In the war years however he began to specialize in painting nudes and ballerinas, and did so for most of the rest of his life.

Seven Dancers

Seven Dancers

Dancers in Yellow

Dancers in Yellow

Dancers

Dancers

These softer subjects notwithstanding, Soyer’s background in drawing is always evident, and echoes of Social Realism reverberate to the end of his career. His portraits are invariably strong, heavily delineated and unsentimental, as indeed are his nudes.

Jeanne Pregnant

Jeanne Pregnant

Cynthia Nude before a Mirror

Cynthia Nude before a Mirror

Nude

Nude

Soyer was not an innovator. He reflects the changing dominant influences of the first half of the 20th century faithfully, shifting from gritty Social Realism through conventional Modernism to the lighter, sketchier touch of the 1950’s. His palette lightens after WWII, as if the black clouds of war and Depression have finally lifted.

Paris Scene

Paris Scene

Soyer’s great strength is the human figure, sensitively portrayed with masterly draughtsman ship. The later works of Soyer show his continued dedication to drawing, resulting in a kind of academic Modernism. Some of his later work harkens back to the late 19th century. The faces of Soyer’s subjects are invariably Realist in style, and he always made his backgrounds recede. Even when his subject was relatively dark, the background would be darker.

Model in Green Sweater

Model in Green Sweater

Portrait of Ida Soyer

Portrait of Ida Soyer

Woman with Cello

Woman with Cello

Today, Soyer’s paintings are housed all over the world, and perhaps in your own home. Still wondering about an early 20th century Russian painting in your family estate? Contact us…it could be by Moses Soyer.


done
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done
675--rozanova.php Olga Rozanova Artwork Authentication & Art Appraisal

Olga Rozanova Ольга Владимировна Розанова (1886-1918)

Get a Rozanova Certificate of Authenticity for your painting (COA) for your Rozanova drawing.

For all your Rozanova artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rozanova Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rozanova painting or drawing.

If you want to sell your Rozanova painting or drawing use our selling services. We offer Rozanova selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rozanova and issuing certificates of authenticity since 2002. We are recognized Rozanova experts and Rozanova certified appraisers. We issue COAs and appraisals for all Rozanova artworks.

Our Rozanova paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rozanova certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rozanova painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rozanova paintings or drawings take longer.

Our clients include Rozanova collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Olga Rozanova art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Olga Rozanova or we will sell it for you.

Portrait of a Lady in Pink, the Artists Sister, 1911

Portrait of a Lady in Pink, the Artists Sister, 1911

Olga Rozanova was a Russian avant-garde artist in the styles of Suprematist, Neo-Primitivist, and Cubo-Futurist. She was born in Melenki, a small town near Vladimir. In 1904 she attended art studios of K. Bolshakov and Konstantin Yuon in Moscow. The same time she studied at the Stroganov School of Applied Art. In 1911 she became one of the most active members of the Union of the Youth (Sojus Molod’ozhi). In 1912 Rozanova started a friendship with the Futurist poets Velimir Khlebnikov and Aleksei Kruchenykh, her future husband.

Illustration for Duck's Nest

Illustration for Duck’s Nest

In 1916, she joined the group of Russian avant-garde artists Supremus that was led by Kazimir Malevich. By this time her paintings, developed from the influences of Cubism and Italian Futurism, and took an entirely original departure into pure abstraction in which the composition is organized by the visual weight and relationship of color.

Suprematist Composition

Suprematist Composition

In the same year Rozanova together with other suprematist artists (Kazimir Malevich, Aleksandra Ekster, Nina Genke, Liubov Popova, Ksenia Boguslavskaya , Nadezhda Udaltsova, Ivan Kliun, Ivan Puni and others) worked at the Verbovka Village Folk Centre.

Suprematist Composition 1916

Suprematist Composition 1916

In 1917-1918 she created a series of non-objective paintings which she called tsv’etopis’. Her Non-objective composition, 1918 also known as Green stripe anticipates the flat picture plane and poetic nuancing of color of some Abstract Expressionists. Still wondering about an early 20th century Russian painting in your family collection? Contact us…it could be by Olga Rozanova.


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677--mondrian.php Piet Mondrian Artwork Authentication & Art Appraisal

Piet Mondrian (1872 – 1944)

Get a Mondrian Certificate of Authenticity for your painting (COA) for your Mondrian drawing.

For all your Mondrian artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mondrian Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mondrian painting or drawing.

If you want to sell your Mondrian painting or drawing use our selling services. We offer Mondrian selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mondrian and issuing certificates of authenticity since 2002. We are recognized Mondrian experts and Mondrian certified appraisers. We issue COAs and appraisals for all Mondrian artworks.

Our Mondrian paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mondrian certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mondrian painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mondrian paintings or drawings take longer.

Our clients include Mondrian collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Piet Mondrian art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Piet Mondrian or we will sell it for you.

Mondrian, Composition with Gray and Light Brown

Composition with Gray and Light Brown
1918 Oil on canvas 80.2 x 49.9 cm Museum of Fine Arts, Houston, Texas

Piet Mondrian was a Dutch artist of the De Stijl movement. While Theo van Doesberg founded the De Stijl movement, Mondrian defined a new branch of art known as Neo-Plasticism.

Mondrian, Composition with Red, Yellow and Blue

Composition with Red, Yellow and Blue
1921 Oil on canvas 39 x 35 cm

Mondrian was born in Amersfoort, Netherlands but soon moved with his family to Winterswijk. In 1892 Mondrian moved to Amsterdam to study at the Academy of Fine Art. While studying, Mondrian worked as a primary school teacher to support himself. As a student, Mondrian painted in a representational manner, creating realistic or impressionistic landscape studies. Many of Mondrian’s early paintings are in the collection of The Hague’s Gemeenemuseum.

Mondrian, Composition No. III Blanc-Jaune

Composition No. III Blanc-Jaune
1935-42 Oil on canvas 101 x 51 cm

Mondrian, Composition No. 10

Composition No. 10
1939-42 Oil on canvas 80 x 73 cm Private collection

In 1908 Mondrian began to study the theosophical movement, guided by Helena Petrovna Blavatsky. Mondrian’s interest in spirituality remained an important factor throughout his life and career.

Mondrian, Broadway Boogie Woogie

Broadway Boogie Woogie
1942-43 Oil on canvas 127 x 127 cm The Museum of Modern Art, New York

Mondrian, Molino al sol

Molino al sol
1911 Oil on Canvas 114 x 87 cm Gemeentemuseum, La Haya

Another inspirational force in Mondrian’s work was the 1911 Moderne Kunstkring exhibition of Cubism. After seeing this exhibit Mondrian began to simplify his work and use geometrical forms. Around this same time Mondrian decided to leave Amsterdam and move to Paris, where he studied Cubism and changed the spelling of his name from ‘Mondriaan’ to ‘Mondrian’.

Mondrian, Composición en Gris - Azul

Composición en Gris – Azul
1913 Oil on Canvas 79.5 x 63.5 cm Museum Thyssen Bornemisza

Mondrian, Bodegón con jarra de jengibre II

Bodegón con jarra de jengibre II
1912 Oil on Canvas 95.2 x 120 cm Guggenheim Museum, New York

In 1914 at the start of World War I, Mondrian returned to the Netherlands. Back in his home country, Mondrian found his place at the Laren artist’s colony, working alongside Bart van der Leck and Theo van Doesberg. In the next couple of years Mondrian was able to release a twelve-piece publication known as “The New Plastic” expressing his views on artistic theory.

Mondrian, Composición VII

Composición VII
1913 Oil on Canvas 104.4 x 113.6 Guggenheim Museum, New York

After the war in 1919 Mondrian was free to leave the Netherlands and returned to France, where he remained for nearly twenty years. At this point Mondrian began painting his iconic grid-based paintings, painting. His early grid paintings contain grays and more subtle tones, where his later pieces use a black grid and primary colors.

Mondrian, Cuadro nº 2

Cuadro nº 2
1925 Oil on Canvas 75 x 65 cm Private Collection, Zurich

Throughout the 1920s Mondrian continued to refine his style of abstraction. Examples of experimentation can be seen in his “lozenge” works, in which he tilted square canvasses at a forty-five degree angle.

Mondrian, New York City

New York City
1942 Oil on Canvas 120 x 144 cm Harry Holtzman Collection, New York

In 1938 Mondrian left Paris to escape the spread of fascism and relocated to London for a brief amount of time before moving to New York City. While Mondrian only spent a few years in New York City he made a great impression on the art scene. The Museum of Modern Art in New York has held several exhibitions of his work and owns many pieces in its private collection. Mondrian’s work is now is Modern art collections around the world. Do you think you own a painting by Mondrian? Contact us. We are the experts on Piet Mondrian.


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678--vaz-espanol.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vaz-espanol" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vaz-espanol" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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679--beckmann.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "beckmann" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "beckmann" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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680--sanzio.php Raffaello Sanzio Artwork Authentication & Art Appraisal

Raffaello Sanzio AKA Raphael (1483-1520)

We are Raphael experts.  If you believe you have a Raphael painting or Raphael drawing, our experts can confirm if it is the work of this Italian artist, and research everything about the artwork to demonstrate its authenticity.

Raphael painting, The Three Graces

The Three Graces

Raphael, Bindo Altoviti

Bindo Altoviti

Raphael, La Fornarina

La Fornarina

One of the triumvirate of High Renaissance art (along with Michelangelo and Leonardo da Vinci), Raffaello Sanzio (or Santi), known as Raphael, was born in Urbino, Italy, on April 6, 1483. Rafael’s father, Giovanni Santi, was a painter at the court of Federico da Montefeltro, the Duke of Urbino, and doubtless taught his son the fundamentals of art, with Raphael helping out in his father’s studio from a young age.

Where Raphael received his formal training is unclear. His father died in 1494, when his son was 11 years old, and at some point the young Raphael made his way to Perugia to apprentice under Perugino, at the time one of the most admired and influential painters working in Italy. All of the early works of Raphael show Perugino’s influence, from the figures with their sweet expressions to the formalized background landscapes dotted with pencil-trunked trees. Raphael’s earliest known commission (1501) was for an altarpiece for Andrea Baronci’s chapel in the church of Sant’Agostino in Città di Castello, near Urbino. (The work was damaged badly in an earthquake in 1789, but fragments have found their way to various collections.)

Raphael painting, Portrait of a Man With an Apple

Portrait of a Man With an Apple

Raphael painting, Portrait of a Lady With a Unicorn

Portrait of a Lady With a Unicorn

Pope Leo X With Two Cardinals, by the artist Raphael

Pope Leo X With Two Cardinals

The fact that Raphael was regarded as a prodigy is evidenced by the fact that, shortly after the Baronci commission, Pintorecchio, another leading artist of his time, requested that Raphael make compositional drawings for frescoes in the Piccolomini Library in Siena.

Despite these early successes, Raphael evidently felt the need to broaden his experience and, in 1504, armed with a letter of recommendation from the Duke of Urbino’s sister-in-law to the ruler of Florence, Raphael moved there. Many of Raphael’s celebrated depictions of the Virgin and Child date from this time. In this period he also completed three large altarpieces: The “Ansidei Madonna”, the “Baglioni Altarpiece and the “Madonna del Baldacchino.” His first portraits also date from this period. 

In 1508 Raphael was summoned to Rome by Pope Julius II to execute frescoes for four rooms of the Vatican Palace. It was an amazing accomplishment for an artist who was 26 years old. The first commission was the decoration of the Stanza della Segnatura, a room that probably was used by the pope as a library. It contains some of the artist’s best-known works, including the “School of Athens,” the “Parnassus,” and the “Disputation of the Holy Sacrament.” The most famous of these works, “The School of Athens,” displays the greatest thinkers of the Greek world, most notably Plato and Aristotle, who are at the center of the composition. Raphael has used contemporaries as stand-ins for the philosophers: In the place of Plato, for instance, it is likely that the portrait is that of Leonardo; likewise, Michelangelo is in the foreground (depicted as Heraclitus), leaning against a block. Raphael himself peers out at the viewer from the center of a group of scholars that are crowded together at the far right edge of the composition.

art

Madonna and Child

In addition to the Vatican frescoes, Raphael also was engaged to design 10 tapestries with scenes from the acts of the apostles to hang in the Sistine Chapel (for which Michelangelo completed the ceiling in 1512). The tapestries were woven in Brussels from cartoons, or drawings, of which seven survive. Because he had a large and well-organized workshop of artists and decorative specialists, which executed work following his designs, Raphael also was able to accept commissions for a number of altarpieces, a few small devotional works and a number of projects for the rich Sienese banker Agostino Chigi.

The last of Raphael’s works was an altarpiece, “The Transfiguration of Christ,” which is believed to have been completed by one of his students, Giulio Romano. The artist died on Good Friday of 1521, his 37th birthday, after he contracted a fever, probably caused by an insect bite. He may well have healed had it not been for the medical practices of the day, which prompted doctors to bleed him with leeches in an attempt to get the “bad blood” out. He was buried the next day in the Pantheon.

art

The Expulsion of Heliodorus

art

Entombment

We authenticate, attribute and appraise works by Raphael. If you think you may have a Raphael, please contact us.


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682--il-salviati.php Il Salviati Artwork Authentication & Art Appraisal

Il Salviati (1510-1563)

Il Salviati art authentication. Il Salviati appraisal. Il Salviati certificates of authenticity (COA). Il Salviati analysis, research, scientific tests, full art authentications. We will help you sell your Il Salviati or we will sell it for you.

art

Portrait of a Man

Francesco de’ Rossi was an Italian Mannerist painter from Florence, also active in Rome. He is known by many names, prominently the adopted name Francesco Salviati or as Il Salviati, but also Francesco Rossi and Cecchino del Salviati. Salviati was born and died in Florence. He apprenticed under Giuliano Bugiardini, Baccio Bandinelli, Raffaele Brescianino, and finally Andrea del Sarto in 1529-1530. By 1531, he travels to Rome where he is met by his contemporary Bandinelli pupil, Giorgio Vasari, and helps complete the frescoes on the Life of John the Baptist in the Palazzo Salviati for the Cardinal Giovanni Salviati. It is from his attachment to this household that he took on the surname.

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Kneeling Female Nude

He frescoed an Annunciation in San Francesco a Ripa (1533-1535). His mature style has mannerist contortions and crowded scenes similar to the output of Giulio Romano. In 1538 he joined Jacopino del Conte in completing a fresco of the Visitation for in the Oratory of San Giovanni Decollato, a Florentine fraternity ministering to those condemned to execution.

art

Artemesia Mourning

He painted in Bologna in 1540 alongside Vasari, and stayed for a brief time in Venice, where he frescoed decorations for the Palazzo Grimani in antique style. During this period his style shows the influences of Parmigianino. His many portrait paintings can sometimes be confused for Bronzino.

art

The Doubting of St. Thomas

By 1543, he returns to Florence, working for Cosimo I de’ Medici, he completes a fresco decoration eulogizing the Medici family (Triumph of Camillus in the Sala dell’Udienza of the Palazzo Vecchio (1543-1545). He also designed tapestry cartoons for the recently established Arazzeria, including Ecce homo, Resurrection, and Joseph explains the Pharaoh’s dreams. The latter commission was awarded after a competition, which pitted him against contemporary Florentine Mannerists, Bronzino and Pontormo. He painted a Deposition altarpiece for Santa Croce in 1547-1548. This theme, one which became a master ouvre topic for Late-Renaissance artists, is handled in a crowded complex fashion.

art

Charity

He often travelled to Rome between 1548 and 1563, to complete various fresco series, such as Wedding of Canae in the Oratory of the Piceni, a Birth of John the Baptist in the Oratory of San Giovanni Decollato, in the Palazzo della Cancelleria (Pallium Cappella), in the Palazzo Sacchetti (History of David), and in Palazzo Farnese.

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Nativity

The Cleveland Museum of Art, the Courtauld Institute of Art (London), the Getty Museum, Harvard University Art Museums, the Hermitage Museum, the Honolulu Academy of Arts, the Liechtenstein Museum (Vienna), the Louvre, the Metropolitan Museum of Art, Museo Poldi Pezzoli (Milan), Museum der bildenden Künste (Leipzig), the Museum of Fine Arts, Boston, the National Gallery of Art (Washington D.C.), Pinacoteca di Brera (Milan), Ringling Museum of Art (Florida), the Royal Museums of Fine Arts of Belgium, and the Saint Louis Art Museum are among the public collections holding paintings by Francesco de’ Rossi.

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St. John the Evangelist, Sketch

Still wondering about an Italian painting in your family collection? Contact us…it could be by Il Salviati.


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683--zick-janaurius.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "zick-janaurius" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "zick-janaurius" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
684--rolshoven.php Julius Rolshoven Artwork Authentication & Art Appraisal

Julius Rolshoven (1858-1930)

Get a Rolshoven Certificate of Authenticity for your painting (COA) for your Rolshoven drawing.

For all your Rolshoven artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rolshoven Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rolshoven painting or drawing.

If you want to sell your Rolshoven painting or drawing use our selling services. We offer Rolshoven selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rolshoven and issuing certificates of authenticity since 2002. We are recognized Rolshoven experts and Rolshoven certified appraisers. We issue COAs and appraisals for all Rolshoven artworks.

Our Rolshoven paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rolshoven certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rolshoven painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rolshoven paintings or drawings take longer.

Our clients include Rolshoven collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Julius Rolshoven art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Julius Rolshoven or we will sell it for you.

Rolshoven, Field of Poppies

Field of Poppies

Rolshoven, Indian Market

Indian Market

Julius Rolshoven is an American artist who gained a reputation both internationally and regionally with his involvement in the Taos Society of Artists. While Rolshoven lived and worked in numerous cities around the world, he spent most of his childhood in Detroit, Michigan. Rolshoven left his Midwestern home at the age of eighteen, to study at the Cooper Union Art School in New York City. Rolshoven decided to continue his studies in Europe, studying in Germany at the Düsseldorf Academy and later in Munich. While abroad, Rolshoven studied under the American painter, Frank Duveneck, who trained several American artists in his European-based schools. By 1882, Rolshoven enrolled at the Academie Julian in Paris and was soon employed as an art teacher. Rolshoven spent several years in Paris, and additional years in London and Florence.

Rolshoven, Red Eagle

Red Eagle

Due to the start of World War I, Rolshoven returned to the United States in 1914. By 1916, after seeing an exhibition of New Mexico-based art, Rolshoven and his newly wed wife, decided to honeymoon in Santa Fe and Taos. The couple was so taken with New Mexico that they decided to settle there for two years. Rolshoven worked in both his Santa Fe studio at the Governor’s Palace and as an associate member of the Taos Society of Artists.

Rolshoven, Assisi Market Girl

Assisi Market Girl

Rolshoven, Sun Arrow

Sun Arrow

Rolshoven, Moonlit Landscape

Moonlit Landscape

Rolshoven loved to paint the light of New Mexico, by working in an outdoor tent. In addition to painting landscapes, Rolshoven painted many portraits of local Native Americans and embellished war chiefs.

Rolshoven, La Bajada Hill

La Bajada Hill

Rolshoven, Taos pastel

Taos pastel

Rolshoven continued to make frequent trips to Florence, Italy, where he had a second residence. For the last decade of Rolhsoven’s life, he travelled between Italy and New Mexico. Consequently, the avid traveler died mid-journey, while crossing the Atlantic.

Rolshoven, Two Indians on horseback

Two Indians on horseback

Rolshoven, Adobe Wall, Taos

Adobe Wall, Taos

Rolshoven’s paintings are now in reputable collections across the country, including the Detroit Institute of Arts, the University of New Mexico, the Smithsonian Institution, the El Paso Museum of Art. Do you think you own a painting by Julius Rolshoven? Contact us. We are the experts on Julius Rolshoven.


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685--cappelle.php Jan Van de Cappelle Artwork Authentication & Art Appraisal

Jan Van de Cappelle (1849-1914)

Get a De Cappelle Certificate of Authenticity for your painting (COA) for your De Cappelle drawing.

For all your De Cappelle artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Cappelle Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Cappelle painting or drawing.

If you want to sell your De Cappelle painting or drawing use our selling services. We offer De Cappelle selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Cappelle and issuing certificates of authenticity since 2002. We are recognized De Cappelle experts and De Cappelle certified appraisers. We issue COAs and appraisals for all De Cappelle artworks.

Our De Cappelle paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Cappelle certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Cappelle painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Cappelle paintings or drawings take longer.

Our clients include De Cappelle collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jan Van de Cappelle art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jan Van de Cappelle or we will sell it for you.

Cappelle, A State Yacht and Other Craft in Calm Water

A State Yacht and Other Craft in Calm Water
Oil on Wood 69.9 x 92.4 cm
Metropolitan Museum of Art, NY

Cappelle, A Calm, 1654

A Calm, 1654
Oil on Canvas

Cappelle was born in Amsterdam, where he trained to be a dyer. Cappelle became quite wealthy and respected in his craft, but realized his true interest was in painting.

Cappelle was a serious art collector and owned about five hundred Rembrandt drawings as well as paintings by Rubens, van Dyke, and Brouwer.

Cappelle taught himself to paint during his spare time, teaching himself through practice and studying the old masters. Cappelle won great praise as a painter of marine scenes characterized by a silver/gray tonality. His most iconic paintings depict grand ships on tranquil seas.

Cappelle’s paintings are now in most major European and American museums. The Rijksmuseum and the National Gallery London have the most extensive collections of his work.

Cappelle, Home Fleet Saluting the Barge, 1650

Home Fleet Saluting the Barge, 1650
Oil on Panel 64 x 92.5 cm
Rijksmuseum Amsterdam

Cappelle, Calm, 1650-55

Calm, 1650-55

Cappelle, Winter Landscape, 1650

Winter Landscape, 1650

Do you still think you may be the owner of Jan Van de Cappelle original? Contact us. We are the Jan Van de Cappelle experts.


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686--gonzalez_j.php Juan Gonzalez Artwork Authentication & Art Appraisal

Juan Gonzalez (1945-1993)

We Perform Cuban born, but American trained, Juan Gonzalez was one of Cuba’s few Surrealist painters. He graduated from the University of Miami with a master of Fine Art in 1973, and won many awards in his lifetime for his artistic achievements.

Originally, Gonzalez wanted to be a priest. He was fascinated by religion at a young age, and the only art that he was brought up with came from the church. His family had no artistic background, so Gonzalez had to go about learning to be an artist on his own.

Throughout the years, art would slowly replace religion in Gonzalez’s life, but the artist still remained highly religious and faithful to his Catholic beliefs. His religion made a tremendous mark on his artwork, and as Gonzalez said was his way of reaching out to God.

Catholic religious iconography and Spanish Surrealist styling are highly apparent in Gonzalez’s styling. He also had a great respect for old masters and art history in general. This is apparent in his 1990 paintings “Memory Piece” and “Rembrandt’s Hands”.

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Memory Piece

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Rembrandt’s Hands

His attention to detail was remarkable, in particular, folds in fabric or leaves on plants. He would often draw from his own experience to paint dreamscapes or actual events, such as “El Sonador” and “Untitled” (1981).

One way to tell for sure if you have a piece of Gonzalez’s artwork is to look at the content. He would often paint visceral cityscapes, tall and endless with a menacing sky and frightening buildings below. Statues were also a common image in his works.

Gonzalez would also work in many different mediums and surfaces, be it paper or canvas or wood. He would also create a number of mixed media pieces. In particular, he created a series of three fold prints on paper, usually of the sea or the night sky in a Surrealist dreamscape.

Today, Gonzalez’s work is housed in private collections all over the world, as well as in many museums across the United States, such as the Museum of Modern Art in New York and the Art Institute of Chicago. Do you think you may own a piece of art by Juan Gonzalez? We would be happy to assist you in authenticating artwork by this great Cuban master.


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688--mudist.php Peeter Mudist Artwork Authentication & Art Appraisal

Peeter Mudist (1942–2013)

Get a Mudist Certificate of Authenticity for your painting or a COA for your Mudist drawing or sculpture.

For all your Mudist artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Mudist Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mudist painting, drawing or sculpture.

If you want to sell your Mudist painting, drawing or sculpture use our selling services. We offer Mudist selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mudist and issuing certificates of authenticity since 2002. We are recognized Mudist experts and Mudist certified appraisers. We issue COAs and appraisals for all Mudist artworks.

Our Mudist paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mudist certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Mudist painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mudist paintings, drawings or sculpture take longer.

Our clients include Mudist collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Do you think you may own a painting by Peeter Mudist?

We perform Peeter Mudist art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Peeter Mudist or we will sell it for you.

1. Paratamatus elada ühel ajal. 1985. Oil on Canvas. Tallinn Art Hall Foundation.

1. Paratamatus elada ühel ajal. 1985. Oil on Canvas. Tallinn Art Hall Foundation.

2. Two Portraits. 1974. Oil on Canvas. Tartu Art Museum.

2. Two Portraits. 1974. Oil on Canvas. Tartu Art Museum.

Peeter Mudist was an Estonian artist, known for his paintings and sculptors. Mudist was born in Tallinn, where he began his studies at the Tallinn University of Technology. Before finishing his degree, Mudist left his coursework to pursue artistic training at the Estonian Academy of the Arts. After graduating in 1967, Mudist began exhibiting his artwork.

3. Introduction to Calcutta Street. 2009. Oil on Canvas.

3. Introduction to Calcutta Street. 2009. Oil on Canvas.

Trained in a variety of techniques, Mudist created a wide body of work. While his early work was more traditional his later work became increasingly abstract. His paintings in the 1970s were mostly representational, showing figures painted in a soft and almost dreamlike. Mudist’s figures are often surrounded by bold, solid colors. Mudist’s later works are equally colorful but much looser and less figurative. While his later works are more abstract he did a series of flowers and landscape paintings.

4. Flowers. Oil on Canvas. 2005.

4. Flowers. Oil on Canvas. 2005.

5. Soela Beach, Landscape. Oil on Canvas. 1990.

5. Soela Beach, Landscape. Oil on Canvas. 1990.

Peeter Mudist is a highly regarded Estonian artist. His work is in major collections in Tartu and Tallinn. Mudist’s work continues to sell in galleries and auctions around the world.If you think you may own original artwork by Peeter Mudist, contact Art Certification Experts for information regarding our services.


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689--redoute.php Pierre-Joseph Redoute Artwork Authentication & Art Appraisal

Pierre-Joseph Redoute (1759-1840)

Get a Redoute Certificate of Authenticity for your painting (COA) for your Redoute drawing.

For all your Redoute artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Redoute Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Redoute painting or drawing.

If you want to sell your Redoute painting or drawing use our selling services. We offer Redoute selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Redoute and issuing certificates of authenticity since 2002. We are recognized Redoute experts and Redoute certified appraisers. We issue COAs and appraisals for all Redoute artworks.

Our Redoute paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Redoute certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Redoute painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Redoute paintings or drawings take longer.

Our clients include Redoute collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pierre-Joseph Redoute art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pierre-Joseph Redoute or we will sell it for you.

Redoute painting, Roses

Roses

Pierre-Joseph Redoute was an 18th century Flemish painter. Redoute spent much of his life in France and was known for his paintings of flowers and plant life. He was born in Flanders into a family of artists and moved to Paris in 1782.

Redoute painting, Cherries

Cherries

Redoute found fame as the official flower painter to Marie Antoinette, and later, to Empress Josephine and Queen Marie Amelie. Redout also created black and white flower sketches for botanical guides.

Redoute painting, Pomegranate

Pomegranate

Though Redoute earned many commissions and was a well-known artist, he lived the high life and died it debt. Still wondering about an 18th or early 19th century French floral painting in your family collection? Contact us…it could be by Pierre-Joseph Redoute.


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690--orozco.php Jose Clemente Orozco Artwork Authentication & Art Appraisal

Jose Clemente Orozco (1883-1949)

Get a Orozco Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Orozco artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Orozco Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Orozco painting, drawing or print.

If you want to sell your Orozco painting, drawing or print use our selling services. We offer Orozco selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Orozco and issuing certificates of authenticity since 2002. We are recognized Orozco experts and Orozco certified appraisers. We issue COAs and appraisals for all Orozco artworks.

Our Orozco paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Orozco certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Orozco painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Orozco paintings or drawings take longer.

Our clients include Orozco collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jose Clemente Orozco art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jose Clemente Orozco or we will sell it for you.

Born in Jalisco, Mexico, Jose Clemente Orozco would overcome much and eventually be known as one of the great Mexican muralists. Early in his career, he would suffer the loss of his left hand, only to use this trauma as a source of inspiration.

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La Cantina

A leader of the Vanguard and Revolutionary movements, Orozco originally started his art career as a political cartoonist and draftsman. It wasn’t until the end of the Revolutionary War that Orozco began to paint murals. During this time, he attended the academy at San Carlos, studying under Dr. Atl and working alongside Diego Rivera.

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Gods of the Modern World, 1932
mural, Dartmouth College

In 1917, Orozco moved to New York to further his art career. During this time, he lost his left hand in a gunpowder accident. It was after this accident that hands began to become a central focus in his work. Not only were hands a symbol of his own struggles but of the working class as well. It was also during this time that the anatomy of Orozco’s figures in his murals and art became very muscular with geometric shapes in the background.

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Modern Migration of the Spirit, 1933
mural, Dartmouth College

It was known that Orozco did not want to be put into any artistic category. This is probably for the best, because it would indeed be difficult to categorize his work. With a color palette reminiscent of old European styles, Cubist influences, and Mexican cultural themes, Orozco’s work is simply his own.

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Guerrilla

Because of his involvement in the Revolution and Vanguard movements, Orozco is also described as a Social Realist. One of his best-known works is Prometheus, 1930, a fresco mural at Pomona College in California. This was his first work in the United States and shows Orozco’s use of muscular figures.

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Prometheus

While Orozco is typically known for his murals, he also left behind a number of oil paintings as well. From 1942 to 1946, it is known that he primarily worked on easel paintings and portraits as well as ballet stage decorations. Like all master artists, Orozco also worked in lithography and engravings, and mainly produced the bulk of these from 1926 to 1935 and then again for a brief time in 1944.

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Manifestacion

During his transition from oil paintings and sketches to murals, it is known that Orozco destroyed or erased a number of his first compositions. Like with all things that are thrown away or misplaced, the likelihood of some of his earlier work surviving this rejection period is very great.

Furthermore, Orozco, like other muralists, was known to create sketches of his murals before he would launch them. Many of these sketches are surely in existence today and would be of great value to the institutions where his murals are forever installed.

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Mujer Mexicana, 1926

While Orozco’s style was ever evolving, like his fellow muralists, his style is generally easy to recognize. His themes were always socially or politically driven, be it a mural of the masses or a woman symbolically riding a tiger.

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Stairway ceiling mural of Hidalgo

Jose Clemente Orozco art authentication. Jose Clemente Orozco appraisal from . Jose Clemente Orozco certificates of authenticity (COA). Jose Clemente Orozco analysis, research, scientific tests, full art authentications. We will help you sell your Jose Clemente Orozco or we will sell it for you.

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Maguey, 1921

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691--chauvin.php Pierre-Athanese Chauvin Artwork Authentication & Art Appraisal

Pierre-Athanese Chauvin (1774-1832)

Get a Chauvin Certificate of Authenticity for your painting (COA) for your Chauvin drawing.

For all your Chauvin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Chauvin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Chauvin painting or drawing.

If you want to sell your Chauvin painting or drawing use our selling services. We offer Chauvin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Chauvin and issuing certificates of authenticity since 2002. We are recognized Chauvin experts and Chauvin certified appraisers. We issue COAs and appraisals for all Chauvin artworks.

Our Chauvin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Chauvin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Chauvin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Chauvin paintings or drawings take longer.

Our clients include Chauvin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pierre-Athanese Chauvin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pierre-Athanese Chauvin or we will sell it for you.

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Italian Landscape

Pierre-Athanese Chauvin was a French Neoclassical painter. He was born in Paris, though spent much of his life in Italy and mainly painted idyllic Italian landscapes. He travelled through much of the Italian countryside, visiting Rome and Naples.

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Italian Landscape with Figures and Ruins

Still wondering about an Italian landscape in your family collection? Contact us…it could be by Pierre-Athanese Chauvin.


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692--alexander.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "alexander" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "alexander" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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693--lorenzo-sanchez.php Tiburcio Lorenzo Sanchez Artwork Authentication & Art Appraisal

Tiburcio Lorenzo Sanchez (1912-1996)

Get a Lorenzo Certificate of Authenticity for your painting or a COA for your Lorenzo drawing or sculpture.

For all your Lorenzo artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Lorenzo Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lorenzo painting, drawing or sculpture.

If you want to sell your Lorenzo painting, drawing or sculpture use our selling services. We offer Lorenzo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lorenzo and issuing certificates of authenticity since 2002. We are recognized Lorenzo experts and Lorenzo certified appraisers. We issue COAs and appraisals for all Lorenzo artworks.

Our Lorenzo paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lorenzocertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Lorenzo painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lorenzo paintings, drawings or sculpture take longer.

Our clients include Lorenzo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Tiburcio Lorenzo Sanchez art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Tiburcio Lorenzo Sanchez or we will sell it for you.

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Casa de Campo

Of all of the painters in Cuba’s history, Tiburcio Lorenzo Sanchez is credited as the driving force which helped to bring fine art to western Cuba.

Born in Pinar del Rio, Lorenzo was able to move to Havana to study art at San Alejandro after winning a scholarship. There, he befriended fellow artists Victor Manuel and Fidelio Ponce, and studied under Romanach. He graduated in 1944, and shortly thereafter began a major movement in Cuban art.

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Arbol Con Flores Rojas

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Prior to Lorenzo, the former Spanish colony of Pinar del Rio was best known for their tobacco industry. Today, Pinar del Rio is a thriving cultural center, in part due to Lorenzo’s influence. It is said that Lorenzo, among others, fought to bring fine art to the region, and helped to create another cultural center outside of Havana. This cultural center began with the creation of the Provincial School of Art, and made it possible for students to receive professional training outside of Havana, which is almost 120 miles away from Pinar del Rio.

In 1946 after much hard work, Lorenzo was able to open the Provincial School of Fine Arts in Pinar del Rio. There he taught for more than 20 years and became a teacher and mentor to many generations of contemporary Cuban artists.

His own art is primarily landscapes of western Cuba. Lorenzo painted the lush vegetation of Pinar del Rio and was considered to be one of the great painters of the early Republic. His use of tropical colors and almost entirely Cuban training made his work fresh and original and is truly an example of real Cuban painting. Lorenzo also did a number of sculptures, though his true talent lies within his landscape paintings.

Lorenzo worked up until 1991 and died 5 years later in Cuba. Because he lived not long ago and worked during a progressive stage in Cuba, the possibility of owning one of his art pieces is endless. Though he was not ever documented as living or studying abroad, he was still producing art in a time before Cuba went through their many political changes. He was able to exhibit often in Cuba, and though was not able to share his work with the rest of the world in his lifetime he made an impact on the art world.

Today, much of his work is housed in Cuba, and has previously been exhibited in Tampa, FL and other areas abroad. During his lifetime he exhibited all over Cuba in most of the national galleries and gained much national distinction and acclaim. There is even a museum and salon today in Cuba which bears his name, the National Hall Tiburcio Lorenzo, UNEAC in Pinar del Rio, Cuba. Without Lorenzo’s hard work, Pinar del Rio may be little more than a tobacco farming town.

Could you own a piece of art by Tiburcio Lorenzo Sanchez? We would be happy to assist you in authenticating a piece of art by this great Cuban master.


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694--limner.php Early American Limner Artwork Authentication & Art Appraisal

Early American Limner 1600’s-1700’s

Get a Limner Certificate of Authenticity for your painting (COA) for your Limner drawing.

For all your Limner artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Limner Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Limner painting or drawing.

If you want to sell your Limner painting or drawing use our selling services. We offer Limner selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Limner and issuing certificates of authenticity since 2002. We are recognized Limner experts and Limner certified appraisers. We issue COAs and appraisals for all Limner artworks.

Our Limner paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Limner certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Limner painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Limner paintings or drawings take longer.

Our clients include Limner collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We Perform Early American Limner art authentication, appraisal, certificates of authenticity (COA). analysis, research, scientific tests, full art authentications. We will help you sell your Early American Limner or we will sell it for you.

Mr. Willson 1720, attrib to the Schuyler Limer, also to Nehemiah Partridge

Mr. Willson 1720, attrib to the Schuyler Limer, also to Nehemiah Partridge

In Colonial New England, it was fashionable for wealthy families to hire painters to create portraits of their family often and extensively. These portrait painters were referred to as “limners” and in general were untrained and unnamed painters working in the Early American colonies. These limners would also be hired to paint ornamental objects such as clocks, signs and even landscapes.

Portrait of Catherine Adams unsigned

Portrait of Catherine Adams. Oil on canvas: 27 by 22 inches. Unsigned Courtesy R. H. Love Galleries, Chicago, Illinois

Paintings by these untrained and Early American Colonial painters are generally unsigned, making it impossible for the untrained eye to decipher who the artist was. Sometimes through extensive research and testing it is even impossible for art historians and experts to determine who created a painting. Thus, the term limner is applied to these mysterious Early American painters.

Mrs. Hezekiah Beardsley The Beardsley Limner

Mrs. Hezekiah Beardsley The Beardsley Limner

Little Boy in a Windsor Chair attrib to the Beardsley Limner

Little Boy in a Windsor Chair attrib to the Beardsley Limner

One of the most famous of the New England limners was The Freake Limner. These paintings were created in a decorative Elizabethan style, and all are attributed to the same artist. Nothing is known of this artist except that he was likely a Dutch itinerant living in New York and often working and painting in Boston. This painter showed similarities in all of the paintings attributed to him, such as the size of the canvases (approximately 42 by 36 inches). The composition of his sitters, as well as the treatment of their expressions and posture is also strikingly similar in each of the paintings attributed to him.

Portrait of Mrs. Elizabeth Freake and Baby Mary

Portrait of Mrs. Elizabeth Freake and Baby Mary

This same painter is also attributed to painting the Gibbs family, also of Boston.

Margaret Gibbs

Margaret Gibbs

There are a multitude of other limners for families under the names Frost, Pepperell, Schuyler and Denison just to name a few.

Miss Denison 1790

Miss Denison 1790

Elizabeth Denison

Elizabeth Denison

Through proper research and art authentication techniques, paintings once attributed to just a “limner” could possibly be attributed to better known Early American artists, such as Nehemiah Partridge or Thomas Smith. One thing that stands out among these paintings is their consistently naïve style. This is due to the fact that most limners were thought to have been self taught, receiving little or no formal artistic instruction. These limners left behind great mysteries for art historians to solve, leaving a great number of Early American paintings and portraiture in their wake, some now in public collections, but many of which probably still reside in New England family estates. Still wondering about a family portrait from colonial American times? Contact us…it could be attributed to one of these limners.


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695--dietrich.php Christian Dietrich Artwork Authentication & Art Appraisal

Christian Wilhelm Ernst Dietrich (1712 - 1774)

Get a Dietrich Certificate of Authenticity for your painting (COA) for your Dietrich drawing.

For all your Dietrich artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dietrich Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dietrich painting or drawing.

If you want to sell your Dietrich painting or drawing use our selling services. We offer Dietrich selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dietrich and issuing certificates of authenticity since 2002. We are recognized Dietrich experts and Dietrich certified appraisers. We issue COAs and appraisals for all Dietrich artworks.

Our Dietrich paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dietrich certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dietrich painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dietrich paintings or drawings take longer.

Our clients include Dietrich collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Christian Wilhelm Ernst Dietrich art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Christian Wilhelm Ernst Dietrich or we will sell it for you.

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Portrait of a Woman with a Straw Hat

Christian Wilhelm Ernst Dietrich, a German painter, was born at Weimar, where he was brought up early to the profession of art by his father Johann Georg, then painter of miniatures to the court of the duke.

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Portrait of a Man in a Turban

Having been sent to Dresden to perfect himself under the care of Alexander Thiele, he had the good fortune to finish in two hours, at the age of eighteen, a picture which attracted the attention of the king of Saxony. Augustus II was so pleased with Dietrich's readiness of hand that he gave him means to study abroad, and visit in succession the chief cities of Italy and the Netherlands. There he learnt to copy and to imitate masters of the previous century with a versatility that was truly surprising. Winckelmann, to whom he had been recommended, did not hesitate to call him the Raphael of landscape. Yet in this branch of his practice he merely imitated Salvator Rosa and Eveidingen. He was more successful in aping the style of Rembrandt, and numerous examples of this habit may he found in the galleries of St. Petersburg, Vienna and Dresden. At Dresden, indeed, there are pictures acknowledged to be his, bearing the fictitious dates of 1636 and 1638, and the name of Rembrandt.

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Lamentation of Christ

Among Dietrich's cleverest reproductions we may account that of Ostade's manner in the Itinerant Singers at the National Gallery. His skill, in catching the character of the later masters of Holland is shown in candlelight scenes, such as the Squirrel and the Peep-Show at St. Petersburg, where we are easily reminded of Godfried Schalcken. Dietrich tried every branch of art except portraits, painting Italian and Dutch views alternately with scripture scenes and still life. In 1741 he was appointed court painter to Augustus III at Dresden, with an annual salary of 400 thalers, conditional on the production of four cabinet pictures a year. This condition, no doubt, accounts for the presence of fifty-two of the master's panels and canvases in one of the rooms at the Dresden museum.

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Landscape in Tivoli

Dietrich, though popular and probably the busiest artist of his time, never produced anything of his own; and his imitations are necessarily inferior to the originals which he affected to copy. His best work is certainly that which he gave to engravings. A collection of these at the British Museum, produced on the general lines of earlier men, such as Ostade and Rembrandt, reveal both spirit and skill. Dietrich, after his return from the Peninsula, generally signed himself Dieterich, and with this signature most of his extant pictures are inscribed. He died at Dresden, after he had successively filled the important appointments of director of the school of painting at the Meissen porcelain factory and professor of the Dresden academy of arts.

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Portrait of a Lady with Straw

Still wondering about a 17th century German painting in your family collection? Contact us...it could be by Christian Dietrich.


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696--albright.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "aulie" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "aulie" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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697--moore.php Henry Spencer Moore Artwork Authentication & Art Appraisal

Henry Spencer Moore (1898 – 1986)

Get a Moore Certificate of Authenticity for your painting or a COA for your Moore drawing or sculpture.

For all your Moore artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Moore Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Moore painting, drawing or sculpture.

If you want to sell your Moore painting, drawing or sculpture use our selling services. We offer Moore selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Moore and issuing certificates of authenticity since 2002. We are recognized Moore experts and Moore certified appraisers. We issue COAs and appraisals for all Moore artworks.

Our Moore paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Moorecertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Moore painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Moore paintings, drawings or sculpture take longer.

Our clients include Moore collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henry Spencer Moore art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Henry Spencer Moore or we will sell it for you.

Moore, Chalk Drawing-Ideas for Sculpture- Rocking Chairs

Chalk Drawing-Ideas for Sculpture- Rocking Chairs
Watercolor on Paper 52.1 x 70.8 cm

Moore, At Coal Face

At Coal Face
Pen, chalk and Ink, wax and pencil 30 x 56.7 cm

Henry Moore was an English artist, known for his bronze sculptures of abstracted figures. Many of his sculptures are now erected in public spaces around the world. Moore was born in Castleford, West Yorkshire, England. His father was a mining engineer. His father made a point to educate his children, so that they would not have to work as miners.

Moore, Three Standing Figures

Three Standing Figures
1953 Bronze and patina 28 3/16 inches (71.7 cm)
The Solomon R. Guggenheim Foundation

Moore, Two Women with a Child

Two Women with a Child
1944 Watercolor, pen & ink and crayon on paper 14 1/8 X 21 15/16 IN. (35.9 X 55.7 CM.)

Moore first became interested in sculpture as an elementary school student, after learning about the Renaissance sculptures of Michelangelo. After Secondary school, Moore worked for a short while as a student teacher, before being called to military duty at the age of eighteen. Moore served in the Prince of Whale’s Own Civil Service Rifles regiment.

Moore

Mother and Child on Rocking Chair (Study for “Rocking Chair No.2”), Verso: Studies for Reclining Figures
1948 Watercolor, gouache and crayon with pencil under-drawing on paper 11 1/2 X 9 1/2 IN. (29.2 X 24.1 CM.)

Moore, Fish

Seated Woman in a Chair, 1956/cast
1964 Bronze 10 x 7 x 7 3/4 in. (25.8 x 17.6 x 19.5 cm)

When the war ended, Moore received money to continue his education, and enrolled at Leeds School of Art. The school set up a studio for Moore, who was the first student to study sculpture. Moore later met Barbara Hepworth, who also became a sculptor. A few year later Moore was rewarded a scholarship to study at the Royal College of Art in London. In England’s capital, studying primitive art in ethnographic collections inspired Moore. Moore also started looking at the work of modern sculptors such as Constantin Brancusi and Frank Dobson.

Moore, Figure Carving

Figure Carving
1935 Cumberland alabaster 29.2 29.5 x 17.1 cm

Moore, Standing Figure No. 1

Standing Figure No. 1
(1952, cast 1953-54) Bronze 1/2 x 1 5/8 x 1 3/4 in. (24.1 x 3.9 x 4.4 cm)

In 1924 Moore won a scholarship to travel to Italy, where he studied the Old Masters and made an excursions to France. While in Paris, Moore saw a cast of a Tolec-Maya from Mexico. The figure would become a motif in his future work.

Moore, Nine Studies of Figures in Landscapes

Nine Studies of Figures in Landscapes
(CA. 1942-1949) Watercolor, pen & ink, crayon and pencil on paper 8 7/8 X 6 7/8 IN. (22.4 X 17.4 CM.)

Moore, Leaf Figure No. 3

Leaf Figure No. 3
(1952, cast 1953-54) Bronze 19 X 5 1/2 X 3 7/8 IN. (48.2 X 13.9 X 9.6 CM.) INCL. BASE H: 1/2 IN. (1.3 CM.); WT: 9 LB. (4.1 KG.) INCL. BASE

When Moore returned to London he started teaching at the Royal College of Art part-time while working on developing his own sculptures. In 1928 he completed his first public sculpture, “West Wind” in London’s Underground.

Moore, Ideas for Sculpture in Settings

Ideas for Sculpture in Settings
(CA. 1942-1953) Watercolor, pen & ink, pencil and crayon on paper 8 7/8 X 6 15/16 IN. (22.4 X 17.5 CM.)

By 1933, Moore became more interested in Surrealism and helped to organize the London International Surrealist Exhibition from 1936 to 1937. Moore held a teaching position at the Chelsea School of Art, until its relation to Northampton during the outbreak of the Second World War. Moore was hired as a war artist, and often slept in the London Underground to escape dangerous activity above ground. In 1940 after his home was hit with shrapnel, Moore and his wife moved to a farmhouse in the Hoglands. Moore remained in this location for the rest of his life, developing an extensive studio and workshop.

Moore, Reclining Figure: Internal and External Forms (Working Model)

Reclining Figure: Internal and External Forms (Working Model)
(1951, cast 1952-53) Bronze 13 1/2 X 21 1/8 X 7 5/8 IN. (34.2 X 53.5 X 19.3 CM.)

Moore, The Bride

The Bride
1939-40 Cast lead and copper wire 9 3/8 x 4 1/8 x 4″ (23.8 x 10.3 x 10 cm)
© 2010 Henry Moore Foundation

In 1946 Moore’s wife gave birth to a girl, Mary. Moore soon produced a series of “Mother and Child” compositions, in response to his first-born. While Moore enjoyed fatherhood, he was busy with commissions in Paris, Oslo and Chicago among other cities. In 1951 Moore rejected knighthood, but became a trustee of the Tate Gallery and the first president of the Turner Society.

Today Moore’s work can be seen in collections around the world. The Art Gallery of Ontario, Canada owns the most extensive Moore collection. Do you think you own a sculpture or drawing by Henry Moore? Contact us. We are the Moore experts.


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698--masson.php Andre Masson Artwork Authentication & Art Appraisal

Andre Masson (1896-1987)

Get a Masson Certificate of Authenticity for your painting or a COA for your Masson drawing or sculpture.

For all your Masson artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Masson Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Masson painting, drawing or sculpture.

If you want to sell your Masson painting, drawing or sculpture use our selling services. We offer Masson selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Masson and issuing certificates of authenticity since 2002. We are recognized Masson experts and Masson certified appraisers. We issue COAs and appraisals for all Masson artworks.

Our Masson paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Massoncertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Masson painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Masson paintings, drawings or sculpture take longer.

Our clients include Masson collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Andre Masson art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Andre Masson or we will sell it for you.

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Gradiva, 1939

Andre Masson was a French painter and sculptor and was part of the early Surrealist movement in France. He received his artistic training first in Brussels at the Academie Royale des Beaux-Arts, and then in Paris at the Ecole Nationale Superieure des Beaux-Arts. By 1920, Masson had settled in Paris and four years later held his first one-man show at the Kahnweiler Gaerie Simon.

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Le Repas

Masson met with fellow Surrealist painter Andre Breton in 1924 and joined the Surrealist group that same year. Like Spanish Surrealist Salvador Dali, Masson experimented with mediums other than paint during this time, such as sand. Also like Dali, his themes often had a dark and violent feel, and were sometimes dreamlike and erotic. Masson would also infuse Cubism into his Surrealist paintings during this time, but would break away from the group in 1928.

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Odalisque

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Sirenes

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The Red Lands and the Montagne Sainte Victoire, 1948

Upon meeting sculptor Alberto Giacometti in 1927, Masson began to experiment with sculpture himself. After departing from Surrealism, his themes remained violent and erotic, but were of a more Expressionist or Abstract nature. Masson moved to Spain in 1934 and lived there for two years, executing landscapes and paintings with Spanish themes, such as scenes from the Spanish Civil War. During the 1930s, he also designed sets and costumes for the ballet, opera and theater.

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The Minotaur and the Labyrinth, 1930

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Grenade and Insects, 1935

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Sculpture, 1942

Masson returned to the Surrealist group in 1937 after moving back to Paris. However, World War II briefly stopped his career in 1941 when he was forced to flee to the United States. Like so many other artists, Masson’s work was considered to be degenerate by the Nazis.

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Pygmalion, 1938

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The Sun, 1938

While in the United States, Masson created imagery of the America’s past, much like he did in Spain, focusing on Native American and African American history and myths. During the war, he lived in Connecticut and used his time wisely, continuing to create art and show his work in New York and elsewhere in America. He eventually returned to Paris, but left a mark on American artists and helped to influence early Abstract Expressionists in the United States.

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En Revenenant De L’Execution

In 1943, Masson officially ended his ties with the Surrealists, and for the rest of his career he painted Abstracts and landscapes, occasionally returning to erotic themes and violent compositions.

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Cascatelle, 1949

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Sigfried and Brunhilde

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Hero and Leander, 1979

Though Masson is almost always associated with Surrealism, his entire body of work is comprised of a style that is genuinely all his own. True, his most famous pieces are in a Surrealist hand, but a great many of his Abstract or Expressionist pieces are likely to exist outside of public collections, unknown and otherwise unauthenticated. Sadly, upon his entrance into the United States, a number of Masson’s erotic drawings were discovered by customs officials. They were deemed to be pornographic and were destroyed right before his eyes, though scintillating materials such as those may have also been confiscated and could still possibly exist somewhere.

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La Faune, 1955

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Reclining Nude, 1955

Today, Masson’s work is housed in public and private collections all over the world, including the Museum of Modern Art in New York, and perhaps in your own home. Still wondering about a Surrealist landscape or composition hanging in your home? Contact us… it could be by Andre Masson.

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Wave of the Future

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701--signac.php Paul Signac Artwork Authentication & Art Appraisal

Paul Signac (1863-1935)

Get a Signac Certificate of Authenticity for your painting (COA) for your Signac drawing.

For all your Signac artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Signac Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Signac painting or drawing.

If you want to sell your Signac painting or drawing use our selling services. We offer Signac selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Signac and issuing certificates of authenticity since 2002. We are recognized Signac experts and Signac certified appraisers. We issue COAs and appraisals for all Signac artworks.

Our Signac paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Signac certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Signac painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Signac paintings or drawings take longer.

Our clients include Signac collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Paul Signac art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Paul Signac or we will sell it for you.

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Port St. Tropez

An Impressionist and founding member of the Divisionists, Paul Signac was also a leader in the use of Pointilism. Head of the Neo-Impressionists after the death of Georges Seurat, Signac utilized science to create his paintings and knew the importance of light and structure.

While Signac is well-known for paving the frontier for Pointillism, what many don’t realize is that Signac was a prolific sketcher, and did etches, lithographs, watercolors and many pen and ink compositions. Signac left behind a number of watercolors of seascapes, many of them being of famous ports like Marseille, Istanbul and Venice. This was inspired by Signac’s love of the sea, as he was an avid sailor. Through his journeys, Signac was able to collect vibrant colors from all over the Mediterranean and it reflected in his work.

There are many ways to tell whether you have an original Signac or not. Signac had little or no formal training, and trained himself to paint by studying the style of Monet, therefore Signac’s work is slightly reflective of Monet’s. Another telltale way to verify a Signac work is to examine the colors post 1884. This is when he began to work with Signac and they both rejected the idea of “muddied” colors. A true Signac Pointillism piece is composed of only true, vibrant hues “dotted” in such a way that the viewers eye sees shading or muted colors.

Throughout his life, Signac was also an enthusiastic supporter of Socialism, and his political leanings often were reflected in his work. For example, “Le Demolisseur” depicts a laborer with a pick-axe, and is said to represent Signac’s Socialist views.  

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Le Demolisseur, 1899

Signac also had a series of oil paintings done in Pointilism from 1889-1893 that were based on operas and musical pieces. The bulk of these paintings were done in the summer of 1891, and were called “Symphonic Seas: Oceans of Liberty” (“La Mer, Les Barques”). His idea was to capture a particular piece of music and illustrate it to complement and parallel the ripples in the sea. Therefore, all of these paintings were seascapes, and had a distinctly different look than anything else Signac ever did. These pieces were practically photographic in nature (like his 1891 work Scherezo), and seemed to rely less on Impressionistic ideals. It is said that he painted around 21 of these in the series, but there could be more somewhere due to the fact that they are not true to Signac’s style at the time.

Another interesting view on Signac is how similarly his style and paintings mirrored his friend and mentor Seurat. In particular, Signac’s oil painting “Breakfast in the Dining Room” (1886) echoes Seurat’s “Sunday in the Park on the Island of Grande Jatte” (1884). The two most dominant women (the maid and the woman with the parasol) in these paintings are very similar in stature, placement on the canvas and appearance. This may lead one to believe that Signac and Seurat had a hand in each other’s work, or the work of other lesser-known Pointillism students of the time. Perhaps the mystery lies in this duplicated profile of the woman.

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Breakfast in the Dining Room

Signac was also known for his support of up and coming art forms of his time, like Cubism and Fauvism (he was the first person to ever purchase a Matisse!) It was during this time that Signac began to reject “points” and instead began to use small squares of color, which created a mosaic-like effect, such as “Arc du Ciel, Venise”. This would be another tell-tale way of deciphering whether you have a Signac or not; look for a mosaic-style if it was painted after the turn of the century. Also, look for his signature “P. Signac” in the lower left corner of his works.

Currently, Signac’s oil paintings are being sold for upwards of $500,000 on on-line auctions, and his work “Vue de Port”, a watercolor and black chalk sea sketch is set for auction at Christie’s starting at $18,000. Sotheby’s also has Signac work currently set for auction. His oil painting “Les Andelys, Les Lauveueses” is starting at 2.4 million. It is not known how many works this prolific artists has in his oeuvre.

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Portrait of Felix Feneon

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702--inman.php Henry Inman Artwork Authentication & Art Appraisal

Henry Inman (1801-1846)

Get a Inman Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Inman artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Inman Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Inman painting, drawing or print.

If you want to sell your Inman painting, drawing or print use our selling services. We offer Inman selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Inman and issuing certificates of authenticity since 2002. We are recognized Inman experts and Inman certified appraisers. We issue COAs and appraisals for all Inman artworks.

Our Inman paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Inman certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Inman painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Inman paintings or drawings take longer.

Our clients include Inman collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henry Inman art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Henry Inman or we will sell it for you.

Inman,The Children of Henry Living

The Children of Henry Livingston

Inman, Portrait of Henry Clay

Portrait of Henry Clay

Inman, Portrait of Artist's Father

Portrait of Artist’s Father

Inman, Portrait of Leffert

Portrait of Leffert

Inman was an American landscape, portrait and genre painter. Inman was born in Utica, New York in 1801. Inman began his career as an apprentice in New York City for John Wesley Jarvis, for whom he worked for seven years. Inman remained in New York City, establishing himself as a talented portrait-painter. In 1822 Inman ran a painting studio along with Thomas Geir Cummings. Inman was responsible for portraits while Cummings painted miniatures.

Inman, Blue King

Blue King

Inman, Sequoyah

Sequoyah

Inman painted such figures as Henry Rutgers, Fitz-Greene Halleck and even Martin Van Buren. Inman also painted numerous portraits of Native Americans, which are mainly housed in the White House.

Inman, Martin Van Buren, 1837

Martin Van Buren, 1837

Inman became active in the New York City art scene. Along with other New York artists, he co-founded the National Academy of Design, serving as the first vice-president around 1825.

Inman, Portrait of a Lady

Portrait of a Lady

In 1831 Inman began a partnership with engraver and lithographer, Cephas G. Childs. Childs made many of reproductions of Inman’s portraits and helped to spread his popularity. Inman eventually decided to concentrate on oil-painting rather than prints. Inman mainly worked in New York and Philadelphia until 1844 when he departed for England. Inman painted many English celebrities including Wordsworth, the Earl of Cottenham and John Chambers.

Inman, Portrait of a Teacher

Portrait of a Teacher

Inman’s life-like portraits are currently in collections and museums across the United States and England. Inman’s historical paintings define an era of American history. Do you think you own a painting by Henry Inman? Contact us. We are the experts on Henry Inman.


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703--ferrari.php Gaudenzio Ferrari Artwork Authentication & Art Appraisal

Gaudenzio Ferrari (1471 – 1546)

Get a Ferrari Certificate of Authenticity for your painting or a COA for your Ferrari drawing or sculpture.

For all your Ferrari artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Ferrari Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ferrari painting, drawing or sculpture.

If you want to sell your Ferrari painting, drawing or sculpture use our selling services. We offer Ferrari selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ferrari and issuing certificates of authenticity since 2002. We are recognized Ferrari experts and Ferrari certified appraisers. We issue COAs and appraisals for all Ferrari artworks.

Our Ferrari paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ferrari certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ferrari painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ferrari paintings, drawings or sculpture take longer.

Our clients include Ferrari collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gaudenzio Ferrari art authentication, appraisal, certificates of authenticity (COA) analysis, research, scientific tests, full art authentications. We will help you sell your Gaudenzio Ferrari or we will sell it for you.

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Violin

Gaudenzio Ferrari was a Northern Italian painter and sculptor of the Renaissance. Gaudenzio was born at Valduggia, Piedmont, and allegedly learned painting at Vercelli from Girolamo Giovenone. He next studied in Milan, in the school of the Cathedral artisan Stefano Scotto, and some say of Bernardino Luini; towards 1504 he proceeded to Florence, and afterwards (it used to be alleged) to Rome. He ultimately died in Milan. He is not family of either of two Northern Italian painters of the same name, the Piedmontese Defendente Ferrari (c1490-1535) and the Vercelli native Eusebio Ferrari (1508-33).

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Lamentation of Christ

His initial pictorial style may be considered as derived mainly from the old Milanese school, which had imbibed the classic influence of Leonardo and pupils such as Bramantino. However, the provincial impetus was also strong, as is demonstrated in his emotive work at the Sacro Monte of Varallo.

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St. Cecile with the Donor and St. Marguerite

By 1513, Gaudenzio had depicted Christ’s Passion in a fresco at Santa Maria della Grazie in Varallo. He returned to work in the chapels of the Sacro Monte of Varallo by 1524. The chapels are dispersed over a hilltop sanctuary, connected by a winding path, and containing a combination of diorama and wax museum with life-size terracotta figures. He executed his most memorable work, a fresco of the Crucifixion, with a multitude of figures, no less than twenty-six of them being modeled in actual relief, and colored; on the vaulted ceiling are lamenting angels. The figures include goitrous bestial assailants.

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Crucifixion 1513

There are other works which show flashes of innovation such as the crowded chorus decorating duomo of Santa Maria dei Miracoli in Saronno or his fresco of St Anne. This painting shows the overlap of Milanese realism and Venetian colorism.

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The Annunciation to Joachim and Anna

He was a very prolific painter, distinguished by strong animation. In general character, his work suggests more to the 15th than the 16th century. His subjects were always of the sacred order. Besides his pLanini already mentioned, Andrea Solario, Giovanni Battista Cerva, Gian Paolo Lomazzo, and Fermo Stella were his principal students. Selected works:

  • Pietà, in the Royal Gallery, Turin
  • St Catharine Miraculously Saved from the Torture of the Wheel, Brera Gallery, Milan,
  • Frescoes in church of Santa Maria della Pace.
  • Virgin with Angels and Saints under an Orange Tree, Cathedral, Vercelli
  • Last Supper, Refectory of San Paolo.
  • Birth of the Virgin, Annunciation, Visitation, Adoration of the Shepherds and Kings, Crucifixion, Assumption of the Virgin (1532-1535), Church of San Cristoforo.
  • St Paul Meditating, Louvre, Paris.
  • Presentation in the Temple, Christ among the Doctors, History of Christ (1507), convent of the Minorites, Varallo.
  • Adoration (after 1527), Santa Maria di Loreto, near Varallo
  • Glory of Angels (1535), Dome of the Santa Maria dei Miracoli, Saronno
  • Scourging of Christ, Ecce Homo and Crucifixion (1542), Santa Maria delle Grazie, Milan.

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Polyptych

Still wondering about an Italian painting in your family collection? Contact us…it could be by Gaudenzio Ferrari.


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704--aizenberg-espana.php Biografias de Artistas Latinoamericanos: Roberto Aizenberg - Art Certification Experts Artwork Authentication & Art Appraisal

Roberto Aizenberg (1928 – 1996)

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Padre e hijo contemplando la sombra de un dia, 1963

Pintor y escultor surrealista. Comenzó a estudiar arquitectura, pero en 1950 abandona la carrera para dedicarse de lleno al arte. Fue alumno de Antonio Berni   durante dos meses y luego, entre 1950 y 1953, tomó clases con Batlle Planas. Su pintura, que fue bautizada como quinética, es de origen surrealista y fue muy apreciada en París.

Su obra muestra torres aisladas, ciudades vacías, edificios deshabitados y construcciones poliédricas. Pintaba hombres incendiándose, torres solitarias y formas facetadas. Cada tanto ponía también, en sus obras, pequeñísimos personajes de espaldas al espectador: un padre y un hijo; quizás, una pareja. Utilizaba óleos de secado lento para obtener acabados perfectos, una gran densidad y un brillo fuera de lo común). En el principio fue el automatismo, recurso realista, en la que el artista deja que su mano se mueva con libertad sobre el papel. La mano trazaba múltiples y pequeños apuntes.  El resultado es una variedad de bocetos, a los que es necesario elegir algunos y desechar el resto.   Cada cuadro de Aizenberg, sin excepción, está ejecutado en dos momentos o dos fases: uno, donde predomina el azar y otro, donde el azar es excluido.  

El trabajo posterior seguía todos los rigores renacentistas: veladuras, raspados y secativos, sumando capas tras capas de pintura hasta lograr esos cromatismos y degradés infinitos, insuperables. Y todo sin perder la frescura del lienzo. Tales rigores determinaban que anualmente concluyera  sólo media docena de obras.

Su taller tenía la asepsia meticulosa de un quirófano.   En la mesa de trabajo, como tubos de un órgano virtuoso, se alineaban lápices de puntas bien temperadas.

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Serie Humeantes, 1969

A lo largo de su carrera obtuvo importantes galardones, como el Premio Acquarone (1961), el Premio Selección Nacional (1963), Premio Selección de la Academia Nacional de Bellas Artes y Premio Palanza (1967), y el premio de pintura y dibujo de la Gimpel Hanover Gallery (1973, Zurich). 

Falleció en febrero de 1996.

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Sin título, 1974

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Arlequin 1979

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Torre, 1990

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705--filiger.php Charles Filiger Artwork Authentication & Art Appraisal

émile Filiger (1863-1928)

Get a Filiger Certificate of Authenticity for your painting (COA) for your Filiger drawing.

For all your Filiger artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Filiger Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Filiger painting or drawing.

If you want to sell your Filiger painting or drawing use our selling services. We offer Filiger selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Filiger and issuing certificates of authenticity since 2002. We are recognized Filiger experts and Filiger certified appraisers. We issue COAs and appraisals for all Filiger artworks.

Our Filiger paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Filiger certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Filiger painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Filiger paintings or drawings take longer.

Our clients include Filiger collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles Filiger art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles Filiger or we will sell it for you.

Filiger, Chromatic Notation, watercolor

Chromatic Notation, watercolor

Filiger, Man Seated In Front of a Landscape

Man Seated In Front of a Landscape

Charles Filiger was a French painter associated with the Ponte Aven School. Filiger was born in Thann, Alsace, France. As a young adult, Filiger moved to Paris to study at the Académie Colarossi. At the Colarossi, Filiger met many important artists including Paul Gauguin. Filiger showed early signs of success, receiving financial backing fro the Comte de la Roche Foucauld. Filiger was asked to illustrate the publication “L’Imaginier” for one of his biggest fans, Alfred Jarry.

Filiger, Untitled

Untitled

Andre Breton was another collector of Filiger paintings. Breton appreciated the surrealist elements in Filiger’s paintings, which was not common among all Pont Aven artists.

Filiger, Landscape of Pouldu

Landscape of Pouldu

In 1889 Filiger moved to Brittney to paint in the circle of Gauguin and the Pont Aven School. Filiger was known for keeping to himself and maintaining a mysterious persona. The Breton landscape seemed to lend itself towards Filger’s aesthetic. Filiger’s paintings were characterized by their austere figures and geometric simplicity. Many of his compositions were influenced by Italian and Byzantine styles.

Filiger, Virgin and Two Angels

Virgin and Two Angels

Filiger spent most of his time living in a small Breton town known as Plougastel-Daoclas, near to Pont Aven. Filiger was not one for posh living quarters and preferred to set up his studio in cellar spaces. Filiger painted numerous gouache paintings in addition to his larger oil pieces.

Filiger, Diptych

Diptych

Filiger, Chromatic Notations

Chromatic Notations

Filiger, Mystical Trilogy

Mystical Trilogy

Filiger enjoyed the villages in Brittany surrounding Pont Aven and eventually adopted completely Pagan views, renouncing Christianity and Christian Mysticism. Filiger is now embraced as an eccentric painter who has given us a unique view of the Breton people and culture. Filiger’s paintings are in major museum collections throughout Europe and the United States. Do you think you own a painting by Charles Filiger? Contact us. We are the experts on Charles Filiger.


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706--botticelli.php Botticelli Artwork Authentication & Art Appraisal

Alessandro Botticelli (1445-1510)

Get a Botticelli Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Botticelli artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Botticelli Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Botticelli painting, drawing or print.

If you want to sell your Botticelli painting, drawing or print use our selling services. We offer Botticelli selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Botticelli and issuing certificates of authenticity since 2002. We are recognized Botticelli experts and Botticelli certified appraisers. We issue COAs and appraisals for all Botticelli artworks.

Our Botticelli paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Botticelli certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Botticelli painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Botticelli paintings or drawings take longer.

Our clients include Botticelli collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alessandro Botticelli art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Alessandro Botticelli or we will sell it for you.

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'Lost' Botticelli Unveiled
Long unseen masterpiece goes on show in Florence
John Hooper in Rome

The never previously displayed masterpiece, is the last of four panels that make up one of Botticelli's most disturbing works—The Story of Nastagio degli Onesti.

Behind the story of its re-emergence is a tale of two celebrity marriages, both celebrated in Florence, almost 500 years apart.

When the fashion designer Emilio Pucci announced his engagement to Cristina Nannini in 1959, he declared he was "going to marry a Botticelli". Indeed, his marriage seems to have moved him to design one of his most celebrated print series, infused with motifs borrowed from the Renaissance master.

But Pucci's ancestors had had an earlier involvement with Botticelli.

In 1483 Gianozzo Pucci was preparing to marry. His uncle, Lorenzo Medici, commissioned the painter to bring alive a story from the Decameron, the 14th-century masterpiece written by Giovanni Boccaccio.

Pointedly, in the circumstances, it suggests a dreadful fate awaits women who reject the entreaties of decent young suitors. The four panels making up the work remained in the Pucci family until 1868.

Three were later bought by the Catalan statesman Francisco Cambó, and donated to Madrid's Prado Museum in 1941.

The fourth and last panel disappeared from public view and many believed it had ended up in a private collection in the US.

But the curators of the Florence exhibition, who succeeded in persuading the Spanish to lend them the third panel in the series, discovered the fourth was not on the other side of the Atlantic, but a mere a quarter of a mile from the Palazzo Strozzi.

Having been bought at auction by the late Emilio Pucci at the height of his Botticelli phase in the 60s, the painting was tracked down to the home of his widow Cristina.

"No one has seen it, including myself," Prof Nelson said. "All the reproductions of it are old." The artist was "not only a painter of graceful half-naked women dancing in fields, but also a painter of very dramatic, and violent, images".

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Birth of Venus

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Paradiso

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La Vierge et L'enfant Soutenu par un Ange Sous un Garlande

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Annunciation

Botticelli would often paint his portraits in an unusual left-profile.

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Firenze

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Portrait of Dante

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Portrait of a Man with the Medal of Cosmo the Elder, 1475

 


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707--ramos.php Domingo Ramos Artwork Authentication & Art Appraisal

Domingo Ramos (1894-1956)

Get a Ramos Certificate of Authenticity for your painting (COA) for your Ramos drawing.

For all your Ramos artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ramos Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ramos painting or drawing.

If you want to sell your Ramos painting or drawing use our selling services. We offer Ramos selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ramos and issuing certificates of authenticity since 2002. We are recognized Ramos experts and Ramos certified appraisers. We issue COAs and appraisals for all Ramos artworks.

Our Ramos paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ramos certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ramos painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ramos paintings or drawings take longer.

Our clients include Ramos collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Domingo Ramos art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Domingo Ramos or we will sell it for you.

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Paisaje y Montana

Very little is known about the so-called leader of “Cuban Impressionism,” Domingo Ramos. Little oral history has been passed down about his life, but he is otherwise a mystery in the Cuban art world. Though little biographical work about Ramos has been left behind, his landscapes still remain and serve as a reminder of quieter times in Cuba.

It is said that he was born in Havana and attended the San Alejandro Academy in 1907. He has been called one of the most accomplished and beloved of Cuban landscape artists, as well as the pre-cursor to Cuban Impressionism. 

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Mural

His use of Pointillist styling in the vegetation on his landscapes is a mark of his travels to Europe. He left Cuba in 1918 to study in Spain at the San Fernando School in Madrid. He returned to Cuba a year later and was shortly thereafter named a professor at his Alma matter, San Alejandro.

Ramos was fairly successful during his lifetime, and won a number of awards in New York, Europe and of course, Cuba. In general, he is best known for his landscapes particularly of the Pinar del Rio region some 120 miles west of Havana. This area is rich in vegetation, and was a perfect place for Ramos to employ his use of tropical colors and beautiful lighting techniques.

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Paisaje Con Rio

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Paisaje Con Costa de Lago

Though little is known of Ramos outside of Cuba, many contemporary Cuban artists seemed to revere him. They often put him up on the same pedestal as a Romanach as being one of the great teachers of Cuban art. It was also said that during the 1940s and 50s in Cuba, he was the most highly appraised artists besides Wilfredo Lam. During his career, he exhibited his work in over twenty one-man shows, and was considered a very prolific painter.

Today, Ramos’ work is housed in national collections in Cuba as well as in Madrid, New York and other corners of the world. Because the details of Ramos’s life have not been as greatly documented as his contemporaries, his work is sometimes put under fire. However, we have the resources to determine whether you own a real Domingo Ramos original or not.

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Paisaje Con Palmas

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Paisaje

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Flamboyan

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Finca Pinarena

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708--moholy-nagy.php László Moholy-Nagy Artwork Authentication & Art Appraisal

László Moholy-Nagy (1895 – 1946)

We Perform László Moholy-Nagy art authentication. László Moholy-Nagy appraisal. László Moholy-Nagy certificates of authenticity (COA). László Moholy-Nagy analysis, research, scientific tests, full art authentications. We will help you sell your László Moholy-Nagy or we will sell it for you.

Moholy-Nagy, A II

A II
1924 Oil on canvas 45 5/8 x 53 5/8 inches (115.8 x 136.5 cm)
Solomon R. Guggenheim Museum

Laszlo Maholy-Nagy, born Laszlo Weisz, was a Hungarian artist, known for his involvement in the Bauhaus. Maholy-Nagy grew up in a Jewish-Hungarian family in the town of Mohol, after which he derived the name “Maholy”. “Nagy” was derived from the surname of his mother’s friend.

Moholy-Nagy, AXL II

AXL II
1927 Oil on canvas 37 x 29 1/8 inches (94.1 x 73.9 cm)
Solomon R. Guggenheim Museum, New York, Gift

Moholy-Nagy, Dual Form with Chromium Rods

Dual Form with Chromium Rods
1946 Plexiglas and chrome-plated brass rods 36 1/2 x 47 7/8 x 22 inches (92.7 x 121.6 x 55.9 cm)
Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection

Maholy-Nagy studied law in Budapest before serving in World War I. During the war he survived a serious injury and was discharged in 1918. After being freed from his military duty, Maholy-Nagy began studying at the private art school of Robert Bereny, a Hungarian artist of the Fauve movement. Maholy-Nagy was also involved in activists and contributed to various journals in Hungary, in support of the Hungarian Soviet Republic.

Moholy-Nagy, Constructivist Composition

Constructivist Composition
1923 Watercolor with pencil underdrawing on paper 17 1/8 x 13 7/8 in. (43.4 x 35.2 cm)

Moholy-Nagy, Photogram #1 Mirror negative

Photogram #1 Mirror negative
1922 – 1923; print about 1928 Gelatin silver print 26 5/16 x 36 1/4 in.
Getty Museum

During the early 1920s, Maholy-Nagy moved from Vienna to Berlin, where he became an instructor at the Bauhaus, proficient in such techniques as photography, typography, sculpture, painting, printmaking and industrial design. Maholy-Nagy did extensive work with photograms and wrote a book, “The New Vision, from Material to Architecture.” Maholy-Nagy also edited the avant-garde magazine, “International Revue I 10” from 1927 to 1929. Around the same time he left his teaching post at the Bauhaus to do stage design in Berlin.

Moholy-Nagy, Love Your Neighbor/ Murder on the Railway

Love Your Neighbor/ Murder on the Railway
1925 Gelatin Silver Print 14 ¾ x 10 5/8 in
Getty Museum

Moholy-Nagy, Behind Back of God/ Between Heaven and Earth

Behind Back of God/ Between Heaven and Earth
1925 Gelatin Silver Print 9 ¼ x 6 7/8
Getty Museum

Moholy-Nagy, The Olly and Dolly Sisters

The Olly and Dolly Sisters
1925 Silver Gelatin Print 14 ¾ x 10 13/16 in
Getty Museum

Around 1935, Maholy-Nagy moved to England, where he helped to form a new circle of artists Hampstead, attempting to create an English version of the Bauhaus. The effort was unable to be funded, and Maholy-Nagy ended up moving to London where he did a number of jobs for the Imperial Airways and made a series of kinetic sculptures.

Moholy-Nagy, Photogram

Photogram
c. 1922 Gelatin silver print 14 5/16 x 10 11/16″ (36.3 x 27.1 cm)
Museum of Modern Art, NY

Moholy-Nagy, Self-Portrait

Photogram
c. 1923 Gelatin silver print 10 11/16 x 7 15/16″ (27.2 x 20.3 cm)
Museum of Modern Art, NY

Moholy-Nagy, Photogram

Photogram
c. 1924 Gelatin silver print 14 5/16 x 10 9/16″ (36.3 x 26.9 cm)
Museum of Modern Art, NY

Moholy-Nagy, Jolan Simon

Jolan Simon
(1919-20) Lithographic crayon on paper 16 5/8 x 12 3/4″ (42.4 x 32.5 cm)
Museum of Modern Art, NY

In 1937 Maholy-Nagy moved to Chicago to become the director of the New Bauhaus. Unfortunately the school only lasted for one year before losing funding and becoming the Institute of Design, and later the Illinois Institute of Technology. Maholy-Nagy died in Chicago in 1946. The work of Maholy-Nagy is now in important collections around the world. The art institute in Budapest was renamed in his honor as the Moholy-Nagy University of Art and Design.

László Moholy-Nagy art authentication. László Moholy-Nagy appraisal from . László Moholy-Nagy certificates of authenticity (COA). László Moholy-Nagy analysis, research, scientific tests, full art authentications. We will help you sell your László Moholy-Nagy or we will sell it for you.


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709--popova.php Liubov Popova Artwork Authentication & Art Appraisal

Liubov Popova (Любовь Сергеевна Попова) (1889-1924)

We Perform Liubov Popova art authentication. Liubov Popova appraisal. Liubov Popova certificates of authenticity (COA). Liubov Popova analysis, research, scientific tests, full art authentications. We will help you sell your Liubov Popova or we will sell it for you.

Composition 1916

Composition 1916

Liubov Popova was a Russian artist and designer. She was born near Moscow and initially studied under Stanislav Zhukovsky in 1907, followed by Ivan Dudin and Konstantin Yuon in 1908. During this time, she was traveling quite frequently and was inspired by the work of Mikhail Vrubel in Kiev and early Renaissance art in Italy.

Undated Gouache

Undated Gouache

A study visit to Paris in 1912 spurred an interest in Cubism and Italian Futurism. There, she became friends with Futurist artists such as Jean Metzinger, André Dunoyer and Henri Le Fauconnier. She amalgamated the Futurist styles for the following four years, before embracing pure abstraction. Popova participated in many advanced art exhibitions in Russia during this time, mostly in Moscow.

Composition 1913

Composition 1913

Composition 1914

Composition 1914

Composition 1915

Composition 1915

In 1916, Popova again joined a popular new group of artists known as the Suprematists, headed by Kasimir Malevich. After the revolution she rejected painting as bourgeois and devoted herself to the applied arts. This included creating costumes, theater sets, textiles, porcelain, dresses and books. Popova also served as a teacher to other artists at Svomas and Vkhutemas in 1918, and was a member of Inkhuk from 1920 to 1923. She died of Scarlet Fever at the age of 35.

Composition 1918

Composition 1918

Today, Popova’s work from the period 1913-16 commands high prices, in excess of a million dollars, and are housed in modern art museums all over the world. Still wondering about an abstract Russian painting in your home? Contact us…it could be by Liubov Popova.


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710--beccafumi.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "beccafumi" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "beccafumi" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
711--amiet.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "amiet" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "amiet" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "amiet" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "amiet" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


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712--shinn.php Everett Shinn Artwork Authentication & Art Appraisal

Everett Shinn (1876-1953)

Get a Shinn Certificate of Authenticity for your painting (COA) for your Shinn drawing.

For all your Shinn artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Shinn Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Shinn painting or drawing.

If you want to sell your Shinn painting or drawing use our selling services. We offer Shinn selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Shinn and issuing certificates of authenticity since 2002. We are recognized Shinn experts and Shinn certified appraisers. We issue COAs and appraisals for all Shinn artworks.

Our Shinn paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Shinn certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Shinn painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Shinn paintings or drawings take longer.

Our clients include Shinn collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Everett Shinn art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Everett Shinn or we will sell it for you.

Shinn, Strong Man, Clown and Dancer

Strong Man, Clown and Dancer

Shinn, Vanity Fair cover

Vanity Fair cover

Everett Shinn was an American painter of the Ashcan School. Shinn was born in the Quaker community of Woodstown, New Jersey but became known as a New York artist. At the age of fourteen, Shinn left Woodstown to attend a two-year, technical institution known as the Spring Garden Institute. The school specialized in mechanical drawing and architecture. Shinn spent a year working at the Thackery Gas Fixture Works designing light fixtures after graduating from trade school.

Shinn, Bowery Museum

Bowery Museum

In 1893 Shinn was hired as an illustrator for the Philadelphia Press. Shinn had great success as an illustrator and worked for numerous papers. Shinn eventually relocated to New York to work for “The World” which covered international news. In 1899 Shinn was hired by Ainslee’s Magazine and simultaneously started exhibiting his paintings.

Shinn, Self-Portrait

Self-Portrait

Shinn, Tightrope Walker

Tightrope Walker

New York City became the main subject matter of Shinn’s paintings. Shinn depicted dramatic scenes of urban violence and social struggles. In 1907, Shinn exhibited with the Ashcan School, a group of eight painters who challenged academic painting standards. The painters were known for their realistic, un-idealized urban scenes.

Shinn, New York street scene

New York street scene

Eventually, Shinn travelled to Europe for an exhibition, where he was exposed to new artists and trends. Shinn was inspired by paintings of theatrical performers and started integrating theatrical themes into his own work. Shinn eventually steered away from illustrations and began receiving mural commissions. Shinn completed a series of seven murals, including multi-panel piece for the Belasco Stuyvesant Theatre.

Shinn, Outdoor Stage, France

Outdoor Stage, France

Shinn, Dancer in White Before the Footlights, 1910

Dancer in White Before the Footlights, 1910

Shinn, Green Ballet

Green Ballet

Shinn, Portrait of a woman

Portrait of a woman

Shinn, Footlight Flirtation

Footlight Flirtation

Shinn, Central Park, 1920

Central Park, 1920

Shinn, The Orchestra Pit

The Orchestra Pit

Shinn, Washington Square

Washington Square

Shinn, Steps Between Houses, Paris

Steps Between Houses, Paris

Shinn experimented with a variety of media, ranging from oil, gouache and pastel. In the tradition of the Ashcan painters, Shinn painted people from diverse classes and backgrounds. Many of Shinn’s paintings depicted views his apartment window. Like the impressionist painters, Shinn also spent a great deal of his time painting outside. Shinn loved spending time in parks and public spaces, painting people in the bustling, growing city. Shinn’s scenes of New York have become important in documenting American life at the turn of the century.

The paintings of Everett Shinn are now in private collections and museums in New York and across the United States. Do you think you own a painting by Everett Shinn? Contact us. We are the Everett Shinn experts.


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713--hassam.php Frederick Childe Hassam Artwork Authentication & Art Appraisal

Frederick Childe Hassam (1859-1935)

Get a Hassam Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Hassam artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Hassam Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hassam painting, drawing or print.

If you want to sell your Hassam painting, drawing or print use our selling services. We offer Hassam selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hassam and issuing certificates of authenticity since 2002. We are recognized Hassam experts and Hassam certified appraisers. We issue COAs and appraisals for all Hassam artworks.

Our Hassam paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hassam certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hassam painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hassam paintings or drawings take longer.

Our clients include Hassam collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Frederick Childe Hassam art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Frederick Childe Hassam or we will sell it for you.

Frederick Childe Hassam was an American artist born in Boston, Massachusetts. Along with Mary Cassat and John Henry Twachtman, Hassam was one of the first American painters to popularize Impressionism. Hassam painted a prolific number of paintings and prints in his career.

Hassam, New England Headlands

New England Headlands

Hassam, Rainy Day, Columbus Avenue Boston, 1885

Rainy Day, Columbus Avenue Boston, 1885

Hassam was interested in art at an early age and showed a great deal of talent among his childhood peers. When a Boston fire destroyed his father’s business in 1872, Hassam was forced to drop out of high school in order to help support the family. Hassam spent a short amount of time working as an accountant for the publishing company, Little Brown and Company. The job was a poor fit for Hassam, who longed to pursue a career as an artist. Hassam eventually found a more suitable job working for a wood engraver. Hassam was skilled at his new line of work and quickly excelled. Hassam was given more responsibility and started designing commercial engravings.

Hassam, Winter Midnight, 1894

Winter Midnight, 1894

After experimenting with watercolor paints, Hassam started doing illustrations on a free-lance studio. Hassam eventually opened his own illustration studio and worked for major publications such as Harper’s weekly, The Century and Scribner’s Monthly. While gaining an income and reputation as an illustrator, Hassam enrolled in painting classes at the Boston Art Club and the Lowell Institute.

Hassam, Sunset at Sea

Sunset at Sea

Hassam started exhibiting as a fine artist in 1882 and was represented by the Williams and Everett Gallery in Boston. Hassam stopped using his first name, Frederick and simply went by Childe Hassam. Hassam travelled to Europe to expose himself to the old masters and paint in rural areas. In Europe, Hassam painted a large body of watercolors, which he exhibited in 1884.

Hassam, Snowstorm Madison Square

Snowstorm Madison Square

Hassam, Tuileries Garden

Tuileries Garden

Hassam gravitated to Paris where we started making Impressionist pieces. Hassam painted many street scenes, which were exhibited in Paris Salons and the Universal Exhibition of 1889 in Paris.

Hassam, Allies Day, May 1917

Allies Day, May 1917

When Hassam returned to the United States he opened a studio in New York City. Hassam exhibited frequently in New York and became apart of “The Ten”, an influential group of American Impressionists. Hassam painted a series of flag paintings, for which he is most known. Hassam’s work is know many prestigious American painting collections including the Metropolitan Museum of Art and the National Gallery in D.C. Do you think you own a painting by Childe Hassam? Contact us. We are the Childe Hassam experts.


done
714--vasari.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vasari" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vasari" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
715--besnard.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "besnard" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "besnard" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
716--wootton.php John Wootton Artwork Authentication & Art Appraisal

John Wootton (1682 -1764)

Get a Wootton Certificate of Authenticity for your painting (COA) for your Wootton drawing.

For all your Wootton artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Wootton Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Wootton painting or drawing.

If you want to sell your Wootton painting or drawing use our selling services. We offer Wootton selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Wootton and issuing certificates of authenticity since 2002. We are recognized Wootton experts and Wootton certified appraisers. We issue COAs and appraisals for all Wootton artworks.

Our Wootton paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Wootton certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Wootton painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Wootton paintings or drawings take longer.

Our clients include Wootton collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John Wootton art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Wootton or we will sell it for you.

Wootton, King George II at the Battle of Dettingen, 1743

King George II at the Battle of Dettingen, 1743

John Wootton was an English painter of sporting subjects, battle scenes and landscapes. Born in Snitterfield, Warwickshire (near Stratford-upon-Avon), Wootton is best remembered as a pioneer in the painting of sporting subjects and was considered the finest practitioner of the genre in his day.

Wootton, Lord Oxford’s Bloody Shouldered Arabian Horse, 1724

Lord Oxford’s Bloody Shouldered Arabian Horse, 1724

Wootton, The Byerly Turk

The Byerly Turk

As such, Wootton’s paintings were very fashionable and were sought after by those among the highest strata of the British society. These included figures such as George II of England, Frederick, Prince of Wales, and the Duke of Marlborough. Wootton is now somewhat eclipsed in the field of animal paintings by the later George Stubbs (1724-1806), who is considered technically superior. John Wootton died in London on November 13, 1764. Examples of his animal painting can be found in the Tate Gallery, London, the Virginia Museum of Fine Arts, Richmond, Yale Center for British Art, and in the Elizabethan Great Hall, Longleat.

Wootton, Cassiobury Park, 1748

Cassiobury Park, 1748

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A Chestnut Racehorse Held by a Groom, 1700s, Oil on Canvas, 40 x 50 in, Mount Street Galleries

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A Still Life of Game, Oil on Canvas, 128.5 x 104.1 cm, Raphael Valls Limited

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Hounds and a Magpie, 1740s, Oil on Canvas, 152 x 128 cm, The State Hermitage Museum

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Hunting Scene, 1748, Oil on Canvas, 140.3 x 130.5 cm, Metropolitan Museum of Art, NY

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Huntsman and Pack in a Landscape, 18th century, Graphite, pen, ink, 25 x 38 cm, The Courtauld Institute of Art

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The Viscount Weymouth’s Hunt, 1733-6,Oil on Canvas, about 359 x 345 cm, Tate Museum

Still wondering about an English painting in your family collection? Contact us…it could be by John Wootton. We are the John Wootton experts.


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717--gleizes.php Albert Gleizes Artwork Authentication & Art Appraisal

Albert Gleizes (1881-1953)

Get a Gleizes Certificate of Authenticity for your painting (COA) for your Gleizes drawing.

For all your Gleizes artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gleizes Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gleizes painting or drawing.

If you want to sell your Gleizes painting or drawing use our selling services. We offer Gleizes selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gleizes and issuing certificates of authenticity since 2002. We are recognized Gleizes experts and Gleizes certified appraisers. We issue COAs and appraisals for all Gleizes artworks.

Our Gleizes paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gleizes certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gleizes painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gleizes paintings or drawings take longer.

Our clients include Gleizes collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Albert Gleizes art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Albert Gleizes or we will sell it for you.

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Portrait of Jacques Nayral, 1911

Albert Gleizes was born in Paris, the son of a fabric designer and nephew to famed portrait painter Leon Comerre. As a child, Gleizes was more interested in daydreaming and writing poetry than in going to school. He spent four years in the army before he became interested in painting. His earliest pieces were landscapes, painted probably in an Impressionistic hand with little formal training. Gleizes would eventually exhibit his work with the Societe National des Beaux-Arts in 1902, and again at the Salon d’Automne the following year.

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Grande Composition, 1922

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Composition sur Fond Bleu

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Landscape, 1914

It is said that Gleizes was a very religious man, and this is resonated in a number of his compositions. In fact, many credit Gleizes as being the founder of modern religious art.

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The Three Elements

Increasing influence from his fellow painters eventually brought Gleizes into Cubism. He worked and lived with other artists communally until World War I, when he re-enlisted in the army. While in service, he was put in charge of entertainment for the troops. As a result of this, Gleizes met John Cocteau and was asked to design his set for a run of “A Midsummer Night’s Dream.”

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Portrait of Jean Cocteau, 1916

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Le Cubism en Majeste

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Nature Morte au Damier, 1924

After he returned from the war in 1915, Gleizes moved to New York with his new wife. Together they would travel to Spain and Bermuda, and during this time, he briefly returned to writing poetry. Gleizes would also paint landscapes while in Bermuda, but his career as an artist had begun to slow down, and he became more interested in teaching at this time. From this point on, Gleizes would lecture about all forms of art from the newly created Abstract art to art history in Poland, Germany and France. While Gleizes wasn’t creating nearly as many paintings as before, he was still often commissioned to create murals and other public art pieces.

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Woman with Animals, 1914

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Le Port

Gleizes work was highly admired by Peggy Guggenheim, and in the 1930’s, she purchased a great deal of his work, which now is housed in the Guggenheim collections. Gleizes was awarded the Prix de Rome and the Legion of Honor, respectively, in 1951 and continued to paint right up until his death in 1953. Although, today his name may not ring familiar, Gleizes had just as much an impact in the art world as his contemporaries. However, because he traveled so extensively, and exhibited widely across Europe and the United States, the possibility of owning one of his pieces is great.


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718--dalby.php David Dalby of York Artwork Authentication & Art Appraisal

David Dalby of York (1794-1836)

Get a Dalby Certificate of Authenticity for your painting (COA) for your Dalby drawing.

For all your Dalby artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dalby Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dalby painting or drawing.

If you want to sell your Dalby painting or drawing use our selling services. We offer Dalby selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dalby and issuing certificates of authenticity since 2002. We are recognized Dalby experts and Dalby certified appraisers. We issue COAs and appraisals for all Dalby artworks.

Our Dalby paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dalby certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dalby painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dalby paintings or drawings take longer.

Our clients include Dalby collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform David Dalby Of York art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your David Dalby Of York or we will sell it for you.

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Captain Percy Williams of the 9th Lancers with his Charger Peninsula

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The Honorary Edward Petre with the Badsworth Hunt, Country Durham

David Dalby of York was one of many painters in a very prominent Yorkshire family in England. He was particularly talented at painting animals, particularly in hunting and racing scenes and equestrian portraits.

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Dark Bay Hunter 1828

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Bay Racehorse in Landscape 1826

His style was highly accurate, and gave a polished and finished perception, and he realized the height of his talents in the 1820’s. Art critics have noted that Dalby must have been a very good huntsman and rider himself, because the way that his subjects are seated on horseback in his compositions is reflective of thorough knowledge of equestrian sport.

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Lord Bolton on a Bay Hunter

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On the Way to the Meet

Some time between 1815 and 1826, it is thought that Dalby moved from York to Leeds, only to eventually return to York. During this time, he married and had two children, one of which, his son, would grow up to be a painter as well. Dalby’s life and career as an artist was cut short when he died at the relatively young age of 42. It is not likely that he painted many landscape, still life or portraits, though it is always possible that a few of these types of paintings could exist by Dalby’s hand.

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Ellis With J. Day Up

In comparison to many other painters at the time, Dalby did not leave many engravings of his paintings behind. He is buried at the St. Michael Le Belfry Church in York, and his work is housed in England at the Scarborough Art Gallery. Still wondering about an equestrian painting hanging in your home? Contact us…it could be by David Dalby of York.


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719--eight.php The Eight Artwork Authentication & Art Appraisal

The Eight

We Perform The Eight art authentication. The Eight appraisal. The Eight certificates of authenticity (COA). The Eight analysis, research, scientific tests, full art authentications. We will help you sell your The Eight or we will sell it for you.

The Eight, Robert Henri

Robert Henri “Snow in New York”

The Eight, Robert Henri

Robert Henri “Cafferty”

The Eight was a group of artists from Philadelphia and New York that came together after being rejected from the 1907 spring exhibition at the National Academy. In the winter of 1908 the rejected artists united and created their own exhibition at the Macbeth Gallery in New York City. The show received a tremendous public response, changing the course of American art, as we know it.

The Eight, Luks

Luks “The Miner”

The Eight, Luks

Luks “Morning Shadows”

The Eight cannot be defined by a particular style or aesthetic, but by their philosophy and desire to counter the academic restrictions imposed on artists. Five artists of The Eight later formed the historical Ashcan School of painting, known for depicting poor neighborhoods of New York City. After the exhibition’s debut at the Macbeth Gallery, a New York journalist coined the term “The Eight” in his review of this monumental moment in art history.

The Eight, Shinn

Shinn “Bowery Museum”

The Eight, Shinn

Shinn “Washington Square”

The members of The Eight included: Robert Henri, William Glackens, George Luks, Everett Shinn, John French Sloan, Arthur B. Davies, Ernest Lawson and Maurice Prendergast. The Eight was led by Robert Henri, a painter from Philadelphia who moved to who moved to New York 1900. Henri joined the National Academy in 1905, studying for two years before challenging the institution’s standards.

The Eight, Sloan

Sloan “Jefferson Market”

The Eight, Sloan

Sloan “South Beach Bathers”

The Eight, Lawson

Lawson “Scene Across the River”

The Eight, Lawson

Lawson “Harlem River Valley”

The Eight, Davies

Davies “Interwoven”

The Eight, Davies

Davies “Across the Harbor”

The Eight received a lot of attention after their first exhibition, but not all positive. Many critics thought their work was inappropriate or unrefined. Audiences were not used to seeing negative depictions of American life, including overcrowded tenements, gritty street scenes and poverty stricken immigrants.

The Eight, Prendergast

Prendergast “The Balloon”

The Eight, Prendergast

Prendergast “Street Scene”

Many of The Eight worked as illustrators for newspapers, providing on-site sketches before photojournalism took off. Consequently, the artists were not accustomed to painting idealized scenes, but the harsh realities of American life. This became an overriding theme of the Ashcan School, formed by Henri, Glackens, Luks, Shinn and Sloan. Lawson and Prendergast were categorized as landscape painters and Davies was grouped as a Symbolist.

The Eight, Glackens

Glackens “Hammerstein’s Roof Garden”

The Eight, Glackens, Tennis at Newport, 1919

Glackens, Tennis at Newport, 1919

The 1908, Macbeth Gallery exhibition was the only time The Eight formally showed together. The show did however tour the country, affiliating itself with the Pennsylvania Academy of Fine Arts, where many of the Philadelphia artists had previously studied under instructor Thomas Pollock Anshutz.

The Paintings of The Eight are now in museums and private collections around the world. The Eight are particularly important for changing the course of art, diminishing the popularity of American Impressionism and giving more artistic freedom to painters. Do you think you own a painting by The Eight? Contact us. We are the experts on The Eight.


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done
721--frick.php Robert Oliver Frick Artwork Authentication & Art Appraisal

Robert O. Frick (1920-1997)

Get a Frick Certificate of Authenticity for your painting (COA) for your Frick drawing.

For all your Frick artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Frick Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Frick painting or drawing.

If you want to sell your Frick painting or drawing use our selling services. We offer Frick selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Frick and issuing certificates of authenticity since 2002. We are recognized Frick experts and Frick certified appraisers. We issue COAs and appraisals for all Frick artworks.

Our Frick paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Frick certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Frick painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Frick paintings or drawings take longer.

Our clients include Frick collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Robert Oliver Frick art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Robert Oliver Frick or we will sell it for you.

Frick, Vermont landscape

Vermont Landscape

Robert O. Frick was an American landscape painter, best known for his paintings of rural New England. Frick was born in Pennsylvania but lived and worked much of his life in Vermont. He typically painted farm scenes, as well as forests and extensively studied and painted the coast of Maine.

Frick, Little Lehigh

Little Lehigh

Among his many honors, Frick was named in the “Who’s Who?” of American Art, and is also mentioned in the International Biographical Index, Cambridge, England. Frick received the Abe Sharpe Foundation Award in 1979 as well as the 1979 Knickerbocker Artists of America Award, and the 1980 Grand National Exhibition Salmagundi Prize at the American Artists Professional League, New York.

Frick, Landscape

Landscape

Frick’s paintings are housed in a number of collections, as well as the private collections of Laurence S. Rockefeller and the Government du Quebec. His permanent collections include the Salmagundi Club, New York as well as the Southern Vermont Artists, Inc.

Frick, Farm Scene

Farm Scene

It is likely that Frick often painted in the Florida and other southern states as well, as tropical landscapes have been discovered by this artist.

Frick, Florida Landscape with Egrets

Florida Landscape with Egrets

Still wondering about a rural American landscape painting in your family collection? Contact us…it could be by Robert Oliver Frick.


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722--kupka.php Frantisek Kupka Artwork Authentication & Art Appraisal

Frantisek Kupka (1871-1957)

Get a Kupka Certificate of Authenticity for your painting (COA) for your Kupka drawing.

For all your Kupka artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kupka Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kupka painting or drawing.

If you want to sell your Kupka painting or drawing use our selling services. We offer Kupka selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kupka and issuing certificates of authenticity since 2002. We are recognized Kupka experts and Kupka certified appraisers. We issue COAs and appraisals for all Kupka artworks.

Our Kupka paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kupka certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kupka painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kupka paintings or drawings take longer.

Our clients include Kupka collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Frantisek Kupka art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Frantisek Kupka or we will sell it for you.

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Self-Portrait

Frantisek Kupka was a Czechoslovakian Abstract painter, who studied at the Prague Art Academy. As a student, he primarily painted patriotic themes and historical compositions. While his earliest themes were more academic, his style would evolve throughout the years into Abstraction. Though painted in a very realistic style, even his earliest pieces contained mystical and Surrealist themes and symbols.

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The Path of Silence, 1900

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Woman at the Sea, 1903

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Soul of the Lotus

Later, as a student at the academy in Vienna, his subjects became more allegorical and filled with symbols. This was the start of his involvement in Eastern philosophy and religion, which would follow him through his career. This devotion to spirituality was often projected on his canvas in colors which he would use to create a rhythmic effect. Kupka would also later synthesize color and geometry in his compositions with music.

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The Colored One

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Staccato Accompaniment, 1930

Kupka finally came to Paris in 1896, where he attended the Academy Julien, and then the Ecole des Beaux-Arts. During this time, he created posters and book illustrations, as well as satirical drawings for newspapers and magazine to support himself. In 1906, Kukpa had his first exhibit at the Salon d’Automne, and moved to Puteaux, a Parisian suburb, that same year. However, Kupka would not have his first solo exhibition in Paris until 1921 at the Galerie Povolozky.

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Blue and Red Promethius, 1919

By 1909, Kupka began to experiment with the up and coming Futurist movement, and motion became a theme in his compositions. This would be short-lived, however, and he would return to his own Abstract, Fauvist, and Symbolist styles.

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Der Traum, 1909

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Disks of Newton, 1912

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Organization of Graphics Motifs II, 1913

World War I also temporarily stopped Kupka when he was called to action, but he continued to create art in the form of propaganda posters. After his service, he was assigned as a professor at the Prague Academy in Paris, where he was able to meet and mentor many Czechoslovakian students living in Paris.

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Vertical and Diagonal Planes

While Kupka did not affiliate himself with any one particular art movement, he was often grouped with one or the other while at the salons. His 1912 exhibit with the Salon des Independents found him with the Cubists, but truly he worked more in the plastic arts. Kupka even wrote a book called Creation in the Plastic Arts which was published in Prague in 1923. Kupka was also one of the founders of the group Abstraction-Creation along with Albert Gleizes and Jean Helion.

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Circles

Kupka again found himself shelved with the Cubists at an important exhibition in 1936 at The Museum of Modern Art in New York. The 1950’s marked the pinnacle of Kupka’s career, and he found the most notoriety at that time amongst the New York art circles. During this time, and until the end, Kupka’s compositions were increasingly becoming more geometric. He continued to create and show his work right up until his death, and had a fairly prolific career.

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Untitled

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Vertical Planes 1, 1913

Though more obscure today than his fellow Abstract artists, Kupka is called by some the forgotten father of Abstract art. His work in graphic design and constant experimentation with new styles and ideas were precursors to a number of other movements, such as de Stijl and even DaDa.

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Vertical Planes

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Nocturne, 1913

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Figure for Two Colors, 1912

Today his work is housed at modern art museums world wide, and perhaps in your own home. Still wondering about an Abstract piece in your home? Contact us…it could be by Frantisek Kupka.


done
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done
724--kobell-von.php Wilhelm von Kobell Artwork Authentication & Art Appraisal

Wilhelm von Kobell (1766-1853)

Get a Von Kobell Certificate of Authenticity for your painting (COA) for your Von Kobell drawing.

For all your Von Kobell artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Von Kobell Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Von Kobell painting or drawing.

If you want to sell your Von Kobell painting or drawing use our selling services. We offer Von Kobell selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Von Kobell and issuing certificates of authenticity since 2002. We are recognized Von Kobell experts and Von Kobell certified appraisers. We issue COAs and appraisals for all Von Kobell artworks.

Our Von Kobell paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Von Kobell certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Von Kobell painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Von Kobell paintings or drawings take longer.

Our clients include Von Kobell collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Wilhelm von Kobell art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Wilhelm von Kobell or we will sell it for you.

Kobell painting, Self-Portrait

Self-Portrait

Kobell painting, Hunter and Lord at the River

Hunter and Lord at the River

Wilhelm von Kobell was a German painter. He was taught to paint by his father Ferdinand and his uncle Franz, both painters, and attended drawing classes in Mannheim . Through his father, von Kobell learned the ways of the 17th century Dutch masters and became a prominent landscape painter.

Kobell painting, The Siege of Cosell

The Siege of Cosell

Von Kobell often collaborated with his father in painting landscapes in the Aschaffenburg cycle. He also traveled often to Munich , England and Italy , and painted landscapes during his travels, as well as portraits. Toward the end of his career, he was commissioned by the King of Bavaria as well as Prince Ludwig I to paint landscapes and historical scenes, and also taught at the academy in Munich.

Kobell painting, Landscape with Figures

Landscape with Figures

Still wondering about a German landscape in your family collection? Contact us…it could be by Wilhelm von Kobell.


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725--hildebrandt.php Theodor Hildebrandt Artwork Authentication & Art Appraisal

Theodor Hildebrandt (1804 – 1874)

We Perform Theodor Hildebrandt art authentication. Theodor Hildebrandt appraisal. Theodor Hildebrandt certificates of authenticity (COA). Theodor Hildebrandt analysis, research, scientific tests, full art authentications. We will help you sell your Theodor Hildebrandt or we will sell it for you.

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Portrait of Felix Mendelssohn-Bartholdy

Theodor Hildebrandt was a German painter, born at Stettin(Szczecin). He was a disciple of the painter Schadow, and, on Schadow’s appointment to the presidency of a new academy in the Rhenish provinces in 1828, followed that master to Düsseldorf. Hildebrandt began by painting pictures illustrative of Goethe and Shakespeare; but in this form he followed the traditions of the stage rather than the laws of nature. He produced rapidly “Faust and Mephistopheles” (1824), “Faust and Margaret” (1825), and “Lear and Cordelia” (1828).

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The Artists Studio in Rome 1825

Hildebrandt visited the Netherlands with Schadow in 1829, and wandered alone in 1830 to Italy; but travel did not alter his style, though it led him to cultivate alternately eclecticism and realism.

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The Love Letter

At Düsseldorf, about 1830, he produced “Romeo and Juliet,” “Tancred and Clorinda,” and other works which deserved to be classed with earlier paintings; but during the same period he exhibited (1829) the “Robber” and (1832) the “Captain and his Infant Son,” examples of an affected but kindly realism, which captivated the public, and marked to a certain extent an epoch in Prussian art. The picture which made Hildebrandt’s fame is the “Murder of the Children of King Edward” (1836), of which the original, afterwards frequently copied, still belongs to the Spiegel collection at Halberstadt.

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Mother and Children 1840

Comparatively late in life Hildebrandt tried his powers as an historical painter in pictures representing Wolsey and Henry VIII, but he lapsed again into the romantic in “Othello and Desdemona.” After 1847 Hildebrandt gave himself up to portrait-painting, and in that branch succeeded in obtaining a large practice. He died at Düsseldorf in 1874. Still wondering about a 19th century German painting in your family collection? Contact us…it could be by Theodor Hildebrandt.


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726--rotari.php Pietro Rotari Artwork Authentication & Art Appraisal

Pietro Rotari (1707 – 1762)

Get a Rotari Certificate of Authenticity for your painting (COA) for your Rotari drawing.

For all your Rotari artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rotari Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rotari painting or drawing.

If you want to sell your Rotari painting or drawing use our selling services. We offer Rotari selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rotari and issuing certificates of authenticity since 2002. We are recognized Rotari experts and Rotari certified appraisers. We issue COAs and appraisals for all Rotari artworks.

Our Rotari paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rotari certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rotari painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rotari paintings or drawings take longer.

Our clients include Rotari collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pietro Rotari art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pietro Rotari or we will sell it for you.

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Young Girl Writing a Love Letter, 1755

Pietro Rotari was an Italian painter of the Baroque period. Born in Verona, he led a peripatetic career, and died in St Petersburg, where he had traveled to paint for the Russian court.

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Sleeping Girl

He was initially pupil of Antonio Balestra, but moved from 1725-27 to Venice, then joined the studio of Francesco Trevisani in Rome (1728-1732), and finally between 1731-34 he worked with Francesco Solimena in Naples. He then returned then to Verona, where he started a studio. But soon he was off to paint for royal and aristocratic patrons in Dresden, Vienna, and Munich.

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Portrait of a Young Woman, 1760

He was much in demand as a portraitist, and painted royal families in Dresden and Saint Petersburg. He also painted the multi-figured altarpieces of the Four Martyrs (1745) for the church of the Ospedale di San Giacomo in Verona.

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Alexander the Great and Roxana

Still wondering about an Italian painting in your family collection? Contact us…it could be by Pietro Rotari.


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727--dubuc.php Roland Dubuc Artwork Authentication & Art Appraisal

Roland Dubuc (1924-1998)

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Le Moulin Rouge

Get a Dubuc Certificate of Authenticity for your painting (COA) for your Dubuc drawing.

For all your Dubuc artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dubuc Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dubuc painting or drawing.

If you want to sell your Dubuc painting or drawing use our selling services. We offer Dubuc selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dubuc and issuing certificates of authenticity since 2002. We are recognized Dubuc experts and Dubuc certified appraisers. We issue COAs and appraisals for all Dubuc artworks.

Our Dubuc paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dubuc certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dubuc painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dubuc paintings or drawings take longer.

Our clients include Dubuc collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Roland Dubuc art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Roland Dubuc or we will sell it for you.

Roland Dubuc was born in the Normandy region of France to a very large family. His interest in art began at the age of 14 when he began to work as a decorator’s apprentice. By the time he was 18, Dubuc had moved to Rouen to pursue an art career. Though he struggled at first, he eventually made contact with local artists like Frechon and Bordes. Though he had no formal training, Dubuc learned how to sketch from fellow artists and taught himself how to paint.

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Paysage

Dubuc was slow at finding success in art during the early stages of his career, so he worked many odd jobs in order to survive. He would sell newspapers or work at carnivals while he waited for his paintings to be sold in galleries. Dubuc would move to Paris in 1950, still working odd jobs to get by.

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Fete Forraine
  Montmartre was a prominent theme in Dubuc’s paintings.

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Montmartre

Expressionistic cityscapes and Toulouse-Lautrec-like circus scenes were some of Dubuc’s most well-received works. He painted in both gouache and watercolor as well as in oil, and would typically sign his work “R. Dubuc” of simply “Dubuc” prominently on the front of his canvases.

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The Circus

He worked steadily well into the late 1980’s and exhibited all over France and Europe. Today his paintings are owned in collections worldwide in Japan, The United States, and Europe and even in Israel. Dubuc lived nearly to the end of the 20th century and was highly prolific in his lifetime, creating and selling work frequently at galleries. For this reason, his paintings are very likely to be owned in a number of private home collections…maybe even yours.

If you believe you own a work of art by Roland Dubuc, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Roland Dubuc.


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728--fantin-latour.php Henri Fantin-Latour Artwork Authentication & Art Appraisal

Henri Fantin-Latour (1836-1904)

Get a Fantin-Latour Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Fantin-Latour artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Fantin-Latour Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fantin-Latour painting, drawing or print.

If you want to sell your Fantin-Latour painting, drawing or print use our selling services. We offer Fantin-Latour selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fantin-Latour and issuing certificates of authenticity since 2002. We are recognized Fantin-Latour experts and Fantin-Latour certified appraisers. We issue COAs and appraisals for all Fantin-Latour artworks.

Our Fantin-Latour paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fantin-Latour certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fantin-Latour painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fantin-Latour paintings or drawings take longer.

Our clients include Fantin-Latour collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henri Fantin-Latour art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Henri Fantin-Latour or we will sell it for you.

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Self-Portrait, 1859

Realist painter Henri Fantin-Latour is best known for his beautiful still life flower paintings, as well as group paintings of himself with other artists and historical figures. Latour was also heavily involved in lithography and painted in a highly traditional style, and painted nearly 25 self-portraits. It is said that Latour’s own Realist style was a major influence on the symbolist movement for future painters.

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The Reader, 1861

Born in Grenoble, France near the Alps, Latour was taught how to draw at a young age by his artist father. He studied at the Ecole des Beaux-Arts in Paris and painted in an Impressionistic style in the beginning of his career. During this time, he would often visit the Louvre to study and copy the paintings of the old masters. There, he would meet and become friends with other famous artists like Manet and Degas.

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Portrait of Manet, 1867

Sadly, Latour did not get the initial recognition in Paris that he has today, probably because he was painting in the old style while his contemporaries were experimenting and creating new styles. However, Latour would eventually gain notoriety in England through American painter Whistler. With Whistler and artist Alphonse Legros, Latour formed the Societe des Trois, and would have his first exhibition with them at the Salon in Paris in 1861.

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Mr. and Mrs. Edwards, 1875

Besides painting, Latour was also fascinated with music. This fascination can be seen in his lithographs which express his love for his favorite composers, Wagner, Schumann and Brahms.

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Eau Forte, lithograph

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The Awakening, 1887, lithograph

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Manfred and Astarte, 1879

Latour would eventually meet and marry fellow painter Victoria Dubourg, whom he would instruct and essentially paint alongside.

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The Dubourg Family, 1878
  Dubourg focused mainly on floral still life, and her style would often mirror Latour’s.

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Basket of Flowers and Bouquet of Roses

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Nature Morte Aux Fiancailles

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Still Life with Flowers

When Latour was not creating floral still life and lithography, he would typically paint historical scenes dedicated to his artistic heroes. Latour would immortalize his favorite painters, particularly Delacroix and Rubens in a number of Realist paintings, many of which now hang in the Louvre.

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Homage to Delacroix, 1864

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Portrait with Friends, 1879

In 1879, Latour was given the Legion of Honor medal, and is remembered today as a great master of Realist painting in a time when Realism was going out of fashion. Latour’s paintings were so real at times, that they are practically photographic, and at other times contained a mystical property that only Latour could have created.

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The Queen of the Night

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Naiade, 1896

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Andromeda

Despite the fact that Latour met only relative success and recognition during his lifetime as a painter, today his paintings and lithography are in high demand. A new Latour art authentication, though probably rare, could fetch millions of dollars at auction today.

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Parsifal et les Filles-Fleurs, 1893

Latour left behind a number of drawings, etchings and oil paintings, in a number of different styles from Realist portraits to mythological sketches and floral still life’s. Sometimes he would sign his work “Fantin” although he is typically known as “Latour” or “Fantin-Latour.” Still not sure if one of your treasured family heirlooms is a Latour? Contact us to find out.


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731--heuze.php Edmond Heuze Artwork Authentication & Art Appraisal

Edmond Heuze (1884-1967)

Get a Heuze Certificate of Authenticity for your painting (COA) for your Heuze drawing.

For all your Heuze artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Heuze Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Heuze painting or drawing.

If you want to sell your Heuze painting or drawing use our selling services. We offer Heuze selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Heuze and issuing certificates of authenticity since 2002. We are recognized Heuze experts and Heuze certified appraisers. We issue COAs and appraisals for all Heuze artworks.

Our Heuze paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Heuze certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Heuze painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Heuze paintings or drawings take longer.

Our clients include Heuze collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Edmond Heuze art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Edmond Heuze or we will sell it for you.

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Two Young Girls, 1927

Edmond Heuze was a French painter, and though is little known today, was one of the leading figurative painters during the early 20 th century.

Since he was a boy, Heuze desired to be a painter, and when his family moved to Montmartre in 1895, he was brought closer to the art world. At the young age of 13, Heuze began to teach himself to paint, and took his works to the streets. There he met Suzanne Valadon, and his career began to take off.

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Soire, 1925

Before he could support himself on painting alone, Heuze moved out of his parents home and became a tailor. It wasn’t until he painted a portrait of Valadon that Heuze truly became notice at the Salon d’Automne. However, after this, it is said that Heuze did not exhibit his work at a Salon again for thirty years.

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Dans La Rue, 1925

Heuze typically painted typical Parisian scenes, clowns and people in watercolor or pastel, and sometimes oil. During his early years as an artist, like so many other artists he frequented the Moulin Rouge and was also an acquaintance of the famed Goulue. It is said that Goulue assisted him in becoming a full-time painter.

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Clowns and Musicians

In 1914, Heuze was called to war, and didn’t return to Paris until 1918. He was not able to pick back up with art immediately after his return, and was a street vendor and did whatever he could to support himself. Heuze was eventually able to return to painting, but did not see an actual sale of his work until the mid-1920’s. He would also eventually become a professor of portrait painting in the 1950’s and enjoy a relatively active painting career. He was friends with a number of great painters of his time, and was especially close to Maurice Utrillo.


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733--paul.php Gen Paul Artwork Authentication & Art Appraisal

Gen Paul (1895-1975)

We Perform Gen Paul art authentication. Gen Paul appraisal. Gen Paul certificates of authenticity (COA). Gen Paul analysis, research, scientific tests, full art authentications. We will help you sell your Gen Paul or we will sell it for you.

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Don Quixote

Gen Paul was born Eugene Paul in Montmartre. As a child, Paul took quickly to drawing and painting, and was eventually trained to create decorative furniture. He was never able to receive any academic training, and was called to serve at the onset of World War I. While in the army, Paul was severely wounded and lost one of his legs as a result. However, this would lead Paul to find art again while he was recovering and would become his lifelong career.

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Port St. Denis

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Cavaliers

Paul had a number of early influences, including Cezanne, Goya and Van Gogh. He began painting in an Expressionist style after the help of friend Juan Gris. While living in Montmartre, Paul became friends with Maurice Utrillo and many other artists living in the area at that time.

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Vase de Fleurs

His first exhibit was at the Salon d’Automne in 1920. These early paintings were in an active style of Expressionism which incorporated movement into his compositions. A pre-cursor to the work of the Futurists, Paul’s paintings showed action through brush strokes, forced perspective and the use of light and color. It is thought that this form of active Expressionism was Paul’s answer to overcoming his handicap, and showed a positive outlook on life.

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Steeple Chase

Nonetheless, Paul met the 1930s with a severe alcohol addiction. His paintings during this time are much darker and less positive as an effect. Paul seemed to break away from his more somber style in the 1940s, but as a result, his work never again seemed to have the vibrant sense of movement that it did in his earlier work.

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Rue des Abbess devant L’Eglise St. Jean Baptiste, 1927

While most of Paul’s work is typical scenes of Montmartre and Parisian cityscapes, he also created a number of paintings featuring jazz artists. Paul traveled to the United States and here he began to paint musicians, which became an area of great interest for him.

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Joueur de Guitare

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Clowns, Musicians

During his lifetime, Paul may not have met the same level of success as his fellow painters in Montmartre, but he succeeded in making a career out of his art and gained a place in art history. Paul was even awarded the Legion of Honor in 1934, and continued painting into the 1960s. Today, his work can be found in a number of museums in Europe, but it is speculated that most of his paintings are in private collections. Could your painting be one of these elusive pieces by Gen Paul? Contact us to find out.


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734--morillo.php Domenico Morelli Artwork Authentication & Art Appraisal

Domenico Morelli (1823-1901)

Domenico Morelli art authentication. Domenico Morelli appraisal. Domenico Morelli certificates of authenticity (COA). Domenico Morelli analysis, research, scientific tests, full art authentications. We will help you sell your Domenico Morelli or we will sell it for you.

The Rest of the Flight into Egypt

Sicilian Women

The Rest of the Flight into Egypt

The Sultaness and the Slave

The Rest of the Flight into Egypt

Turkish Bath

Domenico Morelli was an Italian artist, and is considered by some art scholars to be one of the most important artists to come out of Naples during the second half of the 19th century. Morelli created sketches and paintings with romantic and historical themes in the classical style, often incorporating gods, goddesses and exotic characters into his compositions.

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Nude

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Gli Iconoclasti

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Tasso and Elenora D’Este

Morelli was known for being an academic artist, and displayed great ability in figure study as well as ornamentation. Ignoring his mother’s wishes to become a priest, Morelli enrolled in the Accademia in Naples in 1836. His earliest works show evidence of his devotion to the academic style as well as his natural skill as a young artist. Morelli won a fellowship to study in Rome in 1848, and that same year, be became involved in the insurrection against the Bourbons in Naples, where he was imprisoned and wounded. During the 1950’s, Morelli traveled to Florence, and participated in discussions on Macchiaioli and Realism. Morelli is credited with encouraging the Macchiaioli group to study directly from nature. This in turn helped Morelli to become more creative with color and to have a less restricted style of his own.

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A Reclining Woman

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An Arab Seated

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La Preghiera di Maometto Prima Della Battaglia

Morelli continued to paint and exhibit his work throughout Europe and was named the president of the Istituo di Belle Arti in 1899. Today, Morelli’s work is housed all over the world, and perhaps in your own estate. Still wondering about an Italian late 19th century classical painting hanging in your home? Contact us…it could be by Domenico Morelli.


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735--card-valdes.php Abraham Ángel Artwork Authentication & Art Appraisal

Abraham ángel Card Valdés (1905-1924)

We Perform Abraham Ángel art authentication. Abraham Ángel appraisal. Abraham Ángel certificates of authenticity (COA). Abraham Ángel analysis, research, scientific tests, full art authentications. We will help you sell your Abraham Ángel or we will sell it for you.

Angel

Abraham Ángel was a Mexican painter known for his colorful, naïve style, who is an important artist of the Post-Revolutionary era in Mexico.

Angel, La Chica de la Ventana

La Chica de la Ventana

In 1905 Abraham Angel was born in El Oro, Mexico as the youngest of five children. In 1907, Ángel’s family moved to Puebla until his father’s promotion led them to Mexico City. Ángel lost contact with much of his family, with the exception of his eldest brother. Ángel sometimes went by his second, maternal last-name, Card.

Not much is known of Ángel’s early years in Mexico City, except that he left home in 1922 to surround himself with stimulating, artistic friends. Among these friends was painter, Rodriguez Lozano.

Angel, Retrato de Esperanzo Crespo

Retrato de Esperanzo Crespo

For a short while, Ángel became Lozano’s pupil. The artists travelled to Cuernavaca on painting trips working with other notable artists of the time.

Ángel painted portraits of friends and acquaintances as well as landscapes of Mexico. Ángel’s paintings were praised for their pure, naïve and imaginative quality that stepped outside of the status quo.

Angel, La Mesera

La Mesera

Tragically, Abraham Ángel’s story ends early as he died before reaching twenty years of age. Ángel was humiliated and depressed when his teacher, Lozano left him for another pupil. Ángel died of a drug overdose in 1924.

Angel, Retrato de Hugo Tighman (El Tenista)

Retrato de Hugo Tighman (El Tenista)

Ángel’s limited number of paintings are highly valued and appreciated. Do you think that you might own an Abraham Ángel? Contact us. We are the Abraham Ángel experts.


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736--surikov.php Vasily Surikov Artwork Authentication & Art Appraisal

Vasily Surikov Василий Иванович Суриков (1848-1916)

Get a Surikov Certificate of Authenticity for your painting (COA) for your Surikov drawing.

For all your Surikov artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Surikov Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Surikov painting or drawing.

If you want to sell your Surikov painting or drawing use our selling services. We offer Surikov selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Surikov and issuing certificates of authenticity since 2002. We are recognized Surikov experts and Surikov certified appraisers. We issue COAs and appraisals for all Surikov artworks.

Our Surikov paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Surikov certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Surikov painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Surikov paintings or drawings take longer.

Our clients include Surikov collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Vasily Surikov art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Vasily Surikov or we will sell it for you.

Self-Portrait

Self-Portrait

Vasily Surikov was the foremost Russian painter of large-scale historical subjects. His major pieces are among the best-known paintings in Russia. Surikov was born in Krasnoyarsk, Siberia, where a monument to him was recently opened by his great grandsons, Nikita Mikhalkov and Andrei Konchalovsky. In 1869-1871 he studied under Pavel Chistyakov at the Imperial Academy of Arts.

Storm of Snow Fortress

Storm of Snow Fortress

Storm of Snow Fortress

A fragment of painting Boyarynya Morozova by Vasily Surikov depicting defiant Old Believer arrested by Czar authorities in 1671. She holds two fingers raised: a hint to the old, i.e., “proper” way of putting a cross unto oneself: with two fingers, rather than with three.

Vasily Surikov painted images from Russia’s past that focused on the lives of ordinary people. His works are remarkable by an original way to represent space (see non-linear perspective) and movements of people. In some cases he seems to have painted the same image in more than one size, probably as a prototype to a bigger image which he has in his mind or has liked the smaller version so much that he decided it would look nicer when enlarged.

Morning of Streltzi's Execution

Morning of Streltzi’s Execution

Still wondering about a 19th century Russian painting in your family collection? Contact us…it could be by Vasily Surikov.


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737--frere.php Charles Theodore Frere Artwork Authentication & Art Appraisal

Charles Theodore Frere (1814-1888)

Get a Frere Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Frere artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Frere Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Frere painting, drawing or print.

If you want to sell your Frere painting, drawing or print use our selling services. We offer Frere selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Frere and issuing certificates of authenticity since 2002. We are recognized Frere experts and Frere certified appraisers. We issue COAs and appraisals for all Frere artworks.

Our Frere paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Frere certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Frere painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Frere paintings or drawings take longer.

Our clients include Frere collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles Theodore Frere art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles Theodore Frere or we will sell it for you.

Untitled

Untitled (Moorish Café)

Charles Theodore Frere was the son of a music publisher and a notable Orientalist painter. He was born in Paris in 1814, and initially studied under Jules Coignet, the historical painter. He then studied under Camille Roqueplan, the painter of landscapes, historical subjects, and genre scenes. He began his career painting interiors, and views of the French countryside. His inspiration was derived from his trips around the regions of Normandy, the Alsace, and Auvergne. The first painting he exhibited at the Salon was a landscape of the Alsace region, entitled “View of the Environs of Strasbourg.”

Untitled 2

Untitled 2

Frere visited Algeria in the 1830’s, becoming infatuated with the Oriental other, as did many of his contemporaries. He rapidly departed from the genre Realism in which he had been trained (influenced by Gerome) and later traveled widely in the Arab world. There was a ready market for his stock images in Europe; caravans arriving, resting and leaving, market and mosque scenes, and of course the Nile. He was uninterested in the monumental past, preferring atmospheric scenes of daily street life. He also eschewed the subject of the harem, unlike many bolder artists. During this first trip to Algeria he produced several large paintings for the King of Wurttemberg. In 1841, he sent two paintings to the Salon, which were later purchased by Louis Philippe.

View of Cairo

View of Cairo

In 1851, he took a much longer trip to the Orient which lasted eighteen months. During this trip, he traveled to many different countries, including Greece, Constantinople, Asia Minor, Syria, Palestine, and Egypt. This journey provided him with an enormous amount of ideas, and inspiration for the paintings which he was to produce during the 1850s.

Arab at Prayer

Arab at Prayer

His final trip to the Eastern Mediterranean was in 1869. He formed part of the party of the Empress Eugenie on her trip to the Orient. During this trip he produced an impressive number of watercolors. Art critics have commented that this medium allowed him to capture the luminous, bleached tonalities of the landscape.

Enter Fontain Sidi Yacoub * Courtesy: Rehs Galleries, Inc. New York City

Enter Fontain Sidi Yacoub * Courtesy: Rehs Galleries, Inc. New York City

An artist of the second rank, he nonetheless carved a niche, capturing the strange (to Europeans) diaphanous light and dust effects of the Near East. An indifferent figure painter, he rarely produced portraits of the locals, preferring middle-distance stock representations. His younger brother, Pierre Edouard Frere (1819-1886), a pupil of Hippolyte Delaroche, was an influential Realist genre painter specializing in working class people, suffused by a sentimental regard for the downtrodden poor. Theodore Frere adopted the Ottoman honorific “Bey”, and often signed his works “Th. Frere Bey”.

Egyptian Market

Egyptian Market

Frere’s watercolors were almost invariably small studies for his oils, the former often done plein air, and the latter in the studio. The subject painting is much larger than almost all of Frere’s watercolors and is far less impressionistic. It has been proven that Frere did not use gouache, nor did he use gouache in combination with watercolor. He did on occasion heighten with white in sketches. Frere’s watercolor technique was quite light and transparent, unlike some of his oils. In other words, his oils often show solid planes of color, but his watercolors rarely do, and when they do the opaque color is used only in certain parts.

Mosquee du Sultan Hassan

Mosquee du Sultan Hassan

Frere did not paint quasi-portraits in this manner, least of all with a breast exposed. Frere, as noted above, painted conventional middle-distance public social activity. Frere’s vegetation harkened back to 18th Century representation. Theodore Frere also had a very consistent signature (see below), essentially printed, usually TH. FRERE, and sometimes TH. FRERE BEY. Frere’s watercolors range on average from $500 to $2,000 at auction, reflecting the facts that they are small studies for his preferred oils. His oils are worth far more.

Enter A Caravan Crossing the Desert * Courtesy: Rehs Galleries, Inc. New York City

Enter A Caravan Crossing the Desert * Courtesy: Rehs Galleries, Inc. New York City

A particularly well known painting of his is, “Jerusalem View from the Valley of Jehoshaphat,” which hangs in the Metropolitan Museum of Art. In this painting, Frere depicted the prominent features of the city, such as the Golden Gate, the Church of the Holy Sepulchre, and the Hamra minaret. The painting also depicts a camp in the foreground, and he reproduces the tents, and the costumes of the Arabs, with precise detail.

The Road to the Pyramids

The Road to the Pyramids

Frere also designed woodcuts, and lithographs using Oriental subject matter, such as his imaginary view of the Arab in Paris, for Desnoyer’s, “Les Etrangers a Paris.” A number of his Oriental paintings are at the Palais de Champs Elysee. Some of his paintings were also bought by American collectors, as he was a close friend of the American dealer, George Lucas. Still wondering about an Orientalist painting in your family estate? Contact us…it could be by Charles Theodore Frere.


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738--scott.php Julian A. Scott Artwork Authentication & Art Appraisal

Julian A. Scott (1846-1901)

Get a Scott Certificate of Authenticity for your painting (COA) for your Scott drawing.

For all your Scott artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Scott Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Scott painting or drawing.

If you want to sell your Scott painting or drawing use our selling services. We offer Scott selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Scott and issuing certificates of authenticity since 2002. We are recognized Scott experts and Scott certified appraisers. We issue COAs and appraisals for all Scott artworks.

Our Scott paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Scott certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Scott painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Scott paintings or drawings take longer.

Our clients include Scott collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Julian A. Scott art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Julian A. Scott or we will sell it for you.

Scott, Union Vanguard

Union Vanguard

Scott, Fireman

Fireman

Julian Scott was an American painter of the Civil War born in Johnson, Vermont. During the Civil War, Scott postponed his studies and enlisted in the Third Vermont Infantry. At the young age of fifteen, Scott served in the Union Army as a drummer but faced serious combat during the Battle at Lee’s Mills in Virginia. Scott rescued nine wounded soldiers, earning the highest military decoration, the Medal of Honor.

Scott, The Letter

The Letter

When the war ended Scott spent some time recovering from battle. During his recuperation he picked up drawing as a hobby to stay occupied. Scott studied at a small college, Lamoille Academy in Johnson before relocating in New York City. In New York Scott continued his studies at the National Academy of Design and made numerous connections at the popular Tenth Street Studio Building.

Scott, Union Soldiers

Union Soldiers

Scott began by making several paintings documenting his experiences in the war. His paintings illustrated the hardships and harsh realities the soldiers faced in combat. A wealthy, patron named William E. Dodge sponsored Scott, enabling him to continue his coursework. Emanuel Leutze, famous for painting “Washington Crossing the Delaware” became Scott’s primary instructor. Scott also worked with painters John F. Kensett and Louis Lang.

Scott, At Moqui Navajo Horse Race

At Moqui Navajo Horse Race

In 1864 Scott returned to war as a hired artist. Scott was stationed at the military camps in Virginia, documenting the march of the soldiers and everyday camp life. After Scott’s second military round he spent most of his career in New York City, taking intermittent trips to Europe. Scott set up a studio and focused on Civil War painting.

In addition to illustrating the Civil War, Scott documented the lives of Native Americans. On an expedition through New Mexico, Arizona and Oklahoma Scott did a series of paintings in the company of the United States Census Bureau. Some of these paintings now belong to the University of Pennsylvania.

Scott’s experienced in the Southwest made him passionate about Native American issues. Scott became active in speaking out against the unjust policies enforced by the Bureau of Indian Affairs. Scott illustrated the Report on Indians Taxed and Not Taxed with numerous drawings and photographs.

Julian A. Scott is an important figure in American Civil War and Native American painting. Scott’s paintings show an unidealized documentation in some of America’s most trying times. Do you think you own a painting by Julian A. Scott? Contact us. We are the Julian A. Scott experts.


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739--munter.php Gabriele Münter Artwork Authentication & Art Appraisal

Gabriele Münter (1877 – 1962)

Get a Münter Certificate of Authenticity for your painting (COA) for your Münter drawing.

For all your Münter artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Münter Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Münter painting or drawing.

If you want to sell your Münter painting or drawing use our selling services. We offer Münter selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Münter and issuing certificates of authenticity since 2002. We are recognized Münter experts and Münter certified appraisers. We issue COAs and appraisals for all Münter artworks.

Our Münter paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Münter certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Münter painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Münter paintings or drawings take longer.

Our clients include Münter collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gabriele Münter art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gabriele Münter or we will sell it for you.

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Self-Portrait 1909

Gabriele Münter was a German expressionist painter who was at the forefront of the Munich avant-garde in the early 20th century. Münter was born in Berlin and showed an interest in art from a young age. She received private tuition in drawing and attended the local Women Artists’ School, as she was unable to enroll in the German art academies because she was a woman. Münter left Berlin to attend the progressive Phalanx School in Munich. There she studied sculpture, printmaking and painting and in 1902 began a very intimate and personal relationship with the School director Wassily Kandinsky; they were later engaged to be married. In 1911 they founded the avant-garde expressionist group known as Der Blaue Reiter (The Blue Rider) group.

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Farming Scene

During World War I the couple left Germany to take refuge in Switzerland, but since Kandinsky was Russian he was forced to return to Moscow in 1914. He divorced and remarried while in Russia and never saw Münter again. She returned to Germany following the war but was relatively inactive in the arts again until the 1920’s.

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Interior 1908

During World War II she hid Kandinsky’s works and those of other members of the Blue Rider from the Nazis. She died in 1962 in Murnau am Staffelsee.

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Boating 1910

Still wondering about a German painting in your family collection? Contact us…it could be by Gabriele Münter.


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740--mashkov.php Ilya Mashkov Artwork Authentication & Art Appraisal

Ilya Mashkov (Илья Иванович Машков) (1881-1944)

Get a Mashkov Certificate of Authenticity for your painting (COA) for your Mashkov drawing.

For all your Mashkov artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mashkov Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mashkov painting or drawing.

If you want to sell your Mashkov painting or drawing use our selling services. We offer Mashkov selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mashkov and issuing certificates of authenticity since 2002. We are recognized Mashkov experts and Mashkov certified appraisers. We issue COAs and appraisals for all Mashkov artworks.

Our Mashkov paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mashkov certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mashkov painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mashkov paintings or drawings take longer.

Our clients include Mashkov collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ilya Mashkov art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ilya Mashkov or we will sell it for you.

Landscape with a Town 1910

Landscape with a Town 1910

Russian artist, one of the most significant and at the same time most characteristic painters of the circle of “Jack of Diamonds”. He was born in the cossack village Mikhailovskaya-on-Don July 1881 into a peasant family. After arriving into Moscow, since 1900 attended the school of painting, sculpture and architecture, where among its teachers there were Konstantin Korovin and Valentin Serov. In 1902, Mashkov opened his own art school. In 1909 he was excluded from the school for artistic free thinking. Much traveled in his student years, visiting a number of the countries of West Europe, and also Turkey and Egypt. Was the member of associations “Mir iskusstva” and “Jack of Diamonds”. He lived in Moscow, sometimes visiting his village and died there in 1944.

Still Life with Flowers

Still Life with Flowers

Still wondering about a Russian painting in your family collection? Contact us…it could be by Ilya Mashkov.


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741--crivelli.php Carlo Crivelli Artwork Authentication & Art Appraisal

Carlo Crivelli (1435 – 1495)

Get a Crivelli Certificate of Authenticity for your painting (COA) for your Crivelli drawing.

For all your Crivelli artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Crivelli Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Crivelli painting or drawing.

If you want to sell your Crivelli painting or drawing use our selling services. We offer Crivelli selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Crivelli and issuing certificates of authenticity since 2002. We are recognized Crivelli experts and Crivelli certified appraisers. We issue COAs and appraisals for all Crivelli artworks.

Our Crivelli paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Crivelli certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Crivelli painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Crivelli paintings or drawings take longer.

Our clients include Crivelli collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carlo Crivelli art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Carlo Crivelli or we will sell it for you.

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Madonna and Child 1482

Carlo Crivelli was a Venetian Renaissance or Quattrocento painter. Crivelli was born around 1435 in Venice. The only dates that can with certainty be given about his life as a painter are 1468 and 1493: these are, respectively, the earliest and the latest years signed on his pictures–the former on an altar-piece in the church of San Silvestro at Massa near Fermo, and the latter on a picture in the Oggioni collection in Milan.

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St. Michael 1476

Though born in Venice, Crivelli seems to have worked chiefly in Le Marche of Ancona, and especially in and near Ascoli; there are only two pictures in Venice, in the church of San Sebastiano. He is said to have studied under Jacobello del Fiore, who was painting as late at any rate as 1436; at that time Crivelli was probably only a boy. He also studied at the school of Vivarini in Venice, then left Venice, initially, it is generally believed, for Padua, where he is believed to have worked in the workshop of Francesco Squarcione and then for Zara in Dalmatia (now part of Croatia, but then a Venetian territory) in 1459, following legal trouble after he was sentenced to prison for six months for having an affair with a married woman, Tarsia Cortese, the wife of a sailor.

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Annunciation 1486

The artist always signed himself by a variant of “Carlo Crivelli of Venice, e.g. Carolus Crivellus Venetus; from 1490 he added the title “Miles”, by then having been knighted (Cavaliere) by Ferdinand II of Naples. He painted in tempera only, despite the increasing popularity of oil painting during his life-time. Unlike the naturalistic trends arising from Florence at the same time, Crivelli’s style still echoes the Byzantine sensibility. The urban settings are jewel-like, and full of elaborate allegorical detail.

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Madonna Enthroned 1475

He introduced agreeable landscape backgrounds, and was particularly partial to giving fruits and flowers as accessories, often in pendant festoons, which are a characteristic of the Paduan studio of Francesco Squarcione, where Crivelli may have worked. The National Gallery, London is well supplied with examples of Crivelli; the Annunciation with St Emidius, possibly his most famous painting, and the Beato Ferretti (of the same family as Pope Pius IX) in religious ecstasy, may be specified. Another of his principal pictures is in San Francesco di Matelica; in Berlin is a Madonna and Saints (1491); in the Vatican Gallery a Dead Christ, and in the Brera of Milan the Madonna of the Candle. There are also examples of his work in several major US galleries.

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Saint Stephen 1476

Despite his Venetian birth, his paintings have a linear Umbrian quality. Crivelli is a painter of marked individuality; unlike Giovanni Bellini, his contemporary, his works are not “soft”, but are clear and definite in contour and with an astounding attention to detail. His use of “trompe l’oeil,” often compared to painters of the Northern Renaissance such as Rogier van der Weyden, includes raised objects, such as tears and “jewels” made of gesso. Commissioned by the Franciscans and Dominicans of Ascoli, Crivelli’s work is exclusively religious in nature. His paintings consist largely of Madonna and Child images, Pietas, and the by-then-old-fashioned altarpiece known as the polyptych. Often filled with images of suffering, such as gaping wounds in Christ’s hands and side and the mouths of mourners twisted in agony, Crivelli’s work appropriately fulfills the spiritual needs of his patrons. These ultra-realistic, sometimes disturbing, qualities have often led critics to label Crivelli’s paintings “grotesque,” much like his fellow Northern Italian painter, Cosimo Tura.

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Madonna of the Taper 1490

Few artists seem to have worked with more uniformity of purpose, or more forthright command of his materials and this was recognized by the number of prestigious commissions he was awarded. It is possible that Carlo was of the same family as the painters as Donato Crivelli (who was working in 1459, and was also a scholar of Jacobello) – Vittorio Crivelli, with whom he occasionally collaborated, was his younger brother. Pietro Alemanno, a painter who had traveled to Le Marche from Germany/Austria) was his pupil/collaborator.

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St. Catherine of Alexandria, St. Peter and Mary Magdalene, 1475

Carlo Crivelli died in the Marche (probably Ascoli Piceno) around 1495. His work fell out of favor following his death and he is not mentioned in Vasari’s Lives of the Artists (which is notably Florence-centric). He had something of a revival, especially in the UK, during the time of the pre-Raphaelite painters, several of whom, including Edward Burne-Jones were admirers of Crivelli. Admiration for his work declined with the decline of the pre-Raphaelites during the Modernist period, but recent writings on his work and a re-hanging of his work in the National Gallery, London, are again bringing him more attention.

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Madonna of the Swallow

Still wondering about a 15th century Italian painting in your family collection? Contact us…it could be by Carlo Crivelli.


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742--hummel.php Carl de Bourdon Hummel Artwork Authentication & Art Appraisal

Carl de Bourdon Hummel (1769-1840)

Get a Hummel Certificate of Authenticity for your painting (COA) for your Hummel drawing.

For all your Hummel artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hummel Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hummel painting or drawing.

If you want to sell your Hummel painting or drawing use our selling services. We offer Hummel selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hummel and issuing certificates of authenticity since 2002. We are recognized Hummel experts and Hummel certified appraisers. We issue COAs and appraisals for all Hummel artworks.

Our Hummel paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hummel certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hummel painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hummel paintings or drawings take longer.

Our clients include Hummel collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carl de Bourdon Hummel art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Carl de Bourdon Hummel or we will sell it for you.

Hummel painting, Portrait of a Young Lady

Portrait of a Young Lady

Carl de Bourdon Hummel was an 18th century Austrian painter. Known best for his portraits, Hummel painted a number of famous sitters, including Franz I of Austria.

Hummel painting, Franz I of Austria

Franz I of Austria

Hummel also painted miniatures in watercolor and gouache on ivory in the same style as his full sized portraits.

Hummel painting, Portrait of a Man, miniature

Portrait of a Man, miniature

Still wondering about an 18th century portrait in your family collection? Contact us…it could be by Carl de Bourdon Hummel.


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743--rothermel.php Peter Frederick Rothermel Artwork Authentication & Art Appraisal

Peter Frederick Rothermel (1817-1895)

Get a Rothermel Certificate of Authenticity for your painting (COA) for your Rothermel drawing.

For all your Rothermel artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rothermel Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rothermel painting or drawing.

If you want to sell your Rothermel painting or drawing use our selling services. We offer Rothermel selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rothermel and issuing certificates of authenticity since 2002. We are recognized Rothermel experts and Rothermel certified appraisers. We issue COAs and appraisals for all Rothermel artworks.

Our Rothermel paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rothermel certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rothermel painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rothermel paintings or drawings take longer.

Our clients include Rothermel collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Peter Frederick Rothermel art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Peter Frederick Rothermel or we will sell it for you.

Rothermel, The Surrender of the Guatemozin

The Surrender of the Guatemozin

Rothermel, Old Senate Debate

Old Senate Debate

Rothermel was an American painter born in Nescopeck, Pennsylvania. Rothermel studied under John R. Smith and Bass Otis before leaving for a more immersive study in Europe. Rothermel returned to Pennsylvania to build a career as a painter.

Rothermel, Patrick Henry before the Virginia House of Burgesses

Patrick Henry before the Virginia House of Burgesses

Rothermel concentrated on portraits and historical paintings. Rothermel was commissioned to paint important portraits including Patrick Henry of the Virginia House of Burgesses. Rothermel also received important history painting commissions including the documentation of the Battle of Gettysburg, which belongs to the Pennsylvania State Museum. “Columbus before the Queen” is another one of Rothermel’s better-known history paintings.

Rothermel, The Battle of Gettysburg: Pickett's Charge, 1870

The Battle of Gettysburg: Pickett’s Charge, 1870

Rothermel, Columbus Before the Queen

Columbus Before the Queen

Rothermel was an important figure in the Pennsylvania art community. Rothermel was Vice President of the Artists’ Fund Society in 1844 and as Director of the Pennsylvania Academy of Fine Arts from 1847 to 1855.

Rothermel, Little Round Top

Little Round Top

While little is known concerning the details of Rothermel’s private life, the reputation of his artwork has remained strong. Rothermel’s history paintings have been reproduced in various texts and educational resources. Rothermel’s portraits are in various private and public collections. Do you think you own a painting by Peter Frederick Rothermel? Contact us. We are the Peter Frederick Rothermel experts.


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744--mulready.php William Mulready Artwork Authentication & Art Appraisal

William Mulready (1786-1863)

Get a Mulready Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Mulready artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Mulready Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mulready painting, drawing or print.

If you want to sell your Mulready painting, drawing or print use our selling services. We offer Mulready selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mulready and issuing certificates of authenticity since 2002. We are recognized Mulready experts and Mulready certified appraisers. We issue COAs and appraisals for all Mulready artworks.

Our Mulready paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mulready certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mulready painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mulready paintings or drawings take longer.

Our clients include Mulready collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform William Mulready art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your William Mulready or we will sell it for you.

Mulready painting, Sonnet

Sonnet
1839 Oil on Panel 36 x 31 cm
Victoria and Albert Museum

Mulready painting, Farrier's Shop

Farrier’s Shop
After 1820 Oil on Canvas 40.9 x 52.1 cm
Fitzwilliam Museum

William Mulready was an Irish-born genre painter who spent most of his career in London. Mulready was born in Ennis, County Clare but moved to London with his family in 1792. The artists showed such talent that he entered the Royal Academy at only fourteen years of age.

Mulready painting, The Village Buffoon

The Village Buffoon
1816 Oil on Canvas 76.3 x 63.6 cm
Royal Academy of Arts Collection

Mulready is best known for his rural landscape and genre paintings, in which he depicted everyday life scenes in England. In addition to large-scale paintings, Mulready produced a number of illustrations for Tales from Shakespeare, which was widely distributed during the Victorian era.

Mulready painting, Standing Female Nude

Standing Female Nude
1858 Black and Red Chalk on Paper 55.7 x 28.1 cm

Mulready married another well-known British painter, Elizabeth Varley, who became popular for her landscapes. The artistic couple had three children together before their relationship started to weaken. Due to Mulready’s commitment to the Catholic Church, he was unable to divorce, despite his strong desire to separate from Varley.

Mulready painting, Standing Female Nude, Viewed from Back

Standing Female Nude, Viewed from Back
1850s Red and Brown Chalk on Paper
Royal Academy of the Arts Collection

By 1815, Mulready was named associate at the Royal Academy and won an award from the French Legion of Honor. As Mulready’s popularity mounted he continued to receive illustration commissions and created “Mulready Stationary” for the postal service.

Mulready painting, Self-Portrait

Self-Portrait
1840 Chalk drawing 24.7 x 19.8 cm
Royal Academy of the Arts Collection

Mulready painting, Seated Male Nude

Seated Male Nude
1850s Red and Black Chalk on Paper
Royal Academy of the Arts Collection

Mulready painting, Village Schoolmaster

Village Schoolmaster
1800s Watercolor on Paper 16.5 x 25.4 cm
Courtauld Institute

Mulready painting, Recumbent Male Nude

Recumbent Male Nude
1800s Brush and ink on metal 25 x 35.6 cm
Courtauld Institute

After Mulready’s death a monument was erected in his memory at the Kensal Green Cemetary. His paintings can now be found at the Victoria and Albert Museum and the Tate Gallery among other prestigious collections.

Mulready painting, William Mulready Portrait

William Mulready Portrait
1835 Oil on Canvas 21.6 x 16.8 cm
National Portrait Gallery

Do you think you own a painting by William Mulready? Contact us. We are the Mulready experts.


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746--suydam.php James Augustus Suydam Artwork Authentication & Art Appraisal

James Augustus Suydam (1819-1865)

Get a Suydam Certificate of Authenticity for your painting (COA) for your Suydam drawing.

For all your Suydam artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Suydam Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Suydam painting or drawing.

If you want to sell your Suydam painting or drawing use our selling services. We offer Suydam selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Suydam and issuing certificates of authenticity since 2002. We are recognized Suydam experts and Suydam certified appraisers. We issue COAs and appraisals for all Suydam artworks.

Our Suydam paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Suydam certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Suydam painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Suydam paintings or drawings take longer.

Our clients include Suydam collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform James Augustus Suydam art authentication, appraisal, certificates of authenticity (COA),analysis, research, scientific tests, full art authentications. We will help you sell your James Augustus Suydam or we will sell it for you.

Suydam, Paradise Rocks, Newport

Paradise Rocks, Newport

James Augustus Suydam was an American painter of the Hudson River School. Suydam grew up in New York and studied at New York University. Suydam started out as a businessman before realizing his calling as a painter. Suydam einitially studied painting under Minor C. Kellogg. Kellogg was known as a portrait artist and taught Suydam important technical skills.

Suydam, Sunset in the Hudson Highlands

Sunset in the Hudson Highlands

Suydam was a part of the North Conway painters in the White Mountains of New Hampshire and the Hudson River School. Suydam showed his paintings frequently at the New York Athenaeum and the Boston Athenaeum. Suydam established himself in New York city in the Tenth Street Studio Building. Suydam would often invite artists and patrons into his studio for viewings.

Suydam, Hut on the Hudson

Hut on the Hudson

Suydam gained popularity and became an honorary member of the National Academy of Design. Suydam was known to be a “Renaissance man”, well read and familiar with spiritual and scientific philosophies. Suydam was a firm believer in the power of God and followed the spiritual beliefs of the Hudson River School.

Suydam, Sunset landscape

Sunset landscape

Though Suydam lived in New York City he loved the outdoors and executed many paintings capturing the sunset over the Hudson River. Suydam knew the Hudson riverbanks well. Suydam spent many of his later years on painting trips in the Northeast region and died suddenly in North Conway, New Hampshire.

Suydam, Newport Beach

Newport Beach

Suydam’s paintings are an important contribution to the Hudson River School. Do you think you own a painting by James Augustus Suydam? Contact us. We are the James Augustus Suydam experts.


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747--desnoyer.php Francois Desnoyer Artwork Authentication & Art Appraisal

Francois Desnoyer (1894-1972)

Get a Desnoyer Certificate of Authenticity for your painting (COA) for your Desnoyer drawing.

For all your Desnoyer artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Desnoyer Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Desnoyer painting or drawing.

If you want to sell your Desnoyer painting or drawing use our selling services. We offer Desnoyer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Desnoyer and issuing certificates of authenticity since 2002. We are recognized Desnoyer experts and Desnoyer certified appraisers. We issue COAs and appraisals for all Desnoyer artworks.

Our Desnoyer paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Desnoyer certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Desnoyer painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Desnoyer paintings or drawings take longer.

Our clients include Desnoyer collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francois Desnoyer art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Francois Desnoyer or we will sell it for you.

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La Plage de Sete

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Baigneuse, 1930

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Le Coin Chineur

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Sur le Port

Desnoyer’s most famous painting is “Nu Devant la Glace” which is reminiscent of the work of Paul Gaugin.

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Nu Devant la Glace, 1940

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748--de-castro.php Amílcar de Castro Artwork Authentication & Art Appraisal

Amílcar de Castro ( 1920-2002 )

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amilcar de castro

 

Nació en 1920 en Paraisópolis, en el estado de Minas Gerais, Brasil. Fue escultor, diseñador, diagramador, grabador y artista plástico. Y también se desempeñó como profesor. Pero todo su éxito se sustenta en la escultura. Estudió en Belo Horizonte en la Facultad de Derecho de 1941 a 1945.

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amilcar de castro escultura en el MAC de San Pablo Brasil tn

 

Entre 1944 y 1950 estudió diseño y pintura con Alberto da Veiga Guignard y escultura figurativa con Franz Weissmann. En 1952 va a Rio de Janeiro donde trabaja como diagramador de diversos diarios y revista como Manchete y La Cigarra.

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amilcar de castro escultura erais brasil 1988 tn

 

En 1953 expone en la 2da. Bienal Internacional de San Pablo. En 1959 se adhiere al Grupo Neoconcreto en Río de Janeiro.

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amilcar de castro obra triangulo tn

 

En 1960 participa de la Muestra Internacional de Arte Concreto en Suiza, organizada por Max Bill. En 1968 va a Estados Unidos al recibir una beca de la Fundación Guggenheim.

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amilcar de castro pulsera tn

 

En 1971 vuelve a Belo Horizonte y actúa como profesor de composición y escultura en la Escuela Guignard, donde trabaja hasta 1977. En 1990 se retira de la docencia y se dedica exclusivamente a la actividad artística.

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amilcar de castro sin titulo 1970 tn

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amilcar de castro sin titulo 1986 tn

 

Las esculturas de Amílcar de Castro son el producto del mismo procedimiento básico de cortar y plegar. Transforma metales duros en hojas de papel plegables.

Fallece a los 82 años en Belo Horizonte.


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750--soyer_raphael.php Raphael Soyer Artwork Authentication & Art Appraisal

Raphael Soyer (1899-1987)

We Perform Raphael Soyer art authentication. Raphael Soyer appraisal. Raphael Soyer certificates of authenticity (COA). Raphael Soyer analysis, research, scientific tests, full art authentications. We will help you sell your Raphael Soyer or we will sell it for you.

Girl in Brown Jacket 1938

Girl in Brown Jacket 1938

Raphael Soyer was a Russian-born American painter, draftsman, and printmaker. Soyer was referred to as an American scene painter. He is identified as a Social Realist because of his interest in men and women viewed in contemporary settings which included the streets, subways, salons and artists’ studios of New York City, although he avoided subjects that were particularly critical of society. He also wrote several books on his life and art. His brothers Moses Soyer and Isaac Soyer were also painters.

The Model 1944

The Model 1944

Raphael Soyer and his identical twin brother, Moses, were born in Borisoglebsk, Tambov, a southern province of Russia in 1899. Their father, a Hebrew scholar, writer and teacher, raised his five children in an intellectual environment in which much emphasis was placed on academic and artistic pursuits. Due to Russian oppression, the Soyer family was forced to emigrate in 1912 to the United States, where they ultimately settled in the Bronx.

Roomates

Roomates

Raphael pursued his art education at the free schools of the Cooper Union where he met Chaim Gross, who became a lifelong friend from that time. He continued his studies at the National Academy of Design and, subsequently, at the Art Students League of New York. While there, he studied with Guy Pene du Bois and Boardman Robinson, taking up the gritty urban subjects of the Ashcan school. After his formal education ended, Soyer became associated with the Fourteenth Street School of painters that included Reginald Marsh, Isabel Bishop, Kenneth Hayes Miller, Peggy Bacon and, his teacher, Guy Pene du Bois. Soyer persistently investigated a number of themes – female nudes, portraits of friends and family, New York and, especially, its people – in his paintings, drawings, watercolors and prints. He was adamant in his belief in representational art and strongly opposed the dominant force of abstract art during late 1940’s and early 1950’s. Defending his position, he stated: “I choose to be a realist and a humanist in art.”

Working Girls Going Home 1937

Working Girls Going Home 1937

Beginning in the early 1930’s he showed regularly in the large annual and biennial American exhibitions of the Whitney Museum of American Art, the Carnegie Institute, the Art Institute of Chicago, the Corcoran Gallery of Art, the National Academy of Design, and the Pennsylvania Academy of the Fine Arts. He had a series of one – man shows in New York galleries and also worked in the WPA Federal Arts Project in the 1930’s.

Model with Bookcase 1938

Model with Bookcase 1938

Soyer’s teaching career began at the John Reed Club, New York, in 1930 and included stints at the Art Students League, the New School for Social Research and the National Academy. His work is in numerous museums including the Museum of Modern Art; The Corcoran Gallery of Art, Washington, D.C.; Fogg Art Museum, Harvard University; The Phillips Collection, Washington, D.C.; The New York Public Library, New York; Tel Aviv Museum, Israel; Uffizi Gallery, Florence, Italy and Los Angeles County Museum, California.

Model with Bookcase 1938

Model with Bookcase 1938

Still wondering about a Russian painting in your family collection? Contact us…it could be by Raphael Soyer.


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751--pollock.php Jackson Pollock Artwork Authentication & Art Appraisal

Jackson Pollock (1912-1956)

We Perform Jackson Pollock art authentication. Jackson Pollock appraisal. Jackson Pollock certificates of authenticity (COA). Jackson Pollock analysis, research, scientific tests, full art authentications. We will help you sell your Jackson Pollock or we will sell it for you.

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The Artist Painting

The Pollock Foundation no longer authenticates works by the artist.  Nor are its archives open to the general public. Art Certification Experts has over a decade of experience researching and analyzing works by Pollock.  We have access to incomparable archival and library resources on Pollock. Please contact us for more information.

Jackson Pollock (1912-56) was a painter, printmaker, and sculptor. Pollock was born into poverty in Cody, Wyoming.  His family moved nine times throughout the West during his childhood. As a child he lived for a long time in Phoenix, Arizona where he was exposed to art of the Pima and Maricopa tribes.  One family that lived close to the Pollocks in Phoenix was Japanese.  Through them, Pollock saw his first Asian art. 

Pollock was suspended from every school he attended. At Manual Arts High School in Los Angeles a teacher sparked his interest in art, but Pollock was ultimately expelled and never graduated.  He met fellow artist Philip Guston (1913-80, painter and printmaker) at Manual Arts, who was also expelled for bad behavior.  In high school, Pollock was exposed to various forms of American mysticism, including Theosophy.

Moon Woman 1942

Moon Woman, 1942

In about September 1930, Pollock moved to New York to join his brothers on the East Coast.   His brothers Charles and Sande were also artists. After moving to New York, Pollock dropped his original first name Paul.  He studied with Thomas Hart Benton at the Art Students League in New York.  Benton was anti-modernist and emphasized expression of the collective American experience. During this time Pollock was strongly influenced by Alfred Pinkham Ryder’s depictions of the American West. He was also interested in the paintings of el Greco. In 1936 he studied with the radical leftist Mexican muralist David Alfaro Siqueiros, who taught him unconventional painting techniques, such as the use of carved surfaces and unusual pigments.

Pollock produced murals for a federal art project from 1935 to 1942. Throughout this period he engaged in binge drinking and suffered psychological breakdowns, during which he often disappeared.  He was admitted to several mental hospitals as a charity case.  He had Jungian therapists who encouraged Pollock’s interest in surrealism and primitivism.  During this time, he was deeply affected by works by Masson and Joan Miró, as well as works by Pablo Picasso and José Clement Orozco.

The Tea Cup

The Tea Cup

After meeting artists John Graham and Lee Krasner in about 1940, Pollock got his first exhibits. He had his first important gallery show in January 1942. Peggy Guggenheim put Pollock on a stipend to produce art for her gallery. The Guggenheim contract meant that Pollock no longer had to take janitorial and other odd jobs to put food on the table.  Pollock’s first solo show was at Guggenheim’s gallery in 1943.   The show provoked great interest in the press and the New York art world. It was reviewed in the New York Times, New Yorker, Partisan Review, Art News, Nation, among others. The critic Clement Greenberg was a frequent, eloquent supporter of Pollock’s work.  Yet there were not many sales.

In 1945, Pollock married Lee Krasner.  Not long afterward, they left Manhattan for the eastern tip of Long Island.  In summer 1946, Pollock began painting on the floor. In late 1946 or 1947, Pollock began his drip paintings.  Other artists, such as James Whistler, Hans Hofmann, Max Ernst, and Andre Masson had used dripping but as a limited technique.  In the words of his contemporary and sometimes friend Willem de Kooning, Pollock “broke the ice.”  The period from 1947 to 1951 was the only one in which Pollock produced paintings without human or animal figures.

This was the period during which he became the most famous artist, indeed the first celebrity artist, in America.  He was featured in Life magazine, photographed by Hans Namuth, Rudy Burckhardt, and Arnold Newman.  Namuth made a film of Pollock painting.  The movie of Pollock moving gracefully around the canvas helped to give credence to the art critic Harold Rosenberg’s suggestion that Abstract Expressionism was not painting but a “series of acts.”

1948

1948

Pollock started exhibiting at Betty Parson’s gallery in New York at about this time. His paintings did not sell, though the openings were crowded. In 1950, after Namuth finished the film, Pollock returned to binge drinking after a two-year reprieve.  A friend, collector, and artist Alfonso Ossorio moved close to the Pollocks on Long Island and acted as Pollock’s agent in some matters. In 1952, Pollock signed on with Sidney Janis Gallery.  Some of the work from this period is painted with a brush as well as dripped or poured. 

In 1954, Pollock created only a few works; by early 1955 he stopped painting.  He died in a car accident in August 1956.  Shortly before his death, Time magazine termed him “Jack the Dripper.”

Art Certification Experts is eager to help you authenticate and appraise any work by Jackson Pollock.  Please contact us as info@artexpertswebsite.com.

Convergence 1952

Convergence, 1952

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752--derain.php Andre Derain Artwork Authentication & Art Appraisal

Andre Derain (1880- 1954)

Get a Derain Certificate of Authenticity for your painting (COA) for your Derain drawing.

For all your Derain artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Derain Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Derain painting or drawing.

If you want to sell your Derain painting or drawing use our selling services. We offer Derain selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Derain and issuing certificates of authenticity since 2002. We are recognized Derain experts and Derain certified appraisers. We issue COAs and appraisals for all Derain artworks.

Our Derain paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Derain certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Derain painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Derain paintings or drawings take longer.

Our clients include Derain collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Andre Derain art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Andre Derain or we will sell it for you.

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The Turing Road

While Derain was a fundamental leader in the Fauve style, he often bounced from one style to another, from Fauvism, to Cubism to African art and towards the end of his career, Classicism. Derain covered a wide territory of styles, much to the dismay of his critics. Though gaining no distinct styling of his own, one can always note the pure saturated colors in Derain’s portraits, landscapes and still-lifes.

Perhaps the key to finding a previously un-recognized Derain work is to start by understanding his changes in painting styles. He was so erratic, that one may find it difficult to catalog one of his lost works. If there is ever any doubt, one only has to look for his unusual signature. Typically, he signed his paintings “a. Derain” with a lower-case “a” and a loopy “D” and a large tail on his “n” underlining his whole name.

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Portrait of Matisse

The son of a famous pastry chef, Derain was born in the outskirts of Paris and initially studied to become an engineer. As a boy, he was obsessed with art and visited the Louvre often. Though Derain was partially a self-taught artist, he also took classes at the Academie Carriere in Paris, where he met Matisse. He later met and became friends with Maurice de Vlaminck, whom he rented a studio with.

From 1900-1904, Derain was in the service and produced little work. To find a piece of art signed by Derain and dated during this time would hold hight artistic and historic value. Upon his return in the fall of 1904, he exhibited along with Matisse and Vlaminck at the Salon d’Automne and Fauvism was officially born. During this time of popularity, Derain met Picasso, and also married his wife, Alice. Picasso would pose as a great influence on Derain in terms of his use of Cubism, and Cezanne would also go on to influence Derain during this time in toning down his color palate.

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Pool of London, 1906

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Mountains at Collioure, 1905

Among his many works were landscapes, portraits and cityscapes, such as “The Thames and Tower Bridge” in 1906. This painting fully outlines the Impressionistic influence that Cezanne placed on Derain. One of his most famous paintings “Bathers” (1906) is a perfect example of how Derain transitioned from Fauve styling to Cubism. The women in his composition are painted in the Cubist style (squared features), but he still holds on to his Fauvist color palate and tries to emulate the classics. Another London painting “Big Ben” (1906) is painted similar to yet another style, Pointillism. While this painting was done in the same year as the others, no one style is alike.

After World War I, things began to look down for Andre Derain. He fathered two illegitimate children from two different women and his relationship with his wife became bitter. In 1940, he fled his home in Chambouray, only to return and find it occupied by the Germans. He was later propositioned by a member of the German militia to paint a family portrait. Because he accepted, Derain was later accused of being a traitor and a collaborator, and his career and reputation was hurt as a result.

To add insult to injury, the public did not generally like Derains work post World War I. He had returned to Classical styling for good and lost his Fauvist “claws.” One only has to look at one of his paintings from that time, such as “Chevet de la Basilique de Sain Maximin” (1930) to see how tame and classic his style had truly become. He managed to continue his art career by creating stage sets for the ballet and by doing wood-cut illustrations for books. In 1954 he was run down by a truck near his home in Chambourcy and due to his old age, did not survive the shock of the accident. He was 74 years old. Today his work hangs in museums all over the world, like the Museum of Modern Art in New York City.


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done
754--peale-charles-wilson.php Charles Willson Peale Artwork Authentication & Art Appraisal

Charles Willson Peale (1741-1827)

We Perform Charles Willson Peale art authentication. Charles Willson Peale appraisal. Charles Willson Peale certificates of authenticity (COA). Charles Willson Peale analysis, research, scientific tests, full art authentications. We will help you sell your Charles Willson Peale or we will sell it for you.

Self-Portrait 1822

Self-Portrait 1822

Charles Willson Peale was a Colonial American portrait painter born in Maryland and lived most of his life in Annapolis. Peale has been called “the artist of the American Revolution” by art historians, not only because he so beautifully executed historical paintings during that time, but also because he was a part of the action. He was the son of a saddle maker and as a young boy, Peale taught himself to paint by studying the works of fellow portrait painter John Hesselius. It is even said that Peale traded one of the saddles that he made himself for lessons fro Hesselius. Peale also later traveled to Boston to study the works of John Singleton Copley.

Peggy Sanderson Hughes and Her Daughter Louisa 1789

Peggy Sanderson Hughes and Her Daughter Louisa 1789

In 1767, many of Peale’s patrons funded a trip for him to London where he studied under American painter Benjamin West. Upon his return to America in 1769, Peale spent the next few years traveling all over the colonies painting portraits. In 1775, Peale moved to Philadelphia. He was a devoted patriot and became a private in the city military, and eventually ranked as the first lieutenant. Peale was at the front lines during the Revolution and even took part in the historical crossing of the Delaware River, following just behind Washington’s army in 1776. Peale had continued to paint even while on the battlefield and these paintings serve as historical documentation today of the American Revolution.

Benjamin and Eleanor Ridgely Laming 1788

Benjamin and Eleanor Ridgely Laming 1788

In 1802, Peale decided to begin painting a historical record of the Revolution. In affect, Peale also founded a museum at Independence Hall where these paintings could be displayed, and where his war time portraits could hang. This museum was later co-owned by P.T. Barnum.

The Artist in his Museum 1802

The Artist in his Museum 1802

Exhumation of the Mastadon 1805-1808

Exhumation of the Mastadon 1805-1808

Noah and the Arc 1819

Noah and the Arc 1819

Charles Willson Peale was only the first in a line of what would be a family of great American painters. He was the father to 17 children, many of which were named after old master artists themselves. Some of his children also succeeded in becoming great artists; Raphaelle, Rembrandt, Rubens and Titian Ramsay Peale all became great artists, as well as his nephew Charles Peale Polk and his niece Sarah Miriam Peale. Charles also taught his brother James Peale to paint, and he too became a successful painter in his own right.

The Peale Family 1809

The Peale Family 1809

Towards the end of his life, Peale began to paint less and less. He delved himself into the sciences and natural history, and began to incorporate these elements into his museum. One of Peale’s greatest accomplishments of that time was the reconstructed mammoth skeleton that he discovered and dug up himself, which was also displayed at his museum. Peale was an inventor and also worked in taxidermy, dentistry, optometry, carpentry, cobbling and creating farm equipment during this time, and was by all means a true Renaissance man of his time.

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Portrait of John and Elizabeth Lloyd Caldwater

Even though in his later years Peale painted less, throughout his entire life he was highly prolific. He painted portraits of a number of famous Americans from John Hancock to Thomas Jefferson, George Washington and Alexander Hamilton.

George Washington 1772

George Washington 1772

Thomas Jefferson, 1791

Thomas Jefferson, 1791

Benjamin Rush 1818

Benjamin Rush 1818

In fact, Peale painted nearly 60 portraits of George Washington alone. His 1779 portrait of “Washington at Princeton” also broke the record for highest price ever paid for an American portrait at auction; $21.3 million.

Washington at Princeton 1779

Washington at Princeton 1779

Today, Peale’s work is housed in museums and private estates all over New England, and perhaps in your own home. He traveled quite extensively through the colony painting portraits, and also painted in England, so one of his paintings could turn up literally anywhere. Still wondering about a family portrait or historical painting hanging in your home? Contact us…it could be by Charles Willson Peale.


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755--caillebotte.php Gustave Caillebotte Artwork Authentication & Art Appraisal

Gustave Caillebotte (1848-1894)

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Rue de Paris, temps de pluie, 1872

Get a Caillebotte Certificate of Authenticity for your painting (COA) for your Caillebotte drawing.

For all your Caillebotte artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Caillebotte Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Caillebotte painting or drawing.

If you want to sell your Caillebotte painting or drawing use our selling services. We offer Caillebotte selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Caillebotte and issuing certificates of authenticity since 2002. We are recognized Caillebotte experts and Caillebotte certified appraisers. We issue COAs and appraisals for all Caillebotte artworks.

Our Caillebotte paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Caillebotte certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Caillebotte painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Caillebotte paintings or drawings take longer.

Our clients include Caillebotte collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gustave Caillebotte art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gustave Caillebotte or we will sell it for you.

Gustave Caillebotte was a French painter born in 1848. His paintings were virtually overlooked until recently. Today, he is recognized as both an accomplished painter as well as an important patron of the Impressionist movement.

Born to a wealthy family, Caillebotte was an engineer by profession, but he also devoted time to studying the arts. Caillebotte was a student of Bonnat. In 1873, he inherited his family’s fortune, enabling him to buy numerous Impressionist paintings and support the expenses of his artist friends in their own exhibitions. Unfortunately, during his lifetime he became more famous for the paintings he had collected than the ones he had created.

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Oarsmen

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Self-Portrait

In 1874, he met Degas, Monet, and Renoir and helped them orchestrate their first group exhibition in Paris. In 1875, Caillebotte was optimistic about making his public debut as a painter. He submitted his first painting to the Salon, and was disappointed with the quick rejection.

Caillebotte’s artwork was a marked contrast to the work of his fellow artists. While most artists of the time used uninhibited brushwork and bright colors, Caillebotte utilized more compressed space, and his colors were more muted and subdued. Although his talent was undisputable, this deviance from the normal style of Impressionism sparked criticism.

He enlisted the help of Renoir and exhibited the following year. When he entered the next exhibition, he was met with a warmer reception. This time, his works received notice and attention. The floor scrapers drew much admiration from the public. He went on to help organize and finance the 3rd, 4th, 5th, and 6th Impressionist exhibitions, as well as contributing his own works.

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Floorscrapers

In 1881, Caillebotte purchased a home in Petit-Gennevilliers. This was where he created many of his works. He also became a talented horticulturist, creating living masterpieces in his garden and greenhouse.

In his spare time, Caillebotte was a racing yachtsman. He delighted in the speed and craftsmanship of his boats. Many of his paintings boasted evidence of this passion, displaying nautical scenes.

Caillebotte produced very few works in his final years, preferring to sail or work in his garden. He died in 1894 of pulmonary congestion. He specified in his will that his entire collection of paintings be left to the French government. Although his collection was not immediately embraced, it was eventually accepted. It now hangs in the Musee d’Orsay in Paris, France.

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Rooftops with Snow

Authentic Caillebotte works are rare. Such a discovery would be one of great value. In his lifetime, he is believed to have created about 500 paintings. They are characterized by a more realistic style than that of the other Impressionists. Many of his existing paintings are landscapes, nautical scenes, or views of Paris streets from towering balconies. His work is considered highly unique in his use of light and realistic portrayal of subjects. Many of his creations are praised for their blend of Impressionist and academic styles. Although there is an expressionistic, free style to his work, his paintings are also infused with an academic quality that has become a Caillebotte trademark.

If you believe you own a work of art by Gustave Caillebotte, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Gustave Caillebotte.

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Fruit Displayed on a Stand, 1881

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Gateaux, 1881

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757--lhote.php Andre Lhote Artwork Authentication & Art Appraisal

Get a Lhote Certificate of Authenticity for your painting or a COA for your Lhote drawing or sculpture.

For all your Lhote artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Lhote Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lhote painting, drawing or sculpture.

If you want to sell your Lhote painting, drawing or sculpture use our selling services. We offer Lhote selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lhote and issuing certificates of authenticity since 2002. We are recognized Lhote experts and Lhote certified appraisers. We issue COAs and appraisals for all Lhote artworks.

Our Lhote paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lhote certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lhote painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lhote paintings, drawings or sculpture take longer.

Our clients include Lhote collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Andre Lhote (1885-1962)

We perform Andre Lhote art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Andre Lhote or we will sell it for you.

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Nude

Andre Lhote was a French Cubist painter and sculptor born in Bordeaux. He initially started out as a wood carver, and his first painting are in a self-taught Fauve style. Lhote typically painted landscapes and mythological scenes, as well as portraits and figure studies, but was also known for his sculpture. He would typically sign his work “A. Lhote” and worked in a number of media.

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Fauve Landscape 1906

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Head with Red and Green Background

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Still Life

In 1898 he enrolled in the Ecole des Beaux Arts in Bordeaux where he studied decorative sculpture. He remained there for the next six years learning how to sculpt, all the while continuing to teach himself to paint. In 1906, he moved to Paris where he was influenced by the work of Cezanne and Gauguin. By 1910, Lhote had his first exhibition at the Galerie Druet.

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Bathers

By 1911, he had basically abandoned Fauvism and focused more on Cubism, joining the Section d’Or group in 1912. By being involved with this group, he became one of the founding fathers of modern art as we know it.

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Bacchante, 1910

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Cordes, 1912

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Port of Call, 1913

The outbreak of World War I put a hold on Lhote painting, and he served until 1917. Despite the fact that he was able to forge a career as a painter, Lhote was better known in his lifetime as a teacher and a founder of organizations. From 1918 to 1940, he worked on The Nouvelle Revue Francais, a magazine that he founded. In 1918 he also taught at the Academie Notre Dame des Champs until 1920. He founded the Academie Montparnasse in 1922, and in 1952 opened up another branch of the school in South America.

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The Two Friends, 1927

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Nude Woman Sitting

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View of Venice, 1934

During the World War II years, Lhote waited out the war in a rustic home in Gourdes that he shared with his wife and painter Marc Chagall. He returned to Paris in 1942, and after the war, Lhote traveled extensively, lecturing at schools and other venues in Italy, Belgium, England, Brazil and Egypt. He also won the Grand Prix National de Peinture in 1955, seven years before his death in Paris, and was commissioned by UNESCO to create sculptures later on in life. His later works lean more towards Abstract Art than either Fauvism or Cubism, but these are far fewer than his early Cubist works.

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L’Etude, 1940

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Seated Woman, 1950

Today his work is housed in modern art museums around the world in France, China and the United States, and perhaps in your own home. Still wondering about a Cubist landscape hanging on your wall? Contact us…it could be by Andre Lhote.


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758--allori.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "allori" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "allori" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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759--croce.php Johann Nepomuk della Croce Artwork Authentication & Art Appraisal

Johann Nepomuk della Croce (1736-1819)

Get a Della Croce Certificate of Authenticity for your painting (COA) for your Della Croce drawing.

For all your Della Croce artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Della Croce Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Della Croce painting or drawing.

If you want to sell your Della Croce painting or drawing use our selling services. We offer Della Croce selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Della Croce and issuing certificates of authenticity since 2002. We are recognized Della Croce experts and Della Croce certified appraisers. We issue COAs and appraisals for all Della Croce artworks.

Our Della Croce paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Della Croce certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Della Croce painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Della Croce paintings or drawings take longer.

Our clients include Della Croce collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Johann Nepomuk della Croce art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Johann Nepomuk della Croce or we will sell it for you.

Croce painting, Wolfgang Amadeus Mozart 1780

Wolfgang Amadeus Mozart 1780

Croce painting, Mozart Family Portrait

Mozart Family Portrait

Johann della Croce was an 18th century Austrian painter. He is best known for his portraits of Mozart and his family, and was often commissioned by prominent Austrian families to paint their portraits.

Croce painting, Portrait of Dr. Sylvester Barisani

Portrait of Dr. Sylvester Barisani

Still wondering about an 18th century Austrian portrait in your family collection? Contact us…it could be by Johann Nepomuk della Croce.


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760--martiniere.php Mayer La Martiniere Art Authentication & Appraisal

Marie-Francoise-Constance Mayer La Martiniere (1774-1821)

Get a Mayer Certificate of Authenticity for your painting (COA) for your Mayer drawing.

For all your Mayer artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mayer Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mayer painting or drawing.

If you want to sell your Mayer painting or drawing use our selling services. We offer Mayer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mayer and issuing certificates of authenticity since 2002. We are recognized Mayer experts and Mayer certified appraisers. We issue COAs and appraisals for all Mayer artworks.

Our Mayer paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mayer certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mayer painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mayer paintings or drawings take longer.

Our clients include Mayer collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Marie-Francoise-Constance Mayer La Martiniere art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Marie-Francoise-Constance Mayer La Martiniere or we will sell it for you.

Mayer painting, Portrait of Ange Lucie

Portrait of Ange Lucie

Marie-Francoise-Constance Mayer La Martiniere was a French 18th century Neoclassical painter. She was born in Paris and was the student and mistress of Pierre-Paul Prud’hon. It is generally thought that many of the paintings Mayer created were credited to Prud’hon, though she is remembered today as an excellent miniaturist and painter of religious and genre scenes.

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Marie-Francoise-Constance Mayer La Martiniere.


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761--williams.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "williams" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "williams" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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762--stella-jacques.php Jacques Stella Artwork Authentication & Art Appraisal


Jacques Stella (1596-1657)

Get a Stella Certificate of Authenticity for your painting (COA) for your Stella drawing.

For all your Stella artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Stella Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Stella painting or drawing.

If you want to sell your Stella painting or drawing use our selling services. We offer Stella selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Stella and issuing certificates of authenticity since 2002. We are recognized Stella experts and Stella certified appraisers. We issue COAs and appraisals for all Stella artworks.

Our Stella paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Stella certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Stella painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Stella paintings or drawings take longer.

Our clients include Stella collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jacques Stella art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jacques Stella or we will sell it for you.

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Clelie Passant le Tibre

Jacques Stella was a 17th century French Baroque painter. Stella received much of his initial training in Florence working alongside Jacques Callot for Cosimo de’ Medici II. In 1623, Stella moved to Rome and became influenced by and worked alongside Nicolas Poussin.

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The Martyrdom of St. Stephen

Stella returned to Paris in 1634, only to venture into the world again and travel to Venice, Milan and finally, Lyon. It was during this time that the Cardinal Richelieu introduced Stella to Louis XIII, and the artist was later appointed Painter to the King. As a result, Stella spent much of the rest of his life working for the royals and nobility at Versailles, Paris and Rouen.

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The Nativity

Towards the end of his career, Stella was plagued with illness. Despite his illness, however, Stella was also a teacher to many, including a few of his nieces. His nieces would later go on to engrave many of his works after his death.

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Apple Harvest 1655

For many years, much of Stella’s work was mistaken for the work of his teacher and friend, Poussin. A more notable painter worldwide, experts and art authenticators were quick to attribute works of Stella to Poussin. Despite the fact that many of these mistakes have since been rectified, it is said that his oeuvre is nowhere near complete, and many of his works are likely to still be in existence and otherwise unauthenticated. It is thought that many of his works are untraced or damaged and only time will tell where they will surface.

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The Triumph of Galatea 1650’s

Still wondering about a 17th century French painting in your family collection? Contact us…it could be by Jacques Stella.


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763--delvaga.php Perino del Vaga Artwork Authentication & Art Appraisal

Perino del Vaga (1501-1547)

We Perform Perino del Vaga art authentication. Perino del Vaga appraisal. Perino del Vaga certificates of authenticity (COA). Perino del Vaga analysis, research, scientific tests, full art authentications. We will help you sell your Perino del Vaga or we will sell it for you.

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Mother and Child

Perino del Vaga or Perin del Vaga is the nickname of Piero Buonaccorsi, an Italian painter of the Late Renaissance/Mannerism. His father ruined himself by gambling, and became a soldier in the invading army of Charles VIII. His mother died when he was but two months old; but shortly afterwards he was taken up by his father’s second wife. Perino was first apprenticed to a druggist, but soon passed into the hands of a mediocre painter, Andrea da Ceri, and when eleven years of age, of Ridolfo Ghirlandajo.

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The Holy Family 1540

Perino was one of Ghirlandaio’s most talented pupils. Another mediocre painter, Vaga from Toscanella, undertook to settle the boy in Rome. Perino, when he at last reached Rome, was utterly poor, and with no clear prospect beyond journey-work for trading decorators. He was eventually entrusted with some of the subordinate work undertaken by Raphael in the Vatican. He assisted Giovanni da Udine in the stucco and arabesque decorations of the Loggie Vaticane, and executed some of those small but finely composed scriptural subjects which go by the name of Raphael’s Bible, Raphael himself furnishing the designs.

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Sketch of Women

Perino’s examples are: Abraham and Isaac, Jacob wrestling with the Angel, Joseph and his Brothers, the Hebrews crossing the Jordan, Fall and Capture of Jericho, Joshua commanding Sun to stand still, Birth of Christ, Baptism and the Last Supper. Some of these are in bronze-tint, while others are in full color. He also painted, after Raphael’s drawings, figures of the planets in the great hall of the Appartamenti Borgia. Perino was soon regarded as his major assistant, second only to Giulio Romano.

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Tarquinius Superbus Founds the Temple of Jove in the Capital, Fresco

To Raphael himself he was always exceedingly attentive. His solo works in the city include the hall of Palazzo Baldassini (1520-1522), a noble building in the center of the city, and the Pietà in the church of Santo Stefano del Cacco.

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La Carita Romana, Fresco

After Raphael’s death in 1520 and the plague of 1523, a troubled period ensued for Perino. He returned to Florence, and befriended Rosso Fiorentino and executed an admirable design of 10,000 Martyrs (now lost).

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Adoration of the Child 1534

In 1527 Andrea Doria invited Perin to Genova to decorate the Palace of Fassolo, where he also executed numerous altarpieces and designs for tapestries. Perino accepted an invitation to Genoa, to help design decorate the newly rebuilt Palazzo del Principe for Andrea Doria. Fresco decoration began in 1529, starting with a now destroyed Quos Egos from the Aeneid. rapidly founded a quasi-Roman school of art in the Ligurian city. He ornamented the palace in a style similar to that of Giulio Romano in the Mantuan Palazzo del Te, and frescoed historical and mythological subjects in the apartments, fanciful and graceful arabesque work with sculptural and architectural details. Among the principal works are: the War between the Gods and Giants, Horatius Codes defending the Bridge, and the Fortitude of Mutius Scaevola. The most important work of all, the Shipwreck of Acneas, is no longer extant. From Genoa Perino twice visited Pisa, and began some painting in the cathedral.

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Study for a Dead Christ, the Louvre

A year later he returned to Rome and frescoed the Pucci Chapel in the Trinità dei Monti. Pope Paul III granted him a regular salary. He retouched many works of Raphael. He painted the decoration for the Paoline Chapel and other halls of Castel Sant’Angelo, some frescoes in the church of San Marcello, a monochrome in the Stanza della Segnatura in the Vatican and a cartoon of the Sistine Chapel.

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The Holy Family with St. John The Baptist, unfinished

Perino was engaged in the general decoration of the Sala Reale, begun by Paul III when he died on the 19th of October 1547. He is buried in the Pantheon. His work in the Castel Sant’Angelo was continued by his student Pellegrino Tibaldi

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The Goddess Roma, Sketch

Del Vaga’s style was renowned for his vitality and elegance. His paintings are considered important in the mediation between the Roman Raphaelesque tradition and the first Florentine Mannerism. He combined the manners of Raphael and Andrea del Sarto. Many of his works were engraved, even in his own lifetime. Daniele da Volterra, Girolamo Siciolante da Sermoneta, Luzio Romano and Marcello Venusti (Mantovano) were among his principal assistants.

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The Holy Family

Still wondering about an Italian painting in your family collection? Contact us…it could be by Perino del Vaga.


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764--grisot.php Pierre Grisot Artwork Authentication & Art Appraisal

Pierre Grisot (1911-1995)

Get a Grisot Certificate of Authenticity for your painting (COA) for your Grisot drawing.

For all your Grisot artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Grisot Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Grisot painting or drawing.

If you want to sell your Grisot painting or drawing use our selling services. We offer Grisot selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Grisot and issuing certificates of authenticity since 2002. We are recognized Grisot experts and Grisot certified appraisers. We issue COAs and appraisals for all Grisot artworks.

Our Grisot paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Grisot certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Grisot painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Grisot paintings or drawings take longer.

Our clients include Grisot collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pierre Grisot art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pierre Grisot or we will sell it for you.

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Portrait of a Young Lady with an Umbrella

Grisot initially taught painting and drawing for a while, but left after a short while to focus on his own art. Although he had been painting for some time, Grisot did not have his first official exhibition in Paris until 1942. After this, Grisot lived for a brief while in Tunisia and traveled the world exhibiting his work in Germany, Belgium, Sweden and the United States.

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Young Woman with a Bouquet

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Nu

Considered one of the members of the ” Parisian School” of art, Grisot painted in a lighthearted style that was all his own. Whether he was painting fashionable ladies of the day, nudes or flowers, his work was always full of color and life and was very different from the progressive styles of his contemporary painters. His paintings were quite contemporary nonetheless, and now serve as vintage reminders of the style of the 1940’s and 1950’s. One of the most enduring features of Grisot’s work is his brilliant use of color and almost pixie-like renditions of the female visage.

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Parisienne a la Concorde

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Parisienne

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La Nu Jaune

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Nu a l’atelier

Sadly, Grisot’s painting career was cut abruptly short when he died in 1955. At that time, he had only been exhibiting his work for about 15 years, and had been mainly a teacher and student prior to the 1940s. He left behind a fairly large collection of sweet and feminine paintings of French life featuring horse races, ballerinas and ladies of leisure.

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Ladies at the Races

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At the Track

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The Ballerinas

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The Dancers, 1950

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The Bathers

Although portraits and still life dominate Grisot’s oeuvre, it would be quite possible to come across a landscape or sketch of his. Little is known of his early work as a student, and surely some of those compositions still exist today. Could that lively painting of a young French coquette in your living room be by Pierre Grisot? Contact us to find out.

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Landscape

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765--cornell.php Joseph Cornell Artwork Authentication & Art Appraisal

Joseph Cornell (1903 – 1972)

Get a Cornell Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Cornell artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Cornell Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cornell painting, drawing or print.

If you want to sell your Cornell painting, drawing or print use our selling services. We offer Cornell selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cornell and issuing certificates of authenticity since 2002. We are recognized Cornell experts and Cornell certified appraisers. We issue COAs and appraisals for all Cornell artworks.

Our Cornell paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cornell certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cornell painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cornell paintings or drawings take longer.

Our clients include Cornell collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Joseph Cornell art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Joseph Cornell or we will sell it for you.

Cornell, Elegy to the Spanish Republic No. 110

Fortune Telling Parrot (Parrot Music Box)
ca. 1937–38 Box construction, 16 1/16 x 8 3/4 x 6 11/16 inches (40.8 x 22.2 x 17 cm).
The Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice

Cornell, Setting for a Fairy Tale

Setting for a Fairy Tale
1942 Box construction, 11 9/16 x 14 3/8 x 3 7/8 inches (29.4 x 36.6 x 9.9 cm)
The Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice

Cornell, Andromeda: Grand Hôtel de l'Observatoire

Andromeda: Grand Hôtel de l’Observatoire
1954 Box construction, 18 5/16 x 12 15/16 x 3 7/8 inches (46.5 x 33 x 9.8 cm)
Solomon R. Guggenheim Museum, New York

Joseph Cornell was an American artist, known for making Surrealist inspired assemblages that fit into boxes. Cornell was born in Nyack, New York to a family of dour children. When Cornell’s father died the family was forced to move to Queens, New York. Cornell left home for a short while to study at Phillips Academy in Andover, Massachusetts, but left without graduating. Cornell returned to his mother’s house, where he lived for most of his life. Cornell’s brother, Robert also lived at home, who suffered form cerebral palsy. Cornell was notoriously shy and awkward in social circumstances. It is assumed Cornell was attracted to women, though he never had a serious relationship. Cornell was an adamant supporter of Christian Science and cherished the book, Science and Health with Key to Scriptures.

Cornell, Space Object Box

Space Object Box: “Little Bear, etc.”
motif mid-1950s–early 1960s Box construction, 11 x 17 1/2 x 5 1/4 inches (28 x 44.5 x 13.3 cm).

Cornell, La Duse
La Duse

1967 Gelatin silver print, mounted on panel 10 x 8 inches (25.4 x 20.3cm)
Solomon R. Guggenheim Foundation, New York

Cornell worked various jobs to support his family, first selling textiles and appliances before getting a job designing textiles. In the 1940s, Cornell did some graphic design work, creating the covers of Harper’s Bazaar and View, among other magazines. Cornell had to reserve his evenings to works on his assemblages, put together with objects that he found in his spare time. It was not until 1948, that Cornell had his first solo show, and his boxes began to sell. As Cornell became a more acknowledged artist he started working with filmmakers, such as Stan Brakhage and Larry Jordan, making short, silent films that referenced his assemblages.

Cornell, Untitled (Schooner)

Untitled (Schooner)
1931 Collage of photomechanical reproductions on paperboard mounted to paperboard 4 1/4 x 5 13/16 in. (10.8 x 14.7 cm)

Cornell, Sand Fountain

Sand Fountain
(CA. 1957-1959) Gesso, oil, photomechanical reproductions, sand, mirror glass, drinking glass, and nails in glass-faced wood box 10 7/8 X 8 X 3 1/2 IN. (27.6 X 20.3 X 8.9 CM.)

Cornell, Suite de la Longitude

Suite de la Longitude
(1955-1957) Painted wood, printed papers, glasses, marbles, cork, metal rings, ink wash, and pencil in glass-faced wood box 13 1/4 X 19 3/4 X 4 3/8 IN. (33.8 X 50.2 X 11.2 CM.)

While Cornell’s reputation as an artist grew, he remained reclusive and loyal to taking care of his brother. At certain points he hired young artists help him with his assemblages, while he focused on making collages and films. Cornell rarely showed his films in public after a confrontation with Salvador Dalí, who claimed Cornell was trying to steal his idea of combining film and collage. Cornell continued to make films, but concentrated on exhibiting his other work.

Cornell, Hotel Goldene Sonne

Hotel Goldene Sonne
1955-57 Box construction 12 7/8 x 9 ½ x 4 in

Cornell, Reentry from Space

Reentry from Space
1950s Wood, paint, gesso, cork, ball, clay, pipe, plastic, paper, sand 10 x 16 ¼ x 3 7/8 in

Many of Cornell’s assemblages were meant to be interactive, containing nostalgic finding s from thrift stores, photos, household objects, etc. Cornell created his own library of images and information in the form of a “dossiers”, which he could draw from when he started new project. While Cornell had no formal art training he studied independently and appreciated the work of the Symbolists, Transcendentalists, Surrealists and Constructivists.

Cornell, By Night with Torch and Spear

By Night with Torch and Spear
16mm print, color, silent, 9 min
Museum of Modern Art, New York

Cornell, Bookstalls

Bookstalls
Late 1930s 16mm print, color, silent, 11 min
Museum of Modern Art, New York

Cornell, The Midnight Party

The Midnight Party
1938 16mm print, 4 min silent film
Museum of Modern Art, New York

After Cornell’s death his assemblages, dossiers, collages and films became a part of major museum collections in his home city of New York and around the world. Cornell’s work continues to inspire artists and filmmakers working today. Do you think you own a piece by Joseph Cornell? Contact us. We are the experts on Joseph Cornell.


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766--la-villeon.php Emmanuel de La Villeon Artwork Authentication & Art Appraisal

Emmanuel de La Villeon (1858-1944)

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Etang de Poilley, 1882

Emmanuel de La Villeon was a French Impressionist painter born in Fougeres. He arrived in Paris in 1880 to pursue his painting career, and became associated with the French School style of painting. He would become well known for his tranquil landscapes and seascapes, and held his first exhibition at The Salon des Independents in 1888.

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La Chene Dore a Yonville, 1939

La Villeon continued painting right up until his death at age 86. It is said that he was one of the last true Impressionist painters of the era, and while he is little known outside of France today, remains an important representative of this movement. 

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Summertime By the River

Today, La Villeon’s work is housed all over France, most of which are in the Musee Emmanuel de La Villeon in his home town of Fougeres. There are nearly 100 paintings, drawings and watercolors of his housed at his museum, and perhaps one in your own home.

art

La Ramasseuse de Fagots

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Paysage

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768--berjon.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "berjon" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "berjon" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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769--morse.php Samuel F. B. Morse Artwork Authentication & Art Appraisal

Samuel F. B. Morse (1791-1872)

Get a Morse Certificate of Authenticity for your painting (COA) for your Morse drawing.

For all your Morse artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Morse Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Morse painting or drawing.

If you want to sell your Morse painting or drawing use our selling services. We offer Morse selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Morse and issuing certificates of authenticity since 2002. We are recognized Morse experts and Morse certified appraisers. We issue COAs and appraisals for all Morse artworks.

Our Morse paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Morse certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Morse painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Morse paintings or drawings take longer.

Our clients include Morse collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Do you think you may own a painting by Samuel F. B. Morse?

We perform Samuel F. B. Morse art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Samuel F. B. Morse or we will sell it for you.

Self-Portrait

Self-Portrait

Self-Portrait 1818

Self-Portrait 1818

Samuel F. B. Morse was an early American painter and inventor. Morse is perhaps best known for being the inventor of the telegraph, and thus the name “Morse” code. Morse was also an accomplished painter and photographer and what some historians have called “the American Leonardo.” However, before his scientific endeavors, Morse was first and foremost an artist.

De Witt Clinton 1826

De Witt Clinton 1826

Mrs. Robert Young Hayne

Mrs. Robert Young Hayne

Morse was born in Charlestown, Massachusetts. He attended college at the very young age of 14 and received his initial artistic training from Washington Allston. While he was a student at Yale University, Morse painted portraits to support himself, and in 1811 he accompanied Allston to Europe.

Susan Walker Morse

Susan Walker Morse

art

Lucretia Pickering Walker Morse

Lucretia Morse and her Children

Lucretia Morse and her Children

While in Europe, he studied historical paintings in England and developed a passion for miniature portraits. He remained abroad for four years and in 1815, returned to the United States. However, Morse found very few patrons or commissions for his historical scenes upon his return to the states. In order to support himself, Morse resumed painting portraits in New York City. During that time, it is most likely that American patrons were more interested in buying portraits of themselves instead of historical scenes, which was likely a disappointment to Morse.

The Chapel of the Virgin at Subiaco 1830

The Chapel of the Virgin at Subiaco 1830

Niagara Falls with Rainbow and Indians

Niagara Falls with Rainbow and Indians

Eventually, Morse helped to found the National Academy of Design in New York where he taught painting and sculpture. During this time, he also ran for mayor. It wasn’t until the early 1830’s that Morse began to devise the idea of the telegraph, and did not actually build one until 1835. After a 1832 trip to study art in Europe, Morse was said to have overheard a conversation about electromagnets and began to devise the idea of the telegraph.

Jonas Platt

Jonas Platt

Benjamin West

Benjamin West

Because of his interest in other things, Morse generally did not paint after the 1830’s. While Morse did not experience a lifelong artistic career, he was a highly respected artist during his time. It is insinuated by some art historians that the real reason that Morse turned away from art was because of a disappointment over not receiving a commission to paint a mural for the Rotunda in Washington D.C. Morse even discontinued to teach painting after 1841, but was still listed as a professor right up until his death.

Mrs. Samuel Nelson

Mrs. Samuel Nelson

Samuel Nelson

Samuel Nelson

Despite the fact that, historically, Morse was considered more successful as an inventor than a painter, he left a large oeuvre of important pieces behind. Morse painted important members of American history, such as fellow inventor Eli Whitney, James Monroe and Marquis de Lafayette.

James Monroe

James Monroe

Lafayette

Lafayette

Today, Morse’s paintings are housed all over the United States, and perhaps in your own home. Still wondering about an early American painting hanging in your family’s estate? Contact us…it could be by Samuel Morse.


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771--giraudier.php Antonio Giraudier Artwork Authentication & Art Appraisal

Antonio Giraudier (b. 1929)

Get a Giraudier Certificate of Authenticity for your painting (COA) for your Giraudier drawing.

For all your Giraudier artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Giraudier Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Giraudier painting or drawing.

If you want to sell your Giraudier painting or drawing use our selling services. We offer Giraudier selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Giraudier and issuing certificates of authenticity since 2002. We are recognized Giraudier experts and Giraudier certified appraisers. We issue COAs and appraisals for all Giraudier artworks.

Our Giraudier paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Giraudier certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Giraudier painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Giraudier paintings or drawings take longer.

Our clients include Giraudier collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Antonio Giraudier art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Antonio Giraudier or we will sell it for you.

art

Big Professor and Other Professors

art

A God, A Mountain and a Victory Bird

A native Cuban, Antonio Giraudier was a successful businessman, painter, and poet. Throughout his life he established several political connections that are well documented. Giraudier was forced to flee his homeland a year after Castro’s revolution and moved to Miami, where he remained for decades.

art

Madonna and Child and Presences with the Little Sultan Mascot

Giraudier was a beer baron who became acquainted with Winston Churchill in 1946 on Giraudier’s private Cuban beach. Giraudier and Churchill soon developed a deep friendship, as evidenced by their extensive correspondence spanning over twenty years.

art

Two Clowns

art

Group

Giraudier is known for keeping Churchill’s cigar stock well-filled, even commissioning a local manufacturer to individually roll Churchill’s cigars. He also made other generous gifts to Winston Churchill, including wine and painting supplies.

art

Fish

Giraudier shared Churchill’s passion for painting. He wrote and illustrated several poetry books in the 1970’s and 1980’s, including Sheaves, The Inner Loom; Weaving and Sifting, within the Realms of the Poetry Paths, Ten Remembrances for Don Quixote, and Calles de la Tarde. Despite such publications and many exhibitions, Giraudier was never a widely-recognized painter, and his art remains fairly obscure even today.

art

Elves

art

Elves And Animals Near Translucent Pond with Water Beings

Still wondering about a Cuban painting in your family collection? Contact us…it could be by Antonio Giraudier.


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772--wieghorst.php Olaf Wieghorst Artwork Authentication & Art Appraisal

Olaf Wieghorst (1899-1988)

Olaf Wieghorst art authentication. Olaf Wieghorst appraisal. Olaf Wieghorst certificates of authenticity (COA). Olaf Wieghorst analysis, research, scientific tests, full art authentications. We will help you sell your Olaf Wieghorst or we will sell it for you.

Wieghorst

Indian Chief, 1929

Olaf Wieghorst was an early 20th century Western American painter. Known for his magnificent portrayals of the American West, Wieghorst was one of the most talented artists of his genre. Wieghorst showed a great love and respect for Native Americans and cowboys of his era, and this fact is echoed in his paintings.

Wieghorst

Retaliation, 1940’s

Throughout his career, Wieghorst painted landscapes, portraits and more, leaving behind a massive oeuvre of paintings sketches and drawings. Many of these paintings are signed with a very recognizable “O. Wieghorst” on the lower right hand corner of the front of his paintings and are housed in prestigious collections, such as The Whitney Museum. Wieghorst’s works are in high demand and are considered to be very collectible.

Wieghorst

Desert Ranch

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Marble Canyon Country, 1930, Oil on Canvas, 10 x 13 in

art

Cowboy on Horseback, 20 x 22 in, Oil on Window Shade Laid on Board

art

Northern Cheyenne, Oil on Board, 10 x 8 in

art

Navajo Land, 1958, Oil on Canvas, 28 x 39 in

art

Cowboy Resting Stop, Watercolor on Paper, 9.5 x 7.25 in

art

The Challenge, 25 x 30 in, Oil on Canvas

art

Cold Conference, Oil on Canvas

Still wondering about an early 20th century western painting in your family collection? Contact us…we are the Olaf Wieghorst experts.


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773--hesse.php Eva Hesse Artwork Authentication & Art Appraisal

Eva Hesse (1936 – 1970)

Get a Hesse Certificate of Authenticity for your painting or a COA for your Hesse drawing or sculpture.

For all your Hesse artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Hesse Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hesse painting, drawing or sculpture.

If you want to sell your Hesse painting, drawing or sculpture use our selling services. We offer Hesse selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hesse and issuing certificates of authenticity since 2002. We are recognized Hesse experts and Hesse certified appraisers. We issue COAs and appraisals for all Hesse artworks.

Our Hesse paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hesse certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hesse painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hesse paintings, drawings or sculpture take longer.

Our clients include Hesse collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Eva Hesse art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Eva Hesse or we will sell it for you. Please contact us for more information.

Hesse, Expanded Expansion

Expanded Expansion
1969 Fiberglass, polyester resin, latex, and cheesecloth 10 feet 2 inches x 25 feet (309.9 x 762 cm)
Solomon R. Guggenheim Museum, New York

Hesse, Vertiginous Detour

Vertiginous Detour
1966 Acrylic and polyurethane on rope, net, and papier-mâché diameter of ball: 16 1/2 in. (41.9 cm); length of rope: approx. 154 in. (391 cm)

Hesse, Untitled

Untitled
1963 Gouache, felt-tip pen, crayon, pencil, and cut-and-pasted painted paper on paper 19 5/8 x 25 1/2″ (49.8 x 64.8 cm)
Estate of Eva Hesse

Hesse, Untitled

Untitled
1960 45.7 x 38.1 cm
Estate of Eva Hesse

Eva Hesse was a German-American artist, known for her innovative use of sculptural materials including plastics and fiberglass. Hesse was born to a Jewish family in Hamburg, Germany. Do to unsafe conditions imposed by Nazis, Hesse and her sister left Germany, living in the Netherlands and England before settling in the United States.

Hesse, Untitled

Untitled
1960-61 Gouache and ink on paper 5 x 4 1/2″ (15.2 x 11.4 cm)
Galerie Hauser & Wirth, Zurich

Hesse, Untitled

Untitled
1965 Cut-and-pasted paper, ink, colored ink, gouache, and pencil on paper 7 1/4 x 5 1/4″ (18.4 x 13.3 cm).
Galerie Hauser & Wirth, Zurich

Hesse and her family set-up a new life in New York City, and Hesse enrolled at New York’s School of Industrial Art. Hesse continued to study Pratt Institute, Cooper Union and Yale School of Art and Architecture. In 1961 Hesse married a sculptor, Tom Doyle, with whom she exhibited with at the Art Students League of New York. The couple went on to work together in an abandoned textile mill in Germany, making pieces out of materials found in the factory.

Hesse, Repetition Nineteen, First of 3 versions

Repetition Nineteen, First of 3 versions
1967 Pen and ink on transparentized paper 8 7/8 x 11 7/8″ (22.5 x 30.3 cm)
Galerie Hauser & Wirth, Zurich

Hesse, Repetition Nineteen I

Repetition Nineteen I
1967-68 Gouache, watercolor, and pencil on paper 11 1/8 x 14 7/8″ (28.4 x 37.8 cm)
Galerie Hauser & Wirth, Zurich

By 1965 Hesse decided to return to New York and began making sculptural pieces with fiberglass, plastics and latex. Hesse exhibited with other 1960s “post-minimal” artists and began teaching at the School of Visual Arts. In Hesse’s lifetime she only had one solo show, which was held at the Fischbach Gallery and was entitled “Chain Polymers”.

Hesse, Repetition Nineteen, Second of 3 versions

Repetition Nineteen, Second of 3 versions
1967 Pen and ink on transparent paper 8 7/8 x 11 7/8″ (22.5 x 30.3 cm)
Galerie Hauser & Wirth, Zurich

Hesse, Enclosed from the set: 7 Objects/69

Enclosed from the set: 7 Objects/69
1969 Tape, liquid rubber, powder, and balloons 1 5/8 x 7 1/2 x 3 1/2″

Hesse, Right After

Right After
1969 Fiberglass Approximately 5 x 18 x 4 feet

Since Hesse’s death there have been numerous exhibits and retrospectives of her work in international museums and art centers. Hesse has been represented by The Jewish Museum of Art, New York, the San Francisco Museum of Art, the Whitney Museum and the Guggenheim Museum. Do you think you own a piece by Eva Hesse? Contact us. We are the Hesse experts.


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774--ge.php Nikolai Ge Artwork Authentication & Art Appraisal

Nikolai Ge (Николай Николаевич Ге) (1831-1894)

We Perform Nikolai Ge art authentication. Nikolai Ge appraisal. Nikolai Ge certificates of authenticity (COA). Nikolai Ge analysis, research, scientific tests, full art authentications. We will help you sell your Nikolai Ge or we will sell it for you.

The Last Supper 1861

The Last Supper 1861

Nikolai Ge was a Russian realist painter famous for his works on historical and religious motifs. Ge was born in Voronezh to a Russian noble family of French origin. His grandfather emigrated to Russia in the 18th century. His parents died when he was still a child, so Nikolai was raised by his serf nurse. He graduated from the First Kiev Gymnasium and studied at the physics-mathematics department of Kiev University and Saint Petersburg University.

Christ and Pilate

Christ and Pilate

In 1850 he gave up his career in science and entered the Imperial Academy of Arts in Saint Petersburg. He studied in academy under the historical painter Pyotr Basin until 1857. He graduated from the academy in 1857 with a gold medal for his painting The Witch of Endor Calling Up the Spirit of the Prophet Samuel. According to Ge himself, during that period he was strongly influenced by Karl Brullov.

Crucifixion 1893

Crucifixion 1893

His gold medal provided him a scholarship for studying abroad . He visited Germany, Switzerland, France and in 1860 settled in Italy. In Rome he met Alexander Andreyevich Ivanov who strongly influenced Ge. In 1861 Ge painted The Last Supper; in 1863 he took the painting with him to Saint Petersburg. Ge found his own interpretation of the classical subject — he emphasized the motif of discord among those who had formerly shared the same views. The painting (bought by Tsar Alexander II of Russia) made so strong impression that Ge was made a professor of Imperial Academy of Arts.

Golgotha

Golgotha

In 1864 he returned to Florence where he became a friend of a major Russian pro-Western writer and thinker Alexander Herzen and painted his portrait. The same year he also painted Messengers of the Resurrection and the first version of the Christ on the Mount of Olives. The new religious paintings at that time were not much of a success, and the Imperial Academy refused to exhibit them in its annual exhibition.

Christ and the Thief

Christ and the Thief

In 1870 Ge again returned to Saint Petersburg there he turned to Russian history for subject matter. The painting Peter the Great Interrogates Tsarevich Alexey at Peterhof (1871) was a great success, but other historical paintings were met without interest. Ge took the cold response to his work very hard. He wrote that a man should live by doing agricultural work, and the art should not be for sale. He bought a small khutor (farm) in Chernigov gubernia (currently Ukraine) and moved there. He became acquainted with Leo Tolstoy and became an enthusiastic follower of his philosophy.

Leo Tolstoy 1882

Leo Tolstoy 1882

In the early 1880s he returned to art producing religious paintings and portraits. He stated that everybody has a right to have a portrait so he agreed to work for whatever low commission the subject could afford. Among his portraits of the time was his famous portrait of Leo Tolstoy, portrait of Mikhail Saltykov-Shchedrin and many others.

Sophia Tolstoy and Child

Sophia Tolstoy and Child

His late paintings on New Testament subjects of that period were praised by liberal critics like Vladimir Stasov, criticized by conservatives as illustrating Ernest Renan rather than the New Testament and forbidden by the authorities for blasphemy. Quod Est Veritas? Christ and Pilate (1890) was expelled from the exhibition; The Judgment of the Sanhedrin: He is Guilty! (1892) was not admitted to the annual Academy of Arts exhibition; The Calvary (Golgotha) (1893) remained unfinished; The Crucifixion (1894) was banned by Tsar Alexander III.

Peter the Great Interrogating Tsarevich Alexei Petrovich

Peter the Great Interrogating Tsarevich Alexei Petrovich

Ge died on his farm in 1894. The fate of many of his works remains a mystery. At the end of his life Ge bequeathed all of his works to his Swiss benefactor Beatrice de Vattville in exchange for a small rent during his lifetime. She died in 1952 but none Ge’s work were found in her castle. Among the lost works is Ge’s supposedly magna opus painting The Crucifixion. Ge’s drawings were found by art collectors in Swiss secondhand stores late as 1974. Still wondering about a 19th century painting or drawing in your family collection? Contact us…it could be by Nikolai Ge.


done
775--parrish.php Maxfield Parrish Artwork Authentication & Art Appraisal

Maxfield Parrish (1870-1966)

Do you think you may own a painting or illustration by Maxfield Parrish?

We Perform Maxfield Parrish art authentication. Maxfield Parrish appraisal. Maxfield Parrish certificates of authenticity (COA). Maxfield Parrish analysis, research, scientific tests, full art authentications. We will help you sell your Maxfield Parrish or we will sell it for you.

Ecstasy

Ecstasy

Maxfield Parrish was an American painter and illustrator during the Golden Age of illustration. Born Frederick Parrish in Philadelphia, Pennsylvania, Parrish took on his mothers’ maiden name “Maxfield” as his own for his professional name. Encouraged by his parents, Parrish showed a proficiency in drawing as a young boy. He eventually attended Harvard College as well as The Pennsylvania Academy of the Fine Arts.

The Lute Players

The Lute Players

It is hard to classify what class of painting Parrish’s style falls into. He did not affiliate himself with any one school of art, nor did he join any groups. Parrish also did not seem to have many artists that he took after or emulated, though his style was certainly a precursor for the Art Deco movement. Parrish did however study the work of the pre-Raphaelite English painters, and was particularly fond of the works of Lord Leighton. His work was one part traditional, and one part magical, created through the use of brilliant techniques and a fantastic imagination. Though his subjects may have been painted in a photorealistic fashion, his settings were anything but.

Pandora

Pandora

Cinderella

Cinderella

Parrish’s career as an artist began with a commission to illustrate “Mother Goose in Prose” by L.Frank Baum in 1897. This became only the first in a series of book illustrations that Parrish would execute. Books illustrated by Parrish remain highly collectible items to this day. From the late 1800’s through the 1920’s, Parrish continued to illustrate for magazines and advertisements. However, in the 1920’s, Parrish turned away from illustrating to concentrate more on painting.

The Canyon

The Canyon

In his earliest paintings, Parrish often painted fantasy-like settings, sometimes featuring androgynous nudes. These paintings were also used for post cards and calendars, and Parrish lived quite well for some time off of the royalties that they brought in.

Dinky Bird

Dinky Bird

Stars

Stars

By the 1930’s, Parrish began to focus more on landscapes. These proved to not be as popular as his earlier, more fantastical compositions, but he profited off of them nonetheless. Parrish continued to paint until 1960, when he married his model and lifelong companion Susan Lewis.

Arizona

Arizona

Mountain Farm at Winter

Mountain Farm at Winter

Parrish is also known for a color that he made famous, aptly named “Parrish blue” which the artist achieved by applying various coats of varnish to his paintings. This was a practice that Parrish often used to create the luminous, magical glow of the lighting in his paintings.

The Prince

The Prince

Parrish lived at his estate called “The Oaks” near Cornish, New Hampshire for most of his career, and often used his wooded environment as inspiration for his paintings. Cornish eventually became an artist’s colony of sorts, in part due to Parrish. Parrish would also often construct models of the buildings in his paintings to work on lighting techniques before he would paint them.

Peaceful Night

Peaceful Night

Parrish is undoubtedly one of America’s most beloved artists. It is said that during the height of his career in the 1920’s, one out of every four American homes had a Parrish painting or print hanging on their wall. By 1935, Parrish commanded upwards of $2,000 per illustration. Parrish was perhaps the most famous American painter of his time until Norman Rockwell emerged in the 1940’s. His work was so widely popular, that it has been said that his painting “Daybreak” may very well be the best selling art print in history.

Daybreak

Daybreak

Still wondering about a fantasy painting or illustration in your home? Contact us…it could be by Maxfield Parrish.


done
776--boghossian.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "boghossian" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "boghossian" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> Alexander Boghossian authentication and appraisal
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "boghossian" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "boghossian" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
777--boetti.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "boetti" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "boetti" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "boetti" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "boetti" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
778--backus.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "backus" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "backus" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "backus" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
779--highmore.php Joseph Highmore Artwork Authentication & Art Appraisal

Joseph Highmore (1692-1780)

Get a Highmore Certificate of Authenticity for your painting (COA) for your Highmore drawing.

For all your Highmore artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Highmore Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Highmore painting or drawing.

If you want to sell your Highmore painting or drawing use our selling services. We offer Highmore selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Highmore and issuing certificates of authenticity since 2002. We are recognized Highmore experts and Highmore certified appraisers. We issue COAs and appraisals for all Highmore artworks.

Our Highmore paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Highmore certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Highmore painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Highmore paintings or drawings take longer.

Our clients include Highmore collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Joseph Highmore art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Joseph Highmore or we will sell it for you.

art

Portrait of the Artists Wife, Susanna and Children

Joseph Highmore was a portrait and historical painter. Born in London in 1692, he displayed early a strong ability, particularly for the fine arts, which was discouraged by his family, who rather saw him as a solicitor. However, all his spare time was dominated by his favorite pursuit and, upon the ending of his clerkship at the age of seventeen, he abandoned law and resolved to trust in future to his talents as a painter alone for his chance of fame and fortune.

art

The Lee Family Portrait, Detail

His gamble paid off and he continued to improve his reputation and upon the revival of the order of the Bath in 1725, he was selected to paint the knights in full costume. The years 1732 to 1734 were spent on a tour of the Netherlands and France and on his return to England, he applied himself to perfecting his talent, which continued for the next 50 years of his life, until his death.

art

Pamela Asks Sir Jacob Swinford’s Blessing

Among his best works are biblical “Histories,” historical painting being a style which Highmore had picked up on his travels in France. One such biblical painting is Hagar and Ishmael, which was donated to the Foundling Hospital for the purpose of decorating its Court Room (the room where the Court of Governors met). The painting is still part of the Foundling Hospital art collection and can now be seen at the Foundling Museum in London.

art

Mr. B Finds Pamela Writing

art

Pamela and Mr. B in the Summer House

Still wondering about an English painting in your family collection? Contact us…it could be by Joseph Highmore.


done
780--eyck.php Jan van Eyck Artwork Authentication & Art Appraisal

Jan van Eyck (before 1395-1441)

We Perform Jan Van Eyck art authentication. Jan Van Eyck appraisal. Jan Van Eyck certificates of authenticity (COA). Jan Van Eyck analysis, research, scientific tests , full art authentications. We will help you sell your Jan Van Eyck or we will sell it for you.

The Lucca Madonna

The Lucca Madonna

Jan van Eyck has been called the most famous Flemish painter of the 15th century and the founder of Early Renaissance style in Northern Europe. Though his place of birth and birth date are unknown it is thought that he was born near Limburg, the Netherlands in the 1390’s. Art historians believe that he was taught to paint by his elder brother Huber van Eyck, whom he created the famed “Ghent Altarpiece” with. The two brothers started this piece together, but Jan had to finish it alone after the death of his brother.

The Ghent Altarpiece

The Ghent Altarpiece

Van Eyck served as the court painter for Duke Johann of Bavaria in Hague until 1425, where he restored and painted pictures. After that time he served at the court of Philip the Good of Burgundy where he was not only an artist, but a diplomatic aid as well. From 1430 on, he was also the official painter of the city of Bruges where he lived and worked.

The Virgin And The Chancellor Rolin

The Virgin And The Chancellor Rolin

Madonna Of Canon Van Der Pael

Madonna Of Canon Van Der Pael

Madonna By The Fountain

Madonna By The Fountain

Art historians have credited Van Eyck as being the first artist to ever paint with oils, and that he in fact invented the method. It is also said that he was one of the first painters to sign and date his own work on the frames of the painting. While this theory is under speculation by many, his use of the medium is quite exceptional, and his technique is unmatched by most of his contemporary painters. Not only was he a master in applying a luminous sheen to his compositions, but he also portrayed a mastery of space.

The Virgin And Child In A Church

The Virgin And Child In A Church

While Van Eyck created a number of stunning and captivating religious altarpieces and paintings, he was also a masterful portrait painter. It is thought that his painting “Man in a Red Turban” is actually a self-portrait.

Man In A Red Turban

Man In A Red Turban

Portrait Of The Artists Wife

Portrait Of The Artists Wife

Man In A Blue Turban

Man In A Blue Turban

Jan van Eyck is probably best known for his world famous painting, “Giovanni Arnolfini and His Wife Giovanna Cenami (The Arnolfini Marriage).”

The Arnolfini Marriage

The Arnolfini Marriage

This painting is rife with symbolism, and has been called one of the most complex and original paintings in Western art history. Some say that it was painted to be a document as proof of the wedding between the man and woman. Colors and placement of figures play a large part in the symbolism of the painting as well as purposely placed objects in the room. The little dog in the foreground symbolizes fidelity, while the oranges on the chest may refer to fertility. The cast aside clogs are a traditional symbol of the wedding, and the single candle refers to the light of God. Upon close inspection of the spotless mirror in the background, you can see the reflection of the artist as well as the couple, and above the mirror is the inscription “Johannes de eyck fuit hic, 1434,” translated, “Jan van Eyck was here.” This painting is currently housed in The National Gallery in London, and is an oil on oak wood panel painting.

The Arnolfini Marriage, detail

The Arnolfini Marriage, detail

Today, van Eyck’s work is housed all over the world in public and private collections. Perhaps an unknown portrait, sketch or stolen church panel of his could still be in existence today and perhaps in your own home.

St. Barbara

St. Barbara

Still wondering about a 15th century Flemish piece in your family estate? Contact us…it could be by Jan van Eyck.


done
781--hoare.php William Hoare Artwork Authentication & Art Appraisal

William Hoare (1707 – 1792)

Get a Hoare Certificate of Authenticity for your painting (COA) for your Hoare drawing.

For all your Hoare artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hoare Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hoare painting or drawing.

If you want to sell your Hoare painting or drawing use our selling services. We offer Hoare selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hoare and issuing certificates of authenticity since 2002. We are recognized Hoare experts and Hoare certified appraisers. We issue COAs and appraisals for all Hoare artworks.

Our Hoare paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hoare certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hoare painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hoare paintings or drawings take longer.

Our clients include Hoare collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform William Hoare art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your William Hoare or we will sell it for you.

art

Prime Minister William Pitt 1756

William Hoare was an English painter, noted for his pastels. His father apprenticed him to Guiseppi Grisoni with whom Hoare traveled to Rome in 1728. On returning to England in 1738, Hoare settled in Bath, where he became a governor of the hospital. His son, Prince Hoare, achieved fame as a painter and dramatist.

art

John Carteret 1750

Still wondering about an English painting in your family collection? Contact us…it could be by William Hoare.


done
782--jongh.php Ludolf de Jongh Artwork Authentication & Art Appraisal

Ludolf de Jongh (1616-1679)

We Perform Ludolf de Jongh art authentication. Ludolf de Jongh appraisal. Ludolf de Jongh certificates of authenticity (COA). Ludolf de Jongh analysis, research, scientific tests, full art authentications. We will help you sell your Ludolf de Jongh or we will sell it for you.

art

Hunters and Dogs

art

Hunters in an Inn

Ludolf de Jongh was a 17th century Dutch painter who studied with Delft portraitist Cornelis Saftleven. His earliest known paintings were created in Rotterdam and were portraits and genre pices.

De Jongh traveled to France in 1635, where he studied and painted for seven years. Following his return to Holland, de Jongh became the most popular and successful Dutch painter of the 1650s. He was highly innovative and responded to the changing tastes in Dutch art during the time and was not married to one particular style or subject.

art

Hunters Resting in a Wooded Landscape

art

Messenger Reading to a Group in a Tavern

Despite his popularity, de Jongh all but gave up painting in the 1660s to become involved in law enforcement in Rotterdam. However, before he made his exit as an artist, de Jongh created some of the most expressive Dutch portraits of his time and greatly influenced future Dutch master Pieter de Hooch.

De Jongh was unique among his fellow Dutch painters of the time because he painted a wide variety of subjects from landscapes and portraits to genre pieces and historical paintings. This wide variety of styles has led Art Certification Experts and authenticators to wrongly attribute his pieces to others in the past. As a result, a great number of pieces by this Dutch master may still be somewhere unknown or wrongly identified.

art

Playing the Hostess

Still wondering about a 17th century Dutch painting in your possession? Contact us… we are the Ludolf de Jongh experts.

art

Portrait of a Woman

done
783--sacchi.php Andrea Sacchi Artwork Authentication & Art Appraisal

Andrea Sacchi (1599 – 1661)

Get a Sacchi Certificate of Authenticity for your painting (COA) for your Sacchi drawing.

For all your Sacchi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sacchi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sacchi painting or drawing.

If you want to sell your Sacchi painting or drawing use our selling services. We offer Sacchi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sacchi and issuing certificates of authenticity since 2002. We are recognized Sacchi experts and Sacchi certified appraisers. We issue COAs and appraisals for all Sacchi artworks.

Our Sacchi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sacchi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sacchi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sacchi paintings or drawings take longer.

Our clients include Sacchi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Andrea Sacchi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Andrea Sacchi or we will sell it for you.

art

The Three Magdalenes 1634

Andrea Sacchi was an Italian painter of High Baroque Classicism, active in Rome. A generation of artists who shared his style of art include the painters Nicolas Poussin and Giovanni Battista Passeri, the sculptors Alessandro Algardi and François Duquesnoy, and the contemporary biographer Giovanni Bellori.

art

St. Francis Marrying Poverty, 1633

Sacchi was born in Nettuno, near Rome. His father, Benedetto, was an undistinguished painter; Andrea initially entered the studio of Francesco Albani and became his last major pupil. In 1621, he moved to Rome where he spent the rest of his life. Much of his early career was helped by the regular patronage by Cardinal Antonio Barberini, who commissioned art for the Capuchin church in Rome and the Palazzo Barberini.

art

Daedelus and Icarus

A contemporary rival of Pietro da Cortona, Sacchi was claimed to be following Raphael’s style when he advocated for a sparser canvas pieces with fewer figures. He reputedly traveled to Venice and Parma and studied the works of Correggio.

art

Marcantino Crowned by Apollo

As a young man, Sacchi had worked under Cortona in Castel Fusano (1627-1629). But in a set of public debates later developed in the Roman Artist’s Guild, Accademia di San Luca, he strongly criticized Cortona’s exuberance. In particular, Sacchi advocated that since a unique, individual expression needs to be assigned to each figure in a composition, a painting should not consist of more than about ten figures. In a crowded composition, the figures would be deprived of individuality, and thus cloud the particular meaning of the piece. In some ways this is a reaction against the zealous excess of crowds in paintings by men such as Zuccari of the prior generation, and by Cortona among his contemporaries. Simplicity and unity were essential to Sacchi. Cortona argued that large paintings were more like an epic, that could avail themselves of multiple subplots. The encrustation of a painting with excess decorative details, including melees of crowds, would represent “wall-paper” art rather than focused narrative. Among the partisan’s of Sacchi’s argument for simplicity and focus were his friends, the sculptor Algardi and painter Poussin.

art

Allegory of the Birth of Urban VIII Barberi, Sketch

The controversy was however less pitched than some suggest, and also involved the dissatisfaction that Sacchi and Albani, among others, shared regarding the artistic depiction of low or genre subjects and themes, such as preferred by the Bamboccianti and even the Caravaggisti. They felt that high art should focus on exalted themes- biblical, mythological, or from classic history.

art

The Vision of St. Romuald 1631

Sacchi, who worked almost always in Rome, left few pictures visible in private galleries. He had a flourishing school: Poussin and Carlo Maratta were younger collaborators or pupils. In Maratta’s large studio, Sacchi’s preference for grand manner style would find pre-eminence among Roman circles for decades to follow. But many others worked under him or his influence including Luigi Garzi, Francesco Lauri, Andrea Camassei and Giacinto Gimignani. Sacchi’s own illegitimate son Giuseppe, who died young after giving very high hopes. Sacchi died at Nettuno in 1661.

art

Portrait of Monsignor Clemente Merlini, 1630

Still wondering about an Italian painting in your family collection? Contact us…it could be by Andrea Sacchi.


done
784--dufy_j.php Jean Dufy Artwork Authentication & Art Appraisal

Jean Dufy (1888-1964)

art

Paris, the Seine, and Notre Dame

art

View from Notre Dame, 1924

Jean Dufy was a French painter, and younger brother to fellow painter Raoul Dufy, known for his beautiful and fluid use of bright color. It was Raoul, in fact, who encouraged Dufy to paint when he began to show talent at the age of 14. His brother later became his teacher when he attended the Ecole des Beaux-Arts in Le Havre. He would also study under Georges Braque, but eventually went back to work with his brother whom he consulted in the arts for the rest of his life.

art

Bouquet de Roses a la Tasse Blanche, 1927

The onset of World War I brought Dufy’s painting to a halt when he went to serve. However, during this time he was able to travel extensively throughout Europe and to North Africa. These travels were also often reflected in his work.

art

Horses and Carriages in the Park

Like his brother, Jean Dufy typically painted in watercolor and gouache. His subjects were also typical Parisian street scenes, country landscapes and French city and country life. Because of a close bond as brothers and as painters, Jean’s paintings are often compared to Raoul’s in style and subject. However, a skilled authenticator will be able to tell the difference between the style and techniques used by the Dufy brothers. In many cases, Dufy would sign his work “Jean Dufy,” and this mark of authenticity would clear up any confusion between the two artists’ work.

art

Seascape

art

Landscape

Throughout his life, Dufy was interested in and worked in many aspects of art from set design to the decorative arts, such as tapestry and porcelain. Dufy was also an amateur jazz musician and played the guitar, and this love for music would show up in his compositions from time to time.

art

Fantaisie Musicale

While some critics would try to group Dufy with the Fauve movement, he was truly more of an Expressionist or Post-Impressionist. Some of Dufy’s compositions could be interpreted as having been created with “beastly” Fauve brushstrokes, but the bulk of his oeuvre consists of pleasant and precisely painted scenes and compositions.

art

Circus Horse Act, 1929, with wild Fauve brushstrokes

art

Place de la Concorde

Dufy would spend his last days living in the countryside near the Loire River, and continued to paint nearly up until his death. He was a highly prolific painter and he left behind a catalog of colorful and lively French scenes of an era gone by. Today, his work is housed worldwide, and perhaps even in your own home. If you believe you own a work of art by Jean Dufy, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Jean Dufy.

art

Bois de Boulogne, 1950

done
785--bourdon.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bourdon" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bourdon" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
786--morado.php Jose Chavez Morado Artwork Authentication & Art Appraisal

Jose Chavez Morado (1909-2002)

Get a Chavez Morado Certificate of Authenticity for your painting or a COA for your Chavez Moradodrawing, print or sculpture.

For all your Chavez Moradoartworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Chavez Morado Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Chavez Moradopainting, drawing, print or sculpture.

If you want to sell your Chavez Moradopainting, drawing, print or sculpture use our selling services. We offer Chavez Morado selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Chavez Moradoand issuing certificates of authenticity since 2002. We are recognized Chavez Moradoexperts and Chavez Morado certified appraisers. We issue COAs and appraisals for all Chavez Morado artworks.

Our Chavez Moradopaintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Chavez Moradocertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Chavez Moradopainting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Chavez Moradopaintings, drawings or sculptures take longer.

Our clients include Chavez Moradocollectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jose Chavez Morado art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jose Chavez Morado or we will sell it for you.

Morado, Mi Estudio en Los Arcos

Mi Estudio en Los Arcos

Morado was born in Silao, Mexico in 1909. Morado was a painter, printer and sculptor who made monumental murals and mosaics in Mexico. Morado spent time in the United States and Canada in the 1920s, traveling as far north as Alaska. Morado realized his interest and talent as an artist, and enrolled at the Chouinard School of Arts of Los Angeles and at the Academy of San Carlos in Mexico.

Morado, Carnaval en Huejotzingo

Carnaval en Huejotzingo In 1931 Morado received a grant to study at the National School of Fine Art in Guanajuato, Mexico, under Francisco Diaz de Leon. A few years later Morado married Olga Costa, an artist and German exile living in Mexico. Morado was in a circle of other great artists of his time who gravitated around the Taller de la Grafica Popular. Other members included Dolores Alvarez Bravo, Carlos Alvarado Lang, Isidoro Ocampo and Maria Izquierdo.

Morado

Morado, Road to the Quarry Oil on Ma

Road to the Quarry Oil on Ma

In 1944 Morado had his first solo exhibit at the Galeria de Arte Mexicano. In the late 1940s Morado traveled to Europe to study mosaics. Upon Morado’s return to Mexico he built monumental mosaics that have since become internationally recognized.

Moado, Public work, UNAM

Public work, UNAM

Morado’s most famous public pieces can be seen at the Universidad Nacional Autonoma de Mexico (UNAM), the Quetzalcoatl mural at the Medical Center, the tower of the National Museum of Anthropology and History and the murals at the Alhondiga de Granaditas in Guanajuato.

Morado, Abolicion de la Esclavitud, Mural in Guanajuato

Abolicion de la Esclavitud, Mural in Guanajuato

Morado received numerous awards and an honorary degree from the UNAM. Morado is one of the great masters of Mexican Art. While Morado is best known for his public, monumental work his paintings are in numerous museums and private collections. Do you think you own a painting by Morado? Contact us. We are the Morado experts.


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787--soutine.php Chaim Soutine Artwork Authentication & Art Appraisal

Chaim Soutine Хаим Соломонович Сутин (1893-1943)

Get a Soutine Certificate of Authenticity for your painting (COA) for your Soutine drawing.

For all your Soutine artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Soutine Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Soutine painting or drawing.

If you want to sell your Soutine painting or drawing use our selling services. We offer Soutine selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Soutine and issuing certificates of authenticity since 2002. We are recognized Soutine experts and Soutine certified appraisers. We issue COAs and appraisals for all Soutine artworks.

Our Soutine paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Soutine certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Soutine painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Soutine paintings or drawings take longer.

Our clients include Soutine collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Chaim Soutine art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Chaim Soutine or we will sell it for you.

Woman with Arms Folded

Woman with Arms Folded

The Cellist 1916

The Cellist 1916

The Table 1919

The Table 1919

The Mad Woman 1919

The Mad Woman 1919

Born in 1893 in provincial Russia in what is now Belarus, Chaim Soutine overcame his family’s opposition to an artistic career. He moved to Vilnius to attend the local school of fine arts. At 20 he moved to Paris to further his studies. The impact of this traditional art education is clearly evident in all his work; in spite of the twist (literally) that he gave it.

Landscape 1919

Landscape 1919

View of Ceret 1921

View of Ceret 1921

Landscape at Cagnes 1923

Landscape at Cagnes 1923

In Paris Soutine became associated with a circle of young, impecunious artists, not least Modigliani (who painted Soutine’s portrait in 1917). His work is usually described as Expressionist, owing much to Van Gogh, and is indeed characterized by a free, ebullient brush and considerable distortion of perspective. He never strayed far from his academic roots however, either in subject or in style. During this time, he kept a carcass in his studio, much to his neighbor’s dismay, in order to paint his still life “Carcass of Beef.”

Carcass of Beef

Carcass of Beef

Soutine is a far more conventional painter than is usually thought. Portraits, landscapes and still lives make up the bulk of his work, each owing much to classical tradition. He sought however to wring the essence out of subjects both animate and inanimate by an aggressive approach. He often succeeds. Soutine’s “distorted” portraits are powerful and evocative. Francis Bacon and William Dobell owe much to his influence. Many of these portraits, and his other works as well, are signed with his distinctive “Soutine” in red paint on the bottom of his canvases.

Woman in Red

Woman in Red

Desolation

Desolation

Pastry Cook with a Red Handkerchief

Pastry Cook with a Red Handkerchief

Soutine painted many portraits during his career, particularly of women, in a style that was all his own. He was obsessed with color and form, which often led him to become dissatisfied and depressed. As a result, Soutine destroyed many of his paintings from 1920-1929. How many of these paintings, during a decade of depression were lost? How many actually survived? It may never be known. Soutine also did not exhibit his work often during his lifetime; however, he did take part in an Independent Art exhibition in Paris in 1937 where he was finally hailed as a great painter.

Portrait of Madame X

Portrait of Madame X

Old Woman with a Dog

Old Woman with a Dog

Little Girl With a Doll 1919

Little Girl With a Doll 1919

As a Jew in occupied France, Soutine had to hide from the Nazis and Vichy French collaborators. Suffering from a stomach ulcer, he died in 1943 after a botched abdominal operation. He gained wide recognition only in the late 30’s, although American collector Arthur Barnes “discovered” him in the early 1920’s. Soutine is rightly regarded today as a modern master.

Hen and Tomatoes

Hen and Tomatoes

Two Children on a Road

Two Children on a Road

Chartres Cathedral

Chartres Cathedral

Still wondering about an odd “distorted” Expressionist portrait in your family estate? Contact us…it could be by Chaim Soutine.


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788--ramos-martinez.php Alfredo Ramos Martinez Artwork Authentication & Art Appraisal

Alfredo Ramos Martinez (1871 – 1946)

Get a Ramos Martinez Certificate of Authenticity for your painting (COA) for your Ramos Martinez drawing.

For all your Ramos Martinez artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ramos Martinez Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ramos Martinez painting or drawing.

If you want to sell your Ramos Martinez painting or drawing use our selling services. We offer Ramos Martinez selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ramos Martinez and issuing certificates of authenticity since 2002. We are recognized Ramos Martinez experts and Ramos Martinez certified appraisers. We issue COAs and appraisals for all Ramos Martinez artworks.

Our Ramos Martinez paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ramos Martinez certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ramos Martinez painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ramos Martinez paintings or drawings take longer.

Our clients include Ramos Martinez collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alfredo Ramos Martinez art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alfredo Ramos Martinez or we will sell it for you.

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Manacacoyota

Alfredo Ramos Martinez is one of the most important Mexican artists of the twentieth century. Ramos Martínez is sometimes referred to as the “Father of Modern Art” in Mexico. La Primavera, Spring is considered to be one of his most important pieces.

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Mujeres con Flores

Alfredo Ramos Martinez was born on November 12, 1872, in Monterrey, Nuevo Leon, in Mexico. Ramos Martinez spent eight years at the Academia Nacional de Bellas Artes in Mexico City, Mexico. Ramos Martínez criticized the school for not valuing individuality and focusing on drawing from plaster casts. Ramos Martínez preferred to work outdoors, painting people and street life.

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Soldados Mexicanos

In 1913 Ramos Martínez was appointed Director of the National Academy. Ramos Martínez opened the Escuelas de Pintura al Aire Libre (Open Air Schools of Painting). One of the first students of this new school was, David Alfaro Siqueiros, now known as one of the most important Mexican muralists.

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El Indio con Tunas

In 1928, Ramos Martinez and his wife moved from Mexico to Los Angeles, California to seek medical treatment for their daughter. Ramos Martínez’s art greatly changed in California. Still painting on newsprint, Ramos Martínez created a modern yet folkloric, ‘Mexicana’ aesthetic. His subjects ranged from ‘Indians’ selling flowers, dramatic landscapes and religious themes of Mexico.

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Vendedora de Flores

Ramos Martínez’s exhibited and painted murals throughout California and Mexico. His prolific work is museums and private collections all over the world.

Still think you might have an Alfredo Ramos Martínez? Art Certification Experts has the answer. Contact us and we will tell you if you are the owner of an Alfredo Ramos Martínez.


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789--dove.php Arthur Garfield Dove Artwork Authentication & Art Appraisal

Arthur Garfield Dove (1880-1946)

Get a Dove Certificate of Authenticity for your painting (COA) for your Dove drawing.

For all your Dove artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dove Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dove painting or drawing.

If you want to sell your Dove painting or drawing use our selling services. We offer Dove selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dove and issuing certificates of authenticity since 2002. We are recognized Dove experts and Dove certified appraisers. We issue COAs and appraisals for all Dove artworks.

Our Dove paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dove certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dove painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dove paintings or drawings take longer.

Our clients include Dove collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Arthur Garfield Dove art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Arthur Garfield Dove or we will sell it for you.

Dove, Me and the Moon

Me and the Moon

Dove, Goat, 1934 The Critic (assemblage)

The Critic (assemblage)

Arthur Dove was an American abstract painter, born in Canandaigua, New York. Dove grew up in a rural setting and loved spending time in the outdoors. As a child, Dove was interested in music, athletics, nature and the arts.

Dove, Steam Boat

Steam Boat

Dove attended Cornell University in Ithaca, New York, where he first became interested in illustration. After finishing school, Dove moved to New York City to work as a commercial illustrator. Dove married and in 1907, travelled with his wife to Europe. They spent an extended length of time in Paris, Italy and Spain. Dove was exposed to new styles of painting in Europe, including the work of Matisse. Dove painted alongside a group of artists from the United States. Alfred Henry Maurer was Dove’s close friend and painting companion for several years.

Dove, Dancing Willows

Dancing Willows

When Dove returned to the United States, he no longer wanted to resume a career as a commercial artist. Dove moved outside of the city, where he farmed, fished and painted.

Dove, Moth Dance

Moth Dance

Dove, Mars, Orange and Green

Mars, Orange and Green

In 1909 Dove was introduced to Alfred Stieglitz, a well-known photographer and gallery owner in New York City. Stieglitz promoted Dove’s work and represented him at his 291 Gallery. In 1912 Dove had his only solo exhibition, which was the first public showing of abstract work by an American artist. Dove showed a group of pastels known as the “Ten Commandments”. Dove was a huge success in the art scene and began showing with Stieglitz on a regular basis.

Dove, Goat, 1934

Goat, 1934

Dove’s paintings were based on organic forms and he referred to his style as “extraction”, because he extracted forms from nature. Dove used mixed media, experimenting with collage, hand mixed oil paint and wax emulsions. Dove referred to his mixed-media pieces as “assemblages”.

Dove, Figure 4, 1945

Figure 4, 1945

Dove, Green Landscape

Green Landscape

Dove, Untitled

Untitled

Dove’s career as a painter put a severe strain on his marriage, which ended in a permanent separation. Dove proceeded to spend seven years living on a houseboat with Helen Torr, a painter known as “Red”. When Dove’s wife unexpectedly died, Dove married Red. Dove was also able to strengthen his relationship with his son, Bill.

Dove and Red continued to take painting, boat trips around Long Island’s North Shore. In 1938 they bought their first house, a converted post office in Centerport, New York. Dove and Red spent the rest of their lives in their up state home.

In 1979 Dove and Red’s paintings were displayed together at the Museum of Modern Art in New York City. Dove’s work now hangs in major museums across the United States. Dove is remembered as one of the first American abstract painters. Do you think you own a painting by Arthur Dove? Contact us. We are the experts on Arthur Dove.



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790--howitt.php Samuel Howitt Artwork Authentication & Art Appraisal

Samuel Howitt (1756-1822)

Get a Howitt Certificate of Authenticity for your painting (COA) for your Howitt drawing.

For all your Howitt artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Howitt Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Howitt painting or drawing.

If you want to sell your Howitt painting or drawing use our selling services. We offer Howitt selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Howitt and issuing certificates of authenticity since 2002. We are recognized Howitt experts and Howitt certified appraisers. We issue COAs and appraisals for all Howitt artworks.

Our Howitt paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Howitt certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Howitt painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Howitt paintings or drawings take longer.

Our clients include Howitt collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Samuel Howitt art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Samuel Howitt or we will sell it for you.

art

Battle of the Bulldog and the Monkey, 1799

Samuel Howitt was an artist from England. He was born into a wealthy Quaker family in Nottinghamshire, England. He began painting as a hobby and to amuse his friends. Hunting and racing were his hobbies and he mimicked this interest in his work. Howitt’s family experienced financial difficulties, so Howitt decided to move to London.

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The British Sportsman 1812

In London, Howitt made a career out of his talent, flourishing as a professional artist. He was published often in The Sporting Magazine and went on to illustrate various books. Howitt is best known for his lively and exotic sporting scenes. His superior watercolors and aquatints depict dramatic racing and hunting scenes as well as an array of conventional and exotic animals.

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The Greyhound

Samuel HOWITT (1756-1822) Howitt’s work is included in the Mellon Collection, which possesses no fewer than 160 of his watercolors, and many of his aquatints. Howitt exhibited at the Royal Academy and illustrated several books, including his own entitled The British Sportsman c.1812 and British Preserve c.1824. Samuel Howitt, “genius, artist, sportsman”, concentrated his considerable artistic talents on picturing scenes of horse-racing and hunting in all its aspects. Born in Nottinghamshire, England, Howitt was largely self-taught ,”although he must have been helped by his companions George Morland, Rowlandson and John Raphael Smith. Howitt’s watercolours of hunting, shooting and racing have delightful spontaneity. An enthusiastic sportsman himself, he had sufficient family money to paint at first only for his own and his friends pleasure. However, this fortune was quickly dissipated and Howitt moved to London… [He made a living], partly by etching at which he was extremely skilled. As an artist he was prolific. more than 150 of his designs were published in The Sporting Magazine. He illustrated Beckford’s Thoughts on Hunting, and other books, including Orme’s Collection of British Field Sports… The light touch of his pen, the delicacy of his brushwork and his experience of field sports ensured all that he drew was animated and accurate.” During the nineteenth century, field sports, particularly the hunting of wild game, were a common colonial leisure activity in India and Africa. Large-game hunting, the pursual of animals such as elephants, lions, and tigers, was considered to be the most prestigious, thrilling, and dangerous type of hunting.

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Pheasant Shooting

Still wondering about a British painting in your family collection? Contact us…it could be by Samuel Howitt.


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791--sheeler.php Charles Sheeler Artwork Authentication & Art Appraisal

Charles Sheeler (1883-1965)

Get a Sheeler Certificate of Authenticity for your painting (COA) for your Sheeler drawing.

For all your Sheeler artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sheeler Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sheeler painting or drawing.

If you want to sell your Sheeler painting or drawing use our selling services. We offer Sheeler selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sheeler and issuing certificates of authenticity since 2002. We are recognized Sheeler experts and Sheeler certified appraisers. We issue COAs and appraisals for all Sheeler artworks.

Our Sheeler paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sheeler certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sheeler painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sheeler paintings or drawings take longer.

Our clients include Sheeler collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles Sheeler art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles Sheeler or we will sell it for you.

Sheeler, Amoskeag Canal, 1948

Amoskeag Canal, 1948

Charles Sheeler was an influential painter who helped to found the Modernist movement in the United States. Sheeler was born and raised in Philadelphia, Pennsylvania. Sheeler was interested in art from an early age, and enrolled at the Pennsylvania Academy of Fine Arts (PAFA). Sheeler had the privilege of studying under William Merritt Chase, who instructed several prominent artists of the twentieth century.

Sheeler, River Rouge Plant, 1932

River Rouge Plant, 1932

After completing his studies at PAFA, Sheeler travelled to Europe. Sheeler gravitated to the art scene in Paris at a time when Cubism was the greatest trend. Sheeler was attracted to the avant-garde styles he experienced abroad, but did not think he could receive a livable income making experimental paintings. When Sheeler returned to the United States, he started his own business in commercial photography. Sheeler, who did not have a background as a photographer, taught himself how to use a Brownie and developed professional techniques.

Sheeler, Upper Deck

Upper Deck

Sheeler often retreated to a 19th century, farmhouse in Doylestown, Pennsylvania. The house was used as a studio, and the setting for numerous photography projects. Sheeler began painting in precisionist, linear fashion, which complimented his photographs. After being hired as a photographer for Ford Motor Co., Sheeler concentrated on depicting machinery and industrial architecture. Sheeler depicted industrial structures as if they were the new concrete temples of America. While the paintings appeared to be anti-humanist, Sheeler would often include a tiny, obscured figure in his compositions, dwarfed by the surrounding industrial world.

Sheeler, On Shaker Theme #2, 1956

On Shaker Theme #2, 1956

When Sheeler enjoyed his time in Doylestown, he spent many years living in New York City. In 1920 Sheeler collaborated with the photographer, Paul Strand on the film, Mannhatta. The film was a study and commentary on urban high-rise environments, specifically portraying Manhattan. The film was adapted from Walt Whitman writings.

Sheeler, Canyons, 1951

Canyons, 1951

Sheeler, Church Street El, 1920

Church Street El, 1920

In 1938, Sheeler was commissioned by Fortune magazine to create a series of images documenting power stations across the country. Sheeler travelled to industrial power zones, producing a series of six paintings called Power. Among the most impressive of these images may have been the turbines in Brooklyn, New York at the world’s largest steam power plant.

Sheeler, Black and white photograph

Black and white photograph

Sheeler, Water, 1945

Water, 1945

In Sheeler’s photographs and paintings, industrial America is portrayed as extraordinary and majestic, rather than a tragic age of destruction. Sheeler’s paintings impressed both the American working class and company owners, experiencing the industrial revolution first-hand.

Sheeler, Classic Landscape, 1931

Classic Landscape, 1931

Sheeler, Yankee Clipper

Yankee Clipper

Sheeler, Ballardvale, 1946

Ballardvale, 1946

Sheeler, Upstairs, 1938

Upstairs, 1938

Sheeler, Ore into Iron, 1953

Ore into Iron, 1953

Sheeler, Aerial Gyrations, 1953

Aerial Gyrations, 1953

The work of Charles Sheeler has been reproduced numerous times for commercial art. His precisely painted factories and turbines have become iconic in American visual culture. Sheeler’s original work is now in major museums, private collections around the world. Do you think you own a painting by Charles Sheeler? Contact us. We are the experts on Charles Sheeler.


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793--gandolfi-g.php Gaetano Gandolfi Artwork Authentication & Art Appraisal

Gaetano Gandolfi (1734-1802)

We Perform Gaetano Gandolfi art authentication. Gaetano Gandolfi appraisal. Gaetano Gandolfi certificates of authenticity (COA). Gaetano Gandolfi analysis, research, scientific tests, full art authentications. We will help you sell your Gaetano Gandolfi or we will sell it for you.

Gaetano Gandolfi painting, Mythological Sketch

Mythological Sketch

Gaetano Gandolfi was an 18th century Italian painter. He was the brother of Ubaldo Gandolfi, a fellow painter, and lived for a brief period in Venice . Though he was best known for his frescoes, Gandolfi also left behind a number of beautifully detailed sketches, as well as portraits.

Gaetano Gandolfi painting,Portrait of a Cleric

Portrait of a Cleric

Still wondering about an 18th century Italian painting or sketch in your family collection? Contact us…it could be by Gaetano Gandolfi.


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794--petrulis.php Algirdas Petrulis Artwork Authentication & Art Appraisal

Algirdas Petrulis (1915 – 2010)

Do you think you may own a painting by Algirdas Petrulis?

We Perform Algirdas Petrulis art authentication. Algirdas Petrulis appraisal. Algirdas Petrulis certificates of authenticity (COA). Algirdas Petrulis analysis, research, scientific tests, full art authentications. We will help you sell your Algirdas Petrulis or we will sell it for you.

1.

1. ženklai. 2008. Oil on Canvas

2. Marginiai. 2009. 60 x 70 cm. Oil on Canvas.

2. Marginiai. 2009. 60 x 70 cm. Oil on Canvas.

Algirdas Petrulis was a Lithuanian artist who studied at Kaunas Art School. Petrulis worked as a professor for many years at the Vilnius State Art Institute. Petrulis worked in the studio of Justinas Vienožinskis, a well-known Lithuanian painter and art critic. Petrulis became a member of the Lithuanian Artists’ Association in 1946, several years before having his first solo exhibition in 1964.

3. Tulpes. 2008. Oil on Canvas. 70 x 60 cm.

3. Tulpes. 2008. Oil on Canvas. 70 x 60 cm.

Petrulis’s style changed over the course of his career. While his earlier paintings consist of more traditional landscapes, his later work is marked by color abstract compositions.

4. Pakaso ežeras. 1985. 73 x 92.

4. Pakaso ežeras. 1985. 73 x 92.

Petrulis continued to paint until his death in 2010. His paintings continue to sell at auctions and galleries. He is highly regarded as one of Lithuania’s more prominent abstract painters.

5. Miniatura 398. 2003.

5. Miniatura 398. 2003.

If you think you may own original artwork by Algirdas Petrulis, contact Art Certification Experts for information regarding our services.


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795--petel.php Georg Petel Artwork Authentication & Art Appraisal

Georg Petel (1601/1602-1634)

We Perform Georg Petel art authentication. Georg Petel appraisal. Georg Petel certificates of authenticity (COA). Georg Petel analysis, research, scientific tests, full art authentications. We will help you sell your Georg Petel or we will sell it for you.

Petel, Crucifix, 1621, Ivory, h. 49 cm Private collection,photo: conseil général du val d'oise - conservation des antiquités et objetsd'art, a. maugin

Crucifix, 1621, Ivory, h. 49 cm Private collection,photo: conseil général du val d’oise – conservation des antiquités et objetsd’art, a. maugin

Georg Petel was a Bavarian sculptor known for his masterful works in ivory. Petel was born in 1601 or 1602 in Weilheim, Upper Bavaria. Petel only lived to be in his mid-thirties, yet accomplished an astounding amount before his death in 1934. Petel is sometimes known as the “German Michelangelo”. Petel’s sculptures combine Flemish, Italian and Southern German elements. Petel’s work is characteristic of the Early-Baroque era, a difficult time that corresponded with the Thirty Years’ War in Germany.

Petel, Crucifix detail (ivory)

Crucifix detail (ivory)

Petel learned ivory carving in Munich at the Royal Cabinet-Making Workshop of Christoph Angermair. Petel was able to leave Germany for part of the Thirty Years’ War as an itinerate tradesman.

Petel, Tankard with bacchanal, 1630, Ivory with silver holder, gilded, h. 28,2 cm augsburg, kunstsammlungen und museen, maximilianmuseum

Tankard with bacchanal, 1630, Ivory with silver holder, gilded, h. 28,2 cm augsburg, kunstsammlungen und museen, maximilianmuseum

Around 1620 Petel met artist, Peter Paul Rubens in Antwerp. Some of Petel’s most famous, small sculptures, were created during this time, based on Ruben’s paintings. Petel was able to travel extensively, making stops in Rome and Genoa. Petel’s reputation grew in Italy, as he was considered the finest ivory carver of his time.

Petel, Standing Death, circa 1628-1630, Lime wood, h. 17,2 cm Munich, Bayerische Schlösserverwaltung Castle Museum, Neuburg an der Donau

Standing Death, circa 1628-1630, Lime wood, h. 17,2 cm Munich, Bayerische Schlösserverwaltung Castle Museum, Neuburg an der Donau

Petel, Ecce Homo, circa 1630, Lime wood, h. 179,8 cm Augsburg Cathedral

Ecce Homo, circa 1630, Lime wood, h. 179,8 cm Augsburg Cathedral

Petel, Neptune, standing on a dolphin, circa 1628/29, bronze, h. figure 180 cm Munich, bayerische schlösserverwaltung Munich Residence

Neptune, standing on a dolphin, circa 1628/29, bronze, h. figure 180 cm Munich, bayerische schlösserverwaltung Munich Residence

Petel returned to Germany in 1624 to work for various Princes and Electors who wanted to assign him to their courts. Petel turned down the offers to work for the royal courts and moved to Augsburg, where he became a Master Sculptor. In Augsburg arts thrived and Petel was able to create many pieces. Petel created a number of highly, detailed crucifixes and saints, particularly Saint Sebastian.. Petel also drew from mythology and antiquity, portraying crude and erotic themes for his time.

Petel, Christ at the column Medium: ivory Size: 13.4 x 0 in. / 34 x 0 cm.

Christ at the column Medium: ivory Size: 13.4 x 0 in. / 34 x 0 cm.

Petel received a constant flow of commissions until Augsburg was taken by siege and the harsh realities of war. It is assumed Petel died in 1934 during this time of the plague and political unrest.

Petel, Crucifix Ivory on wood and metal cross

Crucifix Ivory on wood and metal cross

During post-war time, many of Georg Petel’s works were uncovered. Collectors and Museums continue to discover Petel’s work to this day. Petel’s work can be found in the Kunsthistorisches Museum, Vienna; the Residenz Museum, Munich; St. Moritz Church, Augsburg and the Bavarian National Museum (Bayerisches Nationalmuseum) Munich.

Do you think you own an ivory sculpture by Georg Petel? Contact us. We are the Georg Petel experts.


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796--steen.php Jan Steen Artwork Authentication & Art Appraisal

Jan Steen (Havicksz) (1626-1679)

Get a Steen Certificate of Authenticity for your painting (COA) for your Steen drawing.

For all your Steen artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Steen Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Steen painting or drawing.

If you want to sell your Steen painting or drawing use our selling services. We offer Steen selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Steen and issuing certificates of authenticity since 2002. We are recognized Steen experts and Steen certified appraisers. We issue COAs and appraisals for all Steen artworks.

Our Steen paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Steen certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Steen painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Steen paintings or drawings take longer.

Our clients include Steen collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jan Steen art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jan Steen or we will sell it for you.

Steen’s father was a brewer in Leiden. Jan Steen showed talent in drawing as a child and got formal training at home in art and Latin. At age twenty, Steen began studying genre painting with Adraen an Ostade at Leiden University. Jan Steen only studied there for a year, as did Rembrandt. Then Steen joined the Leiden painter’s guild. When twenty-three years old, Jan Steen married the daughter of the prominent landscape painter Jan van Goyen, who may have been one of his teachers. Shortly thereafter, Steen’s father opened a new brewery in Delft so his son could support his new family. This venture was an abject failure. Steen was reduced to maintaining a tavern in his home.

Jan Steen is most well-known for his genre scenes of the interior of bars, brothels, and residences. He was so identified with this sort of messy exuberance that the Dutch call it “a Jan Steen household.” Steen also painted mythological, religious scenes and a few portraits.

Steen, Jan Steen,

Jan Steen, “Girl Offering Oysters,” (ca. 1658-1660), oil n panel, 20.5 x 14.5 cm; Royal Cabinet of Paintings, The Hague

Steen lived in several cities in the Netherlands and absorbed the predominant artistic style in each. Many scholars believe Jan Steen’s best work was done in Haarlem between 1661 and 1670. After his father’s death in 1670, Steen moved his family back to his ancestral home in Leiden.

Steen, Jan Steen,

Jan Steen, “Village Festival with the Ship of Saint Rijn Uijt,” (ca. 1653), oil on panel, 42.5 x 66.5, private collection, United Kingdom.

Authentication of works by Steen can be difficult. Steen rarely dated pieces. In the 1700s, Steen’s work became extremely fashionable and his signature was forged on many paintings he did not create but which emulate his style and subject matter.

Steen, Jan Steen,

Jan Steen, “Bathsheba receiving David’s Letter,” (ca. 1659), inscribed on the letter: “alder/Schonte/Bersabé/omdat,” Oil on panel, 41.5 x 33, private collection, the Netherlands.

In “Bathsheba Receiving David’s Letter,” Steen is skillfully able to make an Old Testament story accessible to a contemporary audience. Unlike most of his contemporaries, who depicted Bathsheba in her bath after getting the letter, Steen shows us Bathsheba’s private world by letting us read the letter. The old woman on the right has just delivered it.

This painting has a particularly well-documented provenance and once belonged to the royal family of Liechtenstein.

Steen, Jan Steen,

Jan Steen, “Easy come, easy go,” (1661), inscribed and dated on the mantelpiece: “Soo gewonne Soo verteert 16 JSteen 61,” 79 x 104 cm; Museum Boymans-van Beuningen, Rotterdam, the Netherlands.

The first biography of Steen was written in 1721 by Arnold Houbraken. Houbraken is thought to have come up with the expression “a Jan Steen household” [bedorven huishouwen] Jan Steen often depicted himself as a fool in his paintings. For instance, in “Easy come, easy go,” Steen is the incompetent drunk at the mercy of Fortune. According to Houbraken, “Steen’s paintings are like his way of life, and his way of life like his paintings.”

Most of Steen’s paintings have some moralizing element. In “Easy come, easy go,” for instance, the wine is being watered down by the boy in the foreground. This tells us that wealth can be easily lost. There is a figure of Fortuna on the mantelpiece. A backgammon game is being played in the background, another indication that life is a game of chance.

Steen, Jan Steen,

Jan Steen, “In Luxury Beware,” (1663), inscribed lower right “In weelde Siet Toe,” 105 x 145 cm; Kunsthistorisches Museum, Gemäldegalerie, Vienna, Austria.

In this boisterous scene, even the dog is misbehaving, having gotten up on the table and eating a pie. A pig and monkey, unlikely to live in a normal house, are in residence. The young woman in the center is a prostitute, judging by her dress and pose. The old couple in the corner try to restore order by reading the Bible—it is futile. The inscription on the small blackboard at the bottom right is “in weelde siet toe” or beware of luxury. Jan Steen was unique in his use of such proverbs in paintings.

Are you still wondering about that ancient Dutch painting you own? We are the experts in authenticating paintings by Jan Steen. Please contact us at info@artexpertswebsite.com.


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797--lemoine.php Jacques Lemoine Artwork Authentication & Art Appraisal

Jacques Antoine Marie Lemoine (1752-1824)

Get a Lemoine Certificate of Authenticity for your painting (COA) for your Lemoine drawing.

For all your Lemoine artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lemoine Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lemoine painting or drawing.

If you want to sell your Lemoine painting or drawing use our selling services. We offer Lemoine selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lemoine and issuing certificates of authenticity since 2002. We are recognized Lemoine experts and Lemoine certified appraisers. We issue COAs and appraisals for all Lemoine artworks.

Our Lemoine paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lemoine certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lemoine painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lemoine paintings or drawings take longer.

Our clients include Lemoine collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jacques Lemoine art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jacques Lemoine or we will sell it for you.

Lemoine painting, Madame de Genlis

Madame de Genlis

Jacques Lemoine was an 18th century French painter. He mainly painted portraits, not necessarily of aristocrats, but of French citizens of all walks of life.

Lemoine painting, Portrait of a Woman and Her Children

Portrait of a Woman and Her Children

Still wondering about an 18th century French portrait in your family collection? Contact us…it could be by Jacques Lemoine.


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799--hambourg.php Andre Hambourg Artwork Authentication & Art Appraisal

Andre Hambourg (1909-1999)

Get a Hambourg Certificate of Authenticity for your painting or a COA for your Hambourgdrawing, print or sculpture.

For all your Hambourgartworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Hambourg Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hambourgpainting, drawing, print or sculpture.

If you want to sell your Hambourgpainting, drawing, print or sculpture use our selling services. We offer Hambourg selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hambourgand issuing certificates of authenticity since 2002. We are recognized Hambourgexperts and Hambourg certified appraisers. We issue COAs and appraisals for all Hambourg artworks.

Our Hambourgpaintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hambourgcertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hambourgpainting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hambourgpaintings, drawings or sculptures take longer.

Our clients include Hambourgcollectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Andre Hambourg art authentication, appraisal, from certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Andre Hambourg or we will sell it for you.

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Les Toits Sous La Neige, 1958

Andre Hambourg was a French post-Impressionist artist, known mostly for painting landscapes and cityscapes. Born in Paris, his first studies were in sculpture under the supervision of Niclausse. Hambourg was also a student briefly at the Ecole des Beaux-Arts in 1927, and the following year held his first one-man show in Paris.

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Le Soir sur la Lagune, Torcello

Hambourg won the Prix de la Villa Abd-el-Tif in 1933, which allowed him to travel and paint in North Africa. From 1933 to 1935, Hambourg resided in Algeria where he made great strides with the use of light in his paintings.

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Fin de Jour, Place St. Marco, 1961

In the 1940s, like so many other artists, Hambourg was called to fight in World War II. During this time, he served as a war journalist, and became decorated after his return in 1945. Though there are few known paintings of his during this time, he surely created drawings and sketches while in the service. However, his time in the military did not seem to have an adverse reaction to his painting, and he continued to paint serene French landscapes.

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La Plage, 1958

After the war, Hambourg continued to travel and exhibit his work world wide from Africa to Belgium, London, Chicago, New York, and even in California. Hambourg also gained much notoriety and decoration during his career, and was awarded the Legion of Honor in 1951.

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Port Hornfleur watercolor

Although Hambourg is best known for his landscape oil paintings, he was a highly prolific and experimental artist whose work has been compared to that of Eugene Boudin. He worked in a number of mediums from watercolor to pastels and was also an expert illustrator, sculptor, engraver and lithographer.

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Le Grande Regate, 1989

Today, Hambourg’s work is housed all over France at the Museum of Modern Art in Paris, as well as in Hornfleur and Trouville. Since Hambourg traveled and exposed his work so extensively, and he continued painting well into the 1980’s, the possibility of owning one of his paintings is quite great. Still wondering about that Impressionistic seascape in your living room? It could be by Andre Hambourg. Contact us to find out.


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800--dr-atl.php Dr. Atl Artwork Authentication & Art Appraisal

Gerardo Murillo (1875-1964)

Get a Dr. Atl Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Dr. Atl artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Dr. Atl Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dr. Atl painting, drawing or print.

If you want to sell your Dr. Atl painting, drawing or print use our selling services. We offer Dr. Atl selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dr. Atl and issuing certificates of authenticity since 2002. We are recognized Dr. Atl experts and Dr. Atl certified appraisers. We issue COAs and appraisals for all Dr. Atl artworks.

Our Dr. Atl paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dr. Atl certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dr. Atl painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dr. Atl paintings or drawings take longer.

Our clients include Dr. Atl collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gerardo Murillo art authentication, appraisal, certificates of authenticity (COA),, analysis, research, scientific tests , full art authentications. We will help you sell your Gerardo Murillo or we will sell it for you.

Murillo, La Nube

La Nube

Murillo, Self-Portrait

Self-Portrait

Gerardo Murillo (Dr. Atl) is a well-known Mexican painter, printmaker, writer, theorist and politician. Dr. Atl adopted his pseudonym in exchange for his given name, Murillo in 1902. ‘Dr. Atl’ means ‘Doctor Water’ in the Náhuatl language.

Murillo, La Sombra del Popo

La Sombra del Popo

Dr. Atl began his studies in Guadalajara before going to the Academia de San Carlos in Mexico City. Dr. Atl excelled at the Academy and received a grant from the President Porfirio Diaz to paint in Europe. Dr. Atl travelled to many countries, learning about avant-garde styles and concepts. Dr. Atl spent most of his time in Rome, studying law, philosophy and classics like Michelangelo.

Murillo, Erupcion del Paricutin

Erupcion del Paricutin

In Europe Dr. Atl also became involved in politics, joining the Socialist Party in Italy and worked for a periodical Avanti. It was in Italy that Murillo changed his name to Dr. Atl.

Murillo, Self-Portrait II

Self-Portrait II

Dr. Atl returned to Mexico before the start of the Mexican Revolution, seven years later. Dr. Atl joined the revolutionary movement as a muralist and led exhibitions of Diego Rivera and Francisco Ponce de Leon.

Dr. Atl went to Paris to analyze the politics of Mexico and founded a journal, writing about the social and political issues of Mexico. Dr. Atl supported constitutionalists, leaning towards a biblical socialism.

Murillo, Volcano Nevada

Volcano Nevada

Dr. Atl did some portrait painting, but he was a prolific and innovative painter of landscapes. He used ‘atl colors’, which he made from wax crayons and pigments on wood and board instead of canvases. Dr. Atl often painted the many volcanoes surrounding Mexico City. Dr. Atl loved to be in nature and often climbed the volcanoes Popocatepetl and Iztaccihuatl. Dr. Atl wrote a book “How a Volcano is Born and Grows-Paricutin”, describing the eruption of Paricutin. Unfortunately, his contact with volcanoes gave him a disease, which caused one of his legs to be amputated.

Dr. Atl’s writings “Stories of All Colors” about the Mexican Revolution and “The Pearl” are highly acclaimed pieces of literature. “The Pearl” is known to have inspired a novella by John Steinbeck.

Dr. Atl received many awards for his paintings and writings. Dr. Atl’s paintings are in museums and collections all over the world. Do you think you own a painting by Dr. Atl? Contact us. We are the experts.


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801--indoni.php Filipo Indoni Artwork Authentication & Art Appraisal

Filipo Indoni (1842-1908)

Get a Indoni Certificate of Authenticity for your painting (COA) for your Indoni drawing.

For all your Indoni artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Indoni Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Indoni painting or drawing.

If you want to sell your Indoni painting or drawing use our selling services. We offer Indoni selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Indoni and issuing certificates of authenticity since 2002. We are recognized Indoni experts and Indoni certified appraisers. We issue COAs and appraisals for all Indoni artworks.

Our Indoni paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Indoni certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Indoni painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Indoni paintings or drawings take longer.

Our clients include Indoni collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Filipo Indoni art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Filipo Indoni or we will sell it for you.

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Courtship

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The River Crossing

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Daydreaming

Filipo Indoni was a Roman born artist who painted in the Realist style. He often created lively scenes of peasants and lower class people playing, laughing and generally being carefree. Indoni made these formerly forgotten people in the art world shine, while his fellow artists were portraying them in darker themes.

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A Young Roman Peasant Boy

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Carefree Street Music

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Peasants in the Roman Countryside

Indoni was particularly talented with watercolors, and painted a number of scenes of peasants and country people in watercolor. Unlike many other artists who portray peasants and workers, Indoni’s subjects are generally happy and jubilant. This is because Indoni’s goal was to portray them as being people that are proud of their hard work, as opposed to being downtrodden, and was Indoni’s response to the idealistic, but unrealistic styling of formerly popular Romanticism.

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Contemplation, watercolor

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Boy and Girl, watercolor

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Shepherd in the Field, watercolor

Indoni’s signature style of warm amber light, festive activities and idealistic country scenes are one of many ways to pinpoint whether a painting was created by him or not. However, another telltale sign is his beautiful scripted signature “F. Indoni” which often appeared on the front of his canvases.

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Signature 1

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Signature 2

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Message from a Suitor

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Peasant Woman at the Shore

Throughout the years, Indoni’s pieces have continuously done well at auction, and his unusual and beautiful compositions are highly sought after by collectors. Today, Indoni’s work is housed all over the world, and perhaps in your own collection. Still wondering about a pastoral Italian Realist painting from the late 19th century in your family estate? Contact us…it could be by Filipo Indoni.


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802--fontana_la.php Lavinia Fontana Artwork Authentication & Art Appraisal

Lavinia Fontana (1552 – 1614)

We Perform Lavinia Fontana art authentication. Lavinia Fontana appraisal. Lavinia Fontana certificates of authenticity (COA). Lavinia Fontana analysis, research, scientific tests, full art authentications. We will help you sell your Lavinia Fontana or we will sell it for you.

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Self-Portrait 1577

Lavinia Fontana was an Italian painter. Fontana was the daughter of the painter Prospero Fontana, who was a leading painter of the School of Bologna at the time and served as her teacher. Continuing the family business was typical at the time.

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Portrait of a Noble Woman 1580

Her earliest known work, “Child of the Monkey”, was painted in 1575 at the age of 23. Though this work is now lost, another early painting, Christ with the Symbols of the Passion, painted in 1576 is now in the El Paso Museum of Art. She would go on to paint in a variety of genres. Early in her career, she was most famous for painting upper-class residents of her native Bologna. She also created paintings of male and female nudes and large scale religious paintings.

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Portrait of a Girl Covered in Hair

Fontana married Paolo Zappi (alternately spelled Paolo Fappi) in 1577. She gave birth to 11 children, though only 3 outlived her. After marriage, Fontana continued to paint to support her family. Zappi took care of the household and served as painting assistant to his wife, including painting minor elements of paintings like draperies.

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Jesus Appears to Mary Magdalene 1581

Fontana and her family moved to Rome in 1603 at the invitation of Pope Clement VII. She gained the patronage of the Buoncampagni, of which Pope Gregory XIII was a member. Lavinia thrived in Rome as she had in Bologna and Pope Paul V himself was among her sitters. She died in Rome on August 11, 1614.

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Judith and Holofernes

Some of her portraits, often lavishly paid for, have been wrongly attributed to Guido. Chief among these are Venus; The Virgin lifting a veil from the sleeping infant Christ; and the Queen of Sheba visiting Solomon. Her self-portrait – in youth she was said to have been very beautiful – was perhaps her masterpiece; it belongs to Count Zappi of Imola, the family into which Lavinia married.

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Family Portrait

While her youthful style was much like her father’s, she gradually adopted the Carracciesque style, with strong quasi-Venetian coloring. She was elected into the Academy of Rome, and died there in 1614.

There are over 100 works that are documented from early sources, but only 32 signed and dated works are known today. There are 25 more that can be attributed to her, making hers the largest oeuvre for any female artist prior to 1700. Sofonisba Anguissola may have been an influence on her career.

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Portrait of a Girl 1580

Partial List of Works

  • Self-Portrait with the Spinet Accompanied by a Handmaiden (1577, Accademia Nazionale di San Luca, Rome)
  • Consecration to the Virgin, (Musee des Beaux-Arts, Marseilles, originally the Gnetti Chapel, Santa Maria dei Servi, Bologna)
  • Portrait of a Lady with Lap Dog, (ca. 1595, Walters Art Museum, Baltimore)
  • Portrait of Gerolamo Mercuriale (ca. 1587-90, Walters Art Museum, Baltimore)
  • Noli me tangere, (1581, Uffizi, Florence)
  • Assumption of the Virgin with Saints Peter Chrysologus, and Cassian, (1584, Palazzo Comunale de Imola)
  • Portrait of the Coozzadini Family, (1584, Pinacoteca Nazionale, Bologna)
  • Holy Family, (1589, El Escorial, Outside Madrid)
  • Birth of Virgin, (Santissima Trinita, Bologna)
  • Portrait of a Couple, (1580-1585, Cleveland Museum of Art, Cleveland)
  • Deposition, 1581, Cornell Fine Arts
  • Jesus among the Doctors , part of the Mystries of the Rosary in the Rosary chapel in the Basilica of San Domenico, Bologna

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Minerva Dressing 1613

Still wondering about an Italian painting in your family collection? Contact us…it could be by Lavinia Fontana.


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804--fuger-von.php Heinrich von Füger Artwork Authentication & Art Appraisal

Heinrich von Füger (1751-1818)

Heinrich von Füger art authentication. Heinrich von Füger appraisal. Heinrich von Füger certificates of authenticity (COA). Heinrich von Füger analysis, research, scientific tests, full art authentications. We will help you sell your Heinrich von Füger or we will sell it for you.

von Fuger painting, Prometheus Brings Fire to Mankind

Prometheus Brings Fire to Mankind

Heinrich von Füger was best known for illustrating Klopstock’s messiah, as well as quintessentially Baroque-style ink drawings. He created mostly historical paintings, many of which are now in German collections and museums.

von Fuger painting, Two Children

Two Children

Still wondering about an 18th century German historical painting in your family collection? Contact us…it could be by Heinrich von Füger.


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805--martinez-pedro.php Luis Martinez Pedro Artwork Authentication & Art Appraisal

Luis Martinez Pedro (1910-1985)

Get a Martinez Pedro Certificate of Authenticity for your painting (COA) for your Martinez Pedro drawing.

For all your Martinez Pedro artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Martinez Pedro Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Martinez Pedro painting or drawing.

If you want to sell your Martinez Pedro painting or drawing use our selling services. We offer Martinez Pedro selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Martinez Pedro and issuing certificates of authenticity since 2002. We are recognized Martinez Pedro experts and Martinez Pedro certified appraisers. We issue COAs and appraisals for all Martinez Pedro artworks.

Our Martinez Pedro paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Martinez Pedro certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Martinez Pedro painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Martinez Pedro paintings or drawings take longer.

Our clients include Martinez Pedro collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Luis Martinez Pedro art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Luis Martinez Pedro or we will sell it for you.

Schooled at San Alejandro, Pedro also studied in New York in 1932. He eventually moved to New Orleans where he ended up living for many years. There, Pedro also studied, and the Creole community in New Orleans quite obviously influenced his oeuvre.

Like fellow Cuban artist Rene Portocarrero, Pedro often used the rooster in his compositions. A symbol of power as well as a familiar symbol in both Cuban and Creole cultures, roosters became a dominant and colorful symbol in his work. Sometimes Pedro portrayed roosters in mixed media in a realistic fashion, other times in vibrantly colored Abstract like “El Gallo” (1949).

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El Gallo

Unlike many artists of his day, Pedro would typically used mixed media’s to create his compositions: gouache, ink, charcoal, crayon, watercolors and more. Rarely did he use oil paints. This gives his work a very gritty and earthy look.

Along with his Abstract and Expressionist compositions, Pedro also used Cubist styling in some of his ink drawings. He would also portray Cuban people in groups, relaying a social message. “Trabajadores” (1936) in particular featuring workers with their fists raised high is hued in “Lapiz Sanguine” or red crayon or pencil for a blood-like effect.

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Trabajdores

Along with being an artist, Pedro also worked for the advertising agency Mestre and Company in 1935. His work was exhibited all over the United States during his lifetime, from New Orleans to Tampa and New York, and all over South America as well. It is likely that some of his advertising work still exists today, unauthenticated, and his travels made it likely that his work is privately owned outside of Cuba.


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806--krehbiel.php Albert Henry Krehbiel Artwork Authentication & Art Appraisal

Albert Henry Krehbiel (1873-1945)

Get a Krehbiel Certificate of Authenticity for your painting (COA) for your Krehbiel drawing.

For all your Krehbiel artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Krehbiel Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Krehbiel painting or drawing.

If you want to sell your Krehbiel painting or drawing use our selling services. We offer Krehbiel selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Krehbiel and issuing certificates of authenticity since 2002. We are recognized Krehbiel experts and Krehbiel certified appraisers. We issue COAs and appraisals for all Krehbiel artworks.

Our Krehbiel paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Krehbiel certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Krehbiel painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Krehbiel paintings or drawings take longer.

Our clients include Krehbiel collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Albert Henry Krehbiel art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Albert Henry Krehbiel or we will sell it for you.

Krehbiel, Loading a Freighter

Loading a Freighter

Krehbiel, Circling the Wagons

Circling the Wagons

Albert Henry Krehbiel was an American impressionist painter born in Denmark, Iowa. Krehbiel showed artistic talent from an early age and decided to study at the Art Institute of Chicago. Krehbiel was a strong student and was awarded a scholarship to continue his studies in France. In 1903, Krehbiel enrolled at the leading, Académie Julian in Paris. Krehbiel studied under Jean-Paul Laurens, who was known as a history and mural painter. Krehbiel’s reputation continued to soar in Paris, as he continuously won awards for his excellence in painting. Krehbiel’s awards included multiple gold medals from the Académie Julian and the Prix de Rome. Two of Krehbiel’s paintings were exhibited in the Paris Salon.

Krehbiel, Traffic at the Link Bridge, Michigan Avenue

Traffic at the Link Bridge, Michigan Avenue

Krehbiel, Evening Rush Hour in the Chicago Loop

Evening Rush Hour in the Chicago Loop

Krehbiel, Looking South Across the Michigan Avenue Bridge

Looking South Across the Michigan Avenue Bridge

Krehbiel, Dusk Over Chicago El Station

Dusk Over Chicago El Station

Krehbiel, Misty Down River

Misty Down River 1924, 36″ x 44″, oil on canvas

Krehbiel, Lady and her Bowl of Nasturtiums

Lady and her Bowl of Nasturtiums

Krehbiel, Wonders of the Woods at Winter's End, 1929

Wonders of the Woods at Winter’s End, 1929

Krehbiel, Drying Nets, Santa Monica, California, 1918

Drying Nets, Santa Monica, California, 1918

Krehbiel, Untitled, figure composition

Untitled, figure composition

Krehbiel returned to Chicago around 1906, where he began to receive commissions to paint public murals. Krehbiel designed and pained murals for the Chicago Juvenile Court and the Supreme and Appellate Court Rooms of the Illinois Supreme Court Building.

Krehbiel, Purple Mountains

Purple Mountains

Krehbiel, Native Indian

Native Indian

While Krehbiel was based out of Chicago, his work became known across the United States as he travelled to art colonies in California and New Mexico. Krehbiel was associated with both the Santa Fe Art Colony and the Taos Society of Artists in New Mexico. Krehbiel’s network of artists included George Bellows, Victor Higgins, Stuart Davis and John French Sloan.

While Krehbiel enjoyed the colorful and expansive landscape of the southwest, he was dedicated to supporting the Chicago art community. Krehbiel was an instructor at the Art Institute of Chicago for nearly forty years. Krehbiel taught the fundamentals of painting and urged his students to paint outside in the plein-air, impressionist tradition. Krehbiel brought many of his students from Chicago to Saugatuck (Ox-bow), Michigan to paint the Kalamazoo River.

Krehbiel, Santa Fe Horseman

Santa Fe Horseman

Krehbiel, And the Band Played On

And the Band Played On

Krehbiel was a prolific painter of landscapes and cityscapes, portraying numerous locations in the United States. Krehbiel never limited himself to one particular type of landscape, but painted rural, urban and maritime scenes. Krehbiel was constantly exhibiting in Chicago and Michigan, and well as in travelling shows throughout the country.

Krehbiel’s paintings are now in major museums, libraries and private collections across the country. Many of his paintings of the Midwest are owned by the Art Institute of Chicago. Do you think you own a painting by Albert Henry Krehbiel? Contact us. We are the experts on Albert Henry Krehbiel.


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807--kay.php Dorothy Kay Artwork Authentication & Art Appraisal

Dorothy Kay (1886-1964)

Get a Kay Certificate of Authenticity for your painting (COA) for your Kay drawing.

For all your Kay artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kay Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kay painting or drawing.

If you want to sell your Kay painting or drawing use our selling services. We offer Kay selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kay and issuing certificates of authenticity since 2002. We are recognized Kay experts and Kay certified appraisers. We issue COAs and appraisals for all Kay artworks.

Our Kay paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kay certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kay painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kay paintings or drawings take longer.

Our clients include Kay collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Dorothy Kay art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Dorothy Kay or we will sell it for you.

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Brass Tacks, Self-Portrait

Dorothy Kay was a South African artist. Most of her works are housed at the South African National Gallery, which were donated by her family in 1992. Her oeuvre consists of a wide variety of pieces in an Expressionist style.

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The Pipe Smoker

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The Travelers

Still wondering about a South African painting in your family collection? Contact us…it could be by Dorothy Kay.


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808--brooks.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "brooks" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "brooks" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
809--landi.php Gaspare Landi Artwork Authentication & Art Appraisal

Gaspare Landi (1756-1830)

Get a Landi Certificate of Authenticity for your painting (COA) for your Landi drawing.

For all your Landi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Landi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Landi painting or drawing.

If you want to sell your Landi painting or drawing use our selling services. We offer Landi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Landi and issuing certificates of authenticity since 2002. We are recognized Landi experts and Landi certified appraisers. We issue COAs and appraisals for all Landi artworks.

Our Landi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Landi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Landi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Landi paintings or drawings take longer.

Our clients include Landi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gaspare Landi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gaspare Landi or we will sell it for you.

Landi painting, Self-Portrait

Self-Portrait

Landi painting, Venturia at the Feet of Coriolanus

Venturia at the Feet of Coriolanus

Gaspare Landi was an 18th century Italian painter. He studied in Rome under Girolamo Batoni where he copied the works of old masters like Michelangelo and Raphael.

Landi painting, Canova

Canova

While in Rome , Landi mastered soft, perfectly measured brushwork and was praised for his use of color and composition. He quickly became famous and acquired many commissions for portraits and mythological and religious paintings.

Landi painting, Family Portrait

Family Portrait

Towards the end of his career, Landi began to paint in a Neoclassical style and became the president of the Academy in San Luca.

Landi painting, Onofrio Boni

Onofrio Boni

Still wondering about an 18th century Italian portrait in your family collection? Contact us…it could be by Gaspare Landi.


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810--heckel.php Erich Heckel Artwork Authentication & Art Appraisal

Erich Heckel (1883 – 1970)

Get a Heckel Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Heckel artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Heckel Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Heckel painting, drawing or print.

If you want to sell your Heckel painting, drawing or print use our selling services. We offer Heckel selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Heckel and issuing certificates of authenticity since 2002. We are recognized Heckel experts and Heckel certified appraisers. We issue COAs and appraisals for all Heckel artworks.

Our Heckel paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Heckel certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Heckel painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Heckel paintings or drawings take longer.

Our clients include Heckel collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Erich Heckel art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Erich Heckel or we will sell it for you.

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Self-Portrait

Erich Heckel was a German painter and printmaker, and a founding member of the Die Brücke group (“The Bridge”) which existed 1905-1913.

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House in Dangast in 1908

Heckel was born in Döbeln (Saxony). Heckel and others members of the group Die Brücke greatly admired the work of Edvard Munch, and aimed to make a “bridge” between traditional neo-romantic German painting and modern expressionist painting. The four founding members made much use of the print as a cheap and quick medium with which to produce affordable art.

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Windmill in Dangast

In 1937 the Nazi Party declared his work “degenerate”; it forbade him to show his work in public, and over 700 items of his art were confiscated from the nation’s museums. By 1944 all of his woodcut blocks and print plates had been destroyed.

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Two Female Nudes 1910

Afler World War II Heckel lived at Hemmenhofen near Lake Constance, teaching at the Karlsruhe Academy until 1955. He continued painting until his death at Radolfzell in 1970. Like most members of Die Brücke, he was a prolific printmaker, with 465 woodcuts, 375 etchings, and 400 lithographs described in the Dube catalogues raisonné, over 200 of which, mostly etchings, date to the last seven years of his life.

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Portrait of a Man (Self-Portrait), Wood Cut 1919

A major retrospective exhibition, Erich Heckel – His Work in the 1920s, was held October 2004 – February 2005 at the Brücke Museum in Berlin. Still wondering about an early 20th century German painting in your family collection? Contact us…it could be by Erich Heckel.


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811--gamelin.php Jacques Gamelin Artwork Authentication & Art Appraisal

Jacques Gamelin (1738-1803)

Get a Gamelin Certificate of Authenticity for your painting (COA) for your Gamelin drawing.

For all your Gamelin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gamelin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gamelin painting or drawing.

If you want to sell your Gamelin painting or drawing use our selling services. We offer Gamelin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gamelin and issuing certificates of authenticity since 2002. We are recognized Gamelin experts and Gamelin certified appraisers. We issue COAs and appraisals for all Gamelin artworks.

Our Gamelin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gamelin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gamelin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gamelin paintings or drawings take longer.

Our clients include Gamelin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jacques Gamelin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jacques Gamelin or we will sell it for you.

Gamelin painting, Portrait of Louis Jacques Brenguier

Portrait of Louis Jacques Brenguier

Gamelin painting, Portrait of an Old Man

Portrait of an Old Man

Jacques Gamelin was an 18th century French painter. He was the son of a merchant and was initially trained as a businessman. However, his talent as an artist was apparent to many, and a wealthy baron helped to pay for his artistic training.

Gamelin painting, Portrait of a Family in an Interior

Portrait of a Family in an Interior

Gamelin won the first prize at the Academie Royale de Toulouse, and later, studied in Paris and Rome . He was able to study under Vien and David, and eventually was appointed painter to Pope Clement XIV. One of Gamelin’s best known attributes to art was a series of anatomical sketches that are still revered by art students and historians today. These were created in large volumes for “Nouveau Receuil d’ osteologie et de Myologie Dessine Apres Nature.”

Gamelin painting, Anatomical Crucifixion Sketch

Anatomical Crucifixion Sketch

Gamelin painting, Skull

Skull

Gamelin painting, Rib Cage

Rib Cage

Gamelin painting, Bones

Bones

Gamelin painting, Nude

Nude

Gamelin eventually returned to his hometown near Toulouse and taught at the local Academie. Today, Gamelin is best known for his engravings of battle scenes as well as his paintings of portraits and genre subjects.

Gamelin painting, Jesus Among Doctors

Jesus Among Doctors

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Jacques Gamelin.


done
812--vermay.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vermay" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vermay" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
813--claus.php Emile Claus Artwork Authentication & Art Appraisal

Emile Claus (1849-1924)

Get a Claus Certificate of Authenticity for your painting (COA) for your Claus drawing.

For all your Claus artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Claus Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Claus painting or drawing.

If you want to sell your Claus painting or drawing use our selling services. We offer Claus selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Claus and issuing certificates of authenticity since 2002. We are recognized Claus experts and Claus certified appraisers. We issue COAs and appraisals for all Claus artworks.

Our Claus paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Claus certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Claus painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Claus paintings or drawings take longer.

Our clients include Claus collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Emile Claus art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Emile Claus or we will sell it for you.

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Portrait of a Man

art

La Faneuse

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The Old Gardener

Emile Claus was a Belgian painter, known creating his own style of Impressionism known as “Luminism.” He was influenced by Claude Monet, and created this “luminous” style by using lighting techniques. One of the best examples of this luminous style can be seen in his painting “Sun in Winter, Mid Day” 1902.

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Sun in Winter, Mid Day 1902

Despite the fact that Claus was very talented in recreating his own style of French Impressionism, he was not warmly received at home in Belgium. Foreign critics, however, praised him quite highly during his career, making him more popular among the progressive crowd.

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Young Peasant Women at the Leie

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Cows Crossing the Leie

During World War I, Claus lived in London and kept a studio there, all the while staying out of fashionable circles. Despite the fact that he did not mingle with the art crowd, he still managed to show his work prominently in numerous contemporary exhibits.

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Woman in a Hayfield

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Country Scene 1890

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Paysage

Claus traveled often during his lifetime, and painted often in France and Italy, as well as in England and Belgium. His oeuvre consists of a vast array of subjects from peasants and country folk working in the fields to portraits of elegant ladies, city scenes, harbor scenes and landscapes. His work is very reminiscent of that of his mentor Claude Monet, in subject and in style. For example, his painting “Sunset Over the Waterloo Bridge” 1916, is quite similar to Monet’s sunset scenes, such as “London, Houses of Parliament at Sunset.”

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Sunset Over The Waterloo Bridge, 1916

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London, Houses of Parliament at Sunset by Monet

For that reason, it is very possible that paintings, thought to be by Monet and otherwise rejected, may in fact be by Claus.

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Femme

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The Bee Keeper

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La Lagune de Venise

Today, Claus’s paintings are housed all over the world, in San Francisco, Odessa, Brussels, and France and perhaps in your own home. Still wondering about a Belgian, French, English or Italian Impressionist painting in your family estate? Contact us…it could be by Emile Claus.


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814--earl.php Ralph Earl Artwork Authentication & Art Appraisal

Ralph Earl (1751-1801)

Get a Earl Certificate of Authenticity for your painting (COA) for your Earl drawing.

For all your Earl artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Earl Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Earl painting or drawing.

If you want to sell your Earl painting or drawing use our selling services. We offer Earl selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Earl and issuing certificates of authenticity since 2002. We are recognized Earl experts and Earl certified appraisers. We issue COAs and appraisals for all Earl artworks.

Our Earl paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Earl certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Earl painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Earl paintings or drawings take longer.

Our clients include Earl collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ralph Earl art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ralph Earl or we will sell it for you.

Self-Portrait

Self-Portrait

Ralph Earl was an American painter who painted portraits and historical scenes. Like so many other early American artists, Earl was mostly self taught and worked as an itinerant painter, traveling all over the colonies to paint. He was born in Massachusetts and moved to New Haven, Connecticut in the early 1770’s to work as a portrait painter. He returned to Massachusetts in 1774 to marry his cousin Sarah, whom he had a daughter with a few months later. However, Earl left them both to return to New Haven shortly thereafter.

Portrait of a Man with a Gun

Portrait of a Man with a Gun

Mrs. Benjamin Tallmadge

Mrs. Benjamin Tallmadge

Portrait of Two Brothers

Portrait of Two Brothers

In 1778, Earl left his wife and daughter for good, and traveled to London disguised as a servant for a British army captain. Once in London, he worked in the studio of Benjamin West, and painted many of Britain’s nobles including the king. Earl later married an English woman even though he never legally ended his first marriage, and brought his new wife back to America around 1786.

Lady Williams and Child 1783

Lady Williams and Child 1783

Elijah Boardman 1789

Elijah Boardman 1789

Callahan Children

Callahan Children

Back in America, Earl was living and working in New York and painted portraits of government officials and other important men of the time.

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Colonel William Taylor

Portrait of Robert Sherman

Portrait of Robert Sherman

Marinus Willet 1791

Marinus Willet 1791

That same year he moved back, Earl was imprisoned for failing to pay his debts. He was released from jail in 1788, however, he made good use of his jail time and continued to paint and draw portraits of his visitors and friends and family even while he was in jail. It is thought that he created some 20 portraits while in jail.

The Striker Sisters 1787

The Striker Sisters 1787

Earl died in Connecticut in 1801 of apparent alcoholism. Today his work is housed all over New England, and perhaps in your own home. Still wondering about a family portrait hanging in your home? Contact us…it could be by Ralph Earl.

Looking East from Denny Hill”1800

Looking East from Denny Hill 1800

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815--de-boissieu.php Jean-Jacques de Boissieu Artwork Authentication & Art Appraisal

Jean-Jacques de Boissieu (1736-1810)

We Perform Jean-Jacques de Boissieu art authentication. Jean-Jacques de Boissieu appraisal. Jean-Jacques de Boissieu certificates of authenticity (COA). Jean-Jacques de Boissieu analysis, research, scientific tests, full art authentications. We will help you sell your Jean-Jacques de Boissieu or we will sell it for you.

art

Landscape With a Garden

art

Le Printemps

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Vue de Temple de Vesta, 1774

Jean-Jacques de Boissieu was an 18th century French painter and etcher. He studied at the Ecole Gratuite de Dessin in Lyon, but was primarily a self-taught artist. From 1758-1764, Boissieu created most of his prints, and shortly thereafter traveled to Italy with the Duc de la Rochefoucauld.  He returned from Italy with a vast collection of landscape drawings.

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Crossing the Stream

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Landscape, 1802

Boissieu also was a teacher and received a number of commissions in his lifetime, most notably for the Diderot Encyclopedie. He was highly sought-after during his lifetime as an engraver, and his prints are still coveted by collectors today.

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Studies for Heads of Six Men

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Interior Scene
(Housed at the Louvre, Paris)

Still wondering about an 18th century French print or engraving in your family collection? Contact us…it could be by Jean-Jacques de Boissieu.


done
816--brompton.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "brompton" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "brompton" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "brompton" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "brompton" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
817--abela.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "abela" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "abela" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "abela" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "abela" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
818--sync.php Synchromism Artwork Authentication & Art Appraisal

Synchromism (founded 1912-1913) American Art movement

Do you think you may own a painting from the Synchromist movement? We perform art art authentications, art appraisals, art research and provide Certificates of Authenticity (COA) as well as consultations, for all synchromist paintings.

Synchromism, MacDonald-Wright

George Wesley Bellows “Cliff Dwellers”

Synchromism was an abstract art movement started by American artists, Stanton MacDonald-Wright and Morgan Russell around 1912. The movement was short-lived, but an important stepping-stone for American Modern Art.

Synchromism, MacDonald-Wright

MacDonald-Wright “Oriental Symphony”

Synchromism, MacDonald-Wright

MacDonald-Wright “Oriental Symphony”

MacDonald-Wright and Russell met while living abroad in Paris. Both artists were greatly influenced by cubism, which was greatly popular in the Parisian art scene. Their work also strongly reference Orphism, which was a movement led by Robert Delauney and Frantisek Kupka.

Synchromism, Russell

Russell “Cosmic Synchromy”

Synchromism, Russell

Russell “Synchromy”

Synchromism, Russell

Russell “Study for Woman in Purple”

The main difference between cubism and synchromism was the use of color. Synchromists used bright, intense colors to evoke rhythm and harmony. Scales of color were arranged like notes in a musical composition. The abstract works produced were referred to as “synchromies”, often arranged to have a focal point that dispersed into various arrangements of color.

Synchromism, Raigo, 1955

Raigo, 1955

Synchromism, Introspection

Introspection

Synchromism, Creation Symphony

Creation Symphony

Russell was the first to exhibit as a synchromist, displaying “Synchromy in Green” at the Paris Salon des Indépendants. MacDonald-Wright showed later that same year in Munich. The artists were successful and continued to exhibit the following year in New York and Paris.

Synchromist paintings were among the first abstract, non-representational paintings to exhibit in American art, and marked the first avant-garde movement to be labeled as American.

Synchromism, Taos Ranch Landscape

Taos Ranch Landscape

Synchromism, Patrick Henry Bruce

Patrick Henry Bruce “Still-life: Traverse Beams”

Synchromism, Patrick Henry Bruce

Patrick Henry Bruce “Still-life” 1929

While Synchromists were never large in numbers, American artists, Patrick Henry Bruce, Andrew Dasburg and Thomas Hart Benton were known to use synchromism experimentally.

Synchromist paintings are now in major private collections and museums in New York and across the country. Do you think you own a synchromist painting? Contact us. We are the experts on Synchromism.


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819--girieud.php Pierre Girieud Artwork Authentication & Art Appraisal

Pierre Girieud (1876-1948)

Get a Girieud Certificate of Authenticity for your painting (COA) for your Girieud drawing.

For all your Girieud artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Girieud Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Girieud painting or drawing.

If you want to sell your Girieud painting or drawing use our selling services. We offer Girieud selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Girieud and issuing certificates of authenticity since 2002. We are recognized Girieud experts and Girieud certified appraisers. We issue COAs and appraisals for all Girieud artworks.

Our Girieud paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Girieud certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Girieud painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Girieud paintings or drawings take longer.

Our clients include Girieud collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pierre Girieud art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pierre Girieud or we will sell it for you.

Pierre Girieud was born in Marseille, France and is considered to be one of the founders of modern art as we know it. Showing promise as an artist at a young age, Girieud’s talent is encouraged by his father. Girieud eventually moved to Paris in 1900, where he taught himself to paint by studying the masterworks of the Louvre.

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Parrot and Oranges, 1902

Girieud became friends with Picasso and a number of other progressive painters living in turn-of-the-century Paris. He would eventually look up to Gaugin for early inspiration, and Girieud’s paintings often reflect his style. While some consider Girieud to be a Fauve painter, he also worked in Symbolism and Expressionism.

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Homage to Gaugin, 1906

It is said that along with Picasso, Girieud helped to establish the famed Salon d’Automne in Paris, where he and many other promising new artists would showcase their work.

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Judas 1908

Sadly, World War I changed the artist’s life forever. He was highly affected by the horrors of war, and by the loss of many of his friends. After the war, he left Paris and returned to the country, creating little work post-World War I.

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Young Bather

Today, Girieud’s paintings are housed all over the world from Paris to Geneva, Munich and Russia.


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820--gorky.php Arshile Gorky Artwork Authentication & Art Appraisal

Arshile Gorky (Vostanik Manoog Adoyan) (1904 – 1948)

Get a Gorky Certificate of Authenticity for your painting (COA) for your Gorky drawing.

For all your Gorky artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gorky Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gorky painting or drawing.

If you want to sell your Gorky painting or drawing use our selling services. We offer Gorky selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gorky and issuing certificates of authenticity since 2002. We are recognized Gorky experts and Gorky certified appraisers. We issue COAs and appraisals for all Gorky artworks.

Our Gorky paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gorky certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gorky painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gorky paintings or drawings take longer.

Our clients include Gorky collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Arshile Gorky art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Arshile Gorky or we will sell it for you.

Gorky, Portrait of Master Bill

Portrait of Master Bill
1929-1936 Oil on Canvas

Gorky, Abstraction with a Palette

Abstraction with a Palette
1930 Oil on Canvas
Philadelphia Museum of Art

Gorky, The Hill

Untitled
1944 Oil on Canvas 167 x 178.2 cm
Guggenheim Collection, Venice

Gorky, Study for Nighttime, Enigma and Nostalgia

Study for Nighttime, Enigma and Nostalgia
1932 Ink on Paper 51.1 x 73 cm
Hirshhorn Museum and Sculpture Garden

Gorky, Portrait of a Young Man

Portrait of a Young Man
1924 Oil on Canvas 51 x 40.8 cm

Gorky was an Armenian-American artist, influential in the Abstract Expressionist movement. Gorky was born in Khorgom, Armenia. While it is believed Gorky was born in 1904, the exact date of his birth is unknown. Gorky left home in 1915 during a time of genocide and political unrest in Armenia. While his father left for America, Gorky and his sisters fled to Russia.

Gorky, Bound in Sleep (Composition 6)

Bound in Sleep (Composition 6)
1925 Oil on Canvas 63.7 x 24 cm

Gorky, The Barber (Composition No 5)

The Barber (Composition No 5)
1933 Oil on Paperboard 44.4 x 21.6 cm

Gorky, Child of an Idumean Night (Composition No 4)

Child of an Idumean Night (Composition No 4)
1936 Oil on Burlap 30.4 x 20.4 cm

In 1920 Gorky immigrated to America to reunite with his father. Unfortunately their relationship was uneasy and Gorky decided to set-up a new life independently. Gorky often told people he was of Russian heritage and a relation of Maxim Gorky.

Gorky, Aztec Father (Man's Head)

Aztec Father (Man’s Head)
1925 Oil on Fiberboard 50.5 x 30.2 cm

Gorky, Self-Portrait at the Age of Nine

Self-Portrait at the Age of Nine
1928 Oil on Canvas 31.1 x 26 cm

A couple of years after moving to America, Gorky started enrolled at the New School of Design in Boston, studying both impressionism and post-impressionism. Gorky eventually moved to New York, where he began teaching at the Grand Central School of Art. Over time, Gorky moved away from impressionism and experimented with both cubism and surrealism.

Gorky, Objects

Objects
1932 Ink on Paper 56.1 x 75.9 cm

Gorky, Garden in Sochi

Garden in Sochi
1941 Oil on Canvas 112.4 x 158.1 cm

While Gorky befriended many artists in New York, he led a troubled personal life. A bout with cancer, a broken neck, a paralyzed arm, and a failed marriage were a few of the unfortunate circumstances that plagued Gorky’s life. At the age of forty-four Gorky could not bare to go through any more pain, and took his own life by hanging himself in Sherman, Connecticut.

Gorky, Agony

Agony
1947 Oil on Canvas 40 x 50.5 in

While Gorky’s life ended early, his legacy has continued. Gorky’s paintings are now in almost every major American art collection, both in the United States and internationally. Do you think you own a painting by Arshile Gorky? Contact us. We are the Gorky experts.


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821--schwitters.php Kurt Schwitters Artwork Authentication & Art Appraisal

Kurt Schwitters (1887 – 1948)

Get a Schwitters Certificate of Authenticity for your painting or a COA for your Schwitters drawing or sculpture.

For all your Schwitters artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Schwitters Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Schwitters painting, drawing or sculpture.

If you want to sell your Schwitters painting, drawing or sculpture use our selling services. We offer Schwitters selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Schwitters and issuing certificates of authenticity since 2002. We are recognized Schwitters experts and Schwitters certified appraisers. We issue COAs and appraisals for all Schwitters artworks.

Our Schwitters paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Schwitterscertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Schwitters painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Schwitters paintings, drawings or sculpture take longer.

Our clients include Schwitters collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Kurt Schwitters art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Kurt Schwitters or we will sell it for you.

Kurt Shwitters was a German painter who was born in Hannover, Germany. Schwitters worked in several genres and media, including Dadaism, Constructivism, Surrealism, poetry, sound, painting, collage, sculpture, typography and what came to be known as installation art.

Though not a direct participant in Dada activities, he employed Dada ideas in his work, such as his Merz works — art pieces built up of found objects; some were very small, some took the form of large constructions, or what would later in the 20th century be called installations. The Sprengel Museum in Hanover has a reconstruction of the best known of these installations, called Merzbau, which was a redesign of at least four rooms in Schwitters’s house in Hanover. (These were not in his apartment, but on the ground floor, in the attic and possibly in the basement.) The original Merzbau was destroyed in an air raid during World War II.

A story is told, but untrue, that he attempted to join the network of Dada artists, only to be rejected by the leader of the Berlin movement, Richard Huelsenbeck, on the premise that Schwitters was “too bourgeois” for Dada. A 2005 exposition on Dada at the Centre Georges Pompidou further acknowledged Schwitters as a member of the larger movement by devoting an entire section to the exhibition of some of his work (Ramade 2005).

Thanks to Schwitters’ lifelong patron and friend Katherine Dreier, his work was exhibited regularly in the USA from 1920 onwards. Schwitters published his own Merz magazine from 1923-32 and in the late 1920s became a well-known typographer; his best-known work was the catalogue for the Dammerstocksiedlung in Karlsruhe. From 1924 he ran an advertising agency called Merzwerbe, and in the late 1920s was the official typographer of Hannover town council. In a manner similar to the typographic experimentation by Herbert Bayer at the Bauhaus, Schwitters experimented with the creation of a new more phonetic alphabet in 1927. Some of his types were cast and used in his work. A digital revival of Schwitters’ 1927 typeface called Architype Schwitters was released in 1997. In the late 1920s Schwitters joined the Deutscher Werkbund (German Work Federation)s.

In January 1937 Schwitters fled to Denmark, and in the same year, his Merz pictures were included in the Nazi exhibition titled “entartete Kunst” (degenerate art) in Munich. Schwitters started a second Merzbau while in exile in Oslo, Norway in 1937 but abandoned it in 1940 when the Nazis invaded; this Merzbau was subsequently destroyed in a fire in 1951. His hut on the Norwegian island of Hjertoya, near Molde, is also frequently regarded as a Merzbau.

Schwitters fled to England, and was initially interned in Douglas Camp, Isle of Man. He spent time in London, then in 1945 moved to the Lake District, where, in 1947, he began work on the last Merzbau, which he called the Merzbarn. One wall of this last structure is now in the Hatton Gallery in Newcastle; the shell of the barn remains in Elterwater, near Ambleside.

Schwitters died in Kendal, England, and was buried in Ambleside. His grave was unmarked until 1966 when a stone was erected with the inscription Kurt Schwitters – Creator of Merz. The stone remains as a memorial even though his body was later disinterred and reburied in Hannover, Germany, the grave being marked with a marble copy of his 1929 sculpture Die Herbstzeitlose.

Still wondering about a German painting in your family collection? Contact us…it could be by Kurt Schwitters.


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822--glover.php John Glover Artwork Authentication & Art Appraisal

John Glover (1767 – 1849)

Get a Glover Certificate of Authenticity for your painting (COA) for your Glover drawing.

For all your Glover artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Glover Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Glover painting or drawing.

If you want to sell your Glover painting or drawing use our selling services. We offer Glover selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Glover and issuing certificates of authenticity since 2002. We are recognized Glover experts and Glover certified appraisers. We issue COAs and appraisals for all Glover artworks.

Our Glover paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Glover certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Glover painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Glover paintings or drawings take longer.

Our clients include Glover collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John Glover art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Glover or we will sell it for you.

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View of the Artists House and Gardens, 1835

John Glover was an English/Australian artist in what is known as the early colonial period of Australian art. In Australia he has been dubbed the father of Australian landscape painting. Glover was born at Houghton-on-Hill in Leicestershire, England. His parents were farmer William Glover and Ann (nee Bright). He showed a talent for drawing at an early age, and in 1794 was practicing as an artist and drawing-master at Lichfield. removed to London in 1805, became a member of the Old Water Color Society, and was elected its president in 1807. In the ensuing years he exhibited a large number of pictures at the exhibitions of this society, and also at the Royal Academy and the Society of British Artists. He had one-man shows in London in 1823 and 1824. He was a very successful artist and, although never elected a member of the Academy, his reputation stood very high with the public.

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Derwent Water, Lake District

Glover achieved fame as a painter of “Italianate” romantic landscapes of Britain (including The falls of Foyers on Loch Ness, the Lake District and London) and Southern Europe. He became known in both England and France as the English Claude. This phrase was making comparison with Glover and the French seventeenth century artist Claude Lorrain, whose works collected by eighteenth century English “grand tourists”, strongly influenced the evolution of the English style, in both painting and the layout of landscape gardens.

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View of Sarsden House

Glover arrived in Van Diemen’s Land (now Tasmania), Australia on his 64th birthday in 1831, two decades before the goldrush of the 1850s. He brought with him a strong reputation as a landscape painter. He acquired one of the largest grants of land in Van Diemen’s Land at the time at Mills Plains, Deddington. He named his new property Patterdale after Blowick Farm, a property near Patterdale, at the foot of Ullswater in the English Lake District, which he’d once owned.

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Bull

Glover is best known now for his paintings of the Tasmanian landscape. He gave a fresh treatment to the effects of the Australian sunlight on the native bushland by depicting it bright and clear, a definite departure from the darker “English country garden” paradigm. His treatment of the local flora was also new because it was a more accurate depiction of the Australian trees and scrubland. Glover noted the “remarkable peculiarity of the trees” in Australia and observed that “however numerous, they rarely prevent your tracing through them the whole distant country”.John Glovers most famous work was painted on his 79th Birthday.

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The Temple of Sibyl at Tivoli

The John Glover Society was established to honor and promote Glover’s memory and his contribution to Australian art, and awards the Glover Prize in an annual Tasmanian art competition. The prize is for a landscape painting of Tasmania and aims to reward the innovation and ‘outward-looking’ depiction that was characteristic of Glover’s own work. The Society also erected a statue of Glover in the village of Evandale, a town close to his original farm of Patterdale. John Glover’s work features in many prominent art galleries throughout Australia (and the world). His work has been the subject of numerous exhibitions and a symposium in Australia.

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The Italian Coast Near Naples 1828

Still wondering about a British painting in your family collection? Contact us…it could be by John Glover.


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823--dahl-johan.php Johan Christian Dahl Artwork Authentication & Art Appraisal

Johan Christian Dahl (1788 – 1857)

Get a Dahl Certificate of Authenticity for your painting (COA) for your Dahl drawing.

For all your Dahl artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dahl Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dahl painting or drawing.

If you want to sell your Dahl painting or drawing use our selling services. We offer Dahl selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dahl and issuing certificates of authenticity since 2002. We are recognized Dahl experts and Dahl certified appraisers. We issue COAs and appraisals for all Dahl artworks.

Our Dahl paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dahl certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dahl painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dahl paintings or drawings take longer.

Our clients include Dahl collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Johan Christian Dahl art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Johan Christian Dahl or we will sell it for you.

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Moonlight Study 1831

Johan Christian Dahl (also known as I.C. Dahl) was a Norwegian landscape painter, born in Bergen. He formed his style without much tuition, remaining at Bergen until he was twenty-four, when he left for the better field of Copenhagen, and ultimately settled in Dresden in 1818. There he was much influenced by the great German Romantic painter Caspar David Friedrich. He is usually included in the German school, although he was thus close on forty years of age when he finally took up his abode in Dresden, where he was quickly received into the Academy and became professor.

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Outbreak of the Vesuvius, 1826

German landscape-painting was not greatly advanced at that time, and Dahl contributed to improve it. He continued to reside in Dresden, though he travelled into Tirol and in Italy, painting many pictures, one of his best being that of the Outbreak of Vesuvius, 1820. He was fond of extraordinary effects, as seen in his Winter at Münich, and his Dresden by Moonlight; also the Haven of Copenhagen, and the Schloss of Friedrichsburg, under the same condition. At Dresden may be seen many of his works, notably a large picture called Norway, and a Storm at Sea. He was received into several academic bodies, and had the orders of Vasa and St. Olav sent him by the king of Norway and Sweden.

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Lyshornet Near Bergen 1836

Still wondering about a Norwegian painting in your family collection? Contact us…it could be by Johan Christian Dahl.


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824--germain.php Louis Germain Artwork Authentication & Art Appraisal

Louis Germain (1733-1791)

Get a Germain Certificate of Authenticity for your painting (COA) for your Germain drawing.

For all your Germain artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Germain Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Germain painting or drawing.

If you want to sell your Germain painting or drawing use our selling services. We offer Germain selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Germain and issuing certificates of authenticity since 2002. We are recognized Germain experts and Germain certified appraisers. We issue COAs and appraisals for all Germain artworks.

Our Germain paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Germain certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Germain painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Germain paintings or drawings take longer.

Our clients include Germain collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Louis Germain art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Louis Germain or we will sell it for you.

Germain painting, Design for a Triumphal Bridge

Design for a Triumphal Bridge

Louis Germain was an 18th century French artist. He was mainly known for his etchings of landscapes and architecture. Still wondering about an 18th century French etching in your family collection? Contact us…it could be by Louis Germain.


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825--labille-guiard.php Adélaïde Labille-Guiard Artwork Authentication & Art Appraisal

Adélaïde Labille-Guiard (1749-1803)

We Perform Adélaïde Labille-Guiard art authentication. Adélaïde Labille-Guiard appraisal from . Adélaïde Labille-Guiard certificates of authenticity (COA). Adélaïde Labille-Guiard analysis, research, scientific tests, full art authentications. We will help you sell your Adélaïde Labille-Guiard or we will sell it for you.

Labille-Guiard painting, Self-Portrait with Two Students

Self-Portrait with Two Students

Adélaïde Labille-Guiard was an 18th century French portrait painter. She studied oil painting under Francois-Andre Vincent and pastels at the Académie de St.-Luc in Paris with Maurice Quentin de La Tour. Labille-Guiard lived in the Louvre during the French Revolution and painted portraits of a dozen members of the National Convention.

Labille-Guiard painting, Robespierre

Robespierre

Labille-Guiard painting, Portrait of Madame de Selve

Portrait of Madame de Selve

Labille-Guiard painting, Pajou

Pajou

She painted many portraits of notable people at the time, including other artists. She was married to artist Francois-Andre Vincent.

Labille-Guiard painting, Francois-Andre Vincent

Francois-Andre Vincent

Today, Labille-Guiard’s paintings are housed in collections all over the world, and perhaps in your own home. Still wondering about an 18th century French painting in your family estate? Contact us…it could be by Adélaïde Labille-Guiard.


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826--van-dyck-francais.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "van-dyck-francais" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "van-dyck-francais" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "van-dyck-francais" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "van-dyck-francais" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
827--rokotov.php Fyodor Rokotov Artwork Authentication & Art Appraisal

Fyodor Rokotov (Фёдор Степанович Рокотов) (1736-1809)

Get a Rokotov Certificate of Authenticity for your painting (COA) for your Rokotov drawing.

For all your Rokotov artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rokotov Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rokotov painting or drawing.

If you want to sell your Rokotov painting or drawing use our selling services. We offer Rokotov selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rokotov and issuing certificates of authenticity since 2002. We are recognized Rokotov experts and Rokotov certified appraisers. We issue COAs and appraisals for all Rokotov artworks.

Our Rokotov paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rokotov certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rokotov painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rokotov paintings or drawings take longer.

Our clients include Rokotov collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Fyodor Rokotov art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Fyodor Rokotov or we will sell it for you.

Emperor Paul I as a Child 1761

Emperor Paul I as a Child 1761

Fyodor Rokotov was a distinguished Russian painter who specialized in portraits. Rokotov was born into a family of peasant serfs, belonging to the Repnins. Much in his biography is obscure. He studied art in Saint Petersburg Academy of Arts. After buying back his freedom in the end of 1750s he became established as a fashionable painter.

Lady in a Pink Dress

Lady in a Pink Dress

In 1765, Rokotov was elected an Academician, but he did not work as a professor in the Academy long, because it interfered with his painting. He returned to Moscow in 1765, where he lived for the rest of his life. He had a lot of commissions there, becoming one of the best portrait painters of his time.

Ivan Shuvalov 1760

Ivan Shuvalov 1760

Among his best-known portraits are Portrait of Alexandra Struyskaya (1772), sometimes called the Russian Mona Lisa and admittedly the most celebrated piece of the 18th-century Russian painting; Portrait of Countess Elisabeth Santi (1785), and Lady in a Pink Dress (1770s).

Alexandra Struyskaya 1772

Alexandra Struyskaya 1772

Rokotov avoided painting formal portraits with lots of adornments and decorations. Instead he was one of the first Russian painters advancing a psychological portrait with attention to optical and atmospheric effects. Still wondering about an 18th century Russian painting in your family collection? Contact us…it could be by Fyodor Rokotov.


done
828--asin.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "asin" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "asin" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "asin" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "asin" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
829--hennings.php Ernest Martin Hennings Artwork Authentication & Art Appraisal

Ernest Martin Hennings (1886-1956)

Get a Hennings Certificate of Authenticity for your painting (COA) for your Hennings drawing.

For all your Hennings artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hennings Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hennings painting or drawing.

If you want to sell your Hennings painting or drawing use our selling services. We offer Hennings selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hennings and issuing certificates of authenticity since 2002. We are recognized Hennings experts and Hennings certified appraisers. We issue COAs and appraisals for all Hennings artworks.

Our Hennings paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hennings certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hennings painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hennings paintings or drawings take longer.

Our clients include Hennings collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ernest Martin Hennings art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ernest Martin Hennings or we will sell it for you.

Hennings, Passing By

Passing By

Hennings, Along the Canyon Road

Along the Canyon Road

Ernest Martin Hennings is an important American artist, best known for his involvement in the Taos Society of Artists in New Mexico. Hennings was born far from the pueblos of the southwest, in Pennsgrove, New Jersey. Hennings began his migration westward during his childhood years, when his family relocated to Chicago.

Hennings, Thistle Blossoms

Thistle Blossoms

It was in Chicago that Hennings first became interested in art, and decided to study at the Art Institute of Chicago. Hennings studied for five years, graduating with several accolades, including the “American Traveling Scholarship”. Hennings opted not to travel, to commence a career in commercial art.

Hennings, Taos portraits

Taos portraits

Hennings made a decent living as a commercial artist, but decided to change course in 1912. Luckily, Hennings was awarded second place in the Prix de Rome, enabling him to travel to Europe and study at the Royal Academy in Munich. While abroad, Hennings participated in the American Artists club, along with Walter Ufer and Victor Higgins (who later joined the Taos Society of Artists).

Hennings, Homeward

Homeward

Due to the start of World War I, Hennings returned to Chicago where he continued working as a painter and commercial artist. Hennings had considerable success, receiving commissions from a wealthy patron, Carter Harrison. In 1917, Harrison sent Hennings on a painting trip to New Mexico.

Hennings, In Rio Hondo Canyon

In Rio Hondo Canyon

Hennings, Chasmina in Bloom

Chasmina in Bloom

Hennings, Taos Indians, Homeward Bloom

Taos Indians, Homeward Bloom

Hennings, Vengeance

Vengeance

Hennings, Two Indians Watering their Horses

Two Indians Watering their Horses

Hennings felt an immediate connection to New Mexico after visiting Taos. By 1921, he decided to settle in Taos, joining the Taos Society of Artists within a couple of years. Hennings continued to receive commissions, including a series for the Santa Fe Railway.

Hennings work is now in highly reputable collections, such as the Koshare Indian Museum, the Pennsylvania Academy of Fine Arts, the Museum of Fine Arts in Houston, the Gilcrease Institute, the Smithsonian American Art Museum, the National Museum of Wildlife Art. Do you think you own a painting by this renowned Taos artist? Contact us. We are the experts on Ernest Walter Hennings.


done
830--gayrard.php Paul Joseph Raymond Gayrard Artwork Authentication & Art Appraisal

Paul Joseph Raymond Gayrard (1807-1855)

We Perform Paul Joseph Raymond Gayrard art authentication. Paul Joseph Raymond Gayrard appraisal. Paul Joseph Raymond Gayrard certificates of authenticity (COA). Paul Joseph Raymond Gayrard analysis, research, scientific tests , full art authentications. We will help you sell your Paul Joseph Raymond Gayrard or we will sell it for you.

Paul Joseph Raymond Gayrard, French school, was born in Clermont in 1807 and died in Enghien-les-Bains in 1855.  He was the son of Raymond Gayrard, 1777-1858, who outlived him by a few years and was also a sculptor.

Gayard studied sculpture under his father and exhibited at the Paris salon from 1831 until his death in 1855. He was awarded medals in 1834 and 1846. Although he sculpted some dogs and horses which were cast in bronze, he was not primarily an “animalier”, an animal sculptor. Most of his success came from commissions for bust sculptures of famous individuals of his time.  His largest sculpture group, representing four apostles, is in the Sainte Clotilde church in Paris.

We appraise bronzes by Gayrard.

art

Reclining Deerhound

art

An Allegorical Figure of the Arts

art

The Monkey Steeplechase

art

The Young St. John the Baptist with a Lamb

done
831--van-dongen-francais.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "van-dongen-francais" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "van-dongen-francais" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "van-dongen-francais" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "van-dongen-francais" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
832--zuniga.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "zuniga" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "zuniga" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "zuniga" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "zuniga" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
833--barye.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "barye" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "barye" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "barye" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "barye" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
834--zoppo.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "zoppo" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "zoppo" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "zoppo" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "zoppo" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
835--aivazovsky.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "aivazovsky" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "aivazovsky" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "aivazovsky" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "aivazovsky" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
836--fratin.php Christophe Fratin Artwork Authentication & Art Appraisal

Christophe Fratin (1801-1864)

We Perform Christophe Fratin art authentication. Christophe Fratin appraisal. Christophe Fratin certificates of authenticity (COA). Christophe Fratin analysis, research, scientific tests , full art authentications. We will help you sell your Christophe Fratin or we will sell it for you.

Christophe Fratin, French school, was born in Metz in 1801 and died in Raincy in 1864. Some texts erroneously give his date of birth as 1790, others as 1800 and some as 1802.  He studied first under Pioche and then sculpture under Gericault. From 1831 until 1863 he exhibited at the Paris Salon and in 1851 in London.

art

Horse He was primarily an “animalier”, an animal sculptor. Many of his bronzes represent lions, tigers, hunting scenes, one animal attacking another, deer, dogs, eagles, vultures and horses. He is also famous for a series of bears performing humorous tasks, such as taking a bath in a tub, dancing, or as dentists and musicians, and sometimes involved in acrobatic exercises. Among other subjects are monkeys, cows, bulls, parrots, pheasants, herons, storks, pelicans, wolves, donkeys, frogs, tortoises, snakes, boars, rhinoceros, elephants, cats, goats, gazelles, antelopes, hares, a boy and his dog. In addition to statues he created bronze vases, centerpiece bowls, inkwells and candlesticks which incorporate animals such as panthers, bears, birds, or monkeys. He was a prolific artist.

art

The Bear Dentist While some of his pieces have a smooth and naturalistic surface finish, he also had a much rougher style where tool marks and the raw aspect of the clay he worked with are clearly visible. One would compare this to palette work and the use of strong impasto in certain paintings. Less common than his bronzes he also produced ceramic pieces and clay reliefs, some of which are patinaed or gilt. Fratin also created walking stick handles and fancy boxes, such as jewelry chests and decorative bronze parts for furniture.

art

Tiger Attacking a Young Camel

His works are in numerous collections including the museums in Baltimore, London, Vienna, Paris, Lyon, Chalons-sur-Marne, Nimes, Compiegne, and Metz, his native town. Eagles and Prey is displayed in New York’s Central Park since 1863. A large bronze, Eagle and Vulture Disputing their Prey, is at Babelberg castle in Germany.

art

Eagles and Prey, Central Park New York

done
837--duplessis.php Joseph Siffred Duplessis Artwork Authentication & Art Appraisal

Joseph Siffred Duplessis (1725-1802)

Get a Duplessis Certificate of Authenticity for your painting (COA) for your Duplessis drawing.

For all your Duplessis artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Duplessis Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Duplessis painting or drawing.

If you want to sell your Duplessis painting or drawing use our selling services. We offer Duplessis selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Duplessis and issuing certificates of authenticity since 2002. We are recognized Duplessis experts and Duplessis certified appraisers. We issue COAs and appraisals for all Duplessis artworks.

Our Duplessis paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Duplessis certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Duplessis painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Duplessis paintings or drawings take longer.

Our clients include Duplessis collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Joseph Siffred Duplessis art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Joseph Siffred Duplessis or we will sell it for you.

Duplessis, Portrait of Christoph Wilibald Gluck, 1775

Portrait of Christoph Wilibald Gluck, 1775
Oil on Canvas 99.5 x 80.5 cm
Kunsthistorisches Museum

Joseph Sifrede Duplessis was a popular portrait painter among nobility, aristocrats, artists and musicians in the 18th century. He studied under Subleyras and received many portrait commissions during his lifetime. He was known for his myriad paintings of Benjamin Franklin, and painted the official portrait of Louis XVI in 1775 at Versailles.

Duplessis, Benjamin Franklin

Benjamin Franklin

Duplessis, Louis XVI

Louis XVI

Duplessis, Portrait of Christophe Gabriel Allegrain, 1775

Portrait of Christophe Gabriel Allegrain, 1775
Oil on Canvas 130 x 97 cm
Louvre Museum

Duplessis, Portrait of Benjamin Franklin on 100 Dollar Bill

Portrait of Benjamin Franklin on 100 Dollar Bill

Duplessis, Portrait of Benjamin Franklin, 1778

Portrait of Benjamin Franklin, 1778
Oil on Canvas
Metropolitan Museum of Art 72.4 x 58.4 cm

Duplessis, Portrait of Joseph-Marie Vien, 1784

Portrait of Joseph-Marie Vien, 1784
Louvre Museum

Still wondering about an 18th century portrait in your family collection? Contact us… we are the Joseph Siffred Duplessis experts.


done
838--brewster.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "brewster" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "brewster" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "brewster" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "brewster" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
839--di-paolo.php Giovanni di Paolo Artwork Authentication & Art Appraisal

Giovanni di Paolo 1395 (or 1407) – 1482

Get a Di Paolo Certificate of Authenticity for your painting (COA) for your Di Paolo drawing.

For all your Di Paolo artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Di Paolo Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Di Paolo painting or drawing.

If you want to sell your Di Paolo painting or drawing use our selling services. We offer Di Paolo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Di Paolo and issuing certificates of authenticity since 2002. We are recognized Di Paolo experts and Di Paolo certified appraisers. We issue COAs and appraisals for all Di Paolo artworks.

Our Di Paolo paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Di Paolo certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Di Paolo painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Di Paolo paintings or drawings take longer.

Our clients include Di Paolo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giovanni di Paolo art authentication,, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni di Paolo or we will sell it for you.

di Paolo, Saint Ansanus, The Baptizer

Saint Ansanus, The Baptizer

di Paolo, Saint Ambrose, 1465-1470

Saint Ambrose, 1465-1470
Siena, Italy
Tempera on Wood, gold ground 60.6 x 36.8 cm
Metropolitan Museum of Art, NY

di Paolo, Paradise, 1445

Paradise, 1445
Tempera and Gold on Canvas on Wood 47 x 40.6 cm
Metropolitan Museum of Art, New York

di Paolo, The Annunciation to Zacharias; The Angel of the Annunciation

The Annunciation to Zacharias; The Angel of the Annunciation, c. 1455-60
Tempera on Gold Wood 75.9 x 43.2 cm
Metropolitan Museum of Art, New York

di Paolo, The Baptism of Christ

The Baptism of Christ
Tempera and Gilding on Panel 25.7 x 35.7 cm
Ashmolean Museum of Art and Archaeology University of Oxford

Giovanni di Paolo was 15th century, Italian painter of the Sienese School. It is believed that Di Paolo apprenticed with Taddeo di Bartolo, though his later work was influenced by the Gothic painters such as Gentile da Fabriana. He was a prolific painter and illustrator of manuscripts, including Dante’s texts.

Still wondering about an Italian painting in your family collection? Contact us… we are the Giovanni di Paolo. experts.


done
840--appelius.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "appelius" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "appelius" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "appelius" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "appelius" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
841--stepanova.php Varvara Stepanova Artwork Authentication & Art Appraisal

Varvara Stepanova Варвара Фёдоровна Степанова (1894-1958)

Get a Stepanova Certificate of Authenticity for your painting (COA) for your Stepanova drawing.

For all your Stepanova artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Stepanova Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Stepanova painting or drawing.

If you want to sell your Stepanova painting or drawing use our selling services. We offer Stepanova selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Stepanova and issuing certificates of authenticity since 2002. We are recognized Stepanova experts and Stepanova certified appraisers. We issue COAs and appraisals for all Stepanova artworks.

Our Stepanova paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Stepanova certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Stepanova painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Stepanova paintings or drawings take longer.

Our clients include Stepanova collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Varvara Stepanova art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Varvara Stepanova or we will sell it for you.

Billiard Players

Billiard Players

Varvara Stepanova was a Russian artist assocated with the ‘Constructivist’ movement. She came from peasant origins but was fortunate enough to get an education at Kazan School of Art, Odessa. There she met her life-long friend and collaborator Alexander Rodchenko. In the years before the Russian Revolution of 1917 they shared an apartment in Moscow with Wassily Kandinsky and through him met Aleksandra Ekster and Liubov Popova. These artists became some of the main figures in the Russian avant-garde. The new abstract art in Russia which began around 1909, was a culmination of influences from Cubism, Italian Futurismand traditional peasant art. She designed Cubo-Futurist work for several artists’ books.

Illustration for Poem Riny Khomle 1918

Illustration for Poem Riny Khomle 1918

In the years following the revolution, Stepanova contributed work to the Fifth State Exhibition and the Tenth State Exhibition, both in 1919. In 1920 came a division between painters like Kasimir Malevich who continued to paint with the idea that art was a spiritual activity, and those who believed that they must work directly for the revolutionary development of the society. Stepanova declared in her text for the exhibition 5×5=25, held in Moscow in 1921: ‘Composition is the contemplative approach of the artist. Technique and Industry have confronted art with the problem of construction as an active process and not reflective. The ‘sanctity’ of a work as a single entity is destroyed. The museum which was the treasury of art is now transformed into an archive’.

Five Figures on a White Background 1920

Five Figures on a White Background 1920

The term ‘Constructivist’ was by then being used by the artists themselves to describe the direction their work was taking. The theatre was another area where artists were able to communicate new artistic and social ideas. Stepanova designed the sets for The Death of Tarelkin in 1922. She carried out her ideal of engaging with industrial production in the following year when she, with Popova, became designer of textiles at the Tsindel (the First State Textile Factory) near Moscow, and in 1924 became professor of textile design at the Vkhutemas (Higher Technical Artistic Studios) while continuing typography, book design and contributing to the magazine LEF. Still wondering about a Russian painting in your family collection? Contact us…it could be by Varvara Stepanova.


done
842--pobbiati.php Mario Pobbiati Artwork Authentication & Art Appraisal

Mario Pobbiati (1887 – 1956)

We Perform Mario Pobbiati art authentication. Mario Pobbiati appraisal. Mario Pobbiati certificates of authenticity (COA). Mario Pobbiati analysis, research, scientific tests, full art authentications. We will help you sell your Mario Pobbiati or we will sell it for you.

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Donne del Paesaggio

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Mario Pobbiati was born in Italy in 1887. Pobbiati is known as a twentieth century Expressionist painter.

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Ritratto di Signora

The majority of Pobbiati’s paintings depict portraits of the female figure, animated scenes or landscapes.

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Lady in Pink

Pobbiati’s paintings are figurative and narrative, depicting his life and environment in Italy.

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Some of Pobbiati’s paintings are more traditional, while other works are quite abstract, using loose brush strokes. Pobbiati often paints portraits in an ambient setting, creating emotion and energy in his composition.

Do you still thing you own a Mario Pobbiati? Contact us. We are the Pobbiati experts.


done
843--westall_r.php Richard Westall Artwork Authentication & Art Appraisal

Richard Westall (1765 – 1836)

Richard Westall art authentication. Richard Westall appraisal. Richard Westall certificates of authenticity (COA). Richard Westall analysis, research, scientific tests, full art authentications. We will help you sell your Richard Westall or we will sell it for you.

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A Peasant Boy

Richard Westall was an English painter and was the more successful of two half-brothers who each became painters. His younger half-brother was William Westall (1781-1850), a well-travelled landscape painter.

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The Birth of Sin, 1794

Born in Norwich, Richard Westall was apprenticed to a heraldic silver engraver in London in 1779 before studying at the Royal Academy School of Art on 10 December 1785. He exhibited at the Academy regularly between 1784 and 1836 becoming an Associate in November 1792 and being elected an Academician on 10 February 1794. From 1790 to 1795, he shared a house with Sir Thomas Lawrence, the future RA President, at 57 Greek Street, on the corner of Soho Square, where each of the artists placed their name on one of the entrances.

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The Sword of Damocles, 1812

His works, many of which were watercolor, included portraits of Queen Victoria, Lord Byron and Richard Ayton as well as many historical subjects in the neoclassical style. Westall was a successful illustrator of books, including an edition of the Bible and of John Milton’s poems, and worked for the noted publisher John Boydell. He also served as drawing master to the future Queen of England, Princess Victoria, between 1827 and 1836. She was his first and only pupil, but one who was inspired by his example.

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Satan Touched by Ithuriel, 1825

Still wondering about a British painting in your family collection? Contact us…it could be by Richard Westall.


done
844--armitage.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "armitage" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "armitage" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "armitage" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "armitage" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
845--crane.php Walter Crane Artwork Authentication & Art Appraisal

Walter Crane (1845-1915)

Get a Crane Certificate of Authenticity for your painting (COA) for your Crane drawing.

For all your Crane artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Crane Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Crane painting or drawing.

If you want to sell your Crane painting or drawing use our selling services. We offer Crane selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Crane and issuing certificates of authenticity since 2002. We are recognized Crane experts and Crane certified appraisers. We issue COAs and appraisals for all Crane artworks.

Our Crane paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Crane certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Crane painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Crane paintings or drawings take longer.

Our clients include Crane collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Walter Crane art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Walter Crane or we will sell it for you.

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Princess Belle Etoile

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Horses of Neptune

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The Renaissance of Venus

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Venus and Cupid

Walter Crane was an English golden age illustrator and artist, and was a member of the Arts and Crafts movement. He was an illustrator of children’s books and also created paintings, drawings, pottery, ceramic tiles, textiles, wallpaper and other decorative arts. He was one of the most prominent artists of his time and became known for his whimsical style, which included allegorical paintings created in a variety of mediums and materials.

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Art and Life

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Portrait of a Lady

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Signs of Spring

Crane was born in Liverpool, the son of portrait painter and miniaturist Thomas Crane, and likely received some of his initial training from his father. Crane’s earliest influences were the pre-Raphaelites, and he studied under John Ruskin. Crane had a number of other influences, including an apprenticeship with engraver William James Linton. However, it was perhaps the influence of Japanese-style woodcuts that influenced Crane’s style the most, and led him to create some of the most original and beautiful illustrations of his time.

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Beauty and the Beast

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The Beast

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The Frog Prince and the Maiden

His first success as an artists came with his 1862 illustration “The Lady of Shalott” which he created to illustrate Tennyson’s work by the same name.

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The Lady of Shalott

Although this picture was exhibited at the Royal Academy, the Academy was steadily refusing his work at this time. Eventually, Crane stopped submitting his work for exhibition and increasingly began to work on book illustrations, particularly for children’s’ stories and nursery rhymes.

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Arthur Withdrawing Excalibur from the Stone

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Sir Galahad

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The Death Journey of the Lily Maid of Astolat

In 1871, Crane was married and took an extended trip to Italy. By 1874, Crane had established himself as a well known book illustrator and was allowed more creative freedom. His 1874 illustrations for “The Frog Prince” showed a strong Japanese-style influence.

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The Frog Prince

Crane continued to create illustrations for children’s books, including nursery rhymes for “The Baby’s Opera,” as well as fairy tales and other stories by famous authors like Nathaniel Hawthorne.

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Illustration from Baby’s Opera

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Jack and Jill, Baby’s Opera

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Buckle My Shoe

Crane became involved in the Socialist movement in the 1880’s as a result of his friendship with writer and decorator William Morris. Morris introduced Crane into creating art in the form of textiles, wallpaper and house decoration, all the while using his art to aide in the Socialist movement. This included providing cartoons for Socialist publications, which were eventually collected as “Cartoons for the Cause.” Crane also spent much of his time working for the Art Workers Guild, and it is said that he was more focused on achieving the ideals of Socialism through education, rather than revolution. Through his love of various mediums and his involvement in Socialism, Crane eventually became the founder of the Arts and Crafts Exhibition Society in 1888. Crane also became a member of the Water Colour Society that same year.

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Socialist Illustrations

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The Faerie Queen

Though better known for his lithographs and detailed color illustrations, Crane also created a number of easel paintings in his mature years. He exhibited regularly at the New Gallery and the Grosvenor Gallery. These paintings were primarily allegorical in subject and featured mythological characters, as well as landscapes and portraits.

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The Swan Maidens

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Diana and Endymion

Throughout his life, Crane remained involved in the art world, and held a number of prestigious positions, such as the examiner for the Science and Art Department at the South Kensington Museum, and also as art director and principal for a number of schools, including the Royal College of Art.

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The Pool

Today, Crane’s work is one of the most frequently bid on at auction, and is prized for its beauty and elegance. Still wondering about an illustration or golden-age style painting in your family collection? Contact us…it could be by Walter Crane.


done
846--king.php Charles Bird King Artwork Authentication & Art Appraisal

Charles Bird King (1785-1862)

Get a Bird King Certificate of Authenticity for your painting (COA) for your Bird King drawing.

For all your Bird King artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Bird King Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Bird King painting or drawing.

If you want to sell your Bird King painting or drawing use our selling services. We offer Bird King selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Bird King and issuing certificates of authenticity since 2002. We are recognized Bird King experts and Bird King certified appraisers. We issue COAs and appraisals for all Bird King artworks.

Our Bird King paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Bird King certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Bird King painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Bird King paintings or drawings take longer.

Our clients include Bird King collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles Bird King art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles Bird King or we will sell it for you.

Young Omahaw War Eagle 1821

Young Omahaw War Eagle 1821

Charles Bird King was a talented early American portrait painter known for his depiction of Native Americans. In particular, King painted portraits of the Native American chiefs and dignitaries that came to Washington to speak with government officials.

Black Hawk

Black Hawk

Shaumonekusse

Shaumonekusse

Crouching Eagle

Crouching Eagle

Born in Newport, Rhode Island, King received some of his earliest artistic training in London under Allston and Leslie. King continued to live in England for several years (1806-1812) studying and working. While in London, he also studied at the Royal Academy under Benjamin West and Edward Savage. It is said that his earliest pieces, which included still life compositions and certainly included landscapes, were not as successful as his portraits.

Poor Artists Cupboard

Poor Artists Cupboard

Upon his return to the United States in 1812, he resided in Pennsylvania with fellow artist Thomas Sully. During this time he exhibited his work with the Pennsylvania Academy of Fine art for a number of years. He moved to Baltimore in 1815 and was called back to Rhode Island due to a death in the family.

Black Hawk w/red headdress

Black Hawk w/red headdress

A Creek Chief

A Creek Chief

Chief Tokacon

Chief Tokacon

King set up shop in Washington D. C. where he stayed from 1822 until his death in 1862. For forty years he worked primarily in Washington D.C. painting portraits. Besides painting Native American dignitaries, he also was commissioned to create portraits of American government officials, wealthy families and prominent figures of the day. Some art historians name King as the most sought after portraitist in Washington D.C. during his lifetime.

John Ross

John Ross

William Harris Crawford

William Harris Crawford

David Vann

David Vann

Mrs. John Mason Jr. and Son

Mrs. John Mason Jr. and Son

King was also a generous patron of the Redwood Library in Newport, Rhode Island and was said to have donated money, books, engravings and over two hundred of his paintings to the library.

Abraham Redwood

Abraham Redwood

The Itinerant Artist 1830

The Itinerant Artist 1830

A Chippeway Widow

A Chippeway Widow

In total, it is said that King painted nearly 150 paintings of Native Americans, a project which took him 16 years to complete. These paintings were exhibited at the Nation Indian Portrait Gallery, established in 1817. It is said by some art historians that King was most likely the first portrait artist to portray tribal leaders from the west. These paintings were later transferred to the Smithsonian where it is thought that they were all destroyed in a fire in 1865. Copies of each had been made by painter Henry Inman, but could some of the originals have survived?

Red Jacket

Red Jacket

Major Ridge

Major Ridge

Pushmataha

Pushmataha

Chitee Yoholo, A Seminole Chief

Chitee Yoholo, A Seminole Chief

A Na Cam E Gish Ca, A Chippeway Chief

A Na Cam E Gish Ca, A Chippeway Chief

Still wondering about an early American portrait or Native American portrait hanging in your home? Contact us…it could be by Charles Bird King.


done
847--arburu.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "arburu" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "arburu" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "arburu" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "arburu" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
848--mieris.php Frans van Mieris Artwork Authentication & Art Appraisal

Frans van Mieris the Elder (1635-1681)

Get a Van Mieris Certificate of Authenticity for your painting (COA) for your Van Mieris drawing.

For all your Van Mieris artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Van Mieris Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Van Mieris painting or drawing.

If you want to sell your Van Mieris painting or drawing use our selling services. We offer Van Mieris selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Van Mieris and issuing certificates of authenticity since 2002. We are recognized Van Mieris experts and Van Mieris certified appraisers. We issue COAs and appraisals for all Van Mieris artworks.

Our Van Mieris paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Van Mieris certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Van Mieris painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Van Mieris paintings or drawings take longer.

Our clients include Van Mieris collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Frans van Mieris art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Frans van Mieris or we will sell it for you.

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Self-Portrait 1667

Frans van Mieris, the elder was a Dutch genre and portrait painter. The leading member of a Leiden family of painters, his sons Jan (1660-1690) and Willem (1662-1747) and his grandson Frans van Mieris the Younger (1689-1763) were also accomplished genre painters.

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The Music Lesson

Frans was the son of Jan van Mieris, a goldsmith and diamond setter at Leiden. His father wished to train him to his own business, but Frans preferred drawing to chasing, and took service with Abraham Torenvliet, a glazier who kept a school of design. In his father’s shop he became familiar with the ways and dress of people of distinction. His eye was fascinated in turn by the sheen of jewelry and stained glass; and, though he soon gave up the teaching of Torenvliet for that of Gerard Dou and Abraham van den Tempel, he acquired a manner which had more of the finish of the exquisites of the Dutch school than of the breadth of the disciples of Rembrandt.

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Duet 1658

It should be borne in mind that he seldom chose panels of which the size exceeded 12 to 15 inches, and whenever his name is attached to a picture above that size we may surely assign it to his son Willem or to some other imitator. Unlike Dou when he first left Rembrandt, or Jan Steen when he started on an independent career, Mieris never ventured to design figures as large as life. Characteristic of his art in its minute proportions is a shiny brightness and metallic polish.

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Gallant Scene

The subjects whom he treated best are those in which he illustrated the habits or actions of the wealthier classes; but he sometimes succeeded in homely incidents and in portrait, and not unfrequently he ventured on allegory. He repeatedly painted the satin skirt which Ter Borch brought into fashion, and he often rivalled Ter Borch in the faithful rendering of rich and highly-coloured woven tissues. But he remained below Ter Borch and Metsu, because he had not their delicate perception of harmony or their charming mellowness of touch and tint, and he fell behind Gerard Dou, because he was hard and had not his feeling for effect by concentrated light and shade. In the form of his composition, which sometimes represents the framework of a window enlivened with greenery, and adorned with bas-reliefs within which figures are seen to the waist, his model is certainly Dou.

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The Courting 1658

It is a question whether Houbraken has truly recorded this master’s birthday. One of his best-known pieces, a party of ladies and gentlemen at an oyster luncheon, in the Hermitage at St Petersburg, bears the date of 1650. Celebrated alike for composition and finish, it would prove that Mieris had reached his prime at the age of fifteen. Another beautiful example, the “Doctor Feeling a Lady’s Pulse” in the gallery of Vienna, is dated 1656; and Waagen, in one of his critical essays, justly observes that it is a remarkable production for a youth of twenty-one. In 1657 Mieris was married at Leiden in the presence of Jan Potheuck, a painter, and this is the earliest written record of his existence on which we can implicitly rely. Of the numerous panels by Mieris, twenty-nine at least are dated–the latest being an allegory, long in the Ruhl collection at Cologne, illustrating what he considered the kindred vices of drinking, smoking and dicing, in the year 1680. Mieris had numerous and distinguished patrons. He received valuable commissions from Archduke Leopold, the elector-palatine, and Cosimo III de’ Medici, grand-duke of Tuscany. His practice was large and lucrative, but never engendered in him either carelessness or neglect. If there be a difference between the painter’s earlier and later work, it is that the former was clearer and more delicate in flesh, whilst the latter was often darker and more livid in the shadows. When he died his clients naturally went over to his son Willem, who in turn bequeathed his painting-room to his son Frans. But neither Willem nor Frans the younger equaled Frans the elder.

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Portrait of a Young Lady 1672

The pictures of all the generations of the Mieris family were successfully imitated by A. D. Snaphaan, who lived at Leipzig and was patronized by the court of Anhalt-Dessau. To those who would study his deceptive form of art a visit to the collection of Worlitz near Dessau may afford instruction. Still wondering about a 17th century Dutch painting in your family collection? Contact us…it could be by Frans van Mieris.


done
849--doesburg.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "doesburg" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "doesburg" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "doesburg" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "doesburg" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
850--boulange.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "boulange" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "boulange" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> Louis Jean-Baptiste Boulange authentication
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "boulange" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "boulange" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
851--strozzi.php Bernardo Strozzi Artwork Authentication & Art Appraisal

Bernardo Strozzi (1581 – 1644)

Get a Strozzi Certificate of Authenticity for your painting (COA) for your Strozzi drawing.

For all your Strozzi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Strozzi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Strozzi painting or drawing.

If you want to sell your Strozzi painting or drawing use our selling services. We offer Strozzi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Strozzi and issuing certificates of authenticity since 2002. We are recognized Strozzi experts and Strozzi certified appraisers. We issue COAs and appraisals for all Strozzi artworks.

Our Strozzi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Strozzi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Strozzi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Strozzi paintings or drawings take longer.

Our clients include Strozzi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Bernardo Strozzi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Bernardo Strozzi or we will sell it for you.

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The Viola Player 1630-1640

 

Bernardo Strozzi was a prominent and prolific Italian Baroque painter born and active mainly in Genoa and Venice. Strozzi was born in Genoa. His background is likely not closely associated with the Florentine mercantile Strozzi family. In 1598, at the age of 17, he joined a Capuchin monastery, a reform branch of the Franciscan order. When his father died c1608, he left the order to care for his mother, earning their living with his paintings, which were often influenced by Franciscan teachings, for example his Adoration of the Shepherds (c. 1615). In 1625, he was charged with illegally practicing as a painter. When his mother died c1630, Bernardo he was pressured in court by the Capuchin’s to re-enter the order. He was briefly imprisoned in Genoa, and upon release fled to Venice to avoid confinement in a monastery in 1631. He became nicknamed all his life as il prete Genovese (the Genoa priest).

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Vanity 1630

Early paintings, such as The Ecstasy of St Francis show the dark emotionalism of Caravaggio. But by the second decade of the 17th century, while working in Venice, Strozzi had synthesized a personal style which fused painterly influences of the North (including Rubens and Veronese) with a monumental realistic starkness. For example, in the painting The Incredulity of Thomas, the background is muted, yet Jesus’ face, haloed and his outline, misty, in a style atypical of Caravaggio.

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The Lute Player 1630-1635

Never as dark as the Caravaggisti, Venice infused his painting with a gentler edge, a style more acceptable to the local patronage, and one derived from his precursors in Venice, Jan Lys (died 1629) and Domenico Fetti (died 1626), who had also fused the influence of Caravaggio into Venetian art.

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Tribute Money

Examples of this style can be found in his Parable of the Wedding Guests (1630), Christ giving keys of Heaven to Saint Peter (1630), Saint Lawrence distributing Alms at San Nicolò da Tolentino and a Personification of Fame (1635-6). He was also likely influenced by Velazquez (who visited Genoa in 1629-30).

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The Incredulity of St. Thomas

After a commission to paint Claudio Monteverdi his fame grew, and his portrait paintings included many of the leading Venetians. His pupils and painter strongly influenced by him included Giovanni Andrea de Ferrari (1598-1669), Giovanni Bernardo Carbone, Valerio Castello and, Giovanni Benedetto Castiglione.

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The Annunciation

 

Still wondering about an Italian painting in your family collection? Contact us…it could be by Bernardo Strozzi.


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853--houel.php Jean Pierre Louis Houel Artwork Authentication & Art Appraisal

Jean Pierre Louis Houel (1735-1813)

Get a Houel Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Houel artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Houel Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Houel painting, drawing or print.

If you want to sell your Houel painting, drawing or print use our selling services. We offer Houel selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Houel and issuing certificates of authenticity since 2002. We are recognized Houel experts and Houel certified appraisers. We issue COAs and appraisals for all Houel artworks.

Our Houel paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Houel certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Houel painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Houel paintings or drawings take longer.

Our clients include Houel collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Pierre Louis Houel art authentication, appraisal, Houel certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean Pierre Louis Houel or we will sell it for you.

Houel painting, Landscape

Landscape

Jean Pierre Louis Houel was an 18th century French painter. Houel was also an engraver and draftsman, and came from a family of artisans. He studied at the academy in Rouen at the age of 15, where he was exposed to the works of early Flemish and Dutch painters. Houel was later sent to study at the French Academy in Rome by wealthy patrons, where he was influenced by Italian landscapes and architecture.

Houel painting, Prise de la Bastille

Prise de la Bastille

Houel lived in Malta , Lipari and Sicily from 1776-1779, and as a result, published a number of travel books based on his journeys. He also painted many beautiful watercolor views of the Italian cities that he visited. Before he died, Houel was working on a series of animals for a zoological study that was never completed.

Houel painting, View of the Coliseum

View of the Coliseum

Still wondering about an 18th century landscape in your family collection? Contact us…it could be by Jean Pierre Louis Houel.


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854--fernandez.php Aristides Fernandez Artwork Authentication & Art Appraisal

Aristides Fernandez (1904-1934)

Get a Fernandez Certificate of Authenticity for your painting (COA) for your Fernandez drawing.

For all your Fernandez artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Fernandez Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fernandez painting or drawing.

If you want to sell your Fernandez painting or drawing use our selling services. We offer Fernandez selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fernandez and issuing certificates of authenticity since 2002. We are recognized Fernandez experts and Fernandez certified appraisers. We issue COAs and appraisals for all Fernandez artworks.

Our Fernandez paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fernandez certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fernandez painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fernandez paintings or drawings take longer.

Our clients include Fernandez collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Aristides Fernandez art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Aristides Fernandez or we will sell it for you.

Though almost completely self-taught, Fernandez briefly attended the San Alejandro Academy. He did not finish his studies there, however and dropped out only a year into his studies.

Fernandez was known to be a violent person, highly critical of his own work. He rejected the green color palate used by his contemporaries, and instead depicted Cuba in deep blues and grey tones. One of his most famous paintings “Lavanderas” is a great example of his use of blue tones and portrayal of Cuban life.

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Lavanderas

His style was very different from that of his contemporaries, and is difficult to categorize, though he may be linked closest to the Expressionists. During his lifetime, he was highly critical about the organized art school systems, and was always trying to separate himself from movements, styles or art groups. Nevertheless, he became good friends with many high profile artists of the day such as Jorge Arche and Victor Manuel.

Despite the fact that Fernandez did not categorize himself in any way, today he is known as being one of the forerunners in Cuban Modernism and social commentary paintings. His work was usually very socially driven and featured the “peasants” of rural Cuba, such as “La Familia.”

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La Familia

Almost as popular as Fernandez’s paintings are his short stories. Written mostly in the first person narrative, Fernandez was also one of the first Cuban painters to write in the horror genre. Leaving behind 17 short stories in total, his compositions were also never published during his lifetime, but were released in 1960.

Because of Fernandez’s sometimes turbulent, often mysterious and short-lived life, the possibility for previously unknown work of his surfacing is great. He was known to destroy many of his paintings due to his perfectionist nature, therefore leaving very few finished pieces in his oeuvre compared to most painters.

Fernandez’s work is very pictorial and narrative in nature and his paintings seem to tell a story about what’s going on. He rarely did still life, landscapes or portraiture—always scenes telling stories about Cuban culture and people. Sadly, like most painters, he only reached national acclaim posthumously, leaving many questions and mysteries about his work behind.

Aristides Fernandez art authentication. Aristides Fernandez appraisal from . Aristides Fernandez certificates of authenticity (COA). Aristides Fernandez analysis, research, scientific tests, full art authentications. We will help you sell your Aristides Fernandez or we will sell it for you.


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855--gerome.php Jean Leon Gerome Artwork Authentication & Art Appraisal

Jean Leon Gerome (1824-1904)

Get a Gerome Certificate of Authenticity for your painting or a COA for your Gerome drawing or sculpture.

For all your Gerome artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Gerome Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gerome painting, drawing or sculpture.

If you want to sell your Gerome painting, drawing or sculpture use our selling services. We offer Gerome selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gerome and issuing certificates of authenticity since 2002. We are recognized Gerome experts and Gerome certified appraisers. We issue COAs and appraisals for all Gerome artworks.

Our Gerome paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gerome certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gerome painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gerome paintings, drawings or sculpture take longer.

Our clients include Gerome collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Leon Gerome art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Jean Leon Gerome or we will sell it for you.

Jean Leon Gerome was a painter and a sculptor. He went to Paris in 1841, and was a student of Paul Delaroche and Charles Gleyre. He inherited the highly finished academic style of Paul Delaroche and at first established himself as a Neo Classical painter.

He traveled to Italy with Paul Delaroche in 1844, and 1845, and on his return he exhibited the painting, ‘The Cock Fight’ at the salon for which he was awarded a Third Class medal. In 1848, he won Second Class medals with paintings such as, ‘Bacchus and Cupid’ and, ‘The Virgin with Christ’. In 1855, he traveled to Turkey to make some studies for a commission and became both enthralled and entranced by the region. He was to return there again and also traveled to Egypt and Algeria. He was to become a leading exponent of the Orientalist art movement in France.

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Bacchus and Cupid

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Young Greeks at a Cock Fight

A number of his Orientalist paintings such as, ‘The Guard of Harem,’ which was produced in 1859, and ‘The Draught Players’ can be seen at the Wallace collection in London which has one of the most extensive collection of Orientalist art in Europe. One particularly magnificent painting of his, in the Orientalist style is ‘Complicity.’ This painting shows a man dressed in a vivid orange robe and turban, with his dogs, and pistols in a holster hanging around his waste. There is no doubt that in his paintings, Gerome managed successfully to portray the vibrancy and exoticicsm of the Orient.

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The Draught Players

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Guard of Harem

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Complicity

Gerome is also particularly well known for the painting he created recounting the Greek Myth of ‘Pygmalion and Galeta’. There are two versions of this myth but the most commonly told is the following, which helps with the understanding of this painting. Pygmalion was the King of Cyprus. He created a life like statue of his ideal woman. He called the statue ‘Galeta’, however, what he created in statue for was so beautiful, he fell in love with it! Aphrodite, the Goddess of love and beauty took pity on the lovesick Pygmalion and transformed Galeta into a living woman and presided over the marriage of the two. The painting can be seen at the Metropolitan Museum of Art in New York, which also has other paintings by Jean Leon Gerome.

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Pygmalion and Galeta

As well as a painter, Gerome was also a gifted Sculptor and some of his creations include ‘Omphale’ and ‘Bellona’. Bellona was a particularly beautiful work made of ivory, metal and precious stones which was also exhibited at the Royal Academy in London where it caused something of a sensation. He also produced a statue of the Duc d’Aumale which stands in front of the Chateau of Chantilly in France. In later life he produced a series of conquerors wrought in gold silver and gems, such as, ‘Bonaparte entering Cairo’ and ‘Frederick the Great’.

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Belloma

Students who studied under him include, Jean-Jules-Antoine Lecomte de Nouy. Other painters of the time who specialised in Orientalism, include, Emile Jean Horace Vernet, Alexandre Gabriel Decamps, Prosper Marilhat, Charles Theodore Frere and Alexandre Bida.


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856--hofer.php Karl Hofer Artwork Authentication & Art Appraisal

Karl Hofer (1878 – 1955)

Get a Hofer Certificate of Authenticity for your painting (COA) for your Hofer drawing.

For all your Hofer artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hofer Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hofer painting or drawing.

If you want to sell your Hofer painting or drawing use our selling services. We offer Hofer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hofer and issuing certificates of authenticity since 2002. We are recognized Hofer experts and Hofer certified appraisers. We issue COAs and appraisals for all Hofer artworks.

Our Hofer paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hofer certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hofer painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hofer paintings or drawings take longer.

Our clients include Hofer collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Karl Hofer art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Karl Hofer or we will sell it for you.

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Portrait of a Woman

Karl Hofer was a German expressionist painter. One of the most prominent painters of expressionism, he never was a member of one of the expressionist painting groups, like “Die Brücke”, who influenced him. His work was considered degenerate by the Nazis, and only afer World War II he regain recognition as one of the greatest German painters.

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Laokoon 1940

Still wondering about a German expressionist painting in your family collection? Contact us…it could be by Karl Hofer.


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857--lautrec.php Lautrec Artwork Authentication & Art Appraisal

Henri de Toulouse-Lautrec (1864-1901)

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Ambassadeurs

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Divan Japonaise

Unlike any other well-known artist of the 19th century, Lautrec was highly influenced by Japanese woodblock prints to create his distinctive posters and lithographs. There are some 360 total works in his portfolio, the most popular of which were turned into posters at that time. Upwards of 3,000 copies were made of the most popular prints—though none of them were signed or numbered, merely marked with his signature HT.

A pair of stunted legs plagued Lautrec since early adolescence, caused by improper healing after they were both broken. It was while he was recovering from these breaks that he was encouraged to paint. While the rest of Lautrec’s body grew into that of a normal sized man, his legs did not. He was never able to fully come to terms with his disability, and it caused him great mental strain.

Known for his depictions of nightlife at the Moulin Rouge nightclub, he did not just illustrate the bohemian lifestyle—he lived it. Everything that he depicted in his Moulin Rouge prints came from actual experiences he had. Though born from a wealthy family, Lautrec chose to live in the seedy Montmartre district amongst the wicked nightlife to fully immerse himself into the bohemian way. Lautrec was friendly with many of his cancan dancer subjects, particularly La Goulue, whom he depicted many times. He would often be seen sketching while in the company of friends, drinking and smoking all at the same time. These sketches would later be transformed into blocks to create prints (most likely, by a professional wood carver).

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Moulin Rouge Poster

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La Clowness

La Goulue is perhaps Lautrec’s best known print, with recreations being sold by art dealers everywhere. Notice the flat oriental-styling and the use of only red, black and yellow. Even though the print seems flat, their are also obvious levels of foreground, mid-ground and background. Goulue, the shameless cancan dancer featured in the print, also caught the eye of another famous artiste of the day, Auguste Renoir.

Lautrec was also in high demand around the turn of the century and was commissioned for many theater posters, and magazine and newspaper illustrations. Lautrec also produced a number of lithographs for famous French personalities of the day, known as the Belle Epoque.

Unfortunately, it was Lautrec’s bohemian lifestyle that caused him to meet his end. He died at the age of 36 due to a stroke brought on by his excessive alcohol consumption. His prints are now in high demand at auctions especially his Moulin Rouge series. With so many smaller prints and original sketches floating around, could you have an original?

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La Goulue Arriving at the Moulin Rouge

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M. Boulieau Au Cafe

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858--duchamp.php Marcel Duchamp Artwork Authentication & Art Appraisal

Marcel Duchamp (1887 – 1968)

Get a Duchamp Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Duchamp artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Duchamp Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Duchamp painting, drawing or print.

If you want to sell your Duchamp painting, drawing or print use our selling services. We offer Duchamp selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Duchamp and issuing certificates of authenticity since 2002. We are recognized Duchamp experts and Duchamp certified appraisers. We issue COAs and appraisals for all Duchamp artworks.

Our Duchamp paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Duchamp certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Duchamp painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Duchamp paintings or drawings take longer.

Our clients include Duchamp collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Marcel Duchamp art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Marcel Duchamp or we will sell it for you.

Duchamp, Apropos of Little Sister (A propos de jeune soeur)

Apropos of Little Sister (A propos de jeune soeur)
1911 Oil on canvas 28 3/4 x 23 5/8 inches (73 x 60 cm)
Solomon R. Guggenheim Museum, New York 

Duchamp, Nude (Study), Sad Young Man on a Train (Nu [esquisse]

Nude (Study), Sad Young Man on a Train (Nu [esquisse], Jeune homme triste dans un train)
1911–12 Oil on cardboard, mounted on Masonite 39 3/8 x 28 3/4 inches (100 x 73 cm)
The Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice 

Marcel Duchamp was a French-born artist, who redefined modern art in the post World War I era. While Duchamp is often associated with the Surrealist and Dadaist movements, his work remains in a league of its own. Duchamp challenged the way people think about art and artistic practices. While Duchamp did not produce a large quantity of works, the pieces he did produce were often controversial and avant-garde.

Duchamp, Poarta Sarutului, Tirgu Jiu

Study for Chess Players (Étude pour une partie d’échecs)
1911 Brown ink with watercolor wash on writing paper 8 3/8 x 7 1/4 inches (21.2 x 18.4 cm)
Solomon R. Guggenheim Museum, New York

Duchamp was born in the Haute-Normandie region of France. Duchamp’s siblings Jacques Villon, Raymond Duchamp-Villon and Suzanne Duchamp-Crotti were also active artists. As a child, Duchamp drew and painted alongside his older siblings.

Duchamp, The Bride Stripped Bare by Her Bachelors, Even (The Green Box)

The Bride Stripped Bare by Her Bachelors, Even (The Green Box),
1934 Box containing collotype reproductions on various papers
Overall: 13 x 11 1/8 x 1 in. (33 x 28.3 x 2.5 cm)

From 1904 to 1905 Duchamp studied at the Académie Julian in Paris. After only a year of study, Duchamp was obligated to join the army, where he worked as a printer. As a printer Duchamp was able to learn about printing processes and typography.

Duchamp, Conversation

Conversation
1909 Pen and ink and wash on paper 12 x 9 7/8″ (30.5 x 25.7 cm)

In 1908-09 Duchamp exhibited his work in both the Salon d’Automne and the Salon des Indépendants. Duchamp soon became acquainted with a circle of like-minded artists including Picabia, Robert Delaunay, Fernand Léger, Roger de la Fresnaye, Albert Gleizes, Jean Metzinger, Juan Gris and Alexander Archipenko. The group, hosted by Duchamp’s brother, Jacques, was known as the Puteaux Group or Orphic Cubists.

Duchamp, Sundays

Sundays
1909 Conté crayon, ink, and gouache on paper 24 x 19 1/8″ (61 x 48.5 cm)

Duchamp, Landscape

Landscape
1911 Oil on canvas 18 1/8 x 24″ (46.3 x 61.3 cm)

Duchamp’s first controversial work was ‘Nude Descending a Staircase, No. 2’. Duchamp gradually moved away from Cubist theory and started exploring the ‘fourth dimension’. In 1913 Duchamp entered the Armory Show in New York City, known as the International Exhibition of Modern Art, where he continued to stir the minds of critics and spectators.

Duchamp, The Passage from Virgin to Bride

The Passage from Virgin to Bride
1912 Oil on canvas, 23 3/8 x 21 1/4″ /59.4 x 54 cm

Duchamp, 3 Standard Stoppages

3 Standard Stoppages
1913-14 Wood box 11 1/8 x 50 7/8 x 9″ (28.2 x 129.2 x 22.7 cm) three threads 39 3/8″ (100 cm), glued to three painted canvas strips 5 1/4 x 47 1/4″ (13.3 x 120 cm)

Duchamp, Bicycle Wheel

Bicycle Wheel
1951 (Third version, after lost original of 1913) Metal wheel mounted on painted wood stool, 51 x 25 x 16 1/2″ (129.5 x 63.5 x 41.9 cm)

After 1913 Duchamp created few traditional paintings and devoted his attention to technical drawings. Duchamp became less engaged with academic painters and spent his time working in a library and studying math and science.

In 1915, a year after the start of World War I, Duchamp made the decision to leave Paris and emigrate to the United States. Duchamp settled in New York, where he quickly met artists and art patrons.

Duchamp, Network of Stoppages

Network of Stoppages
1914 Oil and pencil on canvas 58 5/8″ x 6′ 5 5/8″ (148.9 x 197.7 cm)

Duchamp, To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour

To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour
1918 Oil, silver leaf, lead wire, and magnifying lens on glass (cracked), mounted between panes of glass in a standing metal frame, 20 1/8 x 16 1/4 x 1 1/2″ (51 x 41.2 x 3.7 cm)

Duchamp, Designs for Chessman

Designs for Chessman
1920 Ink, pencil, and relief printing on paper, 8 5/8 x 9″ (21.9 x 22.9 cm) each

Duchamp, Monte Carlo Bond (No. 12)

Monte Carlo Bond (No. 12)
1924 Cut-and-pasted gelatin silver prints on lithograph with letterpress, 12 1/4 x 7 1/2″ (31.2 x 19.3 cm)

By 1920 Duchamp formed the Société Anonyme with Katherine Dreier and Man Ray. The group was able to bring European Dadaist ideas to New York. The group discussed ‘ready-mades’ and ‘found’ art, among other things.

Duchamp made his most controversial move by submitting his most iconic piece; a urinal coined ‘Fountain’, to the Society of Independent Artists. His submission outraged fellow Dadaists. Despite criticism, Duchamp continued to work and published a Dada magazine in New York known as The Blind Man.

Duchamp, Rotary Demisphere (Precision Optics)

Rotary Demisphere (Precision Optics)
1925 Painted papier-mâché demisphere fitted on velvet-covered disk, copper collar with plexiglass dome, motor, pulley, and metal stand, 58 1/2 x 25 1/4 x 24″ (148.6 x 64.2 x 60.9 cm)

Duchamp, Nude Descending a Staircase, No. 2

Nude Descending a Staircase, No. 2
1912 Oil on canvas 57 7/8″ x 35 1/8″
Philadelphia Museum of Art

In 1918 Duchamp took a break from his main artwork ‘Large Glass’ and travelled to Argentina. In Argentina Duchamp focused on playing chess, an exercise he compared to drawing.

In 1923, after the end of the war, Duchamp returned to Paris through the financial backing of Jacques Doucet. In Paris, Duchamp withdrew from Dadaism and began to make optical devices. The devices were known as Rotoreliefs and would spin around on a phonograph. The spinning designs were filmed and produced in 1926 as Anémic Cinéma.

While the Rotorelief project was not incredibly successful, Duchamp continued to play chess in France, as he thought is was more pure than art, which was easily commercialized and tainted.

Marcel Duchamp is now recognized for the tremendous impact he made on the art world. His pieces are in the most prestigious, international museums and collections. Do you think you own a piece by Marcel Duchamp? Contact us. We are the experts on Marcel Duchamp.


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859--porter.php Fairfield Porter Artwork Authentication & Art Appraisal

Fairfield Porter (1907 – 1975)

We Perform Fairfield Porter art authentication. Fairfield Porter appraisal. Fairfield Porter certificates of authenticity (COA). Fairfield Porter analysis, research, scientific tests, full art authentications. We will help you sell your Fairfield Porter or we will sell it for you.

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Under the Elms

Fairfield Porter was an American painter and art critic, born in 1907. Porter is known for his representational renditions of everyday life. At a time when many artists were turning to Abstract Expressionism, Porter continued to paint domestic spaces, portraits and landscapes.

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Breakfast Still Life

Porter often painted friends and family members in their houses or apartments. Porter came from an affluent family and had a formal education, studying Art History at Harvard. Porter lived much of his live in New York City, befriending writers such as Frank O’Hara, John Ashbery and James Schuyler. Porter’s brother Eliot also pursued the arts and became a well-known photographer.

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art

In 1927 Porter travelled around Europe and spent a particularly long amount of time in Italy viewing art. Porter returned to begin his own painting career. He was greatly influenced by French painters, Edouard Vuillard and Paul Bonnard, as well as Abstract expressionist, Willem de Kooning.

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Calm Morning

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Lizzie at the Table

During the Great Depression Porter and wife, poet Anne Channing, moved to Chicago for some time before returning to New York . In New York, Porter worked many jobs, including an industrial designer for Navy Projects during World War II. Porter worked as an art critic for the Partisan Review and Art News, and The Nation.

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Still Life with Yellow Tablecloth

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Laurence Typing

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Amherst Campus no 1

Porter eventually moved with is family to Long Island, but spent much time painting in his New York City studio. Porter began to exhibit in solo shows at the Tibor de Nagy Gallery in New York City. Within a nine-year period, Porter showed in the Whitney Museum six times and exhibited in the Venice Bienale. Fairfield Porter’s paintings are in museums and private collections all over the world. Do you think you own a Fairfield Porter? Contact us. We are the Porter experts.


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860--steele.php T.C. Steele Artwork Authentication & Art Appraisal

Theodore Clement Steele (1847-1926)

Get a Steele Certificate of Authenticity for your painting (COA) for your Steele drawing.

For all your Steele artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Steele Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Steele painting or drawing.

If you want to sell your Steele painting or drawing use our selling services. We offer Steele selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Steele and issuing certificates of authenticity since 2002. We are recognized Steele experts and Steele certified appraisers. We issue COAs and appraisals for all Steele artworks.

Our Steele paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Steele certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Steele painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Steele paintings or drawings take longer.

Our clients include Steele collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform T.C. Steele art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your T.C. Steele or we will sell it for you.

Steele, Magnolias in Bloom, IU Campus

Magnolias in Bloom, IU Campus

T. C. Steele was an American painter known for his Indiana landscapes. Steele was born in Owen County, Indiana but spent much of his career in Indianapolis. Steele studied in a number of cities ranging from Cincinnati, Chicago and Munich.

Steele, Selma in the Garden

Selma in the Garden

Steele is considered to be one of the most important painters from Indiana and is associated with the Hoosier Group. Steele painted impressionist landscapes and portraits, by which he was able to make a decent living. Steele painted the Indiana poet James Whitcomb Riley as well as many political figures. Landscapes were his passion and often painted on site.

Steele, North Slope

North Slope

Steele was successful in exhibiting and was selected to be a part of the Louisiana Purchase Exposition in 1904 and was elected to the National Academy of Design a few years later.

Steele, Winter in the Ravine

Winter in the Ravine

Steele bought a house with fellow painter J. Ottis Adams in Brookville, Indiana. After the death of Steele’s wife, he left the house named “The Hermitage” to Adams. Steele later moved to Brown County, Indiana with his second wife and built “House of the Singing Winds”. Steele was influential in forming a strong art colony within Brown County.

Steele, Impressionist landscape

Impressionist landscape

Steele, Impressionist fall landscape

Impressionist fall landscape

Steele became a celebrity artist in Indiana as was awarded an honorary master’s degree from Wabash College and an honorary doctorate from Indiana University. T.C. Steele’s paintings are in numerous collections in Indiana and across the United States. Do you think you own a painting by T.C. Steele? Contact us. We are the T.C. Steele experts.


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861--gonzalez_v.php Antonio Gonzalez Velazquez Artwork Authentication & Art Appraisal

Antonio Gonzalez Velazquez (1723-1793)

We Perform Antonio Gonzalez Velazquez art authentication. Antonio Gonzalez Velazquez appraisal. Antonio Gonzalez Velazquez certificates of authenticity (COA). Antonio Gonzalez Velazquez analysis, research, scientific tests, full art authentications. We will help you sell your Antonio Gonzalez Velazquez or we will sell it for you.

Gonzalez Velazquez painting, Self-Portrait

Self-Portrait

Gonzalez Velazquez painting, Tulia Driving Her Chariot over her Fathers Body

Tulia Driving Her Chariot over her Fathers Body

Antonio Gonzalez Velazquez was an 18th century Spanish painter. He mainly painted religious, mythological and historical subjects, and was a member of a large family of Spanish painters.

Gonzalez Velazquez painting, San Lorenzo

San Lorenzo

Besides his genre and historical scenes, Gonzalez Velazquez also painted a number of portraits in the Baroque style. He lived much of his life in Madrid and also worked in Rome where he painted a number of frescoes.

Gonzalez Velazquez painting, Fresco

Fresco

Still wondering about an 18th century Spanish painting in your family collection? Contact us…it could be by Antonio Gonzalez Velazquez.


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862--doyen.php Gabriel Francois Doyen Artwork Authentication & Art Appraisal

Gabriel Francois Doyen (1726-1806)

Get a Doyen Certificate of Authenticity for your painting (COA) for your Doyen drawing.

For all your Doyen artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Doyen Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Doyen painting or drawing.

If you want to sell your Doyen painting or drawing use our selling services. We offer Doyen selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Doyen and issuing certificates of authenticity since 2002. We are recognized Doyen experts and Doyen certified appraisers. We issue COAs and appraisals for all Doyen artworks.

Our Doyen paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Doyen certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Doyen painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Doyen paintings or drawings take longer.

Our clients include Doyen collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gabriel Francois Doyen art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gabriel Francois Doyen or we will sell it for you.

Doyen, The Death of Virginie

The Death of Virginie

Gabriel Francois Doyen was an 18th century French academic painter. He mainly painted portraits as well as genre and historical scenes. He was born in Paris and spent much of his career after the French Revolution in Russia painting for Catherine II.

Doyen, Miracle of Ardents

Miracle of Ardents

Doyen, Allegory of Fishery: Neptune and Amphitrite

Allegory of Fishery: Neptune and Amphitrite
Drawing/ charcoal, stumped chalk 48 x 37.5 cm
Metropolitan Museum of Art, NY

Doyen, Allegory of Fishery: Neptune and Amphitrite, 1768

Allegory of Fishery: Neptune and Amphitrite, 1768
Drawing/ Pen and brown ink over graphite
Metropolitan Museum of Art, New York

Doyen, The Deliverance of Cybele, an Allegory of the Seasons

The Deliverance of Cybele, an Allegory of the Seasons
Pen and black ink, white gouache over chalk drawing 65.6 x 46.4 cm
Metropolitan Museum of Art, New York

Doyen, Portrait of a Woman

Portrait of a Woman
San Francisco Museum of Art

Still wondering about an 18th century French painting in your family collection? Contact us… we are the Gabriel Francois Doyen experts.


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863--prud-hon.php Pierre-Paul Prud’hon Artwork Authentication & Art Appraisal

Pierre-Paul Prud’hon (1752-1825)

We Perform Pierre-Paul Prud’hon art authentication. Pierre-Paul Prud’hon appraisal. Pierre-Paul Prud’hon certificates of authenticity (COA). Pierre-Paul Prud’hon analysis, research, scientific tests, full art authentications. We will help you sell your Pierre-Paul Prud’hon or we will sell it for you.

Prud'hon painting, Head of the Virgin for Annunciation 1811

Head of the Virgin for Annunciation 1811

Prud'hon painting, Portrait of Saint-Just

Portrait of Saint-Just

Prud'hon painting, Portrait of Count A. I. Osterman Tolstoy

Portrait of Count A. I. Osterman Tolstoy

Prud'hon painting, Rutger Jan Schimmelpenninck with His Family

Rutger Jan Schimmelpenninck with His Family

Pierre-Paul Prud’hon was an 18th century French painter. He was known for decorative projects, including painting the ceilings and frescoes at the Louvre, the Palais de Justice and the Metz Cathedral.

Prud'hon painting, The Abduction of Psyche

The Abduction of Psyche

Prud'hon painting, Justice and Devine Vengeance Pursuing Crime

Justice and Devine Vengeance Pursuing Crime

Prud'hon painting, Cupid and Psyche

Cupid and Psyche

He was a favorite of both the Empress Josephine and Marie Louise and received many commissions during his lifetime.

Prud'hon painting, Portrait of Empress Josephine 1805

Portrait of Empress Josephine 1805

Prud'hon painting, Study for the Empress Josephine

Study for the Empress Josephine

His paintings demonstrate an extraordinary grasp of anatomy, though his subjects were mainly political, military or allegorical. He favored the naturalism of Jean-Jacques Rousseau, and rebelled against the Neo-Classical standards set by David. His private life was rife with tragedy however, and he weathered unhappy marriages, as well as the suicide of his beloved pupil Constance Mayer.

Prud'hon sketch, Seated Female Nude

Seated Female Nude

Prud'hon sketch, Standing Nude

Standing Nude

Prud'hon sketch, Standing Nude, behind

Standing Nude, behind

Prud’hon is noted by art critics for his use of light and shadow, which historians credit to his love for Italian masters, particularly Caravaggio.

Prud'hon work, Head of Divine Vengeance

Head of Divine Vengeance

Prud'hon work, Venus, Chalk Drawing

Venus, Chalk Drawing

Prud'hon work, Victory

Victory

art

Young Zephyr Balancing Above Water

Many of his preparatory black and white sketches and studies are still in existence today, and are housed in public and private collections around the world. Still wondering about a sketch or painting in your family collection? Contact us…it could be by Pierre-Paul Prud’hon.


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864--olenhainz.php August Friedrich ölenhainz Artwork Authentication & Art Appraisal

August Friedrich ölenhainz (1745-1804)

Get a Ölenhainz Certificate of Authenticity for your painting (COA) for your Ölenhainz drawing.

For all your Ölenhainz artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ölenhainz Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ölenhainz painting or drawing.

If you want to sell your Ölenhainz painting or drawing use our selling services. We offer Ölenhainz selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ölenhainz and issuing certificates of authenticity since 2002. We are recognized Ölenhainz experts and Ölenhainz certified appraisers. We issue COAs and appraisals for all Ölenhainz artworks.

Our Ölenhainz paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ölenhainz certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ölenhainz painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ölenhainz paintings or drawings take longer.

Our clients include Ölenhainz collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform August Friedrich ölenhainz art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your August Friedrich ölenhainz or we will sell it for you.

Ölenhainz painting, Portrait of Franz Josef

Portrait of Franz Josef

ölenhainz painting, Portrait of a Lady and a Gentleman

Portrait of a Lady and a Gentleman

August Friedrich ölenhainz was an 18th century portrait painter who is most noted for his series of portraits of the Prince of Liechtenstein, Franz-Josef. Still wondering about a portrait in your family collection? Contact us…it could be by August Friedrich ölenhainz.


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865--davis-stuart.php Stuart Davis Artwork Authentication & Art Appraisal

Stuart Davis (1892-1964)

Get a Davis Certificate of Authenticity for your painting (COA) for your Davis drawing.

For all your Davis artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Davis Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Davis painting or drawing.

If you want to sell your Davis painting or drawing use our selling services. We offer Davis selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Davis and issuing certificates of authenticity since 2002. We are recognized Davis experts and Davis certified appraisers. We issue COAs and appraisals for all Davis artworks.

Our Davis paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Davis certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Davis painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Davis paintings or drawings take longer.

Our clients include Davis collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We Perform Stuart Davis art authentication. Stuart Davis appraisal. Stuart Davis certificates of authenticity (COA). Stuart Davis analysis, research, scientific tests, full art authentications. We will help you sell your Stuart Davis or we will sell it for you.

Davis, The Mellow Pad

The Mellow Pad

Davis, Hot Still Scope for Six Colors, 7th Avenue Style

Hot Still Scope for Six Colors, 7th Avenue Style

Davis, Garage No. 1

Garage No. 1

Stuart Davis is known as an important painter of the American modernist movement. Davis created his own style of pop art, using colorful forms inspired by jazz music.

Davis, Tree and Urn

Tree and Urn

Stuart was born in Philadelphia, Pennsylvania to an artistic family. Davis’s father worked as the art director of the Philadelphia Press and his mother was a visual artist, focusing on sculpture. Davis’s interest in art was nurtured from an early art, and Philadelphia provided a rich setting to study painting. Davis studied under the modernist artist, Robert Henri, known as a leader of The Eight and the Ashcan School. As an instructor, Henri promoted the idea of pushing the boundaries of painting in new and exciting directions. Davis proved to be a receptive pupil, and exhibited in the historical and controversial Armory Show in 1913. The exhibit is known as a pivotal event in American modern art.

Davis, Lucky Strike, 1921

Lucky Strike, 1921

Davis, Steeple Street

Steeple Street

Davis, Owh! San-Pao

Owh! San-Pao

After the Amory Show, Davis became committed to developing his work as a modernist painter. Davis continued his work and studies in Paris, known as an origin of cubist art and modern thinking. Davis developed his painting style, using abstract shapes and forms to reference contemporary American culture. Davis’s art also referenced advertisements by using graphic colors and text. Davis was greatly inspired by jazz, and tried to create a visual parallel in his painting. To Davis, jazz was not only music but also the “American scene”.

Davis, Report from Rockport

Report from Rockport

Davis, Swing Landscape

Swing Landscape

Davis, Ultra-Marine

Ultra-Marine

Davis, NY Waterfront

NY Waterfront

Davis, Landscape with Drying Sails

Landscape with Drying Sails

Davis, Combination Concrete

Combination Concrete

Davis, Rapt at Rappaport's

Rapt at Rappaport’s

Davis, Ivy League

Ivy League

Davis’s work was well received by the public, and became particularly popular in New York. Davis showed his work under the representation of Edith Gregor Halpert at a downtown gallery in New York City.

Davis, Section Study for Alle, 1955

Section Study for Alle, 1955

Davis, Untitled

Untitled

Davis, NY Mural

NY Mural

Stuart Davis’s paintings have become iconic images in American culture. Davis was incredibly successful in creating a unique and vibrant style that simultaneously defined an era in American life. Davis’s paintings are now in numerous museums in the United States and around the world. Do you think you own a painting by Stuart Davis? Contact us. We are the experts on Stuart Davis.


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866--espinosa.php Juan Bautista de Espinosa Artwork Authentication & Art Appraisal

Juan Bautista de Espinosa (1590-1641)

Get a Espinosa Certificate of Authenticity for your painting (COA) for your Espinosa drawing.

For all your Espinosa artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Espinosa Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Espinosa painting or drawing.

If you want to sell your Espinosa painting or drawing use our selling services. We offer Espinosa selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Espinosa and issuing certificates of authenticity since 2002. We are recognized Espinosa experts and Espinosa certified appraisers. We issue COAs and appraisals for all Espinosa artworks.

Our Espinosa paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Espinosa certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Espinosa painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Espinosa paintings or drawings take longer.

Our clients include Espinosa collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Juan Bautista de Espinosa art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Juan Bautista de Espinosa or we will sell it for you.

Espinosa, Octagonal Still Life with Grape Bunches

Octagonal Still Life with Grape Bunches

Espinosa, Still Life of Fruits and Plate of Olives

Still Life of Fruits and Plate of Olives

Juan Bautista de Espinosa was a Spanish painter of the Baroque period. Bautista de Espinosa is not the same painter as Juan de Espinosa, who lived from 1645 to 1677. Unfortunately, little is known about the personal life of Bautista de Espinosa. Documents show that he lived in Madrid and Toledo for many years.

Espinosa, Still Life of Fruit

Still Life of Fruit

While Bautista de Espinosa painted various religious paintings, he is best remembered as a still life painter. His style has been described as containing both Flemish and Spanish Baroque elements.

Espinosa, Christ on a Cross

Christ on a Cross

Some art historians believe that Bautista de Espinosa came from a prestigious family, but was orphaned early in his life. It is also thought he was raised by Eugenia de Lievana, related to the Onofre de Espinosa family. Bautista de Espinosa married in 1628, but specific details are not known about his wife or children.

Espinosa, Greco Ludwig IX

Greco Ludwig IX

Espinosa, Juan de Juanes

Juan de Juanes

Bautista de Espinosa’s still life paintings are known for their tenebrism, or dramatic lighting, typical of Spanish still life paintings at that time. He often painted fruit, particularly bunches of grapes.

Espinosa, Still Life with Meat

Still Life with Meat

Espinosa, Still Life with Grapes

Still Life with Grapes

Espinosa, Still Life of Fruit

Still Life of Fruit

While many mysteries remain, surrounding the life of the artist, Juan Bautista de Espinosa, his paintings remain well preserved in major Spanish collections. Some of his pieces belong to Madrid’s Museo del Prado. Do you think you own a painting by Juan Bautista de Espinosa? Contact us. We are the experts.


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867--zuccari_f.php Federico Zuccari Artwork Authentication & Art Appraisal

Federico Zuccari (1543 – 1609)

Federico Zuccari art authentication. Federico Zuccari appraisal. Federico Zuccari certificates of authenticity (COA). Federico Zuccari analysis, research, scientific tests, full art authentications. We will help you sell your Federico Zuccari or we will sell it for you.

Federico Zuccari, Self-Portrait after 1588

Self-Portrait, after 1588

Federico Zuccari was an Italian Mannerist painter and architect, active both in Italy and abroad. Zuccari was born at Sant’Angelo in Vado, near Urbino (Marche). His documented career as a painter began in 1550, when he moved to Rome to work under Taddeo, his elder brother. Zuccari went on to complete decorations for Pius IV, and help complete the fresco decorations at the Villa Farnese at Caprarola. Zuccari was involved in the following fresco projects:
• Decoration of the Casino of Pius IV, Rome
• Grimani Chapel, San Francesco della Vigna, Venice
• Pucci Chapel in the Church of Trinità dei Monti, Rome
• San Marcello al Corso, Rome
• Cathedral of Orvieto (1570)
• Oratorio del Gonfalone, Rome (1573)
• Dome of Santa Maria del Fiore, Florence (previously started by Vasari)

Federico Zuccari, The Last Judgement, Detail

The Last Judgement, Detail

Zuccari was recalled to Rome by Pope Gregory XIII to continue in the Pauline Chapel of the Vatican. He visited Brussels and there made a series of cartoons for the tapestry-weavers. In 1574, Zuccari passed over to England, where he received commissions to paint the portrait of Queen Elizabeth (drawing), Mary, Queen of Scots, Sir Nicholas Bacon, Sir Francis Walsingham, Lord High Admiral Howard, and others. Another picture in the same collection appears to be a replica of Zuccari’s painting of the Allegory of Calumny, as suggested by Lucian’s description of a celebrated work by Apelles. The satire in the original painting, directed against some of his courtier enemies, was the immediate cause of Zuccari’s temporary exile from Rome.

Federico Zuccari, Sketch of Queen Elizabeth

Sketch of Queen Elizabeth

Zuccari painted a portrait of Man with Two Dogs in the Pitti Palace in Florence and Dead Christ and Angels in the Galleria Borghese in Rome. In 1585, Zuccari accepted an offer by Philip II of Spain to decorate the new Escorial at a yearly salary of 2,000 crowns. He worked at the palace from January 1586 to the end of 1588, when he returned to Rome. Zuccari was succeeded by Pellegrino Tibaldi. He there founded in 1595, under a charter confirmed by Pope Sixtus V, the Accademia di San Luca, of which he was the first president. Bartolomeo Carducci is said to have studied with Zuccari.

Like his contemporary Giorgio Vasari, Zuccari aimed at being an art critic and historian. His chief book, L’idea de’ Pittori, Scultori, ed Architetti (1607), was far less popular.

Zuccari was raised to the rank of cavaliere not long before his death, which took place at Ancona in 1609.

Still wondering about an Italian painting in your family collection? Contact us…we are the Federico Zuccari experts.


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868--phillips.thomas.php Thomas Phillips Artwork Authentication & Art Appraisal

Thomas Phillips (1770 – 1845)

We Perform Thomas Phillips art authentication. Thomas Phillips appraisal. Thomas Phillips certificates of authenticity (COA). Thomas Phillips analysis, research, scientific tests, full art authentications. We will help you sell your Thomas Phillips or we will sell it for you.

art

Portrait of William Blake, 1807

Thomas Phillips was an English portrait and subject painter. He was born at Dudley in Warwickshire. Having acquired the art of glass-painting in Birmingham, he visited London in 1790 with an introduction to Benjamin West, who found him employment on the windows in St George’s Chapel at Windsor. In 1792 Phillips painted a view of Windsor Castle, and in the next two years he exhibited the “Death of Talbot, Earl of Shrewsbury, at the Battle of Castillon,” “Ruth and Naomi,” “Elijah restoring the Widow’s Son,” “Cupid disarmed by Euphrosyne,” and other pictures. After 1796, however, he mainly confined himself to portrait-painting. It was not long before he became the chosen painter of men of genius and talent, notwithstanding the rivalry of Hoppner, Owen, Jackson and Lawrence; and he left behind portraits of nearly all the illustrious characters of his day. Mysteriously, his portrait of Sir Charles Asgill, 2nd Baronet, has not been located or recorded.

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Portrait of Charles Grey, Second Earl 1820’s

In 1804 he was elected associate and in 1808 member of the Royal Academy. In 1824 Phillips succeeded Fuseli as professor of painting to the Royal Academy, an office which he held till 1832. During this period he delivered ten Lectures on the History and Principles of Painting, which were published in 1833. Still wondering about a British painting in your family collection? Contact us…it could be by Thomas Phillips.


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869--lefevre.php Jacques-Francois-Faust Lefevre Artwork Authentication & Art Appraisal

Robert-Jacques-Francois-Faust Lefevre (1755-1830)

Get a Lefevre Certificate of Authenticity for your painting (COA) for your Lefevre drawing.

For all your Lefevre artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lefevre Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lefevre painting or drawing.

If you want to sell your Lefevre painting or drawing use our selling services. We offer Lefevre selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lefevre and issuing certificates of authenticity since 2002. We are recognized Lefevre experts and Lefevre certified appraisers. We issue COAs and appraisals for all Lefevre artworks.

Our Lefevre paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lefevre certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lefevre painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lefevre paintings or drawings take longer.

Our clients include Lefevre collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Robert-Jacques-Francois-Faust Lefevre art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Robert-Jacques-Francois-Faust Lefevre or we will sell it for you.

Lefevre painting, Portrait of a Woman with a Lyre

Portrait of a Woman with a Lyre

Lefevre painting, Portrait of Empress Maria Luigia

Portrait of Empress Maria Luigia

Lefevre painting, Dominique-Vivant Denon with a Work by Poussin

Dominique-Vivant Denon with a Work by Poussin

Robert-Jacques-Francois-Faust Lefevre was an 18th century French portrait painter. He studied law before training as an artist in Northern France under Pierre de Lesseline.

Lefevre painting, Pauline as Daphne Fleeing from Apollo 1810

Pauline as Daphne Fleeing from Apollo 1810

He moved to Paris in 1784, and first exhibited with the Salon in 1791. He would eventually become known for his beautiful portraits and sweeping allegorical paintings.

Lefevre painting, Portrait of Citizen Guerin

Portrait of Citizen Guerin

Lefevre painting, Portrait of Elizabeth Demidova

Portrait of Elizabeth Demidova

Lefevre painting, Portrait of Andrei Bezborodko

Portrait of Andrei Bezborodko

During the French Revolution, Lefevre turned to illustrating books rather than painting in oil due to the erosion of the market for portraits. He was particularly known for his portraits of political figures (such as Napoleon) and for society ladies, and obtained numerous commissions from Napoleon himself. He eventually became court painter for Louis XVIII, and died in Paris in 1830.

Lefevre painting, Portrait of Empress Josephine

Portrait of Empress Josephine

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Marie-Pauline Bonaparte

Lefevre painting, Letizia Bonaparte

Letizia Bonaparte

Today, Lefevre’s work is housed in public and private collections all over the world, and perhaps in your own home. Still wondering about a French Revolution era portrait or sketch in your family collection? Contact us…it could be by Robert-Jacques-Francois-Faust Lefevre.


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870--silvestre-de.php Louis de Silvestre Artwork Authentication & Art Appraisal

Louis de Silvestre (1675-1760)

Get a Silvestre Certificate of Authenticity for your painting (COA) for your Silvestre drawing.

For all your Silvestre artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Silvestre Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Silvestre painting or drawing.

If you want to sell your Silvestre painting or drawing use our selling services. We offer Silvestre selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Silvestre and issuing certificates of authenticity since 2002. We are recognized Silvestre experts and Silvestre certified appraisers. We issue COAs and appraisals for all Silvestre artworks.

Our Silvestre paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Silvestre certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Silvestre painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Silvestre paintings or drawings take longer.

Our clients include Silvestre collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Louis de Silvestre art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Louis de Silvestre or we will sell it for you.

art

Self-Portrait

art

Maria Amalia di Sassonia

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Auguste II

Louis de Silvestre was the court painter for the Saxon court at Dresden and Warsaw for thirty-two years. He painted many portraits of nobility and aristocrats. In the bombing of Dresden during World War II, many of his best works were destroyed. He painted the Last Supper, and other biblical and mythological scenes at Versailles as well as the Creation of Man at the Musée Fabre, Montpellier.

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Jupiter

His style of portraiture was heavily influenced by Nicholas Poussin and De La Fosse. Through his presence in the Saxon lands, he influences generations of Central European portrait painters. De Silvestre was received into the Academie Royale in 1702, and rose progressively through the ranks of the professorship. He first learned painting by apprenticing under his father, Israël Silvestre. A catalogue raisonné of his work was published in 1932.

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Marie-Louise-Elisabeth D’Orleans

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Auguste III

Still wondering about an 18th century European painting in your family collection? Contact us…it could be by Louis de Silvestre.


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871--simonidy.php Michel Simonidy Artwork Authentication & Art Appraisal

Michel Simonidy (1870-1933)

Get a Simonidy Certificate of Authenticity for your painting (COA) for your Simonidy drawing.

For all your Simonidy artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Simonidy Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Simonidy painting or drawing.

If you want to sell your Simonidy painting or drawing use our selling services. We offer Simonidy selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Simonidy and issuing certificates of authenticity since 2002. We are recognized Simonidy experts and Simonidy certified appraisers. We issue COAs and appraisals for all Simonidy artworks.

Our Simonidy paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Simonidy certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Simonidy painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Simonidy paintings or drawings take longer.

Our clients include Simonidy collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Michel Simonidy art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Michel Simonidy or we will sell it for you.

Reverie Au Bord Du Lac

Reverie Au Bord Du Lac

Femme Aux Lys

Femme Aux Lys

Michel Simonidy was an illustrator and painter born in Bucharest, Romania but studied and lived much of his life in France. He was a student of Leon Bonnat and also worked under Gabriel Ferrier and Fernand Humbert. During his lifetime, he was well known for his still life paintings, nudes, historical scenes, landscapes and marine scenes.

Portrait Of A Woman

Portrait Of A Woman

Mother And Child

Mother And Child

Maternity

Maternity

Simonidy worked in oils, gouache, pastel and watercolor and created pen and ink illustrations as well. His style was that of a post-Impressionist/Expressionist, and is characterized by the use of bold colors, blurred edges and fantasy-like scenes. Women bathing in a lake, café scenes, and pictures of mothers and children were common themes for Simonidy.

PenAndInkSketch

Pen And Ink Sketch

He exhibited often at the Salon des Artists Francais in Paris, and won an Honorable Mention at the Universal Exposition of 1899, and a silver medal in 1900. Simonidy’s style was unlike that of any other artist of his day, though he has not remained

The Three Graces, Pastel

The Three Graces, Pastel

Swimming

Swimming

Le Bal

Le Bal

In 1901, Simonidy was made a Knight of the Legion of Honor, and his work is still highly sought after today. Still wondering about an painting similar to his style hanging in your home? Contact us…it could be by Michel Simonidy.


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872--valenciennes.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "valenciennes" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "valenciennes" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
873--di-bartolo.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "di-bartolo" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "di-bartolo" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
874--blas.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "blas" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "blas" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "blas" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
875--pillement.php Jean Baptiste Pillement Artwork Authentication & Art Appraisal

Jean Baptiste Pillement (1745-1798)

We Perform Jean Baptiste Pillement art authentication. Jean Baptiste Pillement appraisal. Jean Baptiste Pillement certificates of authenticity (COA). Jean Baptiste Pillement analysis, research, scientific tests, full art authentications. We will help you sell your Jean Baptiste Pillement or we will sell it for you.

Pillement painting, The Mouth of the River Tagus

The Mouth of the River Tagus

Jean Baptiste Pillement was an 18th century French painter. He mainly painted in the Rococo style and was famous for his landscape paintings and decorations.

Pillement painting, Oriental Landscape

Oriental Landscape

Pillement was born in Lyon to a family of painters. He studied under Daniel Sarrabat and worked for the Gobelins Factory as a young man. Pillement found great success as an artist, and was the official painter of many nobles, including Marie Antoinette.

Pillement painting, Plant Study

Plant Study

Still wondering about an 18th century French landscape or floral painting in your family collection? Contact us…it could be by Jean Baptiste Pillement.


done
876--thayer.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "thayer" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "thayer" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
877--macdonald.php James Edward Hervey MacDonald Artwork Authentication & Art Appraisal

James Edward Hervey (J.E.H.) MacDonald (1873-1932)

Get a MacDonald Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your MacDonald artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a MacDonald Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your MacDonald painting, drawing or print.

If you want to sell your MacDonald painting, drawing or print use our selling services. We offer MacDonald selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating MacDonald and issuing certificates of authenticity since 2002. We are recognized MacDonald experts and MacDonald certified appraisers. We issue COAs and appraisals for all MacDonald artworks.

Our MacDonald paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The MacDonald certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your MacDonald painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research MacDonald paintings or drawings take longer.

Our clients include MacDonald collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform James Edward Hervey (J.E.H.) MacDonald art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your James Edward Hervey (J.E.H.) MacDonald or we will sell it for you.

MacDonald, Algoma Waterfall

Algoma Waterfall

J.E.H. MacDonald was an English-Canadian painter, best known for his involvement in the Canadian school of painting known as the Group of Seven. MacDonald was born in Durham, England and immigrated to Canada with his family at the age of fourteen. Settling in the Province of Ontario, MacDonald studied at the Hamilton Art School from 1887 to 1889.

MacDonald, Mist Fantasy

Mist Fantasy

MacDonald later moved to Toronto where he continued his education at the Central Ontario School of Art and Design and became an active member of the Toronto Art Student League. In 1911 MacDonald showed early signs of success, exhibiting at the Arts and Letter club. The following year MacDonald showed with the Ottawa Society of Artists.

To support himself, MacDonald worked in various lithography print shops before joining a major commercial art company, Grip Ltd.

MacDonald, Falls, Montreal River

Falls, Montreal River

At Grip Ltd, MacDonald helped to organize painting sessions with his co-workers. The colleagues would take frequent painting trips around Ontario and Quebec to capture the wild, northern landscapes of Canada. Eventually MacDonald was accompanied by six enthusiastic artists, which later became known as the Group of Seven.

MacDonald, The Church by the Sea

The Church by the Sea

The Group of Seven was greatly inspired by an exhibition of Scandinavian paintings exhibited in Buffalo, NY as well as prints from China and Japan. MacDonald and the other Group of Seven painters frequented an area known as Algoma, on the north shore of Lake Superior. While MacDonald did most of his painting in Canada, he made seven trips to paint the Rockies in the United States.

MacDonald, Winter Bay, Little Turtle Lake

Winter Bay, Little Turtle Lake

MacDonald, Rowanberries or Mountain Ash

Rowanberries or Mountain Ash

MacDonald, Nova Scotia Coastal Scene

Nova Scotia Coastal Scene

MacDonald, Fall Evening

Fall Evening

MacDonald, Lake O'Hara

Lake O’Hara

MacDonald, Autumn Algona, 1918

Autumn Algona, 1918

While MacDonald is best known for his landscape paintings, he also dabbled in poetry, gardening and the decorative arts. MacDonald remained an active member of the Toronto art scene and taught painting at the Ontario College of Art until the end of his life. Though many of the Group of Seven painters began to paint more abstractly, MacDonald remained loyal to his post-impressionistic style.

J.E.H. MacDonald’s landscapes are now in major Canadian collections. Do you think you own a painting by Group of Seven member, J.E.H. MacDonald? Contact us. We are experts on J.E.H. MacDonald.


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878--kettle.php Tilly Kettle Artwork Authentication & Art Appraisal

Tilly Kettle (1735 – 1786)

Get a Kettle Certificate of Authenticity for your painting (COA) for your Kettle drawing.

For all your Kettle artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kettle Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kettle painting or drawing.

If you want to sell your Kettle painting or drawing use our selling services. We offer Kettle selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kettle and issuing certificates of authenticity since 2002. We are recognized Kettle experts and Kettle certified appraisers. We issue COAs and appraisals for all Kettle artworks.

Our Kettle paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kettle certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kettle painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kettle paintings or drawings take longer.

Our clients include Kettle collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Tilly Kettle art authentication, appraisal. certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Tilly Kettle or we will sell it for you.

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Mrs. Yates, 1765

Tilly Kettle was a portrait painter and the first English painter to work in India. He was born in London, the son of a coach painter, in a family that had been members of the Brewers’ Company of freemen for five generations. He studied drawing with William Shipley in the Strand and first entered professional portraiture in the 1750’s.

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Rear Admiral Kempenfelt 1782

Kettle’s first series of portraits appeared in the 1760’s. His first surviving painting is a self-portrait from 1760, with his first exhibit at the Society of Artists in 1761. He worked at restoring the Sheldonian Theatre, Oxford and painted Francis Yarborough, a doctor of Brasenose College, Oxford in 1763. He painted many members of the family of William Legge, 2nd Earl of Dartmouth. In 1764-5, he was active in London and continued exhibiting at the Society of Artists.

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Francis Graham 1775

In 1768, Kettle sailed to India with the British East India Company, landing at Madras (now Chennai), where he remained for two years. There, he painted Lord Pigot and Muhammad Ali Kahn twice (once alone and once with five of his sons). He also painted non-portraits, including Dancing Girls (Blacks) in 1772 and a suttee scene in 1776 entitled, The ceremony of a gentoo woman taking leave of her relations and distributing her jewels prior to ascending the funeral pyre of her deceased husband. He moved on to Calcutta (now Kolkata) in 1771 and painted Shuja ud-Daula and Dancing-Girl Holding the Stem of a Hookah. In 1775,he painted George Bogle, Warren Hasting’s emissary to Tibet, in Tibetan dress, presenting a ceremonial white scarf to Lobsang Yeshe the 5th Panchen Lama.He also took an Indian mistress and had two daughters by her.

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Portrait of a Woman

He left India in 1776 for London. He married Mary there. She brought a dowry of £5,000, while he put up £3,000 toward a trust fund, so both parties were well established. However, contemporaries indicated that Kettle was manipulated into the marriage for financial reasons. At the same time, he switched his exhibitors to the Royal Academy of Art. He had fewer clients in England than he had before his departure, and his wife was financially imprudent. He had two more daughters by her and one son, named James. He fell into debt, and in 1786 he set out for a return to India. He attempted the voyage overland through Asia. His last portrait was painted in Aleppo, and he died some time later, although where and when is unknown.

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Eliza and Mary Davidson

Still wondering about a British painting in your family collection? Contact us…it could be by Tilly Kettle.


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879--puga.php Antonio de Puga Artwork Authentication & Art Appraisal

Antonio de Puga (1602-1648)

We Perform Antonio de Puga art authentication. Antonio de Puga appraisal. Antonio de Puga certificates of authenticity (COA). Antonio de Puga analysis, research, scientific tests, full art authentications. We will help you sell your Antonio de Puga or we will sell it for you.

Antonio de Puga was a Spanish painter f the Baroque period. De Puga was born in Orense, Spain and spent much of his career in Madrid. De Puga was the son of a notable artist, Ynés Rodríguez, arguably the first artist from Galicia to receive substantial recognition.

Puga , The Painter's Mother

The Painter’s Mother

Puga , The Drinker

The Drinker

The art historian, María Luisa Caturla, extensively studied the life of Antonio de Puga. Little biographical information is listed on de Puga before 1635. By this time, de Puga was in his early thirties and living in Madrid. De Puga was connected to the studio of Eugenio Cajes. It is possible that de Puga was called to complete various commissioned works after Cajes died in 1634. It has been mentioned in various historical documents that de Puga worked occasionally in the studio in Cajes, who was possibly one of his tutors. Historians often encounter confusion over the works of de Puga, because they are usually unsigned. Due to this fact, most of de Puga’s works are merely “attributed” to de Puga. While much doubt surrounds his remaining paintings, it is known that de Puga was well established in Madrid by the 1930s.

Puga , The Drummer

The Drummer

De Puga is particularly known for his portrait paintings. In addition to portraying nobles and royalty, de Puga painted many tradesmen, including knife sharpeners and oil vendors as well as peasants and beggars without title or occupation. De Puga’s range of rich and poor subjects provides an insight into life in Spain during the 1600s. “El Alfilador” or “The Knife Sharpener” know belongs to the Museo del Ermitage and is one of the most recognized paintings attributed to de Puga.

Puga , The Knife Sharpener

The Knife Sharpener

Puga , Saint Jerome

Saint Jerome

Puga , The Oil Vendor
The Oil Vendor

Puga , The Beggar

The Beggar

Puga , Old Man Teaching Boy to Read

Old Man Teaching Boy to Read

De Puga has paintings in museums around the world, including the Museo de Pontevedra, Museo Cortés de Puerto Rico, Museo Goya de Castres and of course in the Museo del Prado in Madrid. De Puga’s paintings also belong to collections in London, New York and Malibu, California.

Antonio de Puga is one of the major Spanish painters of the Baroque period. His paintings are considered to me masterpieces of Spain’s Golden Age in painting. Do you think you own a painting by Antonio de Puga? Contact us. We are the Antonio de Puga experts.


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880--metcalf.php Willard Leroy Metcalf Artwork Authentication & Art Appraisal

Willard Leroy Metcalf (1858-1925)

Get a Metcalf Certificate of Authenticity for your painting (COA) for your Metcalf drawing.

For all your Metcalf artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Metcalf Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Metcalf painting or drawing.

If you want to sell your Metcalf painting or drawing use our selling services. We offer Metcalf selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Metcalf and issuing certificates of authenticity since 2002. We are recognized Metcalf experts and Metcalf certified appraisers. We issue COAs and appraisals for all Metcalf artworks.

Our Metcalf paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Metcalf certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Metcalf painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Metcalf paintings or drawings take longer.

Our clients include Metcalf collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Willard Leroy Metcalf art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Willard Leroy Metcalf or we will sell it for you.

Metcalf, Cornish Hills

Cornish Hills

Metcalf, May Night

May Night

William Leroy Metcalf was an American painter born in Lowell, Massachusetts. Metcalf moved to Boston as a young adult to study at the School of the Museum of Fine Arts. Metcalf excelled as a student and decided to continue his education at the Academie Julian in Paris. In Paris Metcalf worked with Gustave Boulanger and Jules- Joseph Lefebvre, making trips around Europe. Metcalf was the first American artist to visit Giverny, and made inspirational trips to Algeria and Tunisia.

Metcalf, The Thawing Pool

The Thawing Pool

Metcalf eventually settled in New York where he worked as an illustrator and landscape painter. Metcalf befriended prominent figures in the art scene and became part of a group called the Ten American Painters, who broke away from the Society of American Artists. Metcalf did most of his paintings in oil, but was also a proficient watercolor artist. In 1893 Metcalf joined the American Watercolor Society.

Metcalf, Gloucester Harbor

Gloucester Harbor

Metcalf taught painting for many years at varying institutions around New York including the Woman’s Art School, Cooper Union and the Art Students League.

When Metcalf was not in New York, he would take painting trips around New England. Metcalf frequented a Connecticut artists’ colony in Old Lyme where he painted a large body of landscape paintings.

Metcalf, A Summer's Night

A Summer’s Night

Metcalf’s work is now in major museums in Washington D.C. and New York. Metcalf’s work has inspired American landscape painters for generations. Do you think you own a painting by Willard Leroy Metcalf? Contact us. We are the Willard Leroy Metcalf experts.


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881--nattier.php Jean-Marc Nattier Artwork Authentication & Art Appraisal

Jean-Marc Nattier (1688-1766)

Get a Nattier Certificate of Authenticity for your painting (COA) for your Nattier drawing.

For all your Nattier artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Nattier Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Nattier painting or drawing.

If you want to sell your Nattier painting or drawing use our selling services. We offer Nattier selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Nattier and issuing certificates of authenticity since 2002. We are recognized Nattier experts and Nattier certified appraisers. We issue COAs and appraisals for all Nattier artworks.

Our Nattier paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Nattier certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Nattier painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Nattier paintings or drawings take longer.

Our clients include Nattier collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean-Marc Nattier art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean-Marc Nattier or we will sell it for you.

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Mademoiselle de Clermont en Sultaine, 1733

Jean-Marc Nattier was a French Rococo-era painter. Nattier’s parents were both painters; his mother created miniature paintings and his father was a well-known portrait artist. Naturally, his first training came from his parents, and his natural talent was so great that he won first prize at the Paris Academy at the age of fifteen. Nattiers brother was a painter as well, but sadly took his own life after being rejected from the Academy. Nattier refused to continue his studies in Rome, but would eventually go to work and live briefly in Holland in 1717. While he was in Holland, Nattier met Catherine and Peter the Great of Russia, and painted both of their portraits. The couple was so impressed that they invited him to Russia, but he declined.

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Portrait of Peter I, 1717

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Portrait of Catherine I, 1717

His new friendship with the Russian royals led to many commissions for Nattier from 1717-1720. Though he would eventually become known for painting mainly portraits, for these three years Nattier painted historical scenes for the Russian monarchy, like this one entitled “The Battle of Lesnaya” 1717. Nattier preferred to paint historical scenes, but due to hard times was forced to paint mainly portraits in order to make a living.

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The Battle of Lesnaya, 1717

After finishing his studies, Nattier generally painted oil portraits of women in classical Greek and Roman style, working mainly in oils and pastels. Nattier was highly influenced by Rubens, which is very clear in his portraits. He was the official painter of Louise XV’s ladies of court, and generally only painted portraits of the upper crust from 1720 on. He became famous for painting his sitters as ancient Roman goddesses or classical figures. By painting his sitters as historical or mythological figures, Nattier was able to add a flair of his beloved historical paintings to otherwise ordinary portraits.

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Marie Adelaide of France as Flora, 1742

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Madame Adelaide of France as Diane

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The Alliance of Love and Wine, 1744

Nattier sometimes came under fire for his depictions of classical figures. When his painting “Portait of a Lady as a Vestal Virgin” was shown at the salons, he was criticized for painting his “virgin” too voluptuously.

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Portrait of a Lady as a Vestal Virgin, 1759

However, Nattier also painted a great deal of straightforward portraiture, his most notable being that of the portrait of Madame Maria Leszczynska.

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Portrait of Madame Maria Leszczynska, 1748

By 1762, Nattier was forced to retire from painting due to ill health and a poor financial situation. Some art critics have said that these later paintings show signs of his growing fatigue and are not as skillfully executed as paintings created in his earlier years.

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Woman with Cello

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Percy Wyndham O’Brien, 1744

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Joseph Bonnier de la Mosson, 1745

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Infanta Isabelle

Today, many of Nattiers paintings are held in public collections all over France, including the Louvre and at Versailles, and perhaps in your own home. Still wondering about an 18th century French portrait in your family’s collection? Contact us… it could be by Jean-Marc Nattier.


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882--de-puga.php Antonio de Puga Artwork Authentication & Art Appraisal

Antonio de Puga (1602-1648)

Get a De Puga Certificate of Authenticity for your painting (COA) for your De Puga drawing.

For all your De Puga artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Puga Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Puga painting or drawing.

If you want to sell your De Puga painting or drawing use our selling services. We offer De Puga selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Puga and issuing certificates of authenticity since 2002. We are recognized De Puga experts and De Puga certified appraisers. We issue COAs and appraisals for all De Puga artworks.

Our De Puga paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Puga certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Puga painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Puga paintings or drawings take longer.

Our clients include De Puga collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Antonio de Puga art authentication. Antonio de Puga appraisal from . Antonio de Puga certificates of authenticity (COA). Antonio de Puga analysis, research, scientific tests, full art authentications. We will help you sell your Antonio de Puga or we will sell it for you.

Antonio de Puga was a Spanish painter f the Baroque period. De Puga was born in Orense, Spain and spent much of his career in Madrid. De Puga was the son of a notable artist, Ynés Rodríguez, arguably the first artist from Galicia to receive substantial recognition.

Puga , The Painter's Mother

The Painter’s Mother

Puga , The Drinker

The Drinker

The art historian, María Luisa Caturla, extensively studied the life of Antonio de Puga. Little biographical information is listed on de Puga before 1635. By this time, de Puga was in his early thirties and living in Madrid. De Puga was connected to the studio of Eugenio Cajes. It is possible that de Puga was called to complete various commissioned works after Cajes died in 1634. It has been mentioned in various historical documents that de Puga worked occasionally in the studio in Cajes, who was possibly one of his tutors. Historians often encounter confusion over the works of de Puga, because they are usually unsigned. Due to this fact, most of de Puga’s works are merely “attributed” to de Puga. While much doubt surrounds his remaining paintings, it is known that de Puga was well established in Madrid by the 1930s.

Puga , The Drummer

The Drummer

De Puga is particularly known for his portrait paintings. In addition to portraying nobles and royalty, de Puga painted many tradesmen, including knife sharpeners and oil vendors as well as peasants and beggars without title or occupation. De Puga’s range of rich and poor subjects provides an insight into life in Spain during the 1600s. “El Alfilador” or “The Knife Sharpener” know belongs to the Museo del Ermitage and is one of the most recognized paintings attributed to de Puga.

Puga , The Knife Sharpener

The Knife Sharpener

Puga , Saint Jerome

Saint Jerome

Puga , The Oil Vendor
The Oil Vendor

Puga , The Beggar

The Beggar

Puga , Old Man Teaching Boy to Read

Old Man Teaching Boy to Read

De Puga has paintings in museums around the world, including the Museo de Pontevedra, Museo Cortés de Puerto Rico, Museo Goya de Castres and of course in the Museo del Prado in Madrid. De Puga’s paintings also belong to collections in London, New York and Malibu, California.

Antonio de Puga is one of the major Spanish painters of the Baroque period. His paintings are considered to me masterpieces of Spain’s Golden Age in painting. Do you think you own a painting by Antonio de Puga? Contact us. We are the Antonio de Puga experts.


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883--moses.php Anna Mary Robertson Moses Artwork Authentication & Art Appraisal

Anna Mary Robertson Moses (Grandma Moses) (1860-1961)

Get a Grandma Moses Certificate of Authenticity for your painting (COA) for your Grandma Moses drawing.

For all your Grandma Moses artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Grandma Moses Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Grandma Moses painting or drawing.

If you want to sell your Grandma Moses painting or drawing use our selling services. We offer Grandma Moses selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Grandma Moses and issuing certificates of authenticity since 2002. We are recognized Grandma Moses experts and Grandma Moses certified appraisers. We issue COAs and appraisals for all Grandma Moses artworks.

Our Grandma Moses paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Grandma Moses certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Grandma Moses painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Grandma Moses paintings or drawings take longer.

Our clients include Grandma Moses collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Anna Mary Robertson Moses (Grandma Moses) art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Anna Mary Robertson Moses (Grandma Moses) or we will sell it for you.

Grandma Moses, Sugaring Off

Sugaring Off

Grandma Moses, A Country Wedding

A Country Wedding

Anna Mary Robertson Moses, known in the art world as Grandma Moses, is a historical figure in American folk art. Grandma Moses did not start painting until she was in her seventies and had no formal art training. Grandma Moses spent most of her life working as an embroidery artist but had to quit after developing arthritis.

Grandma Moses, Pull Boys

Pull Boys

Grandma Moses gave many paintings to friends as gifts or sold them for two to three dollars depending on their size. Grandma Moses was displaying her paintings in a drugstore window in Hoosick Falls, New York at the time she was discovered by a New York collector named Louis J. Caldor. By 1939 Moses was exhibiting in Galerie Saint-Etienne in New York City. Grandma Moses soon gained international attention and continued to exhibit in Europe and Japan.

Grandma Moses, The Old Checkered House

The Old Checkered House

Grandma Moses worked tirelessly, creating over 3600 paintings within her thirty-year career. Grandma Moses’s folk-style paintings became cultural icons as commercial companies started using her images in advertising campaigns. In 1946 Du Barry cosmetics used one of Grandma Moses’s paintings, “The Old Checkered Inn in Summer” for a lip gloss advertisement. Grandma Moses’s paintings have also been used by Hallmark.

Grandma Moses, Bennington

Bennington

In 1949 Grandma Moses was awarded with the Women’s National Press Club trophy for her accomplishments as an artist. Grandma Moses documented her life and career in her autobiography, Grandma Moses: My Life’s History.

Grandma Moses, The Old Oaken Bucket, 1943

The Old Oaken Bucket, 1943

Grandma Moses, A Beautiful World, 1948

A Beautiful World, 1948

Grandma Moses is known for painting rural scenes of New York State. Even after gaining incredible success as an artist, Grandma Moses remained in the small town of Hoosick Falls. Grandma Moses lived to be one hundred and one years old, painting until the end of her life. Grandma Moses’s paintings now belong to major museums and private collections around the world. Grandma Moses’s painting, “Fourth of July”, still hangs in the White House. Do you think you own a painting by folk-artist Grandma Moses? Contact us. We are the Grandma Moses experts.


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884--frieseke.php Frederick Carl Frieske Artwork Authentication & Art Appraisal

Frederick Carl Frieseke (1874-1939)

Get a Frieseke Certificate of Authenticity for your painting (COA) for your Frieseke drawing.

For all your Frieseke artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Frieseke Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Frieseke painting or drawing.

If you want to sell your Frieseke painting or drawing use our selling services. We offer Frieseke selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Frieseke and issuing certificates of authenticity since 2002. We are recognized Frieseke experts and Frieseke certified appraisers. We issue COAs and appraisals for all Frieseke artworks.

Our Frieseke paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Frieseke certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Frieseke painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Frieseke paintings or drawings take longer.

Our clients include Frieseke collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Frederick Carl Frieseke art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Frederick Carl Frieseke or we will sell it for you.

Tea Time in the Garden

Tea Time in the Garden

Lady in a Garden 1912

Lady in a Garden 1912

Frederick Carl Frieseke was an American Impressionist painter born in Owosso, Michigan. He was the son of a brick manufacturer and lost his mother when he was only six years old. He spent much of his childhood working in his Uncle’s grocery store, and after high school studied for one year at the Chicago Art Institute. Frieseke moved to New York in 1895 to study at the Art Students’ League and in 1898, moved to Paris to study under James McNeill Whistler at the Academie Julian.

Study for Blue Curtains 1922

Study for Blue Curtains 1922

Blue Interior, Giverny (The Red Ribbon)

Blue Interior, Giverny (The Red Ribbon)

During Frieske’s early years in Paris, much of his time was spent working on commissions for Rodman Wanamaker. Wanamaker had also commissioned him to paint murals on the side of his New York City store, as well as for the Shelbourne Hotel in Atlantic City. Art historians credit Wanamaker’s constant commissions as being the sole reason that Frieseke was able to devote himself to painting. In 1905, Frieseke married and the following year moved to Giverny where he lived next store to Claude Monet. Many of Frieseke’s paintings were set in his garden and the house that he rented in Giverny, and he and his family spent many summers there until 1919.

Lady with the Sunshade

Lady with the Sunshade

In the Doorway

In the Doorway

Woman with a Parasol

Woman with a Parasol

In generally, Frieseke mostly painted scenes of women seated outdoors in sunny gardens or in their bedrooms. Occasionally he would paint a landscape or still life, and found distaste in current artistic styles of the day.

Landscape, Holland

Landscape, Holland

He was quoted as saying that he only found inspiration from the Impressionists in the work of Renoir, and mostly kept to himself in his later years, painting scenes of his wife and daughter.

The Bird Cage 1913

The Bird Cage 1913

Tea Time in Giverny

Tea Time in Giverny

Though he occasionally made trips back to the United States, Frieseke preferred to live in France because he felt that he was freer. He bought a home in Normandy to stay away from the art scene, and felt that it was easier to live in the country. He won many honors during his lifetime, most notably for his painting “Torn Lingerie” which won two gold medals at the Chicago Art Institute. Despite the fact that he was fairly successful, interest in Frieseke’s work began to decline after World War I. He slowly began to see diminishing sales and negative reviews from art critics. This was in response to changing tastes as the art world became more infused with Surrealism and Cubism. Thus, Frieseke moved away from Impressionism and more towards Realism.

Torn Lingerie 1915

Torn Lingerie 1915

Despite the fact that some of his critics called him overly conservative, Frieseke made pains to be as unconventional as possible. Frieseke painted what he liked, and not necessarily what was popular at the time. In an ironic twist, Frieseke’s nudes, which were never well received with the American public, are now considered among his best work.

Nude

Nude

Autumn

Autumn

In another strange twist, it is said that Frieseke’s wife often edited his paintings if she felt it was necessary. Since he would often use his own home as his setting for his composition, it is said that his wife would remove objects from bureau tops or tables if she did not want them in the composition.

Normandy Girl

Normandy Girl

Becassine

Becassine

Freiseke died in 1939 in Normandy, and today his works are housed in public and private collections all over The United States and Europe. Frieseke’s paintings have regained some amount of popularity in recent years, and frequently are featured at auctions fetching high prices. Still wondering about an American or French Impressionist style painting in your family estate? Contact us…it could be by Frederick Carl Frieseke.


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885--perroneau.php Jean-Baptiste Perroneau Artwork Authentication & Art Appraisal

Jean-Baptiste Perroneau (1715-1783)

We Perform Jean-Baptiste Perroneau art authentication. Jean-Baptiste Perroneau appraisal. Jean-Baptiste Perroneau certificates of authenticity (COA). Jean-Baptiste Perroneau analysis, research, scientific tests, full art authentications. We will help you sell your Jean-Baptiste Perroneau or we will sell it for you.

perroneau painting, Girl with a Kitten

Girl with a Kitten

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Boy with a Book

Jean-Baptiste Perroneau was an 18th century Parisian painter, renowned for his pastel portraits. He initially was an engraver, but in 1744, switched to primarily oils and pastels. He exhibited his work for the first time at the Salons in 1746 and became a member of the Academie Royale in 1753. Perroneau continued to exhibit at the Salons until 1779.

Perraneau painting, Portrait of Abraham van Robais 1770

Portrait of Abraham van Robais 1770

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Portrait of Jean-Georges Noverre

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Portrait of Jean-Baptiste Oudry

During his career, Perroneau held a rivalry with fellow portraitist Maurice-Quentin de la Tour, and this rivalry came to a head around 1750, the same year that he painted a portrait of his rival. In 1755, Perroneau began to travel extensively, first to Spain, then Hamburg, as well as Italy, Russia, England, Amsterdam and Poland, where he died.

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Portrait of Maurice Quentin de la Tour, 1750

Perroneau was all but forgotten during the 19th century, but interest in his work has since resurged. Today, Perroneau’s work is housed in museums all over the world, and perhaps in your own home. Still wondering about an 18th century European portrait in your family collection? Contact us…it could be by Jean-Baptiste Perroneau.


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886--rosing.php Jens Rosing Artwork Authentication & Art Appraisal

Jens Rosing (1925 – 2008)

Get a Rosing Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Rosing artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Rosing Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rosing painting, drawing or print.

If you want to sell your Rosing painting, drawing or print use our selling services. We offer Rosing selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rosing and issuing certificates of authenticity since 2002. We are recognized Rosing experts and Rosing certified appraisers. We issue COAs and appraisals for all Rosing artworks.

Our Rosing paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rosing certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rosing painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rosing paintings or drawings take longer.

Our clients include Rosing collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jens Rosing art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jens Rosing or we will sell it for you.

1. Fish drawing. Ink and watercolor. 1970

1. Fish drawing. Ink and watercolor. 1970

Rosing was a Greenlandic artist, known for designing Greenland’s coat of arms, as well as over 100 national stamps. He created a large body of drawings and watercolor that often served as illustrations for children’s books or books relating to Greenland’s history.

2. Stamp design

2. Stamp design

3. Stamp design

3. Stamp design

While Rosing was born in Greenland, he also spent many years in Denmark, near Copenhagen. As an accomplished designer and illustrator he focused on the wildlife of Greenland, drawing and painting numerous animals.

4. Illustrated book cover “Ting og undere i Grønland.”

4. Illustrated book cover “Ting og undere i Grønland.”

While he is best known for his stamps and illustrated books, a number of his original drawings continue to sell in international auctions. His illustrations are not only aesthetically pleasing but they tell the often overlooked history of Greenland, a country rich in tradition, folklore and national treasures.

5. Ice Bear. Pencil drawing. Signed.

5. Ice Bear. Pencil drawing. Signed.

If you think you may own original artwork by Jens Rosing, contact Art Certification Experts for information regarding our services.


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887--super_dali_mysteries.php Salvador Dali Artwork Authentication & Art Appraisal

Salvador Dali (1904-1989)

Fakes, Prints, Forgeries and Mysteries of the Surreal

Salvador Dali art authentication. Salvador Dali appraisal. Salvador Dali certificates of authenticity (COA). Salvador Dali analysis, research, scientific tests, full art authentications. We will help you sell your Salvador Dali or we will sell it for you.

Salvador Dali is known world-wide as one of the greatest artists of the 20th century, and one of the leading names in Surrealism. Second favorite only to Picasso in his native Spain, Dali’s prints, oil paintings and other mediums of art continue to be highly collectible today, and command the highest dollar at auction. However, towards the end of his career, Dali’s art ethics took a turn for the worse in some ways, and through some fault, or none, of his own, a great upheaval began to take place in the art world over his name.

The market is flooded with more Dali prints, sketches, paintings, fakes and forgeries than one can fathom…and all of them hold value. Yes, even a drawing passed off as a Salvador Dali original may be more valuable than you think. Please read our sections above on Dali’s forgeries, fakes and mysteries surrounding his career to understand why.

Despite the numerous problems that may surround authenticating a print by Dali, one thing remains certain…authentic Dali’s are nearly priceless, and collectors are eager to buy his work. It is important for you to protect your investment, and a Certificate of Authenticity will give you the peace of mind you deserve.

Educate yourself about your Dali art print, sketch or painting…only you can help preserve the value of a possibly priceless piece of art. Contact Art Certification Experts today with questions about your Salvador Dali print, painting, sketch or artwork.


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888--martinez-raul.php Raul Martinez Artwork Authentication & Art Appraisal

Raul Martinez (1927-1995)

Get a Martinez Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Martinez artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Martinez Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Martinez painting, drawing or print.

If you want to sell your Martinez painting, drawing or print use our selling services. We offer Martinez selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Martinez and issuing certificates of authenticity since 2002. We are recognized Martinez experts and Martinez certified appraisers. We issue COAs and appraisals for all Martinez artworks.

Our Martinez paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Martinez certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Martinez painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Martinez paintings or drawings take longer.

Our clients include Martinez collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Raul Martinez art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Raul Martinez or we will sell it for you.

Raul Martinez is known as the most famous pop artists to ever come out of Cuba. His work ranged from highly political, to purely commercial, but loudly echoes the changing of the times in Cuba in the late 1950s.

Like many others, Martinez attended the San Alejandro School, and after graduation went on to study in Chicago on a scholarship. In general, Martinez was successful in the plastic arts, and even took on photography and ghost writing for awhile. His themes were usually political in nature, or else his work was commissioned for poster work, such as the famous Cuban film “Lucia”.

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Lucia

During the 1960s, Martinez worked heavily in graphic design. He would often incorporate images of famous Cuban figures, such as Cuba’s national hero Jose Marti, and also Che Guevara and Fidel Castro. Fellow pop artist Andy Warhol created posters of Che Guevara as well, and one could say that their styles are similar (he even created square portrait repetitions of Jose Marti in the same way that Warhold did of Marilyn Monroe). It has been said that no other painter or artist has ever created as many paintings of Jose Marti as Martinez has.

One such example of Martinez using Cuban visages is in his poster “Cartel Cubano”.

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Cartel Cubano

After the 1960s, Martinez began experimenting with print making. He would make his prints in small numbers, such as this one entitled “Farmer and Che” (1986) which only ran 80 copies.

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Farmer and Che

Martinez’s early work was very abstract in nature, and he would use a tropical color palate, and sometimes only black and white. He is not generally known for this early abstract work, and therefore some of them may have been overlooked by authenticators.

Martinez was a part of a group called “The Eleven”, who pioneered abstract art in Cuba. “The Eleven” or “Los Once” also used their art as expression against Batista and the dictatorship, and met regularly at Martinez’s studio for group meetings.

During his lifetime, Martinez faced a lot of hardship as an artist and as an individual while living in Cuba. He was openly gay, and during the 1970s in Cuba, many people were forced to repress their lifestyles. He did not, and was one of many professors to be fired, at which time he was working for the school of Architecture.

However, this unfortunate event for him made a great impact on art. He survived by doing freelance graphic design, which inspired generations of artists and forever changed the face of Cuban art. In a sense, he was responsible for the boom in print making and graphic design that Cuba saw in the 1970s. Towards the end of the 70s, he began to incorporate heavy texture into his artwork, such as lines to give depth to his paintings or prints.

Martinez has exhibited all over the US, Latin America and Europe, and his work is housed in museums worldwide. He received National awards in Cuba, as well as in Chicago and Tampa in tribute to his lifetime of work, and will forever be remembered as a forerunner in abstract and the father of Cuban pop art.


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889--roka.php Charles Roka Artwork Authentication & Art Appraisal

Charles Roka (1912-1999)

Get a Roka Certificate of Authenticity for your painting (COA) for your Roka drawing.

For all your Roka artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Roka Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Roka painting or drawing.

If you want to sell your Roka painting or drawing use our selling services. We offer Roka selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Roka and issuing certificates of authenticity since 2002. We are recognized Roka experts and Roka certified appraisers. We issue COAs and appraisals for all Roka artworks.

Our Roka paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Roka certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Roka painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Roka paintings or drawings take longer.

Our clients include Roka collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles Roka art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles Roka or we will sell it for you.

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Two Children

Charles Roka was a Hungarian painter living in Norway whose name became synonymous with an excess of artistic kitsch. Roka was born in Hungary in 1912. After he finished his studies on the Academy of Fine Arts in Budapest he went to a European journey. In 1937 he finally settled in Norway, and lived in Bærum, outside Oslo until his death.

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Gypsy Girl

Roka attended one year at the Academy in Oslo. In 1939 he painted his first picture of the half-naked Gipsy Girl whom he had seen in Marseille a few years earlier. It is Roka’s numerous variations of this Gipsy Girl which made his financial success as a painter, but misfortune as an artist.

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Gypsy Girl II

Roka was despised by the art world, he was nevertheless loved by the people. He became famous for his numerous variations of the Gipsy Girl, exotic looking Gypsies in a pin-up style and sentimental portraits of children with their pet dogs. His other favorite subjects were Hungarian folklore, especially Gipsy people dancing csárdás.

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Gypsy Girl III

Roka had several exhibitions in Madrid, Barcelona, and Lausanne and he was very popular among the average Scandinavian people. In 1982 illness stopped him working. In 2005 Haugar Vestfold Kunstmuseum held a summer exhibition under the title Prince of Kitsch displaying about 80 of his works. It was the first time that a venerable art gallery let Roka’s works within its walls.

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Nude

Still wondering about a Norwegian painting in your family collection? Contact us…it could be by Charles Roka.


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890--dzubas.php Friedel Dzubas Artwork Authentication & Art Appraisal

Friedel Dzubas (1915-1994)

Get a Dzubas Certificate of Authenticity for your painting (COA) for your Dzubas drawing.

For all your Dzubas artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dzubas Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dzubas painting or drawing.

If you want to sell your Dzubas painting or drawing use our selling services. We offer Dzubas selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dzubas and issuing certificates of authenticity since 2002. We are recognized Dzubas experts and Dzubas certified appraisers. We issue COAs and appraisals for all Dzubas artworks.

Our Dzubas paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dzubas certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dzubas painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dzubas paintings or drawings take longer.

Our clients include Dzubas collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Friedel Dzubas art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Friedel Dzubas or we will sell it for you.

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Flowering #2 1963

Dzubas studied art in his native land before fleeing Nazi Germany in 1939 and he settled in New York City. Dzubas began exhibiting his Abstract expressionist paintings in important venues during the 1950s. His work was included in the legendary Ninth Street Show in New York City in 1951, and in group exhibitions at the Leo Castelli gallery. In the 1960s he became associated with Color field painting and Lyrical Abstraction. He was included in Post-painterly abstraction a 1964 exhibition curated by Clement Greenberg. Dzubas was a friend of Clement Greenberg, who in turn introduced him to Jackson Pollock and other artists.

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Key Largo 1964

In Manhattan during the early 1950s, he shared a studio with fellow abstract painter Helen Frankenthaler and gained recognition, but not on the scale of some of his other contemporaries like Jackson Pollock and Willem DeKooning. However he showed steadily and his large work (up to 24 feet wide) became more and more fluid. During the last three decades of his career Dzubas had more than sixty solo exhibitions in important galleries around the world. He was represented by the Andre Emmerich gallery and Knoedler Contemporary Arts in New York for more then thirty years. Eventually in 1976 settling in Massachusetts, He also painted and lived in New York City, where his paintings were regularly exhibited.

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Okaloosa 1964

He was known for using Magna paint an oil based acrylic paint. Magna was originally developed by the paintmakers Leonard Bocour and Sam Golden for and also used by Morris Louis. Dzubas would apply thick layers of color over washes building drama and depth by scrubbing the paint into the unprimed canvas. Dzubas used staining, brushing and other ways of applying sensitive and intense color. His paintings were generally large in size and scale, but he made many very small paintings as well.

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Distant Sea 1982

Still wondering about a German painting in your family collection? Contact us…it could be by Friedel Dzubas.


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891--delaunay_r.php Sonia Delaunay Artwork Authentication & Art Appraisal

Sonia Delaunay (November 14, 1885 – December 5, 1979)

We Perform Sonia Delaunay (November 14, 1885 – December 5, 1979) Sonia Delaunay art authentication. Sonia Delaunay appraisal. Sonia Delaunay certificates of authenticity (COA). Sonia Delaunay analysis, research, scientific tests, full art authentications. We will help you sell your Sonia Delaunay or we will sell it for you. The work of Sonia Delaunay may be hard for some authenticators to distinguish. In many cases, her style was very similar to that of her husband, fellow painter Robert Delaunay. The two, in fact, worked side by side, so naturally that their styles complemented one another. In some cases it is nearly impossible to tell which Delaunay created which painting but a trained and educated eye can pick out the work from either husband or wife.

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Disk Composition

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Electric Prisms, 1914, Pompidou Center, Paris

Sonia Delaunay was born in the Ukraine, and raised by her uncle, whose family was eventually able to formally adopt her. Delaunay traveled often as a child, and was enrolled in art school in St. Petersburg at the age of 16. She was eventually sent to Germany to continue her art studies at the Karlsruhe Academy of Fine Arts.

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Yellow Nude

Delaunay finally moved to Paris in 1905 to pursue her art career. Though she was married to a German art dealer at the time she met Robert Delaunay, the two began a relationship and were married in 1910. Together they created Orphism, a whole new arena of Abstract and Cubist art that infused color, motion and geometry.

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Flamenco Singers, 1915

While her husband remained focused on his painting, Sonia delved into the world of fashion and textiles during the First World War. Her take on high fashion included lyrical pieces that were full of movement—an inspiration from her themes as a painter. Many of Sonia’s compositions mirrored contemporary fashion patterns of today and were always bright, colorful and geometric.

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Fabric Pattern, 1928

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Fabric Pattern

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Composition 34, 1930

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Composition 31, 1930

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Composition 12, 1930

By the 1930s, Sonia returned to painting, which she would continue even after her husbands death in 1941, though she produced little work from then until 1950. Even after she began to work again, her later paintings gained little interest, though this was a very prolific period for her. In 1968 she donated a number of her husbands and her own works to the National Art Museum in Paris, perhaps in hope of regaining notoriety.

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Composition

Even though Sonia Delaunay may have been seen by some as following in her husbands footsteps, she made great strides on her own as an artist. In fact, Sonia was the first woman to ever have her work exhibited in the Louvre during her lifetime, a great honor for any artist. During her lifetime, she often was invited to lecture at universities like the Sorbonne, and is even credited as being one of the first to suggest “ready to wear” clothing.

Because Sonia led a very long, very bohemian lifestyle, the possibility of owning one of her pieces is great, as is the possibility of her work being wrongly authenticated. Today her work is housed all over France and she is remembered as a forerunner in abstract art and as an inspiration to generations of female artists.

If you suspect you may own a Delaunay, please contact us.


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892--hofman_h.php Hans Hofmann Artwork Authentication & Art Appraisal

Hans Hofmann (1880-1966)

We Perform Hans Hofmann art authentication. Hans Hofmann appraisal. Hans Hofmann certificates of authenticity (COA). Hans Hofmann analysis, research, scientific tests, full art authentications. We will help you sell your Hans Hofmann or we will sell it for you. Please contact us for more information.

Hofmann, The Gate

The Gate

Hofmann, Equinox

Equinox

Hans Hofmann was a German-American abstract expressionist painter. Hofmann was born in Weißenburg, Bavaria and immigrated to the United States in 1932. Hofmann was well known as a teaching artist in both, both Germany and the U.S. Hofmann founded a school in Munich, where Louise Nevelson, Wolfgang Paalen, Worth Rider and Alfred Jensen studied. The school was open until 1932, the year Hofmann immigrated to the U.S.

Hofmann, Pink and Lime Green

Pink and Lime Green

In the United States, Hofmann settled in California, where he was hired to teach at the University of California in Berkeley and Chouinard Art Institute in Los Angeles. Hofmann returned to Germany for a brief amount of time, before his big move to New York City. Hofmann was hired to teach at the Art Students League, which exposed him the artist community of New York.

Hofmann, Autumn Gold

Autumn Gold

Eventually, Hofmann opened his own schools in New York and Massachusetts. Many of Hofmann’s students became big names in the art world, including Joan Mitchell, Michael Goldberg, Lee Krasner and Wolf Kahn. Despite Hofmann’s reputation as an excellent teacher, he decided to solely concentrate on his own work after 1958.

Hofmann, Morning Mist

Morning Mist

Hofmann, The Voice of the Wind

The Voice of the Wind

Hofmann also wrote extensively about his artistic theories and philosophies. One of his essays, “Search for the Real” is highly regarded by art critics and theorists. Hofmann’s theories on color and line are easily seen in his abstract expressionist paintings.

Hofman, Rising Moon

Rising Moon

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Stardust

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Untitled #5

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Indian Summer

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Color Poem #6

According to the Hofmann biography, Hofmann’s work is distinguished by “a rigorous concern with pictorial structure, spatial illusion, and color relationships.” Other information on Hofmann states that his “completely abstract works date from the 1940s.” Hofmann believed that abstract art was a way to get at what was really important. He famously stated that “the ability to simplify means to eliminate the unnecessary so that the necessary may speak.”

Hofmann, Pre-Dawn

Pre-Dawn

Hofmann

Hofmann, The Polynesian

The Polynesian

Hofmann

Hofmann, Towering Spaciousness

Towering Spaciousness

Hofmann, Provincetown House

Provincetown House

Hofmann, Hearld

Hearld

Hofmann, Memoria in Aeternum

Memoria in Aeternum

Hofmann, Song of the Nightingale

Song of the Nightingale

The paintings of Hofmann are now in major collections around the world, including the Metropolitan Museum of Art, the Solomon R. Guggenheim Museum, the Whitney Museum, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Museum of Fine Art in Boston, the Art Institute of Chicago, the Honolulu Academy of Arts, the Städtische Galerie in Munich, the Museum of Contemporary Art in Barcelona, and the Tate Gallery in London. Do you think you own a painting by Hans Hofmann? Contact us. We are the experts on Hans Hofmann.


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893--huet-j.php Jean Baptiste Marie Huet Artwork Authentication & Art Appraisal

Jean Baptiste Marie Huet (1745-1811)

We Perform Jean Baptiste Marie Huet art authentication. Jean Baptiste Marie Huet appraisal. Jean Baptiste Marie Huet certificates of authenticity (COA). Jean Baptiste Marie Huet analysis, research, scientific tests, full art authentications. We will help you sell your Jean Baptiste Marie Huet or we will sell it for you.

Huet painting, Venus Sleeping on a Bed

Venus Sleeping on a Bed

Jean Baptiste Marie Huet was an 18th century Rococo French painter. He was originally accepted into the Academie Royal in 1769 as an animalier, or painter of animals. Huet was generally known for his pastoral landscapes, often incorporating shepherds and their flock.

Huet painting, Pastoral Landscape

Pastoral Landscape

Huet painting, Study of a Goat

Study of a Goat

Huet painting, Peasant Girl with Dog

Peasant Girl with Dog

Besides being a painter, Huet was an extremely skilled draftsman, and was also commissioned for tapestry designs by the Manufacture Oberkampf. Huet was also commissioned to paint pastoral landscapes, along with fellow painters Fragonard and Boucher, in the home of Demarteau in Paris.

Huet painting, The Coronation of the Rose Queen, Tapestry Design

The Coronation of the Rose Queen, Tapestry Design

Huet painting, The Activities of the Factory, Fabric Design

The Activities of the Factory, Fabric Design

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Jean Baptiste Marie Huet.


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894--domergue.php Jean-Gabriel Domergue Artwork Authentication & Art Appraisal

Jean-Gabriel Domergue (1889-1962)

Get a Domergue Certificate of Authenticity for your painting (COA) for your Domergue drawing.

For all your Domergue artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Domergue Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Domergue painting or drawing.

If you want to sell your Domergue painting or drawing use our selling services. We offer Domergue selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Domergue and issuing certificates of authenticity since 2002. We are recognized Domergue experts and Domergue certified appraisers. We issue COAs and appraisals for all Domergue artworks.

Our Domergue paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Domergue certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Domergue painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Domergue paintings or drawings take longer.

Our clients include Domergue collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean-Gabriel Domergue art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean-Gabriel Domergue or we will sell it for you.

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Portriat of the Countess Desforges

Jean-Gabriel Domergue was born in Bordeaux, France and would eventually create a style of advertising art that would become a vintage symbol of French life. He would become known for his beautiful depictions of women, nude and elegantly dressed alike.

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Femme a l’etole de Boa

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L’Enlevement de Sabine, 1956

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La Loge

Domergue studied under fellow artists Adler and Flameng, and had his first exhibition in 1906 at the Salon des Artistes Francais. Though he would initially try his hand at being a landscape painter, Domergue found great success and fortune painting fashionable portraits and advertising of young French sirens. He has been compared to the likes of Tolouse-Lautrec for bringing feminine sexual icons (in Domergue’s case, fashion models and dancers) into the artistic realm. It is even said that Domergue claimed to be the original inventor of the pin-up model.

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Danseuse

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L’Habilleuse

The famous dancer Josephine Baker also posed for Domergue in the nude.

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Josephine Baker

Domergue’s nudes can be easily distinguished by their nubile, thin and elongated appearance and their swan-like necks.

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Sybil aux Seins Nus

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Nude

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Nude 2

In 1927, Domergue moved to Cannes where he would live the rest of his life, close to his beautiful young subjects on the Mediterranean. Living on the Cote d’Azur gave Domergue even more inspiration and new subjects to portray in his advertisements and compositions.

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“Cote d’Azur” poster

Among some of his more famous advertisements were for the Cote d’ Azur and for the French department store Galleries Lafayette.

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“Galleries Lafayette” fan

Domergue was very prolific during his lifetime, creating a number of posters, etchings and oil paintings. He continued to work nearly until his death, leaving a legacy of beautiful advertisements and portraits which symbolize an era in France now long gone.

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Woman under Parasol, 1956

While his nude portraits may be easy to recognize, Domergue also surely created a number of other portraits and etchings not typical to his usual style. Domergue was also inconsistent as to where, or if, he would sign his work, making it difficult for some authenticators to authenticate his paintings. For these reason, you may very well own a painting by Jean-Gabriel Domergue.

If you believe you own a work of art by Jean-Gabriel Domergue, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Jean-Gabriel Domergue.

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Portrait of Mr. Lazzerreschi

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895--la-martiniere.php Marie-Francoise-Constance Mayer La Martiniere Artwork Authentication & Art Appraisal

Marie-Francoise-Constance Mayer La Martiniere (1774-1821)

Marie-Francoise-Constance Mayer La Martiniere art authentication. Marie-Francoise-Constance Mayer La Martiniere appraisal. Marie-Francoise-Constance Mayer La Martiniere certificates of authenticity (COA). Marie-Francoise-Constance Mayer La Martiniere analysis, research, scientific tests, full art authentications. We will help you sell your Marie-Francoise-Constance Mayer La Martiniere or we will sell it for you.

Mayer painting, Portrait of Ange Lucie

Portrait of Ange Lucie

Marie-Francoise-Constance Mayer La Martiniere was a French 18th century Neoclassical painter. She was born in Paris and was the student and mistress of Pierre-Paul Prud’hon. It is generally thought that many of the paintings Mayer created were credited to Prud’hon, though she is remembered today as an excellent miniaturist and painter of religious and genre scenes.

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Marie-Francoise-Constance Mayer La Martiniere.


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896--barlow.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "barlow" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "barlow" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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897--gaulli.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "gaulli" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "gaulli" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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898--carebul.php Beatrice Carebul Artwork Authentication & Art Appraisal

Beatrice Carebul (1883-1953)

Get a Carebul Certificate of Authenticity for your painting (COA) for your Carebul drawing.

For all your Carebul artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Carebul Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Carebul painting or drawing.

If you want to sell your Carebul painting or drawing use our selling services. We offer Carebul selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Carebul and issuing certificates of authenticity since 2002. We are recognized Carebul experts and Carebul certified appraisers. We issue COAs and appraisals for all Carebul artworks.

Our Carebul paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Carebul certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Carebul painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Carebul paintings or drawings take longer.

Our clients include Carebul collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Beatrice Carebul art authentication, appraisal,certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Beatrice Carebul or we will sell it for you.

Beatrice Carebul was considered one of the most brilliant female artists of her time. She began her studies at the Ecole des Beaux Arts and also studied at the Ecole des Arts Decoratifs.

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Self-Portrait, 1915

Not quite a member of the Fauve movement, Carebul had a brilliant color palate and she began to gain notice by Fauve painters like Derain and even Matisse. Certainly, her bold use of color and feverish brushstrokes would have been attractive to the Fauvist crowd, as seen in one of her landscape paintings, “Cherry Blossoms.”

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Cherry Blossoms

It wasn’t until after she exhibited at the Salon National des Beaux Arts that Carebul’s career really took off. She exhibited her work at the Salon des Independents from 1920 to 1931. Fellow artist Maurice Brianchon was also an admirer of her work and invited her to exhibit at his salon from 1930 to 1939. During this time, Carebul also exhibited her works at the Salon d’Automne from 1935 to 1940.

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Cypress Trees

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Jardin D’Interior

Carebul traveled extensively throughout France to find new landscapes and inspiration. It is said that she mirrored Derain’s painting locales and often painted cityscapes and landscapes in similar areas as the Fauve painter. Perhaps this was due to an affair between the two, who greatly admired each other, but this is not certain.

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Nice in Summer

While her name isn’t as well known as other contemporary female artist like Mary Cassatt, she was still highly respected and well-known in her time. Unlike so many artists of the day, Carebul actually found success in her lifetime and sold many of her paintings. This, combined with the fact that she is relatively unknown today, makes it very likely for someone to own her work in a private home collection and not even know it.

If you believe you own a work of art by Beatrice Carebul, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Beatrice Carebul.

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Village

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899--perino-del-vaga.php Perino del Vaga Artwork Authentication & Art Appraisal

Perino del Vaga (1501-1547)

We Perform Perino del Vaga art authentication. Perino del Vaga appraisal. Perino del Vaga certificates of authenticity (COA). Perino del Vaga analysis, research, scientific tests, full art authentications. We will help you sell your Perino del Vaga or we will sell it for you.

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Mother and Child

Perino del Vaga or Perin del Vaga is the nickname of Piero Buonaccorsi, an Italian painter of the Late Renaissance/Mannerism. His father ruined himself by gambling, and became a soldier in the invading army of Charles VIII. His mother died when he was but two months old; but shortly afterwards he was taken up by his father’s second wife. Perino was first apprenticed to a druggist, but soon passed into the hands of a mediocre painter, Andrea da Ceri, and when eleven years of age, of Ridolfo Ghirlandajo.

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The Holy Family 1540

Perino was one of Ghirlandaio’s most talented pupils. Another mediocre painter, Vaga from Toscanella, undertook to settle the boy in Rome. Perino, when he at last reached Rome, was utterly poor, and with no clear prospect beyond journey-work for trading decorators. He was eventually entrusted with some of the subordinate work undertaken by Raphael in the Vatican. He assisted Giovanni da Udine in the stucco and arabesque decorations of the Loggie Vaticane, and executed some of those small but finely composed scriptural subjects which go by the name of Raphael’s Bible, Raphael himself furnishing the designs.

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Sketch of Women

Perino’s examples are: Abraham and Isaac, Jacob wrestling with the Angel, Joseph and his Brothers, the Hebrews crossing the Jordan, Fall and Capture of Jericho, Joshua commanding Sun to stand still, Birth of Christ, Baptism and the Last Supper. Some of these are in bronze-tint, while others are in full color. He also painted, after Raphael’s drawings, figures of the planets in the great hall of the Appartamenti Borgia. Perino was soon regarded as his major assistant, second only to Giulio Romano.

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Tarquinius Superbus Founds the Temple of Jove in the Capital, Fresco

To Raphael himself he was always exceedingly attentive. His solo works in the city include the hall of Palazzo Baldassini (1520-1522), a noble building in the center of the city, and the Pietà in the church of Santo Stefano del Cacco.

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La Carita Romana, Fresco

After Raphael’s death in 1520 and the plague of 1523, a troubled period ensued for Perino. He returned to Florence, and befriended Rosso Fiorentino and executed an admirable design of 10,000 Martyrs (now lost).

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Adoration of the Child 1534

In 1527 Andrea Doria invited Perin to Genova to decorate the Palace of Fassolo, where he also executed numerous altarpieces and designs for tapestries. Perino accepted an invitation to Genoa, to help design decorate the newly rebuilt Palazzo del Principe for Andrea Doria. Fresco decoration began in 1529, starting with a now destroyed Quos Egos from the Aeneid. rapidly founded a quasi-Roman school of art in the Ligurian city. He ornamented the palace in a style similar to that of Giulio Romano in the Mantuan Palazzo del Te, and frescoed historical and mythological subjects in the apartments, fanciful and graceful arabesque work with sculptural and architectural details. Among the principal works are: the War between the Gods and Giants, Horatius Codes defending the Bridge, and the Fortitude of Mutius Scaevola. The most important work of all, the Shipwreck of Acneas, is no longer extant. From Genoa Perino twice visited Pisa, and began some painting in the cathedral.

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Study for a Dead Christ, the Louvre

A year later he returned to Rome and frescoed the Pucci Chapel in the Trinità dei Monti. Pope Paul III granted him a regular salary. He retouched many works of Raphael. He painted the decoration for the Paoline Chapel and other halls of Castel Sant’Angelo, some frescoes in the church of San Marcello, a monochrome in the Stanza della Segnatura in the Vatican and a cartoon of the Sistine Chapel.

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The Holy Family with St. John The Baptist, unfinished

Perino was engaged in the general decoration of the Sala Reale, begun by Paul III when he died on the 19th of October 1547. He is buried in the Pantheon. His work in the Castel Sant’Angelo was continued by his student Pellegrino Tibaldi

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The Goddess Roma, Sketch

Del Vaga’s style was renowned for his vitality and elegance. His paintings are considered important in the mediation between the Roman Raphaelesque tradition and the first Florentine Mannerism. He combined the manners of Raphael and Andrea del Sarto. Many of his works were engraved, even in his own lifetime. Daniele da Volterra, Girolamo Siciolante da Sermoneta, Luzio Romano and Marcello Venusti (Mantovano) were among his principal assistants.

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The Holy Family

Still wondering about an Italian painting in your family collection? Contact us…it could be by Perino del Vaga.


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900--daumier.php Honore Daumier Artwork Authentication & Art Appraisal

Honore Daumier (1808-1879)

Get a Daumier Certificate of Authenticity for your painting or a COA for your Daumier drawing or sculpture.

For all your Daumier artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Daumier Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Daumier painting, drawing or sculpture.

If you want to sell your Daumier painting, drawing or sculpture use our selling services. We offer Daumier selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Daumier and issuing certificates of authenticity since 2002. We are recognized Daumier experts and Daumier certified appraisers. We issue COAs and appraisals for all Daumier artworks.

Our Daumier paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Daumier certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Daumier painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Daumier paintings, drawings or sculpture take longer.

Our clients include Daumier collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Honore Daumier art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Honore Daumier or we will sell it for you.

Honore Daumier was born in 1808 in France. He was a painter, sculptor, and caricaturist. His fame has increased since his death in 1879.

Daumier grew up writing poetry. In 1814, his family moved to Paris. They didn’t have a lot of money, so he was forced to work as a delivery boy while sketching at the Louvre in his spare time. In 1822, he began to study under Alexandre Lenoir. In 1828, he learned a new technique that would prove to be the core of his career.

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Transnonain Street, 1834

In 1830, at age 22, Daumier had mastered the process of lithography. Although lithography was fairly new at this time, Daumier showed a real talent for this form of art and began to create political cartoons. They often bore anti-government themes. His fierce Republican values landed him in prison when his cartoons attacked Louis-Philippe. He had drawn Louis-Philippe swallowing bags of gold that he took from the people.

When political satire was prohibited in 1835, he continued his satirical pursuits, now choosing social life as his subject. By 1848 and the revolution, his focus shifted back to political satire. It is estimated that he made over 4,000 lithographs. As he neared the end of his life, he was nearly blind. He then turned to painting.

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The Miller, His Son and the Donkey, 1849-1850

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Martyrdom of St. Sebastian, 1849-1850

Daumier’s only exhibitions of his paintings took place at the Salon. They received very little attention during his lifetime. They usually bore satirical themes while dealing with contemporary life and manners. His painting style was free and uninhibited.

Other paintings dealt with the lower class for which he had a great compassion. Some of the paintings show Romantic characteristics.

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The Uprising, 1860

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Ratapoil, 1891

Throughout his career, Daumier also created some impressive sculptures. Most also bear satirical, political themes. They were usually cast in bronze.

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A Wagon of the Third Class

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The Kiss

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Don Quixote and Sancho Pansa

Late in life, Daumier had become friends with Corot. By this time, Daumier’s body of work had grown. He had produced 4000 graphic works, hundreds of paintings, drawings, and sculptures. Still, he struggled financially as he had done for his entire life.

Corot made the grand gesture of purchasing a house for his friend. This is where Daumier lived until his death in 1879.

Anyone owning an original work of Daumier will probably notice a satirical theme or a painting executed in sketchy strokes.

If you believe you own a work of art by Honore Daumier, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Honore Daumier.


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done
902--ghislandi.php Vittore Ghislandi Artwork Authentication & Art Appraisal

Vittore Ghislandi (also Fra Galgario) (1655-1743)

Get a Ghislandi Certificate of Authenticity for your painting (COA) for your Ghislandi drawing.

For all your Ghislandi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ghislandi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ghislandi painting or drawing.

If you want to sell your Ghislandi painting or drawing use our selling services. We offer Ghislandi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ghislandi and issuing certificates of authenticity since 2002. We are recognized Ghislandi experts and Ghislandi certified appraisers. We issue COAs and appraisals for all Ghislandi artworks.

Our Ghislandi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ghislandi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ghislandi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ghislandi paintings or drawings take longer.

Our clients include Ghislandi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Vittore Ghislandi art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Vittore Ghislandi or we will sell it for you.

Ghislandi painting, Portrait of Count Giovanni Battista Valletti

Portrait of Count Giovanni Battista Valletti

Ghislandi painting, Portrait of Giovanni Secco Suardo and his Servant

Portrait of Giovanni Secco Suardo and his Servant

Vittore Ghislandi was a late 17th and early 18th century Italian Realist painter. Ghislandi is also known in the art world as “Fra Galgario” and mainly painted portraits of noble and affluent gentlemen and ladies.

Ghislandi painting, Isabella Camozzi de Gherardi

Isabella Camozzi de Gherardi

Ghislandi painting, Portrait of a Gentleman

Portrait of a Gentleman

Ghislandi painting, Bertrama Daina de 'Valsecchi

Bertrama Daina de ‘Valsecchi

Ghislandi distinguished himself from most portrait painters of the day with his relaxed and informal portraits. Art historians have noted that Ghislandi used methods of light and shading similar to that of Rembrandt, and he has been compared to his contemporaries, Greuze and Hogarth.

Ghislandi painting, Portrait of Francesco Maria Bruntino

Portrait of Francesco Maria Bruntino

Still wondering about a 17th or 18th century Italian portrait in your family collection? Contact us…it could be by Vittore Ghislandi.


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903--sargent-henry.php Henry Sargent Artwork Authentication & Art Appraisal

Henry Sargent (1770-1845)

Do you think you may own a painting by Henry Sargent?

Get a Sargent Certificate of Authenticity for your painting (COA) for your Sargent drawing.

For all your Sargent artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sargent Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sargent painting or drawing.

If you want to sell your Sargent painting or drawing use our selling services. We offer Sargent selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sargent and issuing certificates of authenticity since 2002. We are recognized Sargent experts and Sargent certified appraisers. We issue COAs and appraisals for all Sargent artworks.

Our Sargent paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sargent certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sargent painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sargent paintings or drawings take longer.

Our clients include Sargent collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henry Sargent art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Henry Sargent or we will sell it for you.

Nathaniel Amory

Nathaniel Amory

Henry Sargent was an American portrait and genre painter, born in Gloucester, Massachusetts. Sargent worked in Boston and traveled all over New England painting portraits as well as religious and historical scenes.

The Landing of the Pilgrims

The Landing of the Pilgrims

He studied under Benjamin West in London and was skilled in painting textures as well as textiles and accessories. One of Sarents’ most famous paintings, “The Tea Party” is considered to be one of the very first “genre” paintings in early American history. This painting depicts a group of wealthy Bostonians socializing and having tea in an upper class home.

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The Tea Party

Other genre paintings in Sargents’ oeuvre include “The Dinner Party.” This painting is very similar to “The Tea Party” in its execution, composition and style. Sargent painted both of these genre scenes almost as if he were an outsider to the respective parties instead of a guest. Could there be other paintings in existence, unknown and otherwise unauthenticated in Sargents’ “Party” series?

The Dinner Party

The Dinner Party

Today Sargents’ work is housed all over New England in public and private collections, including in Faneuil Hall in Boston and the Museum of Fine Arts in Boston. Still wondering about a genre painting or Boston portrait hanging in your family’s estate? Contact us…it could be by Henry Sargent.

Benjamin Lincoln

Benjamin Lincoln

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904--kramskoi.php Ivan Nikolaevich Kramskoi Artwork Authentication & Art Appraisal

Ivan Nikolaevich Kramskoi (Иван Николаевич Крамской) (1837-1887)

Get a Kramskoi Certificate of Authenticity for your painting (COA) for your Kramskoi drawing.

For all your Kramskoi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kramskoi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kramskoi painting or drawing.

If you want to sell your Kramskoi painting or drawing use our selling services. We offer Kramskoi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kramskoi and issuing certificates of authenticity since 2002. We are recognized Kramskoi experts and Kramskoi certified appraisers. We issue COAs and appraisals for all Kramskoi artworks.

Our Kramskoi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kramskoi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kramskoi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kramskoi paintings or drawings take longer.

Our clients include Kramskoi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ivan Nikolaevich Kramskoi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ivan Nikolaevich Kramskoi or we will sell it for you.

Kramskoi, Christ in the Wilderness

Christ in the Wilderness

Kramskoi, Unknown Woman, 1883

Unknown Woman, 1883

Ivan Kramskoi was a Russian painter and a leader of the Russian democratic art movement “Peredvizhniki”. Kramskoi studied at the St. Petersburg Academy of Arts from 1857 to 1863. Kramskoi acted out against the Academy’s rigid, prohibitive structure and helped to organized an independent show in protest of the Academy. Kramskoi led the “St. Petersburg Artel of Artists” as well as he Peredvizhiniki group (also known as the Wanderers or Itinerants).

Kramskoi, The Prayer for Moses Before the Israelites Passed Through the Red Sea, 1861

The Prayer for Moses Before the Israelites Passed Through the Red Sea, 1861

Kramskoi upheld the beliefs of the Peredvizhniki group, which was based on political and social responsibility. The group was incredibly successful and exhibited forty-eight times in Russia and the surrounding region.

Kramskoi, Whilst Reading: Sofia Kramskoi

Whilst Reading: Sofia Kramskoi

Kramskoi, Self-Portrait

Self-Portrait

Kramskoi, Portrait of the Tsar Aleksandrovich

Portrait of the Tsar Aleksandrovich

In 1869 the Academy awarded Kramskoi with an honorary degree for his contributions to the Russian arts. Kramskoi’s popularity and reputation continued to spread for his impressive skill at portraiture and history paintings.

Empress Maria Fyodorovna

Empress Maria Fyodorovna

Portrait of Ivan Shishkin

Portrait of Ivan Shishkin

Kramskoi supported the Russian revolutionary democrats, and promoted civic responsibility in art communities as well as a moral consciousness. Stylistically, Kramskoi practiced and professed realistic painting, using traditional techniques. As an artist and intellectual, Kramskoi painted the portraits of prominent Russian figures, including Leo Tolstoy, Ivan Shishkin, Pavel Tretyakov, Mikhail Saltykov-Shchedrin and Botkin.

Kramskoi, Portrait of a girl

Portrait of a girl

Kramskoi, Woman with a Parasol

Woman with a Parasol

Many of Kramskoi’s paintings belong to Russia’s Tretyakov Gallery, as well as in numerous collections around the world. Kramskoi is an important name in 19th century Russian history, contributing to both art and social movements. Do you think you own a painting by Ivan Kramskoi? Contact us. We are the experts on Ivan Kramskoi.


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905--rosa_salvator.php Salvator Rosa Artwork Authentication & Art Appraisal

Salvator Rosa (1615 – 1673)

Do you think you may own a painting by Salvator Rosa? We perform art art authentications, art appraisals, art research and Certificates of Authenticity (COA) and provide free consultations for all paintings by Salvator Rosa.

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Self-Portrait 1641

Salvator Rosa was an Italian Baroque painter, poet and printmaker, active in Naples, Rome and Florence. As a painter, he is best known as an “unorthodox and extravagant” and a “perpetual rebel” proto-Romantic. His life and writings were equally colorful.

He was born in Arenella, in the outskirts of Naples: either June 20 or July 21, 1615. His father, Vito Antonio de Rosa, a land surveyor, urged his son to become a lawyer or a priest, and entered him into the convent of the Somaschi fathers. Yet, Salvator showed a preference for the arts, thus secretly worked with his maternal uncle Paolo Greco to learn about painting, and soon transferred himself to his own brother-in-law Francesco Francanzano, a pupil of Ribera, and afterwards to either Aniello Falcone, contemporary with Domenico Gargiulo, or Ribera himself. Some sources claim he spent time living with roving bandits. At the age of seventeen he lost his father; his mother was destitute with at least five children, and Salvator found himself without financial support.

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Portrait of a Man

He continued apprenticeship with Falcone, aiding him complete his battlepiece canvases. In that studio, it is said that Lanfranco took notice of his work, and advised him to relocate to Rome, where he stayed for from 1634-6.

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Landscape

Returning to Naples, he began painting haunting landscapes, overgrown with vegetation, or jagged beaches, mountains, and caves. Rosa was among the first to paint “romantic” landscapes, with a special turn for scenes of picturesque often turbulent and rugged scenes peopled with shepherds, brigands, seamen, soldiers. These early landscapes were sold cheaply through private dealers. This class of paintings peculiarly suited him.

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Evening Landscape

He returned to Rome in 1638-39, where he was housed by Cardinal Francesco Maria Brancaccio, bishop of Viterbo. For the Chiesa Santa Maria della Morte in Viterbo, Rosa painted his first and one of his few altarpieces with an Incredulity of Thomas. While Rosa had a facile genius at painting, he pursued a wide variety of arts: music, poetry, writing, etching, and acting. In Rome, he befriended Pietro Testa and Claude Lorraine. During a Roman carnival play he wrote and acted in a masque, in which his character bustled about Rome distributing satirical prescriptions for diseases of the body and more particularly of the mind. In costume, he inveighed against the farcical comedies acted in the Trastevere under the direction of Bernini.

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Landscape with Figures

While his plays were successful, this also gained him powerful enemies among patrons and artists, including Bernini himself, in Rome. By late 1639, he had had to relocate to Florence, where he stayed for 8 years. He had been in part, invited by a Cardinal Giancarlo de Medici. Once there, Rosa sponsored a combination of studio and salon of poets, playwrights, and painters –the so called Accademia dei Percossi (“Academy of the Stricken”). To the rigid art milieu of Florence, he introduced his canvases of wild landscapes; while influential, he gathered few true pupils. Another painter poet, Lorenzo Lippi, shared with Rosa the hospitality of the cardinal and the same circle of friends. Lippi encouraged him to proceed with the poem Il Malmantile Racquistato. He was well acquainted also with Ugo and Giulio Maffei, and housed with them in Volterra, where he wrote four satires Music, Poetry, Painting and War. About the same time he painted his own portrait, now in the Uffizi Gallery.

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A Friar Tempted by Demons 1660-1665

In 1646 he returned to Naples, and appears to have sympathized with the insurrection of Masaniello, as a passage in one of his satires suggests. His actual participation in the revolt is dubious. It is alleged that Rosa, along with other painters–Coppola, Paolo Porpora, Domenico Gargiulo, Dal Po, Marzio Masturzo, the two Vaccari and Cadogna–all under the captaincy of Aniello Falcone, formed the Compagnia della Morte, whose mission it was to hunt down Spaniards in the streets, not sparing even those who had sought some place of religious asylum. He painted a portrait of Masaniello–probably from reminiscence rather than life. On the approach of Don Juan de Austria, the blood-stained Compagnia dispersed.

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Anchorites Tempted by Demons

Other tales tell that from there he escaped and joined with brigands in the Abruzzi. Although this incident which cannot be conveniently dove-tailed into known dates of his career, in 1846 a famous romantic ballet about this story titled Catarina was produced in London by the choreographer Jules Perrot and composer Cesare Pugni).

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Landscape with St. John the Baptist Pointing out Christ 1655-1660

Finally he returned to stay in Rome in 1649. Here he painted some important subjects, showing the uncommon bent of his mind as it passed from landscape into history Democritus amid Tombs, Death of Socrates, Regulus in the Spiked Cask (these two are now in England), Justice Quitting the Earth and the Wheel of Fortune. This last satirical work raised a storm of controversy. Rosa, endeavoring at conciliation, published a description of its meaning (probably softened down not a little from the real facts); none the less he was nearly arrested. It was about this time that Rosa wrote his satire named Babylon, under which name Rome was of course indicated.

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Democritus in Meditation 1650s

Much enmity still brooded there against him. An allegation arose that his published satires were not his own, but filched. Rosa indignantly denied the charges, although it is true that the satires ~deal so extensively and with such ready manipulation in classical names, allusions and anecdotes, that one is rather at a loss to fix upon the period of his busy career at which Rosa could possibly have imbued his mind with such a multitude of semi-erudite details. It may perhaps be legitimate to assume literary friends in Florence and Volterra coached him about the topic of his satires, as compositions, remaining none the less strictly and fully his own. To confute his detractors he now wrote the last of the series, entitled Envy.

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Figure Seen from the Rear, drawing

Among the pictures of his last years were the admired Battlepiece and Saul and the Witch of Endor (latter perhaps final work) now in Louvre, painted in 40 days, full of longdrawn carnage, with ships burning in the offing; Pythagoras and the Fishermen; and the Oath of Catiline (Pitti Palace).

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Saul and the Witch of Endor 1668

While occupied with a series of satirical portraits, to be closed by one of himself, Rosa was assailed by dropsy. He died a half year later. In his last moments he married a Florentine named Lucrezia, who had borne him two sons, one of them surviving him, and he died in a contrite frame of mind. He lies buried in the Chiesa degli Angeli, where a portrait of him has been set up. Salvator Rosa, after struggles of his early youth, had successfully earned a handsome fortune.

He was a significant etcher, with a highly popular and influential series of small prints of soldiers, and a number of larger and very ambitious subjects. Rosa was indisputably a leader in that tendency towards the romantic and picturesque. It is an open question how influential his work was in the following decades or in following centuries. Wittkower rightly states that it is his landscapes, not his grand historical or religious dramas, that Rosa truly expresses a novel and innate spark; he may have dismissed them as frivolous cappricci in comparison to his other themes, but these academically conventional canvases often restrained his rebellious streak. In general, in landscapes he avoided the idyllic and pastoral calm countrysides of Claude Lorraine and Paul Brill, and created brooding, melancholic fantasies, awash in ruins and brigands. The contrasts between the artists of his day is illustrated by the lines of Poetry written in 1748: Whate’er Lorraine light touched with softening hue/ Or savage Rosa dashed, or learned Poussin drew. He influenced Gaspar Dughet’s landscape style.

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Etching

In a time when artists where often highly constrained by patrons, Rosa had a plucky streak of independence, which celebrated the special role of the artist. Our wealth must consist in things of the spirit, and in contenting ourselves with sipping, while others gorge themselves in prosperity. He refused to paint on commission or to agree on a price beforehand, and he chose his own subjects. He painted in order to be carried away by the transports of enthusiasm and use my brushes only when I feel myself rapt. This tempestuous spirit became the darling of British Romantics.

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Portrait of the Artists Wife Lucrezia

The satires of Salvator Rosa deserve more attention than they have generally received. There are, however, two recent books taking account of them–by Cesareo, 1892, and Cartelli, 1899. The satires, though considerably spread abroad during his lifetime, were not published until 1719. They are all in terza rima, written without much literary correctness, but remarkably spirited, pointed and even brilliant. They are slashingly denunciatory, and from this point of view too monotonous in treatment. Rosa here appears as a very severe castigator of all ranks and conditions of men, not sparing the highest, and as a champion of the poor and down-trodden, and of moral virtue and Catholic faith. It seems odd that a man who took so free a part in the pleasures and diversions of life should be so ruthless to the ministers of these.

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View of the Gulf of Salerno

The satire on Music exposes the insolence and profligacy of musicians, and the shame of courts and churches in encouraging them. Poetry dwells on the pedantry, imitativeness, adulation, affectation and indecency of poets–also their poverty, and the neglect with which they were treated; and there is a very vigorous sortie against oppressive governors and aristocrats. Tasso’s glory is upheld; Dante is spoken of as obsolete, and Ariosto as corrupting.

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Diogenes Casting Away his Cup 1650s

Painting inveighs against the pictorial treatment of squalid subjects, such as beggars (though Rosa must surely himself have been partly responsible for this misdirection of the art), against the ignorance and lewdness of painters, and their tricks of trade, and the gross indecorum of painting sprawling half-naked saints of both sexes. War (which contains the eulogy of Masaniello) derides the folly of hireling Mter Focke soldiers, who fight and perish while kings stay at home; the vile morals of kings and lords, heresy and unbelief also come in for a flagellation.

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Odyssius and Nausicaa

In Babylon ofrece Rosa represents himself as a fisherman, Tirreno, constantly unlucky in his net-hauls on the Euphrates; he converses with a native of the country, Ergasto. Babylon (Rome) is very severely treated, and Naples much the same.

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Harbor with Ruins 1640-1643

Envy (the last of the satires, and generally accounted the best, although without strong apparent reason) represents Rosa dreaming that, as he is about to inscribe in all modesty his name upon the threshold of the temple of glory, the goddess or fiend of Envy obstructs him, and a long interchange of reciprocal objurgations ensues. Here occurs the highly charged portrait of the chief Roman detractor of Salvator (we are not aware that he has ever been identified by name); and the painter protests that he would never condescend to do any of the lascivious work in painting so shamefully in vogue. Still wondering about an Italian painting in your family collection? Contact us…it could be by Salvator Rosa.


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907--super_rembrandt.php Rembrandt van Rijn Artwork Authentication & Art Appraisal

Rembrandt Harmenszoon van Rijn (1606-1669)

We Perform Rembrandt van Rijn art authentication. Rembrandt van Rijn appraisal. Rembrandt van Rijn certificates of authenticity (COA). Rembrandt van Rijn analysis, research, scientific tests, full art authentications. We will help you sell your Rembrandt van Rijn or we will sell it for you.

A Young Woman Trying on Earrings, 1657

A Young Woman Trying on Earrings, 1657

Rembrandt van Rijn has been acclaimed to be one of the most famous painters in all of art history. His name is synonymous with fine classical art, chiaroscuro shading and priceless works of art.

Landscape with a Castle 1632

Landscape with a Castle 1632

For nearly 400 years, art students and appreciators have studied his style and subject matter, and emulated his techniques. For this reason, Rembrandt is perhaps one of the most frequently copied and forged artists of all.

The Slaughtered Ox, 1638

The Slaughtered Ox, 1638

Through scholars at The Rembrandt Research Project, we now know that only some 300 oil paintings by Rembrandt are authentic.

Portrait of a Young Girl 1645

Portrait of a Young Girl 1645

Everyone wants to think that their painting is a Rembrandt…whether because of the prestige, or simply because they hope that they have a valuable painting. Though research has disproved many paintings as being Rembrandt in recent years, the possibility still remains for more of his paintings to surface. Rembrant’s career spanned over four decades, and 300 paintings is a relatively small oeuvre for such a long, illustrious career. There are no doubt authentic Rembrandt paintings hanging on walls and tucked away in attics around the world…it’s just a matter of time before someone discovers their hidden secrets.

St. Peter in Prison

St. Peter in Prison

Still wondering about a painting in your family collection? Contact us…it could be by Rembrandt.


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908--liberi.php Pietro Liberi Artwork Authentication & Art Appraisal

Pietro Liberi (1605- 1687)

Get a Liberi Certificate of Authenticity for your painting (COA) for your Liberi drawing.

For all your Liberi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Liberi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Liberi painting or drawing.

If you want to sell your Liberi painting or drawing use our selling services. We offer Liberi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Liberi and issuing certificates of authenticity since 2002. We are recognized Liberi experts and Liberi certified appraisers. We issue COAs and appraisals for all Liberi artworks.

Our Liberi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Liberi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Liberi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Liberi paintings or drawings take longer.

Our clients include Liberi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pietro Liberi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pietro Liberi or we will sell it for you.

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Bathsheba

Pietro Liberi was an Italian painter of the Baroque era, active mainly in Venice and the Veneto. Liberi was born in Padua, his earliest training was with Alessandro Varotari (il Padovanino). He traveled extensively in Italy. During a voyage to Istanbul, he was captured into bondage for 8 months by pirates from Tunis. He was nicknamed il Libertino due to his frequent choice of salacious themes in cabinet pieces.

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Mythological Scene

His masterpiece, is likely the alatarpiece of Sant’ Elena finding the Cross for the church of San Moisè in Venice. He was the first president of the Academy of Painters of Venice. He painted frescoes of the Battle of the Dardanelles for the Doge’s palace; the Slaughter of the Innocents for the church of the Ognissanti in Venice; Noah leaving the Ark in the cathedral at Vicenza; and the Deluge at Santa Maria Maggiore at Bergamo.

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Antiquity Scene

Still wondering about an Italian painting in your family collection? Contact us…it could be by Pietro Liberi.


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909--moreau.php Gustave Moreau Artwork Authentication & Art Appraisal

Gustave Moreau (1826-1898)

Get a Gustave Moreau Certificate of Authenticity for your painting (COA) for your Gustave Moreau drawing.

For all your Gustave Moreau artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gustave Moreau Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gustave Moreau painting or drawing.

If you want to sell your Gustave Moreau painting or drawing use our selling services. We offer Gustave Moreau selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gustave Moreau and issuing certificates of authenticity since 2002. We are recognized Gustave Moreau experts and Gustave Moreau certified appraisers. We issue COAs and appraisals for all Gustave Moreau artworks.

Our Gustave Moreau paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gustave Moreau certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gustave Moreau painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gustave Moreau paintings or drawings take longer.

Our clients include Gustave Moreau collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gustave Moreau art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gustave Moreau or we will sell it for you.

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Self-Portrait, 1850

Gustave Moreau was a French artist born in Paris. Considered by some to be the early leader of the Symbolist and Surrealist movements, Moreau was inspired by the Romantic artists. He studied under Picot and also under Chasseriau whom it is rumored became his lover. Moreau mainly painted historical, mythological and religious themes, and tended to paint his ideas rather than real life figures.

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Orpheus, 1865

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Bathsheba

Moreau created his unique compositions in both oil and watercolor. Art critics have called his work dream-like epics, and have even hinted that they were created while he was on the influence of opium. Moreau’s oeuvre consisted of mythological creatures and scenes from classical Greek stories, beautifully executed in a post-Romantic, pre-Surrealist style.

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Hesiod and the Muse

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Oedipus and the Sphynx

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The Unicorns

During his career, he won a number of prizes at the salons and was made a Knight of the Legion of Honor in 1875. After 1886, Moreau discontinued showing his art at the salons or elsewhere. Moreau became a professor at the Ecole des Beaux-Arts in 1891 where he taught a number of famous painters such as Henri Matisse.

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Galatia

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Phaeton

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Europa and the Bull

Throughout his career, Moreau strived to create a style that proved to be matched by no other. It is even said that he refused to sell his paintings to anyone but his close friends. It is also said that due to his perfectionist nature, Moreau left a number of unfinished pieces, now housed in museums or perhaps even in unknown locations.

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Salome and the Head of John

In many ways, Moreau’s work was an echo of Renaissance art of the past and also a precursor for Fantasy artists today. Though his name may not ring as familiar as many other artists, Moreau certainly left a mark on the art world and influenced generations of painters to come.

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Jupiter and Semele

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Poete Voyageur

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Perseus and Andromeda

Today, Moreau’s work is housed all over Europe, especially at the museum in Paris that bears his name, located in his former studio. Still wondering about an interesting Symbolist painting hanging in your home? Contact us… it could be by Gustave Moreau.


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910--hilderbrandt.php Theodor Hildebrandt Artwork Authentication & Art Appraisal

Theodor Hildebrandt (1804 – 1874)

Get a Hildebrandt Certificate of Authenticity for your painting (COA) for your Hildebrandt drawing.

For all your Hildebrandt artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hildebrandt Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hildebrandt painting or drawing.

If you want to sell your Hildebrandt painting or drawing use our selling services. We offer Hildebrandt selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hildebrandt and issuing certificates of authenticity since 2002. We are recognized Hildebrandt experts and Hildebrandt certified appraisers. We issue COAs and appraisals for all Hildebrandt artworks.

Our Hildebrandt paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hildebrandt certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hildebrandt painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hildebrandt paintings or drawings take longer.

Our clients include Hildebrandt collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Theodor Hildebrandt art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Theodor Hildebrandt or we will sell it for you.

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Portrait of Felix Mendelssohn-Bartholdy

Theodor Hildebrandt was a German painter, born at Stettin(Szczecin). He was a disciple of the painter Schadow, and, on Schadow’s appointment to the presidency of a new academy in the Rhenish provinces in 1828, followed that master to Düsseldorf. Hildebrandt began by painting pictures illustrative of Goethe and Shakespeare; but in this form he followed the traditions of the stage rather than the laws of nature. He produced rapidly “Faust and Mephistopheles” (1824), “Faust and Margaret” (1825), and “Lear and Cordelia” (1828).

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The Artists Studio in Rome 1825

Hildebrandt visited the Netherlands with Schadow in 1829, and wandered alone in 1830 to Italy; but travel did not alter his style, though it led him to cultivate alternately eclecticism and realism.

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The Love Letter

At Düsseldorf, about 1830, he produced “Romeo and Juliet,” “Tancred and Clorinda,” and other works which deserved to be classed with earlier paintings; but during the same period he exhibited (1829) the “Robber” and (1832) the “Captain and his Infant Son,” examples of an affected but kindly realism, which captivated the public, and marked to a certain extent an epoch in Prussian art. The picture which made Hildebrandt’s fame is the “Murder of the Children of King Edward” (1836), of which the original, afterwards frequently copied, still belongs to the Spiegel collection at Halberstadt.

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Mother and Children 1840

Comparatively late in life Hildebrandt tried his powers as an historical painter in pictures representing Wolsey and Henry VIII, but he lapsed again into the romantic in “Othello and Desdemona.” After 1847 Hildebrandt gave himself up to portrait-painting, and in that branch succeeded in obtaining a large practice. He died at Düsseldorf in 1874. Still wondering about a 19th century German painting in your family collection? Contact us…it could be by Theodor Hildebrandt.


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911--copley.php John Singleton Copley Artwork Authentication & Art Appraisal

John Singleton Copley (1738-1815)

Get a Copley Certificate of Authenticity for your painting (COA) for your Copley drawing.

For all your Copley artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Copley Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Copley painting or drawing.

If you want to sell your Copley painting or drawing use our selling services. We offer Copley selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Copley and issuing certificates of authenticity since 2002. We are recognized Copley experts and Copley certified appraisers. We issue COAs and appraisals for all Copley artworks.

Our Copley paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Copley certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Copley painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Copley paintings or drawings take longer.

Our clients include Copley collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John Singleton Copley art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Singleton Copley or we will sell it for you.

Self-Portrait

Self-Portrait

John Singleton Copley is regarded by most art historians as the finest painter of colonial America. Born in Boston to Irish immigrant parents, Copley was influence by famous portrait painter John Smibert, and mainly painted historical subjects and portraits.

Mrs. Thomas Gage 1771

Mrs. Thomas Gage 1771

Some of Copely’s portrait sitters eventually became important figureheads in American history, including one famous sitter, Paul Revere. This painting was actually hidden away in an attic by Revere’s family for many years because, at the time, this portrait was very unconventional. Revere is portrayed without a coat, which was unheard of for gentlemen of the time. He is pictured with a piece of silver, symbolizing his craft as a silversmith, which also may have made him look like a common workman to his family. However, there is much history behind this painting.

Paul Revere 1768

Paul Revere 1768

Painted in 1768, this portrait of Revere reveals much more than meets the eye. During this time, there was extreme political tension in America between the Whigs and the Tories. Revere was a Whig, and extremely political while Copley was somewhat indifferent to politics, though related to a family of Tories. Perhaps the reason why Revere chose to hold a silver teapot was politically motivated; a sly sarcastic nod to the tea drinking Tories. Furthermore, Revere is pictured wearing a linen shirt, made from cloth woven by local women. During this time, only imported linen was legal; and therefore, his absence of jacket was merely a way to display his locally made linen shirt and defy the Tories in the name of freedom. Despite the fact that Copley may have been more or less indifferent about politics, he signed the portrait in very small letters, signaling that most likely did not bring attention to himself from this painting. Nonetheless, this remains one of Copley’s most famous paintings today.

Eleazer Tyng 1772

Eleazer Tyng 1772

Copley would eventually immigrate to London in 1775, most likely due to the political tension in America. However, before he left, Copley made an undeniable mark on American art history.

Abigail Smith Babcock 1774

Abigail Smith Babcock 1774

Copley began to paint around 1753, studying the rococo style under Josheph Blackburn. This is where Copley adapted the practice of portrait d’apparat; the theory of painting a subject with objects that they used on a daily basis, or objects that defined their personality. It is this technique that makes Copley so distinctively different from any other colonial American painter of the time. Other than this very small amount of informal training, Copley was almost unbelievable self-taught.

Epes Sargent 1760

Epes Sargent 1760

Girl with Dog

Girl with Dog

Mrs. John Winthrop 1773

Mrs. John Winthrop 1773

Although Copley had gained a great deal of success in Boston for his exquisite portraits, he set his sights on expanding his name. In 1766, he sent his painting “Boy with a Squirrel” to the Society of Artists in London.

Boy with a Squirrel 1765

Boy with a Squirrel 1765

It received great praise from fellow American artist Benjamin West, who would eventually encourage Copley to move to London. Copley eventually did move, and it was there that his style changed dramatically.

The Copley Family 1777

The Copley Family 1777

Once in London, Copley began to paint less portraiture and more historical scenes.

The Death of Major Peirson 1783

The Death of Major Peirson 1783

In 1788, he painted another of his famous paintings, “Watson and the Shark.” It was this painting that began Copley’s theme of man vs. nature.

Watson and the Shark

Watson and the Shark

Copley lived the rest of his life in England, enjoying a moderately successful art career. Today his paintings are housed all over New England and England, and perhaps in your own home. Still wondering about a portrait hanging in your family estate? Contact us…it could be by John Singleton Copley.


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912--korin.php Pavel Korin Artwork Authentication & Art Appraisal

Pavel Korin (Павел Дмитриевич Корин) (1892-1967)

Get a Korin Certificate of Authenticity for your painting (COA) for your Korin drawing.

For all your Korin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Korin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Korin painting or drawing.

If you want to sell your Korin painting or drawing use our selling services. We offer Korin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Korin and issuing certificates of authenticity since 2002. We are recognized Korin experts and Korin certified appraisers. We issue COAs and appraisals for all Korin artworks.

Our Korin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Korin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Korin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Korin paintings or drawings take longer.

Our clients include Korin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pavel Korin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pavel Korin or we will sell it for you.

Pavel Korin was a Russian painter and art restorer. He is famous for his preparational work for the unimplemented painting Farewell to Rus. Korin was born in the village of Palekh to a family of a professional icon-painter Dmitry Nikolaevich Korin on July 8 [O.S. June 25] 1892. In 1897, when Pavel was only five years old, his father died. In 1903-1907 he studied at the School for Icon Painting at Palekh getting a formal certificate as a professional icon-painter. In 1908 he moved to Moscow and until 1911 worked there at the Icon Shop of Don Monastery.

In 1911 he worked as an apprentice to Mikhail Nesterov on frescoes of The Intercession Church at Marfo-Mariinsky Convent on Bolshaya Ordynka street in Moscow. Nesterov insisted that Korin gain a formal education in easel painting and arranged his admission to the Moscow Art School in 1912. Pavel graduated from that school in 1916, having been a student of Konstantin Korovin and Leonid Pasternak.

In 1916 he worked on frescoes for the mausoleum of Grand Duchess Elizabeth Fyodorovna at The Intercession Church at Marfo-Mariinsky Convent. According to the wish of the Grand Duchess he travelled to Yaroslavl and Rostov to study traditional frescoes of antique Russian churches.

In February 1917 he started to work in his attic studio on Arbat Street in Moscow and worked there until 1934. In 1918-1919 he taught at the 2nd State Art Studios. In 1919-1920 he worked at the Anatomic theatre of Moscow State University, as he thought he as a painter needed deeper knowledge of the human anatomy. In the evenings he copied paintings and sculptures of the Museum of Fine Arts.

In 1923 he travelled over Northern Russia, visiting Vologda, Staraya Ladoga, Ferapontov Monastery, Novgorod. In 1926-1931 he worked as an instructor of painting classes for beginners at the Museum of Fine Arts. In 1926 the Marfo-Mariinsky Convent was closed and all the art there was to be destroyed. Pavel and his brother Alexander managed to smuggle out and save the iconostasis and some of the frescoes. On March 7 of that year he married Praskovya Tikhonovna Petrova, a disciple of the Marfo-Mariinsky Convent.

In 1927 Korin’s aquarelle Artist’s studio and his oil landscape My Motherland were bought by the Tretyakov gallery, showing some recognition from the Soviets. In 1931 Korin’s studio was visited by Maxim Gorky, who supported Korin since. In 1932 Korin followed Gorky to Sorrento, painted Gorky’s portrait and visited Italy and Germany.

In 1931 Korin started to work as the Head of the Restoration Shop of Museum of the Foreign Art (former Museum of Fine Arts later Pushkin Museum). He held this position for until 1959. After this he held the position of the Director of the State Central Art Restoration Works until his death. As one of the most senior Russian restorers of the time he contributed enormously to the saving and restoration of famous paintings.

In 1933 Korin moved to the studio on Malaya Pirogovka Street in Moscow where he worked until his death. Now the building is Korin’s museum. In the 1940s he painted many portraits of members of the Soviet Intelligentsia (including Leonid Leonidov, Mikhail Nesterov, Alexey Tolstoy, Kachalov and Nadezhda Peshkova (Gorky’s daughter in law)). He painted the fresco Match to the Future for the Palace of Soviets in the Moscow Kremlin and a Triptych devoted to Alexander Nevsky.

In the 1950s Korin worked on mosaics for the Moscow Metro. His mosaics decorate the stations Komsomolskaya-Koltsevaya, Arbatskaya (Arbatsko-Pokrovskaya Line) and Novoslobodskaya, and also the Main Hall of Moscow State University. He also won an impressive list of Soviet awards in the 1950s and 1960s:

  • Stalin Prize – 1954 for mosaics for the station Komsomolskaya-Koltsevaya,
  • Lenin Prize – 1963 for portraits of Martiros Saryan, group portrait of cartoonists Kukryniksy, Italian painter Renato Guttuso
  • Member of Academy of Arts of Soviet Union – since 1958
  • Gold medal on World’s Fair at Brussels – 1958 for the portrait of Martiros Saryan,
  • People’s Artist of the Russian SFSR 1958
  • People’s Artist of the USSR – 1962 ()
  • Order of Lenin – 1967

Pavel Korin died in Moscow on November 22, 1967 and was buried in the Novodevichy Cemetery.

Sergey Konen

Sergey Konen

Beggar

Beggar

Farewell to Rus

Farewell to Rus

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913--du-nouy.php Jules-Jean Antoine Lecomte du Nouy Artwork Authentication & Art Appraisal

Jules-Jean-Antoine Lecomte du Nouy (1789-1863)

Get a Du Nouy Certificate of Authenticity for your painting or a COA for your Du Nouy drawing or sculpture.

For all your Du Nouy artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Du Nouy Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Du Nouy painting, drawing or sculpture.

If you want to sell your Du Nouy painting, drawing or sculpture use our selling services. We offer Du Nouy selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Du Nouy and issuing certificates of authenticity since 2002. We are recognized Du Nouy experts and Du Nouy certified appraisers. We issue COAs and appraisals for all Du Nouy artworks.

Our Du Nouy paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Du Nouy certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Du Nouy painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Du Nouy paintings, drawings or sculpture take longer.

Our clients include Du Nouy collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jules-Jean-Antoine Lecomte Du Nouy art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Jules-Jean-Antoine Lecomte Du Nouy or we will sell it for you.

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Christian Women at the Tomb of the Virgin

Jules-Jean Antoine Lecomte du Nouy was born into a noble piedmontese family who settled in France in the fourteenth century. He entered the Ecole des Beaux -Arts in 1861, where he studied under Charles Gleyre, and two years later he trained under Emile Signol. His fascination with all subjects historical and exotic, lead him to enter the studio of the great painter Jean-Leon Gerome. He was to go on to become a great Orientalist, first rate portraitist, as well as a talented sculptor.

He first exhibited in the Salon in 1863, and received a critical approval in 1865, with his painting entitled, “Le Sentinel grec”. This painting was based on the Greek tragedy, ‘Oresteia,’ by Aeschylus. One year later he won a Gold Medal for another classical subject, with a painting entitled, ‘Invocation of Neptune.’

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Adolphe Cremieux

In 1865, Jean-Leon Gerome persuaded him to go on a trip to Egypt with Felix Clement, as Clement had received a commission to decorate a palace near Cairo. Following this trip, Lecomte du Nouy’s paintings, sought to portray the opulence of the Orient. In his painting entitled, ‘The Guard of the Seraglio: Souvenir of Cairo,’ he portrays the grounds of the Khedival royal family, and shows the Harem Pavillion of the Gazirah Palace.

The painting entitled, ‘A Eunuch’s Dream,’ which hangs in the Cleveland Museum of Art, shows a eunuch dreaming. He exhibited the painting with a passage from the French philosopher, Montesquieu’s Persian letters;

“No passion had ever been more alive than that of the enuch Cosrou for the slave girl Zelide.”

The painting was a mixture of Arabian fable, and topographical observation.

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White Slave

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Demosthenes Practising his Oratory

In both his Orientalist paintings, and his other work, Lecomte du Nouy also sought to make use of the eerie qualities of half light to dramatic, and melancholic effect. He was a successful painter of his time, and in 1869 the French State bought one of his paintings.

In 1872, he was to go on a long voyage, which took in Greece, Egypt, Turkey, and Asia Minor. This lengthy trip was to provide him with much inspiration for his Oriental Paintings. Once back in Paris, he was commissioned by the Roman Catholic church to provide an altar piece for a church of St Vincent de Paul in Paris. He painted scenes from the life of St Paul.

Later on in his life, whilst en route to Constantinople, he stopped in Bucharest to visit his brother, Andre Lecomte du Nouy, who was a court architect. He ended up staying several years, as he received commissions for portraits of members of the royal family, together with commissions for frescoes in Romanian Churches.

In 1895, he exhibited his first sculpture, and he received an honourable mention for his ‘Mort de Gavroche,’ at the Salon of 1901.

Jules-Jean-Antoine- Lecomte du Nouy, throughout his long life lived through many art movements, including the great Impressionist movement. Art historians, and critics have commented that he always remained faithful to his own style of painting, without being influenced by the changing movements around him.

Paintings by Lecomte du Nouy can be found in the Cleveland Museum of Art, the Danish Museum in New York City, and the Musee d’Art et d’Histoire in Paris.

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The Opium Smoker

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915--pemba.php George Milwa Mnyaluza Pemba Artwork Authentication & Art Appraisal

George Milwa Mnyaluza Pemba (1912-2001)

We Perform George Milwa Mnyaluza Pemba art authentication. George Milwa Mnyaluza Pemba appraisal. George Milwa Mnyaluza Pemba certificates of authenticity (COA). George Milwa Mnyaluza Pemba analysis, research, scientific tests, full art authentications. We will help you sell your George Milwa Mnyaluza Pemba or we will sell it for you.

Self-Portrait 1980

Self-Portrait 1980

Terror 1991

Terror 1991

George Pemba was a South African painter and writer. During his lifetime, he illustrated a number of books and was also a teacher. Pemba dedicated his life to learning about his culture and traditions and they are emulated in his art. He was posthumously awarded the Order of Ikhamanga.

Hospital Scene

Hospital Scene

No Work, 1948

No Work, 1948

Uhuru Celebration of Independence 1992

Uhuru Celebration of Independence 1992

Still wondering about an African painting in your family collection? Contact us…it could be by George Pemba.


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916--pordenone.php Il Pordenone Artwork Authentication & Art Appraisal

Il Pordenone (1483-1539)

Get a II Pordenone Certificate of Authenticity for your painting (COA) for your II Pordenone drawing.

For all your II Pordenone artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a II Pordenone Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your II Pordenone painting or drawing.

If you want to sell your II Pordenone painting or drawing use our selling services. We offer II Pordenone selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating II Pordenone and issuing certificates of authenticity since 2002. We are recognized II Pordenone experts and II Pordenone certified appraisers. We issue COAs and appraisals for all II Pordenone artworks.

Our II Pordenone paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The II Pordenone certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your II Pordenone painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research II Pordenone paintings or drawings take longer.

Our clients include II Pordenone collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Il Pordenone art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Il Pordenone or we will sell it for you.

art

St. Sebastian, St. Roch and St. Catherine

Il Pordenone, by name of Giovanni Antonio de’ Sacchis, was an Italian painter of the Venetian School, active during the Renaissance. Vasari, his main biographer, identifies him as Giovanni Antonio Licinio.

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Saint Bonaventure, 1530

He was commonly named “Il Pordenone” from having been born in 1483 at Corticelli, a village near Pordenone in Friuli. He ultimately dropped the name of Licinio, having quarrelled with his brothers, one of whom had wounded him in the hand. After this incident, he then called himself Regillo, or De Regillo. Others say he once took up his maternal name of Cuticelli. His signature runs Antonius Portunaensis, or De Portunaonis. He was deemed a cavalier by Charles V.

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Saint Louis of Toulouse, 1530

As a painter, Pordenone was a scholar of Pellegrino da San Daniele but a leading influence on his style was Giorgione. The popular story that he was a fellow pupil with Titian under Giovanni Bellini is false. The district about Pordenone had been somewhat fertile in capable painters, but Pordenone is the best-known, a vigorous chiaroscurist and flesh painter. The 1911 Britannica states that “so far, as mere flesh-painting is concerned, he was barely inferior to Titian in breadth, pulpiness and tone”. The two were rivals for a time, and Licinio would sometimes affect to wear arms while he was painting. He excelled in portraits and was equally at home in fresco and in oil color. He executed many works in Pordenone and elsewhere in Friuli, Cremona, and Venice. At one time, he settled in Piacenza, where one of his most celebrated church pictures, St. Catherine Disputing with the Doctors in Alexandria is located. The figure of St. Paul, in connection with this picture, is his own portrait.

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St. Catherine Disputing with the Doctors in Alexandria

He was invited by Duke Ercole II of Ferrara to court and soon afterwards, he died in Ferrara in 1539, not without suspicion of poison. His later works are comparatively careless and superficial, and generally he is better in male figures than in female. The latter being somewhat too sturdy, and the composition of his subject pictures is scarcely on a level with their other merits. Pordenone appears to have been a vehement self-asserting man, to which his style as a painter corresponds.

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Madonna and Child Enthroned with Saints

Three of his principal pupils were Bernardino Licinio, named Il Sacchiense, his son-in-law Pomponio Amalteo, and Giovanni Maria Calderari.

Partial anthology of works:

  • Study of the Martyrdom of Saint Peter Martyr, (1526, John Paul Getty Museum)
  • Saint Bonaventure, (National Gallery, London)
  • Saint Louis of Toulouse, (National Gallery, London)
  • Saints Prosdocimus & St. Peter, (1516, North Carolina Museum of Art, Raleigh).
  • Golgotha, (1520-21, fresco, Cathedral of Cremona)
  • Madonna and Child Enthroned with Saints, (c. 1525, Parish Church, Susegana, Treviso)
  • St. Lorenzo Giustiniani and Other Saints, (1532, originally in S. Maria dell’Orto, now Gallerie dell’Accademia, Venice)
  • Madonna and Child Enthroned with Saints, (1525)
  • Saint Martin and Saint Christopher, (1528-29, Church of San Rocco, Venice)
  • San Lorenzo Giustiniani & Two Friars with Saints, (1532, Galleria dell’Accademia, Florence)
  • Saints Sebastian, Roch and Catherine, (1535, Church of San Giovanni Elemosinario, Venice)
  • Madonna and Child Enthroned with Saints, (1525, Parish Church, Grandcamp, France)
  • The dispute of Saint Catherine with Pagan Philosophers, (Cathedral of Piacenza)
  • San Gottardo and Saints Sebastian and Rocco, (Museo Civico d’Arte, Pordenone)
  • Saint Catherine and Martyrs, (Museo Civico di Conegliano)
  • Drawings from Ambrosiana Library, Milan
  • Magi, (Treviso Cathedral)

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Golgotha, Fresco, Cathedral of Cremona, 1520-1521

Still wondering about an Italian painting in your family collection? Contact us…it could be by Il Pordenone.


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918--melzi.php Francesco Melzi Artwork Authentication & Art Appraisal

Francesco Melzi (1491 – 1570)

Get a Melzi Certificate of Authenticity for your painting (COA) for your Melzi drawing.

For all your Melzi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Melzi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Melzi painting or drawing.

If you want to sell your Melzi painting or drawing use our selling services. We offer Melzi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Melzi and issuing certificates of authenticity since 2002. We are recognized Melzi experts and Melzi certified appraisers. We issue COAs and appraisals for all Melzi artworks.

Our Melzi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Melzi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Melzi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Melzi paintings or drawings take longer.

Our clients include Melzi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francesco Melzi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Francesco Melzi or we will sell it for you.

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Vertumnus and Pomona

Francesco Melzi was an Italian painter, beloved and favorite pupil of Leonardo da Vinci. The son of a Milanese noble family joined the household of Leonardo da Vinci in 1506 at the age of fifteen. He accompanied Leonardo on trips to Rome in 1513 and to France in 1517. He proved a very talented painter and worked closely with and for Leonardo, who in his last years couldn’t use his hands anymore. Some works that had previously been thought to be by Leonardo are today often attributed to Melzi.

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Portrait of a Woman

Upon Leonardo’s death, Melzi inherited the artistic and scientific works and collections of Leonardo, and would henceforth faithfully administer the estate. When he died on his estate in Vaprio d’Adda, his heirs sold the collection of Leonardo’s works.

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Pluto and Prosperpine

Still wondering about an Italian painting in your family collection? Contact us…it could be by Francesco Melzi.


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919--dine.php Jim Dine Artwork Authentication & Art Appraisal

Jim Dine (1935-)

Get a Dine Certificate of Authenticity for your painting or a COA for your Dinedrawing, print or sculpture.

For all your Dineartworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Dine Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dinepainting, drawing, print or sculpture.

If you want to sell your Dinepainting, drawing, print or sculpture use our selling services. We offer Dine selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dineand issuing certificates of authenticity since 2002. We are recognized Dineexperts and Dine certified appraisers. We issue COAs and appraisals for all Dine artworks.

Our Dinepaintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dinecertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dinepainting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dinepaintings, drawings or sculptures take longer.

Our clients include Dinecollectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jim Dine art authentication, appraisal, from certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jim Dine or we will sell it for you.

Dine, Study for This Sovereign Life, 1985

Study for This Sovereign Life, 1985

Dine, The Robe Following Her 4, 1985

The Robe Following Her 4, 1985

Dine, Pinocchio

Pinocchio

Jim Dine is an American artist associated with the Pop Art and Neo-Dada movements. Dine has been a leading figure of Contemporary Art for over forty years, making a prolific body of paintings, prints, photographs and sculptures. Dine was born and raised in Cincinnati, Ohio. Dine attended a local university in Cincinnati before switching to Ohio University, where he graduated in 1957 with a Bachelor’s degree in Fine Art.

Dine, Little Sweet Heirloom

Little Sweet Heirloom

Dine, Red and Yellow Robe

Red and Yellow Robe

Dine was part of an avant-garde group of performance artists who created “Happenings”. Along with artists Claes Oldenburg, Allan Kaprow and John Cage, Dine brought a new, animated and clever form of art making onto the scene. The Happenings did their first performance in 1959 and continued to work into the 1960s.

Dine,

“Red Grease: The Crommellynk Gates”, 1984

Dine, Very Picante

Very Picante

In 1962 Dine showed in a historic show “New Painting of Common Objects” at the Norton Simon Museum. This early Pop Art exhibition also included such names as Roy Lichtenstein, Andy Warhol, Edward Ruscha and Wayne Thiebaud. Art historians claim that this singular show transformed art in America.

Dine, Shellac on Hand

Shellac on Hand

Dine, Seven White Hammers, 2008

Seven White Hammers, 2008

Despite Dine’s success in America he moved to London from 1967 to 1971 where he continued to develop his style and work among an international scene of artists. When Dine returned to the United States he initiated thematic drawing series and number of sculptures. Dine is known for using repeated images in his pieces such as hearts, bathrobes, flowers and birds.

Dine’s graphic images have become icons within American popular culture. Dine’s work has been shown in major museums across the United States and Europe. The Walker Art Center held a retrospective to honor Dine’s lengthy artistic career. Printshops continue to produce highly desirable images by Dine. Do you think you own a print or painting by Jim Dine? Contact us. We are the Jim Dine experts.


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920--schaufelein.php Hans Leonhard Schaufelein Artwork Authentication & Art Appraisal

Hans Leonhard Schaufelein (1480-1540)

Get a Schaufelein Certificate of Authenticity for your painting (COA) for your Schaufelein drawing.

For all your Schaufelein artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Schaufelein Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Schaufelein painting or drawing.

If you want to sell your Schaufelein painting or drawing use our selling services. We offer Schaufelein selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Schaufelein and issuing certificates of authenticity since 2002. We are recognized Schaufelein experts and Schaufelein certified appraisers. We issue COAs and appraisals for all Schaufelein artworks.

Our Schaufelein paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Schaufelein certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Schaufelein painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Schaufelein paintings or drawings take longer.

Our clients include Schaufelein collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Hans Leonhard Schaufelein art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Hans Leonhard Schaufelein or we will sell it for you.

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Portrait of a Man

Hans Leonhard Schaufelein was a Renaissance-era German artist. His paintings show a heavy influence of fellow German painter Dürer, however, it is Schaufelein’s wood cuts that stand out among other artists of his time.

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A Landsknecht Carrying a Halberd

Schaufelein typically signed his work “HS” and his subject matter was typically religious.

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The Birth of Christ

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The Circumcision of Christ

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The Agony in the Garden

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921--partridge.php Nehemiah Partridge Artwork Authentication & Art Appraisal

Nehemiah Partridge (1683-1737)

Do you think you may own a painting by Nehemiah Partridge?

We Perform Nehemiah Partridge art authentication. Nehemiah Partridge appraisal. Nehemiah Partridge certificates of authenticity (COA). Nehemiah Partridge analysis, research, scientific tests, full art authentications. We will help you sell your Nehemiah Partridge or we will sell it for you.

Nehemiah Partridge was an early American Colonial painter, famous for his portraits of New England aristocrats. Partridge was said to have created the first ever full-length, large scale American portrait of a woman, which is this one, attributed to Partridge of Mrs. David Verplanck.

Portrait of Mrs. David Verplanck 1722

Portrait of Mrs. David Verplanck 1722

Partridge lived and worked in New York for most of his career, alternating between the Albany and Schenectady areas from 1718-1725. It is said that Partridge was an itinerant, and was most likely from New Hampshire, and didn’t truly begin to paint until 1713. Before then he worked in Boston selling art supplies. It is known that during his time in Albany from 1718-1721 he created some 50 portraits of wealthy Americans. Some of the families that he has been attributed to painting were the Livingstons, the Sanders, the Schuylers, the Ten Broecks and the Wendells.

Catherine Ten Broeck 1719

Catherine Ten Broeck 1719

One particularly interesting thing about Partridge’s work is the way that he signed some of his portraits. He would add a red inscription which would catalog the age of the sitter as well as the date. These “Aetats Sua’s” typically were inscribed “Aetats Sua/21 years/1720” on the bottom right hand corner of the painting.

Gerrit Symonse Veeder

Gerrit Symonse Veeder

Partridge’s work can easily be distinguished from other painters of the time by his use of quick brush strokes and a dark color palette. It is not unusual for Partridge’s backgrounds to appear as though they were created in a hurry. Many of Partridge’s sitters also seem to have a very rigid and stiff appearance, with almost pained and squinting features.

Mr. Willson 1720 attributed to Partridge

Mr. Willson 1720 attributed to Partridge

As with many other early American artists, the details of Partridge’s life are little known today by art historians. There were a number of “limner” painters during this time who would be commissioned by wealthy families to be their appointed portrait painters. These limners often went unnamed, and today pose a mystery for art historians as to which artists created what painting. However, through research and art authentication methods, many Art Certification Experts have been able to attribute otherwise unknown “limner” paintings to specific artists, such as Partridge. Could you own one of these family portrait “limner” paintings?

Still wondering about an early American portrait, perhaps passed on through generations in your family? Contact us…it could be by Nehemiah Partridge.


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922--landseer.php Sir Edwin Henry Landseer Artwork Authentication & Art Appraisal

Sir Edwin Henry Landseer, RA (1802-1873)

Get a Landseer Certificate of Authenticity for your painting or a COA for your Landseer drawing or sculpture.

For all your Landseer artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Landseer Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Landseer painting, drawing or sculpture.

If you want to sell your Landseer painting, drawing or sculpture use our selling services. We offer Landseer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Landseer and issuing certificates of authenticity since 2002. We are recognized Landseer experts and Landseer certified appraisers. We issue COAs and appraisals for all Landseer artworks.

Our Landseer paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Landseer certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Landseer painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Landseer paintings, drawings or sculpture take longer.

Our clients include Landseer collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sir Edwin Henry Landseer art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sir Edwin Henry Landseer or we will sell it for you.

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Monarch of the Glen 1851

Sir Edwin Henry Landseer, RA, was an English painter, well known for his paintings of animals – particularly horses, dogs and stags. The best known of Landseer’s works, however, are sculptures: the lions in Trafalgar Square, London.

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Falcon

At the age of just 13, in 1815, Landseer exhibited works at the Royal Academy. He was elected an Associate of the Royal Academy at the age of 24, and an Academician of the Royal Academy five years later in 1831. He was knighted in 1850, and although elected President of the Royal Academy in 1866 he declined the invitation.

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Saved

Landseer was a notable figure in 19th century British art, and his works can be found in Tate Britain, the Victoria and Albert Museum, Kenwood House and the Wallace Collection in London. He also collaborated with fellow painter Frederick Richard Lee.

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The Cat’s Paw

Landseer’s popularity in Victorian Britain was considerable. He was regarded as one of the foremost animal painters of his time, and reproductions of his works were commonly found in middle-class homes. Yet his appeal crossed class boundaries, for Landseer was quite popular with the British aristocracy as well, including Queen Victoria, who commissioned several portraits of her family from Landseer. Landseer was particularly associated with the Scottish Highlands, which provided the subjects (both human and animal) for many of his sporting pictures, including his early success The Hunting of Chevy Chase (1825-1826) and his majestic stag study Monarch of the Glen

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Hawking

The name Landseer is used for the variety of Newfoundland dog that, rather than being almost entirely black, features a mix of both black and white spots — the variety Landseer popularized in his paintings of water dogs rescuing children from drowning. Edwin Henry Landseer was rumored to be able to paint with both hands at the same time, for example, paint a horse’s head with the right and its tail with the left, simultaneously.

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Windsor Castle, Modern Times

The English architect Sir Edwin Landseer Lutyens was named after him – Lutyens’ father was a friend of Landseer. Landseer’s grave is in St Paul’s Cathedral, London.

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Queen Victoria and Prince Albert

Still wondering about a painting in your family collection? Contact us…it could be by Sir Edwin Henry Landseer.


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923--dubuffett.php Jean Dubuffet Artwork Authentication & Art Appraisal

Jean Dubuffet (1901-1985)

Get a Dubuffet Certificate of Authenticity for your painting or a COA for your Dubuffet drawing or sculpture.

For all your Dubuffet artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Dubuffet Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dubuffet painting, drawing or sculpture.

If you want to sell your Dubuffet painting, drawing or sculpture use our selling services. We offer Dubuffet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dubuffet and issuing certificates of authenticity since 2002. We are recognized Dubuffet experts and Dubuffet certified appraisers. We issue COAs and appraisals for all Dubuffet artworks.

Our Dubuffet paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dubuffet certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dubuffet painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dubuffet paintings, drawings or sculpture take longer.

Our clients include Dubuffet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Dubuffet art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Jean Dubuffet or we will sell it for you.

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Self Portait

Jean Dubuffet was born in Le Havre, France and became a very successful Abstract/Pop artist, although he has also been considered a Futurist and a Surrealist by some critics. However, Dubuffet’s biggest accomplishment was probably being one of the most experimental and original artist of his time, and is considered the leader of the Art Brut movement.

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Parade of Objects

Dubuffet traveled to Paris to study at the Academie Julian at the age of 17 where he would stay only briefly, and eventually went to learn how to paint on his own. At this time, he became friends with and influence by fellow painters Suzanne Valadon and Raoul Dufy.

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Peuplement des Terres, 1953

Unlike many other artists of the day, Dubuffet stayed far away from the Parisian social art scene and instead spent his time delved into other interests like music and poetry. It was his goal to lead a simple life, and so he would eventually move back to Le Havre and settle down. He worked a number of jobs, including working in his family’s wine cellars in Paris, and did very little painting from 1925 to 1942. What little painting or art he created at this time were mainly portraits and sculptures of marionettes. It is known that Dubuffet destroyed much of his work created before the 1940s, so to find one of his early pieces would be a treasure indeed.

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Les Galleries Lafayette

After coming out of his artistic slump, Dubuffet had his first exhibit at the Galerie Rene Drouin in Paris in 1944. It was at this point where his career began to pick up and his art was exhibited in New York in his first one man show at the Matisse Gallery in 1947. From this point on, he would take part in exhibitions of his art all over the world, creating and showcasing his wide range of his work until his death in 1985.

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Untitled, 1983

In the late 1940s Dubuffet traveled to Algeria, where he created a number of paintings. Dubuffet would eventually learn Arabic and live in Algiers for a short while. He would also live in New York in the early 1950s, but always ended up near his home town of Le Havre.

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Corps de Dame—Chateau d’Etoupe, 1950

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Vache Tachetee, 1954

Dubuffet was truly interested in every aspect of art that he could learn about, and was a highly experimental artist. He went through a number of phases learning about texture, primitive art and landscapes and did intense studies of each which reflected in his work. He even delved himself into the work of mentally ill patients and was fascinated with their spontaneous and often anguished work. One of his most notable experimental stages was creating the Hourloupe series, which were essentially created with ballpoint pen. Through this style, Dubuffet proved that color was unimportant by using only red, black and blue ink. The Hourloupe style would later influence his sculptures greatly.

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Composition

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Pen Composition

To Dubuffet, there was no such thing as “ugly” art. He would attempt to add humor to even the most grotesque compositions, and appreciated nearly every kind of art form known to man. In this sense, Dubuffet is probably one of the worldliest artists of his time, as he refused to embrace one certain type of style or medium. He would use gravel or leaves in the same way that most artists would use oil or gouache. Dubuffet used a spatula when most artists would use a paintbrush—a mere illustration of how he always attempted to be different in his approach on art.

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“Smiling Face” sand and oil on canvas, 1948

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Ancient Combatant, 1945

While some may compare his work to fellow artist Alberto Giacometti, there was really no other artist quite like Dubuffet. Today his paintings are housed worldwide including in the Guggenheim Museum in New York. Still wondering if you have an original sculpture or painting by Jean Dubuffet? Contact us to help you research and authenticate a work by this great artist.

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The Gossiper II, sculpture

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924--desnos.php Ferdinand Desnos Artwork Authentication & Art Appraisal

Ferdinand Desnos (1901-1958)

Get a Desnos Certificate of Authenticity for your painting (COA) for your Desnos drawing.

For all your Desnos artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Desnos Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Desnos painting or drawing.

If you want to sell your Desnos painting or drawing use our selling services. We offer Desnos selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Desnos and issuing certificates of authenticity since 2002. We are recognized Desnos experts and Desnos certified appraisers. We issue COAs and appraisals for all Desnos artworks.

Our Desnos paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Desnos certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Desnos painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Desnos paintings or drawings take longer.

Our clients include Desnos collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ferdinand Desnos art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Ferdinand Desnos or we will sell it for you.

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Untitled 2

Ferdinand Desnos was a self-taught artist, and is generally associated with the Surrealists. Born in Pontlevoy, Desnos grew up with his parents who owned a bakery. He began to seriously paint around 1926, using color as a main driving point in his sometimes erotic themes.

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Castor et Pollux, 1947

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Deer in the Woods

Before his move to Paris in 1930, Desnos worked in various jobs from being a mushroom farmer to an electrician and a jazz musician.

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Portrait of Andre Breton, 1945

Because Desnos was a self-taught artist, his style is generally considered to be naïve art, and often mirrored that of other famous naïve artists.

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Untitled

Typically with naïve art, landscape scenes, for example, are highly detailed, much in the same way that Renaissance art was, showing every line in leaves and grass in the far background. This was very typical of Desnos’ landscapes, though his talent for figure study and unique themes set him aside from other naïve artists.

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Landscape

Today, Ferdinand Desnos is still little known outside the art world, though he worked and exhibited extensively during his lifetime. If you believe you own a work of art by Ferdinand Desnos, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by this mysterious artist.


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925--pontormo.php Pontormo Artwork Authentication & Art Appraisal

Pontormo (1494-1557)

We Perform Pontormo art authentication. Pontormo appraisal. Pontormo certificates of authenticity (COA). Pontormo analysis, research, scientific tests, full art authentications. We will help you sell your Pontormo or we will sell it for you.

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Study of a Mans Head

Jacopo Carucci, usually known as Jacopo da Pontormo, Jacopo Pontormo or simply Pontormo, was an Italian Mannerist painter and portraitist from the Florentine school. He was famous for his use of contorted poses, distorted perspective and peculiar, markedly unnatural colors, which appear to mirror his restless, neurotic temperament.

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Portrait of a Musician

Jacopo Carucci was born at Pontorme, near Empoli. Vasari relates how the orphaned boy, “young, melancholy and lonely,” was shuttled around as a young apprentice: Jacopo had not been many months in Florence before Bernardo Vettori sent him to stay with Leonardo da Vinci, and then with Mariotto Albertinelli, Piero di Cosimo, and finally, in 1512, with Andrea del Sarto, with whom he did not remain long, for after he had done the cartoons for the arch of the Servites, it does not seem that Andrea bore him any good will, whatever the cause may have been.

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Portrait of Halberdier, held the title of the most expensive Old Master portrait between 1989 and 2002

Pontormo painted only in and around Florence, supported by Medici patronage. A foray to Rome, largely to see Michelangelo’s work, influenced his later style. Haunted faces and elongated bodies are characteristic of his work. An example of Pontormo’s early style is The Visitation of the Virgin and St Elizabeth, with its dancelike, balanced figures, painted from 1514 to 1516 for the parish church of St. Michele in Carmignano, a few miles from Florence. In 1519-20 Pontormo also took part in the fresco decoration of the salon of the Medici country villa at Poggio a Caiano, not far from Florence. There he painted frescoes in a pastoral genre style, very uncommon for Florentine painters; their subject was the obscure classical myth of Vertumnus and Pomona in a lunette.

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Vertumnus and Pomona

In 1522, when the plague broke out in Florence, Pontormo left for the Certosa di Galuzzo, a cloistered Carthusian monastery where the monks followed vows of silence. He painted a series of frescoes, now quite damaged, on the passion and resurrection of Christ. The large altarpiece canvas for the Brunelleschi-designed Capponi Chapel in the church of Santa Felicita in Florence, portraying The Deposition from the Cross, is considered by many his surviving masterpiece (1528). The decoration in the dome of the chapel is now lost, but four roundels with the Evangelists still adorn the pendentives, worked on by both Pontormo and Agnolo Bronzino.

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The Deposition from the Cross

The figures, with their sharply modeled forms and bright, harsh colors are united in a stark and flattened space. Those who are lowering Christ appear as anguished as the mourners. This bleak and tumultuous oval of figures took three years for Pontormo to complete. He collaborated on the rest of its decor so intimately with Bronzino, his chief pupil, that specialist’s dispute which roundels each of them painted.

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Deposition Detail

Also by Pontormo is the Annunciation frescoed on adjacent columns, which resembles his Visitation in the church of San Francesco e Michele at Carmignano in both the style and swaying postures.

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Visitation

The nearby Uffizi Gallery holds his mystical Supper at Emmaus as well as portraits. Many of Pontormo’s well known canvases, such as Joseph being sold to Potiphar and the Martyrdom of St Maurice and the Theban Legion (c. 1531) depict crowds milling about in awkward contrapposto of greatly varied positions. His portraits, acutely characterized, show similarly Mannerist proportions.

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Joseph Being Sold to Potiphar

Many of Pontormo’s works have been damaged, including the lunnettes for the cloister in the Carthusian monastery of Galluzo. Most tragic is the loss of the unfinished frescoes for the church of San Lorenzo which consumed the last decade of his life. His frescoes depicted a judgment day composed of an unsettling morass of writhing figures. The film of Giovanni Fago, Pontormo, a heretical love evokes his lonely and ultimately paranoid dedication to this project, which he often kept shielded from onlookers. The remaining drawings, showing a bizarre and mystical ribboning of bodies, had an almost hallucinatory effect. Florentine figure painting had mainly stressed linear and upright sculptural figures. Jesus in the Sistine Chapel wall is a massive painted block stern in his judgment; by contrast, Pontormo’s Jesus in the Last Judgment squirms sinuously, as if rippling through the heavens in the dance of ultimate finality. Heaps of liquefied angels amass about him. In his Last Judgment Pontormo went against pictorial and theological tradition by placing God the Father at the feet of Christ, instead of above him, an idea Vasari found deeply disturbing:

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Pharao with His Butler and Baker 1515

Vasari’s Life of Pontormo, depicting him as withdrawn and steeped in neurosis while at the center of the artists and patrons of his lifetime, makes a fine introduction to the artistic life of the 16th century. A diary of his last two years survives. His personality and idiosyncrasies gave Pontormo a style that few were able to imitate with the exception of Bronzino. He shares some of the mannerism of Rosso Fiorentino and of Parmigianino. In some ways he anticipated the Baroque as well as the tensions of El Greco. His eccentricities also resulted in an original sense of composition. At best, his compositions are cohesive. The figures in the Deposition, for example, appear to sustain each other: removal of any one of them would cause the edifice to collapse. In lesser works, as in the Joseph canvases, the crowding makes for a confusing pictorial melee. It is in the later drawings that we see a graceful fusion of bodies in a composition which includes the oval frame of Jesus in the Last Judgment

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Study for the Three Graces, Drawing

Anthology of works:

Leda and the Swan
1512-1513
Uffizi Gallery, Florence
 
Holy Conversation
1514
San Luca Chapel, Santa Annunziata, Florence.
 
Episode of Hospital Life
1514
Accademia, Florence
 
Veronica and the Image
1515
Medici Chapel, Santa Maria Novella, Florence
 
Visitation
1514-1516
Santa Annunziata, Florence
 
Lady with Basket of Spindles(attributed to Andrea del Sarto)
1516-1517
Uffizi Gallery, Florence
 
Marriage bedchamber panels for Pier Francesco Borgherini. (Two others by Francesco Bachiacca)
 
 
 
Joseph reveals himself to his brothers
1516-17
National Gallery, London
 
Joseph sold to Potiphar
1516-17
National Gallery, London
 
Joseph’s Brothers Beg for Help
1515
National Gallery, London
 
Pharaoh with his Butler and Baker
1516-1517
National Gallery, London
 
Joseph in Egypt
1517-18
National Gallery, London
 
*St. Quentin (Also attributed to Giovanni Maria Pichi)
1517
Pinacoteca comunale, Sansepolcro
 
Portrait of Furrier
1517-1518
Louvre, Paris
 
Madonna with Child and Saints
1518
San Michele Visdomini, Florence
 
Portrait of Musician
1518-1519
Uffizi Gallery, Florence
 
St Anthony Abbott
1518-1519
Uffizi Gallery, Florence
 
Portrait of Cosimo the Elder
1518-1519
Uffizi Gallery, Florence
 
John the Evangelist & the Archangel Gabriel
1519
Church of S. Michele, Empoli
 
Adoration of the Magi
1519-21
Palazzo Pitti, Florence
 
Vertumnus and Pomona
1519-1521
Villa Medici, Poggio a Caiano
 
Study of Man’s Head (Drawing)
 
Metropolitan Museum of Art, New York City
 
 
 
 
 

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Leda and the Swan
Mary and Child with Four saints
1520-30
Metropolitan Museum, New York City
 
Portrait of two friends
c. 1522
Fondazione Giorgio Cini, Venice
 
Madonna with Child & Two Saints (Bronzino?)
c. 1522
Uffizi Gallery, Florence
 
Holy Family with St John
1522-1524
Hermitage Museum, St Petersburg
 
Holy Family with St John
1522-1524
Hermitage Museum, St Petersburg
 
Madonna with Child & St John {Attributed to Rosso Fiorentino)
1523-1525
Uffizi Gallery, Florence
 
Prayer in Gesthemane (copies by Jacopo da Empoli)
1523-1525
Certosa di Galluzo
 
Walk to Calvary
1523-1525
Certosa di Galluzo
 
Christ before Pilate
1523-1525
Certosa di Galluzo
 
Deposition
1523-1525
Certosa di Galluzo
 
Resurrection
1523-1525
Certosa di Galluzo
 
Supper in Emmaus
1525
Uffizi Gallery, Florence
 
Study of a Carthusian Monk (Drawing)
1525
Uffizi Gallery, Florence
 
Madonna and child & two angels
1525
San Francisco Museum Art, San Francisco
 
Portrait of young man in pink
1525-1526,
Pinacoteca Communale, Lucca.
 
Tabernacle of San Giuliano, Boldrone, Crucifix with Madonna & St. John, and Sant’Agostino
1525-1526:
Accademia, Florence
 
Birth of St. John Baptist
1526
Uffizi Gallery, Florence
 
Saint Jerome Penitent
1526-1527
Landesmuseum, Hannover.
 
Madonna with Child & St John (Bronzino?)
1526-1528
Palazzo Corsini, Florence.
 
Madonna with Child & St John
1527-1528.
Uffizi Gallery, Florence
 
Matthew, Luke, & John (Mark painted by Bronzino)
1525-1526
Santa Felicita, Capponi Chapel, Florence.
 
Deposition
1526-1528
Santa Felicita, Capponi Chapel, Florence.
 
Annunciation
1527-1528
Santa Felicita, Capponi Chapel, Florence.
 
Portrait of Francesca Capponi, as St. Mary Magdalen
1527-1528
Whitfield Fine Art, London.
 
Visitation
1528-1529
Church of San Francesco e Michele, Carmignano
 
Madonna with Child, Saint Anne and Four saints
1528-1529
Louvre Museum, Paris.
 
Eleven Thousand Martyrs
1529-1530
Palazzo Pitti, Florence
 

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Madonna and Child with Joseph and St. John the Baptist

Mature works (after 1530)
Martyrdom of San Maurizio and the Theban Legions (Pontormo & Bronzino)
1531
Uffizi Gallery, Florence
 
Noli me Tangere (Bronzino?)
1531
Casa Buonarroti, Florence
 
Portrait of lady in red with puppy, (Bronzino?)
1532-1533
Städelsches Kunstinstitut, Frankfurt
 
Venus and Cupid
1532-1534
Galleria dell’Accademia, Florence
 
Portrait of Alessandro de’ Medici
c. 1534-1535
Philadelphia Museum of Art, Philadelphia
 
Portrait of Alessandro de’ Medici
c. 1534-1535
Art Institute of Chicago, Chicago
 
Adam and Eve
1535
Uffizi Gallery, Florence
 
Study for the Three Graces (Drawing)
1535
Uffizi Gallery, Florence
 
Portrait of Halberdier
1537
Getty Museum, Los Angeles
 
Portrait of Niccolò Ardinghelli
 
National Gallery, Washington D.C.
 
Portrait of Maria Salviati
1543-1545
Uffizi Gallery, Florence
 
Sacrificial Scene
c. 1545
Capodimonte Museum, Naples
 
My Book (Pontormo’s Diary)
1554-1556
National Library, Florence
 
Portrait of Pontormo (Bronzino)
 
 
 
St. Francis (Drawing)
 
Museum of Fine Arts, Boston
 
San Lorenzo (Fresco cartoons)
 
 
 

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Portrait of a Lady in Red 1532

Still wondering about an Italian painting in your family collection? Contact us…it could be by Pontormo


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926--eichholtz.php Jacob Eichholtz Artwork Authentication & Art Appraisal

Jacob Eichholtz (1776-1842)

Get a Eichholtz Certificate of Authenticity for your painting (COA) for your Eichholtz drawing.

For all your Eichholtz artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Eichholtz Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Eichholtz painting or drawing.

If you want to sell your Eichholtz painting or drawing use our selling services. We offer Eichholtz selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Eichholtz and issuing certificates of authenticity since 2002. We are recognized Eichholtz experts and Eichholtz certified appraisers. We issue COAs and appraisals for all Eichholtz artworks.

Our Eichholtz paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Eichholtz certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Eichholtz painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Eichholtz paintings or drawings take longer.

Our clients include Eichholtz collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jacob Eichholtz art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jacob Eichholtz or we will sell it for you.

Self-Portrait

Self-Portrait

Self-Portrait 1810

Self-Portrait 1810

Jacob Eichholtz was an American portrait painter born in Landcaster, Pennsylvania. Eichholtz was initially a copper smith and sign painter, and in the beginning of his artistic career, only painted in his spare time. Eichholtz started out his artistic career with no formal training, and was mainly self-taught, inspired by the works of fellow painter Thomas Sully. He eventually traveled to Boston and received some of his first artistic training under the famous portraitist Gilbert Stuart. Later, Eichholtz would open up his own studio in Philadelphia.

The Ragan Sisters

The Ragan Sisters

From time to time, Eichholtz would visit Baltimore, and painted portraits all over New England in Maryland, Pennsylvania and Delaware. He was a highly prolific and successful artist, and it is thought that he produced nearly 1,000 portraits alone in his lifetime. Eichholtz also painted historical scenes and landscapes, though these are generally less known.

Conestoga Creek and Lancaster 1833

Conestoga Creek and Lancaster 1833

Dorothea 1841

Dorothea 1841

One of Eichholtz’s early calling cards as a portrait painter was to paint his sitters in profile, then encircled in a “cameo” rendition. These were created on small wooden panels only measuring nine inches by seven inches, and were only painted from about 1808-1811.

Andrew Ellicott

Andrew Ellicott

Mrs. Andrew Ellicott

Mrs. Andrew Ellicott

Mathias Musser

Mathias Musser

Eichholtz was said to have only recorded 13 of these profile paintings in his records, yet nearly 100 of these profile paintings, signed and unsigned, are attributed to him. Could this mean that a great many other portraits exist of his today, unrecorded and otherwise unknown? In a career that spanned nearly 35 years, it is quite possible that more of his paintings still exist somewhere.

Catharine Hatz Eichholtz 1833

Catharine Hatz Eichholtz 1833

Anna Maria Eichholtz

Anna Maria Eichholtz

In particular, Eichholtz became known for his strong portraits of prominent social and political figureheads in Baltimore and Philadelphia, as well as for his paintings of family groups.

Elizabeth Wurtz Elder And Her Three Children 1825

Elizabeth Wurtz Elder And Her Three Children 1825

A Wealthy Gentleman 1813

A Wealthy Gentleman 1813

Miss Thompson 1820

Miss Thompson 1820

Doctors, lawyers, judges, politicians, and various well-known men and women were often his sitters and wealthy patrons, as well as the 15th President of the United States, James Buchanan.

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James Buchanan

Eichholtz set himself apart from other self-taught portrait painters of the day because of his ability to realistically recreate texture in his portraits. Hair, fabric and skin take on a completely lifelike and realistic look in Eichholtz’s paintings…a great testament to a self-taught painter, but probably because of the influence of Stuart.

Jacob Humes 1825

Jacob Humes 1825

Portrait of a Lady

Portrait of a Lady

Today, Eichholtz’s paintings are housed all over New England in public collections like the Smithsonian and in many private collections as well. Still wondering about that family heirloom portrait hanging in your family’s estate? Contact us…it could be by Jacob Eichholtz.


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927--reveron.php Armando Reveron Artwork Authentication & Art Appraisal

Armando Reveron (1889-1954)

Get a Reveron Certificate of Authenticity for your painting or a COA for your Reveron drawing or sculpture.

For all your Reveron artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Reveron Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Reveron painting, drawing or sculpture.

If you want to sell your Reveron painting, drawing or sculpture use our selling services. We offer Reveron selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Reveron and issuing certificates of authenticity since 2002. We are recognized Reveron experts and Reveron certified appraisers. We issue COAs and appraisals for all Reveron artworks.

Our Reveron paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Reveroncertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Reveron painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Reveron paintings, drawings or sculpture take longer.

Our clients include Reveron collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Armando Reveron art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Armando Reveron or we will sell it for you.

Self-Portrait

Self-Portrait

Born in Caracas, Venezuela, Armando Reveron would become one of the most notable Venezuelan painters of the 19th and 20th century. In fact, Reveron is noted for being perhaps one of the only Venezuelan Impressionists of the time, and is indeed, the best example of Venezuelan Impressionism. He is best noted for his landscapes as well as his self-portraits and nude paintings, usually in oil on canvas and in a strictly European Impressionistic style.

Portrait of Casilda

Portrait of Casilda

As a young man, he contracted typhoid, which would plague him for the rest of his life, but did not stop his drive to become an artist. He would also be plagued by mental illness later on in life, but as is the case with most artists, this did not affect his art work, and perhaps even enhanced it. Throughout his life, Reveron’s mother was a constant resource of love and support and she is often portrayed in his paintings as well.

Mujer Con Mantilla

Mujer Con Mantilla

At 15, Reveron began his art studies in Caracas at the Academy of Beautiful Arts, and at 22, travels to Europe. There, he embraces the work of Goya, el Greco and Velasquez, and travels to France and Spain while studying and developing his craft. During this time, he is also enrolled in the School of Arts in Barcelona, Spain where he studies along other famous artists of the time like Salvador Dali.

Uveros En Playon

Uveros En Playon

While Reveron was known for his ability to beautifully recreate color and light in his oil paintings, he was a sculptor as well. Reveron would often interject elements of his own culture into his paintings, such as the presence of “munecas” or “dolls” in a number of his compositions. For this omnipresence of his own culture in his compositions, Reveron’s work is still highly appreciated in Venezuela.

Two Women in Blue, the cave

Two Women in Blue, the cave

It is perhaps Reveron’s love and esteem for the classic masters and his own soft colors and lighting techniques that lead him to reject the modern works of Chagall, Modigliani, Cézanne and Picasso. He is even documented as to have written to his mother that their works gave him no inspiration other than to throw himself into the Seine!

Nude

Nude

In 1917, Reveron’s beloved sister Josefina passed away, sinking him into a deep depression. Much like his contemporary, Picasso, Reveron began to paint in his own “blue period” at this time, painting landscapes in isolation. This isolation would become a habit for Reveron and lead to his insanity. Shortly after this, he built a home in Venezuela where he would live out the rest of his life, which was called “The Tower” by many, due to the way that he imprisoned himself within it.

Blue Landscape

Blue Landscape

Though he was in a constant state of depression, Reveron was not without humor. Although top hats had not been in fashion for men for decades, Reveron was known to wear them quite often in his later years, for a look that was almost comical. He is often painted in his self-portraits wearing one, and looking odd and out of place. You would not expect to see a man in a top hat in most 20th century Impressionistic pieces. Therefore, if you have a self-portrait of a man wearing a top hat from this era, it could possibly be a Reveron.

Self-Portrait with Hat

Self-Portrait with Hat

Throughout the years Reveron slipped deeper and deeper into isolated insanity, he continued to create art until 1953. This same year he was awarded The National Painting Prize, and while this news somewhat comforted him, it did not pull him from the depths of his depression. The last year of his life was spent in a sanitarium, and it is unlikely that he created any artwork in this final year of his life. However, before his unfortunate passing, Reveron left a catalog of more that five hundred paintings and drawings and nearly 60 sculptures.

La Guaira Landscape

La Guaira Landscape

Today, his work is housed worldwide, and especially in The Reveron Museum, his old home, on the Northern coast of Venezuela. Because of his extreme mental illness, who knows what paintings could be in existence of his, un-catalogued and in an otherwise array, and possibly sold or given away in unusual circumstances. There are few artists that can be truly compared to Reveron in his style and technique, and perhaps it is this fact that makes him so great. His work is neither revolutionary nor bold or classical, but simply his own.

Los Banos De Macuto

Los Banos De Macuto

Armando Reveron art authentication. Armando Reveron appraisal from . Armando Reveron certificates of authenticity (COA). Armando Reveron analysis, research, scientific tests, full art authentications. We will help you sell your Armando Reveron or we will sell it for you.


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928--ormezzano.php Mario Francisco Ormezzano Artwork Authentication & Art Appraisal

Mario Francisco Ormezzano (1915-1983)

Get a Ormezzano Certificate of Authenticity for your painting (COA) for your Ormezzano drawing.

For all your Ormezzano artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ormezzano Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ormezzano painting or drawing.

If you want to sell your Ormezzano painting or drawing use our selling services. We offer Ormezzano selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ormezzano and issuing certificates of authenticity since 2002. We are recognized Ormezzano experts and Ormezzano certified appraisers. We issue COAs and appraisals for all Ormezzano artworks.

Our Ormezzano paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ormezzano certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ormezzano painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ormezzano paintings or drawings take longer.

Our clients include Ormezzano collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Mario Francisco Ormezzano art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Mario Francisco Ormezzano or we will sell it for you.

 art

Mario Francisco Ormezzano was born in Mar del Plata, Argentina in 1915. Ormezzano took an interest in art at an early age, though little else is known about his childhood. His first known formal training took place at the Real Academia Albertina de Turim, where he attended a course in sculpture.

art

art

He supplemented this fine arts training with art history courses to further enrich his artistic development. Ormezzano studied classic architecture internationally in the years leading up to World War II and entered the Polytechnical School of Turin in 1936 in Italy though he was soon forced to return to South America due to the outbreak of the war.

art

 art

Upon his return to South America, Ormezzano finished his formal architectural training at the Pontifical Catholic University in Santiago, Chile. Soon thereafter, between 1945-1950, Ormezzano designed and sculpted the relief on the Medicine Arch at the University of Conception (pictured below). This three-dimensional work sits above the main access to the University. According to El Sur, the relief symbolizes “intelligence, knowledge and creative thought.” As his crowning achievement, Ormezzano is best-known for this architectural piece.

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In 1952, Ormezzano again began to travel, this time staying within the boundaries of the South American continent. He moved throughout Chile, Peru, Argentina, and Brazil studying various architectural styles and influences. Two years after embarking on his travels, Ormezzano settled in Brazil and acquired Brazillian citizenship. From his Brazillian home, Ormezzano continued to expand his artistic boundaries creating various pieces of small statuary out of terracotta, aluminum, and other materials. He also experimented with pastels and oils, some of which are pictured below. Ormezzano died in 1983.

art

Still wondering about a painting in your family collection? Contact us… we are the Mario Francisco Ormezzano experts.


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930--herkomer.php Sir Hubert von Herkomer Artwork Authentication & Art Appraisal

Sir Hubert von Herkomer (1849-1914)

Get a Von Herkomer Certificate of Authenticity for your painting (COA) for your Von Herkomer drawing.

For all your Von Herkomer artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Von Herkomer Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Von Herkomer painting or drawing.

If you want to sell your Von Herkomer painting or drawing use our selling services. We offer Von Herkomer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Von Herkomer and issuing certificates of authenticity since 2002. We are recognized Von Herkomer experts and Von Herkomer certified appraisers. We issue COAs and appraisals for all Von Herkomer artworks.

Our Von Herkomer paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Von Herkomer certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Von Herkomer painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Von Herkomer paintings or drawings take longer.

Our clients include Von Herkomer collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sir Hubert von Herkomer art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sir Hubert von Herkomer or we will sell it for you.

von Herkomer, Portrait of John Couch Adams

Portrait of John Couch Adams

von Herkomer, Portrait of Dinah Maria Craik (born Mulock)

Portrait of Dinah Maria Craik (born Mulock)

Sir Hubert von Herkomer was a British painter born at Waal, in Bavaria. At the age of eight, Herkomer moved to England with his father, a wood-carver of great ability. He lived for some time in Southampton, where he began his art training. By 1866, he entered a more advanced program in a South Kensington Schoolm. A few years later in 1869, Herkomer exhibited for the first time at the Royal Academy.

von Herkomer, Portrait of Spencer Compton Cavendish, 8th Duke of Devonshire

Portrait of Spencer Compton Cavendish, 8th Duke of Devonshire

Herkomer was elected an associate of the Academy in 1879, and academician in 1890. Herkomer was also an associate of the Royal Society of Painters in Water Colours (1893), ans became a full member in 1894. Herkomer’s many accolades helped him to become a professor at Slade in Oxford.

von Herkomer, Portrait of Mendell Creighton

Portrait of Mendell Creighton

von Herkomer, Emilia Francis (born Strong)/ Lady Dilke

Emilia Francis (born Strong)/ Lady Dilke

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Early drawing from nature (1863)

Herkomer exhibited a number of memorable portraits, figure subjects and landscapes. He mostly worked in oil and watercolour, but achieved marked success as a worker in enamel, etching, mezzotint engravings and illustrative drawings. Herkomer opened his own school, The Herkomer School (Incorporated), at Bushey, which he founded in 1883 and directed without payment until 1904, when he retired.

Two of his paintings, Found (1885) and The Chapel of the Charterhouse (1889), are in the Tate Gallery. In the year 1907, he received the honorary degree of DCL at Oxford, and was knighted by the king, in addition to the commandership of the Royal Victorian Order.

Herkomer was also a pioneering filmmaker and established a studio in Lululaund, where he directed a number of historical costume dramas.

Still wondering about a 19th century painting in your family collection? Contact us… we are the Hubert von Herkomer experts.


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931--ganesco-constantin.php Constantin Ganesco Artwork Authentication & Art Appraisal

Constantin Ganesco (1864-1940)

We Perform Constantin Ganesco art authentication. Constantin Ganesco appraisal Constantin Ganesco certificates of authenticity (COA). Constantin Ganesco analysis, research, scientific tests, full art authentications. We will help you sell your Constantin Ganesco or we will sell it for you.

Bust Of A Man

Bust Of A Man

Constantin Ganesco was a Rumanian sculptor, and today his works are housed all over the world, including at the Musée Rodin and the Musée d’Orsay in France. He was also related to painter Alexandre Ganesco. Still wondering about a bust or statue in your family estate? Contact us…it could be by Constantin Ganesco.


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932--reynolds.php Sir Joshua Reynolds Artwork Authentication & Art Appraisal

Sir Joshua Reynolds (1723 – 1792)

Get a Reynolds Certificate of Authenticity for your painting (COA) for your Reynolds drawing.

For all your Reynolds artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Reynolds Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Reynolds painting or drawing.

If you want to sell your Reynolds painting or drawing use our selling services. We offer Reynolds selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Reynolds and issuing certificates of authenticity since 2002. We are recognized Reynolds experts and Reynolds certified appraisers. We issue COAs and appraisals for all Reynolds artworks.

Our Reynolds paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Reynolds certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Reynolds painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Reynolds paintings or drawings take longer.

Our clients include Reynolds collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sir Joshua Reynolds art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sir Joshua Reynolds or we will sell it for you.

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Self-Portrait

Sir Joshua Reynolds was the most important and influential of 18th century English painters, specializing in portraits and promoting the “Grand Style” in painting which depended on idealization of the imperfect. He was one of the founders and first President of the Royal Academy. George III appreciated his merits and knighted him in 1769.

Reynolds was born in Plympton, Devon, on 16 July 1723. As one of eleven children, and the son of the village school-master, his formal education was restricted to what his father taught him. Despite this, Reynolds exhibited a natural curiosity, and as a boy came under the influence of Zachariah Mudge, whose Platonistic philosophy stayed with him all his life.

Showing an early interest in Art, Reynolds apprenticed in 1740 to the fashionable portrait painter Thomas Hudson, with whom he remained until 1743. From 1749 to 1752, he spent over two years in Italy, where he studied the Old Masters and acquired a taste for the “Grand Style”. Unfortunately, whilst in Rome, Reynolds suffered severe cold which left him partially deafened, and as a result he began to carry a small ear trumpet with which he is often pictured. From 1753 until the rest of his life he lived in London, his talents gaining recognition soon after his arrival.

Reynolds worked long hours in his studio, rarely taking a vacation. Despite this he was both gregarious and keenly intellectual, with a great number of friends from London’s intelligentsia, numbered amongst which were Dr Samuel Johnson, Oliver Goldsmith, Edmund Burke, Henry Thrale, David Garrick and fellow artist Angelica Kauffmann. Because of his popularity as a portrait painter, Reynolds enjoyed constant interaction with the wealthy and famous men and women of the day, and it was he who first brought together the famous figures of “The” Club.

With his rival Thomas Gainsborough, Reynolds was the dominant English portraitist of ‘the Age of Johnson’. It is said that in his long life he painted as many as three thousand portraits. In 1789 he lost the sight of his left eye, which finally forced him into retirement, and on 23 February 1792 he died in his house in Leicester Fields, London. He was buried in St. Paul’s Cathedral.

Professionally, Reynolds’ career never peaked. He was one of the earliest members of the Royal Society of Arts, and with Gainsborough established the Royal Academy of Arts as a spin-off organization. In 1768 he was made the RA’s first President, a position he held until his death. As a lecturer, Reynolds’ Discourses on Art (delivered between 1769 and 1790) are remembered for their sensitivity and perception. In one of these lectures he was of the opinion that “invention, strictly speaking, is little more than a new combination of those images which have been previously gathered and deposited in the memory.”

Reynolds and the Royal Academy have historically received a mixed reception. Critics include many of the Pre-Raphaelites, and William Blake, the latter having published his vitriolic Annotations to Sir Joshua Reynolds’ Discourses in 1808. To the contrary, both J. M. W. Turner and James Northcote were fervent acolytes: Turner requested he be laid to rest at Reynolds’ side, and Northcote (who lived for four years as Reynolds’ pupil) wrote to his family “I know him thoroughly, and all his faults, I am sure, and yet almost worship him.” The word worship is second cast; originally Northcote had written adore.

In appearance Reynolds was not at all striking. Slight of frame, he was just about 5’6″ with dark brown curls, a florid complexion and features which James Boswell thought were “rather too largely and strongly limned.” He had a broad face, a cleft chin, and the bridge of his nose was slightly dented; his skin was scarred by smallpox, and his upper lip disfigured as a result of falling from a horse as a young man. Nonetheless he was not considered ugly, and Edmond Malone asserted that “his appearance at first sight impressed the spectator with the idea of a well-born and well-bred English gentleman.”

Renown for his placidity, Reynolds often claimed that he “hated nobody”. Never quite losing his Devonshire accent, he was not only an amiable and original conversationalist but a friendly and generous host, so that Fanny Burney recorded in her diary that he had “a suavity of disposition that set everybody at their ease in his society”, and William Makepeace Thackeray believed “of all the polite men of that age, Joshua Reynolds was the finest gentleman.”

Indeed, it is to this luke-warm temperament that Frederick W. Hilles, Bodman Professor of English Literature at Yale attributes the fact Reynolds never married. In the editorial notes of his compendium Portraits by Sir Joshua Reynolds, Hilles theorizes that “as a corollary one might say that he [Reynolds] was somewhat lacking in a capacity for love”, and cites Boswell’s notary papers: “He said the reason he would never marry was that every woman whom he liked had grown indifferent to him, and he had been glad he did not marry her.” Reynolds’ own sister, Frances, who lived with him as housekeeper, took her own negative opinion further still, thinking him “a gloomy tyrant”. Strangely, it was this very presence of family that compensated Reynolds for the absence of a wife; He wrote on one occasion to his friend Bennet Langton, that both his sister and niece were away from home “so that I am quite a bachelor.” Biographer Ian McIntyre discusses the possibility of Reynolds having enjoyed sexual rendezvous with certain clients, such as Nelly O’Brien (or “My Lady O’Brien”, as he playfully dubbed her) and Kitty Fisher, who visited his house for more sittings than were strictly necessary. Claims to this end are, however, purely speculative.

Still wondering about a British painting in your family collection? Contact us…it could be by Sir Joshua Reynolds.


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933--fetti.php Domenico Fetti Artwork Authentication & Art Appraisal

Domenico Fetti (1589 – 1623)

Get a Fetti Certificate of Authenticity for your painting (COA) for your Fetti drawing.

For all your Fetti artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Fetti Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fetti painting or drawing.

If you want to sell your Fetti painting or drawing use our selling services. We offer Fetti selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fetti and issuing certificates of authenticity since 2002. We are recognized Fetti experts and Fetti certified appraisers. We issue COAs and appraisals for all Fetti artworks.

Our Fetti paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fetti certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fetti painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fetti paintings or drawings take longer.

Our clients include Fetti collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Domenico Fetti art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Domenico Fetti or we will sell it for you.

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Archimedes Thoughtful, 1620

Domenico Fetti was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 till around 1621-22, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes.

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Jacob Dreams of the Ladder to Heaven, 1618-1620

In 1621-22, due to some feuds with prominent Mantuans, he moved to Venice, which for the first few decades of the 17th century had persisted in mainly sponsoring Mannerist styles as epitomized by Palma the Younger and the successors of Tintoretto and Veronese. Into this mix, three “foreigners”, Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys, breathed in the 1620-30s, the first influences of Roman Baroque style. They adapted some of the rich coloration of Venice but adapted it to Caravaggio-influenced realism and monumentality.

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Melancholy 1618

In Venice, Fetti changed his style, and his formalised painting style became more pictorial and colourful. In addition, he devoted attention to smaller cabinet pieces that adapt genre imaging to religious stories. His group of paintings entitled Parables, which represent New Testament scenes, are at the Dresden Gallery.

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Mary Magdalen

His style appears to be influenced by Rubens. He would likely have continued to find excellent patronage in Venice had he not died there in 1623 or 1624. Jan Lys, eight years younger, but who had arrived to Venice nearly contemporaneously, died during the Plague of 1629-30. Subsequently, Fetti’s style would influence the Venetians Pietro della Vecchia and Sebastiano Mazzone.

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David with the Head of Goliath 1620

Still wondering about an Italian painting in your family collection? Contact us…it could be by Domenico Fetti.


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934--ensor-james.php James Ensor Artwork Authentication & Art Appraisal

James Ensor, 1860-1949, Belge

 

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Autoportrait

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Intrigue, 1911

James Ensor est né en 1860 à Ostende, dans une famille bourgeoise. Sa mère, d’origine flamande, tient un magasin de souvenirs et d’articles de carnaval, et cette profusion de couleurs et d’objets fantaisistes l’influencera profondément.

 

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Entrée du Christ à Bruxelles (1889)

Il prend ses premiers cours de dessin à l’âge de treize ans, auprès des artistes Dubar et Van Cuyck et rejoint en 1877 l’Académie des beaux-arts de Bruxelles. Il y rencontre ses contemporains et est introduit auprès de la crème de la scène intellectuelle et artistique de la capitale. Il s’insurge pourtant rapidement contre l’académisme d’une école qu’il qualifie de « boîte à myopes » et la quitte au bout de trois ans.

 

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La Dame Déprimée

Il s’installe chez sa mère où il restera jusqu’en 1917. Dans son atelier sous les combles, il exécute des œuvres tantôt réalistes, tantôt impressionnistes, touchant toujours à l’avant-garde. Il est fasciné par la lumière qui possède le pouvoir de transformer les objets. « La lumière déforme le contour, » explique-t-il. Les Toits d’Ostende rappelle par ailleurs la technique de Turner.

 

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Les Masques et la Mort

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Squelettes se Battant pour un Hareng Fumé 1891

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Squelettes se Réchauffant

En 1883, il peint son premier tableau de masques et fonde, avec Octave Maus, le groupe artistique « Les Vingt », dont il sera exclu lorsqu’il dévoile son Entrée du Christ à Bruxelles (1889), que le groupe refuse d’exposer à leur Salon. Vexé par ce rejet, Ensor connaîtra une période rouge, dont les couleurs enflammées exprimeront sa colère.

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Nature Morte avec Masques

De 1887 à 1893, il connaît sa plus belle période. Ses couleurs s’apaisent et ses œuvres se teintent d’influences Cobra et fauvistes. Il reprend le thème du carnaval, auquel il donne des formes grotesques parfois effrayantes, dans la veine insolente de Pieter Brueghel l’Ancien. Ce monde de masques, dénonçant des rapports sociaux absurdes, révèle les questionnements de l’artiste au sujet du pouvoir de l’Église et du roi, que dément son appartenance à la classe bourgeoise.

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Le Banquet des Affamés 1915

 

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Gravure

Comme tant d’autres artistes, Ensor n’a guère connu de reconnaissance de son vivant. Son œuvre reste passéiste face aux nouvelles tendances comme le pointillisme et le symbolisme. Ce n’est qu’au tournant du siècle, après qu’il ait créé le Bal du Rat Mort, qui clôt les festivités du Carnaval d’Ostende, qu’il commence à retrouver une certaine célébrité. Il est fait baron, reçoit la Légion d’honneur et voit ses peintures présentées dans des expositions internationales. Celui que l’on surnomme le « prince des peintres », qui a aimé travailler sur toutes sortes de supports afin d’explorer dans chaque œuvre « un procédé nouveau », décide pourtant d’abandonner cet art qui ne lui a valu une reconnaissance que trop tardive, et il consacrera ses dernières années à la musique. Il meurt en 1949 et est enterré à Ostende.


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935--lacomb.php Georges Lacomb Artwork Authentication & Art Appraisal

Get a Lacombe Certificate of Authenticity for your painting or a COA for your Lacombe drawing or sculpture.

For all your Lacombe artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Lacombe Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lacombe painting, drawing or sculpture.

If you want to sell your Lacombe painting, drawing or sculpture use our selling services. We offer Lacombe selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lacombe and issuing certificates of authenticity since 2002. We are recognized Lacombe experts and Lacombe certified appraisers. We issue COAs and appraisals for all Lacombe artworks.

Our Lacombe paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lacombe certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lacombe painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lacombe paintings, drawings or sculpture take longer.

Our clients include Lacombe collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

George Lacombe (1868-1916)

We perform George Lacombe art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your George Lacombe or we will sell it for you.

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Ages of Life

Georges Lacomb was born to an upstanding family in Versailles and would become a member of the Nabi movement. His mother was a painter and engraver, so Lacomb had exposure to the arts at a very early age. He received his first training as an artist under Alfred Roll at the Academie Julien, where he became friends with Paul Serusier and Emile Bernand.

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The Apple Picker

With Serusier and Bernand, Lacomb traveled to Brittany in 1888 to be a part of Les Nabis. The Nabi movement was all about symbolism, and most painters in this movement, including Lacomb, were heavily influenced by Gaugin. He would spend his summers here for nearly a decade working alongside other artists. Out of this entire movement, Lacomb would be the only one to try his hand at sculpture.

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Love and Death

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Dream

Another aspect of the Nabi movement was their appreciation for Japanese art, which can be seen in a number of Lacombe’s paintings. The extremely detailed and decorative waves in his seascapes are a result of the influence of Japanese style.

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Violet Waves

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Le Mer Gris

Today, Lacombe’s work is housed all over France, and perhaps in your own home. Still wondering about an interesting painting hanging on your wall? Contact us…it could be by Georges Lacombe.


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936--sekoto.php Gerard Sekoto Artwork Authentication & Art Appraisal

Gerard Sekoto (1913-1993)

Get a Sekoto Certificate of Authenticity for your painting (COA) for your Sekoto drawing.

For all your Sekoto artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sekoto Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sekoto painting or drawing.

If you want to sell your Sekoto painting or drawing use our selling services. We offer Sekoto selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sekoto and issuing certificates of authenticity since 2002. We are recognized Sekoto experts and Sekoto certified appraisers. We issue COAs and appraisals for all Sekoto artworks.

Our Sekoto paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sekoto certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sekoto painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sekoto paintings or drawings take longer.

Our clients include Sekoto collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gerard Sekoto art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gerard Sekoto or we will sell it for you.

Dancing Senegalese Figures 1967

Dancing Senegalese Figures 1967

Gerard Sekoto was a South African artist and musician. He is recognized as the pioneer of urban black art, social realism, and more recently as the father of South African art and of his 8 daughters and 3 sons. He has had exhibitions in Paris, Stockholm, Venice, Washington, Senegal as well as in South Africa.

Boy and the Candle 1943

Boy and the Candle 1943

Sekoto was born on the 9 December 1913 at the Lutheran Mission Station in Botshabelo near Middelburg, Eastern Transvaal (now known as Mpumalanga). As the son of a missionary, music was a part of his life, and he was introduced to the family harmonium at an early age.

Soko Majoka 1946-1947

Soko Majoka 1946-1947

On graduating as a teacher from the Diocesan Teachers Training College in Pietersburg he taught at a local school, Khaiso Secondary, for four years. During this time he entered an art competition organized by the Fort Hare University, for which he was awarded second prize.

In 1938 at the age of 25 he left for Johannesburg to pursue a career as an artist. He lived with relatives in Gerty Street, Sophiatown. He held his first solo exhibition in 1939. In 1940 the Johannesburg Art Gallery purchased one of his pictures; it was to be the first picture painted by a black artist to enter a museum collection. In 1942 he moved to District Six in Cape Town where he lived with the Manuel family. In 1945 he moved to Eastwood, Pretoria.

Portrait of Manuels Cousin 1944

Portrait of Manuels Cousin 1944

In 1947 he left South Africa to live in Paris under self-imposed exile. The first years in Paris were hard, and Sekoto was employed as a pianist purely by chance at l’Echelle de Jacob (Jacob’s ladder), a trendy nightclub that had reopened for business after World War II. Here he played jazz and sang ‘Negro Spirituals’, popular French songs of the period and some Harry Belafonte. Music became the way that he could pay his living and art school expenses.

Between 1956 and 1960, several of Sekoto’s compositions were published by Les Editions Musicales. Sekoto played piano and sang on several records. He composed 29 songs, mostly excessively poignant, recalling the loneliness of exile, yet displaying the inordinate courage of someone battling to survive in a foreign cultural environment. In 1966 he visited Senegal for a year.

Police Man on a White Horse in the Fields 1959

Police Man on a White Horse in the Fields 1959

Sekoto’s paintings became political in the 1970s due to apartheid in his home country. In 1989 the Johannesburg Art Gallery honoured him with a retrospective exhibition and the University of Witwatersrand with an honorary doctorate. He died on 20 March 1993 at a retirement home outside Paris. Still wondering about an African painting in your family collection? Contact us…it could be by Gerard Sekoto.


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937--guardi.php Francesco Guardi Artwork Authentication & Art Appraisal

Francesco Guardi (1712-1792)

Get a Guardi Certificate of Authenticity for your painting (COA) for your Guardi drawing.

For all your Guardi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Guardi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Guardi painting or drawing.

If you want to sell your Guardi painting or drawing use our selling services. We offer Guardi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Guardi and issuing certificates of authenticity since 2002. We are recognized Guardi experts and Guardi certified appraisers. We issue COAs and appraisals for all Guardi artworks.

Our Guardi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Guardi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Guardi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Guardi paintings or drawings take longer.

Our clients include Guardi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francesco Guardi art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Francesco Guardi or we will sell it for you.

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The Doge of the Venice Goes to the Salute on the 21 November
to Commemorate the End of the Plague of 1630,1766-1770

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Temporary Tribune in the Campo San Zampolo, 1782

Francesco Guardi was a Venetian painter born in 1712. A member of a family of artists, Guardi remains the most famous of his relatives. Today, he’s revered as one of the greatest view-painters of the 18th century. His innovative style and fresh perspective were destined to secure his reputation an incredible artist. Sadly, he did not receive the accolades he deserved during his lifetime, becoming famous only after his death.

Little is known about the life of Guardi. Some scholars believe he was a pupil of Canaletto, however it is more commonly assumed that Guardi did not actually study under the famous artist. It is likely that he simply imitated the master’s style while learning to paint vedute.

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Tempesta

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Grand Canal With the Rialto Bridge

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City View

Guardi’s work was not centered solely on view-painting. In fact, he did not produce that genre of artwork until after the death of his brother Gianantonio in 1760. Prior to his brother’s passing, Francesco worked in the family studio, under Gianantonio’s management. He produced paintings of various types and wasn’t very successful by common standards due to the fact that he was over the age of 40 and not working independently.

Guardi’s work can be found mostly in Britain and Italy. Controversy has arisen over the authorship of some of his paintings, however. Critics argue whether he created the representations of The Story of Tobit in Venice. Uninhibited brushstrokes contribute to the masterful execution of the pieces. Many people attribute the paintings to his brother, Gianantonio because of a dispute regarding the dates.

The debate over the authorship of Guardi works does not end with those painted by his brother. Arguments have also arisen suggesting that some of the works were created by his son. Guardi died in January of 1792. At this time, his son, Giacomo, who took over the studio, continued producing town views in the style of his father. He was an incredible artist in his own right. In fact, his talent was so extraordinary that the authorship of several works is still in question. Many are not quite certain whether father or son produced the paintings.

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The Bucentaur Departs for the Lido on the Ascension Day

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Landscape

To find an original Guardi painting would be unlikely. His works stand out from other artwork of this time period in that he did not focus on accurate representations of view paintings. Instead, he concentrated on creating an ambience or mood. This is probably the reason that his work held little appeal in the 18th century. It wasn’t until long after his death that his paintings were truly appreciated for their merits.

Guardi left behind not only paintings but also a large number of drawings. These were probably preliminary studies for paintings, and all are unfinished works. They range in subject from historical to mythological, or religious.

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Merit

The drawings all have similar characteristics of sharp lines, rapid drawing, and light and shade contrasts. Guardi’s son owned thousands of these types of drawings produced by his father. They are said to have been sold to Teodoro Correr in the year 1829. Today, these sketches are housed in the Museo Correr in Venice.


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938--passerotti.php Bartolomeo Passerotti Artwork Authentication & Art Appraisal

Bartolomeo Passerotti (1529-1592)

We Perform Bartolomeo Passerotti art authentication. Bartolomeo Passerotti appraisal. Bartolomeo Passerotti certificates of authenticity (COA). Bartolomeo Passerotti analysis, research, scientific tests, full art authentications. We will help you sell your Bartolomeo Passerotti or we will sell it for you.

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The Holy Family with the Infant St. John the Baptist and St. Catherine of Alexandria

Bartolomeo Passerotti was an Italian painter of the mannerist style, who worked mainly in his native Bologna. He was known for his unusual style, including painting grotesque caricatures of peasants.

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Caricature

He traveled to Rome in the mid-1500s, where he worked under Girolamo Vignola and Taddeo Zuccari. Upon returning to Bologna, he acummulated a large studio, and influenced many Bolognese who would later play a role in the rise of the Baroque. Annibale Carracci (whose brother Agostino studied with Passarotti) was influenced by Passerotti’s genre scenes in a select set of paintings. Lucio Massari was one of his pupils. Bothe Passerotti’s sons, including Ventura (1566-1618) were painters.

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The Butcher’s Shop, 1580’s

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The Fishmonger’s Shop, 1580’s

Still wondering about an Italian painting in your family collection? Contact us…it could be by Bartolomeo Passerotti.


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939--sloan.php John French Sloan Artwork Authentication & Art Appraisal

John French Sloan (1871-1951)

Get a Sloan Certificate of Authenticity for your painting (COA) for your Sloan drawing.

For all your Sloan artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sloan Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sloan painting or drawing.

If you want to sell your Sloan painting or drawing use our selling services. We offer Sloan selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sloan and issuing certificates of authenticity since 2002. We are recognized Sloan experts and Sloan certified appraisers. We issue COAs and appraisals for all Sloan artworks.

Our Sloan paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sloan certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sloan painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sloan paintings or drawings take longer.

Our clients include Sloan collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John French Sloan art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John French Sloan or we will sell it for you.

Sloan, Easter Eve

Easter Eve

John French Sloan was an American artist of the Ashcan School in New York City. Sloan was born in Lock Haven, Pennsylvania but spent much of his childhood in Philadelphia. Sloan always had a passion for drawing and painting and was encouraged by his family members to pursue the arts. Coincidentally, Sloan was in the same high school class as well-known painters William Glackens and Albert C. Barnes.

Sloan, Girl Undressing

Girl Undressing

Sloan, Jefferson Market

Jefferson Market

In 1888 Sloan had to drop out of high school in order to support his family. Sloan made some of his first paintings while working as a cashier at the bookstore, Porter and Coates. Sloan was able to sell some of his etchings at the bookstore for additional pay. Eventually Sloan as offered a position designing greeting cards and calendars. Sloan became increasingly interested in working as an artist and started studying art at night at the Spring Garden Institute.

For several years, Sloan continued to do various jobs as a commercial artist and illustrator. Sloan continued his studies, eventually enrolling at the Pennsylvania Academy of Design where he met his artistic mentor, Robert Henri.

Sloan, Sunday, Women Drying Their Hair, 1912

Sunday, Women Drying Their Hair, 1912

Sloan, Etching, Fifth Avenue Critics, 1905

Etching, Fifth Avenue Critics, 1905

As a member of The Eight, Sloan became a leading figure in the Ashcan School of realist artists. The Ashcan school was known for their urban genre paintings, which did not idealize environments. In New York, Sloan opened a studio in Greenwich Village where he painted many of his most famous pieces. Sloan did not sell his paintings frequently and continued to work as an illustrator for the Philadelphia Press, Collier’s Weekly, Good Housekeeping, Harper’s Weekly and the Saturday Evening Post. Politically, Sloan sided with the Socialist party and contributed to their publication, “The Masses”.

Sloan, Socialist illustration for

Socialist illustration for “The Masses”

In 1913, Sloan exhibited in the Armory Show, exhibiting etchings and paintings. The show caught the attention of important collectors and Sloan began to sell more work. Albert C. Barnes is known to have been the fourth collector to purchase one of Sloan’s paintings.

In 1914 Sloan started teaching at the Art Students League, which enabled him to spend summers painting in Gloucester Massachusetts. The outdoor setting of New England, led to more rural themes in Sloan’s work. In 1918 Sloan began to spend summers in Santa Fe, New Mexico, where he painted desert landscape scenes. Sloan was greatly inspired by Mexican Art and invited José Clemente Orozco and Diego Rivera to participate in their first New York show at the Society of Independent Artists.

Sloan, Diablo Canyon

Diablo Canyon

Sloan, Recruiting in Union Square

Recruiting in Union Square

Sloan, South Beach Bathers

South Beach Bathers

Sloan, Gloucester Trolley

Gloucester Trolley

Sloan, McSorley's Bar

McSorley’s Bar

Sloan, Reganeschi's Saturday Night, 1912

Reganeschi’s Saturday Night, 1912

Sloan, Wet Night, Washington Square 1928

Wet Night, Washington Square 1928

Sloan, Chinese Restaurant

Chinese Restaurant

Sloan, Spring Rain

Spring Rain

Sloan’s urban genre paintings and landscapes are now highly regarded by collectors. Sloan’s work is in major museums and private collections across the country. Do you think you own a painting by John Sloan? Contact us. We are the experts on John Sloan.


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940--peka.php Lucia Peka Artwork Authentication & Art Appraisal

Lucia Peka (1912-1991)

Do you think you may own a painting by Lucia Peka?

We Perform Lucia Peka art authentication. Lucia Peka appraisal. Lucia Peka certificates of authenticity (COA). Lucia Peka analysis, research, scientific tests, full art authentications. We will help you sell your Lucia Peka or we will sell it for you.

1. The Flowers. 1949. Oil painting.

1. The Flowers. 1949. Oil painting.

2. Flowers. Not dated. Oil on Canvas.

2. Flowers. Not dated. Oil on Canvas.

Lucia Peka was a Latvian-American artist from Umurga, Latvia. Peka was born with the name Lūcija Rudzītis. Her birth name was ultimately used for her interment at a Latvian cemetery in New York.

3. Spring Lake. 1955. Oil on Canvas.

3. Spring Lake. 1955. Oil on Canvas.

Peka’s family fled to Sweden during World War II. Peka spent time in France and Germany before relocating to Montreal, Canada to study at McGill. From Montreal, Peka’s reputation took off. She soon exhibited at the Carnegie Museum of Art and won the Lila Shelby Award at New York’s National Academy Museum. Peka became one of the most important artists of the Lativian Diaspora, displaced during World War II.

4. Sailboats. 1955. Oil on Canvas.

4. Sailboats. 1955. Oil on Canvas.

Peka’s work is now proudly owned by the Latvian National Art Museum, which recognizes Peka’s contributions to Latvian art. Peka is now an inspiration for Latvian and female artists around the world.

. Wheat Stacks. Date unknown. Oil on Canvas.

. Wheat Stacks. Date unknown. Oil on Canvas.

If you think you may own original artwork by Lucia Peka, contact Art Certification Experts for information regarding our services.


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941--huet-paul.php Paul Huet Artwork Authentication & Art Appraisal

Paul Huet (1803-1869)

Get a Huet Certificate of Authenticity for your painting (COA) for your Huet drawing.

For all your Huet artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Huet Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Huet painting or drawing.

If you want to sell your Huet painting or drawing use our selling services. We offer Huet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Huet and issuing certificates of authenticity since 2002. We are recognized Huet experts and Huet certified appraisers. We issue COAs and appraisals for all Huet artworks.

Our Huet paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Huet certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Huet painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Huet paintings or drawings take longer.

Our clients include Huet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Paul Huet art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Paul Huet or we will sell it for you.

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Blue Sky

Paul Huet was a French Impressionist landscape painter, educated at the Ecole des Beaux-Arts in Paris. He is remembered as one of the leading Romantic landscape painters of his time. He often looked to fellow French and British landscape painters for inspiration, and is even rumored to have painted the landscape in one of Delacroix’s paintings.

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Etude du Ciel a Fontenay-aux-Roses

As a young boy, Huet lost his mother and was raised by his father. Even though he showed promise as an artist at a young age, he was not encouraged by his family to become an artist. Fortunately, a relative helped him to study at the workshop of Guerin, which also led him to study under David and others. Huet’s particular style of painting trees gained him a great deal of notoriety in art circles, and today remain a testimony of his talent as a painter of nature.

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St. Cloud in Autumn

Early on in his career, Huet fostered a special friendship with Eugene Delacroix. Delacroix admired Huet’s work and the two would often work closely together. Upon his death, Delacroix even bequeathed his painting collection to Huet. How many of Delacroix’s paintings were actually a collaboration with Huet? How many of Huet’s paintings also had Delacroix’s hand in it? It may remain a mystery, or perhaps a painting will surface that was undoubtedly collaboration between the two.

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Caretakers Cottage in the Forest of Compiegne , 1826

Huet was also a frequent traveler, painting and exhibiting his work all over Europe. He married his niece in 1834, who died a few years later, but would remarry and have children. He was also a devoted Republican, which essentially hurt his career as an artist when the state was overturned in 1852, despite the fact that Napoleon III admired his work.

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Breakers at Granville

Huet would eventually move from Paris to the country and continued to paint nearly up until his death in 1869. Throughout his career, he painted a number of different landscapes, seascapes and pastoral scenes, and it would be unlikely to find a portrait or still life paintings by Huet.

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Chaumiere Normande

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The End of the Day, 1849

done
942--bellows.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bellows" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bellows" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "bellows" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "bellows" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
943--lynch.php Albert Lynch Artwork Authentication & Art Appraisal

Albert Lynch (1851-?)

Get a Lynch Certificate of Authenticity for your painting (COA) for your Lynch drawing.

For all your Lynch artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lynch Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lynch painting or drawing.

If you want to sell your Lynch painting or drawing use our selling services. We offer Lynch selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lynch and issuing certificates of authenticity since 2002. We are recognized Lynch experts and Lynch certified appraisers. We issue COAs and appraisals for all Lynch artworks.

Our Lynch paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lynch certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lynch painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lynch paintings or drawings take longer.

Our clients include Lynch collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Albert Lynch art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Albert Lynch or we will sell it for you.

art

At the Bullfight

Born in Lima in 1851, Albert Lynch studied art at L’Ecole des Beaux-Arts de Paris and in the studios of the figure painters Gabriel Ferrier and Henri Lehmann and the landscape painter Jules Noel. He exhibited at the Salon from 1890 and was awarded a third class medal in that year, a first class medal in 1892, and a gold medal in 1900 at the Exposition Universelle.

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A Young Beauty with Flowers in her Hair

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Daydreams

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Embarking on a Voyage

Lynch specialised in painting female subjects to which he brought a charming elegance and sophistication typical of such belle epoque paintings. He worked most often in pastel or watercolour, although he occasionally used oils, and he provided illustrations for two books, ‘La Dame aux Camelias’ by Dumas fils and ‘La Parisienne’ by Henry Becque. He was made a Chevalier de la Legion d’honneur in 1901.

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Eternal Sunshine

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Portrait of a Countess

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Portrait of an Elegant Lady

Still wondering about a Peruvian painting in your family collection? Contact us…it could be by Albert Lynch.


done
944--baca-flor.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "baca-flor" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "baca-flor" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
945--maliavine.php Philippe Andreevitch Maliavine Artwork Authentication & Art Appraisal

Philippe A. Maliavine (1869-1940)

Get a Maliavine Certificate of Authenticity for your painting (COA) for your Maliavine drawing.

For all your Maliavine artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Maliavine Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Maliavine painting or drawing.

If you want to sell your Maliavine painting or drawing use our selling services. We offer Maliavine selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Maliavine and issuing certificates of authenticity since 2002. We are recognized Maliavine experts and Maliavine certified appraisers. We issue COAs and appraisals for all Maliavine artworks.

Our Maliavine paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Maliavine certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Maliavine painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Maliavine paintings or drawings take longer.

Our clients include Maliavine collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Philippe Andreevitch Maliavine art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Philippe Andreevitch Maliavine or we will sell it for you.

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A Laughing Woman

Philippe Andreevitch Maliavine emerged from a peasant background  to become one of the most original Russian artists of the early years of the 20th Century. At 16 he left his home for Mt. Athos in Greece, having met traveling monks who encouraged his interest in iconic painting. Maliavine worked in the icon workshop at Mt. Athos, but found that the monks merely copied Russian examples. By 1892 he was studying art in St. Petersburg, and in 1894 attended the studio of Ivan Repin, the Russian master who fostered some of the greatest talents in Russian art.

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A Peasant Family

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Jolly

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Laughing Girls

Maliavine was soon recognized as a startling and brilliant autodidact, breaking away from academic tradition well before most of his contemporaries. His swirling canvases, dominated by red, were exhibited at the famous Tretyakov Gallery. Inevitably, Maliavine’s radicalism was controversial, though he enjoyed much success before 1910, when tastes changed. His Klimt-like exuberance was less in demand as spare, analytic and abstract concepts swept across Russia. Maliavine was never going to be a Cubist.

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Male Nude

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MorskayaTzarevna

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Nude

Maliavine’s fine painting of the ballerina Balashova shows his mastery of academic skills, yet still demonstrates fidelity to his early palette and robust style. In later life he tended to more academic, realist portraiture. In 1922 he left Russia, no doubt fortunately as he was spared the cruel fate that awaited all artists under Stalin: death or Socialist Realism. He died in Nice in 1940.

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Two Girls

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Woman Resting in Costume

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Young Peasant Girl

Still wondering about a Russian painting in your family collection? Contact us…it could be by Philippe Andreevitch Maliavine.


done
946--ittenbach.php Franz Ittenbach Artwork Authentication & Art Appraisal

Franz Ittenbach (1813-1879)

Get a Ittenbach Certificate of Authenticity for your painting (COA) for your Ittenbach drawing.

For all your Ittenbach artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ittenbach Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ittenbach painting or drawing.

If you want to sell your Ittenbach painting or drawing use our selling services. We offer Ittenbach selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ittenbach and issuing certificates of authenticity since 2002. We are recognized Ittenbach experts and Ittenbach certified appraisers. We issue COAs and appraisals for all Ittenbach artworks.

Our Ittenbach paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ittenbach certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ittenbach painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ittenbach paintings or drawings take longer.

Our clients include Ittenbach collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Franz Ittenbach art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Franz Ittenbach or we will sell it for you.

art

Self-Portrait, 1857

Franz Ittenbach was a German religious painter from Königswinter, North Rhine-Westphalia, which is at the foot of the Drachenfels. Ittenbach began his art education as a student of Kaufmann and then left to study under Franz Katz in Cologne. In 1832, Ittenbach went to become a pupil, at the age of 19, of the Düsseldorf Academy, where he also received private lessons from its president, Schadow. He was a member of the Nazarene movement and associated himself mainly with three of his friends and fellow students: Karl and Andreas Müller and Ernst Deger. The four men travelled about in Germany, studying and painting together. From 1839 to 1842, Ittenbach lived in Italy. Upon his return, he stayed in Munich for some time. In 1849, he returned to Düsseldorf, and from 1859 until his death, he was a member of the artist club “Malkasten”.

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Madonna and Child, 1855

Ittenbach was exceedingly religious and persistently declined any commissions for mythological or pagan subjects. As a rule, he devoted his energies exclusively to church decoration. He would precede the execution of his greatest works with devout religious exercises, including confession and communion.

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Blessings for Christ, 1878

His finest paintings are said to be found at in the Church of St. Remigius in Bonn and in Breslau in a church dedicated to the same saint. There is also a remarkable Holy Family dated 1861, painted for Prince Liechtenstein in his private chapel near Vienna. Most of his other works can be found in various Catholic churches in Germany. His only important fresco was painted in 1844 in a church in Remagen, Germany.

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The Holy Family

Ittenbach was a popular painter in court circles, a member of most of the European academies, and the recipient of many medals and decorations. He painted a few portraits, but they were unimportant compared to his famous altarpieces.

Still wondering about a religious German painting in your family collection? Contact us…it could be by Franz Ittenbach.


done
947--parentino.php Bernardo Parentino Artwork Authentication & Art Appraisal

Bernardo Parentino (1434 – 1531)

We Perform Bernardo Parentino art authentication. Bernardo Parentino appraisal. Bernardo Parentino certificates of authenticity (COA). Bernardo Parentino analysis, research, scientific tests, full art authentications. We will help you sell your Bernardo Parentino or we will sell it for you.

art

The Temptation of St. Anthony

Bernardo Parentino was an Italian painter of the Renaissance period, active mainly in Padua. Born in Parenzo, then a Venetian town in Istria and died in Vicenza. He was influenced, if not a pupil, of the painter Andrea Mantegna. He became an Augustinian monk under name of Lorenzo. He painted Scenes of the life of San Benedetto for the cloister of Santa Giustina at Padua, and a Nativity once at the Accademia in Venice. He painted a nightmarish Temptation of St. Anthony Abbot found at the Doria Pamphilj Gallery. An Adoration of the Magi, more indepted to Giovanni Bellini is found at the Louvre Museum. He is also known as Bernardo da Parenzo or as Parenzano.

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Sketch

Still wondering about an Italian painting in your family collection? Contact us…it could be by Bernardo Parentino.


done
948--anguiano.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "anguiano" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "anguiano" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "anguiano" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
949--arnulphy.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "arnulphy" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "arnulphy" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "arnulphy" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
950--ryder.php Albert Pinkham Ryder Artwork Authentication & Art Appraisal

Albert Pinkham Ryder (1847-1917)

Get a Ryder Certificate of Authenticity for your painting (COA) for your Ryder drawing.

For all your Ryder artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ryder Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ryder painting or drawing.

If you want to sell your Ryder painting or drawing use our selling services. We offer Ryder selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ryder and issuing certificates of authenticity since 2002. We are recognized Ryder experts and Ryder certified appraisers. We issue COAs and appraisals for all Ryder artworks.

Our Ryder paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ryder certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ryder painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ryder paintings or drawings take longer.

Our clients include Ryder collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Albert Pinkham Ryder art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Albert Pinkham Ryder or we will sell it for you.

Ryder, Siegfried and the Rhine Maidens

Siegfried and the Rhine Maidens

Ryder, The Race Track

The Race Track

Albert Pinkham Ryder was an American painter best known for his expressive landscapes and seascapes. Ryder was born in the whaling town of New Bedford, Massachusetts. Little is known of his childhood except that his coastal town may have been a source of inspiration for his paintings. His family moved to New York City around 1867 after Ryder’s elder brother had opened a restaurant and the successful Hotel Albert. Ryder lived and painted in the hotel for many years, which was subsequently named in his honor.

Ryder, The Forest of Arden

The Forest of Arden

Ryder received his first painting instruction from William E. Marshall before starting at the National Academy of Design a couple of years later. Ryder began exhibiting at the Academy and became a member of the more radical Society of American Artists. Ryder painted alongside Julian Alden Weir, Augustus Saint-Gaudens and Robert Swain Gifford.

Ryder, Flying Dutchman

Flying Dutchman

Ryder’s early work is described as Tonalist in style and commonly depicting pastoral landscapes. As he progressed in his career, Ryder’s work became more descriptive, sometimes referencing opera and literature. Ryder’s work has a dreamlike quality filled with abstracted forms applied with layers of paint that took years to dry. Many of Ryder’s paintings appear with large cracks today because he often painted into wet varnish.

Ryder, The Dead Bird

The Dead Bird

Over time Ryder’s paintings have continued to increase in value. It was seldom that Ryder signed his paintings and many fakes have been reproduced. Ryder’s original paintings are in museums and private collections across the country. Do you think you own a painting by Albert Pinkham Ryder? Contact us. We are the Albert Pinkham Ryder experts.


done
951--champaigne.php Philippe de Champaigne Artwork Authentication & Art Appraisal

Philippe de Champaigne (1602-1674)

Get a Champaigne Certificate of Authenticity for your painting (COA) for your Champaigne drawing.

For all your Champaigne artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Champaigne Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Champaigne painting or drawing.

If you want to sell your Champaigne painting or drawing use our selling services. We offer Champaigne selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Champaigne and issuing certificates of authenticity since 2002. We are recognized Champaigne experts and Champaigne certified appraisers. We issue COAs and appraisals for all Champaigne artworks.

Our Champaigne paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Champaigne certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Champaigne painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Champaigne paintings or drawings take longer.

Our clients include Champaigne collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Philippe de Champaigne art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Philippe de Champaigne or we will sell it for you.

Philippe de Champaigne is considered to be one of the finest painters of the 17th century. Born and artistically trained in Brussels, Champaigne moved to France in 1621 where he would enjoy a career as an artist spanning nearly 40 years. He studied landscape painting under Fouquieres and was influence by Rubens early on. Painting during the Baroque era; Champaigne was often commissioned to create portraits of the aristocracy and the clergy as well.

art

Portrait of Bishop Jean-Pierre Camus, 1643

art

Jacques Lemercier

One such famous patron was the Cardinal Richelieu, whom he worked for, decorating his palace.

art

Cardinal Richelieu, 1637

Champaigne would also work with the artist Poussin to decorate the Luxembourg Palace, as well as the queen mother, Marie de Medicis and also decorated the dome of the Sorbonne.  Many of his compositions have religious themes, as this was the style of the day, and certainly, was popular amongst his patrons.

art

The Entrance of Christ into Jerusalem

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Annunciation, 1644

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The Penitent Magdalene

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Moses Presenting the Commandments

It is also said that his interest in religious imagery grew from the sudden and miraculous recovery of his sick daughter. Champaigne adopted the style of Jansenism, a style of painting which emphasized divine grace, original sin and predestination. This style was later condemned as being heretical, and came to an end in 1710. Champaigne’s painting “Ex Voto de 1662,” which hangs in the Louvre, is a depiction of his daughter, a nun, after she was cured. This painting is said to be the start of his Jansensist career.

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Ex Voto of 1662

Occasionally, Champaigne would create still life or paintings of children outside his usual subjects, and was said to be a founding member of the Academie Royale, where he would lecture on works by Titian and other old masters.

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Children of Habert de Montmors

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Still Life With a Skull

Today his works hang in the Prado museum in Spain, the Louvre, the Metropolitan Museum of Art in New York and many others worldwide. He was highly prolific in his lifetime, and left a massive oeuvre of beautiful Realist, Classicist paintings behind him.

Think that you might own a piece of work from this great artist? Contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Philippe de Champaigne.


done
952--fearnley.php Thomas Fearnley Artwork Authentication & Art Appraisal

Thomas Fearnley (1802-1842)

Get a Fearnley Certificate of Authenticity for your painting (COA) for your Fearnley drawing.

For all your Fearnley artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Fearnley Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fearnley painting or drawing.

If you want to sell your Fearnley painting or drawing use our selling services. We offer Fearnley selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fearnley and issuing certificates of authenticity since 2002. We are recognized Fearnley experts and Fearnley certified appraisers. We issue COAs and appraisals for all Fearnley artworks.

Our Fearnley paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fearnley certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fearnley painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fearnley paintings or drawings take longer.

Our clients include Fearnley collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Thomas Fearnley art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Thomas Fearnley or we will sell it for you.

art

Landscape with Waterfall

Thomas Fearnley was a 19th century Norwegian painter. He was originally trained in the military but left in 1819 to pursue the arts tat the Tegneskolen in Christiania. He later moved to Copenhagen where he studied at the Kunstakadamiet until 1823. Fearnley also studied at the Konstakadamien in Stockholm from 1823-1827.

art

View of Dresden at Sunset

Fearnley traveled Norway extensively and studied under fellow Norwegian painter Dahl in Dresden in 1829. Thus, Fearnley’s style was greatly influenced by Dahl and one can see the similarity in their style.

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Landscape with Tree

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Balestrand on the Sognefjord, 1839

Fearnley traveled all over Europe in the 1830’s, visiting London, Paris and Munich as well as Italy. During his time in Italy, Fearnley’s work was greatly influenced by the sunny nation and his subject matter was suddenly bathed in the warm southern light.

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Terrace

Fearnley spent the rest of his life traveling between Norway and England and eventually moved to Munich where he died in 1841. Still wondering about a Norwegian painting in your family collection? Contact us…it could be by Thomas Fearnley.


done
953--drouais-jean.php Jean-Germain Drouais Artwork Authentication & Art Appraisal

Jean-Germain Drouais (1763-1788)

We Perform Jean-Germain Drouais art authentication. Jean-Germain Drouais appraisal. Jean-Germain Drouais certificates of authenticity (COA). Jean-Germain Drouais analysis, research, scientific tests, full art authentications. We will help you sell your Jean-Germain Drouais or we will sell it for you.

Drouais painting,Roman Soldier

Roman Soldier

Jean-Germain Drouais was an 18th century French Neoclassical painter. He was born in Paris and mainly painted historical scenes. He learned to paint from his father, Hubert Drouais, who was also an artist, and also studied under David.

Drouais painting,Study for Marius, Prisoner of Minturnae

Study for Marius, Prisoner of Minturnae

Drouais was highly influenced by the old masters, such as Raphael, and completed his last painting “Philoctetus on the Island of Lemnos” in 1788 before he died at the very young age of 25.

Drouais painting,Philoctetus on the Island of Lemnos

Philoctetus on the Island of Lemnos

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Jean-Germain Drouais.


done
954--quispez.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "quispez" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "quispez" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
955--jm_moreau.php Jean-Michel Moreau Artwork Authentication & Art Appraisal

Jean-Michel Moreau (The Younger) (1741-1814)

Jean-Michel Moreau art authentication. Jean-Michel Moreau appraisal. Jean-Michel Moreau certificates of authenticity (COA). Jean-Michel Moreau analysis, research, scientific tests, full art authentications. We will help you sell your Jean-Michel Moreau or we will sell it for you.

Moreau painting, Yes or No 1778

Yes or No 1778

Jean-Michel Moreau was an 18th century French artist. He was mainly known for his sketch portraits of French nobles.

Moreau sketch, Standing Man

Standing Man

Still wondering about an 18th century French sketch in your family collection? Contact us…it could be by Jean-Michel Moreau.


done
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done
958--lely.php Sir Peter Lely Artwork Authentication & Art Appraisal

Sir Peter Lely (1618-1680)

Get a Lely Certificate of Authenticity for your painting (COA) for your Lely drawing.

For all your Lely artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lely Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lely painting or drawing.

If you want to sell your Lely painting or drawing use our selling services. We offer Lely selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lely and issuing certificates of authenticity since 2002. We are recognized Lely experts and Lely certified appraisers. We issue COAs and appraisals for all Lely artworks.

Our Lely paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lely certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lely painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lely paintings or drawings take longer.

Our clients include Lely collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sir Peter Lely art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sir Peter Lely or we will sell it for you.

Lely painting, Two Ladies from the Lake Family

Two Ladies from the Lake Family

Sir Peter Lely was a 17th century English painter. Lely was born in the Netherlands and painted in the Baroque style. Lely was the most popular portrait painter in England from the 1640′s until his death in 1680.

Lely painting, Portrait of the Dutchess of Cleveland with her Son

Portrait of the Dutchess of Cleveland with her Son

Lely was a collector of art just as much as he was a creator of art, and had a collection of drawings made by other artists.

Lely painting, Musicians

Musicians

Many of Lely’s early Dutch paintings were of religious or mythological themes, as well as pastoral landscapes. He was appointed as Charles II’s principal painter in 1661, and was in high demand by British society. He was highly prolific and today, Lely’s paintings are housed in prominent collections such as Windsor Castle, and perhaps in your own home.

Lely painting, Eleanor Gwyn

Lely, Elizabeth, Countess of Kildaire (ca. 1679) oil on canvas, 123,4 x 100 cm, Tate Britain.

Still wondering about a 17th century portrait in your family collection? Contact us…it could be by Sir Peter Lely.


done
959--moran.php Edward Moran Artwork Authentication & Art Appraisal

Edward Moran (1829-1901)

Get a Moran Certificate of Authenticity for your painting (COA) for your Moran drawing.

For all your Moran artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Moran Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Moran painting or drawing.

If you want to sell your Moran painting or drawing use our selling services. We offer Moran selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Moran and issuing certificates of authenticity since 2002. We are recognized Moran experts and Moran certified appraisers. We issue COAs and appraisals for all Moran artworks.

Our Moran paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Moran certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Moran painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Moran paintings or drawings take longer.

Our clients include Moran collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Edward Moran art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Edward Moran or we will sell it for you.

Moran, Unveiling The Statue of Liberty, 1886

Unveiling The Statue of Liberty, 1886

Moran, The Farewell Salute of the White Squadron to the Body of John Ericsson, New York Bay, August 23, 1890

The Farewell Salute of the White Squadron to the Body of John Ericsson, New York Bay, August 23, 1890

Edward Moran was born in Lancanshire, England in 1829 and left for America as a teenager, settling in Philadelphia. Moran followed his father’s lead and became a skilled weaver before realizing his true calling as a painter in the 1850s. Moran spent nearly thirty years in Philadelphia, where he studied under painters James Hamilton and Paul Weber. Moran slowly integrated himself into the art scene by becoming a member of the Philadelphia Academy of the Fine Arts.

In 1861 Moran decided to broaden his horizons and departed for London. Moran took courses at the Royal Academy and met many influential English painters. When Moran returned to America he moved to New York, where he remained for most of his life.

Moran, Fishermen at Sea (off the White Cliffs of Dover)1864

Fishermen at Sea (off the White Cliffs of Dover)1864

Moran is most recognized for his seascape paintings and was considered to be the leading maritime painter, frequently published in Art Amateur. Moran’s love of the sea came through in his ability to personify its many moods and emotions. Moran also painted ships with exquisite detail and care. The maritime paintings served as historical illustrations. Moran documented marine activity from Leif Ericsson to Admiral Dewey’s exploration of the Philippines.

Moran, Waiting for the Boats

Waiting for the Boats

From 1877 to 1879 Moran travelled to France to gain more exposure to international artists and particularly the Parisian art scene. When Moran returned he expanded his portfolio, but continued to paint seascapes and scenes of American harbor life.

Moran, Moonlight Harvest

Moonlight Harvest

Moran, Viking Ships

Viking Ships

Moran, Stormy Seascape

Stormy Seascape

Moran, Shipping in New York Harbor

Shipping in New York Harbor

Moran, View on the Delaware Bay, 1856

View on the Delaware Bay, 1856

Moran created a legacy of artists as his two sons Edward Percy Moran and Leon Moran, and his brothers Peter Moran and Thomas Moran, also became well-known artists.

Do you think you own a painting by Edward Moran? Contact us. We are the experts on Edward Moran.


done
960--von-cornelius.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "von-cornelius" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "von-cornelius" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
961--oskar.php Ludvig Oskar Artwork Authentication & Art Appraisal

Ludvig Oskar (1874–1951)

Do you think you may own a painting by Ludvig Oskar?

We Perform Ludvig Oskar art authentication. Ludvig Oskar appraisal. Ludvig Oskar certificates of authenticity (COA). Ludvig Oskar analysis, research, scientific tests, full art authentications. We will help you sell your Ludvig Oskar or we will sell it for you.

1. Koitjärve Moor with Pine Grove. Undated. 1918. Oil on Plywood. Art Museum of Estonia.

1. Koitjärve Moor with Pine Grove. Undated. 1918. Oil on Plywood. Art Museum of Estonia.

2. Koitjärve Landscape. Undated. Oil on canvas. Art Museum of Estonia.

2. Koitjärve Landscape. Undated. Oil on canvas. Art Museum of Estonia.

Ludvig Oskar was an Estonian painter, born in the small village of Kuusalu. Oskar did not begin his artistic training until 1903, when he enrolled in the studio school of Ants Laikmaa, one of Estonia’s most influential artists. After completing is studies, Oskar began teaching at a secondary school in Tallinn.

3. Koitjärve Landscape. Undated. Oil on canvas. Art Museum of Estonia.

3. Koitjärve Landscape. Undated. Oil on canvas. Art Museum of Estonia.

Oskar is best known for his traditional landscapes of Koitjärve, painted with muted palettes. Oskar often painted on-site, giving his work a realistic sense of light. His brushwork was relatively loose and impressionistic.

4. Meadow. Undated. Oil on canvas. Art Museum of Estonia.

4. Meadow. Undated. Oil on canvas. Art Museum of Estonia.

Today many of Oskar’s paintings are in the collection of the Art Museum of Estonia.

5. Evening Landscape. Undated. Oil on canvas. Art Museum of Estonia.

5. Evening Landscape. Undated. Oil on canvas. Art Museum of Estonia.

If you think you may own original artwork by Ludvig Oskar, contact Art Certification Experts for information regarding our services.


done
962--chabas.php Maurice Chabas Artwork Authentication & Art Appraisal

Maurice Chabas (1862-1947) By Dr. Myriam de Palma

Get a Chabas Certificate of Authenticity for your painting (COA) for your Chabas drawing.

For all your Chabas artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Chabas Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Chabas painting or drawing.

If you want to sell your Chabas painting or drawing use our selling services. We offer Chabas selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Chabas and issuing certificates of authenticity since 2002. We are recognized Chabas experts and Chabas certified appraisers. We issue COAs and appraisals for all Chabas artworks.

Our Chabas paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Chabas certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Chabas painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Chabas paintings or drawings take longer.

Our clients include Chabas collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Maurice Chabas art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Maurice Chabas or we will sell it for you.

French Symbolist painter Maurice Chabas came from a family of painters, including brother Paul Chabas. Maurice Chabas was born on September 26th 1862, in Nantes, in a cultured and scholarly family. The eldest boy, according to the customs of the time, Chabas took over the family business as an adult despite the fact that he was interested in painting. His two younger brothers, Maurice and Paul were also interested in painting and were encouraged by their father, who was also fond of painting. His brothers attended the Academie Julien and became famous, and this fact stuck with him until the day he died.

art

Catalogue of the October 2009 – January 2010 Pont-Aven Museum exhibition

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Photograph of the artist painting

In 1900, he moved to 3, Villa Sainte-Foy in Neuilly-sur-Seine. His studio soon became a meeting place attended by distinguished scholars like Maurice Maeterlinck, Edouard Schuré, Léon Bloy, the sociologist Lucien Lévy-Brulh, Professor Charles Richet, Camille Flammarion, Joséphin Péladan and René Guénon. Chabas did not find much success until 1900, when he quickly gained notoriety in art circles.

art

Sunset River

art

Riverbank

Chabas would use philosophy and mysticism to create his Symbolist compositions, along with his academic training. He studied under Bouguereau and Robert-Fleury, and never gave much consideration to one style of painting or another. Throughout his whole career, this mystical artist endeavoured to transmit, via his art, his spiritual convictions and especially his belief in the survival of the soul after the death of the body.

art

Woman in the River

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Woman in the River Blue

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Women

Later on, he would be tempted by the neo-impressionism techniques and its minuscule scattered spots in vivid colors, while simultaneously and quite paradoxically using synthetic techniques, where he surrounded wide shapes of solid colors with black rims. Then his imagination and his desire to innovate would lead him to purify and simplify his shapes until reaching abstraction.

art

Color

art

Swirl

He would then abandon all references to reality. This efflorescence of styles is particularly due to the intimate relationship he established between artistic expression and his spiritual aspirations, while refusing to comply to a simply formalist vision of art. To him, shapes were merely a vector of his spiritual message; and by diversifying their appearances, Chabas strived at transmitting the multiplicity of shapes in which the divine appears.

art

Figures

art

Bathers

art

Return to Cythera

At the end of his career, Chabas declared he felt definitely impotent in confronting and overcoming the disasters that devastated the world. He then became convinced that these disasters were the direct consequences of the lack of ideal and humanity in people. Living almost totally isolated, he was then completely dedicated to religious and spiritual paintings.

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Religious

His paintings displayed a more and more ethereal, bright and colorful non-figurative and abstracted world, which naturally expressed the communication of the mysteries of religion. It is in Versailles, where he had decided to retire, that François Mauriac wrote to him “You have understood the necessity of forgetting yourself in contemplation.” He died on December 11, 1947.

If you believe you own a work of art by Maurice Chabas, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Maurice Chabas.


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963--vaneyck.php Jan van Eyck Artwork Authentication & Art Appraisal

Jan van Eyck (before 1395-1441)

Jan van Eyck art authentication. Jan van Eyck appraisal. Jan van Eyck certificates of authenticity (COA). Jan van Eyck analysis, research, scientific tests, full art authentications. We will help you sell your Jan van Eyck or we will sell it for you.

The Lucca Madonna

The Lucca Madonna

Jan van Eyck has been called the most famous Flemish painter of the 15th century and the founder of Early Renaissance style in Northern Europe. Though his place of birth and birth date are unknown it is thought that he was born near Limburg, the Netherlands in the 1390’s. Art historians believe that he was taught to paint by his elder brother Huber van Eyck, whom he created the famed “Ghent Altarpiece” with. The two brothers started this piece together, but Jan had to finish it alone after the death of his brother.

The Ghent Altarpiece

The Ghent Altarpiece

Van Eyck served as the court painter for Duke Johann of Bavaria in Hague until 1425, where he restored and painted pictures. After that time he served at the court of Philip the Good of Burgundy where he was not only an artist, but a diplomatic aid as well. From 1430 on, he was also the official painter of the city of Bruges where he lived and worked.

The Virgin And The Chancellor Rolin

The Virgin And The Chancellor Rolin

Madonna Of Canon Van Der Pael

Madonna Of Canon Van Der Pael

Madonna By The Fountain

Madonna By The Fountain

Art historians have credited Van Eyck as being the first artist to ever paint with oils, and that he in fact invented the method. It is also said that he was one of the first painters to sign and date his own work on the frames of the painting. While this theory is under speculation by many, his use of the medium is quite exceptional, and his technique is unmatched by most of his contemporary painters. Not only was he a master in applying a luminous sheen to his compositions, but he also portrayed a mastery of space.

The Virgin And Child In A Church

The Virgin And Child In A Church

While Van Eyck created a number of stunning and captivating religious altarpieces and paintings, he was also a masterful portrait painter. It is thought that his painting “Man in a Red Turban” is actually a self-portrait.

Man In A Red Turban

Man In A Red Turban

Portrait Of The Artists Wife

Portrait Of The Artists Wife

Man In A Blue Turban

Man In A Blue Turban

Jan van Eyck is probably best known for his world famous painting, “Giovanni Arnolfini and His Wife Giovanna Cenami (The Arnolfini Marriage).”

The Arnolfini Marriage

The Arnolfini Marriage

This painting is rife with symbolism, and has been called one of the most complex and original paintings in Western art history. Some say that it was painted to be a document as proof of the wedding between the man and woman. Colors and placement of figures play a large part in the symbolism of the painting as well as purposely placed objects in the room. The little dog in the foreground symbolizes fidelity, while the oranges on the chest may refer to fertility. The cast aside clogs are a traditional symbol of the wedding, and the single candle refers to the light of God. Upon close inspection of the spotless mirror in the background, you can see the reflection of the artist as well as the couple, and above the mirror is the inscription “Johannes de eyck fuit hic, 1434,” translated, “Jan van Eyck was here.” This painting is currently housed in The National Gallery in London, and is an oil on oak wood panel painting.

The Arnolfini Marriage, detail

The Arnolfini Marriage, detail

Today, van Eyck’s work is housed all over the world in public and private collections. Perhaps an unknown portrait, sketch or stolen church panel of his could still be in existence today and perhaps in your own home.

St. Barbara

St. Barbara

Still wondering about a 15th century Flemish piece in your family estate? Contact us…it could be by Jan van Eyck.


done
964--anguissola.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "anguissola" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "anguissola" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
965--redgrave.php Richard Redgrave Artwork Authentication & Art Appraisal

Richard Redgrave RA (1804 – 1888)

Get a Redgrave Certificate of Authenticity for your painting (COA) for your Redgrave drawing.

For all your Redgrave artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Redgrave Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Redgrave painting or drawing.

If you want to sell your Redgrave painting or drawing use our selling services. We offer Redgrave selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Redgrave and issuing certificates of authenticity since 2002. We are recognized Redgrave experts and Redgrave certified appraisers. We issue COAs and appraisals for all Redgrave artworks.

Our Redgrave paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Redgrave certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Redgrave painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Redgrave paintings or drawings take longer.

Our clients include Redgrave collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Richard Redgrave art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Richard Redgrave or we will sell it for you.

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The Outcast

Richard Redgrave was an English artist. Redgrave was born in Pimlico in 1804.He worked at first as a designer. He became a student in the Royal Academy Schools in 1826, and was elected an Associate in 1840 and an Academician in 1851 (retired, 1882). His Gulliver on the Farmers Table (1837) made his reputation as a painter.

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Gulliver

Redgrave was an assiduous painter of landscape and genre; his best pictures being Country Cousins (1848), The Return of Olivia (1848), The Sempstress (1844) and Well Spring in the Forest (1865).

He began in 1847 a connection with the Government Art Schools which lasted for a long term of years, and among other posts he held those of inspector-general of art in the Science and Art Department, and art director of the South Kensington Museum. He was greatly instrumental in the establishment of this institution, and he claimed the credit of having secured the Sheepshanks and Ellison gifts for the nation.

He was Surveyor of the Queen’s Pictures 1856-1880. He was offered, but declined, a knighthood in 1869. He died in 1888 and is buried in Brompton Cemetery, London. Still wondering about a painting in your family collection? Contact us…it could be by Richard Redgrave.


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966--stubbs.php George Stubbs Artwork Authentication & Art Appraisal

George Stubbs (1724-1806)

Get a Stubbs Certificate of Authenticity for your painting (COA) for your Stubbs drawing.

For all your Stubbs artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Stubbs Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Stubbs painting or drawing.

If you want to sell your Stubbs painting or drawing use our selling services. We offer Stubbs selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Stubbs and issuing certificates of authenticity since 2002. We are recognized Stubbs experts and Stubbs certified appraisers. We issue COAs and appraisals for all Stubbs artworks.

Our Stubbs paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Stubbs certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Stubbs painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Stubbs paintings or drawings take longer.

Our clients include Stubbs collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform George Stubbs art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your George Stubbs or we will sell it for you.

Self-Portrait

Self-Portrait

George Stubbs was born in Liverpool on August 25, 1724 and died in London July 10, 1806. He was a British painter, best known for his paintings of horses.

Mares and Foals in a Landscape

Mares and Foals in a Landscape

Stubbs was the son of a currier. Information on his life up to age thirty-five is sparse, relying almost entirely on notes made by fellow artist Ozias Humphry towards the end of Stubbs’s life. Stubbs was briefly apprenticed to a Lancashire painter and engraver named Hamlet Winstanley, but soon left as he objected to the work of copying to which he was set. Thereafter as an artist he was self-taught. In the 1740s he worked as a portrait painter in the North of England and from about 1745 to 1751 he studied human anatomy at York County Hospital. He had had a passion for anatomy from his childhood, and one of his earliest surviving works is a set of illustrations for a textbook on midwifery which was published in 1751.

Horse Frightened by a Lion

Horse Frightened by a Lion

In 1755 Stubbs visited Italy. Forty years later he told Ozias Humphry that his motive for going to Italy was, “to convince himself that nature was and is always superior to art whether Greek or Roman, and having renewed this conviction he immediately resolved upon returning home”. Later in the 1750s he rented a farmhouse in Lincolnshire and spent 18 months dissecting horses. He moved to London in about 1759 and in 1766 published The anatomy of the Horse. The original drawings are now in the collection of the Royal Academy.

The Families Milbank and Melbourne 1770

The Families Milbank and Melbourne 1770

Even before his book was published, Stubbs’s drawings were seen by leading aristocratic patrons, who recognised that his work was more accurate than that of earlier horse painters such as James Seymour and John Wootton. In 1759 the 3rd Duke of Richmond commissioned three large pictures from him, and his career was soon secure. By 1763 he had produced works for several more dukes and other lords and was able to buy a house in Marylebone, a fashionable part of London, where he lived for the rest of his life.

A Zebra 1763

A Zebra 1763

His most famous work is probably Whistlejacket, a painting of a prancing horse commissioned by the 3rd Marquess of Rockingham, which is now in the National Gallery in London.

Whistlejacket

Whistlejacket

This and two other paintings carried out for Rockingham break with convention in having plain backgrounds. Throughout the 1760s he produced a wide range of individual and group portraits of horses, sometimes accompanied by hounds. He often painted horses with their grooms, whom he always painted as individuals. Meanwhile he also continued to accept commissions for portraits of people, including some group portraits. From 1761 to 1776 he exhibited at the Society of Artists, but in 1775 he switched his allegiance to the recently founded but already more prestigious Royal Academy.

Horse Attacked by a Lion 1788

Horse Attacked by a Lion 1788

Stubbs also painted more exotic animals including lions, tigers, giraffes, monkeys, and rhinoceroses, which he was able to observe in private menageries. He became preoccupied with the theme of a wild horse threatened by a lion and produced several variations on this theme. These and other works became well known at the time through engravings of Stubbs’s work, which appeared in increasing numbers in the 1770s and 1780s.

Cheetah and Stag with Two Indians
Cheetah and Stag with Two Indians

Stubbs also painted historical pictures, but these are much less well regarded. From the late 1760s he produced some work on enamel. In the 1770s Josiah Wedgwood developed a new and larger type of enamel panel at Stubbs’s request. Also in the 1770s he painted single portraits of dogs for the first time, while also receiving an increasing number of commissions to paint hunts with their packs of hounds. He remained active into his old age. In the 1780s he produced a pastoral series called Haymakers and Reapers, and in the early 1790s he enjoyed the patronage of the Prince of Wales, whom he painted on horseback in 1791. His last project, begun in 1795, was A comparative anatomical exposition of the structure of the human body with that of a tiger and a common fowl, engravings from which appeared between 1804 and 1806. Stubbs’s son George Townly Stubbs was an engraver and printmaker.

Lady Reading in a Wooded Park 1770

Lady Reading in a Wooded Park 1770

Still wondering about a 19th century British painting in your family collection? Contact us…it could be by George Stubbs.


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967--gilbert.php Victor Gabriel Gilbert Artwork Authentication & Art Appraisal

Victor Gabriel Gilbert (1847-1933)

Get a Gilbert Certificate of Authenticity for your painting (COA) for your Gilbert drawing.

For all your Gilbert artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gilbert Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gilbert painting or drawing.

If you want to sell your Gilbert painting or drawing use our selling services. We offer Gilbert selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gilbert and issuing certificates of authenticity since 2002. We are recognized Gilbert experts and Gilbert certified appraisers. We issue COAs and appraisals for all Gilbert artworks.

Our Gilbert paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gilbert certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gilbert painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gilbert paintings or drawings take longer.

Our clients include Gilbert collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Victor Gabriel Gilbert art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Victor Gabriel Gilbert or we will sell it for you.

Victor Gabriel Gilbert was a French, Realist painter known for his depictions of Parisian life in the early twentieth century. Gilbert commonly painted markets and vendors, as well as vagrants who made their homes in the streets. Like many Realists, Gilbert was involved in social issues and supported progressive politics.

Gilbert, The Flower Market

The Flower Market

Gilbert, Flower Market (Marche aux Fleurs)

Flower Market (Marche aux Fleurs)

Gilbert was born in Paris one year before the French Revolution of 1848, which brought significant changes to the country. During Gilbert’s lifetime the Salon system made it easier for artists to exhibit their work. Gilbert realized his interest in painting at an early age and began his training through an apprenticeship with the painter, Eugene Adam. While most art students studied at the Ecole des Beaux, Gilbert’s family could not afford to send him there. Gilbert eventually received some formal training after enrolling in night classes at the Ecole de la Ville de Paris.

Gilbert, Arranging Flowers for a Bouquet

Arranging Flowers for a Bouquet

Despite Gilbert’s limited academic study he was accepted into the Salon of 1873, exhibiting two paintings. During the following years, the art dealer, Père Martin, financially backed Gilbert. Martin supported many up and coming artists and early Impressionists in Paris. With the help of Martin, Gilbert was able to support himself and continue to exhibit his work.

Gilbert, Parisian Flower Market

Parisian Flower Market

As Gilbert became more established as a painter his subject matter shifted, from more commercial design work to still life paintings, and eventually to scenes of everyday life. Gilbert frequented the area of Paris known as Les Halles, filled with commerce and open air markets. Gilbert’s paintings continued be exhibited in the Salon, and in 1880, Gilbert won a second place medal. Gilbert’s prize painting was purchased by the State.

Gilbert, Gardening

Gardening

Gilbert, Les Halles Centrales

Les Halles Centrales

Gilbert, Lady in a Garden

Lady in a Garden

Gilbert, The Fairgrounds at Porte de Clignancourt

The Fairgrounds at Porte de Clignancourt

Gilbert, The Horoscope

The Horoscope

Gilbert continued to be awarded for his excellence in painting throughout his career. In 1897 he was named the Chevalier de la Légion d’Honneur. Several years later he received the Prix Bonnat. Gilbert not only exhibited in the Salon until 1933, but also served as a Salon juror.

While Gilbert is known for his work as a Realist painter, he was acquainted with many Impressionist artists such as Piere-Auguste Renoir. Gilbert also befriended the circle of prominent writers, which included Emile Zola.

Gilbert’s paintings are known in major collections in Europe and the United States. Gilbert’s paintings have been reproduced as prints and iconic images for decades. Do you think you may own a painting by Victor Gilbert? Contact us. We are the experts on Victor Gilbert.


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968--jackson.php Alexander Young Jackson Artwork Authentication & Art Appraisal

Alexander Young Jackson (1882-1974)

Get a Jackson Certificate of Authenticity for your painting (COA) for your Jackson drawing.

For all your Jackson artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Jackson Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Jackson painting or drawing.

If you want to sell your Jackson painting or drawing use our selling services. We offer Jackson selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Jackson and issuing certificates of authenticity since 2002. We are recognized Jackson experts and Jackson certified appraisers. We issue COAs and appraisals for all Jackson artworks.

Our Jackson paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Jackson certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Jackson painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Jackson paintings or drawings take longer.

Our clients include Jackson collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alexander Young Jackson art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alexander Young Jackson or we will sell it for you.

Alexander Young Jackson (A.Y. Jackson) was a Canadian painter, best known for his involvement in the Group of Seven. Jackson grew up in the Canadian province of Quebec, with his five siblings and mother. Jackson’s father left the family, forcing the children to work while taking evening classes. Jackson was employed by a lithography company, which exposed him to the graphic arts at an early age. Jackson simultaneously studied at the Montreal institution called Le Monument National.

Jackson, Road to St. Fidele

Road to St. Fidele

Jackson, On the Road to Bale St. Paul

On the Road to Bale St. Paul

By 1905, Jackson made his way to Europe while working on a cattle boat. Upon his return to North America, Jackson headed for the United States where he found work in Chicago as a commercial artist and continued his studies at the Art Institute of Chicago. In merely two years of working in the “windy city”, Jackson was able to finance a trip to Europe. Jackson enrolled in classes at the Academie Julian in Paris and studied with Impressionists throughout France, Italy and the Netherlands. J.P. Laurens was one of Jackson’s more influential teachers.

Jackson, In Jasper Park

In Jasper Park

Jackson, St. John's New Foundland, 1951

St. John’s New Foundland, 1951

Jackson, Wilderness Deese Bay, 1947

Wilderness Deese Bay, 1947

Jackson took a brief break from painting from 1914 to 1916 to serve in the Canadian army. He was injured in battle and was sent back to work as an army artist for the Canadian War Records Department.

Jackson, House of Ypres

House of Ypres

Jackson, The Shore of Gaspé

The Shore of Gaspé

Jackson eventually returned to Quebec, where he painted landscapes of the Canadian wilderness and attempted to integrate into the Montreal art scene. Though Jackson occasionally exhibited in Montreal, he began to gravitate towards the Toronto art scene. In Toronto, Jackson joined a group of painters that took frequent painting trips to northern Ontario and Lake Superior.

Jackson, Studio at Etaples

Studio at Etaples

The painters eventually formed the Group of Seven, which is known as the first official, Canadian school of landscape painting. The group formed around 1919 and was eventually reconstructed in 1933 as the Canadian Group of Painters. Jackson worked as a painting instructor in Toronto at the Ontario College of Art while frequently exhibiting with the Group of Seven. He ultimately moved to Ottawa in 1955 but continued to go on painting trips throughout Canada.

Jackson, The Pimple, Evening, 1918

The Pimple, Evening, 1918

Jackson, Vimy Ridge from Souchey Valley

Vimy Ridge from Souchey Valley

By 1970, A.Y. Jackson became a major name in Canadian art. There are now two schools and a highway vista named after the artist. Jackson’s paintings are currently in major Canadian museums and private collections. Do you think you own a painting by the Group of Seven painter, A.Y. Jackson? Contact us. We are the experts on A.Y. Jackson.


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969--hughes.php Edward Robert Hughes Artwork Authentication & Art Appraisal

Edward Robert Hughes (1851-1914)

Get a Hughes Certificate of Authenticity for your painting (COA) for your Hughes drawing.

For all your Hughes artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hughes Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hughes painting or drawing.

If you want to sell your Hughes painting or drawing use our selling services. We offer Hughes selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hughes and issuing certificates of authenticity since 2002. We are recognized Hughes experts and Hughes certified appraisers. We issue COAs and appraisals for all Hughes artworks.

Our Hughes paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hughes certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hughes painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hughes paintings or drawings take longer.

Our clients include Hughes collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Edward Robert Hughes art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Edward Robert Hughes or we will sell it for you.

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Midsummer’s Eve

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Day

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Night

Edward Robert Hughes was one of the best-known pre-Raphaelite English painters of his time. He was known for his mystical paintings of faeries, maidens and mythological figures cast in a soft glowing light, which he achieved with watercolors and gouache.

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The Valkyre’s Vigil

Hughes was born in London to a Welsh family. He was the nephew of painter Arthur Hughes, and was influenced and taught by him early on. Hughes entered the Royal Academy under the encouragement of his uncle and met a number of other famous artists of the day, including fellow Golden Age painter and illustrator Walter Crane. With his new friends, Hughes studied and admired the work of watercolorist Edward Burne-Jones, and they all practiced emulating his style.

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Pack Clouds Away and Welcome Day

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Twilight Fantasies

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Oh, What’s that in the Hollow…?

He began to exhibit at the Royal Academy in 1872 when he finally had his own studio. That same year, he met his idol, Burne-Jones as well as the poet George MacDonald. Hughes was in fact engaged at this time to one of MacDonald’s daughters, who sadly died before their wedding day. Hughes eventually married and began to exhibit frequently at the Royal Academy, showing mainly portraits, which he was said to have created a great many of throughout his career.

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Making Music

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Idle Tears

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In The Grass

Hughes continued to exhibit with the Royal Watercolor Society, Grosvenor Gallery and the British Institution, all venues which seemed to support his emerging style of symbolism and pre-Raphaelite influences. Art historians note that Hughes was particularly fond of creating scenes with blue tones, and also of featuring themes from Italian literature. These scenes would be complete with dramatic drapery, gold highlights and an all-encompassing mystical aura.

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Bertuccio’s Bride

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The Shrew

Though England was enjoying somewhat of an artistic revival at the height of Hughes’ popularity, he was highly appreciated abroad as well. Art patrons in Germany and Austria particularly were fond of his style and he also received a great deal of attention in Venice. Hughes also became well known at this time for his depiction of nudes, an honor that he was particularly proud of. He created many studies for his nudes and other paintings, and was meticulous when it came to the final product of his compositions. Meticulous observations in nature and painstaking detail went into every one of his paintings, and was the mark of a true pre-Raphaelite.

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Heart of Snow

Hughes collaborated with a number of painters throughout his career, both as an assistant and a mentor. He was the Vice President of the Watercolor Society from 1901-1903, and was noted as being very kind and much loved by his fellow artists. He assisted the painter Holman Hughes in his paintings when his eyesight began to fail, and helped him to create his famed painting “The Lady of Shalott” and was said to have used him again and again to continue painting despite his impending blindness.

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The Lady of Shalott by Holman Hunt, with assistance by Hughes

Hughes died in 1914 after an unsuccessful operation, after which, his friends rallied together to purchase and donate his painting “Night and Her Train of Stars” to the Birmingham Art Gallery.

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Night With Her Train of Stars

Today, his paintings are highly valued by collectors at auction for their mystical qualities, whimsical characters and pleasant composition. Still wondering about a late 19th century British painting in your family collection? Contact us…it could be by Edward Robert Hughes.


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970--krohg-christian.php Christian Krohg Artwork Authentication & Art Appraisal

Christian Krohg (1852 – 1925)

Get a Krohg Certificate of Authenticity for your painting (COA) for your Krohg drawing.

For all your Krohg artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Krohg Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Krohg painting or drawing.

If you want to sell your Krohg painting or drawing use our selling services. We offer Krohg selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Krohg and issuing certificates of authenticity since 2002. We are recognized Krohg experts and Krohg certified appraisers. We issue COAs and appraisals for all Krohg artworks.

Our Krohg paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Krohg certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Krohg painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Krohg paintings or drawings take longer.

Our clients include Krohg collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Christian Krohg art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Christian Krohg or we will sell it for you.

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Krohg

Christian Krohg was a Norwegian naturalist painter, author and journalist. Krohg was educated in Germany and worked in Paris from 1881 to 1882. Inspired by the thoughts of the realists he chose motives primarily from everyday life – often its darker or socially inferior sides. Particularly well known are his pictures of prostitutes, and his novel Albertine from 1886 is about this theme. The book caused a scandal when first published, and was confiscated by the police. Krogh’s powerful and straightforward style made him one of the leading figures in the transition from romanticism to naturalism, characteristic of Norwegian art in this period. Through his periodic residence at Skagen, where he arrived for the first time in 1879, he had great influence on Anna and Michael Ancher.

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Struggle for Existence

Krohg was a journalist in the Oslo newspaper Verdens Gang 1890-1910, where he wrote remarkable portrait interviews. Later he became a professor director at Statens Kunstakademi (The Norwegian academy of arts) 1909-1925. He was married to painter and bohéme princess Oda Krohg, and the father of painter Per Krohg (1889-1965).

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Self-Portrait with Canvas

Still wondering about a Norwegian painting in your family collection? Contact us…it could be by Christian Krohg.


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972--guercino.php Guercino Artwork Authentication & Art Appraisal

Giovanni Francesco Barbieri , AKA Guercino (1591 — 1666)

Get a Barbieri Il Guercino Certificate of Authenticity for your painting (COA) for your Barbieri Il Guercino drawing.

For all your Barbieri Il Guercino artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Barbieri Il Guercino Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Barbieri Il Guercino painting or drawing.

If you want to sell your Barbieri Il Guercino painting or drawing use our selling services. We offer Barbieri Il Guercino selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Barbieri Il Guercino and issuing certificates of authenticity since 2002. We are recognized Barbieri Il Guercino experts and Barbieri Il Guercino certified appraisers. We issue COAs and appraisals for all Barbieri Il Guercino artworks.

Our Barbieri Il Guercino paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Barbieri Il Guercino certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Barbieri Il Guercino painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Barbieri Il Guercino paintings or drawings take longer.

Our clients include Barbieri Il Guercino collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Guercino art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Guercino or we will sell it for you.

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Et in Arcadia Ego, 1618-1622

Giovanni Barbieri, best known as Guercino or Il Guercino, was an Italian Baroque painter from the region of Emilia, and active in Rome and Bologna. Guercino is Italian for squinter, a nickname that was given to him because he was cross-eyed. He is especially noted for his many superb drawings.

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Susanna and the Elders 1617

Guercino was born at Cento, a village between Bologna and Ferrara. By the age of 17 he was associated with Benedetto Gennari, a painter of the Bolognese School. By 1615 he moved to Bologna, where his work earned the praise of an elder Ludovico Carracci. He painted two large canvases, Elijah Fed by Ravens and Samson Seized by Philistines, in what appears to be a stark naturalist Caravaggesque style (although it is unlikely he had been able to see any of the Roman Caravaggio’s first-hand). They were painted for Cardinal Serra, Papal Legate to Ferrara.

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Elijah Fed by Ravens 1620

The Arcadian Shepherds (Et in Arcadia ego) was painted in 1618 contemporary with The Flaying of Marsyas by Apollo in Palazzo Pitti. His first style, he often claimed, was influenced by a canvas of Caracci in Cento. Some of his later pieces approach rather to the manner of his great contemporary Guido Reni, and are painted with more lightness and clearness. Guercino was esteemed very highly in his lifetime.

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Aurora 1621

He was then recommended by Marchese Enzo Bentivoglio to the Bolognese Ludovisi Pope, Pope Gregory XV. For the two years (1621-23) he spent in Rome, he was very productive. From this stay, date his frescoes of Aurora at the casino of the Villa Ludovisi and the ceiling in San Crisogono (1622) of San Chrysogonus in Glory; his portrait of pope Gregory (now in Getty Museum, and, what is considered his masterpiece, The Burial of Saint Petronilla or St. Petronilla Altarpiece, for the Vatican (now in the Museo Capitolini).

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The Burial of Saint Petronilla 1621-1622

The Franciscan order of Reggio in 1655 paid him 300 ducats for the altarpiece of Saint Luke Displaying a Painting of the Madonna and Child (now in Nelson-Atkins Museum of Art, Kansas City). The Corsini also payed him 300 ducats for the Flagellation of Christ painted in 1657.

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The Flagellation of Christ 1657

He was remarkable for the extreme rapidity of his execution – he completed no fewer than 106 large altar-pieces for churches, and his other paintings amount to about 144. In 1626 he began his frescoes in the Duomo at Piacenza. Guercino continued to paint and teach up to the time of his death in 1666. He had amassed a handsome fortune.

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The Martyrdom of St. Catherine 1653

Among his many pupils, Guercino had Lorenzo Bergonzini, Sebastiano Bombelli, Giuseppe Bonati, Bartolomeo Caravaglio, Benedetto Gennari, Cesare Gennare, Sebastiano Ghezzi, Fulgenzio Mondini, Paolo Antonio Paderna, Francesco Paglia, Cesare Pronti, Luigi Quaini, Luigi Scaramuccia, and Cristoforo Serra.

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Saul Attacking David 1646

Still wondering about an Italian painting in your family collection? Contact us…it could be by Guercino.


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973--de-la-tour.php Maurice Quentin de la Tour Artwork Authentication & Art Appraisal

Maurice Quentin de la Tour (1704-1788)

Get a De La Tour Certificate of Authenticity for your painting (COA) for your De La Tour drawing.

For all your De La Tour artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De La Tour Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De La Tour painting or drawing.

If you want to sell your De La Tour painting or drawing use our selling services. We offer De La Tour selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De La Tour and issuing certificates of authenticity since 2002. We are recognized De La Tour experts and De La Tour certified appraisers. We issue COAs and appraisals for all De La Tour artworks.

Our De La Tour paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De La Tour certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De La Tour painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De La Tour paintings or drawings take longer.

Our clients include De La Tour collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Maurice Quentin De La Tour art authentication, appraisal, certificates of authenticity (COA) , analysis, research, scientific tests , full art authentications. We will help you sell your Maurice Quentin De La Tour or we will sell it for you.

Self-Portrait 1751

Self-Portrait 1751

Maurice Quentin de la Tour was a French portrait painter of the Rococo style, who worked primarily with pastels. Among his most famous subjects were Voltaire, Louis XV, and Madame de Pompadour. He was born in Saint-Quentin, Aisne, the son of a musician who disapproved of his painting career. At the age of fifteen, La Tour went to Paris where he entered the studio of the Flemish painter Jacques Spoede. He then went to Rheims in 1724, and England in 1725, returning to Paris to resume his studies around 1727. After his return to Paris, he began working with pastels.

Madame de Pompadour

Madame de Pompadour

In 1737 La Tour exhibited the first of a splendid series of 150 portraits that served as one of the glories of the Paris Salon for the next 37 years. He was able to endow his sitters with a distinctive air of charm and intelligence, and he excelled at capturing the delicate play of facial features.

Portrait of Brother Fiacre

Portrait of Brother Fiacre

In 1746, he was received into the Academie Royale and in 1751 was promoted to councillor. La Tour was made portraitist to the king in 1750, a position he held until 1773, when he suffered a nervous breakdown. For a time, the painter Joseph Ducreux was his only student. He founded an art school and became a philanthropist before being confined to his home because of mental illness. He retired at the age of 80 to Saint-Quentin.

Self-Portrait

Self-Portrait

de la Tour Discovery

artThe director of the Instituto Cervantes, César Antonio Molina, the director of the Museo del Prado, Miguel Zugaza, and Professor José Milicua, a Trustee of the Museum, today announced the discovery of a previously unknown work by the French artist Georges de la Tour (1593-1652).

The attribution was made by Professor Milicua, while the painting belongs to the Spanish State and was on long term deposit at the Palacio de la Trinidad, headquarters of the Instituto Cervantes.

The discovery of the painting, now identified as undoubtedly a work by La Tour depicting Saint Jerome reading a Letter, is an exceptionally important one, as it represents a further addition to the small corpus of known works by the leading French painter of the 17th century. Only one other work by La Tour is to be found in Spain: the Blind Man playing the Hurdy-gurdy, acquired by the Museo del Prado in 1991 with funds from the Villaescusa Bequest.

The recently discovered painting of Saint Jerome reading a Letter by Georges de la Tour depicts the saint half-length, without any specific attributes, situated in the centre of the composition and reading a letter, holding a pair of pince-nez.

Given the lack of documentary evidence, the attribution­ as argued in the report by Professor Milicua and the opinion of other experts consulted – has been based on the quality of handling, which is comparable to other autograph works by the artist. It can be detected in details such as the free brushwork of the hair and the characteristic light touches to the picture surface made with the point of the brush, as well through comparisons with other similar compositions.

Until now, the only early biographical reference to locate a work by La Tour in Spain is a reference by the Count de Maule, a 19th-century traveler.

In 1813, the Count pointed to the existence of the painting “Man blowing on an ember to light his pipe, by Georges de la Tour” in the collection of Sebastián Martínez, a collector and friend of Goya who lived in Cadiz.

The whereabouts of that canvas is now unknown, although a number of copies exist.

For this reason, the first and only work which has until now filled the total gap in this great master’s representation in Spain is the painting acquired in London by the Museo del Prado in 1991, once again underlining the importance of the present discovery of Saint Jerome reading a Letter.

Recognition of Georges de la Tour as one of the most important French painters of the 17th century dates back to 1915, when the great German connoisseur Hermann Voss definitively identified De La Tour as the author of some of his famous night scenes.

Since then, various exhibitions and a recent bibliography have added to and disseminated our knowledge of the artist’s oeuvre. The only exhibition to have been devoted to De La Tour in Spain was the one held in 1994 at the Museo del Prado, which reunited the series of “Musicians”, with a catalogue by Juan J. Luna, Curator at the Museum.

Georges de La Tour was born in Vic sur la Seille (Lorraine) in 1593 and died in Lunéville (Lorraine) in 1652. He is known to have been “painter in ordinary” to the King of France and to have received commissions from the Duke of Lorraine as well as other leading members of the regional aristocracy, but the high esteem in which he was held during his lifetime soon declined after his death.

For this reason, there is little secure information with regard to his artistic training, although his evident early absorption of elements of Caravaggio’s style may point to a possible study trip to Italy. On the other hand, he may have gained this knowledge in Flanders or, less probably, in Paris.

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Maurice Quentin de la Tour.


done
974--welt.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "welt" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "welt" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
975--egg.php Augustus Leopold Egg Artwork Authentication & Art Appraisal

Augustus Leopold Egg (1816 – 1863)

Get a Egg Certificate of Authenticity for your painting (COA) for your Egg drawing.

For all your Egg artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Egg Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Egg painting or drawing.

If you want to sell your Egg painting or drawing use our selling services. We offer Egg selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Egg and issuing certificates of authenticity since 2002. We are recognized Egg experts and Egg certified appraisers. We issue COAs and appraisals for all Egg artworks.

Our Egg paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Egg certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Egg painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Egg paintings or drawings take longer.

Our clients include Egg collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Augustus Leopold Egg art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Augustus Leopold Egg or we will sell it for you.

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The Winter’s Tale 1845

Augustus Leopold Egg was a Victorian artist best known for his modern triptych Past and Present (1858), which depicts the break up of a middle-class Victorian family.

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Past and Present 1, 1958

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Past and Present 2, 1958

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Past and Present 3, 1958

The son of a wealthy gunsmith, Egg was educated in the schools of the Royal Academy, beginning in 1836. Egg was a member of The Clique, a group of artists founded by Richard Dadd and others in the late 1830s (ca. 1837). Egg sought to combine popularity with moral and social activism, in line with the literary work of his friend Charles Dickens. With Dickens he set up the “Guild of Literature and Art”, a philanthropic organization intended to provide welfare payments to struggling artists and writers. He acted the lead role in a play written by Edward Bulwer-Lytton to raise funds for the organization. His self-portrait in the role is in Hospitalfield House in Arbroath.

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Contemplation

Egg’s early paintings were generally illustrations of literary subjects. Like other members of The Clique, he saw himself as a follower of Hogarth. His interest in Hogarthian moral themes is evidenced in his paired paintings The Life and Death of Buckingham, depicting the dissolute life and sordid death of the Restoration rake. Yet his paintings often took a humorous look at their subjects, as in his Queen Elizabeth Discovers she is no longer Young (1848).

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Queen Elizabeth Discovers She is No Longer Young 1848

Unlike most other members of The Clique, Egg also admired the Pre-Raphaelites; he bought work from the young William Holman Hunt and shared ideas on color theory with him. His own triptych, known as Past and Present, was influenced by Hunt’s work. The triptych depicted three separate scenes, one portraying a prosperous middle-class family and the other two depicting poor and isolated figures—two young girls in a bedsit and a homeless woman with a baby. The viewer was expected to read a series of visual clues that linked together these three scenes, to reveal that the prosperous family in the central scene is in the process of disintegrating because of the mother’s adultery. The two outer scenes depict the separated mother and children a few years later, now living in poverty. The painting’s use of flashback—the central scene is occurring in the past—has been seen as a precursor of cinema.

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Taming of the Shrew

Egg was also an active organizer of exhibitions, being admired by fellow-artists for his dedication and fair mindedness. He was one of the organizers of the Manchester Art Treasures Exhibition in 1857. He was elected to the Royal Academy in 1860.

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Interior Scene, Man and Woman

Always in poor health, Egg spent his later years in the warmer climate of continental Europe, where he painted Travelling Companions, an ambiguous image of two near-identical young women that has sometimes been interpreted as an attempt to represent two sides of the same person. He died in Algiers in 1863.

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Traveling Companions, 1862

A member of the circle of friends that included Dickens and Wilkie Collins, Egg features in their surviving correspondence. He participated, as actor and costume designer, in their amateur theatricals, which were often conducted for charitable purposes as noted above. In Jan. 1857 he took a part in Collins’s play The Frozen North, which starred Dickens and was performed at his house. (Egg played John Want, the ship’s cook.) The production was also acted before Queen Victoria and then performed for charity. Dickens described Egg as a “dear gentle little fellow,” “always sweet-tempered, humorous, conscientious, thoroughly good, and thoroughly beloved.” Still wondering about a British painting in your family collection? Contact us…it could be by Augustus Leopold Egg.


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976--oppenheim.php Moritz Daniel Oppenheim Artwork Authentication & Art Appraisal

Moritz Daniel Oppenheim (1800-1882)

We Perform Moritz Daniel Oppenheim art authentication. Moritz Daniel Oppenheim appraisal. Moritz Daniel Oppenheim certificates of authenticity (COA). Moritz Daniel Oppenheim analysis, research, scientific tests, full art authentications. We will help you sell your Moritz Daniel Oppenheim or we will sell it for you.

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Fanny Hensel, 1842

Moritz Daniel Oppenheim was a German painter who is often regarded as the first Jewish painter of the modern era. His work was influenced by his cultural and religious roots at a time when many of his German Jewish contemporaries chose to convert. Oppenheim is considered by the scholar Ismar Schorsch to be in sympathy with the ideals of the Wissenschaft des Judentums movement, because he remained “fair to the present” without denying his past.

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The Return of the Jewish Volunteer

Oppenheim was born to Orthodox Jewish parents at Hanau, Germany in 1800 and died at Frankfurt-on-the-Main in 1882. He received his first lessons in painting from Westermayer in Hanau and entered the Munich Academy of Arts at the age of seventeen. He later visited Paris where Jean-Baptiste Regnault became his teacher, and then went to Rome, where he studied with Thorwaldsen, Niebuhr, and Overbeck. While in Rome, he studied the life of the Jewish ghetto and made sketches of the various phases of its domestic and religious life in preparation for several large canvases, which he painted on his return to Germany. In 1825, he settled at Frankfurt and shortly after, exhibited his painting David Playing Before Saul; a great number of admirers from all parts of Europe would visit his studio. In 1832, at the instance of Goethe, Charles Frederick, Grand Duke of Saxe-Weimar-Eisenach conferred upon him the honorary title of professor.

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Portrait of Leopold Zunz

Oppenheim’s studies of Jewish life, his pictures of Emperor Joseph II and Moses Mendelssohn, and his portraits from life of Ludwig Börne and other contemporary Jewish notables established his reputation as one of the foremost Jewish artists of the 19th century. His Return of the Jewish Volunteer is among his most famous works and was frequently reproduced; others include Mignon and the Harper, Italian Genre Scene, Confirmation, and Sabbath Blessing. All these are characteristic examples of his power of conception and skill at grouping.

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Bar Mitzvah

Still wondering about a 19th century German painting in your family collection? Contact us…we are the Moritz Daniel Oppenheim experts.


done
977--von-maron.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "von-maron" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "von-maron" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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978--vasnetsov.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vasnetsov" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vasnetsov" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
979--lynge.php Hans Lynge Artwork Authentication & Art Appraisal

Hans Lynge (1906-1988)

Get a Lynge Certificate of Authenticity for your painting or a COA for your Lyngedrawing, print or sculpture.

For all your Lyngeartworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Lynge Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lyngepainting, drawing, print or sculpture.

If you want to sell your Lyngepainting, drawing, print or sculpture use our selling services. We offer Lynge selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lyngeand issuing certificates of authenticity since 2002. We are recognized Lyngeexperts and Lynge certified appraisers. We issue COAs and appraisals for all Lynge artworks.

Our Lyngepaintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lyngecertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lyngepainting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lyngepaintings, drawings or sculptures take longer.

Our clients include Lyngecollectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Hans Lynge art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Hans Lynge or we will sell it for you.

1. Greenlandic landscape with glacier. Oil on canvas. 31.1 x 27.2 in.

1. Greenlandic landscape with glacier. Oil on canvas. 31.1 x 27.2 in.

Lynge was a Greenlandic artist known for his paintings, prints and sculptures. His subject matter generally focused on maternal figures and legend of Greenland. His paintings, while informed by European Impressionism, depicted the inspiring landscapes of his home country.

2. Naja. 1966. Oil painting.

2. Naja. 1966. Oil painting.

While his oil paintings were more reminiscent of European painting, his watercolors are more colorful and instinctual. He showed groups of Inuit people in various settings, often outdoors amidst impressive landscapes.

3. Drum Dancer. 1984-85. Watercolor

3. Drum Dancer. 1984-85. Watercolor

As a Greenlandic artist it is impossible not be inspired by the amazing scenery. Lynge, was no exception, drawing the sea, glaciers, and other natural phenomenon in his own country.

4. Greenlandic scenes. 1949. Watercolor

4. Greenlandic scenes. 1949. Watercolor

5. Scenery Greenland. 1958. Oil on canvas. 22 x 24 in.

5. Scenery Greenland. 1958. Oil on canvas. 22 x 24 in.

Today Hans Lynge is remembered as one of Greenland’s most renowned artists. If you think you may own original artwork by Hans Lynge, contact Art Certification Experts for information regarding our services.


done
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done
981--makovsky-konstantin.php Konstantin Yegorovich Makovsky Artwork Authentication & Art Appraisal

Konstantin Yegorovich Makovsky Константин Егорович Маковский (1839-1915)

Get a Makovsky Certificate of Authenticity for your painting (COA) for your Makovsky drawing.

For all your Makovsky artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Makovsky Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Makovsky painting or drawing.

If you want to sell your Makovsky painting or drawing use our selling services. We offer Makovsky selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Makovsky and issuing certificates of authenticity since 2002. We are recognized Makovsky experts and Makovsky certified appraisers. We issue COAs and appraisals for all Makovsky artworks.

Our Makovsky paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Makovsky certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Makovsky painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Makovsky paintings or drawings take longer.

Our clients include Makovsky collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Konstantin Yegorovich Makovsky art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Konstantin Yegorovich Makovsky or we will sell it for you.

Makovsky, Self-Portrait, 1856

Feast with Barrel Organist Datico

Makovsky, Artist's Children, 1882

Artist’s Children, 1882

Makovsky was a Russian artist of the “Peredvizhniki (Wanderers)” movement, known for his “Salon style” history paintings. Makovsky was born in Moscow to a family of artists. His father, Yegor founded an institution that later became the Moscow School of Painting, Sculpture and Architecture. Makovsky, as well as his siblings, followed in their father’s footsteps. By 1851 Makovsky enrolled at the Moscow School, where he excelled under the instruction of ÐœM.I. Skotty, A.N. Mokritsky, S.K. Zaryanko.

Makovsky, Charon transfers sould of dead over Stix River, 1861

Charon transfers sould of dead over Stix River, 1861

Makovsky, Agents of False Dmitry kill the son Buris Godinov, 1862

Agents of False Dmitry kill the son Buris Godinov, 1862

Makovsky, Portrait of Empress Maria Feodorouna

Portrait of Empress Maria Feodorouna

Makovsky, Portrait of Countess Maria Mikhailouna Volkonskaya

Portrait of Countess Maria Mikhailouna Volkonskaya

Makovsky, Boyaryshnya

Boyaryshnya

Makovsky, Volkov's Family

Volkov’s Family

Makovsky, Alexander II of Russia

Alexander II of Russia

Makovsky, Boyar's Wedding Feast, 1883

Boyar’s Wedding Feast, 1883

After several years of study in Moscow, Makovsky enrolled at the Imperial Academy of Arts in Saint Petersburg, participating in several exhibitions. In 1870 Makovsky helped to found the Society for Traveling Art Exhibitions and went on painting expeditions in Serbia and Egypt. Makovsky continued to exhibit his genre and historical paintings, depicting life in Russia.

Makovsky, The Russian Bride's Attire

The Russian Bride’s Attire

Makovsky, Tamara and Demon

Tamara and Demon

Makovsky, The Kissing Custom

The Kissing Custom

Makovsky, Proclamation of Kuzma Minin, 1896

Proclamation of Kuzma Minin, 1896

In 1889 Makovsky won the Large Gold Medal at the World’s Fair in Paris, bringing him more fame and fortune than any other Russian artist at the time. Makovsky’s style of Russian Impressionism had wide spread appeal to collectors and exhibitors.

Makovsky’s paintings are currently numerous collections and museums. Do you think you own a Russian painting by Makovsky? Contact us…we are the experts on Konstantin Makovsky.


done
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done
983--dufy-raoul.php Raoul Dufy Artwork Authentication & Art Appraisal

Raoul Dufy (1877-1953)

Get a Dufy Certificate of Authenticity for your painting (COA) for your Dufy drawing.

For all your Dufy artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dufy Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dufy painting or drawing.

If you want to sell your Dufy painting or drawing use our selling services. We offer Dufy selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dufy and issuing certificates of authenticity since 2002. We are recognized Dufy experts and Dufy certified appraisers. We issue COAs and appraisals for all Dufy artworks.

Our Dufy paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dufy certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dufy painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dufy paintings or drawings take longer.

Our clients include Dufy collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Raoul Dufy art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Raoul Dufy or we will sell it for you.

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The Eiffel Tower, 1935

Raoul Dufy was born into a large family in Le Havre, France. He was the older brother and mentor of fellow painter Jean Dufy. At the age of 14, Dufy left school to work in a coffee company, but at 18, was able to begin classes at the Ecole des Beaux-Arts in Le Havre. Dufy would go on to spend a year in the military and in 1900, won a scholarship to go to the Ecole des Beaux-Arts in Paris.

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Racing at Ascot

While in Paris, Dufy became friends with fellow painter Georges Braque. During this time, he was heavily influenced by the Impressionistic landscape painters of the day. Dufy went through a number of phases in the beginning of his artistic career, from Impressionism to Fauvism to Cubism. Dufy’s work mirrored all of these styles, but he essentially did not fit into the mold of any one of these movements. He finally developed his own style of colorful and highly structured compositions painted in swift brush strokes of typical open-air Parisian scenes and landscapes. This style became known as Stenographic.

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Paysage avec Maisons

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Bord de Mer en Sicile, 1922

*Note the “Stenographic” style in these two paintings—swift repetitious brushstrokes on the canvas as a part of the composition.

Dufy had his first exhibition in 1901 at the Salon des Artistes Français. He became well known, not only as a painter, but also as a decorative arts designer. Dufy created fabric designs and book illustrations as well as decoration for china and more.

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Textile Design, 1920

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The Farmer, lithograph

Many critics note that Dufy was a master in the use of color, and did not let the classical limitations and rules of color theory apply to his paintings. Sometimes a painting of Dufy’s would be composed of one sweeping color over the entire canvas, bleeding into sections where it couldn’t. Some critics called this work sloppy or uninspired, but it was a style all it’s own and set him apart from other artists, and through this color theory created bright and cheerful compositions. Dufy would also paint through a perspective all his own, be it from above or afar, and break the traditional rule of painting what you see.

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Interior with Window Open

However, because Dufy taught and mentored his younger brother Jean, their paintings and style often mirrored one another. Some authenticators may find it difficult to distinguish between the two brothers styles, but an educated eye will be able to tell one from the other.

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Jardin a Hyeres

Dufy continued to paint nearly up until his death, creating still life and nude portraits in the studio mainly toward the end. Dufy was truly an artist before his time, and is perhaps even more in-demand now than ever. Today his work is housed worldwide, and perhaps even in your own home.


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984--harding.php Chester Harding Artwork Authentication & Art Appraisal

Chester Harding (1792-1866)

Self-Portrait

Self-Portrait

Get a Harding Certificate of Authenticity for your painting (COA) for your Harding drawing.

For all your Harding artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Harding Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Harding painting or drawing.

If you want to sell your Harding painting or drawing use our selling services. We offer Harding selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Harding and issuing certificates of authenticity since 2002. We are recognized Harding experts and Harding certified appraisers. We issue COAs and appraisals for all Harding artworks.

Our Harding paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Harding certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Harding painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Harding paintings or drawings take longer.

Our clients include Harding collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Chester Harding art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Chester Harding or we will sell it for you.

Chester Harding was an early American painter born in Conway, Massachusetts. He grew up in New York and at the age of 21 became a drummer in the militia. He held a number of odd jobs painting houses and signs, and taught himself how to paint and draw.

Hannah Perkins and Her Grandaughter

Hannah Perkins and Her Grandaughter

Jacob Perkins

Jacob Perkins

Eventually, Harding went on the road and became an itinerant portrait painter, working all over New England and mainly in Philadelphia. Harding also traveled to the south and Missouri and Kentucky in search of patrons, and spent a great deal of time in Massachusetts.

Daniel Boone 1820

Daniel Boone 1820

Davy Crockett 1834

Davy Crockett 1834

After securing a number of commissions, Harding had enough money to attend classes at the Philadelphia Academy of Design. Later, he traveled to London where he set up a studio. While in London, he found great success as a portrait painter and found patrons among the royals and the nobles.

Daniel Webster

Daniel Webster

Amos Lawrence

Amos Lawrence

Even though Harding did not have a great deal of experience and education, he quickly became a fairly popular and in demand portrait painter. Once he returned to the United States, Harding settled in Boston and continued to paint portraits of wealthy and prominent men and women of his time until his death in 1866.

James Madison

James Madison

John M Krum

John M Krum

Today, Harding’s portraits are housed in public and private collections all over the United States and England, and perhaps in your own home. Still wondering about an heirloom portrait hanging in your family’s estate? Contact us…it could be by Chester Harding.

Mrs. Thomas Brewster Coolidge

Mrs. Thomas Brewster Coolidge

done
985--brenet.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "brenet" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "brenet" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "brenet" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "brenet" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
986--beaufrere.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "beaufrere" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "beaufrere" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "beaufrere" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "beaufrere" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
987--van_dael.php Jan Frans van Dael Artwork Authentication & Art Appraisal

Jan Frans van Dael (1764-1842)

We Perform Jan Frans van Dael art authentication. Jan Frans van Dael appraisal. Jan Frans van Dael certificates of authenticity (COA). Jan Frans van Dael analysis, research, scientific tests, full art authentications. We will help you sell your Jan Frans van Dael or we will sell it for you.

Van Dael painting, Vase of Flowers 1820

Vase of Flowers 1820

Van Dael painting, Roses, Tulips and Poppies

Roses, Tulips and Poppies

Jan Frans van Dael was an 18th century Belgian painter who was a favorite of many aristocrats and royal figures. He was often patronized by Louis XVIII and Empress Josephine, and specialized in still life paintings. Van Dael studied at the Antwerp Fine Art Academy, and moved to Paris in 1793. While in Paris, he lived in the Louvre and began to exhibit in the Salons in 1793. Van Dael is best known for his still life and portraits, but he also painted some history and genre scenes.

Van Dael painting, Vase of Flowers

Vase of Flowers

Still wondering about an 18th or early 19th century French or Belgian painting in your family collection? Contact us…it could be by Jan Frans van Dael.


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988--nasmyth-patrick.php Patrick Nasmyth Artwork Authentication & Art Appraisal

Patrick Nasmyth (1787 – 1831)

Get a Nasmyth Certificate of Authenticity for your painting (COA) for your Nasmyth drawing.

For all your Nasmyth artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Nasmyth Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Nasmyth painting or drawing.

If you want to sell your Nasmyth painting or drawing use our selling services. We offer Nasmyth selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Nasmyth and issuing certificates of authenticity since 2002. We are recognized Nasmyth experts and Nasmyth certified appraisers. We issue COAs and appraisals for all Nasmyth artworks.

Our Nasmyth paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Nasmyth certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Nasmyth painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Nasmyth paintings or drawings take longer.

Our clients include Nasmyth collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Patrick Nasmyth art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Patrick Nasmyth or we will sell it for you.

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View in the New Forest near Lyndhurst 1815

Patrick Nasmyth was a Scottish landscape painter. He was the eldest son of the famous artist Alexander Nasmyth, whilst his younger brother, James, was a prominent engineer who gained notoriety as the inventor of the steam hammer.

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Falls of the Tummell 1816

Nasmyth was born in Edinburgh and was named after his father’s patron, Patrick Miller. He developed an affinity for art at an early age and, on seeing this, his father took a keen interest in developing his son’s talent. As a teenager Nasmyth lost the use of his right hand following an accident, forcing him to learn how to paint with his left. He also lost most of his hearing through illness.

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River and Trees

Much of Nasmyth’s work, a great deal of which is undated, depicts his native Scotland, which he continued to paint even after moving to London in 1810. Like his father, he was heavily influenced by the Dutch masters of the 17th century, particularly Meindert Hobbema and Jacob van Ruysdael (a large number of works by both men were displayed in London galleries during Nasmyth’s lifetime). Nasmyth died of pneumonia-like symptoms, which he contracted shortly after painting a scene just outside London.

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View Near Seven Oaks, Kent 1820

Still wondering about a British painting in your family collection? Contact us…it could be by Patrick Nasmyth.


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989--matisse.php Henri Matisse Artwork Authentication & Art Appraisal

Henri Matisse (1869-1954)

Get a Matisse Certificate of Authenticity for your painting (COA) for your Matisse drawing.

For all your Matisse artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Matisse Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Matisse painting or drawing.

If you want to sell your Matisse painting or drawing use our selling services. We offer Matisse selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Matisse and issuing certificates of authenticity since 2002. We are recognized Matisse experts and Matisse certified appraisers. We issue COAs and appraisals for all Matisse artworks.

Our Matisse paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Matisse certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Matisse painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Matisse paintings or drawings take longer.

Our clients include Matisse collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henri Matisse art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Henri Matisse or we will sell it for you.

Henri Matisse was born in a town in Northern France, called Le Cateau-Cambresis. His parents owned a general store which sold household goods and grains. The town was well known for its textile industry and also for the magnificent patterns that were produced for the silk industry. The influence of his early life in this Northern textile town was never to leave him and he was to use textiles and patterns in his art for the rest of his life.

He planned to embark on a career in the law, and in 1887 and 1888 he studied law in Paris. In 1889 he began work as a lawyer’s clerk. However, in 1890 after a stomach operation he was confined to his bed. This can be seen as a misfortune or as a sort of a blessing, because it was whilst he was convalescing that he started to paint and decided that he wanted to become an artist.

Matisse was to become one of the greatest artists of all time. His path, however, was not an easy one. He was constantly ridiculed by many in his early years. Those that ridiculed him included Art Certification Experts, the general public and even his own contemporaries. He was to experience incidents such as fellow artists ignoring him in the cafes of Paris which forced him to sit alone and being booed by the public whilst he was exhibiting his paintings.

Matisse believed that the arrangement of colour was as important as the subject matter. He avoided detail, instead using bright colours and strong lines. Many in the art world were shocked by his bold forms and bright colours.

He lived through two world wars and although his works of art were revolutionary, unlike other artists of his time he never became involved in political action or debate. However, on the domestic front he lived through his own personal wars, separating and divorcing from his wife Amelie when he was seventy years old.

As a young man he admired the works of Manet and Cezanne. He was also influenced by the Neo Impressionists and was friends with Paul Signac. He was to make friends with Pablo Picasso and although in a sense they were rivals, they had in reality a great deal of respect and admiration for each other. In 1899 he bought the painting entitled the ‘Bathers’ by Cezanne. He could ill afford it in financial terms but this painting was to become his talisman and remain with him. His wife Amelie pawned her emerald ring to enable him to buy it and they held onto it despite the many hardships and financial problems of the years ahead He painted his young daughter Marguerite many times. Her mother was a one time model of his, with whom he had had an affair before meeting Amelie. Amelie however took her in and raised her as her own. The painting ‘Girl with Black Cat’ is a well known portrait of Marguerite. Matisse was also to paint his wife Amelie many times. The famous painting ‘Woman with a Hat’ is of her. His family life was extremely important to him and apart from Marguerite he had two other children Jean and Pierre. When he was away on painting trips he wrote to his wife and children everyday.

Before the First World War, when Matisse had constant financial problems one man was persistently to come to his rescue, buying and collecting his paintings. This man was Russian and called Sergei Ivanovich Shchukin. He was an extremely rich and successful textile manufacturer. Time and time again he bought paintings from Matisse and probably on many occasions saved him and his family from starvation.

It was Shchukin who bought the now famous early Matisse painting ‘Nymph and Satyr’ and he also commissioned wall decorations from him. One was for the grand staircase in his house in Moscow entitled the Trubetskay palace. The themes were dance and Music. It is because of the collections made by Shchukin that many of the great early paintings by Matisse are now in Russia.

Throughout his whole artistic career, Matisse was interested in pattern in every form, such as silk and dress patterns and even the patterns of tablecloths. Paintings such as ‘Greta Moll’ produced in 1908 and ‘Still life with Blue Tablecloth’ in 1909 reflect this interest which almost at times verged on an obsession. He also had a great interest in Islamic art.

In 1911 Matisse traveled to Moscow with Shchukin and was overwhelmed by the beauty of Russian art and particularly the traditional and religious Russian art of Icons. Whilst in Moscow Schukin commissioned more paintings from Matisse. In January 1912 Matisse travelled to Morocco to work on these commissions. Whilst painting them he was constantly inspired by the Russian icons he had seen in Moscow.

Matisse also had another Russian in his life at this time, the painter Olga Meerson. She was to fall hopelessly in love with Matisse and as well as being a student of his, she also modeled for him. However, apart from the exception in his youth with the mother of his daughter Marguerite he was not to have any more romantic liaisons with his models.

He firmly believed in dedicating himself wholly to his art and warned younger students about being distracted by the temptations of the female flesh when drawing or painting their models. Olga Meerson was to leave a small legacy however and in 1911 she painted the now well known painting of Matisse in his pyjamas lying on his bed reading, entitled very simply ‘Henri Matisse’.

Anybody who ever saw Matisse paint always commented on his extraordinary powers of concentration when painting and his complete submergence in whatever he was doing. He gave himself completely to his art and he himself on talking about concentration said,

‘There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has to forget all the roses he ever painted’.

In 1917 he moved his base from Paris to Cimiez in the South of France where he produced the now famous works such as ‘The Dance’ and ‘Pink Nude.’ In 1941 after a cancer operation he became confined to a wheelchair and as he became increasingly weaker he could no longer use his easel. It was at this time that he starting producing his paper cut outs, gliding through the paper with his scissors and creating enormous and stunning collages such as ‘Beasts of the Sea’ and ‘The Creole Dancer’.

Towards the end of his life he spent almost four years working on a design for stained glass windows for a chapel in Vence in the South of France. It was to be his last great work. He died in 1954 with his daughter Marguerite and his faithful assistant Lydia Delectorskaya by his side.

If you find a forgotten Matisse you really have hit the Jack pot!


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990--de-jongh.php Ludolf de Jongh Artwork Authentication & Art Appraisal

Ludolf de Jongh (1616-1679)

Get a De Jongh Certificate of Authenticity for your painting (COA) for your De Jongh drawing.

For all your De Jongh artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Jongh Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Jongh painting or drawing.

If you want to sell your De Jongh painting or drawing use our selling services. We offer De Jongh selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Jongh and issuing certificates of authenticity since 2002. We are recognized De Jongh experts and De Jongh certified appraisers. We issue COAs and appraisals for all De Jongh artworks.

Our De Jongh paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Jongh certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Jongh painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Jongh paintings or drawings take longer.

Our clients include De Jongh collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ludolf de Jongh art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ludolf de Jongh or we will sell it for you.

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Hunters and Dogs

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Hunters in an Inn

Ludolf de Jongh was a 17th century Dutch painter who studied with Delft portraitist Cornelis Saftleven. His earliest known paintings were created in Rotterdam and were portraits and genre pices.

De Jongh traveled to France in 1635, where he studied and painted for seven years. Following his return to Holland, de Jongh became the most popular and successful Dutch painter of the 1650s. He was highly innovative and responded to the changing tastes in Dutch art during the time and was not married to one particular style or subject.

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Hunters Resting in a Wooded Landscape

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Messenger Reading to a Group in a Tavern

Despite his popularity, de Jongh all but gave up painting in the 1660s to become involved in law enforcement in Rotterdam. However, before he made his exit as an artist, de Jongh created some of the most expressive Dutch portraits of his time and greatly influenced future Dutch master Pieter de Hooch.

De Jongh was unique among his fellow Dutch painters of the time because he painted a wide variety of subjects from landscapes and portraits to genre pieces and historical paintings. This wide variety of styles has led Art Certification Experts and authenticators to wrongly attribute his pieces to others in the past. As a result, a great number of pieces by this Dutch master may still be somewhere unknown or wrongly identified.

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Playing the Hostess

Still wondering about a 17th century Dutch painting in your possession? Contact us… we are the Ludolf de Jongh experts.

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Portrait of a Woman

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991--schreyer.php Adolf Schreyer Artwork Authentication & Art Appraisal

Adolf Schreyer (1828-1899)

Get a Schreyer Certificate of Authenticity for your painting (COA) for your Schreyer drawing.

For all your Schreyer artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Schreyer Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Schreyer painting or drawing.

If you want to sell your Schreyer painting or drawing use our selling services. We offer Schreyer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Schreyer and issuing certificates of authenticity since 2002. We are recognized Schreyer experts and Schreyer certified appraisers. We issue COAs and appraisals for all Schreyer artworks.

Our Schreyer paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Schreyer certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Schreyer painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Schreyer paintings or drawings take longer.

Our clients include Schreyer collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Adolf Schreyer art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Adolf Schreyer or we will sell it for you.

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Cavaliers

Adolf Schreyer was a German painter, born at Frankfurt-am-Main. He studied art first at the Städel Institute in his native town, and then at Stuttgart and Munich. He painted many of his favourite subjects in his travels in the East. He first accompanied Prince Thurn and Taxis through Hungary, Wallachia, Russia and Turkey; then, in 1854, he followed the Austrian army across the Wallachian frontier. In 1856 he went to Egypt and Syria, and in 1861 to Algiers. In 1862 he settled in Paris, but returned to Germany in 1870; and settled at Cronberg near Frankfurt, where he died.

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Arab Horsemen

Schreyer was, and is still, especially esteemed as a painter of horses, of peasant life in Wallachia and Moldavia, and of battle incidents. His work is remarkable for its excellent equine draughtsmanship, and for the artist’s power of observation and forceful statement; and has found particular favour among French and American collectors. Of his battle-pictures there are two at the Schwerin Gallery, and others in the collection of Count Mensdorff-Pouilly and in the Raven Gallery, Berlin. His painting of a Charge of Artillery of Imperial Guard was formerly at the Luxembourg Museum. The Metropolitan Museum, New York owns three of Schreyer’s oriental paintings: Abandoned, Arabs on the March and Arabs making a detour; and many of his best pictures are in the Rockefeller family, Vanderbilt family, John Jacob Astor, William Backhouse Astor, Sr., August Belmont, and William Walters collections. At the Kunsthalle in Hamburg is his Wallachian Transport Train, and at the Staedel Institute, Frankfort, are two of his Wallachian scenes.

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Horse Drawn Carriage

Still wondering about a German painting in your family collection? Contact us…it could be by Adolf Schreyer.


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992--riopelle.php Jean-Paul Riopelle Artwork Authentication & Art Appraisal

Jean-Paul Riopelle (1923-2002)

Get a Riopelle Certificate of Authenticity for your painting (COA) for your Riopelle drawing.

For all your Riopelle artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Riopelle Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Riopelle painting or drawing.

If you want to sell your Riopelle painting or drawing use our selling services. We offer Riopelle selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Riopelle and issuing certificates of authenticity since 2002. We are recognized Riopelle experts and Riopelle certified appraisers. We issue COAs and appraisals for all Riopelle artworks.

Our Riopelle paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Riopelle certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Riopelle painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Riopelle paintings or drawings take longer.

Our clients include Riopelle collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean-Paul Riopelle art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean-Paul Riopelle or we will sell it for you.

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Lampions 1958

Jean-Paul Riopelle was an abstract painter and sculptor born in Montreal, Canada. He studied under Paul-Émile Borduas during the 1940’s and was a leading member of Les Automatistes, a Quebec-based group of Surrealist influenced artists who worked under the theory of automatism. Considered by some art critics as “the grand old man of 20th century Canadian painting,” Riopelle was a leader in his time.

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Blaine 1958

Riopelle moved to Paris in 1949 where he marketed himself as the “wild Canadian.” He and his fellow artist and partner Joan Mitchell eventually moved to Giverny where they kept separate homes and studios. Mitchell and Riopelle influenced each other immensely, and, much like other artistic couples, their work is sometimes difficult to distinguish from the other.

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Chicago II

Riopelle’s best known work is similar, in a sense, to that of Jackson Pollock. While Pollock used his brushes to drip and splatter paint on canvas, Riopelle used a knife or other instruments to apply paint straight to the tube and create his own kinetic pieces. These would generally form soft cubes of color on his canvas to create his Abstract compositions.

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Perspectives 1956

Though Riopelle began his artistic career as a Surrealist, he slowly moved away from this movement and into Abstract Expressionism. By the late 1960’s, Riopelle was once again spending more time in Canada, and earned a number of commissions in his home country. In 1969 he was made a Companion of the Order of Canada, and was recognized by UNESCO shortly after that. He was also named an Officer of the National Order of Quebec in 1988, and promoted to Grand Officer in 1994. During this time, Riopelle’s relationship with Mitchell ended and he returned to Canada permanently.

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Encounters

In 1969, Riopelle was commissioned to create a bronze fountain sculpture which he named “La Joute” (the joust), which features kinetic movements and abstract figures. In 2003, a year after the artists death, the statue was moved from the Olympic Park to the Quartier International de Montreal, which provoked controversy.

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The Wheel

Today, Riopelle’s work fetches high prices at auction, and is housed all over the world including in Montreal and at the Hermitage museum in St. Petersburg, Russia. Still wondering about a French or Canadian abstract piece hanging in your home? Contact us…it could be by Jean-Paul Riopelle.


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993--gagnereaux.php Benigne-Claude Gagnereaux Artwork Authentication & Art Appraisal

Benigne-Claude Gagnereaux (1756-1795)

Get a Gagnereaux Certificate of Authenticity for your painting (COA) for your Gagnereaux drawing.

For all your Gagnereaux artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gagnereaux Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gagnereaux painting or drawing.

If you want to sell your Gagnereaux painting or drawing use our selling services. We offer Gagnereaux selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gagnereaux and issuing certificates of authenticity since 2002. We are recognized Gagnereaux experts and Gagnereaux certified appraisers. We issue COAs and appraisals for all Gagnereaux artworks.

Our Gagnereaux paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gagnereaux certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gagnereaux painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gagnereaux paintings or drawings take longer.

Our clients include Gagnereaux collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Benigne-Claude Gagnereaux art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Benigne-Claude Gagnereaux or we will sell it for you.

Gagnereaux painting, The Education of Achilles

The Education of Achilles

Benigne-Claude Gagnereaux was an 18th century French painter. He primarily painted landscapes and historical and mythological scenes in the Rococo style.

Gagnereaux painting, Horse in a Landscape

Horse in a Landscape

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Benigne-Claude Gagnereaux.


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994--lawrence.php Sir Thomas Lawrence Artwork Authentication & Art Appraisal

Sir Thomas Lawrence (1769-1830)

Get a Lawrence Certificate of Authenticity for your painting (COA) for your Lawrence drawing.

For all your Lawrence artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lawrence Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lawrence painting or drawing.

If you want to sell your Lawrence painting or drawing use our selling services. We offer Lawrence selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lawrence and issuing certificates of authenticity since 2002. We are recognized Lawrence experts and Lawrence certified appraisers. We issue COAs and appraisals for all Lawrence artworks.

Our Lawrence paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lawrence certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lawrence painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lawrence paintings or drawings take longer.

Our clients include Lawrence collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sir Thomas Lawrence art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sir Thomas Lawrence or we will sell it for you.

Lawrence painting, Margaret, Countess of Blessington

Margaret, Countess of Blessington

Sir Thomas Lawrence was an 18th century English painter. Lawrence was born in Bristol and by the age of six was deemed a child prodigy for his artistic talents. In fact, it was Lawrence ‘s talent as a young boy that supported his family, and he found many patrons for his portraits.

Lawrence painting, Master Lambton

Master Lambton

Lawrence painting, Mrs. Siddons

Mrs. Siddons

Lawrence painting, Sir Francis Burdett

Sir Francis Burdett

Lawrence studied at the Royal Academy , and eventually became the most fashionable portrait painter of his era. Despite the fact that he was in high demand during his lifetime, Lawrence has been all but forgotten today.

Lawrence painting, Alexander MacKenzie

Alexander MacKenzie

Today, Lawrence ‘s paintings are housed all over the world, including in The National Gallery in London , and perhaps in your own home. Still wondering about an 18th century portrait in your family collection? Contact us…it could be by Sir Thomas Lawrence.


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995--immendorff.php Jörg Immendorff Artwork Authentication & Art Appraisal

Jörg Immendorff (1945 – 2007)

Get a Immendorff Certificate of Authenticity for your painting or a COA for your Immendorffdrawing, print or sculpture.

For all your Immendorffartworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Immendorff Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Immendorffpainting, drawing, print or sculpture.

If you want to sell your Immendorffpainting, drawing, print or sculpture use our selling services. We offer Immendorff selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Immendorffand issuing certificates of authenticity since 2002. We are recognized Immendorffexperts and Immendorff certified appraisers. We issue COAs and appraisals for all Immendorff artworks.

Our Immendorffpaintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Immendorffcertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Immendorffpainting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Immendorffpaintings, drawings or sculptures take longer.

Our clients include Immendorffcollectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jörg Immendorff art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jörg Immendorff or we will sell it for you.

Immendorff, DDR-Bild

DDR-Bild, 1977, Oil on Canvas

Immendorff, Mich an der Grenze

Mich an der Grenze, 1977, Oil on Canvas

Jörg Immendorff was a German artist, well-known for his innovative style of painting. Immendorf studied for a short time at the Art Academy in Düsseldorf but was expelled due to his radical political views and involvement with controversial neo-Dadaists. While at the Academy, Immendorf studied under Joseph Beuys, one of the best-known “Action Artists”.

Immendorff, Parlament I

Parlament I (Café Deutschland X), 1981, Oil on Canvas

Immendorff, Elektra

Elektra, 1995, Oil on Canvas

After leaving the Academy, Immendorf found a teaching position at a public school. For over ten years, from 1969 to 1980, Immendorf taught painting classes. During the 1980s, Immendorf travelled around Europe, painting and visiting universities upon invitation. By 1989, Immendorf gained professorship at the Stadelschule in Frankfurt am Main. In the mid 1990s, Immendorf became a professor at the Art Academy in Düsseldorf, which was an ironic turn of events after being expelled from the Academy years prior.

Immendorff, Dr. Baselitz and Jorg Immendorf

Dr. Baselitz and Jörg Immendorf, 1998, Print on Paper

Immendorff, Adler

Adler, 1982, Oil on Canvas

Immendorf’s paintings are usually large-scale works, filled with politically-loaded imagery. Many of his paintings refer to the tension that existed between East and West Germany before the fall of the Berlin Wall. Immendorf was connected to the German art movement, Neue Wilde, and worked alongside painters such as A.R. Penck.

Immendorff, German Café

German Café, Oil on Canvas

Immendorff, Gyntiana: Birth/Onion Man

Gyntiana: Birth/Onion Man, 1992, Oil on Canvas

In addition to traditional oil painting on canvas, Immendorf worked on various stage sets, often for the Salzburg Festival. Immendorf also opened a bar known as La Paloma in Hamburg and created a number of public sculptures. One of Immendorf’s well-known sculptures is a twenty-five meter oak tree made out of iron in Riesa.

Immendorff, All's Well That Ends Well

All’s Well That Ends Well, 1983, Oil on Canvas

Immendorff, Door to the Sun

Door to the Sun, 1994, Oil on Canvas, 280 x 280 cm

Over time, Immendorf’s eccentric behavior was exposed in the media. In 2000, he married Oda Jaune, a former student from Bulgaria who was thirty years younger. In 2003, Immendorf was found in a hotel with a large amount of drugs and numerous prostitutes. Immendorf was prosecuted and sent to trial, revealing his addiction to cocaine and regular organization or orgies with prostitutes. Immendorf was heavily fined and put on probation for nearly a year. While on probation, Immendorf was unable to teach but did resume his position afterwards.

Immendorff, Solo

Solo, 1988, Oil on Canvas, 250 x 150 cm

Immendorff, Marcel's Salvation

Marcel’s Salvation, 1998, Oil on Canvas, 260 x 300 cm

In 2004, Immendorf funded a project to research Lou Gehrig’s disease, an illness that he developed in the late 1990s. The disease eventually deteriorated his health to the point that he could no longer paint. Immendorf hired assistants to help him with projects until his death in 2007.

Do you think you own a painting by Jörg Immendorf? Contact us. We are the Immendorf experts.


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996--dreyfus.php Marcel Dreyfus Artwork Authentication & Art Appraisal

Marcel Dreyfus (1899-1985)

Get a Dreyfus Certificate of Authenticity for your painting (COA) for your Dreyfus drawing.

For all your Dreyfus artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dreyfus Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dreyfus painting or drawing.

If you want to sell your Dreyfus painting or drawing use our selling services. We offer Dreyfus selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dreyfus and issuing certificates of authenticity since 2002. We are recognized Dreyfus experts and Dreyfus certified appraisers. We issue COAs and appraisals for all Dreyfus artworks.

Our Dreyfus paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dreyfus certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dreyfus painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dreyfus paintings or drawings take longer.

Our clients include Dreyfus collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Marcel Dreyfus art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Marcel Dreyfus or we will sell it for you.

art

Self-Portrait

art

Claudine
The artist’s wife

Marcel Dreyfus was born in Paris, and as a young man was highly influenced by the Impressionist and Post-Impressionist styles of painting, particularly the style of Renoir. He originally began studying to become an engineer, but found his calling in art. In 1922, he moved to Arles to pursue his art career and kept a studio there for nearly 20 years.

art

Riviere D’Auray

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Portrait of a Woman

He would spend his summers and winters in a number of different places, giving him a wide range of subjects and landscapes to paint. Dreyfus, or Dyf, the pseudonym he would adopt, traveled and worked all over France from Normandy to Cannes during his long and productive career. Dreyfus gained a great deal of notoriety not only in France, but in the United States, Canada, Germany and Algeria.

art

Untitled Portrait

art

Fruits de la Mer

Though he had little artistic training, Dyf found a great deal of success at his Paris salon exhibits. His work quickly sold at galleries all over France from Marseille to Nice and even as far away as Strasbourg. During most of his career, Dyf was represented by Frost and Reed of London. He typically painted still-life and Impressionistic portraits and landscapes.

art

Landscape

art

Untitled Still Life

During his lifetime, Dyf also traveled to the United States, Venice, Holland, Morocco and England. He was a highly prolific artist who continued to work, standing instead of sitting at his easel, until his death. Today, his work is housed worldwide and possibly in your own home.

art

Vase of Flowers by a Window

art

La Place de la Concorde Still wondering about a painting in your family collection? Contact us…it could be by Marcel Dreyfus.


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997--dreschler.php Johann-Baptist Dreschler Artwork Authentication & Art Appraisal

Johann-Baptist Dreschler (1756-1811)

Get a Dreschler Certificate of Authenticity for your painting (COA) for your Dreschler drawing.

For all your Dreschler artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dreschler Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dreschler painting or drawing.

If you want to sell your Dreschler painting or drawing use our selling services. We offer Dreschler selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dreschler and issuing certificates of authenticity since 2002. We are recognized Dreschler experts and Dreschler certified appraisers. We issue COAs and appraisals for all Dreschler artworks.

Our Dreschler paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dreschler certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dreschler painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dreschler paintings or drawings take longer.

Our clients include Dreschler collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Johann-Baptist Dreschler art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Johann-Baptist Dreschler or we will sell it for you.

Dreschler, Still Life of Roses and Grapes

Still Life of Roses and Grapes

Dreschler, Blossoms in a Vase

Blossoms in a Vase

Dreschler, A Basket of Flowers with Fruit

A Basket of Flowers with Fruit
Oil on Canvas 71.5 cm x 55.5 cm
The Fitzwilliam Museum

Johann-Baptist Dreschler was an 18th century German artist. He mainly painted still life compositions of flower arrangements in the classical or academic style.

Dreschler, Flowers in a sculptured urn with bunches of grapes and peaches in a casement

Flowers in a sculptured urn with bunches of grapes and peaches in a casement

Dreschler, Flowers in a glass vase with butterflies

Flowers in a glass vase with butterflies

Still wondering about an 18th century German painting in your family collection? Contact us… we are the Johann-Baptist Dreschler experts.


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998--eddy.php Oliver Tarbell Eddy Artwork Authentication & Art Appraisal

Oliver Tarbell Eddy (1799-1868)

Get a Eddy Certificate of Authenticity for your painting (COA) for your Eddy drawing.

For all your Eddy artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Eddy Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Eddy painting or drawing.

If you want to sell your Eddy painting or drawing use our selling services. We offer Eddy selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Eddy and issuing certificates of authenticity since 2002. We are recognized Eddy experts and Eddy certified appraisers. We issue COAs and appraisals for all Eddy artworks.

Our Eddy paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Eddy certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Eddy painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Eddy paintings or drawings take longer.

Our clients include Eddy collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Oliver Tarbell Eddy art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Oliver Tarbell Eddy or we will sell it for you.

Oil on panel.

Oil on panel.

Oliver Tarbell Eddy, American (1799-1868) was born in Greenbush, Vermont, the oldest son of inventor, printer, and engraver Isaac Eddy, who traced his ancestry back to the Mayflower. Although his father instructed him how to engrave on copper, Eddy evidently taught himself how to paint. He married Jane Maria Burger, daughter of the silversmith Thomas Burger, in Newburgh, New York in 1822. Eddy was active as a portrait and miniature painter in New York City by 1826, and exhibited a portrait at the National Academy of Design the following year. He moved to Elizabeth, New Jersey, in 1831 and then to Newark in 1835. Eddy was extremely successful in Newark and painted at least thirteen portraits of members of the family of a hat manufacturer named William Rankin. Eddy lived in Baltimore from 1842 to 1850, painting portraits and inventing a precursor to the typewriter. He lived in Philadelphia until his death.

C. 1844. Griffith family. Oil on canvas. Maryland Historical Society.

C. 1844. Griffith family. Oil on canvas. Maryland Historical Society.

C. 1844. Griffith family. Oil on canvas. 83? x 100?. Maryland Historical Society.

Oliver Tarbell Eddy, American (1799-1868). The Artist’s Residence, BlackRiver Valley at Greenbush, Vermont.

C. 1840. Jane Griffith. Oil on canvas. Maryland Historical Society.

C. 1840. Jane Griffith. Oil on canvas. Maryland Historical Society.

Eddy’s style is typical of the better class of self-taught painters of the 19th century. His sitters are meticulously rendered, invariably rather stiff and solemn. One has to remember the conventions of the time- smiling, active portraits were not to become fashionable until the end of the century. Many of his group portraits are in fact an assortment of single portraits awkwardly arranged. Eddy?s debt to the 17th century Dutch masters is obvious in his fine treatment of the interior settings and costumes, with carpets and furniture richly displayed. There is none of the casual attitude to background common in 19th century portraiture. Eddy?s meticulousness derives from his early training in copper engraving, an art requiring great precision. This also enabled him to become an accomplished miniaturist.

C. 1839. The Alling Children. Oil on canvas. MMA.

C. 1839. The Alling Children. Oil on canvas. MMA.

1840. Portrait of Mrs Henry Evans. Oil on panel.

1840. Portrait of Mrs Henry Evans. Oil on panel.

C.1840. Adeline Kent Pratt. Oil on canvas. Maryland Historical Society.

C.1840. Adeline Kent Pratt. Oil on canvas. Maryland Historical Society.

Are you still wondering about a painting in your collection? Contact us… it could be by Oliver Tarbell Eddy.


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999--maggiotto.php Domenico Maggiotto Artwork Authentication & Art Appraisal

Domenico Maggiotto (1713-1794)

Get a Maggiotto Certificate of Authenticity for your painting (COA) for your Maggiotto drawing.

For all your Maggiotto artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Maggiotto Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Maggiotto painting or drawing.

If you want to sell your Maggiotto painting or drawing use our selling services. We offer Maggiotto selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Maggiotto and issuing certificates of authenticity since 2002. We are recognized Maggiotto experts and Maggiotto certified appraisers. We issue COAs and appraisals for all Maggiotto artworks.

Our Maggiotto paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Maggiotto certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Maggiotto painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Maggiotto paintings or drawings take longer.

Our clients include Maggiotto collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Domenico Maggiotto art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Domenico Maggiotto or we will sell it for you.

Maggiotto painting, Study for a Male Nude

Study for a Male Nude

Maggiotto painting, A Young Woman Fixing her Hair

A Young Woman Fixing her Hair

Maggiotto painting, Two Peasant Boys with a Basket

Two Peasant Boys with a Basket

Domenico Maggiotto was an 18th century Italian painter. Maggiotto was known for his lively portraits of children and men and women posed with instruments in the style of the 17th century Dutch masters.

Maggiotto painting, Boy with Flute

Boy with Flute

Maggiotto painting, Girl with a Tambourine

Girl with a Tambourine

Maggiotto also painted historical, religious and allegorical genre scenes in the same style as his portraits, using chiaroscuro shading.

Maggiotto painting, Joseph Interpreting the Dreams of Pharaoh's Butler and Baker

Joseph Interpreting the Dreams of Pharaoh’s Butler and Baker

Still wondering about an 18th century Italian portrait or painting? Contact us…it could be by Domenico Maggiotto.


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done
1001--arke_copy.php Pia Arke Artwork Authentication & Art Appraisal

Pia Arke (1958-2007)

1. Legend I. (Series Legend I-V). 1999. Photo Collage. Louisiana Museum of Modern Art, Denmark.

Legend I. (Series Legend I-V). 1999. Photo Collage. Louisiana Museum of Modern Art, Denmark.

Pia Arke art authentication. Pia Arke appraisal from . Pia Arke certificates of authenticity (COA). Pia Arke analysis, research, scientific tests, full art authentications. We will help you sell your Pia Arke or we will sell it for you.

2. Detail of Legend I-V. 1999. Photo Collage. Louisiana Museum of Modern Art, Denmark.

Detail of Legend I-V. 1999. Photo Collage. Louisiana Museum of Modern Art, Denmark.

Arke was a Danish-Greenlandic artist, born in Greenland to a Danish father and Greenlandic mother. While Arke spent her primary years in Greenland she later moved to Denmark, where she was formally trained as an artist at the Royal Danish Academy of Fine Arts.

3. The Three Graces. 1993. Photograph. Louisiana Museum of Modern Art, Denmark.

The Three Graces. 1993. Photograph. Louisiana Museum of Modern Art, Denmark.

Arke’s portfolio of paintings and photographs became controversial in the 1990s for examining Denmark’s colonial past in Greenland. As a female artist she focused not only on the inspiring landscape of her homeland but also issue pertaining to indigenous women.

4. Gelatin print for series: Imaginary Homelands. Created between 1992 and 2003. Louisiana Museum of Modern Art, Denmark.

Gelatin print for series: Imaginary Homelands. Created between 1992 and 2003. Louisiana Museum of Modern Art, Denmark.

Arke did not take traditional photos but experimented with different formats. She created a pinhole camera in her studio to take photos of her childhood home in Greenland, creating a somewhat dreamlike or nostalgic effect.

5. Photograph, taken with a pinhole camera. Exhibited in Imaginary Homelands exhibition, 1990.

Photograph, taken with a pinhole camera. Exhibited in Imaginary Homelands exhibition, 1990.

While Arke died at the young age of forty-eight from cancer, her legacy has endured. Her work has been published in several books and shown in major museums. Her work is an important example of art’s ability to examine and critique postcolonial relationships.

If you think you may own original artwork by Pia Arke, contact Art Certification Experts for information regarding our services.


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1002--blechen.php Carl Blechen Artwork Authentication & Art Appraisal

Carl Blechen (1798 – 1840)

Get a Blechen Certificate of Authenticity for your painting (COA) for your Blechen drawing.

For all your Blechen artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Blechen Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Blechen painting or drawing.

If you want to sell your Blechen painting or drawing use our selling services. We offer Blechen selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Blechen and issuing certificates of authenticity since 2002. We are recognized Blechen experts and Blechen certified appraisers. We issue COAs and appraisals for all Blechen artworks.

Our Blechen paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Blechen certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Blechen painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Blechen paintings or drawings take longer.

Our clients include Blechen collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carl Blechen art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Carl Blechen or we will sell it for you.

art

The Ruined Tower of Heidelberg Castle 1830

Carl Blechen, sometimes given as Karl Blechen, was a German painter, specializing in fantastic landscapes, sometimes with demons and grotesque figures.

art

Villa d’Este 1830

Born in Cottbus, he drew the attention of prominent architect Karl Friedrich Schinkel, who cast him as a decorative painter. Blechen however aimed for higher work and began producing landscape paintings. In 1827 he went to Italy, and from 1835 was a member and professor at the Akademie der Künste in Berlin.

art

Landscape 1830

Still wondering about a 19th century German landscape in your family collection? Contact us…it could be by Carl Blechen.


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1004--harpignies.php Henri Harpignies Artwork Authentication & Art Appraisal

Henri Harpignies (1819-1916)

Get a Harpignies Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Harpignies artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Harpignies Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Harpignies painting, drawing or print.

If you want to sell your Harpignies painting, drawing or print use our selling services. We offer Harpignies selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Harpignies and issuing certificates of authenticity since 2002. We are recognized Harpignies experts and Harpignies certified appraisers. We issue COAs and appraisals for all Harpignies artworks.

Our Harpignies paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Harpignies certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Harpignies painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Harpignies paintings or drawings take longer.

Our clients include Harpignies collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henri Harpignies art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Henri Harpignies or we will sell it for you.

art

Au Bord du Lac

art

View Sur Le Cote Villefranche

Henri Harpignies was a painter, engraver and watercolourist. He was born to a relatively wealthy family in Valenciennes who owned a sugar beet factory. He also produced a small number of lithographs. He is best known for his talent in landscape painting. He took drawing lessons at a young age, and won many drawing prizes when at school. At first, he did not follow his vocation. He followed the wishes of his family, and entered the family business. At the age of twenty seven he convinced them to let him follow an artistic career, and entered the studio of Jean Achard. Jean Archard was a painter and engraver. He was also a good friend of Jean-Baptiste Camille Corot.

He traveled to Holland, Brussels and Flanders with Jean Achard, studying and painting. Jean Achard is said to have given Harpignies a good grounding in the technique of draughtsmanship, and this is reflected in his work. On his return to France he left to Italy, and met with some of the artists of the Villa Medici in Rome. It is said that it was on this trip to Rome that he produced his first watercolours.

On his return he produced a number of paintings of children in landscape settings. He was influenced very much by the Barbizon school, and made an effort to study their work. He also greatly admired Corot, although he was never a student of his. He began to paint in the area surrounding the Forest of Fontainebleau, and he became friends with Corot. He exhibited at his first Salon in 1853.

art

Boys By the Sea

In 1859, he established a studio in Paris, and had an association with Corot, and Jean Leon Gerome. The Canadian artist J.W. Morrice was a student of his. In 1860, Harpignies and Corot went on a long painting trip to Italy. Italy, and especially Rome, were to be an inspiration to him all his life, and he was to return there on a number of occasions. In 1866, he won a Gold Medal at the Salon for a painting entitled, ‘Evening in the Countryside of Rome,’ and the French state also purchased some of his work. He was a successful artist who made a good living, and was generous to young struggling artists.

Throughout his whole career he traveled, and painted in different regions of France, such as the Pyrenees, and the Auvergne. It is said that the work of Harpignies, and particularly his landscapes were of a Conservative nature, but that he brought them to life with bold colours. He was particularly interested in Impressionism, but preferred to limit this to an intellectual interest, as in his artistic life he remained faithful to his conservative style.

He spent his summers in Herisson, in the Bourbonnais region of France. He led a group of artists there, and they came to be known as the, ‘School of Herisson.’ It is said that his best works were produced in Herisson, and also the Auvergne region of France.

He is often referred to as being a member of the Barbizon school of painters, due to the influence that Corot had on his work. In his eulogy, Harpignies was called the, ‘Michelangelo of Trees,’ in reference to his work, and his special interest in trees. His paintings can be seen in museums all over the world, including the Hermitage Museum in St Petersburg, the National Gallery of London and the Metropolitan Museum of Art in New York.

art

Figure By Ruins

art

Ami de Maintenon

art

Landscape

done
1005--wheatley.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "wheatley" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "wheatley" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1006--pirosmanashvili.php Niko Pirosmanashvili Artwork Authentication & Art Appraisal

Niko Pirosmanashvili (1862-1918)

We Perform Niko Pirosmanashvili art authentication. Niko Pirosmanashvili appraisal. Niko Pirosmanashvili certificates of authenticity (COA). Niko Pirosmanashvili analysis, research, scientific tests, full art authentications. We will help you sell your Niko Pirosmanashvili or we will sell it for you.

Pirosmanashvili, Feast with Barrel Organist Datico

Feast with Barrel Organist Datico

Pirosmanashvili, Portrait of Alexander Garanov

Portrait of Alexander Garanov

Niko Pirosmanashvili, commonly known as Pirosmani, was a Georgian painter, born in the village of Mirzaani in the Kakheti province. Pirosmani was orphaned at a young age and moved with his sister to Tbilisi. Pirosmani worked as a servant, at which time he learned to read both Russian and Georgian. For a short time, Pirosmani moved back to his birthplace in Mirzaani and worked as a herdsman.

Pirosmanashvili, A Georgian Woman with Tambourine

A Georgian Woman with Tambourine

In the following years, Pirosmani held several jobs and trades, including opening a painting workshop in Tbilisi, which closed shortly after. Other odd jobs included working as a railroad conductor, house painting, whitewashing buildings and creating signboards. Pirosmani never made a large income, but made enough to continue painting.

Pirosmanashvili, The Feast of Five Princes

The Feast of Five Princes

Pirosmani was a self-taught artist and preferred painting with oils on cloth. His themes often included scenes of Georgian villages and portraits of imaginary and historical Georgians in everyday settings.

Pirosmanashvili, The Russian-Japanese War

The Russian-Japanese War

While Pirosmani stood apart from other professional artists in the region, the Russian poet, Mikhail Le-Dantyu and the artist Kirill Zdanevich noticed his work.

In 1913 two articles about Pirosmani and his paintings were published in Russia and Georgia. A couple of years later, Pirosmani was invited to join The Society of Georgian Painters, where he became better acquainted with regional artists.

Pirosmanashvili, Hunting Scene with a View of the Black Sea

Hunting Scene with a View of the Black Sea

Pirosmanashvili, Portrait of Ilya Zdanevich

Portrait of Ilya Zdanevich

Pirosmanashvili, Roe with a Landscape in the Backyard

Roe with a Landscape in the Backyard

Pirosmanashvili, Mother Bear with Cubs

Mother Bear with Cubs

Pirosmanashvili, A Boy Carrying Food

A Boy Carrying Food

Pirosmanashvili, Rooster and Hen with Chicks

Rooster and Hen with Chicks

Pirosmanashvili, Threshing Yard in Evening

Threshing Yard in Evening

Pirosmanashvili, Cook

Cook

Pirosmanashvili, Gate-Keeper

Gate-Keeper

Pirosmanashvili, Feast in Gazebo

Feast in Gazebo

While Pirosmani died from malnutrition in 1918 with little money or acclaim, his reputation continued to grow posthumously. After World War I his ‘naïve’ style became popular in Paris and exhibitions of his work have been held in cultural capitals around the world. Pirosmani’s work continues to be collected at an international level. Do you think you own a painting by Niko Pirosmani? Contact us. We are the experts on Niko Pirosmani.


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1007--bloch.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bloch" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bloch" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1008--moreau-jean-michel.php Jean-Michel Moreau Artwork Authentication & Art Appraisal

Jean-Michel Moreau (The Younger) (1741-1814)

Get a Moreau Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Moreau artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Moreau Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Moreau painting, drawing or print.

If you want to sell your Moreau painting, drawing or print use our selling services. We offer Moreau selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Moreau and issuing certificates of authenticity since 2002. We are recognized Moreau experts and Moreau certified appraisers. We issue COAs and appraisals for all Moreau artworks.

Our Moreau paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Moreau certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Moreau painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Moreau paintings or drawings take longer.

Our clients include Moreau collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean-Michel Moreau art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean-Michel Moreau or we will sell it for you.

Moreau painting, Yes or No 1778

Yes or No 1778

Jean-Michel Moreau was an 18th century French artist. He was mainly known for his sketch portraits of French nobles.

Moreau sketch, Standing Man

Standing Man

Still wondering about an 18th century French sketch in your family collection? Contact us…it could be by Jean-Michel Moreau.


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1009--carpeaux.php Jean Baptiste Carpeaux Artwork Authentication & Art Appraisal

Jean Baptiste Carpeaux (1827-1875)

Get a Carpeaux Certificate of Authenticity for your painting or a COA for your Carpeaux drawing or sculpture.

For all your Carpeaux artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Carpeaux Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Carpeaux painting, drawing or sculpture.

If you want to sell your Carpeaux painting, drawing or sculpture use our selling services. We offer Carpeaux selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Carpeaux and issuing certificates of authenticity since 2002. We are recognized Carpeaux experts and Carpeaux certified appraisers. We issue COAs and appraisals for all Carpeaux artworks.

Our Carpeaux paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Carpeaux certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Carpeaux painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Carpeaux paintings, drawings or sculpture take longer.

Our clients include Carpeaux collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Baptiste Carpeaux art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean Baptiste Carpeaux or we will sell it for you.

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La Danza

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Bust of Nadine Dumas

Jean Baptiste Carpeaux was a French Realist sculptor and painter. He was said to have been the leading French sculptor of his time, and that his work created a new variety of Romantic Classicism. Carpeaux was the son of a brick layer, and as a young man, he worked as a messenger. He moved to Paris in 1838 and studied at the Petite Ecole at the age of 11. In 1848, he entered the Ecole des Beaux-Arts where he studied under Romantic sculptor Francois Rude. He won the Prix de Rome in 1854, which allowed him to travel to Italy. There, Carpeaux was able to study the works of Renaissance artists such as Michelangelo.

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Bacchante with Roses 1869

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Bruno

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Négresse

Though he became a talented sculptor, specializing in busts and statues of mythological figures, he also created a number of paintings and sketches.

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Portrait of an Old Woman

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Start of the Race of the Barbieri Horses, Rome 1860

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Study Sketch

In 1860, he created his sculpture “Ugolino and his Sons,” which was unlike that of most other classical sculpture of its day. It emphasized extreme emotion and physical states, which was a direct contrast to the calmness of classical sculpture. This piece catapulted Carpeaux into being the foremost sculptor of his time.

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Ugolino and his Sons

Carpeaux returned to Paris in 1862, and resumed creating busts; but this time it was for famous clients such as Napoleon. It is said that his use of deep shadow was an influence on the young Rodin, who would become one of the most famous sculptors of all time. Today his work is housed all over the world including at the Metropolitan Museum of Art and the Brooklyn Museum in New York, as well as the Musée des Beaux-Arts and the National Gallery in Washington, D.C. Still wondering about a bust or statue in your family estate? Contact us…it could be by Jean Baptiste Carpeaux.


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1010--rosso.php Il Rosso Artwork Authentication & Art Appraisal

Il Rosso (1494-1540)

Get a Rosso Certificate of Authenticity for your painting (COA) for your Rosso drawing.

For all your Rosso artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rosso Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rosso painting or drawing.

If you want to sell your Rosso painting or drawing use our selling services. We offer Rosso selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rosso and issuing certificates of authenticity since 2002. We are recognized Rosso experts and Rosso certified appraisers. We issue COAs and appraisals for all Rosso artworks.

Our Rosso paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rosso certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rosso painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rosso paintings or drawings take longer.

Our clients include Rosso collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Il Rosso art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Il Rosso or we will sell it for you.

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Pieta 1530-1540, The Louvre

Rosso Fiorentino (meaning “the Red Florentine” in Italian),or Il Rosso, whose name was Giovan Battista di Jacopo, was an Italian Mannerist painter, in oil and fresco, belonging to the Florentine school.

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The Assumption

Born in Florence with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. Fleeing Rome after the Sacking of 1527, Rosso eventually went to France where he secured a position in the court of Francis I in 1530. He remained there until his death. Together with Francesco Primaticcio, he was one of the leading artists to work at the Chateau Fontainebleau as part of the “First School of Fontainebleau”), spending much of his life there. Following Rosso’s death, which was not suicide as claimed by Vasari, in 1540, Francesco Primaticcio took charge of the artistic direction at Fontainebleau.

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Study of a Male Figure 1538

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Head of a Bearded Man

Rosso’s reputation, along those of other stylized late Renaissance Florentines, was long out of favor in comparison to other more naturalistic and graceful contemporaries, but has revived considerably in recent decades. His poses are certainly contorted, and his figures often appear haggard and thin, but his work has considerable power. Although many major museums have examples, it did not help that his masterpiece was and is in a city off the normal tourist track.

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Portrait of a Young Man Holding a Letter 1518

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Portrait of a Man 1520’s

His masterpiece is generally considered to be the Deposition or Descent from the Cross altarpiece in the Pinacoteca Comunale di Volterra (initially painted for the Duomo). In contrast to the frozen grief of other depositions, this one appears as a hurried and complicated operation, while the figures below have simple and forceful expressions of quiet grief, with powerful expressions hinted at by hidden faces. The sky is somber. The three ladders and those carrying down Christ appear precarious. Christ himself is sallow. Contrast this frenetic, windswept scene with the equally complex, but more restrained composition on the same theme by the near contemporary Florentine Mannerist Pontormo.

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Deposition 1521

Still wondering about an Italian painting in your family collection? Contact us…it could be by Il Rosso.


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1011--caraffe.php Armande-Charles Caraffe Artwork Authentication & Art Appraisal

Armande-Charles Caraffe (1762-1822)

Get a Caraffe Certificate of Authenticity for your painting (COA) for your Caraffe drawing.

For all your Caraffe artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Caraffe Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Caraffe painting or drawing.

If you want to sell your Caraffe painting or drawing use our selling services. We offer Caraffe selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Caraffe and issuing certificates of authenticity since 2002. We are recognized Caraffe experts and Caraffe certified appraisers. We issue COAs and appraisals for all Caraffe artworks.

Our Caraffe paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Caraffe certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Caraffe painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Caraffe paintings or drawings take longer.

Our clients include Caraffe collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Armande-Charles Caraffe art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Armande-Charles Caraffe or we will sell it for you.

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Nude Holding a Sword and Kissing a Woman in Front of a Fire

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Metellus Raising the Siege

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Incident During the Invasion of Rome by the Gauls

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Armande-Charles Caraffe.


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1012--picasso.php Pablo Picasso Artwork Authentication & Art Appraisal

About authenticating a Picasso

Pablo Picasso

We Perform Pablo Picasso art authentication. Pablo Picasso appraisal. Pablo Picasso certificates of authenticity (COA). Pablo Picasso analysis, research, scientific tests, full art authentications. We will help you sell your Pablo Picasso or we will sell it for you.

Pablo Picasso was the most prolific artist who ever lived. His entire oeuvre is gigantic and even sections of it are impressive, such as his enormous graphic work production or just the number of books he illustrated, some 156 of them. As if a huge quantity of paintings, drawings books would not be enough, he added sculptures and ceramics. Picasso never limited himself to oil and canvas, and was always looking for ways to work in as many different mediums and styles as he could.

Pablo Picasso, Self-portait, 1901

Self-portait, 1901

Pablo Picasso, Le Gourmet 1901

Le Gourmet, 1901

The result is an extremely active market in Picasso works. Every year some 3,000 Picasso works are sold and bought, amounting to about 200 million US dollars in business. At this juncture, Picasso is the best seller of the art market.

Pablo Picasso, Girl in Chemise 1905

Girl in Chemise, 1905

It is because Picasso was so prolific in his career, that many of his paintings and sculptures are privately owned, and why so many are discovered and authenticated each year. Prints, collages, sketches and sculptures of his are all worth incredible value, and many are discovered in basements, attics and home collections each year.

Pablo Picasso, The Card Player, 1913-1914

The Card Player, 1913-1914

Picasso also lived a very long life (he died at age 92!) and continued to create art until his death. In fact, his late period is his most prolific, and he produced more work at that time than any other. Unlike many other well-known and sought after artists, Picasso died well into the 20th century. Therefore a great possibility exists for a much younger market of art collectors to privately own his pieces.

Pablo Picasso painting, Girl on a Pillow, 1936

Girl on a Pillow, 1936

Still wondering about a painting or sculpture in your family collection? Contact us…it could be by Pablo Picasso.


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1013--de-lelie.php Adriaan de Lelie Artwork Authentication & Art Appraisal

Adriaan de Lelie (1755-1820)

Get a De Lelie Certificate of Authenticity for your painting (COA) for your De Lelie drawing.

For all your De Lelie artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Lelie Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Lelie painting or drawing.

If you want to sell your De Lelie painting or drawing use our selling services. We offer De Lelie selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Lelie and issuing certificates of authenticity since 2002. We are recognized De Lelie experts and De Lelie certified appraisers. We issue COAs and appraisals for all De Lelie artworks.

Our De Lelie paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Lelie certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Lelie painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Lelie paintings or drawings take longer.

Our clients include De Lelie collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Adriaan de Lelie art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Adriaan de Lelie or we will sell it for you.

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The Grape Seller

Adriaan de Lelie was an 18th century Dutch painter, known for his portraits of Dutch aristocrats and the nobility. De Lelie studied portraiture in Düsseldorf as well as Antwerp, and was said to have essentially invented the Dutch conversation piece. He is best known for his historical paintings which depict the Felix Meritis Society, a group of forty prominent Antwerp residents.

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Conversation About a Painting

Still wondering about a Dutch portrait or historical painting in your family collection? Contact us…it could be by Adriaan de Lelie.


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1014--maino.php Fray Juan Baptist Maíno Artwork Authentication & Art Appraisal

Fray Juan Baptist Maíno or Mayno (1678-1649)

Get a Maíno Certificate of Authenticity for your painting (COA) for your Maíno drawing.

For all your Maíno artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Maíno Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Maíno painting or drawing.

If you want to sell your Maíno painting or drawing use our selling services. We offer Maíno selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Maíno and issuing certificates of authenticity since 2002. We are recognized Maíno experts and Maíno certified appraisers. We issue COAs and appraisals for all Maíno artworks.

Our Maíno paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Maíno certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Maíno painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Maíno paintings or drawings take longer.

Our clients include Maíno collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Fray Juan Baptist Maíno art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Fray Juan Baptist Maíno or we will sell it for you.

Maino, Adoration of the Shepherds, 1611-1613

Adoration of the Shepherds, 1611-1613

Maino, Adoration of the Magi

Adoration of the Magi

Fray Juan Baptist Maíno was a Spanish painter during the Baroque era. Maíno was the son of a Portugese nobleman who served the Duchess of Pastrana. It is believed that Maíno was the assistant of the famous court painter, El Greco, but little hard documentation can be found as proof.

Maino, Portrait of a Gentleman

Portrait of a Gentleman

It is known that Maíno spent eight years, from 1600 to 1608, studying and working in Italy. In Italy Maíno came to know the work of Caravaggio, and his disciples, Orazio Gentileschi, Guido Reni and Annibale Carracci.

Maino, Portrait of a Monk

Portrait of a Monk

Through Maíno’s studies he developed his own style, which referenced classicism, naturalism, and tenebrism. Maíno eventually returned to Spain and settled in Toledo and began to work on a commissioned altarpiece, which now belongs to the Museo del Prado in Madrid. Two of the panels, Adoration of the Magi and Adoration of the Shepherds, are some of his most highly regarded pieces.

Maino, Saint Agabus

Saint Agabus

Maino, Adoration of the Shepherds, 1615-1620

Adoration of the Shepherds, 1615-1620

In 1613, Maíno entered the Order of Santo Domingo and lived in the monastery on San Pedro Martyr. As a member of the order, Maíno spent less time painting, but did make various biblically themed pieces.

Maino, Recovery of the Bay of Brazil

Recovery of the Bay of Brazil

Maino, Alatarpiece

Alatarpiece

Later in his life, Maíno forged a friendship with Diego Velazquez who chose Maíno in a public contest to create a historical painting to be displayed in the Palace of Madrid. Sadly, the painting was later destroyed during a fire in 1734.

Maíno remined religious until the end of his life, and died in the convent of Saint Thomas, Madrid. Maíno’s paintings are now in major museum collections around the world. The Museo del Prado in Madrid boasts a strong collection of Maíno’s work. Do you think you own a painting by Juan Baptist Maíno? Contact us. We are the experts.


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1015--letellier.php Pierre Letellier Artwork Authentication & Art Appraisal

Pierre Letellier (1928-2000)

Get a Letellier Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Letellier artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Letellier Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Letellier painting, drawing or print.

If you want to sell your Letellier painting, drawing or print use our selling services. We offer Letellier selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Letellier and issuing certificates of authenticity since 2002. We are recognized Letellier experts and Letellier certified appraisers. We issue COAs and appraisals for all Letellier artworks.

Our Letellier paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Letellier certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Letellier painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Letellier paintings or drawings take longer.

Our clients include Letellier collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pierre Letellier art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pierre Letellier or we will sell it for you.

Pierre Letellier was born in Caen, France near the scenic coast of Normandy in 1928. Letellier’s coastal environment later became the primary subject of his paintings. Letellier received a formal education at the Ecole des Beaux Arts. As a student in the 1940s, Letellier had an academic education and studied from classic sculptures and plaster molds. Letellier’s made a number of figurative paintings and lithographs. Letellier often depicted women and performers dressing.

Letellier, Untitled

Untitled

Letellier, Untitled

Untitled

Letellier preferred painting from nature and spent much of his time doing sketches and painting studies outside. As Letellier matured as an artist he focused on painting landscapes and seascapes. Letellier enjoyed the challenge of painting barges and sea vessels. Letellier used bold strokes and colors to define complex structure of ship masts.

Letellier, Two Trawlers at Honfleur

Two Trawlers at Honfleur

Letellier, The Barges at Grandcouronnes

The Barges at Grandcouronnes

Letellier, Polo

Polo

Letellier, The Fence

The Fence

Letellier was successful during his lifetime, showing frequently in France and internationally. Letellier had solo shows in the major cities including Paris, New York, Brussels and Caracas. Letellier had travelling exhibitions, but was primarily successful in his native country of France. Letellier showed in important salons in Paris, including the Salon des Independants and the Salon d’Automne.

Letellier has become a solid name in French Modern Art. Letellier’s paintings are in the permanent collection of the esteemed Musee d’Art Moderne in Paris. In addition to major museum collections, Letellier’s paintings are in numerous private collections around the world. Do you think you own a painting by Pierre Letellier? Contact us. We are the Pierre Letellier experts.


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1016--duparc.php Francois Duparc Artwork Authentication & Art Appraisal

Francois Duparc (1705-1778)

Get a Duparc Certificate of Authenticity for your painting (COA) for your Duparc drawing.

For all your Duparc artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Duparc Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Duparc painting or drawing.

If you want to sell your Duparc painting or drawing use our selling services. We offer Duparc selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Duparc and issuing certificates of authenticity since 2002. We are recognized Duparc experts and Duparc certified appraisers. We issue COAs and appraisals for all Duparc artworks.

Our Duparc paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Duparc certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Duparc painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Duparc paintings or drawings take longer.

Our clients include Duparc collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francois Duparc art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Francois Duparc or we will sell it for you.

Duparc painting,The Seamstress
The Seamstress

Francois Duparc was an 18th century French portrait painter. Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Francois Duparc.


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1017--wint-de.php Peter de Wint Artwork Authentication & Art Appraisal

Peter De Wint (1784 – 1849)

Do you think you may own a painting by Peter De Wint? We perform art art authentications, art appraisals, art research and provide Certificates of Authenticity (COA) as well as consultations, for all paintings by Peter de Wint.

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Ruins of the Bishop’s Palace, Lincoln

Peter De Wint was an English landscape painter. His father was an English physician of Dutch extraction who had come to England from New York. De Wint was born at Hanley, Staffordshire and moved to London in 1802 where he was apprenticed to John Raphael Smith, the mezzotint engraver and portrait painter. He bought his freedom from Smith in 1806, on condition that he supply eighteen oil paintings over the next two years.

In 1806, he visited Lincoln for the first time with the painter of historical subjects, William Hilton, R.A., whose sister Harriet he married in 1810. De Wint and Hilton lived together in Broad Street, Golden Square, where John Varley also lived. Varley gave De Wint further lessons and introduced him to Dr. Monro, who ran an informal academy for young artists. De Wint first exhibited at the Royal Academy in 1807 and also at the Gallery of Associated Artists in Watercolours in 1808. In 1809, he entered the Royal Academy schools and was elected an Associate of the Old Watercolour Society in 1810. He was also made a full member the following year. By that time, as an established drawing master, he was spending his summers teaching well-to-do provincial families. In 1812, he became a member of the Society of Painters in Watercolors, where he exhibited largely for many years, as well as at the Academy.

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A Cornfield, 1815

De Wint’s life was devoted to art, and he painted admirably in oils and ranks as one of the chief English watercolorists. “No artist”, asserted Alfred William Rich, “ever came nearer painting a perfect picture than did Peter De Wint”. A number of his pictures are in the National Gallery, the Victoria and Albert Museum and The Collection, Lincoln. He frequently visited his wife’s home city of Lincoln, and many of his panoramic landscapes and haymaking scenes are set in Lincolnshire. He occasionally toured in Wales and in 1828, traveled to Normandy. He died in London.

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Drury Lane, Lincoln

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St. Albans, Watercolor, 9 ¾ x 14 ½, Private Collection

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Llandaff, c.1848, Watercolor, 32.7 x 49.5 cm, Agnew’s Gallery

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River Scene at Sunset, c. 1810, Oil paint on paper mounted onto cardboard, 307 x 460 mm, Tate Collection

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View on the Thames, Date unknown, Watercolor on paper, 152 x 419 mm, Tate Gallery

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Distant View of Nottingham, Date not known, Watercolor on paper, 140 x 587 mm, Tate Gallery

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A Copse in an Open Landscape, Watercolor and Body color, 15.3 x 17.8 cm

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A Cornfield, 1815, Oil on Canvas, Victoria and Albert Museum

Still wondering about a British painting in your family collection? Contact us…it could be by Peter De Wint.


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1018--dobson.php William Dobson Artwork Authentication & Art Appraisal

William Dobson (1610 – 1646)

Get a Dobson Certificate of Authenticity for your painting (COA) for your Dobson drawing.

For all your Dobson artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dobson Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dobson painting or drawing.

If you want to sell your Dobson painting or drawing use our selling services. We offer Dobson selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dobson and issuing certificates of authenticity since 2002. We are recognized Dobson experts and Dobson certified appraisers. We issue COAs and appraisals for all Dobson artworks.

Our Dobson paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dobson certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dobson painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dobson paintings or drawings take longer.

Our clients include Dobson collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform William Dobson art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your William Dobson or we will sell it for you.

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Charles II, 1642

William Dobson was a portraitist and one of the first notable English painters, praised by his contemporary John Aubrey as “the most excellent painter that England has yet bred”. Dobson was born in London the son of a decorative artist, and was apprenticed to William Peake and probably later joined the studio of Francis Cleyn. He is believed to have had access to the Royal Collection and to have copied works by Titian and Anthony Van Dyck, King Charles I chief painter. The color and texture of Dobson’s work was influenced by Venetian art, but Van Dyck’s style has little apparent influence on Dobson. Van Dyck himself discovered Dobson when he noticed one of the young artists pictures in a London shop window. He introduced Dobson to the King, who had Dobson paint himself, his sons and members of the court.

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The Painter with Sir Charles Cottrell and Sir Balthasar Gerbier 1645

When Van Dyck died in 1641, Dobson probably succeeded him as sergeant-painter to the King, though proof is lacking. During the English Civil War Dobson was based at the Royalist centre of Oxford and painted many leading Cavaliers. His portrait of the future Charles II as Prince of Wales at the age of around twelve is a notable baroque composition, and perhaps his finest work. He also painted the Duke of York, Prince Rupert of the Rhine and Prince Maurice.

Around sixty of Dobson’s works survive, mostly half-length portraits most of them dated from 1642 or later. The thick impasto of his early work gave way to a mere skim of paint, perhaps reflecting a wartime scarcity of materials. After Oxford fell to the Parliamentarians, in June 1646, Dobson returned to London. Now without patronage, he was briefly imprisoned for debt and died in poverty at the age of thirty-six.

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Portrait of a Man

Dobson is regarded as a talented painter with a fine sense for color and good powers of observation. However, an entirely English training such as Dobson’s could not be first rate in the early 17th century and he had technical weaknesses. There are examples of Dobson’s work at Tate Britain and the National Portrait Gallery in London and at several English country houses. The most comprehensive study of Dobson and his work is William Dobson, 1611-1646 an exhibition catalogue written by M. Rogers for a 1983 exhibition at the National Portrait Gallery.

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Mary, Princess Royal and William, Prince of Orange, 1636

Still wondering about an English painting in your family collection? Contact us…it could be by William Dobson.


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1019--hennequin.php Philippe Auguste Hennequin Artwork Authentication & Art Appraisal

Philippe Auguste Hennequin (1763-1833)

Get a Hennequin Certificate of Authenticity for your painting (COA) for your Hennequin drawing.

For all your Hennequin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hennequin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hennequin painting or drawing.

If you want to sell your Hennequin painting or drawing use our selling services. We offer Hennequin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hennequin and issuing certificates of authenticity since 2002. We are recognized Hennequin experts and Hennequin certified appraisers. We issue COAs and appraisals for all Hennequin artworks.

Our Hennequin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hennequin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hennequin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hennequin paintings or drawings take longer.

Our clients include Hennequin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Philippe Auguste Hennequin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Philippe Auguste Hennequin or we will sell it for you.

Hennequin painting, Allegorical Scene

Allegorical Scene

Philippe Auguste Hennequin was an 18th century French painter. Hennequin proved to be a talented painter as a young man, and after winning the Prix de Rome, Hennequin studied in Italy . However, political strife in the country shortly brought him back to Paris . Once back in France , Hennequin was caught up in the French Revolution and was imprisoned.

Hennequin painting, The Martyrs of Prairial

The Martyrs of Prairial

Once released from prison, Hennequin devoted his entire life to art. He received many commissions from Napoleon to document his battle scenes, and eventually became the director of the Academy at Tournai.

Hennequin painting, The Battle of Quiberon

The Battle of Quiberon

Still wondering about a French Revolution-era painting in your family collection? Contact us…it could be by Philippe Auguste Hennequin.


done
1021--webster.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "webster" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "webster" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1022--peale.php Anna Claypoole Peale Artwork Authentication & Art Appraisal

Anna Claypoole Peale (1791-1878)

Do you think you may own a miniature portrait by Anna Claypoole Peale? We authenticate, appraise and research all paintings by this great artist.

Portrait of a Woman 1822

Portrait of a Woman 1822

Portrait of Nancy

Portrait of Nancy

Anna Claypoole Peale was an early American artist and the niece of famous painter Charles Willson Peale. She came from a long line of famous American painters and is considered by some art historians as the most important female miniaturist in America. Furthermore, Anna and her sister Sarah were among the earliest and most successful professional female painters in American history.

Portrait of a Woman 1818

Portrait of a Woman 1818

Peale grew up in Pennsylvania and received some of her earliest training from her father, artist James Peale. She also often worked alongside her sister, Sarah Miriam Peale. Anna and Sarah shared a studio together and both sisters enjoyed thriving artistic careers. Both Anna and Sarah assisted their father in the studio by painting fabric on their fathers’ portraits, such as shawls and drapery.

Rosalba Peale

Rosalba Peale

In 1811, she began to exhibit her work at the Pennsylvania Academy of Fine Arts. Both Anna and Sarah were eventually named Academician of the Pennsylvania Academy of Fine Arts, and were the only women to ever receive that honor. In 1818, Anna was taken to Washington D.C. by her father to paint portraits of General Andrew Jackson and James Monroe.

Portrait of a Man

Portrait of a Man

Anna had studios in both Philadelphia and Baltimore and often traveled to Washington D.C., Boston and New York. In general, the bulk of her oeuvre consists of miniature watercolor portraits painted on ivory. However, she was also known to paint still life paintings, and had a great talent for them. These paintings are said to be beautifully executed and very few, and to find one would be a rare treasure.

Still Life

Still Life

Peale eventually married the Reverend William Straughton in 1829, but he tragically died only a few short months after their wedding. Anna married again in 1841 and it is said that she gave up painting shortly thereafter.

Today, her miniature portraits are owned in public and private collections throughout the United States, and perhaps in your own home. Still wondering about a family heirloom miniature portrait hanging in your home? Contact us…it could be by Anna Claypoole Peale.


done
1023--bacarisas.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bacarisas" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bacarisas" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1024--boch.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "boch" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "boch" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "boch" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "boch" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1025--villers.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "villers" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "villers" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "villers" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "villers" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1026--torres-garcia-espanol.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "torres-garcia-espanol" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "torres-garcia-espanol" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1027--herring.php John Frederick Herring, Sr. Artwork Authentication & Art Appraisal

John Frederick Herring, Sr. (1795 – 1865)

Get a Herring Certificate of Authenticity for your painting (COA) for your Herring drawing.

For all your Herring artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Herring Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Herring painting or drawing.

If you want to sell your Herring painting or drawing use our selling services. We offer Herring selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Herring and issuing certificates of authenticity since 2002. We are recognized Herring experts and Herring certified appraisers. We issue COAs and appraisals for all Herring artworks.

Our Herring paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Herring certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Herring painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Herring paintings or drawings take longer.

Our clients include Herring collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John Frederick Herring, Sr. art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Frederick Herring, Sr. or we will sell it for you.

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Pyrrhus the First, 1846

John Frederick Herring, Sr., also known as John Frederick Herring I, was a painter, sign maker, and coachman in Victorian England. John F. Herring, Sr. is the painter of the 1848 “Pharoah’s Chariot Horses” (archaic spelling “Pharoah”). He amended his signature “SR” (senior) in 1836, with the growing fame of his teenage son (1 of 4) John Frederick Herring, Jr.

Herring, born in London in 1795, was the son of a London merchant of Dutch parentage, who had been born overseas in America. The first eighteen years of Herring’s life were spent in London, England, where his greatest interests were drawing and horses.[1] In the year 1814, at the age of 18, he moved to Doncaster in the north of England, arriving in time to witness the Duke of Hamilton’s “William” win the St. Leger Stakes horserace. By 1815, Herring had married Ann Harris; his sons John Frederick Herring, Jr., Charles Herring, and Benjamin Herring were all to become artists, while his two daughters, Ann and Emma, both married painters.

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The Watering Place

In Doncaster, England, Herring was employed as a painter of inn signs and coach insignia on the sides of coaches, and his later contact with a firm owned by a Mr. Wood led to Herring’s subsequent employment as a night coach driver. Herring spent his spare time painting portraits of horses for inn parlors, and he became known as the “artist coachman” (at the time). Herring’s talent was recognized by wealthy customers, and he began painting hunters and racehorses for the gentry.

In 1830, John Frederick Herring, Senior left Doncaster for Newmarket, England, where he spent three years before moving to London, England. During this time, Herring might have received tuition from Abraham Cooper. In London, Herring experienced financial difficulties and was given financial assistance by W. T. Copeland, who commissioned many paintings, including some designs used for the Copeland Spode bone china. In 1840-1841, Herring visited Paris, painting several pictures, on the invitation of the Duc d’Orleans (the Duke of Orleans), son of the French King Louis-Phillipe.

Returning to London in 1818, Hayter practiced as a portrait painter in oils and history painter. Dubbed ‘The Phoenix’ by William Beckford, Hayter showed a pomposity that irritated his fellow artists, but he mixed freely with many aristocratic families. His unconventional domestic life (separated from his wife, yet living with his mistress) set him apart from official Academy circles: he was never elected to the Royal Academy.

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Greyhound and Spaniel

In 1845, Herring was appointed Animal Painter to HRH the Duchess of Kent, followed by a subsequent commission from the ruling Queen Victoria, who remained a patron for the rest of his life.

In 1853, Herring moved to rural Kent in the southeast of England and stopped painting horse portraits. He spent the last 12 years of his life at Meopham Park near Tonbridge, where he lived as a country squire. He then broadened his subject matter by painting agricultural scenes and narrative pictures, as well as his better known sporting works of hunting, racing and shooting.

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Pharaos Horses

A highly successful and prolific artist, Herring ranks along with Sir Edwin Landseer as one of the more eminent animal painters of mid-nineteenth (19th) century Europe. The paintings of Herring were very popular, and many were engraved, including his 33 winners of the St. Leger and his 21 winners of the Derby. Herring exhibited at the Royal Academy from 1818-1865, at the British Institution from 1830-1865, and at the Society of British Artists in 1836-1852, where Herring became Vice-President in 1842.

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After Work

Herring created hundreds of paintings which were acknowledged during his lifetime. Still wondering about a painting in your family collection? Contact us…it could be by John Frederick Herring, Sr.


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1028--cooper-abraham.php Abraham Cooper Artwork Authentication & Art Appraisal

Abraham Cooper (1787-1868)

Get a Cooper Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Cooper artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Cooper Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cooper painting, drawing or print.

If you want to sell your Cooper painting, drawing or print use our selling services. We offer Cooper selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cooper and issuing certificates of authenticity since 2002. We are recognized Cooper experts and Cooper certified appraisers. We issue COAs and appraisals for all Cooper artworks.

Our Cooper paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cooper certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cooper painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cooper paintings or drawings take longer.

Our clients include Cooper collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Abraham Cooper art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Abraham Cooper or we will sell it for you.

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Crib and Rosa 1811

Abraham Cooper was an English animal and battle painter. He was born in London and was the son of a tobacconist. At the age of thirteen he became an employee at Astley’s Amphitheatre, and was afterwards groomed in the service of Sir Henry Meux. When he was twenty-two, wishing to possess a portrait of a favorite horse under his care, he bought a manual of painting, learned something of the use of oil-colours, and painted the picture on a canvas hung against the stable wall. His master bought it and encouraged him to continue in his efforts. He accordingly began to copy prints of horses, and was introduced to Benjamin Marshall, the animal painter, who took him into his studio, and seems to have introduced him to the Sporting Magazine, an illustrated periodical to which he was himself a contributor.

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Tam O’Shanter

In 1814 he exhibited his Tam o’shater, and in 1816 he won a prize for his Battle of Ligny. In 1817 he exhibited his Battle of Marston Moor and was made associate of the Academy, and in 1820 he was elected Academician. Cooper, although ill-educated, was a clever and conscientious artist; his colouring was somewhat flat and dead, but he was a master of equine portraiture and anatomy, and had some antiquarian knowledge. He had a special fondness for Cavalier and Roundhead pictures.

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Elis Race Horse

Still wondering about a British painting in your family collection? Contact us…it could be by Abraham Cooper.


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1029--reinoso.php Jorge Vinatea Reinoso Artwork Authentication & Art Appraisal

Jorge Vinatea Reinoso (1900-1931)

Get a Reinoso Certificate of Authenticity for your painting (COA) for your Reinoso drawing.

For all your Reinoso artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Reinoso Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Reinoso painting or drawing.

If you want to sell your Reinoso painting or drawing use our selling services. We offer Reinoso selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Reinoso and issuing certificates of authenticity since 2002. We are recognized Reinoso experts and Reinoso certified appraisers. We issue COAs and appraisals for all Reinoso artworks.

Our Reinoso paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Reinoso certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Reinoso painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Reinoso paintings or drawings take longer.

Our clients include Reinoso collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jorge Vinatea Reinoso art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jorge Vinatea Reinoso or we will sell it for you.

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Arequipa 1930

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Watercolor-Carnival 1924

Reinoso was born in Arequipa. His first exhibition was in 1917, and by 1918 he had moved to Lima. There, from 1919 to 1924, he was taught by painter Daniel Hernández at the Escuela Nacional de Bellas Artes. He worked for a while as an art critic and caricaturist and in 1925 attained a teaching job at the Escuela Nacional de Bellas Artes.

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Chacareros de Arequipa 1928

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Vendedoras de Totora 1930

As a cartoonist, in 1922 he created the first peruvian comic strip series to use speech balloons: Pranks by Serrucho y Volatín.

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El Senor de los Milagros 1924

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Sachaca vista desde el Cerro de la Aparecida 1926

Reinoso took advantage of the plot of the fabric, incorporating it into the composition. The effects of the fabric appears under the caps of painting, allow him to build his characteristic way of representing the space. “Procesión Serrana” (Procession at the Mountain) is an example of the way in which Vinatea managed this resource. Drawing on the raw fabric, he designed the shades in the architecture of Checacupe’s church. The imprecision of the lines reinforces the effect of light vibration that floods the linen, but it is undoubtedly in the scenes of the lake where he strongly incorporates the use of the fabric into the composition. Painted on jute, these linens complement the plot of the fabric with the selective use of thick fillings that force us to alternate constant between the support and the depth of the represented space. All of this makes sense in the decorative effect of Reinoso’s painting, when he incorporates numerous designs that create the sensation of a tapestry.

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Estudio de Mujer Indigena 1920

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Procesion Serrana 1926

Reinoso died in his hometown of Arequipa, and today, his works are housed in public and private collections world wide. Still wondering about a Peruvian painting in your family collection? Contact us…it could be by Jorge Vinatea Reinoso.


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1030--soberon.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "soberon" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "soberon" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1031--de-quiros.php Cesáreo Bernaldo de Quirós Artwork Authentication & Art Appraisal

Cesáreo Bernaldo de Quirós (1881-1968)

We Perform Cesáreo Bernaldo De Quirós art authentication. Cesáreo Bernaldo De Quirós appraisal. Cesáreo Bernaldo De Quirós certificates of authenticity (COA). Cesáreo Bernaldo De Quirós analysis, research, scientific tests , full art authentications. We will help you sell your Cesáreo Bernaldo De Quirós or we will sell it for you.

Cesáreo Bernaldo de Quirós, Cesáreo Bernaldo de Quirós

Born in Argentina, in the city of Gualeguay, Entre Ríos province, on May 27, 1881.

Cesáreo Bernaldo de Quirós, Papelillos- 1946 – óleo sobre tela – 116 x 104 cm
Papelillos- 1946 – oil on canvas – 116 x 104 cm

From a young age his love for painting began. At the age of 13 he entered the workshop of the Valencian Nicolau Cotanda and three years later he entered the Academy of the Stimulus Society of Fine Arts under the direction of teachers Angel Della Valle and Reynaldo Giúdice.

After receiving the Rome Prize and with only twenty years old, the Argentine government scholarships him to travel to Italy. There it is perfected and even receives a mention at the Venice Biennale in 1901 with the large-scale work “Back from Fishing”. In 1905 he traveled to Spain and contacted Zuloaga and Sorolla, then followed Paris, Florence and Sardinia.

Cesáreo Bernaldo de Quirós, Los Pescadores – 1904 - óleo sobre tela , 95 x 145 cm
The Fishermen – 1904 – oil on canvas, 95 x 145 cm.

He returned to his country in 1906. He joined the Nexus group and obtained the Grand Prize and Gold Medal at the Centennial International Art Exhibition (1910).

Cesáreo Bernaldo de Quirós, La Alameda de los Enamorados, 1908 – Mallorca- 151 x 161 cm
The Alameda de los Enamorados, 1908 – Mallorca- 151 x 161 cm

He travels again to Europe, where he stays for five years and performs some of his most beautiful works, both in Florence and in Mallorca. He returned to Argentina to settle in his hometown (1916-1927), where he produced a clearly gaucho work unprecedented in the figurative arts of Argentina. Under the title “Los gauchos” he exposes the result of his work, in 1927, in Los Amigos del Arte. With these paintings he will have to travel, later, Spain, the United States and Canada. Many of these works are vast canvases in which scenes and types of the entrerriano past are painted – gauchos, montoneros, patterns of stay – with a bombastic spirit and a conventionally idealizing vision.

Cesáreo Bernaldo de Quirós, El Embrujador, 1919, óleo sobre tela, 111,5 x 91 cm
The Bewitcher, 1919, oil on canvas, 111.5 x 91 cm

From the strictly pictorial point of view, Quirós is a tributary of the realistic currents, literary in tone and a little theatrical, coming from Spain and Italy at the turn of the century. Estimable draftsman, he has energy, for works of great encouragement, of vast dimensions and his color, sometimes a little noisy, it fades and achieves happier harmonizations in smaller works, where he deals with subjects of lower aspirations.

Cesáreo Bernaldo de Quirós, Mesa de Te, Villalinda, Florencia, óleo sobre tela, 125 x 141 cm
Tea table, Villalinda, Florence, oil on canvas, 125 x 141 cm

Complete artist, he covered all genres: figures, landscapes, still lifes, allegorical works.

He was a professor at the National School of Decorative Arts and president of the National Academy of Fine Arts.

In 1942, he acquired a large tract of land over the ravines of the Paraná River, near the city of the same name, creating a museum with a vast collection of weapons, furniture, decorations and objects of great artistic value.

Cesáreo Bernaldo de Quirós, Julia, 1945, óleo sobre tela, 75 x 65 cm
Julia, 1945, oil on canvas, 75 x 65 cm

He obtained numerous distinctions in the country and abroad, his work being especially valued by national and foreign collectors.

Cesáreo Bernaldo de Quirós, La llegada – 1918 – óleo sobre tela 35 x 64 cm.
The arrival – 1918 – oil on canvas 35 x 64 cm.

The last years of his life he lived in Vicente López, in Buenos Aires, and died on May 29, l968.

Are you still wondering if your painting may be by Bernaldo de Quirós? Get in contact with us … maybe it is and we can confirm it … we are experts in this author.


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1032--nicholson.php Ben Nicholson Artwork Authentication & Art Appraisal

Benjamin Lauder Nicholson (1894 – 1982)

Get a Nicholson Certificate of Authenticity for your painting (COA) for your Nicholson drawing.

For all your Nicholson artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Nicholson Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Nicholson painting or drawing.

If you want to sell your Nicholson painting or drawing use our selling services. We offer Nicholson selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Nicholson and issuing certificates of authenticity since 2002. We are recognized Nicholson experts and Nicholson certified appraisers. We issue COAs and appraisals for all Nicholson artworks.

Our Nicholson paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Nicholson certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Nicholson painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Nicholson paintings or drawings take longer.

Our clients include Nicholson collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Benjamin Lauder Nicholson art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Benjamin Lauder Nicholson or we will sell it for you.

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St. Ives, Cornwall, 1943-1945

Ben Nicholson was an English abstract painter born in the village of Denham in Buckinghamshire. Nicholson was the son of the painter Sir William Nicholson and the brother of Nancy Nicholson. The family moved to London in 1896, and Nicholson was educated as a boarder at Gresham’s School in Holt, Norfolk.

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Sketch of a Tree

He travelled to New York in 1917 for an operation on his tonsil and returned to England in 1918 after visiting other American cities. From 1920 to 1938, he was married to the painter Winifred Nicholson and lived in London. After his first exhibition of figurative works in London in 1922, his work began to be influenced by Synthetic Cubism and later by the primitive style of Rousseau. In London, Nicholson met the sculptors Barbara Hepworth (to whom he was married from 1933 to 1951) and Henry Moore. On visits to Paris, he met Mondrian, whose work in the neoplastic style was to influence him in an abstract direction, and Picasso, whose cubism would also find its way into his work. His gift, however, was the ability to incorporate these European trends into a new style that was recognizably his own. He first visited St Ives, Cornwall in 1928, where he met the fisherman and painter, Alfred Wallis. In Paris in 1933, he made his first wood relief, know as White Relief, which contained only right angles and circles. In 1937, he was one of the editors of Circle, an influential monograph on constructivism. He believed that abstract art should be enjoyed by the general public, as shown by the Nicholson Wall, a mural he created for the garden of Sutton Place in Guildford, Surrey. In 1943, he joined the St. Ives Society of Artists, and a retrospective exhibition of his work was shown at the Tate Gallery in London in 1955.

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Three Circles and Red, 1960

Nicholson married the photographer Felicitas Vogler in 1957 and moved to Castagnola, Switzerland in 1958. In 1968, he received the British Order of Merit (OM). In 1971, he separated from Vogler and moved to Cambridge. He died in London in 1982 and was cremated at Golders Green Cemetery. Some of Nicholson’s works can be seen at the Tate St Ives gallery and at Kettle’s Yard Art Gallery in Cambridge.

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Piquet, 1933

Still wondering about a painting in your family collection? Contact us… we are the Ben Nicholson experts.


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1033--oriani.php Pippo Oriani Artwork Authentication & Art Appraisal

Pippo Oriani (1909-1972)

We Perform Pippo Oriani art authentication. Pippo Oriani appraisal. Pippo Oriani certificates of authenticity (COA). Pippo Oriani analysis, research, scientific tests, full art authentications. We will help you sell your Pippo Oriani or we will sell it for you.

Oriani painting, Portrait of a Man

Portrait of a Man

Oriani painting, La Donna Della Fabbrica 1935

La Donna Della Fabbrica, 1935

Pippo Oriani was an Italian painter and a member of the Futurist Movement, but he also created Abstract and Expressionistic mixed media compositions as well in a style that is recognizably all his own.

Oriani painting, Aeropaesaggio 1935

Aeropaesaggio, 1935

One can note the change throughout the decades by simply looking at his still life. Note his prominent signature “ORIANI” in all capital letters on the bottom right hand corner of the 1929 still life.

Oriani painting, Objects in a Window

Objects in a Window

Oriani used a number of mediums to create his compositions, including gouache, collage and crayon.

Oriani painting, Il Mandolino

Il Mandolino

Still wondering about an Italian abstract or Futurist piece hanging in your home? Contact us… we are the Pippo Oriani experts.


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1034--seurat.php Georges-Pierre Seurat Artwork Authentication & Art Appraisal

Georges-Pierre Seurat (1859-1891)

Get a Seurat Certificate of Authenticity for your painting (COA) for your Seurat drawing.

For all your Seurat artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Seurat Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Seurat painting or drawing.

If you want to sell your Seurat painting or drawing use our selling services. We offer Seurat selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Seurat and issuing certificates of authenticity since 2002. We are recognized Seurat experts and Seurat certified appraisers. We issue COAs and appraisals for all Seurat artworks.

Our Seurat paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Seurat certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Seurat painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Seurat paintings or drawings take longer.

Our clients include Seurat collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Georges-Pierre Seurat art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Georges-Pierre Seurat or we will sell it for you.

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La Chahut

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La Tracheron

Georges-Pierre Seurat was born on December 2, 1859, in Paris, France. He is considered the father of Neo-Impressionism, and the painting technique which came to be known as pointillism or divisionism.

Seurat studied in 1878 and 1879 at the Ecole des Beaux-Arts under a disciple of Jean-Auguste-Dominique Ingres. Seurat himself was heavily influenced by Francisco de Goya and Rembrandt.

After a year of service to the Brest Military Academy, Seurat studied black and white drawing. He exhibited the drawing, Aman-Jean, at the official Salon in 1883; but, when panels from his 79×118 inch painting, Une Baignade, Asnières (“Bathing at Asnieres”), were rejected by the Salon the following year, he and other artists founded the Societe des Artistes Independants. Seurat’s most well-known painting, Un dimanche après-midi à l’Ile de la Grande Jatte (“Sunday Afternoon on the Island of La Grande Jatte”), was the centerpiece of the Society’s first show.

Seurat’s paintings were considered a departure from much of the other art of his time because he was one of the first to use scientific principles to create aesthetically-pleasing works. Seurat was familiar with the writings of scientists such as Eugene Chevreul, Ogden Rood and David Sutter, who wrote about the effects of color on optical perception. Chevreul was among the first to explain that, when certain contrasting colors were placed in close proximity to one another, or even overlapped, the human eye perceives a third color when viewed from a distance. Seurat first began experimenting with this concept in “Bathing”, using, short, dotted dabs of pure color (this style became known as pointillism or divisionism), rather than mixing colors on the palette or on the canvas and using longer strokes, as was the Impressionist style. While most Impressionist painters completed their works as a whole (often even in one sitting), Neo-Impressionists like Seurat and his followers painstakingly planned out each inch of canvas. His largest work, “La Grande Jatte”, took over a year to complete.

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Sunday Afternoon on the Island of La Grande Jatte

Not much was known of Seurat’s personal life during his short lifetime. After his death, it was discovered he had a child by his mistress, Madeline Knoblock. Knoblock was the model for the piece, “Young Woman Powdering Herself”. Seurat’s own mother only met his mistress and child the day before he died of diphtheria, on March 29, 1891, at the age of 31.

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Young Woman Powdering Herself

Seurat created seven large pieces, 60 smaller works, and numerous drawings and sketchbooks. His seminal work, the 81×120-inch “Sunday Afternoon on the Island of La Grande Jatte”, is housed at the Art Institute of Chicago. In 1984, Stephen Sondheim created a musical, Sunday in the Park with George, inspired by the painting and Seurat’s life.

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The Bridge at Courbevoie

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Eiffel Tower

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1035--von_herkomer.php Sir Hubert von Herkomer Artwork Authentication & Art Appraisal

Sir Hubert von Herkomer (1849-1914)

We Perform Sir Hubert von Herkomer art authentication. Sir Hubert von Herkomer appraisal. Sir Hubert von Herkomer certificates of authenticity (COA). Sir Hubert von Herkomer analysis, research, scientific tests, full art authentications. We will help you sell your Sir Hubert von Herkomer or we will sell it for you.

von Herkomer, Portrait of John Couch Adams

Portrait of John Couch Adams

von Herkomer, Portrait of Dinah Maria Craik (born Mulock)

Portrait of Dinah Maria Craik (born Mulock)

Sir Hubert von Herkomer was a British painter born at Waal, in Bavaria. At the age of eight, Herkomer moved to England with his father, a wood-carver of great ability. He lived for some time in Southampton, where he began his art training. By 1866, he entered a more advanced program in a South Kensington Schoolm. A few years later in 1869, Herkomer exhibited for the first time at the Royal Academy.

von Herkomer, Portrait of Spencer Compton Cavendish, 8th Duke of Devonshire

Portrait of Spencer Compton Cavendish, 8th Duke of Devonshire

Herkomer was elected an associate of the Academy in 1879, and academician in 1890. Herkomer was also an associate of the Royal Society of Painters in Water Colours (1893), ans became a full member in 1894. Herkomer’s many accolades helped him to become a professor at Slade in Oxford.

von Herkomer, Portrait of Mendell Creighton

Portrait of Mendell Creighton

von Herkomer, Emilia Francis (born Strong)/ Lady Dilke

Emilia Francis (born Strong)/ Lady Dilke

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Early drawing from nature (1863)

Herkomer exhibited a number of memorable portraits, figure subjects and landscapes. He mostly worked in oil and watercolour, but achieved marked success as a worker in enamel, etching, mezzotint engravings and illustrative drawings. Herkomer opened his own school, The Herkomer School (Incorporated), at Bushey, which he founded in 1883 and directed without payment until 1904, when he retired.

Two of his paintings, Found (1885) and The Chapel of the Charterhouse (1889), are in the Tate Gallery. In the year 1907, he received the honorary degree of DCL at Oxford, and was knighted by the king, in addition to the commandership of the Royal Victorian Order.

Herkomer was also a pioneering filmmaker and established a studio in Lululaund, where he directed a number of historical costume dramas.

Still wondering about a 19th century painting in your family collection? Contact us… we are the Hubert von Herkomer experts.


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1036--del-cossa.php Francesco del Cossa Artwork Authentication & Art Appraisal

Francesco del Cossa (1430 – 1477)

Get a Del Cossa Certificate of Authenticity for your painting (COA) for your Del Cossa drawing.

For all your Del Cossa artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Del Cossa Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Del Cossa painting or drawing.

If you want to sell your Del Cossa painting or drawing use our selling services. We offer Del Cossa selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Del Cossa and issuing certificates of authenticity since 2002. We are recognized Del Cossa experts and Del Cossa certified appraisers. We issue COAs and appraisals for all Del Cossa artworks.

Our Del Cossa paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Del Cossa certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Del Cossa painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Del Cossa paintings or drawings take longer.

Our clients include Del Cossa collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francesco del Cossa art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Francesco del Cossa or we will sell it for you.

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Triumph of Venus, 1469-1470

Francesco del Cossa was an Italian early-Renaissance (or Quattrocento) painter of the School of Ferrara. He is known to have been the son of a stonemason in Ferrara. Although little is known about his early works, it is known that he traveled outside of Ferrara in his late twenties or early thirties.

Cossa is best known for his frescoes. One of the first records we have of him is in 1456 when he was an assistant to his father, Cristofano del Cossa, at that time employed in painting the carvings and statues on the high altar in the chapel of the bishop’s palace at Ferrara.

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Santa Lucia 1470

In conjunction with Cosimo Tura, Cossa is now known for fresco decoration of the summer pleasure villa/palazzo known as the Palazzo Schifanoia, located just outside the city gates. Together, they painted a series of the elaborate allegories around the themes of zodiacal signs and months of the year. These were only partially restored in the 20th century, and there are three that are reasonably assigned to Cossa. Of these, one of the most remarkable images is the horde of naked toddlers in the Allegory of May – Triumph of Apollo. Apparently a sign of springtime’s prolific blossoming, the crowded rows of babies mass like a phalanx of infantile Rockettes.

The Allegory of April has a depiction of the trio of Graces, one of the earliest Post-classical representations of the naked intertwined dancers in painting. Sandro Botticelli’s version in Primavera dates from 1482. See the 1501 version of the Three Graces (now at Chantilly). Assuming the date of death of Cossa is correct, this one must have been completed prior to the others.

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Fresco Detail

Unhappy that he had been paid by the square foot for his work for Duke Borso and complaining he was being paid the same as the “worst dauber in Ferrara”, Cossa left Ferrara for Bologna in 1470. In Bologna he obtained many commissions under the patronage of the Bentivoglio family. Here he painted his two masterpieces: the Virgin and Child with two saints and a portrait of Alberto de’ Catanei (1474) and fresco of the Madonna del Baracano, representing the Virgin and Child with portraits of Giovanni Bentivoglio and Maria Vinziguerra (1472).

In the National Gallery of London there is a picture by him representing St. Vincent Ferrer, an “Annunciation”, in the Dresden collection, which has been attributed to Pollaiuolo, and a fine profile portrait at Locko Park near Derby, said to represent Duke Ercole I of Ferrara. He executed stained glass windows in Bologna, the best of which is a circular window, in the church of San Giovanni in Monte, representing St. John in Patmos; this bears his signature.

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Polyhymnia

Still wondering about an Italian painting in your family collection? Contact us…it could be by Francesco del Cossa.


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1038--gerzso.php Günther Gerzso Wendland Artwork Authentication & Art Appraisal

Günther Gerzso Wendland (1915-2000)

Get a Gerzso Certificate of Authenticity for your painting (COA) for your Gerzso drawing.

For all your Gerzso artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gerzso Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gerzso painting or drawing.

If you want to sell your Gerzso painting or drawing use our selling services. We offer Gerzso selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gerzso and issuing certificates of authenticity since 2002. We are recognized Gerzso experts and Gerzso certified appraisers. We issue COAs and appraisals for all Gerzso artworks.

Our Gerzso paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gerzso certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gerzso painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gerzso paintings or drawings take longer.

Our clients include Gerzso collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Günther Gerzso Wendland art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Günther Gerzso Wendland or we will sell it for you.

Gunther Gerzso Wendland was a Hungarian-Mexican painter, designer, film director and screenwriter. Gerzso was born in Mexico City to parents of Hungarian and German heritage. Gerzso’s father died when he was a young child and Gerzso’s mother remarried a German man. Gerzso’s family returned to Europe during hard economic times, but returned to Mexico after a couple of years.

Gerzso, Opposite Dimension, 1998

Opposite Dimension, 1998

Gerzso’s mother had financial difficulties and sent him to live with his uncle in Switzerland. Gerzso’s uncle was an active artist and collector of such masters as Pierre Bonard, Rembrandt, Cezanne, Delacroix and Titian. As a teenager Gerzso met important artists like Paul Klee.

Gerzso, Landscape of Papantla

Landscape of Papantla

In 1931 Gerzso was again sent back to Mexico when economic difficulties hit Europe. In Mexico, Gerzso continued to do sketches and came up for set designs influenced by sets he saw in Europe. Gerzso got a job working at a local theater company run by Fernando Wagner.

Gerzso, White-Red-Orange, 1970

White-Red-Orange, 1970

In 1935 Gerzso was offered a scholarship to study in the United States at the Cleveland Playhouse where he made more than fifty set designs over the course of 4 years.

During the next two decades Gerzso made various set designs for Mexican, French and American films. Gerzso was praised for his skilled work, winning five Premios Ariel (Equivalent to an Oscar in Mexico). Projects Gerzso worked on included “El Indio”, “Un Dia de Vida” (1950), “Susana” (1951), “Una Mujer sin Amor” (1952), “El Rio y la Muerte” (1955), “Les Orgueilleux” (1953), “Under the Volcano” (1984).

Gerzso, Green-Blue-Yellow, 1969

Green-Blue-Yellow, 1969

During the thirties Gerzso started painting the dynamic performers he met in theater. Gerzso’s paintings showed an interesting mixture of Mexican and European influence. Painting did not become Gerzso’s primary occupation until his work was selected for an exhibition at the Cleveland Museum of Art where Gerzso’s work received positive reviews.

Gerzso, Blue-Green-Yellow, 1978

Blue-Green-Yellow, 1978

In Mexico City Gerzso became apart of the surrealist painting group that included Benjamin Péret, Leonora Carrington, Remedios Varo, Alice Rahon and Wolfgang Paalen. Octavio Paz considered Gerzso to be one of the greatest Latin American painters, along with Carlos Merida and Rufino Tamayo. Gerzso was awarded the Guggenheim Fellowship in 1973 and the Premio Nacional de Bellas Artes in 1978.

Our experts will be delighted to help you with art authentication or appraisal of your Gerzso paintings. Contact us, we are the Gerzso experts.


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1039--crisse.php Henri de Crisse Artwork Authentication & Art Appraisal

Henri Roland Lancelot Turpin de Crisse (1754-1800)

Get a Crisse Certificate of Authenticity for your painting (COA) for your Crisse drawing.

For all your Crisse artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Crisse Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Crisse painting or drawing.

If you want to sell your Crisse painting or drawing use our selling services. We offer Crisse selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Crisse and issuing certificates of authenticity since 2002. We are recognized Crisse experts and Crisse certified appraisers. We issue COAs and appraisals for all Crisse artworks.

Our Crisse paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Crisse certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Crisse painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Crisse paintings or drawings take longer.

Our clients include Crisse collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henri de Crisse art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Henri de Crisse or we will sell it for you.

Crisse painting, Lake at Lugano

Lake at Lugano

Henri de Crisse was an 18th century French painter. He mainly painted landscapes and city scenes.

Still wondering about an 18th century French landscape? Contact us…it could be by Henri de Crisse.


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1040--cantu.php Federico Cantú Artwork Authentication & Art Appraisal

Federico Cantú (1907-1989)

Federico Cantú art authentication. Federico Cantú appraisal. Federico Cantú certificates of authenticity (COA). Federico Cantú analysis, research, scientific tests, full art authentications. We will help you sell your Federico Cantú or we will sell it for you.

Cantu, Mother and Son

Mother and Son

Cantu, Anniversary poster

Anniversary poster

Federico Cantú was a painter, muralist and printmaker born in the state of Nuevo León in Mexico. In 1922 Cantú attended the School of Open Air Painting, directed by Alfredo Ramos Martinez. In contrast to other artists of his time, Cantú followed an academic path in his painting, sculpture and mural techniques.

Cantu, Daphne and the Bathers, 1929

Daphne and the Bathers, 1929

For ten years between 1924 and 1934, Cantú lived in Europe and the United States. Cantú exhibited for the first time in the Exposition Park Museum in Los Angeles, California. Cantú also took part in a variety of collective exhibitions in New York City.

Cantu, Weddings of Canan, 1953

Weddings of Canan, 1953

When Cantú returned to Mexico City he began to work as a printmaker with Carlos Alvarado Lang. Cantú frequently used an intaglio technique called “dry point”. This method of printmaking involves scratching directly into copper plates that are later printed with rich, oil inks. Cantú presented his work in the Palacio de Bellas Artes in Mexico City, which is a very prestigious location to exhibit. Cantú often returned to the United States to exhibit, and taught classes at the University of California.

Cantu, Triumph of Death

Triumph of Death

Cantú was known for the historic and religious content in his work. Cantú referenced times of antiquity and biblical passages. Cantú used a muted palette of ochres and umbers, conveying a serious tone in his work.

Cantu, stone relief

stone relief

In the 1950s onward, Cantú concentrated on public work, including murals, relief work and sculpture. Cantú had many commissions, including a piece for the Mexican Institute of Social Security.

Federico Cantú plays an important role in Mexican art of the twentieth century. Cantú’s work can be seen in collections throughout Mexico and the United States. Do you think you own a Federico Cantú? Contact us. We are the Cantú experts.


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1041--giacometti.php Alberto Giacometti Artwork Authentication & Art Appraisal

Alberto Giacometti (1901-1966)

Get a Giacometti Certificate of Authenticity for your painting or a COA for your Giacometti drawing, print or sculpture.

For all your Giacometti artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Giacometti Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Giacometti painting, drawing, print or sculpture.

If you want to sell your Giacometti painting, drawing, print or sculpture use our selling services. We offer Giacometti selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Giacometti and issuing certificates of authenticity since 2002. We are recognized Giacometti experts and Giacometti certified appraisers. We issue COAs and appraisals for all Giacometti artworks.

Our Giacometti paintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Giacometti certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Giacometti painting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Giacometti paintings, drawings or sculptures take longer.

Our clients include Giacometti collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alberto Giacometti art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Alberto Giacometti or we will sell it for you.

Surrealist painter and sculptor Alberto Giacometti is considered the voice of Existentialism in the art community. Swiss born but Italian tongued, Giacometti was the son of famous painter Giovanni Giacometti, and fostered a love of art from a very young age.

Known for his tall and skinny sculptures, Giacometti has the distinctive style of making his subjects’ heads small and un-proportioned to their bodies. This can be seen in the majority of his sketches and oil paintings, as well as his sculptures. This is due to a problem that he fostered while attempting to draw a still life of pears. To him, no matter how far away the pears were, he would still draw them small. Therefore, Giacometti adopted his own style of small heads partially due to his inability to draw proportions and scale.

He attended the School of Arts and Crafts in Geneva, and the Ecole de la Grande Chaumiére, where he studied in Paris. In his early attempts at sculpture, to his dismay, Giacometti could only produce tiny, matchbox-sized sculptures in order to get his dimensions right. There are perhaps less than a dozen of these in existence, because after World War Two, he was able to produce larger sculptures, in his long and skinny style. His sculpture also reflects his views of the post-war world; none of his subjects make eye contact in group sculptures, and have an introverted feel. He used what is called a “plastic” technique, which is a method rooted in the ideals of Cubism. Through science, math and geometry, Giacometti created sculptures that were “plastic,” meaning real, yet ever changing in it’s own environment. Through the “plastic” technique, one could create a work of visual art that was a representation of real life, yet took on a new and different meaning every time you looked at it.

Through his friendship with French Existentialist Jean-Paul Sartre, Giacometti became involved with Existentialism. His surrealist paintings and sculptures are highly reflective of this. The Existentialist ideals of “The Real World” were often played out in his works. Existential pessimism is echoed throughout his work and can be seen in the emaciated bodies and haunting, dismal expressions of his subjects.

Many of his sculpture works take on serious subjects, such as “Invisible Object-(Hands Holding the Void)” (1932), which portrays a masked little girl, naked and feet bound; her hands in an inviting position. The bronzed sculpture “Woman with her Throat Cut” (1932) also bears an obvious example of the type of message that Giacometti portrayed, showing a victimized woman in a gruesome display of sex and death. This is in tune with his Surrealist styling, as other famous surrealists like Salvador Dali also embraced sex and death themes in their work. However, after the mid-thirties, Giacometti departed from Surrealism.

While Giacometti’s sculptures are featured in museums around the world, such as the Museum of Modern Art in New York, it is his Surrealist paintings and sketches that he is lesser known for. His style of sculpting is very distinct, and even a novice art appreciator could identify his sculptures. However, his sketching and painting varied, and his lithographs and etchings were very rare. Giacometti made a return to printing and sketching in the late 1950s, and his work even appeared in magazines, such as “The Tree” which appeared in Verve. Giacometti had no rhyme or reason when it came to signing his work—some are signed, while others simply are not. Most commonly, his prints are signed and numbered, but it is said that he produced at least 150 unsigned prints from 1957-1962. He produced around 350 prints in his lifetime, many of which were commissioned for magazines and other publications. It is quite possible that many etchings and lithographs exist, unsigned and unidentified as true Giacometti’s.In his lifetime, Giacometti’s work was in high demand by the elite, who clamored over his avant-garde style. Currently, his sculptures are set for auction at Sotheby’s starting at $55,000-$100,000.


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1042--mendez.php Leopoldo Méndez Artwork Authentication & Art Appraisal

Leopoldo Méndez (1902 – 1969)

Do you think you may own a print by Leopoldo Méndez?

Get a Méndez Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Méndez artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Méndez Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Méndez painting, drawing or print.

If you want to sell your Méndez painting, drawing or print use our selling services. We offer Méndez selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Méndez and issuing certificates of authenticity since 2002. We are recognized Méndez experts and Méndez certified appraisers. We issue COAs and appraisals for all Méndez artworks.

Our Méndez paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Méndez certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Méndez painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Méndez paintings or drawings take longer.

Our clients include Méndez collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Leopoldo Méndez art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Leopoldo Méndez or we will sell it for you.

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Portrait

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Scene from print studio

Leopoldo Mendez was born in Mexico City, Mexico in 1902. Mendez was a printmaker and activist in political and artistic groups. Mendez was a founding member and leader of the Taller de Gráfica Popular (Popular Graphic Arts Workshop) in Mexico.

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Lo-Que Puede Venir

As a student, Mendez learned to use printmaking techniques to communicate his ideas. Mendez is most known for his woodblock prints, sometimes integrated with text. In addition to prints, Mendez created many murals, which effectively portrayed his views to the public. Many of his murals were later destroyed.

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Snake emblem

The art of Mendez was not to be an idealized or utopian view of the past, neither was it Mendez’s dream of the future. Mendez was interested in raising awareness about present injustices and social causes.

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Political illustration

Mendez’s prints confronted political issues, such as the Mexican Revolution, Fascism in Europe, socialized education and injustices provoked by capitalism. Mendez is one of the great Mexican artists of the twentieth century. Mendez was a master oh the graphic arts, creating incredibly strong images. Do you think you own a Leopoldo Mendez? Contact us. We are the Mendez experts.


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1043--scoppetta.php Pietro Scoppetta Artwork Authentication & Art Appraisal

Pietro Scoppetta (1863-1920)

Do you think you may own a painting by Pietro Scoppetta?

Get a Scoppetta Certificate of Authenticity for your painting (COA) for your Scoppetta drawing.

For all your Scoppetta artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Scoppetta Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Scoppetta painting or drawing.

If you want to sell your Scoppetta painting or drawing use our selling services. We offer Scoppetta selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Scoppetta and issuing certificates of authenticity since 2002. We are recognized Scoppetta experts and Scoppetta certified appraisers. We issue COAs and appraisals for all Scoppetta artworks.

Our Scoppetta paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Scoppetta certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Scoppetta painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Scoppetta paintings or drawings take longer.

Our clients include Scoppetta collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pietro Scoppetta art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pietro Scoppetta or we will sell it for you.

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The Rest

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Seascape

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View of Port Amalfi

Pietro Scoppetta was a late 19th century Italian artist. Scoppetta spent many years in Paris, and therefore his style is heavily influenced by many French styles, particularly Impressionism.

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Via di Parigi

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Veduta di Parigi

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La Parigina

As a result of spending so much time in France, his oeuvre is dominated by French scenes and portraits of French ladies. These scenes were typical depictions of the “Belle Epoque,” however; he was one of the few Italian painters to be creating this kind of fashionable scene in Paris at the time.

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Elegant Figures in 18th Century Costume on a Wooded Path

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Idillio

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Portrait of a Woman

However, Scoppetta did not limit himself to painting just whimsical scenes of beautiful urban ladies of fashion, and created Impressionist style country scenes as well.

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Women in the Country 1908

Today, Scoppetta’s work is housed in public and private collections worldwide and perhaps in your own home. Still wondering about an Italian Impressionist or French Belle Epoque scene in your family’s estate? Contact us…it could be by Pietro Scoppetta.


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1044--il-pordenone.php Il Pordenone Artwork Authentication & Art Appraisal

Il Pordenone (1483-1539)

Il Pordenone art authentication. Il Pordenone appraisal. Il Pordenone certificates of authenticity (COA). Il Pordenone analysis, research, scientific tests, full art authentications. We will help you sell your Il Pordenone or we will sell it for you.

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St. Sebastian, St. Roch and St. Catherine

Il Pordenone, by name of Giovanni Antonio de’ Sacchis, was an Italian painter of the Venetian School, active during the Renaissance. Vasari, his main biographer, identifies him as Giovanni Antonio Licinio.

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Saint Bonaventure, 1530

He was commonly named “Il Pordenone” from having been born in 1483 at Corticelli, a village near Pordenone in Friuli. He ultimately dropped the name of Licinio, having quarrelled with his brothers, one of whom had wounded him in the hand. After this incident, he then called himself Regillo, or De Regillo. Others say he once took up his maternal name of Cuticelli. His signature runs Antonius Portunaensis, or De Portunaonis. He was deemed a cavalier by Charles V.

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Saint Louis of Toulouse, 1530

As a painter, Pordenone was a scholar of Pellegrino da San Daniele but a leading influence on his style was Giorgione. The popular story that he was a fellow pupil with Titian under Giovanni Bellini is false. The district about Pordenone had been somewhat fertile in capable painters, but Pordenone is the best-known, a vigorous chiaroscurist and flesh painter. The 1911 Britannica states that “so far, as mere flesh-painting is concerned, he was barely inferior to Titian in breadth, pulpiness and tone”. The two were rivals for a time, and Licinio would sometimes affect to wear arms while he was painting. He excelled in portraits and was equally at home in fresco and in oil color. He executed many works in Pordenone and elsewhere in Friuli, Cremona, and Venice. At one time, he settled in Piacenza, where one of his most celebrated church pictures, St. Catherine Disputing with the Doctors in Alexandria is located. The figure of St. Paul, in connection with this picture, is his own portrait.

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St. Catherine Disputing with the Doctors in Alexandria

He was invited by Duke Ercole II of Ferrara to court and soon afterwards, he died in Ferrara in 1539, not without suspicion of poison. His later works are comparatively careless and superficial, and generally he is better in male figures than in female. The latter being somewhat too sturdy, and the composition of his subject pictures is scarcely on a level with their other merits. Pordenone appears to have been a vehement self-asserting man, to which his style as a painter corresponds.

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Madonna and Child Enthroned with Saints

Three of his principal pupils were Bernardino Licinio, named Il Sacchiense, his son-in-law Pomponio Amalteo, and Giovanni Maria Calderari.

Partial anthology of works:

  • Study of the Martyrdom of Saint Peter Martyr, (1526, John Paul Getty Museum)
  • Saint Bonaventure, (National Gallery, London)
  • Saint Louis of Toulouse, (National Gallery, London)
  • Saints Prosdocimus & St. Peter, (1516, North Carolina Museum of Art, Raleigh).
  • Golgotha, (1520-21, fresco, Cathedral of Cremona)
  • Madonna and Child Enthroned with Saints, (c. 1525, Parish Church, Susegana, Treviso)
  • St. Lorenzo Giustiniani and Other Saints, (1532, originally in S. Maria dell’Orto, now Gallerie dell’Accademia, Venice)
  • Madonna and Child Enthroned with Saints, (1525)
  • Saint Martin and Saint Christopher, (1528-29, Church of San Rocco, Venice)
  • San Lorenzo Giustiniani & Two Friars with Saints, (1532, Galleria dell’Accademia, Florence)
  • Saints Sebastian, Roch and Catherine, (1535, Church of San Giovanni Elemosinario, Venice)
  • Madonna and Child Enthroned with Saints, (1525, Parish Church, Grandcamp, France)
  • The dispute of Saint Catherine with Pagan Philosophers, (Cathedral of Piacenza)
  • San Gottardo and Saints Sebastian and Rocco, (Museo Civico d’Arte, Pordenone)
  • Saint Catherine and Martyrs, (Museo Civico di Conegliano)
  • Drawings from Ambrosiana Library, Milan
  • Magi, (Treviso Cathedral)

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Golgotha, Fresco, Cathedral of Cremona, 1520-1521

Still wondering about an Italian painting in your family collection? Contact us…it could be by Il Pordenone.


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1045--kliun.php Ivan Kliun Artwork Authentication & Art Appraisal

Ivan Kliun (1873-1943)

Get a Kliun Certificate of Authenticity for your painting or a COA for your Kliun drawing or sculpture.

For all your Kliun artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Kliun Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kliun painting, drawing or sculpture.

If you want to sell your Kliun painting, drawing or sculpture use our selling services. We offer Kliun selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kliun and issuing certificates of authenticity since 2002. We are recognized Kliun experts and Kliun certified appraisers. We issue COAs and appraisals for all Kliun artworks.

Our Kliun paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kliun certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kliun painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kliun paintings, drawings or sculpture take longer.

Our clients include Kliun collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ivan Kliun art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ivan Kliun or we will sell it for you.

Self-Portrait 1909-1910

Self-Portrait 1909-1910

Composition 1917

Composition 1917

Ivan Kliun was a painter, graphic artist and sculptor born near Kiev, Russia. Kliun was initially a book-keeper with a penchant for drawing, and became involved in art relatively later in life than his contemporaries. He received formal training in the 1890’s in Warsaw, as well as the Academy of Arts in St. Petersburg before meeting Kasimir Malevich at Rerberg’s studio in Moscow.

Composition

Composition

Composition with Circle

Composition with Circle

Akva

Akva

Malevich introduced the provincial Kliun to the Russian avant-garde, which he embraced with enthusiasm. Exhibiting from 1910 (not least with the Union of Youth group), he demonstrated great competence in the new modes, often described as Cubo-Futurism. By 1915 he was producing works in the “Suprematist” style, which featured geometric shapes, and very simple forms, such as a single black circle on a blank canvas. These date mainly from the period 1915-24. He held an official position in art teaching after the revolution until 1921.

Ozonator 1914

Ozonator 1914

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Portrait of a Woman
Courtesy The Lili Brochetain Collection

Kliun is still thought of as a minor figure in Russian art and one could not regard him as innovative. His trajectory matched so many artists post-1905: from academic art to the eager pursuit of the various concurrent artistic revolutions/movements which burgeoned before and during WWI. Popova and Brancusi are but two examples. He had the misfortune however of being committed to the Russian revolution, a revolution which at first liberated and then enslaved Russian artists. He had little choice- with the rise of Stalin it was Socialist Realism, emigration or death. Socialist Realism was the usual choice made by leftist artists- the alternative was to abandon the revolution. He died isolated and no doubt alienated in 1942.

Fairy Tale 1910

Fairy Tale 1910

Sketch of Faces

Sketch of Faces

With the renewed interest in avant-garde Russian art and the Russian nuevo-riche who have fuelled the massive price rises, Kliun is receiving considerable attention from the market. Unfortunately, he is also attracting attention from forgers for the same reason. His simpler abstract works are easy to fake, though these fakes would in no way match the compositional clarity which marks Kliun’s work.

Construction

Construction

Suprematist Construction

Suprematist Construction

Untitled

Untitled

However, Kliun also created other compositions distinctly different from that of his “Suprematist” style, including landscapes painted “en plein air” (outdoors) in the Impressionist style. These landscapes reflected the countryside where he lived, and were often a striking contrast to the majority of the body of his work. His landscapes painted during the years 1914-1915 have been compared to the style of Gaugin, and some were even copied directly from French landscapes. While some artists may have only painted in one style at a time, Kliun created Suprematist compositions and Impressionistic landscapes in tandem.

The Townscape 1911

The Townscape 1911

Still Life with Flowers and a Jug

Still Life with Flowers and a Jug

Today, Kliun’s work is housed in modern art museums all over the world, and perhaps in your own home. Still wondering about a Russian Impressionist landscape or Suprematist piece in your family estate? Contact us…it could be by Ivan Kliun.


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1046--polk.php Charles Peal Polk Artwork Authentication & Art Appraisal

Charles Peale Polk (1767-1822)

Do you think you may own a painting by Charles Peal Polk?

We Perform Charles Peale Polk art authentication. Charles Peale Polk appraisal. Charles Peale Polk certificates of authenticity (COA). Charles Peale Polk analysis, research, scientific tests, full art authentications. We will help you sell your Charles Peale Polk or we will sell it for you.

Self-Portrait 1777

Self-Portrait

Charles Peal Polk was an early American artist, born in Maryland, and the nephew of painter Charles Willson Peale. He was orphaned as a young boy and sent to live in Philadelphia with his uncle, who also became his teacher and mentor. He came from a long line of successful painters, but sadly, Polk never found as much success as his uncle. Polk spent many of his early years as a painter copying his uncles’ work, as well as his own for practice. It is even said that Polk copied his own portrait of George Washington nearly sixty times.

Washington

Washington

Washington II

Washington II

As a young man, Polk moved to Baltimore and presented himself as a portrait painter, advertising his services in local newspapers. However, he did not find much success in Baltimore and ended up back in Philadelphia painting houses after only a few short years. However, he continued to pursue the arts and had a moderately successful career nonetheless.

Barnard Gratz

Barnard Gratz

Joseph Howell Jr

Joseph Howell Jr

In 1793, Polk attempted to open up an art school at his home, and seven years later he held his first exhibition in Baltimore. That same year he moved to Washington D.C. where he was a government official. It is suggested by art historians that Polk may have taught another famous painter of the period, Joshua Johnson, because the two have strikingly similar styles.

Mrs. Diana James Lawson 1794

Mrs. Diana James Lawson 1794

Polk painted the portraits of many important figureheads in America’s history such as Benjamin Franklin, Thomas Jefferson and George Washington. Art historians surmise that he was active from roughly 1787 until 1818, when he could no longer support himself as an artist. However, after 1818 he continued to paint in the form of “verre eglomise” which is, essentially, painting on glass.

Thomas Jefferson

Thomas Jefferson

George Washington

George Washington

Most of the sitters in Polk’s paintings appear to have stiff arms and legs, another quality of Joshua Johnson’s paintings, which is perhaps why historians think that Johnson may have studied under Polk. In most cases, his sitters were also given vacant, blank expressions. It is not likely that he painted many landscapes or still life paintings, as portraits were in such high demand during his lifetime. Today, Polk’s paintings are housed in museums all over New England, and perhaps in your own home. Still wondering about that heirloom portrait hanging in your family’s estate? Contact us…it could be by Charles Peale Polk.


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1047--joli.php Antonio Joli Artwork Authentication & Art Appraisal

Antonio Joli (1700-1777)

Get a Joli Certificate of Authenticity for your painting (COA) for your Joli drawing.

For all your Joli artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Joli Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Joli painting or drawing.

If you want to sell your Joli painting or drawing use our selling services. We offer Joli selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Joli and issuing certificates of authenticity since 2002. We are recognized Joli experts and Joli certified appraisers. We issue COAs and appraisals for all Joli artworks.

Our Joli paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Joli certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Joli painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Joli paintings or drawings take longer.

Our clients include Joli collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Antonio Joli art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Antonio Joli or we will sell it for you.

Joli painting, Architectural Painting with Figures

Architectural Painting with Figures

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Rome

Antonio Joli was an 18th century Italian painter, who mainly painted landscapes and city scenes featuring sweeping architectural vistas.

Joli painting, The Court of the Ambassador of Venice

The Court of the Ambassador of Venice

Still wondering about an 18th century Italian painting in your family collection? Contact us…it could be by Antonio Joli.


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1048--cole.php Thomas Cole Artwork Authentication & Art Appraisal

Thomas Cole (1801 – 1848)

Get a Cole Certificate of Authenticity for your painting (COA) for your Cole drawing.

For all your Cole artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cole Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cole painting or drawing.

If you want to sell your Cole painting or drawing use our selling services. We offer Cole selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cole and issuing certificates of authenticity since 2002. We are recognized Cole experts and Cole certified appraisers. We issue COAs and appraisals for all Cole artworks.

Our Cole paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cole certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cole painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cole paintings or drawings take longer.

Our clients include Cole collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Thomas Cole art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Thomas Cole or we will sell it for you.

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The Course of Empire, Destruction 1836

Thomas Cole was a nineteenth century American artist; he is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century and was concerned with the realistic and detailed portrayal of nature.

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The Return 1837

He was born in Bolton, Lancashire, England. In 1818 his family emigrated to the United States, settling in Steubenville, Ohio, where Cole learned the rudiments of his profession from a wandering portrait painter named Stein. However, he had little success painting portraits, and his interest shifted to landscape. Moving to Pittsburgh in 1823 and then to Philadelphia in 1824, where he drew from casts at the Pennsylvania Academy of the Fine Arts, he rejoined his parents and sister in New York City early in 1825.

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The Departure, 1837

In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore, where as recounted in the pages of the New York Evening Post they attracted the attention of the painter John Trumbull, who sought him out, bought one of his canvases, and put him into contact with a number of his aristocratic friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist.

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The Present 1838

Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part “Voyage of Life.” There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York.

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The Past 1838

Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence lived with the sculptor Horatio Greenough.

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The Garden of Eden 1828

After 1827 he maintained a studio at the farm called Cedar Grove in the town of Catskill, New York. He painted a significant portion of his work in this studio. In 1836 he married Maria Bartow of Catskill, a niece of the owner, and became a year-round resident. He died at Catskill on February 11, 1848. The fourth highest peak in the Catskills bears his name.

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Daniel Boone Sitting at the Door of His Cabin on the Great Osage Lake, Kentucky, 1826

Cole dabbled in architecture, a not uncommon practice at the time when the profession was not so codified. Cole was an entrant in the design competition held in 1838 to create a new state government building in Columbus, Ohio. His entry won third premium, and many contend that the finished building, a composite of the first, second and third place entries, bears a great similarity to Cole’s entry.

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The Voyage of Life, Childhood 1842

Still wondering about a painting in your family collection? Contact us…it could be by Thomas Cole.


done
1049--van-schendel.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "van-schendel" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "van-schendel" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1050--ceruti.php Giacomo Ceruti Artwork Authentication & Art Appraisal

Giacomo Antonio Melchiorre Ceruti (1698 – 1767)

Get a Ceruti Certificate of Authenticity for your painting (COA) for your Ceruti drawing.

For all your Ceruti artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ceruti Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ceruti painting or drawing.

If you want to sell your Ceruti painting or drawing use our selling services. We offer Ceruti selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ceruti and issuing certificates of authenticity since 2002. We are recognized Ceruti experts and Ceruti certified appraisers. We issue COAs and appraisals for all Ceruti artworks.

Our Ceruti paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ceruti certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ceruti painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ceruti paintings or drawings take longer.

Our clients include Ceruti collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giacomo Ceruti art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giacomo Ceruti or we will sell it for you.

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Seated Errand Boy with Baskets, 1736

Giacomo Ceruti was an Italian late Baroque painter, active in Northern Italy in Milan, Brescia, and Venice. He acquired the nickname Pitocchetto (the little beggar) for his many paintings of peasants dressed in rags.

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Women Working on Pillow Lace, 1720’s

He was born in Milan, but worked primarily in Brescia. He may have been influenced early by Antonio Cifrondi and/or Giacomo Todesco (Todeschini), and received training from Carlo Ceresa. While he also painted still-life paintings and religious scenes, Ceruti is best known for his genre paintings, especially of beggars and the poor, who he painted realistically, with unusual dignity and individuality.

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Evening at the Piazza, 1730

Ceruti gave particular attention to this subject matter during the period 1725 to 1740, and about 50 of his genre paintings from these years survive. Mira Pajes Merriman, in her essay titled Comedy, Reality, and the Development of Genre Painting in Italy, observes that “Generally his figures do almost nothing—after all, they have nothing to do.” She describes his paintings as confronting us with the detritus of the community; the displaced and homeless poor; the old and the young with their ubiquitous spindles, eloquent signs of their poverty and unwanted labor; orphans in their orderly, joyless asylums plying their unpaid toil; urchins of the streets eking out small coins as porters, and sating them in gambling; the diseased, palsied, and deformed; lonely vagabonds; even a stranger from Africa—and all in tatters and filthy rags, almost all with eyes that address us directly.

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Two Peasants

A characteristic painting is his Girl with a Dog, which portrays a rather plain subject sympathetically and without idealization. Like most of his figures, she appears before an undifferentiated dark background; when Ceruti attempted to represent deep space, the results were frequently awkward. His landscape backgrounds resemble stage flats and are often copied from print sources, such as the engravings of Jacques Callot. The realism Ceruti brought to his genre paintings also distinguishes his portraits and still lifes, while it is less apparent in his somewhat conventional decorative paintings for churches, including frescoes for the Basilica de Gandino and an altarpiece for Santa Lucia in Padua. This limitation is not unique to Ceruti; the Brescian painter from the late 1500s, Giovanni Battista Moroni, was similarly known for expressive portraits, and drab religious paintings.

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The Laundress, 1736

Still wondering about an Italian painting in your family collection? Contact us…it could be by Giacomo Ceruti.


done
1051--chinnery.php George Chinnery Artwork Authentication & Art Appraisal

George Chinnery (1774-1852)

Get a Chinnery Certificate of Authenticity for your painting (COA) for your Chinnery drawing.

For all your Chinnery artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Chinnery Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Chinnery painting or drawing.

If you want to sell your Chinnery painting or drawing use our selling services. We offer Chinnery selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Chinnery and issuing certificates of authenticity since 2002. We are recognized Chinnery experts and Chinnery certified appraisers. We issue COAs and appraisals for all Chinnery artworks.

Our Chinnery paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Chinnery certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Chinnery painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Chinnery paintings or drawings take longer.

Our clients include Chinnery collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform George Chinnery art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your George Chinnery or we will sell it for you.

Portrait of a Girl, Seated Small Full-length Blue Robe

Portrait of a Girl, Seated Small Full-length Blue Robe

George Chinnery was an English painter born in London in 1774. He grew up in the family of a merchant. From a young age, his father was supportive of his pursuit of artistic goals. In fact, he may have received some of the talent from his father who had an interest in art himself and had shown his work at amateur exhibitions.

View of Macao China

View of Macao China

In 1791, Chinnery attended the Royal Academy Schools. He eventually went on to move to Dublin where he was married. He began to paint miniatures, later also becoming a successful landscape and portrait painter. In 1802, Chinnery and his new wife and child moved back to England. Unfortunately, these were not happy years for Chinnery. Trapped in an unhappy marriage, he broke free, leaving his family behind as he sailed for India.

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Self-Portrait

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George Washington

During this time, Chinnery made a lot of money as a portrait painter. He also became addicted to opium. Chinnery soon became burdened by debt. In 1824, he reconciled with his family for a short time. This, along with his mounting debts, was the reason he moved to China. He continued to produce new works throughout his later years. He remained in China until he died 25 years later in 1852 from apoplexy.

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A Merchant Naval Captain, 1830

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Head of a Dromedary

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Drawing

It would be incredible to find an original George Chinnery work of art, especially in the United States. His miniatures were usually painted on ivory. Other works of Chinnery depicted images of China. He had profound influence on the China Trade World, and others went on to imitate his style. He was the first artist to paint the island of Hong Kong in 1846.

Tea Trade in China

Tea Trade in China

Some of D’Oyley’s paintings have been confused with Chinnery’s works. They were friends while attending drawing lessons, and they have similar style and coloring techniques.

Still wondering about a painting in your family collection? Contact us…it could be by George Chinnery.


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1052--losenko.php Anton Losenko Artwork Authentication & Art Appraisal

Anton Losenko (Антон Павлович Лосенко) (1737-1773)

Get a Losenko Certificate of Authenticity for your painting (COA) for your Losenko drawing.

For all your Losenko artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Losenko Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Losenko painting or drawing.

If you want to sell your Losenko painting or drawing use our selling services. We offer Losenko selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Losenko and issuing certificates of authenticity since 2002. We are recognized Losenko experts and Losenko certified appraisers. We issue COAs and appraisals for all Losenko artworks.

Our Losenko paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Losenko certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Losenko painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Losenko paintings or drawings take longer.

Our clients include Losenko collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Anton Losenko art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Anton Losenko or we will sell it for you.

Fyodor Volkov 1763

Fyodor Volkov 1763

Anton Losenko was a Ukrainian-Russian Neoclassical painter who specialized in historical subjects and portraits. Anton was born to a family of a Ukrainian kossak. Soon he became an orphan and at the age of seven was sent to a Court Choir at Saint Petersburg. In 1753 as he lost his voice but had shown talents to the painting he was sent to apprenticeship to the artist Ivan Argunov. In 1758 after 5 and a half years of apprenticeship he was admitted to the Imperial Academy of Arts. Among the paintings created there were the Portrait of Ivan Shuvalov.

Ivan Shuvalov 1760

Ivan Shuvalov 1760

In 1760 the Academy sent him to Paris to study art under French Neoclassical painter Jean Restout. There he painted a large Miracolus Catch painting on the New Testament motives. In 1766-1769 Losenko worked in Italy, studied the Italian art and especially Rafael paintings. There he created Kain and Avel paintings.

Miraculous Catch 1762

Miraculous Catch 1762

In 1769 Losenko returned to Saint-Petersburg. He got an offer to present a historical painting for receiving a membership to the Imperial Academy of Arts. He painted Vladimir and Rogneda canvas on the Kievan Rus’ history. The painting not only brought him the title of the Academician but also the professorship position to the Imperial Academy of Art (since 1770 he is Adjunct-Professor, since 1772 he is a full Professor and the Director of the Academy). At this position Losenko wrote text book Short Explanation of the Human Proportions that served a few generations of Russian painters. He worked as the Director of the Academy until his death in 1773.

Vladimir and Rogneda 1770

Vladimir and Rogneda 1770

Still wondering about an 18th century Russian painting in your family collection? Contact us…it could be by Anton Losenko.


done
1053--luini.php Bernardino Luini Artwork Authentication & Art Appraisal

Bernardino Luini (1480-1532)

Get a Luini Certificate of Authenticity for your painting (COA) for your Luini drawing.

For all your Luini artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Luini Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Luini painting or drawing.

If you want to sell your Luini painting or drawing use our selling services. We offer Luini selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Luini and issuing certificates of authenticity since 2002. We are recognized Luini experts and Luini certified appraisers. We issue COAs and appraisals for all Luini artworks.

Our Luini paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Luini certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Luini painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Luini paintings or drawings take longer.

Our clients include Luini collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Bernardino Luini art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Bernardino Luini or we will sell it for you.

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The Holy Family

Bernardino Luini was a North Italian painter from Leonardo’s circle, a conservative painter who took “as much from Leonardo as his native roots enabled him to comprehend”. Consequently many of his works were attributed to Leonardo. Both Luini and Giovanni Antonio Boltraffio were said to have worked with Leonardo directly. Luini is said to have been a pupil of Ambrogio Bergognone.

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Madonna with Child and Roses

Born in Dumenza, he was a prominent Lombard painter of the early sixteenth century. Details of his life are scant. He worked in Milan, where he painted several frescoes in palaces and churches in and around the city. The best known of these are the frescoes for Villa Pelucca in Sesto San Giovanni (now in the Pinacoteca di Brera, Milan). In circa 1525, he completed a secreis of frescos on the life of the Virgin and Christ for the church of Santa Maria dei Miracoli in Saronno. He was known especially for his graceful female figures with slightly squinted eyes, called Luinesque by Vladimir Nabokov. He died in Milan.

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Salome with the Head of John the Baptist

Still wondering about an Italian painting in your family collection? Contact us…it could be by Bernardino Luini.


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1054--prout.php Samuel Prout Artwork Authentication & Art Appraisal

Samuel Prout (1783 – 1852)

We Perform Samuel Prout art authentication. Samuel Prout appraisal. Samuel Prout certificates of authenticity (COA). Samuel Prout analysis, research, scientific tests, full art authentications. We will help you sell your Samuel Prout or we will sell it for you.

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Salving from the Wreck, 1848

Samuel Prout was an English water-color painter. He was born at Plymouth, and spent whole summer days, in company with Benjamin Haydon, drawing the quiet cottages, rustic bridges and romantic watermills of the beautiful valleys of Devon. He made a journey through Cornwall to try his hand in furnishing sketches for Britton’s Beauties of England. In 1803 he moved to London, where he stayed until 1812. In London, Prout saw new possibilities, and endeavoured to correct and improve his style by studying the works of the rising school of landscape. To earn a living, he painted marine pieces for Palser the printseller, took students, and published drawing books for learners. He was one of the first to use lithography in his artwork.

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Nuremberg

It was not however until about 1818 that Prout discovered his niche. Happening time to make his first visit to the Continent, and to study the quaint streets and market-places of continental cities, he suddenly found himself in a new and enchanting province of art. His eye caught the picturesque features of the architecture, and his hand recorded them with skill. The composition of his drawings was exquisitely natural; their colour exhibited “the truest and happiest association in sun and shade”; the picturesque remnants of ancient architecture were rendered with the happiest breadth and largeness, with the heartiest perception and enjoyment of their time-worn ruggedness; and the solemnity of great cathedrals was brought out with striking effect. At the time of his death there was hardly a place in France, Germany, Italy (especially Venice) or the Netherlands where his face had not been seen searching for antique gables and sculptured pieces of stone.

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“Bamberg.” Lithograph touched with White Gouache on Wove Paper. National Gallery of Art, Washington D.C.

Still wondering about a British painting in your family collection? Contact us…it could be by Samuel Prout.


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1055--liberale.php Liberale da Verona Artwork Authentication & Art Appraisal

Liberale da Verona (1441-1526)

We Perform Liberale da Verona art authentication. Liberale da Verona appraisal. Liberale da Verona certificates of authenticity (COA). Liberale da Verona analysis, research, scientific tests, full art authentications. We will help you sell your Liberale da Verona or we will sell it for you.

Louis Carrogis de da Verona was an 18th century French artist, designer and writer. Most notably, he worked for the Duc de Chartres, and created a series of portraits for the duc’s household and visitors in pencil and watercolor. He created these very quickly, in a matter of less than two hours, and featured his sitters in profile. Some of da Verona’s sitters included members of the court and historically famous individuals such as a young Mozart and his father. In all, some 750 of these portraits were collected and sold after his death, and are considered most valuable by art historians.

da Verona

Page from Illuminated Choir Book

da Verona

Madonna del Cardellino

Liberale da Verona was an Italian painter of the Renaissance period, active mainly in Verona. He was a pupil of the painter Vincenzo di Stefano, although he was strongly influenced by Andrea Mantegna and Jacopo Bellini. He was featured in the Vite of Giorgio Vasari. In Verona, he painted an Adoration of the Magi in the Duomo and another for the chapel in the bishopric. He also painted a Birth and Assumption of the Virgin, and a painting of St. Stephen for the Brera Gallery. In addition to large-scale pieces, da Verona made illustrations or illuminated books, which are housed at the Cathedral of Chiusi.

da Verona

Scene from a Novella
Tempera on wood
Metropolitan Museum of Art, New York

da Verona

The Chess Players, 1475
Tempera on wood
Metropolitan Museum of Art, New York
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Saint Sebastian, c. 1480
Oil on Canvas
Princeton University Art Museum

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Study of Two Women Breastfeeding
Albertina Bilddatenbank Collection, Vienna

Still wondering about an Italian painting in your family collection? Contact us…we are the Liberale da Verona experts.


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1056--janinet.php Jean Francois Janinet Artwork Authentication & Art Appraisal

Jean Francois Janinet (1752-1814)

Get a Janinet Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Janinet artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Janinet Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Janinet painting, drawing or print.

If you want to sell your Janinet painting, drawing or print use our selling services. We offer Janinet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Janinet and issuing certificates of authenticity since 2002. We are recognized Janinet experts and Janinet certified appraisers. We issue COAs and appraisals for all Janinet artworks.

Our Janinet paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Janinet certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Janinet painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Janinet paintings or drawings take longer.

Our clients include Janinet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Francois Janinet art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean Francois Janinet or we will sell it for you.

Janinet painting, A Woman Playing the Guitar

A Woman Playing the Guitar

Jean Francois Janinet was an 18th century French painter and printmaker. Janinet mainly painted portraits and compositions of mythological figures.

Janinet painting, Zephyr and Flora

Zephyr and Flora

Janinet was particularly talented with his depictions of women and most famously painted a portrait of Marie Antoinette.

Janinet painting, Marie Antoinette

Marie Antoinette

Still wondering about an 18th century painting in your family collection? Contact us…it could be by Jean Francois Janinet.


done
1057--benson.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "benson" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "benson" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1058--morandi.php Giorgio Morandi Artwork Authentication & Art Appraisal

Giorgio Morandi (1890 – 1964)

Get a Morandi Certificate of Authenticity for your painting (COA) for your Morandi drawing.

For all your Morandi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Morandi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Morandi painting or drawing.

If you want to sell your Morandi painting or drawing use our selling services. We offer Morandi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Morandi and issuing certificates of authenticity since 2002. We are recognized Morandi experts and Morandi certified appraisers. We issue COAs and appraisals for all Morandi artworks.

Our Morandi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Morandi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Morandi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Morandi paintings or drawings take longer.

Our clients include Morandi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giorgio Morandi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giorgio Morandi or we will sell it for you.

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Still Life (The Blue Vase) 1920

Giorgio Morandi was an Italian painter who specialized in still life. Morandi was born in Bologna in 1890. In 1907 he went to study at the Accademia di Belle Arti. The works of his formative years show him experimenting with an idiom related to Cézanne and to Cubism, with a brief digression into a Futurist style in 1914. In that same year, Morandi was appointed instructor of drawing for elementary schools in Bologna — a post he held until 1929. Today, there is a museum dedicated to the display of Morandi’s work, including a reconstruction of his studio, in Bologna.

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Village 1935

In 1915, he joined the army but suffered a breakdown and was indefinitely discharged. During the war, Morandi’s still lifes became more reduced in their compositional elements and purer in form, revealing his admiration for both Cézanne and the Douanier Rousseau.

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Still Life 1942

A Metaphysical painting (Pittura Metafisica) phase in Morandi’s work lasted from 1918 to 1922. This was to be his last major stylistic shift; thereafter, he focused increasingly on subtle gradations of hue, tone, and objects arranged in a unifying atmospheric haze, establishing the direction his art was to take for the rest of his life. Morandi showed in the Novecento italiano exhibitions of 1926 and 1929, but was more specifically associated with the regionalist Strapaese group by the end of the decade, a fascist-influenced group emphasizing local cultural traditions. From 1930 to 1956, Morandi was a professor of etching at Accademia di Belle Arti. The 1948 Venice Biennale awarded him first prize for painting, he visited Paris for the first time in 1956, and in 1957 he won the grand prize in São Paulo’s Biennale.

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Still Life with Four Bottles and a Vase

Throughout his career, Morandi concentrated almost exclusively on still lives and landscapes, except for a few self-portraits. With great sensitivity to tone, color, and compositional balance, he would depict the same familiar bottles and vases again and again in paintings notable for their simplicity of execution. Morandi executed 133 etchings, a significant body of work in its own right, and his drawings and watercolors often approach abstraction in their economy of means.

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Still Life 1946

Morandi was one of the most impressive Italian painters of his day. Federico Fellini paid tribute to him in his film La Dolce Vita, which featured Morandi’s paintings. Morandi was additionally perceived as one of the few Italian artists of his generation to have escaped the taint of Fascism, and to have evolved a style of pure pictorial values congenial to modernist abstraction. Through his simple and repetitive motifs and economical use of color, value and surface, Morandi became a prescient and important forerunner of Minimalism. He died in Bologna in 1964.

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Still Life 1962

Still wondering about an Italian painting in your family collection? Contact us…it could be by Giorgio Morandi.


done
1059--weirotter.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "weirotter" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "weirotter" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "weirotter" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "weirotter" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1060--boecklin.php Arnold Böcklin Artwork Authentication & Art Appraisal

Arnold Böcklin (1827 - 1901)

Get a Böcklin Certificate of Authenticity for your painting (COA) for your Böcklin drawing.

For all your Böcklin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Böcklin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Böcklin painting or drawing.

If you want to sell your Böcklin painting or drawing use our selling services. We offer Böcklin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Böcklin and issuing certificates of authenticity since 2002. We are recognized Böcklin experts and Böcklin certified appraisers. We issue COAs and appraisals for all Böcklin artworks.

Our Böcklin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Böcklin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Böcklin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Böcklin paintings or drawings take longer.

Our clients include Böcklin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Do you think you may own a painting by Arnold Böcklin?

We perform Arnold Böcklin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Arnold Böcklin or we will sell it for you.

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Self-Portrait 1872

Arnold Böcklin was a symbolist Swiss painter. He studied at Düsseldorf where he became a friend of Ludwig Andreas Feuerbach. Originally a landscape painter, his travels through Brussels, Zurich, Geneva and Rome, exposed him to classical and Renaissance art, and the Mediterranean landscape. These new influences brought allegorical and mythological figures into his compositions. In 1866 he resided at Bâle, in 1871 in Munich, in 1885 in Hottingen (Switzerland) and at the end of his life in Fiesole.

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The Game of the Naiads

Influenced by Romanticism his painting is symbolist within the Art Nouveau style. His pictures portray mythological, fantastical figures along classical architecture constructions (revealing often an obsession with death) creating a strange, fantasy world.

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Landscape in the Countryside 1859

Böcklin is best known for his five versions of The Isle of the Dead, which partly evokes the English Cemetery, in Florence, close to his studio and where his baby daughter Maria had been buried.

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The Isle of the Dead

Böcklin exercised an influence on Surrealist painters like Max Ernst and Salvador Dalí, and on Giorgio de Chirico.

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The War

Otto Weisert designed an Art Nouveau typeface in 1904 and named it "Arnold Böcklin" in his honor. The design uses tendrils hanging from many of the capital letters and across the top of the minuscule letters v through y.

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Flora 1875

The Böcklin typeface was later appropriated by the hippy movement and its influence can also be seen in the work of Seventies illustrators such as Roger Dean. The Stuckist artist Paul Harvey has also used the typeface in his work.

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The Plague

Böcklin's paintings, especially The Isle of the Dead, inspired several late-Romantic composers. Rachmaninov and Heinrich Schülz-Beuthen both composed symphonic poems after it, and in 1913 Max Reger composed a set of Four Tone Poems after Böcklin of which the third movement is The Isle of the Dead (The others are The Hermit playing the Violin, At play in the waves and Bacchanal).

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Playing in the Waves

Still wondering about a painting in your family collection? Contact us...it could be by Arnold Böcklin.

 


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1061--herzog.php Hermann Herzog Artwork Authentication & Art Appraisal

Hermann Ottomar Herzog (1831 – 1932)

Get a Hermann Certificate of Authenticity for your painting (COA) for your Hermann drawing.

For all your Hermann artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hermann Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hermann painting or drawing.

If you want to sell your Hermann painting or drawing use our selling services. We offer Hermann selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hermann and issuing certificates of authenticity since 2002. We are recognized Hermann experts and Hermann certified appraisers. We issue COAs and appraisals for all Hermann artworks.

Our Hermann paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hermann certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hermann painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hermann paintings or drawings take longer.

Our clients include Hermann collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Hermann Herzog art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Hermann Herzog or we will sell it for you.

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Deer on a Mountain Ledge

Hermann Herzog was a prominent nineteenth- and early twentieth-century European and American artist, primarily known for his landscapes. He was born in Bremen, Germany and entered the Dusseldorf Academy at age seventeen. Herzog achieved early commercial success and traveled widely and continued his training. His patrons included royalty and nobility throughout Europe.

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Spring at the Mill

In the late 1860s after an extensive trip to Norway, Herzog settled permanently near Philadelphia in the United States. Thereafter, he traveled throughout the U.S. and Mexico. He painted his way across the western states, arriving in California in 1873. His works from this trip included a series of Yosemite Valley paintings. In 1876, he received an award at the Philadelphia Centennial Exhibition for his painting of Sentinel Rock in Yosemite. Herzog also made extensive trips to Maine and Florida to paint.

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Floridian Landscape, Courtesy of the Edward and Deborah Pollack collection

Because he was a prudent investor, Herzog did not have to depend on the sale of his artwork to maintain a comfortable lifestyle. Following his death, his family retained a large group of his paintings, most of which were released to the art market in the 1970s. A number of prominent American and European museums now include Herzog’s work as part of their collections.

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Women in a Tropical Setting

Herzog’s work is sometimes considered to be part of the Hudson River School, although it is more realistic and less dramatic than works by peers Frederick Edwin Church or Albert Bierstadt.

He almost always signed his work “H. Herzog”; as a result, his first name is spelled both “Herman” and “Hermann” in various sources. His birth year is often incorrectly reported as 1832. The Brandywine River Museum in Chadds Ford, Pennsylvania held a major exhibition of Herzog’s work in 1992 and published a catalog of his work, with an essay by art historian Donald S. Lewis, Jr..

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Eagle Above a River

Still wondering about a 19th century European landscape painting in your family collection? Contact us…it could be by Hermann Herzog.


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1062--remington.php Frederick Sackrider Remington Artwork Authentication & Art Appraisal

Frederick Sackrider Remington (1861-1909)

Get a Remington Certificate of Authenticity for your painting (COA) for your Remington drawing.

For all your Remington artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Remington Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Remington painting or drawing.

If you want to sell your Remington painting or drawing use our selling services. We offer Remington selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Remington and issuing certificates of authenticity since 2002. We are recognized Remington experts and Remington certified appraisers. We issue COAs and appraisals for all Remington artworks.

Our Remington paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Remington certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Remington painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Remington paintings or drawings take longer.

Our clients include Remington collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Frederick Sackrider Remington art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Frederick Sackrider Remington or we will sell it for you.

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The Courriers

Frederic Remington (1861-1909) is not usually thought of as a Romantic painter, but in fact Remington’s whole career was devoted to the “Vanishing Wild West”. One of his closest friends was that once-famous retailer of the Circus-Tent Wild West, William Cody, aka “Buffalo Bill”.

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The Bronco-Buster

Remington, who started life in small-town New York State and ended up in wildest Connecticut, was a frustrated cowboy. Make that sheepboy, because the young Remington was brave enough to take his modest inheritance and buy a sheep ranch in Kansas. He soon thought better of it and hastened back East again. But the West was in his blood, and he developed his talent for drawing by recording scenes of Western life. Remington’s timing was good. The urban east couldn’t get enough of Western exotica. His first crude drawings were redrawn and accepted by Harper’s and Colliers. A career was born, his first of two. He became a sought-after illustrator, rarely straying from his Western theme. Horses and men, men and horses. Men and horses in every conceivable posture. Men meant cowboys, cavalry, Indians and Mexicans. Landscape was nowhere. It was an optimistic, lively, simple art.

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The Buffalo Runners

During his lifetime, Remington produced some 3,000 paintings and countless sketches, illustrations and quite a few bronzes. Remington’s love for his subjects helped him to create true to life lines, shapes and colors of the still new and wild American west.

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Coming Thru the Rye

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Buffalo Hunt

Like almost all illustrators of the time, Remington was virtually a photographic journalist, recording what he saw on his brief forays westward. His drawings are accurate, spirited and often carry a narrative message. But things were about to change.

An aficionado of equine adventure, he signed up as a correspondent for the Spanish-American war in 1898, decamping to Cuba. What he saw was not adventure but war, sickening and brutal. Remington managed to miss most of the action and soon tired of the slaughter. He also fell ill. Casualties in pre-20th century wars were typically the result of disease rather than combat. He headed home in some haste to recuperate and repent.

Recuperation of the body could not dispel the psychological effects of war however. Remington, the obese and terminally Eastern artist, had lost his innocence. Henceforth his art ceased to be illustration, morphing into a deliberate effort to portray “The West” as serious art. He had less than a decade to achieve this, as he was to die prematurely at 48 from peritonitis. In that brief time, Remington the Romantic carved a unique niche for himself in the history of American art. Gone were the carefree cowboys. Instead a darker vision of man’s desperate struggle in the wilderness suffused his work. He struggled to shed the two dead weights which limited every Victorian illustrator: monochrome and detail. Color and simplicity were now his life’s work.

Remington succeeded brilliantly. Had he lived, he would have been recognized as a great international artist. As it was, his late work is still a monumental achievement. So much so that in 2003 the National Gallery of Art showed 70 of his “nocturnes”, in which he strives to capture the color of night. Many of these pictures will never be surpassed in their depiction of foreboding and threat in the wilderness.

Still wondering about a paintingin your family collection? Contact us…it could be by Frederick Sackrider Remington.


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1063--peale_j.php James Peale Artwork Authentication & Art Appraisal

James Peale (1749-1831)

Do you think you may own a painting by James Peale? We authenticate, appraise and research all paintings by this great artist.

Self-Portrait 1805

Self-Portrait 1805

James Peale was an early American portrait and still life painter and the brother of famous painter Charles Willson Peale. He studied under his brother, learning how to paint from him, and worked in his studio until 1776 when he went to fight for the Continental Army. Shortly thereafter he made captain, fighting battles in Long Island, White Plains and Princeton.

George Washington

George Washington

Peale resigned from the army in 1779 and moved to Philadelphia to be with his brother. From then on and through the early 1800’s, Peale devoted himself to painting miniature paintings and portraits. Most of these were created with watercolor on ivory.

Mary Mitchell 1795 miniature watercolor on ivory

Mary Mitchell 1795 miniature watercolor on ivory

Miniature

Miniature

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Rembrandt Peale

However, by 1810, his eyesight began to fail him and Peale then turned to painting large portraits and still life paintings.

Still Life With Fruit on a Tabletop 1825

Still Life With Fruit on a Tabletop 1825

Balsam Apple and Vegetables

Balsam Apple and Vegetables

It is believed that Peale painted more than 200 miniature watercolors on ivory, and as many as 100 still life paintings. It is also believed that he painted less than 100 full sized portraits, and about 8 historical paintings. However, the number of landscape paintings that Peale painted remains unknown today, and the possibility of many more still life, portraits and miniatures of his existing today unknown is great.

Madame Dubocq and her Children 1807

Madame Dubocq and her Children 1807

Portrait of Samuel L.Logan

Portrait of Samuel L.Logan

Because there were so many members of the Peale family that were artists, it may be difficult for some to tell which ones were in fact painted by James. However, a skilled art historian and authenticator should be able to distinguish between the works of the two brothers, as well as the works of all of their artist children. Still wondering about a portrait or miniature painting in your family’s estate? Contact us…it could be by James Peale.

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View of the Wissahickon 1830

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1064--hartung.php Hans Hartung Artwork Authentication & Art Appraisal

Hans Hartung (1904-1989)

Get a Hartung Certificate of Authenticity for your painting (COA) for your Hartung drawing.

For all your Hartung artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hartung Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hartung painting or drawing.

If you want to sell your Hartung painting or drawing use our selling services. We offer Hartung selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hartung and issuing certificates of authenticity since 2002. We are recognized Hartung experts and Hartung certified appraisers. We issue COAs and appraisals for all Hartung artworks.

Our Hartung paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hartung certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hartung painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hartung paintings or drawings take longer.

Our clients include Hartung collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Hans Hartung art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Hans Hartung or we will sell it for you.

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Abstract Composition, 1954

Hans Hartung was an Abstract artist born in Germany and moved to Paris in 1935. Originally, Hartung studied philosophy and art history, but began painting in 1922 and created his own style of Abstract art. His first exhibition was in Dresden in 1931, and signaled the beginning of his career.

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Composition, 1935

Hartung was called to fight in World War II and was very badly injured while on active duty in 1944. His injuries were so severe that one of his legs had to be amputated—without the use of anesthesia. Shortly thereafter in 1945, Hartung gained French citizenship.

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Composition 1947

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Composition 1951

After the war, Hartung created and was the leader of the Art Informel movement. Aptly so, Hartung is also one of the only painters to have spent his entire career painting in this style. Though a lesser known artist than Picasso or Kandinsky, Hartung did not just experiment with Abstract art, but made it his one and only style. In fact, to find a piece of art by Hartung that is not in an “Informal” style would be a rare find. However, these early works could possibly exist somewhere in Germany and would probably be in the style of the Impressionists or Expressionists.

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Composition 1969

Hartung did, however, experiment within the Abstract realm quite often. If he wasn’t creating lined compositions, he was experimenting with Chinese calligraphy and brush strokes. These oriental inspired pieces are perhaps some of his most famous, and are usually characterized by thick black swooshes and slashes on monochromatic backgrounds.

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Black Strokes on Blue

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Composition Oriental

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Black Strokes on White

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Black Strokes on Orange

Throughout his life, Hartung exhibited his work widely in Europe in Paris, Munich and Brussels. He also won a number of prizes, such as the Venice Biennale in 1960. Perhaps one of his most widely known commercial pieces was his poster designs for the 1972 Olympics.

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Olympics poster

In 1976, Hartung also published a book of his memoirs entitled “Autoportrait”, and became a member of the Academie des Beaux-Arts in Paris in 1981. He continued to create art nearly up until his death in 1989.

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Composition 1988

Still wondering about your interesting and mysterious piece of Abstract art? Contact us—it could be by Hans Hartung.

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Composition 1974

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1065--koefoed.php Herman Koefoed Artwork Authentication & Art Appraisal

Herman Koefoed (1743-1815)

Get a Koefoed Certificate of Authenticity for your painting (COA) for your Koefoed drawing.

For all your Koefoed artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Koefoed Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Koefoed painting or drawing.

If you want to sell your Koefoed painting or drawing use our selling services. We offer Koefoed selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Koefoed and issuing certificates of authenticity since 2002. We are recognized Koefoed experts and Koefoed certified appraisers. We issue COAs and appraisals for all Koefoed artworks.

Our Koefoed paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Koefoed certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Koefoed painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Koefoed paintings or drawings take longer.

Our clients include Koefoed collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Herman Koefoed art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Herman Koefoed or we will sell it for you.

Koefoed painting, Portrait of a Lady

Portrait of a Lady

Herman Koefoed was an 18th century Danish painter. He mainly painted portraits of prominent European aristocrats in the Realist style.

Koefoed painting, Portrait of a Young Man

Portrait of a Young Man

Still wondering about an 18th century painting in your family collection? Contact us…it could be by Herman Koefoed.


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1066--jongh-ludolf-de.php Ludolf de Jongh Artwork Authentication & Art Appraisal

Ludolf de Jongh (1616-1679)

We Perform Ludolf de Jongh art authentication. Ludolf de Jongh appraisal. Ludolf de Jongh certificates of authenticity (COA). Ludolf de Jongh analysis, research, scientific tests, full art authentications. We will help you sell your Ludolf de Jongh or we will sell it for you.

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Hunters and Dogs

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Hunters in an Inn

Ludolf de Jongh was a 17th century Dutch painter who studied with Delft portraitist Cornelis Saftleven. His earliest known paintings were created in Rotterdam and were portraits and genre pices.

De Jongh traveled to France in 1635, where he studied and painted for seven years. Following his return to Holland, de Jongh became the most popular and successful Dutch painter of the 1650s. He was highly innovative and responded to the changing tastes in Dutch art during the time and was not married to one particular style or subject.

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Hunters Resting in a Wooded Landscape

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Messenger Reading to a Group in a Tavern

Despite his popularity, de Jongh all but gave up painting in the 1660s to become involved in law enforcement in Rotterdam. However, before he made his exit as an artist, de Jongh created some of the most expressive Dutch portraits of his time and greatly influenced future Dutch master Pieter de Hooch.

De Jongh was unique among his fellow Dutch painters of the time because he painted a wide variety of subjects from landscapes and portraits to genre pieces and historical paintings. This wide variety of styles has led Art Certification Experts and authenticators to wrongly attribute his pieces to others in the past. As a result, a great number of pieces by this Dutch master may still be somewhere unknown or wrongly identified.

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Playing the Hostess

Still wondering about a 17th century Dutch painting in your possession? Contact us… we are the Ludolf de Jongh experts.

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Portrait of a Woman

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1067--lissitzky.php Eleazar Markovich Lissitzky Artwork Authentication & Art Appraisal

Eleazar Markovich Lissitzky (El Lissitzky) (1890-1941)

Get a Lissitzky Certificate of Authenticity for your painting (COA) for your Lissitzky drawing.

For all your Lissitzky artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lissitzky Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lissitzky painting or drawing.

If you want to sell your Lissitzky painting or drawing use our selling services. We offer Lissitzky selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lissitzky and issuing certificates of authenticity since 2002. We are recognized Lissitzky experts and Lissitzky certified appraisers. We issue COAs and appraisals for all Lissitzky artworks.

Our Lissitzky paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lissitzky certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lissitzky painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lissitzky paintings or drawings take longer.

Our clients include Lissitzky collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Eleazar Markovich Lissitzky art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Eleazar Markovich Lissitzky or we will sell it for you.

Lissitzky, Beat the White with the Red Wedge

Beat the White with the Red Wedge

Lissitzky, Typography

Typography

Lazar Markovich Lissitzky, known by most as El Lissitzky, was a Russian artist and designer. Lissitzky is important for developing the Russian avant garde movement and the style, suprematism. Lissitzky created propaganda pieces for the Soviet Union and influenced the Bauhaus and constructivist artists.

Lissitzky, From Proun Series

From Proun Series

Lissitzky was born in a small Jewish village, Pochinok, formerly part of the Russian Empire. For much of his childhood, Lissitsky lived in the city of Vitebsk (now Belarus), and Smolensk. Lissitsky was interested in art from an early age, and studied under a local Jewish artist, Yehuda Pen.

Lissitzky, Proun 19D, 1922

Proun 19D, 1922

Lissitzky, Proun, 1925

Proun, 1925

In 1909 Lissitzky was turned away from an art academy in St. Petersburg, due to a restriction placed on Jewish students by the Tsarist regime. Lissitzky, like many other Russians, moved to Germany to study. Lissitzky enrolled at the Technische Hochschule in Darmstadt, Germany to study architectural engineering. During the summers, Lissitzky travelled Europe learning about art and ancient Jewish culture. Lissitzky was in close contact with Ossip Zadkine, a prominent sculptor and Russian Jew who led a group of artists in Paris.

Lissitzky, Poem Titles

Poem Titles

Lissitzky, Proun 99, 1923

Proun 99, 1923

Lissitzky, Cloud Iron

Cloud Iron

Lissitzky, Proun G7

Proun G7

Lissitzky, Catalog cover for Bauhaus Asymetric Style

Catalog cover for Bauhaus Asymetric Style

Lissitzky, Victory Over the Sun

Victory Over the Sun

Lissitzky remained in Germany until the start of World War I, which obligated him to return to his homeland. Lissitzky found work in Moscow, working for architectural firms and studying at the Polytechnic Institute of Riga (based in Moscow during the war). After the fall of the Tsarist regime, Lissitzky was able to freely create Jewish art, without political persecution. Lissitzky travelled to Mahilyow to study synagogue designs and book designs using Hebrew letters.

Lissitzky, Lenin Tribune

Lenin Tribune

Lissitzky, Neuer (More Again)

Neuer (More Again)

Lissitzky, Proun 30T

Proun 30T

Over time Lissitzky became more and more versatile, inspiring Russian Constructivists, Neo-Plasticists as well as Bauhaus, De Stijl and Dada artists. Lissitzky also worked with Malevich in forming the suprematist art group, UNOVIS. The suprematists focused on design using geometric forms and typography rather than traditional Jewish subjects. Lissitsky formed his own innovative, suprematist series, Proun. The meaning of the word “Proun” cannot be precisely defined, but refers to the “new” and explores visual poetry.

Lissitzky’s posters, books, paintings and architectural designs define an important era in Russian and Soviet history. His innovative style has inspired numerous movements in twentieth century design. Do you think you own a piece by El Lissitzky? Contact us. We are the experts on El Lissitzky.


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1068--covarrubias.php Covarrubias Artwork Authentication & Art Appraisal

Jose Miguel Covarrubias (1904-1957)

Get a Covarrubias Certificate of Authenticity for your painting (COA) for your Covarrubias drawing.

For all your Covarrubias artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Covarrubias Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Covarrubias painting or drawing.

If you want to sell your Covarrubias painting or drawing use our selling services. We offer Covarrubias selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Covarrubias and issuing certificates of authenticity since 2002. We are recognized Covarrubias experts and Covarrubias certified appraisers. We issue COAs and appraisals for all Covarrubias artworks.

Our Covarrubias paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Covarrubias certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Covarrubias painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Covarrubias paintings or drawings take longer.

Our clients include Covarrubias collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Covarrubias art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Covarrubias or we will sell it for you.

Covarrubius, lithograph

lithograph

Covarrubias was a Mexican painter and illustrator known for his popular caricatures. Covarrubias moved to New York City at the age of nineteen with a grant from the Mexican government. Covarrubias spoke little English but had incredible talent. In New York Covarrubias was introduced to the circle of literary and cultural elite. Before long, Covarrubias was an illustrator for several magazines including Vanity Fair and The New Yorker.

Covarrubias, Al Capone & Chief Justice Charles Evans Hughes, 1932

Al Capone & Chief Justice Charles Evans Hughes, 1932

Covarrubias often went to jazz shows in Harlem with friends including Eugene O’Neill and Nickolas Muray, Zora Neale Hurston, Langston Hughes and W.C. Handy. Covarrubias made countless caricatures of the jazz scene printed in Vanity Fair. Covarrubias best captured the energy of the Harlem Renaissance in his book, Negro Drawings. Covarrubias did not consider his work to be caricatures, but serious studies of his contemporaries.

Covarrubias, Ex-King Alfonso & James J. Walker, 1932

Ex-King Alfonso & James J. Walker, 1932

Covarrubias did illustrations for The Heritage Press including Uncle Tom’s Cabin, Green Mansions, Herman Melville’s Typee, and Pearl Buck’s All Men Are Brothers. Covarrubias also collaborated with the Austrian/Mexican artist Wolfgang Paalen’s for a journal named Dyn in the 1940s.

Covarrubias, Arthur Brisbone & the Sphinx, 1933

Arthur Brisbone & the Sphinx, 1933

Covarrubias not only illustrated, but also worked as a theatre designer. Covarrubias worked on the Parisian hit, La Revue Negre starring Josephine Baker, Androcles and the Lion, The Four Over Thebes.

Covarrubias fell in love on a theatre set with a woman named Rosa. The couple travelled extensively, becoming friends with Diego Rivera and Frida Kahlo.

Covarubbias, Admiral Richard E. Byrd, 1934

Admiral Richard E. Byrd, 1934

Covarrubias started to exhibit internationally in Europe, Mexico and the United States. Covarrubias travelled with his wife Rosa to Bali with National Art Directors’ Medal prize money, and again as a Guggenheim Fellow. Covarrubias’s documentation of his travel to Southeast Asia led to a 1930s “Bali craze” in New York.

Covarubbias, Self-Portrait as Olmec

Self-Portrait as Olmec

Covarrubias and Rosa spent much of their time in Mexico City, hosting celebrity visitors they had met during their travels. Covarrubias was a professor of ethnology at the Escuela Nacional de Anthropology Historia and was a director at the National Palace of Fine Arts. Covarrubias added the Academy of Dance, inviting Jose Limon from the New York Dance Academy.

Covarrubias is known for his published illustrations, drawings and paintings. Do you think you own a Miguel Covarrubias? Contact us. We are the Miguel Covarrubias experts.


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1069--morelli.php Domenico Morelli Artwork Authentication & Art Appraisal

Domenico Morelli (1823-1901)

Get a Morelli Certificate of Authenticity for your painting (COA) for your Morelli drawing.

For all your Morelli artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Morelli Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Morelli painting or drawing.

If you want to sell your Morelli painting or drawing use our selling services. We offer Morelli selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Morelli and issuing certificates of authenticity since 2002. We are recognized Morelli experts and Morelli certified appraisers. We issue COAs and appraisals for all Morelli artworks.

Our Morelli paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Morelli certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Morelli painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Morelli paintings or drawings take longer.

Our clients include Morelli collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Domenico Morelli art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Domenico Morelli or we will sell it for you.

The Rest of the Flight into Egypt

Sicilian Women

The Rest of the Flight into Egypt

The Sultaness and the Slave

The Rest of the Flight into Egypt

Turkish Bath

Domenico Morelli was an Italian artist, and is considered by some art scholars to be one of the most important artists to come out of Naples during the second half of the 19th century. Morelli created sketches and paintings with romantic and historical themes in the classical style, often incorporating gods, goddesses and exotic characters into his compositions.

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Nude

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Gli Iconoclasti

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Tasso and Elenora D’Este

Morelli was known for being an academic artist, and displayed great ability in figure study as well as ornamentation. Ignoring his mother’s wishes to become a priest, Morelli enrolled in the Accademia in Naples in 1836. His earliest works show evidence of his devotion to the academic style as well as his natural skill as a young artist. Morelli won a fellowship to study in Rome in 1848, and that same year, be became involved in the insurrection against the Bourbons in Naples, where he was imprisoned and wounded. During the 1950’s, Morelli traveled to Florence, and participated in discussions on Macchiaioli and Realism. Morelli is credited with encouraging the Macchiaioli group to study directly from nature. This in turn helped Morelli to become more creative with color and to have a less restricted style of his own.

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A Reclining Woman

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An Arab Seated

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La Preghiera di Maometto Prima Della Battaglia

Morelli continued to paint and exhibit his work throughout Europe and was named the president of the Istituo di Belle Arti in 1899. Today, Morelli’s work is housed all over the world, and perhaps in your own estate. Still wondering about an Italian late 19th century classical painting hanging in your home? Contact us…it could be by Domenico Morelli.


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1070--verona-liberale-da.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "verona-liberale-da" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "verona-liberale-da" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "verona-liberale-da" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "verona-liberale-da" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1071--alice-antonio-espanol.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "alice-antonio-espanol" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "alice-antonio-espanol" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> Antonio Alice - Authentication and Appraisal
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "alice-antonio-espanol" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "alice-antonio-espanol" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1072--watteau-jean-antoine.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "watteau-jean-antoine" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "watteau-jean-antoine" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "watteau-jean-antoine" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "watteau-jean-antoine" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1074--hudson.php Thomas Hudson Artwork Authentication & Art Appraisal

Thomas Hudson (1701-1779)

Get a Hudson Certificate of Authenticity for your painting (COA) for your Hudson drawing.

For all your Hudson artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hudson Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hudson painting or drawing.

If you want to sell your Hudson painting or drawing use our selling services. We offer Hudson selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hudson and issuing certificates of authenticity since 2002. We are recognized Hudson experts and Hudson certified appraisers. We issue COAs and appraisals for all Hudson artworks.

Our Hudson paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hudson certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hudson painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hudson paintings or drawings take longer.

Our clients include Hudson collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Thomas Hudson art authentication, appraisal, certificates of authenticity (COA). analysis, research, scientific tests, full art authentications. We will help you sell your Thomas Hudson or we will sell it for you.

Hudson painting, Lady Oxenden

Lady Oxenden

Thomas Hudson was an 18th century English Rococo painter. Hudson was born in Devon and moved to London in the 1720’s. He studied under Samuel Richardson, and later married the artists daughter.

Hudson painting, John Montagu

John Montagu

Hudson mainly painted portraits and was best known as the teacher of Sir. Joshua Reynolds in the 1740’s. While Hudson is considerably lesser known than his pupil, during his lifetime, he enjoyed a flourishing portraiture practice, and left behind many compositions of his wealthy patrons of the era.

Hudson painting, Mrs. Canon Bowles and Child

Mrs. Canon Bowles and Child

Still wondering about an 18th century British portrait in your family collection? Contact us…it could be by Thomas Hudson.


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1075--lempicka.php Tamara de Lempicka Artwork Authentication & Art Appraisal

Tamara de Lempicka (1898-1980)

Get a De Lempicka Certificate of Authenticity for your painting (COA) for your De Lempicka drawing.

For all your De Lempicka artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Lempicka Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Lempicka painting or drawing.

If you want to sell your De Lempicka painting or drawing use our selling services. We offer De Lempicka selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Lempicka and issuing certificates of authenticity since 2002. We are recognized De Lempicka experts and De Lempicka certified appraisers. We issue COAs and appraisals for all De Lempicka artworks.

Our De Lempicka paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Lempicka certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Lempicka painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Lempicka paintings or drawings take longer.

Our clients include De Lempicka collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Tamara De Lempicka art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Tamara De Lempicka or we will sell it for you.

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Self-Portrait in Green Bugatti, 1925

Tamara de Lempicka was born Tamara Gorska in Poland and became one of the best-known painters of the Art Deco era. Sought after mainly as a portrait artist, her paintings are sensual and simple, yet highly stylized. Many of her sensual and exotic nudes have been hailed as being the best of the era, and are many are reflections of her own erotic lifestyle. Hints of old Dutch Master and Cubist techniques are sprinkled through her own unique style, which serves as a reminder of modern tastes in art during the height of her popularity.

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Nude

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Beautiful Rafaella, 1927

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Sleeping Woman, 1935

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Mother Superior, 1939

It is said that Lempicka’s first love of art was founded in 1911 on a trip with her grandmother to Italy. As a young woman, Lempicka married and moved to Russia. Her husband was later arrested during the Russian revolution. After negotiating his release, Lempicka, her young daughter and her husband fled to Paris in 1918 where she took her first art classes at the Academie de la Grand Chaumiere. She also traveled again to Italy in 1925 to study the work of the old masters.

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Unfinished Portrait of First Husband

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The Women

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Women in Green

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Women in Blue

Lempicka quickly became a success in the 1920’s Parisian social scene. A beautiful woman in her own right, Lempicka resembled actress Greta Garbo, which no doubt helped in her rise to fame. Lempicka became notorious for her numerous parties and fashionable hairstyles and dress, as well as for her love affairs with men and women alike. Her style was a perfect reflection of the excess of the roaring 20Õs and was the perfect glamorous illustration her patrons were looking for. Entertainers, artists, writers and European nobility were among her many sitters, as well as her socialite friends. Lempicka also often picked up models straight from the streets of Paris; sailors, policeman, prostitutes, whoever caught her eye would be invited to sit for her.

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The Young Ladies, 1927

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Woman in a Hat with Flowers

Besides gaining notoriety as a great Art Deco portrait painter, Lempicka was also commissioned to create art for magazines, as well as still life. Lempica’s work was unlike anything else at the time, and is still easily distinguished today. She took great pride in the fact that her paintings had a very “finished” look, which was seen as being clean and classic, yet exciting and modern.

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Adam and Eve

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Marquis Sommi, 1925

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Madame Allan Bott

In the late 1930s, Lempicka moved to the United States with her second husband, the Baron Raoul Huffner. Lempicka found herself just as well received among the social scenes in New York and Hollywood. However, her career came to a halt in the 1950s when Art Deco slowly started going out of fashion. She continued to attempt to paint in a looser style, but little interest was shown in these pieces, and after 1962 she swore to never exhibit her work again.

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Calla Lillies, 1941

Near the end of her life in the 1970’s, Art Deco had a brief revival and her older works found a place in the art world again. She gained a short bout of popularity again before her death in 1980. Today, Lempicka’s work is housed in modern art museums around the world including the Pompidou Center in Paris. To own a painting by Tamara de Lempicka would be quite obvious, and also very likely due to the fact that she was a highly prolific painter. Still not quite sure about an Art Deco portrait hanging in your home? Contact us…it could be by Tamara de Lempicka.


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1076--daubigny.php Charles-Francois Daubigny Artwork Authentication & Art Appraisal

Charles-Francois Daubigny (1817-1878)

Get a Daubigny Certificate of Authenticity for your painting (COA) for your Daubigny drawing.

For all your Daubigny artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Daubigny Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Daubigny painting or drawing.

If you want to sell your Daubigny painting or drawing use our selling services. We offer Daubigny selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Daubigny and issuing certificates of authenticity since 2002. We are recognized Daubigny experts and Daubigny certified appraisers. We issue COAs and appraisals for all Daubigny artworks.

Our Daubigny paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Daubigny certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Daubigny painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Daubigny paintings or drawings take longer.

Our clients include Daubigny collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles-Francois Daubigny art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles-Francois Daubigny or we will sell it for you.

Charles-Francois Daubigny was the son of a classical landscape painter. He initially worked as the decorator of trinkets for a clockmaker, and then as a restorer of paintings at the Louvre. He began painting near the Forest of Fontainebleau in 1834, and was part of the Barbizon School. He had his first success in the Salon in 1837 and began exhibiting repeatedly after that.

He is one of the great landscape painters of the time and is held in as high esteem as Camille Corot. Initially he painted in a traditional style but this changed in 1834 when he met Camille Corot. This meeting was said to change his artistic life, as he was to be one of the major influences on him. He had considerable success in the Salon in the 1850’s and by 1859 he had collected three First Class medals. He was also awarded a major commission to decorate the Government office in the Louvre and in 1855 the French State bought a painting of his entitled, ‘Lock at Optevoz’ which now hangs in the Louvre. He was also made a Knight of the Legion of Honour.

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The Flood Gate at Optevoz, 1859

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Les Bords d’Une Rivier

  It is said that he produced his finest paintings between the years of 1864 and 1874 when he produced carefully completed landscapes of trees and rivers. Apparently; if he was happy with the painting, he added ducks. If we look at a painting by Daubigny, in theory we should be able to work out what he thought of the quality of his painting by the number of ducks that are on the canvas! It is said that the riverscape scenery that he depicted was highly influential on the paintings that Monet produced during his time at Vetheuil, a small village by the Seine. He was also a talented etcher at a time when this art was experiencing a revival and contributed a large number of etchings to the Gazette des Beaux Arts.

Aside from the etchings he also produced illustrations for advertisements, romantic novels and religious publications. These regular commissions were an ‘insurance policy’ against the uncertainty of relying on the sale of his paintings as the source of a steady stream of income.

In 1857 Daubigny launched his floating studio in a boat that he called ‘Botin.’ From the boat he recorded the landscapes along the Seine, Marne and Oise rivers under varying atmospheric effects. He was to settle in Auvers-sur Oise, its lush green valleys were a favourite spot for nature lovers. Friends such as Cezanne, Corot and Berthe Morisot spent holidays there with him whilst painting at the same time. He is quoted as saying ‘The best paintings never sell.’ It seemed that the paintings he thought worthy of the most admiration were never the ones that people bought.

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Harvest, 1873-1875

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Coucher de Soleil, 1877-1878

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Soleil Couchant

In 1890 Van Gogh who was a great admirer of Daubigny went to Auvers-sur -Oise and he painted on a number of occasions the garden to the house in which he lived.

He liked to travel and traveled to London where he met Whistler and traveled to the Netherlands with Monet. Daubigny had a great influence on the Impressionists and on Monet in particular.

Daubigny later became a Salon jurist and in 1870 when Monet’s paintings were turned down, both him and Camille Corot resigned in protest.

Daubigny’s paintings were actively collected by several Bostonians, so it is possible that there are some forgotten paintings in America. The value of his paintings and other works such as his etchings varies enormously and they have been sold for amounts ranging from $2,000 to nearly $120,000. As one of France’s most reputable landscape painters, his paintings are certainly in demand.

If you believe you own a work of art by Daubigny, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Daubigny.

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Les Bords de L’Oise

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1077--huet-jean.php Jean Baptiste Marie Huet Artwork Authentication & Art Appraisal

Jean Baptiste Marie Huet (1745-1811)

Get a Huet Certificate of Authenticity for your painting (COA) for your Huet drawing.

For all your Huet artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Huet Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Huet painting or drawing.

If you want to sell your Huet painting or drawing use our selling services. We offer Huet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Huet and issuing certificates of authenticity since 2002. We are recognized Huet experts and Huet certified appraisers. We issue COAs and appraisals for all Huet artworks.

Our Huet paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Huet certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Huet painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Huet paintings or drawings take longer.

Our clients include Huet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Baptiste Marie Huet art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean Baptiste Marie Huet or we will sell it for you.

Huet painting, Venus Sleeping on a Bed

Venus Sleeping on a Bed

Jean Baptiste Marie Huet was an 18th century Rococo French painter. He was originally accepted into the Academie Royal in 1769 as an animalier, or painter of animals. Huet was generally known for his pastoral landscapes, often incorporating shepherds and their flock.

Huet painting, Pastoral Landscape

Pastoral Landscape

Huet painting, Study of a Goat

Study of a Goat

Huet painting, Peasant Girl with Dog

Peasant Girl with Dog

Besides being a painter, Huet was an extremely skilled draftsman, and was also commissioned for tapestry designs by the Manufacture Oberkampf. Huet was also commissioned to paint pastoral landscapes, along with fellow painters Fragonard and Boucher, in the home of Demarteau in Paris.

Huet painting, The Coronation of the Rose Queen, Tapestry Design

The Coronation of the Rose Queen, Tapestry Design

Huet painting, The Activities of the Factory, Fabric Design

The Activities of the Factory, Fabric Design

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Jean Baptiste Marie Huet.


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1078--severn.php Joseph Severn Artwork Authentication & Art Appraisal

Joseph Severn (1793 – 1879)

Get a Severn Certificate of Authenticity for your painting (COA) for your Severn drawing.

For all your Severn artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Severn Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Severn painting or drawing.

If you want to sell your Severn painting or drawing use our selling services. We offer Severn selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Severn and issuing certificates of authenticity since 2002. We are recognized Severn experts and Severn certified appraisers. We issue COAs and appraisals for all Severn artworks.

Our Severn paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Severn certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Severn painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Severn paintings or drawings take longer.

Our clients include Severn collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Joseph Severn art authenticationp, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Joseph Severn or we will sell it for you.

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Lovesick 1831

Joseph Severn was an English portrait and subject painter. He was born in London. During his earlier years he practiced portraiture as a miniaturist; and, having studied in the schools of the Royal Academy, he exhibited his first work in oil, Hermia and Helena, a subject from A Midsummer Night’s Dream, in the Royal Academy Exhibition of 1819. In 1820, he gained the gold medal and a three years’ traveling studentship for his Una and the Red Cross Knight in the Cave of Despair. He accompanied his friend John Keats the poet to Italy and nursed him till his death in 1821.

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Percy Bysshe Shelley

In 1861 he was appointed British consul at Rome, a post which he held till 1872, and during a great part of the time he also acted as Italian consul. His most remarkable work is the Spectre Ship from the Ancient Mariner. He painted Cordelia Watching by the Bed of Lear, The Roman Beggar, Ariel, The Fountain, and Rienzi, executed a large altarpiece for the church of St Paul at Rome, and produced many portraits, including one of Baron Bunsen and several of Keats. He died at Rome, where he is buried in the Protestant Cemetery next to John Keats.

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John Crossley of Scaitcliffe

Still wondering about a British painting in your family collection? Contact us…it could be by Joseph Severn.


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1079--rodriguez-lozano.php Manuel Rodriguez Lozano Artwork Authentication & Art Appraisal

Manuel Rodriguez Lozano (1895-1971)

Get a Rodriguez Lozano Certificate of Authenticity for your painting (COA) for your Rodriguez Lozano drawing.

For all your Rodriguez Lozano artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rodriguez Lozano Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rodriguez Lozano painting or drawing.

If you want to sell your Rodriguez Lozano painting or drawing use our selling services. We offer Rodriguez Lozano selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rodriguez Lozano and issuing certificates of authenticity since 2002. We are recognized Rodriguez Lozano experts and Rodriguez Lozano certified appraisers. We issue COAs and appraisals for all Rodriguez Lozano artworks.

Our Rodriguez Lozano paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rodriguez Lozano certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rodriguez Lozano painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rodriguez Lozano paintings or drawings take longer.

Our clients include Rodriguez Lozano collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Manuel Rodriguez Lozano art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Manuel Rodriguez Lozano or we will sell it for you.

Lozano, Portrait of Andres Henestrosa

Portrait of Andres Henestrosa

Lozano, Amor

Amor

Manuel Rodriguez Lozano was a Mexican artist who despite his artistic strength never received the acclaim of his contemporaries. Lozano is known for his sensual portraits of Mexican women, often incorporated with Christian references. Lozano’s models were commonly young with Indian ¨Mestizo¨ features. The portraits can be described as physical and erotic, showing nude couples. Lozano wanted to emphasize the beauty of native, Mexican women instead of the typical European model.

Lozano, Farewell, 1940

Farewell, 1940

Lozano spent a great deal of time in the avant-garde art circles of Europe, spending a lengthy stretch of eight years overseas. Lozano’s time abroad greatly impacted the style of his work and his attitude.

Lozano, La Ramera

La Ramera

Lozano returned to Mexico in the 1920s during the formation of the muralist movement. In 1940 Lozano became the director of the School of Fine art in Mexico, overseeing a period of political and artistic change. During this time Lozano painted La Pieda, a mural that can be seen at the Museo de Bellas Artes in Mexico City.

Lozano, Self portrait

Self portrait

In 1948 Lozano exhibited in the Orangerie Museum of Paris as well as in his home country. In opposition to the monopoly exercised by the Mexican muralists, Lozano distanced himself from official circles and exhibited in independent galleries in Mexico City.

Lozano, portrait

Portrait

In 1968 Lozano exhibited a retrospective of his best work before his death a few years later. Lozano is an important Mexican artist who strayed from the mainstream masters of his time. Lozano’s work can be found in collections and museums internationally. Do you think you own a Manuel Rodriguez Lozano? Contact us. We are the Lozano experts.


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1080--sanby.php Paul Sandby Artwork Authentication & Art Appraisal

Paul Sandby (1730-1809)

Get a Sandby Certificate of Authenticity for your painting (COA) for your Sandby drawing.

For all your Sandby artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sandby Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sandby painting or drawing.

If you want to sell your Sandby painting or drawing use our selling services. We offer Sandby selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sandby and issuing certificates of authenticity since 2002. We are recognized Sandby experts and Sandby certified appraisers. We issue COAs and appraisals for all Sandby artworks.

Our Sandby paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sandby certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sandby painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sandby paintings or drawings take longer.

Our clients include Sandby collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Paul Sandby art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Paul Sandby or we will sell it for you.

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Landscapes with Buildings and Rivers by a Valley, 1791

Paul Sandby was an English map-maker turned landscape painter in watercolors, who, along with his older brother Thomas, became one of the founding members of the Royal Academy in 1768. Born in Nottingham, Sandby joined the topographical drawing room of the Board of Ordnance at the Tower of London in the early 1740s and in 1746 was tasked with mapping the remote Scottish Highlands. While undertaking this exacting commission, he began producing watercolor landscapes and news of his talent soon spread.

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Conway Castle

In 1752, he took up a post with his brother producing landscapes of the royal estates at Windsor, and also began producing aquatint engravings, having been commissioned by Sir Joseph Banks to produce 48 plates depicting Welsh scenery. He also drew some caricatures ridiculing William Hogarth.

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A View of Vinters at Boxley

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Turkey Mill in Kent

In 1768, he was appointed chief drawing master to the Royal Military Academy at Woolwich, a position he retained until 1799. He died in London ten years later and was described in his obituaries as ‘the father of modern landscape painting in watercolors’.

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Farmhouse on the Road to Staines 1806

Still wondering about a British painting in your family collection? Contact us…it could be by Paul Sandby.


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1081--escalera.php Jose Nicolas De la Escalera Artwork Authentication & Art Appraisal

Jose Nicolas de la Escalera (1734-1804)

Get a De La Escalera Certificate of Authenticity for your painting (COA) for your De La Escalera drawing.

For all your De La Escalera artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De La Escalera Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De La Escalera painting or drawing.

If you want to sell your De La Escalera painting or drawing use our selling services. We offer De La Escalera selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De La Escalera and issuing certificates of authenticity since 2002. We are recognized De La Escalera experts and De La Escalera certified appraisers. We issue COAs and appraisals for all De La Escalera artworks.

Our De La Escalera paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De La Escalera certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De La Escalera painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De La Escalera paintings or drawings take longer.

Our clients include De La Escalera collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jose Nicolas De La Escalera art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jose Nicolas De La Escalera or we will sell it for you.

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The Holy Trinity

The First Cuban Painter

Jose Nicolas De la Escalera is considered to be the first true Cuban painter. Perhaps there were others before him to, but Escalera’s work has stood the test of time, and he is believed to be the oldest known Cuban painter. Little is known about Escalera today, but certainly, he received training from one of the many artists or European artistocrats which streamed into Europe during the later half of the 1600’s.

Before his time, any art that existed on the island was primitive in nature by self-taught “mulattos” or was graphic art used for the production of tobacco ads. It was Escalera that started the beginnings of non-commercial painting and brought art to this island nation. Before Escalera, there were many European, non-native artists that would produce art on the island. Escalera was truly the first Cuban to produce work in the Classic style.

Much of the work that exists today of Escalera’s are portraits and religious imagery. Some have said that his painting is in the Cuban baroque style, and mostly grace the walls of churches and cathedrals in Cuba. One may compare him as the Cuban equivalent to Michelangelo, not necessarily because of style, but because of their similarities in subject matter and innovation in the world of art. Escalera uses a style which suggests European Classical styling, and this is echoed in his color choices, as well as subject matter.

While painting under the watchful eye of the clergy, Escalera was said to have had little control over the styles of his paintings. He would be commissioned for these jobs, and would paint in a style to please his patrons. However, Escalera would have a very playful color palate at times, which would echo in the clothing on the subjects in his paintings.

When Escalera was not commissioned for murals and art work, he would paint portraits of the early Cuban aristocracy. By doing this, Escalera was also documenting life on this somewhat remote country in some of their earliest known history. Escalera was also the first to paint a picture of a “negro” slave, which appeared in a painting in the Santa Maria del Rosario church.

To find a piece of Escalera’s work would not only be worthy artistic find, but a priceless piece of Cuban history as well. Today, Escalera’s work is housed at the Museuo Nacional de Bellas Artes in Havana, as well as in churches throughout Cuba. Could you own a historic piece of art from Jose Nicolas De la Escalera? The possibilities are endless. We would be glad to help you authenticate a piece of art from this original Cuban artist, the one who started it all in the Cuban art world.

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Virgin

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1082--calder.php Alexander Calder Artwork Authentication & Art Appraisal

Alexander Calder (1898 – 1976)

Get a Calder Certificate of Authenticity for your painting or a COA for your Calderdrawing, print or sculpture.

For all your Calderartworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Calder Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Calderpainting, drawing, print or sculpture.

If you want to sell your Calderpainting, drawing, print or sculpture use our selling services. We offer Calder selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Calderand issuing certificates of authenticity since 2002. We are recognized Calderexperts and Calder certified appraisers. We issue COAs and appraisals for all Calder artworks.

Our Calderpaintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Caldercertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Calderpainting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Calderpaintings, drawings or sculptures take longer.

Our clients include Caldercollectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alexander Calder art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alexander Calder or we will sell it for you.

Alexander Calder was an American artist who created sculptures, prints, paintings, toys, and invented the “mobile”. Calder was born in Lawton, Pennsylvania to a family of artists. His father and grandfather created public sculptures in the city of Philadelphia and his mother worked as a professional portraitist, after studying at the Sorbonne and the Academies Julian in Paris. His parents met in Philadelphia while studying at the Pennsylvania Academy of Fine Arts.

Alexander Calder created his earliest known sculpture at the age of four, which took the form of an elephant made out of clay. The same year he modeled for his father’s sculpture, “The Man Club”, which is in the collection of the Metropolitan Museum of Art in New York City. In 1905 when his father contracted tuberculosis, Calder and his sister were sent live with family friends in Arizona. From Arizona the Calder family relocated to Pasadena, California until returning to Philadelphia in 1910. Calder spent his high school years moving from Philadelphia to New York and finally to San Francisco, following his father’s artistic commissions across the country.

In 1915 Calder enrolled at Stevens Institute of Technology in New Jersey to study mechanical engineering. After graduating Calder worked a variety of jobs, including a position as a fireman on a passenger ship that sailed off the coast of Guatemala. After having a series of odd jobs and adventures, Calder decided to move to New York to pursue a career as an artist.

In New York Calder started taking classes at the Art Students League and working for the National Police Gazette. In 1925 Calder covered a story on the circus, which later served as an inspiration in his work. Calder decided to develop his own circus out of found objects, wire, rubber, string and cloth, while living in Paris. The “Cirque Calder” was designed to fit into suitcases so that it would be transportable. In 1927 Calder returned to the United States and started to make toys, kinetic sculptures and wire sculptures. As Calder’s reputation grew he began to exhibit in both the United States and France.

In the 1930s Calder concentrated less on making toys and more formal sculptures. His sculptures took the form of kinetic “mobiles” and stationary “stabiles”. Calder’s most mature work took on a monumental scale, fulfilling commissions for UNESCO, the World Trade Center, the Montreal Universal Exhibition and the Olympic games in Mexico City. In addition to traditional sculpture, Calder designed paintings for planes and the BMW art car series. While working on intensive sculpture projects, Calder continued to make small gouache paintings and mobiles, which he often gifted to his friends.

Calder’s work has reached far and wide, filling urban public spaces and private museum collections. Calder is known internationally for his innovative and playful work. Do you think you own a piece by Alexander Calder? Contact us. We are the Calder experts.


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1083--delaunay.php Sonia Delaunay Artwork Authentication & Art Appraisal

Sonia Delaunay (November 14, 1885 – December 5, 1979)

We Perform Sonia Delaunay art authentication. Sonia Delaunay appraisal. Sonia Delaunay certificates of authenticity (COA). Sonia Delaunay analysis, research, scientific tests, full art authentications. We will help you sell your Sonia Delaunay or we will sell it for you.

The work of Sonia Delaunay may be hard for some authenticators to distinguish. In many cases, her style was very similar to that of her husband, fellow painter Robert Delaunay. The two, in fact, worked side by side, so naturally that their styles complemented one another. In some cases it is nearly impossible to tell which Delaunay created which painting but a trained and educated eye can pick out the work from either husband or wife.

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Disk Composition

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Electric Prisms, 1914, Pompidou Center, Paris

Sonia Delaunay was born in the Ukraine, and raised by her uncle, whose family was eventually able to formally adopt her. Delaunay traveled often as a child, and was enrolled in art school in St. Petersburg at the age of 16. She was eventually sent to Germany to continue her art studies at the Karlsruhe Academy of Fine Arts.

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Yellow Nude

Delaunay finally moved to Paris in 1905 to pursue her art career. Though she was married to a German art dealer at the time she met Robert Delaunay, the two began a relationship and were married in 1910. Together they created Orphism, a whole new arena of Abstract and Cubist art that infused color, motion and geometry.

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Flamenco Singers, 1915

While her husband remained focused on his painting, Sonia delved into the world of fashion and textiles during the First World War. Her take on high fashion included lyrical pieces that were full of movement—an inspiration from her themes as a painter. Many of Sonia’s compositions mirrored contemporary fashion patterns of today and were always bright, colorful and geometric.

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Fabric Pattern, 1928

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Fabric Pattern

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Composition 34, 1930

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Composition 31, 1930

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Composition 12, 1930

By the 1930s, Sonia returned to painting, which she would continue even after her husbands death in 1941, though she produced little work from then until 1950. Even after she began to work again, her later paintings gained little interest, though this was a very prolific period for her. In 1968 she donated a number of her husbands and her own works to the National Art Museum in Paris, perhaps in hope of regaining notoriety.

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Composition

Even though Sonia Delaunay may have been seen by some as following in her husbands footsteps, she made great strides on her own as an artist. In fact, Sonia was the first woman to ever have her work exhibited in the Louvre during her lifetime, a great honor for any artist. During her lifetime, she often was invited to lecture at universities like the Sorbonne, and is even credited as being one of the first to suggest “ready to wear” clothing.

Because Sonia led a very long, very bohemian lifestyle, the possibility of owning one of her pieces is great, as is the possibility of her work being wrongly authenticated. Today her work is housed all over France and she is remembered as a forerunner in abstract art and as an inspiration to generations of female artists.

If you suspect you may own a Delaunay, please contact us.


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1084--barbier.php Andre Barbier Artwork Authentication & Art Appraisal

Andre Barbier (1883-1970)

Get a Barbier Certificate of Authenticity for your painting (COA) for your Barbier drawing.

For all your Barbier artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Barbier Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Barbier painting or drawing.

If you want to sell your Barbier painting or drawing use our selling services. We offer Barbier selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Barbier and issuing certificates of authenticity since 2002. We are recognized Barbier experts and Barbier certified appraisers. We issue COAs and appraisals for all Barbier artworks.

Our Barbier paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Barbier certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Barbier painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Barbier paintings or drawings take longer.

Our clients include Barbier collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Andre Barbier art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Andre Barbier or we will sell it for you.

Born in Arras, France, Andre Barbier came from a wealthy family of lawyers. By the age of 20, Barbier moved to Paris where he began exhibiting his paintings of still-lifes and landscapes. Barbier's landscape painting would incite him to travel to the Normandy coast and the Riviera, and especially to Italy in search of new scenery.

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Varengeville

In 1916, Barbier met Claude Monet and after exchanging paintings and a fruit basket, the two became friends. Monet was very taken by Barbier and remained friends with him until his death in 1926, and even sponsored his work at exhibitions.

Barbier exhibited extensively in the salons until as far as three years before his death. From 1903-1914 Barbier exhibited in the Salon des Independents, and then until 1924 at the Salon des Tuileries.

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Hornfleur, L'entrée Du Port

Although Barbier is mainly known for his Impressionistic landscapes and seascapes, he also produced engravings and lithographs as well. Even though Barbier's family is known to own the bulk of his collection, his work is still collected in Europe and America. There is always the possibility of one of his works surfacing at an estate sale or in an odd antique store, or even in someone's attic.

Do you think you may own a piece of work by this great artist? We authenticate, appraise and research all works by Andre Barbier.

 


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1085--jennys.php William Jennys Artwork Authentication & Art Appraisal

William Jennys (1774-1858)

Get a Jennys Certificate of Authenticity for your painting (COA) for your Jennys drawing.

For all your Jennys artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Jennys Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Jennys painting or drawing.

If you want to sell your Jennys painting or drawing use our selling services. We offer Jennys selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Jennys and issuing certificates of authenticity since 2002. We are recognized Jennys experts and Jennys certified appraisers. We issue COAs and appraisals for all Jennys artworks.

Our Jennys paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Jennys certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Jennys painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Jennys paintings or drawings take longer.

Our clients include Jennys collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform William Jennys art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your William Jennys or we will sell it for you.

Portrait of a Boy

Portrait of a Boy

William Jennys was an early American painter and portraitist. He studied under his father, Richard Jennys, and was active mostly in Connecticut. He traveled all over New England painting portraits for nearly 16 years and was fairly prolific and successful. Today, there are over 100 paintings of Jennys in record, with nearly 100 more attributed to him.

Portrait of a Man

Portrait of a Man

Mrs. Charlotte Hoyt

Mrs. Charlotte Hoyt

Little is known about Jennys life, however, he left behind a oeuvre of beautifully executed portraits. He was skilled in painting textures, particularly on fabric, and brought a beautiful luminosity to crushed velvets, draperies, silk and hair. Most of his portraits depicted his sitters from the waist up, but occasionally he would do full-length paintings of his subjects. Sometime Jennys would create realistic likenesses of his sitters that were matched by few in his lifetime; other times, his portraits would appear flat and somewhat dull.

Peggy Ashley

Peggy Ashley

Mrs. Timothy Mather

Mrs. Timothy Mather

Portrait of a Woman

Portrait of a Woman

Perhaps this dramatic change in style was a sign of a maturing artist. It is likely that as he grew as an artist, his style and techniques improved, creating more visually pleasing portraits. One will notice that in the bulk of his portraits, Jenny used a technique of encircling his sitters in a black and gold, cameo like background. One of the reasons that Jennys likely did not paint his sitters from the waist down was to avoid painting their hands and arms; a difficult task for most artists, particularly for self-taught or naïve artists. However, one may not that if Jennys did attempt to paint the arms and hands, they had a somewhat chubby and awkward look, and the sitter was almost always holding something in their hand.

Moses Kimball Jr 1808

Moses Kimball Jr 1808

Mrs. Chandler of Vermont

Mrs. Chandler of Vermont

Mr. Chandler of Vermont

Mr. Chandler of Vermont

Today although many of his paintings and portraits survive, Jennys life still remains a mystery to art historians. This, however, opens up a world of possibilities for art collectors and owners. Could he have traveled to England to perfect his craft? Did he paint still life and genre scenes as well? These details are unknown, and could mean that a great many number of his paintings are in existence virtually anywhere. Still wondering about a family heirloom portrait hanging in your home? Contact us…it could be by William Jennys.


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1086--van_meytens.php Martin van Meytens Artwork Authentication & Art Appraisal

Martin van Meytens (1695-1770)

We Perform Martin van Meytens art authentication. Martin van Meytens appraisal. Martin van Meytens certificates of authenticity (COA). Martin van Meytens analysis, research, scientific tests, full art authentications. We will help you sell your Martin van Meytens or we will sell it for you.

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Self-Portrait

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Marie Antoinette

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Portrait of Graf Gustav Adolf von Gotter

Martin van Meytens was an 18th century Austrian painter who came from a family of artists (also spelled Mytens and Mijtens). He studied under his father, Martin van Meytens the Elder, and as a young man, traveled to London, Paris, Vienna and Italy, where he stayed for a long time.

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Emperor Francis I

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Empress Queen Maria Theresa

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Empress Maria Theresa

Van Meytens finally settled in Vienna where he began to create miniature enamel portraits, changing to oil painting in 1730. He eventually became quite popular among the aristocracy and the royals, even painting a portrait of Marie Antoinette and the Austrian royal family. He was eventually named court painter in 1732, and later the director of the Viennese Academy of Fine Arts in 1759.

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Portrait of Denes Banfly

Some art historians have credited van Meytens as being one of the most significant Austrian painters of the Baroque era. Through his pupils, van Meytens style and influence remained alive and spread widely throughout Europe long after his death, and it is said that his manners and interests were highly appreciated by his fellow artists. Today, van Meyten’s work is housed in public and private collections all over the world, and perhaps in your own home. Still wondering about an 18th century Austrian painting in your family collection? Contact us…it could be by Martin van Meytens.


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1087--crespi.php Giovanni Crespi Artwork Authentication & Art Appraisal

Giovanni Battista Crespi (1573 – 1632)

Get a Crespi Certificate of Authenticity for your painting or a COA for your Crespi drawing or sculpture.

For all your Crespi artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Crespi Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Crespi painting, drawing or sculpture.

If you want to sell your Crespi painting, drawing or sculpture use our selling services. We offer Crespi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Crespi and issuing certificates of authenticity since 2002. We are recognized Crespi experts and Crespi certified appraisers. We issue COAs and appraisals for all Crespi artworks.

Our Crespi paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Crespi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Crespi painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Crespi paintings, drawings or sculpture take longer.

Our clients include Crespi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giovanni Crespi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni Crespi or we will sell it for you.

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Christ Appears to Apostles Peter and Paul

Giovanni Crespi, called Il Cerano, was an Italian painter, sculptor, and architect, He was born in Romagnano Sesia, the son of a painter, Raffaele Crespi, and moved to Cerano with his family some years later. In 1591 he is known to be living in Milan.

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St. Charles Barromeo Erecting Crosses at the Gates of Milan 1602

True to the Counter-Reformation piety zealously expressed in Milanese art of his time, his paintings focus on mysteries and mystical episodes in saintly life. The crowded canvases and the angles recall Mannerism but his paintings show an emotion that evokes common sentiments in Baroque. Along with other artists, he completed series of paintings (Quadroni of St. Charles) of the life of St. Charles Borromeo for the Duomo of Milan, an altarpiece with the Baptism of St. Augustine for San Marco (Milan), and a Mass of St. Gregory for the Basilica of San Vittore in Varese (1615-17). Also see the nightmarish, St Gregory Delivers the Soul of a Monk (1617).

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St. Gregory Delivers the Soul of a Monk 1617

He was a scholar of considerable attainments, and held a position of dignity in Cerano. In 1620 he was appointed head of the Accademia Ambrosiana founded by Cardinal Federico Borromeo. Among his pupils were Daniele Crespi, Carlo Francesco Nuvolone, and Melchiore Gillardini (died 1675).

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Entombment of Christ

Still wondering about an Italian painting in your family collection? Contact us…it could be by Giovanni Crespi.


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1089--schongauer.php Martin Schongauer Artwork Authentication & Art Appraisal

Martin Schongauer (1450-1491)

Get a Schongauer Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Schongauer artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Schongauer Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Schongauer painting, drawing or print.

If you want to sell your Schongauer painting, drawing or print use our selling services. We offer Schongauer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Schongauer and issuing certificates of authenticity since 2002. We are recognized Schongauer experts and Schongauer certified appraisers. We issue COAs and appraisals for all Schongauer artworks.

Our Schongauer paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Schongauer certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Schongauer painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Schongauer paintings or drawings take longer.

Our clients include Schongauer collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Martin Schongauer art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Martin Schongauer or we will sell it for you.

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The Temptation of St. Anthony

Martin Schongauer was a German engraver and painter, and is considered by some art historians as the most important German engraver before Dürer. Some art historians even quote him as being the most famous German artist of all time. To date, more than 100 copper engravings and over 50 drawings have been attributed to Schongauer, with the possibility of many more surfacing. Most of his known paintings have yet to be authenticated or precisely dated.

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The Carrying of the Cross

Like so many other artists of his time, the details of Schongauer’s early life are little known. However, it is speculated that he was a highly prolific artist and created a great many paintings, etchings, drawings and altar pieces from his workshop. Though he was a painter of the German school, he settled in Colmar, France where many of his paintings, drawings and etchings exist today.

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Michael and the Dragon

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Into Egypt

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The Man of Sorrows With The Virgin Mary and St. John the Evangelist

Like many other German artists of his time, it is believed by art historians that Schongauer most likely received his artistic training in the Netherlands. Like fellow German Gothic-era painter Stephan Lochner, Schongauer’s paintings and etchings mirror the style of artists from the Netherlands during that time, such as Rogier van der Weyden.

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Christ

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The Last Supper

Very few of his oil painted canvases have survived, but even those are difficult to authenticate. This leaves a great possibility for unknown works of his to surface, unauthenticated and otherwise unknown.

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The Holy Family 1480’s

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The Virgin With Infant

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Adoration of the Shepherds

Only one painting survives that art authenticators positively identify as being Schongauers’ and that is his famous “Madonna in the Rose Garden” which is still housed at the Saint-Martin Church in Colmar, France.

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Madonna of the Rose Garden 1473

Some of his sketches are signed clearly with an “M” and an “S” separated by a cross, which can be seen here in these sketches.

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Sketch of a Young Girl

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Sketch of a Young Girl with Wreath

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Sketch of a Woman

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Sketch of a Woman with a Tapestry

Schongauer’s work was so beloved by the people in his lifetime that he was even given nicknames like “beautiful Martin” and “charming Martin.” He was even sought after as a master by future German artist Dürer, but the elder artist had sadly passed away before their instruction could begin. Schongauer had many followers in both his style of engraving and painting.

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Virgin with the Infant Holding an Apple

Today his work is housed all over Europe, many still in the churches and cathedrals for which they were created. Still wondering about a 15th century sketch, engraving or painting in your family’s estate? Contact us…it could be by Martin Schongauer.


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1090--krohg-oda.php Oda Krohg Artwork Authentication & Art Appraisal

Oda Krohg (1860-1935)

Get a Krohg Certificate of Authenticity for your painting (COA) for your Krohg drawing.

For all your Krohg artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Krohg Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Krohg painting or drawing.

If you want to sell your Krohg painting or drawing use our selling services. We offer Krohg selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Krohg and issuing certificates of authenticity since 2002. We are recognized Krohg experts and Krohg certified appraisers. We issue COAs and appraisals for all Krohg artworks.

Our Krohg paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Krohg certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Krohg painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Krohg paintings or drawings take longer.

Our clients include Krohg collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Oda Krohg art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Oda Krohg or we will sell it for you.

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Japanese Light 1886

Oda Krohg, born Othilia Pauline Christine Lasson, was a Norwegian painter, and the wife of her teacher and colleague Christian Krohg. She had little formal art education, but she quickly absorbed the knowledge of the artistic environment she was a part of. Her debut was in 1886 with “Ved Christianiafjorden (japansk lykt)” (At the Oslofjord (Japanese light)), now in the National Gallery of Norway. Her first years as an artist are seen as an example of new romantic painting. Her later portrait works had another, more robust impression.

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Little Girl with Scissors 1887

She was the daughter of public attorney Christian Lasson and Alexandra von Munthe av Morgenstierne. She was the sister of Per Lasson and Bokken Lasson. She got married in 1881 with the businessman Jørgen Engelhardt (1852-1921), with whom she had two children. She split from Engelhardt in 1883, and divorced in 1888. In 1885 she became a student of Erik Werenskiold and Christian Krohg. She married Krohg in October 1888. In 1885, daughter Nana was born, and in 1889, their son Per, who also would be a known painter. In the period 1901-1909, the family lived in Paris.

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Portrait of the Artist Painted by her Husband 1886

Oda Krohg is known by her landscapes, like “Ved Christianiafjorden (Japansk lykt)” (1886) and “Ved engen (Kinesisk lykt)” (On the meadow (Chinese light), 1889) and other works like “En abonnent på Aftenposten” (A subscriber of Aftenposten, 1887), “Fra festen” (1892) and “Rouge et Noir” (1912) and the brave “Christian Krohg på Karl Johan” (Christian Krohg at Karl Johansgate, 1912). She also painted portraits of, among other Aasta Hansteen, Ivar Arosenius, Gunnar Heiberg, Johanne Dybwad and Christian Krohg.

Oda was also a central figure in the anticulture movement of the Christiania Bohemians (Kristiania-bohemen) in the 1880s and 1990s. The figure of the “Bohemian Princess” has to some extent obscured the impression of a competent painter. In Edvard Munch’s painting “kafeinteriør” (1893), Oda is surrounded of bohemians and people close to them : Munch, Christian Krohg, Jappe Nilssen, Hans Jæger, Gunnar Heiberg og Jørgen Engelhart. Oda is said to have had affairs with four of these men: Engelhart, Jæger, Heiberg and Krohg. In the book Syk Kjærlighet (Seven Loves, 1893), Hans Jæger describe a love triangle where he was strongly in love with a woman who was to marry a painter. Oda is said to have been the model for the woman, and the book describes the relation between Jæger, Oda og Christian in the summer and autumn of 1888.

She also wished to be a writer, but published very little. Her life is described in Ketil Bjørnstad’s novel “Oda!” (1983). She is buried at the Æreslund in the Vår Frelsers gravlund in Oslo. Still wondering about a Norwegian painting in your family collection? Contact us…it could be by Oda Krohg.


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1091--lopez.php Juan Pedro Lopez Artwork Authentication & Art Appraisal

Juan Pedro Lopez (1724-1787)

Get a Lopez Certificate of Authenticity for your painting or a COA for your Lopez drawing or sculpture.

For all your Lopez artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Lopez Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lopez painting, drawing or sculpture.

If you want to sell your Lopez painting, drawing or sculpture use our selling services. We offer Lopez selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lopez and issuing certificates of authenticity since 2002. We are recognized Lopez experts and Lopez certified appraisers. We issue COAs and appraisals for all Lopez artworks.

Our Lopez paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lopezcertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Lopez painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lopez paintings, drawings or sculpture take longer.

Our clients include Lopez collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Juan Pedro Lopez art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Juan Pedro Lopez or we will sell it for you.

Lopez, Virgin and Child

Virgin and Child, c.1780

One of the prominent colonial Venezuelan artists of the 18th century was Juan Pedro Lopez. Although he was born in the Canary Islands, he is still considered on of the greatest Venezuelan artist of all time, and the grandfather of Andre Bello. Renowned for his sculpture of St. Joseph, which serves as the afterpiece for the Caracas Cathedral, his work was often concentrated on religious imagery.

Lopez, Nuestra Senora Del Socorro De Valencia

Nuestra Senora Del Socorro De Valencia

Both a painter and a sculptor, Lopez, like most other Venezuelan artists of the time, was commissioned mostly on behalf of the church. Compositions of the Immaculate Conception and the Virgin Mary are common amongst his catalogue, and are generally in the Baroque style. A great many of his paintings are still hanging today in the cathedral in Caracas.

Lopez, Immaculate Conception

Immaculate Conception

In March of 2004, one of Lopez’s pieces was stolen from the Museo de Art Colonial in Caracas, Venezuela. The painting “Nuestra Senora de Atocha”, an oil painting on cedar wood panel featured the Virgin Mary and baby Jesus and is still missing to this date.

Lopez, Our Virgin of Atocha

Our Virgin of Atocha

Still wondering about a painting in your family collection? Contact us…it could be by Juan Pedro Lopez.


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1092--debre.php Debre Artwork Authentication & Art Appraisal

Olivier Debre (1920-1999)

Get a Debre Certificate of Authenticity for your painting (COA) for your Debre drawing.

For all your Debre artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Debre Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Debre painting or drawing.

If you want to sell your Debre painting or drawing use our selling services. We offer Debre selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Debre and issuing certificates of authenticity since 2002. We are recognized Debre experts and Debre certified appraisers. We issue COAs and appraisals for all Debre artworks.

Our Debre paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Debre certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Debre painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Debre paintings or drawings take longer.

Our clients include Debre collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Olivier Debre art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Olivier Debre or we will sell it for you.

Born in Paris in 1920, Olivier would become a talented and leading Abstract painter. Color, light and fluidity became a constant theme in his later years, and would help to distinguish Debre among the many Abstract artists of his time.

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Untitled

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Stock Rocks, 1978

Debre began drawing and painting in his childhood, and also learned about lithography and architecture as well. Some of his earliest work is in the style of Impressionism and then Expressionism, although he is not as well known for this work. It is said that he didn’t truly begin to paint until 1943, and cited the works of Pablo Picasso as inspiration.

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Untitled, 1950

When he created landscapes, Debre used the idea of “thinking spatially” to create them, and translated his emotions into these landscapes as well. He was also known to use color and light in a way that his canvases would still look wet and fluid years after the paint dried.

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Mobilities of the Loire, 1991-1992

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Green Typhoon, 1991

Because he worked and lived nearly until the new millennia, it is highly likely that his work is widely owned by the public. Lithographs and oil paintings of his in general could be found virtually world wide.

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Lithograph, 1989

While Debre was an Expressionist, most of his work is considered Abstract, and thus, may not be entirely easy to identify. However, through considerable research, an authenticator can certainly help you to determine one Abstract artist from another.

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Pagoda in Yellow etching, 1998

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1093--Ilpordenone.php Il Pordenone Artwork Authentication & Art Appraisal

Il Pordenone (1483-1539)

Il Pordenone art authentication. Il Pordenone appraisal. Il Pordenone certificates of authenticity (COA). Il Pordenone analysis, research, scientific tests, full art authentications. We will help you sell your Il Pordenone or we will sell it for you.

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St. Sebastian, St. Roch and St. Catherine

Il Pordenone, by name of Giovanni Antonio de’ Sacchis, was an Italian painter of the Venetian School, active during the Renaissance. Vasari, his main biographer, identifies him as Giovanni Antonio Licinio.

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Saint Bonaventure, 1530

He was commonly named “Il Pordenone” from having been born in 1483 at Corticelli, a village near Pordenone in Friuli. He ultimately dropped the name of Licinio, having quarrelled with his brothers, one of whom had wounded him in the hand. After this incident, he then called himself Regillo, or De Regillo. Others say he once took up his maternal name of Cuticelli. His signature runs Antonius Portunaensis, or De Portunaonis. He was deemed a cavalier by Charles V.

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Saint Louis of Toulouse, 1530

As a painter, Pordenone was a scholar of Pellegrino da San Daniele but a leading influence on his style was Giorgione. The popular story that he was a fellow pupil with Titian under Giovanni Bellini is false. The district about Pordenone had been somewhat fertile in capable painters, but Pordenone is the best-known, a vigorous chiaroscurist and flesh painter. The 1911 Britannica states that “so far, as mere flesh-painting is concerned, he was barely inferior to Titian in breadth, pulpiness and tone”. The two were rivals for a time, and Licinio would sometimes affect to wear arms while he was painting. He excelled in portraits and was equally at home in fresco and in oil color. He executed many works in Pordenone and elsewhere in Friuli, Cremona, and Venice. At one time, he settled in Piacenza, where one of his most celebrated church pictures, St. Catherine Disputing with the Doctors in Alexandria is located. The figure of St. Paul, in connection with this picture, is his own portrait.

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St. Catherine Disputing with the Doctors in Alexandria

He was invited by Duke Ercole II of Ferrara to court and soon afterwards, he died in Ferrara in 1539, not without suspicion of poison. His later works are comparatively careless and superficial, and generally he is better in male figures than in female. The latter being somewhat too sturdy, and the composition of his subject pictures is scarcely on a level with their other merits. Pordenone appears to have been a vehement self-asserting man, to which his style as a painter corresponds.

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Madonna and Child Enthroned with Saints

Three of his principal pupils were Bernardino Licinio, named Il Sacchiense, his son-in-law Pomponio Amalteo, and Giovanni Maria Calderari.

Partial anthology of works:

  • Study of the Martyrdom of Saint Peter Martyr, (1526, John Paul Getty Museum)
  • Saint Bonaventure, (National Gallery, London)
  • Saint Louis of Toulouse, (National Gallery, London)
  • Saints Prosdocimus & St. Peter, (1516, North Carolina Museum of Art, Raleigh).
  • Golgotha, (1520-21, fresco, Cathedral of Cremona)
  • Madonna and Child Enthroned with Saints, (c. 1525, Parish Church, Susegana, Treviso)
  • St. Lorenzo Giustiniani and Other Saints, (1532, originally in S. Maria dell’Orto, now Gallerie dell’Accademia, Venice)
  • Madonna and Child Enthroned with Saints, (1525)
  • Saint Martin and Saint Christopher, (1528-29, Church of San Rocco, Venice)
  • San Lorenzo Giustiniani & Two Friars with Saints, (1532, Galleria dell’Accademia, Florence)
  • Saints Sebastian, Roch and Catherine, (1535, Church of San Giovanni Elemosinario, Venice)
  • Madonna and Child Enthroned with Saints, (1525, Parish Church, Grandcamp, France)
  • The dispute of Saint Catherine with Pagan Philosophers, (Cathedral of Piacenza)
  • San Gottardo and Saints Sebastian and Rocco, (Museo Civico d’Arte, Pordenone)
  • Saint Catherine and Martyrs, (Museo Civico di Conegliano)
  • Drawings from Ambrosiana Library, Milan
  • Magi, (Treviso Cathedral)

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Golgotha, Fresco, Cathedral of Cremona, 1520-1521

Still wondering about an Italian painting in your family collection? Contact us…it could be by Il Pordenone.


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1095--girtin.php Thomas Girtin Artwork Authentication & Art Appraisal

Thomas Girtin (1775 – 1802)

Get a Girtin Certificate of Authenticity for your painting (COA) for your Girtin drawing.

For all your Girtin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Girtin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Girtin painting or drawing.

If you want to sell your Girtin painting or drawing use our selling services. We offer Girtin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Girtin and issuing certificates of authenticity since 2002. We are recognized Girtin experts and Girtin certified appraisers. We issue COAs and appraisals for all Girtin artworks.

Our Girtin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Girtin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Girtin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Girtin paintings or drawings take longer.

Our clients include Girtin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Thomas Girtin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Thomas Girtin or we will sell it for you.

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Landscape with Cathedral, 1799

Thomas Girtin was an English painter and etcher, who played a key role in establishing watercolor as a reputable art form. He was born in Southwark, London, the son of a well-to-do brushmaker of a Huguenot descendant. His father died while Thomas was a child, and the widow married a Mr.Vaughan, a pattern-draughtsman. Girtin learnt drawing as a boy (attending classes with Thomas Malton), and was apprenticed to Edward Dayes (1763-1804), a topographical watercolorist. He is believed to have served out his seven year term, although there are unconfirmed reports of clashes between master and apprentice, and even that Dayes had Girtin imprisoned as a refractory apprentice. Certainly Dayes did not fully appreciate his pupil’s talent, and he was to write dismissively of Girtin after his death.

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Jedburgh Abbey

While still a youth Girtin became friends with J. M. W. Turner and the two teenagers were employed to color prints with watercolor. Girtin exhibited at the Royal Academy from 1794. His architectural and topographical sketches and drawings soon established his reputation, his use of watercolor for landscapes being such as to give him the credit of having created Romantic watercolor painting. He went on several sketching tours, visiting the north of England, North Wales and the West Country. By 1799 he had acquired influential patrons such as Lady Sutherland, and the art collector Sir George Beaumont. He was the dominant member of the Brothers, a sketching society of professional artists and talented amateurs.

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Waterfront Landscape in Chelsea

In 1800 Girtin married Mary Ann Borrett, the sixteen year old daughter of a well-to-do City goldsmith, and set up home in St George’s Row, Hyde Park, next door to the painter Paul Sandby. By 1801 he was a welcome houseguest at his patrons’ country houses such as Harewood House and Mulgrave Castle, and was able to charge 20 guineas for a painting, but his health was deteriorating. In late 1801 to early 1802 he spent five and a half months in Paris, where he painted watercolors and made a series the pencil sketches which he engraved on his return to London. They were published as Twenty Views in Paris and its Environs after his death. In the spring and summer of 1802, Girtin produced a panorama of London, the “Eidometropolis”, 18 feet high and 108 feet in circumference which was exhibited with success that year. It was notable for its naturalistic treatment of urban light and atmosphere. That November Girtin died in his painting room; the cause was variously reported as asthma or “ossification of the heart.”

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Northumberland

Girtin’s early landscapes are akin to 18th-century topographical sketches, but in later years he developed a bolder, more spacious, Romantic style, which had a lasting influence on English painting. The scenery of the North encouraged him to create a new watercolor palette of warm browns, slate greys, indigo and purple. He abandoned the practice of undershadowing in grey wash and then adding pastel patches of color, in favor of broad washes of strong color, and experimented with the use of pen, brown ink and varnish to add richer tones. Girtin’s early death from consumption led indeed to Turner saying, “had Tom Girtin lived I should have starved.” The British Museum, Tate Britain, and the Victoria and Albert Museum have collections of his work.

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Kirkstall Abbey, Yorkshire

Still wondering about a British painting in your family collection? Contact us…it could be by Thomas Girtin.


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1096--hirv.php Alfred Hirv Artwork Authentication & Art Appraisal

Alfred Hirv(1880–1918)

1. Act Rosy. C. 1900. Oil on Canvas.

1. Act Rosy. C. 1900. Oil on Canvas.

Do you think you may own a painting by Alfred Hirv?

Get a Hirv Certificate of Authenticity for your painting (COA) for your Hirv drawing.

For all your Hirv artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hirv Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hirv painting or drawing.

If you want to sell your Hirv painting or drawing use our selling services. We offer Hirv selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hirv and issuing certificates of authenticity since 2002. We are recognized Hirv experts and Hirv certified appraisers. We issue COAs and appraisals for all Hirv artworks.

Our Hirv paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hirv certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hirv painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hirv paintings or drawings take longer.

Our clients include Hirv collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alfred Hirv art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Alfred Hirv or we will sell it for you.

2. Still-life. 1900-1910. Oil on Canvas.

2. Still-life. 1900-1910. Oil on Canvas.

Alfred Hirv was an Estonian painter born in the town of Pechory. Hirv moved to St Petersburg, Russia to study at the Stieglitz School of Art under Julius von Klever. After developing a strong foundation in Russia, Hirv continued his training in Italy and Germany. Hirv also worked under Anton Ažbe, a realist painter from Slovenia.

3. Still-life with Grapes. Not dated. Oil on Canvas. Estonia Art Museum.

3. Still-life with Grapes. Not dated. Oil on Canvas. Estonia Art Museum.

While the majority of Hirv’s paintings were made in the first years of the 20th century, he used a technique reminiscent of the Dutch Golden Age. Hirv executed a number of highly still life paintings with traditional objects such as fruit, wine, fish, flowers, etc. In addition to his still-lifes, Hirv painted a number of figures, both as portraits and in genre scenes.

4. Still-life with Crayfish. C. 1910. Oil on Canvas. Art Museum of Estonia.

4. Still-life with Crayfish. C. 1910. Oil on Canvas. Art Museum of Estonia.

Hirv exhibited frequently with both Balkan artists in Tartu, Estonia and Russian artists in St. Petersburg. His paintings are now in numerous museums across Europe.

5. Still-life. C. 1910. Oil on Canvas. Art Museum of Estonia.

5. Still-life. C. 1910. Oil on Canvas. Art Museum of Estonia.

If you think you may own original artwork by Alfred Hirv, contact Art Certification Experts for information regarding our services.


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1097--cooper.php Colin Campbell Cooper, Jr. Artwork Authentication & Art Appraisal

Colin Campbell Cooper, Jr. (1856-1937)

Get a Cooper Certificate of Authenticity for your painting (COA) for your Cooper drawing.

For all your Cooper artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cooper Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cooper painting or drawing.

If you want to sell your Cooper painting or drawing use our selling services. We offer Cooper selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cooper and issuing certificates of authenticity since 2002. We are recognized Cooper experts and Cooper certified appraisers. We issue COAs and appraisals for all Cooper artworks.

Our Cooper paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cooper certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cooper painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cooper paintings or drawings take longer.

Our clients include Cooper collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Colin Campbell Cooper, Jr. art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Colin Campbell Cooper, Jr. or we will sell it for you.

Cooper, Self-Portrait

Self-Portrait

Cooper, Beauvais Cathedral, 1926

Beauvais Cathedral, 1926

Colin Campbell Cooper Jr. was an American Impressionist painter born in Philadelphia. Cooper studied under Thomas Eakins at the Pennsylvania Academy of Fine Arts and later at Academie Julian in Paris. Cooper returned to Philadelphia from Europe and taught at the Drexel Institute of Art, Science and Industry.

Cooper, Gateway to the Generalife Palace, Grenada Spain

Gateway to the Generalife Palace, Grenada Spain

Cooper married another artist named Emma Lampert and moved to New York City. Cooper was greatly inspired by the urban landscape and started making paintings of skyscrapers. Cooper was apart of the New York art scene and a member of the National Academy of Design.

Cooper, Pittsburgh Pennsylvania, 1906

Pittsburgh Pennsylvania, 1906

When Cooper’s first wife died in 1920, he moved to Santa Barbara, California and became dean of the Santa Barbara School of Arts. Cooper had several exhibitions in California including the San Diego Museum of Art, the Laguna Art Museum and the Santa Barbara Museum. Cooper remarried and remained in California for the rest of his life.

Cooper, Tea Time Santa Barbara, 1921

Tea Time Santa Barbara, 1921

Cooper, Malines, Belgium

Malines, Belgium

Cooper’s paintings have been exhibited in prestigious museums across the United States such as the Art Institute of Chicago, the Carnegie Museum of Art , the Corcoran Gallery of Art, the City Art Museum of St. Louis, the Heckscher Museum of Art in Huntington, New York and the Cleveland Museum.

Cooper’s paintings continue to rise in value as they appear in the art market. Do you think you own a painting by Colin Campbell Cooper Jr.? Contact us. We are the Colin Campbell Cooper Jr. experts.


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1098--los-monteros.php Juan Espinoza de los Monteros Artwork Authentication & Art Appraisal

Juan Espinoza de los Monteros

We Perform Juan Espinoza de los Monteros art authentication. Juan Espinoza de los Monteros appraisal. Juan Espinoza de los Monteros certificates of authenticity (COA). Juan Espinoza de los Monteros analysis, research, scientific tests, full art authentications. We will help you sell your Juan Espinoza de los Monteros or we will sell it for you.

Monteros, La Virgen Entrega el Rosario a Sto. Domingo

La Virgen Entrega el Rosario a Sto. Domingo

Monteros, Family Tree of the Fransiscan Order

La Orden de San Fransiscan

Painter during the 17th century, active in Cusco between 1638 and 1669. This painter reaffirms the baroque with a Zurbaran style by using the Flemish stamps as models. Some documents certificate that he painted for the San Juan de Dios order.

In 1655 he started his monumental “Epilogue” canvas (12 meters x 9 meters) on the San Francisco order, which represents more than 800 outstanding Franciscans. San Francisco de Asis and most important people of the order appear in full-length at the bottom of the picture. The scene is painted in the obscure shade of the Sevillian style.

His style was followed by his son and disciple José Espinoza de los Monteros, who also produced many series of canvas with saints. One of them, Santa Teresa (1682), in the middle of a flemish landscape with many little birds flying around, the same as his father did.

Some of his works are:

  • Family Tree of the Franciscan order Convento de San Francisco, Cusco.
  • Series on Santa Catalina’s life Monasterio de Santa Catalina, Cusco.
  • Latin Virgins Series (inspired by Swelinck engravings).
  • Portrait of Don Fulgencio Maldonado with Santa Catalina de Siena and San Francisco, Monasterio de la Recoleta, Arequipa.

Still wondering about a Peruvian painting in your family collection? Contact us…it could be by Juan Espinoza de los Monteros.


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1099--dillis-von.php Johann Georg von Dillis Artwork Authentication & Art Appraisal

Johann Georg von Dillis (also, Georg Maximillian Johann von Dillis) (1759-1841)

We Perform Johann Georg Von Dillis art authentication. Johann Georg Von Dillis appraisal. Johann Georg Von Dillis certificates of authenticity (COA). Johann Georg Von Dillis analysis, research, scientific tests , full art authentications. We will help you sell your Johann Georg Von Dillis or we will sell it for you.

Dillis painting,Waterfalls in a Mountain Forest 1797

Waterfalls in a Mountain Forest 1797

Dillis painting,Tivoli

Tivoli

Johann Georg von Dillis was an 18th century German painter. He has been regarded by some art historians as one of the leading German painters of the late 18th and early 19th century. He was a master of both portraiture and traditional landscape painting, and also served as a professor at the Munich Academy.

Dillis painting,Landscape 1800

Landscape 1800

Dillis painting,Landscape with a River and Bridge

Landscape with a River and Bridge

Still wondering about an 18th century German painting in your family collection? Contact us…it could be by Johann Georg von Dillis.


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1100--dawe.php George Dawe Artwork Authentication & Art Appraisal

George Dawe (1781— 1829)

We Perform George Dawe art authentication. George Dawe appraisal. George Dawe certificates of authenticity (COA). George Dawe analysis, research, scientific tests, full art authentications. We will help you sell your George Dawe or we will sell it for you.

Portrait of Ivan Z. Yershov

Portrait of Ivan Z. Yershov
Oil on Canvas
State Hermitage Museum, St. Petersburg

George Dawe was an English portraitist who painted 329 portraits of Russian generals active during Napoleon’s invasion of Russia for the Military Gallery of the Winter Palace. Dawe started working in Saint Petersburg around 1819, and soon after won acclaim from the artistic establishment and was praised by Pushkin.

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Portrait of Ivan G. Heidenreich
Oil on Canvas
State Hermitage Museum, St. Petersburg

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Portrait of Robert Ye. Renny
Oil on Canvas
State Hermitage Museum, St. Petersburg

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Portrait of Dmitry D. Kuruta
Oil on Canvas
State Hermitage Museum, St. Petersburg

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Princess Charlotte Augusta of Whales 1817
Oil on Canvas
National Portrait Gallery, London

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Ernest Augustus, Duke of Cumbernauld and the Kindo of Hanover
Oil on Canvas
National Portrait Gallery, London

Georege Dawe was the son of Philip Dawe, a successful mezzotint engraver who also produced political cartoons relating to the events of the Boston Tea Party. One of his brothers was Henry Edward Dawe, also a portraitist.

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Alexander Abercromby, Lord Abercromby
Published in 1800 By George Dawe after unknown artist
Mezzotint (print on paper)
National Portrait Gallery, London

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General Alexei Yermolov
Oil on Canvas

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Klodt Karl Gustave
Oil on Canvas

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Portrait of Grand Duke Nicolas, Future Emperor Nicolas I
Oil on Canvas

George Dawe’s portraits are now in major British collections in the United Kingdom and around the world.

Still wondering about a British painting in your family collection? Contact us…it could be by George Dawe.


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1102--carr.php Emily Carr Artwork Authentication & Art Appraisal

Emily Carr (1871-1945)

Get a Carr Certificate of Authenticity for your painting (COA) for your Carr drawing.

For all your Carr artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Carr Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Carr painting or drawing.

If you want to sell your Carr painting or drawing use our selling services. We offer Carr selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Carr and issuing certificates of authenticity since 2002. We are recognized Carr experts and Carr certified appraisers. We issue COAs and appraisals for all Carr artworks.

Our Carr paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Carr certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Carr painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Carr paintings or drawings take longer.

Our clients include Carr collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Emily Carr art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Emily Carr or we will sell it for you.

Emily Carr was a Canadian artist born in Victoria, British Columbia. Carr’s art was greatly influenced by the indigenous groups in the Pacific Northwest of Canada. Carr grew up in a two-story house that is now known as the Emily Carr house, and is registered historical landmark in Canada.

Carr, Above the Gravel Pit

Above the Gravel Pit

Carr, Autumn Woods

Autumn Woods

Carr’s parents died when she was only a teenager, which prompted her to move to San Francisco. Carr realized her interest in art and enrolled in the California School of Design. When Carr finished school she moved back to Victoria, where she transformed a family barn into a painting studio. Carr worked on her own paintings and offered art classes to children. After a few years of working in her self-made studio, Carr decided to continue her education and moved to London to study at the Westminster School of Art. Carr was not fond of the climate in London and relocated numerous times to schools in Cornwall, Bushey and Hertfordshire England.

Carr, Tree in Autumn

Tree in Autumn

In 1910 Carr spent a year studying at the Academie Colarossi in Paris before settling in her native British Columbia. Carr was fascinated by the First Nations cultures and made several visits to the Nuu-chah-nulth, Kwakwaka’wakw, Haida, Tsimshian and Tlingit communities. Carr picked up the practice of painting totem poles in order to learn more about them. Carr continued to make paintings influenced by the post-impresionist and fauvist styles she had learned about in France.

Carr, Totem Walk at Sitka

Totem Walk at Sitka

Carr, Heina

Heina

Carr, Indian Church, 1929

Indian Church, 1929

In 1913 Carr returned to Victoria for financial reasons. Carr felt extremely isolated and unable to find artistic support. Carr stopped painting for several years and worked as a potter and dog breeder.

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Above the Trees

In 1920 Carr was invited to participate in a show at the National Gallery of Canada in Ontario titled “Canadian West Coast Art, Native and Modern”. At the exhibition Carr met the “Group of Seven”, who were focused on creating distinctly Canadian art. Carr was accepted by the group and began showing with them. Carr’s enthusiasm in painting was restored and she made some of her best-known pieces. The Group of Seven sometimes referred to Carr as “The Mother of Modern Arts”.

Carr, Among the Firs, 1931

Among the Firs, 1931

Carr had many exhibitions during the 1930s in prestigious locations such as the Art Gallery of Ontario and the Vancouver Art Gallery. Carr has become an icon in Canada, and an inspiration to women artists around the world. Do you think you own a painting by Emily Carr? Contact us. We are the Emily Carr experts.


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1103--unterberger.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "unterberger" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "unterberger" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1104--teniers.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "teniers" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "teniers" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1105--westall-richard.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "westall-richard" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "westall-richard" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1106--belly.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "belly" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "belly" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1107--guillaumet.php Gustave Guillaumet Artwork Authentication & Art Appraisal

Gustave Guillaumet (1840-1887)

Get a Guillaumet Certificate of Authenticity for your painting (COA) for your Guillaumet drawing.

For all your Guillaumet artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Guillaumet Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Guillaumet painting or drawing.

If you want to sell your Guillaumet painting or drawing use our selling services. We offer Guillaumet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Guillaumet and issuing certificates of authenticity since 2002. We are recognized Guillaumet experts and Guillaumet certified appraisers. We issue COAs and appraisals for all Guillaumet artworks.

Our Guillaumet paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Guillaumet certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Guillaumet painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Guillaumet paintings or drawings take longer.

Our clients include Guillaumet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gustave Guillaumet art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gustave Guillaumet or we will sell it for you.

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The Source of the Fig Tree in Ain Kermin

Gustave Guillaumet was an Orientalist painter, and one that was passionate about his subject matter. During his life it is believed that he travelled to Northern Africa at least ten times. He was the son of a manufacture in Puteaux in France, and he initially studied under Picot, and Barrias. In 1857, he entered the Ecole des Beaux Arts as a pupil of the Orientalist, Abel de Pujol.

In 1862, he decided to go and study in Rome. On impulse he changed his route, and embarked at Marseille for North Africa. This decision was to change the course of his artistic career. Despite falling ill on numerous occasions with malaria, he was to return to Algeria, and Morocco, time and time again.

In 1863, he exhibited a painting at the Salon, entitled “Evening prayers in the Sahara”. This painting was very well received, and was purchased by the State for 4000 Francs. It now hangs in the Musee d’Orsay. The purchase of this painting was to mark the beginning of a very successful career as an Orientalist.

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Evening Prayers in the Sahara

In his travels, Guillaumet was very much attracted to the southern extremities of Algeria, around Biskra, and the Hodna region. These regions still preserved ethnic customs, and traditions, as they were untainted by the European colonial presence. He spent much time with the people of these regions, depicting the people themselves, together with their dwellings, and the work they undertook. The sympathetic, and realistic way in which he portrayed them, was to lead to him being regarded as the Orientalist counterpart of Jean Francois Millet.

Throughout his artistic career, he was successful at the Salon. He won medals in 1865, 1867, and 1872. In 1878, he was made a Knight of the Legion of Honour.

A particularly powerful painting of his, entitled, “The Desert (The Sahara),” provoked a strong reaction at the Salon of 1868. It showed a camel, which had fallen prey to the vermin of the desert. Guillaumet thought the camel to be an exceptionally noble animal and he admired this animal immensely. This painting now hangs in the Musee d’Orsay.

The painting entitled, “The ‘Seguia,’ Biskra,” also hangs in the Musee d’Orsay. This painting was produced in 1884. This painting differs from his earlier work, and shows Arab figures in Biskra accentuated against barren rock, and unwelcoming architectural features, together with the intensity of light. Guillaumet was very much concerned with the light, both in his art, and also in terms of how it affected the every day life of those living in the desert.

He even wrote an article on the theme of light which was published in 1879. He discussed the harmony created by the violent oppositions of colour echoed in the cycle of life, and spoke of the oneness between man and nature.

Another particularly powerful painting of Guillaumet which hangs in the National Gallery of London, entitled, “Mountains in North Africa with a Bedouin Camp,” shows white robed Bedouins moving across the desert.

From 1882, he began to exhibit pastels, and art critics have said that this medium with its soft nuances of colour was particularly suited to his sensitive observations. In 1883, he traveled for the last time to Northern Africa, and in 1886, he traveled to Italy, and thus completed the journey that he had begun twenty four years previously.

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Laghouat Sahara Algerian

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A Desert Encampment

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Sketch

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1108--sablet.php Jacques Sablet Artwork Authentication & Art Appraisal

Jacques Sablet (1749-1803)

Get a Sablet Certificate of Authenticity for your painting (COA) for your Sablet drawing.

For all your Sablet artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sablet Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sablet painting or drawing.

If you want to sell your Sablet painting or drawing use our selling services. We offer Sablet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sablet and issuing certificates of authenticity since 2002. We are recognized Sablet experts and Sablet certified appraisers. We issue COAs and appraisals for all Sablet artworks.

Our Sablet paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sablet certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sablet painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sablet paintings or drawings take longer.

Our clients include Sablet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jacques Sablet art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jacques Sablet or we will sell it for you.

Sablet painting, Serenade in the Countryside

Serenade in the Countryside

Sablet painting, La Tarantelle

La Tarantelle

Sablet painting, The Harp Player

The Harp Player

Jacques Sablet was an 18th century French painter who created portraits and genre scenes, as well as landscapes.

Sablet painting, Portrait of Eleanora Chigi

Portrait of Eleanora Chigi

Sablet notably traveled the world with Lucien Bonaparte in 1800. Today his works are housed in museums all over the world, and perhaps in your own home. Still wondering about an 18th century European genre scene? Contact us…it could be by Jacques Sablet.


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1109--oriani-pippo.php Pippo Oriani Artwork Authentication & Art Appraisal

Pippo Oriani (1909-1972)

Pippo Oriani art authentication. Pippo Oriani appraisal. Pippo Oriani certificates of authenticity (COA). Pippo Oriani analysis, research, scientific tests, full art authentications. We will help you sell your Pippo Oriani or we will sell it for you.

Oriani painting, Portrait of a Man

Portrait of a Man

Oriani painting, La Donna Della Fabbrica 1935

La Donna Della Fabbrica, 1935

Pippo Oriani was an Italian painter and a member of the Futurist Movement, but he also created Abstract and Expressionistic mixed media compositions as well in a style that is recognizably all his own.

Oriani painting, Aeropaesaggio 1935

Aeropaesaggio, 1935

One can note the change throughout the decades by simply looking at his still life. Note his prominent signature “ORIANI” in all capital letters on the bottom right hand corner of the 1929 still life.

Oriani painting, Objects in a Window

Objects in a Window

Oriani used a number of mediums to create his compositions, including gouache, collage and crayon.

Oriani painting, Il Mandolino

Il Mandolino

Still wondering about an Italian abstract or Futurist piece hanging in your home? Contact us… we are the Pippo Oriani experts.


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1110--gonzalez-juan.php Art Certification Experts | Juan Gonzalez painting art authentication and appraisal

Juan Gonzalez (1945-1993)

Get a Gonzalez Certificate of Authenticity for your painting (COA) for your Gonzalez drawing.

For all your Gonzalez artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gonzalez Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gonzalez painting or drawing.

If you want to sell your Gonzalez painting or drawing use our selling services. We offer Gonzalez selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gonzalez and issuing certificates of authenticity since 2002. We are recognized Gonzalez experts and Gonzalez certified appraisers. We issue COAs and appraisals for all Gonzalez artworks.

Our Gonzalez paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gonzalez certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gonzalez painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gonzalez paintings or drawings take longer.

Our clients include Gonzalez collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Juan Gonzalez art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Juan Gonzalez or we will sell it for you.

Cuban born, but American trained, Juan Gonzalez was one of Cuba’s few Surrealist painters. He graduated from the University of Miami with a master of Fine Art in 1973, and won many awards in his lifetime for his artistic achievements.

Originally, Gonzalez wanted to be a priest. He was fascinated by religion at a young age, and the only art that he was brought up with came from the church. His family had no artistic background, so Gonzalez had to go about learning to be an artist on his own.

Throughout the years, art would slowly replace religion in Gonzalez’s life, but the artist still remained highly religious and faithful to his Catholic beliefs. His religion made a tremendous mark on his artwork, and as Gonzalez said was his way of reaching out to God.

Catholic religious iconography and Spanish Surrealist styling are highly apparent in Gonzalez’s styling. He also had a great respect for old masters and art history in general. This is apparent in his 1990 paintings “Memory Piece” and “Rembrandt’s Hands”.

Memory Piece

Rembrandt’s Hands

His attention to detail was remarkable, in particular, folds in fabric or leaves on plants. He would often draw from his own experience to paint dreamscapes or actual events, such as “El Sonador” and “Untitled” (1981).

One way to tell for sure if you have a piece of Gonzalez’s artwork is to look at the content. He would often paint visceral cityscapes, tall and endless with a menacing sky and frightening buildings below. Statues were also a common image in his works.

Gonzalez would also work in many different mediums and surfaces, be it paper or canvas or wood. He would also create a number of mixed media pieces. In particular, he created a series of three fold prints on paper, usually of the sea or the night sky in a Surrealist dreamscape.

Today, Gonzalez’s work is housed in private collections all over the world, as well as in many museums across the United States, such as the Museum of Modern Art in New York and the Art Institute of Chicago. Do you think you may own a piece of art by Juan Gonzalez? We would be happy to assist you in authenticating artwork by this great Cuban master.

 


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1111--marshall.php Benjamin Marshall Artwork Authentication & Art Appraisal

Benjamin Marshall (1768-1835)

Get a Marshall Certificate of Authenticity for your painting (COA) for your Marshall drawing.

For all your Marshall artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Marshall Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Marshall painting or drawing.

If you want to sell your Marshall painting or drawing use our selling services. We offer Marshall selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Marshall and issuing certificates of authenticity since 2002. We are recognized Marshall experts and Marshall certified appraisers. We issue COAs and appraisals for all Marshall artworks.

Our Marshall paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Marshall certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Marshall painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Marshall paintings or drawings take longer.

Our clients include Marshall collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Benjamin Marshall art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Benjamin Marshall or we will sell it for you.

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Portrait of a Sportsman, 1821-1825

Benjamin Marshall was an English sporting and animal painter. He was a follower of George Stubbs and studied under Lemuel Abbott for a short period of time. After 1792, he began painting animals, settling at Newmarket in 1812 near the racetrack. He returned to London in 1825 and died in 1835.

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Francis Dukinfield Astley and his Harriers

Still wondering about a British painting in your family collection? Contact us…it could be by Benjamin Marshall.


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1112--voille.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "voille" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "voille" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1113--pine.php Robert Edge Pine Artwork Authentication & Art Appraisal

Robert Edge Pine (1730 – 1788)

We Perform Robert Edge Pine art authentication. Robert Edge Pine appraisal. Robert Edge Pine certificates of authenticity (COA). Robert Edge Pine analysis, research, scientific tests, full art authentications. We will help you sell your Robert Edge Pine or we will sell it for you.

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Captain William Baillie

Robert Edge Pine was an English portrait and historical painter, born in London. He was the son of John Pine, the engraver, and probably his pupil. He painted portraits, such as those of George II, of the Duke of Northumberland, and of Garrick (in the National Portrait Gallery); a series of scenes from Shakespeare, some of which afterward appeared in Boydell’s Shakespeare; and historical compositions, including Lord Rodney Aboard the Formidable (Town Hall, Kingston, Jamaica).

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Portrait of a Family

About 1784 he came to America and settled Philadelphia, where his time was completely taken up with portraiture. Among his sitters were General Gates, Charles Carroll, Robert Morris, George Read, Thomas Stone, Mrs. Reid (Metropolitan Museum, New York), and Washington (1785). The portrait of Washington was engraved for Irving’s Life of Washington, but it is weak in characterization.

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George Washington

An historically interesting canvas Congress Voting Independence, now in the Historical Society, Philadelphia, was begun by Pine and finished by Edward Savage. After Pine’s death many of his pictures were collected in the Columbian Museum in Boston, since destroyed by fire.

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Congress Voting on the Declaration of Independence by Pine and Edward Savage

Still wondering about an 18th century painting in your family collection? Contact us…it could be by Robert Edge Pine.


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1114--jawlensky.php Alexej von Jawlensky Artwork Authentication & Art Appraisal

Alexej von Jawlensky (1864-1941)

Get a Jawlensky Certificate of Authenticity for your painting (COA) for your Jawlensky drawing.

For all your Jawlensky artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Jawlensky Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Jawlensky painting or drawing.

If you want to sell your Jawlensky painting or drawing use our selling services. We offer Jawlensky selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Jawlensky and issuing certificates of authenticity since 2002. We are recognized Jawlensky experts and Jawlensky certified appraisers. We issue COAs and appraisals for all Jawlensky artworks.

Our Jawlensky paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Jawlensky certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Jawlensky painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Jawlensky paintings or drawings take longer.

Our clients include Jawlensky collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alexej von Jawlensky art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alexej von Jawlensky or we will sell it for you.

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Seated Female Nude, 1910

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Mountains

Note: Also spelled Alexei and Alexey, depending on language.

Russian born and the son of a colonel, Alexej von Jawlensky was not likely to have become a well-known Fauve painter. However, while he was in the process of becoming an officer himself in the Imperial Guards, Jawlensky found art. He then left the service and moved to St. Petersburg to study realism at the Academy of Fine Arts.

With Munter and Kandinsky, Jawlensky founded the New Association of Artists in Munich and was also a founding member of the Blue Riders (1911). The Blue Riders (Der Blaue Reiter) was named for its founding member Franz Marc’s love of horses as well as Wassily Kandinsky’s fondness and use of the color blue. Their goal, as a group, was to obtain spiritual truths via their art. They promoted modern art, as well as the connection between art and music. The Blue Riders saw a spiritual symbolism associated with color that were spontaneous and ever changing. Eventually, they dabbled in cubism and abstraction but finally broke up in 1914.

Jawlensky spent most of his life in Germany though found inspiration from French painter Matisse. Jawlensky’s color palette was dominated by warm tones such as yellows, oranges and especially reds. This can be seen in his abstract portrait pieces. He only painted a handful of landscapes during his career, and many of them were created during the summer of 1904.

While Jawlensky is considered a Fauve artist, he also applied traditional Russian art, such as icon painting, into his works. Essentially, it was the Expressionist style that Jawlensky used to truly embody his work. Jawlensky did watercolors and oil paintings, though oil paintings dominated his portfolio. He produced many “abstract heads” and portraits, which he began painting while living in Switzerland around 1918. There is a sense of religious meditation that distinguishes his landscapes and abstract portraits. It has been said by art critics that his abstract heads bear a mystical value. Jawlensky’s sense of mystical religion was most likely a product of his Eastern Orthodox upbringing.

One may argue that there is little difference in his abstract head works, especially in Abendi, Rosy Light, Komposition and Symphony. In each of these works, there is little difference between the actual subject other than changes in color and shading. This series of abstract heads clearly defines his dabbling with abstract art as well as cubism.

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Abend

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Rosy Light

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Komposition

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Symphony

It is known that Jawlensky spent most of his life in Germany, where he eventually died. His painting reflects the German landscape, as can be seen in Landscape Variation and Hills(1912). Unlike many other Fauvist or Impressionist painters of the time, who painted their landscapes of the sea or the French countryside, there is something more obviously northern about the landscapes that Jawlensky paints. More hills and pine trees dominated his landscapes, a sure sign of a German landscape.

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Landscape Variation

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Hills

One of the best tell-tale ways to discover if you have a true Jawlensky or not is to study what the work is actually painted on. For whatever reason, Jawlensky did not paint on a canvas the majority of the time. He used cardboard instead and mounted his work on wood. Even his highest selling work,

Schokko

, still managed to be worth millions despite being painted on mere cardboard.

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Schokko

Jawlensky was bedridden due to complete physical paralysis from 1938 until he died in 1941. The years leading up to Jawlensky’s complete paralysis were plagued with heavy arthritis beginning in 1927 and reports of hospital stays in 1930 due to heavy pain. At this time, Jawlensky had embraced an abstract style, so it is possible that some of his works from that time were not 100% finished by his hand alone.

Because abstract art is so hard to decipher when authenticating, there may never be a way to tell if Jawlensky’s work from 1927 on was truly his own.

One of his most famous paintings is Girl Wearing an Apron, 1909. In November of 2003, his painting Schokko, 1910 sold for $8 million, breaking the previous record of $3 million for one of Jawlensky’s works.

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Girl Wearing an Apron

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1115--lerant.php Pierre Nicholas LeGrand Lérant Artwork Authentication & Art Appraisal

Pierre Nicholas LeGrand Lérant (1758-1829)

Get a Lérant Certificate of Authenticity for your painting (COA) for your Lérant drawing.

For all your Lérant artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lérant Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lérant painting or drawing.

If you want to sell your Lérant painting or drawing use our selling services. We offer Lérant selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lérant and issuing certificates of authenticity since 2002. We are recognized Lérant experts and Lérant certified appraisers. We issue COAs and appraisals for all Lérant artworks.

Our Lérant paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lérant certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lérant painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lérant paintings or drawings take longer.

Our clients include Lérant collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pierre Nicholas LeGrand Lérant art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pierre Nicholas LeGrand Lérant or we will sell it for you.

LeGrand painting, Un Scene De Marché

Un Scene De Marché

Pierre Nicholas LeGrand Lérant was an 18th century French painter who was born and died in Paris . He was a highly political painter during the French Revolution, whose politics mirrored those of David and others on the Left. He exhibited in the Salon of 1796, and mostly created group portraits and history paintings.

LeGrand painting, L'hereuse Famille

L’hereuse Famille

Today, Lérant’s paintings are housed in public and private collections around the world, and perhaps in your own home. Still wondering about a French Revolution era painting in your family collection? Contact us…it could be by Pierre Nicholas LeGrand Lérant.


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1116--matthieu.php Georg David Matthieu Artwork Authentication & Art Appraisal

Georg David Matthieu (1737-1778)

Get a Matthieu Certificate of Authenticity for your painting (COA) for your Matthieu drawing.

For all your Matthieu artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Matthieu Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Matthieu painting or drawing.

If you want to sell your Matthieu painting or drawing use our selling services. We offer Matthieu selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Matthieu and issuing certificates of authenticity since 2002. We are recognized Matthieu experts and Matthieu certified appraisers. We issue COAs and appraisals for all Matthieu artworks.

Our Matthieu paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Matthieu certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Matthieu painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Matthieu paintings or drawings take longer.

Our clients include Matthieu collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Georg David Matthieu art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Georg David Matthieu or we will sell it for you.

Matthieu painting, The Wife of Joachim Ulrich Giese

The Wife of Joachim Ulrich Giese

Matthieu painting, Joachim Ulrich Giese

Joachim Ulrich Giese

Matthieu painting, Portrait of Two Children

Portrait of Two Children

Georg David Matthieu was an 18th century German painter. He mainly painted portraits of wealthy aristocrats. Still wondering about an 18th century German portrait in your family collection? Contact us…it could be by Georg David Matthieu.


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1117--ribera-de.php Jusepe de Ribera Artwork Authentication & Art Appraisal

Jusepe de Ribera (1591 – 1652)

Get a Ribera Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Ribera artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Ribera Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ribera painting, drawing or print.

If you want to sell your Ribera painting, drawing or print use our selling services. We offer Ribera selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ribera and issuing certificates of authenticity since 2002. We are recognized Ribera experts and Ribera certified appraisers. We issue COAs and appraisals for all Ribera artworks.

Our Ribera paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ribera certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ribera painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ribera paintings or drawings take longer.

Our clients include Ribera collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jusepe de Ribera art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jusepe de Ribera or we will sell it for you.

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Penitent Magdalen 1641

Jusepe de Ribera was a Spanish Tenebrist painter and printmaker, also known as José de Ribera in Spanish and as Giuseppe Ribera in Italian. He was also called by his contemporaries and early writers Lo Spagnoletto, or “the Little Spaniard”. Ribera was a leading painter of the Spanish school, although his mature work was all done in Italy.

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St. Sebastian, St. Irene and St. Lucila, 1628

Ribera was born near Valencia, Spain at Xátiva, now named San Felipe de Jativa. His father was a shoemaker, perhaps on a large scale. His parents intended him for a literary or learned career, but he neglected these studies and is said to have apprenticed with the Spanish painter Francisco Ribalta in Valencia, although no proof of this connection exists. Longing to study art in Italy, he made his way to Rome via Parma, where he is recorded in 1611. According to one source, a cardinal noticed him drawing from the frescoes on a Roman palace facade, and housed him. Roman artists gave him the nickname “Lo Spagnoletto.”

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Archimedes 1630

He became a follower of Michelangelo da Caravaggio’s style, one of the so-called Tenebrosi, or shadow-painters, owing to the sharp contrasts of light and shade marking their style. He traveled to Parma, where he completed a painting on the subject of Jacob’s Ladder, now in the Prado Museum, Madrid. Ribera lived in Rome from 1613-16, on the Via Margutta, and associated with other Caravaggisti, including Gerrit van Honthorst and Hendrik ter Brugghen. He then moved to Naples, to avoid his creditors, according to Giulio Mancini, who described him as extravagant. He may also have already arranged his marriage, to the daughter of a Neapolitan painter, Giovanni Bernardino Azzolino, in November, 1616.

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St. Christopher 1637

The Kingdom of Naples was then part of the Spanish Empire, and ruled by a succession of Spanish Viceroys. Ribera’s Spanish nationality aligned him with the small Spanish governing class in the city, and also with the Flemish merchant community, from another Spanish territory, who included important collectors of and dealers in art. Ribera began to sign his work as “Jusepe de, Español” or “Jusepe de Ribera, Spaniard”. He was able quickly to attract the attention of the Viceroy, the Duke of Osuna, also recently arrived, who gave him a number of major commissions, which showed the influence of Guido Reni.

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Holy Family 1639

The period after Osuna was recalled in 1620 seems to have been difficult. Few paintings survive from 1620 to 1626; but this was the period in which most of his best prints were produced. These were at least partly an attempt to attract attention from a wider audience than Naples. His career picked up in the late 1620s, and he was accepted as the leading painter in Naples thereafter. Although Ribera never returned to Spain, many of his paintings were taken back by returning members of the Spanish governing class, for example the Duke of Osuna, and his etchings were brought to Spain by dealers. His influence can be seen in Velasquez, Murillo, and most other Spanish painters of the period.

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St. Agnes 1641

He has been portrayed as selfishly protecting his prosperity, and is reputed to have been the chief in the so-called Cabal of Naples, his abettors being a Greek painter, Belisario Corenzio and the Neapolitan, Giambattista Caracciolo. It is said this group aimed to monopolize Napolitan art commissions, using intrigue, sabotage of work in progress, and even personal threats of violence to frighten away outside competitors such as Annibale Caracci, the Cavalier d’Arpino, Reni, and Domenichino. All of them were invited to work in Naples, but found the place inhospitable. The cabal ended at the time of Caracciolo’s death in 1641.

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The Beggar, Known as Clubfoot 1642

From 1644, Ribera seems to have suffered serious ill-health, which greatly reduced his ability to work himself, although his workshop continued to produce. In 1647-8, during the Masaniello rising against Spanish rule, he felt forced to take refuge with his family in the palace of the Viceroy for some months. In 1651 he sold the large house he had owned for many years, and when he died in July 1652 he was in serious financial difficulties. His daughter had married in about 1644 a Spanish nobleman in the administration, who died soon after.

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St. Paul the Hermit

In his earlier style, founded sometimes on Caravaggio and sometimes on the wholly diverse method of Correggio, the study of Spanish and Venetian masters can be traced. Along with his massive and predominating shadows, he retained from first to last a great strength in local coloring. His forms, though ordinary and sometimes coarse, are correct; the impression of his works gloomy and startling. He delighted in subjects of horror. In the early 1630s his style changed away from strong contrasts of dark and light to a more diffused and golden lighting. Salvator Rosa and Luca Giordano were his most distinguished followers, who may have been his pupils; others were also Giovanni Do, Enrico Fiammingo, Michelangelo Fracanzani, and Aniello Falcone, who was the first considerable painter of battle-pieces.

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Deposition

Among Ribera’s principal works could be named “St Januarius Emerging from the Furnace” in the cathedral of Naples; the “Descent from the Cross” in the Certosa, Naples, the “Adoration of the Shepherds” (a late work, 1650), now in the Louvre; the “Martyrdom of St Bartholomew” in the Prado; and the “Pieta” in the sacristy of San Martino, Naples. His mythologic subjects are often as violent as his martyrdoms: for example, “Apollo and Marsyas”, with versions in Brussels and Naples, or the “Tityus” in the Prado . The Prado and Louvre contain numbers of his paintings; the National Gallery, London, three. He executed several fine male portraits and a self-portrait. He was an important etcher, the most significant Spanish printmaker before Goya, producing about forty prints, nearly all in the 1620s.

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Christ in the Crown of Thorns

Still wondering about an Italian painting in your family collection? Contact us…it could be by Jusepe de Ribera.


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1118--hoppner.php John Hoppner Artwork Authentication & Art Appraisal

John Hoppner (1758-1810)

Get a Hoppner Certificate of Authenticity for your painting (COA) for your Hoppner drawing.

For all your Hoppner artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hoppner Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hoppner painting or drawing.

If you want to sell your Hoppner painting or drawing use our selling services. We offer Hoppner selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hoppner and issuing certificates of authenticity since 2002. We are recognized Hoppner experts and Hoppner certified appraisers. We issue COAs and appraisals for all Hoppner artworks.

Our Hoppner paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hoppner certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hoppner painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hoppner paintings or drawings take longer.

Our clients include Hoppner collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John Hoppner art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Hoppner or we will sell it for you.

John Hoppner was an 18th century English painter. Hoppner was mainly a portrait painter, and entered the Royal Academy in 1775. He won many awards, including the highest award that the academy had to offer, the gold medal, in 1782 for his historical painting of King Lear.

Hoppner painting, Portrait of Samuel Brandram

Portrait of Samuel Brandram

Hoppner painting, Portrait of Sir George Beaumont

Portrait of Sir George Beaumont

Hoppner initially painted landscapes, though out of necessity, he turned to portrait paintings to support himself. This early love for landscape can be seen in some of his portraits, as he often incorporated his subjects into idyllic landscapes or with lush surroundings.

Hoppner painting, Portrait of the Frankland Sisters

Portrait of the Frankland Sisters

Art historians claim that Hoppner was most talented in his portrayals of women and children, though during his lifetime, his career was marred by scandal. Hoppner openly admitted to imitating the style of fellow painter Reynolds, and thus, his work suffered great depreciation in his lifetime. Today however, they remain important pieces of art history and are housed in prestigious collections worldwide.

Hoppner painting, The Sackville Children

The Sackville Children

Hoppner painting, Princess Mary

Princess Mary

Hoppner painting, Princess Sophia

Princess Sophia

Still wondering about an 18th century British portrait in your family collection? Contact us…it could be by John Hoppner.


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1119--leprin.php Marcel Leprin Artwork Authentication & Art Appraisal

Marcel Leprin (1891-1933)

We Perform Marcel Leprin art authentication. Marcel Leprin appraisal. Marcel Leprin certificates of authenticity (COA). Marcel Leprin analysis, research, scientific tests, full art authentications. We will help you sell your Marcel Leprin or we will sell it for you.

The Rest of the Flight into Egypt

The Ball at the Moulin Rouge

Marcel Leprin was a French painter born in Cannes, and spent much of his life in Marseilles living the fashionable bohemian lifestyle. Leprin was an orphan, and was said to have been raised by his uncle. He initially began a career in bullfighting at the age of 22 in Barcelona, but did not compete for long.

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Bouquet of Flowers

As a young man, Leprin fought in World War I, and returned to the streets of Paris penniless and virtually hopeless. He was no longer accepted by his wife at this point, and made a meager living by painting decorations for shop owners and bars, as well as painting portraits. He eventually found shelter with metal worker Achille Depoilly while he was on the brink of starvation one cold winter. While telling his sad story to Depoilly, it is said that fellow painter Andre Utter took pity on him and decided to help him get back on his feet. Utter, along with a number of other artists, pooled together and brought Leprin canvas and paints, and helped the artist to establish himself once again. His artistic career was also fairly short lived, as he only truly began painting at the age of 30 and died very young at the age of 42. It is for this reason that Leprin’s oeuvre is considerably smaller than that of many other artists of his era.

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Le Moulin de La Galette

While Leprin’s artistic style is hard to classify, one may consider him to be an Expressionist. He generally painted scenes atypical of many French artists of the time, featuring dances at the Moulin Rouge and various Parisian street scenes and country landscapes. He also painted beautiful still life compositions that rivaled those of any other French artist of his era, and sometimes simply signed his work “Leprin” on the front bottom corners of his canvas. He was most likely a self taught artist, but it is also quite possible that he received instruction from Utter or other artists that he became friends with.

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Cityscape

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Landscape

Sadly, Leprin may have been touched with madness, like so many other artists of his day. He was said to have shot two bullets into the studio of his benefactor, Utter, as well as to have set fire to himself in the street.

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Paris, Montmartre, le Moulin de la Galette, Rue Lepic

Still wondering about an early 20th century Expressionist or post-Impressionist French painting hanging in your home? Contact us…it could be by Marcel Leprin.


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1120--demarne.php Jean-Louis Demarne Artwork Authentication & Art Appraisal

Jean-Louis Demarne (1752-1829)

Get a Demarne Certificate of Authenticity for your painting (COA) for your Demarne drawing.

For all your Demarne artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Demarne Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Demarne painting or drawing.

If you want to sell your Demarne painting or drawing use our selling services. We offer Demarne selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Demarne and issuing certificates of authenticity since 2002. We are recognized Demarne experts and Demarne certified appraisers. We issue COAs and appraisals for all Demarne artworks.

Our Demarne paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Demarne certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Demarne painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Demarne paintings or drawings take longer.

Our clients include Demarne collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean-Louis Demarne art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean-Louis Demarne or we will sell it for you.

Demarne, The Village Fair

The Village Fair

Jean-Louis Demarne was an 18th century Flemish artist. Born in Brussels, Demarne mainly painted landscapes and genre scenes, but left behind many drawings as well.

Demarne, Man Riding a Donkey

Man Riding a Donkey

Demarne, Market in a Seaport, 1800s

Market in a Seaport, 1800s
The State Hermitage Museum, St. Petersburg

Demarne, Watermill

Watermill
1809 49 x 60 cm
The State Hermitage Museum, St. Petersburg

Demarne, Portrait of Anne Catherine de Marne Before 1829

Portrait of Anne Catherine de Marne Before 1829
Crayon on paper
Musée d’Orsay, Paris

Still wondering about an 18th century piece of European art in your family collection? Contact us… we are the Jean-Louis Demarne experts.


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1121--morey.php Antonio Rodriguez Morey Artwork Authentication & Art Appraisal

Antonio Rodriguez Morey (1849-1898)

Get a Morey Certificate of Authenticity for your painting (COA) for your Morey drawing.

For all your Morey artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Morey Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Morey painting or drawing.

If you want to sell your Morey painting or drawing use our selling services. We offer Morey selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Morey and issuing certificates of authenticity since 2002. We are recognized Morey experts and Morey certified appraisers. We issue COAs and appraisals for all Morey artworks.

Our Morey paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Morey certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Morey painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Morey paintings or drawings take longer.

Our clients include Morey collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Antonio Rodriguez Morey art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Antonio Rodriguez Morey or we will sell it for you.

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Patio Colonial

Though some critics have sited Morey as having been born in Havana, he was actually born in Spain, and moved to Cuba with his family when he was sixteen. The details of this artists’ life are sketchy, but his art still speaks volumes about this artists from long ago.

Schooled at San Alejandro like so many other great Cuba artists, Morey eventually became the director of Cuba’s National Museum of Fine Arts. Though this was a respectable position, Morey still had financial troubles in his lifetime. Some of his most valuable paintings never even hung in the national museum in which he directed because he kept them with his family for financial security. For this reason, many of his paintings may still be unaccounted for due to the fact that his family may have sold some during hard times. It is known that his daughter would refuse to sell his work, but his grandchildren were more lenient on the sales of Morey’s art.

Morey held ranks among some of the finest Cuban landscape painters. His paintings of the rural Cuban countryside and Spanish-style Cuban homes were simple, yet full of beautiful Classic elements and Realism. Like most landscape artists, his work was almost strictly oil paintings of landscapes. To his credit, there are no known portraits or interiors by Morey. However, he was known to paint still-lifes, and during his schooling, may have made a number of sketches, and perhaps painted portraiture before he was well-known. 

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Paisaje

In 1891, Morey returned to his native Europe to study the old masters. There, he settled in Rome for a while, becoming a teacher at the Sacred Heart Institute of Rome. While in Europe, he was able to study in Paris and became friends with Modigliani and Soutine, and was able to exhibit his work at the Academie Chaumiere.

By 1912, Morey was back in Cuba, winning prestigious awards for being one of the greatest landscape painters in Havana. He also began teaching at the San Alejandro at this time, and became an inspiration to a new generation of Vanguard painters.

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Orquidea

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Landscape

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La Fuente

Pictoral and lyrical, Morey’s work is infused with his love of Cuban landscape and European styling. His work is easily recognizable by the rather large signature he leaves on the lower left hand corner of most of his paintings. This is not a rule however, for some of his better-known paintings are unsigned on the front. Perhaps it is due to his Spanish heritage, but Morey often portrays the fantastic Spanish-style homes and European fountains of Cuba not often portrayed in landscape painting.

Because of Morey’s extensive travel and teaching, the likelihood of his work being owned in a private collection is great. Today, his paintings are housed in museums in Cuban and Florida. Could you own a painting by Antonio Rodriguez Morey? We would be glad to assist you in authenticating a piece of work by this great Cuban artist.

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Atardecer Cubano

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1122--loutherbourg-de.php Phillip James de Loutherbourg Artwork Authentication & Art Appraisal

Phillip James de Loutherbourg (1740-1812)

Get a De Loutherbourg Certificate of Authenticity for your painting (COA) for your De Loutherbourg drawing.

For all your De Loutherbourg artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Loutherbourg Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Loutherbourg painting or drawing.

If you want to sell your De Loutherbourg painting or drawing use our selling services. We offer De Loutherbourg selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Loutherbourg and issuing certificates of authenticity since 2002. We are recognized De Loutherbourg experts and De Loutherbourg certified appraisers. We issue COAs and appraisals for all De Loutherbourg artworks.

Our De Loutherbourg paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Loutherbourg certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Loutherbourg painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Loutherbourg paintings or drawings take longer.

Our clients include De Loutherbourg collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Phillip James de Loutherbourg art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Phillip James de Loutherbourg or we will sell it for you.

Loutherbourg painting, Defeat of the Spanish Armada

Defeat of the Spanish Armada

Phillip de Loutherbourg was an 18th century French-born English painter. His father was a miniaturist and he spent most of his life in London . Although Loutherbourg was intended to study to be a minister, it was his calling to become an artist.

Loutherbourg painting, The Destruction of Pharaoh's Army

The Destruction of Pharaoh’s Army

Loutherbourg was elected to the French Academy and mainly painted landscapes, battle scenes and stormy seas. He was later made a member of the Royal Academy.

Loutherbourg painting, Glorious First of June

Glorious First of June

Many of his paintings show his interest in the Industrial Revolution, and feature the firey blazes of iron foundries at night. Toward the end of his life, Loutherbourg focused more on his career as a faith healer, and painted considerably less.

Loutherbourg painting, Coalbrookdale by Night

Coalbrookdale by Night

Still wondering about an 18th century British or French landscape in your family collection? Contact us…it could be by Phillip de Loutherbourg.


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1123--shaw.php Joshua Shaw Artwork Authentication & Art Appraisal

Get a Shaw Certificate of Authenticity for your painting (COA) for your Shaw drawing.

For all your Shaw artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Shaw Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Shaw painting or drawing.

If you want to sell your Shaw painting or drawing use our selling services. We offer Shaw selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Shaw and issuing certificates of authenticity since 2002. We are recognized Shaw experts and Shaw certified appraisers. We issue COAs and appraisals for all Shaw artworks.

Our Shaw paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Shaw certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Shaw painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Shaw paintings or drawings take longer.

Our clients include Shaw collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Joshua Shaw (1776-1860)

Do you think you may own a painting by Joshua Shaw?

We perform Joshua Shaw art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Joshua Shaw or we will sell it for you.

Landscape

Landscape

Joshua Shaw was an early American painter born in Lincolnshire, England, and is also credited as Joshua H. Shaw. He is credited as being a driving force in the emergence of landscape painting in America. As a young man, Shaw was apprenticed to a house and sign painter, and developed an interest in the arts. Despite the fact that he was mainly a self taught artist, Shaw regularly exhibited his paintings in both the British Institution and the Royal Academy from 1805 to 1812.

The Deluge towards Its Close

The Deluge towards Its Close

In 1817, Shaw immigrated to the United States and settled in Philadelphia. He was very active in the artistic community, and was primarily a landscape painter. Shaw helped to found the Artists and Amateur Association as well as the Artists’ Fund Society.

First Ship

First Ship

Like other British landscape artists that came to America in the late 18th and early 19th centuries, Shaw’s landscapes had a distinctly English flavor. Shaw’s paintings of rolling cattle-covered hills could have easily been of the English countryside or of the outskirts of Philadelphia. Some art historians have compared his work to other British landscape painters like Richard Wilson and French artist Claude Lorraine.

Landscape with Cattle 1818

Landscape with Cattle 1818

However calculated his paintings may have seemed, they were beautifully executed and showed a very mature style for a self taught artist. Art historians now praise Shaw as being one of the leading figures in American landscape art, and think that he was very progressive in his style, and in touch with current styles and tastes of his time. Shaw has been hailed by critics for his used of color, reminiscent of the way that the Dutch masters used pinks, blues and yellows to create a soft, yet clear atmosphere.

Subtle Rendition of a Hidden Waterfall

Subtle Rendition of a Hidden Waterfall

While living in England, it is said that he did not just paint landscapes, but also created genre pieces and portraits and signed his work “J. Shaw.” It is possible that he painted portraits and still life paintings in America as well, but the bulk of his oeuvre consists of landscapes, and to find anything else by Shaw’s hand would be a rare find. Shaw did not just paint in oil, but also created watercolors, some of which were engraved in aquatint and published by John Hill in “Picturesque Views of American Scenery” in 1820.

View of the Wissahiccon, Pennsylvania, watercolor etching

View of the Wissahiccon, Pennsylvania, watercolor etching

Towards the end of his life, Shaw moved from Philadelphia to Bordentown, New Jersey. All through his career, he traveled extensively, especially all along the eastern coast of the United States. However, it is said that he had a difficult time selling his paintings to support himself, and sadly died in poverty.

Burning of Savannah 1820

Burning of Savannah 1820

Today, Shaw’s paintings are housed all over New England and Great Britain, and perhaps in your own home. Still wondering about an early American landscape painting hanging in your home? Contact is…it could be by Joshua Shaw.


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1124--eiriz.php Antonia Eiriz Artwork Authentication & Art Appraisal

Antonia Eiriz (1929-1995)

Get a Eiriz Certificate of Authenticity for your painting or a COA for your Eiriz drawing or sculpture.

For all your Eiriz artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Eiriz Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Eiriz painting, drawing or sculpture.

If you want to sell your Eiriz painting, drawing or sculpture use our selling services. We offer Eiriz selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Eiriz and issuing certificates of authenticity since 2002. We are recognized Eiriz experts and Eiriz certified appraisers. We issue COAs and appraisals for all Eiriz artworks.

Our Eiriz paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Eiriz certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Eiriz painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Eiriz paintings, drawings or sculpture take longer.

Our clients include Eiriz collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Antonia Eiriz art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Antonia Eiriz or we will sell it for you.

Schooled at San Alejandro, and later, a teacher herself, Antonia Eiriz helped pave the way along with Amelia Pelaez for female Cuban artist. She taught some of the finest contemporary Cuban artists today and left her mark on the world with her disturbing depictions of Expressionism.

Little is known outside of Cuba about this accomplished painter, in part due to the fact that she was a woman working in a generally male dominated area. Her subjects were neither a product of government propaganda, were they directly motivated as expression against the government. However, much of her work still fell sharply outside the limitations of governmentally accepted work. Eiriz simply was not given the artistic credit that she deserved in her lifetime, in part due to the graphic and disturbing nature of her work.

Like something out of a frightening Hollywood movie comes the art of Antonia Eiriz. Dark and twisted creatures leap from her canvases, demanding your attention. One such painting is “La Anunciacion,” which portrays a woman at her sewing machine being attacked by a monster or an alien.

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La Anunciacion

Her work was harsh and tragic, and critics often had a hard time dealing directly with the essence of her work. Not only were they expressions of her inner turmoil, but of the turmoil taking place in her own country as well. She was born with polio, and had to use crutches her entire life. She began her career as an artist sketching dresses, oddly enough, and thus, her interest in art was sparked.

Though the majority of her work is done in oil on canvas, she also did a great deal of work in mixed media to create a dark and gritty look. Motherhood and even patriotism were some of her themes. Sometimes ironic, other times full of compassion, Eiriz was able to fully express the darker side of human emotion in her compositions. One of the best examples of her later work in mixed media is “Apariciones” (1995).

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Apariciones

It is little known that Eiriz took a hiatus of nearly 25 years between 1969 and her death. Though she painted during this time, it was few and far between. It is said that she was tired of the sadness in her own life as well as in her country and she did very little work in the 197’s and 80s.

Eiriz also worked in decorative sculpture, and in 1964 created this piece of wood and metal, likely meant as a decorative home furnishing fixture.

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Wood and Metal

During her lifetime, she won numerous awards, and has permanent collections in Cuba as well as at the Museum of Art in Fort Lauderdale, Florida. Her work is privately owned throughout Latin America, The United States and Europe. She died of a heart attack in Miami in 1995. We will be glad to help you authenticate a work by this great Cuban master.


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1126--guerrero-galvan.php Jesús Guerrero Galván Artwork Authentication & Art Appraisal

Jesús Guerrero Galván (1910-1973)

Get a Guerrero Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Guerrero artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Guerrero Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Guerrero painting, drawing or print.

If you want to sell your Guerrero painting, drawing or print use our selling services. We offer Guerrero selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Guerrero and issuing certificates of authenticity since 2002. We are recognized Guerrero experts and Guerrero certified appraisers. We issue COAs and appraisals for all Guerrero artworks.

Our Guerrero paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Guerrero certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Guerrero painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Guerrero paintings or drawings take longer.

Our clients include Guerrero collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jesús Guerrero Galván art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Jesús Guerrero Galván or we will sell it for you.

Guerrero Galván was born in Jalisco, Mexico in 1901. Guerrero became known throughout Mexico for his portrait painting and contributions as a mural painter.

Guerrero, Self-Portrait

Self-Portrait

Guerrero, Scenes of Death, lithograph

Scenes of Death, lithograph

Guerrero painted in a figurative manner using women and children as his most common subjects. While Guerrero’s paintings were noted as capturing the spirit of Mexico, he was highly influenced by Italian painting.

When Guerrero was twelve years old, he began to study painting in Guadalajara in the studio of an established painter, José Vizcarra. In 1928 Guerrero entered the Free School of Painting at the State of Jalisco Museum.

Guerrero, Portrait, Spring, 19571966

Spring, 1957

Guerrero became apart of a group of artists that later founded the University of Guadalajara. Other members of the group included Leon Muñíz, José Parres Arias, Manuel Solorzano, Enrique Celis, Leopoldo Bancalari, Rubén Martínez Ramírez and Hans Christensen. The group initially painted impressionist work but transitioned into a style they called “poetic neo-realism”. This genre was defined by its use of dreamlike images and Italian Renaissance inspired portraiture. Guerrero’s group painted “faux murals” painted on dry wall rather than al fresco.

Guerrero, The Conception, 1939

The Conception, 1939

In 1932 Guerrero collaborated with Francisco Rodríguez Caracalla, Raúl Anguiano, Antonio Servín and Luis Godínez Fonseca to organize the association of Young Painters of Jalisco. The artists exhibited their oil and watercolor pieces at the “Salon de Arte” in the Regional Museum of Jalisco.

Guerrero, Girl with Bird, 1938

Girl with Bird, 1938

Like many of his contemporaries, Guerrero eventually moved to Mexico City to advance his career as an artist. In Mexico City, Guerrero was exposed to the social and political groups that painted murals in response to pressing issues in Mexico. Guerrero painted several murals in schools and was commissioned to do projects throughout the federal district.

Guerrero, Children with Racket, 1936

Children with Racket, 1936

Guerrero was affiliated with the Academy of Fine Art in Mexico City and a group called Liga de Escritores y Artistas Revolucionarios (LEAR). LEAR was a group of artists and writers who were active in fighting against social injustices and fascism.

Guerrero’s work can be seen in collections throughout Mexico and the United States. Guerrero is known today as one of Mexico’s finest portrait artists. Do you think you own a painting by Jesús Guerrero Galván? Contact us. We are the Jesús Guerrero Galván experts.


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1127--van_gogh_gallery.php Vincent van Gogh Artwork Authentication & Art Appraisal

Vincent Van Gogh (1853-1890)

We Perform Vincent van Gogh art authentication. Vincent van Gogh appraisal. Vincent van Gogh certificates of authenticity (COA). Vincent van Gogh analysis, research, scientific tests, full art authentications. We will help you sell your Vincent van Gogh or we will sell it for you.

Self-Portrait with Grey Felt Hat, 1887

Self-Portrait with Grey Felt Hat, 1887

An unsuccessful commercial artists in life, Vincent van Gogh is perhaps one of the most tragic and creative artists to have come out of the 19th century. Van Gogh is generally considered one of the greatest Dutch painters next to Rembrandt, and his paintings are among the most valuable and collectible pieces of art in the world. His use of color, brushstroke technique and themes were revolutionary, and echoed the mental illnesses (schizophrenia and epilepsy among them) that plagued him and eventually caused his death. At one time he even attempted to take the life of fellow painter Paul Gauguin, and eventually took his own life.

Van Gogh has left the art world with many unanswered questions, mysteries, and an oeuvre of valuable paintings. The market for works by van Gogh is very quiet, even if from time to time there is a thunderous sale. Most years, as few as 15 to 30 van Gogh paintings may change hands. It is not that the body of his work is so limited; he left some 2,200 pieces including drawings and sketches for instance. Rather, it seems to be that owners of a van Gogh want to keep it and to live with it longer.

Café Terrace at Night 1888

Café Terrace at Night 1888

The Starry Night 1889

The Starry Night 1889

In fact, if you have a doubt as to whether or not you indeed own a Vincent van Gogh piece, you may be able to use “The Starry Night” as a jumping ground for comparison. At this time, Vincent was one of the few to use such bold colors and brush strokes, way before the Fauve movement after the turn of the century. His themes are usually dark; nearly empty rooms, quiet waterfront or café scenes or the French countryside. Though born in the Netherlands, Vincent worked and studied in Paris and lived there until his death. Most of his work is either based on Dutch or French life, and can easily be recognized by style. His portraiture is rarely flattering, but crude, and is perhaps why he did not have many patrons during his lifetime. However, now these crude portraits, like “La Mousme”, which is housed in the National Gallery of Art in Washington D.C., are considered masterful works of art for their unusual take on a subject.

La Mousme, 1888

La Mousme, 1888

It would seem presumptuous to think we have inventoried every last drawing he gave away, every sketch he made somewhere to please someone, or all the illustrated letters he ever wrote. This is why researching if a painting or drawing is perhaps an undiscovered van Gogh is always a thrill.

We have extensive resources and experience researching his works, particularly in France, where much reference material and archives are concentrated about his life, works and writings. We invite and welcome research and art authentication projects of works by, or possibly by, Vincent van Gogh.


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include(includes/right-sidebar.php): failed to open stream: No such file or directory in /home1/artinves/public_html/artexpertswebsite/pages/makovsky-vladimir.php on line 65 [24-Nov-2020 00:38:08 America/Boise] PHP Warning: include(includes/right-sidebar.php): failed to open stream: No such file or directory in /home1/artinves/public_html/artexpertswebsite/pages/makovsky-vladimir.php on line 65 [24-Nov-2020 00:38:08 America/Boise] PHP Warning: include(): Failed opening 'includes/right-sidebar.php' for inclusion (include_path='.:/opt/cpanel/ea-php73/root/usr/share/pear') in /home1/artinves/public_html/artexpertswebsite/pages/makovsky-vladimir.php on line 65 [24-Nov-2020 00:38:10 America/Boise] PHP Warning: include(includes/right-sidebar.php): failed to open stream: No such file or directory in /home1/artinves/public_html/artexpertswebsite/pages/michelangelo.php on line 150 [24-Nov-2020 00:38:10 America/Boise] PHP Warning: include(includes/right-sidebar.php): failed to open stream: No such file or directory in /home1/artinves/public_html/artexpertswebsite/pages/michelangelo.php on line 150 [24-Nov-2020 00:38:10 America/Boise] PHP Warning: include(): Failed opening 'includes/right-sidebar.php' for inclusion (include_path='.:/opt/cpanel/ea-php73/root/usr/share/pear') in /home1/artinves/public_html/artexpertswebsite/pages/michelangelo.php on line 150 [24-Nov-2020 00:38:11 America/Boise] PHP Warning: include(includes/right-sidebar.php): failed to open stream: No such file or directory in /home1/artinves/public_html/artexpertswebsite/pages/fisher.php on line 91 [24-Nov-2020 00:38:11 America/Boise] PHP Warning: include(includes/right-sidebar.php): failed to open stream: No such file or directory in /home1/artinves/public_html/artexpertswebsite/pages/fisher.php on line 91 [24-Nov-2020 00:38:11 America/Boise] PHP Warning: include(): Failed opening 'includes/right-sidebar.php' for inclusion (include_path='.:/opt/cpanel/ea-php73/root/usr/share/pear') in 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America/Boise] PHP Warning: include(includes/right-sidebar.php): failed to open stream: No such file or directory in /home1/artinves/public_html/artexpertswebsite/pages/friesz.php on line 78 [24-Nov-2020 00:38:18 America/Boise] PHP Warning: include(): Failed opening 'includes/right-sidebar.php' for inclusion (include_path='.:/opt/cpanel/ea-php73/root/usr/share/pear') in /home1/artinves/public_html/artexpertswebsite/pages/friesz.php on line 78 [24-Nov-2020 01:50:13 America/Boise] PHP Warning: include(includes/right-sidebar.php): failed to open stream: No such file or directory in /home1/artinves/public_html/artexpertswebsite/pages/da-vinci.php on line 105 [24-Nov-2020 01:50:13 America/Boise] PHP Warning: include(includes/right-sidebar.php): failed to open stream: No such file or directory in /home1/artinves/public_html/artexpertswebsite/pages/da-vinci.php on line 105 [24-Nov-2020 01:50:13 America/Boise] PHP Warning: include(): Failed opening 'includes/right-sidebar.php' for inclusion (include_path='.:/opt/cpanel/ea-php73/root/usr/share/pear') in /home1/artinves/public_html/artexpertswebsite/pages/da-vinci.php on line 105 [24-Nov-2020 03:20:05 America/Boise] PHP Warning: include(includes/right-sidebar.php): failed to open stream: No such file or directory in /home1/artinves/public_html/artexpertswebsite/pages/brancusi.php on line 101 [24-Nov-2020 03:20:05 America/Boise] PHP Warning: include(includes/right-sidebar.php): failed to open stream: No such file or directory in /home1/artinves/public_html/artexpertswebsite/pages/brancusi.php on line 101 [24-Nov-2020 03:20:05 America/Boise] PHP Warning: include(): Failed opening 'includes/right-sidebar.php' for inclusion (include_path='.:/opt/cpanel/ea-php73/root/usr/share/pear') in /home1/artinves/public_html/artexpertswebsite/pages/brancusi.php on line 101 [24-Nov-2020 03:20:28 America/Boise] PHP Warning: include(includes/right-sidebar.php): failed to open stream: No such file or directory in /home1/artinves/public_html/artexpertswebsite/pages/artists-a.php on line 703 [24-Nov-2020 03:20:28 America/Boise] PHP Warning: include(includes/right-sidebar.php): failed to open stream: No such file or directory in /home1/artinves/public_html/artexpertswebsite/pages/artists-a.php on line 703 [24-Nov-2020 03:20:28 America/Boise] PHP Warning: include(): Failed opening 'includes/right-sidebar.php' for inclusion (include_path='.:/opt/cpanel/ea-php73/root/usr/share/pear') in /home1/artinves/public_html/artexpertswebsite/pages/artists-a.php on line 703 [24-Nov-2020 03:20:30 America/Boise] PHP Warning: include(includes/right-sidebar.php): failed to open stream: No such file or directory in /home1/artinves/public_html/artexpertswebsite/pages/abbema.php on line 72 [24-Nov-2020 03:20:30 America/Boise] PHP Warning: include(includes/right-sidebar.php): failed to open stream: No such file or directory in /home1/artinves/public_html/artexpertswebsite/pages/abbema.php on line 72 [24-Nov-2020 03:20:30 America/Boise] PHP Warning: include(): Failed opening 'includes/right-sidebar.php' for inclusion (include_path='.:/opt/cpanel/ea-php73/root/usr/share/pear') in /home1/artinves/public_html/artexpertswebsite/pages/abbema.php on line 72 [24-Nov-2020 03:21:54 America/Boise] PHP Warning: include(includes/right-sidebar.php): failed to open stream: No such file or directory in /home1/artinves/public_html/artexpertswebsite/pages/bloch.php on line 95 [24-Nov-2020 03:21:54 America/Boise] PHP Warning: include(includes/right-sidebar.php): failed to open stream: No such file or directory in /home1/artinves/public_html/artexpertswebsite/pages/bloch.php on line 95 [24-Nov-2020 03:21:54 America/Boise] PHP Warning: include(): Failed opening 'includes/right-sidebar.php' for inclusion (include_path='.:/opt/cpanel/ea-php73/root/usr/share/pear') in /home1/artinves/public_html/artexpertswebsite/pages/bloch.php on line 95
done
1129--varo.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "varo" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "varo" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "varo" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "varo" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1130--leutze.php Emanuel Leutze Artwork Authentication & Art Appraisal

Emanuel Gottlieb Leutze (1816 – 1868)

Get a Leutze Certificate of Authenticity for your painting (COA) for your Leutze drawing.

For all your Leutze artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Leutze Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Leutze painting or drawing.

If you want to sell your Leutze painting or drawing use our selling services. We offer Leutze selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Leutze and issuing certificates of authenticity since 2002. We are recognized Leutze experts and Leutze certified appraisers. We issue COAs and appraisals for all Leutze artworks.

Our Leutze paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Leutze certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Leutze painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Leutze paintings or drawings take longer.

Our cLeutzents include Leutze collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Emanuel Leutze art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Emanuel Leutze or we will sell it for you.

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General Ulysses S. Grant in his Tent

Emanuel Leutze was a German American history painter. Leutze was born in Schwäbisch Gmünd, Württemberg, Germany, was brought to America as a child, and then returned to Germany as an adult. His parents settled first in Philadelphia, Pennsylvania, then at Fredericksburg, Va. He received his first instruction in art from J. A. Smith, a portrait painter in Philadelphia. In 1840 one of his pictures attracted attention and procured him several orders, which enabled him to go to Düsseldorf, where he studied with Lessing. In 1842 he went to Munich, studying the works of Cornelius and Karlbach, and the following year he visited Venice and Rome. In 1845 he returned to Düsseldorf and was married, making his home there for 14 years. He is perhaps best-known for his painting Washington Crossing the Delaware. It is owned by the Metropolitan Museum of Art, in New York.

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Washington Crossing the Delaware 1850

His first work, Columbus before the Council of Salamanca was purchased by the Düsseldorf Art Union. A strong supporter of Europe’s Revolutions of 1848, Leutze decided to paint an image that would encourage Europe’s liberal reformers with the example of the American Revolution. Using American tourists and art students as models and assistants, Leutze finished Washington Crossing the Delaware in 1850.

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Columbus Before the Queen

In 1859, Leutze painted a portrait of Chief Justice Roger Brooke Taney which hangs in the Harvard Law School. In a 1992 opinion, Justice Antonin Scalia described the portrait of Taney, made two years after Taney’s infamous decision in Dred Scott v. Sanford, as showing Taney “in black, sitting in a shadowed red armchair, left hand resting upon a pad of paper in his lap, right hand hanging limply, almost lifelessly, beside the inner arm of the chair. He sits facing the viewer and staring straight out. There seems to be on his face, and in his deep-set eyes, an expression of profound sadness and disillusionment.”

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Washington Rallying the Troups at Monmouth 1853

In 1860 Leutze was commissioned by the U.S. Congress to decorate a stairway in the Capitol Building in Washington, DC, for which he painted a large composition, Westward the Course of Empire takes its Way.

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Westward the Course of the Empire Takes its Way

Late in life, he became a member of the National Academy of Design. He was also a member of the Union League Club of New York, which has a number of his paintings. He died in Washington, D.C. in his 53rd year. Leutze’s portraits are known less for their artistic quality than for their patriotic emotionalism. Both named works firmly rank among the American national iconography, and are thus often caricatured.

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Worthington Whittredge in His Tenth Street Studio 1865

Still wondering about a 19th century German or American painting in your family collection? Contact us…it could be by Emanuel Leutze.


done
1131--gonzales.php Eva Gonzales Artwork Authentication & Art Appraisal

Eva Gonzales (1849-1883)

We Perform Eva Gonzales art authentication. Eva Gonzales appraisal. Eva Gonzales certificates of authenticity (COA). Eva Gonzales analysis, research, scientific tests, full art authentications. We will help you sell your Eva Gonzales or we will sell it for you.

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A Box at the Theatre

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Enfant de Troupe

Eva Gonzales is one of the very few female Impressionist painters. She was the daughter of a Spanish writer, and a Belgian Musician. She grew up in a family that appreciated the arts, and her artistic temperament was therefore nurtured by her family. She initially took lessons with Charles Chaplin, a society portraitist who ran a studio for women. Charles Chaplin also taught the American Impressionist, Mary Cassatt.

In 1869, she met Edouard Manet, and she became his student, model, and friend. In the Salon of 1870, he exhibited a portrait of her, working in front of her easel. This painting now hangs in the National Gallery in London. Until 1872, she was strongly influenced by Manet in her painting style, but after that developed her own personal style. She first exhibited in the Salon of 1870, and went on to exhibit every year thereafter. Although she was always invited to exhibit with the other Impressionists, for some reason she preferred to show her work at the Official Salon, as did Manet. Some of her favourite subjects were Theatre Goers, and women relaxing outside. It is said that it was her bright colours, and soft brushstrokes which made her paintings successful.

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The Milliner

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Morning Awakening

In 1879, she married the brother of the graphic artist Henri Geraud, and sadly went on to die in childbirth. She died five days after her mentor Manet. After her death, a retrospective was held of eighty eight of her works at the Salons of La Vie Moderne.

Many of her paintings are in public collections, and a number are in America, such as, a painting of her sister, which is in the Museum of Fine Arts in Texas, and the paintings, entitled, “Lady with a Fan”, which hangs in the Minneapolis Institute of Arts. As a member of the Impressionist group, her paintings are highly sought after.

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Lady with a Fan

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Riding with a Mule

If you suspect you may own a Gonzales, please contact us.


done
1132--appel.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "angelico" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "angelico" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "angelico" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "angelico" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1133--budrys.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "budrys" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "budrys" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "budrys" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "budrys" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1134--delville.php Jean Delville Artwork Authentication & Art Appraisal

Jean Delville, 1867-1953, Belge

We Perform Jean Delville, peintre symboliste, était également écrivain, poète et théoricien de l’art. Il fut l’élève de Jean-François Portaels, fondateur de l’école orientaliste belge.

 

Delville fut d’abord réaliste. Il a exposé pour la première fois en 1885, au cercle l’Essor, et a publié des poèmes trois ans plus tard. Il produisit à la même époque des dessins inspirés des opéras de Wagner, notamment Parsifal. Ses œuvres évoquaient également la misère du prolétariat, et il réalisait volontiers des paysages au parc Duden de Forest, sa ville natale. Ses peintures présentaient déjà des caractéristiques mystérieuses, à travers leurs brouillards et crépuscules. Son talent précoce lui a valu de nombreuses récompenses à l’Académie, et il a remporté en 1896 le Prix de Rome, qui lui a permis de passer une année en Italie où il s’est fait connaître et a étudié à Florence et dans la capitale les artistes de la Renaissance.

 

Son œuvre, symboliste, est profondément marquée par l’ésotérisme et l’idéalisme philosophique. Il tirait son inspiration de l’écrivain occultiste français Joséphin Peladan, et il a d’ailleurs exposé à la Rose-Croix esthétique à partir de 1892. Passionné par le monde de la littérature, Delville fut influencé à ses débuts par les écrits d’Eliphas Levi, puis, plus tard, par la théosophie de Madame Blavatsky. Comme il l’écrivait en 1944 : « L’Étude des sciences occultes est à la base de ma philosophie intellectuelle et morale. »

 

Son chef-d’œuvre L’École de Platon (1898) replace les philosophes classiques dans un décor à la gamme chromatique onirique, qui montre des influences de la Renaissance (citons Raphaël) revisitées par une esthétique éthérée. Delville était un platonicien qui croyait à la fusion du masculin et du féminin dans l’amour absolu. Les jeunes éphèbes androgynes qui entourent le philosophe en sont la parfaite illustration.

 

Car l’art était pour Delville une forme de transfiguration religieuse : l’âme doit s’élever vers une portée morale plus grande. Il a ainsi très vite rompu avec le naturalisme hérité de sa formation académique et s’est tourné vers une peinture vouée à l’évocation d’une certaine spiritualité, dont le but était de créer un « Homme-Dieu. » Notons qu’il n’avait toutefois pas renié le classicisme pictural et ses nus sont une merveille d’anatomie.

 

C’est à la même époque qu’il a fondé la société « Pour l’Art », avec d’autres dissidents de l’Essor. Ils avaient pour vocation de promouvoir l’idéalisme à travers des salons et des conférences où se produisait souvent Peladan. Le premier salon de l’art idéaliste, tenu en 1896, se fit la vitrine d’œuvres influencées par le mysticisme et l’ésotérisme.

 

Il a ensuite déménagé en Écosse où il a enseigné pendant cinq ans à la Glasgow School of Art, ce qui lui a valu une certaine célébrité outre-Manche. Puis il a conservé pendant trente ans un poste de professeur à l’Académie des beaux-arts de Bruxelles, où Magritte compta parmi ses élèves.

 

Durant toute sa vie, Jean Delville n’avait cessé de publier des recueils de poèmes et des essais afin de mettre sa philosophie en lumière. Son ouvrage La Mission de l’Art (1900) résonne comme un manifeste du mouvement idéaliste.


done
1135--le-dru.php Hilaire Le Dru Artwork Authentication & Art Appraisal

Hilaire Le Dru (1769-1840)

Get a Le Dru Certificate of Authenticity for your painting (COA) for your Le Dru drawing.

For all your Le Dru artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Le Dru Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Le Dru painting or drawing.

If you want to sell your Le Dru painting or drawing use our selling services. We offer Le Dru selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Le Dru and issuing certificates of authenticity since 2002. We are recognized Le Dru experts and Le Dru certified appraisers. We issue COAs and appraisals for all Le Dru artworks.

Our Le Dru paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Le Dru certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Le Dru painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Le Dru paintings or drawings take longer.

Our clients include Le Dru collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Hilaire Le Dru art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Hilaire Le Dru or we will sell it for you.

Le Dru painting, Portrait of General Comte Etienne de Roquesante

Portrait of General Comte Etienne de Roquesante

Hilaire Le Dru was an 18th and 19th century French painter, known for drawing in the dessin noir style that was popular in the Parisian Salons of the late 18th century. He typically painted portraits, many of which were military figures.

Le Dru painting, Bernadotte

Bernadotte

Le Dru painting, Macdonald

Macdonald

Still wondering about a dessin noir style 18th century French painting in your family collection? Contact us…it could be by Hilaire Le Dru.


done
1136--decamps.php Alexandre Decamps Artwork Authentication & Art Appraisal

Alexandre Gabriel Decamps (1803-1860)

Get a Decamps Certificate of Authenticity for your painting (COA) for your Decamps drawing.

For all your Decamps artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Decamps Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Decamps painting or drawing.

If you want to sell your Decamps painting or drawing use our selling services. We offer Decamps selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Decamps and issuing certificates of authenticity since 2002. We are recognized Decamps experts and Decamps certified appraisers. We issue COAs and appraisals for all Decamps artworks.

Our Decamps paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Decamps certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Decamps painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Decamps paintings or drawings take longer.

Our clients include Decamps collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alexandre Gabriel Decamps art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alexandre Gabriel Decamps or we will sell it for you.

Alexandre Decamps was one of the first French painters of the Romantic and Oriental school. His brother was Maurice Alexandre Decamps, the art essayist and critic. Their father was relatively wealthy, and in their youth he sent them both to the countryside, to Orsay, in the region of Picardy. The purpose of this was to enable them to learn about the realities of peasant life. Their father was quoted as saying, “in order to learn to rise early, and know about the hard life of the fields.”

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Duck Shooting

It was while in Picardy that Decamps developed a love for nature, and for art. After leaving Picardy he went to study with the painter of architectural scenes, Etienne Bouhot in Paris in 1816. In 1818, he left to go and study with Alexandre-Denis Abel de Pujol, and spent time copying Dutch Masters in the Louvre. However, he did not stay long with Abel de Pujol, and he left his studio to set himself up as an independent artist.

At a relatively young age, he set off for the Orient, and in 1828 he traveled to Turkey, Greece, and Northern Africa. He was one of the first distinguished French painters to go to the Orient. He was to return to Paris from his trip with sketches, and material which were to provide him with inspiration, and material for the rest of his life. He was very talented, and successful, and was ranked amongst such painters as Delacroix and Vernet. His range of subjects was huge, and a favourite of his was genre scenes of everyday French and Algerian life. His Oriental scenes were marked by the dramatic contrasts of colour, light and shade.

In 1835, he traveled to Italy where he studied the work of Raphael, and Nicholas Poussin. On his return he produced a number of biblical scenes, set against convincing depictions of Near Eastern scenes which were based on his earlier travels to the Orient.

He also produced historical scenes. One of his most famous, is the painting entitled, “The Defeat of Cimbri,” which hangs in the Louvre. This painting depicts a conflict between a hoard of Barbarians, and a disciplined army. The Cimbri were a Teutonic tribe, who were the first of a long line of Teutonic invaders in Italy.

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Deafeat Of The Cimbris

Decamps also had a number of very rich, and important patrons, including the Duc D’Orleans, and the Barons de Rothschild. Decamps loved animals, particularly dogs, horses and monkeys. In fact he is well known for his depiction of monkeys, and one painting in particular, entitled, “The Monkey Connoisseurs.” This painting is a satire on the jury of the French Academy of painting.

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The Monkey Painter

He was a good friend of the Barbizon school painter, Jules Dupre, and in 1843, and 1844 he spent time in the Forest of Fontainebleau. In 1857, he bought a house there.

He loved riding, and all field sports, but sadly died from a fall from a horse while riding in the Forest of Fontainebleau.

His work can be found in museum collections all over the world including the Metropolitan Museum of Art, the Cleveland Museum of Art, and the Hermitage Museum in St. Petersburg. The Wallace Collection in London, and the Louvre have a particularly large collection of his work.

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The Villa Doria – Pamphili, Rome

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Albanian Dancers

done
1137--tarbell.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "tarbell" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "tarbell" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "tarbell" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "tarbell" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1138--vivarini.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vivarini" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vivarini" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "vivarini" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "vivarini" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1139--romany.php Adele Romany Artwork Authentication & Art Appraisal

Adele Romany (1769-1846)

Get a Romany Certificate of Authenticity for your painting (COA) for your Romany drawing.

For all your Romany artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Romany Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Romany painting or drawing.

If you want to sell your Romany painting or drawing use our selling services. We offer Romany selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Romany and issuing certificates of authenticity since 2002. We are recognized Romany experts and Romany certified appraisers. We issue COAs and appraisals for all Romany artworks.

Our Romany paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Romany certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Romany painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Romany paintings or drawings take longer.

Our clients include Romany collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Adele Romany art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Adele Romany or we will sell it for you.

Romany painting, Young Lovers Playing the Flute

Young Lovers Playing the Flute

Romany painting, Auguste Vestris

Auguste Vestris

Adele Romany was a late 18th and early 19th century Parisian portrait and genre scene painter. Most notably, she painted a portrait of fellow artist Elizabeth Vigee-Lebrun which is housed at the National Museum of Women in the Arts, Washington D.C.

Romany painting, Portrait of Vigee-LeBrun

Portrait of Vigee-LeBrun

Still wondering about a European portrait in your family collection? Contact us…it could be by Adele Romany.


done
1140--goerg.php Edouard Goerg Artwork Authentication & Art Appraisal

Edouard Goerg (1893-1968)

Get a Goerg Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Goerg artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Goerg Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Goerg painting, drawing or print.

If you want to sell your Goerg painting, drawing or print use our selling services. We offer Goerg selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Goerg and issuing certificates of authenticity since 2002. We are recognized Goerg experts and Goerg certified appraisers. We issue COAs and appraisals for all Goerg artworks.

Our Goerg paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Goerg certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Goerg painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Goerg paintings or drawings take longer.

Our clients include Goerg collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Edouard Goerg art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Edouard Goerg or we will sell it for you.

art

Les Jeunes Filles

Edouard Goerg was a French Expressionist and engraver. Born in Australia to French parents, Goerg moved to France in 1913 to pursue his career as an artist. He studied at the Academy Ransom in Paris for a year, but would eventually go on to create a style all his own. Goerg would work primarily in oil and gouache, but was also a prolific lithographer. During this time, he also worked under the artist Maurice Denis, and is hailed as one of the most original representatives of the French Expressionist movement.

art

Le Bouquet d’Amour

art

Head of a Woman
  In 1919, Goerg moved to the French Indies, only to return to Paris again in 1919.

From 1949 to 1965, Goerg taught at the Ecole des Beaux-Arts as a professor. He continued to paint during this time, and well up until his death in 1969. During this time he was also awarded the prestigious rank as a Knight of the Legion of Honor.

art

Les Parents de Provence, 1949

art

Modeles et leur Peintre

Goerg would often paint young women with large eyes and heads, almost in a cartoon-like fashion. Some critics may call Goerg’s individualistic style a more “softened” version of Cubism. In fact, Goerg seemed to jump into Cubism just as it was emerging and pieces of his such as “The Bar” show that perhaps he was working in this style before it gained great popularity.

art

The Bar, 1923

art

Les Chevaux de bois au Champs Elysees

art

La Ville

While the bulk of Goerg’s work would insinuate that he painted primarily lighthearted scenes, he did not ignore social commentary completely. Like so many other artists, Goerg served in World War I, and was left with horrific memories as a result. This also was reflected in some of his lithography and paintings.

art

L’Apocalypes

Though some critics try to compare his work to that of George Grosz, Goerg was in a league all his own. Goerg’s former home in Callian is currently being restored to become a museum for the artists’ work, despite a long struggle to obtain property rights. Today his work is housed in modern museums in Europe and The United States, and perhaps in your own home.


done
1141--verrocchio-del.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "verrocchio-del" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "verrocchio-del" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "verrocchio-del" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "verrocchio-del" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1142--schallhas.php Karl Phillipp Schallhas Artwork Authentication & Art Appraisal

Karl Phillipp Schallhas (1767-1797)

Get a Schallhas Certificate of Authenticity for your painting (COA) for your Schallhas drawing.

For all your Schallhas artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Schallhas Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Schallhas painting or drawing.

If you want to sell your Schallhas painting or drawing use our selling services. We offer Schallhas selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Schallhas and issuing certificates of authenticity since 2002. We are recognized Schallhas experts and Schallhas certified appraisers. We issue COAs and appraisals for all Schallhas artworks.

Our Schallhas paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Schallhas certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Schallhas painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Schallhas paintings or drawings take longer.

Our clients include Schallhas collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Karl Phillipp Schallhas art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Karl Phillipp Schallhas or we will sell it for you.

Schallhas painting, Pasture Scene

Pasture Scene

Schallhas painting, Landscape

Landscape

Schallhas painting, Landscape with Shepherdess and Herd

Landscape with Shepherdess and Herd

Karl Phillipp Schallhas was an 18th century landscape painter. Still wondering about a European landscape in your family collection? Contact us…it could be by Karl Phillipp Schallhas.


done
1143--niedermann.php Johann Niedermann Artwork Authentication & Art Appraisal

Johann Niedermann (1759-1833)

Get a Niedermann Certificate of Authenticity for your painting (COA) for your Niedermann drawing.

For all your Niedermann artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Niedermann Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Niedermann painting or drawing.

If you want to sell your Niedermann painting or drawing use our selling services. We offer Niedermann selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Niedermann and issuing certificates of authenticity since 2002. We are recognized Niedermann experts and Niedermann certified appraisers. We issue COAs and appraisals for all Niedermann artworks.

Our Niedermann paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Niedermann certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Niedermann painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Niedermann paintings or drawings take longer.

Our clients include Niedermann collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Johann Niedermann art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Johann Niedermann or we will sell it for you.

Niedermann painting, Portrait of Graf Franz Colloredo

Portrait of Graf Franz Colloredo

Johann Niedermann as an 18th century German painter. He was mainly known for his portraits of European nobles. Still wondering about an 18th century painting in your family collection? Contact us…it could be by Johann Niedermann.


done
1144--faed.php John Faed Artwork Authentication & Art Appraisal

John Faed (1819 – 1902)

Get a Faed Certificate of Authenticity for your painting (COA) for your Faed drawing.

For all your Faed artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Faed Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Faed painting or drawing.

If you want to sell your Faed painting or drawing use our selling services. We offer Faed selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Faed and issuing certificates of authenticity since 2002. We are recognized Faed experts and Faed certified appraisers. We issue COAs and appraisals for all Faed artworks.

Our Faed paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Faed certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Faed painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Faed paintings or drawings take longer.

Our clients include Faed collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John Faed art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Faed or we will sell it for you.

art

The Bride

John Faed, the eldest son of James and Mary Faed, was a Scottish painter, as was his brother Thomas Faed. Faed primarily painted religious, literary and historical scenes, and was an active member of the community in his hometown, Gatehouse of Fleet. He helped to conceive and develop a number of community projects such as the clock tower and town hall. His paintings, popular in Victorian England, can be found in private and public collections, including the National Gallery of Scotland.

art

George Washington Taking the Salute at Trenton 1899

The book John Faed RSA – The Gatehouse Years traces his life and the life of his family. Still wondering about a painting in your family collection? Contact us…it could be by John Faed.


done
1145--alten.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "alten" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "alten" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "alten" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "alten" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1146--gaudier-brzeska.php Henri Gaudier-Brzeska Artwork Authentication & Art Appraisal

Henri Gaudier-Brzeska (1891 – 1915)

Get a Gaudier-Brzeska Certificate of Authenticity for your painting or a COA for your Gaudier-Brzeska drawing or sculpture.

For all your Gaudier-Brzeska artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Gaudier-Brzeska Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gaudier-Brzeska painting, drawing or sculpture.

If you want to sell your Gaudier-Brzeska painting, drawing or sculpture use our selling services. We offer Gaudier-Brzeska selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gaudier-Brzeska and issuing certificates of authenticity since 2002. We are recognized Gaudier-Brzeska experts and Gaudier-Brzeska certified appraisers. We issue COAs and appraisals for all Gaudier-Brzeska artworks.

Our Gaudier-Brzeska paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gaudier-Brzeska certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gaudier-Brzeska painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gaudier-Brzeska paintings, drawings or sculpture take longer.

Our clients include Gaudier-Brzeska collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henri Gaudier-Brzeska art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Henri Gaudier-Brzeska or we will sell it for you.

gaudier, Woman Carrying Sacks

Woman Carrying Sacks
1912/CAST 1956 or 1964 Bronze 14 1/8 x 11 1/8 x 1 7/8in. (35.9 x 28.3 x 4.6cm)
Hirshhorn Museum and Sculpture Garden

Henri Gaudier was a French sculptor, known for his direct style of carving. Gaudier was born in the town of Saint-Jean-de- Braye near Orléans, where he lived until moving to London in 1910. Gaudier moved to London with the Polish writer, Sophie Brzeska, with whom he had a long-term relationship. Though the couple never officially married, Henri changed his surname to Gaudier-Brzeska as a symbol of his affection and devotion for Sophie.

gaudier, Wrestler
Wrestler

1912-1913/CAST by 1930 Lead 24 X 13 7/8 X 14 1/8 IN. (60.0 X 35.1 X 35.7 CM.) WT: 83 LB. (37.4 KG.)
Hirshhorn Museum and Sculpture Garden

In England, Gaudier-Brzeska was inspired by the work of Ezra Pound and Wyndham Lewis who participated in the Vorticism movement. Gaudier-Brzeska began to make sculptures based on Primitive and Cubist aesthetics as well as Chinese calligraphy and poetry.

gaudier, Nude Male Study

Nude Male Study
1913 Pen and Ink on Paper
Hirshhorn Museum and Sculpture Garden

With the coming of the First World War, Gaudier-Brzeska joined the French army, which led to his early and unfortunate death in the trenches of Neuville-St.-Vast. Soon after his death Sophie was admitted to an insane asylum, where she dies in 1925. After Sophie’s death, Jim Ede, a writer who later published the book “Savage Messiah”, which was based on the artist’s work and life, purchased much of Gaudier-Brzeska’s work. The book was later adapted into a film by Ken Russell.

gaudier, Mother And Child (Doorknocker)

Mother And Child (Doorknocker)
1912-1914 Bronze 7 X 3 1/4 X 3/4 IN. (17.8 X 8.2 X 1.8 CM.)
Hirshhorn Museum and Sculpture Garden

gaudier, Birds Erect

Birds Erect
1914 Limestone 26 5/8 x 10 1/4 x 12 3/8″ (67.6 x 26 x 31.4 cm)
Museum of Modern Art NY

gaudier, Bust of Enid Bagnold

Bust of Enid Bagnold
1912 Plaster
Courtauld Institute of Art

gaudier, Bust of Frank Harris

Bust of Frank Harris
1913 Plaster
Courtauld Institute of Art

gaudier, Bird Swallowing a Fish

Bird Swallowing a Fish
1913 Bronze
Courtauld Institute of Art

gaudier, Crouching Figure

Crouching Figure
1914 Marble
Walker Art Center

gaudier, Self-Portrait

Self-Portrait
1913 Pastel on paper

While Gaudier-Brzeska did not have many years to make work, his reputation has continued to grow post-humanously. His work has greatly influenced modernist sculpture in France, England and around the world. Gaudier-Brzeska’s work can now be seen at the Tate Gallery and the Musée National d’Art Moderne, among other well-known collections. Do you think you may own a piece by Gaudier-Brzeska? Contact us. We are the experts on Henri Gaudier-Brzeska.


done
1147--hicks.php Edward Hicks Artwork Authentication & Art Appraisal

Edward Hicks (1780-1849)

Get a Hicks Certificate of Authenticity for your painting (COA) for your Hicks drawing.

For all your Hicks artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hicks Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hicks painting or drawing.

If you want to sell your Hicks painting or drawing use our selling services. We offer Hicks selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hicks and issuing certificates of authenticity since 2002. We are recognized Hicks experts and Hicks certified appraisers. We issue COAs and appraisals for all Hicks artworks.

Our Hicks paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hicks certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hicks painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hicks paintings or drawings take longer.

Our clients include Hicks collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Edward Hicks art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Edward Hicks or we will sell it for you.

The Peaceable Kingdom

The Peaceable Kingdom

Edward Hicks was an early American folk artist and painter. He is considered by some art historians to be the most influential and greatest American folk artist to have ever lived. His vibrant paintings are among the finest examples of naïve American folk art and often depict idyllic biblical settings.

Noah's Ark

Noah’s Ark

Hicks was a Quaker minister, born in Pennsylvania and devoted much of his life to his ministry. Despite being active in his community and religion, Hicks also managed to leave a fairly large catalogue of his religious themed paintings behind. He was a fairly well known minister, famous among the Quakers for being a leader of the “Hicksite’s,” a breakaway sect of the Quakers led by his minister cousin, Elias Hicks.

The Peaceable Kingdom of the Branch

The Peaceable Kingdom of the Branch

As an artist, Hicks also gained notoriety within his community. As a young man, Hicks was apprenticed to build coaches, and learned ornamental painting during his apprenticeship. From there, he began his own ornamental painting business and painted signs, furniture and coaches, and eventually took on apprentices of his own including famous landscape painter Martin Johnson Heade. Like many other folk artists, his was self taught, which resulted in a naïve style.

Landscape

Landscape

Early in his career, Hicks felt forced by his peers to desist from painting for a time. Many of his religious friends considered his successful painting career to be a distraction and a “worldly indulgence.” Others within his faith, however, did not see his painting as a thing to be feared, but rather as a gift from God and a way to praise Him.

Farm Scene

Farm Scene

However, Hicks eventually began to ignore the criticism from his friends and in 1820 he began to create easel paintings. Many of these paintings featured “Kingdoms” and were essentially illustrations from the bible and from prayers. One in particular, “The Peaceable Kingdom” was Hicks’ most favored theme, as he painted more than 60 known versions.

Peaceable Kingdom 1

Peaceable Kingdom 1

Peaceable Kingdom 2

Peaceable Kingdom 2

Peaceable Kingdom 3

Peaceable Kingdom 3

Although he is most famous for his religious adaptations, Hicks was not limited to just this theme in his art. He also painted historical scenes like Washington crossing the Delaware and the signing of the Declaration of Independence, as well as portraits and landscapes. Hicks also created several versions of “Penns Treaty with the Indians.”

Washington at the Delaware

Washington at the Delaware

Penns Treaty With The Indians

Penns Treaty With The Indians

Still wondering about a folk art piece or early American naïve painting hanging in your family’s estate? Contact us…it could be by Edward Hicks.


done
1148--aiki.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "aiki" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "aiki" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "aiki" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "aiki" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1149--monsiau.php Nicolas-Andre Monsiau Artwork Authentication & Art Appraisal

Nicolas-Andre Monsiau (1754-1837)

Get a Monsiau Certificate of Authenticity for your painting (COA) for your Monsiau drawing.

For all your Monsiau artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Monsiau Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Monsiau painting or drawing.

If you want to sell your Monsiau painting or drawing use our selling services. We offer Monsiau selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Monsiau and issuing certificates of authenticity since 2002. We are recognized Monsiau experts and Monsiau certified appraisers. We issue COAs and appraisals for all Monsiau artworks.

Our Monsiau paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Monsiau certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Monsiau painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Monsiau paintings or drawings take longer.

Our clients include Monsiau collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Nicolas-Andre Monsiau art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Nicolas-Andre Monsiau or we will sell it for you.

Monsiau painting, Alexander and Diogenes, 1818

Alexander and Diogenes, 1818

Nicolas-Andre Monsiau was an 18th century French history and portrait painter who was born and died in Paris. He was admitted to the Royal Academy in 1787 and was awarded the status of academian in 1789.

Monsiau painting, Louis XVI Giving Instruction to La Perouse 1817

Louis XVI Giving Instruction to La Perouse 1817

Still wondering about a 18th century French painting in your family collection? Contact us…it could be by Nicolas-Andre Monsiau.


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1150--herran.php Saturnino Herrán Artwork Authentication & Art Appraisal

Saturnino Herrán (1887-1918)

Get a Herrán Certificate of Authenticity for your painting (COA) for your Herrán drawing.

For all your Herrán artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Herrán Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Herrán painting or drawing.

If you want to sell your Herrán painting or drawing use our selling services. We offer Herrán selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Herrán and issuing certificates of authenticity since 2002. We are recognized Herrán experts and Herrán certified appraisers. We issue COAs and appraisals for all Herrán artworks.

Our Herrán paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Herrán certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Herrán painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Herrán paintings or drawings take longer.

Our clients include Herrán collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Saturnino Herrán art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Saturnino Herrán or we will sell it for you.

Herran, Bugambillas

Bugambillas

Herran, Nuestros Dioses, No. 1, La Coaticue

Nuestros Dioses, No. 1, La Coaticue

Herran was born in the city of Aguascalientes, Mexico in 1887. Not much is known of his childhood in Aguascalientes before his family relocated to Mexico City. Herran began his art studies at la Escuela Nacional de Bellas Artes. After the death of his father, Herran became the family provider at a very young age. Herran worked for a telegraph company and continued his studies at night. Herran studied painting with well-known colorists and perspective painters such as German Gedovius.

Herran, Decorative panel

Decorative panel

Herran began to win prizes for his paintings. Between 1910 and 1911 Herran painted decorative panels for la Escuela Nacional de Artes y Oficios para Hombres. Herran started working as a professor of drawing and received a grant to study in Europe. When Herran returned from Europe he met his wife, Rosario Arellano and continued working as a professor.

Herran, El Cofrade de San Miguel

El Cofrade de San Miguel

In 1914 Herran began using pastels and completed a series entitled “criollas”. Herran exhibited regularly and was commissioned to do pieces throughout Mexico City. Unfortunately, Herran’s health gave out. After a gastric infection that impeded his digestion, Herran did not recover. Herran died after an unsuccessful operation at the age of thirty-one.

Herran, Tehuana

Tehuana

Herran, El de San Luis

El de San Luis

Saturnino Herran paintings are in museums and collections in Mexico, the United States and Europe. Do you think you own a Herran painting? Contact us. We are the Herran experts.


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1151--mallet.php Jean Baptiste Mallet Artwork Authentication & Art Appraisal

Jean Baptiste Mallet (1759-1835)

Get a Mallet Certificate of Authenticity for your painting (COA) for your Mallet drawing.

For all your Mallet artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mallet Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mallet painting or drawing.

If you want to sell your Mallet painting or drawing use our selling services. We offer Mallet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mallet and issuing certificates of authenticity since 2002. We are recognized Mallet experts and Mallet certified appraisers. We issue COAs and appraisals for all Mallet artworks.

Our Mallet paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mallet certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mallet painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mallet paintings or drawings take longer.

Our clients include Mallet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Baptiste Mallet art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean Baptiste Mallet or we will sell it for you.

Mallet painting, A Nursery Scene

A Nursery Scene

Jean Baptiste Mallet was an 18th century French painter. He studied in Toulon under Simon Julien, and later under Pierre Prud’hon in Paris . Mallet won a medal at the Salons of 1812 and 1817, and exhibited there frequently from 1793 until 1827.

Mallet painting, Tea Time

Tea Time

Mallet is best known for his interior and genre scenes and in fact executed very few portraits. Mallet instead preferred to paint nudes and pictures of bathing beauties and mythological scenes.

Mallet painting, The Little Fixer

The Little Fixer

Mallet is renowned still today by art historians for his treatment of curtains and fabrics in his composition. His paintings have been compared to the techniques used by Dutch masters for interiors and furnishing, and are still highly admired today.

Mallet painting, Gothic Ballroom

Gothic Ballroom

During his lifetime, Mallet found a great deal of success and many of his paintings were copied or made into prints. Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Jean-Baptiste Mallet.


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1152--boissieu.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "boissieu" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "boissieu" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1153--pinney.php Eunice Pinney Artwork Authentication & Art Appraisal

Eunice Pinney (1770-1849)

Do you think you may own a painting by Eunice Pinney?

We Perform Eunice Pinney art authentication. Eunice Pinney appraisal. Eunice Pinney certificates of authenticity (COA). Eunice Pinney analysis, research, scientific tests, full art authentications. We will help you sell your Eunice Pinney or we will sell it for you.

Mourning Piece: Three Ladies watercolor

Mourning Piece: Three Ladies watercolor

Farm Scene with Two Fashionable Ladies, watercolor

Farm Scene with Two Fashionable Ladies, watercolor

Two Women, watercolor

Two Women, watercolor

Pinney was one of few female artists active during the colonial and early American period that is still recognized today. She is also known as Eunice Griswold Pinney and Eunice Griswold Holcombe Pinney. While little is known about her life and artistic training, it is almost certain that Pinney was a self taught artist, and probably created the bulk of her oeuvre while in her thirties. She raised five children, was twice married and was a very active figure in her community of Windsor, Connecticut.

Lolette and Werther 1810

Lolette and Werther 1810

Memorial for Diadama 1816

Memorial for Diadama 1816

It has been said by some art historians that Pinney’s watercolor style and techniques were far more aggressive than that of her female contemporary artists of the time. Perhaps this is why her work is better known today than that of other female artists of her time. Still wondering about a 19th century folk art watercolor painting hanging in your home? Contact us…it could be by Eunice Pinney.


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1154--als.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "als" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "als" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1155--corot.php Camille Corot Artwork Authentication & Art Appraisal

Jean-Baptiste-Camille Corot (1796-1875)

Get a Corot Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Corot artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Corot Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Corot painting, drawing or print.

If you want to sell your Corot painting, drawing or print use our selling services. We offer Corot selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Corot and issuing certificates of authenticity since 2002. We are recognized Corot experts and Corot certified appraisers. We issue COAs and appraisals for all Corot artworks.

Our Corot paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Corot certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Corot painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Corot paintings or drawings take longer.

Our clients include Corot collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Camille Corot art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Camille Corot or we will sell it for you.

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Self-Portrait with Palette 1834

Hailed by critics as being the father of Impressionism before its time, Camille Corot spent most of his life detached from the art world. It was only towards the end of his career that up and coming artists began to see the importance of his work, thus naming him “le Père Corot.” Though he was the supposed father of pre-Impressionism, Corot did not appreciate the work of his younger contemporaries, such as Monet and Degas. One only has to look at his work to see the vast difference in his style and the style of the late 19th century bohemian Parisians.

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Landscape with Lake and Boatman, 1839

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Interrupted Reading,1865-1870

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Peasant Woman with a Cow 1865-1870

In recent years, the floodgates have seemed to open for authenticating Corot’s work. We have authenticated several of Corot’s pieces and find that his work is in great demand and surfaces often. He is now so highly regarded in the art world that critics and artists alike regard him as a rival to Cezanne.

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Saint Sebastian

French born, Corot was able to pursue art at a young age, traveling to Rome and studying the masters. He traveled abroad and in France extensively, and took formal schooling at the Atelier Suiss and studied under classical landscapist painter Michallon. During his training he also became associated with the Barbizon school. However, Corot would often say that he was self taught, and perhaps in general he was, through his travels abroad and exposure to the masterworks of the past.

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Seated Italian Monk, Reading 1826-1828

Corot loved the outdoors, and this is obvious in every one of his paintings. He was not interested in painting scenes with social meaning, as some of his contemporaries were doing. He did not incorporate mystery or hidden meanings—he simply painted to bring out the beauty of his favorite subjects. His compositions were almost always clearly organized and balanced, which attribute to the aesthetically pleasing nature of his paintings, like in “Memory of Montefontaine”.

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Memory of Montefontaine, 1864

Above all, Corot was a master landscape painter. Sometimes employing plein-air technique, other times, sketching his scenes outdoors and finishing them at the studio, Corot set the ground works of Impressionism. He was clearly a neo-Classical Realist painter (though often abandoned methods learned in the Classical school), but his methods of using light were remarkable, and he was fond of using the loose brushstrokes that became common among the Impressionists. Unlike the Impressionists, he did not employ a lighter color palate, in fact, he used darker tones and shading in the style of the old masters. However, before the likes of American painter Albert Bierstadt, Corot was able to produce a “golden light” which radiated from his landscape scenes. One example is “View of the Riva in the Italian Tyrol”.

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View of the Riva in the Italian Tyrol, 1834

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Rome: The Forum Seen from the Farnese Gardens (1826)

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The Lake of Piedeluco, Umbria (1826)

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The Bridge at Narni (1827)

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Rocks in Amalfi (1828)

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Chartres Cathedral (1830)

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Genzano, Goatherd and a View of a Village (1843)

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A Morning, Dance of the Nymphs (1850)

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Trees on a Swamp (1855)

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Evening (1855)

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Idyll (1859)

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Memory of Lake Nemi (1865)

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Landscape with Cows

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Clearing, Memory of Ville d’Avray

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Le Chateau Saint-Ange

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Italian Villa Behind Pines

Note the realism of the light on the water, yet the slightly loose brushstrokes around the house on the shore and the dark tonalities. His understanding of light even extended to painting scenes in low light, thus producing a “silvery” effect. This is the style of Corot—one part Realism, one part Impressionism with an undercurrent of Classical elements.While Corot preferred landscapes over portraiture, he painted them from time to time, usually portraits of himself, friends or acquaintances. These portraits are usually highly Realist and Classical in their nature, like this portrait of “Agostina”.

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Agostina, 1866

The style of this painting is very similar to the composition of da Vinci’s “Mona Lisa”—Corot applies a Classical color palate and other Classical elements such as the landscape background.

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Young Woman in a Pink Dress

Whimsy is also a surprising element to Corot’s work. Like many Classical period paintings and frescoes, Corot incorporated idyllic Renaissance-style scenes of people frolicking and playing in his landscapes, like in “A Nymph Playing with Cupid”. Similarly, he painted biblical scenes of the crucifixion and the baptism of Christ, historical scenes, and also painted his version of the Greek tragedy of Orpheus and Eurydice in “Orpheus Leading Eurydice from the Underworld”

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A Nymph Playing with Cupid, 1857

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Orpheus Leading Eurydice from the Underworld, 1861

Many of these historical or whimsical scenes were painted during the frigid winter months when Corot could not go out to paint his beloved outdoors.

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Seated Man in Arms

Even though Corot is known for his oil paintings, he also did a number of drawings, watercolors, prints and glass painting. Some critics have called his drawings awkward. This leaves an open possibility for unauthenticated Corot drawings to still be in existence if his drawing capabilities were not up to par with his painting—some may have been ignored or misattributed. For example, this etching “Le Dome Florentin” looks something more likely to have been drawn by the hand of a late Impressionist than by Realist Corot

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Le Dome Florentin, 1869

Though this is a print, undoubtedly many sketches still exist that look similar to this. Corot would sketch the composition to many of his paintings before finishing them in the studio, and to own an original sketch similar to this print would be quite a find.

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The Letter 1865-1870

Though he was not nearly as celebrated during his lifetime as he is now (as is usual amongst great artists), his work was often imitated, even before his death. This was partially his fault, due to his generous nature of lending out his paintings as “inspiration” to other painters at the time. It is rumored that, among them, artist Andre Julien Prevost was one of the many to imitate and pass off his own work as Corot’s. In many circumstances, it is said that Corot took pity on his pupils and friends and lent his signature or artistic hand to their works.

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Florence, View from Boboli Gardens

Therein lays the problem with certain aspects of authenticating a Corot. Certain dating methods will show that a forged piece is from the same era as Corot—aging and older oil paints and canvas for example. However, only a trained eye and knowledgeable authenticator will be able to tell the difference from a forged Corot or an original.

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Woman with a Pearl

This should not leave you discouraged if you Do you think you may own an original Corot, be it a watercolor, oil painting or print. He was a very prolific artist, and painted up until his death, leaving a massive oeuvre of work behind him.

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The Mill of Saint-Nicolas-les-Arraz 1874

Today, Corot’s work hangs on the walls of prestigious galleries worldwide, including the Louvre and the Metropolitan Museum of Art, and possibly even on the walls of your own home. He was a sincere and sometimes contrary painter, whose generous nature with his name and artwork is leaving some authenticators baffled still today due to imitators.

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Woman in Blue 1874

Still wondering about a painting in your family collection? Contact us…it could be by Camille Corot.


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1156--sharp.php Joseph Henry Sharp Artwork Authentication & Art Appraisal

Joseph Henry Sharp (1859-1953)

Get a Sharp Certificate of Authenticity for your painting (COA) for your Sharp drawing.

For all your Sharp artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sharp Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sharp painting or drawing.

If you want to sell your Sharp painting or drawing use our selling services. We offer Sharp selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sharp and issuing certificates of authenticity since 2002. We are recognized Sharp experts and Sharp certified appraisers. We issue COAs and appraisals for all Sharp artworks.

Our Sharp paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sharp certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sharp painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sharp paintings or drawings take longer.

Our clients include Sharp collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Joseph Henry Sharp art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Joseph Henry Sharp or we will sell it for you.

Sharp, Three Taos Indians

Three Taos Indians

Joseph Henry Sharp was an American painter born in Bridgeport, Ohio. Sharp is known for his influence in the formation of the Taos, New Mexico Society of Artists. As a child Sharp was more interested in drawing and playing outdoors than academics. Sharp had impaired hearing for much of his life and eventually became deaf, after nearly drowning in a river in Ohio.

Sharp, Blanket Bull Crow Papoose

Blanket Bull Crow Papoose

Sharp’s handicap did not prevent him from exhibiting great talent as a painter. Sharp enrolled at the Mckmicken School of Design in Cincinnati, Ohio. After receiving a foundation in painting at Mckmicken, Sharp travelled to Europe where he continued his studies in Belgium at the Antwerp Academy. Sharp stayed in Europe for a few years to work and study before returning to the United States.

Sharp, Ration Day at the Reservation, 1919

Ration Day at the Reservation, 1919

In 1883 Sharp visited Taos, New Mexico, where he painted several landscapes and portraits of Native Americans. Since few, if any, other artists had visited Taos, Sharp’s paintings were extremely popular. The Smithsonian Institute purchased several of Sharp’s paintings and President Theodore Roosevelt commissioned Sharp to do more paintings of Native American life.

Sharp, Indians in Aspen Forest

Indians in Aspen Forest

Sharp, Studio Visitors

Studio Visitors

Sharp, Hunting Son, Taos

Hunting Son, Taos

Sharp settled in Taos where he continued to paint and do illustrations for Harpers magazine. Sharp painted Native American at a crucial time in which the culture was quickly vanishing. Sharp learned a great deal about the culture and history of Native American groups. Sharp’s paintings are now in American Art collections across the United States. Sharp was often referred to as the “Spiritual Father” of the Taos Society of Artists. Do you think you own a painting by Joseph Henry Sharp? Contact us. We are the experts on Joseph Henry Sharp.


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1157--du-puigaudeau.php Ferdinand du Puigaudeau Artwork Authentication & Art Appraisal

Ferdinand du Puigaudeau (1864-1930)

Get a Du Puigaudeau Certificate of Authenticity for your painting (COA) for your Du Puigaudeau drawing.

For all your Du Puigaudeau artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Du Puigaudeau Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Du Puigaudeau painting or drawing.

If you want to sell your Du Puigaudeau painting or drawing use our selling services. We offer Du Puigaudeau selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Du Puigaudeau and issuing certificates of authenticity since 2002. We are recognized Du Puigaudeau experts and Du Puigaudeau certified appraisers. We issue COAs and appraisals for all Du Puigaudeau artworks.

Our Du Puigaudeau paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Du Puigaudeau certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Du Puigaudeau painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Du Puigaudeau paintings or drawings take longer.

Our clients include Du Puigaudeau collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ferdinand Du Puigaudeau art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ferdinand Du Puigaudeau or we will sell it for you.

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Chinese Shadows, The Rabbit 1895

Ferdinand du Puigaudeau was a French Impressionist artist born in Nantes. At the age of 18, Puigaudeau took up painting, but did not begin to truly form his own style until he traveled to Tunisia and Italy. His first known works are dated in 1886, the same year that he moved to Pont-Aven where he became friends with Paul Gaugin.

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La Charette au bord du Chemin

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Table with Yellow Bouquet

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Sunset of the Breton Coast

While in Pont-Aven, Puigaudeau made plans to visit Martinique and Panama with Gaugin. However, this was never realized as Puigaudeau was called away to war. After his service in the military, he traveled to Belgium in 1889. There he became associated with the “Group of Twenty.” The following year, Puigaudeau presented one of his pieces for the first time to the Salon de la Societe National des Beaux-Arts.

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Children on a Dune

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Breton Landscape

In 1893, Puigaudeau married and had a daughter shortly thereafter named Odette. During the subsequent years, he continued to live in Pont-Aven and became friends with Paul Durand-Ruel and Edgar Degas. During this time, Puigaudeau painted compositions of lively merry-go-round scenes and fun fairs, which some art critics claim to be his most beautiful.

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Quatorze de Juillet, Fete Forain

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Evening Party at Saint-Pol-de-Leon

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Breton Girls with Chinese Lanterns

Puigaudeau was generally a landscape artist, who was quite talented in portraying light in his Impressionistic compositions. In 1904, he traveled to Venice where he completed more than 50 beautiful Italian landscapes, cityscapes and nighttime scenes. However, upon his return to Paris, Puigaudeau’s landscapes were generally panned at the Salons. Shamed by this great rejection, he feels forced to leave Paris and settles in the village of Bourg on the Loire River.

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View of Venice at Night

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Gondolas at Night

In 1907, Puigaudeau bought the Kervaudu estate where he remained for the rest of his life. Though he still participated in exhibitions in Nantes, he essentially became a recluse and was nicknamed “the hermit of Kervaudu” by his friend Degas. Here, he painted tranquil, sweeping landscapes and Impressionist scenes of his gardens and flowerbeds.

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Le Chemin du Jardin de Kervaudu

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Jardin de Kervaudu, Roses Tremieres 1915

The war of 1914, caused Puigaudeau several setbacks and his output generally began to slow down. In 1919, he was invited to work on an exhibition in New York. However, this too fell through and plunged him head first into a deep depression. Though Puigaudeau was also an alcoholic by this time and was terribly depressed, he managed to receive a few commissions toward the end of his life, including creating illustrations for the novel “La Briere” by Alphonse de Chateaubriant.

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Soleil Couchant sur les Marais Salants

Though Puigaudeau did not find the same kind of success as his contemporaries during his lifetime, today collectors acknowledge his great talent and his works are in demand. Due to his extensive travels, Puigaudeau’s landscapes, still life and genre scenes could be found virtually anywhere in Europe. Still wondering about a late 19th century or early 20th century Impressionistic piece in your home? Contact us….it could be by Ferdinand du Puigaudeau.


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1159--von_menzel.php Adolph von Menzel Artwork Authentication & Art Appraisal

Adolph Friedrich Erdmann von Menzel (1815-1905)

Adolph von Menzel art authentication. Adolph von Menzel appraisal. Adolph von Menzel certificates of authenticity (COA). Adolph von Menzel analysis, research, scientific tests, full art authentications. We will help you sell your Adolph von Menzel or we will sell it for you.

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Pencil Drawing 1891

Adolph von Menzel was a German artist noted for drawings, etchings, and paintings. His father was the headmaster of a school for girls, and intended to educate his son as a professor; but he would not thwart his taste for art. Left an orphan in 1832, Menzel had to maintain his family. In 1833 Sachse of Berlin published his first work, an album of pen-and-ink drawings reproduced on stone, to illustrate Goethe’s little poem, Kunstlers Erdenwallen. He executed lithographs in the same manner to illustrate Denkwürdigkeiten aus der brandenburgisch-preussischen Geschichte; The Five Senses and The Prayer, as well as diplomas for various corporations and societies.

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Portrait of Opera House

From 1839 to 1842 he produced 400 drawings, largely introducing to Germany the technique of wood engraving, to illustrate the Geschichte Friedrichs des Grossen (History of Frederick the Great) by Franz Kugler. He subsequently brought out Friedrichs der Grossen Armee in ihrer Uniformirung (The Uniforms of the Army under Frederick the Great), Soldaten Friedrichs der Grossen (The Soldiers of Frederick the Great); and finally, by order of the king Frederick William IV, he illustrated the works of Frederick the Great, Illustrationen zu den Werken Friedricks des Grossen (1843-1849). By these works Menzel established his claim to be considered one of the first, if not actually the first, of the illustrators of his day in his own line.

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Die Tafelrunde

Meanwhile Menzel had set himself to study unaided the art of painting, and he soon produced a great number and variety of pictures, always showing keen observation and honest workmanship in subjects dealing with the life and achievements of Frederick the Great, and scenes of everyday life, such as In the Tuileries, The Ball Supper, and At Confession. Among the most important of these works are The Forge (1875) and The Market-place at Verona. Invited to paint The Coronation of William I at Koenigsberg, he produced an exact representation of the ceremony without regard to the traditions of official painting.

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View from a window

In Germany he received many honors, and was the first painter to be given the Order of the Black Eagle in 1898 which included a title of nobility, becoming von Menzel. Still wondering about a 19th century German painting in your family collection? Contact us…it could be by Adolph von Menzel.


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1160--perugino.php Pietro Perugino Artwork Authentication & Art Appraisal

Pietro Perugino (1446-1524)

We Perform Pietro Perugino art authentication. Pietro Perugino appraisal. Pietro Perugino certificates of authenticity (COA). Pietro Perugino analysis, research, scientific tests, full art authentications. We will help you sell your Pietro Perugino or we will sell it for you.

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Self-Portrait 1497-1500

Pietro Perugino was a well-known painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. He was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Vannucci; his nickname characterizes him as from Perugia, the chief city of Umbria.

By the age of nine, Pietro was articled to a master, a painter at Perugia. Benedetto Bonfigli is generally surmised to be the man; if he is rejected as not being above mediocrity, either Fiorenzo di Lorenzo or Niccolò da Foligno may possibly have been the man.

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Pieta 1493-1494

Pietro painted at Arezzo, thence moved to Florence. The date of this first Florentine sojourn is by no means settled; some make it as early as 1470, others push the date to 1479. According to Vasari, he apprenticed in the atelier of Andrea del Verrocchio alongside Leonardo de Vinci. He may have learned perspective from Piero della Francesca. In 1472 he must have completed his apprenticeship, for he was enrolled as a painter in the confraternity of St Luke.

Perugino was one of the earliest Italian practitioners of oil painting. Some of his early works were extensive frescoes for the convent of the Ingesati fathers, destroyed during the siege of Florence, 1537; he produced for them also many cartoons, which they executed with brilliant effect in stained glass. A good specimen of his early style in tempera is the tondo (circular picture) in the Louvre of the Virgin and Child Enthroned between Saints.

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Madonna and Child Enthroned with St. John the Baptist and St. Sebastian

Perugino returned from Florence to Perugia, where his Florentine training showed in the Adoration of the Magi for the church of Santa Maria dei Servi (ca 1476). In about 1480, he was called to Rome to fresco panels for the Sistine Chapel walls by Sixtus IV including Moses and Zipporah (often attributed to Luca Signorelli), the Baptism of Christ, and The Delivery of the Keys (illustration, right). Pinturicchio accompanied Perugino to Rome, and was made his partner, receiving a third of the profits. He may have done some of the Zipporah subject. The Sistine frescoes were the major high renaissance Patronage in Rome. The altar wall was also painted with the Assumption, the Nativity, and Moses in the Bulrushes. These works were later ruthlessly destroyed to make a space for Michelangelo Last Judgement,

Perugino, age forty, left Rome after completion of the Sistine Chapel work in 1486, and by autumn was in Florence. Here he figures by no means advantageously in a criminal court. In July 1487 he and another Perugian painter named Aulista di Angelo were convicted, on their own confession, of having in December waylaid with staves someone (the name does not appear) in the streets near Pietro Maggiore. Perugino merely intended assault and battery, but Aulista meant to commit murder. The more illustrious culprit, guilty of the lesser offence, was fined ten gold florins, and the other was exiled for life.

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Delivery of the Keys, Fresco at the Sistine Chapel, Rome

Between 1486 and 1499 Perugino worked chiefly in Florence, making one journey to Rome and several to Perugia, where he may have maintained a second studio. He had an established studio in Florence, and received a great number of commissions. His Pietà (1495) in the Palazzo Pitti is an uncharacteristically stark work that avoids Perugino’s sometimes too easy sentimental piety.

In 1499 the guild of the cambio (money-changers or bankers) of Perugia asked him to decorate their audience-hall. This extensive scheme, which may have been finished by 1500, comprised the painting of the vault with the seven planets and the signs of the zodiac (Perugino being responsible for the designs and his pupils most probably for the execution) and the representation on the walls of two sacred subjects: the Nativity and Transfiguration; in addition, the Eternal Father, the cardinal virtues of Justice, Prudence, Temperance and Fortitude, Cato as the emblem of wisdom, and numerous life-sized figures of classic worthies, prophets and sibyls figured in the program. On the mid-pilaster of the hall Perugino placed his own portrait in bust-form. It is probable that Raphael, who in boyhood, towards 1496, had been placed by his uncles under the tuition of Perugino, bore a hand in the work of the vaulting.

Perugino was made one of the priors of Perugia in 1501. On one occasion Michelangelo told Perugino to his face that he was a bungler in art (goffo nell arte): Vannucci brought an action for defamation of character, unsuccessfully. Put on his mettle by this mortifying transaction, he produced the masterpiece of the Madonna and Saints for the Certosa of Pavia, now disassembled and scattered among museums: the only portion in the Certosa is God the Father with cherubim. An Annunciation has disappeared; three panels, the Virgin adoring the infant Christ, St. Michael and St. Raphael with Tobias are among the treasures of the National Gallery, London. This was succeeded in 1505 by an Assumption, in the Cappella dei Rabatta, in the church of the Servi in Florence. The painting may have been executed chiefly by a pupil, and was at any rate a failure: it was much decried; Perugino lost his students; and towards 1506 he once more and finally abandoned Florence, going to Perugia, and thence in a year or two to Rome.

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Portrait of a Young Man

Pope Julius II had summoned Perugino to paint the Stanza of the Incendio del Borgo in the Vatican City; but he soon preferred a younger competitor, Raphael, who had been trained by Perugino; and Vannucci, after painting the ceiling with figures of God the Father in different glories, in five medallion-subjects, retired from Rome to Perugia from 1512. Among his latest works, many of which decline into repetitious studio routine, one of the best is the extensive altarpiece (painted between 1512 and 1517) of the church of San Agostino in Perugia, also now dispersed.

Perugino’s last frescoes were painted for the church of the Madonna delle Lacrime in Trevi (1521, signed and dated), the monastery of Sant’Agnese in Perugia, and in 1522 for the church of Castello di Fortignano. Both series have disappeared from their places, the second being now in the Victoria and Albert Museum. He was still at Fontignano in 1524 when he died of the the plague. Like other plague victims, he was hastily buried in an unconsecrated field, the precise spot now unknown.

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The Vision of St. Bernard

Vasari is our chief, but not sole, authority for saying Perugino had very little religion, and openly doubted the soul’s immortality. It is difficult to reconcile this discrepancy, and certainly not a little difficult also to suppose that Vasari was totally mistaken in his assertion; he was born twenty years before Perugino’s death, and must have talked with scores of people to whom the Umbrian painter had been well known. We have to remark that Perugino in 1494 painted his own portrait (illustration, upper right), now in the Uffizi Gallery, and into this he introduced a scroll lettered Timete Deum. That an open disbeliever should inscribe himself with Timete Deum seems odd. The portrait in question shows a plump face, with small dark eyes, a short but well-cut nose, and sensuous lips; the neck is thick, the hair bushy and frizzled, and the general air imposing. The later portrait in the Cambio of Perugia shows the same face with traces of added years. Perugino died possessed of considerable property, leaving three sons.

In 1495 he signed and dated a Deposition for the Florentine convent of Santa Chiara (Palazzo Pitti). Towards 1496 he frescoed a Crucifixion, commissioned in 1493 for Maria Maddalena de’ Pazzi, Florence (the Pazzi Crucifixion). The attribution to him of the picture of the marriage of Joseph and the Virgin Mary (the Sposalizio) now in the museum of Caen, which indisputably served as the original, to a great extent, of the still more famous Sposalizio painted by Raphael in 1504 (Accademia di Brera, Milan), is now questioned, and it is assigned to Lo Spagna. A vastly finer work of Perugino’s was the polyptych of the Ascension of Christ painted ca 1496-98 for the church of S. Pietro of Perugia, (Municipal Museum, Lyon); the other portions of the same altarpiece are dispersed in other galleries.

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The Lamentation Over the Dead Christ

In the chapel of the Disciplinati of Città della Pieve is an Adoration of the Magi, a square of 6.5 m containing about thirty life-sized figures; this was executed, with scarcely credible celerity, from the 1st to 25th of March (or thereabouts) in 1505, and must no doubt be in great part the work of Vannucci’s pupils. In 1507, when the master’s work had for years been in a course of decline and his performances were generally weak, he produced. Nevertheless, one of his best; pictures — the Virgin between Saint Jerome and Saint Francis, how in the Palazzo Penna. In the church of S. Onofrio in Florence is a much lauded and much debated fresco of the Last Supper, a careful and blandly correct but uninspired work; it has been ascribed to Perugino by some connoisseurs, by others to Raphael; it may more probably be by some different pupil of the Umbrian master.

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Apollo and Marsyas

Still wondering about an Italian painting in your family collection? Contact us…it could be by Pietro Perugino.


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1161--livemont.php Privat Livemont Artwork Authentication & Art Appraisal

Privat Livemont (1861-1936)

Get a Livemont Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Livemont artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Livemont Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Livemont painting, drawing or print.

If you want to sell your Livemont painting, drawing or print use our selling services. We offer Livemont selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Livemont and issuing certificates of authenticity since 2002. We are recognized Livemont experts and Livemont certified appraisers. We issue COAs and appraisals for all Livemont artworks.

Our Livemont paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Livemont certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Livemont painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Livemont paintings or drawings take longer.

Our clients include Livemont collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Privat Livemont art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Privat Livemont or we will sell it for you.

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Absinthe Robette, 1896

Privat Livemont was a Belgian Art Nouveau illustrator and poster artist. His style was similar to that of fellow poster artists Alphonse Mucha and Louise Abbema. There is some speculation over whether Livemont was an imitator of Czech artist Mucha, but in fact, Livemont began creating posters far before Mucha ever did, and used a much more vivid color palette.

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Cercle Artistique de Schaerbeek, 1890

Born in Brussels, Livemont began his first artistic studies at the Ecole des Beaux-Arts in Saint-Josse-ten-Noodle. He won a scholarship in 1883 that brought him to Paris where he studied for the following six years, studying at the Ecole Etienne-Marcel under Delaporte. While he was there, Livemont worked in the theater painting stage designs and architectural decoration, including decorating the Opera House in Paris.

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J.C. Boldoot Eau de Cologne Parfumerie

In 1889, Livemont returned to Brussels and began his career as an artist, creating paintings and prints. He began to work with poster art in 1890, but by 1900, LivemontÕs career as a poster artist was in full swing. While many poster artists had a workshop of students or assistants helping to engrave their images during print making, it is said that Livemont always cut the lithography stones himself. Like some Art Nouveau artist, Livemont also borrowed from classical Oriental styles sometimes if it fit the purpose of his posters.

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Bitter Oriental

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Cabourg

In general, Livemont created posters for events and advertisements of popular products of the day; absinthe, tea, chocolate, coffee, perfume, expositions, oriental bitters and a variety of others. He mainly created posters for companies in France, Belgium and Amsterdam, and his script is typically in French. In general, his posters featured beautiful women engaged in luxurious activity, such as porcelain painting or simply musing with fruit and flowers, or the product that the poster was intending to sell.

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Biscuits & Chocolat Delacre

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Rajah Coffee

While Livemont is best known for his advertisement posters, he continued to create illustrations, sketches and paintings all throughout his career. Though they would be rare, he certainly painted still life, landscapes and figure studies as a student and early in his artistic training.

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La Collectioneuse, 1917

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The Forest’s Edge

Throughout his career, Livemont also created a number of wall murals and frescoes in the same style as his poster art, in theaters and casinos in Brussels. Today his work is housed worldwide, in Europe and the Fine Arts Museum in San Francisco. Still wondering about a vintage poster or Art Nouveau painting or sketch in your home? Contact us…it could be by Privat Livemont.


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1162--kondovski.php Dimitar Kondovski Artwork Authentication & Art Appraisal

Dimitar Kondovski (1927-1993)

Do you think you may own a painting by Dimitar Kondovski?

Get a Kondovski Certificate of Authenticity for your painting (COA) for your Kondovski drawing.

For all your Kondovski artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kondovski Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kondovski painting or drawing.

If you want to sell your Kondovski painting or drawing use our selling services. We offer Kondovski selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kondovski and issuing certificates of authenticity since 2002. We are recognized Kondovski experts and Kondovski certified appraisers. We issue COAs and appraisals for all Kondovski artworks.

Our Kondovski paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kondovski certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kondovski painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kondovski paintings or drawings take longer.

Our clients include Kondovski collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Dimitar Kondovski art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Dimitar Kondovski or we will sell it for you.

1. Self Portrait. 1975. Oil on Canvas

1. Self Portrait. 1975. Oil on Canvas

2. White Flower in the Moonlight. 1955. Oil on Canvas.

2. White Flower in the Moonlight. 1955. Oil on Canvas.

Dimitar Kondovski was a Macedonian artist born in the city of Prilep. Kondovski studied at the Academy of Fine Arts in Belgrade, where he developed his style as a painter and illustrator. Kondovski played an influential role in building a post-war art movement in Macedonia. He worked as a professor at the Pedagogial Academy in Skopje for several years and exhibited throughout Macedonia and around the world.

3. Nikola Jonkov Vapcarov. 1977. Oil on Canvas.

3. Nikola Jonkov Vapcarov. 1977. Oil on Canvas.

Kondovski’s style is remembered for its mixture of modern and historic aesthetics. Critics applauded his ability to meld traditional and contemporary Macedonian motifs. Kondovski received numerous awards for paintings shown at such exhibitions as the Belgrade Triennial and the Mediterranean Biennale.

4. Bystanders. 1990. Oil on Canvas.

4. Bystanders. 1990. Oil on Canvas.

5. Autumn Afternoon. 1988. Oil on Canvas.

5. Autumn Afternoon. 1988. Oil on Canvas.

If you think you may own original artwork by Dimitar Kondovski, contact Art Certification Experts for information regarding our services.


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1163--bagdonas.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bagdonas" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bagdonas" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1164--peredvizhniki.php Peredvizhniki Artwork Authentication & Art Appraisal

Peredvizhniki (Передви́жники) (1870-1923)

We Perform Peredvizhniki art authentication. Peredvizhniki appraisal. Peredvizhniki certificates of authenticity (COA). Peredvizhniki analysis, research, scientific tests, full art authentications. We will help you sell your Peredvizhniki or we will sell it for you.

Kramskoi,

Kramskoi “Christ in the Wilderness”

Peredvizhniki Artists: Abram Arkhipov, Nikolai Ge, Nikolay Kasatkin, Arkhip Kuindzhi, Ivan Kramskoi, Isaac Levitan, Rafail Sergeevich Levitsky, Vladimir Makovsky, Vassili Maximovitch Maximov, Grigoriy Myasoyedov, Leonid Pasternak, Vasily Polenov, Ilya Repin, Andrei Ryabushkin, Konstantin Savitsky, Alexei Savrasov, Valentin Serov, Emily Shanks, Ivan Shishkin, Vasily Surikov, Apollinary Vasnetsov, Viktor Vasnetsov, Nikolai Yaroshenko

Kramskoi

Kramskoi “Unknown Woman”

Kramskoi

Kramskoi “The Prayer of Moses Before the Israelites Passed through the Red Sea”

The Peredvizhniki artists were a group of Russian artists, also referred to as the Wanderers or Itinerants. The group formed as a counter movement to the mainstream, academic art scene in Russia. The innovative collective of artists later formed the Society for Traveling Art Exhibitions.

Kranskoi

Kranskoi “Whilst Reading: Sofia Kramskoya”

Masoyedov

Masoyedov “Avvakum”

Masoyedov

Masoyedov “Zemstvo Having Lunch”

Peredvizhniki formed in St. Petersburg under the leadership of Ivan Kramskoi, Grigoriy Myasoyedov, Nikolai Ge and Vasily Perov. The founding artists wished to protest against the St. Petersburg Academy of the Arts’ traditional and restrictive guidelines.

Masoyedov

Masoyedov “Manifestation”

Masoyedov

Masoyedov “Rye”

Nikolai Ge

Nikolai Ge

The liberal “Slavophiles”, Vissarion Belinsky and Nikolai Chernyshevsky inspired Peredvizhniki artists. The two political figures were seen as negative, western influences, prohibited in 19th century Russia. After the serfs were emancipated in Russia the Peredvizhniki made Chernyshevsky’s work public and withdrew from the Royal Academy of Fine Arts.

Nikolai Ge

Nikolai Ge “Peter the Great Interrogating”

Perov

Perov “The Bachelor Guitarist”

Seven years after the initial protest of the Peredvizhniki artists, most of the participants formed the Society of Wandering Exhibitions (also known as The Wanderers or Itinerants). The group came up with their concept by travelling throughout Russia and developing an innovative social and political mission.

Perov

Perov “Pugachev’s Rebellion”

The Peredvizhniki also associated with Feodor Dostoevsky, Leo Tolstoy, Ivan Turgenev, and other well-known intellectuals of the time. The group’s intention was to integrate art into society in politically responsible and practical way.

Peredvizhniki put together nearly fifty exhibitions between 1871 and 1923, touring St. Petersburg, Moscow, Kiev, Kharkov and Odessa, among other cities. Peredvizhniki art portrayed common working class peasants, as a strong and beautiful part of society. Their art criticized the oppressive Russian aristocracy.

The art of Peredvizhniki was meant to be humanistic and democratic, attempting to create a revolutionary awareness. Peredviznhniki was not only comprised of Russian artists, but regional artists from the Ukraine, Latvia and Armenia.

Peredvizhniki’s attempt to reform the structure of the art world was successful, and by the 1890s they began to show in national academies.

The last exhibition of the Peredvizhniki was held in 1923. After forty-eight exhibitions, Peredvizhniki artists began to stray in different directions. Some members joined Soviet art affiliations, forming the movement of Socialist Realism. The group, Mir iskusstva assumed a more popular position in the avant-garde, Russian art scene.

Do you think you own a painting by the Peredvizhniki group? Contact us. We are the experts on Peredvizhniki.


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1166--elmore.php Alfred Elmore Artwork Authentication & Art Appraisal

Alfred Elmore (1815-1881)

Get a Elmore Certificate of Authenticity for your painting (COA) for your Elmore drawing.

For all your Elmore artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Elmore Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Elmore painting or drawing.

If you want to sell your Elmore painting or drawing use our selling services. We offer Elmore selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Elmore and issuing certificates of authenticity since 2002. We are recognized Elmore experts and Elmore certified appraisers. We issue COAs and appraisals for all Elmore artworks.

Our Elmore paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Elmore certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Elmore painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Elmore paintings or drawings take longer.

Our clients include Elmore collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alfred Elmore art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alfred Elmore or we will sell it for you.

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The Two Gentleman of Verona

Alfred Elmore was a Victorian history and genre painter. He was born in Cork, Ireland, the son of Dr. John Richard Elmore, a surgeon who retired from the British Army to Clonakilty.

His family moved to London, where Elmore studied at the Royal Academy of Arts. His early works were in the troubadour style of Richard Parkes Bonington, but he soon graduated to religious work, notably The Martyrdom of Thomas à Becket, commissioned by Daniel O’Connell for Westland Row Church in Dublin. Between 1840 and 1844 Elmore travelled across Europe, visiting Munich, Venice, Bologna, and Florence.

Elmore seems to have been associated with The Clique, a group of young artists who saw themselves as followers of Hogarth and David Wilkie. According to his friend William Powell Frith he was member of the group, but since it was most active while he was in continental Europe, his involvement was probably short-lived.

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Study for Invention of the Combing Machine 1862

Most of Elmore’s later works were historical narrative paintings. Religious Controversy and The Novice were implicitly anti-Catholic in character. Other paintings set episodes from Shakespeare, or the history of the French Revolution. They often contained subtle explorations of the process of creation, most importantly his two paintings about technological innovation, The Invention of the Stocking Loom (1847, Nottingham Castle Museum) and The Invention of the Combing Machine (1862, Cartwright Hall, Bradford). Both portray the process of industrialisation by depicting picturesque pre-industrial handicrafts. The inventor is supposed to be pondering these manual skills while he forms in his mind a mechanism to replace them.

Elmore’s best-known work is On the Brink (1865; Fitzwilliam Museum, Cambridge), a moral genre painting depicting a young woman who has lost her money gambling, and is ‘on the brink’ of responding to the blandishments of a seducer, who is depicted as a satan-like figure, luridly bathed in red light, and whispering corrupting thoughts in her ear.

By the late 1860s Elmore was moving away from such Hogarthian subjects towards a more classical style influenced by Edward Poynter and Lawrence Alma-Tadema. He also painted Arabic figures, in line with the vogue for Orientalism in art.

Elmore suffered from neuralgia through much of his life, and in his late years he became lame following a fall from his horse. He died of cancer in January 1881 and was buried in Kensal Green cemetery in London.

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On the Brink

Still wondering about a British painting in your family collection? Contact us…it could be by Alfred Elmore.


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1167--harvey.php Sir George Harvey Artwork Authentication & Art Appraisal

Sir George Harvey (1806 – 1876)

Get a Harvey Certificate of Authenticity for your painting (COA) for your Harvey drawing.

For all your Harvey artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Harvey Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Harvey painting or drawing.

If you want to sell your Harvey painting or drawing use our selling services. We offer Harvey selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Harvey and issuing certificates of authenticity since 2002. We are recognized Harvey experts and Harvey certified appraisers. We issue COAs and appraisals for all Harvey artworks.

Our Harvey paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Harvey certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Harvey painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Harvey paintings or drawings take longer.

Our clients include Harvey collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sir George Harvey art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sir George Harvey or we will sell it for you.

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Covenanters Preaching

Sir George Harvey, a Scottish painter and son of a watchmaker, was born at St Ninians, near Stirling. Soon after his birth his parents removed to Stirling, where George was apprenticed to a bookseller. His love for art having, however, become very decided, in his eighteenth year he entered the Trustees’ Academy at Edinburgh. Here he so distinguished himself that in 1826 he was invited by the Scottish artists, who had resolved to found a Scottish academy, to join it as an associate (see Royal Scottish Academy).

Harvey’s first picture, “A Village School,” was exhibited in 1826 at the Edinburgh Institution; and from the time of the opening of the Academy in the following year he continued annually to exhibit. His best-known pictures are those depicting historical episodes in religious history from a puritan or evangelical point of view, such as “Covenanters’ Preaching,” “Covenanters’ Communion,” “John Bunyan and his Blind Daughter,” “Sabbath Evening,” and the “Quitting of the Manse.”

He was, however, equally popular in Scotland for subjects not directly religious; and “The Bowlers,” “A Highland Funeral,” “The Curlers,” “A Schule Skailin’,” and “Children Blowing Bubbles in the Church-yard of Greyfriars’, Edinburgh,” manifest the same close observation of character, artistic conception and conscientious elaboration of details. In “The Night Mail” and “Dawn Revealing the New World to Columbus” the aspects of nature are, made use of in different ways, but with equal happiness, to lend impressiveness and solemnity to human concerns. He also painted landscapes and portraits.

In 1829 he was elected a fellow of the Royal Scottish Academy; in 1864 he succeeded Sir JW Gordon as president; and he was knighted in 1867. He died at Edinburgh on the 22nd of January 1876.

Sir George Harvey was the author of a paper on the “Color of the Atmosphere,” read before the Edinburgh Royal Society, and afterwards published with illustrations in Good Words; and in 1870 he published a small volume entitled Notes of the Early History of the Royal Scottish Academy. Selections from the Works of Sir George Harvey, PRSA, described by the Rev. AL Simpson, FSA Scot., and photographed by Thomas Annan, appeared at Edinburgh in 1869.

Still wondering about a painting in your family collection? Contact us…it could be by Sir George Harvey.


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1168--ossorio.php Alfonso Ossorio Artwork Authentication & Art Appraisal

Alfonso Ossorio (1916-1990)

Get a Ossorio Certificate of Authenticity for your painting (COA) for your Ossorio drawing.

For all your Ossorio artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ossorio Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ossorio painting or drawing.

If you want to sell your Ossorio painting or drawing use our selling services. We offer Ossorio selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ossorio and issuing certificates of authenticity since 2002. We are recognized Ossorio experts and Ossorio certified appraisers. We issue COAs and appraisals for all Ossorio artworks.

Our Ossorio paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ossorio certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ossorio painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ossorio paintings or drawings take longer.

Our clients include Ossorio collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alfonso Ossorio art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alfonso Ossorio or we will sell it for you.

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Double Portrait, 1944

Alfonso Ossorio was a American Abstract painter who was born in the Philippines. Ossorio initially started out painting in an Expressionistic style but quickly evolved into an abstract artist. He was highly influenced by the works of Jackson Pollock and used a variety of mixed media to create his colorful compositions.

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Embryosis, 1950

Ossorio initially began experimenting with Abstract art in the 1940s, and by the 1950’s and 1960’s, he was incorporating a variety of items into his paintings, such as shells, sand, rocks, and other found objects. This mixture of heavy impasto paint and highly textured items created a unique and beautiful look that collector’s still look for today.

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Blue Dancer, 1962

Still wondering about an American Abstract painting in your family collection? Contact us… we are the Alfonso Ossorio experts.


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1169--cassatt.php Mary Cassatt Artwork Authentication & Art Appraisal

Mary Cassatt (1844-1926)

Get a Cassatt Certificate of Authenticity for your painting (COA) for your Cassatt drawing.

For all your Cassatt artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cassatt Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cassatt painting or drawing.

If you want to sell your Cassatt painting or drawing use our selling services. We offer Cassatt selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cassatt and issuing certificates of authenticity since 2002. We are recognized Cassatt experts and Cassatt certified appraisers. We issue COAs and appraisals for all Cassatt artworks.

Our Cassatt paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cassatt certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cassatt painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cassatt paintings or drawings take longer.

Our clients include Cassatt collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Mary Cassatt art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Mary Cassatt or we will sell it for you.

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Breakfast in Bed, 1897

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Cup of Tea

Mary Cassatt was born on May 22, 1844 in Pennsylvania to a wealthy family. Her father was a stockbroker, and her mother came from an upstanding, well-educated family. As a child, Mary traveled extensively to Europe and became fluent in German and French. In 1855, the Cassatt family returned home and settled in Philadelphia.

It was at age 15 that Mary made the decision to pursue a career in art. In 1861, she enrolled in the Pennsylvania Academy of the fine arts in Philadelphia. For four years, she pursued her studies independently while taking art courses. Unsatisfied with the quality of education she was receiving in the U.S., she became intent on studying in Europe—Paris more specifically. She did not have free reign as far as which school to attend since some did not accept women, so she took private lessons and studied for a short time in the studio of Charles Chaplin. She also registered as a copyist at the Louvre. In 1968, the Salon exhibited her paintings for the first time.

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The Boating Party, 1893

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Reading La Figaro, 1883

In 1870, war caused Cassatt to return to the US for more than a year. She was so disillusioned by the negative atmosphere that she rarely painted during this time. She then returned to Europe and eventually went on to Spain where she painted works dealing with Spanish subjects.

Continuing her travels, Mary visited Holland and Belgium before traveling back to Rome. She finally made the decision to settle in Paris where she secured a studio and apartment with her sister Lydia. Lydia became a model for Mary, and more than ten of Mary’s known works display images of her sister. In 1882, Lydia’s death devastated Mary.

Shortly after her sister’s death, Cassatt had established herself as a successful portrait painter. Her work was especially popular with Americans who visited France. Perhaps this is the reason that some of her undiscovered portraits may be in the United States. Her portraits were different from traditional ones in that her subjects were not frozen in a carefully arranged pose. Many of them were moving, doing an activity, or very casually posed.

Mary’s career took a turn when she met Degas in 1877. He urged her to join the Impressionists, and she enthusiastically agreed, attracted to the freedom this would bring to her work. Mary is quoted as saying, “I took leave of conventional art. I began to live.” From then on, Mary’s paintings bear the influences of painters like Degas and Renoir.

The Impressionists held yearly exhibitions, giving Mary an opportunity to display her paintings. Because of her great following in the US, she also exhibited regularly in New York. Some of her most popular works from this time are mother and child scenes.

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La Toilette, 1891

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Quietude, 1891

After 25 years of being away from the US, Mary returned in 1898 to personally visit friends and art collectors. 1908 was her final trip to the United States. Her final years were sad ones. She lost many relatives and friends, and she became very ill. One of her many ailments was diabetes. Because of the disease, she developed cataracts on each eye that nearly blinded her. Eventually, she had to give up painting entirely. Mary Cassatt died in 1926.

The majority of her paintings can be found in American collections. A few remain in France where she worked. Although Cassatt isn’t as highly recognized as peers like Degas or Renoir, it’s undeniable that she is just as talented as the male painters of her time.

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Torreador, 1873

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The Letter, 1890-1891

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Woman Bathing

If you believe you own a work of art by Mary Cassatt, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Mary Cassatt.


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1170--seotext.php

Get a Certificate of Authenticity for your painting (COA) for your drawing.

For all your artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your painting or drawing.

If you want to sell your painting or drawing use our selling services. We offer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating and issuing certificates of authenticity since 2002. We are recognized experts and certified appraisers. We issue COAs and appraisals for all artworks.

Our paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research paintings or drawings take longer.

Our clients include collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.


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1171--scouezec-le.php Maurice Le Scouëzec Artwork Authentication & Art Appraisal

Maurice Le Scouëzec (1881-1940)

Realizamos autenticación de arte Maurice Le Scouëzec, evaluación, certificados de autenticidad (COA), análisis, investigación, pruebas científicas, autenticaciones de arte completo. Te ayudaremos a vender tu Maurice Le Scouëzec o te lo venderemos.

Maurice Le Scouëzec was an Expressionist painter born in Le Mans, France. He belonged to the Ecole de Paris, and in the 1920’s was one of the leading artists in Montparnasse. By 1925, Le Scouëzec had left Paris for a trek across Africa and other destinations. Though he was a painter, Le Scouëzec was also an ardent adventurer.

Le Scouëzec created a number of watercolors and charcoals based on his findings from this long voyage. His style is distinct, and often is composed of figures with vague features and empty eyes, all painted in earthy tones.

Still wondering about a mysterious charcoal or watercolor painting hanging in your home? Contact us…it may be by Maurice Le Scouëzec.

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Auto Portrait

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Maris Halants

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Chef Indien a Paris

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Femme du Peintre

le Scouezec

Paysons Bretons

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Lavandieres Bretonnes

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Montparnasse

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Afrique Madagascar

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Partie de Boulles en Bretagne

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Marins

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Conversation Bretonnes

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Femme Africaine

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1172--hagen-schwarz.php Julie Wilhelmine Hagen-Schwarz Artwork Authentication & Art Appraisal

Julie Wilhelmine Hagen-Schwarz (1824–1902)

1. Self-Portrait. 1870. Oil on canvas. Tartu Art Museum.

1. Self-Portrait. 1870. Oil on canvas. Tartu Art Museum.

Get a Hagen-Schwarz Certificate of Authenticity for your painting (COA) for your Hagen-Schwarz drawing.

For all your Hagen-Schwarz artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hagen-Schwarz Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hagen-Schwarz painting or drawing.

If you want to sell your Hagen-Schwarz painting or drawing use our selling services. We offer Hagen-Schwarz selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hagen-Schwarz and issuing certificates of authenticity since 2002. We are recognized Hagen-Schwarz experts and Hagen-Schwarz certified appraisers. We issue COAs and appraisals for all Hagen-Schwarz artworks.

Our Hagen-Schwarz paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hagen-Schwarz certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hagen-Schwarz painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hagen-Schwarz paintings or drawings take longer.

Our clients include Hagen-Schwarz collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Julie Wilhelmine Hagen-Schwarz art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Julie Wilhelmine Hagen-Schwarz or we will sell it for you.

2. Portrait of her father. 1878. Oil painting.

2. Portrait of her father. 1878. Oil painting.

Julie Wilhelmine Hagen-Schwarz was a Baltic painter born in Tartu, Estonia. Hagen-Schwarz was the daughter of the prominent artist, August Matthias Hagen. While her father was known for his precise landscapes, Hagen-Schwarz was known as a portrait painter. She received formal training as an artist at the University of Tartu.

3. Portrait of a Young Girl. 1870s.

3. Portrait of a Young Girl. 1870s.

After finishing her studied in Tartu, Hagen-Schwarz received funding to work was an apprentice in the workshop of Friedrich Gonne in Dresden. After proving herself in Dresden she was hired by the workshop of Moritz Rugendas in Munich. After returning to Estonia, she received additional funding to travel to Italy.

4. Italian Maiden on Her Way to Rome. 1850. Oil on Canvas.

4. Italian Maiden on Her Way to Rome. 1850. Oil on Canvas.

In 1854 Hagen-Schwarz married Ludwig Schwarz, an equally adventurous astronomer. The two travelled to Siberia on an expedition where Hagen-Schwarz took the opportunity to draw her surroundings.

5. Mandolin Player. 1851. Oil on Canvas.

5. Mandolin Player. 1851. Oil on Canvas.

By the late 1950s, Hagen-Schwarz was elected to the Imperial Academy of the Arts (now known as the Russian Academy of the Arts) in St. Petersburg. Hagen-Schwarz participated in several exhibitions with the group, which helped bolster her reputation across Russia.

If you think you may own original artwork by Julie Wilhelmine Hagen-Schwarz, contact Art Certification Experts for information regarding our services.


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1173--de-dreux.php Alfred de Dreux Artwork Authentication & Art Appraisal

Alfred de Dreux (1810-1860)

Get a De Dreux Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your De Dreux artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a De Dreux Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Dreux painting, drawing or print.

If you want to sell your De Dreux painting, drawing or print use our selling services. We offer De Dreux selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Dreux and issuing certificates of authenticity since 2002. We are recognized De Dreux experts and De Dreux certified appraisers. We issue COAs and appraisals for all De Dreux artworks.

Our De Dreux paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Dreux certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Dreux painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Dreux paintings or drawings take longer.

Our clients include De Dreux collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alfred de Dreux art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alfred de Dreux or we will sell it for you.

Alfred de Dreux specialized in equestrian and dog paintings, and was himself a frequent horse rider and hunter. He was a Parisian gentleman and social figure who died tragically after being challenged to a duel.

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White Horse

In his childhood, de Dreux met with fellow painter Theodore Gericault who was a friend of the family. It was at Gericault’s studio that he learned to paint and also cultivated a love for horse riding and painting equestrian portraits.

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Horse Going into Battle, litho

De Dreux was also known to create paintings of not just French and English nobility on horseback, but “oriental” nobility and other cultures as well.

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King on a Horse

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An African Groom Holding a Stallion With a Dog

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The Pasha’s Pride

At the age of 21, de Dreux had his first exhibition of his horse paintings that was met with great success. He became famous for his series of equestrian portraits and was often commissioned by nobility and high society figures.

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Equestrian Portrait of Napoleon III

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The Amazone

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Life at the Chateau

De Dreux’s style can be easily noted by his talent for creating beautiful landscapes, noble poses and always a hunting or equestrian theme. He painted in the Classical style and was not known to create a great number of portraits, still life or landscapes which did not incorporate a four legged animal.

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In an Armchair

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Two French Hounds

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Dogs, lithograph

Today his work is housed all over France and Europe, including in the Louvre, as well as in the United States, Russia and Mexico. He was quite prolific and popular throughout his entire career, so the possibility of owning one of his exquisite oil paintings or prints is very likely. However, his style was so similar to fellow painter and teacher Gericault that it would truly take the work of an authenticator to distinguish between the two.

If you suspect you own a work by De Dreux, please contact us.

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Morning Gallop

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1175--falconet.php Pierre-Etienne Falconet Artwork Authentication & Art Appraisal

Pierre-Etienne Falconet (1741-1791 )

Get a Falconet Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Falconet artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Falconet Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Falconet painting, drawing or print.

If you want to sell your Falconet painting, drawing or print use our selling services. We offer Falconet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Falconet and issuing certificates of authenticity since 2002. We are recognized Falconet experts and Falconet certified appraisers. We issue COAs and appraisals for all Falconet artworks.

Our Falconet paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Falconet certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Falconet painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Falconet paintings or drawings take longer.

Our clients include Falconet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pierre-Etienne Falconet art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pierre-Etienne Falconet or we will sell it for you.

Falconet painting, Portrait Of A Boy In Profile

Portrait Of A Boy In Profile

Pierre-Etienne Falconet was an 18 th century French painter and engraver. Falconet was the only son of Etienne-Maurice Falconet, a French sculptor. He mainly painted and created engraved portraits, including one of Russia ‘s Catherine II. Through his father, Falconet was commissioned to create a number of paintings for the Russian court after he arrived there in 1773. Today, many of his paintings are housed in the Hermitage in St. Petersburg , Russia.

Falconet painting, Portrait OF Catherine II

Portrait OF Catherine II

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Pierre-Etienne Falconet


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1176--leyden-van.php Lucas van Leyden Artwork Authentication & Art Appraisal

Lucas van Leyden, 1494-1533, Hollandais

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La Partie d’échecs (vers 1508)

Lucas van Leyden naquit à Leyde en 1494 (date sujette à controverse). Un des premiers peintres de genre de la Renaissance nordique, il était également un des graveurs les plus reconnus de l’histoire de l’art. De son œuvre, il nous reste quelques dizaines de tableaux et 172 planches gravées.

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Les Fiancés (1527)

Entamant son apprentissage chez son père, Hugo Jacobsz, il a rejoint en 1508 l’atelier de Cornelis Engebrechtsz, le meilleur représentant d’un maniérisme gothique tirant sa source dans le primitivisme français et flamand. Son graphisme montre des influences catégoriquement italienne et allemande. Sous l’égide du fils de son maître, le peintre verrier Pieter, Van Leyden s’est lancé dans les petits formats et la scène de genre. Ces deux ateliers, qui dépendaient de commandes concrètes, exigeaient de lui une grande polyvalence artistique, bien qu’on ignore concrètement qui lui a enseigné la gravure, qu’il a révolutionnée en y introduisant la technique du clair-obscur.

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Les Joueurs de cartes

Quoi qu’il en soit, excellent élève doté d’un talent naturel, Van Leyden aurait déjà produit des eaux fortes sur planches de cuivre à l’âge de neuf ans. Cette précocité ne détrompa pas, puisque, âgé de douze ans, il réalisa sur commande La Légende de Saint Hubert, une série de toiles à la détrempe. Deux ans plus tard, en 1508, il exécuta sa première gravure connue : Mohammed et le moine assassiné et, un an plus tard, La Tentation de Saint Antoine. Entre 1510 et 1517, il produisit des gravures magnifiques, à la composition simple, mais au trait assuré, telles que L’Enfant Prodigue et Ecce Homo, qui ont eu une influence séminale sur Brueghel l’Ancien, tandis que la profusion de détails qu’elles comportent fait penser à Jérôme Bosch. S’écartant des compositions religieuses, il est également célèbre pour ses scènes populaires comme Le Gueux, L’Espiègle, La Laitière.

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Loth et ses filles (vers 1520)

Il semblerait ensuite que ce prodige de la peinture flamande, dont il est probablement le premier représentant, ait ensuite voyagé afin de perfectionner son art et de trouver de nouvelles sources d’inspiration. Enfin, à partir de 1514, il était inscrit sur les listes d’arquebusiers de Leyde et Maître à la Guilde des peintres.

En 1521, poussé par la prospérité de son atelier, il entama une seconde série de voyages, à la découverte du patrimoine artistique et culturel franco-flamand. À Anvers, il a rencontré Albert Dürer, qui lui a fait l’hommage de lui acheter l’intégralité de son œuvre gravé (repris par Rembrandt, un siècle plus tard). Les deux hommes ont gardé contact et les couleurs fraîches de ses personnages féminins, ainsi que ses gravures à la perspective aérienne, rappellent l’œuvre de son mécène, et lui vaudront une popularité renouvelée au XIXème.

Fatigué par ses voyages et demeurant alité, Lucas von Leyden a réussi à peindre, en 1531, Jésus guérissant l’aveugle de Jéricho, et décède deux ans plus tard. La rumeur a couru d’un possible empoisonnement, fomenté par ses rivaux, jaloux de son génie précoce et de sa réussite fulgurante.


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1177--hau.php Eduard Hau Artwork Authentication & Art Appraisal

Eduard Hau (1807–1888)

Do you think you may own a painting by Eduard Hau?

Get a Hau Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Hau artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Hau Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hau painting, drawing or print.

If you want to sell your Hau painting, drawing or print use our selling services. We offer Hau selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hau and issuing certificates of authenticity since 2002. We are recognized Hau experts and Hau certified appraisers. We issue COAs and appraisals for all Hau artworks.

Our Hau paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hau certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hau painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hau paintings or drawings take longer.

Our clients include Hau collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Eduard Hau art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Eduard Hau or we will sell it for you.

1.Moritz von Jacobi. 1837. Lithograph. University of Tartu, Library.
1.Moritz von Jacobi. 1837. Lithograph. University of Tartu, Library.

Eduard Hau was a Baltic German artist and printmaker born in Reval (presently Tallinn, Estonia) and died in Tartu, Estonia. Hau was the son of Johannes Hau, an emigrant from Northern Germany.

2. Friedrich Kruse. 1839. Lithograph. University of Tartu, Library.

2. Friedrich Kruse. 1839. Lithograph. University of Tartu, Library.

Hau became an esteemed portrait painter after training in Germany at the Dresden Academy of Fine Arts. In addition to Hau’s oil and watercolor paintings, he also produced a number of graphic works, notably lithographs.

Hau was accepted as a member of the Imperial Academy of the Arts in St. Petersburg, Russia. He spent several years living and working in St. Petersburg painting architectural portraits of royal residencies. After the Gotchina Palace was destroyed in World War II, Hau’s paintings were used as a guide for restoration.

3. Portrait of Professor Bunge. Not dated. Oil on Canvas. Art Museum of Estonia.

3. Portrait of Professor Bunge. Not dated. Oil on Canvas. Art Museum of Estonia.

Hau eventually returned to Estonia, living the last years of his life in Tartu, the second largest city after Tallinn. In Tartu, Hau painted and drew portraits of the professors. Many of these works are still in the collection of the University of Tartu.

4. Portrait of Ms. Samson. Not dated. Watercolor on paper. Art Museum of Estonia.

4. Portrait of Ms. Samson. Not dated. Watercolor on paper. Art Museum of Estonia.

5. Portrait of Julie Greigh. C. 1850. Watercolor, pencil, gouache on paper. Art Museum of Estonia.

5. Portrait of Julie Greigh. C. 1850. Watercolor, pencil, gouache on paper. Art Museum of Estonia.

If you think you may own original artwork by Eduard Hau, contact Art Certification Experts for information regarding our services.


done
1178--urbania.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "urbania" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "urbania" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1179--almaraz-espanol.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "almaraz-espanol" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "almaraz-espanol" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1180--niccolo.php Niccolò Artwork Authentication & Art Appraisal

Niccolo (1509-1571)

Get a Niccolo Certificate of Authenticity for your painting (COA) for your Niccolo drawing.

For all your Niccolo artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Niccolo Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Niccolo painting or drawing.

If you want to sell your Niccolo painting or drawing use our selling services. We offer Niccolo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Niccolo and issuing certificates of authenticity since 2002. We are recognized Niccolo experts and Niccolo certified appraisers. We issue COAs and appraisals for all Niccolo artworks.

Our Niccolo paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Niccolo certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Niccolo painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Niccolo paintings or drawings take longer.

Our clients include Niccolo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Niccolo art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Niccolo or we will sell it for you.

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Portrait of a Young Ma,n 1540

Nicolò dell’ Abate, sometimes Niccolò, was an Italian Mannerist painter and decorator of the Emilian school, who was part of the staff of artists called the School of Fontainebleau that introduced the Italian Renaissance to France.

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Amore Incocca

Nicolò dell’ Abate was born in Modena and was the son of a sculptor. He trained in the studio of a local Modenese sculptor and his early influences included Ferrarese painters, such as Garofalo and Dosso Dossi. He specialized in long friezes with secular and mythological subjects, which can be found in the Palazzo dei Beccherie (1537), in various rooms of the Rocca at Scandiano, most notably a courtly ceiling concert composed of a ring of young musicians seen in perspective, sotto in su (early 1540s), the Hercules Room in the Rocca dei Meli Lupi at Soragna (c.1540–43), and possibly the loggia frescoes removed from Palazzo Casotti at Reggio Emilia.

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Baby Moses on the Water, 1560

His style was modified by exposure to notably Correggio and Parmigianino when he moved to Bologna in 1547. In Bologna, most of his painting depicted elaborate landscapes and aristocratic genre scenes of hunting and courtly loves often paralleled in mythological narratives. It was during this time that he decorated the Palazzo Poggi and executed a cycle of frescoes illustrating Orlando Furioso in the ducal palace at Sassuolo near Modena.

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Crucifixion

In 1552, Niccolò moved to France, where he worked at the royal Château de Fontainebleau as a member of the decorating team under the direction of Francesco Primaticcio. Within two years of his arrival, he was drawing a project for a decor commemorating Anne de Montmorency (preparatory drawing at the Louvre). In Paris, he frescoed the chapel ceiling in the Hôtel de Guise (later destroyed), following Primaticcio’s designs. He also executed private commissions for portable canvases of mythological subjects sited in landscapes. Much of his output reflected an often overlooked function of artists of the time: the ephemeral festive decorations erected to celebrate special occasions in the court circle, for example, the decorations for the triumphal entry into Paris staged for Charles IX and his bride Elisabeth of Austria in 1571. That year, Niccolò died in France.

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Continenza Scipione

Nicolò is best-known for his landscapes enshrouding a mythological narrative, a theme which would inspire Claude Lorrain and Nicolas Poussin,along with his profuse and elegant drawings.

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Concerto

Still wondering about an Italian painting in your family collection? Contact us… we are the Niccolò experts.


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1181--bollain.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bollain" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bollain" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> Francisco Bollain y Goitia Garcia authentication and appraisal
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done
1182--daniell.php Thomas Daniell Artwork Authentication & Art Appraisal

Thomas Daniell (1749-1840)

Get a Daniell Certificate of Authenticity for your painting (COA) for your Daniell drawing.

For all your Daniell artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Daniell Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Daniell painting or drawing.

If you want to sell your Daniell painting or drawing use our selling services. We offer Daniell selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Daniell and issuing certificates of authenticity since 2002. We are recognized Daniell experts and Daniell certified appraisers. We issue COAs and appraisals for all Daniell artworks.

Our Daniell paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Daniell certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Daniell painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Daniell paintings or drawings take longer.

Our clients include Daniell collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Thomas Daniell art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Thomas Daniell or we will sell it for you.

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Gate Leading to a Musjed at Chunar Ghur, 1797

Thomas Daniell was an English landscape painter. He was born at the Chertsey inn, kept by his father, in 1749, and apprenticed to an heraldic painter. Daniell, however, was animated with a love of the romantic and beautiful in architecture and nature. Up to 1784 he painted topographical subjects and flower pieces. By this time his two nephews had come under his influence, the younger, Samuel, being apprenticed to Medland the landscape engraver, and the elder, William, being under his own care.

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Idgah at Amroha 1810

That same year (1784) he embarked for India accompanied by William, and found at Calcutta ample encouragement. Here he remained ten years, and on returning to London he published his largest work, Oriental Scenery, in six large volumes, not completed till 1808. From 1795 until 1828 he continued to exhibit Eastern subjects, temples, jungle hunts, &c., and at the same time continued the publication of illustrated works. These are Views of Calcutta; Oriental Scenery, 144 plates; Views in Egypt; Excavations at Ellora; Picturesque Voyage to China. These were for the most part executed in aquatint.

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Sher Shah

He was elected an Academician in 1790, fellow of the Royal Society of Arts about the same time, and at different times member of several minor societies. His nephews both died before him; his Indian period had made him independent, and he lived a bachelor life in much respect at Kensington till his death.

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A Mosque

Still wondering about a British painting in your family collection? Contact us…it could be by Thomas Daniell.


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1183--fremiet.php Frémiet Artwork Authentication & Art Appraisal

Frémiet (1824-1910)

We Perform Frémiet art authentication. Frémiet appraisal. Frémiet certificates of authenticity (COA). Frémiet analysis, research, scientific tests , full art authentications. We will help you sell your Frémiet or we will sell it for you.

He was a French bronze sculptor and particularly an “animalier”. Born in Paris he studied under Rude, who was his uncle.

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Racing Horses

While he is best known for his small bronzes, Frémiet also received commissions for large size sculpture such as the equestrian statue of Colonel John Eager Howard in Baltimore; Joan of Arc in Paris with additional editions in Nancy, Philadelphia and Australia; Velazquez also in Paris and others such as of Napoleon, Louis d’Orleans and St. Michael.

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John Eager Howard by Frémiet

Next to animals and sculptures of historical figures he also produced a series of small military statuettes as a commission from Emperor Napoleon III and a group of most interesting primeval representations, such as his Stone Age Man, Orangutans and Borneo Savage, the Gladiator and Gorilla, Gorilla Dragging a Soldier by the Hair and perhaps most famous of all, his Gorilla Abducting a Woman, which earned him a medal at the Paris Salon of 1877.

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Gorilla Abducting a Woman, plaster

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Gorilla Abducting a Woman, bronze

He exhibited at the Paris Salon starting in 1843 and at the various Expositions Universelles. He won his first medal in 1849, the second in 1851, the third in 1855 and additional ones in 1867, 1887, 1889 and 1900.

He was elected to the Academie des beaux Arts in 1892.

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Pan and the Bear Cubs
A bronze by Frémiet we recently appraised

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1184--sanchez.php Emilio Sanchez Artwork Authentication & Art Appraisal

Emilio Sanchez (1921-1999)

Get a Sanchez Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Sanchez artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Sanchez Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sanchez painting, drawing or print.

If you want to sell your Sanchez painting, drawing or print use our selling services. We offer Sanchez selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sanchez and issuing certificates of authenticity since 2002. We are recognized Sanchez experts and Sanchez certified appraisers. We issue COAs and appraisals for all Sanchez artworks.

Our Sanchez paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sanchez certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sanchez painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sanchez paintings or drawings take longer.

Our clients include Sanchez collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Emilio Sanchez art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Emilio Sanchez or we will sell it for you.

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Tugs Under the Manhattan Bridge

Born in Camaguey, Cuba, Emilio Sanchez would become a leader in plastic Cuban artists living in exile.

Though he received public schooling in Camaguey, Sanchez set his sights outside of Cuba for artistic training. Unlike many of his contemporaries, he did not attend San Alejandro, but instead traveled to Mexico and then New York to study at the Arts Student League in the late 1930s. From then on, New York became Sanchez’s home. He was eventually naturalized, and did not want to live under Castro’s regime. Though he was no longer living in Cuba, he was still deeply seated in the roots of his home country. After 1960, Sanchez never returned to Cuba to visit, but Cuba was still with him in his art.

In the early stages of his career, Sanchez would initially paint typical symbols and figure studies of things which represented his island nation. Fish, dancers, mulattos and fruit vendors proved to be popular subjects of his, and were well received.

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Mural

However, as time went on and as Sanchez grew artistically, he began to immerse himself in more plastic styles. His work began to take on more simplified styles and cleaner lines. In specific, he would paint the façades of old homes and show the linear qualities of their doors, windows and exterior. In a way, the repetitious patterns of these home fronts mirrored a sense of eternity for Sanchez, as well as a sense of greatness.

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Grand Yellow House

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The Garden Wall

By the late 1960s, Sanchez had become well known for his this so-called “abstract” styling and his series of home fronts. His use of light, geometry and color were perhaps the reason that they were so popular—Sanchez used this idea of painting homes in a way that few have done before or since. His urban landscapes and Caribbean architecture paintings have carved a place for him in art history that would be hard to replace.

In total, Sanchez participated in more than 50 one-man exhibitions and more than 50 collective exhibitions. However, only two of these exhibits ever took place in Cuba. For the most part, Sanchez exhibited his work in New York or other places across the United States. However, Sanchez also exhibited quite often in Europe and Central America and was said to have traveled extensively. This exposure within the United States and elsewhere leaves a great possibility for his work to be privately owned, but otherwise unauthenticated. Since Sanchez had become more popular from the late 1960s until his death in the late 1990s, one may be more likely to own a piece of his from the 1940s or 50s. As a young and struggling artist in New York, he would have had to sell work to survive. These early paintings would most definitely be depictions of Cuban lifestyles and subjects. Could you own one of these pieces?

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House in San Juan

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Frenos

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Fiesta

In general, Sanchez signed most of his work. Not just a painter, Sanchez also worked in lithographs and color sketches. He was an extremely versatile print maker, which is what essentially brought him museum attention, and eventually, commercial attention as well.

Today, Sanchez’s work is owned publicly and privately world wide. His work is housed at the Museum of Modern Art in New York, as well as at the New York Public Library and the Chase Manhattan Bank. His work is also housed in Bogota, Australia, and of course, at the National Museum in Havana.


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1185--badue.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "badue" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "badue" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1186--guigou.php Paul Guigou Artwork Authentication & Art Appraisal

Paul Guigou (1834-1871)

Get a Guigou Certificate of Authenticity for your painting (COA) for your Guigou drawing.

For all your Guigou artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Guigou Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Guigou painting or drawing.

If you want to sell your Guigou painting or drawing use our selling services. We offer Guigou selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Guigou and issuing certificates of authenticity since 2002. We are recognized Guigou experts and Guigou certified appraisers. We issue COAs and appraisals for all Guigou artworks.

Our Guigou paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Guigou certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Guigou painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Guigou paintings or drawings take longer.

Our clients include Guigou collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Paul Guigou art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Paul Guigou or we will sell it for you.

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The Washerwoman, 1860

Paul Guigou was a landscape painter, born in Vaucluse in southern France to a wealthy provincial family. In 1850, his family moved to Marseille where Guigou was able to study under Emile Loubon for four years. Although he showed promise as a painter from a very young age, he originally worked as a clerk, and wasn’t able to devote himself entirely to painting until 1862.

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Paysage Provencal

Guigou eventually moved to Paris in 1862 where he became friends with a number of leaders in the Impressionist group such as Monet, Bazille and Sisley. He was generally influenced by the Barbizon painters, and used the “plein air” method of painting his landscapes outdoors instead of in the studio.

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Les Collines d’Allauch , 1862

Sadly, his career was cut short when he died only nine years into his painting career. Because he had little time to become an established artist, Guigou’s paintings went virtually unnoticed at the salons until after he had died.

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Seascape

Still wondering about that mysterious Impressionist painting hanging in your home? It may be by Paul Guigou. Contact us to find out.


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1187--forli.php Melozzo da Forlì Artwork Authentication & Art Appraisal

Melozzo da Forlì (1438-1494)

Get a Da Forlì Certificate of Authenticity for your painting (COA) for your Da Forlì drawing.

For all your Da Forlì artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Da Forlì Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Da Forlì painting or drawing.

If you want to sell your Da Forlì painting or drawing use our selling services. We offer Da Forlì selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Da Forlì and issuing certificates of authenticity since 2002. We are recognized Da Forlì experts and Da Forlì certified appraisers. We issue COAs and appraisals for all Da Forlì artworks.

Our Da Forlì paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Da Forlì certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Da Forlì painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Da Forlì paintings or drawings take longer.

Our clients include Da Forlì collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Melozzo da Forlì art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Melozzo da Forlì or we will sell it for you.

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Music Making Angel 1480

Melozzo da Forlì was an Italian Renaissance painter near the Umbrian school, the first who practised foreshortening with much success and one of the most outstanding fresco painters of 15th century. He was the most important member of the Forlì painting school.

Melozzo came, it is supposed, of a wealthy family named Ambrosi. Nothing is known about his early years, and it is only a hypothesis that he formed at the Forlìvese school of art (Forlì painting school), then ruled by Ansuino da Forlì, for they were both influenced by the Mantegna manner.

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Foundation of the Library 1477

It has been said that he became a journeyman and color-grinder to some of the best masters, in order to prosecute his studies; this lacks confirmation. His presence his first mentioned in his birthplace in 1460 and again in 1464. Around this period, together with Antoniazzo Romano, frescoed the Bessarione chapel in the basilica dei Santi Apostoli in Rome. Melozzo presumably moved to in Urbino between 1465 and 1475: here he met the highly theoretical and mathematical Piero della Francesca, who profoundly influenced the Melozzo’s style and use of perspective. He should have also studied the architectures by Bramante and other Flemish painters then working for the duke Federico da Montefeltro: perhaps Melozzo worked with Justus of Ghent and Pedro Berruguete to the decoration of the studiolo of the famous Ducal Palace of the city.

In 1475 Melozzo transferred to Rome, though some authorities claim his presence in Rome ten (or five?) years earlier to work in the Basilica di San Marco. In 1477 he finished his first major work in the new seat, a fresco now transferred to canvas and placed in the Pinacoteca Vaticana, representing the appointment of Bartolomeo Platina by Sixtus IV as librarian of the restored Vatican Library. In 1478 he was one of the original members of the academy of St Luke, founded by Sixtus IV to unite the main painters working in the city.

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Angel 1477-1480

About 1480 Melozzo was commissioned by Pietro Riario to paint the vault of the apse in the basilica dei Santi Apostoli in Rome, his subject being the Ascension. The figure of Christ is so boldly and effectively foreshortened that it seems to “burst through the vaulting”; this fresco was taken down in 1711, and the figure of Christ is now in the Quirinal Palace; while some of the other portions, almost Raphaelesque in merit, are in the sacristy of St Peter’s: a hall in the Vatican Museums is designed for angels and apostles by Melozzo taken down the same fresco.

Another work of the Roman period is an Annunciation that can still be seen in the Pantheon.

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Annunciation, Fresco

Melozzo’s last work in Rome is a chapel, now destroyed, in the church of Santa Maria in Trastevere. After the death of Sixtus IV in 1484 he moved from Rome to Loreto. Here he painted the fresco in the cupola of San Marco’s sacristy in the basilica della Santa Casa, commissioned by cardinal Girolamo Basso della Rovere. It is one of the first examples of a cupola decorated both with architectures and figures, with a profound influence from the Camera Picta by Mantegna.

In 1489 Melozzo returned in Rome. In this second period he probably drew some cartoons for the mosaics of Jesus blessing in the St. Helen chapel of the basilica of Santa Croce in Gerusalemme.

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Angel with Lute 1480

Melozzo also painted the cupola of the Capuchin church at Forlì, destroyed in 1651; and it has been said that he executed at Urbino some of the portraits of great men (Plato, Dante, Sixtus IV, etc.) which are now divided between the Barberini Palace and the Campana collection in Paris. In 1493 he worked to some ceilings of the Palazzo Comunale of Ancona, which have gone lost. Eventually Melozzo moved to Forlì, where, together with his pupil Marco Palmezzano, decorated the Feo Chapel in the church of San Biagio, which was destroyed during World War II. The Pinacoteca of Forlì houses a fresco by Melozzo, termed the “Pestapepe”, or Pepper-grinder, originally painted as a grocer’s sign; it is an energetic specimen of rather coarse realism, now much damaged. It’s the only non-religious subject by Melozzo. Melozzo died in November 1494 in Forlì.

While few of Melozzo’s works have been preserved until today, critics agree he contributed sensibly to the progress of pictorial art; and, without being remarkable as a colorist, gave well graded lights, with general care and finish, and fine dignified figures. His works bear a certain resemblance to those of his contemporary Mantegna. Marco Palmezzano was his pupil; and the signature “Marcus de Melotius” on some of Palmezzano’s works, along with the general affinity of style, has led to their being ascribed to Melozzo, who has hence been incorrectly called “Marco Melozzo”.

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Triumphant Christ 1481-1483

Still wondering about an Italian painting in your family collection? Contact us…it could be by Melozzo da Forlì.


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1188--korovin.php Konstantin Korovin Artwork Authentication & Art Appraisal

Konstantin Korovin (Константин Сергеевич Коровин) (1861-1939)

Get a Korovin Certificate of Authenticity for your painting (COA) for your Korovin drawing.

For all your Korovin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Korovin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Korovin painting or drawing.

If you want to sell your Korovin painting or drawing use our selling services. We offer Korovin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Korovin and issuing certificates of authenticity since 2002. We are recognized Korovin experts and Korovin certified appraisers. We issue COAs and appraisals for all Korovin artworks.

Our Korovin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Korovin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Korovin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Korovin paintings or drawings take longer.

Our clients include Korovin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Konstantin Korovin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Konstantin Korovin or we will sell it for you.

Twilight Room

Twilight Room

Konstantin Korovin was a leading Russian Impressionist painter. Konstantin was born in Moscow to a merchant family officially registered as peasants of Vladimir gubernia. His father, Aleksey Mikhailovich Korovin, earned a University degree and was more interested in arts and music than in the family business established by Konstantin’s grandfather. Konstantin’s older brother Sergey Korovin was a notable realist painter. Konstantin’s relative Illarion Pryanishnikov was also a prominent painter of the time and a teacher at the Moscow School of Painting, Sculpture and Architecture.

Paris, Saint Denis, Arc

Paris, Saint Denis, Arc

In 1875, Konstantin entered the Moscow School of Painting, Sculpture and Architecture, where he learned from Vasily Perov and Alexei Savrasov. His brother, Sergey was already a student of the School. During their years at the school, the Korovins became friends with their fellow students Valentin Serov and Isaac Levitan. Kontantin remained friends with Serov and Levitan throughout his life.

Moonlit Night

Moonlit Night

In 1881-1882, Korovin spent a year at the Imperial Academy of Arts in Saint Petersburg, but returned disappointed to the Moscow School of painting, sculpturing and architecture. He studied at the school under the new teacher Vasily Polenov until 1886. In 1885, Korovin made traveled to Paris and Spain. Paris was a shock for me… Impressionists… in them I found everything for what I was scolded back at home, in Moscow, he later wrote.

Spring 1917

Spring 1917

Polenov introduced Korovin to Savva Mamontov’s Abramtsevo circle: Viktor Vasnetsov, Apollinary Vasnetsov, Ilya Repin, Mark Antokolsky and others. The Abramtsevo circle’s love for stilized Russian themes is reflected in Korovin’s picture A Northern Idyll. In 1885 Korovin works for Mamontov’s Opera house. He designed the stage decor for Giuseppe Verdi’s Aida, Léo Delibes’ Lakme and Georges Bizet’s Carmen.

Pier in Gurzuf 1914

Pier in Gurzuf 1914

In 1888, Korovin traveled with Mamontov to Italy and Spain, where he produced painting On the balcony, Spanish women Leonora and Ampara. Konstantin traveled within Russia, Caucasus and Central Asia, exhibited with Peredvizhniki. He was painting in the Impressionist and later in the Art Nouveau style.

Pier in Gurzuf 1914

Pier in Gurzuf 1914

In the 1890s, Korovin became a member of the Mir iskusstva art group. Korovin’s subsequent works was strongly influenced by his travel to the North. In 1888 he was captivated by the stern northern landscapes, as seen in The Coast of Norway and The Northern Sea. His second trip to the North, with Valentin Serov in 1894, coincided with the construction of the Northern Railway. Korovin painted a large number of landscapes: Norwegian Port, Saint Trifon’s Brook in Pechenega, Hammerfest: Aurora Borealis, The Coast at Murmansk and others. The paintings are built on a delicate web of shades of grey. The etude style of these works was typical for the Korovin’s art of the 1890s.

St. Triphons Brook, Pechenga 1894

St. Triphons Brook, Pechenga 1894

Using material from his northern trip, Korovin designed the Northern Railway pavilion at the All Russia Exhibition of 1896 at Nizhny Novgorod. In 1900, Korovin designed the Central Asia section of the Russian Empire pavilion on the Paris World Fair; and was awarded the Legion of Honour by the French government.

Parisian Café

Parisian Café

In the beginning of the 20th century Korovin focused his attention on the theatre. He moved from Mamontov’s opera to Mariinsky Theatre in Saint Petersburg. Departing from the tradition of the stage decor, which only indicated the place of action, Korovin produced a mood decor, which conveyed the general emotions of the performance. Korovin designed sets for Konstantin Stanislavski’s drama productions, as well as Mariinsky’s operas and ballets. He did the stage design for such Mariinsky’s productions as Faust (1899), The Little Humpbacked Horse (1901) and Sadko (1906) that became famous for their expressiveness.

Paris Café de la Paix

Paris Café de la Paix

In 1905, Korovin became an Academician of Painting, and in 1909-1913 he was a professor at the Moscow School of Painting, Sculpture and Architecture. One of the artist’s favourite themes was Paris. He painted A Paris Cafe (1890s’), Cafe de la Paix (1905′), La Place de la Bastille (1906), Paris at Night; Le Boulevard Italien (1908′), Night Carnival (1901), Paris in the Evening (1907) and others.

On the Terrace

On the Terrace

During the World War I Korovin worked as a camouflage consultant at the headquarters of one of the Russian armies and was often seen at the front line. After the October Revolution Korovin continued to work in the theatre, designing stage for Richard Wagner’s Die Walküre and Siegfried as well as Pyotr Ilyich Tchaikovsky’s Nutcracker (1918-1920).

Lilacs

Lilacs

In 1923 Korovin moved to Paris by the advice of the Commissar of Enlightenment, Anatoliy Vasilievich Lunacharsky, to cure his heart condition and help Korovin’s handicapped son. There was supposed to be a large exhibition of Korovin’s works but the works were stolen and Korovin was left penniless. For years produced the numerous Russian winters and Paris boulevards just to make ends meet.

Paris 1933

Paris 1933

In the last years of his life he produced stage designs for many of the major theatres of Europe, America, Asia and Australia, the most famous of which is his scenery for a production by the Turin Opera House of Nikolai Rimsky-Korsakov’s The Golden Cockerel. Korovin died in Paris on September 11, 1939. Konstantin’s son Alexey Korovin (1897-1950) was a notable Russian-French painter. Because of an accident during his childhood he had both feet amputated. Alexey committed suicide in 1950.

Paris 1933

Paris 1933

Still wondering about a Russian painting in your family collection? Contact us…it could be by Konstantin Korovin.


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1189--fitzgerald_zelda.php Zelda Fitzgerald Artwork Authentication & Art Appraisal

Zelda Fitzgerald

Zelda Fitzgerald art authentication. Zelda Fitzgerald appraisal. Zelda Fitzgerald certificates of authenticity (COA). Zelda Fitzgerald analysis, research, scientific tests, full art authentications. We will help you sell your Zelda Fitzgerald or we will sell it for you.

Photo of Zelda

Photo of Zelda

Zelda Sayre Fitzgerald, born Zelda Sayre in Montgomery, Alabama, was a painter, novelist and the wife of writer F. Scott Fitzgerald, whom she married in 1920. Her husband dubbed her “the first American Flapper.” She published an autobiographical novel, Save Me the Waltz, in 1932. In June 1930 she suffered her first mental breakdown; soon afterwards, she was diagnosed with schizophrenia and was required to live from then on in a mental hospital. She died at the age of 47 in a fire at the Highland Mental Hospital in Asheville, North Carolina.

Marriage at Cana

Marriage at Cana

Born in 1900, Zelda was the youngest of six children. Her mother, Minnie Sayre, named her after a Gypsy queen in a novel. She was totally indulged by her mother, who spoiled her, but her father, a justice of the Supreme Court of Alabama and one of Alabama’s leading jurists, was a stern and remote man. As a child she was extremely active; she danced, took ballet lessons and enjoyed the outdoors.

The Queens Croquet Ground, watercolor

The Queens Croquet Ground, watercolor

In 1914 Zelda began attending Sidney Lanier High school. She was bright but uninterested in her studies. Her ballet lessons continued into high school. During these years, she began an active social life. She earned a reputation as a “speed.” She drank, smoked and spent time alone with boys. In a newspaper article about one of her dance performances, she is quoted as saying that she only cared about “boys and swimming.” Her father’s reputation was the only thing that saved her from social ruin.

The Pantheon & Luxemburg Gardens 1944

The Pantheon & Luxemburg Gardens 1944

As a southern woman growing up around the turn of the century, Zelda’s shameless antics were frowned upon to say the least. Southern women were expected to be delicate, docile and accommodating. Zelda commented on her struggle to be who she needed to be while living under stifling social pressures.

“It’s very difficult to be two people at once, one who wants to have a law unto itself and the other who want to keep all the nice old things and be loved and safe and protected.”

Zelda met Scott Fitzgerald in 1918 while he was stationed at an army post near Montgomery. They met at a Montgomery country club where she performed the “Dance of the Hours.” They began a courtship that was interrupted in 1919 when Scott was discharged from the military and returned to New York to build a life for himself and Zelda.

The two wrote to each other frequently and in March of 1919 Scott sent Zelda his mother’s ring and the two became engaged. Many of Zelda’s friends and members of her family were wary of the relationship. They did not approve of Scott’s excessive drinking habits, and her Episcopalian family did not like that he was a Catholic. The two married in April 1920.

Times Square 1944

Times Square 1944

Once they married, Zelda was expected to be the witty and charming wife of an up-and-coming writer. After Scott published This Side of Paradise, the two were the focus of media attention as much for their drunken antics as Scott’s talent. Jealousy plagued their marriage. Zelda was jealous of Scott’s literary success. Scott felt alienated by all of the male attention she received. Their excessive drinking often caused fights to get out of hand. There is some evidence that Scott became physically violent toward Zelda during drunken arguments.

But the endless round of parties and the massive quantities of alcohol they consumed began to take a toll on the couple’s health and relationship, and they squandered virtually all the money Scott made from his writing, spending as much as US$30,000 per year — a colossal figure for the time. By the mid-Twenties Scott had become a notoriously heavy drinker (he even had his own private bootlegger, and when not writing he would typically binge-drink until he passed out and was sent home in a taxi).

Hansel and Gretel 1943-1947

Hansel and Gretel 1943-1947

While living in Paris, Scott Fitzgerald — by then an international literary star — met rising American author Ernest Hemingway, whose career he did much to promote. Hemingway and Fitzgerald became firm friends (although they later became estranged), but as biographer Nancy Milford reports, Zelda disliked Hemingway from the start, openly describing him as “bogus” and “as phoney as a rubber check”, and considered Hemingway’s domineering macho persona to be merely a posture. One of the most serious rifts between Zelda and Scott took place because Zelda became convinced (albeit with no credible evidence) that Hemingway was “a fairy” and that he and Scott were having a homosexual affair. For the most part, Zelda’s dislike for Hemingway was perhaps due to jealousy — she once threw herself down a flight of marble stairs at a party because Scott, engrossed in talking to Isadora Duncan, was ignoring her.

The birth of their only child, Frances “Scottie” Fitzgerald in 1921 did little to slow the pace of their lives, and although Zelda was fond of the child and wrote to her frequently, Scottie was almost entirely brought up by nannies and was often apart from her parents.

In 1924, during one of the first of their several trips to France, Zelda had a brief affair (or at least became infatuated) with a dashing young French pilot, Edouard Jozan. This prompted her husband to lock her in their house to keep her from seeing him again; later, they would embellish the story by claiming that Jozan had committed suicide. It is possible that Zelda’s long descent into schizophrenia began during this period. She wrote a number of short stories beginning in 1925, but many of these were published under Scott’s name, another possible factor of her growing discontent; three other stories, written just before her first breakdown, were later lost.

Brooklyn Bridge 1944

Brooklyn Bridge 1944

Scott drew heavily upon his wife intense personality in his writings, often directly quoting segments from her personal diaries in his work. She never commented on this, other than a pithy remark in a review that òIt seems to me that on one page I recognized a portion of an old diary of mine which mysteriously disappeared shortly after my marriage, and also scraps of letters which, though considerably edited, sound to me vaguely familiar. In fact, Mr. Fitzgerald ñ I believe that is how he spells his name ñ seems to believe that plagiarism begins at home.

While in Paris, at age 27, Zelda became obsessed with ballet, which she had studied as a girl. She had been praised for her dancing skills as a child, and although the opinions of their friends vary as to her skill, it appears that she did have a fair degree of talent. But Scott was totally dismissive of his wife’s desire to become a professional dancer, considering it a waste of time.

Family in Underwear, Paper Dolls

Family in Underwear, Paper Dolls

Ironically, much of the conflict between them stemmed from the boredom and isolation Zelda experienced when Scott was writing — she would often interrupt him when he was working. Scott conversely became increasingly determined to keep Zelda at home, presumably because he feared that she might begin another affair. Zelda evidently had a deep desire to develop a talent that was entirely her own, perhaps a reaction to Scott’s fame and success as a writer.

Sadly, she rekindled her studies too late in life to become a truly exceptional dancer, but she obsessively insisted on grueling daily practice (up to eight hours a day) that contributed to her subsequent physical and mental exhaustion. Her eventual breakdown included elements of obsessive-compulsive disorder. In 1930, she was admitted to a sanatorium in France where, after months of observation and treatment and a consultation with one of Europe’s leading psychiatrists, she was officially diagnosed as having schizophrenia. However, her last psychiatrist, Dr. Irving Pine, believed (too late) that she may have actually had severe untreated bipolar disorder. He speculated after her death that the cause of her breakdowns may have been as much from her husband’s mental bullying and her treatment for her disorder as the disorder itself.

Self-Portrait, Institution

Self-Portrait, Institution

Zelda Fitzgerald spent the remaining 18 years of her life in various stages of mental distress. However, in her few periods of lucidity, she composed some of her best work, including her only novel, Save Me the Waltz, and numerous abstract paintings. She died in 1948, with her few remaining unpublished bits of work, her last letters to Scott before he died the last remnants of her life. At the time of her death, she was writing a second novel, Caesar’s Things, when a fire consumed the sanitarium where she lived in Asheville, North Carolina.

Great Smokey Mountains 1940

Great Smokey Mountains 1940

Although her status as the wife of a great American writer and socialite, as well as her sad decline of mental health are perhaps what people remember most about Zelda, it is her artwork that has become her legacy. She so yearned to have a talent of her own during her lifetime to match her husband, and art historians and experts can now recognize that talent.

Ladies Costume Design from the Louis XIV Set

Ladies Costume Design from the Louis XIV Set

Among her oeuvre were countless watercolors and even detailed paper dolls. Typically featuring storybook and mythological scenes, Zelda Expressionist/Surrealist style was no doubt a reflection of the state of her mental health. It is likely that she was self-taught, or took informal painting instruction from known Parisian or American painters of the early 20th century. Because of her husband fame, it is most certain that she rubbed elbows with famous artists of the day. Her style is vaguely reminiscent of the Surrealist artist Salvador Dali, and it is possible that she either drew inspiration or took instruction from him. Sadly, we may never know how many paintings, sketches or other works of art or writing of hers were lost in the fire that also took her life.

A Mad Tea Party

A Mad Tea Party

Still wondering about a painting in your family collection? Contact us…it could be by Zelda Fitzgerald.


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1190--subic.php Ive Šubic Artwork Authentication & Art Appraisal

Get a Šubic Certificate of Authenticity for your painting (COA) for your Šubic drawing.

For all your Šubic artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Šubic Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Šubic painting or drawing.

If you want to sell your Šubic painting or drawing use our selling services. We offer Šubic selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Šubic and issuing certificates of authenticity since 2002. We are recognized Šubic experts and Šubic certified appraisers. We issue COAs and appraisals for all Šubic artworks.

Our Šubic paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Šubic certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Šubic painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Šubic paintings or drawings take longer.

Our clients include Šubic collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Ive Šubic (1922–1989)

Do you think you may own a painting by Ive Šubic?

We perform Ive Šubic art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ive Šubic or we will sell it for you.

1. Portrait of Dr. France Prešeren. Oil on Wood. 1976.

1. Portrait of Dr. France Prešeren. Oil on Wood. 1976.

2. Rudar/ Miner. 1966. Oil on Wood.

2. Rudar/ Miner. 1966. Oil on Wood.

Ive Šubic was a Slovenian painter born in Hotovlja. At the age of eighteen, Šubic enrolled at the Academy of Fine Arts in Zagreb. Just a year later Šubic was enlisted as a fighter in the Cankar’s Battalion. The group was part of the National Liberation Army during the Second World War in Slovenia. In addition combat, Šubic worked as an illustrator for the Central Engineering department of the army.

3. Šubic. 1968. Oil painting.

3. Šubic. 1968. Oil painting.

After World War II ended, Šubic returned to his studies, enrolling at the Academy of Fine Arts in Ljubljana. Šubic showed great promise as a painter and trained under the influence of Gojmir Anton Kos, Božidar Jakac and Gabrijel Stupica.

4. A Husband with Bread. 1989.

4. A Husband with Bread. 1989.

Šubic’s work ranges from oil or tempera paintings to graphics and book illustrations. He won several awards for his work during his lifetime, including the Prešeren Prize for fine arts.

5. Political poster, National Liberation Army. 1946. Lithograph.

5. Political poster, National Liberation Army. 1946. Lithograph.

If you think you may own original artwork by Ive Šubic, contact Art Certification Experts for information regarding our services.


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1191--cosway-maria.php Maria Cosway Artwork Authentication & Art Appraisal

Maria Cosway (1760-1838)

Get a Cosway Certificate of Authenticity for your painting (COA) for your Cosway drawing.

For all your Cosway artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cosway Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cosway painting or drawing.

If you want to sell your Cosway painting or drawing use our selling services. We offer Cosway selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cosway and issuing certificates of authenticity since 2002. We are recognized Cosway experts and Cosway certified appraisers. We issue COAs and appraisals for all Cosway artworks.

Our Cosway paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cosway certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cosway painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cosway paintings or drawings take longer.

Our clients include Cosway collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Maria Cosway art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Maria Cosway or we will sell it for you.

art

Self-Portrait 1787

Maria Cosway was an Anglo-Italian artist, composer, and musician who is perhaps best known as the love interest of Thomas Jefferson while he served as the American envoy to Paris. Cosway was born Maria Louisa Caterina Cecilia Hadfield (pronounced Mariah) to an English father of “lowly origin”, Charles, who had previously been an innkeeper at Leghorn, and an Italian mother living in Florence, Italy in 1760. Cosway’s parents were wealthy and ran three inns for British aristocracy taking the Grand Tour in Tuscany. Cosway demonstrated artistic talent at a young age during her Roman Catholic convent education; she would remain a devout Catholic for her entire life. Her brother George Hadfield became an architect and would later design Arlington House, The Robert E. Lee Memorial in Virginia.

Cosway’s family suffered a tragedy during her childhood when a mentally ill nursemaid murdered four of Cosway’s brothers and sisters, sparing her, brother Richard and a younger sister, Charlotte; the nurse was caught after she was overheard speaking about planning to murder Maria. The nurse thought that her young victims would be sent to heaven after she killed them and was sentenced to life in prison. Three years after her father’s death, Cosway moved to London in 1779.

While still in Florence, Cosway studied art under Violante Cerroti and Johann Zoffany. From 1773 to 1778, she copied Old Masters at the Uffizi Gallery. For her work, she was elected to the Academia del Disegno in Florence in 1778.

Two women, Angelica Kauffmann and Mary Moser, had founded the Royal Academy of Arts in London in 1768. Kauffmann helped Cosway enter the Academy. Cosway went on to gain success as a painter of mythological scenes.

On 18 January 1781, Cosway married fellow artist, the celebrated miniature portrait painter Richard Cosway, in what is thought to be an arranged marriage and later a marriage of convenience due to his being 20 years her senior.[7][4] Richard was “well known as a libertine and commonly described as resembling a monkey.”

Richard realized his wife’s talent and helped her to develop it. More than 30 of her works were displayed at the Royal Academy of Art from the 1780s until 1801. Many have not been located in modern times, but documents show that her art consisted of mostly Biblical scenes or historical themes.

Cosway began to gain fame as a painter of miniatures like her husband and an engraver and went to Paris to advance her career. She became famous throughout France and received customers from all over the Continent.

In 1797, Cosway, then living on Oxford Street in London, commissioned artist Francesco Cossia to create what was to be the first portrait of Napoleon ever seen in England. Cosway was thus apparently the first person in Britain to see the face of Napoleon. Her commission of the portrait would later be called the “earliest recorded evidence of British admiration for Napoleon. “The painting was later acquired by Sir John Soane and is now on display in the Breakfast Room of Sir John Soane’s Museum.

She lived in Paris from 1801 to 1803 to copy the paintings of the Old Masters from the Louvre for publication as etchings in England, and while copying Napoleon Crossing the Alps by her friend Jacques-Louis David, Cosway met Napoleon. She would later give British visitors tours of Napoleon’s uncle Cardinal Joseph Fesch’s art collection during the Peace of Amiens. One historian pointed out that her admiration for Napoleon may have been inspired by her lover Pasquale Paoli, a Corsican general in exile in London who had been an associate of Bonaparte’s.

Her project at the Louvre was considered her greatest project, but it remained unfinished because she lost a child, sunk into a depression and decided to give up painting. Her Louvre engravings are in the collection of the British Museum.Two of her paintings depicting the events of a poem of Mary Robinson’s were acquired by the New York Public Library and appeared in a “Gothic Nightmares: Fuseli, Blake and the Romantic Imagination” exhibition at the Tate Britain museum in London in 2006.

From 1995 to 1996, the National Portrait Gallery in London held an exhibition entitled Richard and Maria Cosway: Regency Artists of Taste and Fashion, with 250 works on display.

In 1784, the Cosways moved into Schomberg House, Pall Mall, which became a fashionable salon for London society. Richard was Principal Painter of the Prince of Wales and Cosway served as hostess to artists, members of royalty including the Prince, and politicians including Horace Walpole, Gouverneur Morris and James Boswell.[1][3][4] She could speak several languages, and due to her travels in Italy and France, she gained an international circle of friends. She was friends with the fashionable elite such as Angelica Schuyler Church and artist John Trumbull, and it was at this time that she met Thomas Jefferson.

“The Goddess of Pall-Mall” was an accomplished musician who would organize concerts and recitals for her guests.

In August 1786, the Cosways were introduced by John Trumbull to Thomas Jefferson, who was serving as the American Minister to France in Paris. Jefferson was 43 and Cosway was 27 when they met. After their first meeting at the Grain Market (Halles aux Bleds), Jefferson uncharacteristically lied to his scheduled dinner companion that he needed to tend to official business so that he could spend the evening with Cosway at the Palais Royal.

Cosway and Jefferson shared an interest in art and architecture and attended exhibits throughout the city and countryside together. He would write of their adventures: “How beautiful was every object! the Pont du Neuilly, the hills along the Seine, the rainbows of the Machine of Marly, the terraces of Saint Germain, the chateaux, the gardens, the statues of Marly, the Pavilion of Louveciennes… In the evening, when one took a retrospect of the day, what a mass of happiness had we travelled over!”Over the course of the six weeks, Jefferson developed a romantic attachment to Cosway as they spent each day together.

Upon her departure for London at the insistence of her husband, he wrote Cosway a love letter dated October 12-13, 1786 that has been called “The Dialogue of the Head vs. the Heart”, in which he writes of his head conversing with his heart and the struggle between the practical and the romantic. He wrote the letter with his left hand because he had broken his right wrist during Cosway’s visit, while jumping over a fountain in a rush to meet her.

Scholars suggest that Jefferson was particularly partial to a romantic attachment at this point in his life, because his wife had died four years earlier, he had just learned of the death of his daughter Lucy, and his other children were away at school. Cosway, by at least one account, began to develop stronger feelings for Jefferson and traveled to Paris to meet him again, only to find him more distant this time. Because Cosway was a devout Catholic who did not want to have children and compulsively worried about pregnancy, according to some historians nothing further came of their affair besides correspondence. Their letters would continue the rest of Jefferson’s life after she contacted him, following Jefferson’s ending of the letters while he was still in Paris. Historians assert that the relationship was romantic mostly on Jefferson’s side, and Cosway was his opposite, more artistic than rational. In any case, both parties saved their letters to each other.

Before Jefferson left Paris, he wrote to her, “I am going to America and you are going to Italy. One of us is going the wrong way, for the way will ever be wrong that leads us further apart.”

Cosway also introduced Jefferson to her friend Angelica Schuyler Church, the sister-in-law of his rival Alexander Hamilton, who kept up a correspondence with both Jefferson and Cosway in later life; Church’s correspondence with both is now preserved at the University of Virginia’s archive.

He would keep an engraving done by Luigi Schiavonetti, from a drawing Richard made of Maria, in Monticello. Cosway had Trumbull create a portrait of Jefferson which she kept. The portrait was later given as a gift from the Italian government to the American government on the occasion of America’s bicentennial in 1976 and now hangs in the White House.

After a difficult pregnancy, Cosway had a daughter with Richard, Louisa Paolina Angelica, in 1790. She then left them for Italy and a tour of Europe for four and a half years to accompany the famous Italian singer Luigi Marchesi, returning in November 1794. Eighteen months later, Louisa died after an illness. Cosway was devastated by the loss, but Richard was not as upset.

In 1791, the Cosways moved to a larger house in Stratford Place. Cosway and Sir John Soane enjoyed a friendship of more than two decades in the later years of their lives, and he was a frequent visitor to her home as well as a fellow art collector. The Cosways’ marriage did not last and was eventually annulled.

Cosway founded a college for young women in Lyons with the help of Cardinal Fesch. She ran the college for young women from 1803 until it closed in 1809. She then was convinced by the Duke of Lodi to move to Italy and start a convent and school for girls in Lodi, Italy. She ran the Collegio delle Grazie until she returned to England to care for Richard in his ill health; after his death, she and Sir Soane held an auction of his large artistic collection, and the benefits helped her convent school.

Cosway returned to Italy after her husband’s death. Due to her work in educating girls, Austrian emperor Franz I awarded her the title of Baroness.A letter survives at the University of Virginia in which Cosway mourns her old friends following the death of Angelica Church. As a tribute to Church, Cosway designed a temple ceiling depicting the Three Graces surrounding her friend’s name.Cosway died at her school near Lyons.

Still wondering about a British painting in your family collection? Contact us…it could be by Maria Cosway.


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1192--labruzzi.php Carlo Labruzzi Artwork Authentication & Art Appraisal

Carlo Labruzzi (1748-1817)

Get a Labruzzi Certificate of Authenticity for your painting (COA) for your Labruzzi drawing.

For all your Labruzzi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Labruzzi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Labruzzi painting or drawing.

If you want to sell your Labruzzi painting or drawing use our selling services. We offer Labruzzi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Labruzzi and issuing certificates of authenticity since 2002. We are recognized Labruzzi experts and Labruzzi certified appraisers. We issue COAs and appraisals for all Labruzzi artworks.

Our Labruzzi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Labruzzi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Labruzzi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Labruzzi paintings or drawings take longer.

Our clients include Labruzzi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carlo Labruzzi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Carlo Labruzzi or we will sell it for you.

Labruzzi painting, Arcadian Landscape

Arcadian Landscape

Carlo Labruzzi was an 18th century Italian painter. Though he is best known for his landscapes and paintings of Roman ruins, Labruzzi also painted portraits.

Labruzzi painting, Temple of Minerva

Temple of Minerva

Like his landscapes, Labruzzi’s portraits also featured idyllic country scenes and Roman ruins and were painted in the Realist style.

Labruzzi painting, Portrait of Georg Zoega

Portrait of Georg Zoega

Still wondering about an 18th century Italian landscape or portrait? Contact us…it could be by Carlo Labruzzi.


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1193--senff.php Karl August Senff Artwork Authentication & Art Appraisal

Get a Senff Certificate of Authenticity for your painting (COA) for your Senff drawing.

For all your Senff artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Senff Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Senff painting or drawing.

If you want to sell your Senff painting or drawing use our selling services. We offer Senff selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Senff and issuing certificates of authenticity since 2002. We are recognized Senff experts and Senff certified appraisers. We issue COAs and appraisals for all Senff artworks.

Our Senff paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Senff certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Senff painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Senff paintings or drawings take longer.

Our clients include Senff collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Karl August Senff (1770–1838)

Do you think you may own a painting by Karl August Senff?

We perform Karl August Senff art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Karl August Senff or we will sell it for you.

1. A View on Narva. 1812. Gouache on paper. Art Museum of Estonia.

1. A View on Narva. 1812. Gouache on paper. Art Museum of Estonia.

2. Portrait of Friedrich, Maximilian Klinger. 1807. Etching.

2. Portrait of Friedrich, Maximilian Klinger. 1807. Etching.

Karl August Senff was a Baltic-German artist born in Kreypau, Prussia. Senff is best known for his paintings and etchings of the Imperial Russian Army. Senff began his artistic training at the Leipzip Academy of Arts. He continued his education at the Dresden Art Academy, where Senff continued to refine his painting and drawing skills.

3. Iris, Rose, Honeysuckle. Instructional illustration, etching. 1810.

3. Iris, Rose, Honeysuckle. Instructional illustration, etching. 1810.

In 1803 Senff became an associate professor at Dorpat University in what is present-day Tartu, Estonia. Senff eventually directed the art program at Dorpat, creating a lasting legacy at the institution.

4. Portrait of Ferdinand Ewers. Oil on canvas. 19th century.

4. Portrait of Ferdinand Ewers. Oil on canvas. 19th century.

Senff used his own etchings to publish a multi-volume textbook for his students, improving the university’s reputation. Senff also founded the university’s art program, training some of Estonia’s best-known artists.

5. Ruins. 1820-29. Aquatint, print on paper.

5. Ruins. 1820-29. Aquatint, print on paper.

If you think you may own original artwork by Karl August Senff, contact Art Certification Experts for information regarding our services.


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1194--manilla.php Ramon Cano Manilla Artwork Authentication & Art Appraisal

Ramón Cano Manilla (1888-1974)

Get a Cano Certificate of Authenticity for your painting (COA) for your Cano drawing.

For all your Cano artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cano Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cano painting or drawing.

If you want to sell your Cano painting or drawing use our selling services. We offer Cano selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cano and issuing certificates of authenticity since 2002. We are recognized Cano experts and Cano certified appraisers. We issue COAs and appraisals for all Cano artworks.

Our Cano paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cano certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cano painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cano paintings or drawings take longer.

Our clients include Cano collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ramon Cano Manilla art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ramon Cano Manilla or we will sell it for you.

Ramon Cano Manilla was born in the City of Veracruz, Mexico in 1888. From a very early age Cano Manilla did a variety of jobs in the country. Cano Manilla arrived in Mexico City in 1920 with a desire to study painting at the Academy of San Carlos. Alfredo Ramos Martinez, director of the Academy enrolled him into the Schoolof Open Air Painting in Chimalistac. A few months later Cano Manilla relocated to the Haciendo de San Pedro in Coyoacan. Manilla’s teachers were the well-known painters, Leopoldo Mendez and Fermin Revueltas.

Manilla, Vaquero en Yucatan

Vaquero en Yucatan

Manilla, India Oaxaqueña

India Oaxaqueña

In 1926 Cano Manilla’s work was exhibited at the Museum of Art in Madrid and in 1928 at the International Fair in Seville, where he won a medal for his painting India Oaxaqueña.

Manilla, The Balloon

The Balloon

The same year Cano Manilla was commissioned by Alfredo Ramos Martinez to establish the school, Los Reyes in Coyoacan, where he was director from 1930 to 1934.

Manilla, view of mural

view of mural

Cano Manilla founded other open-air schools of painting in San Andres Tuxtla, Veracruz. In 1948 Cano Manilla relocated to the city of Mante, Tamaulipas where he created a variety of paintings. Cano Manilla also worked as the director of the Instituto Regional de Bellas Artes in Mexico for a number of years and did important murals in Tamaulipas.

Do you think you own a Cano Manilla? Contact us. We are the Cano Manilla experts.


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1195--sargent.john.php John Singer Sargent Artwork Authentication & Art Appraisal

John Singer Sargent (1856-1925)

Do you think you may own a painting by John Singer Sargent?

Get a Sargent Certificate of Authenticity for your painting or a COA for your Sargent drawing or sculpture.

For all your Sargent artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Sargent Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sargent painting, drawing or sculpture.

If you want to sell your Sargent painting, drawing or sculpture use our selling services. We offer Sargent selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sargent and issuing certificates of authenticity since 2002. We are recognized Sargent experts and Sargent certified appraisers. We issue COAs and appraisals for all Sargent artworks.

Our Sargent paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sargentcertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Sargent painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sargent paintings, drawings or sculpture take longer.

Our clients include Sargent collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John Singer Sargent art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Singer Sargent or we will sell it for you.

Lady Astor 1909

“Lady Astor,” (1909), oil on canvas, 78.7 x 40″, National Trust, Cliveden, England.

John Singer Sargent was one of the most successful and gifted artists of his time. Though he is generally considered an American painter, Sargent was in fact born in Florence, Italy to American expatriate parents and spent most of his life abroad, particularly in Paris and London. He initially studied art in Italy and Germany but received some of his best training in Paris under the famous painter Carolus-Duran.

Self-Portrait

“Self-Portrait,” (1907), oil on canvas, 30 x 25″, Galleria degli Uffizi, Florence, Italy.

Portrait of Carolus Duran 1879

“Portrait of Carolus-Duran,” (1879), oil on canvas, 46 x 37 15/16 “, Sterling and Francine Clark Art Institute, Williamstown, MA.

Although he only spent a year of his entire life in America, some of his best work was created there including portraits of Theodore Roosevelt and Woodrow Wilson and decoration for the Boston Public Library. He also painted a well known series of portraits of Scottish writer Robert Louis Stevenson.

Robert Louis Stevenson

“Robert Lewis Stevenson,” (1887), oil on canvas, 20 1/16 x 24 5/16″, Taft Museum of Art, Cleveland, OH.

Robert Louis Stevenson and His Wife, one of Sargents' best known paintings

“Robert Lewis Stevenson and His Wife,” (1885), oil on canvas, 20 ½ x 24 ¼”, Steve Wynn Collection, United States.

Sargent was highly influenced by the work of Diego Velazquez and his work is often compared to the great master by art critics. Sargent is perhaps best known for his highly expressive portraits set in interesting landscapes and backgrounds and his portrayals of exotic beauties.

El Jaleo, 1882

“El Jaleo,” (1882), oil on canvas, 93 3/8 x 138 ½”, Isabella Stewart Gardner Museum, Boston, MA.

La Carmensita 1892

“La Carmencita,” (1890), oil on canvas, 90 x 54 ¼ “, Museé d’Orsay, Paris, France.

One portrait in particular, “The Portrait of Madame X” portrays the striking image of a socialite and was Sargent’s favorite, but was misunderstood in his time. When it was unveiled in the Paris Salon of 1884, it was met with great negativity and Sargent moved to London shortly thereafter out of apparent shame. The apparently arrogant stance, stark white shoulders and overall drama created in this portrait of the 23 year old Gautreau was too shocking even for a fashionable French audience.

art

“Madame Pierre Gautreau (Madame X),” (1884), oil on canvas, 82 ½ x 43 ¼ “; Metropolitan Museum of Art, New York.

Sargent secured a number of wealthy patrons in Paris as well as London, most notably was the Pailleron family.

Edouard Pailleron

“Edouard Pailleron,” (1879) oil on canvas, Museé d’Orsay, Paris.

Mme. Pailleron

“Madame Edouard Pailleron,” (1879) oil on canvas, 82 x 39″, Corcoran Gallery of Art, Washington, DC.

Just as Sargent was a resident of the world, his painting style and techniques were also varied. He cannot be easily defined into one category of painting, though he dabbled in Impressionism with his “Claude Monet Painting at the Edge of a Wood.”

Claude Monet Painting at the Edge of a Wood 1887

“Claude Monet Painting in a Meadow near Giverny,” (1883), oil on canvas, 21 ½ x 25 1/2 “, The Tate Gallery, London, U.K.

Hints of Impressionism can also be seen in his portraits later on, like this one of the artists’ sister:

A Morning Walk, Mrs. Violet Ormond 1888

“A Morning Walk, Mrs. Violet Ormond,” [sister of John Singer Sargent] (1888), private collection.

Sargent would probably be best described as a Realist/Impressionist, though he is truly in a class of his own. In a time when the world was becoming infatuated with Cubism, Fauvism and Impressionism, Sargent stayed true to the type of Realism that he enjoyed painting. He worked in nearly every medium on paper from oil painting to charcoal and watercolor and created numerous portraits, sketches, genre pieces and in his later years, landscapes and sculpture. It is said that after 1907 he created very few portraits, mostly focusing on other artistic endeavors in his later years.

Landscape

“Landscape,” undated, unknown collection.

Alligators 1917

“Alligators,” (1917), watercolor, graphite, and wax crayon on woven paper, 15 13/16 x 20 15/16″, Metropolitan Museum of Art, New York.

Landscape with Goatherd 1905

“Landscape with Goatherd,” (1905), oil on canvas, 24 ¼ x 31 7/8 “, Metropolitan Museum of Art, New York.

Shoeing the Ox 1906

“Shoeing the Ox,” (1906), oil on canvas, 23.6 x 28.14″, Aberdeen Gallery of Art, Scotland.

Sargent became friends with a number of prominent artists of the day, in particular Paul Helleu. Sargent painted Helleu and his wife several times throughout their lifelong friendship.

art

“Paul Helleu and his wife Alice,” (1889), oil on canvas, 26 1/8 x 32 1/8″, Brooklyn Museum of Art, Brooklyn, NY.

Throughout his career Sargent managed to be a very prolific painter, leaving nearly 1,000 oil paintings, more than 2,000 watercolors and countless charcoals and sketches behind.

Two Cats 1880

“Two Cats,” (1880), charcoal sketch, Museum of Fine Arts, Boston, MA.

Dog 1880

“Dog,” (1880), charcoal sketch, Museum of Fine Arts, Boston, MA.

Swans 1890

“Swans,” (1890), charcoal sketch, Museum of Fine Arts, Boston, MA.

More than 500 of these paintings were portraits, mainly of his wealthy patrons. Sadly, his bold style of contemporary Realism wasn’t widely considered revolutionary during his lifetime and was all but dismissed. He has since been realized as one of the greatest masters of his era and appreciation for his art has been steadily on the rise.

art

“Portrait of Gaspar Goodrich,” (1887), oil on canvas, 26 1/8 x 19 1/8″, private collection.

Lady Agnew

“Lady Agnew of Lochnaw,” (1892-3), oil on canvas, 49 x 39 ¼”, National Gallery of Scotland, Edinburgh, Scotland.

The Honorable Laura Lister

“The Honorable Laura Lister,” (1896), oil on canvas, 168.9 x 115.25 cm, Fogg Art Museum, Harvard University, Cambridge, MA.

Frederick Law Olmsted

“Frederick Law Olmsted,” (1895), oil on canvas, 100 x 55″, Biltmore House, Asheville, NC.

Today most of Sargents’ work is housed in public and private collections in America and Europe, and perhaps in your own home. Still wondering about a family heirloom portrait in your possession? Contact us…it could be by John Singer Sargent.


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1198--janssens.php Cornelis Janssens van Ceulen Artwork Authentication & Art Appraisal

Cornelis Janssens van Ceulen (1593 – 1661)

Get a Janssens Johnson van Ceulen Certificate of Authenticity for your painting (COA) for your Janssens Johnson van Ceulen drawing.

For all your Janssens Johnson van Ceulen artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Janssens Johnson van Ceulen Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Janssens Johnson van Ceulen painting or drawing.

If you want to sell your Janssens Johnson van Ceulen painting or drawing use our selling services. We offer Janssens Johnson van Ceulen selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Janssens Johnson van Ceulen and issuing certificates of authenticity since 2002. We are recognized Janssens Johnson van Ceulen experts and Janssens Johnson van Ceulen certified appraisers. We issue COAs and appraisals for all Janssens Johnson van Ceulen artworks.

Our Janssens Johnson van Ceulen paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Janssens Johnson van Ceulen certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Janssens Johnson van Ceulen painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Janssens Johnson van Ceulen paintings or drawings take longer.

Our clients include Janssens Johnson van Ceulen collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Cornelis Janssens van Ceulen art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Cornelis Janssens van Ceulen or we will sell it for you.

Janssens, Edward Hyde, 1st Earl of Clarendon

Edward Hyde, 1st Earl of Clarendon
1626, Oil on panel
UK Governemnt Art Collection

Janssens, Arthur Capel

Arthur Capel, 1641

Cornelius Janssens van Ceulen was an English painter born to a family of Dutch or Flemish origin. Janssens was known for his skillful portraits, which were in high demand during the 1620s and 30s. Janssens was born in London and baptized at the Dutch church, Austin Friar’s.

Janssens, Portrait of a Man

Portrait of a Man
1648, Oil on Canvas, 103.5 x 79.1 cm
Metropolitan Museum of Art, NY

Dutch influence can be seen in Janssens’ paintings, though it is unknown whether or not he spent time studying in the Netherlands. For most of Janssens’ career, he was based out of Blackfriars, London, where he had a home and studio. Janssens intentionally lived outside of central London to skirt the London painters’ Guild, who tried to monopolize commissions in the city.

Janssens, Portriat of a Woman

Portrait of a Woman
1648, Oil on Canvas, 103.5 x 78.4 cm
Metropolitan Museum of Art, NY

Janssens’ first known painting is possibly a Dutch portrait dating to around 1617. The artist’s better-known English portraits date back to 1619. While it was not common practice at the time, Janssens almost always signed and dated his early work. His later works are often unsigned and sometimes confused with the higher valued, Van Dycks.

Janssens, Portrait of a Man with a Watch

Portrait of a Man with a Watch
1657, Oil on Canvas, 83.8 x 70.5 cm
Metropolitan Museum of Art

Many of Janssens’ portraits only depicted the sitter’s head and were painted at a rate of five British pounds. His early portraits were commonly painted on wood panel, with the exception of a series of miniature portraits painted on copper. Janssens often included trompe l’oeil techniques to adorn his portraits.

Janssens, Charles I, King of England

Charles I, King of England
1629, Oil on Canvas
Metropolitan Museum of Art, NY

Janssens, Portrait of Elizabeth Vervoorn

Portrait of Elizabeth Vervoorn
1650, Oil on Canvas
Rijksmuseum, Amsterdam

Janssens gained many important clients through his friendship to Van Dyck, including new gentry and royalty. Portraits of royalty include Charles I, Charles II and James II. Many of his royal portraits now belong to the National Portrait Gallery in London.

Janssens, Portrait of Joan Pietersz Peael

Portrait of Joan Pietersz Peael
1648, Oil on Canvas
Rijksmuseum, Amsterdam

In 1622, Janssens married Elizabeth Beke of Colchester, with whom he had a son and daughter. His son, Cornelius Janssens the Younger, also became a well-known painter. The family lived in England until the tension of the English Civil War became too unsettling for Janssen’s wife, and they decided to relocate, living in Middelburg, Amsterdam and eventually Utrecht, where he spent the last days of his life.

Janssens, Portrait of Johan van Someren

Portrait of Johan van Someren
1650, Oil on Canvas
Rijksmuseum, Amsterdam

Janssens, Portrait of Johan Servaes van Limburg

Portrait of Johan Servaes van Limburg
Oil on Canvas
Rijksmuseum, Amsterdam

Janssens’ paintings are now greatly valued in British and international collections. Do you think you own a painting by this English master? Contact us. We are the Janssens experts.


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1200--lismer.php Arthur Lismer Artwork Authentication & Art Appraisal

Arthur Lismer (1885-1969)

Get a Lismer Certificate of Authenticity for your painting (COA) for your Lismer drawing.

For all your Lismer artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lismer Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lismer painting or drawing.

If you want to sell your Lismer painting or drawing use our selling services. We offer Lismer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lismer and issuing certificates of authenticity since 2002. We are recognized Lismer experts and Lismer certified appraisers. We issue COAs and appraisals for all Lismer artworks.

Our Lismer paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lismer certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lismer painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lismer paintings or drawings take longer.

Our clients include Lismer collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Arthur Lismer art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Arthur Lismer or we will sell it for you.

Lismer, A September Gale, Georgian Bay

A September Gale, Georgian Bay

Lismer,Pine Tree and Rocks

Pine Tree and Rocks

Arthur Lismer was an English-Canadian painter, known for his involvement in the Group of Seven. Lismer was born in Sheffield, England. As a child, he worked at a photo engraving company, which peaked his interest in the arts. Lismer received a scholarship to take courses at the Sheffield School of Arts. In 1905 Lismer moved to Belgium to study art full-time at the Royal Academy of Fine Arts in Antwerp.

Lismer, Moon River

Moon River

Before the Group of Seven became fully developed, Lismer spent some years moving around Canada. Lismer worked at the Victoria School of Art and Design in British Columbia and Nova Scotia College of Art and Design in Halifax. In 1918 Lismer returned to Toronto, where he became the vice-president of the Ontario College of Art and Design.

Lismer, Pine Island, Georgian Bay

Pine Island, Georgian Bay

Lismer, Lily Pond, Georgian Bay

Lily Pond, Georgian Bay

During the 1920s, the Group of Seven began to exhibit annually in Toronto, and received strong reviews for developing a truly Canadian style of painting. Lismer began to receive an international reputation in the 1930s, and was asked to give lectures in cities and universities around the world. In 1936 Lismer spent a year teaching in South Africa. From 1941 to 1967 Lismer lived in Montreal, where worked for the Montreal Museum of Fine Arts as a facilitator of the Children’s Art Center.

Lismer, Georgian Bay, Spring

Georgian Bay, Spring

Lismer, Pines, Georgian Bay

Pines, Georgian Bay

Lismer, Northern Tapestry

Northern Tapestry

Lismer, Bon Echo

Bon Echo

As Lismer spent more time teaching, only his summers were left free to paint. Lismer frequently took painting trips to the Maritimes, Georgian Bay and Vancouver Island. Lismer spent his final year in Montreal, where he was buried next to the other members of the Group of Seven at the McMichael Gallery Grounds. Lismer’s paintings are now in major Canadian and international collections. Do you think you own a painting by Arthur Lismer? Contact us. We are the experts on Arthur Lismer.


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1202--phillips_ammi.php Ammi Phillips Artwork Authentication & Art Appraisal

Ammi Phillips (1788-1865)

Do you think you may own a painting by Ammi Phillips? We authenticate, appraise and research all paintings by this great artist.

Girl in Pink 1832

Girl in Pink 1832

Ammi Phillips was an early American folk art painter born in Colebrook, Connecticut. Phillips was a self-taught artist, and learned how to paint from studying imported prints. He was also known as the Border Limner and the Kent Limner and worked in Connecticut, Massachusetts and New York.

Cornelius Allerton

Cornelius Allerton

Portrait of a Man

Portrait of a Man

Portrait of a Woman

Portrait of a Woman

Phillips was an itinerant portrait painter and today there are 500 known works of his catalogued in public and private collections. Though he was a self-taught artist, it is generally thought by art historians that Phillips studied the works of other painters of the day to create his own fluid style. Very few details of Phillips life are known today, leaving holes in his history and the possibility for his work to surface almost anywhere.

Portrait of Harriet Campbell 1815

Portrait of Harriet Campbell 1815

Mary Jane Soggs and Her Little Brother Henry

Mary Jane Soggs and Her Little Brother Henry

His earliest paintings are somewhat awkward, as is the case with any new self-taught artist. These early period paintings, all dated in 1811 led way to other transitional pieces that showed his gaining talent for using light and recreating fabrics on canvas. He used a fairly luminous and bright palette, but also used a relatively uniform style for posing and costuming his sitters. Throughout his career, it is evident that he grew in leaps and bounds as an artist and his skill as a painter only grew over the years.

Mrs. Mayer and Daughter

Mrs. Mayer and Daughter

Mrs. Day

Mrs. Day

Despite the fact that he was a self-taught artist, Phillips became renowned for his brilliant compositions and was considered a master in color and design. It is this use of color that connects Phillips to the folk art movement, as bright hues were usually downplayed by traditional portrait painters of the day. Like other folk artists, Phillips paintings were also highly detailed as well, but obviously naïve and not photo realistic, no matter how beautifully executed. One only has to look at the hands of his sitters to realize that Phillips was indeed a self-taught artist.

Joseph Slade 1816

Joseph Slade 1816

Young Girl with a Cat and Dog

Young Girl with a Cat and Dog

Abraham Sleight

Abraham Sleight

Though he moved his family quite often, Phillips would attempt to become a part of his community in each new city. He socialized and became friends with the prominent people of each town he lived in to gain patrons and commissions, instead of spending money on advertising. Unlike some of his contemporaries, Phillips did not generally paint portraits of notable Americans, but more of notable locals in the towns in which he lived.

Reverend Jonas Coe

Reverend Jonas Coe

Colonel and Mrs. William

Colonel and Mrs. William

Today, Phillips’ paintings are housed in public and private collections all over New England, including at The Metropolitan Museum of Art in New York City and The Art Institute of Chicago. Still wondering about an early American folk-art portrait hanging in your family’s estate? Contact us…it could be by Ammi Phillips.


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1203--ekster.php Alexsandra Ekster Artwork Authentication & Art Appraisal

Alexsandra Ekster (Александра Александровна Экстер) (1882-1949)

Get a Ekster Certificate of Authenticity for your painting (COA) for your Ekster drawing.

For all your Ekster artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ekster Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ekster painting or drawing.

If you want to sell your Ekster painting or drawing use our selling services. We offer Ekster selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ekster and issuing certificates of authenticity since 2002. We are recognized Ekster experts and Ekster certified appraisers. We issue COAs and appraisals for all Ekster artworks.

Our Ekster paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ekster certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ekster painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ekster paintings or drawings take longer.

Our clients include Ekster collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alexsandra Ekster art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alexsandra Ekster or we will sell it for you.

Motherhood

Motherhood

Alexsandra Ekster was a Russian-Ukrainian painter (Cubo-Futurist, Suprematist, Constructivist), designer, and one of the founders of Art Deco. She was born Aleksandra Grigorovich in Belostok, Imperial Russia (now Poland) to a wealthy Belarusian family. She studied at Kiev art school, then in 1907 attended Académie de la Grande Chaumière in Montparnasse, Paris. From 1908 to 1924 she intermittently lived in Kiev, Saint Petersburg, Odessa, Paris, Rome and Moscow.

Costume Design

Costume Design

In 1908 she participated in an exhibition together with members of the group Zveno (Link) organized by David Burliuk, Wladimir Burliuk and others in Kiev. In 1914 Ekster, together with Kazimir Malevich, Alexander Archipenko, Vadym Meller, Sonia Delaunay-Terk and others, participated in Salon des Indépendants exhibitions in Paris. In the same year she participated in International Futurist Exhibition in Milan. In 1915 she joined the group of avant-garde artists Supremus.

Still Life

Still Life

In 1915-1916 she worked in the peasant craft cooperative in villages Skoptsi and Verbovka along with Kazimir Malevich, Yevgenia Pribylskaya, Natalia Davidova, Nina Genke, Liubov Popova, Ivan Puni, Olga Rozanova, Nadezhda Udaltsova and others. Ekster later founded a teaching and production workshop (MDI) in Kiev (1918-1920). Meller, Petrytsky, Red’ko, Chelitschev, Shifrin, Nikritin worked there. Also during this period she was one of the leading names of Alexander Tairov’s Chamber Theatre. In 1919 together with other avant-garde artists Kliment Red’ko and Nina Genke-Meller she decorated the streets and squares of Kiev and Odessa in abstract style for Revolution Festivities. She worked as a costume designer in a Ballet Studio of the dancer Bronislava Nijinska (Vaslav Nijinsky’s sister).

Picnic on the Beach 1928

Picnic on the Beach 1928

In 1921 she became a director of the elementary course Colour at the Higher Artistic-Technical Workshop (VKhUTEMAS) in Moscow, a position she held until 1924 when she emigrated to France to become a Professor at the Academie der Moderne in Paris. From 1926 to 1930 Ekster was a professor at Leger’s Academie d’Art Contemporain. In 1936 she participated in exhibition Cubism and Abstract Art in New York and went on to have solo exhibitions in Prague and in Paris. In 1936 she began working as a book illustrator for the publishing company Flammarion in Paris. She continued in this role until 1949 when she died in the Paris suburb of Fontenay-aux-Roses.

Costume Design

Costume Design

Still wondering about an early 20th century Russian painting in your family collection? Contact us…it could be by Alexsandra Ekster.


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1204--maurer-hubert.php Hubert Maurer Artwork Authentication & Art Appraisal

Hubert Maurer (1738-1818)

Get a Maurer Certificate of Authenticity for your painting (COA) for your Maurer drawing.

For all your Maurer artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Maurer Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Maurer painting or drawing.

If you want to sell your Maurer painting or drawing use our selling services. We offer Maurer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Maurer and issuing certificates of authenticity since 2002. We are recognized Maurer experts and Maurer certified appraisers. We issue COAs and appraisals for all Maurer artworks.

Our Maurer paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Maurer certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Maurer painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Maurer paintings or drawings take longer.

Our clients include Maurer collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Hubert Maurer art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Hubert Maurer or we will sell it for you.

Maurer painting, Circe and Odysseus

Circe and Odysseus

Hubert Maurer was an 18th century Dutch painter, who was originally trained in sculpture in Vienna by sculptor Franz Xaver Messerschmidt. He studied painting under Anton Raphael Mengs in Rome. Art historians credit Maurer as being influential in the creation of altarpieces in Austria, Bavaria and the Czech Republic. He mainly created rococo-style compositions of religious or mythological figures.

Maurer painting, Study of a Nude

Study of a Nude

Still wondering about a 18th century European painting in your family collection? Contact us…it could be by Hubert Maurer.


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1205--hoechle.php Johann Baptiste Hoechle Artwork Authentication & Art Appraisal

Johann Baptiste Hoechle (1754-1832)

Get a Baptiste Hoechle Certificate of Authenticity for your painting (COA) for your Baptiste Hoechle drawing.

For all your Baptiste Hoechle artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Baptiste Hoechle Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Baptiste Hoechle painting or drawing.

If you want to sell your Baptiste Hoechle painting or drawing use our selling services. We offer Baptiste Hoechle selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Baptiste Hoechle and issuing certificates of authenticity since 2002. We are recognized Baptiste Hoechle experts and Baptiste Hoechle certified appraisers. We issue COAs and appraisals for all Baptiste Hoechle artworks.

Our Baptiste Hoechle paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Baptiste Hoechle certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Baptiste Hoechle painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Baptiste Hoechle paintings or drawings take longer.

Our clients include Baptiste Hoechle collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Johann Baptiste Hoechle art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Johann Baptiste Hoechle or we will sell it for you.

Hoechle painting, Interior Scene

Interior Scene

Johann Baptiste Hoechle was an 18th century Swiss portrait painter. He studied at the Academy in Augsburg and was the father of painter Johann Nepomuk Hoechle. During his career, Hoechle served as court painter in Munich and Vienna . While he was best known for his portraits, Hoechle also painted historical and allegorical scenes.

Hoechle painting, Horse Riders in the Reitschule in Wien

Horse Riders in the Reitschule in Wien

Still wondering about an 18th century European painting in your family collection? Contact us…it could be by Johann Baptiste Hoechle.


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1206--michel.php Georges Michel Artwork Authentication & Art Appraisal

Georges Michel (1763-1843)

Get a Michel Certificate of Authenticity for your painting (COA) for your Michel drawing.

For all your Michel artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Michel Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Michel painting or drawing.

If you want to sell your Michel painting or drawing use our selling services. We offer Michel selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Michel and issuing certificates of authenticity since 2002. We are recognized Michel experts and Michel certified appraisers. We issue COAs and appraisals for all Michel artworks.

Our Michel paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Michel certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Michel painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Michel paintings or drawings take longer.

Our clients include Michel collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Georges Michel art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Georges Michel or we will sell it for you.

Michel Painting, Landscape Outside Paris, 1820

Landscape Outside Paris, 1820

Georges Michel was an 18th century French painter. Michel mainly painted landscapes of the French countryside. He was particularly known for his treatment of cloudy skies.

Michel painting, Landscape with Cottages

Landscape with Cottages

Michel also frequently painted windmills into his landscapes, as well as rolling hills and bluffs overlooking the country.

Michel painting, Windmills, Montmartre

Windmills, Montmartre

Still wondering about an 18th century French landscape in your family collection? Contact us…it could be by Georges Michel.


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1207--de_camp.php Joseph Rodefer De Camp Artwork Authentication & Art Appraisal

Joseph Rodefer De Camp (1858-1923)

We Perform Joseph Rodefer De Camp art authentication. Joseph Rodefer De Camp appraisal. Joseph Rodefer De Camp certificates of authenticity (COA). Joseph Rodefer De Camp analysis, research, scientific tests, full art authentications. We will help you sell your Joseph Rodefer De Camp or we will sell it for you.

De Camp, The Cellist, 1908

The Cellist, 1908

De Camp, The Blue Cup, 1909

The Blue Cup, 1909

Joseph Rodefer De Camp was an American painter who was born in Cincinnati, Ohio but spent much of his career in Boston. When De Camp was only seventeen he initiated his art studies in Munich, Germany. In Munich, De Camp studied under the American painter, Frank Duveneck who led a group of artists known as the “Duveneck Boys”.

De Camp, The Kreutzer Sonata

The Kreutzer Sonata

De Camp was greatly influenced by the teaching of Duveneck, as well as the Dutch Masters whose work he saw while he was in Europe. De Camp was especially drawn to the work of Jan Vermeer.

De Camp, The Steward, 1919

The Steward, 1919

De Camp was known for his figurative paintings of women in interiors, portraits and landscapes. De Camp’s style referenced both Realism and Impressionism but leaned toward the latter as he matured as an artist.

In 1880 De Camp returned to the United States and secured a job teaching art and painting portraits in Boston. De Camp entered the local art scene in Boston and joined the Boston School of Painting. The Boston school, led by Edmund Charles Tarbell and Emil Otto Grundmann was known for its atmospheric and emotional style known as Tonalism. In 1897 De Camp helped to found a group called the Ten American Painters, who primarily painted in an Impressionist style. De Camp continued to paint portraits throughout his career, including a portrait of Theodore Roosevelt as well as several other well-known people of the time.

De Camp, The Blue Mandarin Coat, 1922

The Blue Mandarin Coat, 1922

Unfortunately in 1904, many of De Camp’s paintings were lost in a fire that destroyed his Boston Studio in the Harcourt Building. While most of his early paintings and landscapes were destroyed, many of his portraits belong to major museums. His paintings are currently in the collections of the Museum of Fine Arts in Boston, the Cincinnati Art Museum, Colby College Museum in Maine, the Harvard University Art Museum and the Terra Foundation of American Art in Chicago. De Camp’s paintings are an asset to any fine art collection.

Do you think you own a painting by Joseph De Camp? Contact us. We are the Joseph De Camp experts.


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1208--hopper.php Edward Hopper Artwork Authentication & Art Appraisal

Edward Hopper (1882 – 1967)

Get a Hopper Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Hopper artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Hopper Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hopper painting, drawing or print.

If you want to sell your Hopper painting, drawing or print use our selling services. We offer Hopper selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hopper and issuing certificates of authenticity since 2002. We are recognized Hopper experts and Hopper certified appraisers. We issue COAs and appraisals for all Hopper artworks.

Our Hopper paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hopper certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hopper painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hopper paintings or drawings take longer.

Our clients include Hopper collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Edward Hopper art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Edward Hopper or we will sell it for you.

Nighthawks, 1942

Nighthawks, 1942

New York Restaurant, 1922

New York Restaurant, 1922

Edward Hopper was an American realist painter and printmaker. Hopper’s paintings have become iconic images in American visual culture. Hopper was born in upper Nyack, New York, north of New York City. Nyack was known for its yacht building industry. Hopper’s interest in art began at an early age, he would frequently draw and make watercolor paintings during his childhood. As a teenager, Hopper started making political cartoons and painting self-portraits.

Girl at Sewing Machine

Girl at Sewing Machine

After high school Hopper thought about a career as a naval architect before deciding to build a career as an artist. Hopper’s parents persuaded him to study commercial art, so he could find employment as an illustrator. Hopper spent a year studying at a community college before transferring to New York Institute of Art in 1899. Hopper was instructed by William Merritt Chase, John Sloan and Robert Henri, well-known for their involvement in the Ashcan School of painting in New York City. Hopper had over six years of formal training, often painting from live models. As a student, Hopper painted alongside George Bellows and Rockwell Kent. Their instructors urged them to make bold moves, defying tradition in the art world.

Morning Sun, 1952

Morning Sun, 1952

After graduating from the Institute, Hopper was hired by an advertising agency to design magazine covers for trade magazines. Hopper was unsatisfied working as an illustrator but kept the position for around fifteen years in order to make a steady living.

Chop Suey, 1929

Chop Suey, 1929

Automat, 1927

Automat, 1927

Hotel Room, 1931

Hotel Room, 1931

During the 1920s Hopper was able to make a few trips to Europe. Hopper was most drawn to Paris, though he avoided modern painting trends. Rather than looking at the work of Picasso, Hopper would study paintings by Rembrandt and other realist artists. As Hopper matured as an artist, he started to depict urban street life and café scenes. The French engraver, Charles Meryon, who painted Parisian scenes, greatly influenced Hopper’s style. After returning from Europe, Hopper continued to do illustration on a freelance basis to pay for his New York City painting studio.

The Long Leg

The Long Leg

House by the Railroad

House by the Railroad

The Bootleggers, 1925

The Bootleggers, 1925

In 1912 Hopper ventured to Gloucester, Massachusetts, where he made his first lighthouse paintings and a group of outdoor landscapes. The following year, Hopper sold his first painting at the Armory Show in New York. While Hopper was gaining recognition as an artist, his fame was slow to come. It took many years of struggle and hardship before he could make a living as a painter. Luckily, Hopper could fall back on illustrative work to make ends meet. Illustrations for film and theatre groups later influenced a series of paintings portraying performers.

New York Movie, 1939

New York Movie, 1939

In 1915 Hopper started to produce etchings, which eventually amounted to seventy, printable images. Around 1920 Hopper’s etchings started to rise in popularity. Simultaneously, Hopper was able to exhibit a number of his watercolor paintings at the Brooklyn Museum. Within the next couple of years Hopper was having solo exhibitions in New York City.

Self-Portrait

Self-Portrait

Gas Station

Gas Station

New York Room

New York Room

Summer Interior

Summer Interior

Hopper is best known for his large oil paintings with carefully constructed compositions. Most of his paintings contained figures, often a female. Common settings in Hopper’s paintings include gas stations, motels, restaurants, theatres, railroads, street scenes and seascapes. Hopper defined his own style of painting, creating stage-like scenes to depict American life in the early twentieth century.

Even during the Great Depression, Hopper was able to exhibit in the first Whitney biennial and at the Metropolitan Museum of Art. In 1933 the Museum of Modern Art held a retrospective of his work. During the 1930s and 1940s Hopper remained highly productive, only slowing down during the 50s and 60s because of health complications. Hopper died in his New York City studio in 1967.

Hopper has become one of the most influential names in twentieth century, American art. His images have become cultural icons and are frequently reproduced. Hopper’s paintings now belong to major museums and collections throughout the United States. Do you think you own a painting by Edward Hopper? Contact us. We are the Edward Hopper experts.


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1211--chartrand.php Esteban Chartrand Artwork Authentication & Art Appraisal

Esteban Chartrand (1840-1884)

Get a Chartrand Certificate of Authenticity for your painting (COA) for your Chartrand drawing.

For all your Chartrand artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Chartrand Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Chartrand painting or drawing.

If you want to sell your Chartrand painting or drawing use our selling services. We offer Chartrand selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Chartrand and issuing certificates of authenticity since 2002. We are recognized Chartrand experts and Chartrand certified appraisers. We issue COAs and appraisals for all Chartrand artworks.

Our Chartrand paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Chartrand certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Chartrand painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Chartrand paintings or drawings take longer.

Our clients include Chartrand collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Esteban Chartrand art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Esteban Chartrand or we will sell it for you.

One of the least documented and best loved of the colonial landscape painters, Esteban Chartrand has been fodder for much speculation and admiration. During his short lifetime and career, Chartrand produced a relatively small amount of artwork compared to his contemporaries. However, this makes his work even more desirable—Chartrand’s art commanded the highest price recorded at auction of all the colonial Cuban landscape painters with his painting “The Runaways.”

From early on, Chartrand always showed interest in art. His mother was a portrait painter, and encouraged his studies. At the mere age of fourteen, he was sent off to Paris to study art, and then again in 1864 in his early twenties. There, he studied under Theodore Russeau, a great landscape painter. Thus Chartrans’ passion for French-style landscape painting was born, and this he brought back to Cuba.

It was not until around the 1880’s that landscape painting became popular in Cuban, and Chartrand was at the forefront of this movement. Unlike his fellow French-style landscape painter, Guillermo Collazo, Chartrand painted scenes that were definitely of Cuba. Though highly stylized in the European way, his landscapes were clearly that of Cuban tropicalia, including all of the exotic floral of the island. A typical scene of Chartrands can be seen in his painting “Paisaje” (circa 1870s).

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Paisaje

What many fail to notice about Chartrand is that he was truly a master of lighting. He would often paint scenes set in the evening, during the sunset “beauty light.” His skies are always beautifully illuminated and seem almost photo realistic.

One of Chartrands best known works is more of a city scene with people in colonial-era dress, “El Baile”.

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El Baile, 1879

Among his oil paintings, Chartrand also did quite a few pencil on paper landscape sketches. Whether these were preliminary sketches for his oil paintings or simply sketches, to find one would be very exciting.

It is said that towards the end of his life, Chartrand documented every work he ever painted after his formal training was done. In total, he lists just over 100 oil paintings. In Cuba, between forty and fifty of his works are housed in local museums or private collections. In the United States, some thirty of his works are housed in galleries and museums. This leaves dozens of documented paintings still at large. Where are they? Who could own them? And what of his work he completed while still a student?

During his lifetime Chartrand completed a small amount of work compared to his contemporaries, but also left his mark on local Cuban buildings, such as the Lourdes Chapel. Today his work is housed all over the world, from Cuba to the United States.

If you believe you own a work of art by Esteban Chartrand, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Esteban Chartrand.

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Paisaje Con Rio

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1212--rottmann.php Carl Rottmann Artwork Authentication & Art Appraisal

Carl Rottmann (1797-1850)

Get a Rottmann Certificate of Authenticity for your painting (COA) for your Rottmann drawing.

For all your Rottmann artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rottmann Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rottmann painting or drawing.

If you want to sell your Rottmann painting or drawing use our selling services. We offer Rottmann selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rottmann and issuing certificates of authenticity since 2002. We are recognized Rottmann experts and Rottmann certified appraisers. We issue COAs and appraisals for all Rottmann artworks.

Our Rottmann paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rottmann certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rottmann painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rottmann paintings or drawings take longer.

Our clients include Rottmann collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carl Rottmann art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Carl Rottmann or we will sell it for you.

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Landscape 1823

Carl Rottmann was a German landscape painter and the most famous member of the Rottmann family of painters. Rottmann belonged to the circle of artists around the Ludwig I of Bavaria, who commissioned large landscape paintings exclusively from him. He is best known for mythical and heroising landscapes.

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Sicyon and Corinth 1838

Rottmann was born in Handschuhsheim (today a part of Heidelberg) on January 11, 1797. There he received his first drawing lessons from his father, Friedrich Rottmann, who taught drawing at the university in Heidelberg. In his first artistic period he painted atmospheric phenomena. In 1821 he moved to Munich, where his second period began, and in 1824 he married Friedericke, the daughter of his uncle, Friedrich Ludwig von Sckell, who served as an attendant at court.

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Landscape of Heidelberg

This connection cleared the way for an acquaintance with King Ludwig, who in 1826/27 sponsored his travels in Italy in order to widen his repertoire, which up to that point consisted solely of domestic, German, landscapes. Upon his return he received from King Ludwig I a commission for a monumental cycle of Italian landscapes in the arcade of the Munich Hofgarten. The cycle, completed in 1833 in fresco, gave visual expression to Ludwig’s alliance with Italy, and raised the genre of landscape painting to the height of history painting, the preferred mode of the King’s other great commissions for monumental painting.

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Tomb

In 1834 Rottmann received from the king a commission for a second cycle, this time dedicated to the landscape of Greece; one might mark here the beginning of his third period. At first also intended for the Hofgarten arcade, the 23 great landscapes were eventually installed in the newly-built Neue Pinakothek, where they were given their own hall. Carl Rottmann died on July 7, 1850 in Munich, aged 53 of undisclosed causes. Still wondering about a 19th century German painting in your family collection? Contact us…it could be by Carl Rottmann.


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1213--fernandez-ledesma.php Gabriel Fernández Ledesma Artwork Authentication & Art Appraisal

Gabriel Fernández Ledesma (1900-1983)

Get a Fernández Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Fernández artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Fernández Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fernández painting, drawing or print.

If you want to sell your Fernández painting, drawing or print use our selling services. We offer Fernández selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fernández and issuing certificates of authenticity since 2002. We are recognized Fernández experts and Fernández certified appraisers. We issue COAs and appraisals for all Fernández artworks.

Our Fernández paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fernández certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fernández painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fernández paintings or drawings take longer.

Our clients include Fernández collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gabriel Fernández Ledesma art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gabriel Fernández Ledesma or we will sell it for you.

Ledesma, First Communion, 1925

First Communion, 1925

Ledesma, The Black Gloves, 1940

The Black Gloves, 1940

Gabriel Fernández Ledesma was an important painter, printmaker, draftsman graphic designer and professor in twentieth-century Mexico. Fernández Ledesma was born in Aguascalientes, Mexico in 1900. Fernández Ledesma developed an interest in art and traditional ceramics of his region at an early age. At only fifteen years of age, Fernández Ledesma founded a group of independent artists. Shortly after, Fernández Ledesma moved to the Mexico City to study painting formally at the School of Fine Arts.

Ledesma, Industrial Landscape, 1929

Industrial Landscape, 1929

In 1921 Fernández Ledesma and fellow artist Roberto Montenegro, were given the opportunity to design Mexico’s pavilion at the International Exposition in Rio de Janeiro. Fernández Ledesma quickly established a strong reputation as an artist and designer in Mexico City. Fernández Ledesma exhibited frequently, displaying vibrant landscapes, still life paintings and portraits. Fernández Ledesma later represented Mexico in an exhibit in Paris entitled, “Mexican Art Life and Politics”.

Ledesma, Still Life with Boat, 1938

Still Life with Boat, 1938

In 1925 Fernández Ledesma became a professor central School of Fine Arts. Together with Díaz de León, Fernández Ledesma oversaw expositions of the Ministery of Education from 1931-1932.

In 1926 Fernández Ledesma directed and edited the periodical Forma, dedicated to contemporary fine art. Fernández Ledesma received a grant from the Guggenheim to work on his book “Life in the Death”. In addition to his prolific work as a fine artist, Fernández Ledesma designed suits and worked as an art director for theatrical productions.

Ledesma, Portrait of a Young Girl, 1930

Portrait of a Young Girl, 1930

Fernández Ledesma was awarded a medal named for “José Guadalupe Posada” recognizing his great work as an artist, writer and teacher. Fernández Ledesma held major exhibitions athe the Palace of Fine Arts in 1981 to 1982, and in the vestibule of the Procuraduría General de la República.

Do you still think you may own a painting by Gabriel Fernández Ledesma? Contact us. We are the Fernández Ledesma experts.


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1214--grabar.php Igor Emmanuilovich Grabar Artwork Authentication & Art Appraisal

Igor Emmanuilovich Grabar (1871-1960)

Get a Grabar Certificate of Authenticity for your painting (COA) for your Grabar drawing.

For all your Grabar artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Grabar Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Grabar painting or drawing.

If you want to sell your Grabar painting or drawing use our selling services. We offer Grabar selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Grabar and issuing certificates of authenticity since 2002. We are recognized Grabar experts and Grabar certified appraisers. We issue COAs and appraisals for all Grabar artworks.

Our Grabar paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Grabar certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Grabar painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Grabar paintings or drawings take longer.

Our clients include Grabar collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Igor Emmanuilovich Grabar art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Igor Emmanuilovich Grabar or we will sell it for you.

Grabar, Self-Portrait

Self-Portrait

Grabar, Lenin at the Direct Line

Lenin at the Direct Line

Igor Grabar was a Russian painter, known for working in the genre of ‘socialist realism’. Grabar was born in Budapest in 1871, but moved to Saint Petersburg, Russia as a young man. Before realizing his interest in art, Grabar studied law at the Saint Petersburg University. After graduating with a law degree, Grabar enrolled at the Saint Petersburg Academy of Fine Art in 1894. Grabar also worked in the reputable studio of Ilya Repin and attended the Anton Azbe school in Munich.

Grabar, Still Life

Still Life

Grabar quickly gained attention for his skill as a painter, and associated with a number of highly recognized societies, including World of Art, the Union of Russian Artists, the Academy of Arts, and the Academy of Arts of the USSR. Grabar was also included in several exhibitions through the Moscow Society of Art Lovers, the Society of Moscow Painters and the Society of Moscow Artists.

Grabar, Winter Morning, 1907

Winter Morning, 1907

Grabar was a professor of painting at the Moscow University for over twenty years and headed the All Russian Academy of Arts for a short time. From 1944 until his death, Grabar worked in a leading position for the USSR Academy of Science’s Art History Institute.

Grabar, September Snow, 1903

September Snow, 1903

Grabar, March Snow

March Snow

Grabar, Blue Tablecloth

Blue Tablecloth

Grabar, Winter Portrait, 1934

Winter Portrait, 1934

Grabar, Winter in Russia, 1904

Russian Winter (February Azure), 1904

Grabar, Pears

Pears

Grabar, Pavilion in Kuzminki

Pavilion in Kuzminki

Grabar, Winter Rouk Nests, 1904

Winter Rouk Nests, 1904

Grabar, Spring Springs

Spring Springs

Grabar, Lady with Dog

Lady with Dog

Grabar received acclaim from the People’s Artist of the Soviet Union for his historical work, depicting revolutionary events. Grabar proceeded to lead the Central Restoration Studios and complete thorough writings on Russian art and in 1941 Grabar was awarded the Stalin prize for his great achievements.

Grabar is an important name in Russian and Soviet art history. Grabar’s paintings are important for their artistic and historic value. Do you think you may own a painting by this Russian master? Contact us. We are the experts on Igor Grabar.


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1215--whistler.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "whistler" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "whistler" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1216--gallen-kallela.php Akseli Gallen-Kallela Artwork Authentication & Art Appraisal

Akseli Gallen-Kallela (1865 – 1931)

Get a Gallen-Kallela Certificate of Authenticity for your painting (COA) for your Gallen-Kallela drawing.

For all your Gallen-Kallela artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gallen-Kallela Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gallen-Kallela painting or drawing.

If you want to sell your Gallen-Kallela painting or drawing use our selling services. We offer Gallen-Kallela selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gallen-Kallela and issuing certificates of authenticity since 2002. We are recognized Gallen-Kallela experts and Gallen-Kallela certified appraisers. We issue COAs and appraisals for all Gallen-Kallela artworks.

Our Gallen-Kallela paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gallen-Kallela certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gallen-Kallela painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gallen-Kallela paintings or drawings take longer.

Our clients include Gallen-Kallela collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Akseli Gallen-Kallela art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Akseli Gallen-Kallela or we will sell it for you.

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The Great Black Woodpecker

Akseli Gallen-Kallela was a Finnish painter who is best known for his illustrations of the Kalevala, the Finnish national epic. His work was considered very important for the Finnish national identity.

He was born Axél Waldemar Gallén in Pori (in Swedish Björneborg), Finland. His father Peter Gallén worked as police chief and lawyer. At the age of 11 he was sent to Helsinki to study at a grammar school, because his father opposed his ambition to become a painter. After his father’s death in 1879, Gallen-Kallela attended drawing classes at the Finnish Art Society.

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Imatra in Winter 1893

In 1884 he moved to Paris, to study at the Académie Julian. In Paris he became friends with the Finnish painter Albert Edelfelt, the Norwegian painter Adam Dörnberger, and the Swedish writer August Strindberg.

In 1890 he married Mary Slöör. The couple had three children, Impi Marjatta, Kirsti and Jorma. On their honeymoon to East Karelia, Gallen-Kallela started collecting material for his depictions of the Kalevala. This period is characterized by romantic paintings of the Kalevala, like the Aino triptych and by several landscape paintings.

In December 1894, Gallen-Kallela moved to Berlin to personally oversee the joint exhibition of his works with the works of Norwegian painter Edvard Munch. In March 1895, he received a telegram that his daughter Impi Marjatta had died from diphtheria. This would prove to be a turning point in his work. While his works had previously been romantic, after his daughter’s death Gallen-Kallela painted more aggressive works like the Defense of the Sampo, Joukahainen’s Revenge or Lemminkainen’s mother.

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Lake Keitele 1905

For the Paris World Fair in 1900, Gallen-Kallela painted frescoes for the Finnish Pavilion. In these frescoes, his political ideas became the most apparent. One of the vipers in the fresco Ilmarinen Plowing the Field of Vipers is wearing the Romanov crown, and the process of removing the vipers from the field was a clear reference to his wish of an independent Finland.

He also painted the frescoes for the Jusélius Mausoleum in Pori between 1901 and 1903. The frescoes were soon irreparably damaged by white spots coming through, and Jusélius assigned the artist’s son Jorma to repair the frescoes, which he completed just before his death in 1939.

He officially finnicized his name to the more Finnish sounding Akseli Gallen-Kallela in 1907. In 1909, Gallen-Kallela moved to Nairobi in British East Africa (present-day Kenya) with his family, but he returned to Finland after a couple of years, because he realized Finland was his main inspiration. Between 1911 and 1913 he designed and built a studio and house at Tarvaspää about 10 km north of the centre of Helsinki.

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The Defense of Sampo

In 1917, Gallen-Kallela and his son Jorma took part in the fighting at the front of the Finnish Civil War. When the regent, General Mannerheim, heard about this in 1918, he invited Gallen-Kallela to design the flags, official decorations and uniforms for the newly independent Finland. In 1919 he was appointed aide-de-camp to Mannerheim.

In 1925 he began the illustrations for his “Great Kalevala”. This was still unfinished when he died in Stockholm on 1931-03-07, while returning from a lecture in Copenhagen, Denmark. In 1961, his studio and house at Tarvaspää was opened as the Gallen-Kallela Museum which houses some of his works and research facilities on Gallen-Kallela.

Still wondering about a painting in your family collection? Contact us…it could be by Akseli Gallen-Kallela.


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1217--meytens-van.php Martin van Meytens Artwork Authentication & Art Appraisal

Martin van Meytens (1695-1770)

Get a Van Meytens Certificate of Authenticity for your painting (COA) for your Van Meytens drawing.

For all your Van Meytens artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Van Meytens Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Van Meytens painting or drawing.

If you want to sell your Van Meytens painting or drawing use our selling services. We offer Van Meytens selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Van Meytens and issuing certificates of authenticity since 2002. We are recognized Van Meytens experts and Van Meytens certified appraisers. We issue COAs and appraisals for all Van Meytens artworks.

Our Van Meytens paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Van Meytens certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Van Meytens painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Van Meytens paintings or drawings take longer.

Our clients include Van Meytens collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Martin van Meytens art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Martin van Meytens or we will sell it for you.

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Self-Portrait

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Marie Antoinette

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Portrait of Graf Gustav Adolf von Gotter

Martin van Meytens was an 18th century Austrian painter who came from a family of artists (also spelled Mytens and Mijtens). He studied under his father, Martin van Meytens the Elder, and as a young man, traveled to London, Paris, Vienna and Italy, where he stayed for a long time.

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Emperor Francis I

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Empress Queen Maria Theresa

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Empress Maria Theresa

Van Meytens finally settled in Vienna where he began to create miniature enamel portraits, changing to oil painting in 1730. He eventually became quite popular among the aristocracy and the royals, even painting a portrait of Marie Antoinette and the Austrian royal family. He was eventually named court painter in 1732, and later the director of the Viennese Academy of Fine Arts in 1759.

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Portrait of Denes Banfly

Some art historians have credited van Meytens as being one of the most significant Austrian painters of the Baroque era. Through his pupils, van Meytens style and influence remained alive and spread widely throughout Europe long after his death, and it is said that his manners and interests were highly appreciated by his fellow artists. Today, van Meyten’s work is housed in public and private collections all over the world, and perhaps in your own home. Still wondering about an 18th century Austrian painting in your family collection? Contact us…it could be by Martin van Meytens.


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1218--bordone.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bordone" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bordone" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1219--horslely.php John Callcott Horsley Artwork Authentication & Art Appraisal

John Callcott Horsley (1817 – 1903)

Get a Horsley Certificate of Authenticity for your painting (COA) for your Horsley drawing.

For all your Horsley artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Horsley Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Horsley painting or drawing.

If you want to sell your Horsley painting or drawing use our selling services. We offer Horsley selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Horsley and issuing certificates of authenticity since 2002. We are recognized Horsley experts and Horsley certified appraisers. We issue COAs and appraisals for all Horsley artworks.

Our Horsley paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Horsley certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Horsley painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Horsley paintings or drawings take longer.

Our clients include Horsley collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John Callcott Horsley art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Callcott Horsley or we will sell it for you.

John Callcott Horsley, an English painter and son of William Horsley, the musician, and grand-nephew of Sir Augustus Callcott, was born in London.

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The Morning of St. Valentine 1865

He studied painting in the Academy schools, and in 1836 exhibited “The Pride of the Village” (Vernon Gallery) at the Royal Academy. This was followed by numerous genre pictures at subsequent exhibitions up to 1893, the best known of these being “Malvolio,” “L’Allegro and il Penseroso” (painted for the Prince Consort), “Le Jour des Morts,” “A Scene from Don Quixote,” etc.

In 1843 his cartoon of “St Augustine Preaching” won a prize in the Westminster Hall competition, and in 1844 he was selected as one of the six painters commissioned to execute frescoes for the Houses of Parliament, his “Religion” (1845) being put in the House of Lords; he also painted the “Henry V assuming the Crown” and “Satan surprised at the Ear of Eve.” In 1864 he became RA, and in 1882 was elected treasurer, a post which he held till 1897, when he resigned and became a “retired Academician.”

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Christmas Card *Depicts a child drinking wine, which caused some controversy

Horsley designed the first ever Christmas card, commissioned by Henry Cole. It caused some controversy because it depicted a small child drinking wine. He also designed the Horsley envelope, a pre-paid envelope that was the precursor to the postage stamp.

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The Waltz, Christmas Card

Horsley had much to do with organizing the winter exhibitions of “Old Masters” at Burlington House after 1870. When, during the ‘eighties, the example of the French Salon began to affect the Academy exhibitors, and paintings of the nude became the fashion, he protested against the innovation, and his attitude caused Punch to give him the punning sobriquet of “Mr J C (lothes) Horsley.”

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Lady Jane Grey and Robert Ascham

His son, Sir Victor Horsley (b. 1857), became famous as a surgeon and neuropathologist, and a prominent supporter of the cause of experimental research. Still wondering about a painting in your family collection? Contact us…it could be by John Horsley.


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1220--purrmann.php Hans Purrmann Artwork Authentication & Art Appraisal

Hans Marsilius Purrmann (1880 – 1966)

We Perform Hans Purrmann art authentication. Hans Purrmann appraisal. Hans Purrmann certificates of authenticity (COA). Hans Purrmann analysis, research, scientific tests, full art authentications. We will help you sell your Hans Purrmann or we will sell it for you.

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Seated Nude 1918

Hans Purrmann was a German artist. He was born in Speyer where he also grew up. He completed an apprenticeship as a scene painter and interior decorator, and subsequently studied in Karlsruhe and Munich before going to Paris in 1906. There he became a student and later a friend of Henri Matisse and set up a painting school with the great French painter. After 1916 Purrmann lived in Berlin and Langenargen (Lake Constance), moving from there in 1935 to run the German art foundation at the Villa Romana in Florence. He lived there until 1943, then in Montagnola (Switzerland). He died in Basel. Typical of Purrmann’s style are colorful, sensitively painted landscapes, still lifes and portraits. There are large collections of his works in Langenargen Museum and in the Purrmann House, Speyer.

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The Roman Villa in Suden 1938

Still wondering about a German painting in your family collection? Contact us…it could be by Hans Purrmann.


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1221--chelishchev.php Pavel Chelishchev Artwork Authentication & Art Appraisal

Pavel Chelishchev (Tchelitchew ) (Павел Фёдорович Челищев) (1898-1953)

Get a Chelishchev Certificate of Authenticity for your painting (COA) for your Chelishchev drawing.

For all your Chelishchev artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Chelishchev Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Chelishchev painting or drawing.

If you want to sell your Chelishchev painting or drawing use our selling services. We offer Chelishchev selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Chelishchev and issuing certificates of authenticity since 2002. We are recognized Chelishchev experts and Chelishchev certified appraisers. We issue COAs and appraisals for all Chelishchev artworks.

Our Chelishchev paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Chelishchev certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Chelishchev painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Chelishchev paintings or drawings take longer.

Our clients include Chelishchev collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pavel Chelishchev art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pavel Chelishchev or we will sell it for you.

Hide and Seek 1940-1942

Hide and Seek 1940-1942

Pavel Chelishchev was a Russian-born surrealist painter. He left Russia in 1920, lived in Berlin from 1921 to 1923, and moved to Paris in 1923. His first U.S. show was of his drawings, along with other artists, at the newly-opened Museum of Modern Art in 1930.

Untitled, Leaf People 1940

Untitled, Leaf People 1940

In 1934, he moved from Paris to New York City with his partner, writer Charles Henri Ford. From 1940 to 1947, he provided illustrations for the Surrealist magazine View, edited by Ford and writer and film critic Parker Tyler. He became a U.S. citizen in 1952.

The Childhood of Orson

The Childhood of Orson

Still wondering about a Russian or American surrealist painting in your family collection? Contact us…it could be by Pavel Chelishchev.


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1222--dyce.php William Dyce Artwork Authentication & Art Appraisal

William Dyce (1806-1864)

Get a Dyce Certificate of Authenticity for your painting (COA) for your Dyce drawing.

For all your Dyce artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dyce Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dyce painting or drawing.

If you want to sell your Dyce painting or drawing use our selling services. We offer Dyce selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dyce and issuing certificates of authenticity since 2002. We are recognized Dyce experts and Dyce certified appraisers. We issue COAs and appraisals for all Dyce artworks.

Our Dyce paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dyce certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dyce painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dyce paintings or drawings take longer.

Our clients include Dyce collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform William Dyce art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your William Dyce or we will sell it for you.

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King Lear and the Fool in the Storm

William Dyce was a distinguished Scottish artist. Dyce began his career at the Royal Academy schools, and then traveled to Rome for the first time in 1825. While he was there, he studied the works of Titian and Poussin. He returned to Rome in 1827, this time staying for a year and a half, and during this period he appears to have made the acquaintance of the German Nazarene painter Friedrich Overbeck. After these traveles, he settled for a time in Edinburgh, and finally moved to London. He supported himself by painting portraits at first, but soon took to other subjects of art, especially the religious subjects he preferred. Later in his career, he gave himself to fresco-painting, and as a fresco-painter was selected to adorn the walls of the Palace of Westminster. He returned to Italy in 1845-7, in order to observe the fresco techniques employed there in preparation for work at Westminster. He was particularly impressed by Pinturicchio’s frescoes in the Piccolomini Library in Siena, as well as by the works of Perugino.

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Knights of the Round Table Departing for the Quest for the Holy Grail

Dyce was commissioned to decorate the Queen’s Robing Room of the newly completed Palace of Westminster. He chose to illustrate the various Christian virtues in the legend, and had some difficulty adapting the Courtly love of Mallory’s tales to Victorian mores. The Arthurian legend became popular later in the Victorian period, but when Dyce received the commission to decorate the room in 1847, it was still an obscure subject. The legend soon became a major problem for Dyce, as it turns on the unfaithfulness of a queen, which causes the fall of a kingdom. After initially experimenting with a narrative sequence in which the tale would unfold in the room’s panels, Dyce abandoned this in favor of an allegorical approach. In their finished form, Dyce’s frescoes depict scenes from the Arthurian legend that are intended to exemplify the virtues inscribed beneath them. The actions of the figures in his frescoes appear to the modern viewer to convey qualities whose status as virtues is uncertain, and the connection between the episodes from the Arthurian legend and the virtues they represent is sometimes difficult to discern. The virtues depicted are mercy, hospitality, generosity, religion, and courtesy. Two projected frescoes, Courage and Fidelity, were never executed.

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The Woman of Samaria

The largest collection of William Dyce’s work is displayed at Aberdeen Art Gallery, Scotland. Still wondering about a 19th century Scottish painting in your family collection? Contact us…it could be by William Dyce.


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1223--degas.php Edgar Degas Artwork Authentication & Art Appraisal

Hilaire Germain Edgar Degas (1834-1917)

Get a Degas Certificate of Authenticity for your painting or a COA for your Degas drawing or sculpture.

For all your Degas artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Degas Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Degas painting, drawing or sculpture.

If you want to sell your Degas painting, drawing or sculpture use our selling services. We offer Degas selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Degas and issuing certificates of authenticity since 2002. We are recognized Degas experts and Degas certified appraisers. We issue COAs and appraisals for all Degas artworks.

Our Degas paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Degas certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Degas painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Degas paintings, drawings or sculpture take longer.

Our clients include Degas collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Edgar Degas art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Edgar Degas or we will sell it for you.

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The Star

Edgar Degas is generally thought of as one of the greatest French artists to have ever lived, though his mother was American and he spent a great deal of his life in the United States. This great artist was originally expected to study law, but gave up his formal education at the age of 20 to pursue the arts. In 1856 he left for Italy to study the works of the old master of the Renaissance, and also copied works from the Louvre that same year.

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Promenade by the Sea, Bay of Naples 1860

It is quite possible that some of his sketches from this time could surface in Florence, Venice or Naples and would probably look like this:

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Study of Gentle Bellini 1865

After he returned from Italy, Degas painted mostly portraits and pictures with historical subjects. These works are entirely different than what most people associate him with.

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Young Spartans Exercising

Degas also created landscapes that were quite bland in comparison to his other works, which may cause an art researcher or authenticator to overlook it as a Degas.

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Beach and Dunes

For the next few years, Degas showed his works frequently at the salons until he was called to fight in the Franco-Prussian war of 1870. During that time he had very few chances to paint. After the war, Degas traveled to New Orleans to visit his brother Rene where he stayed and painted portraits of his relatives until 1873.

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Portrait of the Artists Grandfather

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Portrait of the Artists Sister

During this time, he also painted a scene of the office in his family’s cotton company.

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The Cotton Exchange in New Orleans

Degas work while in New Orleans is perhaps the least known of his oeuvre, and the exciting possibility exists that some of his sketches or paintings could show up somewhere in Louisiana.

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The Suffering of the City of New Orleans 1865

Upon his return to Paris, Degas resumed exhibiting his work in the salons, often showing alongside his friend and “rival” painter Edouard Manet. The two shared similar styles and interests and often painted similar subjects like Parisian life.

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The Absinthe Drinker

Of course, when people think of Degas, they have ballerinas in mind, or perhaps women drying up after a bath.

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Dance Class 1871

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Dance Class 1874

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Dancers in the Old Opera House

In reality Degas cared more about race horses than he did about ballerinas and women pulling up their stockings. A survey of all his works from 1860 to 1900 shows that he worked 91 times on a composition involving horses; far more than he worked on any other subject. If you consider his sculpture production, horses win by several lengths.

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Race Horses

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The Races Before the Start

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Race Horses Pastel

Sadly, the death of Degas father brought him into financial ruin in his later years. He was forced to sell much of his art collection to pay off his fathers’ debts and could scarcely get by on his art commissions towards the end of his career.

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The Duke and Dutchess Morbilli

Edgar Degas was a master, a giant really, in the entire world history of painting. Ask any art scholar to pick the top 25 painters of all time and Degas will almost always be included. The fact that he has not sold any works for as much as Claude Monet or Pierre-Auguste Renoir is not due to his lack of immense superiority. Rather, it is because it takes a deeper, more advanced understanding of art, to appreciate him. Discerning museum curators have long acquired most of his major and secondary works; therefore it leaves fewer in the marketplace. However, even some of his more prominent works, such as “Ballet Scene” have disappeared and their whereabouts are unknown.

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Ballet Scene 1880

But a new Degas discovery may not be a pastel, oil, or a drawing. It could even come in a seemingly unexpected form.

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Nude Putting on Stockings

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Louise Reading

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Woman Drying

Yes, these are photographs, by Edgar Degas the photographer. Of course they are very valuable. We only have some 50 of them right now. Could these have been studies for some of his more famous nudes and portraits?

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Nude wiping her foot

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Woman combing her hair

In 1895, at sixty-one years of age, in spite of failing eyesight, Degas took up photography. His photos were never exhibited in his lifetime and very little ever since. Few people even know Degas was ever a photographer. Do we have all of them? Probably not.

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Blue Dancers

Degas was a prolific artist and it is not likely that every single painting, sketch or sculpture that he ever created is accounted for or destroyed. Could that French painting hanging in your family estate be a genuine Degas? Contact us to find out.


done
1224--synchromism.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "synchromism" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "synchromism" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1225--maire.php Andre Maire Artwork Authentication & Art Appraisal

Andre Maire (1898-1984)

Get a Maire Certificate of Authenticity for your painting (COA) for your Maire drawing.

For all your Maire artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Maire Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Maire painting or drawing.

If you want to sell your Maire painting or drawing use our selling services. We offer Maire selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Maire and issuing certificates of authenticity since 2002. We are recognized Maire experts and Maire certified appraisers. We issue COAs and appraisals for all Maire artworks.

Our Maire paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Maire certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Maire painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Maire paintings or drawings take longer.

Our clients include Maire collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Andre Maire art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Andre Maire or we will sell it for you.

King of Emire in Front of a Baobab Tree

King of Emire in Front of a Baobab Tree

Andre Maire was an Expressionist artist and a world traveler who created a loose, tropical style all his own. During his lifetime, Maire traveled the world over, to exotic destinations like Madagascar, Egypt, Nigeria, Laos and Vietnam, and documented his travels with a pen and brush.

The Nile

The Nile

Maire would eventually separate himself from other travel artists of the day by using sepia tones in his sketches to create a warmer look than charcoal alone.

Elephants

Elephants

Beach Sketch, Madagascar

Beach Sketch, Madagascar

Village Sketch, Madagascar

Village Sketch, Madagascar

Born in Paris, Maire began taking art instruction at the age of 12 at the Place des Vosges, and later at the Grand Chaumiere. During this time the artist Emile Bernard mentored him, and though he was likely to have been influenced by a number of painters, he truly was an individual in his style and subject matter.

Vietnam,gouache

Vietnam,gouache

Vietnam interior

Vietnam interior

Today, Maire’s work is housed in public and private collections worldwide, and perhaps in your own home. Still wondering about an exotic painting or sketch hanging in your home? Contact us…it could be by Andre Maire.

Ronda, View of Spain 1928

Ronda, View of Spain 1928

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1227--license.txt
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1228--gros.php Antoine Jean Gros Artwork Authentication & Art Appraisal

Antoine Jean Gros (1771-1835)

Get a Gros Certificate of Authenticity for your painting (COA) for your Gros drawing.

For all your Gros artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gros Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gros painting or drawing.

If you want to sell your Gros painting or drawing use our selling services. We offer Gros selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gros and issuing certificates of authenticity since 2002. We are recognized Gros experts and Gros certified appraisers. We issue COAs and appraisals for all Gros artworks.

Our Gros paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gros certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gros painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gros paintings or drawings take longer.

Our clients include Gros collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Antoine Jean Gros art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Antoine Jean Gros or we will sell it for you.

Gros painting, Portrait of Mme Bruyere

Portrait of Mme Bruyere

Antoine Jean Gros was French portrait painter, and a student of David. He was accused of being sympathetic towards the royalists during the French Revolution, and was forced to leave France . This led him to live in Italy , where he became a successful miniaturist in Florence and Genoa.

Gros painting, Lt. Charles Legrand

Lt. Charles Legrand

While living in Italy , Gros was introduced to Napoleon, who became one of his best known subjects. Gros returned to France in 1799 and frequently participated in the Salons until his death in 1835. In his later years, Gros attempted to paint mythological scenes in the Neoclassical style, but found little success. Depressed due to his failures as an artist, Gros drowned himself in the Seine River in 1835.

Gros painting, Napoleon at Arcola

Napoleon at Arcola

Gros painting, Boparte Visiting the Plague Stricken

Bonaparte Visiting the Plague Stricken

Still wondering about a French painting in your family collection? Contact us…it could be by Antoine Jean Gros.


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1229--nessi.php Marie-Lucie Nessi Artwork Authentication & Art Appraisal

Marie-Lucie Nessi Also Marie-Lucie Nessi-Valtat (1910-1992)

Get a Nessi Certificate of Authenticity for your painting (COA) for your Nessi drawing.

For all your Nessi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Nessi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Nessi painting or drawing.

If you want to sell your Nessi painting or drawing use our selling services. We offer Nessi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Nessi and issuing certificates of authenticity since 2002. We are recognized Nessi experts and Nessi certified appraisers. We issue COAs and appraisals for all Nessi artworks.

Our Nessi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Nessi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Nessi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Nessi paintings or drawings take longer.

Our clients include Nessi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Marie-Lucie Nessi Also Marie-Lucie Nessi-Valtat art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Marie-Lucie Nessi Also Marie-Lucie Nessi-Valtat or we will sell it for you.

La Maison Du Pecheur

La Maison Du Pecheur

Marie-Lucie Nessi was born in Paris in 1910 and entered art school at the age of sixteen. As a young student at the Ecole des Beaux Arts, Nessi became friends with fellow painters Foujita, Kisling and Helion. Like so many other artists of her time, she frequented the cafes of Montparnasse in the evenings for inspiration.

Plum Still Life

Plum Still Life

In 1932, Nessi met and married artist Louis Valtat whom she would have three children with. However, the two would later separate in 1949 and the couple became estranged. Now a single mother, Nessi was forced to find a way to support her chidren and opens up a small ceramics factory. It isn’t until 1958 that Nessi is able to fully devote herself to painting.

Still Life Flowers

Still Life Flowers

The bulk of her oeuvre consists of post-Impressionistic landscapes and still life, many of which are harbor scenes in muted tones with loose brush strokes. Today, Nessi’s work is housed in public and private collections all over France, and perhaps in your own home. Still wondering about a post-Impressionistic still life or landscape hanging in your home? Contact us…it could be by Marie-Lucie Nessi.


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1230--messerschmidt.php Franz Xaver Messerschmidt Artwork Authentication & Art Appraisal

Franz Xaver Messerschmidt (1736-1783)

Do you think you may own a sculpture by Franz Xaver Messerschmidt?

We Perform Franz Xaver Messerschmidt art authentication. Franz Xaver Messerschmidt appraisal. Franz Xaver Messerschmidt certificates of authenticity (COA). Franz Xaver Messerschmidt analysis, research, scientific tests, full art authentications. We will help you sell your Franz Xaver Messerschmidt or we will sell it for you.

Character Head, The Beacked

Character Head, The Beacked

Franz Xaver Messerschmidt was an Austrian sculptor, known for his highly expressive busts of people making less than dignified faces. Messerschmidt quite literally broke them mold when it came to traditional 18th century busts and sculpture portraits, not necessarily in his technique or materials, but more so in his subject matter. In an era where stately men and women of power and wealth were having serious busts commissioned for themselves, Messerschmidt focused on capturing human expression in a way that was far more advanced than many other artists of his time.

Character Head, The Ill Humored Man

Character Head, The Ill Humored Man

Messerschmidt was born in Wiesensteig, Swabia and as a very young boy, became apprenticed to his uncle, an artist named Johannes Baptist Straub. Straub was the sculptor to the court of Munich, and Messerschmidts studied with him there. He later joined the Academy of Art in Vienna where he learned to sculpt metal and carve stone and wood. Austrian Empress Maria Theresa (mother of Marie Antoinette) was fond of his work, and commissioned him for several pieces. This early work was typical of the tastes of the 18th century European aristocracy, generally in the Baroque style.

Empress Maria Theresa

Empress Maria Theresa

Once Messerschmidt had established himself, he began to deviate from the typical styles of the day, and started to create larger than life statues of the Austrian Imperial couple. His vivacious, lively and expressive statues of the empress were met with much success and led him to explore more venues in portrait sculpture.

Character Head #14

Character Head #14

In 1765, Messerschmidt traveled to Rome to study the works of the old masters and returned to Vienna in the early 1770’s. He had become highly sought after by many notable people of the day, and was commissioned to create busts for physicians, thinkers and even art critics. In fact, it was the bust of art critic Franz von Scheyb which may have instigated Messerschmidt’s famous series of “heads.” Messerschmidt portrayed Scheyb without his curly wig and numerous accesories, and despite his bald head (a serious breach of etiquette in that day), quite confident.

Character Head, The Incapable Bassoonist

Character Head, The Incapable Bassoonist

Similarly, in 2004, a bust of the Prince Joseph Wenzel I of Liechenstein was discovered, featuring part of the chest, and was said to have provided the missing link between the prototype of his character heads and the ones we know today. These heads typically feature a bald headed man grimacing, screaming, laughing and pinching his face into a number of interesting contorted expressions for a truly comical effect.

Character Head with Chest

Character Head with Chest

In 1769, Messerschmidt was appointed as the substitute professor of sculpture to court painter Martin van Meytens. He was looking to become next in line as the permanent professor, but it is said that his physical (and possibly mental) health was in a questionable state. Sadly, this rumor of mental incapacity may have been a way for the court to exclude this nonconformist artist, and he began to loose commissions. He eventually was forced to move to Bratislava where he lived the rest of his life completing his “heads” until his death in 1783.

Character Head, The Lecher

Character Head, The Lecher

The way that the artist named and numbered these heads are not coincidental, nor random. The numbers of these heads are assigned in a way to create a strange numerological pattern that divides the heads into pairs. It is thought that there are some 52 of these heads in existence, with only 49 being known and numbered from 1794 to present day. Where are the other three?

Character Head, The Arch Evil

Character Head, The Arch Evil

Today, his “heads” are what put Messershmidt on the books among other sculptors of his day. It is said that in 1939, two of his “heads” were stolen by Nazi soldiers, which were later purchased and displayed at a museum in Vienna. These heads, simply named #18 and #28 were sold in 2005 for $4.8 million and $2.5 million, respectively. The sculpture #28 was sold to The Louvre in Paris, and at that time, set the highest record for a price paid at auction for work by an 18th century sculptor. Still wondering about a highly expressive 18th century bust in your family estate? Contact us…it could be by Franz Xaver Messerschmidt.


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1231--buttersworth.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "buttersworth" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "buttersworth" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1232--forabosco.php Girolamo Forabosco Artwork Authentication & Art Appraisal

Girolamo Forabosco (1605 – 1679)

Get a Forabosco Certificate of Authenticity for your painting (COA) for your Forabosco drawing.

For all your Forabosco artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Forabosco Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Forabosco painting or drawing.

If you want to sell your Forabosco painting or drawing use our selling services. We offer Forabosco selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Forabosco and issuing certificates of authenticity since 2002. We are recognized Forabosco experts and Forabosco certified appraisers. We issue COAs and appraisals for all Forabosco artworks.

Our Forabosco paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Forabosco certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Forabosco painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Forabosco paintings or drawings take longer.

Our clients include Forabosco collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Girolamo Forabosco art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Girolamo Forabosco or we will sell it for you.

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Portrait of a Courtesan

Girolamo Forabosco was an Italian painter of the Baroque period. He was active in Padua and Venice, where he was enrolled in the Venetian Fraglia dei Pittori between 1634-39 and paid taxes in Venice from 1640-44. He was a pupil of Alessandro Varotari (il Padovanino), and influenced in Venice by Bernardo Strozzi. Gregorio Lazzarini was one of his pupils.

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Head of Apollo

Still wondering about an Italian painting in your family collection? Contact us…it could be by Girolamo Forabosco.


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1233--gundersen-gunnar.php Gunnar S. Gundersen Artwork Authentication & Art Appraisal

Gunnar S. Gundersen (1921-1983)

We Perform Gunnar S. Gundersen art authentication. Gunnar S. Gundersen appraisal. Gunnar S. Gundersen certificates of authenticity (COA). Gunnar S. Gundersen analysis, research, scientific tests, full art authentications. We will help you sell your Gunnar S. Gundersen or we will sell it for you.

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Composition

Gunnar S. Gundersen, or Gunnar S. (as he liked to be called) was a Norwegian modernist painter. When he chose his modernistic form he was quickly acknowledged as one of the leaders in the abstract art form in Norway. Gunnar S. is now regarded as one of the most significant painter of the Norwegian post-war period. Even though he never received the international acclaim he might have deserved, he became a unifying figure among his contemporaries in Norway. His work has been an inspiration for many artists in later generations.

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Dance 1968

Gunnar S. was among the young artists who attended the National Academy of Fine Art in Oslo in the years after Norway was liberated from Nazi-Germany. This generation wanted to free themselves for the traditional Norwegian figurative painting and sought inspiration from leading artists in Europe at the time. Danish artist Richard Mortensen, as well as Auguste Herbin, Serge Poliakoff and Victor Vasarely. From the 1960s and to his death in 1983 Gunnar S. developed the expression he is known for.

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Composition 1973

This expression is at first glance a rendition of flat color fields. However, through extensive knowledge of theories of visual perception Gunnar S. is able to transform the color fields into images with a unique spacial quality, what Gunnar S. himself called “inconsistent space.”

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Composition 1965

Still wondering about a Norwegian painting in your family collection? Contact us. It could be by Gunnar S.


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1234--drolling.php Martin Drölling Artwork Authentication & Art Appraisal

Martin Drölling (1752-1817)

Get a Drölling Certificate of Authenticity for your painting (COA) for your Drölling drawing.

For all your Drölling artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Drölling Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Drölling painting or drawing.

If you want to sell your Drölling painting or drawing use our selling services. We offer Drölling selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Drölling and issuing certificates of authenticity since 2002. We are recognized Drölling experts and Drölling certified appraisers. We issue COAs and appraisals for all Drölling artworks.

Our Drölling paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Drölling certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Drölling painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Drölling paintings or drawings take longer.

Our clients include Drölling collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Martin Drölling art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Martin Drölling or we will sell it for you.

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Orphee and Eurydice

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Young Woman Reaching for Guitar at a Stone Casement, and a Boy Playing Flute Beyond

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Le Colporteur

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Interior of a Kitchen

Martin Drölling was an 18th century painter. He studied at the Ecole des Beaux-Arts in Paris, and admired and copied the works of 17th century Dutch and Flemish masters. He exhibited at the Paris Salons and the Salon de la Correspondence, and mainly painted genre scenes and mythological or historical paintings.

Still wondering about a European painting in your family collection? Contact us…it could be by Martin Drölling.


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1235--galilliard.php Jean-Jacques Gailliard Artwork Authentication & Art Appraisal

Jean-Jacques Gailliard (1890-1976)

Get a Gailliard Certificate of Authenticity for your painting (COA) for your Gailliard drawing.

For all your Gailliard artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gailliard Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gailliard painting or drawing.

If you want to sell your Gailliard painting or drawing use our selling services. We offer Gailliard selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gailliard and issuing certificates of authenticity since 2002. We are recognized Gailliard experts and Gailliard certified appraisers. We issue COAs and appraisals for all Gailliard artworks.

Our Gailliard paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gailliard certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gailliard painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gailliard paintings or drawings take longer.

Our clients include Gailliard collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean-Jacques Gailliard art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Jean-Jacques Gailliard or we will sell it for you.

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Photo of the artist

Jean-Jacques Gailliard was an avant-garde artist born in Belgium. He attended the Academie des Beaux-Arts in Brussels where he lived nearly his entire life. He was able to travel with his father all over Europe early in his career, and in 1920, spent four years in Paris. His earliest works were inspired by theology and mythology, such as one of his best known works “The Child Oedipus” or “Oedipe Enfant.”

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Oedipe Enfant

Gailliard was a believer in “Swedenborgianism,” a theosophy founded by Emanuel Swedenborg that is contrived of the idea of a universal religion. In turn, Gailliards faith and beliefs are evident in much of his work, and he even decorated a Swedenborg chapel in Brussels.

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The Baron Saturne

Gailliard was considered an Abstract artist, and continued to paint religious-themed compositions his entire life. However, Gailliard’s religious or theological paintings are in a more post-Impressionistic style. He was somehow able to successfully work dually in Abstract and Figurative styles, and was even linked to the roots of Belgian Surrealism.

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Tombeau de Michel de Ghelderode, 1952

Gailliard is remembered as one of Belgium’s finest Abstract artist, and today his paintings are housed all over Europe, and perhaps even in your own home.


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1236--rouault.php Georges Henri Rouault Artwork Authentication & Art Appraisal

Georges Henri Rouault (1871 – 1958)

Get a Rouault Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Rouault artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Rouault Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rouault painting, drawing or print.

If you want to sell your Rouault painting, drawing or print use our selling services. We offer Rouault selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rouault and issuing certificates of authenticity since 2002. We are recognized Rouault experts and Rouault certified appraisers. We issue COAs and appraisals for all Rouault artworks.

Our Rouault paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rouault certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rouault painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rouault paintings or drawings take longer.

Our clients include Rouault collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Georges Henri Rouault art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Georges Henri Rouault or we will sell it for you.

Rouault, Paysage Légendaire [Mythical Landscape]

Paysage Légendaire [Mythical Landscape]
1936 Oil on canvas (50.8 x 49.5 cm)

Rouault, La rixe sur le chantier (Night Landscape)

La rixe sur le chantier (Night Landscape)
1897 Pastel and gouache

Rouault was a French painter and printmaker, connected to the Fauvist and Expressionist movements. Rouault was born in Paris, where he studied and spent most of his life. Rouault started an apprenticeship at the age of fourteen, working as in glass painting and restoration. During his apprenticeship, Rouault started taking evening art classes. In 1891 Rouault decided to devote more time to study and enrolled at the Ecole des Beaux-Arts in Paris. Rouault studied under Gustave Moreau, an active symbolist painter in Paris. After Moreau’s death, Rouault was chosen to curate the official Moreau Museum.

Rouault, Profile of a Clown

Profile of a Clown
about 1940–48 Oil on paperboard mounted on panel 66x 48 cm
Museum of Fine Arts, Boston

Rouault, Pierrot

Pierrot
1937–38 Oil on Canvas 118.1 x 89.5cm

After Rouault’s studies he gravitated to a circle of fauvist painters, which included Henri Matisse, Albert Marquet, Henri Manguin and Charles Camoin. In 1895 Rouault began exhibiting in major venues in Paris and was accepted into the famous, Salon d’Automne multiple times.

Rouault, Clown

Clown
1907 Oil on paper on canvas (29.2 x 32.7 cm)

Rouault, Circus Act

Circus Act
1905 Pastel, charcoal, watercolor, and ink on paper (26.0 x 34.3 cm)

In 1907 Rouault began painting his clown series, which were intended to criticize society’s moral values. Rouault’s personal values began to be shaped by his religious views and the existential views of Jacques Maritain. By 1917 Rouault decided to dedicate all of his time to creating paintings informed by the Christian faith. In addition to traditional painting, Rouault helped to design “The Prodigal Son” a ballet by Diaghilev.

Rouault, Woman at a Table (The Procuress)

Woman at a Table (The Procuress)
1906 Watercolor and pastel on borrad (31 x 24.1 cm)

Rouault, The Clown

The Clown
1907 Oil, ink, and watercolor on cut-and-pasted paper on borrad (40.6 x 32.4 cm)

Rouault, Clown

Clown
1912 Oil on canvas (89.8 x 68.2 cm)

Rouault, The Three Judges

The Three Judges
1913 Gouache and oil on borrad (75.9 x 105.7 cm)

Rouault, Man with Spectacles

Man with Spectacles
1917 Watercolor and crayon on paper (29.8 x 16.5 cm)

Rouault, He was Oppressed, and He Was Afflicted, Yet He Opened Not His Mouth

“He was Oppressed, and He Was Afflicted, Yet He Opened Not His Mouth”, plate XXI from Miserere
1923 Aquatint, lift ground aquatint, and drypoint over photogravure, plate (58.2 x 41.1 cm)

Shortly before his death, Rouault burned around three hundred of his paintings. His remaining works are extremely valuable and can be found in major museums and private collections around the world. Do you think you own a painting by Rouault? Contact us. We are the Rouault experts.


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1237--davis_s.php Stuart Davis Artwork Authentication & Art Appraisal

Stuart Davis (1892-1964)

We Perform Stuart Davis art authentication. Stuart Davis appraisal. Stuart Davis certificates of authenticity (COA). Stuart Davis analysis, research, scientific tests, full art authentications. We will help you sell your Stuart Davis or we will sell it for you.

Davis, The Mellow Pad

The Mellow Pad

Davis, Hot Still Scope for Six Colors, 7th Avenue Style

Hot Still Scope for Six Colors, 7th Avenue Style

Davis, Garage No. 1

Garage No. 1

Stuart Davis is known as an important painter of the American modernist movement. Davis created his own style of pop art, using colorful forms inspired by jazz music.

Davis, Tree and Urn

Tree and Urn

Stuart was born in Philadelphia, Pennsylvania to an artistic family. Davis’s father worked as the art director of the Philadelphia Press and his mother was a visual artist, focusing on sculpture. Davis’s interest in art was nurtured from an early art, and Philadelphia provided a rich setting to study painting. Davis studied under the modernist artist, Robert Henri, known as a leader of The Eight and the Ashcan School. As an instructor, Henri promoted the idea of pushing the boundaries of painting in new and exciting directions. Davis proved to be a receptive pupil, and exhibited in the historical and controversial Armory Show in 1913. The exhibit is known as a pivotal event in American modern art.

Davis, Lucky Strike, 1921

Lucky Strike, 1921

Davis, Steeple Street

Steeple Street

Davis, Owh! San-Pao

Owh! San-Pao

After the Amory Show, Davis became committed to developing his work as a modernist painter. Davis continued his work and studies in Paris, known as an origin of cubist art and modern thinking. Davis developed his painting style, using abstract shapes and forms to reference contemporary American culture. Davis’s art also referenced advertisements by using graphic colors and text. Davis was greatly inspired by jazz, and tried to create a visual parallel in his painting. To Davis, jazz was not only music but also the “American scene”.

Davis, Report from Rockport

Report from Rockport

Davis, Swing Landscape

Swing Landscape

Davis, Ultra-Marine

Ultra-Marine

Davis, NY Waterfront

NY Waterfront

Davis, Landscape with Drying Sails

Landscape with Drying Sails

Davis, Combination Concrete

Combination Concrete

Davis, Rapt at Rappaport's

Rapt at Rappaport’s

Davis, Ivy League

Ivy League

Davis’s work was well received by the public, and became particularly popular in New York. Davis showed his work under the representation of Edith Gregor Halpert at a downtown gallery in New York City.

Davis, Section Study for Alle, 1955

Section Study for Alle, 1955

Davis, Untitled

Untitled

Davis, NY Mural

NY Mural

Stuart Davis’s paintings have become iconic images in American culture. Davis was incredibly successful in creating a unique and vibrant style that simultaneously defined an era in American life. Davis’s paintings are now in numerous museums in the United States and around the world. Do you think you own a painting by Stuart Davis? Contact us. We are the experts on Stuart Davis.


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1238--boonzaaire.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "boonzaaire" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "boonzaaire" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1239--turner.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "turner" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "turner" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1240--sinding.php Otto Sinding Artwork Authentication & Art Appraisal

Otto Ludvig Sinding (1842 – 1909)

Get a Sinding Certificate of Authenticity for your painting (COA) for your Sinding drawing.

For all your Sinding artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sinding Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sinding painting or drawing.

If you want to sell your Sinding painting or drawing use our selling services. We offer Sinding selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sinding and issuing certificates of authenticity since 2002. We are recognized Sinding experts and Sinding certified appraisers. We issue COAs and appraisals for all Sinding artworks.

Our Sinding paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sinding certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sinding painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sinding paintings or drawings take longer.

Our clients include Sinding collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Otto Sinding art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Otto Sinding or we will sell it for you.

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Fisherwoman on the Coast, 1883

Otto Sinding was a Norwegian painter. He went to art school in Christiania and continued his studies under Hans Gude in Karlsruhe, coming into contact with Wilhelm Ludwig Friedrich Riefstahl and Karl Theodor von Piloty.

Sinding drew on motives from Norwegian nature, folk life and history. Some of his best known works are landscape paintings from Lofoten. Still wondering about a Norwegian painting in your family collection? Contact us…it could be by Otto Sinding.


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1241--group_of_7.php Group of Seven Artwork Authentication & Art Appraisal

Group of Seven Canadian landscape painters

We Perform Group of Seven art authentication. Group of Seven appraisal from . Group of Seven certificates of authenticity (COA). Group of Seven analysis, research, scientific tests, full art authentications. We will help you sell your Group of Seven or we will sell it for you.

Group of Seven, MacDonald

MacDonald “Mist Fantasy”

Group of Seven, MacDonald

MacDonald “Lake O’Hara”

The Group of Seven consisted of Canadian based artists: Franklin Carmichael, Lawren Harris, A.Y. Jackson, Frederick Varley, Frank Johnson, Arthur Lismer, J.E.H. MacDonald. The seven members were highly influenced by Tom Thomson, who died before the group was officially formed. Emily Carr is also had connections to the group, but was never an official member.

Group of Seven, Jackson

Jackson “Road to St. Fidele”

The group members are most remembered for their post-impressionistic landscape paintings of the Canadian wilderness. Few artists succeeded in creating a truly Canadian painting aesthetic before the Group of Seven.

Group of Seven, Jackson

Jackson “Evening” 1918

Many of the artists first met at the commercial art firm, Grip Ltd in Toronto. Tom Thomson, J.E.H. MacDonald, Arthur Lismer, Frederick Varley, Franklin Carmichael and Franklin Johnston were all employed by Grip, and shared a passion for painting and the outdoors. The colleagues started taking weekend painting trips outside of the city.

Group of Seven, Johnston

Johnston “Sunset in the Bush”

Group of Seven, Johnston

Johnston “Fire-Swept Algoma”

The other members, A.Y. Jackson and Lawren Harris, met through the Arts and Letters Club of Toronto, which frequently held painting exhibitions and art discussions.

Group of Seven, Lismer

Lismer “Pine Trees, Georgian Bay”

Group of Seven, Lismer

Lismer “Pines, Georgian Bay”

The Group of Seven was able to create its own studio space with funding from Harris, who inherited money through a family farm machinery industry. The studio building was erected in an area known as the Rosedale ravine. The group also received support from Dr. James MacCallum, who owned land on Georgian Bay, where the group often went to paint.

Group of Seven, Harris

Harris “Mount Thule, Bylot Island”

Group of Seven, Harris

Harris “Afternoon Sin, Lake Superior”

The Group of Seven briefly disbanded during the First World War. Members, Varley and Jackson became official war artists, documenting historic events for the Canadian archives. It was not until 1919 that the painters coined the term, Group of Seven. The members reunited to paint the wilderness of Muskoka an Algoma in northern Ontario. In 1920 the group became official and held their first cohesive exhibition.

Group of Seven, Carmichael

Carmichael “Mirror Lake”

Group of Seven, Carmichael

Carmichael “Autumn in the Northland”

A year after their first group show, Frank Johnston resigned from the group, preferring to develop his own career. By 1926, the remaining six members decided to allow new members to join, including A.J. Casson, Edwin Holgate and Le Moine Fitzgerald. The newly expanded group ventured to British Columbia, Nova Scotia, Quebec, and the icy Arctic to capture majestic and dramatic scenes of the wilderness.

Group of Seven, Varley

Varley “Stormy Weather, Georgian Bay”

Group of Seven, Varley

Varley “On the Road to Marble Mountain” 1955

The Group of Seven held eight exhibitions before its reincarnation as the larger association known as the Canadian Group of Painters, which formed in 1933. Though the Group of Seven was a short-lived movement, they were seen as pioneers in the field of Canadian landscape painting. Many of their paintings are in major museums and collections, including the McMichael Canadian Art Collection in Kleinberg, Ontario. Do you think you own a painting by one of the Group of Seven members? Contact us. We are experts on the Group of Seven.


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1243--desilvestre.php Louis de Silvestre Artwork Authentication & Art Appraisal

Louis de Silvestre (1675-1760)

We Perform Louis de Silvestre art authentication. Louis de Silvestre appraisal. Louis de Silvestre certificates of authenticity (COA). Louis de Silvestre analysis, research, scientific tests, full art authentications. We will help you sell your Louis de Silvestre or we will sell it for you.

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Self-Portrait

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Maria Amalia di Sassonia

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Auguste II

Louis de Silvestre was the court painter for the Saxon court at Dresden and Warsaw for thirty-two years. He painted many portraits of nobility and aristocrats. In the bombing of Dresden during World War II, many of his best works were destroyed. He painted the Last Supper, and other biblical and mythological scenes at Versailles as well as the Creation of Man at the Musée Fabre, Montpellier.

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Jupiter

His style of portraiture was heavily influenced by Nicholas Poussin and De La Fosse. Through his presence in the Saxon lands, he influences generations of Central European portrait painters. De Silvestre was received into the Academie Royale in 1702, and rose progressively through the ranks of the professorship. He first learned painting by apprenticing under his father, Israël Silvestre. A catalogue raisonné of his work was published in 1932.

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Marie-Louise-Elisabeth D’Orleans

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Auguste III

Still wondering about an 18th century European painting in your family collection? Contact us…it could be by Louis de Silvestre.


done
1244--vabbe.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vabbe" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vabbe" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1245--leighton.php Lord Frederick Leighton Artwork Authentication & Art Appraisal

Lord Frederick Leighton (1830-1896)

Get a Leighton Certificate of Authenticity for your painting (COA) for your Leighton drawing.

For all your Leighton artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Leighton Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Leighton painting or drawing.

If you want to sell your Leighton painting or drawing use our selling services. We offer Leighton selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Leighton and issuing certificates of authenticity since 2002. We are recognized Leighton experts and Leighton certified appraisers. We issue COAs and appraisals for all Leighton artworks.

Our Leighton paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Leighton certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Leighton painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Leighton paintings or drawings take longer.

Our clients include Leighton collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lord Frederick Leighton art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lord Frederick Leighton or we will sell it for you.

A Victorian painting worth up to $335,000 was recently discovered at a country house in Suffolk, 80 years after the art market had lost track of it.  “Cleobulos Instructing his Daughter Cleobuline” by Lord Leighton hung high in a lofty hall. The classical painting, measuring 2 ft by 3 ft 3 in, was one of three exhibited by the artist at the Royal Academy 1871 summer exhibition.

Its location has been unknown since 1916.

The catalogue for the Leighton centenary exhibition at The Royal Academy in Piccadilly, seen by 118,000 people between February and April this year, described the study as “untraced”. The family wishes to remain anonymous. They always believed the study to be a Leighton, but had no idea of its potential auction value. The discovery of this virtually unknown work is particularly important as it is from a rich and intriguing phase of Lord Leighton’s career.

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Athlete Struggling with a Python

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A New Light in the Harem

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The Bath of Psyche, 1890

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Daedalus and Icarus

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The Fisherman and the Siren, 1858

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Flaming June

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Gulnihal, 1886

Still wondering about a painting in your family collection? Contact us…it could be by Lord Frederick Leighton.


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1246--henner.php Jean-Jacques Henner Artwork Authentication & Art Appraisal

Jean-Jacques Henner (1829-1905)

Get a Henner Certificate of Authenticity for your painting (COA) for your Henner drawing.

For all your Henner artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Henner Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Henner painting or drawing.

If you want to sell your Henner painting or drawing use our selling services. We offer Henner selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Henner and issuing certificates of authenticity since 2002. We are recognized Henner experts and Henner certified appraisers. We issue COAs and appraisals for all Henner artworks.

Our Henner paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Henner certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Henner painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Henner paintings or drawings take longer.

Our clients include Henner collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean-Jacques Henner art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Jean-Jacques Henner or we will sell it for you.

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Solitude

Jean-Jacques Henner was born in Alsace, France, and studied in Strasbourg, and then at the Ecole des Beaux-Arts under Picot and Drolling. During this time, he excelled and was particularly interested in portraiture. He would typically sign his paintings “Henner,” sometimes on the front, and sometimes on the back of his canvas. During frequent trips home, Henner would use his family and friends as his subjects, and had a particular attraction to painting women with red hair. Painting redheads and nudes with red hair would become his calling card, and gained him great notoriety in his time.

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The Reader

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Portrait of a Young Lady

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A Red Haired Beauty

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Femme en Priere

Henner won the Prix de Rome in 1848 for his painting of “Adam and Eve Finding the Body of Abel.” Due to this win, Henner was able to study in Rome until 1859, where he improved on his chiaroscuro method by studying the old masters. After this point, Henner’s paintings would increasingly have religious or mythological themes.

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Nymphs a la Source

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The Chaste Susannah

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Levite of Ephram and his Dead Wife, 1898

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Idylle

Although widely known for his paintings of nymphs and nudes in idealized landscapes, Henner was still sought after for creating portraits. One of his most famous is of fellow painter Carolus Duran.

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Girl in a Sailor Suit, 1880

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Portrait of Carolus Duran

In 1873 Henner was made a Knight of the Legion of Honor, and in 1900 he won the Grand Prix in Paris. Toward the end of his career, he also had a number of students under his instruction, most notable Louise Abemma.

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Beauty Reading a Book

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Fabriola

During his career, Henner received much notoriety, however, towards the end of his life, his popularity was on the decline. Despite the fact that Henner may not be a household name, his paintings are still housed in museums worldwide. He left behind a legacy of creating beautiful paintings of ethereal young women, and though his landscapes and still life paintings were few, there are certainly a few still in existence today. Still wondering about a family portrait or sensuous nude paintings in your home? Contact us—it may be by Jean-Jacques Henner.

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Woman on a Black Divan

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1247--kirchner.php Ernst Kirchner Artwork Authentication & Art Appraisal

Ernst Ludwig Kirchner (1880 – 1938)

Get a Kirchner Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Kirchner artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Kirchner Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kirchner painting, drawing or print.

If you want to sell your Kirchner painting, drawing or print use our selling services. We offer Kirchner selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kirchner and issuing certificates of authenticity since 2002. We are recognized Kirchner experts and Kirchner certified appraisers. We issue COAs and appraisals for all Kirchner artworks.

Our Kirchner paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kirchner certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kirchner painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kirchner paintings or drawings take longer.

Our clients include Kirchner collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ernst Kirchner art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ernst Kirchner or we will sell it for you.

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Self-Portrait with Model 1910

Ernst Kirchner was a German expressionist painter and printmaker and one of the founders of the artists group Die Brücke or “The Bridge.” Born in Aschaffenburg, Germany, Kirchner studied architecture in Dresden beginning in 1901. While in Dresden, he befriended three other young architecture students, Erich Heckel, Karl Schmidt-Rottluff, and Fritz Bleyl. This young group was drawn together by their desire to become painters as well as by their dislike of modern painting. They began calling themselves Die Brücke, which described their liking of “all revolutionary and surging elements”. The group sought inspiration in such painters as Vincent Van Gogh, Paul Gauguin, and Edvard Munch as well as the primitive arts of Africa and the Pacific Islands.

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The Drinker 1914-1915

Kirchner’s own artistic development began with woodcuts he created in the years before 1900. After studying architecture, he studied painting in Munich and was influenced there by Art Nouveau styles as well as by the woodcuts of Albrecht Dürer. In Munich, Kirchner’s style of painting developed as he began using bold colors, reminiscent of Gauguin, and wild brushstrokes reminiscent of Van Gogh. His portrayal of subjects conveys an emotional intensity similar to that found in the woodcuts of Dürer and Munch.

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Seated Girl 1910

With the onset of World War I, Kirchner entered military service, and in 1915, he suffered a nervous breakdown and physical collapse. In a self-portrait of this time he depicts himself with an amputated hand (this did not actually happen). He moved to a sanitarium near Frankfurt, where he completed five wall frescoes in 1916, but was struck by a car and severely injured. In 1918 he moved near Davos, Switzerland to convalesce, but continued to suffer from depression despite solo shows held in Munich, Hamburg, and New York.

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Artillery Men 1915

Kirchner wrote critical appraisals of his own work under his nom de critique, “L. de Marsale.”[1] He repainted earlier works, and also changed the dates on some in order to predate Fauvism, which he claimed not to be influenced by. His position in the artistic vanguard had also been threatened by the emergence of Cubism and for a time he worked in a manner derived from it. The works for which he is most noted are those prior to his war service, in particular a series of graphics and paintings depicting street life (i.e. prostitutes) in Berlin.

His printmaking was very extensive, including 971 woodcuts, 665 etchings and 458 lithographs in the Dube Catalogue raisonné. His inclusion in Entartete Kunst, the Nazis’ 1937 exhibition of so-called “degenerate art,” along with the destruction of approximately 600 of his works, caused him further distress, exacerbated by the closeness of his Swiss home to the German border. Kirchner committed suicide in 1938 in Davos.

Still wondering about a German painting in your family collection? Contact us…it could be by Ernst Kirchner.


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1248--fontana_l.php Lavinia Fontana Artwork Authentication & Art Appraisal

Lavinia Fontana (1552 – 1614)

We Perform Lavinia Fontana art authentication. Lavinia Fontana appraisal. Lavinia Fontana certificates of authenticity (COA). Lavinia Fontana analysis, research, scientific tests, full art authentications. We will help you sell your Lavinia Fontana or we will sell it for you.

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Self-Portrait 1577

Lavinia Fontana was an Italian painter. Fontana was the daughter of the painter Prospero Fontana, who was a leading painter of the School of Bologna at the time and served as her teacher. Continuing the family business was typical at the time.

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Portrait of a Noble Woman 1580

Her earliest known work, “Child of the Monkey”, was painted in 1575 at the age of 23. Though this work is now lost, another early painting, Christ with the Symbols of the Passion, painted in 1576 is now in the El Paso Museum of Art. She would go on to paint in a variety of genres. Early in her career, she was most famous for painting upper-class residents of her native Bologna. She also created paintings of male and female nudes and large scale religious paintings.

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Portrait of a Girl Covered in Hair

Fontana married Paolo Zappi (alternately spelled Paolo Fappi) in 1577. She gave birth to 11 children, though only 3 outlived her. After marriage, Fontana continued to paint to support her family. Zappi took care of the household and served as painting assistant to his wife, including painting minor elements of paintings like draperies.

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Jesus Appears to Mary Magdalene 1581

Fontana and her family moved to Rome in 1603 at the invitation of Pope Clement VII. She gained the patronage of the Buoncampagni, of which Pope Gregory XIII was a member. Lavinia thrived in Rome as she had in Bologna and Pope Paul V himself was among her sitters. She died in Rome on August 11, 1614.

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Judith and Holofernes

Some of her portraits, often lavishly paid for, have been wrongly attributed to Guido. Chief among these are Venus; The Virgin lifting a veil from the sleeping infant Christ; and the Queen of Sheba visiting Solomon. Her self-portrait – in youth she was said to have been very beautiful – was perhaps her masterpiece; it belongs to Count Zappi of Imola, the family into which Lavinia married.

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Family Portrait

While her youthful style was much like her father’s, she gradually adopted the Carracciesque style, with strong quasi-Venetian coloring. She was elected into the Academy of Rome, and died there in 1614.

There are over 100 works that are documented from early sources, but only 32 signed and dated works are known today. There are 25 more that can be attributed to her, making hers the largest oeuvre for any female artist prior to 1700. Sofonisba Anguissola may have been an influence on her career.

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Portrait of a Girl 1580

Partial List of Works

  • Self-Portrait with the Spinet Accompanied by a Handmaiden (1577, Accademia Nazionale di San Luca, Rome)
  • Consecration to the Virgin, (Musee des Beaux-Arts, Marseilles, originally the Gnetti Chapel, Santa Maria dei Servi, Bologna)
  • Portrait of a Lady with Lap Dog, (ca. 1595, Walters Art Museum, Baltimore)
  • Portrait of Gerolamo Mercuriale (ca. 1587-90, Walters Art Museum, Baltimore)
  • Noli me tangere, (1581, Uffizi, Florence)
  • Assumption of the Virgin with Saints Peter Chrysologus, and Cassian, (1584, Palazzo Comunale de Imola)
  • Portrait of the Coozzadini Family, (1584, Pinacoteca Nazionale, Bologna)
  • Holy Family, (1589, El Escorial, Outside Madrid)
  • Birth of Virgin, (Santissima Trinita, Bologna)
  • Portrait of a Couple, (1580-1585, Cleveland Museum of Art, Cleveland)
  • Deposition, 1581, Cornell Fine Arts
  • Jesus among the Doctors , part of the Mystries of the Rosary in the Rosary chapel in the Basilica of San Domenico, Bologna

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Minerva Dressing 1613

Still wondering about an Italian painting in your family collection? Contact us…it could be by Lavinia Fontana.


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1249--cabrera.php Servando Cabrera Moreno Artwork Authentication & Art Appraisal

Servando Cabrera Moreno (1923-1981)

Get a Cabrera Moreno Certificate of Authenticity for your painting (COA) for your Cabrera Moreno drawing.

For all your Cabrera Moreno artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cabrera Moreno Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cabrera Moreno painting or drawing.

If you want to sell your Cabrera Moreno painting or drawing use our selling services. We offer Cabrera Moreno selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cabrera Moreno and issuing certificates of authenticity since 2002. We are recognized Cabrera Moreno experts and Cabrera Moreno certified appraisers. We issue COAs and appraisals for all Cabrera Moreno artworks.

Our Cabrera Moreno paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cabrera Moreno certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cabrera Moreno painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cabrera Moreno paintings or drawings take longer.

Our clients include Cabrera Moreno collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Servando Cabrera Moreno art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Servando Cabrera Moreno or we will sell it for you.

Servando Cabrera Moreno has a uniquely different style than that of his Cuban contemporary artists. While others were finding their way in the world amongst the European schools of art, Cabrera Moreno found a different niche of his own. He found heightened popularity in Cuba throughout the 1960s and 70s, and his work is still revered today. Sometimes mythical, other times abstract, and towards the end of his career, more sexually explicit and erotic, Cabrera Moreno’s work is like no others of his time.

Born in Havana during the upswing of the vanguard movement, Cabrera Moreno studied art in New York City and Paris. He eventually came back to Cuba and graduated from the San Alejandro Academy, and had his first exhibition in 1943 at the mere age of 20. During his lifetime, he worked as a professor at the Cubanacan School of Arts, and lived for many years in Spain. He also showed his work at over 130 exhibits in his lifetime, leaving behind an extensive oeuvre of art.

While his subject matter often made him an outsider in the Cuban art world, his methods were not unusual. Watercolor, oil, gouache and pencil sketching were the main mediums that Cabrera Moreno used to create his art. His mediums may have remained constant, but his styles were always evolving.

In the beginning, Cabrera Moreno typically produced revolutionary themes, which was typical of Cuban artists at the time. However, his answer was through abstract art, such as “Abstraction” and “Fachada” (circa 1950s).

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Abstraction

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Fachada

While studying in New York, Cabrera Moreno was inspired by Pablo Picasso, which lead to his initial abstract style. One can clearly see the imprint that Picasso’s work left on him in “Fachada.”

After this period, he began an extensive series of “heads”—profile portraits of guerilla fighters and of women depicted in an almost mythical way. Sometimes exposing bare breasts, other times with a more oriental look, often with their hair full of flowers and blowing in the wind, these portraits, such as “The Mirror” (1976) are truly remarkable.

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The Mirror

Similar to these fairy-like “heads” were profile portraits of guerilla soldiers, mostly done in ink pen sketches. These sketches were also an outcry and commentary on the hostile political situations in Cuba. One can see how these sketches such as “Guarijos” (1964) segue way into a looser style.

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Guarijos

Though his work in abstract and fantasy art paved a new way for other Cuban artists, it is his erotic paintings that he is well known for. His erotic paintings are by no means crude—simply an artistic study of the beauty of human anatomy. Cabrera Moreno also created his erotic art as an outcry against the Cuban government that persecuted him for his homosexuality. His ink on paper drawing “El Corazon del Platano” (1981), which was done in the last year of his life, is a prime example of his treatment of erotic art. Soft lines, muted, opaque colors and realistic shading are all characteristics of Cabrera Moreno’s erotic art.

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El Corazon del Platano

In many instances, Cabrera Moreno’s erotic paintings were one part human anatomy, one part geographical study. He would paint flesh to look like a mountain, ravine or valley. Though this is not uncommon in erotica paintings, one thing that is notably different about Cabrera Moreno’s style is exclusion of faces and heads. With the exception of his female topless head studies, his erotic art never included the faces or even the heads of his subjects. The focus was always on the body, which makes his work truly notable.

Cabrera Moreno exhibited his work all over the world, from Mexico, to Spain, Brazil and his work is owned in private collections and is housed in museums worldwide. In the town of El Vedado in Cuba, a collection of his work can be viewed at The Servando Cabrera Moreno Museum Library. During his lifetime, he won a number of awards for his innovative work, and is considered a master amongst Cuban painters.

Wonder if you own one of this artists’ original works? The possibility is quite high; he traveled and lived extensively through Europe and the Americas. Contact one of our experts if you own an original by this eclectic Cuban artist.


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1250--modersohn.php Paula Modersohn-Becker Artwork Authentication & Art Appraisal

Paula Modersohn-Becker (1876 – 1907)

Paula Modersohn-Becker art authentication. Paula Modersohn-Becker appraisal. Paula Modersohn-Becker certificates of authenticity (COA). Paula Modersohn-Becker analysis, research, scientific tests, full art authentications. We will help you sell your Paula Modersohn-Becker or we will sell it for you.

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Self-Portrait with Necklace 1906

Paula Modersohn-Becker was a German painter and one of the most important representatives of early expressionism. Paula Becker was born and grew up in Dresden-Friedrichstadt. She was the third of seven children. Her father, the son of a Russian university professor, was employed with the German railway. He and Modersohn-Becker’s mother, who was from an aristocratic family, provided the children a cultured and intellectual environment in the home. In 1888 her parents moved from Dresden to Bremen. While visiting an aunt in London, England, she received her first instruction in drawing. Apart from her teacher’s training in Bremen in 1893-1895, Paula took private instruction in painting. In 1896 she participated in a course for painting and drawing sponsored by the “Verein der Berliner Künstlerinnen” (Union of Berlin Female Artists) which offered art studies to women.

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Reclining Mother and Child

At the age of 22, she encountered the artistic community of Worpswede. In this “village”, artists such as Fritz Mackensen (1866-1953) and Heinrich Vogeler (1872-1942) had retreated to protest against the domination of the art academy and life in the big city. At Worpswede, Paula Modersohn-Becker took painting lessons from Mackensen. The main subjects were the life of the farmers and the northern German landscape. At this time she began close friendships with the sculptor Clara Westhoff (1875-1954) and the poet Rainer Maria Rilke (1875-1926). She also fell in love during this period, and in 1901 she married a fellow Worpswede painter, Otto Modersohn. In marrying Otto, she also became a step-mother to Otto’s daughter, Elsbeth Modersohn, the child from his first marriage to Helene Modersohn, then deceased.

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Still Life

Between 1900 and 1907, Paula made several extended trips to Paris for artistic purposes, sometimes living separately from her husband, Otto. During one of her residencies in Paris, she took courses at the école des Beaux-Arts. She visited contemporary exhibitions often, and was particularly intrigued with the work of Paul Cézanne. Other post impressionists were especially influential, including Vincent Van Gogh and Paul Gaugin. Fauve influences may also appear in such works as Poorhouse Woman with a Glass Bottle. The influence by the work of French painter, Jean-Francois Millet, who was widely admired among the artists in the Worpswede group, may be seen in such pieces as her 1900 Peat Cutters.

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Old Poorhouse Woman with a Glass Bottle

In her last trip to Paris in 1906, she produced a body of paintings from which she felt very great excitement and satisfaction. During this period of painting, she produced her initial nude self-portraits (something rather unprecedented by a female painter) and portraits of friends such as Rainer Maria Rilkeand Werner Sombart. Some critics consider this period of her art production to be the strongest and most compelling.

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Self-Portrait, Pregnant

In 1907, Paula Modersohn-Becker returned to her husband in Worpswede. Their relationship, which had been particularly strained in 1906, had taken a turn towards improvement. Paula’s long-lived wish to conceive and bear a child was fulfilled. Her daughter Mathilde (Tillie) Modersohn was born on November 2nd, 1907. Paula and Otto were joyous. Sadly, the joy became soon overshadowed by tragedy, as Paula Modersohn-Becker died suddenly in Worpswede on November 20th from an embolism.

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Landscape 1907

Still wondering about a German painting in your family collection? Contact us…it could be by Paula Modersohn-Becker.


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1251--richet.php Leon Richet Artwork Authentication & Art Appraisal

Leon Richet (1847-1907)

Get a Richet Certificate of Authenticity for your painting (COA) for your Richet drawing.

For all your Richet artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Richet Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Richet painting or drawing.

If you want to sell your Richet painting or drawing use our selling services. We offer Richet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Richet and issuing certificates of authenticity since 2002. We are recognized Richet experts and Richet certified appraisers. We issue COAs and appraisals for all Richet artworks.

Our Richet paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Richet certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Richet painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Richet paintings or drawings take longer.

Our clients include Richet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Leon Richet art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Leon Richet or we will sell it for you.

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Landscape

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Landscape

Leon Richet was a respected and well known painter of the Barbizon school. He painted magnificent landscapes of the area around the Forest of Fontainebleau, but he also produced still lifes, and genre studies. He was born in Solesmes, in the Sarthe, in France. He showed an aptitude for drawing at an early age, and initially studied with Ambroise Detrez, who was a Professor at the Academy of Valencienne. 

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Peasantess At The Riverside

He went on to study under three great painters, who included Jules Lefebvre, Gustave Boulanger, and Narcisse Virgile Diaz de la Pena. Jules Lefebvre was of course a well known academic painter, and Gustave Boulanger a painter of Creole origin who painted in the neoclassical style, and was also an Orientalist, having travelled to Algeria in 1845.

It is probably Narcisse Virgile Diaz de la Pena, one of the Masters of the Barbizon school, who had the greatest influence on Richet, as it was Diaz de la Pena who brought him to the Forest of Fontainebleau to paint. The fact that Richet is known as one of the painters of the Barbizon school is without a doubt due to the influence of Diaz de la Pena. The other Master of the Barbizon school that Richet also admired greatly was Theodore Rousseau.

His debut in the Salon was in 1869, with two paintings produced whilst at Fontainebleau which were entitled, ‘Birch Trees on the Hilltops of the Plaine-Blanche, Forest of Fontainebleau,’ and ‘Pond in the Gorge-aux-Loups, Forest of Fontainebleau.’

Richet travelled extensively throughout France, producing landscapes, and also was particularly fond of the Normandy and Picardy regions. In the Salon of 1870, he exhibited a painting produced in Normandy, entitled, ‘Farm in Normandy,’ and also went on to exhibit paintings produced in Picardy.

He was particularly keen on painting water, such as ponds and marshes. His paintings were said to be a precursor to the Impressionists as he was always concerned with the light and atmospheric changes. He paid particular attention to this in his paintings, and especially how the light, and the sky was reflected in the water.

He was successful in the Salon, and won an Honourable Mention in 1885 and a Second Class medal in 1888, for paintings he exhibited of the Forest of Fontainebleau. He also won another Second Class medal in 1901, for a painting of one of his favourite subjects, water, entitled, ‘The Seine River near Moret, Seine-et-Marne’. His last exhibit at the Salon was also of water, with a painting entitled, ‘The Pond-Around Montargis’.

There are collections of Richet’s paintings in the Hermitage Museum in St. Petersburg, and the Museums of Nice, and Reims in France.


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1252--hauzinger.php Josef Hauzinger Artwork Authentication & Art Appraisal

Josef Hauzinger (1728-1786)

Get a Hauzinger Certificate of Authenticity for your painting (COA) for your Hauzinger drawing.

For all your Hauzinger artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hauzinger Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hauzinger painting or drawing.

If you want to sell your Hauzinger painting or drawing use our selling services. We offer Hauzinger selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hauzinger and issuing certificates of authenticity since 2002. We are recognized Hauzinger experts and Hauzinger certified appraisers. We issue COAs and appraisals for all Hauzinger artworks.

Our Hauzinger paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hauzinger certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hauzinger painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hauzinger paintings or drawings take longer.

Our clients include Hauzinger collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Josef Hauzinger art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Josef Hauzinger or we will sell it for you.

Hauzinger painting, Marie Antoinette, Archduke Maximillian and Louis XVI

Marie Antoinette, Archduke Maximillian and Louis XVI

Josef Hauzinger was an 18th century Austrian portrait painter. He is best known for his painting featuring the meeting of Marie Antoinette and her brother, Archduke Maximillian at Versailles with King Louis XVI. Hauzinger als painted a number of portraits for other wealthy Europeans, as well as frescoes.

Hauzinger painting, Portrait of a Man

Portrait of a Man

Still wondering about an 18th century portrait in your family collection? Contact us…it could be by Josef Hauzinger.


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1253--van-coppenolle.php Edmond van Coppenolle Artwork Authentication & Art Appraisal

Edmond van Coppenolle (1843-1914)

We Perform Edmond van Coppenolle art authentication. Edmond van Coppenolle appraisal. Edmond van Coppenolle certificates of authenticity (COA). Edmond van Coppenolle analysis, research, scientific tests, full art authentications. We will help you sell your Edmond van Coppenolle or we will sell it for you. Van Coppenolle was born in Ronse, Belgium in 1843. Van Coppenolle’s parents, part of a distinguished Flemish family, moved to Paris just before the War of 1870. Van Coppenolle studied art in Paris, learning much from the landscape and still life painter, Ernest Quost (1844-1931).

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Still Life of Potted Plants in a Nursery

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In 1878, van Coppenolle moved to the village of Montigny near Versailles, France. In addition to painting, Van Coppenolle worked as a designer at a well know ceramic factory in the village. Van Coppenolle recruited many other artists from his creative circle of friends to join the factory. The recognition of the factory grew as talented artists were joining its ranks.

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Bouquet of Wild Flowers

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Bouquet of Wild Flowers

Van Coppenolle is best known for his highly detailed, still life paintings. Van Coppenolle painted with a colorful palette, creating compositions with emotion and zest. While floral arrangements were Van Coppenolle’s most studied subjects, he also did many meticulous studies of hens, roosters and other farm animals. His paintings are known for being vibrant and energetic.

Van Coppenolle was successful as a painter, exhibiting actively in Belgium and France. Many of van Coppenolle’s works were lost during World War I and World War II due to the destruction of Montigny. The paintings of Edmond van Coppenolle that survived are in various collections and locations. Do you think you own an Edmond van Coppenolle painting? Contact us. We are Edmond van Coppenolle experts.


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1254--fitzgerald-zelda.php Zelda Fitzgerald Artwork Authentication & Art Appraisal

Zelda Fitzgerald

Get a Fitzgerald Certificate of Authenticity for your painting (COA) for your Fitzgerald drawing.

For all your Fitzgerald artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Fitzgerald Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fitzgerald painting or drawing.

If you want to sell your Fitzgerald painting or drawing use our selling services. We offer Fitzgerald selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fitzgerald and issuing certificates of authenticity since 2002. We are recognized Fitzgerald experts and Fitzgerald certified appraisers. We issue COAs and appraisals for all Fitzgerald artworks.

Our Fitzgerald paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fitzgerald certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fitzgerald painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fitzgerald paintings or drawings take longer.

Our clients include Fitzgerald collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Zelda Fitzgerald art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Zelda Fitzgerald or we will sell it for you.

Photo of Zelda

Photo of Zelda

Zelda Sayre Fitzgerald, born Zelda Sayre in Montgomery, Alabama, was a painter, novelist and the wife of writer F. Scott Fitzgerald, whom she married in 1920. Her husband dubbed her “the first American Flapper.” She published an autobiographical novel, Save Me the Waltz, in 1932. In June 1930 she suffered her first mental breakdown; soon afterwards, she was diagnosed with schizophrenia and was required to live from then on in a mental hospital. She died at the age of 47 in a fire at the Highland Mental Hospital in Asheville, North Carolina.

Marriage at Cana

Marriage at Cana

Born in 1900, Zelda was the youngest of six children. Her mother, Minnie Sayre, named her after a Gypsy queen in a novel. She was totally indulged by her mother, who spoiled her, but her father, a justice of the Supreme Court of Alabama and one of Alabama’s leading jurists, was a stern and remote man. As a child she was extremely active; she danced, took ballet lessons and enjoyed the outdoors.

The Queens Croquet Ground, watercolor

The Queens Croquet Ground, watercolor

In 1914 Zelda began attending Sidney Lanier High school. She was bright but uninterested in her studies. Her ballet lessons continued into high school. During these years, she began an active social life. She earned a reputation as a “speed.” She drank, smoked and spent time alone with boys. In a newspaper article about one of her dance performances, she is quoted as saying that she only cared about “boys and swimming.” Her father’s reputation was the only thing that saved her from social ruin.

The Pantheon & Luxemburg Gardens 1944

The Pantheon & Luxemburg Gardens 1944

As a southern woman growing up around the turn of the century, Zelda’s shameless antics were frowned upon to say the least. Southern women were expected to be delicate, docile and accommodating. Zelda commented on her struggle to be who she needed to be while living under stifling social pressures.

“It’s very difficult to be two people at once, one who wants to have a law unto itself and the other who want to keep all the nice old things and be loved and safe and protected.”

Zelda met Scott Fitzgerald in 1918 while he was stationed at an army post near Montgomery. They met at a Montgomery country club where she performed the “Dance of the Hours.” They began a courtship that was interrupted in 1919 when Scott was discharged from the military and returned to New York to build a life for himself and Zelda.

The two wrote to each other frequently and in March of 1919 Scott sent Zelda his mother’s ring and the two became engaged. Many of Zelda’s friends and members of her family were wary of the relationship. They did not approve of Scott’s excessive drinking habits, and her Episcopalian family did not like that he was a Catholic. The two married in April 1920.

Times Square 1944

Times Square 1944

Once they married, Zelda was expected to be the witty and charming wife of an up-and-coming writer. After Scott published This Side of Paradise, the two were the focus of media attention as much for their drunken antics as Scott’s talent. Jealousy plagued their marriage. Zelda was jealous of Scott’s literary success. Scott felt alienated by all of the male attention she received. Their excessive drinking often caused fights to get out of hand. There is some evidence that Scott became physically violent toward Zelda during drunken arguments.

But the endless round of parties and the massive quantities of alcohol they consumed began to take a toll on the couple’s health and relationship, and they squandered virtually all the money Scott made from his writing, spending as much as US$30,000 per year — a colossal figure for the time. By the mid-Twenties Scott had become a notoriously heavy drinker (he even had his own private bootlegger, and when not writing he would typically binge-drink until he passed out and was sent home in a taxi).

Hansel and Gretel 1943-1947

Hansel and Gretel 1943-1947

While living in Paris, Scott Fitzgerald — by then an international literary star — met rising American author Ernest Hemingway, whose career he did much to promote. Hemingway and Fitzgerald became firm friends (although they later became estranged), but as biographer Nancy Milford reports, Zelda disliked Hemingway from the start, openly describing him as “bogus” and “as phoney as a rubber check”, and considered Hemingway’s domineering macho persona to be merely a posture. One of the most serious rifts between Zelda and Scott took place because Zelda became convinced (albeit with no credible evidence) that Hemingway was “a fairy” and that he and Scott were having a homosexual affair. For the most part, Zelda’s dislike for Hemingway was perhaps due to jealousy — she once threw herself down a flight of marble stairs at a party because Scott, engrossed in talking to Isadora Duncan, was ignoring her.

The birth of their only child, Frances “Scottie” Fitzgerald in 1921 did little to slow the pace of their lives, and although Zelda was fond of the child and wrote to her frequently, Scottie was almost entirely brought up by nannies and was often apart from her parents.

In 1924, during one of the first of their several trips to France, Zelda had a brief affair (or at least became infatuated) with a dashing young French pilot, Edouard Jozan. This prompted her husband to lock her in their house to keep her from seeing him again; later, they would embellish the story by claiming that Jozan had committed suicide. It is possible that Zelda’s long descent into schizophrenia began during this period. She wrote a number of short stories beginning in 1925, but many of these were published under Scott’s name, another possible factor of her growing discontent; three other stories, written just before her first breakdown, were later lost.

Brooklyn Bridge 1944

Brooklyn Bridge 1944

Scott drew heavily upon his wife intense personality in his writings, often directly quoting segments from her personal diaries in his work. She never commented on this, other than a pithy remark in a review that òIt seems to me that on one page I recognized a portion of an old diary of mine which mysteriously disappeared shortly after my marriage, and also scraps of letters which, though considerably edited, sound to me vaguely familiar. In fact, Mr. Fitzgerald ñ I believe that is how he spells his name ñ seems to believe that plagiarism begins at home.

While in Paris, at age 27, Zelda became obsessed with ballet, which she had studied as a girl. She had been praised for her dancing skills as a child, and although the opinions of their friends vary as to her skill, it appears that she did have a fair degree of talent. But Scott was totally dismissive of his wife’s desire to become a professional dancer, considering it a waste of time.

Family in Underwear, Paper Dolls

Family in Underwear, Paper Dolls

Ironically, much of the conflict between them stemmed from the boredom and isolation Zelda experienced when Scott was writing — she would often interrupt him when he was working. Scott conversely became increasingly determined to keep Zelda at home, presumably because he feared that she might begin another affair. Zelda evidently had a deep desire to develop a talent that was entirely her own, perhaps a reaction to Scott’s fame and success as a writer.

Sadly, she rekindled her studies too late in life to become a truly exceptional dancer, but she obsessively insisted on grueling daily practice (up to eight hours a day) that contributed to her subsequent physical and mental exhaustion. Her eventual breakdown included elements of obsessive-compulsive disorder. In 1930, she was admitted to a sanatorium in France where, after months of observation and treatment and a consultation with one of Europe’s leading psychiatrists, she was officially diagnosed as having schizophrenia. However, her last psychiatrist, Dr. Irving Pine, believed (too late) that she may have actually had severe untreated bipolar disorder. He speculated after her death that the cause of her breakdowns may have been as much from her husband’s mental bullying and her treatment for her disorder as the disorder itself.

Self-Portrait, Institution

Self-Portrait, Institution

Zelda Fitzgerald spent the remaining 18 years of her life in various stages of mental distress. However, in her few periods of lucidity, she composed some of her best work, including her only novel, Save Me the Waltz, and numerous abstract paintings. She died in 1948, with her few remaining unpublished bits of work, her last letters to Scott before he died the last remnants of her life. At the time of her death, she was writing a second novel, Caesar’s Things, when a fire consumed the sanitarium where she lived in Asheville, North Carolina.

Great Smokey Mountains 1940

Great Smokey Mountains 1940

Although her status as the wife of a great American writer and socialite, as well as her sad decline of mental health are perhaps what people remember most about Zelda, it is her artwork that has become her legacy. She so yearned to have a talent of her own during her lifetime to match her husband, and art historians and experts can now recognize that talent.

Ladies Costume Design from the Louis XIV Set

Ladies Costume Design from the Louis XIV Set

Among her oeuvre were countless watercolors and even detailed paper dolls. Typically featuring storybook and mythological scenes, Zelda Expressionist/Surrealist style was no doubt a reflection of the state of her mental health. It is likely that she was self-taught, or took informal painting instruction from known Parisian or American painters of the early 20th century. Because of her husband fame, it is most certain that she rubbed elbows with famous artists of the day. Her style is vaguely reminiscent of the Surrealist artist Salvador Dali, and it is possible that she either drew inspiration or took instruction from him. Sadly, we may never know how many paintings, sketches or other works of art or writing of hers were lost in the fire that also took her life.

A Mad Tea Party

A Mad Tea Party

Still wondering about a painting in your family collection? Contact us…it could be by Zelda Fitzgerald.


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1255--david.php Gerard David Artwork Authentication & Art Appraisal

Jacques-Louis David (1748-1825)

Get a David Certificate of Authenticity for your painting (COA) for your David drawing.

For all your David artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a David Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your David painting or drawing.

If you want to sell your David painting or drawing use our selling services. We offer David selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating David and issuing certificates of authenticity since 2002. We are recognized David experts and David certified appraisers. We issue COAs and appraisals for all David artworks.

Our David paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The David certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your David painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research David paintings or drawings take longer.

Our clients include David collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jacques-Louis David art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jacques-Louis David or we will sell it for you.

The Classical styling of painter Jacques-Louis David is almost as dramatic as the artists' life itself. A masterful painter, a troubled young man and a Revolutionary activist, David led a life less ordinary than most painters of his time.

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Self-Portrait

Born to a wealthy Parisian family, David lost his father at the age of nine, and was sent by his mother to live with his uncles. Even though he was given the best education possible, David did not succeed in school and rarely talked due to a speech impediment brought on by a tumor. As a child, he kept to himself and took solace in his drawing. David's family hoped that he would be a soldier, but he was intent on becoming a painter and was sent to work with Francois Boucher. At this time, Boucher was not only one of the leading French painters, but was also a distant family relative. However, Boucher did not take David under his wing, but instead sent him to work with Joseph-Marie Vien, where he would study at what now is the Louvre.

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Portrait of Charlotte Dogne

As a student, David set his sights on the Prix de Rome scholarship, and suffered a number of failed attempts at winning. He eventually did win (after going on a hunger strike in protest) and in 1775 he traveled to Italy to attend the Academy in Rome. Here he studied ancient architecture and created a number of sketches while also studying the work of the great masters.

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Study of Sabine Statue, 1775

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Sketch

After 5 years in Rome, David returned to Paris where he became a member of the Royal Academy. Although he was receiving praise from his contemporaries, fellow students and members of the Royal Academy were hostile towards the young artist.

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Male Nude, 1780

During this time, David would also teach and be commissioned by the government to paint historical scenes, which would often take him back to Rome to paint. By the 1780's, David was the official painter the King Louis XVI, and his popularity began to rise.

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The Oath of Horatii, 1784

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Helen and Paris 1788, the Louvre

The artist was very involved in the Revolution of 1789, and would often paint works considered to be propaganda for the new Republic. In one instance, David displayed his painting "Brutus" at friend Voltaire's play entitled "Brutus" which was given great applause.

David was also friends with the radical physician Jean-Paul Marat, who was murdered in his bathtub. David made sure that his death would not be forgotten by creating perhaps his most famous painting, "The Death of Marat."

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The Death of Marat

The death of Marie Antoinette by guillotine was also captured by David in a now famous sketch. It is said that his propaganda art brought the people of the new Republic together after the fall of the monarchy. He was eventually arrested and imprisoned for his radical actions and rioting, and was only saved from the guillotine because of illness.

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Marie Antoinette on her way to the guillotine, 1793

While in jail, David attracted the attention of Napoleon, whom he also became friends with and sketched. Napoleon and David truly admired one another, and David would also paint one of the most famous paintings of Napoleon on horseback charging towards a battle.

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Napoleon Crossing the St. Bernard

David was eventually released due to his wife's influence. By the late 1700s, David had retired from his political life, but this did not keep him out of trouble. David had forever blacklisted himself because he had voted for the execution of Louis XVI. Even though he was offered a position as court painter for Louis XVIII, he declined and was sent in exile to Brussels. There, he lived quietly the rest of his life, teaching students and painting right up until his death.

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Portrait of Anne Marie Lousie Thelusson, 1790

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Portrait of Monseur Seriziat, 1795, the Louvre

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Portrait of Madame de Verninac, 1799

Much like his dramatic life, his death was dramatic as well. David was hit by a carriage on the way home from the theater and died of heart trauma. His body not allowed to be buried in France, but his heart was buried at the Pere Lachaise cemetery in Paris.

Today, David's work is housed literally worldwide and serves as a reminder of the tumultuous Revolutionary period in France. He not only painted mythology and historical documentation of ancient Rome, but current events in France during his time. David's work is not only an example of French Classicism at its' finest, but it also serves as true accounts of a history long past.

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Cupid and Psyche, 1817

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Les Sabines, 1799

While most of his existing works are housed in museums and private collections, David created an astounding amount of sketches and portraits during his career. It is highly likely that someone could come across one of these, which would be a great historical and artistic find.


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1256--soyer-isaac.php Isaac Soyer Artwork Authentication & Art Appraisal

Isaac Soyer (1902-1981)

We Perform Isaac Soyer art authentication. Isaac Soyer appraisal. Isaac Soyer certificates of authenticity (COA). Isaac Soyer analysis, research, scientific tests, full art authentications. We will help you sell your Isaac Soyer or we will sell it for you.

A Family

A Family

Isaac Soyer was a Russian painter who emigrated to the United States in 1912. He was the younger brother of painters Moses and Raphael Soyer. His work is generally less known than that of his older brothers, though it closely mirrors in style, tone and subject to the work of his brother Raphael. His style is considered to be Social Realism.

A Nickel a Shine 1937 Lithograph

A Nickel a Shine 1937 Lithograph

Still wondering about a Russian or American painting in your family collection? Contact us…it could be by Isaac Soyer.


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1257--guston.php Philip Guston Artwork Authentication & Art Appraisal

Philip Guston (1913 – 1980)

Get a Guston Certificate of Authenticity for your painting (COA) for your Guston drawing.

For all your Guston artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Guston Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Guston painting or drawing.

If you want to sell your Guston painting or drawing use our selling services. We offer Guston selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Guston and issuing certificates of authenticity since 2002. We are recognized Guston experts and Guston certified appraisers. We issue COAs and appraisals for all Guston artworks.

Our Guston paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Guston certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Guston painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Guston paintings or drawings take longer.

Our clients include Guston collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Philip Guston art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Philip Guston or we will sell it for you.

Guston, Oasis

Oasis
1957 Oil on Canvas 61.5 x 68 in

Guston, Inscapes: Words and Images

Inscapes: Words and Images
1977 Color Serigraph on Paper 44 x 32 in

Guston, Ancient Wall

Ancient Wall
1976 Oil on Linen 203.2 x 237.7 cm

Philip Guston was a Canadian-born, American artist. Guston was known for his involvement in the New York School, during a time of transition form Abstract expressionism to Neo-expressionism. Rather than painting in a purely abstract manner, Guston preffered to render objects in a cartoon-like fashion.

Guston, Untitled

Daydreams
1970 Oil on Linen 180.0 x 203.5 cm

Guston, Untitled

Untitled
1971 Oil on Paper 56.5 x 71.5 cm

Guston, Untitled

Gladiators
1940 Oil and pencil on canvas 62.2 x 71.4 cm

Guston was born with the name, Phillip Goldstein, in Montreal Canada. As a child, Guston moved with his family to Los Angeles, California. Guston’s family constantly faced anti-semetic persecution and were the victims of Klan activities. When Guston was still young he found his father dead after comitting suicide behind their family house. A few years after the traumatizing incident, Guston enrolled at the Los Angeles Manual Arts High School. It was at this point that Guston was first exposed to art and studied along other future artists such as Jackson Pollock.

Guston, Gladiators

Study for “Tormentors”
1947 Ink on paper 10 3/8 x 10″ (26.4 x 25.4 cm)

Guston, Untitled

Ischia
1949 Ink on Paper 27 x 35.2 cm

Guston earned a scholarship to study at Otis Art Institute of Art, but left after only year of study. Guston was unsatisfied with the academic approach and use of plaster casts over live models. At the age of eighteen, Guston painted a political mural about the Scottsboro Boys. The mural was controversial among law enforcers and soon defaced. Guston’s political and socail interests continued to grow, and in 1936 Guston moved to New York to work as an artist for a WPA program.

Guston, Loft 1

Loft 1
1950 Ink on Paper 17 x 22 in

During the 1940s Guston started working as a teaching-artist. From 1941-1945 Guston became an artist-in-residence, first at the State University of Iowa and then at Washington University in Missouri. After this point Guston began to teach at New York University, Pratt Institute and Boston University.

Guston, Untitled

Untitled
1951 Ink on Transparent Paper 43.3 x 59 cm

Guston, City

City
1968 Synthetic Polymer Paint on Board 50.8 x 76.2 cm

Guston continued to create mainly abstract paintings until the 1960s. At this point he shifted towards more representational and cartoon-like paintings. Guston first exhibited his new paintings at the Marlborough Gallery, New York in 1970. The show was highly criticized, despite the praise of fellow artist, Willem de Kooning.

Guston, Book

Book
1968 Charcoal on Paper 45.4 x 61 cm

Guston, Untitled

Untitled
1963 Synthetic Polymer Paint on Paper 76.2 x 101.6 cm

After the exhibit, Guston decided to leave New York City and relocate upstate in Woodstock. Guston spent the rest of his life in Woodstock where he made his last and most remebered series. His latest works included images of shoes, clocks, cigarettes and Klan symbols. Guston’s works are now highly valued in collections around the world. Do you think you own a painting by Philip Guston? Contact us. We are the Philip Guston experts.


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1259--robert.php Hubert Robert Artwork Authentication & Art Appraisal

Hubert Robert (1733-1808)

Get a Robert Certificate of Authenticity for your painting (COA) for your Robert drawing.

For all your Robert artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Robert Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Robert painting or drawing.

If you want to sell your Robert painting or drawing use our selling services. We offer Robert selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Robert and issuing certificates of authenticity since 2002. We are recognized Robert experts and Robert certified appraisers. We issue COAs and appraisals for all Robert artworks.

Our Robert paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Robert certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Robert painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Robert paintings or drawings take longer.

Our clients include Robert collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Hubert Robert art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Hubert Robert or we will sell it for you.

Robert painting, Wandering Minstrels

Wandering Minstrels

Robert painting, Landscape with Waterfall

Landscape with Waterfall

Robert painting, The Bridge

The Bridge

Hubert Robert was an 18th century Parisian painter known for his landscapes of ruins, particularly those in Rome. He studied sculpture and took up painting after his academic training. Robert was one of the founding members of the Louvre Museum, and left behind a massive oeuvre of paintings, nine of which are housed at the Louvre today.

Robert painting, The Fountains

The Fountains

Robert painting, View Imaginaire de la Grande Galerie en Ruines

View Imaginaire de la Grande Galerie en Ruines

Robert painting, The Old Bridge

The Old Bridge

Still wondering about a European landscape in your family collection? Contact us…it could be by Hubert Robert.


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1261--mola.php Pier Francesco Mola Artwork Authentication & Art Appraisal

Pier Francesco Mola (1612 – 1666)

Get a Mola Certificate of Authenticity for your painting (COA) for your Mola drawing.

For all your Mola artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mola Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mola painting or drawing.

If you want to sell your Mola painting or drawing use our selling services. We offer Mola selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mola and issuing certificates of authenticity since 2002. We are recognized Mola experts and Mola certified appraisers. We issue COAs and appraisals for all Mola artworks.

Our Mola paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mola certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mola painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mola paintings or drawings take longer.

Our clients include Mola collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pier Francesco Mola art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pier Francesco Mola or we will sell it for you.

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St Peter Freed from Prison, 1630

Pier Francesco Mola was an Italian painter of the High Baroque, mainly active around Rome. Mola was born at Coldrerio (now in Ticino, Switzerland). At the age of four, he moved to Rome with his father Giovanni Battista, an architect. With the exception of the years 1633-40 and 1641-47, during which he resided in Venice and Bologna, respectively, he lived for the rest of his life in Rome.

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Portrait of a Bearded Old Man, 1665

His early training was with the late mannerist painter Cavalier D’Arpino, and he worked under the classicizing Francesco Albani. His masterpiece is the fresco in the gallery of Alexander VII in the Quirinal Palace Gallery, entitled Joseph making himself known to his Brethren (1657). He was elected Principe of the Accademia di San Luca, the Roman artists’ professional association, in 1662, but his last years were neither profitable nor prolific. One of his pupils was Antonio Gherardi.

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St. Jerome 1660

With his looser style and handling, more naturalistic palette, and interest in exploring landscape elements, Mola rebelled against the prevailing, highly-theoretical classicism of such leading 17th-century Roman painters as Andrea Sacchi.

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Sketch

In February of 2007, a painting depicting an astronomer and identified as a lost work of Pier Francesco Mola was auctioned in California for $600,000. Some Mola works have sold for considerably higher prices.

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The Vision of St. Bruno

Still wondering about a painting in your family collection? Contact us…it could be by Francesco Mola.


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1262--dosamantes.php Francisco Dosamantes Artwork Authentication & Art Appraisal

Francisco Dosamantes (1911 – 1986)

Get a Dosamantes Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Dosamantes artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Dosamantes Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dosamantes painting, drawing or print.

If you want to sell your Dosamantes painting, drawing or print use our selling services. We offer Dosamantes selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dosamantes and issuing certificates of authenticity since 2002. We are recognized Dosamantes experts and Dosamantes certified appraisers. We issue COAs and appraisals for all Dosamantes artworks.

Our Dosamantes paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dosamantes certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dosamantes painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dosamantes paintings or drawings take longer.

Our clients include Dosamantes collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francisco Dosamantes art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Francisco Dosamantes or we will sell it for you.

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Muñeca con Alcatraces 1960

Dosamantes is one of Mexico’s most important mid-twentieth century artists. Like many of Mexico’s principal artists, Dosamantes studied at the Academy of San Carlos in Mexico City. By the time Dosamantes was in his early twenties, his paintings and prints were exhibited throughout Mexico and the United States.

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Fishwives, lithograph 1940

Dosamantes was affiliated with “Taller Grafica Popular,” the “Sociedad para el Impulso de las Artes Plasticas” and the “Frente Nacional de Artes Plasticas.”

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Mayan Trio, lithograph

Dosamantes was a great teacher of art in the cultural missions that included Oaxaca, Michoacan, Guerrero, Columa, Coahuila and Chihuahua. In 1946, Dosamantes became the director at the “Taller Artistico Joaquin Clausell,” in Campeche.

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Dos Mujeres (Two Women) 1940

During his cultural missions, Dosamantes would paint murals in rural schools One of Dosamantes’ murals can be viewed in what is now a library in Caracuaro, Michoacan, Mexico.

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Frutos

In addition to being a prolific painter, Dosamantes has a strong collection of lithographs and linoleum-block prints. Dosmamantes’ lithographs typically portray portraits of women, often in a rural setting. Many of Dosamantes prints do not indicate edition size, but editions are known two be less than two-hundred and fifty.

The work of Dosamantes is in public collections throughout Mexico City, New York, Washington, Chicago, San Francisco and Los Angeles. The prints and paintings of Dosamantes continue to increase in value. Contact us if you think you may be the owner of a Dosamantes.


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1263--signorelli.php Luca Signorelli Artwork Authentication & Art Appraisal

Luca Signorelli (1445 – 1523)

Get a Signorelli Certificate of Authenticity for your painting (COA) for your Signorelli drawing.

For all your Signorelli artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Signorelli Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Signorelli painting or drawing.

If you want to sell your Signorelli painting or drawing use our selling services. We offer Signorelli selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Signorelli and issuing certificates of authenticity since 2002. We are recognized Signorelli experts and Signorelli certified appraisers. We issue COAs and appraisals for all Signorelli artworks.

Our Signorelli paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Signorelli certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Signorelli painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Signorelli paintings or drawings take longer.

Our clients include Signorelli collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Luca Signorelli art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Luca Signorelli or we will sell it for you.

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Self-Portrait, Deeds of the Antichrist Fresco

Luca Signorelli was a Italian Renaissance painter. He was noted in particular for his ability as a draughtsman and his use of foreshortening. His massive frescoes of the Last Judgment (1499-1503) in Orvieto Cathedral are considered his masterpiece.

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Detail from The Last Judgement

He was born Luca d’Egidio di Ventura in Cortona, Tuscany (some sources call him Luca da Cortona). The precise date of his birth is uncertain; birth dates of 1441-1445 are proposed. He died and in 1523 in Cortona, where he is buried. He was perhaps at the eighty-two years old. He is considered to be part of the Tuscan school, although he also worked extensively in Umbria and Rome.

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The Holy Family 1490

His first impressions of art seem to be due to Perugia — the style of Bonfigli, Fiorenzo and Pinturicchio. Lazzaro Vasari, the great-grandfather of art historian Giorgio Vasari, was brother to Luca’s mother; he got Luca apprenticed to Piero de Franceschi. In 1472 the young man was painting at Arezzo, and in 1474 at Città di Castello. He presented to Lorenzo de Medici a picture which is probably the one named the School of Pan, discovered in Florence and formerly in Berlin (destroyed during the Second World War); it is almost the same subject which he painted also on the wall of the Petrucci palace in Siena — the principal figures being Pan himself, Olympus, Echo, a man reclining on the ground and two listening shepherds.

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Portrait of an Elderly Man 1492

He executed, moreover, various sacred pictures, showing a study of Botticelli and Lippo Lippi. Pope Sixtus IV commissioned Signorelli to paint some frescoes, now mostly very dim, in the shrine of Loreto — Angels, Doctors of the Church, Evangelists, Apostles, the Incredulity of Thomas and the Conversion of St Paul. He also executed a single fresco in the Sistine Chapel in Rome, the Acts of Moses; another, Moses and Zipporah, which has been usually ascribed to Signorelli, is now recognized as the work of Perugino.

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The Circumcision 1490-1495

Signorelli worked in Rome from 1478-1484. He assisted in the decoration of the lower walls of the Sistine Chapel. The Testament of Moses is almost entirely of his hand. In the latter year he returned to his native Cortona, which remained from this time his home. In the Monastery of Monte Oliveto Maggiore (Siena) he painted eight frescoes, forming part of a vast series of the life of St. Benedict; they are at present much injured. In the palace of Pandolfo Petrucci he worked upon various classic or mythological subjects, including the School of Pan already mentioned.

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Fresco of the Deeds of the Antichrist, 1501 at Orvieto Cathedral

From Siena, Signorelli went to Orvieto, and produced his masterpiece. These are the frescoes in the chapel of S. Brizio, in the cathedral, which already contained images in the vaulting over the altar by Fra Angelico, who had begun the murals fifty years earlier. The works of Signorelli represent the events surrounding the Apocalypse and the Last Judgment. The events of the Apocalypse, which reflect the scripture readings for the four Sundays during Advent, fill the space which surrounds the entrance into the large chapel. The events begin with the Preaching of Antichrist, and proceed to the Doomsday and The Resurrection of the Flesh. They occupy three vast lunettes, each of them a single continuous narrative composition. In one of them, Antichrist, after his portents and impious glories, falls headlong from the sky, crashing down into an innumerable crowd of men and women. The events of the Last Judgment, which reflect the scripture, read at the Feast of All Saints. These paintings fill the vaults and the space around the altar. Paradise, the Elect and the Condemned, Hell, the Resurrection of the Dead, and the Destruction of the Reprobate fill the lunettes surrounding the altar. To Angelico’s ceiling, which contained the Judging Christ and the Prophets led by John the Baptist, Signorelli added the Madonna leading the Apostles, Patriarchs, Doctors of the Church, Martyrs, and Virgins. There is also a great deal of subsidiary work connected with Dante, and with the poets and legends of antiquity. Other murals in the chapel depict an explicit reference to two important Orvietan martyrs in the centuries preceding the execution of the lunette paintings.

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Crucifixion 1500

The daring and terrible inventions, with their powerful treatment of the nude and arduous foreshortenings, were striking in its day. Michelangelo is claimed to have borrowed, in his own fresco at the Sistine Chapel wall, some of Signorelli’s figures or combinations. The contract for his work is still on record. He undertook on April 5, 1499 to complete the ceiling for 200 ducats, and to paint the walls for 600, along with lodging, and in every month two measures of wine and two quarters of corn. The contract directed Signorelli to consult the Masters of the Sacred Page for theological matters. This is the first such recorded instance of an artist receiving theological advice, although art historians believe the two groups routinely discussed such matters. Signorelli’s first stay in Orvieto lasted not more than two years. In 1502 he returned to Cortona, and painted a dead Christ, with the Marys and the martyrs Saints Parenzo and Faustino.

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Allegory of Fecundity and Abundance 1500

After finishing the frecoes at Orvieto, Signorelli was much in Siena. In 1507 he executed a great altarpiece for S. Medardo at Arcevia in the Marche, the Madonna and Child, with the Massacre of the Innocents and other episodes.

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Madonna and Child with Saints

In 1508 Pope Julius II determined to readorn the camere of the Vatican Palace, and he summoned to Rome Signorelli, in company with Perugino, Pinturicchio and Il Sodoma. They began operations, but were shortly all superseded to make way for Raphael, and their work was taken down. Luca returned to Siena, living afterwards for the most part in Cortona. He continued constantly at work, but the performances of his closing years were not of special mark.

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The Crucifixion with Mary Magdalen

In 1520 he went with one of his pictures to Arezzo. He was partially paralyzed when he began a fresco of the Baptism of Christ in the chapel of Cardinal Passerini’s palace near Cortona, which (or else a Coronation of the Virgin at Foiano) is the last picture of his specified. Signorelli stood in great repute as a citizen. He entered the magistracy of Cortona as early as 1488, and held a leading position by 1524 when he died.

Signorelli paid great attention to anatomy, carrying on his studies in burial grounds. He surpassed contemporaries in showing-the structure and mechanism of the nude in immediate action; and he even went beyond nature in experiments of this kind, trying hypothetical attitudes and combinations. His drawings in the Louvre demonstrate this and bear a close analogy to the method of Michelangelo. He aimed at powerful truth rather than nobility of form; color was comparatively neglected, and his chiaroscuro exhibits sharp oppositions of lights and shadows. He had a vast influence over the painters of his own and of succeeding times, but had no pupils or assistants of high mark; one of them was a nephew named Francesco.

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The Damned Cast into Hell

He is described as kindly, a family man, according to Vasari, he always lived more like a nobleman than a painter. The Torrigiani Gallery in Florence contains a grand life-sized portrait by Signorelli of a man in a red cap and vest, and corresponds with Vasari’s observation. In the National Gallery, London, are the Circumcision of Jesus and three other works. Signorelli also depicted himself in the left foreground of his Orvietan mural The Rule of Antichrist. Fra Angelico, his predecessor in the Orvieto cycle, is thought to stand behind him in the piece.

Signorelli paid great attention to anatomy, carrying on his studies in burial grounds. He surpassed contemporaries in showing-the structure and mechanism of the nude in immediate action; and he even went beyond nature in experiments of this kind, trying hypothetical attitudes and combinations. His drawings in the Louvre demonstrate this and bear a close analogy to the method of Michelangelo. He aimed at powerful truth rather than nobility of form; color was comparatively neglected, and his chiaroscuro exhibits sharp oppositions of lights and shadows. He had a vast influence over the painters of his own and of succeeding times, but had no pupils or assistants of high mark; one of them was a nephew named Francesco.

Major works
• The Scourging of Christ (c. 1480) – Tempera on roundheaded panel, 84 x 57 cm, Pinacoteca di Brera, Milan
• Moses’s Testament and Death (1481-1482) – Fresco, 350 x 572 cm, Sistine Chapel, Vatican
• Madonna and Child with Saints (1484) – Panel, 221 x 189 cm, Museo dell’Opera del Duomo, Perugia
• Martyrdom of St. Sebastian – Pinacoteca of Città di Castello, Italy
• Madonna and Child (c. 1490) – Panel, 170 x 117,5 cm, Galleria degli Uffizi, Florence
• The Circumcision (c. 1490-91)
• Madonna and Child with St Joseph and Another Saint (1490-1492) – Panel, diameter: 99 cm, Galleria Palatina, Palazzo Pitti, Florence
• The Adoration of the Shepherds (1496) – Painted for the church of San Francesco, Città di Castello
• Lamentation over the Dead Christ (1502) – Wood, 270 x 240 cm, Museo Diocesano, Cortona
• Self-Portrait with Vitelozzo Vitelli (1500-1503) – Panel, Museo dell’Opera del Duomo, Orvieto
• Mary Magdalene (1504) – Panel, Museo dell’Opera del Duomo, Orvieto
• Calvary (1505)
• The Coronation of the Virgin (1508) – painted for the Filippini Chapel in the church of San Francesco, Arcevia
• The Trinity, the Virgin and Two Saints (1510) – Tempera on wood, 272 x 180 cm,

Galleria degli Uffizi, Florence

• Communion of the Apostles (1512) – Panel, 232 x 220 cm, Museo Diocesano, Cortona
• Virgin and Child with Saints (1515) – Painted for church of San Francesco, Montone, now in the National Gallery, London
• Immaculate Conception (c. 1523) – Panel, 217 x 210 cm, Museo Diocesano, Cortona
• Madonna and Child with Saints – Panel, Museo Nazionale di Castel Sant’Angelo, Rome

Still wondering about an Italian painting in your family collection? Contact us…it could be by Luca Signorelli.


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1264--vansoest.php Konrad von Soest Artwork Authentication & Art Appraisal

Konrad von Soest (1394-1422)

Konrad von Soest art authentication. Konrad von Soest appraisal. Konrad von Soest certificates of authenticity (COA). Konrad von Soest analysis, research, scientific tests, full art authentications. We will help you sell your Konrad von Soest or we will sell it for you.

The Rest of the Flight into Egypt

Nativity Scene

Konrad von Soest was a 15th century Gothic German painter known for his westfälischen or “soft style” of painting. It is thought that he was born around 1370 and died around 1422. Few details of his life are known, except that he was born in Dortmund.

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The Crucifixion

His paintings were extremely influential in the development of other 15th century German artists style, and is considered the lone master of westfälischen today.

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Afbeelding

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Brillenträger

Von Soest’s only known signed painting is the many paneled piece that hangs in the Niederwildungen Parish Church, dated around 1404. There are other works attributed to him that are housed in churches in both Dortmund and Soest. Because so little is known about this great master and what he could have created, the possibility for one of his nearly 600 year old paintings to surface somewhere is great.

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Coronation

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Wildunger Altar

Still wondering about a German Gothic-era painting hanging in your family’s estate? Contact us…it could be by Konrad von Soest.


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1265--correggio.php Antonio Corregio Artwork Authentication & Art Appraisal

Antonio Allegri da Correggio (1489 – 1534)

Get a Correggio Certificate of Authenticity for your painting (COA) for your Correggio drawing.

For all your Correggio artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Correggio Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Correggio painting or drawing.

If you want to sell your Correggio painting or drawing use our selling services. We offer Correggio selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Correggio and issuing certificates of authenticity since 2002. We are recognized Correggio experts and Correggio certified appraisers. We issue COAs and appraisals for all Correggio artworks.

Our Correggio paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Correggio certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Correggio painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Correggio paintings or drawings take longer.

Our clients include Correggio collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Antonio Corregio art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Antonio Corregio or we will sell it for you.

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The Mystic Marriage of St. Catherine 1520

Antonio Correggio was the foremost painter of the Parma school of the Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the 16th century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Rococo art of the 18th century.

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Fresco in Parma

Antonio Allegri was born in Correggio, a small Lombard town near Reggio Emilia. His date of birth is uncertain (around 1489). His father was a merchant. Otherwise, little is known about Correggio’s life or training. In the years 1503-1505 he apprenticed to Francesco Bianchi Ferrara of Modena. Here he probably knew the classicism of artists like Lorenzo Costa and Francesco Francia, evidence of which can be found in his first works. After a trip to Mantua in 1506, he returned to Correggio, where he stayed until 1510. To this period is assigned the Adoration of the Child with St. Elizabeth and John, which shows clear influences from Costa and Mantegna. In 1514 he probably finished three tondos for the entrance of the church of Sant’Andrea in Mantua, and then returned to Correggio: here, as an independent and increasingly renowned artist, he signed a contract for the Madonna altarpiece in the local monastery of St. Francis (now in the Dresden Gemäldegalerie).

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Judith 1512-1514

By 1516, Correggio was in Parma, where he generally remained for the rest of his career. Here, he befriended Michelangelo Anselmi, a prominent Mannerist painter. In 1519 he married Girolama Francesca di Braghetis, also of Correggio, who died in 1529. One of his sons, Pomponio Allegri, became an undistinguished painter. From this period are the Madonna and Child with the Young Saint John, Christ Leaving His Mother and the lost Madonna of Albinea.

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Madonna and Child in Glory with Angels 1510

Correggio’s first major commission (February-September of 1519) was the decoration ceiling of the private dining salon of the mother-superior (abbess Giovanna Piacenza) of the Convent of St Paul, called the Camera di San Paolo (Parma). Here he painted a delightful arbor pierced by oculi opening to glimpses of playful cherubs. Below the oculi are lunnetes with monochromic marble images. The fireplace is frescoed with an image of Diana. The iconography of the unit is complex, joining images of classical marbles to whimsical colorful bambini. While it recalls the secular frescoes of the pleasure palace of the Villa Farnesina in Rome, but is also a strikingly novel form of interior decoration.

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Danae 1531

He next painted the illusionistic Vision of St. John on Patmos (1520-21) for the dome of the church of San Giovanni Evangelista. Three years later he decorated the dome of the Cathedral of Parma with a startling Assumption of the Virgin, crowded with layers of receding figures in perspective. These two works would represent a highly novel treatment of dome decoration, using an illusionistic sotto in su perspective, and would exert a profound influence upon future fresco artists, from Gaudenzio Ferrari in his frescoes for the cupola of Santa Maria dei Miracoli in Saronno, to Pordenone in his now-lost fresco from Treviso, and to the baroque elaborations of Lanfranco and Baciccio in Roman churches. The massing of spectators in a vortex, creating both narrative and decoration, the illusionistic obliteration of the architectural roof-plane, and thrusting perspective towards divine infinity, was a device without precedent, and which depended on the extrapolation of the mechanics of perspective. The recession and movement implied by the figures all presage the dynamism that would characterize baroque painting.

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Portrait of a Lady 1519

Other masterpieces include The Lamentation and The Martyrdom of Four Saints , both at the Galleria Nazionale of Parma. The Lamentation is haunted by a lambency rarely seen in Italian painting prior to this time. The Martyrdom is also remarkable for resembling later Baroque compositions such as Bernini’s (Truth) and Ercole Ferrata’s (Death of Saint Agnes), showing a gleeful saint entering martyrdom.

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Zeus and Io, 1531

Aside from his religious output, Correggio conceived a now-famous set of paintings depicting the Loves of Jupiter as described in Ovid’s Metamorphoses. The voluptuous series was commissioned by Federico II Gonzaga of Mantua, probably to decorate his private Ovid Room in the Palazzo Te. However, they were given to the visiting Holy Roman Emperor Charles V and thus left Italy within years of their completion.

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Leda and the Swan 1532

Leda and the Swan, now in Staatliche Museen of Berlin, is a tumult of incidents: in the centre Leda straddles a swan, and on the right, a shy but satisfied maiden. Danaë, now in Rome’s Borghese Gallery, depicts the maiden as she is impregnated by a curtain of gilded divine rain. Her lower torso semi-obscured by sheets, Danae appears more demure and gleeful than Titian’s 1545 version of the same topic, where the rain is more accurately numismatic. The picture once called Antiope and the Satyr is now correctly identified as Venus and Cupid with a Satyr.

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Venus, Satyr and Cupid 1525

Ganymede Abducted by the Eagle depicts the young man aloft in literal amorous flight. Some have interpreted the conjunction of man and eagle as a metaphor for the evangelist John; however, given the erotic context of this and other paintings, this seems unlikely. This painting and its partner, the masterpiece of Jupiter and Io (reproduced above), are in Kunsthistorisches Museum of Vienna.

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Ganymede Abducted by the Eagle

Correggio was remembered by his contemporaries as a shadowy, melancholic and introverted character, traits possibly conditioned by his birth into a large and poor family. Correggio is an enigmatic and eclectic artist, and it is not always possible to identify a stylistic link between his paintings. He appears to have emerged out of no major apprenticeship, and to have had little immediate influence in terms of apprenticed successors, but his works are now considered to have been revolutionary and influential on subsequent artists. A century after his death Correggio’s work was well known to Vasari, who felt that he had not had enough “Roman” exposure to make him a better painter. In the 18th and 19th centuries, his works were often remembered in the diaries of foreign visitors to Italy, which led to a reevaluation of his art during the period of Romanticism. The flight of the Madonna in the vault of the cupola of the Cathedral of Parma inspired numerous scenographical decorations in lay and religious palaces during the 20th centuries.

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Allegory of the Vices

Corregio’s illusionistic experiments, in which imaginary spaces replace the natural reality, seem to prefigure many elements of Mannerist and Baroque stylistic approaches. In other words, he appears to have fostered artistic grandchildren, despite having no direct disciples outside of Parma, where he was influential on the work of Giovanni Maria Francesco Rondani, Parmigianino, Bernardo Gatti, and Giorgio Gandini del Grano. His son, Pomponio Allegri became a painter.

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Madonna Nursing 1523

In addition to the influence of Costa, there are echoes of Mantegna’s style in his work, and a response to Leonardo da Vinci, as well. Still wondering about an Italian painting in your family collection? Contact us…it could be by Antonio Correggio.


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1266--chintreuil.php Antoine Chintreuil Artwork Authentication & Art Appraisal

Antoine Chintreuil (1814-1873)

Get a Chintreuil Certificate of Authenticity for your painting (COA) for your Chintreuil drawing.

For all your Chintreuil artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Chintreuil Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Chintreuil painting or drawing.

If you want to sell your Chintreuil painting or drawing use our selling services. We offer Chintreuil selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Chintreuil and issuing certificates of authenticity since 2002. We are recognized Chintreuil experts and Chintreuil certified appraisers. We issue COAs and appraisals for all Chintreuil artworks.

Our Chintreuil paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Chintreuil certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Chintreuil painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Chintreuil paintings or drawings take longer.

Our clients include Chintreuil collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Antoine Chintreuil art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Antoine Chintreuil or we will sell it for you.

Antoine Chintreuil was born in Bourg en Bresse. In 1838, he left to go and live in Paris. He entered the studio of the romantic and history painter Paul Delaroche in 1842. He was not to stay with Paul Delaroche though, as his true teacher was to be Jean Baptiste Camille Corot. Corot was to have an enormous influence on him. In fact, Chintreuil referred to himself throughout his whole life as Corot’s pupil. Corot introduced him to the technique of painting in ‘plein air,’ and thereafter Chintreuil began to paint outside in nature.

He did not immediately achieve success, and was rejected a number of times by the Salon before his first painting was accepted in 1847. He was given a great deal of support in the early days of his career by the songwriter Pierre-Jean de Beranger, and the art critic Champfleury. Pierre-Jean de Beranger bought a number of his paintings, and also persuaded the French state to buy some of them.

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Les Bois Ensoleille

In 1850, Chintreuil joined a small community of landscape painters at Igny in the Bievre valley, southwest of Paris. It was here that he became good friends with the landscape painter Charles Daubigny. Soon afterwards, he moved to the village of Septeuil, near the town of Mantes. It was here that he produced magnificent paintings such as, ‘Last Rays of Sun on a Field of Sainfoin.’

It is said that Chintreuil’s paintings were the precursor to Impressionism. He was very concerned with the effect of the light and also atmospheric differences during different times of the day. He was not interested in portraying a picturesque version of nature, but more so with portraying it as it really was. His mentor and great teacher Corot said, ‘We must never forget to envelop reality in the atmosphere it first had when it burst upon our view. Whatever the size, whatever the object, the artist must first submit to his first impression.’

Chintreuil was certainly influenced by the words of Corot. The titles of his paintings alone give a clue to his interests in different atmospheric conditions, such as, ‘Morning Fog,’ and ‘The Evening Haze.’ His friend and art critic Champfleury referred to him as the painter of, ‘the fog and dewdrops.’

The painting, ‘House on the Cliffs near Fecamp,’ is a perfect example of Chintreuil’s style of painting. The modest subject matter of the painting and the sensitive treatment of the light are typical of his work.

Impressionist painters such as Claude Monet were greatly influenced by the work of artists such as Antoine Chintreuil. The painting, ‘Last Rays of Sun on a Field of Sanfoin,’ which hangs in the Museum of Fine Arts in Boston is a good example of a painting that came very close to the Impressionist style. It shows the countryside with peasants and the dazzling light effects as its focus. The Sanfoin which is a pink herb used to feed the animals has its own light and focus. It is as a consequence of paintings such as these that his work has been defined as a precursor to Impressionism.

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Begere Reposent

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Landscape

Chintreuil is a very important nineteenth century artist, not only because of his talent, but also because of his anticipation of what was to come, in terms of the future of art and painting. In the Salon of 1870, upon seeing his work, the French writer Emile Zola said,

“One senses an artist who is striving to go beyond the Naturalistic school of landscape painting and who,
although faithfully copying nature, attempted to catch her at a special moment difficult to transcribe.”

If you believe you own a work of art by Antoine Chintreuil, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Antoine Chintreuil.


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1267--neff-von.php Carl Timoleon von Neff Artwork Authentication & Art Appraisal

Carl Timoleon von Neff (1804–1877)

Get a Neff Certificate of Authenticity for your painting (COA) for your Neff drawing.

For all your Neff artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Neff Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Neff painting or drawing.

If you want to sell your Neff painting or drawing use our selling services. We offer Neff selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Neff and issuing certificates of authenticity since 2002. We are recognized Neff experts and Neff certified appraisers. We issue COAs and appraisals for all Neff artworks.

Our Neff paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Neff certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Neff painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Neff paintings or drawings take longer.

Our clients include Neff collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Do you think you may own a painting by Carl Timoleon von Neff?

We perform Carl Timoleon Von Neff art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Carl Timoleon Von Neff or we will sell it for you.

1. Aleksandra Petrovna of Oldenburg. 19th century. Oil painting.

1. Aleksandra Petrovna of Oldenburg. 19th century. Oil painting.
We perform art art authentications, art appraisals, art research and provide Certificates of Authenticity (COA) as well as consultations for all artworks by Carl Timoleon von Neff.

2. Allegorical figure. 1841. Watercolor on paper.

2. Allegorical figure. 1841. Watercolor on paper.

Carl Timoleon von Neff was an artist of Baltic-German heritage born in present day Etonia. At the time of von Neff’s birth Estonia was part of the Russian Empire, known the Governorate or Duchy of Estonia.

3. Young Mother. 1843. Oil on Canvas.

3. Young Mother. 1843. Oil on Canvas.

Von Neff began his artistic training under Karl von Kügelgen before enrolling at the Dresden Academy of Art. After finishing his studies von Nuff moved to St. Petersburg, where he received a commission to paint family portraits for Nicholas I. Von Nuff’s reputation quickly grew as he continued to receive commissions from the court and from high society figures.

4. Street Children in Italy. 1843. Oil painting.

4. Street Children in Italy. 1843. Oil painting.

In addition to his many portrait commissions, von Nuff also completed religious painting for cathedrals in St. Petersburg. He split his time between Russia and Italy, where von Nuff drew inspiration.

5. Lady Barrett of Belhus. 1844. Oil on Canvas.

5. Lady Barrett of Belhus. 1844. Oil on Canvas.

Eventually von Nuff was granted the high honor of membership of the Russian Imperia Academy of Arts, the most prestigious art association in Russia. Von Nuff’s eventually returned to Estonia where he spent the last years of his life. If you think you may own original artwork by Carl Timoleon von Neff, contact Art Certification Experts for information regarding our services.


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1268--ivanov.php Alexander Andreyevich Ivanov Artwork Authentication & Art Appraisal

Alexander Andreyevich Ivanov (Александр Андреевич Иванов) (1806-1858)

Get a Ivanov Certificate of Authenticity for your painting (COA) for your Ivanov drawing.

For all your Ivanov artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ivanov Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ivanov painting or drawing.

If you want to sell your Ivanov painting or drawing use our selling services. We offer Ivanov selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ivanov and issuing certificates of authenticity since 2002. We are recognized Ivanov experts and Ivanov certified appraisers. We issue COAs and appraisals for all Ivanov artworks.

Our Ivanov paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ivanov certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ivanov painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ivanov paintings or drawings take longer.

Our clients include Ivanov collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alexander Andreyevich Ivanov art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alexander Andreyevich Ivanov or we will sell it for you.

Girl from Albano Standing in a Doorway

Girl from Albano Standing in a Doorway

Alexander Ivanov was a Russian painter who adhered to the waning tradition of Neoclassicism but found little sympathy with his contemporaries.

Head of a Man

Head of a Man

Alexander Ivanov studied together with Karl Briullov at the Imperial Academy of Arts under his father, Andrey A. Ivanov. He spent most of his life in Rome where he befriended Gogol and succumbed to the influence of the Nazarenes. He has been called the master of one work, for it took 20 years to complete his magnum opus, The Appearance of Christ before the People (1837-57). Ivanov’s disappointment with the public reception of this grand work undoubtedly contributed to his premature death.

Baptism of Jesus

Baptism of Jesus

It was for the next generation of art critics to do him justice. Some of the numerous sketches he had prepared for The Appearance have been recognized as masterpieces in their own right. Although Ivanov’s major painting is a gem of the Tretyakov Gallery, the most comprehensive collection of his works can be viewed at the Russian Museum in St Petersburg.

The Appearance of Christ to Mary Magdalene

The Appearance of Christ to Mary Magdalene

Still wondering about a 19th century Russian painting in your family collection? Contact us…it could be by Alexander Ivanov.


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1269--stuck-von.php Franz Stuck Artwork Authentication & Art Appraisal

Franz von Stuck (1863 – 1928)

Get a Stuck Certificate of Authenticity for your painting or a COA for your Stuckdrawing, print or sculpture.

For all your Stuckartworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Stuck Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Stuckpainting, drawing, print or sculpture.

If you want to sell your Stuckpainting, drawing, print or sculpture use our selling services. We offer Stuck selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Stuckand issuing certificates of authenticity since 2002. We are recognized Stuckexperts and Stuck certified appraisers. We issue COAs and appraisals for all Stuck artworks.

Our Stuckpaintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Stuckcertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Stuckpainting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Stuckpaintings, drawings or sculptures take longer.

Our clients include Stuckcollectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Franz Stuck art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Franz Stuck or we will sell it for you.

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Self-Portrait 1905

Franz Stuck was a German Symbolist/Art Nouveau painter, sculptor, engraver, and architect. He is considered by some to be one of the artistic inspirations to German Fascism. Stuck was born at Tettenweis, in Bavaria. From an early age he displayed an affinity for drawing and caricature. To begin his artistic education in 1878 he went to Munich, where he would settle for life. From 1881 to 1885 Stuck attended the Munich Academy.

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Medusa

He first made a name with cartoons for Fliegende Blätter, and vignette designs for programmes and book decoration. In 1889 he exhibited his first paintings at the Munich Glass Palace, winning a gold medal for The Guardian of Paradise.

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The Guardian of Paradise

In 1892 Stuck co-founded the Munich Secession, and also executed his first sculpture, Athlete. The following year he won further acclaim with the critical and public success of what is now his most famous work, The Sin. Also in 1893, Stuck was awarded a gold medal for painting at the Chicago World’s Fair and was appointed to a royal professorship. In 1895 he began teaching painting at the Munich Academy.

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The Sin 1893

In 1897 Stuck married an American widow, Mary Lindpainter, and began work designing his own residence and studio, the Villa Stuck. His designs for the villa included everything from layout to interior decorations; for his furniture Stuck received another gold medal at the 1900 Paris World Exposition.

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Dying Amazon

Having attained a high degree of fame by this time, Stuck was elevated to the aristocracy on December 9, 1905 and would receive further public honors from around Europe during the remainder of his life. Even as new trends in art left Stuck behind, he continued to be highly respected among young artists in his capacity as professor at the Munich Academy. Notable students of his over the years include Paul Klee, Hans Purrmann, Wassily Kandinsky, and Josef Albers. Franz Stuck died in 1928; his funeral address memorialized him as “the last prince of art of Munich’s great days”. He is buried in the Munich Waldfriedhof next to his wife Mary.

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Sisyphus 1920

Stuck’s subject matter was primarily drawn from mythology, inspired by the work of Arnold Böcklin. Large, heavy forms dominate most of his paintings and point toward his proclivities for sculpture. His seductive female nudes, in the role of the femme fatale, are a prime example of popular Symbolist content. Stuck paid close attention to the frames for his paintings and generally designed them himself with such careful use of panels, gilt carving and inscriptions that the frames must be taken as an integral part of the overall piece.

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Lucifer

The number of Stuck’s pupils who went on to great success served to enhance the teacher’s own fame even further. Yet by the time of his death, Stuck’s importance as an artist in his own right had almost been forgotten: his art seemed old-fashioned and irrelevant to a generation shattered by the First World War. Adolf Hitler was among those who still admired the painters of nineteenth century Munich, and when the Nazis came to power Stuck was among the artists of the past cited as an example of proper Germanic values. But Stuck generally remained lost to public memory until the late 1960s when a renewed interest in Art Nouveau brought him to attention once more. In 1968 the Villa Stuck was opened to the public; today it is a museum.

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Circe

Still wondering about a German painting in your family collection? Contact us…it could be by Franz Stuck.


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1271--goetz.php Henri Goetz Artwork Authentication & Art Appraisal

Henri Goetz (1909-1989)

Get a Goetz Certificate of Authenticity for your painting (COA) for your Goetz drawing.

For all your Goetz artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Goetz Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Goetz painting or drawing.

If you want to sell your Goetz painting or drawing use our selling services. We offer Goetz selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Goetz and issuing certificates of authenticity since 2002. We are recognized Goetz experts and Goetz certified appraisers. We issue COAs and appraisals for all Goetz artworks.

Our Goetz paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Goetz certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Goetz painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Goetz paintings or drawings take longer.

Our clients include Goetz collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henri Goetz art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Henri Goetz or we will sell it for you.

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Sainte-Genevieve Des Bois, 1965

Henri Goetz was born in New York and would become a leader in Abstract art. He originally studied at Harvard University and M.I.T., but eventually began painting on his own. He enrolled in the Grand Central Art School in New York, but left after only six months. Goetz then traveled to Paris in 1930 to attend workshops at the Academie Julien. He briefly returned to New York, but settled in Paris in 1932.

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Graphisme Jaune et Noir, 1951

In the mid-1930s, Goetz began painting Surrealist compositions, only to return to Abstract. He exhibited often, and one of his first being at the Salon des Independents in 1935.

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Paravent

By the 1950s, Goetz began steadily teaching art, which he would continue to do for the rest of his life. He even founded his own art school, the Atelier Goetz in 1965.

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Abstract Composition

Goetz was married to painter Christine Boumeester, whom he also worked with during World War II. They fought alongside one another in the resistance against German occupation creating false passports for people running from the Nazis. They were eventually caught and forced to leave Paris for a time, lucky to have been spared their lives. It is not unlikely that during this time some of Goetz and Boumeester’s work was pillaged by the Gestapo and could be housed unknown and unauthenticated in Germany or elsewhere.

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Untitled

During his lifetime, Goetz exhibited and traveled worldwide. Today his work is housed in Modern Art museums in Europe and The United States, and perhaps in your own home.


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1272--nikitin.php Ivan Nikitin Artwork Authentication & Art Appraisal

Ivan Nikitin Иван Никитич Никитин (1690-1741)

Get a Nikitin Certificate of Authenticity for your painting (COA) for your Nikitin drawing.

For all your Nikitin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Nikitin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Nikitin painting or drawing.

If you want to sell your Nikitin painting or drawing use our selling services. We offer Nikitin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Nikitin and issuing certificates of authenticity since 2002. We are recognized Nikitin experts and Nikitin certified appraisers. We issue COAs and appraisals for all Nikitin artworks.

Our Nikitin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Nikitin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Nikitin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Nikitin paintings or drawings take longer.

Our clients include Nikitin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ivan Nikitin Иван Никитич Никитин art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ivan Nikitin Иван Никитич Никитин or we will sell it for you.

Hetman

Hetman

Ivan Nikitin was born in Moscow to a family of an Orthodox priest. He received his first artistic lessons from a Dutch artist known as Schwonbek at the engraving shop of the Kremlin Armoury. In 1711, the Armory, together with Ivan Nikitin, was moved to Saint Petersburg. From 1716 to 1720, he and his brother, Roman Nikitin, were sent by Peter the Great to Italy, where the brothers learned the art of painting at Florence and Venice. After returning to Russia, Nikitin became the favorite court painter of Peter the Great and worked in Moscow and Saint Petersburg.

Peter the Great

Peter the Great

After Peter’s death in 1725, Nikitin continued to work at the court until 1732, when he and his brothers Roman and Rodion (the dean of Cathedral of the Annunciation in Moscow Kremlin) were arrested for the distribution of pamphlets against Vice Procurator of Synod, Feofan Prokopovich. Ivan was tortured, imprisoned for five years in the Peter and Paul Fortress, then whipped and exiled to Tobolsk.

Princess Elizabeth 1714

Princess Elizabeth, 1714

In 1740, Anna of Russia signed an amnesty for the brothers, which came into force in 1741. By request of the new Empress, Elizabeth of Russia, Nikitin travelled back from Tobolsk to Saint Petersburg and died somewhere on the road either in late 1741 or in early 1742.

Tsarina Praskovia

Tsarina Praskovia

The early portraits by Nikitin had a strong influence of the traditional 17th century parsuna style, with no perspective, rigid local colors, and dark backgrounds, and his later portraits are typical Baroque paintings. Most art historians consider the Nikitin’s best portraits to be Chancelor G. I. Golovkin and A Malorossian Hetman. There are attribution problems with the subject of the portrait, with different historians arguing that he is either Ivan Mazepa, Ivan Skoropadsky, Kazimir Ian Sapega, or Pavlo Polubotok; however, they all are equivocal in emphasizing the psychological depth of the portrait.

Catherin I of Russia 1717

Catherin I of Russia 1717

Besides portraits, Ivan Nikitin is also considered to be the first notable Russian battle painter due to his paintings of Battle of Poltava and Battle of Kulikovo. Still wondering about an 18th century Russian painting in your family collection? Contact us… we are the Ivan Nikitin experts.


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1273--delagandara.php Antonio de la Gandara Artwork Authentication & Art Appraisal

Antonio de la Gandara (1861-1917)

We Perform Antonio de la Gandara art authentication. Antonio de la Gandara appraisal. Antonio de la Gandara certificates of authenticity (COA). Antonio de la Gandara analysis, research, scientific tests, full art authentications. We will help you sell your Antonio de la Gandara or we will sell it for you.

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Gabriel de Yturri, 1886

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La Femme au Voile

Antonio de la Gandara was born in Paris, France, known for his paintings of the fashionable ladies of the Belle Epoque. His father was from Mexico and his mother was from England, and his artistic abilities eventually became reflective of all three cultures. At age 15, de La Gandara was admitted to the Ecole des Beaux-Arts and was a pupil of Jean-Léon Gérome. He was honored in 1883 at the Salon des Champs-Elysées, and was singled out by the jury for his portrait of Saint Sebastian; the first work he ever exhibited.

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Portrait of Madame Gautrau, 1891

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Portrait of Madame Rémy Salvator

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Portrait of Mme d’Annunzio

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Portrait of M del Solar

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La Bague a l’émeraude

This early achievement was to set the pretense for de La Gandara’s success over the next few years in Paris. He became a favorite among the art elite, and had Princes and Princess sit for him, as well as duchesses and other historical notables like Paul Verlaine and Sarah Bernhardt.

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Paul Verlaine, lithograph, 1895

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Caricature d’artistes du “Chat Noir”

During this time, de La Gandara was highly influenced by fellow painter Chardin, and followed the artists use of simplicity and fine detail to achieve his beautiful portraits. He also worked alongside other famous artists such as James McNeil Whistler and Jean-Louis Forain illustrating books and volumes of poetry, such as “The Bats” by French poet Robert de Montesquiou. This book, published in 1893, has since become a rare collector’s item.

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Robert de Montesquiou

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La Femme au Chien

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Ida Rubenstein

Gandara held his first exhibition in New York in 1898, which was met with much acclaim and great success. Art critics felt that this show confirmed him as one of the greatest painters of his time. His portraits were also routinely published in magazines and newspapers, like the fashionable “Le Figaro” magazine, and many of which even made it to the front page.

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Mme de La Gandara, pastel, 1895

Throughout his career, de la Gandara exhibited all over the world in the United States, Paris, Brussels, Berlin, Barcelona, Dresden and Saragossa. Sadly, after his death in 1917, his popularity quickly waned.

However, a new and growing interest in late 19th century art has brought his work back into the spotlight, and his work has once again regained popularity. Still wondering about a French portrait in your family collection? Contact us…it could be by Antonion de la Gandara.


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1274--lotto.php Lorenzo Lotto Artwork Authentication & Art Appraisal

Lorenzo Lotto (1480 – 1556)

Get a Lotto Certificate of Authenticity for your painting (COA) for your Lotto drawing.

For all your Lotto artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lotto Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lotto painting or drawing.

If you want to sell your Lotto painting or drawing use our selling services. We offer Lotto selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lotto and issuing certificates of authenticity since 2002. We are recognized Lotto experts and Lotto certified appraisers. We issue COAs and appraisals for all Lotto artworks.

Our Lotto paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lotto certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lotto painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lotto paintings or drawings take longer.

Our cLottonts include Lotto collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lorenzo Lotto art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lorenzo Lotto or we will sell it for you.

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Portrait of a Young Man 1526

Lorenzo Lotto was a Northern Italian painter draughtsman and illustrator, traditionally placed in the Venetian school. He painted mainly altarpieces, religious subjects and portraits. While he was active during the High Renaissance, he already constitutes, through his nervous and eccentric posings and distortions, a transitional stage to the first Florentine and Roman Mannerists of the 16th century.

Born in Venice, he worked in Treviso (1503-1506), the Marches (1506-1508), in Rome (1508-1510), Bergamo (1513-1525), in Venice (1525-1549), Ancona (1549) and finally as a Franciscan lay brother in Loreto (1549-1556).

There is almost no information about his training. As a Venetian he was influenced by Giovanni Bellini as he had a good knowledge of contemporary Venetian painting. Though Bellini was doubtless not his teacher, the influence is clear in his early painting Virgin and Child with St. Jerome (1506) (National Gallery of Scotland, Edinburgh). However, in his portraits and in his early painting Allegory of Virtue and Vice (1505) (National Gallery of Art, Washington) he shows the influence of Giorgione’s Naturalism. As he grew older his style changed, perhaps evolving, from a detached Giorgionesque classicism, to a more vibrant dramatic setpiece, more reminiscent of his contemporary from Parma, Correggio.

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The Penitence of St. Jerome 1510

Lorenzo Lotto soon left Venice. The competition for a young painter would have been too great with established names such as Giorgione, Palma il Vecchio and certainly with Titian. Nevertheless, Giorgio Vasari mentions in the third part of his book Vite that Lotto was a friend of Palma il Vecchio.

In Trevisio, a prospering town within the domain of the republic of Venice, he came under the patronage of bishop Bernardino de’Rossi. The already mentioned painting Allegory of Virtue and Vice was intended as an allegorical cover of his portrait (1505) of the bishop (now in Museo di Capodimonte in Naples), who had survived an assassination attempt. The painting St. Jerome in the Desert (1500 or 1506) (Louvre, Paris) shows his youthful inexperience as a draughtsman, however the dramatic rocky landscape is accentuated by the red garment of the saint. At the same time he gives an early impression of his skill as a miniaturist.

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Allegory of Virtue and Vice

He painted his first altarpieces for the parish church S Cristina al Tiverone (1505) and the baptistery of the Cathedral of Asolo (1506), both still on display in those churches.

In 1508 he began the Recanati polyptych altarpiece for the church of S Domenico. This two-tiered, rather conventional painted polyptych consists of six panels. His portrait Young Man against a White Curtain (1508) is a famous painting from this period (Kunsthistorisches Museum, Vienna).

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Young Man Against a White Curtain 1508

As he became a respected painter, he came to the attention of Bramante, the papal architect, who was passing through Loreto (a pilgrimage site near Recanati). Lorenzo Lotto was invited to Rome to decorate to papal apartments. Nothing however survives of his work, as they were destroyed a few years later. This was problably because he had imitated the style of Raphael, a rapidly rising star in the papal court. He had done this before in the Transfiguration in the Recanati polyptych.

In 1511 he was at work for the confraternity of the Buon Gesù in Jesi, painting an Entombment (Pïn. Civ., Jesi). Soon after, he was painting altarpieces in Recanati, a Transfiguration (now in the Pinacoteca Comunale, Recanati) and a fresco St Vincent Ferrer for the church San Domenico.

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Transfiguration

His work in Bergamo, the westernmost town of the Venetian republic, and surrounding areas was to prove his best and most productive artistic period. He received many commissions from wealthy merchants, well-educated professionals and local aristocrats. He had become a rich colourist and an experienced draughtsman. He developed the concept of the psychological portrait, rebealing the thoughts and emotions of his subjects. In this he was continuing the tradition started by Antonello da Messina. A good example is his Portrait of a Young Man with a Book (now in the Accademia, Venice).

He started in 1513 with a monumental altarpiece Pala Martinengo in the Dominican church of S Stefano in Bergamo. This altarpiece was commissioned by Count Alessandro Martinengo-Coleoni, grandson of the famous condottiere Bartolomeo Colleoni. It would be finished in 1516. This altarpiece shows us the influence of Bramante and Giorgione. His next assignment was the decoration of the churches S Bernardino and S Alessandro in Colonna with frescoes and distemper paintings. He would finish five more altarpieces between 1521 and 1523.

In 1523 he went for a brief stay in the Marches, obtaining several commissions for altarpieces. He would paint these during his stay in Venice.

His next paintings are mostly wall paintings. In 1524 he painted a series of frescoes with the lives of saints (such as St. Clare) in the Suardi chapel in Trescore (near Bergamo). In the details he depicts scenes of every life, such as in the fresco Martyrdom of St. Claire.

In the same fresco he portrays Christ with vines sprouting from his hands, illustrating the words of the New Testament : “I am the vine, you are the branches” (John 15-5).

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The Martyrdom of St. Claire

In 1524 he also painted the cartoons with Old Testament stories as models for the intarsia panels for the choir stalls of S Maria Maggiore in Bergamo.

More than twenty private paintings date from the same period. They are mostly of religious and pious subjects such as Madonnas or a Deposition, used for worship at home. They are painted in the Classical tradition, but Lotto adds a personal touch to the intense emotions. Using contrasting poses and opposing movement, he breaks the traditional symmetry of the Virgin surrounded by angels and saints.

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Madonna and Child

Lorenzo Lotto first stayed at the Dominican monastery of SS Giovanni e Paolo. But he to leave after a few months after a conflict with friar Damiano Zambelli, the intaglia artist (See : Basilica of San Domenico). To cope with the many commissions, he founded a workshop. He shipped five altarpieces for churches in the Marches and another one for the church S Maria Assunta in Celano (near Bergamo). Another altarpiece was for the Venetian church of S Maria dei Carmini, portraying St. Nicholas of Bari in Glory.

As Venice was a city of great wealth and as popularity increased, he received many orders for private paintings, including ten portraits, including Portrait of a Young Man (Gemäldegalerie, Berlin). His portrait of Andrea Odoni (Royal Art Collection, Hampton Court) (1527) would later influence the portrait of Jacopo Strada by Titian (1568) (Kunsthistorisches Museum, Vienna). But in Venice he was overshadowed by his rival Titian, who dominated the artistic scene. Lorenzo Lotto left Venice in 1532 to Treviso.

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Venetian Woman in the Guise of Lucretia 1533

In this last period of his life, Lorenzo Lotto would frequently move from town to town, searching for patrons and commissions. In 1532 he went to Treviso. Next he spent about seven years in the Marches (Ancona, Macerata en Jesi), returning to Venice in 1540. He moved again to Treviso in 1542 and back to Venice in 1545. Finally he went back to Ancona in 1549.

This was a productive period in his life, during which he painted several altarpieces and portraits :

  • Santa Lucia before the Judge, 1532, Jesi, Pinacoteca comunale
  • The Sleeping Child Jesus with the Madonna, St. Joseph and St. Catherine of Alexandria, 1533, Bergamo, Accademia Carrara
  • Portrait of a Lady as Lucretia, 1533, National Gallery, London.
  • Holy Family with SS Jerome, Anna and Joachim, 1534, Firenze, Uffizi
  • Holy Family, ca 1537, Paris, Louvre
  • Portrait of a Young Man, Firenze, Uffizi
  • Crucifixion, Monte San Giusto, Church of S Maria in Telusiano
  • Rosary Madonna, 1539, Cingoli, Church of San Nicolò
  • Portrait of a Man, 1541, Ottawa, National Gallery of Canada
  • Bust of a Bearded Man, 1541, ascribed, San Francisco, Fine Arts Museum
  • The Alms of Saint Anthony, 1542, Venezia, church SS Giovanni e Paolo
  • Madonna and four Saints, 1546, Venezia, Church of San Giacomo dell’Orio
  • Portrait of fra’ Gregorio Belo da Vicenza, 1548,New York, Metropolitan Museum
  • Assumption, 1550, Ancona, church San Francesco alle Scale
  • The Crossbowman, 1551, Rome, Pinacoteca Capitolina
  • Portrait of an Old man, ascribed, ca 1552, Saint Petersburg, Ermitage
  • Presentation in the Temple, 1555, Loreto, Palazzo Apostolico

At the end of his life it was becoming increasingly difficult for him to earn a living. Furthermore, in 1550 one of his works had an unsuccessful auction in Ancona. As recorded in his personal account book, this deeply disillusioned him. As he had always been a deeply religious man, he entered in 1552 the Holy Sanctuary at Loreto, becoming a lay brother. During that time he decorated the basilica of S Maria and painted a Presentation in the Temple for the Palazzo Apostolico in Loreto. He died in 1556 and was buried, at his request, in a Dominican habit.

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Venus and Cupid

Giorgio Vasari included Lotto’s biography in the third volume of his book Vite. Lorenzo Lotto himself left many letters and a detailed notebook (Libro di spese diverse, 1538-1556), giving a certain insight in his life and work. Among the many painters he influenced are likely Giovanni Busi

During his lifetime, Lorenzo Lotto was a well-respected painter and certainly popular in Northern Italy. He is traditionally included in the Venetian School, but his independent career actually places him outside the Venetian art scene. He was certainly not as highly regarded in Venice as in the other towns were he worked. He had an own stylistic individuality, even an idiosyncratic style. After his death, he gradually became neglected and then almost forgotten. This could be attributed to the fact that his oeuvre now remains in lesser known churches or in provincial musea. Even the top musea of the world possess each only a few of his paintings. Thanks to the work of the art historian Bernard Berenson, he was rediscovered and acclaimed as a master at the end of the 19th century.

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Portrait of a Young Man at His Studies

Still wondering about an Italian painting in your family collection? Contact us…it could be by Lorenzo Lotto.


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1275--durer.php Dürer Artwork Authentication & Art Appraisal

Albrecht Dürer (1471 -1528)

Get a Dürer Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Dürer artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Dürer Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dürer painting, drawing or print.

If you want to sell your Dürer painting, drawing or print use our selling services. We offer Dürer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dürer and issuing certificates of authenticity since 2002. We are recognized Dürer experts and Dürer certified appraisers. We issue COAs and appraisals for all Dürer artworks.

Our Dürer paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dürer certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dürer painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dürer paintings or drawings take longer.

Our clients include Dürer collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Albrecht Dürer art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Albrecht Dürer or we will sell it for you.

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Large Turf, detail

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Detail from self-portrait at the age of 28

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Knight, Death and the Devil

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Virgin With The Child Holding A Half Pear

With Dürer nothing is blurred or merely suggested. To the contrary he worked with an entomologist’s meticulous concern for accurate and precise description.

At the same time he incorporated the Italian renditions of mass and volume and their sustaining foundation; the knowledge of anatomy and of the inner workings of the human body. Then, he rigorously subjected his compositions to the rules of perspective.

The end result is a fusion of the linearity of the Northern school with the Italian illusionism of a third dimension.

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St. Anne, detail

Like some other great artists, Dürer was precocious. He executed this superb self-portrait in silverpoint when he was only 13. It is his earliest surviving work.

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Self portrait at the age of 13, silverpoint, 1484

Is it possible today that a new unknown Dürer would be discovered? Yes, but it would either be a painting, a drawing or a watercolor.

It is nearly impossible that it would be a woodcut or an engraving. We know all of them through his writings and the books he illustrated.

What happens periodically though, is that someone discovers an authentic Dürer print from the days of the early editions. These are not new in subject, they are just additional copies of his known prints. Nevertheless they are quite valuable.

But a drawing or a watercolor could go unnoticed for a long time, as being his work, if it did not represent one his well known and most popular subjects.

Here are three examples:

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Vision Of A Cloud Burst, 1525

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Church Of St. John, 1489

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The Willow Mill, 1496

If it would not be for the signature, and some might not be signed, most art dealers and museum curators would never recognize Dürer here either:

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Three Mighty Ladies Of Livonia, 1521

A good candidate for a new painting discovery might be an unfinished and unsigned work such as this one:

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Old Woman With A Bag of Coins, unfinished, c.1507

A new discovery could also be of a duplicate that has been quickly rejected as a copy, when in fact it is an original.

We have two of this portrait and both are considered authentic Dürer originals:

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Young Woman With Bound Hair, 1497
One of a pair of virtually identical originals

There are other possibilities yet, but to mention just one more, an unknown Dürer could be something so weird, that almost no art professionals would even think of the German master:

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Boy With A Long Beard, 1527

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1276--feuerbach.php Anselm Feuerbach Artwork Authentication & Art Appraisal

Anselm Feuerbach (1829—1880)

Get a Feuerbach Certificate of Authenticity for your painting (COA) for your Feuerbach drawing.

For all your Feuerbach artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Feuerbach Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Feuerbach painting or drawing.

If you want to sell your Feuerbach painting or drawing use our selling services. We offer Feuerbach selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Feuerbach and issuing certificates of authenticity since 2002. We are recognized Feuerbach experts and Feuerbach certified appraisers. We issue COAs and appraisals for all Feuerbach artworks.

Our Feuerbach paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Feuerbach certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Feuerbach painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Feuerbach paintings or drawings take longer.

Our clients include Feuerbach collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Anselm Feuerbach art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Anselm Feuerbach or we will sell it for you.

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Self-Portrait

German painter, born at Speyer, the son of a well-known archaeologist, was the leading classicist painter of the German 19th-century school. He was the first to realize the danger arising from contempt of technique, that mastery of craftsmanship was needed to express even the loftiest ideas, and that an ill-drawn colored cartoon can never be the supreme achievement in art. After having passed through the art schools of Düsseldorf and Munich, he went to Antwerp and subsequently to Paris, where he benefited by the teaching of Couture, and produced his first masterpiece, “Hafiz at the Fountain” in 1852.

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Iphigenie 1871

He subsequently worked at Karlsruhe, Venice (where he fell under the spell of the greatest school of colorists), Rome and Vienna where he associated with Johannes Brahms. He was steeped in classic knowledge, and his figure compositions have the statuesque dignity and simplicity of Greek art. Disappointed with the reception given in Vienna to his design of “The Fall of the Titans” for the ceiling of the Museum of Modeling, he went to live in Venice, where he died in 1880.

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Portrait of a Man

His works are to be found at the leading public galleries of Germany; Stuttgart has his “Iphigenia”; Karlsruhe, the “Dante at Ravenna”; Munich, the “Medea”; and Berlin, “The Concert”, his last important picture. Among his chief works are also “The Battle of the Amazons”, “Pietà”, “The Symposium of Plato”, “Orpheus and Eurydice” and “Ariosto in the Park of Ferrara”.

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Paolo and Francesca

Still wondering about a 19th century German painting in your family collection? Contact us…it could be by Anselm Feuerbach.


done
1277--briullov.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "briullov" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "briullov" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1278--vermeer.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vermeer" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vermeer" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1279--bonilla.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bonilla" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bonilla" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1280--giacomo.php Fran di Giacomo Artwork Authentication & Art Appraisal

Fran di Giacomo

Get a Giacomo Certificate of Authenticity for your painting (COA) for your Giacomo drawing.

For all your Giacomo artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Giacomo Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Giacomo painting or drawing.

If you want to sell your Giacomo painting or drawing use our selling services. We offer Giacomo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Giacomo and issuing certificates of authenticity since 2002. We are recognized Giacomo experts and Giacomo certified appraisers. We issue COAs and appraisals for all Giacomo artworks.

Our Giacomo paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Giacomo certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Giacomo painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Giacomo paintings or drawings take longer.

Our clients include Giacomo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Fran di Giacomo art authentication, appraisal. certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Fran di Giacomo or we will sell it for you.

White Glads

White Glads

Callas with Cockscomb

Callas with Cockscomb

Lilacs with Lillies

Lilacs with Lillies

Fran di Giacomo is an American painter known for her beautiful still life compositions. Giacomo has been quoted as being influenced by the Dutch masters, and calls her style “Classic Realism.”

Floral Alcove

Floral Alcove

However, Giacomo also created sweeping landscapes as well. She has been a full time artist since 1982, painting an average of 10 hours a day using both artificial and natural light.

Pier Walk

Pier Walk

Donato's Table

Donato’s Table

Mariposa Falls

Mariposa Falls

Giacomo travels often, picking up items from country’s that she visits. Sometimes these items appear in her paintings, whether it is a piece of tapestry, teapot or copper. However, one of favorite items to paint are flowers right from her own garden.

Cupids Perch

Cupids Perch

Still wondering about a still life or landscape painting hanging in your home? Contact us…it could be by Fran di Giacomo.


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1281--kielland.php Kitty Keilland Artwork Authentication & Art Appraisal

Kitty Kielland (1943-1914)

Get a Kielland Certificate of Authenticity for your painting (COA) for your Kielland drawing.

For all your Kielland artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kielland Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kielland painting or drawing.

If you want to sell your Kielland painting or drawing use our selling services. We offer Kielland selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kielland and issuing certificates of authenticity since 2002. We are recognized Kielland experts and Kielland certified appraisers. We issue COAs and appraisals for all Kielland artworks.

Our Kielland paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kielland certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kielland painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kielland paintings or drawings take longer.

Our clients include Kielland collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Kitty Keilland art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Kitty Keilland or we will sell it for you.

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Peat Bog in Jaeren 1882

Kitty Kielland was a 19th century Norwegian Realist painter. Born in Stavanger, Norway, Kielland began studying art in Karlsruhe in her thirties. She became friends with fellow Norwegian artist Harriet Backer when she traveled and trained in Munich and Paris.

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Landscape

Kielland is best known for her realist paintings of the Jaeren, a coastal region in Norway. She was also the sister of well known Norwegian author, Alexander Keilland.

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Summer’s Night, 1886

Still wondering about a Norwegian painting in your family collection? Contact us…it could be by Kitty Kielland.


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1282--palko.php Franz Palko Artwork Authentication & Art Appraisal

Franz Palko (1724-1767)

We Perform Franz Palko art authentication. Franz Palko appraisal. Franz Palko certificates of authenticity (COA). Franz Palko analysis, research, scientific tests, full art authentications. We will help you sell your Franz Palko or we will sell it for you.

Palko painting, Religious Scene

Religious Scene

Franz Palko was an 18th century Austrian painter. Palko painted mythological and religious paintings in the Baroque style.

Palko painting, Judith with the Head of Holofernes

Judith with the Head of Holofernes

Palko is best known for his great influence on painters in the Hungarian, Bohemian and Slovakian territories of 18th century Austria. Still wondering about an 18th century Austrian painting in your family collection? Contact us…it could be by Franz Palko.


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1283--pelouse.php Leon-Germain Pelouse Artwork Authentication & Art Appraisal

Leon-Germain Pelouse (1877-1927)

We Perform Leon-Germain Pelouse art authentication. Leon-Germain Pelouse appraisal. Leon-Germain Pelouse certificates of authenticity (COA). Leon-Germain Pelouse analysis, research, scientific tests, full art authentications. We will help you sell your Leon-Germain Pelouse or we will sell it for you.

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Spring Landscape

Leon-Germain Pelouse was a French artist born in the village of Pierrelaye. He was a talented landscape painter whose compositions neared perfection to the point that his paintings were almost photorealistic.

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A Thick Forest

Pelouse was initially a traveling salesman, but at the age of 27 he left his profession to become a painter. He first exhibited his work in 1865 at the Salon de Paris, but was not immediately popular in the art community.

After winning awards for his paintings in 1873 and 1876, Pelouse finally found a moderate amount of success. He was finally an established artist when he was awarded the Legion of Honor in 1878. During this time, he was also traveling extensively throughout France and exhibited his work all over Europe from Belgium and the Netherlands to Italy.

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January: Cernay, near Rambouillet

Pelouse spent much of his life divided between Paris and his beloved town of Cernay-la-Ville. He settled there with his wife and adopted son and enjoyed painting the town and surrounding countryside.

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A Pastoral Scene with a Milkmaid and Cow

Some art historians name Pelouse as one of the finest landscape painters in the latter half of the 19th century. He was the founder of the “Cernay school” of painting, from which he had many pupils such as Rambaud, Joubert, Rigolot and more.

Today, Pelouse’s work is housed all over France in Paris, Rouen all over the countryside, as well as in the United States, Canada, Norway and Australia. Still wondering about a late 19th century French landscape in your home? Contact us…it could be by Leon-Germain Pelouse.


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1284--riou.php Louis Adolphe Riou Artwork Authentication & Art Appraisal

Louis Adolphe Riou (1893 – 1958)

Do you think you may own a painting by Louis Adolphe Riou ?

Get a Riou Certificate of Authenticity for your painting (COA) for your Riou drawing.

For all your Riou artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Riou Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Riou painting or drawing.

If you want to sell your Riou painting or drawing use our selling services. We offer Riou selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Riou and issuing certificates of authenticity since 2002. We are recognized Riou experts and Riou certified appraisers. We issue COAs and appraisals for all Riou artworks.

Our Riou paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Riou certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Riou painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Riou paintings or drawings take longer.

Our clients include Riou collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Louis Adolphe Riou art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Louis Adolphe Riou or we will sell it for you.

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Parthenon

Louis Adolphe Riou was born in France in 1893. Riou studied at the School of Fine Arts in Lyon. Riou later continued his education by attending the School of Decorative Arts in Paris.

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Les canons d’Essaouir

Riou’s talent began to show in his masterfully painted outdoor scenes. Riou started to exhibit extensively in France during the 1920s. A notable success was Riou’s entry in an autumn salon at the Tuileries.

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Le Pont Neuf

Riou is known for being an Orientalist painter. Orientalism is style of art associated with a group of 19th-century artists in Europe who were fond of depicting harem girls, sheikhs and Middle-Eastern scenery. Riou along with artists such as Delacroix, Ingres and (Henri) Rousseau employed such eastern themes.

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Port Breton

While many orientalists never spent time in the Middle East, Riou travelled to Morocco in 1931 to paint and study in a new culture and environment. Riou stayed in Morocco for many years and in 1939, Riou became a professor of fresco painting at the School of Fine arts in Cairo, Egypt.

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Louis Adolphe Riou’s paintings are in museums and collections across the United States and Europe. Do you think you own a painting by Riou? Contact us, we are the Riou experts!


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1285--piazzetta.php Giovanni Battista Piazzetta Artwork Authentication & Art Appraisal

Giovanni Battista Piazzetta (AKA Giambattista Piazzetta) (1683-1754)

We Perform Giovanni Battista Piazzetta art authentication. Giovanni Battista Piazzetta appraisal. Giovanni Battista Piazzetta certificates of authenticity (COA). Giovanni Battista Piazzetta analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni Battista Piazzetta or we will sell it for you.

The Rest of the Flight into Egypt

Portrait of a Woman with a Mask

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Portrait of Giulia Lama 1715

Giovanni Battista Piazzetta was a Baroque-era Italian painter, born the son of a woodcarver. He received his earliest training in Bologna from Giuseppe Maria Crespi, who art historians believe influenced him to create genre paintings. As a result of his studies with Crespi, Piazzetta continued to paint religious and mythological themes for the rest of his career.

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The Virgin Appearing to St. Philip Neri

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Idyll at the Coast 1741

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The Soothsayer 1740

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Rebecca at the Well 1740

Compared to many other old master artists, Piazzetta’s oeuvre is substantially small. However, what work of his that does exist is as striking and beautifully executed as that of rival 18th century Italian artists. His paintings were created in the Baroque style of dramatic shadows and themes, and eventually evolved into a more Rococo style. This transition was gradual and was achieved by the help of his apprentice, Tiepolo.

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Ragazzo con Piffero

It is said by art historians that Piazzetta was influenced by many of Rembrandt’s etchings. This in turn also helped him to adapt a talent for chiaroscuro, the method of painting that employs shadowing.

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The Ecstasy of St. Francis 1729

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Three Dominican Saints 1738

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St. Gerome

The bulk of Piazzetta’s works are still housed in Venice today, however, they are also in collections in the United States in Birmingham, Boston, Cambridge, Chicago, Cleveland, Los Angeles, New York and Washington, as well as all around the world in Paris, Milan, Cologne, Dublin, Florence, Prague and Rome, and even in the Royal Collection in Windsor Castle. To own a piece of work by Piazzetta would be a treasure, and nothing short of valuable. Still wondering about an early 18th century Italian painting hanging in your home? Contact us…it could be by Giaovanni Battista Piazzetta.


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1286--turchi.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "turchi" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "turchi" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1287--smith.php Thomas Smith Artwork Authentication & Art Appraisal

Thomas Smith 1600’s-1700’s

Do you think you may own a painting by Thomas Smith?

Get a Smith Certificate of Authenticity for your painting (COA) for your Smith drawing.

For all your Smith artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Smith Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Smith painting or drawing.

If you want to sell your Smith painting or drawing use our selling services. We offer Smith selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Smith and issuing certificates of authenticity since 2002. We are recognized Smith experts and Smith certified appraisers. We issue COAs and appraisals for all Smith artworks.

Our Smith paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Smith certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Smith painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Smith paintings or drawings take longer.

Our clients include Smith collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Thomas Smith art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Thomas Smith or we will sell it for you.

Although his exact birth and death date is not certain, Thomas Smith is the first known American painter to whom a specific canvas can be identified. Only a handful of paintings have been attributed to Smith, however, since there is little known about him, there could very well be many of his paintings in existence unauthenticated and otherwise unknown. In America’s early history there were many artists painting portraits of wealthy aristocrats, many of which are attributed today to unknown artists. To date, only six painting have been attributed to Smith, and two other known paintings have since been lost. Smith painted in a Baroque style, and his paintings were very European in flavor. Other artists during this time were still painting in the style that the Elizabethan court admired, using color and creating grandiose, decorative compositions. Smith’s work, however, can be identified with his distinctly different use of light and shadow, his paintings taking on a more dark and somber tone than those created by his American contemporaries.

Maria Catherine Smith 1690

Maria Catherine Smith 1690

There is little known about Smith’s life, however, from his self-portrait one may surmise that he was a Puritan and fought in naval battles. Painted in 1680 in New England, this oil on canvas painting is perhaps the biggest clue that modern art historians have about the life of Thomas Smith.

Self-Portrait 1680

Self-Portrait 1680

Also mysteriously is this poem included with the painting signed “T.S.”
“Why Why should I the World be minding therein a World of Evils Finding
Then Farewell World: Farewell thy Jarres thy Joies thy Toies thy Wiles thy Warrs
Truth Sounds Retreat: I am not sorye.
The Eternal Drawes to him my heart By Faith (which can thy Force Subvert)
To Crowne me (after Grace) with Glory.”

It is also said that Smith was commissioned to create portraits of military officers in Massachusetts. Though the name Thomas Smith was, and is, a generally common name, one Captain Thomas Smith was a part of the Ancient and Honorable Artillery Company in 1678, which was a Massachusetts military group. Could this have been the same Thomas Smith the painter? Art historians seem to think so, leaving the possibility of there being marine scenes, paintings of military officers and other militia or naval related paintings in existence which could be attributed to Smith. Other clues from his existing paintings suggest that Smith was definitely in Boston in 1679. It is also recorded that Smith received a commission from Harvard College in 1680. Art historians have since concluded that Smith actively painted in New England from 1675 to 1690. Though the details of his life are still uncertain, Thomas Smith remains the first recorded American artist. Still wondering about an early American painting hanging in your home? Contact us…it could be by Thomas Smith.


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1288--ryabushkin.php Andrei Ryabushkin Artwork Authentication & Art Appraisal

Andrei Ryabushkin (1861-1904)

Get a Ryabushkin Certificate of Authenticity for your painting (COA) for your Ryabushkin drawing.

For all your Ryabushkin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ryabushkin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ryabushkin painting or drawing.

If you want to sell your Ryabushkin painting or drawing use our selling services. We offer Ryabushkin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ryabushkin and issuing certificates of authenticity since 2002. We are recognized Ryabushkin experts and Ryabushkin certified appraisers. We issue COAs and appraisals for all Ryabushkin artworks.

Our Ryabushkin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ryabushkin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ryabushkin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ryabushkin paintings or drawings take longer.

Our clients include Ryabushkin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Andrei Ryabushkin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Andrei Ryabushkin or we will sell it for you.

Moscow Girl 1903

Moscow Girl 1903

Andrei Ryabushkin was a Russian painter. His major works were devoted to life of ordinary Russians of 17th century. Ryabushkin was born in the village Stanichnaya sloboda, Borisoglebskiy uezd, Tambov gubernia in 1861. His father and brother were icon-painters, and he started to help them from his early childhood. At 14 years old he became an orphan. A student of Moscow School of painting, sculpturing and architecture A. Kh. Preobrazhensky, who used to spend the summer in the village, happened to see the boy’s drawings and was greatly impressed by them. He started to give him lessons and helped him to enter the Moscow School of Painting, Sculpture and Architecture. Ryabushkin was one of the youngest student of the school at all times.

Tea Drinking

Tea Drinking

Ryabushkin stayed for 7 years (1875-82) in the Moscow School, learning from Vasily Perov and Illarion Pryanishnikov. His first large work Peasant Wedding was bought by Pavel Tretyakov in 1880. After the death of Vasiliy Perov, Ryabushkin moved to Saint Petersburg, in 1882, and entered the Imperial Academy of Arts, where he learned from Pavel Chistyakov. The classes soon disappointed him, however, and he began to spend more and more time either in the library of the Academy or sketching in the streets.

Going on a Visit 1896

Going on a Visit 1896

His studies at the Academy came to an end in 1892; he did not receive an award for his diploma work Descent from the Cross, as was expected, because he did not follow the approved project. But the work was so good that the President of the Academy, Grand Duke Vladimir Konstantinovich, provided Ryabushkin with a stipend for travel and studies abroad from his own means. Instead of going to Italy or Paris, Ryabushkin chose to make a tour of ancient Russian towns (Novgorod, Kiev, Moscow, Uglich, Yaroslavl). The inhabitants of them became his first models and his first critics. He studied the old architecture, items of folk crafts, old weapons, fabrics, tapestries, embroidery, icons, etc. He read ancient books, collected folklore.

Russian Women Of The 17th Century in Church 1899

Russian Women Of The 17th Century in Church 1899

He took part in Peredvizhniki exhibitions in 1890, 1892 and 1894 but later broke with the movement. In the 1890-ies he lived and worked in the estate of his fiend V.F. Tymenev in town of Lubvino (Saint-Petersburg gubernia). In 1901 he built a studio in a village of Didvino close to Lubvino and the estate of his friend I. Belyaev.

Merchant Family in the 17th century

Merchant Family in the 17th century

His paintings were mostly devoted to the XVII-th century. He also works on frecoes for Sofia Cathedral in Novgorod and mosaics for the Church of the Savior on Blood in Saint-Petersburg. There are 24 of his mosaics on the walls of Church of the Savior on Blood (17 inside and seven outside) (1897-1900). In the later 1900-ies he became interested in the life of contemporary Russian peasant (such paintings as Tea-Drinking and A Young Man Breaking into the Girls’ Dance).

A Young Man Breaking into a Girls Dance 1902

A Young Man Breaking into a Girls Dance 1902

The deep study of history made his paintings very reliable, but they did not evoke any sympathy in his contemporaries. Unlike Vasily Surikov, who used the dramatic historical episodes as his subjects, Ryabushkin painted everyday life of XVIIth century. His works lack action, they do not depict social conflicts, as the democrats liked. On the other hand they are not so “beautiful” to reflect the tastes of the rich conservatives. Nobody knew where to place Ryabushkin’s paintings and just did not accept them.

Waiting for the Tsar 1901

Waiting for the Tsar 1901

In 1903 Ryabushkin was diagnosed with tuberculosis. He went to Switzerland for treatment but it did not help. He died in his studio in Didvino on April 27, 1904. Still wondering about a 19th century Russian painting in your family collection? Contact us…it could be by Andrei Ryabushkin.


done
1289--peale_raphaelle.php Raphaelle Peale Artwork Authentication & Art Appraisal

Raphaelle Peale (1774-1825)

Do you think you may own a painting by Raphaelle Peale? We authenticate, appraise and research all paintings by this great artist.

Enter Raphaelle Peale, portrait by Charles Willson Peale, the artists father

Enter Raphaelle Peale, portrait by Charles Willson Peale, the artists father

Raphaelle Peale was an early American artist and the first son of famous artist Charles Willson Peale. Peale grew up in Annapolis, Maryland and was taught how to paint by his father. By 1804, Peale began to travel all over the known states and worked mostly in Philadelphia and Baltimore.

Martha Sellman Welch 1820

Martha Sellman Welch 1820

Along with his brother, fellow painter Rembrandt, Peale traveled to the southern states as a young man. Peale painted miniatures while his brother painted full sized portraits, visiting both Charleston and Savannah.

Absalom Jones, 1810

Absalom Jones, 1810

By 1815, Peale’s health began to decline, and so did his portrait paintings. From then until his death in 1825 he devoted himself to still life paintings, only painting portraits again during his 1820 visit to Maryland. His still life paintings were often very realistic looking, and his use of light was brilliant, like on the apple in “Still Life with Cake.”

Still Life with Cake

Still Life with Cake

The majority of his still life paintings are typical fruit and vegetable on a table composition, incorporating other elements like books and flowers. Many art historians consider Raphaelle Peale to be the first professional American still life painter.

A Dessert 1814

A Dessert 1814

Still Life with Orange and Book

Still Life with Orange and Book

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Still Life with Strawberries and Nuts

Watermelons and Morning Glories

Watermelons and Morning Glories

While Peale’s portraits were just as beautiful as any other painters’ at the time, it was truly his still life paintings that set him apart from all the rest. One of Peale’s most famous paintings of a sheet shows his true mastery of detail and textures. Titled both “Venus Rising from the Sea-A Deception” and also “After the Bath,” this 1822 still life is almost photographic and shows the detailed folds of a sheet. This sheet conceals a bather and only the foot and arm of the bather (Venus) are in view.

Venus Rising from the Sea-A Deception 1822

Venus Rising from the Sea-A Deception 1822

Peale also was fond of depicting peaches in his still life compositions, a result perhaps from his visit to Savannah.

Still Life with Peach

Still Life with Peach

A Bowl of Peaches

A Bowl of Peaches

Basket of Peaches

Basket of Peaches

Today, Peale’s work is housed all over New England and owned in private and public collections. His unknown works could be anywhere from as far south as Georgia all the way north to Maryland. Still wondering about an early American still life painting hanging in your family’s estate? Contact us…it could be by Raphaelle Peale.


done
1290--berninghaus.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "berninghaus" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "berninghaus" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1291--nast.php Thomas Nast Artwork Authentication & Art Appraisal

Thomas Nast (1840 – 1902)

Get a Nast Certificate of Authenticity for your painting (COA) for your Nast drawing.

For all your Nast artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Nast Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Nast painting or drawing.

If you want to sell your Nast painting or drawing use our selling services. We offer Nast selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Nast and issuing certificates of authenticity since 2002. We are recognized Nast experts and Nast certified appraisers. We issue COAs and appraisals for all Nast artworks.

Our Nast paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Nast certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Nast painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Nast paintings or drawings take longer.

Our clients include Nast collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Thomas Nast art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Thomas Nast or we will sell it for you.

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Self-Portrait

Thomas Nast was a famous German-American caricaturist and editorial cartoonist in the 19th century and is considered to be the father of American political cartooning.

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Nash’s Cartoon of the Democratic Elephant and the Republican Donkey. Nash’s images of both parties have stuck to this day.

Thomas Nast was born in the barracks of Landau, Germany (in the Rhine Palatinate) and was the son of a musician in the 9th regiment Bavarian band. His mother took him to New York in 1846, where he studied art for about a year with Alfred Fredericks and Theodore Kaufmann and also at the school of the National Academy of Design. In 1855, at the age of 15, Nast started working as a draftsman for Frank Leslie’s Illustrated Newspaper after school; Three years later, he would begin working for Harper’s Weekly.

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Merry Old Santa Clause, Harpers, 1881

Nast drew for Harper’s Weekly from 1859 to 1860 and from 1862 until 1886. In 1860, he went to England for the New York Illustrated News to depict the prize fight between Heenan and Sayers and then joined Garibaldi in Italy as artist for The Illustrated London News. Nast’s cartoons and articles about the Garibaldi military campaign to unify Italy captured the popular imagination in the U.S. In the early 1860s, he married Sarah Edwards.

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“That’s What’s the Matter”

His first serious work in caricature was the cartoon Peace, which was made in 1862 and was directed against those in the North who opposed the prosecution of the American Civil War. This and his other cartoons during the Civil War and Reconstruction days were published in Harper’s Weekly. He was known for drawing battlefields in border and southern states. These drawings attracted great attention, and Nast was called by President Abraham Lincoln “our best recruiting sergeant”.

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The Border States

Even more able were Nast’s cartoons against the Tweed Ring conspiracy in New York City. His biting wit was generally focused on political corruption and was instrumental in the downfall of Boss Tweed. It was said his caricature of Boss Tweed was used by the officials of Vigo, Spain, and they were able to arrest Tweed using one of Nast’s cartoons when he fled to Vigo. In general, he was well-known in his time for his political cartoons supporting American Indians, Chinese Americans, and advocating the abolition of slavery.

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The Last Buffalo

Nast believed that the well-organized Irish immigrant communities in New York had provided the basis for Tweed’s popular support. Because of this, along with Nast’s Anti-Catholic and Nativist beliefs, Nast often portrayed the Irish immigrant community and Catholic Church leaders in an unflattering light. In 1875, in one of his works titled The American River Ganges, Nast.

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The American River Ganges

His cartoons frequently had numerous sidebars and panels with intricate subplots to the main cartoon. A Sunday feature could provide hours of entertainment and highlight social causes. His signature “Tammany Tiger” has been emulated by numerous cartoonists over the years.

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Tammany Tiger

Nast became a close friend of President Grant, and the two families shared regular dinners until Grant’s death. Nast encouraged the former president’s efforts in writing his autobiography while battling cancer. He did some painting in oil and some book illustrations, but these were comparatively unimportant, and his fame rests on his caricatures and political cartoons. Nast also introduced into American cartoons the practice of modernizing scenes from Shakespeare for political purposes.

scholar and fighter

The Scholar and the Prize Fighter

In 1873, 1885, and 1887, Nast toured the United States as lecturer and sketch artist, but with the advent of new methods and younger blood, his vogue decreased. After the death of Fletcher Harper, he focused on oil paintings and book illustrations. He shared political views with his friend Mark Twain and was for many years a staunch Republican. Nast strongly opposed President Andrew Johnson and his Reconstruction policy, ridiculed Horace Greeley’s candidacy, and opposed inflation of the currency notably with his famous rag-baby cartoons. His advocacy of civil service reform and his distrust of James G. Blaine forced him to become a Mugwump, but in 1892, he returned to the Republicans in support of Benjamin Harrison.

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Humpty Dumpty

Nast moved to Morristown, New Jersey in 1872 and lived there for many years. In 1890, he published Thomas Nast’s Christmas Drawings for the Human Race. Nast tried to start a magazine, which failed, and in 1902, Theodore Roosevelt appointed him as the United States’ Consul General to Guayaquil, Ecuador in South America. During a deadly yellow fever outbreak, Nast heroically stayed to the end helping numerous diplomatic missions and businesses close to escape the contagion. In 1902, at the age of 62, he died of yellow fever that he contracted there. His body was returned to the United States where he was interred in the Woodlawn Cemetery in The Bronx, New York.

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“Nay, Patience or we Break the Sinews”

Still wondering about a German illustration in your family collection? Contact us… we are the Thomas Nast experts.


done
1292--baccachiacca.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "baccachiacca" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "baccachiacca" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1293--busato.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "busato" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "busato" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1294--baschenis.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "baschenis" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "baschenis" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1295--leprince.php Jean Baptiste Leprince Artwork Authentication & Art Appraisal

Jean Baptiste Leprince (1734-1781)

Get a Leprince Certificate of Authenticity for your painting (COA) for your Leprince drawing.

For all your Leprince artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Leprince Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Leprince painting or drawing.

If you want to sell your Leprince painting or drawing use our selling services. We offer Leprince selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Leprince and issuing certificates of authenticity since 2002. We are recognized Leprince experts and Leprince certified appraisers. We issue COAs and appraisals for all Leprince artworks.

Our Leprince paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Leprince certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Leprince painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Leprince paintings or drawings take longer.

Our clients include Leprince collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Baptiste Leprince art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean Baptiste Leprince or we will sell it for you.

Leprince painting, The Fortune Teller

The Fortune Teller

Leprince painting, The Miser

The Miser

Jean Baptiste Leprince was an 18th century French painter. He spent many years in Russia , which became a major influence on his work, as well as the work of his teacher, Francois Boucher.

Leprince painting, The Russian Cradle

The Russian Cradle

Leprince painting, The Physician

The Physician

Leprince was appointed as a painter of the Imperial Palace in Saint Petersburg in 1757, and traveled Russia extensively, going as far even to Siberia . He returned to Paris in 1762 and earned a name for himself with his paintings of rural Russian country and domestic scenes. Towards the end of his life as his health declined, Leprince mainly painted French landscapes.

Leprince painting, The Russian Peasant Girl

The Russian Peasant Girl

Leprince painting, Young Girl in Russian Costume

Young Girl in Russian Costume

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Jean Baptiste Leprince.


done
1296--albani.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "albani" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "albani" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1297--seltzam.php Melchior Seltzam Artwork Authentication & Art Appraisal

Melchior Seltzam (1778-1821)

Get a Seltzam Certificate of Authenticity for your painting (COA) for your Seltzam drawing.

For all your Seltzam artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Seltzam Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Seltzam painting or drawing.

If you want to sell your Seltzam painting or drawing use our selling services. We offer Seltzam selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Seltzam and issuing certificates of authenticity since 2002. We are recognized Seltzam experts and Seltzam certified appraisers. We issue COAs and appraisals for all Seltzam artworks.

Our Seltzam paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Seltzam certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Seltzam painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Seltzam paintings or drawings take longer.

Our clients include Seltzam collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Melchior Seltzam art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Melchior Seltzam or we will sell it for you.

Seltzam painting, Landscape

Landscape

Melchior Seltzam was an Austrian landscape painter. Still wondering about a late 18th century European landscape in your family collection? Contact us…it could be by Melchior Seltzam.


done
1298--wouters-francais.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "wouters-francais" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "wouters-francais" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1299--il-cariani.php Il Cariani Artwork Authentication & Art Appraisal

Giovanni Busi known as Il Cariani (1490-1547)

We Perform Il Cariani art authentication. Il Cariani appraisal. Il Cariani certificates of authenticity (COA). Il Cariani analysis, research, scientific tests, full art authentications. We will help you sell your Il Cariani or we will sell it for you.

Il Cariani painting, The Concert 1518-1520

The Concert 1518-1520

Giovanni Busi known as Il Cariani was an Italian painter of the high-Renaissance, active in Venice and the Venetian mainland, including Bergamo, thought to be his native City.

Il Cariani painting, Portrait of a Man

Portrait of a Man

Il Cariani painting, Portrait of a Girl

Portrait of a Girl

His father, also Giovanni Busi in name, was born in Fiupiano and was appointed a local magistrate for the Venetian authorities. His son, probably born in Bergamo, is known to have lived in Venice starting 1509, and may have trained with either Bellini or Giorgione, and almost certainly was influenced by them.

Il Cariani painting, Seduction, 1515

Seduction, 1515

Il Cariani painting, Allegory of a Venetian Victory

Allegory of a Venetian Victory

Though he worked often in Bergamo, he died in Venice in 1547. He was strongly influenced by Palma il Vecchio, but had a provincial love of scenery as scene in his Sacred Conversation with a youthful donor. While working in Bergamo (1517-23), he likely overlapped with Lorenzo Lotto, who worked there from 1513-1525.

Il Cariani painting, Sacred Conversation

Sacred Conversation

Il Cariani painting, Holy Family

Holy Family

Still wondering about an Italian painting in your family collection? Contact us…it could be by Il Cariani.


done
1300--david-jacques.php Jacques-Louis David Artwork Authentication & Art Appraisal

Jacques-Louis David (1748-1825)

We Perform The Classical styling of painter Jacques-Louis David is almost as dramatic as the artists’ life itself. A masterful painter, a troubled young man and a Revolutionary activist, David led a life less ordinary than most painters of his time.

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Self-Portrait

Born to a wealthy Parisian family, David lost his father at the age of nine, and was sent by his mother to live with his uncles. Even though he was given the best education possible, David did not succeed in school and rarely talked due to a speech impediment brought on by a tumor. As a child, he kept to himself and took solace in his drawing. David’s family hoped that he would be a soldier, but he was intent on becoming a painter and was sent to work with Francois Boucher. At this time, Boucher was not only one of the leading French painters, but was also a distant family relative. However, Boucher did not take David under his wing, but instead sent him to work with Joseph-Marie Vien, where he would study at what now is the Louvre.

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Portrait of Charlotte Dogne

As a student, David set his sights on the Prix de Rome scholarship, and suffered a number of failed attempts at winning. He eventually did win (after going on a hunger strike in protest) and in 1775 he traveled to Italy to attend the Academy in Rome. Here he studied ancient architecture and created a number of sketches while also studying the work of the great masters.

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Study of Sabine Statue, 1775

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Sketch

After 5 years in Rome, David returned to Paris where he became a member of the Royal Academy. Although he was receiving praise from his contemporaries, fellow students and members of the Royal Academy were hostile towards the young artist.

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Male Nude, 1780

During this time, David would also teach and be commissioned by the government to paint historical scenes, which would often take him back to Rome to paint. By the 1780’s, David was the official painter the King Louis XVI, and his popularity began to rise.

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The Oath of Horatii, 1784

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Helen and Paris 1788, the Louvre

The artist was very involved in the Revolution of 1789, and would often paint works considered to be propaganda for the new Republic. In one instance, David displayed his painting “Brutus” at friend Voltaire’s play entitled “Brutus” which was given great applause.

David was also friends with the radical physician Jean-Paul Marat, who was murdered in his bathtub. David made sure that his death would not be forgotten by creating perhaps his most famous painting, “The Death of Marat.”

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The Death of Marat

The death of Marie Antoinette by guillotine was also captured by David in a now famous sketch. It is said that his propaganda art brought the people of the new Republic together after the fall of the monarchy. He was eventually arrested and imprisoned for his radical actions and rioting, and was only saved from the guillotine because of illness.

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Marie Antoinette on her way to the guillotine, 1793

While in jail, David attracted the attention of Napoleon, whom he also became friends with and sketched. Napoleon and David truly admired one another, and David would also paint one of the most famous paintings of Napoleon on horseback charging towards a battle.

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Napoleon Crossing the St. Bernard

David was eventually released due to his wife’s influence. By the late 1700s, David had retired from his political life, but this did not keep him out of trouble. David had forever blacklisted himself because he had voted for the execution of Louis XVI. Even though he was offered a position as court painter for Louis XVIII, he declined and was sent in exile to Brussels. There, he lived quietly the rest of his life, teaching students and painting right up until his death.

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Portrait of Anne Marie Lousie Thelusson, 1790

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Portrait of Monseur Seriziat, 1795, the Louvre

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Portrait of Madame de Verninac, 1799

Much like his dramatic life, his death was dramatic as well. David was hit by a carriage on the way home from the theater and died of heart trauma. His body not allowed to be buried in France, but his heart was buried at the Pere Lachaise cemetery in Paris.

Today, David’s work is housed literally worldwide and serves as a reminder of the tumultuous Revolutionary period in France. He not only painted mythology and historical documentation of ancient Rome, but current events in France during his time. David’s work is not only an example of French Classicism at its’ finest, but it also serves as true accounts of a history long past.

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Cupid and Psyche, 1817

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Les Sabines, 1799

While most of his existing works are housed in museums and private collections, David created an astounding amount of sketches and portraits during his career. It is highly likely that someone could come across one of these, which would be a great historical and artistic find.


done
1301--villeon-la.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "villeon-la" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "villeon-la" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1302--von-dillis.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "von-dillis" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "von-dillis" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "von-dillis" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
1303--bauchant.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bauchant" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bauchant" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "bauchant" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "bauchant" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1304--varley-frederick.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "varley-frederick" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "varley-frederick" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1305--vaga-perino-del.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vaga-perino-del" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vaga-perino-del" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1306--tominic.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "tominic" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "tominic" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "tominic" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
1307--pratt.php Matthew Pratt Artwork Authentication & Art Appraisal

Matthew Pratt (1734-1805)

Do you think you may own a painting by Matthew Pratt?

We Perform Matthew Pratt art authentication. Matthew Pratt appraisal. Matthew Pratt certificates of authenticity (COA). Matthew Pratt analysis, research, scientific tests, full art authentications. We will help you sell your Matthew Pratt or we will sell it for you.

Matthew Pratt was a colonial American portrait painter born in Philadelphia. At the age of 15, Pratt began to study painting under his uncle, James Claypoole. In 1957, Pratt left Philadelphia for Jamaica where he worked as a merchant. The following year, he returned to Philadelphia to pursue his career as an artist. When he returned to Philadelphia, Pratt enjoyed a fairly good career as a portrait painter, with his first ever known portrait being that of his wife, Elizabeth.

Capatian John Barry 1776

Capatian John Barry 1776

In 1964, Pratt again left Philadelphia for England where he studied under the American painter Benjamin West. Pratt met West through his cousin, Betsy, whom west married. While in England, Pratt developed the style of The London School of Artists. Despite the fact that he was four years older than West, Pratt became his first student in a line of many as well as his assistant. Pratt studied and worked in England for four years and then returned again to Philadelphia.

William Henry Cavendish Bentinck 1774

William Henry Cavendish Bentinck 1774

Although Pratt never gained the same amount of notoriety as his teacher, West, he still left a large oeuvre of works behind him. Pratts’ catalogue includes portraits of famous early Americans including West and Benjamin Franklin. Pratt’s style is often difficult to identify, but it is clear that American and English painters influenced him.

Madonna of St. Jerome

Madonna of St. Jerome

In 1770, Pratt again journeyed to England and Ireland when he had to claim an inheritance for his wife. While he was there, Pratt painted a few portraits in both Dublin and Liverpool. Pratt also worked in New York from 1771 to 1772 where he was commission to paint a number of government portraits. While he was there, Pratt became friends with painter John Singleton Copley. The following year, Pratt traveled to Virginia and worked briefly in Williamsburg.

Thomas Paine

Thomas Paine

Though by most standards Pratt was mainly a portrait painter, he could not live off of painting portraits alone. After the Revolution, Pratt’s career slowed down a little, despite the fact that he went into a business partnership. As a partner in Pratt, Rutter and Co., his business offered portraiture and ornamental painting. In order to support himself, Pratt would also paint signs for business owners. These paintings were often hailed for their beauty and for the great skill in which they were created. Pratt created signs for taverns, counting houses and shops with a skill matched by few in Philadelphia during his lifetime. During the latter part of his career, Pratt became more known for these unusual signs than for his portraits.

Cardwaller Colden and his Grandson Warren de Lancey 1772

Cardwaller Colden and his Grandson Warren de Lancey 1772

While it is documented that during his lifetime, Pratt was said to have created a considerable amount of portraits, today very few in contrast are attributed to him. Perhaps this is due to the fact that he may have not signed all of his works, and today the only painting attributed to him that is signed is “The American School.” Nonetheless, this leaves a great possibility for many of Pratt’s unknown and otherwise unauthenticated works surfacing all over New England, Virginia, England, Ireland and possibly even Jamaica.

The American School

The American School

Still wondering about an early American painting or portrait hanging in your home? Contact us….it could be by Matthew Pratt.


done
1308--promet.php Aleksander Promet Artwork Authentication & Art Appraisal

Aleksander Promet(1879–1938)

Do you think you may own a painting by Aleksander Promet?

We Perform Aleksander Promet art authentication. Aleksander Promet appraisal. Aleksander Promet certificates of authenticity (COA). Aleksander Promet analysis, research, scientific tests, full art authentications. We will help you sell your Aleksander Promet or we will sell it for you.

1. Autumn. 1920. Pastel on paper.

1. Autumn. 1920. Pastel on paper.

2. Kalevipoeg Plowing. 1934. Watercolor.

2. Kalevipoeg Plowing. 1934. Watercolor.

Aleksander Promet was an Estonian born in Narva, Estonia. Promet studied textile design at the St. Petersburg Art and Industry Academy. Promet received a scholarship to continue his studies in London, an opportunity he forfeited after leaving for Paris.

3. Lembit. 1930. Watercolor. Art Museum of Estonia.

3. Lembit. 1930. Watercolor. Art Museum of Estonia.

In 1906 Promet returned to Tartu where he established his own workshop. Promet was also an early member of the Estonian Art Association, initiated by Ants Laikmaa.

4. The Death of Assassin, Kratt. 1906. Oil on board. Art Museum of Estonia.

4. The Death of Assassin, Kratt. 1906. Oil on board. Art Museum of Estonia.

Promet began having solo exhibitions around 1909, promoting a body of work centered on Estonian folklore and the national epic Kalevipoeg. While many of his peers were interested in Neo-Romanticism, Promet maintained his interest in the traditional, rather than the avant-garde.

5. Lynx. Undated. Gouache, pastel on paper. Art Museum of Estonia.

5. Lynx. Undated. Gouache, pastel on paper. Art Museum of Estonia.

A large number of Promet’s works are not in the collection of the Art Museum of Estonia in Tallin.If you think you may own original artwork by Aleksander Promet, contact Art Certification Experts for information regarding our services.


done
1309--grimou.php Alexis Grimou Artwork Authentication & Art Appraisal

Alexis Grimou (1680-1740)

Get a Grimou Certificate of Authenticity for your painting (COA) for your Grimou drawing.

For all your Grimou artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Grimou Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Grimou painting or drawing.

If you want to sell your Grimou painting or drawing use our selling services. We offer Grimou selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Grimou and issuing certificates of authenticity since 2002. We are recognized Grimou experts and Grimou certified appraisers. We issue COAs and appraisals for all Grimou artworks.

Our Grimou paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Grimou certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Grimou painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Grimou paintings or drawings take longer.

Our clients include Grimou collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alexis Grimou art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alexis Grimou or we will sell it for you.

Grimou painting, Self-Portrait as Bacchus

Self-Portrait as Bacchus

Grimou painting, Jeune Pelerin

Jeune Pelerin

Grimou painting, Reader

Reader

Grimou painting, Portrait of a Woman with a Tambourine

Portrait of a Woman with a Tambourine

Alexis Grimou was an 18th century French portrait painter. Grimou’s style was similar to that of 17th century Dutch painters such as Rembrandt, and he was never made a member of the Academie Royale de Peinture. He was a student of François de Troy and his use of color and composition influenced later portraitists such as Ducreux and Greuze.

Grimou painting, The Little Flute Player

The Little Flute Player

Today, Grimou’s work is housed all over the world, and perhaps in your own home. Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Alexis Grimou.


done
1310--oiticica-espaniol.php Hélio Oiticica Art Certification Experts Artwork Authentication & Art Appraisal

Hélio Oiticica (1937- 1980)

¿Cree que es propietario de una pintura de Hélio Oiticica? Autenticamos, tasamos, investigamos, damos información y emitimos Certificados de Autenticidad (COA) de todas las obras de Hélio Oiticica.

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Bilateral Teman 1960

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Metaesquema

Nace en Rio de Janeiro en 1937. Estudió en la Escuela del Museo de Arte Moderno de Rio de Janeiro. Atraído por el movimiento neoconcretista se une al Grupo Frente y en 1959 se incorpora al Grupo Neoconreto. Participa en las Bienales de San Pablo de 1957 y 1959.

En 1959 comenzó a realizar obras en tres dimensiones a las que pertenecen las series Relieve Espacial y Núcleo, con planos que incorporan el espacio como parte integral de la obra. De esta forma llega al arte ambiental. A mediados de los años 60 el artista se aproxima a la cultura popular y del carnaval y el resultado es la serie Parangolés, que es la primera de las manifestaciones ambientales del artista, utilizando capas, estandartes y tiendas.

En 1967 vendría Tropicalia, un jardín laberíntico con plantas, loros, arena, satirizando tópicos culturales brasileños y poniendo de manifiesto el conflicto entre la tradición y la tecnología

En 1970 forma parte de una muestra organizada por el Museum of Modern Art . En ese mismo año recibe una beca de la Fundación Guggenheim y vive en Estados Unidos hasta 1978, año en que vuelve a Rio de Janeiro, iniciando así la última parte de su breve carrera.

Fallece el 22 de marzo de 1980.

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Metaesquema, 1958

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Gran núcleo, 1960

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Homenaje a Mondrian, 1964

done
1311--sternen.php Matej Sternen Artwork Authentication & Art Appraisal

Matej Sternen (1870–1949)

Do you think you may own a painting by Matej Sternen?

Get a Sternen Certificate of Authenticity for your painting (COA) for your Sternen drawing.

For all your Sternen artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sternen Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sternen painting or drawing.

If you want to sell your Sternen painting or drawing use our selling services. We offer Sternen selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sternen and issuing certificates of authenticity since 2002. We are recognized Sternen experts and Sternen certified appraisers. We issue COAs and appraisals for all Sternen artworks.

Our Sternen paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sternen certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sternen painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sternen paintings or drawings take longer.

Our clients include Sternen collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Matej Sternen art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Matej Sternen or we will sell it for you.

1. Woman with a corset. 1914.

1. Woman with a corset. 1914.

2. Red Parasol. 1904. Oil on Canvas.

2. Red Parasol. 1904. Oil on Canvas.

Matej Sternen was a Slovenian artist known for his Impressionist paintings. Sternen was born in Verd under he Austro-Hungarian Empire. After briefly attending a technical school in Graz, Sternen moved to Vienna to study at the Academy of Fine Arts. He continued his studied in Munich at Anton Ažbe’s famous, private school.

3. Reclining Female Nude. 1915. Oil on Canvas.

3. Reclining Female Nude. 1915. Oil on Canvas.

Sternen mostly painted figurative works, including nudes and portraits. He preferred painting women in intimate, domestic settings. He was also skilled at art restoration and conservation, working on church ceilings as well as paintings.

4. Female Semi Nude with a Necklace. 1912-16. Oil on Canvas.

4. Female Semi Nude with a Necklace. 1912-16. Oil on Canvas.

Many of Sternen’s paintings are now in the collection of the National Gallery of Ljubljana. His work has also appeared on national postage stamps, commemorating Sternen’s contributions to Slovenian art.

5. Violinist. 1926. Oil on Canvas.

5. Violinist. 1926. Oil on Canvas.

If you think you may own original artwork by Matej Sternen, contact Art Certification Experts for information regarding our services.


done
1312--lievens.php Jan Lievens Artwork Authentication & Art Appraisal

Jan Lievens (1607-1674)

Get a Lievens Certificate of Authenticity for your painting (COA) for your Lievens drawing.

For all your Lievens artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lievens Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lievens painting or drawing.

If you want to sell your Lievens painting or drawing use our selling services. We offer Lievens selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lievens and issuing certificates of authenticity since 2002. We are recognized Lievens experts and Lievens certified appraisers. We issue COAs and appraisals for all Lievens artworks.

Our Lievens paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lievens certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lievens painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lievens paintings or drawings take longer.

Our clients include Lievens collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jan Lievens art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jan Lievens or we will sell it for you.

Lievens painting, Self-Portrait

Self-Portrait

Lievens painting, The Magdalene Praying

The Magdalene Praying

Jan Lievens was a 17th century Dutch painter. Lievens painted in the Baroque style and initially studied in Amsterdam under Pieter Lastman. Lievens shared a studio with famous Dutch painter Rembrandt van Rijn in 1626, though he painted on a considerably larger scale than his famous studio partner.

Lievens painting, Portrait of a Young Man

Portrait of a Young Man

Lievens and Rembrandt eventually became rivals, and though it was typical for great painters of the day to study in England , neither one wanted to. Lievens did eventually move to England after he left Rembrandt in 1631. It is said by art historians that Rembrandt copied Lievens work several times, and even signed his name to works that Lievens painted himself.

Lievens painting, The Feast of Esther

The Feast of Esther

While living in England , Lievens painted a number of portraits and was influenced by fellow artist Anthony van Dyck. He returned to the Netherlands and lived in The Hague , Berlin , Antwerp and eventually returned to Amsterdam . He had increasing financial difficulties before his death and as a result, his family received almost nothing of his to absolve his debts.

Lievens painting, Christ and the Centurion

Christ and the Centurion

Still wondering about a 17th century Dutch painting in your family collection? Contact us…it could be by Jan Lievens.


done
1313--appian.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "appian" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "appian" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1314--hayden.php Henri Hayden Artwork Authentication & Art Appraisal

Henri Hayden (1883-1970)

Get a Hayden Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Hayden artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Hayden Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hayden painting, drawing or print.

If you want to sell your Hayden painting, drawing or print use our selling services. We offer Hayden selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hayden and issuing certificates of authenticity since 2002. We are recognized Hayden experts and Hayden certified appraisers. We issue COAs and appraisals for all Hayden artworks.

Our Hayden paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hayden certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hayden painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hayden paintings or drawings take longer.

Our clients include Hayden collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henri Hayden art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Henri Hayden or we will sell it for you.

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Flowers

In 1907, Hayden left for Paris, where he intended to study for only one year. However, Hayden ended up settling in Paris where he lived until his death in 1970. Four years after his arrival in Paris, Hayden held his first one-man exhibition, which signaled the beginning of his career.

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Le Marins du Port

Though his Cubist period only lasted from 1916 to 1921, Hayden made a great impact on this movement. In fact, Hayden began painting in the Cubist style far before most famous Cubist painters we know today. However, he never fully embraced Cubism, and is better known for his Expressionist figurative pieces.

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Still Life with Ace of Clubs and Chess Pieces 1919

Perhaps one of the most curious things about the art of Henri Hayden is that his style varied greatly from one decade to the next. While most of his fellow artists were establishing a signature look for themselves, Hayden continued to experiment with color, style and technique. Whether he was creating lithographs, watercolors or still life oil paintings, Hayden’s oeuvre is full of delightful surprises.

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Crique de Casis, 1921

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Nude, 1930

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Still Life with Anemones Alliums, 1940

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Petit Orchestre, 1969

However, it is this very creative spirit that may make it difficult for one to determine whether their painting was made by Hayden or not.

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Still Life with Vat 69, 1965

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Le Limon Vert, 1965

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Bottle and Pipe, 1967

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Paysage Beka, 1968

Hayden created art until nearly the end, with bright vibrant color and simplicity dominating his compositions in his final pieces. Today, his paintings are housed worldwide, and perhaps even in your own home. Do you suspect that one of your treasured family paintings was created by Henri Hayden? Contact us to find out.


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1315--lisa-esteban.php Esteban Lisa Artwork Authentication & Art Appraisal

Esteban Lisa ( 1928 – 1996 )

We Perform Si bien Esteban Lisa nació en España el 8 de agosto de 1895, a los doce años emigró a la Argentina para vivir con sus tíos paternos y en este país desarrolló toda su obra artística.

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Esteban Lisa

 

Estudió con Guillermo Butler. Y su labor pictórica la desarrolla a partir de la década del 30 y hasta al año 1978. Complementó esta actividad con el estudio de filosofía y ciencias, lo que le permite también dedicarse a la literatura. Su producción literaria abarca 14 libros escritos y publicados, entre los que se encuentran “Teoría Psicofísica Cuatridimensional”, y “La Teoría de la Cosmovisión y la Visión de Platón”. En 1956 publica “Kant, Einstein y Picasso” que hizo circular entre amigos e instituciones culturales, donde muestra sus preferencias.

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lisa composicion 1935

 

La abstracción fue el medio visual para comunicar su concepción mística de la vida y el arte.

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lisa-composicion-c1935

 

En 1955, año en que se jubiló de su tarea docente oficial, Lisa fundó – con el apoyo de sus discípulos – su propio centro llamado “Escuela de Arte Moderno Las Cuatro Dimensiones”, ubicado en Rivadavia 1966, Buenos Aires. Posteriormente, en la calle Alsina 1535, funcionó su ” Instituto de Investigaciones de la Teoría de la Cosmovisión”.

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lisa juego con lineas-y-colores 1954

 

La primera etapa píctorica se inicia bajo la influencia del cubismo. Le sigue un período informalista y luego, las distintas series donde se acentúan el lirismo de las abstracciones y una alegre connotación musical. Es posible analizar la aparición y reparación de elementos plásticos reconocibles en la geometría pictórica. Así esferas, triángulos, rombos, romboides, rectángulos, óvalos y círculos, pueblan las pinturas donde a partir de 1941 comienzan a aparecer pinceladas rítmicas cargadas de materia.

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lisa juego de lineas y coloes 1953

 

Si bien no participa normalmente de ninguno de los movimientos de las vanguardias puede ser considerado entre los iniciadores de la abstracción en la Argentina. Utiliza la la pintura como su principal medio de investigación y expresión. Lisa tomó la decisión de no exhibir sus obras de forma pública probablemente porque el carácter diarístico y serial de estas le impedía mostrarlas de modo fragmentado. Su proceso creativo fue de carácter experimental, continuo y de búsqueda permanente.

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lisa paisaje 1930

 

En 1981 viaja a España para reencontrarse con su familia.

Fallece en junio de 1983.


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1317--freud.php Lucian Freud Artwork Authentication & Art Appraisal

Lucian Freud ( 1922 – 2011 )

Get a Freud Certificate of Authenticity for your painting (COA) for your Freud drawing.

For all your Freud artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Freud Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Freud painting or drawing.

If you want to sell your Freud painting or drawing use our selling services. We offer Freud selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Freud and issuing certificates of authenticity since 2002. We are recognized Freud experts and Freud certified appraisers. We issue COAs and appraisals for all Freud artworks.

Our Freud paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Freud certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Freud painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Freud paintings or drawings take longer.

Our clients include Freud collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lucian Freud art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lucian Freud or we will sell it for you.

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Lucian Freud 1922 – 2011

 

Grandson of Sigmund Freud, painter and draftsman Lucian Freud was born in Germany in 1922. Of Jewish heritage, he and his family fled the country in 1933 to avoid Nazi persecution and settled in London. Best known for his portraits in which the subject is meticulously studied, Freud’s paintings reveal a sitter’s unconscious mind by way of pose and facial expression.

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Benefits Supervisor Sleeping, oil on canvas, 1995

 

Freud studied at the Central School of Art and Goldsmiths College in London, as well as the East Anglian School of Painting and Drawing in Dedham. As exemplified by The Painter’s Room, his early style suggests experimentation with Surrealism. After serving in the British Navy in WWII, the artist began painting full time and his style evolved into a sharply linear technique.

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Interior at Paddington, oil on canvas, 1951

 

By the 1950s he started painting portraits almost exclusively and developed the style for which he is best remembered: muted tones of thick paint with large and deliberate brush strokes that create a three-dimensional or impasto quality. Such a heavy-handed use of paint allowed the artist to capture a wide variety of color and texture in the flesh of his figures. At the 1954 Venice Biennale Freud’s artistic reputation was established on an international level.

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The Painter’s Room, oil on canvas, 1944

 

Together with the painter Francis Bacon, Freud was a founding member of “The School of London,” a name coined by the American artist Ronald Kitaj to describe painters who lived in London and specialized in figurative work. Although Freud traveled throughout his career—most notably to Paris, Greece, and Dublin—he spent most of his time in Paddington, London. The skyline of this neighborhood is found in many of his works and contrasts with the claustrophobic interior spaces.

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Queen Elizabeth II, oil on canvas, 2001

 

His painted interiors are often in disarray, with bare mattresses and various linens featuring prominently next to his figures. Given the amount of time required of his subjects—sometimes over 1,000 hours—Freud often painted friends and family, including his mother and daughters. His commitment to penetrating his subject’s mind and revealing their thoughts by way of portraiture was only possible through such a time commitment.

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Two Men in the Studio, oil on canvas, 1987-1989

 

Several retrospectives of Freud’s work have been exhibited at various museums, including Abbot Hall Art Gallery in Kendal, the Tate Britain, the Scottish National Gallery of Modern Art, the Museo Correr in Venice, the Museum of Modern Art in New York, and the National Portrait Gallery in London. Two of his final works include a portrait of English supermodel Kate Moss and Queen Elizabeth II. In 2008 the sale of his Benefits Supervisor Sleeping, a nude portrait of Sue Tilley, set the world record for the sale of a living artist’s work at Christie’s in New York for $33.6 million.


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1318--fisher.php Alvan Fisher Artwork Authentication & Art Appraisal

Alvan Fisher (1792-1863)

Get a Fisher Certificate of Authenticity for your painting (COA) for your Fisher drawing.

For all your Fisher artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Fisher Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fisher painting or drawing.

If you want to sell your Fisher painting or drawing use our selling services. We offer Fisher selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fisher and issuing certificates of authenticity since 2002. We are recognized Fisher experts and Fisher certified appraisers. We issue COAs and appraisals for all Fisher artworks.

Our Fisher paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fisher certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fisher painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fisher paintings or drawings take longer.

Our clients include Fisher collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alvan Fisher art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alvan Fisher or we will sell it for you.

The Hunter, Self-Portrait 1837

The Hunter, Self-Portrait 1837

Alvan Fisher was an early American landscape painter. Born in Boston, Fisher studied under John Ritto Penniman, learning decorative painting techniques. However, Fisher aspired to be an artist and wanted to do more than paint ornamental designs on furniture. Eventually, Fisher taught himself to paint, and had his own studio in 1814. By 1816 he was creating rural paintings of barnyards and farm life. These paintings were fairly original and unique at the time when the majority of artists were creating portraits and historical scenes.

The Discovery 1846

The Discovery 1846

Mount Chocorua

Mount Chocorua

Though he was highly recognized for his portraits during his lifetime, it would be Fishers’ landscape compositions that would earn him his mark in history. Fisher continued to paint his unique rural scenes and mainly painted portraits to support himself. He was a successful enough painter to support himself on his commissions alone and was relatively active in the Boston art community. In 1817, Fisher held his first exhibit with the Pennsylvania Academy of Fine Arts. He also showed his work later on with the National Academy of Design as well as the Boston Athenaeum.

Portrait of J G Spurzheim 1832

Portrait of J G Spurzheim 1832

John Dix Fisher

John Dix Fisher

Portrait of a Child with a Dog

Portrait of a Child with a Dog

Aaron Bancroft

Aaron Bancroft

In 1825, Fisher traveled to Europe where he created many sketches and studied at the many schools in Paris. While in Paris he also spent a great deal of time copying masterworks at the Louvre. He also traveled extensively throughout the east coast of the United States creating landscapes of the places he would visit. In 1827, he was named an honorary member of the National Academy of Design, and continued to paint almost right up until his death in 1863.

View of Nahant

View of Nahant

The Watering Place

The Watering Place

A Meeting By a River

A Meeting By a River

Some art historians credit Fisher as being the first native born American to devote his artistic career to landscape painting. Fisher started out painting his landscapes in a highly formulaic manner, relying on the English school of landscape painting for inspiration. These early paintings were typically bracketed with trees in the English fashion and had other elements of English landscape. However, as he traveled through different American landscapes, Fisher began to change as an artist and developed a landscape style of his own. Instead, Fisher preferred to paint a more natural, realistic landscape that represented what he really saw.

View Near Springfield Massachusetts 1819

View Near Springfield Massachusetts 1819

The Notch

The Notch

In general, Fishers’ oeuvre consists of these pastoral, idyllic landscapes dotted with cows and farmsteads. However, he also painted national landmarks, such as the Niagara Falls and prominent rivers. He was especially fond of painting landscapes of the mountains in Vermont and New Hampshire.

View of Niagara

View of Niagara

Niagara

Niagara

A General View of Niagara Falls

A General View of Niagara Falls

Though he was extremely talented in landscapes, art historians say that the majority of his work was in fact creating portraiture. Fisher was able to find a few patrons over the years for his not yet fashionable landscapes, but in order to support himself, he mainly painted portraits. For this reason, one would probably be more likely to find an unauthenticated portrait by Fisher than a landscape. And on that note, a landscape by Fisher would surely be a treasured piece, full of historic and artistic value.

Flight to the Fort

Flight to the Fort

The Captured Horse

The Captured Horse

Still wondering about an early American landscape hanging in your home? Contact us…it could be by Alvan Fisher.


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1319--manguin.php Henri Manguin Artwork Authentication & Art Appraisal

Henri Manguin (1874-1949) By Author

Get a Manguin Certificate of Authenticity for your painting (COA) for your Manguin drawing.

For all your Manguin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Manguin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Manguin painting or drawing.

If you want to sell your Manguin painting or drawing use our selling services. We offer Manguin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Manguin and issuing certificates of authenticity since 2002. We are recognized Manguin experts and Manguin certified appraisers. We issue COAs and appraisals for all Manguin artworks.

Our Manguin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Manguin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Manguin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Manguin paintings or drawings take longer.

Our clients include Manguin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henri Manguin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Henri Manguin or we will sell it for you.

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Bathers

Henri Manguin was a French painter and is perhaps one of the most famous of all the Fauve painters. Born in Paris, Manguin attended the Ecole des Beaux-Arts and studied under Gustave Moreau. As a student, he spent his days studying works at the Louvre and became close friends with Camoin and Matisse.

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Yellow Peaches on a Plate, 1926

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Le Modele

Though best known as a Fauve painter, Manguin was inspired early on by Impressionism. Manguin married a woman named Jeanne in 1899 that he often used as a model for his paintings. He had his first exhibition in 1900 at the Berthe Weil Gallery, and then at the Salon des Independents in 1902. His work is often compared to that of Matisse, and in the grand scheme of Fauvism, his compositions are far more peaceful and less intense than those of his contemporaries.

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Woman Resting, 1927

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Jeanne Resting at Villa Dermiere, 1905

In 1904, Manguin traveled to Saint-Tropez where he met fellow painter Paul Signac. While he studied Pointillism and the theories of Divisionism with Signac, he only briefly used them in his own compositions. However, the Mediterranean lighting in Saint-Tropez helped to influence Manguin, and he would create a number of landscapes with this soft mid-day light.

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Pines at Cavalliere, 1906

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Morning

Manguin did not restrict himself to any certain genre of painting, and created landscapes, interiors, still life, portraits and figure studies equally. He generally signed his paintings “Manguin” in neat cursive on the front of his canvases. Manguin also did not limit himself to one specific color palate, using color as he saw fit for each of his compositions. Sometimes his use of color was bright and intense, like his friend Matisse and the Fauves would use, and at other times, more subtle, a hint to his first love of Impressionism.

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Vase D’Oeillets a la Nappe Jaune, 1924

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Nude

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Study For a Niad, 1906

Throughout his life, Manguin continued to travel all over France, spending his summers and winters in different corners of the country with different artists. Toulon, Avignon, Gien, Hornfluer, Saint-Malo and a number of other French cities served as backdrops for the artist during his fairly prolific career. During his lifetime, Manguin continued to expose extensively, right up until his death in France and abroad in London, Geneva and elsewhere. It is said that after one of his unsuccessful 1938 exposures, Manguin destroyed at least 8 of his paintings, so there is no telling what else may have become of a number of his works.

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Dans Les Arbres Villecroz

Today, Manguin’s paintings are housed in private and public collections worldwide and perhaps in your own home. Still wondering about a Fauvist painting hanging in your home? Contact us… it could be by Henri Manguin.


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1320--sooster.php Ülo Sooster Artwork Authentication & Art Appraisal

Ülo Sooster (1924–1970)

Do you think you may own a painting by Ülo Sooster?

Get a Sooster Certificate of Authenticity for your painting (COA) for your Sooster drawing.

For all your Sooster artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sooster Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sooster painting or drawing.

If you want to sell your Sooster painting or drawing use our selling services. We offer Sooster selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sooster and issuing certificates of authenticity since 2002. We are recognized Sooster experts and Sooster certified appraisers. We issue COAs and appraisals for all Sooster artworks.

Our Sooster paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sooster certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sooster painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sooster paintings or drawings take longer.

Our clients include Sooster collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ülo Sooster art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ülo Sooster or we will sell it for you.

1. Red Egg. 1964. Oil painting.

1. Red Egg. 1964. Oil painting.

2. Abstract Composition with Thirteen Junipers. 1963. Oil and paste on canvas.

2. Abstract Composition with Thirteen Junipers. 1963. Oil and paste on canvas.

3. Abstract Composition with Five Junipers. 1963. Oil and paste on canvas.

3. Abstract Composition with Five Junipers. 1963. Oil and paste on canvas.

Ülo Sooster was an Estonian painter from the island of Hiumaa. Sooster studied at Tartu Art College, where he became interested in surrealist imagery. Sooster was forced to suspend his studies after being arrested by Soviet authorities, which held him at a labor camp until 1956.

4. Still Life with Pipes. 1958. Oil on board.

4. Still Life with Pipes. 1958. Oil on board.

After his release, Sooster returned to painting, focusing on Soviet non-conformism, an underground style that defied the accepted style of Social Realism. Sooster spent several years in Moscow, where he exhibited his work despite the great danger of making controversial art.

5. Eye in the Egg. 1962. Oil on paper. Tartu Art Museum.

5. Eye in the Egg. 1962. Oil on paper. Tartu Art Museum.

Sooster unfortunately died at the young age of forty-six. His most famous work is likely, “Eye in the Egg” an oil on paper painting in the collection of the Tartu Art Museum. Sooster made a number of works, using the egg-form in different contexts.

If you think you may own original artwork by Ülo Sooster, contact Art Certification Experts for information regarding our services.


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1321--hart-william.php William Hart Artwork Authentication & Art Appraisal

William Hart (1823-1894)

Get a Hart Certificate of Authenticity for your painting (COA) for your Hart drawing.

For all your Hart artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hart Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hart painting or drawing.

If you want to sell your Hart painting or drawing use our selling services. We offer Hart selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hart and issuing certificates of authenticity since 2002. We are recognized HArt Certification Experts and Hart certified appraisers. We issue COAs and appraisals for all Hart artworks.

Our Hart paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hart certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hart painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hart paintings or drawings take longer.

Our clients include Hart collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform William Hart art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your William Hart or we will sell it for you.

William Hart was a Scottish-American painter of the Hudson River School. Hart was born in Paisley, Scotland but moved to the United States with his family as a child. Early in Hart’s career he worked under a carriage painter in upstate New York, painting landscape scenes on coach panels.

Hart, Mount Madison from the Androscoggin River

Mount Madison from the Androscoggin River

Hart, Hudson River Valley

Hudson River Valley

During the 1840s, Hart returned to Scotland to formally study painting. Hart returned to New York in the late 1840s with a strong background as a landscape artist. Hart exhibited at the National Academy of Design, where later became a member and exhibited for several decades. Hart also exhibited at the Brooklyn Art Association and in travelling exhibitions around the United States.

Hart, Mounts Wahsington and Madison from the Androscoggin River

Mounts Wahsington and Madison from the Androscoggin River

In 1858 Hart opened a studio in New York City in the Tenth Street Studio Building, popular with other artists in the Hudson River School. Hart would leave the city frequently to do sketched around the Hudson River ports and rural areas. Hart also enjoyed painting cattle, which became a major theme in his paintings. Hart’s brother, James McDougal Hart, was also a painter and enjoyed the same subjects as William.

Hart, Mount Chocorua and Moat Mountain

Mount Chocorua and Moat Mountain

Hart, Mount Washington from the Intervale

Mount Washington from the Intervale

Hart, Cows in the Valley

Cows in the Valley

Hart, Views in the Valley of the White Mountains

Views in the Valley of the White Mountains

Hart, Autumn Brook, 1876

Autumn Brook, 1876

Hart, Summer Meadow

Summer Meadow

Hart, Sunset Landscape, Troy, NY

Sunset Landscape, Troy, NY

While Hart enjoyed his time in the outdoors, he would return to his studio to execute his polished, large-scale pieces. Though Hart often worked in oils, he was quite talented at watercolor and served as president of the American Watercolor Society in the 1870s.

Hart’s paintings are now in major museum collections in New York City, Boston and Washington DC. Do you think you may own a Hudson River School painting by William Hart? Contact us. We are the experts on William Hart.


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1322--vrubel.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vrubel" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vrubel" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1323--rivero-bernardo.php Bernardo Rivero Artwork Authentication & Art Appraisal

Bernardo Rivero (1886-1965)

Get a Rivero Certificate of Authenticity for your painting (COA) for your Rivero drawing.

For all your Rivero artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rivero Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rivero painting or drawing.

If you want to sell your Rivero painting or drawing use our selling services. We offer Rivero selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rivero and issuing certificates of authenticity since 2002. We are recognized Rivero experts and Rivero certified appraisers. We issue COAs and appraisals for all Rivero artworks.

Our Rivero paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rivero certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rivero painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rivero paintings or drawings take longer.

Our clients include Rivero collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Bernardo Rivero art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Bernardo Rivero or we will sell it for you.

Calle Acequia Alta

Calle Acequia Alta

Bernardo Rivero was one of the pioneers of the Peruvian painting. A self-taught artist, he worked along with the master Daniel Hernandez in the National School of Beaux Arts of Lima. Rivero never felt the need for studying under a teacher or master; he was formed alone fighting with nature and managing the drawing and color at a young age, when he was still able to achieve more progress.

Rivero’s colleague Wenceslao Hinostroza said “he painted for the painting” and knew how to keep his singular modesty although the great success reached by his finished work. He traveled to many cities in Perú and throughout the continent.

Rivero specialized in landscapes, particularly his Lima surroundings especially Templo de Guia Ruins. Rivero used color and feeling to create these landscapes, in which he has used an original and finished technique; and his Marina in Valparaiso of the same making and merit.

Still wondering about a Peruvian landscape painting in your family collection? Contact us…it could be by Bernardo Rivero.


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1324--pelaez.php Amelia Pelaéz Artwork Authentication & Art Appraisal

Amelia Pelaéz (1896-1968)

We Perform Amelia Pelaéz art authentication. Amelia Pelaéz appraisal. Amelia Pelaéz certificates of authenticity (COA). Amelia Pelaéz analysis, research, scientific tests, full art authentications. We will help you sell your Amelia Pelaéz or we will sell it for you.

Submissions are invited for inclusion in the Catalogue Raisonné of the oeuvre of Amelia Pelaéz under preparation. Works submitted for inclusion must already have been authenticated. For information please contact us at info@artexpertswebsite.com.

Amelia Pelaéz may be considered by some as the Cuban equivalent to Picasso and Matisse. The innovative styling of Pelaéz made her a forerunner in the departure of Classical styling among Cuban painters. Her use of chromatics in her synthetic Cubist oil paintings and ceramics has no equal, and gained her great acclaim in Cuba and Europe in her lifetime.

Born in Yaguajay, Cuba into an elite family, her father was a respected doctor. She grew up in a large family with ten brothers and sisters, and in 1912 moved to Havana. This home, as well as the role she takes in her family, ends up having a great impact on her art work.

After enrolling in the San Alejandro academy and showing great talent in her romantic landscapes, Pelaéz moves to New York in 1924 to continue her studies. Her earlier works are far different from the elaborate, color rich Cubist paintings that she became known for. One such painting, “Paisaje de Puentes Grandes” is a typical example of work done early in her career.

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Paisaje de Puentes Grandes

These paintings have a distinctly muted color palate and an Impressionistic hand. For this reason, many of her earlier works may have been wrongly authenticated or otherwise ignored.

Though she was font of painting wildlife, Pelaéz also produced a number of portraits during her career. They are also distinctly different from the work she became known for, such as “Gundinga” (1931).

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Gundinga

Once she left the restrictions of the San Alejandro School, Pelaéz became more adventuresome with her painting. On a travel grant from the Cuban Government, Pelaéz went to Paris and became influenced by the work of Picasso and Matisse, and often painted at the Louvre. There she met up with Russian artist Alexandra Exeter, who greatly influenced her in her color and Cubism. She also became deeply involved with the Parisian avante guard. Pelaéz even had her first one-woman show in Paris at the Zale Galleries in 1933, for which she was well received.

Upon her return to Cuba in 1934, Pelaéz found herself back at the home of her youth. There she lived with a few of her unmarried sisters and embraced many of the themes of a woman’s life in her art work. She was not very active in the Cuban art community at this time, and imposed herself in exile. However, she still managed to be a part of the Vanguard scene, and her highly Cuban themes of island flowers and 19th century Cuban interiors helped to support their cause.

During this time, she began to paint her immediate surroundings; Cuban flora, interiors and classical decorative architecture. This role as a homebody impacted her work, which can be seen in her paintings, like “Marpacifico” (1943).

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Marpacifico

Also during this time, Pelaéz adopted using thick black lines in her paintings, as one can see with “Marpacifico.” Because of these black lines, her colors are more brilliant, and her work takes on a stained glass appearance, which is apparent in works like “Naturaleza Muertas” (1964).

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Naturaleza Muertas

Towards the end of her career, Pelaéz began to venture more towards the abstract methods (as can also be seen in “Naturaleza Muertas”).

Among her many oil paintings and gouaches, Pelaéz also became well known for her ceramic decorations, such as “Vasija” (1957).

Today, the work of Pelaéz is housed at the Museum of Modern Art in New York, as well as all over Latin America, Europe and Cuba. Her travels to the United States and Europe leave a wide open possibility of a previously unknown work, most likely from the beginning of her career, to surface by this great Cuban master.


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1325--loo-van.php Louis Michel van Loo Artwork Authentication & Art Appraisal

Louis Michel van Loo (1701-1771)

Get a Van Loo Certificate of Authenticity for your painting (COA) for your Van Loo drawing.

For all your Van Loo artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Van Loo Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Van Loo painting or drawing.

If you want to sell your Van Loo painting or drawing use our selling services. We offer Van Loo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Van Loo and issuing certificates of authenticity since 2002. We are recognized Van Loo experts and Van Loo certified appraisers. We issue COAs and appraisals for all Van Loo artworks.

Our Van Loo paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Van Loo certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Van Loo painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Van Loo paintings or drawings take longer.

Our clients include Van Loo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Louis Michel Van Loo art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Louis Michel Van Loo or we will sell it for you.

van Loo painting, Portrait of Louis Phelypeaux, Comte de Saint Florentin

Portrait of Louis Phelypeaux, Comte de Saint Florentin

Louis-Michele van Loo was an 18th century French painter. He studied in Rome and was named the court painter to Phillip V of Spain in Madrid in 1736.

van Loo painting, Portrait of Denis Diderot

Portrait of Denis Diderot

Upon his return to France, van Loo painted many portraits of King Louis XV.

van Loo painting, Louis XV

Louis XV

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Louis-Michel van Loo.


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1326--salviati.php Il Salviati Artwork Authentication & Art Appraisal

Il Salviati (1510-1563)

Get a II Salviati Certificate of Authenticity for your painting (COA) for your II Salviati drawing.

For all your II Salviati artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a II Salviati Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your II Salviati painting or drawing.

If you want to sell your II Salviati painting or drawing use our selling services. We offer II Salviati selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating II Salviati and issuing certificates of authenticity since 2002. We are recognized II Salviati experts and II Salviati certified appraisers. We issue COAs and appraisals for all II Salviati artworks.

Our II Salviati paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The II Salviati certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your II Salviati painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research II Salviati paintings or drawings take longer.

Our clients include II Salviati collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Il Salviati art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Il Salviati or we will sell it for you.

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Portrait of a Man

Francesco de’ Rossi was an Italian Mannerist painter from Florence, also active in Rome. He is known by many names, prominently the adopted name Francesco Salviati or as Il Salviati, but also Francesco Rossi and Cecchino del Salviati. Salviati was born and died in Florence. He apprenticed under Giuliano Bugiardini, Baccio Bandinelli, Raffaele Brescianino, and finally Andrea del Sarto in 1529-1530. By 1531, he travels to Rome where he is met by his contemporary Bandinelli pupil, Giorgio Vasari, and helps complete the frescoes on the Life of John the Baptist in the Palazzo Salviati for the Cardinal Giovanni Salviati. It is from his attachment to this household that he took on the surname.

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Kneeling Female Nude

He frescoed an Annunciation in San Francesco a Ripa (1533-1535). His mature style has mannerist contortions and crowded scenes similar to the output of Giulio Romano. In 1538 he joined Jacopino del Conte in completing a fresco of the Visitation for in the Oratory of San Giovanni Decollato, a Florentine fraternity ministering to those condemned to execution.

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Artemesia Mourning

He painted in Bologna in 1540 alongside Vasari, and stayed for a brief time in Venice, where he frescoed decorations for the Palazzo Grimani in antique style. During this period his style shows the influences of Parmigianino. His many portrait paintings can sometimes be confused for Bronzino.

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The Doubting of St. Thomas

By 1543, he returns to Florence, working for Cosimo I de’ Medici, he completes a fresco decoration eulogizing the Medici family (Triumph of Camillus in the Sala dell’Udienza of the Palazzo Vecchio (1543-1545). He also designed tapestry cartoons for the recently established Arazzeria, including Ecce homo, Resurrection, and Joseph explains the Pharaoh’s dreams. The latter commission was awarded after a competition, which pitted him against contemporary Florentine Mannerists, Bronzino and Pontormo. He painted a Deposition altarpiece for Santa Croce in 1547-1548. This theme, one which became a master ouvre topic for Late-Renaissance artists, is handled in a crowded complex fashion.

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Charity

He often travelled to Rome between 1548 and 1563, to complete various fresco series, such as Wedding of Canae in the Oratory of the Piceni, a Birth of John the Baptist in the Oratory of San Giovanni Decollato, in the Palazzo della Cancelleria (Pallium Cappella), in the Palazzo Sacchetti (History of David), and in Palazzo Farnese.

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Nativity

The Cleveland Museum of Art, the Courtauld Institute of Art (London), the Getty Museum, Harvard University Art Museums, the Hermitage Museum, the Honolulu Academy of Arts, the Liechtenstein Museum (Vienna), the Louvre, the Metropolitan Museum of Art, Museo Poldi Pezzoli (Milan), Museum der bildenden Künste (Leipzig), the Museum of Fine Arts, Boston, the National Gallery of Art (Washington D.C.), Pinacoteca di Brera (Milan), Ringling Museum of Art (Florida), the Royal Museums of Fine Arts of Belgium, and the Saint Louis Art Museum are among the public collections holding paintings by Francesco de’ Rossi.

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St. John the Evangelist, Sketch

Still wondering about an Italian painting in your family collection? Contact us…it could be by Il Salviati.


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1327--de-chirico.php Giorgio de Chirico Artwork Authentication & Art Appraisal

Giorgio de Chirico (1888-1978)

Get a De Chirico Certificate of Authenticity for your painting (COA) for your De Chirico drawing.

For all your De Chirico artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Chirico Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Chirico painting or drawing.

If you want to sell your De Chirico painting or drawing use our selling services. We offer De Chirico selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Chirico and issuing certificates of authenticity since 2002. We are recognized De Chirico experts and De Chirico certified appraisers. We issue COAs and appraisals for all De Chirico artworks.

Our De Chirico paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Chirico certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Chirico painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Chirico paintings or drawings take longer.

Our clients include De Chirico collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giorgio De Chirico art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Giorgio De Chirico or we will sell it for you.

Born in Greece to Italian parents, Giorgio de Chirico was one of the forerunners of the Surrealist movement. Before Salvador Dali, there was de Chirico, who was a great influence on Dali’s early work. One only has to look at the works of de Chirico in the 1910’s and compare it to Dali’s work in the late 1920’s and early 30’s to see the similarities. Many of de Chirico’s oil paintings are reflective of Italian landscaping, as one can see in “O Enigma de Um Dia” (1914). Dali used this same landscaping style almost two decades later in his famed “Persistence of Memory” (1931).

While studying art in Athens and Munich, de Chirico stumbled across the workings of Symbolist painter Arnold Bocklin. From Bocklin’s allegorical work, de Chirico was inspired to paint his dreamlike cityscapes, which were desolate and dreamlike and filled with shadows. Columns, sand, wooden planks and broken statues were some of his common symbolic images. Faceless people and disassociated objects were also common in the works of de Chirico. These cityscapes were praised by Picasso and other members of bohemian Europe at the time and quickly elevated de Chirico’s standing amongst the Surrealists. His work even went to inspire pop-artist Andy Warhol later on who produced a series of t-shirts based on de Chirico’s work.

Together with his friend Carlo Carra, de Chirico founded the style of Pittura Metafisica, which means Metaphysical Painting. This style was meant to break the boundaries and limitations of cubism, and explore other realms and perspectives, and was rooted in the ideals of philosopher Friedrich Nietzsche. His work “The Nostalgia of the Infinite” (1911) which is housed at the Museum of Modern Art in New York is one of his greatest examples of Metaphysical Painting. In the style of his cityscapes, this oil-on-canvas work is full of shadowy symbolism. While the Metaphysical Painting movement was short-lived, ending in the 1920s, it greatly impacted many Surrealist painters in their works.

His later work from the 1930s on was a great departure from his earlier Surrealist work. He painted horses, portraits and still-life paintings in a more classical, baroque style. For this reason, some of de Chirico’s later work may have been mis-labeled or ignored, and it’s highly likely those works may be publicly owned and unrecognized.

Along with being an artist, de Chirico was also a writer, and wrote a collection of stories and poems in his Surrealist novel “Hebdomeros.” His memoirs, titled “The Memoirs of Giorgio de Chirico” also provide great insight into the works of this artistic master.

Also, look for some of his work signed “Pictor Optimus” (the best painter). During the height of his career, de Chirico had a large ego about his talent as a painter, and his quick rise to fame fed this ego. Otherwise, his works are clearly signed “Giorgio de Chirico” on the back-side of his canvas.

Although a Surrealist painter by early definition, de Chirico was also a talented classical painter, though met little commercial success with this style of painting. His “Self-Portrait” (1922) shows how de Chirico gracefully marries Surrealist landscaping and imagery (statue, orange blossom and leaves) with true to life portraiture of himself. This style of portraiture and still life’s of fruit against landscaping became common in de Chirico’s later work.

One of the most prolific painters of his day, de Chirico painted nearly up until his death in 1978. However, as his work “Sole sul Cavalletto” (1972) may suggest, it appears as though de Chirico embraced Surrealism again in his later years. For that reason, it is highly possible that some of his later work in the Surrealist style may have been either mis-dated or not identified as his own. In this piece, de Chirico again embraces symbolism and his former style of cityscape, wooden planks and metaphysical undertones.


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1328--sargent.php John Singer Sargent Artwork Authentication & Art Appraisal

John Singer Sargent (1856-1925)

Do you think you may own a painting by John Singer Sargent? We authenticate, appraise and issue certificates of authenticity (COA) and provide consultations for all paintings by John Singer Sargent.

Lady Astor 1909

“Lady Astor,” (1909), oil on canvas, 78.7 x 40″, National Trust, Cliveden, England.

John Singer Sargent was one of the most successful and gifted artists of his time. Though he is generally considered an American painter, Sargent was in fact born in Florence, Italy to American expatriate parents and spent most of his life abroad, particularly in Paris and London. He initially studied art in Italy and Germany but received some of his best training in Paris under the famous painter Carolus-Duran.

Self-Portrait

“Self-Portrait,” (1907), oil on canvas, 30 x 25″, Galleria degli Uffizi, Florence, Italy.

Portrait of Carolus Duran 1879

“Portrait of Carolus-Duran,” (1879), oil on canvas, 46 x 37 15/16 “, Sterling and Francine Clark Art Institute, Williamstown, MA.

Although he only spent a year of his entire life in America, some of his best work was created there including portraits of Theodore Roosevelt and Woodrow Wilson and decoration for the Boston Public Library. He also painted a well known series of portraits of Scottish writer Robert Louis Stevenson.

Robert Louis Stevenson

“Robert Lewis Stevenson,” (1887), oil on canvas, 20 1/16 x 24 5/16″, Taft Museum of Art, Cleveland, OH.

Robert Louis Stevenson and His Wife, one of Sargents' best known paintings

“Robert Lewis Stevenson and His Wife,” (1885), oil on canvas, 20 ½ x 24 ¼”, Steve Wynn Collection, United States.

Sargent was highly influenced by the work of Diego Velazquez and his work is often compared to the great master by art critics. Sargent is perhaps best known for his highly expressive portraits set in interesting landscapes and backgrounds and his portrayals of exotic beauties.

El Jaleo, 1882

“El Jaleo,” (1882), oil on canvas, 93 3/8 x 138 ½”, Isabella Stewart Gardner Museum, Boston, MA.

La Carmensita 1892

“La Carmencita,” (1890), oil on canvas, 90 x 54 ¼ “, Museé d’Orsay, Paris, France.

One portrait in particular, “The Portrait of Madame X” portrays the striking image of a socialite and was Sargent’s favorite, but was misunderstood in his time. When it was unveiled in the Paris Salon of 1884, it was met with great negativity and Sargent moved to London shortly thereafter out of apparent shame. The apparently arrogant stance, stark white shoulders and overall drama created in this portrait of the 23 year old Gautreau was too shocking even for a fashionable French audience.

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“Madame Pierre Gautreau (Madame X),” (1884), oil on canvas, 82 ½ x 43 ¼ “; Metropolitan Museum of Art, New York.

Sargent secured a number of wealthy patrons in Paris as well as London, most notably was the Pailleron family.

Edouard Pailleron

“Edouard Pailleron,” (1879) oil on canvas, Museé d’Orsay, Paris.

Mme. Pailleron

“Madame Edouard Pailleron,” (1879) oil on canvas, 82 x 39″, Corcoran Gallery of Art, Washington, DC.

Just as Sargent was a resident of the world, his painting style and techniques were also varied. He cannot be easily defined into one category of painting, though he dabbled in Impressionism with his “Claude Monet Painting at the Edge of a Wood.”

Claude Monet Painting at the Edge of a Wood 1887

“Claude Monet Painting in a Meadow near Giverny,” (1883), oil on canvas, 21 ½ x 25 1/2 “, The Tate Gallery, London, U.K.

Hints of Impressionism can also be seen in his portraits later on, like this one of the artists’ sister:

A Morning Walk, Mrs. Violet Ormond 1888

“A Morning Walk, Mrs. Violet Ormond,” [sister of John Singer Sargent] (1888), private collection.

Sargent would probably be best described as a Realist/Impressionist, though he is truly in a class of his own. In a time when the world was becoming infatuated with Cubism, Fauvism and Impressionism, Sargent stayed true to the type of Realism that he enjoyed painting. He worked in nearly every medium on paper from oil painting to charcoal and watercolor and created numerous portraits, sketches, genre pieces and in his later years, landscapes and sculpture. It is said that after 1907 he created very few portraits, mostly focusing on other artistic endeavors in his later years.

Landscape

“Landscape,” undated, unknown collection.

Alligators 1917

“Alligators,” (1917), watercolor, graphite, and wax crayon on woven paper, 15 13/16 x 20 15/16″, Metropolitan Museum of Art, New York.

Landscape with Goatherd 1905

“Landscape with Goatherd,” (1905), oil on canvas, 24 ¼ x 31 7/8 “, Metropolitan Museum of Art, New York.

Shoeing the Ox 1906

“Shoeing the Ox,” (1906), oil on canvas, 23.6 x 28.14″, Aberdeen Gallery of Art, Scotland.

Sargent became friends with a number of prominent artists of the day, in particular Paul Helleu. Sargent painted Helleu and his wife several times throughout their lifelong friendship.

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“Paul Helleu and his wife Alice,” (1889), oil on canvas, 26 1/8 x 32 1/8″, Brooklyn Museum of Art, Brooklyn, NY.

Throughout his career Sargent managed to be a very prolific painter, leaving nearly 1,000 oil paintings, more than 2,000 watercolors and countless charcoals and sketches behind.

Two Cats 1880

“Two Cats,” (1880), charcoal sketch, Museum of Fine Arts, Boston, MA.

Dog 1880

“Dog,” (1880), charcoal sketch, Museum of Fine Arts, Boston, MA.

Swans 1890

“Swans,” (1890), charcoal sketch, Museum of Fine Arts, Boston, MA.

More than 500 of these paintings were portraits, mainly of his wealthy patrons. Sadly, his bold style of contemporary Realism wasn’t widely considered revolutionary during his lifetime and was all but dismissed. He has since been realized as one of the greatest masters of his era and appreciation for his art has been steadily on the rise.

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“Portrait of Gaspar Goodrich,” (1887), oil on canvas, 26 1/8 x 19 1/8″, private collection.

Lady Agnew

“Lady Agnew of Lochnaw,” (1892-3), oil on canvas, 49 x 39 ¼”, National Gallery of Scotland, Edinburgh, Scotland.

The Honorable Laura Lister

“The Honorable Laura Lister,” (1896), oil on canvas, 168.9 x 115.25 cm, Fogg Art Museum, Harvard University, Cambridge, MA.

Frederick Law Olmsted

“Frederick Law Olmsted,” (1895), oil on canvas, 100 x 55″, Biltmore House, Asheville, NC.

Today most of Sargents’ work is housed in public and private collections in America and Europe, and perhaps in your own home. Still wondering about a family heirloom portrait in your possession? Contact us…it could be by John Singer Sargent.


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1329--memling.php Hans Memling Artwork Authentication & Art Appraisal

Hans Memling (before 1440-1494)

Get a Memling Certificate of Authenticity for your painting (COA) for your Memling drawing.

For all your Memling artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Memling Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Memling painting or drawing.

If you want to sell your Memling painting or drawing use our selling services. We offer Memling selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Memling and issuing certificates of authenticity since 2002. We are recognized Memling experts and Memling certified appraisers. We issue COAs and appraisals for all Memling artworks.

Our Memling paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Memling certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Memling painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Memling paintings or drawings take longer.

Our clients include Memling collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Hans Memling art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Hans Memling or we will sell it for you.

Madonna And Child Enthroned

Madonna And Child Enthroned

The Mystic Marriage Of St. Catherine

The Mystic Marriage Of St. Catherine

Hans Memling was a Flemish artist born in Germany some time between 1430 and 1440. He is also sometimes known as “Memlinc” or “Hemling,” but little is known about his early training or work. It is speculated that he may have received instruction in Cologne, Germany, and that he also worked in Brussels and Bruges. Art historians agree that he was probably a student of great Netherlandish painter Rogier van der Weyden, who’s influence is noted in Memling’s earliest authenticated works. Some art critics say that many of his authenticated works show that Memling may have even surpassed his teacher, van der Weyden, in technique and style.

The Presentation In The Temple

The Presentation In The Temple

Cruxifiction

Cruxifiction

Memling was also influenced by fellow painter Bouts, but eventually created a style of his own. Memling’s personal style involved great charm in the movement and expression of his figures, as well as narrative richness and beautiful colors.

The Virgin And The Child With An Angel St. George And A Donor

The Virgin And The Child With An Angel St. George And A Donor

He was accepted as a master of the St. Luke League of painters in 1467, and was considered the number one artist in Bruges from 1468 until 1486. Outside of the Netherlands, van der Goes was also hailed all over Europe as the most popular Flemish artist during his time.

Bathsheba

Bathsheba

Despite the fact that Venetian and Florentine art were reaching their peak of popularity during his career, Memling works were still highly prized in Italy for their solidity and harmony. For example, in Memling’s work he began to employ many measures of Realism, for his angel’s have no need for wings, nor do his Saints need clouds. Instead, Memling used symbols to identify his saints, for example, St. Barbara is represented with a tower and St. John the Baptist with a cross and sheep.

St. John The Evangelist

St. John The Evangelist

St.Veronica

St.Veronica

Towards the end of his career, Memling became highly influenced by Early Renaissance Italian art. Though he was known for his religious pieces, Memling also created portraits, and more than 25 are attributed to him today.

Portrait Of A Man With An Arrow

Portrait Of A Man With An Arrow

Tommaso Portinari

Tommaso Portinari

Tommaso Portinari's Wife

Tommaso Portinari’s Wife

Portrait Of An Italian With A Roman Coin

Portrait Of An Italian With A Roman Coin

Portrait Of A Praying Woman

Portrait Of A Praying Woman

Portrait Of Benedetto Di Tommaso Portrinari

Portrait Of Benedetto Di Tommaso Portrinari

Though Memling’s work is less admired today than that of fellow painters Hugo van der Goes and Jan van Eyck, he was once regarded as the greatest painter of the late 15th century. Memling’s work is still highly prized at auction, and are still prominently displayed in museums all over the world. Still wondering about a 15th century Flemish painting in your family estate? Contact us…it could be by Hans Memling.


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1330--casilear.php John William Casilear Artwork Authentication & Art Appraisal

John William Casilear (1811-1893)

Get a Casilear Certificate of Authenticity for your painting (COA) for your Casilear drawing.

For all your Casilear artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Casilear Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Casilear painting or drawing.

If you want to sell your Casilear painting or drawing use our selling services. We offer Casilear selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Casilear and issuing certificates of authenticity since 2002. We are recognized Casilear experts and Casilear certified appraisers. We issue COAs and appraisals for all Casilear artworks.

Our Casilear paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Casilear certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Casilear painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Casilear paintings or drawings take longer.

Our clients include Casilear collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John William Casilear art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John William Casilear or we will sell it for you.

John William Casilear was born in New York City in 1811. Casilear is known as an important American painter of the Hudson River School. Casilear trained under important New York engravers Peter Maverick and Asher Durand during the 1820s and 30s.

Casilear, Lake at Sunset

Lake at Sunset

Casilear, Morning by the Inlet

Morning by the Inlet

Durand exposed Casilear to landscape painting and invited him to come on a group, painting trip in Europe. The group made trips to museums and painted various scenes. The trip inspired Casilear to end his work as an engraver and paint full-time. Casilear became a member of the National Academy of Design, where he exhibited for more than fifty years. Casilear built an extensive landscape portfolio, making numerous trips around the state of New York.

Casilear, Mount Chocorua

Mount Chocorua

Casilear was a lover of nature and spent much of his life in the outdoors, capturing the sunrises and sunsets in his beloved home state. Casilear would depict the landscape as seasons changed.

Casilear,

“Genesee River Scenery,” 1873

Casilear eventually settled in Saratoga Springs, New York where he died in 1893. Casilear did many paintings around Saratoga Springs including the popular summer spot, Lake George.

Lake George, 1860

Lake George, 1860

Casilear’s paintings are in the most prestigious collections in the United States including the Metropolitan Museum of Art in New York City and in the National Gallery of Art in Washington DC. Casilear’s paintings are also in smaller, private collections across the United States. Do you think you own a painting by John William Casilear? Contact us. We are the John William Casilear experts.


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1331--prampolini.php Enrico Prampolini Artwork Authentication & Art Appraisal

Enrico Prampolini (1894-1956)

We Perform Enrico Prampolini art authentication. Enrico Prampolini appraisal. Enrico Prampolini certificates of authenticity (COA). Enrico Prampolini analysis, research, scientific tests, full art authentications. We will help you sell your Enrico Prampolini or we will sell it for you.

The Rest of the Flight into Egypt

Rarefazione Siderale 1940

The Rest of the Flight into Egypt

Cassandra

Enrico Prampolini was an Italian artist and a member of the progressive Futurist movement. Prampolini was a fairly prolific artist, and created paintings, sculpture, decorative art and stage design. He was even a writer and architect, making himself something of a modern day Italian Renaissance man, and worked on the War Memorial in Como as well as the Futurist Pavillion in Turin, Italy. While he is best known for his Futurist pieces, Prampolini also created Abstract compositions, and affiliated himself with members of the Dada and Bauhaus movements.

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Futurist Interpretation of the Duchess 1928

Prampolini was born in Modena, Italy and initially studied in Rome, Turin and Lucca, and also received brief training at the Accademia di Belle Arti. There, he studied under Duilio Cambellotti, and in 1912, joined Giacomo Balla’s studio. It was through his affiliation with Balla, one of the first Italian Futurists, that Prampolini became involved in Futurism. In 1914, Prampolini participated in his first Futurist exhibition at the Galleria Sprovieri in Rome, and also in Prague later that year.

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Mussolini’s Blackshirts 1919

Out of all of the Futurists, Prampolini was one of the most experimental in terms of his technique and materials. He tested a number of different methods and used a combination of materials to create his unique style, which was outlined in his 1915 manifesto, Scenografia e coreografia futurista, Scultrua dei colori e totale.

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Earth Angel 1936

Futurism, the style of art which encompasses power, force, motion, technology, progress and machinery, was in its synthetic phase when Prampolini first entered it. The initial phase of Futurism, the analytical phase, was founded by Marinetti in 1909, and it took many forms after that.

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Portrait of Marinetti 1925

In 1925, Prampolini traveled to France to work with Severini. Ther he entered into a new phase of Futurism known as “aeropainting,” which would remain popular well into the 1930’s. This particular style of painting focused on machinery and the mechanic side of Futurism, as well as movement.

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Dynamism of a Cyclist 1921

Futurism all but ended in 1944 when Marinetti died, and by that time, Prampolini and others had turned to Abstraction. He would continue to paint in the Abstract style until his death in 1956. Although his style would change somewhat drastically throughout his career, he often signed his work “E. Prampolini” in the bottom corners of his compositions. This makes it generally easy to identify his works, in some cases, even though his style was completely different from one decade to the next.

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Synthesis of Naples

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Ampo 1957

Many art critics consider Prampolini to be the most illustrious pre-war painter of the Futurist movement and a leader in vanguard art, and his work is still highly regarded and sought after today. Still wondering if about an Italian abstract or Futurist piece hanging in your home? Contact us…it could be by Enrico Prampolini.


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1332--menocal.php Armando Menocal Artwork Authentication & Art Appraisal

Armando Menocal (1863-1942)

Get a Menocal Certificate of Authenticity for your painting (COA) for your Menocal drawing.

For all your Menocal artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Menocal Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Menocal painting or drawing.

If you want to sell your Menocal painting or drawing use our selling services. We offer Menocal selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Menocal and issuing certificates of authenticity since 2002. We are recognized Menocal experts and Menocal certified appraisers. We issue COAs and appraisals for all Menocal artworks.

Our Menocal paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Menocal certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Menocal painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Menocal paintings or drawings take longer.

Our clients include Menocal collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Armando Menocal art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Armando Menocal or we will sell it for you.

Born into a wealthy and elite Havana family, Armando Menocal was able to leave Cuba at the age of 17 to study art. For 10 years he studied Classical Spanish-style art under masters like Sorolla while living abroad in Spain. He later returned to Cuba to fight in the liberators army, and became one of Cuba’s greatest artists of the colonial period.

Menocal has been credited by some as being THE leading artist in the Vanguard movement. He was one of, if not the first to begin incorporating Cuban themes and history into his paintings. In a time when Cuban painters were trying to appeal to Western tastes, Menocal was painting national symbols and myths.

His national paintings were almost epic in nature, and embodied the theme of Cuba’s war for independence. He would paint scenes of war, in which native slaves would fight for freedom, as well as the deaths of famous generals. One of his more famous paintings depicts Christopher Columbus in chains on his journey back to Spain.

Known best as a landscaper, Menocal also produced beautiful, exquisite and realistic portraits of well-known public figures of the time. For example, Menocal painted this very European-styled portrait “Mujer Con Blusa Rosada” (1910).

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Mujer Con Blusa Rosada

His portraits were practically photo-realistic and utilized dark backgrounds in the Classical style.

Menocal came to teach landscape painting at the San Alejandro art school in Cuba, and eventually became the principal of the school. He taught and influenced many Cuban painters during his tenure at San Alejandro. His landscapes are unlike that of most in Cuba, taking on an almost Impressionistic hand and color palate. While most of his contemporaries where painting in Caribbean colors, with rolling, dreamy landscapes, his were done in the same “plein-air” and soft lighting style as the Europeans—however, instead of windy oak trees, he painted the Cuban palm tree and brush landscaping.

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Campo Adentro

Surprisingly, this accomplished painter and scholar was also an illustrator for magazine giant Condé Nast. He was known to paint and sketch illustrations for one of their magazines on paper in either ink or gouache and watercolor. He would then sign and stamp the back of each of these illustrations. To have the originals for his commissioned work for Condé Nast would be a priceless find indeed.

While in studying in Spain, some of Menocal’s paintings were uncharacteristic of the work he became known for. Whimsical yet Realist paintings of Spanish castles and aristocrats for example were a theme in his work at this time. These paintings would have been done in the earlier half of the 1890’s towards the turn of the century, and would have been painted in Spain. How many unknown works by this great Cuban artist exists today? As a student, surely he would have produced a lot of work, and most definitely sold some locally in Spain.

Along with his many talents, Menocal was also a muralist. He created some of the best known murals in Havana at their city hall, as well as in the University of Havana. He was also known to embellish the interiors of the homes of Cuban elite with decorative painting. Could he have done similar work in Spanish homes?

Though his works are not as easily available to the public worldwide in museums and private collections, Menocal was among one of the most prolific painters of his time. A teacher and an artists with a wide range, he was also an innovator in national painting. Currently, some of his art is housed at the Fine Art
Museum in Key West, as well as extensively throughout Cuba.


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1333--bartolomeo.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bartolomeo" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bartolomeo" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1334--erichsen.php Vigilius Erichsen Artwork Authentication & Art Appraisal

Vigilius Erichsen (1722-1782)

Get a Erichsen Certificate of Authenticity for your painting (COA) for your Erichsen drawing.

For all your Erichsen artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Erichsen Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Erichsen painting or drawing.

If you want to sell your Erichsen painting or drawing use our selling services. We offer Erichsen selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Erichsen and issuing certificates of authenticity since 2002. We are recognized Erichsen experts and Erichsen certified appraisers. We issue COAs and appraisals for all Erichsen artworks.

Our Erichsen paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Erichsen certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Erichsen painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Erichsen paintings or drawings take longer.

Our clients include Erichsen collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Vigilius Erichsen art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Vigilius Erichsen or we will sell it for you.

Erichsen painting,Portrait of Grand Prince Paul Petrovich in the Classroom

Portrait of Grand Prince Paul Petrovich in the Classroom

Vigilius Erichsen was an 18th century Danish portrait painter. He was known for his portraits of Russian royalty, and painted portraits of Catherine II and her family often.

Erichsen painting,Portrait of Catherine II on Horseback

Portrait of Catherine II on Horseback

Erichsen painting,Catherine II in Front of a Mirror

Catherine II in Front of a Mirror

Erichsen painting,Portrait of Queen Juliane Marie

Portrait of Queen Juliane Marie

Still wondering about an 18th century portrait in your family collection? Contact us…it could be by Vigilius Erichsen.


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1335--fedotov.php Pavel Fedotov Artwork Authentication & Art Appraisal

Pavel Fedotov (Павел Андреевич Федотов) (1815-1852)

Get a Fedotov Certificate of Authenticity for your painting (COA) for your Fedotov drawing.

For all your Fedotov artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Fedotov Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fedotov painting or drawing.

If you want to sell your Fedotov painting or drawing use our selling services. We offer Fedotov selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fedotov and issuing certificates of authenticity since 2002. We are recognized Fedotov experts and Fedotov certified appraisers. We issue COAs and appraisals for all Fedotov artworks.

Our Fedotov paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fedotov certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fedotov painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fedotov paintings or drawings take longer.

Our clients include Fedotov collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pavel Fedotov art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pavel Fedotov or we will sell it for you.

Difficult Bride 1847

Difficult Bride 1847

Pavel Fedotov was a Russian painter and an officer of the Imperial Guards of Saint Petersburg. Like many of his colleagues at the time, he was interested in arts. He played the flute and attended evening school where he learned painting. Fedotov decided to focus on painting and left the army in 1844. At first, he used pencil and watercolor but switched to oil painting starting in 1846.

Breakfast of an Aristocrat

Breakfast of an Aristocrat

Fedotov enjoyed a brief period of public success at Saint Petersburg exhibitions in 1849 and 1850, when – in the wake of the revolutions of 1848 – his close ties to the Petrashevsky Circle made him a target of government persecution. Fedotov was only 37 years old when he died in a mental clinic.

Young Widow 1851

Young Widow 1851

Still wondering about a 19th century Russian painting in your family collection? Contact us…it could be by Pavel Fedotov.


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1337--gre Juan Gonzalez Artwork Authentication & Art Appraisal

Juan Gonzalez (1945-1993)

We Perform Juan Gonzalez art authentication. Juan Gonzalez appraisal. Juan Gonzalez certificates of authenticity (COA). Juan Gonzalez analysis, research, scientific tests , full art authentications. We will help you sell your Juan Gonzalez or we will sell it for you.

Cuban born, but American trained, Juan Gonzalez was one of Cuba’s few Surrealist painters. He graduated from the University of Miami with a master of Fine Art in 1973, and won many awards in his lifetime for his artistic achievements.

Originally, Gonzalez wanted to be a priest. He was fascinated by religion at a young age, and the only art that he was brought up with came from the church. His family had no artistic background, so Gonzalez had to go about learning to be an artist on his own.

Throughout the years, art would slowly replace religion in Gonzalez’s life, but the artist still remained highly religious and faithful to his Catholic beliefs. His religion made a tremendous mark on his artwork, and as Gonzalez said was his way of reaching out to God.

Catholic religious iconography and Spanish Surrealist styling are highly apparent in Gonzalez’s styling. He also had a great respect for old masters and art history in general. This is apparent in his 1990 paintings “Memory Piece” and “Rembrandt’s Hands”.

art

Memory Piece

art

Rembrandt’s Hands

His attention to detail was remarkable, in particular, folds in fabric or leaves on plants. He would often draw from his own experience to paint dreamscapes or actual events, such as “El Sonador” and “Untitled” (1981).

One way to tell for sure if you have a piece of Gonzalez’s artwork is to look at the content. He would often paint visceral cityscapes, tall and endless with a menacing sky and frightening buildings below. Statues were also a common image in his works.

Gonzalez would also work in many different mediums and surfaces, be it paper or canvas or wood. He would also create a number of mixed media pieces. In particular, he created a series of three fold prints on paper, usually of the sea or the night sky in a Surrealist dreamscape.

Today, Gonzalez’s work is housed in private collections all over the world, as well as in many museums across the United States, such as the Museum of Modern Art in New York and the Art Institute of Chicago. Do you think you may own a piece of art by Juan Gonzalez? We would be happy to assist you in authenticating artwork by this great Cuban master.


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1338--dasburg.php Andrew Michael Dasburg Artwork Authentication & Art Appraisal

Andrew Michael Dasburg (1887-1979)

Get a Dasburg Certificate of Authenticity for your painting (COA) for your Dasburg drawing.

For all your Dasburg artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dasburg Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dasburg painting or drawing.

If you want to sell your Dasburg painting or drawing use our selling services. We offer Dasburg selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dasburg and issuing certificates of authenticity since 2002. We are recognized Dasburg experts and Dasburg certified appraisers. We issue COAs and appraisals for all Dasburg artworks.

Our Dasburg paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dasburg certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dasburg painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dasburg paintings or drawings take longer.

Our clients include Dasburg collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Andrew Michael Dasburg art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Andrew Michael Dasburg or we will sell it for you.

Andrew Michael Dasburg was an American modernist painter and an influential force in popularizing cubism and synchromism in America. Dasburg was born in France and lived in Germany before immigrating to New York City with his family at the age of five. Dasburg showed talent in art from an early age and was awarded a scholarship to take courses at the Art Students League of New York. As a student, artists Kenyon Cox and Birge Harrison instructed Dasburg.

Dasburg, The Crystal Vase

The Crystal Vase

Dasburg, Rolling Hills

Rolling Hills

By 1909 Dasburg was a part of the modernist circle, and returned to Paris to work alongside Morgan Russell, Arthur Lee and Jo Davidson. Dasburg was introduced to prominent artists and writers like Henri Matisse and Gertrude Stein. Dasburg became increasingly influenced by the cubist style and work of the French painter, Cézanne. On a short trip to England Dasburg married a sculptor named Grace Mott Johnson.

Dasburg, Chantet Lane

Chantet Lane

Dasburg and Johnson returned to the United States and became a part of the artist community in Woodstock, New York. Dasburg returned to New York City frequently for exhibitions. In 1911 Dasburg showed at the International Exhibition of Modern Art, also known as the Armory Show. Dasburg’s cubist paintings shocked Americans and gained immediate attention. During the following years Dasburg showed at Alfred Stieglitz’s 291 Gallery. During this time Dasburg was known for experimenting with Synchromism, a movement much like cubism that emphasized the use of vibrant colors. Synchromism was meant to evoke the sensation of listening to music through chords of color rather than musical notes.

Dasburg, Pueblo Village

Pueblo Village

Dasburg, Taos Landscape, 1930

Taos Landscape, 1930

In 1918 Dasburg made a major life change, by separating from his wife and moving to New Mexico. Dasburg initially went to Taos, and then relocated to Santa Fe in 1921. Dasburg continued to paint with fervor and was able to integrate both the cubist aesthetic and the desert landscape into his work. In 1936 Dasburg married the poet Mary Channing Wister, with whom he lived for the rest of his live.

Dasburg, Ranchos de Taos Landscape

Ranchos de Taos Landscape

Dasburg, Taos Ranch

Taos Ranch

Dasburg, Apples

Apples

Dasburg, Taos: Mabel Dodge

Taos: Mabel Dodge

Dasburg, Trees in Ranchitos II

Trees in Ranchitos II

Dasburg made a great impression on the art scene in New York and in the southwest. After his death, the Fine Arts Museum in Santa Fe held an extensive retrospective of his work, which travelled to four other Southwestern states. Dasburg’s work is now in the collections of major collections including the Whitney Museum of American Art and the Metropolitan Museum of Art. Do you think you own a painting by Dasburg? Contact us. We are the experts on Andrew Michael Dasburg.


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done
1340--haseltine.php William Stanley Haseltine Artwork Authentication & Art Appraisal

William Stanley Haseltine (1835-1900)

Get a Haseltine Certificate of Authenticity for your painting (COA) for your Haseltine drawing.

For all your Haseltine artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Haseltine Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Haseltine painting or drawing.

If you want to sell your Haseltine painting or drawing use our selling services. We offer Haseltine selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Haseltine and issuing certificates of authenticity since 2002. We are recognized Haseltine experts and Haseltine certified appraisers. We issue COAs and appraisals for all Haseltine artworks.

Our Haseltine paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Haseltine certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Haseltine painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Haseltine paintings or drawings take longer.

Our clients include Haseltine collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform William Stanley Haseltine art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your William Stanley Haseltine or we will sell it for you.

William Haseltine was an American painter of the Hudson River School. Haseltine was born in Philadelphia and studied at the University of Pennsylvania and Harvard University. Shortly after graduating Haseltine began to exhibit at the Pennsylvania Academy of Fine Arts.

Haseltine, Cascade

Cascade

Haseltine, Alpine Scene

Alpine Scene

Haseltine spent several years working with a group of American painters in Dusseldorf, Germany and explored much of Europe, gravitating to the coast of Italy.

Haseltine, Castle as Ostia, Lazio Italy

Castle at Ostia, Lazio Italy

Haseltine, Harbor of Genoa

Harbor of Genoa

When Haseltine returned to the United Stated he moved to New York City and worked in the popular Tenth Street Studio Building. In New York Haseltine worked from many of the sketches he had made in Europe and New England. Haseltine did a series of paintings featuring the coastline of Rhode Island, Massachusetts and Maine. Haseltine was successful in exhibiting and was elected Associate at the National Academy of Design.

Haseltine, Rocks of Narragansett Bay, Rhode Island

Rocks of Narragansett Bay, Rhode Island

In 1867 Haseltine moved with his second wife to Rome, where he spent much of his later life. Haseltine painted the European landscape extensively, ranging from Holland to Bavaria. Haseltine’s paintings are in museums and private collections across Europe and the United States. Do you think you own a painting by William Stanley Haseltine? Contact us. We are the William Stanley Haseltine experts.


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1341--dahl.php Hans Dahl Artwork Authentication & Art Appraisal

Hans Dahl (1849 – 1937)

Get a Dahl Certificate of Authenticity for your painting (COA) for your Dahl drawing.

For all your Dahl artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dahl Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dahl painting or drawing.

If you want to sell your Dahl painting or drawing use our selling services. We offer Dahl selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dahl and issuing certificates of authenticity since 2002. We are recognized Dahl experts and Dahl certified appraisers. We issue COAs and appraisals for all Dahl artworks.

Our Dahl paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dahl certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dahl painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dahl paintings or drawings take longer.

Our clients include Dahl collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Hans Dahl art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Hans Dahl or we will sell it for you.

Dahl, By the Fjord

By the Fjord
Oil on Canvas

Dahl, By the Water's Edge

By the Water’s Edge
Oil on Canvas

Hans Dahl is one of Norway’s most well known painters. He is best remembered for his genre and landscape paintings. Dahl was born in Granvin, Hardangerfjord in Western Norway, which was part of Sweden at the time.

Dahl, Fjord with Sailing Boat

Fjord with Sailing Boat
Oil on Canvas

Dahl, Upon Sunny Waves

Upon Sunny Waves
Oil on Canvas

As a young boy, Dahl revealed a talent for the arts but had to postpone his artistic training to serve in the Swedish army. Dahl served as a lieutenant until 1873, at which time he began his studies in Karlsruhe where Dahl was instructed by Hans Fredrik Gude and Wilhelm Riefstahl. After a few years in Karlsruhe, Dahl moved to Dusseldorf and continued to study under Eduard von Gebhardt and Wilhelm Sohn.

Dahl, Endless Column 1

Transporting Hay
Oil on Canvas

Dahl, On the Mountaintop

On the Mountaintop
Oil on Canvas

Dahl, Near Summer Home in Balestrand

Near Summer Home in Balestrand 1920
Oil on Canvas

In 1888, Dahl moved to Berlin to but continued to summer in Norway at Balestrand, where he had a summer home. After 1919, Dahl lived in Balestrand full-time, where he remained until his death in 1937.

Dahl, Girl in a Field

Girl in a Field
Oil on Canvas

Hans Dahl is still remembered as one of Norway’s most famous landscape and genre paintings. His paintings are now in major museums and international collections.

Still wondering about a Norwegian painting in your family collection? Contact us. We are theHans Dahl experts.


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1342--soberon-baca-flor.php Carlos Baca-Flor Soberón Artwork Authentication & Art Appraisal

Carlos Baca-Flor Soberón (1867-1941)

Get a Soberón Certificate of Authenticity for your painting (COA) for your Soberón drawing.

For all your Soberón artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Soberón Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Soberón painting or drawing.

If you want to sell your Soberón painting or drawing use our selling services. We offer Soberón selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Soberón and issuing certificates of authenticity since 2002. We are recognized Soberón experts and Soberón certified appraisers. We issue COAs and appraisals for all Soberón artworks.

Our Soberón paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Soberón certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Soberón painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Soberón paintings or drawings take longer.

Our clients include Soberón collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carlos Baca-Flor Soberón art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Carlos Baca-Flor Soberón or we will sell it for you.

art

Portrait of the Artist

Carlos Baca-Flor Soberón was born in Islay, a province of Arequipa in 1867, and died in Paris, France in 1941. When Carlos was 4 years old he moved with his family to Santiago de Chile. One year later his father died and he was raised by his mother who had a relevant influence on his hazardous life. He made his first studies in Chile showing superb conditions for the art which obtained his mother’s approval; she encouraged him to pursue the career although they lacked money very much. In 1882 he was accepted into the Santiago de Chile Academy of Beaux Arts where he finished his studies in 1886. He received high honors, including gold medals and one scholarship to continue academic improvement courses for five years in Rome. Because of his Peruvian citizenship, the Government asked him to become a naturalized Chilean citizen in order to redeem the scholarship but he refused to do so, showing a noble gesture of patriotism.

When the Peruvian Ambassador in Chile found out about this gesture, a message was sent to the Peruvian Government requesting official recognition for the young artist worthy attitude. In 1887, he travels to Lima invited by the Government of General Caceres who had the intention of sending him to Europe. Staying in Lima for good, Carlos Baca-Flor spent three years waiting for the scholarship which gave him the opportunity to do a series of excellent portraits of Lima’s society; among them we can highlight “Mrs. Antonia Moreno de Caceres”, “Miss Hortencia Caceres” wife and daughter respectively of President Caceres and the portrait of Mr. Scipion Llona, his dearly beloved friend.

In 1890 he traveled to Europe arriving in Paris and later went to Rome where he is accepted in the Royal Academy of Beaux Arts after a rigorous examination that resulted in first place. His years of study in Italy meant for the artist enormous sacrifices but at the same time the acquisition of varied knowledge. In April 1893 he returned to Paris and registered in the Juliana Academy, a free center of artistic studies of great reputation. He made, in the French capital, superb portraits of high personalities such as “The Marquis of the Pallice” and of fashion designer Worth which opens the door to fame through a contract to go to the U.S. as a portrait painter specialist.

After 16 years in Paris he went to New York to paint the portrait of wealthy banker John Morgan who requested half a dozen more copies as a way to show affection and admiration. He lived in the U.S. a little more than 20 years executing about 130 portraits of the most distinguished people of New York’s high society that resulted in a payment of several million dollars. In 1926 he was named member of the Academy of Beaux Arts, which is why he returned to Paris in 1929 where he was welcomed with high honors and homage, staying there until his death.

The painting of master Baca-Flor is founded in solid academic basis and very honest personal requirements to obtain an execution of high level of school. He was a sincere admirer and follower of the great masters such as Leonardo Da Vinci, an example of life and art for him, Rembrandt, master of light and suggestive semi-darkness, of Holbein, young portrait specialist, unique in the history of art. Finally Baca-Flor had the only logical result, the success. His great technical skill and deep sense of observation and realistic execution defined him as part of the most complex topic, the portrait.

Still wondering about a Peruvian painting in your family collection? Contact us…it could be by Carlos Baca-Flor Soberón.


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1343--greuze.php Jean-Baptiste Greuze Artwork Authentication & Art Appraisal

Jean-Baptiste Greuze (1725-1805)

Get a Greuze Certificate of Authenticity for your painting (COA) for your Greuze drawing.

For all your Greuze artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Greuze Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Greuze painting or drawing.

If you want to sell your Greuze painting or drawing use our selling services. We offer Greuze selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Greuze and issuing certificates of authenticity since 2002. We are recognized Greuze experts and Greuze certified appraisers. We issue COAs and appraisals for all Greuze artworks.

Our Greuze paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Greuze certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Greuze painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Greuze paintings or drawings take longer.

Our clients include Greuze collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean-Baptiste Greuze art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean-Baptiste Greuze or we will sell it for you.

Greuze painting, Innocent Girl with Two Pigeons

Innocent Girl with Two Pigeons

Greuze painting, Indolence

Indolence

Greuze painting, The Wool Winder

The Wool Winder

Jean-Baptiste Greuze was an 18th century French painter. He was one of the star painters of his day and first exhibited at the 1755 Salon. His most respected works depict historical or allegorical themes, though he did some portraits.

Greuze painting, The Marriage Contract

The Marriage Contract

Greuze painting, Mother and Child

Mother and Child

By the 1780s his work was unpopular, and he received few commissions. A catalog raisonné of his work was published in 1908.

Greuze painting, Portrait of a Girl

Portrait of a Girl

Greuze painting, Portrait of a Man

Portrait of a Man

Greuze painting, A Young Peasant Boy

A Young Peasant Boy

Still wondering about an 18th century painting in your family collection? Contact us…it could be by Jean-Baptiste Greuze.


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1344--bouyssou.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bouyssou" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bouyssou" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1345--angrand.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "angrand" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "angrand" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1346--cardenas.php Agustin Cardenas Artwork Authentication & Art Appraisal

Agustin Cardenas (1927-2001)

Get a Cárdenas Certificate of Authenticity for your painting or a COA for your Cárdenas drawing or sculpture.

For all your Cárdenas artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Cárdenas Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cárdenas painting, drawing or sculpture.

If you want to sell your Cárdenas painting, drawing or sculpture use our selling services. We offer Cárdenas selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cárdenas and issuing certificates of authenticity since 2002. We are recognized Cárdenas experts and Cárdenas certified appraisers. We issue COAs and appraisals for all Cárdenas artworks.

Our Cárdenas paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cárdenas certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cárdenas painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cárdenas paintings, drawings or sculpture take longer.

Our clients include Cárdenas collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Agustin Cardenas art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Agustin Cardenas or we will sell it for you.

Agustin Cardenas was born in Matanzas, Cuba to parents of Senegalese and Congo descent. He studied at the San Alejandro School and in 1955, traveled to Paris on a scholarship. There he stayed until 1994, and during this time he participated in 100 exhibitions, 30 of which were one man shows. In 1994 he moved back to his native Cuba where he lived until his death in 2001.

While living and studying in France, Cardenas became friends with many artists in the Surrealist movement, as well as French Surrealist painter Andre Breton. This affiliation with the Surrealists highly impacted his work. His Afro-Cuban/Surrealist/organic styling is in a class all its own, and cannot be compared.

Cardenas’ work is different from that of any Cuban artist, let alone the rest of the art world. Suffused with Afro-Cuban themes, his work is usually reminiscent of primitive African styling, along with waves of Abstract and Surrealist elements.

He has been called the “master of masters” and “the most prominent sculptor” in Cuba, and this comes as no surprise. Cardenas has been described as the equivalent to Wilfredo Lam in sculpture, as their themes are relatively similar and their mastery unparalleled. His lines are fluid, simple, and elegant, and he worked in nearly every medium from wood and bronze to crystal and marble. Cardenas usually used organic themes, such as the human form, often representing femininity and sensuality. Sometimes seen as “totems” of a long ago race, his sculpture is nothing short of beautiful and timeless.

art

Stele

art

Petite Famille

art

Iroco

Though primarily a sculptor, Cardenas would also produce drawings and oil paintings, often in the same vein as his sculpture.

art

Abstract painting

His color compositions in his sketches were even similar to the sculptures, and he would use bronze, taupe, black, browns and gold as his color palate. One of his best known oil paintings is “Composicion” (1983).

art

Composition, 1983

 

Because Cardenas traveled and worked abroad, as well as gained a considerable amount of acclaim in his lifetime, the possibility of owning one of his works is tremendous. Like most sculptors, he created more than one any particular sculpture. For example, “Desnudo” is a sculpture in a series of 50 just like it. However, just because it is not a “one of a kind,” does not limit this sculpture’s value-“Desnudo” is worth nearly $20,000 US dollars.

Cardenas was also highly revolutionary in his monument sized sculptures. In the 1960s he would often get commissions to create monuments in highly diverse areas such as Japan, Austria and Israel. Cardenas was very progressive in this field because he would execute these monuments and create them with minerals native to the land they were created for. He would dig up stone from the earth and create these “site-specific” pieces, which was a further extension of his organic movement.

Today, Cardenas’ work is housed all over the world from the Musee d’Art Moderne in Paris to The Hakone Open Air Museum in Japan. His sculpture is also in museums in Tel Aviv, Belgium, Montreal and of course, Cuba. He has been called a key contributor to Modern Art in the 20th century, and to own one of his works would be a treasure.

If you believe you own a work of art by Agustin Cardenas, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Agustin Cardenas.


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1347--kiprensky.php Orest Kiprensky Artwork Authentication & Art Appraisal

Orest Kiprensky (Орест Адамович Кипренский) (1782-1836)

Get a Kiprensky Certificate of Authenticity for your painting (COA) for your Kiprensky drawing.

For all your Kiprensky artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kiprensky Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kiprensky painting or drawing.

If you want to sell your Kiprensky painting or drawing use our selling services. We offer Kiprensky selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kiprensky and issuing certificates of authenticity since 2002. We are recognized Kiprensky experts and Kiprensky certified appraisers. We issue COAs and appraisals for all Kiprensky artworks.

Our Kiprensky paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kiprensky certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kiprensky painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kiprensky paintings or drawings take longer.

Our clients include Kiprensky collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Orest Kiprensky art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Orest Kiprensky or we will sell it for you.

Self-Portrait 1828

Self-Portrait 1828

Orest Kiprenksy was a leading Russian portraitist in the Age of Romanticism. His most familiar work is probably Alexander Pushkin’s portrait (1827), which prompted the poet to remark that “the mirror flatters me”.

Alexander Pushkin 1827
Alexander Pushkin 1827

Orest was born in the village of Koporye near Saint Petersburg on 24 March 1782. He was an illegitimate son of a landowner Alexey Dyakonov, hence his name, derived from Kypris, one of the Greek names for the goddess of love. He was raised in the family of Adam Shvalber, a serf. Although Kiprensky was born a serf, he was released from the serfdom upon his birth and later his father helped him to enter a boarding school at the Imperial Academy of Arts in Saint Petersburg in 1788 (when Orest was only six years old).

Adam Shvalber 1804

Adam Shvalber 1804

He studied at the boarding school and the Academy itself until 1803. He lived at the Academy for three more years as a pensioner to fulfill requirements necessary to win the Major Gold medal. Winning the first prize for his work Prince Dmitri Donskoi after the Battle of Kulikovo (1805) enabled the young artist to go abroad to study art in Europe.

Vasily Zhukovsky 1815

Vasily Zhukovsky 1815

A year before his graduation, in 1804, he painted the portrait of Adam Shvalber, his foster father (1804), which was a great success. The portrait so impressed his contemporaries, that later members of the Naples Academy of Arts took it for the painting by some Old Master – Rubens or Van Dyke. Kiprensky had to ask the members of the Imperial Academy of Arts for letters supporting his authorship.

Ekaterina Advulina 1822

Ekaterina Advulina 1822

After that, Kiprensky lived in Moscow (1809), Tver 1811, Saint Petersburg 1812, in 1816-1822 he lived in Rome and Napoli. In Italy he met a local girl Anne Maria Falcucci (Mariucci), to whom he became attached. He bought her from her dissolute family and employed as his ward. On leaving Italy, he sent her to a Roman Catholic convent.

Sergey Uvarov 1815

Sergey Uvarov 1815

In 1828, Kiprensky came back to Italy, as he got a letter from his friend Samuel Halberg, informing him that they had lost track of Mariucci. Kiprensky found Mariucci, who had been transferred to another convent. In 1836 he eventually married her. He had to convert into Roman Catholicism for this marriage to happen. He died by pneumonia in Rome later that year.

Young Gardener 1817

Young Gardener 1817

Still wondering about a 19th century Russian painting in your family collection? Contact us…it could be by Orest Kiprensky.


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1348--eddy-oliver.php Oliver Tarbell Eddy Artwork Authentication & Art Appraisal

Oliver Tarbell Eddy (1799-1868)

We Perform Oliver Tarbell Eddy art authentication. Oliver Tarbell Eddy appraisal from . Oliver Tarbell Eddy certificates of authenticity (COA). Oliver Tarbell Eddy analysis, research, scientific tests, full art authentications. We will help you sell your Oliver Tarbell Eddy or we will sell it for you.

Oil on panel.

Oil on panel.

Oliver Tarbell Eddy, American (1799-1868) was born in Greenbush, Vermont, the oldest son of inventor, printer, and engraver Isaac Eddy, who traced his ancestry back to the Mayflower. Although his father instructed him how to engrave on copper, Eddy evidently taught himself how to paint. He married Jane Maria Burger, daughter of the silversmith Thomas Burger, in Newburgh, New York in 1822. Eddy was active as a portrait and miniature painter in New York City by 1826, and exhibited a portrait at the National Academy of Design the following year. He moved to Elizabeth, New Jersey, in 1831 and then to Newark in 1835. Eddy was extremely successful in Newark and painted at least thirteen portraits of members of the family of a hat manufacturer named William Rankin. Eddy lived in Baltimore from 1842 to 1850, painting portraits and inventing a precursor to the typewriter. He lived in Philadelphia until his death.

C. 1844. Griffith family. Oil on canvas. Maryland Historical Society.

C. 1844. Griffith family. Oil on canvas. Maryland Historical Society.

C. 1844. Griffith family. Oil on canvas. 83? x 100?. Maryland Historical Society.

Oliver Tarbell Eddy, American (1799-1868). The Artist’s Residence, BlackRiver Valley at Greenbush, Vermont.

C. 1840. Jane Griffith. Oil on canvas. Maryland Historical Society.

C. 1840. Jane Griffith. Oil on canvas. Maryland Historical Society.

Eddy’s style is typical of the better class of self-taught painters of the 19th century. His sitters are meticulously rendered, invariably rather stiff and solemn. One has to remember the conventions of the time- smiling, active portraits were not to become fashionable until the end of the century. Many of his group portraits are in fact an assortment of single portraits awkwardly arranged. Eddy?s debt to the 17th century Dutch masters is obvious in his fine treatment of the interior settings and costumes, with carpets and furniture richly displayed. There is none of the casual attitude to background common in 19th century portraiture. Eddy?s meticulousness derives from his early training in copper engraving, an art requiring great precision. This also enabled him to become an accomplished miniaturist.

C. 1839. The Alling Children. Oil on canvas. MMA.

C. 1839. The Alling Children. Oil on canvas. MMA.

1840. Portrait of Mrs Henry Evans. Oil on panel.

1840. Portrait of Mrs Henry Evans. Oil on panel.

C.1840. Adeline Kent Pratt. Oil on canvas. Maryland Historical Society.

C.1840. Adeline Kent Pratt. Oil on canvas. Maryland Historical Society.

Are you still wondering about a painting in your collection? Contact us… it could be by Oliver Tarbell Eddy.


done
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1350--leonardo.php Leonardo da Vinci Artwork Authentication & Art Appraisal

Leonardo da Vinci (15 April 1452 – 2 May 1519)

Get a Leonardo Da Vinci Certificate of Authenticity for your painting or a COA for your Leonardo Da Vinci drawing or sculpture.

For all your Leonardo Da Vinci artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Leonardo Da Vinci Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Leonardo Da Vinci painting, drawing or sculpture.

If you want to sell your Leonardo Da Vinci painting, drawing or sculpture use our selling services. We offer Leonardo Da Vinci selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Leonardo Da Vinci and issuing certificates of authenticity since 2002. We are recognized Leonardo Da Vinci experts and Leonardo Da Vinci certified appraisers. We issue COAs and appraisals for all Leonardo Da Vinci artworks.

Our Leonardo Da Vinci paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Leonardo Da Vinci certificates of authenticity we issue are based on solid,reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Leonardo Da Vinci painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Leonardo Da Vinci paintings, drawings or sculpture take longer.

Our clients include Leonardo Da Vinci collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Leonardo da Vinci art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Leonardo da Vinci or we will sell it for you.

Leonardo da Vinci set standards for representation, draftsmanship, and aesthetics that dominated the High Renaissance. Leonardo essentially changed the image of the artist, from a craftsman to a learned man with a capacity for creativity and theoretical thinking. His theories and oeuvre dominated European art for the past five hundred years. His Mona Lisa (Louvre, Paris, France) is considered the most famous painting in the world. Leonardo da Vinci was the first Italian artist to paint in oil. Few of his works were actually completed, however, and only a small number survive. (Kemp, M. “Leonardo da Vinci,” Encyclopedia of Italian Renaissance and Mannerist Art, Oxford University Press, 2004, pp. 846-847.)

da Vinci, Study of a Woman, ca. 1487, Galleria delgli Uffizi, Florence, Italy.

Study of a Woman, ca. 1487, Galleria delgli Uffizi, Florence, Italy.

Leonardo holds a place of honor in Vasari’s (1511-1574) Lives of the Most Excellent Painters, Sculptors, and Architects. Vasari was the first Italian art historian; he invented the term “Renaissance.” Vasari’s biography of Leonardo da Vinci set the tone for both scholarly and popular appreciation of Leonardo da Vinci’s oeuvre. (Clark, K., intro., Lives of the most eminent painters, sculptors, and architects by Giorgio Vasari, translated by Gaston du C. De Vere, Abrams, New York, 1979, pp. xi-xiv.) Leonardo da Vinci’s reputation was high during his own lifetime and has continued unsullied throughout art history.

The broad outlines of Leonardo da Vinci’s biography come from Vasari. Leonardo was born in Florence, the illegitimate child of a prosperous, middle class father and a mother about whom only her name—Caterina—is known. His father was a notary. Leonardo was his father’s first child; his father married four times after Leonardo’s birth. (Goldscheider, L., Leonardo da Vinci, Oxford University Press, Oxford, 1959, pp. 13-20.)

da Vinci, St. Jerome, ca. 1482, oil on panel, Pinacoteca, Vaticana, Rome.

St. Jerome, ca. 1482, oil on panel, Pinacoteca, Vaticana, Rome.

First Period in Florence

Leonardo’s father arranged an apprenticeship for Leonardo in the studio of one of the most outstanding sculptors of the time: Andrea del Verrocchio (ca. 1435-88). Verrocchio’s workshop was the largest in Florence. The name “Verrocchio” means true eye. Verrocchio worked mostly in bronze. He was also a painter, but few paintings are ascribed to his hand alone. Verrocchio trained many important painters of the time in addition to Leonardo da Vinci. (Baxandall, M., Painting and Experience of Fifteenth Century Italy: A Primer in Social History of pictorial style. New York, Oxford University Press, 1980, pp. 85-97.) Leonardo da Vinci apprenticed with Verrocchio for ten years.

da Vinci, The Annunciation, ca. 1472, painted by Leonardo da Vinci and Andrea del Vecchio, oil and tempera on panel, Galleria delgli Uffizi, Florence, Italy.

The Annunciation, ca. 1472, painted by Leonardo da Vinci and Andrea del Verrocchio, oil and tempera on panel, Galleria delgli Uffizi, Florence, Italy.

In 1472, Leonardo da Vinci joined the Compagnia di San Luca, the fraternity of artists in Florence. (Kemp, Encyclopedia, p. 848.) The Annunciation (Uffizi, Florence) was started during the 1470s, as was the portrait of Ginevra di’ Benci (National Gallery, Washington, DC), who married in 1474. (Brown, D.A., Leonardo da Vinci: Origins of a Genius, Yale University Press, New Haven, 1998, pp. 101-123.)

da Vinci, Portrait of Ginevra de' Benci, ca. 1474-5, oil on panel, National Gallery of Art, Washington, DC.

Portrait of Ginevra de’ Benci, ca. 1474-5, oil on panel, National Gallery of Art, Washington, DC.

The altarpiece of The Adoration of the Magi (Uffizi, Florence) was commissioned by the monastery of S Donata in 1481. It remains unfinished, only the under-painting was completed before Leonardo moved to Milan. (Kemp, M. Leonardo, Oxford University Press, New York, 2004, p. 45-52.)

da Vinci, The Adoration of the Magi, 1481, oil on panel, Galleria delgli Uffizi, Florence, Italy.

The Adoration of the Magi, 1481, oil on panel, Galleria delgli Uffizi, Florence, Italy.

First period in Milan

Scholars think Leonardo moved to Milan in about 1481 or 82. A letter he wrote in 1482 survives. In it, Leonardo asks for a job as a military engineer and lute player with il Moro (the ruler) Ludovico Sforza of Milan. Leonardo also proposed to work on a bronze equestrian statue of Ludovico’s father, which Leonardo never finished. (Brown, pp. 183 and 190.)

Under contract to the Sforza family during the 1480s, Leonardo did a portrait of Ludovico Sforza’s mistress Cecilia Gallerani: Portrait of a Lady with an Ermine (Kraków, Czartoryski Collection) (Pope-Hennessy, J, The Portrait in the Renaissance, New York, 1966, pp. 72-77.)

da Vinci, Lady with an Ermine, ca. 1489-90, oil on panel, Czartoryski Museum, Kraków, Poland.

Lady with an Ermine, ca. 1489-90, oil on panel, Czartoryski Museum, Kraków, Poland.

Leonardo contracted with the de’ Predis family to create an altarpiece for the church at S Francesco Grande, Milan. The contract specifies that the paintings of the Virgin was to be done in oil. (Kemp, Encyclopedia, p. 846.)

The altarpiece became an on-going legal battle. (Baxandall, M., pp. 21-25.) Out of this ordeal emerged the Virgin of the Rocks (Louvre, Paris). According to some scholars, Leonardo started another version of Virgin of the Rocks (both also known as Madonna of the Rocks) at the National Gallery in London during this time.

da Vinci, Madonna of the Rocks, 1483-6, oil on panel transferred to canvas, Louvre, Paris.

Madonna of the Rocks, 1483-6, oil on panel transferred to canvas, Louvre, Paris.

Leonardo worked on the fresco of The Last Supper in 1495. Currently in desperate condition, and poorly restored, the fresco was considered the most important painting in the world until its condition irreversibly deteriorated in the nineteenth century. (Baxandall, M., pp. 143-5.)

Many of Leonardo’s notebook sketches of fortresses, flying machines, waterworks, anatomical studies, plants, birds, clouds were from his first period in Milan. (Kemp, M., Leonardo da Vinci, the marvelous works of nature and man, Harvard University Press, Cambridge, MA, 1981, pp. 45-57.) He stayed in Milan until the French invaded in 1499.

Second Period in Florence

Leonardo went home to Florence in the spring of 1500 and had to find work quickly. The letters of noblewoman Isabella d’Este to Leonardo show the variety of projects he considered, most of which he never undertook. (Goldscheider, pp. 22-24.) Of those he started, most were unfinished: examples of such proposed but never executed projects were a painting of Christ as a child/young man and various portraits of important people of the time in Florence. (“Leonardo da Vinci,” Oxford Dictionary of Art, p. 285.)

da Vinci, Study of a Horse, undated, Galleria delgli Uffizi, Florence, Italy.

Study of a Horse, undated, Galleria delgli Uffizi, Florence, Italy.

The cartoon (preliminary drawing) for Virgin and Child with St. Anne and Lamb dates from the second Florentine period, as do less realized drawings for Madonna of the Yarnwinder. (Kemp, M., “From Scientific Examination to the Renasissance Market: The Case of Leonardo da Vinci’s ‘Madonna of the Yarnwinder,'” Journal of Medieval and Renaissance Studies, vol. 24, no. 2, Spring 1994, p. 260-63.)

In 1502, Leonardo became chief engineer and architect for Cesare Borgia. This job required extensive travel. Map of Imola (Windsor Castle) was produced during this period. (Kemp, Encyclopedia, p. 848.)

da Vinci, Study of a Woman, undated, Galleria delgli Uffizi, Florence, Italy.

Study of a Woman, undated, Galleria delgli Uffizi, Florence, Italy.

In late 1502, Leonardo started the wall-painting of Battle of Anghiari meant to celebrate the victory of Florence over Milan in 1440. In 1504, Michelangelo was commissioned to paint the companion piece: the Battle of Cascina. Neither picture was completed. Leonardo was called away in 1504 to help the Borgias plan fortresses. Most of the Battle of Anghiari, however, was completed by Leonardo, though it was destroyed in the 1560s. (Goldscheider, p. 23 and 28.)

Mona Lisa (probably started in 1501 or 2) is the best known painting of Leonardo’s second Florentine period. Vasari first proposed that the sitter was the wife of Francesco del Giocondo, Madonna Lisa. The identity of the sitter was finally affirmed by a note written by a contemporary of Leonardo da Vinci’s discovered at University of Heidelberg Library in 2005. (“Mona Lisa’s true identity,” National Geographic News, 15 January 2008, online edition accessed 1 November 2009.)

The portrait of Mona Lisa was revolutionary. During the early sixteenth century, women were conventionally shown adorned by expensive jewels and fashionable clothes. Women were posed in profile. Leonardo showed Mona Lisa wearing no jewelry, facing the viewer directly, in a three-quarter pose. Viewers are often surprised by its diminutive size—30 x 21 inches (77 x 53 cm.) The painting is on a poplar support. (“Leonardo da Vinci,” Oxford Dictionary of Art, 1998, p. 285)

da Vinci, Mona Lisa, ca. 1503-6, oil on panel, Louvre, Paris, France.

Mona Lisa, ca. 1503-6, oil on panel, Louvre, Paris, France.

Second period in Milan

Leonardo returned to Milan in the summer of 1508 and was apparently an architect for the French governor of Milan, though none of his plans survive.

This was the period of his most advanced work in geometry and human anatomy. Many scholars believe Leonardo painted St. John the Baptist in about 1509. (Kemp, Encyclopedia, p. 846.)

da Vinci, Baptism, by Leonardo da Vinici and Andrea del Verrochio, (ca. 1472-75); Galleria degli, Uffizi, Florence, Italy.

Baptism, by Leonardo da Vinici and Andrea del Verrocchio, (ca. 1472-75); Galleria degli, Uffizi, Florence, Italy.

Florence, Rome, France

Leonardo went back to Florence in 1513. He was hired by Duke Giuliano de Medici for military projects in Rome. Leonardo’s sketches from this period show an intensified interest in fluid mechanics, geometry, and optics. (Goldscheider, pp. 138-41.)

King Francis I invited Leonardo to join his court as “first painter and engineer.” Leonardo spent the rest of his life near Amboise at the Chateau de Cloux. Leonardo was in fragile health and had a partially-paralyzing stroke in about 1517. Scholars believe that assistants did much of painting from this last period of his life. Francecso Melzi, one of Leonardo’s best-known assistants, was mentioned in Leonardo’s will. Leonardo is buried in Amboise, France. (Oxford Dictionary of Art, Oxford University Press, 1988, pp. 185-86.)

da Vinci, Benois Madonna, 1478, Hermitage Museum, St. Petersburg, Russia.

Benois Madonna, 1478, Hermitage Museum, St. Petersburg, Russia.

da Vinci, Leonardo da Vinci,

Leonardo da Vinci, “St. John the Baptist,” (1513-6), oil on panel, 69 x 57 cm, Louvre, Paris.

Do you think you own a picture by Leonardo da Vinci? We authenticate, attribute and appraise any work by da Vinci.

Please contact us for more information on how we can help you with your Leonardo da Vinci: info@artexpertswebsite.com.


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1351--krasner.php Lee Krasner Artwork Authentication & Art Appraisal

Lee Krasner (1908-1984)

Get a Krasner Certificate of Authenticity for your painting (COA) for your Krasner drawing.

For all your Krasner artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Krasner Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Krasner painting or drawing.

If you want to sell your Krasner painting or drawing use our selling services. We offer Krasner selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Krasner and issuing certificates of authenticity since 2002. We are recognized Krasner experts and Krasner certified appraisers. We issue COAs and appraisals for all Krasner artworks.

Our Krasner paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Krasner certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Krasner painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Krasner paintings or drawings take longer.

Our clients include Krasner collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lee Krasner art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lee Krasner or we will sell it for you.

The Artist in Her Studio

The Artist in Her Studio

Lee Krasner was an influential abstract expressionist painter in the second half of the 20th Century. In 1945, Krasner married artist Jackson Pollock, who was also influential in the Abstract Expressionism movement.

Untitled 1942

Untitled 1942

Memorabilia

Memorabilia

Krasner was born in Brooklyn, New York to Russian Jewish immigrant parents. She studied at The Cooper Union and the National Academy of Design and worked on the WPA Federal Art Project from 1935 to 1943. Starting in 1937, she took classes with Hans Hofmann, who taught the principles of cubism, and his influence helped to direct Krasner’s work toward neo-cubist abstraction. When commenting on her work, Hofmann stated, “This is so good you would not know it was painted by a woman.”

Cool White

Cool White

Untitled 1949

Untitled 1949

In 1940, Krasner started showing with the American Abstract Artists, a group of American painters. She would often cut apart her own drawings and paintings to create collages and sometimes revised or discarded whole series. As a result, her surviving body of work is relatively small. Her catalogue raisonné, published in 1995 by Abrams, lists only 599 known pieces. She was rigorously self-critical, and her critical eye is believed to have been important to Pollock’s work.

Bird Talk 1955

Bird Talk 1955

Krasner struggled with the public’s reception to her identity as both a woman and the wife of Pollock. In dealing with audiences, Krasner often signed her works with the genderless initials “L.K.” instead of her more recognizable full name.

Jungle Green 1955

Jungle Green 1955

Embrace

Embrace

Free Space

Free Space

Krasner was portrayed in an Academy Award-winning performance by Marcia Gay Harden in the 2000 film Pollock, a drama about the life of her husband Jackson Pollock, directed by Ed Harris. In John Updike’s novel Seek My Face (2002), a significant portion of the main character’s life is based on Krasner’s.

Shooting Gold 1955

Shooting Gold 1955

Black, White and Pink Collage, 1958-1974

Black, White and Pink Collage, 1958-1974

She died at age 75 in 1984. After her death, her East Hampton property became the Pollock-Krasner House and Studio, and is open to the public for tours. A separate organization, the Pollock-Krasner Foundation, was established under the terms of her will to make monetary grants to artists who demonstrate financial need and artistic merit.

Rising Green, 1972

Rising Green, 1972

Mysteries, 1972

Mysteries, 1972

Still wondering about a painting in your family collection? Contact us…it could be by Lee Krasner.


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1353--caravaggio.php Michelangelo Merisi Caravaggio authentication and appraisal

Caravaggio Biography (1571-1610)

Get a Caravaggio Certificate of Authenticity for your painting (COA) for your Caravaggio drawing.

For all your Caravaggio artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Caravaggio Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Caravaggio painting or drawing.

If you want to sell your Caravaggio painting or drawing use our selling services. We offer Caravaggio selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Caravaggio and issuing certificates of authenticity since 2002. We are recognized Caravaggio experts and Caravaggio certified appraisers. We issue COAs and appraisals for all Caravaggio artworks.

Our Caravaggio paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Caravaggio certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Caravaggio painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Caravaggio paintings or drawings take longer.

Our clients include Caravaggio collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform (Michelangelo Merisi) Caravaggio art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your (Michelangelo Merisi) Caravaggio or we will sell it for you.

Caravaggio painting, Narcissus, ca. 1599-1600

Caravaggio, Narcissus, ca. 1599-1600, oil on canvas, 112 x 92 cm, Galleria Nazionale d’Art Antica, Palazzo Barberini, Rome

Born in 1571, Michelangelo Merisi, later called Caravaggio, was born in either Milan or a town called Caravaggio near Milan. He was he son of a ducal architect. He began training in art at the young age of 13 and continued training until he turned 17.

In 1592, Caravaggio left home for Rome. He arrived penniless. He received recognition because of his association with Giuseppe Cesare d’Aprpno, a painter and art dealer. Via the art business, Caravaggio met patrons who gave him commissions of paintings, the first of which was for the Contarelli Chapel. Caravaggio was so successful in the endeavor that he was later flooded with commissions for other projects.

Caravaggio art, Incredulity of Saint Thomas

Caravaggio, Incredulity of Saint Thomas, 1601-2, oil on canvas, 107 x 146 cm, Siftung Preussische Schlosser und Garten Berlin-Brandenburg

art

Baccino Malato

Caravaggio painting, The Calling of Saint Matthew, 2599-1600, 322 x 340 cm, Contarelli Chapel, San Luigi dei Francesi, Rome

Caravaggio, The Calling of Saint Matthew, 1599-1600, 322 x 340 cm, Contarelli Chapel, San Luigi dei Francesi, Rome

art

Fruit Chest

During this time, he also achieved some recognition by painting small genre pictures. He also began painting religious figures, but those creations were often rejected. He chose to portray saints and Biblical figures as peasants. He portrayed them with dirty feet, in humble settings. In fact, it is rumored that he used a drowned prostitute as a model for the dead Virgin.

Although Caravaggio became well-known for his art, he also received recognition for his hostile temper. The fact that he could easily give in to outburst made him constantly in trouble with the law. Police records are littered with trails of his arrests for such crimes as assault. In 1606 he had to flee town because of involvement with murder over a bet in a tennis game.

While traveling to escape possible imprisonment, Caravaggio painted many religious themed masterpieces. Although these are all centered on Biblical images, they are not hopeful or celebratory. In fact, almost all of them emphasize death, pain, sadness, or tribulation.

In Malta, the Knights of St. John gave him refuge. He created several portraits of the Grand Master, Alof de Wignacourt during this time. His painting was, however, interrupted by an angry quarrel that led to his imprisonment. When freed, he was again on the run.

In Syracuse and Messina, he created some of his later works such as The Raising of Lazarus. He traveled on to Naples where news reached him that the Pope had given him Pardon. He was arrested again, however, and then released before being able to get on a ship to return home. The ship already held all of his belongings. He was then struck by a fever, and he died before ever making it home to Rome.

art

Cena in Emmaus

art

Giuditta E Oloferne, 1599

art

The Entombment

There are no known existing drawings by Caravaggio since he worked directly on the canvas. The fact that his studio was dimly lit is evident in his work. His works usually focus attention on isolated, illuminated figures. Virtually all of his creations have dark backgrounds penetrated by a specific light source that points toward the focal point of the scene.

Although he died at the young age of 39, his impact on the art world was profound. His idea that reality was of central importance paved the way for other artist to follow in his footsteps.

Caravaggio Discoveries

A painting sold at auction for about $100,000 in 2001 could be worth millions after experts authenticated it as a work by Italian master Caravaggio.

Apollo the Luteplayer had been sold at Sotheby’s in New York in 2001, where the catalogue listed it as the possible work of 17th Century artist Carlo Magnone.

It was thought to be a copy of a Caravaggio painting that hangs in the Metropolitan Museum of Art in New York, and a similar version of the same painting in Russia’s Hermitage Museum.

art

Caravaggio discovery, Apollo the Luteplayer

But a 17th Century description of a Caravaggio painting by biographer Giovanni Baglione corresponds exactly with Apollo the Luteplayer.

After it was cleaned and x-rays were taken, changes and corrections became visible and they suggest it is an original rather than a copy.

Various adjustments, such as to the profile of the boy’s hands, had been made and there were incisions that are characteristic of Caravaggio.

This would not have been done if it was a copy.

It is now believed that the painting is an original, with the Hermitage piece being a second original.

Sir Denis Mahon who is an expert on 16th and 17th century Italian art originally said the painting was not by Caravaggio, but changed his mind after it was cleaned.

Caravaggio painting, The Martyrdom of Saint Matthew, 1599-1600, 23 x 343 cm, Contraelli Chapel, San Luigi dl Francesi, Rome

Caravaggio, The Martyrdom of Saint Matthew, 1599-1600, 23 x 343 cm, Contraelli Chapel, San Luigi dl Francesi, Rome

Caravaggio painting, The Sacrifice of Isaac, ca. 1603, oil on canvas, 104 x 135 cm, Galleria degli Uffizi, Florence

Caravaggio, The Sacrifice of Isaac, ca. 1603, oil on canvas, 104 x 135 cm, Galleria degli Uffizi, Florence

Caravaggio painting, Caravaggio, The Crucifixion of Saint Andrew

Caravaggio, The Crucifixion of Saint Andrew, ca. 1607, oil on canvas, 202.5 x 152.7 c, The Cleveland Museum of Art

Caravaggio painting, Carvaggio, Judith and Holofernes

Caravaggio, Judith and Holofernes, ca. 1599, oil on canvas, 145 x 195 cm, Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome

Caravaggio painting, Cerasi Chapel, view from front of Cerasi Chapel, Santa Maria del Popolo, Rome

Caravaggio, Cerasi Chapel, view from front of Cerasi Chapel, Santa Maria del Popolo, Rome

Caravaggio painting, Conversion of Saint Paul, 1601

Caravaggio, Conversion of Saint Paul, 1601, oil on canas, 230 x 175 cm, Cerasi Chapel, Santa Maria del Popolo, Rome

Caravaggio painting, Caravaggio, Crucifixion of Saint Peter, 1601

Caravaggio, Crucifixion of Saint Peter, 1601, oil on canvas, 230 x 175 cm, Cerasi Chapel, Santa Maria del Popolo, Rome

Caravaggio painting, Supper at Emmaus, 1601

Caravaggio, Supper at Emmaus, 1601, oil and egg on canvas, 141 x 196.2 cm, National Gallery, London

Caravaggio painting, The Rest on the Flight to Egypt, ca. 1596-97

Caravaggio, The Rest on the Flight to Egypt, ca. 1596-97, oil on canvas, 135.5 x 166.5 cm, Galleria Doria Pamphilj, Rome

Caravaggio painting, Caravaggio, The Musicians, ca. 1595-96

Caravaggio, The Musicians, ca. 1595-96, oil on canvas, The Metropolitan Museum of Art, New York

Caravaggio painting, The Fortune Teller

Caravaggio, The Fortune Teller, ca. 1594-95, oil on canvas, 115 x 150 cm, Musei Capitolini, Pinacotheca, Rome

Carvaggio, The Cardsharps ca. 1594-95

Carvaggio, The Cardsharps ca. 1594-95, oil on canvas, 94.2 x 130.9 cm, Kimbell Art Museum, Fort Worth

Caravaggio, Eros Triumphant

Caravaggio, Eros Triumphant, 1601-2, oil on canvas, 156 x 113 cm, Staatliche Museen zu Berlin, Gemaldegalerie

Caravaggio, Head of Medusa

Caravaggio, Head of Medusa, 1596-97, oil on canvas, stretched over a shield of poplar, 55 cm in diameter, Galleria degli Uffizi, Florence

Caravaggio, Death of the Virgin

Caravaggio, Death of the Virgin, 1601-2, oil on canvas, 369 x 245 cm, Musee du Louvre, Paris

Still wondering about an Italian painting in your family collection? Contact us…it could be by (Michelangelo Merisi) Caravaggio.


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1354--foujita.php Tsuguharu Foujita Artwork Authentication & Art Appraisal

Tsuguharu Foujita (1886-1962)

Get a Foujita Certificate of Authenticity for your painting (COA) for your Foujita drawing.

For all your Foujita artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Foujita Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Foujita painting or drawing.

If you want to sell your Foujita painting or drawing use our selling services. We offer Foujita selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Foujita and issuing certificates of authenticity since 2002. We are recognized Foujita experts and Foujita certified appraisers. We issue COAs and appraisals for all Foujita artworks.

Our Foujita paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Foujita certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Foujita painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Foujita paintings or drawings take longer.

Our clients include Foujita collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Tsuguharu Foujita art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Tsuguharu Foujita or we will sell it for you.

Café

Café
Foujita Tsuguharu (Leonard) was born in Edogawa, Tokyo. He received full formal training at the Imperial School of Fine Arts. Success came quickly for Foujita, and he was commissioned to paint a portrait of the Emperor of Korea, and subsequently, the Japanese Emperor bought one of his pictures. In 1913 at the age of 27 he traveled to Paris, immediately making the acquaintance of the leading painters of the day. Several artists became his close friends, sharing models, lovers, and the tribulations of impecunious artists in the metropolis, among them, his friends included Picasso, Soutine, Rivera and Cocteau and many others such as the Sculptor Ossip Zadkine. He struck up a particularly close friendship with the famous Italian artist Modigliani.

Portrait de Femme

Portrait de Femme

Portrait of a Young Woman in Profile

Portrait of a Young Woman in Profile

Girl with a Hat

Girl with a Hat

Japan in WWI was an ally of France and Belgium, and Foujita’s loyalty and sociability endeared him to the establishment as much as the avant-garde. In the 1920’s he was awarded state honors by both France and Belgium. In fact, he was far more popular than many of the luminaries of Paris who are now far better known. Foujita was also commercially more successful in the 1920’s than most of his contemporaries. He was to most people a loveable eccentric; exotic, but unthreatening. His name in Japanese means ‘field of Wisteria and Peace’, yet, the life he led was certainly not quiet and peaceful. In fact he was one of the more eccentric artists of the time in Paris. His hair was cut in the style of an Egyptian statue; he wore earrings, dressed in tunics and had a tattoo around his wrist. He even wore a lampshade sometimes rather than a hat!

Self-Portrait

Self-Portrait

Self-Portrait sketch

Self-Portrait sketch
The enormous influence of Meiji Japan on late 19th century Europe continued right through to the 1930’s, wrecked only by the rise of Japanese fascism and of course WWII. Foujita blended traditional Japanese art with European Modernism in a unique manner, especially in his works on paper. He is best known for his nudes and cats, and he was in fact was an accomplished landscapist, poster artist and muralist as well.

Normandie

Normandie

Poster

Poster

In 1931 he headed for Latin America, where he spent the next six years. Enormously popular there, he was one of their first art superstars. Ever open to new influences, his work in this period takes on something of the palette and style of Mexican artists such as Diego Rivera, which no doubt endeared him further to the Latin Americans. In 1937 he returned to Japan where he was again acclaimed, not least as a European success story: local boy matches the metropolitan greats. By 1939 he was back in Europe. Later, his war art showed compassion for the suffering Japanese as they were crushed by the advancing allies. He was criticized both for being too patriotic and not patriotic enough. Disillusioned, he never visited Japan again after 1950. Foujita became a naturalized Frenchman in 1955 and converted to Catholicism in 1959.

Little Cavalier

Little Cavalier

In the Kitchen

In the Kitchen

Portrait of a Girl

Portrait of a Girl

Today, Foujita is seen as somewhat as a lightweight, decorative artist, though his popularity in France itself has not waned. Straddling two worlds, Foujita was in fact remarkably inventive, not merely in matters of style but also technique. He experimented with watercolor, inventing a unique blend of crushed oyster shell and color to produce the milky skin tones for which he is still famous today. Stylistically, he amalgamated Japanese calligraphic and ukiyo-e techniques with European Modernism, flattening or eliminating perspective while maintaining a silky sinuous line. Foujita is probably overdue for reevaluation, and in any case he would not regard the label “decorative” as derogatory.

Nude with Cat

Nude with Cat

The evolution of Foujita’s cats can be seen below. The very traditional Japanese/Chinese approach is evident throughout, although later versions are more sparing and linear and hence appear more European. For instance the 1934 version is almost devoid of Western influence, whereas the 1947 example is far closer to European realism. The point is that there is a drift from East to West through his career, but he is a master of both and can switch at will. In 1955 he became a French Citizen and in 1959 he converted to Catholicism and changed his name to Leonard Foujita. At the age of 80 he was honored to be asked to paint part of the chapel of Notre Dame de la Paix at Reims.

Pereceando

Pereceando

Cat

Cat

Cats

Cats

The amount of work that he produced throughout his life is prolific, yet, there are not many substantial museum collections in existence, with the exception of collections in museums in his native land, Japan. This means that there must be an enormous number of paintings by Foujita in private collections. In 1998 a couple took a painting to the Antiques Road Show (a television program where members bring possessions such as paintings and china for appraisal by experts). The couple gasped when they were told that their small painting of cats was a Foujita and was worth in the region of $85,000. In 1990 a painting by Foujita titled ‘The Young Girl in the Park’ sold for $5.5 million at Christies in New York.

art

Girl in a Field

Many of Foujita’s paintings of cats and young woman are very simple in nature, but do not be deceived by the simplicity, for they could be worth a lot of money. The next time you are tempted to throw away the painting of a cat which is in your attic or which you may have inherited, take a second look at the signature…it could be a Foujita!


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1355--jarvis.php John Wesley Jarvis Artwork Authentication & Art Appraisal

John Wesley Jarvis (1781-1839)

Get a Jarvis Certificate of Authenticity for your painting (COA) for your Jarvis drawing.

For all your Jarvis artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Jarvis Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Jarvis painting or drawing.

If you want to sell your Jarvis painting or drawing use our selling services. We offer Jarvis selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Jarvis and issuing certificates of authenticity since 2002. We are recognized Jarvis experts and Jarvis certified appraisers. We issue COAs and appraisals for all Jarvis artworks.

Our Jarvis paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Jarvis certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Jarvis painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Jarvis paintings or drawings take longer.

Our clients include Jarvis collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John Wesley Jarvis art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Wesley Jarvis or we will sell it for you.

Black Hawk and Whirling Thunder 1833

Black Hawk and Whirling Thunder 1833

John Wesley Jarvis was an early American artist, and is considered by art historians to be one of the finest portrait painters of his time. Jarvis was born in South Shields, England, but came to the United States as a young boy and was the nephew of Methodist founder John Wesley. He grew up in Philadelphia but lived all over the United States from New York to Louisiana. Jarvis received his first artistic training from Edward Savage who taught him sign painting and engraving.

Solomon Isaacs

Solomon Isaacs

Portrait of Mrs. Taylor

Portrait of Mrs. Taylor

Although he had little instruction in academic painting, Jarvis began to take up portrait painting and found great success in it. He set up his first studio with fellow painter Joseph Wood in Maryland. While working alongside Wood, Jarvis painted miniatures and profiles.

Miniature Portrait of a Man

Miniature Portrait of a Man

He had many apprentices; among them was Henry Inman who was said to have painted the backgrounds on a number of his paintings. Although Jarvis mainly resided and worked in Maryland and New York, he traveled widely throughout the United States, even as far south as New Orleans where he often spent his winters.

Portrait of a Man

Portrait of a Man

Portrait of a woman

Portrait of a woman

Philip Hone

Philip Hone

Among Jarvis’s portraits were the usual wealthy socialites as well as important figureheads from The War of 1812. Most of his portraits were executed in either New York or the southern states, though it is certain that he painted portraits wherever he may have traveled. One of his most famous portraits of General Andrew Jackson was executed in New Orleans.

Andrew Jackson

Andrew Jackson

He was also close friends with Washington Irving, whom he painted as well. Jarvis is hailed for his great and lifelike depiction of his sitters and is said to have been one of the first American portrait painters to study anatomy and teach himself to so affectively paint.

Jacob Houseman

Jacob Houseman

Alexander Anderson

Alexander Anderson

Mrs. William Palfrey

Mrs. William Palfrey

Jarvis was said to have been an eccentric, and historians say that he indulged in a strange lifestyle. Eventually, his work began to deteriorate and although in the height of his day he was very successful, it is said that Jarvis died in poverty.

James Fenimore Cooper 1822

James Fenimore Cooper 1822

Commodore Oliver Hazard Perry

Commodore Oliver Hazard Perry

Augustus Washington Clason

Augustus Washington Clason

Today, Jarvis’s paintings are housed all over the United States in public and private collections such as the New York Historical Society and the New York City Hall. Still wondering about a family heirloom portrait hanging in your estate? Contact us…it could be by John Wesley Jarvis.


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1356--cajes.php Eugenio Cajés Artwork Authentication & Art Appraisal

Eugenio Cajés Also known as Eugenio Cascese, Caxiesi, Cagés, Caxés (1575-1634)

Get a Cajés Certificate of Authenticity for your painting (COA) for your Cajés drawing.

For all your Cajés artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cajés Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cajés painting or drawing.

If you want to sell your Cajés painting or drawing use our selling services. We offer Cajés selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cajés and issuing certificates of authenticity since 2002. We are recognized Cajés experts and Cajés certified appraisers. We issue COAs and appraisals for all Cajés artworks.

Our Cajés paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cajés certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cajés painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cajés paintings or drawings take longer.

Our clients include Cajés collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Eugenio Cajés art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Eugenio Cajés or we will sell it for you.

Eugenio Cajés was a Spanish, Mannerist painter. Cajés was exposed to his painting at an early age from his father, who was also a painter and architect. Cajés father was known as Patricio Cascese or Caxés. Cajés father worked alongside the well-known painter, Jusepe Martínez.

Cajés, Commander Turned to the Right

Commander Turned to the Right

Cajés, Lope de Vega

Lope de Vega

Cajés, Adoration of the Magi, 1516

Adoration of the Magi, 1516

With so many connections to painting, Cajés quickly gained recognition for his own work. By 1602, Cajés began his career as a court painter and completed one of his masterpieces, Abrazo de San Joaquín and San Ana, which is now in the Academia de San Fernando in Madrid.

Cajés, The Story of Leda

The Story of Leda

Cajés, Saint Julian of Cuenca, 1600

Saint Julian of Cuenca, 1600

Cajés, Saint Jeronimo and Saint Pablo

Saint Jeronimo and Saint Pablo

By 1603, Cajés was painting for King Felipe III and completing various frescoes in the Palacio de El Pardo. By 1612, Cajés was confirmed as a painter of the court.

Cajés collaborated with other artists of the time, including Vincente Carducho in completing frescoes in the Cathedral of Toledo. The two artists worked together from 1615 to 1616, learning from each others techniques.

Though Cajés spent some time in Toledo, he worked in Madrid for most of his life, executing religious and monarchial works. Around 1618 Cajés met another well-known painter, Juan Pantoja de la Cruz.

Cajés continued to receive commissions through the 1630s, including two masterpieces for the Palacio del Buen Retiro.

Cajés pupils included Luis Fernandez and Antonio de Puga. Cajés taught and practiced a method of painting influenced by Italian Naturalism and the Renaissance painters. Cajés style of painting is also reminiscent of Correggio, who is an iconic tenebrist, or painter using dramatic lighting.

Cajés paintings are now in major collections in Madrid among numerous other international collections. Do you think you own a painting by Eugenio Cajés? Contact us. We are the experts on Eugenio Cajés.


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1357--altmutter.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "altmutter" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "altmutter" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1358--rauschenberg.php Robert Rauschenberg Artwork Authentication & Art Appraisal

Robert Rauschenberg 1925-2008

If you think you may own a work by Rauschenberg ?

Get a Rauschenberg Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Rauschenberg artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Rauschenberg Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rauschenberg painting, drawing or print.

If you want to sell your Rauschenberg painting, drawing or print use our selling services. We offer Rauschenberg selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rauschenberg and issuing certificates of authenticity since 2002. We are recognized Rauschenberg experts and Rauschenberg certified appraisers. We issue COAs and appraisals for all Rauschenberg artworks.

Our Rauschenberg paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rauschenberg certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rauschenberg painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rauschenberg paintings or drawings take longer.

Our clients include Rauschenberg collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Robert Rauschenberg art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Robert Rauschenberg or we will sell it for you.

Pedro Figari, El Patio

Cardboard Door, 1971, National Gallery of Art, Washington, DC

Rauschenberg was born in Texas and originally studied pharmacy in college. After serving in World War II, he studied art at the Black Mountain College in North Carolina under Josef Albers (from 1948-49). He also studied at the Art Students League in New York City. Betty Parsons Gallery in New York sponsored his first one-man exhibit in 1951.

Pedro Figari, Pericón entre Ombúes

Untited (Red painting) 1953; oil, fabric, and newspaper on canvas with wood; 79 x 33 1/3 inches; Solomon R. Guggenheim Museum, New York City.

In the early 1950s, he traveled to North Africa, Italy and Spain. At this time, he started to combine the techniques of the Action Painters, using found objects. These he termed combine paintings, others labeled them Neo-Dada. He wanted them to dramatize the quotidian in a spontaneous manner. He hoped the unstudied use of color would act as an opposition to rational, linear thinking.

Rauschenberg designed stage sets for the avant-garde choreographers John Cage and Merce Cunningham in the late 1950s and early 1960s. In the mid-1960s, he formed the EAT group. EAT was motivated by a desire to combine cutting edge technology with art.

Pedro Figari, Cambacua

Untitled, 1963, oil, silkscreened ink, metal, and plastic on canvas, 82 x 48 x 6 ¼ inches; Solomon R. Guggenheim Museum, New York City.

Also in the 1960s, Rauschenberg met Andy Warhol and was enthralled by his use of silk-screen and other original reproductive techniques. Rauschenberg claimed that his critically-acclaimed Stoned Moon (1969) series was an homage to the excitement of the Apollo 11 Space Program.

Pedro Figari, Toque de oracion, 1925

Booster from the series Booster and 7 Studies (1967); lithograph and screenprint, composition, 71 ½ x 25 1/8 inches; Museum of Modern Art, New York City

In the 1980s and 1990s he continued to use innovative techniques, but he had moved from New York City to Captiva Island, Florida. He taught at local colleges and inspired many contemporary young artists.

Pedro Figari, Toque de oracion, 1925

Copperhead Grande/ROCI CHILE (1985), National Gallery of Art, Washington, DC.

We would be delighted to assist you in determining the authenticity, value, and marketability of any work of art you own by Robert Rauschenberg. Please contact us at info@artexpertswebsite.com for more information.


done
1359--martinoski.php Nikola Martinoski Artwork Authentication & Art Appraisal

Nikola Martinoski (1903-1973)

Do you think you may own a painting by Nikola Martinoski?

Get a Martinoski Certificate of Authenticity for your painting (COA) for your Martinoski drawing.

For all your Martinoski artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Martinoski Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Martinoski painting or drawing.

If you want to sell your Martinoski painting or drawing use our selling services. We offer Martinoski selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Martinoski and issuing certificates of authenticity since 2002. We are recognized Martinoski experts and Martinoski certified appraisers. We issue COAs and appraisals for all Martinoski artworks.

Our Martinoski paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Martinoski certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Martinoski painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Martinoski paintings or drawings take longer.

Our clients include Martinoski collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Nikola Martinoski art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Nikola Martinoski or we will sell it for you.

1. Bride. 1937. Oil painting.

1. Bride. 1937. Oil painting.

2. Breastfeeding. 1955. Oil painting.

2. Breastfeeding. 1955. Oil painting.

Nikola Martinoski was a Macedonian painter, often referred to as the founder of contemporary Macedonian art. Martinoski was born in Kurusova to an Aromanian family. He showed an interest in painting at an early age and began training in the workshop of Dimitar Andonov-Papradinski. In the 1920s he enrolled at the Bucharest National University of Arts, followed by the Académie de la Grande Chaumière in Paris.

3. Doilja / Wet Nurse. 1935-35. Oil on Canvas.

3. Doilja / Wet Nurse. 1935-35. Oil on Canvas.

In 1929, Martinoski returned to Macedonia, settling in the capital city of Skopje. He began exhibiting both locally and in the cities of Belgrade, Zagreb and Paris. He also helped establish the National Gallery of Macedonia.

4. Maid. 1935. Oil on board.

4. Maid. 1935. Oil on board.

Before Matinoski’s death he gifted sixty-nine paintings to the town of Kruševo, which is now home to a gallery dedicated to his work. Many of his paintings depict wet nurses, maids or gypsies. Rather than drab depictions, they are vibrant and colorful portraits with expressive brushwork.

Two Gypsy Girls. 1969. Oil on Glass

Two Gypsy Girls. 1969. Oil on Glass

If you think you may own original artwork by Nikola Martinoski, contact Art Certification Experts for information regarding our services.


done
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done
1361--cotan.php Juan Sánchez Cotan Artwork Authentication & Art Appraisal

Juan Sánchez Cotán (1560-1627)

Get a Cotán Certificate of Authenticity for your painting (COA) for your Cotán drawing.

For all your Cotán artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cotán Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cotán painting or drawing.

If you want to sell your Cotán painting or drawing use our selling services. We offer Cotán selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cotán and issuing certificates of authenticity since 2002. We are recognized Cotán experts and Cotán certified appraisers. We issue COAs and appraisals for all Cotán artworks.

Our Cotán paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cotán certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cotán painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cotán paintings or drawings take longer.

Our clients include Cotán collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Juan Sánchez Cotan art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Juan Sánchez Cotan or we will sell it for you.

Juan Sánchez Cotan was a Spanish painter during the Baroque period. Cotan is known for hyper-realistic still lifes, also referred to as ‘bodegon’. Cotan’s life began in the village of Orgaz, in the vicinity of Toledo, Spain. Cotan was an acquaintance of Blas de Prado, also known for his realistic still life paintings.

Cotan , Quince, Cabbage, Melon and Cucumber, 1602

Quince, Cabbage, Melon and Cucumber, 1602

Cotan , Barbuda Penaranda, 1590

Barbuda Penaranda, 1590

Cotan spent many of his adult years work as an altarpiece artisan in Toledo. Cotan worked for the Spanish aristocracy, painting various religious pieces for the church. Cotan gained experience with portraits, genre paintings and religious iconography.

Cotan , Johannes of Patmos

Johannes of Patmos

Cotan shut down his Toledo workshop in 1603 to enter the Carthusian monastery, Santa Maria de El Paular. While religion and mysticism became the main focus of Cotan’s life, he continued to make religious paintings.

In 1612 Cotan relocated to the Granada Charterhouse, and soon decided to enter the Carthusian monastery of Granada. Cotan’s ambition was to become a monk. Many of his paintings in Granada depicted the prosecution of monks by English Protestants.

Though Cotan spent many years making religious paintings, they never received acknowledgment or praise in comparison to his still life paintings. Cotan’s still life paintings are few in number, and rare to encounter. The still lifes are considered to be part of the golden age of painting in Spain, and some of the first examples of ‘Tenebrism’ (dramatic lighting). Cotan would paint extremely dark backgrounds with illuminated fruits and vegetables as well as fish and fowl.

Cotan , Still Life (Bodegón)

Still Life (Bodegón)

Cotan , Still Life (Bodegón)

Still Life (Bodegón)

Cotan , Still Life (Bodegón)

Still Life (Bodegón)

Cotan’s style of still-life painting became a model for other Spanish artists, who referred to the still lifes as ‘bodegon’ (containing mostly vegetables). The focus on painting vegetables may be related to the Carthusian, vegetarian diet.

Cotan , Still Life (Bodegón)

Still Life with Game Fowl, Vegetables, Fruits, 1602

Many of Cotan’s paintings now belong to Prado collection in Madrid, as well as major international collections. Cotan’s paintings changed the course of still life painting in Spain and throughout Europe. Do you think you own a painting by Juan Sánchez Cotan? Contact us. We are the Juan Sánchez Cotan experts.


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1362--barradas.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "barradas" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "barradas" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1363--nourse.php Elizabeth Nourse Artwork Authentication & Art Appraisal

Elizabeth Nourse (1859-1938)

Get a Nourse Certificate of Authenticity for your painting (COA) for your Nourse drawing.

For all your Nourse artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Nourse Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Nourse painting or drawing.

If you want to sell your Nourse painting or drawing use our selling services. We offer Nourse selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Nourse and issuing certificates of authenticity since 2002. We are recognized Nourse experts and Nourse certified appraisers. We issue COAs and appraisals for all Nourse artworks.

Our Nourse paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Nourse certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Nourse painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Nourse paintings or drawings take longer.

Our clients include Nourse collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Elizabeth Nourse art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Elizabeth Nourse or we will sell it for you.

Nourse, View Of Luxembourg Gardens, Paris

View Of Luxembourg Gardens, Paris

Nourse, The Mosque Tunis, 1897

The Mosque, Tunis, 1897

Elizabeth Nourse was an American portrait and landscape painter born in Cincinnati, Ohio. Nourse and her twin sister were born to a Catholic family with ten elder siblings. As a young teenager, Nourse began her studies at the McMicken School of Design and was among a small number of women allowed to take the life drawing classes. Nourse excelled at school and studied for seven years, developing skills in drawing, sculpture and painting. She was later offered a teaching position at McMicken, which she chose not to accept.

Nourse, In the Church of Volendam

In the Church of Volendam

After Nourse’s parents died in 1882, she decided to relocate to New York, where opportunities seemed to beckon. Nourse was funded by an art patron and took courses at the Art Students League in New York City. After merely a year in the city, Nourse returned to Cincinnati to pick up work as a home decorator and portrait painter. Nourse was able to spend a couple of summers the following year making watercolor paintings in the Appalachian Mountains of Tennessee.

Nourse, Mother and Child

Mother and Child

By 1887, Nourse decided to leave Cincinnati again, travelling to Europe to study at the Académie Julian in Paris. She studied under master painters Gustave Boulanger and Jules Lefebvre. Nourse enjoyed life in Paris, and after finishing her studies, she set up her own studio. In 1888, Nourse’s work began to be shown after a pivotal exhibition at the Societé Nationale des Artistes Francais, and she made yet another breakthrough for female artists, becoming the second woman to be instated as a member of the society. Nourse won several awards in Europe for her work and also exhibited throughout the United States in cities as diverse as Chicago, Nashville, Saint Louis, and San Francisco.

Nourse, The Sewing Lesson

The Sewing Lesson

Nourse, Fisher-girl of Picardy

Fisher-girl of Picardy

Nourse, Breton Interior

Breton Interior

Nourse commonly painted portraits of peasant women in rural areas of France and would travel outside of Paris to capture images of life in the country. Many of her subjects were Breton mothers holding young babies and children, but she also painted women of diverse races and occupations. Nourse became a national celebrity in the art scene, featured by the Pennsylvania Academy of the Fine Arts, the Art Institute of Chicago, the Corcoran Gallery of Art, and in her birthplace, at the Cincinnati Art Museum. Nourse’s paintings were also well-represented in France, making their way into the collection of the French government at the Musée du Luxembourg.

Nourse, Happy Days

Happy Days

Nourse, Head of a Girl, 1882

Head of a Girl, 1882

Nourse, Study

Study

Unfortunately, Nourse fell ill in 1920, when she was diagnosed with breast cancer but was able to battle her cancer until her death in 1938.

Nourse is among the ranks of Mary Cassatt and Cecilia Beaux in creating new standards and possibilities for women artists. Nourse was one of the few women painters of her time to receive international recognition. Her paintings are currently in major museums and private collections around the world. Do you think you own a painting by Elizabeth Nourse? Contact us. We are the experts on Elizabeth Nourse.


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1364--munch.php Edvard Munch Artwork Authentication & Art Appraisal

Edvard Munch (1863-1944)

Get a Munch Certificate of Authenticity for your painting or a COA for your Munch drawing, print or sculpture.

For all your Munch artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Munch Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Munch painting, drawing, print or sculpture.

If you want to sell your Munch painting, drawing, print or sculpture use our selling services. We offer Munch selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Munch and issuing certificates of authenticity since 2002. We are recognized Munch experts and Munch certified appraisers. We issue COAs and appraisals for all Munch artworks.

Our Munch paintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Munch certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Munch painting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Munch paintings, drawings or sculptures take longer.

Our clients include Munch collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Edvard Munch art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Edvard Munch or we will sell it for you.

art

Self-Portrait with a Bottle of Wine 1906

Edvard Munchwas a Norwegian Symbolist painter, printmaker, and an important forerunner of Expressionistic art. The Scream (1893; similar paintings include “Despair” and “Anxiety”), Munch’s best-known painting, is one of the pieces in a series titled The Frieze of Life, in which Munch explored the themes of life, love, fear, death, and melancholy. As with many of his works, he painted several versions of it.

art

The Scream

The Frieze of Life themes recur throughout Munch’s work, in paintings such as The Sick Child (1886, portrait of his deceased sister Sophie), Love and Pain (1893-94) though more commonly known as “Vampire.” Art critic Stanislaw Przybyszewski mistakenly interpreted the image as being vampiric in theme and content, and the description has since stuck, Ashes (1894), and The Bridge. The latter shows limp figures with featureless or hidden faces, over which loom the threatening shapes of heavy trees and brooding houses. Munch portrayed women either as frail, innocent sufferers (See “Puberty” and “Love and Pain”) or as the cause of great longing, jealousy and despair (See “Separation”, “Jealousy” and “Ashes”).

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Love and Pain 1893/1894

Some say these paintings reflect the artist’s sexual anxieties, though it could also be argued that they are a better representation of his turbulent relationship with love itself. Edvard Munch was born in Ådalsbruk, Norway, and grew up in Kristiania (now Oslo). He was related to painter Jacob Munch (1776-1839) and historian Peter Andreas Munch (1810-1863). He lost his mother, Laura Cathrine Munch, née Bjølstad, to tuberculosis in 1868, and his older and favorite sister Sophie (Johanne Sophie b. 1862) to the same disease in 1877. Ultimately his father, Christian Munch, died young, as well, in 1889. Munch also had a brother, (Peter) Andreas (b. 1865) and two younger sisters (Laura Cathrine b. 1867, Inger Marie b. 1868). After their mother’s death, the Munch siblings were raised by their father, who instilled in his children a deep-rooted fear by repeatedly telling them that if they sinned in any way, they would be doomed to hell without chance of pardon. One of Munch’s younger sisters was diagnosed with mental illness at an early age. Munch himself was also often ill. Of the five siblings only Andreas married, but he died a few months after the wedding. He would later say, “Sickness, insanity and death were the angels that surrounded my cradle and they have followed me throughout my life.”

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Death in the Sickroom 1895

In 1879, Munch enrolled in a technical college to study engineering, but frequent illnesses interrupted his studies. In 1880, he left the college to become a painter. In 1881, he enrolled at the Royal School of Art and Design of Kristiania. His teachers were sculptor Julius Middelthun and naturalistic painter Christian Krohg. While stylistically influenced by the postimpressionists, Munch’s subject matter is symbolist in content, depicting a state of mind rather than an external reality. Munch maintained that the impressionist idiom did not suit his art. Interested in portraying not a random slice of reality, but situations brimming with emotional content and expressive energy, Munch carefully calculated his compositions to create a tense atmosphere.

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The Sick Child 1907

Munch’s means of expression evolved throughout his life. In the 1880s, Munch’s idiom was both naturalistic, as seen in Portrait of Hans Jæger, and impressionistic, as in (Rue Lafayette). In 1892, Munch formulated his characteristic, and original, Synthetist aesthetic, as seen in Melancholy, in which color is the symbol-laden element. Painted in 1893, The Scream is his most famous work.

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Portrait of Hans Jaeger 1889

During the 1890s, Munch favoured a shallow pictorial space, a minimal backdrop for his frontal figures. Since poses were chosen to produce the most convincing images of states of mind and psychological conditions (Ashes), the figures impart a monumental, static quality. Munch’s figures appear to play roles on a theatre stage (Death in the Sick-Room), whose pantomime of fixed postures signify various emotions; since each character embodies a single psychological dimension, as in The Scream, Munch’s men and women appear more symbolic than realistic.

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Ashes 1894

In 1892, the Union of Berlin Artists invited Munch to exhibit at its November exhibition. His paintings evoked bitter controversy, and after one week the exhibition closed. In Berlin, Munch involved himself in an international circle of writers, artists and critics, including the Swedish dramatist August Strindberg. While in Berlin at the turn of the century, Munch experimented with a variety of new media (photography, lithography, and woodcuts), in many instances re-working his older imagery. One of his great supporters in Berlin was Walter Rathenau, later the German foreign minister, who greatly contributed to his success.

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Separation 1896

In the autumn of 1908, Munch’s anxiety became acute and he entered the clinic of Dr. Daniel Jacobsen. The therapy Munch received in hospital changed his personality, and after returning to Norway in 1909 he showed more interest in nature subjects, and his work became more colorful and less pessimistic. In the 1930s and 1940s, the National Socialists labeled his work “degenerate art”, and removed his work from German museums. This deeply hurt Munch, who had come to feel Germany was his second homeland.

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The Kiss

Munch built himself a studio and simple house at Ekly estate, at Skøyen, Oslo, and spent the last decades of his life there. He died there on January 23, 1944, about a month after his 80th birthday. He left 1,000 paintings, 15,400 prints, 4,500 drawings and watercolors, and six sculptures to the city of Oslo, which built the Munch Museum at Tøyen. The museum houses the broadest collection of his works. His works are also represented in major museums and galleries in Norway and abroad. Munch appears on the Norwegian 1,000 Kroner note along with pictures inspired by his artwork.

“From my rotting body, flowers shall grow and I am in them and that is eternity.” —Edvard Munch

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Madonna

Munch Discovery

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The Bremen Kunsthalle art museum on Friday put on display a previously unknown painting by Norwegian master Edvard Munch, depicting a naked girl appearing to be threatened by a vision of the faces of three men.

Museum director Wulf Herzogenrath said the painting could be interpreted as depicting the fears of a girl in her puberty about the male sex.

The Kunsthalle titled the painting ‘Girl and Three Men’s Heads’. Three men’s faces appear to be dancing like masks in front of a shy and withdrawn girl sitting naked on a chair.

Herzogenrath spoke of the “sensational find” in describing how the painting was discovered while restoration work was being done on the Munch painting ‘The Dead Mother’.

Restorers happened to discover the second canvas beneath ‘The Dead Mother’ canvas. The museum commissioned Art Certification Experts and historians to examine it, with their verdict being that the painting was also by Munch (1863-1944).

The symbolist-style painting, measuring 90 by 100 centimeters, is estimated by Art Certification Experts to date to around 1898.

“The work is a wonderful new picture for humankind,” Herzogenrath said, while recalling the theft of two Munch paintings at the Oslo art museum, including the famous ‘The Scream’, in August 2004.

“Humankind has lost two Munch pictures…and now humankind has gained a new painting thanks to academic research,” he said.

Bremer Kunsthalle art historian Barbara Nierhoff said there was no doubt about the authenticity of the painting being by Munch, as both the subject matter and style of the discovered painting fit into the painter’s oeuvre. Among others, there was the painting ‘Puberty’ from 1893 showing a naked girl being threatened by a shadowy figure.

Still wondering about a late 19th or early 20th century Norwegian painting in your family collection? Contact us…it could be by Edvard Munch.


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1365--von-lenbach.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "von-lenbach" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "von-lenbach" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1366--carriera.php Rosalba Carriera Artwork Authentication & Art Appraisal

Rosalba Carriera (1675-1757)

Get a Carriera Certificate of Authenticity for your painting (COA) for your Carriera drawing.

For all your Carriera artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Carriera Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Carriera painting or drawing.

If you want to sell your Carriera painting or drawing use our selling services. We offer Carriera selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Carriera and issuing certificates of authenticity since 2002. We are recognized Carriera experts and Carriera certified appraisers. We issue COAs and appraisals for all Carriera artworks.

Our Carriera paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Carriera certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Carriera painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Carriera paintings or drawings take longer.

Our clients include Carriera collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Rosalba Carriera art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Rosalba Carriera or we will sell it for you.

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Self-Portrait

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Portrait of a Young Lady

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Cardinal Melchior de Polignac

Rosalba Carriera was an 18th century Italian Roco painter. She was born and died in Venice and was sucessful in an era when there were few other female painters. She worked mainly in pastels and was very popular in Venice, and also among the British tourists, Her miniatures on ivory and beautifully painted snuff boxes were in great demand, so much, that she was eventually requested by many members of nobility in Europe to paint their portraits.

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Young Woman with a Parrot

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Portrait of a Woman

Some of her nude paintings were also found with great success, despite their somewhat explicit sexual nature. She went blind toward the end of her life, and as a rseult, suffered a mental breakdown.

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Peace and Justice

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Flora

Today Carriera´s paintings are housed all over the world, and perhaps in your own home. Still wondering about a family portrait or intricately painted Italian trinket in your collection? Contact us…it could be by Rosalba Carriera.


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1367--liebermann.php Max Liebermann Artwork Authentication & Art Appraisal

Max Liebermann (1847-1935)

Get a Liebermann Certificate of Authenticity for your painting (COA) for your Liebermann drawing.

For all your Liebermann artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Liebermann Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Liebermann painting or drawing.

If you want to sell your Liebermann painting or drawing use our selling services. We offer Liebermann selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Liebermann and issuing certificates of authenticity since 2002. We are recognized Liebermann experts and Liebermann certified appraisers. We issue COAs and appraisals for all Liebermann artworks.

Our Liebermann paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Liebermann certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Liebermann painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Liebermann paintings or drawings take longer.

Our clients include Liebermann collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Max Liebermann art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Max Liebermann or we will sell it for you.

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Self-Portrait

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The Cobbler's Girl

We appraise, authenticate and offer certificates of authenticity for works by Max Liebermann.

Max Liebermann was a German painter born in Berlin. One of the leaders of the German Impressionist movement, Liebermann painted scenes of country folk and landscapes. Originally a student of law and philosophy, Liebermann eventually went to Weimar to study art in 1869. From there he went to study in Paris in 1872 and in Holland in 1866. He spent some time in Munich, but eventually returned to his hometown of Berlin.

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Girl with Cows

Once back in Berlin, Liebermann made a name for himself as a prominent portrait painter. Some critics have likened his portraiture to the style of Edouard Manet, and his landscapes and bourgeois scenes are true to French Impressionist style. He had a great deal of interest in French Impressionism, and accrued an impressive collection of paintings himself.

Liebermann had a few wealthy patrons during his lifetime, such as the Comte Doria, as well as an influential art dealer. Nonetheless, he died suddenly and in relative poverty in 1892. He typically signed his work "S. Liebermann" and rarely painted anything other than cityscapes and landscapes, though a figure study or still life would be a rare find.

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Merchant

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Biergarten

Although the body of his work is rooted in traditional style, he was a leader in the German avant-garde movement the Berliner Succession. In 1920, he was also appointed president of the Prussian Academy of the Arts. Sadly, the rise of Nazi power forced Liebermann to quit exhibiting there all together and leave this position in 1932, due to the fact that he was Jewish.

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Girl by the Table

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Zwie Reiter am Strand Nach Links, 1910

Liebermann died in 1935 of natural causes, thankfully escaping the ensuing persecution that would have come during World War II. Today his work is housed all over Europe, and perhaps in your own home. Still wondering about an Impressionistic German painting hanging in your home? Contact us, it could be by Max Liebermann.

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Gartenlokal an der Havel, 1933

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1368--cheret.php Jules Cheret Artwork Authentication & Art Appraisal

Jules Cheret (1836-1932)

Get a Cheret Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Cheret artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Cheret Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cheret painting, drawing or print.

If you want to sell your Cheret painting, drawing or print use our selling services. We offer Cheret selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cheret and issuing certificates of authenticity since 2002. We are recognized Cheret experts and Cheret certified appraisers. We issue COAs and appraisals for all Cheret artworks.

Our Cheret paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cheret certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cheret painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cheret paintings or drawings take longer.

Our clients include Cheret collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jules Cheret art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jules Cheret or we will sell it for you.

Jules Cheret was a French lithographer, printmaker and painter. He came from a family of poor artists and at age 13, Cheret had to leave school to become an apprentice to a lithographer. This, of course, sparked his interest in art and he eventually was able to attend the National School of Design in Paris under Boisbaudran. Like so many other poor artists, Cheret also schooled himself by studying the old masters at the Louvre and other museums.

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Le Courrier Francais

Cheret found success early and was able to sell a number of his drawings around Paris. However, this did not completely satisfy the artist, so he left for London looking for different ways to make money as an artist. However, all he found there was a job sketching furniture drawings, so he returned to Paris. During this time, Cheret would also travel to Italy. Upon his return, Cheret was commissioned to create a poster and thus his career as a poster maker began.

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Sketch

As a lithographer, Cheret would be commissioned to make posters for such famous venues as the Moulin Rouge, the Folies Bergeres, and other cabarets, theaters and music halls. He would eventually become a highly sought after advertiser, creating advertisements for household items, liquor and other manufacturers.

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Moulin Rouge

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Moulin Rouge 2

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Folies Bergeres

Cheret’s posters featured the epitome of Parisian elegance of the day, the “belle époque” as they were called. Using only three color litho stones, Cheret manages to capture the beauty and the ambiance of the French bourgeois and bohemian of the day. His style is highly recognizable and symbolizes the ambiance of his era, and typically features beautiful care-free women in primary colors (red, yellow, blue).

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Palais Glace

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Saxoleine

One could say that Cheret was responsible for the boom of poster art popularity among other French artists such as Steinlen and Toulouse-Lautrec. Cheret has been called the father of modern lithography by critics, as well as the father of the poster. He even created a publication in 1895 called the “Maitres de l’Affiche” collection which featured the advertising work of nearly 100 French advertising artists.

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L’Etendard Francais

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La Diaphane

Because of the nature of advertisement, Cheret created an endless amount of work during his lifetime. In fact, by 1900, he had already created over 1,000 posters. His posters are highly collectible items, as well as historical pieces of art. Strangely, Cheret’s work was not viewed by the public until 1912, as his previous work was always sold directly to clients. However, after a large exhibition held at the Louvre, the public was able to see Cheret as more than just a talented lithographer, but as a masterful painter as well.

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Landscape

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Le Pique Nique

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Pantomime

Today, Cheret’s work is housed worldwide, especially in the Charles Cheret museum in Nice, and is a reminder of “belle époque” Paris. While it would be a treasure to own one of his paintings, to own one of his advertisements or posters is highly likely. That beautiful French poster found at an open air market may be an original after all!

If you believe you own a work of art by Jules Cheret, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Jules Cheret.

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Halle Aux Chapeaux

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1369--samuel-cooper.php Samuel Cooper Artwork Authentication & Art Appraisal

Samuel Cooper (1609 – 1672)

We Perform Samuel Cooper art authentication. Samuel Cooper appraisal. Samuel Cooper certificates of authenticity (COA). Samuel Cooper analysis, research, scientific tests, full art authentications. We will help you sell your Samuel Cooper or we will sell it for you.

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Portrait of an Unknown Man 1659

Samuel Cooper was an English miniature painter, and younger brother of Alexander Cooper. This artist is regarded by many as the greatest painter of portrait miniatures who ever lived. He is believed to have been born in London, and was a nephew of John Hoskins, the miniature painter, by whom he was educated. He lived in Henrietta Street, Covent Garden, and frequented the Covent Garden Coffee-House. Samuel Pepys, who makes many references to him, tells us he was an excellent musician, playing well upon the lute, and also a good linguist, speaking with ease. According to other contemporary writers, he was a short, stout man, of a ruddy countenance. He married one Christiana, whose portrait is at Welbeck Abbey, and he had one daughter.

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Unfinished Portrait of Oliver Cromwell

In 1668 he was instructed by Pepys to paint a portrait of Mrs. Pepys, for which he charged £30. He is known to have painted also the portrait of John Aubrey, which was presented in 1691 to the Ashmolean Museum. Evelyn refers to him in 1662, when, on the occasion of the visit that the diarist paid to the king, Cooper was drawing the royal face and head for the new coinage.

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James II, Duke of York 1661

Excellent examples of his work are to be found at Windsor Castle, Belvoir Castle, Montague House, Welbeck Abbey, Ham House, the Rijks Museum at Amsterdam and in the collection of Mr J Pierpont Morgan. His largest miniature is in the possession of the duke of Richmond and Gordon at Goodwood. A piece of the artists handwriting is to be seen at the back of one of his miniatures in the Welbeck Abbey collection, and one of his drawings in black chalk is in the University Gallery at Oxford. His own portrait of himself is in the collection of Mr. J Pierpont Morgan.

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Duchess of Orleans 1665

The date of his death has been handed down by a record in the diary of Mary Beale, the miniature painter; and in some letters from Mr Charles Manners, addressed to Lord Ros, dated 1672, now amongst the duke of Rutland’s papers at Belvoir, the writer refers to Cooper’s serious illness on 4 May 1672, and to his doubt as to whether the artist would ever recover. Mary Beale’s reference to his decease is in the following words: “Sunday, May 5, 1672 Mr. Samuel Cooper, the most famous limner of the world for a face, dyed.”

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Portrait of Inigo Jones

Still wondering about an English painting in your family collection? Contact us…it could be by Samule Cooper.


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1370--giordano.php Luca Giordano Artwork Authentication & Art Appraisal

Luca Giordano (1634 – 1705)

Get a Giordano Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Giordano artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Giordano Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Giordano painting, drawing or print.

If you want to sell your Giordano painting, drawing or print use our selling services. We offer Giordano selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Giordano and issuing certificates of authenticity since 2002. We are recognized Giordano experts and Giordano certified appraisers. We issue COAs and appraisals for all Giordano artworks.

Our Giordano paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Giordano certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Giordano painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Giordano paintings or drawings take longer.

Our clients include Giordano collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Luca Giordano art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Luca Giordano or we will sell it for you.

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Giordano Creation of Man, Fresco

Luca Giordano was an eclectic, peripatetic, and influential Italian late Baroque painter and printmaker in etching. Born in Naples, he was the son of Antonio Giordano, an undistinguished painter. At a precocious age, he was apprenticed to Ribera on the recommendation of the viceroy of Naples. He supposedly later worked under Pietro da Cortona.

He acquired the nickname of Luca Fà-presto (Luke Work-fast). This nickname was apt since he showed an astounding celerity in handled the brush, but it is said to have been given to him by his father, poverty-stricken and greedy of gain, was perpetually urging his boy to exertion with the phrase, “Luca, fà presto”. The youth obeyed his parent to the letter, and would actually not so much as pause to snatch a hasty meal, but received into his mouth, while he still worked on, the food which his father’s hand supplied.

His speed, in design as well as handiwork, and his versatility, which enabled him to imitate other painters deceptively, earned for him two other epithets, “The Thunderbolt” (Fulmine) and “The Proteus” of painting.

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Vertumnus and Pomona

Giordano acquired a style fusing Venetian and Roman styles. He combines the ornamental pomp of Paul Veronese with the lively complex schemes, the “grand manner” of Pietro da Cortona. He was noted also for lively and showy color, and between 1682-83 he painted various fresco series in Florence, including in the dome of Corsini Chapel of the Chiesa del Carmine. In the large block occupied by the former Medici palace, he painted the ceiling of the Biblioteca Riccardiana (Wisdom released from the Slavery of Ignorance) and the long gallery of the Palazzo Medici-Riccardi. The vast frescoes of the latter are contained in the 1670s gallery addition, overlooking the gardens. The planning was overseen by Alessandro Segni and commissioned by Francesco Riccardi. They include the prototypic hagiographic celebration of the Medici family in the center, surrounded by a series of interlocking narratives: allegorical figures (the Cardinal Virtues, the Elements of Nature) and mythological episodes (Neptune and Amphitrita, the Rape of Proserpine, the Triumphal procession of Bacchus, the Death of Adonis, Ceres and Triptolemus).

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Cupids, Fresco Detail

Charles II of Spain towards 1687 invited him over to Madrid, where he remained for 10 years (1692-1702). In Spain, he produced works for the Royal Palace of Madrid, El Escorial, Toledo, and other sites. Giordano was popular at the Spanish court, and the king granted him title as a “caballero”.

One anecdote of Giordano’s speed at painting is that, he was once asked by the Queen of Spain what his wife looked like. On the spot, he painted his wife into the picture before him for the Queen.

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The Rape of Lucretia

In Spain he executed numerous works, continuing in the Escorial the series commenced by Cambiasi, and painting frescoes of the Triumphs of the Church, the Genealogy and Life of the Madonna, the stories of Moses,Gideon, David and the Celebrated Women of Scripture, all works of large dimensions. His Dream of Solomon (1693, now at Prado) dates from this period. His pupils, Aniello Rossi and Matteo Pacelli, assisted him in Spain. In Madrid he worked more in oil-colour, a Nativity there being one of his best productions.

Soon after the death of Charles in 1700, Giordano, now wealthy, returned to Naples. He spent large sums in acts of munificence, and was particularly liberal to his poorer brother artists. One of his maxims was that the good painter is the one whom the public like, and that the public are attracted more by color than by design.

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Fresco Detail

Giordano had an astonishing facility, which often lead to an impression of superficiality of his works. He left many works in Rome, and far more in Naples. Of the latter, his “Christ expelling the Traders from the Temple,” in the church of the Padri Girolamini, a colossal work, full of expressive “lazzaroni”; also the frescoes of the Triumph of Judith at San Martino[3], and those in the Tesoro della Certosa, including the subject of Moses and the Brazen Serpent; and the cupola paintings in the Church of S. Brigida, which contains the artist’s own tomb.

Other superior examples are the Judgment of Paris in the Berlin Museum, and Christ with the Doctors in the Temple, in the Corsini Gallery of Rome. In Florence, in his closing days, he painted the Cappella Corsini, the Galleria Riccardi and other works. In youth he etched with considerable skill some of his own paintings, such as the Slaughter of the Priests of Baal. He also painted much on the crystal borderings of looking-glasses, cabinets and others seen in many Italian palaces, and was, in this form of art, the master of Pietro Garofalo. His best pupil in painting was Paolo de Matteis. However, his influence, like his travels and career, were broad and prolific. For example, he is said to have influenced in Venice, Giovan Battista Langetti, Giovanni Coli, and Filippo Gherardi [1]. Other pupils include Joun Antonio Boujas, Nunzio Ferraiuoli (Nunzio degli Afflitti), Ansel Fiammingo, il Franceschitto, Giovanni Battista Lama, Andrea Miglionico, Giuseppe Simonelli, Andrea Vicenti, and Andrea Viso.Luca Giordano died in Naples in 1705.

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Venus, Cupid and Mars

Still wondering about an Italian painting in your family collection? Contact us…it could be by Luca Giordano.


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done
1372--fitzgerald.php John Fitzgerald Artwork Authentication & Art Appraisal

John Anster Fitzgerald (1819 – 1906)

Get a Fitzgerald Certificate of Authenticity for your painting (COA) for your Fitzgerald drawing.

For all your Fitzgerald artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Fitzgerald Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fitzgerald painting or drawing.

If you want to sell your Fitzgerald painting or drawing use our selling services. We offer Fitzgerald selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fitzgerald and issuing certificates of authenticity since 2002. We are recognized Fitzgerald experts and Fitzgerald certified appraisers. We issue COAs and appraisals for all Fitzgerald artworks.

Our Fitzgerald paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fitzgerald certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fitzgerald painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fitzgerald paintings or drawings take longer.

Our clients include Fitzgerald collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John Fitzgerald art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Fitzgerald or we will sell it for you.

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The Captive Robin 1864

John Anster Fitzgerald was a Victorian era fairy painter and portrait artist. Many of his fairy paintings were dark and contained images of ghouls, demons, and references to drug use. His work was first shown at the Royal Academy of Arts, London, in 1845 and has also been shown at the British Institution, the Society of British Artists, and the Watercolour Society.

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The Fairy Funeral

In the late 1850’s he created a series of Christmas fairies for The Illustrated London News. He was nicknamed Fairy Fitzgerald by his friends and is also known as J. A. Fitzgerald, or John Anster Christian Fitzgerald. Still wondering about a British painting in your family collection? Contact us…it could be by John Fitzgerald.


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1373--fontana-lavinia.php Lavinia Fontana Artwork Authentication & Art Appraisal

Lavinia Fontana (1552 – 1614)

Get a Lavinia Fontana Certificate of Authenticity for your painting (COA) for your Lavinia Fontana drawing.

For all your Lavinia Fontana artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lavinia Fontana Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lavinia Fontana painting or drawing.

If you want to sell your Lavinia Fontana painting or drawing use our selling services. We offer Lavinia Fontana selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lavinia Fontana and issuing certificates of authenticity since 2002. We are recognized Lavinia Fontana experts and Lavinia Fontana certified appraisers. We issue COAs and appraisals for all Lavinia Fontana artworks.

Our Lavinia Fontana paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lavinia Fontana certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lavinia Fontana painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lavinia Fontana paintings or drawings take longer.

Our clients include Lavinia Fontana collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lavinia Fontana art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lavinia Fontana or we will sell it for you.

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Self-Portrait 1577

Lavinia Fontana was an Italian painter. Fontana was the daughter of the painter Prospero Fontana, who was a leading painter of the School of Bologna at the time and served as her teacher. Continuing the family business was typical at the time.

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Portrait of a Noble Woman 1580

Her earliest known work, “Child of the Monkey”, was painted in 1575 at the age of 23. Though this work is now lost, another early painting, Christ with the Symbols of the Passion, painted in 1576 is now in the El Paso Museum of Art. She would go on to paint in a variety of genres. Early in her career, she was most famous for painting upper-class residents of her native Bologna. She also created paintings of male and female nudes and large scale religious paintings.

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Portrait of a Girl Covered in Hair

Fontana married Paolo Zappi (alternately spelled Paolo Fappi) in 1577. She gave birth to 11 children, though only 3 outlived her. After marriage, Fontana continued to paint to support her family. Zappi took care of the household and served as painting assistant to his wife, including painting minor elements of paintings like draperies.

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Jesus Appears to Mary Magdalene 1581

Fontana and her family moved to Rome in 1603 at the invitation of Pope Clement VII. She gained the patronage of the Buoncampagni, of which Pope Gregory XIII was a member. Lavinia thrived in Rome as she had in Bologna and Pope Paul V himself was among her sitters. She died in Rome on August 11, 1614.

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Judith and Holofernes

Some of her portraits, often lavishly paid for, have been wrongly attributed to Guido. Chief among these are Venus; The Virgin lifting a veil from the sleeping infant Christ; and the Queen of Sheba visiting Solomon. Her self-portrait – in youth she was said to have been very beautiful – was perhaps her masterpiece; it belongs to Count Zappi of Imola, the family into which Lavinia married.

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Family Portrait

While her youthful style was much like her father’s, she gradually adopted the Carracciesque style, with strong quasi-Venetian coloring. She was elected into the Academy of Rome, and died there in 1614.

There are over 100 works that are documented from early sources, but only 32 signed and dated works are known today. There are 25 more that can be attributed to her, making hers the largest oeuvre for any female artist prior to 1700. Sofonisba Anguissola may have been an influence on her career.

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Portrait of a Girl 1580

Partial List of Works

  • Self-Portrait with the Spinet Accompanied by a Handmaiden (1577, Accademia Nazionale di San Luca, Rome)
  • Consecration to the Virgin, (Musee des Beaux-Arts, Marseilles, originally the Gnetti Chapel, Santa Maria dei Servi, Bologna)
  • Portrait of a Lady with Lap Dog, (ca. 1595, Walters Art Museum, Baltimore)
  • Portrait of Gerolamo Mercuriale (ca. 1587-90, Walters Art Museum, Baltimore)
  • Noli me tangere, (1581, Uffizi, Florence)
  • Assumption of the Virgin with Saints Peter Chrysologus, and Cassian, (1584, Palazzo Comunale de Imola)
  • Portrait of the Coozzadini Family, (1584, Pinacoteca Nazionale, Bologna)
  • Holy Family, (1589, El Escorial, Outside Madrid)
  • Birth of Virgin, (Santissima Trinita, Bologna)
  • Portrait of a Couple, (1580-1585, Cleveland Museum of Art, Cleveland)
  • Deposition, 1581, Cornell Fine Arts
  • Jesus among the Doctors , part of the Mystries of the Rosary in the Rosary chapel in the Basilica of San Domenico, Bologna

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Minerva Dressing 1613

Still wondering about an Italian painting in your family collection? Contact us…it could be by Lavinia Fontana.


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1374--sabogal.php José Sabogal Artwork Authentication & Art Appraisal

José Sabogal Diéguez (1888-1956)

Get a Sabogal Certificate of Authenticity for your painting (COA) for your Sabogal drawing.

For all your Sabogal artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sabogal Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sabogal painting or drawing.

If you want to sell your Sabogal painting or drawing use our selling services. We offer Sabogal selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sabogal and issuing certificates of authenticity since 2002. We are recognized Sabogal experts and Sabogal certified appraisers. We issue COAs and appraisals for all Sabogal artworks.

Our Sabogal paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sabogal certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sabogal painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sabogal paintings or drawings take longer.

Our clients include Sabogal collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform José Sabogal art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your José Sabogal or we will sell it for you.

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Arquitecto Quechua

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El Inca Garcilazo

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Huanca

Jose Sabogal Dieguez was born in Cajabamba, province of the department of Cajamarca on March 19th, 1988. He died in Miraflores, Lima on December 15, 1956. The beautiful landscape of his hometown marked his inner childhood spirit the quiet image of his Andes with his mountain peaks and valleys, with his stream of light and colors, with his exotic inhabitants, silent and profound.

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Mujeres de Ucayali

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Ruinas de un Tambo

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Figures at the Mission, 1940

In 1908, at the age of 20, he travels to Europe and settles in Rome, where he takes advantage of excellent artistic studies and later he travels all over Italy. In 1911 he travels through the coasts of Algeria and Morocco and also through Spain. The following year he returns to Latin America but he stays in Buenos Aires to become a student of The School of Beaux Arts. From 1913 to 1918 he works as a drawing teacher in a typical school of Jujuy, a city of high mountains so impressive that makes the painter remember the majestic beauty of the Peruvian Andes.

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Murales at Hotel Cusco

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Clown

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El se or de la Fortaleza 1919

Sabogal came to Peru through the Andes and settles in Cuzco towards the end of 1918. Using his superb knowledge of art, he scrutinizes the spirit of our national reality through the type of his inhabitants, the Indian, and through his Andean scenery. That is when emerges in his creation a new form of painting, of nationalist character that would end being called with disdain “indigenista”(Indigenous-oriented-theme). Sabogal’s purpose was not to paint Indians, like many insist of believing, but rather to make a type of Peruvian-oriented art, typical, something that would express the character of Peru. Although is true that his aesthetic for many people is full of defects, it is also true that he was a brave artist, with a strong personality, tough in his attitude, original in his realization, and undisturbed in his convictions, modern in his executions. We can appreciate the meaning of his aesthetic, until today a unique mark in the history of art in Peru.

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Iglesia de la Monta

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Caballo Nacional o Caballo de Paso

In 1919 he does his first “indigenista” exposition, shocking the Lima society by the spectacular of his theme and his technique. In 1920 he is called to the School of Beaux Arts as a teacher, work that he does until 1932. Although he practiced a pictorial modality, found with the great master director Daniel Hernandez, he takes the direction of the highest institute of aesthetic studies of the country and from that maximum place he proposes with a sincere passion the “indigenismo”. In 1943, Sabogal resigns to the position of Director of the School of Beaux Arts, making feel uncomfortable many people for that decision. The artistic personality of Sabogal was renowned within and outside the country. Mexico and the United States gave him a lot of credit and admiration.

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Plaza de Huanta

The painting of master Sabogal is manifested through very expressive thick and vigorous strokes. His strong figures, almost static, of Andean spirit, are presented pleasant and original. His color is very simplified yet harmonious and precise. He composes good, letting us see his sense of synthesis and his spiritual form of being in tune in his images to achieve work of high aesthetic and human value.

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Manta Lime

Among his most famous paintings are “Vista de Amancaes” (Amancaes view), “Tondo Colorado” ( Reddish tondo), “Varayoc of Chicheros”, “La Procesion del Señor de los Milagros” ( The Procession of the Lord of the Miracles), “Victoria Regia”, “Hilanderas Huancas” ( Huancas weaving women), many murals and xylography work. Among the murals we can mention the triptych over typical Lima scenery that he painted on a wall of the Lima Maury Hotel and also “Garcilaso de la Vega” painted in a Cuzco hotel.

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Plaza Serrana

Still wondering about a Peruvian painting in your family collection? Contact us…it could be by José Sabogal.


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1375--lippi.php Fra’ Filippo Lippi Artwork Authentication & Art Appraisal

Fra’ Filippo Lippi (1406-1469)

Get a Fra’ Lippi Certificate of Authenticity for your painting (COA) for your Fra’ Lippi drawing.

For all your Fra’ Lippi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Fra’ Lippi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fra’ Lippi painting or drawing.

If you want to sell your Fra’ Lippi painting or drawing use our selling services. We offer Fra’ Lippi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fra’ Lippi and issuing certificates of authenticity since 2002. We are recognized Fra’ Lippi experts and Fra’ Lippi certified appraisers. We issue COAs and appraisals for all Fra’ Lippi artworks.

Our Fra’ Lippi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fra’ Lippi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fra’ Lippi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fra’ Lippi paintings or drawings take longer.

Our clients include Fra’ Lippi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Fra’ Filippo Lippi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Fra’ Filippo Lippi or we will sell it for you.

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Madonna and Child 1440-1445

Fra’ Filippo Lippi, also called Lippo Lippi, was a well-known Florentine painter of the Italian 15th century school. Lippi was born in Florence to Tommaso, a butcher. Both his parents died while he was a child. His aunt, Mona Lapaccia, then took charge of the boy till 1420, when, at the age of fourteen, he was registered in the community of the Carmelite friars of the Carmine in Florence, Here he remained till 1432. Vasari, in his Lives of the Artists says: “Instead of studying, he spent all his time scrawling pictures on his own books and those of others, and so eventually the prior decided to give him every chance and opportunity of learning.” Eventually Fra Filippo quit the monastery, but it appears that he was not relieved from some sort of religious vow; in a letter dated in 1439 he speaks of himself as the poorest friar of Florence, and says he is charged with the maintenance of six marriageable nieces. In 1452 he was appointed chaplain to the convent of S. Giovannino in Florence, and in 1457 rector (Rettore Commendatario) of S. Quirico at Legania, and his gains were considerable and uncommonly large from time to time; but his poverty seems to have been chronic, the money being spent, according to one account, in frequently recurring amours.

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The Feast of Herod: Salome’s Dance 1460-1464

Vasari relates some romantic adventures of Fra Filippo, which modern biographers are not inclined to believe. Except through Vasari, nothing is known of his visits to Ancona and Naples, and his intermediate capture by Barbary pirates and enslavement in Barbary, whence his skill in portrait-sketching availed to release him. This relates to a period, 1431-1437, when his career is not clearly accounted for. The doubts thrown upon his semi-marital relations with a Florentine lady appear, however, to be somewhat arbitrary; Vasari’s account is circumstantial, and in itself not greatly improbable.

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The Vision of St. Augustine

Towards June 1456 Fra Filippo was settled in Prato (near Florence) to paint frescoes in the choir of the cathedral. Before actually undertaking this work he set about painting, in 1458, a picture for the convent chapel of S. Margherita of Prato, and there saw Lucrezia Buti, the beautiful daughter of a Florentine, Francesco Buti; she was either a novice or a young lady placed under the nuns’ guardianship. Lippi asked that she might be permitted to sit to him for the figure of the Madonna (or it might rather appear of S. Margherita); he made passionate love to her, abducted her to his own house, and kept her there despite the utmost efforts of the nuns to reclaim her.

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The Coronation of Mary

The fruit of their loves was a boy, who became the painter, not less celebrated than his father, Filippino Lippi. Such is substantially Vasari’s narrative, published less than a century after the alleged events; it is not refuted by saying, more than three centuries later, that perhaps Lippo had nothing to do with any such Lucrezia, and perhaps Lippino was his adopted son, or only an ordinary relative and scholar. The argument that two reputed portraits of Lucrezia in paintings by Lippo are not alike, one as a Madonna in a very fine picture in the Pitti gallery, and the other in the same character in a Nativity in the Louvre, comes to very little; and it is reduced to nothing when the disputant adds that the Louvre painting is probably not done by Lippi at all. Besides, it appears more likely that not the Madonna in the Louvre but a S. Margaret in a picture now in the Gallery of Prato is the original portrait (according to the tradition) of Lucrezia Buti.

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Madonna Enthroned 1437

The frescoes in the choir of Prato cathedral, being the stories of the Baptist and of St Stephen, represented on the two opposite wall spaces, are the most important and monumental works which Fra Filippo has left, more especially the figure of Salome dancing, and the last of the series, showing the ceremonial mourning over Stephen’s corpse. This contains a portrait of the painter, but which is the proper figure is a question that has raised some diversity of opinion. At the end wall of the choir are S. Giovanni Gualberto and S. Alberto, and on the ceiling the four evangelists.

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The Annunciation

The close of Lippi’s life was spent at Spoleto, where he had been commissioned to paint, for the apse of the cathedral, some scenes from the life of the Virgin. In the semidome of the apse is Christ crowning the Madonna, with angels, sibyls and prophets. This series, which is not wholly equal to the one at Prato, was completed by Fra Diamante after Lippi’s death. That Lippi died in Spoleto, on or about the 8th of October 1469, is an undoubted fact; the mode of his death is again a matter of dispute. It has been said that the pope granted Lippi a dispensation for marrying Lucrezia, but that, before the permission arrived he had been poisoned by the indignant relatives either of Lucrezia herself, or of some lady who had replaced her in the inconstant painter’s affections. This is now generally regarded as a fable and indeed a vendetta upon a man aged sixty-three for a seduction committed at the already mature age of fifty-two seems hardly plausible. Fra Filippo lies buried in Spoleto, with a monument erected to him by Lorenzo the Magnificent; he had always been zealously patronized by the Medici family, beginning with Cosimo de Medici, Francesco di Pesello (called Pesellino) and Sandro Botticelli were among his most distinguished pupils.

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The Adoration with St. Joseph, St. Jerome, Mary Magdalene, and St. Ilarion 1453

In 1441 Lippi painted an altar-piece for the nuns of S. Ambrogio which is now a prominent attraction in the Academy of Florence, and has been celebrated in Brownings well-known poem. It represents the coronation of the Virgin among angels and saints, of whom many are Bernardine monks. One of these, placed to the right, is a half-length portrait of Lippo, pointed out by an inscription upon an angel’s scroll is perfecit opus. The price paid for this work in 1447 was 1200 Florentine lire, which seems surprisingly large.

For Germiniano Inghirami of Prato he painted the Death of St. Bernard, a fine specimen still extant. His principal altarpiece in this city is a Nativity in the refectory of S. Domenico — the Infant on the ground adored by the Virgin and Joseph, between Sts George and Dominic, in a rocky landscape, with the shepherds playing and six angels in the sky. In the Uffizi is a fine Virgin adoring the infant Christ, who is held by two angels; in the National Gallery, London, a Vision of St Bernard. The picture of the Virgin and Infant with an Angel, in this same gallery, also ascribed to Lippi, is disputable.

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The Madonna and Child with Angels

Lippo Lippi’s pictures show the naïveté of a strong, rich nature, redundant in lively and somewhat whimsical observation. He approaches religious art from its human side, and is not pietistic though true to a phase of Catholic devotion. He was perhaps the greatest colourist and technical adept of his time, with good draughtsmanship. As a naturalist, he had less vulgar realism than some of his contemporaries, and with much genuine episodic animation, including semi-humorous incidents and low characters. He made little effort after perspective and none for foreshortenings, was fond of ornamenting pilasters and other architectural features. According to Vasari, Lippi aimed to hide the extremities in drapery to avoid difficulties. His career was one of continual development, without fundamental variation in style or in coloring. In his great works the proportions are larger than life.

Still wondering about an Italian painting in your family collection? Contact us…it could be by Fra Filippo Lippi.


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1376--fra-angelico.php Fra Angelico Artwork Authentication & Art Appraisal

Fra Angelico (1395-1455)

We Perform Fra Angelico art authentication. Fra Angelico appraisal. Fra Angelico certificates of authenticity (COA). Fra Angelico analysis, research, scientific tests, full art authentications. We will help you sell your Fra Angelico or we will sell it for you.

Lamentation Over The Dead Christ

“Lamentation Over The Dead Christ

Madonna And Child With Angels

Madonna And Child With Angels

Fra Angelico was a Dominican friar and a painter, and is known by many other names. He was born Fra Giovanni de Fiesole in Vicchio di Mugello and was baptized as Guido di Piero. He has also been known as “Beato Angelico” since 1984; “Beato” is a reflection on his painting (beauty), and “Angelico” is how he was referenced after his death (angelic).

Fiesole Tryptich

Fiesole Triptych

Nothing is known about Fra Angelico’s parents, but it is thought that he came from a wealthy family. He initially received training in illumination, and many manuscripts are still in existence today in San Marco that are thought to be completely by his hand. Very little is known about his actual training, but it is thought that he was influenced by Lorenzo Monaco and the Sienese School of art.

Christ On The Cross, Adored By St. Dominic

Christ On The Cross, Adored By St. Dominic

Around 1420, Fra Angelico entered the convent of San Domenico in Fiesole with his brother, Benedetto. It was at the convent that he produced frescoes for the monastery, as well as his first two works, “Altarpiece of the Annunciation” and “The Coronation of the Virgin.”

Altarpiece Of The Annunciation

Altarpiece Of The Annunciation

The Coronation Of The Virgin

The Coronation Of The Virgin

Fra Angelico would later paint in churches in Florence in the 1430s, and carried out commissions for the Dominicans in Cortona. His most important commission was completed during this time, “The San Marco Altarpiece”, as well as frescoes for the convent in San Marco. He quickly gained notoriety for his artistic talents, and was in high demand.

San Marco Altarpiece

San Marco Altarpiece

In 1445, Fra Angelico would be called on yet again to paint frescoes, this time at the chapel of Santissimo Sacramento. This chapel has since been destroyed, but Fra Angelico would go on to paint commissions for Pope Paul III. Legend has it that he was offered the position of the Archbishop of Florence at this time, but he turned it down, though this is just speculation. During this time, Fra Angelico also took on a number of pupils including Zanobi Strozzi and Gentile de Fabriano.

Baptism Of Christ

Baptism Of Christ

Christ Carrying The Cross

Christ Carrying The Cross

Entombment

Entombment

Fra Angelico returned to the convent in Fiesole in 1450, and made one last return to Rome in 1455 where he died. In 1982, he was given beatification by Pope John Paul II. There is a feast day in his honor every year on February 18, the day of his death, and his grave in Minerva continues to still draw worshippers to this day. The inscription on his tomb reads; “When singing my praise, don’t liken my talents to those of Apollo. Say, rather, that, in the name of Christ, I gave all I had to the poor. The deeds that count on Earth are not the ones that count in Heaven. I, Giovanni, am the flower of Tuscany.”

Agony In The Garden

Agony In The Garden

Christ In Limbo

Christ In Limbo

While most of Fra Angelico’s known work is housed in museums and in the churches and cathedrals they were commissioned for, it is possible that some of his unauthenticated work still exists. Illuminated manuscript pages or altarpieces stolen in times of war are only a few possibilities.

Madonna And Child

Madonna And Child

If you are still wondering about a 15th century piece of Italian art in your family collection, contact us…it could be by Fra Angelico. 


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1377--wright_mc.php Joseph Wright of Derby Artwork Authentication & Art Appraisal

Joseph Wright of Derby (1734-1797)

We Perform Joseph Wright of Derby art authentication. Joseph Wright of Derby appraisal from . Joseph Wright of Derby certificates of authenticity (COA). Joseph Wright of Derby analysis, research, scientific tests, full art authentications. We will help you sell your Joseph Wright of Derby or we will sell it for you.

Wright painting, The Alchymist in Search of the Philosophers' Stone Discovers Phosphorus

The Alchymist in Search of the Philosophers’ Stone Discovers Phosphorus

Wright painting, Experiment on a Bird in an Air Pump

Experiment on a Bird in an Air Pump

Wright painting, A Philosopher Giving That Lecture on the Orrery, in Which a Lamp is Put in Place of the Sun 1766

A Philosopher Giving That Lecture on the Orrery, in Which a Lamp is Put in Place of the Sun 1766

Wright painting, The Forge

The Forge

Joseph Wright of Derby was an 18th century English Romantic painter. Wright studied landscape painting under Thomas Hudson, and painted portraits of many merchants and landed gentry around England as an itinerant artist.

Wright painting, Mrs. Frances Hesketh

Mrs. Frances Hesketh

Wright painting, Thomas Borrow

Thomas Borrow

Wright painting, Anne Borrow

Anne Borrow

Wright painting, Self-Portrait in Van Dyck Costume

Self-Portrait in Van Dyck Costume

Wright painting, Penelope Margaret Stafford

Penelope Margaret Stafford

Wright painting, Derby Erasmus Darwin

Derby Erasmus Darwin

Most of Wright’s early portraits were half or three-quarter length single portraits. Wright lived and trained in Italy for several years, and returned and tried to compete with Gainsborough as portrait painter to the nobility. Wright’s later works were mainly landscapes.

Wright painting, Eruption of Mt.Vesuvius

Eruption of Mt.Vesuvius

Wright painting, Dovedale by Moonlight

Dovedale by Moonlight

Wright painting, Moonlight Landscape

Moonlight Landscape

Today, Wright’s paintings are housed all over the world, and perhaps in your own home. Still wondering about an 18th century English painting in your family collection? Contact us… we are the Joseph Wright of Derby experts.

Wright painting, Maria and her Dog Silvio

Maria and her Dog Silvio

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1379--dubois.php Frédéric Dubois Artwork Authentication & Art Appraisal

Frédéric Dubois (1780-1819)

Get a Dubois Certificate of Authenticity for your painting (COA) for your Dubois drawing.

For all your Dubois artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dubois Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dubois painting or drawing.

If you want to sell your Dubois painting or drawing use our selling services. We offer Dubois selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dubois and issuing certificates of authenticity since 2002. We are recognized Dubois experts and Dubois certified appraisers. We issue COAs and appraisals for all Dubois artworks.

Our Dubois paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dubois certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dubois painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dubois paintings or drawings take longer.

Our clients include Dubois collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Frédéric Dubois art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Frédéric Dubois or we will sell it for you.

Dubois, Young lady white head covering and stole

Young lady white head covering and stole

Frédéric Dubois was an early 19th century portrait painter. He was the court painter to the House of Conde, and exhibited in the Paris salons in 1795 and 1804.Dubois moved to St. Petersburg, Russia in 1804 and taught there at the Art Academy. Dubois remained in Russia until 1818, and died the following year.

Dubois, Double portrait of young lady

Double portrait of young lady

Dubois, Portrait of a Woman

Portrait of a Woman
Painted Ivory 66 mm
Metropolitan Museum of Art, New York

Dubois, A Young Lady in Profile

A Young Lady in Profile
Painted ivory 73 mm

Though Dubois painted some full sized portraits, he typically produced portraits in the form of miniatures. Still wondering about a 19th century miniature or portrait in your family collection? Contact us… we are the Frédéric Dubois experts.


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1380--ercole.php Ercole de’Roberti Artwork Authentication & Art Appraisal

Ercole de’Roberti (1456 – 1496)

Get a De’Roberti Certificate of Authenticity for your painting (COA) for your De’Roberti drawing.

For all your De’Roberti artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De’Roberti Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De’Roberti painting or drawing.

If you want to sell your De’Roberti painting or drawing use our selling services. We offer De’Roberti selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De’Roberti and issuing certificates of authenticity since 2002. We are recognized De’Roberti experts and De’Roberti certified appraisers. We issue COAs and appraisals for all De’Roberti artworks.

Our De’Roberti paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De’Roberti certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De’Roberti painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De’Roberti paintings or drawings take longer.

Our clients include De’Roberti collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ercole de’Roberti art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ercole de’Roberti or we will sell it for you.

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Portrait of Giovanni Bentovigolio 1480

Ercole de’Roberti, also known as Ercole Ferrarese or Ercole da Ferrara, was an artist of the Italian Renaissance and the School of Ferrara. He was profiled in Vasari’s Le Vite delle più eccellenti pittori, scultori, ed architettori (or, in English, Lives of the Most Excellent Painters, Sculptors, and Architects).

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Ginevra Bentovigolio 1480

The son of the doorkeeper at the Este castle, Ercole later held the position of court artist for the Este family in Ferrara. According to Vasari Ercole had an extraordinary love of wine, and his frequent drunkenness did much to shorten his life, which he had enjoyed without any accident up to the age of forty, when he was smitten one day by apoplexy, which made an end of him in a short time.

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Madonna and Child Enthroned with Saints 1480

Paintings by Ercole are rare. His life was short and many of his works have been destroyed. The discovery of a painting by Ercole would be an incredible find.

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Wife of Hasdrubal and Her Children 1480-1490

By 1473, when he was 17, Ercole had left Ferrara and was working in Bologna in the studio of Francesco del Cossa. (According to Vasari, Ercole also apprenticed under Lorenzo Costa in Bologna, but this seems unlikely as he was Lorenzo’s senior by seveal years). Ercole’s first mature works are his contributions to the Griffoni Chapel for the San Petronio Basilica in Bologna: a predella depicting the Miracles of St Vincent Ferrer (c.1473) (now in the Pinacoteca of the Vatican), and lateral pilasters for the altarpiece commissioned from del Cossa.

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Predella for Griffoni Chapel

In 1480, Ercole created a large altarpiece with a Madonna and Child Enthroned with Saints for Santa Maria in Porto in Ravenna, which is now in the Brera, Milan. Portraits of Giovanni II Bentivoglio and Ginevra Bentivoglio attributed to Ercole de’Robeti (c. 1480) are in the National Gallery of Art, Washington, D.C.

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Lucretia

Ercole succeeded Cosmè Tura as court painter to the Este family in Ferrara around 1486. His role apparently went far beyond making art: he accompanied Alfonso d’Este on a papal visit to Rome, served as wardrobe manager for Isabella d’Este’s wedding in Mantua, and may even have made salamis.

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Pieta 1482

A painting of Portia and Brutus (c. 1486-90), believed to be painted for Eleonora of Aragon, duchess of Ferrara, is in the Kimbell Art Museum, Fort Worth, Texas. Ercole’s painting of Saint Jerome in the Wilderness from this period is in the collection of The Getty Center Los Angeles.

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Members of the Este Family Sketch

Still wondering about an Italian painting in your family collection? Contact us…it could be by Ercole.


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1381--marseilles-lacroix-de.php Charles LaCroix de Marseilles Artwork Authentication & Art Appraisal

Charles LaCroix de Marseilles (1700-1782)

We Perform Charles LaCroix de Marseilles art authentication. Charles LaCroix de Marseilles appraisal. Charles LaCroix de Marseilles certificates of authenticity (COA). Charles LaCroix de Marseilles analysis, research, scientific tests, full art authentications. We will help you sell your Charles LaCroix de Marseilles or we will sell it for you.

LaCroix de Marseilles painting, View of a Harbor

View of a Harbor

LaCroix de Marseilles painting, The Fishers

The Fishers

Charles LaCroix de Marseilles was an 18th century French landscape painter. He was one of the few French painters who concentrated almost exclusively on the painting of polished marine scenes.

LaCroix de Marseilles painting, Mediterranean Port Scenes

Mediterranean Port Scenes

Still wondering about a French marine landscape in your family collection? Contact us…it could be by Charles LaCroix de Marseilles.


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1382--el-greco.php El Greco Artwork Authentication & Art Appraisal

El Greco (1541-1614)

Get a El Greco Certificate of Authenticity for your painting or a COA for your El Greco drawing or sculpture.

For all your El Greco artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a El Greco Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your El Greco painting, drawing or sculpture.

If you want to sell your El Greco painting, drawing or sculpture use our selling services. We offer El Greco selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating El Greco and issuing certificates of authenticity since 2002. We are recognized El Greco experts and El Greco certified appraisers. We issue COAs and appraisals for all El Greco artworks.

Our El Greco paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The El Greco certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your El Greco painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research El Greco paintings, drawings or sculpture take longer.

Our clients include El Greco collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform El Greco art authentication, appraisal, from certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your El Greco or we will sell it for you.

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The Opening of the Fifth Seal of the Apocalypse

Domenikos Theotocopoulos, known as El Greco (the Greek), was born in 1541. This Cretian born painter, architect, and sculptor is remembered as the first great artist to emerge from the Spanish school.

Very little information is known about El Greco’s youth. What little information we have about the artist can be found in different texts where he is mentioned. In 1566, he was labeled a master painter in a Cretan document. He traveled to Venice and moved to Rome in 1570. He was said to have been a pupil of Titian, but he was also influenced by Michelangelo and Tintoretto.

The Purification of the Temple, a very popular theme, served as the subject for two of El Greco’s surviving Italian period paintings. By 1577, he was at Toledo. He remained there until his death.

The last few years of El Greco’s life saw an evolution of his artwork. His style became more mature. He further developed his trademark of painting hues of blue and elongated forms to express religious feeling. He was commissioned to execute decorations for several altarpieces. These were his biggest projects yet, but he executed them magnificently.

El Greco also created other pieces such as portraits, two views of Toledo, and a mythological painting. His workshop produced various replications of his paintings, but his unique style did not really inspire others to follow in his technique. A number of theories have surfaced regarding the odd flavor off his art. Some experts claimed he was either mad or suffered from astigmatism, which would cause blurred, distorted vision.

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Luigi re di Francia

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Christ Carrying the Cross, 1608-1614

El Greco is remembered as a proud man. He liked to think of himself as a philosopher rather than a craftsman. He always led a lavish lifestyle. This was despite the fact that he didn’t really have any royal clients. In fact, toward the end of his life, he was plagued by financial difficulties. He died in 1614.

Very few of El Greco’s paintings exist. He usually signed them in Greek characters followed by Kres (Cretan). His works are characterized by elegance with religious undercurrents. Although his works always resonate with passion, they also show restraint and control. Many of El Greco’s works are hard to analyze or comprehend. Art enthusiasts and critics have argued for years over the intended meaning of many of his paintings. However, despite the puzzling images of many of El Greco’s paintings, his work continues to fascinate people today.

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Cavaliere

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The Burial of Count Organz, 1586

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Annunciazione

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El Greco Discovery

This Baptism of Christ by El Greco just sold for US $1,475,000 at an auction in London. It dates from between 1567-70. It was rediscovered recently and was acquired by the Municipality of Crete, the birthplace of Domenikos Theotokopoulus.

The work was found in an envelope by a Spanish family who had had it in their family since the mid-19th Century but did not realize its importance.

Mayor of Heraklion, Yannis Kourakis, said: “We are ecstatic that we have managed to raise the funds and acquired this painting. It is such an important and beautiful piece, especially to the people of Crete, and we are happy that the picture will now be displayed in the artist’s birthplace.”

Still wondering about a painting in your family collection? Contact us…it could be by El Greco.


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1383--russell_m.php Morgan Russell Artwork Authentication & Art Appraisal

Morgan Russell (1886-1953)

We Perform Morgan Russell art authentication. Morgan Russell appraisal. Morgan Russell certificates of authenticity (COA). Morgan Russell analysis, research, scientific tests, full art authentications. We will help you sell your Morgan Russell or we will sell it for you.

Russell, Cosmic Synchrony

Cosmic Synchrony

Morgan Russell was an American abstract painter, born in New York City. Russell and fellow painter, Stanton Macdonald co-founded “Synchromism”, a sub-category of the Modernist art movement.

Russell, Reclining woman, 1920

Reclining woman, 1920

In 1903 Russell initiated his studies in an architecture program, but quickly changed his concentration to sculpture. Russell made various contacts at the Art Students League of New York, studying and posing as a model for Arthur Lee and James Earle Fraser. Gertrude Vanderbilt Whitney financed Russell’s trip to Paris in 1906.

Russell, Synchromy

Synchromy

Russell, Synchromy, 1920

Synchromy, 1920

On a second trip to Paris in 1909, Russell had the opportunity to study with Matisse. During the following years, Russell developed his own techniques of using color and pattern. By 1911 Russell had teamed up with Stanton Macdonald Wright, with whom he began to form the Synchromist movement. The two artists organized their first Synchromist exhibit at Der Neue Kunstsalon in Munich, Germany. Following shows were held at the Galerie Bernheim in Paris and at the Armory Show in New York.

Russell, Study for Woman in Purple

Study for Woman in Purple

Synchromism is defined as a pure form of abstract painting, which does not contain identifiable, representational forms. The Synchromist manifesto links the transcendent powers of color and music. Other artists who experimented with early Synchromism included Thomas Hart Benton, Andrew Dasburg, Patrick Henry Bruce. A similar movement known as Orphism complimented Synchromism.

Russell, Study for Synchromy in Blue Violet

Study for Synchromy in Blue Violet

Russell, Synchromy in Orange: to Form, 1913

Synchromy in Orange: to Form, 1913

Russell, Still Life with Bouquet in Watering Can

Still Life with Bouquet in Watering Can

Russell, Synchromy No. 3

Synchromy No. 3

Russell, Still-life

Still-life

Russell, Synchromy: to Form, 1914

Synchromy: to Form, 1914

Russell, Serated Nude

Serated Nude

Russell spent most of his time from 1909 to 1946 living and working in Paris. Near the time of his death, Russell returned to America and spent his last days in Philadelphia. Russell’s paintings are now in American art collections across the country. Do you think you own a Synchromist painting by Morgan Russell? Contact us. We are the Morgan Russell experts.


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1384--procaccini.php Giulio Procaccini Artwork Authentication & Art Appraisal

Giulio Cesare Procaccini (1574-1625)

We Perform Giulio Procaccini art authentication. Giulio Procaccini appraisal. Giulio Procaccini certificates of authenticity (COA). Giulio Procaccini analysis, research, scientific tests, full art authentications. We will help you sell your Giulio Procaccini or we will sell it for you.

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Adoration of the Magi

Giulio Procaccini was an Italian painter and sculptor of the early Baroque era in Milan. Born in Bologna he was son of the Mannerist painter Ercole Procaccini Il Vecchio and brother of Camillo Procaccini and Carlo Antonio Procaccini. The family moved to Milan around 1585 with the help of the rich art collector Pirro Visconti.

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Allegory of Music

He began as a sculptor in the Cathedral and in the Milanese church of Santa Maria presso San Celso. In 1610 he painted six of the Quadroni, large canvases celebrating Saint Charles Borromeo . Among his many altarpieces are the Circumcision now in Galleria Estense, Modena (c.1616) and the Last Supper (1616) for Convent associated with the Basilica della Santissima Annunziata del Vastato in Genoa. He also painted the Scourging of Christ.

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The Holy Family 1610

He worked with Giovanni Battista Crespi (il Cerano) and Pier Francesco Mazzucchelli (il Morazzone) following the directions of Cardinal Federico Borromeo, patron of the arts and cousin of Charles Borromeo. He also painted small religious canvases for rich families, in Milan and in Genoa, where he saw the works of Rubens. His style shows the influence of Bolognese Mannerism and Venetian colorism and marks the beginning of the Baroque.

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Sketch of Two Women

Still wondering about an Italian painting in your family collection? Contact us…it could be by Giulio Procaccini.


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1385--degle.php Franz Joseph Degle Artwork Authentication & Art Appraisal

Franz Joseph Degle (1724-1812)

Get a Degle Certificate of Authenticity for your painting (COA) for your Degle drawing.

For all your Degle artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Degle Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Degle painting or drawing.

If you want to sell your Degle painting or drawing use our selling services. We offer Degle selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Degle and issuing certificates of authenticity since 2002. We are recognized Degle experts and Degle certified appraisers. We issue COAs and appraisals for all Degle artworks.

Our Degle paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Degle certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Degle painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Degle paintings or drawings take longer.

Our clients include Degle collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Franz Joseph Degle art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Franz Joseph Degle or we will sell it for you.

Degle painting,Self-Portrait 1778

Self-Portrait 1778

Degle painting, Portrait of Maria Anna (Nannerl) Mozart

Portrait of Maria Anna (Nannerl) Mozart

Franz Joseph Degle was an 18th century German artist. He mainly painted portraits of wealthy European nobility, including members of the Mozart family.

Degle painting,Portrait of a Man and Woman

Portrait of a Man and Woman

Still wondering about an 18th century painting in your family collecion? Contact us…it could be by Franz Joseph Degle.


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1386--ramos_martinez.php Alfredo Ramos Martinez Artwork Authentication & Art Appraisal

Alfredo Ramos Martinez (1871 – 1946)

Alfredo Ramos Martinez art authentication. Alfredo Ramos Martinez appraisal. Alfredo Ramos Martinez certificates of authenticity (COA). Alfredo Ramos Martinez analysis, research, scientific tests, full art authentications. We will help you sell your Alfredo Ramos Martinez or we will sell it for you.

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Manacacoyota

Alfredo Ramos Martinez is one of the most important Mexican artists of the twentieth century. Ramos Martínez is sometimes referred to as the “Father of Modern Art” in Mexico. La Primavera, Spring is considered to be one of his most important pieces.

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Mujeres con Flores

Alfredo Ramos Martinez was born on November 12, 1872, in Monterrey, Nuevo Leon, in Mexico. Ramos Martinez spent eight years at the Academia Nacional de Bellas Artes in Mexico City, Mexico. Ramos Martínez criticized the school for not valuing individuality and focusing on drawing from plaster casts. Ramos Martínez preferred to work outdoors, painting people and street life.

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Soldados Mexicanos

In 1913 Ramos Martínez was appointed Director of the National Academy. Ramos Martínez opened the Escuelas de Pintura al Aire Libre (Open Air Schools of Painting). One of the first students of this new school was, David Alfaro Siqueiros, now known as one of the most important Mexican muralists.

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El Indio con Tunas

In 1928, Ramos Martinez and his wife moved from Mexico to Los Angeles, California to seek medical treatment for their daughter. Ramos Martínez’s art greatly changed in California. Still painting on newsprint, Ramos Martínez created a modern yet folkloric, ‘Mexicana’ aesthetic. His subjects ranged from ‘Indians’ selling flowers, dramatic landscapes and religious themes of Mexico.

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Vendedora de Flores

Ramos Martínez’s exhibited and painted murals throughout California and Mexico. His prolific work is museums and private collections all over the world.

Still think you might have an Alfredo Ramos Martínez? Art Certification Experts has the answer. Contact us and we will tell you if you are the owner of an Alfredo Ramos Martínez.


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1387--lemmen.php Georges Lemmen Artwork Authentication & Art Appraisal

Georges Lemmen, 1865-1916, Belge

Get a Lemmen Certificate of Authenticity for your painting (COA) for your Lemmen drawing.

For all your Lemmen artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lemmen Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lemmen painting or drawing.

If you want to sell your Lemmen painting or drawing use our selling services. We offer Lemmen selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lemmen and issuing certificates of authenticity since 2002. We are recognized Lemmen experts and Lemmen certified appraisers. We issue COAs and appraisals for all Lemmen artworks.

Our Lemmen paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lemmen certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lemmen painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lemmen paintings or drawings take longer.

Our clients include Lemmen collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Georges Lemmen art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Georges Lemmen or we will sell it for you.

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Plage à Heist (1891)

Georges Lemmen était un peintre d’avant-garde et un artiste décorateur belge, reconnaissable en particulier pour ses portraits, ses intérieurs et ses paysages. Touche-à-tout et profondément sensible à toutes formes d’expression artistique, il a laissé évoluer son style au gré des rencontres avec ses contemporains.

 

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Nu assis au fauteuil vert

Précoce, il a participé à sa première exposition à l’âge de dix ans à Termonde, en Belgique, avant de prendre des cours à l’Académie de dessin de Saint-Josse-ten-Noode, à Bruxelles. Particulièrement influencé par son compatriote symboliste, Ferdinand Khnopff, c’est tout naturellement qu’il s’est tourné vers les mouvements d’avant-garde. Dès l’âge de vingt ans, son style impressionniste, sa palette claire et le modernisme de ses motifs étaient déjà établis.

Évènement décisif, la contemplation de Dimanche Après-midi à la Grande Jatte (1887), le chef d’œuvre pointilliste de Seurat, exposé au Cercle des XX, a éveillé son intérêt pour la technique. Deux ans plus tard, Lemmen a rejoint le groupe sous la houlette de son ami, Henri van de Valde, et a entamé une longue période de recherche artistique. Plage à Heist (1891) est le fruit de dix ans d’expérimentations afin de développer un pointillisme délicat, au grain parfaitement adapté aux portraits et aux paysages. Les contours singuliers que forment les éléments naturels préfigurent le mouvement symboliste.

 

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La Libre Esthétique (1910)

Dans les années 1890, s’orientant vers les arts décoratifs, il s’est lancé dans un apprentissage en céramique et tapisserie. Sa représentation, d’abord figurative, reflète par la suite l’influence de l’Art Nouveau. Explorant toutes les facettes de l’avant-garde, il fut, par exemple, avec ses contemporains William Finch et Théo van Rysselberghe, une des premières figures du Divisionnisme. Se centrant dès lors sur l’art décoratif, qu’il s’agisse d’affiches (citons celle de La Libre Esthétique, de 1910), de papier peints ou de livres, il reste célèbre pour son arabesque originale, où l’orientalisme se mêle aux motifs anglais.

Sensible à tous les courants esthétiques, il s’est ouvert, au tournant du siècle, au style Nabi. Puis, dans la foulée de Bonnard et Vuillard, il eut des pulsions intimistes et, à partir de 1906, il a commencé à peindre des scènes élaborées de figures féminines au bain (Nu debout se peignant). Plus tard, influencé par Renoir, il exécute Jeune Fille au bord de la mer (1913).

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View of the Thames

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Vase de fleurs (1905-1910)

Malgré l’admiration de ses contemporains, Lemmen, doutant de son talent, s’est toujours cherché, peut-être parce qu’il n’avait connu un large succès que trois ans à peine avant sa mort, à Uccle, en 1916. Georges Giroux avait en effet organisé une exposition qui lui amena enfin une notoriété internationale, déjà amorcée par deux expositions parisiennes à la galerie Druet, en 1906 et 1908.

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Homme lisant

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Pequeño Pierre

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Buste de jeune fille

Au cours de sa carrière, Lemmen a souvent exposé en Belgique et à Bruxelles et même voyagé en Angleterre. Bien qu’il soit surtout connu pour ses peintures, Lemmen a également créé des illustrations de livres, des affiches, des dessins, des pastels, des gouaches, des céramiques et même des tapis de son vivant.

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Portrait d’une femme au chapeau avec un ruban rouge

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Portrait de Mme Lemmene

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Jeune femme assise avec un chapeau bleu

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Le nouveau bébé

Vous vous interrogez toujours sur une pièce belge pointilliste ou impressionniste accrochée chez vous? Contactez-nous… cela pourrait être par Georges Lemmen.


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1388--thaulow.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "thaulow" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "thaulow" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1389--nelke.php Alexander Nelke Artwork Authentication & Art Appraisal

Alexander Nelke (1894–1974)

Get a Nelke Certificate of Authenticity for your painting (COA) for your Nelke drawing.

For all your Nelke artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Nelke Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Nelke painting or drawing.

If you want to sell your Nelke painting or drawing use our selling services. We offer Nelke selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Nelke and issuing certificates of authenticity since 2002. We are recognized Nelke experts and Nelke certified appraisers. We issue COAs and appraisals for all Nelke artworks.

Our Nelke paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Nelke certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Nelke painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Nelke paintings or drawings take longer.

Our clients include Nelke collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Do you think you may own a painting by Alexander Nelke?

We perform Alexander Nelke art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alexander Nelke or we will sell it for you.

1. The Volcano. Oil on Canvas. 20th century.

1. The Volcano. Oil on Canvas. 20th century.

2. Seascape with Sailing. Oil on Canvas. 20th century.

2. Seascape with Sailing. Oil on Canvas. 20th century.

Alexander Nelke was an Estonian-American artist, best known for his maritime and landscape paintings. Nelke was born in the Estonian village of Vihula, where he spent his childhood and early adolescence. At the age of sixteen, Nelke began working on ships as a carpenter and second mate. After more than a decade at sea, Nelke decided to join his brother in the United States, who had settled in Brooklyn, New York. An expert in ships, Nelke began painting ships with great success. In New York, Nelke was seen as a leading maritime painter.

3. Snowscape. Oil on Canvas. 20th century.

3. Snowscape. Oil on Canvas. 20th century.

Nelke exhibited his paintings throughout the 1930s and 1940s, participating in a number of group shows. While Nelke was not showing in avant-garde galleries or museums, art associations like the Society of Independent Artists praised him. Nelke also exhibited with the Salons of America.

4. Moonlit Seascape. Oil on Canvas. 20th century.

4. Moonlit Seascape. Oil on Canvas. 20th century.

5. Yankee Clipper Ship. 1923. Oil on Canvas

5. Yankee Clipper Ship. 1923. Oil on Canvas

If you think you may own original artwork by Alexander Nelke, contact Art Certification Experts for information regarding our services.


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1390--leger.php Fernand Leger Artwork Authentication & Art Appraisal

Get a Leger Certificate of Authenticity for your painting or a COA for your Leger drawing or sculpture.

For all your Leger artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Leger Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Leger painting, drawing or sculpture.

If you want to sell your Leger painting, drawing or sculpture use our selling services. We offer Leger selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Leger and issuing certificates of authenticity since 2002. We are recognized Leger experts and Leger certified appraisers. We issue COAs and appraisals for all Leger artworks.

Our Leger paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Leger certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Leger painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Leger paintings, drawings or sculpture take longer.

Our clients include Leger collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Fernand Leger (1881-1955)

We perform Fernand Leger art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Fernand Leger or we will sell it for you.

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Three Women

Fernand Leger was a French Cubist painter born in Normandy. Though lesser known than his fellow Cubist artists, Leger has been hailed as one of the greatest French painters of his time. Influential not only in Cubism, he also made a mark in constructivism and poster art.

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Figure study

Leger did not start out studying art, but was originally apprenticed to an architect in Caen. This led him to work with another architect in Paris, and later in 1903 at a photography studio retouching photos. He was rejected from the Ecole des Beaux-Arts that same year. Leger, however, did not let this rejection stop him from unofficially attending classes there anyway. Instead, he enrolled at the Academie Julien and the Ecole des Arts Decoratifs.

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Blue Vase Composition, 1918

In 1909, Leger discovered Cubism and became a member of the Puteaux Group in 1911. While fellow Cubists Braque and Picasso were painting in a rectangular form within this movement, Leger’s style was more tubular and cylindrical. Leger was also known to be among the first of the Cubists to experiment with figurative Cubist compositions. Leger began to veer towards Abstract art from 1911 to 1914, but retained his Cubist style nonetheless. During this time, he mainly painted in black and white motifs.

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Table and Fruit, 1909

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Nude on Red Background, 1927

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Woman With a Pitcher, 1928

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Machines

Leger’s career as an artist was put on hold during World War I when he was called to serve in the war. From 1914 to 1917, he fought for France, and when he returned, his themes were affected as a result. Many of his compositions took on a mechanical quality and machine-like images became frequent themes.

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Men in the City, 1919

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Construction Workers

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The Mechanic, 1920

In the 1920s and 30s, Leger was commissioned to create murals for public buildings and began to paint single objects on a giant scale. He also worked in film and created art for the Swedish ballet during this time. By the onset of World War II, Leger had moved to the United States where he worked as an art instructor. He taught at both Yale University and Mills College in California, but returned to France in 1945.

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Ballet Costume Design

From 1949 until his death in 1955, Leger worked out of his studio and workshop that he opened with his former student Robert Brice. During this time, he created mosaics, book illustrations, stained glass window decorations, and even ceramic sculptures.

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Two Women Holding Flowers

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The Birds

Today, Leger’s work is housed in modern art museums around the world, especially in the museum which bears his name in France. During his lifetime, he exhibited and traveled fairly extensively, showing his work at the Museum of Modern Art in New York in 1935, and frequently at the Paris salons. Still wondering about a unique cubist painting hanging in your home? Contact us…it could be by Fernand Leger.


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1393--gundersen.php Gunnar S. Gundersen Artwork Authentication & Art Appraisal

Gunnar S. Gundersen (1921-1983)

Get a Gundersen Certificate of Authenticity for your painting (COA) for your Gundersen drawing.

For all your Gundersen artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gundersen Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gundersen painting or drawing.

If you want to sell your Gundersen painting or drawing use our selling services. We offer Gundersen selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gundersen and issuing certificates of authenticity since 2002. We are recognized Gundersen experts and Gundersen certified appraisers. We issue COAs and appraisals for all Gundersen artworks.

Our Gundersen paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gundersen certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gundersen painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gundersen paintings or drawings take longer.

Our clients include Gundersen collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gunnar S. Gundersen art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gunnar S. Gundersen or we will sell it for you.

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Composition

Gunnar S. Gundersen, or Gunnar S. (as he liked to be called) was a Norwegian modernist painter. When he chose his modernistic form he was quickly acknowledged as one of the leaders in the abstract art form in Norway. Gunnar S. is now regarded as one of the most significant painter of the Norwegian post-war period. Even though he never received the international acclaim he might have deserved, he became a unifying figure among his contemporaries in Norway. His work has been an inspiration for many artists in later generations.

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Dance 1968

Gunnar S. was among the young artists who attended the National Academy of Fine Art in Oslo in the years after Norway was liberated from Nazi-Germany. This generation wanted to free themselves for the traditional Norwegian figurative painting and sought inspiration from leading artists in Europe at the time. Danish artist Richard Mortensen, as well as Auguste Herbin, Serge Poliakoff and Victor Vasarely. From the 1960s and to his death in 1983 Gunnar S. developed the expression he is known for.

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Composition 1973

This expression is at first glance a rendition of flat color fields. However, through extensive knowledge of theories of visual perception Gunnar S. is able to transform the color fields into images with a unique spacial quality, what Gunnar S. himself called “inconsistent space.”

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Composition 1965

Still wondering about a Norwegian painting in your family collection? Contact us. It could be by Gunnar S.


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1394--dalla-rosa.php Saverio dalla Rosa Artwork Authentication & Art Appraisal

Saverio dalla Rosa (1745-1821)

Get a Dalla Rosa Certificate of Authenticity for your painting (COA) for your Dalla Rosa drawing.

For all your Dalla Rosa artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dalla Rosa Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dalla Rosa painting or drawing.

If you want to sell your Dalla Rosa painting or drawing use our selling services. We offer Dalla Rosa selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dalla Rosa and issuing certificates of authenticity since 2002. We are recognized Dalla Rosa experts and Dalla Rosa certified appraisers. We issue COAs and appraisals for all Dalla Rosa artworks.

Our Dalla Rosa paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dalla Rosa certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dalla Rosa painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dalla Rosa paintings or drawings take longer.

Our clients include Dalla Rosa collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Saverio dalla Rosa art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Saverio dalla Rosa or we will sell it for you.

dalla Rosa painting, Mozart at Verona

Mozart at Verona

Saverio dalla Rosa was an 18th century painter. Known best for his portrait of Wolfgang Amadeus Mozart, dalla Rosa most likely painted portraits of other affluent Austrians and European nobility as well. Still wondering about an 18th century portrait in your family collection? Contact us…it could be by Saverio dalla Rosa.


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1395--schwabe.php Carlos Schwabe Artwork Authentication & Art Appraisal

Carlos Schwabe (1877-1927)

Get a Schwabe Certificate of Authenticity for your painting (COA) for your Schwabe drawing.

For all your Schwabe artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Schwabe Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Schwabe painting or drawing.

If you want to sell your Schwabe painting or drawing use our selling services. We offer Schwabe selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Schwabe and issuing certificates of authenticity since 2002. We are recognized Schwabe experts and Schwabe certified appraisers. We issue COAs and appraisals for all Schwabe artworks.

Our Schwabe paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Schwabe certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Schwabe painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Schwabe paintings or drawings take longer.

Our clients include Schwabe collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carlos Schwabe art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Carlos Schwabe or we will sell it for you.

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Three Wise Virgins

Carlos Schwabe was a Symbolist painter born in Germany. Schwabe moved to Geneva, Switzerland at a very young age and received his earliest training in art there under Joseph Mitty at the Ecole des Arts Decoratifs. As a young man, he moved to Paris to continue his studies. While he was in Paris, Schwabe met other emerging Symbolist painters and his unique style began to form.

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Spleen and Ideal

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Le Faune

Schwabe’s compositions generally included allegorical or mythological figures such as Death and the gods. He was in high demand as an illustrator for books, and illustrated many including “Jardin de l’infante” by Albert Samain and “Les Fleurs du Mal” by Baudelaire.

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Pommiers Fleuris

He lived and worked most of his life in France creating powerful scenes of life and death in a dramatic style. Nudes, angels, demons, fairies and other mythological creatures were just a few of his subjects, painted in a way to symbolize a variety of human emotions.

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La Mort du Fossoyeur

During his early years in Paris, Schwabe also worked as a wallpaper designer, which helped him to hone his graphic skills. This study in graphic design can be seen later in his mystical and religious compositions.

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Medusa 1895

Though Schwabe’s main claim to fame was in book illustrations, he also created a number of sketches, watercolors and oil paintings. Today, Schwabe’s work may be found in France, Germany or Switzerland, perhaps as a sketch stuck between the pages of an old book.

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Study for The Wave 1907

Still wondering about a late 19th century European fantasy painting in your home? Contact us…it could be by Carlos Schwabe.


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1396--jean-jacques-barbier.php Jean-Jacques-Francois Le Barbier Artwork Authentication & Art Appraisal

Jean-Jacque-Francois Le barbier (1738-1828)

We Perform Jean-Jacques-Francois Le Barbier art authentication. Jean-Jacques-Francois Le Barbier appraisal. Jean-Jacques-Francois Le Barbier certificates of authenticity (COA). Jean-Jacques-Francois Le Barbier analysis, research, scientific tests, full art authentications. We will help you sell your Jean-Jacques-Francois Le Barbier or we will sell it for you.

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Homage to Diane

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La Magnanimite de Lycurgue

Jean-Jacques-Francois Le Barbier was an 18th century French Neoclassical painter. Le Barbier began his studies in Rouen at 17 and traveled to Paris after he won his first prize for drawing. He spent many years in Switzerland as an illustrator and returned to France in 1780. Afterwards, he regularly exhibited with the salons, depicting religious and historical scenes.

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Les Dieux Fleuves

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Jean-Jacques-Francois Le Barbier.  


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1397--messina.php Antonello da Messina Artwork Authentication & Art Appraisal

Antonello da Messina (1430 – 1479)

Get a Messina Certificate of Authenticity for your painting (COA) for your Messina drawing.

For all your Messina artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Messina Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Messina painting or drawing.

If you want to sell your Messina painting or drawing use our selling services. We offer Messina selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Messina and issuing certificates of authenticity since 2002. We are recognized Messina experts and Messina certified appraisers. We issue COAs and appraisals for all Messina artworks.

Our Messina paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Messina certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Messina painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Messina paintings or drawings take longer.

Our clients include Messina collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Antonello da Messina art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Antonello da Messina or we will sell it for you.

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Condottiere 1475

Antonello da Messina was a Sicilian painter active during the Italian Renaissance. Antonello was born at Messina around 1429-1431, to Giovanni de Antonio Mazonus and Garita (Margherita). He was probably apprenticed in his native city and in Palermo.

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Christ Blessing 1465

Around the year 1450, he was at Naples, then one of the most active centers of Renaissance Art. According to a 1524 letter, while there he was a pupil of the painter Niccolò Colantonio.

Around 1455 he painted the so-called Sibiu Crucifixion, which was inspired by the Flemish Calvaries and is housed in the Muzeul de Artà in Bucharest. Of the same years is the Crucifixion in the Royal Museum of Antwerp: his early works shows a marked Flemish influence, but it is not clear whence this inspiration came. According to his biographer Vasari, he saw at Naples an oil painting by Jan Van Eyck (the “Lomellini Tryptych”) belonging to King Alphonso of Aragon, and, being struck by the peculiarity and value of the new method, set out for The Netherlands to acquire a knowledge of the process from Van Eyck’s disciples. However, the story of the Dutch travel is largely rejected by contemporary scholars.

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Crucifixion

Two years later Antonello received his first commission as an independent artist, a banner for the Confraternita di San Michele dei Gerbini in Reggio Calabria. At this date, he was already married, and his son Jacobello was already born.

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Portrait of a Young Man 1474

In 1460, his father is mentioned leasing a brigatine to bring back Antonello and his family from Amaltea, a town in Calabria. In that year, Antonello painted the so-called Salting Madonna, in which standard iconography and Flemish style are backed by a greater attention in the volumetric proportions of the figures, probably coming from his knowledge of some works by Piero della Francesca. Also from around 1460 are the two small panels depicting Abraham Served by the Angels and St. Jerome Penitent now in the Museo Nazionale della Magna Grecia in Reggio Calabria. In 1461 his younger brother Giordano entered Antonello’s workshop, signing a three-years contract. Of that year is a Madonna with Child for the Messinese nobleman Giovanni Mirulla, now lost.

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Madonna and Child

Between 1465-1470, Antonello finished a Portrait of a Man now at Cefalù. His portraits are noteworthy for his characteristic use of the three-quarter view, typical of the Flemish School, whereas almost all Italian painters adopted the medal profile pose. Antonello traveled to Venice around 1470, to see Giovanni Bellini’s paintings.

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Portrait of a Man

In this year he executed his first signed and dated work, the Salvator Mundi. Back at Sicily, Antonello finished the St. Gregory’s Polyptych.

In 1474, he painted the Annunciation, now in Syracuse, Italy, and the St. Jerome in His Study, one of his most famous paintings. The following year he began his regular sojourn to Venice, where he remained until the fall of 1476. His works of this period begin to show a greater attention to the human figure, regarding both anatomy and expressivity, according to the influence of Piero della Francesca and Bellini.

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St. Gerome 1474

His most famous pictures dating from this period include the Condottiero (Louvre), the San Cassiano Altarpiece and the St. Sebastian (see selected works for details).Antonello returned briefly in Sicily in 1476, where he painted the famous Virgin Annunciate, now in the Palazzo Abatellis at Palermo.

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Annunciate

He died at Messina in 1479: his testament dates from February of that year, and he is documented as no longer alive two months later. Some of his last works remained unfinished, but were completed by his son Jacobello.

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St. Sebastian 1475-1476

Antonello’s style is remarkable for its union, not always successful, of Italian simplicity with Flemish love of detail. He exercised an important influence on Italian painting, not only by the introduction of the Flemish invention, but also by the transmission of Flemish tendencies. However, no school of painting formed after his death, with the exception of the Sicilian Marco Costanzo

Selected works:
• Sibiu Crucifixion (1455) – Muzeul de Artà, Bucharest
• Crucifixion (1455) – Oil on panel 52.5 x 42.5 cm, Koninklijk Museum voor Schone Kunsten, Antwerp
• Abraham Served by the Angels – Museo della Magna Grecia, Reggio Calabria
• St. Jerome Penitent – Various techniques on wood, 40.2 x 30.2 cm, Museo della Magna Grecia, Reggio Calabria
• Portrait of a Man (1474) – Oil on wood, Staatliche Museen, Berlin
• Madonna with Child (Salting Madonna) – Oil on wood, 43.2 x 34.3 cm, National Gallery, London
• Portrait of a Man (1474) – Oil on wood, 32 x 26 cm, Staatliche Museen, Berlin
• St Jerome in His Study (c. 1474) – Oil on wood, 46 x 36,5 cm, National Gallery, London
• Portrait of a Man (Il Condottiere) (1475) – Oil on wood, 35 x 38 cm, Musée du Louvre, Paris
• Crucifixion (1475) – Wood, 42 x 25,5 cm, National Gallery, London
• Portrait of a Man (c. 1475) – Oil on wood, Galleria Borghese, Rome
• Portrait of a Man (c. 1475) – Oil on panel, 36 x 25 cm, National Gallery, London
• Portrait of a Man (1475-1476) – Oil on panel, 28 x 21 cm, Museo Thyssen-Bornemisza, Madrid
• San Cassiano Altarpiece (1475-76) – Oil on panel, Kunsthistorisches Museum, Vienna
• The Dead Christ Supported by an Angel (1475-78) – Panel, 74 x 51 cm, Museo del Prado, Madrid
• Christ at the Column (c. 1475-1479) – Oil on wood, 25,8 x 21 cm, Musée du Louvre, Paris
• Virgin of the Annunciation -Oil on panel, Alte Pinakothek, Munich
• Portrait of a Man (1476) – Oil on panel, Museo Civico d’Arte Antica, Turin
• Virgin Annunciate (c. 1476) – Oil on wood, 45 x 34,5 cm, Museo Nazionale, Palermo
• St. Sebastian (1477-1479) – Oil on canvas transferred on table, 171 × 85 cm, Gemäldegalerie Alte Meister, Dresden
• Portrait of a Young Man (c. 1478) – Panel, 20.4 x 14.5 cm, Staatliche Museeun, Berlin

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Portrait of a Young Man 1478

Still wondering about an Italian painting in your family collection? Contact us…it could be by Antonello da Messina.


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1398--pannini.php Paolo Giovanni Pannini Artwork Authentication & Art Appraisal

Paolo Giovanni Pannini (1691-1765)

We Perform Paolo Giovanni Pannini art authentication. Paolo Giovanni Pannini appraisal. Paolo Giovanni Pannini certificates of authenticity (COA). Paolo Giovanni Pannini analysis, research, scientific tests, full art authentications. We will help you sell your Paolo Giovanni Pannini or we will sell it for you.

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The Interior of the Pantheon, Rome

Paolo Giovanni Pannini or Panini was an Italian painter and architect, mainly known as one of the vedutisti or (veduta or view painters”).

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Saint Peters Basilica

As a young man, Pannini trained in his native town of Piacenza as a stage designer. In 1711, he moved to Rome, where he studied drawing with Benedetto Luti and became famous as a decorator of palaces, including the Villa Patrizi (1718-1725) and the Palazzo de Carolis (1720). As a painter, Pannini is best known for his vistas of Rome, in which he took a particular interest in the city’s antiquities. Among his most famous works are the interior of the Pantheon, and his vedute — paintings of picture galleries containing views of Rome. Most of his works, specially those of ruins have a substantial fanciful and unreal embellishment characteristic of capriccio themes.

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Picture Gallery with Views of Ancient Rome 1758

In 1719, Pannini was admitted to the Congregazione dei Virtuosi al Pantheon. He taught in Rome at the Accademia di San Luca and the Académie de France, where he influenced Jean-Honoré Fragonard. His studio included Hubert Robert and his son Francesco Panini. His style would influence a number of other vedutisti, such as his pupil Antonio Joli, as well as Canaletto and Bernardo Bellotto, who sought to appease the need by visitors for painted “postcards” depicting the Italian environs.

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The Lottery at Palazzo Montecitorio

Still wondering about an Italian painting in your family collection? Contact us…it could be by Paolo Giovanni Pannini.


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1399--montenegro_roberto.php Roberto Montenegro Artwork Authentication & Art Appraisal

Roberto Montenegro (1887 – 1968)

Do you think you may own a painting or illustration by Roberto Montenegro? We perform art art authentications, art appraisals, art research and provide Certificates of Authenticity (COA) as well as consultations, for all paintings and illustrations by Roberto Montenegro.

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Cabeza Azteca

Montenegro began his studies in Guadalajara, Mexico under a Brazilian artist, Felix Bernardelli. Montenegro initially made illustrations for modernist art periodical, “Revista Moderna.”

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Retrato de Chucho Reyes y Autor Retrato

Montenegro soon moved to Mexico City and studied at the Academia de San Carlos alongside notables Diego Rivera, Angel Zarraga and Francisco Goitia.

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L’Epicerie Du Bon Poete, 1939

Montenegro was awarded a scholarship from the Mexican government to study at the Academia de San Fernando in Madrid. Montenegro continued his studies in Europe, moving to Paris in 1907. In Paris Montenegro met Picasso, Juan Gris, Braque and Jean Cocteau. It was perhaps during this early sojourn to Europe that Montenegro picked up his distinctly “European” style. While much of Montenegro’s work echoes Mexican traditions and styles, he also ventured out into Surrealism to create a style of his own that was much different from his contemporaries.

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La Primera Dama, 1942

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Profile

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Odalisca

It has been said by some that Montenegro is one of the hardest Mexican artists to pinpoint in style as well as in technique. This is not surprising because Montenegro often bounced from one style to another and didn’t have any distinct techniques, which he incorporated in his compositions. Because of his extensive travels and often changing style, the possibility for an unknown Montenegro piece to surface is great.

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Desesperacíon

Rarely did Montenegro’s work pose a particularly social message, and if it did, it was certainly not as loud as that of other muralists of the time like Diego Rivera. However, because of Montenegro’s Surrealist nature, his work is full of symbolism, such as his 1949 piece Desesperacion, featuring a fleeing horse.

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Puerto de Venecia

During World War I Montenegro left France and spent five years in Mallorca. After the war, Montenegro returned to Mexico to paint several frescoes in the convent of San Pedro and San Pablo. During this period Montenegro is most recognized for his mural entitled “Fiesta de la Santa Cruz.”

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La Fiesta de la Santa Cruz

In addition to working as a fine artist, Montenegro organized the first popular arts festival, published “Pintura Mexicana del Periodo 1800-1860,” and was involved with choreography and stage designs.

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Retrato de Mujer

While Montenegro is well known for his murals, lithographs, oil paintings, stained glass and book illustrations, it is Montenegro’s portraits that brought him the most fame. Do you think you own a Montenegro illustration or painting? Contact us, we are the Montenegro experts.


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1400--merida.php Carlos Mérida Artwork Authentication & Art Appraisal

Carlos Mérida (1891-1984)

Get a Mérida Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Mérida artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Mérida Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mérida painting, drawing or print.

If you want to sell your Mérida painting, drawing or print use our selling services. We offer Mérida selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mérida and issuing certificates of authenticity since 2002. We are recognized Mérida experts and Mérida certified appraisers. We issue COAs and appraisals for all Mérida artworks.

Our Mérida paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mérida certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mérida painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mérida paintings or drawings take longer.

Our clients include Mérida collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carlos Mérida art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Carlos Mérida or we will sell it for you.

Merida, Structural Study for a Mural, 1921

Structural Study for a Mural, 1921

Merida, Fiesta de Pajaros

Fiesta de Pajaros

Carlos Mérida was a Guatemalan artist who spent much of his life and career in Mexico. Mérida grew up in Queltzaltenango, Guatemala to a family of Mayan and Zapotec descent. Mérida’s heritage was often a prevalent subject in his work.

Merida, Tzel y el brujo, 1901

Tzel y el brujo, 1901

Before studying art, Mérida’s passion was music. After suffering a loss of hearing Mérida became interested in the visual arts and moved to Guatemala City to study at the Instituto de Artes y Artesanias. Mérida began to meet prominent figures such as painter Carlos Valenti.

Merida

In 1910 Mérida went with Valenti to Paris, where he met Picasso and saw influential works of art. Unfortunately the trip took a bitter turn when Valenti committed suicide. Mérida returned to Guatemala alone and prepared his first exhibition.

Merida, El Verano, 1981

El Verano, 1981

Merida, El Invierno, 1981

El Invierno, 1981

In Guatemala Mérida met his wife, Dalillla Gálvez. Due to family tensions, the couple made their home in Mexico where Mérida became an active muralist and exhibiting artist.

In 1922 Mérida and Diego Rivera painted murals of the Anfiteatro Bolivar in Mexico City. Mérida, Rivera, Orozco, and Siqueiros worked together to found the Union of Workers, Technicians, Painters and Sculptors.

Merida, El Diablo y Muerte

El Diablo y Muerte

Mérida also worked as a solo muralist for a commission to paint the Children’s Library of the Ministry of Public Education “Little Red Riding Hood and the Four Elements”. Mérida also painted a mural for the Mexican President Juárez, depicting a series of Mexican creation myths.

Merida, Paisaje de la Urbe, 1956

Paisaje de la Urbe, 1956

Mérida returned to Paris where he became introduced to the work of Paul Klee and Joan Miró. When Mérida drastically changed his style, becoming one of the few non-figurative artists in Mexico. Mérida’s work combined Mayan imagery with the abstract forms he had seen in Europe.

Mérida started to use Constructivist techniques in the 1950s, integrating various materials into his paintings. Mérida made murals and mosaics with pieces of glass or an indigenous bark-wood paper called ¨papel amate¨.

Mérida spent his later life completing commissions in both Mexico and Guatemala making mosaics, murals, prints and paintings on canvas. Carlos Mérida is an important Guatemalan and Mexican artist. Mérida’s work is well known is both Europe and the Americas. Do you think you may own a print or painting by Carlos Mérida? Contact us. We are the Carlos Mérida experts.


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1401--holbein.php Hans Holbein the Younger Artwork Authentication & Art Appraisal

Hans Holbein the Younger (1498 – 1543)

Get a Holbein Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Holbein artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Holbein Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Holbein painting, drawing or print.

If you want to sell your Holbein painting, drawing or print use our selling services. We offer Holbein selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Holbein and issuing certificates of authenticity since 2002. We are recognized Holbein experts and Holbein certified appraisers. We issue COAs and appraisals for all Holbein artworks.

Our Holbein paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Holbein certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Holbein painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Holbein paintings or drawings take longer.

Our clients include Holbein collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Hans Holbein the Younger art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Hans Holbein the Younger or we will sell it for you.

Holbein, Portrait of Jane Seymour

Portrait of Jane Seymour 

Holbein, Portrait of Erasmus

Portrait of Erasmus
1523 

Holbein, Mary Wotton

Mary Wotton
1527 

Hans Holbein the Younger was a German painter and printmaker during the 16th century. Holbein is most known for his portraits, religious paintings, Reformation propaganda, and Northern Renaissance style. Holbein was named after his father, Hans Holbein the Elder, who was a painter of the late Gothic period.

Holbein, Georg Gisze, German Merchant in London

Georg Gisze, German Merchant in London
1532.

Holbein, The Ambassadors

The Ambassadors
1533

Holbein was born in Augsberg, Germany, but worked in Switzerland for most of his life. Holbein first moved to Basel, Switzerland when his father was hired to be a painter and printmaker in the city. Holbein would work on projects with his father, learning valuable techniques. In 1517, both the Elder and Younger worked on indoor murals for the merchant, Jakob von Hertenstein in Luzern.

Holbein, A Woman

A Woman
1532
Detroit Institute of Arts

Holbein, Portrait of A Scholar

Portrait of A Scholar
1535 Red Chalk and Pen on Paper
Getty Collection

When Holbein returned to Basel form Luzern he began to run a painting workshop and joined the painters’ guild. Around this same time he married a woman named Elsbeth Schmid, who soon gave birth to two children.

Holbein continued to work on mural projects, including a commission from the Council Chambers of the Town Hall. Unfortunately, many of these murals have not survived. While working on large-scale murals, Holbein also mastered book design and woodcut printing methods. Holbein painted portraits less frequently at this time, than later in his career. It was not until 1523 that Holbein painted his first portraits of the Renaissance scholar, Erasmus. It’s the paintings of Erasmus that really sparked Holbein’s career. A few years later, Holbein moved to England, where he was commissioned to paint Sir Thomas More. The painting f More, was followed by a series of important commissions.

Holbein, An Allegory of Passion

An Allegory of Passion
1532-1536 Oil on Panel
Getty Collection

Holbein, Portrait of a Canon

Portrait of a Canon
1520 Pot-Metal and Clear Glass and Paint
Getty Collection

In England Holbein was involved in a circle of humanists and scholars, for whom he was employed. Holbein did not work for the King, but for several courtiers and the Archbishop of Canterbury. Around 1528, Holbein returned to Basel and purchased a house in St. Johanns-Vorstadt, where he continued to paint portraits. The political climate in Basel was quickly intensifying due to the religious reformation. The reformist council paid for Holbein to continue working on frescoes. The new frescoes were based on the Old Testament, telling the story of Rehoboam, Saul and Samuel. Holbein was also paid to design clocks at the city gates.

Holbein, William Warham

William Warham
1527
Musee du Louvre, Paris

Holbein, Study for the façade of a building

Study for the façade of a building
Print on Paper
Musee du Louvre

Holbein, Erasmus of Rotterdam

Erasmus of Rotterdam
Oil on wood 18.7 x 14.6 cm
Metropolitan Museum of Art, New York

In the 1530s, Holbein’s commissions started to wane, and the artist decided to return to England. Like Switzerland, political tension was growing in England. Holbein strayed form his humanist ties and began to favor Thomas Cromwell, the secretary of the King Henry VIII, and Anne Boleyn and her family. While Holbein worked for Anne Boleyn, all portraits were destroyed after her execution.

Holbein, St. Thomas

St. Thomas
1527 Pen and Ink, Brush and Gray Wash on Paper

Holbein, Edward VI (child)

Edward VI (child)
1538 Oil on Panel
National Gallery, DC

Holbein’s work for Cromwell included a series of reformist images, such as woodcuts royal images and a cover to Myles Coverdale’s version of the bible. He also painted several portraits of courtiers, landowners and international ambassadors.

Holbein, Sir Brian Tuke

Sir Brian Tuke
1527 Oil on Panel
National Gallery, DC

Holbein, Portrait of a Young Man

Portrait of a Young Man
1520 Oil on Panel
National Gallery, DC

By 1536, Holbein began working for King Henry VIII, through the sponsorship of Cromwell. At this time Holbein painted both miniature and large-scale portraits of the royal family. Only a few years later, in 1540, Thomas Cromwell was executed. This marked the third death of one of Holbein’s patrons, following Thomas More and Anne Boleyn. In 1543 Holbein died of unknown causes. It is speculated that he died of the plague, though the specific details of his death and gravesite is unknown.

While many of the frescoes and portraits of Holbein were destroyed, his surviving work is extremely valuable. In recent years lost miniatures have resurfaced, catching the attention of collectors and art historians. Museums around the world collect his paintings, prints and sketches. Do you think you own a painting or print by Hans Holbein the Younger? Contact us. We are the Holbein experts.


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1403--haydon.php Benjamin Robert Haydon Artwork Authentication & Art Appraisal

Benjamin Robert Haydon (1786 – 1846)

Get a Haydon Certificate of Authenticity for your painting (COA) for your Haydon drawing.

For all your Haydon artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Haydon Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Haydon painting or drawing.

If you want to sell your Haydon painting or drawing use our selling services. We offer Haydon selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Haydon and issuing certificates of authenticity since 2002. We are recognized Haydon experts and Haydon certified appraisers. We issue COAs and appraisals for all Haydon artworks.

Our Haydon paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Haydon certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Haydon painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Haydon paintings or drawings take longer.

Our clients include Haydon collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Benjamin Robert Haydon art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Benjamin Robert Haydon or we will sell it for you.

Haydon, Self-Portrait

Self-Portrait
1845 Oil on Canvas

Haydon, Selene's Horse

Selene’s Horse
54 x 76.2 cm Charcoal drawing
British Museum

Haydon, Portrait of William Wordsworth

Portrait of William Wordsworth
1842 Oil on Canvas 124 x 99 cm
National Portrait Gallery

Benjamin Haydon was an English artist from Plymouth, known for his historical paintings. Haydon’s father was a skilled printer and publisher and his mother was the daughter of a well-known reverend. While Haydon had many interests as a child, he knew early on that he wanted to be a painter.

Haydon, Assembly of Gods

Assembly of Gods
Pen and Ink 30.5 x 19 cm
Courtauld Gallery

Haydon, Illustration to Leigh Hunt's The Story of Rimini´

Illustration to Leigh Hunt’s The Story of Rimini´
Pen and Ink on paper 19th Century
Courtauld Gallery

In 1804, young Haydon moved to London and enrolled at the Royal Academy. Haydon worked tirelessly, impressing his peers and professors, and before long he was exhibiting and selling his work. Before long, Haydon was receiving commissions from important clients such as Lord Mulgrave and Sir George Beaumont.

Haydon, Portrait of Reverend Hugh Hutton

Portrait of Reverend Hugh Hutton
1832 Chalk drawing
Birmingham Museum

Haydon, Meeting of the Birmingham Political Union

Meeting of the Birmingham Political Union
1832 Oil on Painting
Birmingham Museum

Haydon’s relationship with the Royal Academy was weakened after one of his masterpieces, Dentatus. was exhibited in a low profile location, rather than being shown as a focal piece. Haydon felt like while his popularity was growing publicly, the academy did not fully appreciate his work.

Haydon, John Keats and Benjamin Haydon

John Keats and Benjamin Haydon
1816 Pen and ink 70 x 203 mm
National Portrait Gallery

Haydon soon began taking on his own students, the first of whom was Charles Lock Eastlake, who later became a well-known British artist. Haydon continued to receive commissions, received a decent amount of income from his piece The Judgement of Solomon, which helped him financially when his father stopped supporting him.

Haydon, Napoleon Bonaparte

Napoleon Bonaparte
1830 Oil on Canvas 762 x 631 mm
National Portrait Gallery

Around 1810, Haydon decided to escape London and travelled to Paris with his friend and fellow painter, David Wilkie. When Haydon returned, he painted several large religious paintings, inspired by his time studying at the Louvre.

In 1821, Haydon married a young woman who was widowed with two children. While Haydon was devoted to his new family, legal issues interfered with their relationship when Haydon was imprisoned in 1823. A committee soon formed to support Haydon’s historical paintings and lobby for his release. Haydon was actually able to use his time in prison productively and execute several paintings, one of which was purchased by King George IV.

Haydon, William Wordsworth (study)

William Wordsworth (study)
1818 Chalk drawing
National Portrait Gallery

After Haydon’s release, his financial problems continued to mount. He lost several contests, which could have resulted in large monetary prizes. While Haydon was commissioned for a piece Alfred and the Trial by Jury, his debt had climbed into the thousands. In a state of depression and despair, Haydon committed suicide, leaving behind his wife and three children.

While Haydon’s life ended in a tragic fashion, he can be remembered as one of the most important British, history painters of his time. His paintings can now be found in the collections of major museums across Britain and around the world.


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1404--romero.php Carlos Orozco Romero Artwork Authentication & Art Appraisal

Carlos Orozco Romero (1898-1983)

Get a Romero Certificate of Authenticity for your painting (COA) for your Romero drawing.

For all your Romero artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Romero Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Romero painting or drawing.

If you want to sell your Romero painting or drawing use our selling services. We offer Romero selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Romero and issuing certificates of authenticity since 2002. We are recognized Romero experts and Romero certified appraisers. We issue COAs and appraisals for all Romero artworks.

Our Romero paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Romero certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Romero painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Romero paintings or drawings take longer.

Our clients include Romero collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carlos Orozco Romero art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Carlos Orozco Romero or we will sell it for you.

Romero, El Minero

El Minero

Romero, Camino a la Belleza

Camino a la Belleza

Carlos Orozco Romero was born in Guadalajara, Mexico in 1898. In 1914, Orozco Romero decided to move to Mexico City, where he worked as an illustrator and caricaturist under the pseudonym of Karikato. Orozco Romero contributed to the periodical, El Heraldo de Mexico, Excelsior, El Universal Ilustrado and the Revista.

Romero, Seated Woman

Seated Woman

In 1920 Orozco Romero married Maria Marin. In the same year of his marriage, the governor of Jalisco, Mexico offered Orozco Romero a scholarship to study in Europe. Orozco Romero went to Madrid, Spain where he met the painter Rafael Alberti and the Mexican writers, Luis G. Urbina and Alfonso Reyes.

Romero, Destiny Makers

Destiny Makers

Romero

Orozco Romero and his contemporaries published their prints in a book titled, Los Pequeños. During this same time, Orozco Romero was commissioned to do a mural in the public library of Jalisco, and he painted several murals in the following years.

Romero

In 1928 Orozco Romero exhibited in the capital for the first time in the Sonora Gallery. Orozco Romero also exhibited at the New York Art Center, Delphic Studios, Wilmington Society of Arts, Art Institute of Chicago, and the American Federation of Art.

Romero, Naturaleza Muerta

Naturaleza Muerta

In 1939, the Guggenheim Foundation gave Orozco Romero a grant to study in New York. He had incredible success in his work and became the director of the Museo de Arte Moderno and initiated the Open Studio Movement.

Romero, Cabeza de Maria Marin

Cabeza de Maria Marin

In 1978 and 1980, Orozco Romero had his last expositions at the Modern Museum of Art in Monterrey and later worked as a professor of painting and drawing at various schools in Mexico. He is known as a great muralist, portrait and landscape painter, and his work can be viewed in museums and collections all over the world.

Do you think you own an Orozco Romero? Contact us. We are the Orozco Romero experts.


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1405--marilhat.php Antoine-George-Prosper Marilhat Artwork Authentication & Art Appraisal

Antoine-Georges-Prosper Marilhat (1811-1847)

Get a Marilhat Certificate of Authenticity for your painting (COA) for your Marilhat drawing.

For all your Marilhat artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Marilhat Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Marilhat painting or drawing.

If you want to sell your Marilhat painting or drawing use our selling services. We offer Marilhat selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Marilhat and issuing certificates of authenticity since 2002. We are recognized Marilhat experts and Marilhat certified appraisers. We issue COAs and appraisals for all Marilhat artworks.

Our Marilhat paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Marilhat certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Marilhat painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Marilhat paintings or drawings take longer.

Our clients include Marilhat collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Antoine-Georges-Prosper Marilhat art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Antoine-Georges-Prosper Marilhat or we will sell it for you.

Antoine-George-Prosper Marilhat was a great Orientalist painter, who sadly died at a very young age. He was born in Vertaizon, in the Auvergne region of France. He started painting early on in his life, producing landscapes of the Auvergne. He then moved to Paris to study under the painter Camille Roqueplan, who was a painter of landscapes, historical subjects, and genre scenes. Marilhat made his debut in the salon in 1831, with a landscape of the Auvergne.

Shore of the Nile, Egypt

Shore of the Nile, Egypt

In 1831, he joined Baron Karl von Hugel on an expedition to Greece, Syria, Lebanon, Palestine and Egypt. Baron Karl von Hugel then went on to India, while Marilhat stayed in the Orient for a further twenty two months. During this lengthy period, he produced ten albums of sketches, and drawings. This provided inspiration for his work for the rest of his life. Marilhat mainly specialized in architectural paintings and landscapes. However, he also produced some portraits, including one of Theodore Chasseriau, who was his friend, and also an Orientalist painter. This painting now hangs in the Louvre. He also worked on two decorative schemes for the theatre in Alexandria.

Palm Trees, 1830's

Palm Trees, 1830’s

From the years, 1840 to 1844, Marilhat drew heavily from his experience in the 0rient, particularly his time in Egypt. In 1840, he produced the painting, “Ruins of the al-Hakim Mosque, Cairo.” This mosque lay inside the north wall of Cairo, between two great gates. Although it was very dilapidated, and almost completely abandoned by the nineteenth century, it continued to attract artists, and writers. Art critics have said of this painting, which was exhibited in the Salon of 1840, that it captured the monumentality of the ruins, and the romanticism of the location.

Souvenir de la Campagne de Rosette

Souvenir de la Campagne de Rosette

Theophile Gautier was deeply moved by Marilhat’s Oriental paintings, and particularly the painting entitled, “Place de l’Esbekieh au Caire”. When he saw this painting, he reacted in a very emotional manner, and said, “On seeing this painting, I became sick at heart, and yearned for the Orient, in which I had not yet set foot.”

Elizbeka Street, Cairo

Elizbeka Street, Cairo

Marilhat won a lot of praise at the Salon of 1844, with the painting, “Souvenirs abord du Nil”, and also, “Arabes syriens en Voyage”, which now hangs in the Musee Conde, in Chantilly.

Arabes syriens en Voyage

Arabes syriens en Voyage

While working on his Orientalist work, he continued to exhibit landscapes of Provence, and his native Auvergne. Art critics have said that his work can be divided into three stylistic periods. The first is his traditional landscapes, and portraits. The second was the elegant draughtsmanship of his Oriental period, and the third came after 1838. This third period was said to have been influenced by Cabat, and his friend, d’Augny, when he produced a number of mythological works. His last paintings were not very well received by the critics. It is certain that he had the greatest success with his Oriental works, for which he received much praise.

Ruines de la Mosquee Du Cal

Ruines de la Mosquee Du Cal

Marilhat sadly became insane towards the end of his life and ended his days in an asylum. His Oriental works can be found in the Louvre, the Wallace Collection in London, as well as the Hermitage Museum in St. Petersburg.


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1406--redfield.php Edward Willis Redfield Artwork Authentication & Art Appraisal

Edward Willis Redfield (1869-1965)

Get a Redfield Certificate of Authenticity for your painting (COA) for your Redfield drawing.

For all your Redfield artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Redfield Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Redfield painting or drawing.

If you want to sell your Redfield painting or drawing use our selling services. We offer Redfield selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Redfield and issuing certificates of authenticity since 2002. We are recognized Redfield experts and Redfield certified appraisers. We issue COAs and appraisals for all Redfield artworks.

Our Redfield paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Redfield certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Redfield painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Redfield paintings or drawings take longer.

Our clients include Redfield collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Edward Willis Redfield art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Edward Willis Redfield or we will sell it for you.

Redfield, Bridge at Charenton

Bridge at Charenton

Edward Willis Redfield was an American Impressionist painter, born in Bridgeville Delaware. Redfield is known for painting the landscape in New Hope, Pennsylvania, where he belonged to an artist colony. Redfield was interested in art from early age and relocated to Philadelphia in 1887 to study at the Pennsylvania Academy of Fine Arts.

Redfield, Bucks County Landscape

Bucks County Landscape

In Philadelphia, Redfield became acquainted with leading artists who greatly impacted his career. One such friend was Robert Henri, who later spearheaded the formation of the Aschcan School of painters. Redfield did not follow the Ashcan school’s migration to New York, but decided to continue his studies in Paris. Redfield enrolled at the Académie Julian and the Ecole des Beaux-Arts. In France, Redfield identified with the Impressionist work of Monet and Pissarro. Redfield would continue to paint impressionist landscapes for the duration of his career.

Redfield, Point Pleasant Hill

Point Pleasant Hill

Redfield returned to the United States with his French wife, settling in New Hope, Pennsylvania. Along with fellow artist, William Langson Lathrop, Redfield turned the rural town of New Hope into a thriving art colony.

Redfield, Easter Morning

Easter Morning

In the tradition of impressionist plein-air painters, Redfield painted outside rather than in a studio. Redfield painted year-round, weathering the snowy winters of Pennsylvania. Redfield completed his paintings rather quickly and often in the course of one day. He notoriously painted with a thick and direct application of paint.

Redfield, The Bowdoin, Monhegan

The Bowdoin, Monhegan

Redfield was successful in exhibiting his work in Pennsylvania and across the nation. In 1915 Redfield exhibited numerous paintings in the Panama-Pacific International Exhibition in San Francisco.

Redfield, Winter Road

Winter Road

While Redfield’s reputation became known in the United States from coast to coast, Redfield grew dissatisfied with his own work and stopped painting around 1947. Redfield’s self-criticism did not deter collectors from buying his work.

Redfield, The Frozen Creek

The Frozen Creek

Redfield, Road to the River

Road to the River

Redfield, The Burning of Center Bridge

The Burning of Center Bridge

Redfield, Bucks County Winter

Bucks County Winter

Redfield, Brooklyn Bridge at Night, 1909

Brooklyn Bridge at Night, 1909

Redfield, Lower New York, 1910

Lower New York, 1910

Redfield, Bouthbay Harbor

Boothbay Harbor

Redfield, The Studio Garden

The Studio Garden

Redfield, In the Forest of Fontainebleau

In the Forest of Fontainebleau

Redfield’s paintings are now in museums such as the Metropolitan Museum of Art in New York City and the Smithsonian American Art Museum in Washington, DC. Redfield has made a lasting mark on American Impressionism. Do you think you own a painting by Edward Willis Redfield? Contact us. We are the Edward Willis Redfield experts.


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done
1408--lange.php Joseph Lange Artwork Authentication & Art Appraisal

Joseph Lange (1751-1831)

Get a Lange Certificate of Authenticity for your painting (COA) for your Lange drawing.

For all your Lange artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lange Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lange painting or drawing.

If you want to sell your Lange painting or drawing use our selling services. We offer Lange selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lange and issuing certificates of authenticity since 2002. We are recognized Lange experts and Lange certified appraisers. We issue COAs and appraisals for all Lange artworks.

Our Lange paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lange certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lange painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lange paintings or drawings take longer.

Our clients include Lange collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Joseph Lange art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Joseph Lange or we will sell it for you.

Lange painting, Constanze Mozart

Constanze Mozart

Lange painting, Mozart, unfinished

Mozart, unfinished

Joseph Lange was an 18th century Austrian painter. He was known mainly for his portraits, and most famously, painted portraits of Wolfgang Amadeus Mozart and his wife, Constanze. This unfinished portrait of Mozart would have depicted him at the piano. Lange also painted many other portraits of prominent Austrians of the era. Still wondering about an 18th century European painting in your family collection? Contact us…it could be by Joseph Lange.


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1409--lagrenee.php Louis Jean Francois Lagrenee Artwork Authentication & Art Appraisal

Louis Jean Francois Lagrenee (1725-1805)

Get a Lagrenee Certificate of Authenticity for your painting (COA) for your Lagrenee drawing.

For all your Lagrenee artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lagrenee Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lagrenee painting or drawing.

If you want to sell your Lagrenee painting or drawing use our selling services. We offer Lagrenee selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lagrenee and issuing certificates of authenticity since 2002. We are recognized Lagrenee experts and Lagrenee certified appraisers. We issue COAs and appraisals for all Lagrenee artworks.

Our Lagrenee paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lagrenee certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lagrenee painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lagrenee paintings or drawings take longer.

Our clients include Lagrenee collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Louis Jean Francois Lagrenee art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Louis Jean Francois Lagrenee or we will sell it for you.

Lagrenee painting, Mythological Scene

Mythological Scene

Louis Jean Francois Lagrenee was an 18th century French Rococo painter. Lagrenee mainly painted mythological scenes, and has been credited by art historians as being one of the artists responsible for the transition between Rococo and Classical French art.

Lagrenee painting, Rinaldo and Armida

Rinaldo and Armida

Lagrenee won the Prix de Rome from the Academie Royale de Peinture et de Sculpture in 1749. He studied in Rome and later was named the director of the Saint Petersburg Academy in Russia . Lagrenee also painted for the Russian court and was given several important public commissions once he returned to Paris.

Lagrenee painting, Mars and Venus

Mars and Venus

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Louis Jean Francois Lagrenee.


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1410--fontanarosa.php Lucien Fontanarosa Artwork Authentication & Art Appraisal

Lucien Fontanarosa (1912-1975)

Get a Fontanarosa Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Fontanarosa artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Fontanarosa Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fontanarosa painting, drawing or print.

If you want to sell your Fontanarosa painting, drawing or print use our selling services. We offer Fontanarosa selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fontanarosa and issuing certificates of authenticity since 2002. We are recognized Fontanarosa experts and Fontanarosa certified appraisers. We issue COAs and appraisals for all Fontanarosa artworks.

Our Fontanarosa paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fontanarosa certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fontanarosa painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fontanarosa paintings or drawings take longer.

Our clients include Fontanarosa collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lucien Fontanarosa art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Lucien Fontanarosa or we will sell it for you.

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Arlequin et Petit Singe Flutiste, 1970

Lucien Fontanarosa was born to Italian parents in Paris where his father worked as a tailor. Fontanarosa grew up in Paris and also in Padua, Italy. He showed interest in art as a child, and spent his free time sketching the streets of Paris as a boy along the banks of the Seine. He took classes in these early years in Classical Art at the Academie Julian.

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Playing the Flute, lithograph, 1954

Though his family accepted his love of art, Fontanarosa was still encouraged to learn a trade, so he turned to lithography and took classes at the Ecole Estienne in Paris. He is awarded a scholarship by the Ecole Estienne in 1931 which allows him to travel to Tunisia. Here is able to flex his Orientalist side.

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L’Orientale

That same year he attended the Ecole des Beaux-Arts and was able to set up a studio in an abandoned shop. Fontanarosa is inspired by the work of the Cubists at this time, however, he would essentially become a Post-Impressionist/Expressionist painter. In 1932, he began to exhibit more and more, and the following year he met fellow art student Annette Faive who would become his wife.

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Venice, le Grand Canal

From 1937-1939, Fontanarosa lived and worked in Rome where he worked in Ingres’ studio. He would also take his work outdoors and paint around the city at various famous monuments and regions of Italy, especially Tuscany.

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Statue du Colleone, Venise

In 1939, Fontanarosa was drafted into the army, but his time in service did not prevent him from exhibiting his work at this time. His stint fighting in World War II was brief, but impacted him emotionally. When he returned in 1940, Fontanarosa destroyed a large portion of the work he had left behind in his studio and started his career anew.

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Portrait of Andre Hilt

Throughout his career, Fontanarosa was commissioned by the French government to paint a number of frescoes and other artistic decoration in various buildings. Some of these decorations, such as the Richelieu Lecture Theater in Poitiers have since been destroyed.

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Le Garcon a la Partition

During his lifetime, Fontanarosa found great success as an artist, and had many patrons besides the French government. He traveled extensively around Europe, working and exhibiting in Italy, Holland, Luxembourg and other European countries. His work has also been exhibited in London and even in the United States. He worked on interesting projects, such as creating the cover for Ernest Hemingway’s “For Whom the Bell Tolls” and won a number of decorations and awards as an artist. Fontanarosa was a highly prolific artist and continued to work nearly until his death in 1975, and he is buried today among so many other artists at the Pere Lachaise cemetery in Paris.


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1411--magritte-francais.php René Magritte Artwork Authentication & Art Appraisal

René Magritte, 1898-1967, Belge

René Magritte est né le 21 novembre 1898 à Lessines, dans le Hainaut. Peintre surréaliste, il s’est attaché à dépasser la simple représentation afin d’exprimer la pensée de l’artiste et à déconstruire son rapport à la réalité.
Il commence à étudier la peinture à l’âge de douze ans et fréquente l’atelier de Félicien Defoin. Sa jeune imagination est marquée par les lectures fantastiques de Poe, Leroux et Leblanc. Il produit ses premières œuvres en 1915, adoptant d’emblée le style impressionniste.

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Le Fils de l’Homme 1964

 

Son passage de deux ans par l’Académie royale des beaux-arts de Bruxelles lui permet d’approfondir ses connaissances : auprès de son professeur Constant Montald, il découvre le symbolisme. Plus tard, il rejoint l’atelier du peintre Pierre-Louis Flouquet, représentant des styles futuriste et cubiste. Après une première exposition en 1920 et une année de service militaire, il épouse sa fiancée Georgette et s’établit comme dessinateur dans l’usine de papier peint Peters-Lacroix.

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Le Fils de l’Homme 1964

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L’Assassin Menacé 1926

 

« Mes yeux ont vu la pensée pour la première fois, » écrit Magritte lorsqu’il découvre la peinture dada de Chirico. Il fonde alors, avec ses amis Camille Goemans, Marcel Lecomte et Mesens, les revues Période et Œsophage : le groupe surréaliste de Bruxelles est né ! S’il réalise en 1926 une de ses premières toiles surréalistes, intitulée Le Jockey perdu, il faut attendre janvier 1928 pour que Magritte connaisse sa première grande exposition.

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Le Jockey Perdu 1926

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Plaisir 1927

L’année suivante, lors d’un séjour en région parisienne, il rencontre les surréalistes Breton, Éluard, Ernst et Dali, qui ont influencé son œuvre la plus célèbre, La Trahison des images (1928-1929), un dessin de pipe sous lequel figurent les mots « Ceci n’est pas une pipe ». Magritte cherchait à faire considérer l’objet selon sa réalité concrète et physique, et non en fonction d’un terme abstrait.

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Les Amoureux 1928

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Le Mal du Pays

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Le Mouvement Perpétuel

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Le Cicéron 1947

 

En 1933, il réalise Le Viol (1934) pour la couverture de l’essai d’André Breton, Qu’est-ce que le surréalisme ? En 1936, il expose outre-Atlantique et à Londres. Son chef-d’œuvre suivant, La Reproduction interdite, de 1937, montre un homme s’observant dans un miroir qui reflète son dos. Selon lui, une peinture n’a en effet pas vocation à refléter exactement la réalité.

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Invention Collective 1934

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Le Principe du Plaisir, Portrait d’Edward James 1937

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Le Viol 1945

 

De 1943 à 1945, il connaît sa période Renoir, marquée par des techniques impressionnistes, puis, en 1948, il peint en l’espace de six semaines une quarantaine de tableaux et de gouaches aux tons criards. C’est sa période vache, destinée à choquer le bon goût français et dérouter les marchands d’art.

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Les Vacances de Hagel 1958

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Les Deux Mystères 1966

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LPrésence d’Esprit 1960

 

De 1952 à 1956, il dirige la revue sous forme de carte postale La Carte d’après nature et exécute de nombreuses commandes : Le Domaine enchanté (une suite de panneaux qui ornent les murs du casino de Knokke-le-Zoute), La Fée ignorante (1961) et Les Barricades mystérieuses (1961).

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L’Avenir des Statues 1932

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Magie Noire 1934

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Souvenir 1948

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La Grande Famille 1963

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Autoportrait

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Ceci n’est pas une Pipe

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Les Fleurs du Mal 1946

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Le Premier Jour 1943

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Le Contenu Pictural 1947

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La Famine 1948

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Le Chèque en Blanc 1965

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Statue 1967

 

C’est l’heure des rétrospectives : un premier hommage en 1954 à l’Académie des beaux-arts de Bruxelles, suivi d’une exposition au MOMA en 1965 et enfin, une rétrospective au Musée Boijmans Van Beuningen de Rotterdam. Magritte meurt d’un cancer le 15 août 1967 et est enterré à Schaerbeek.


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1412--hamilton-gavin.php Gavin Hamilton Artwork Authentication & Art Appraisal

Gavin Hamilton (1723-1798)

We Perform Gavin Hamilton art authentication. Gavin Hamilton appraisal. Gavin Hamilton certificates of authenticity (COA). Gavin Hamilton analysis, research, scientific tests, full art authentications. We will help you sell your Gavin Hamilton or we will sell it for you.

Hamilton painting, Oath of Brutus

Oath of Brutus

Gavin Hamilton was an 18th century Scottish Neo-Classical painter. Hamilton studied art in Rome under Augustine Mossuchi. He returned to London for a brief period where he painted portraits of nobility, but returned shortly to Italy where he lived for the rest of his life.

Hamilton painting, Venus Giving Paris Helen as His Wife

Venus Giving Paris Helen as His Wife

Hamilton mainly painted scenes of classical Roman and Greek subjects, and was also an amateur archeologist. Today, many of his paintings are housed in public and private collections in Great Britain and Italy.

Hamilton painting, Agrippina Landing at Brindisium with the Ashes of Germanicus

Agrippina Landing at Brindisium with the Ashes of Germanicus

Still wondering about an 18th century painting in your family collection? Contact us…it could be by Gavin Hamilton.


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1413--loiseau.php Gustave Loiseau Artwork Authentication & Art Appraisal

Gustave Loiseau (1865-1935)

Get a Loiseau Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Loiseau artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Loiseau Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Loiseau painting, drawing or print.

If you want to sell your Loiseau painting, drawing or print use our selling services. We offer Loiseau selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Loiseau and issuing certificates of authenticity since 2002. We are recognized Loiseau experts and Loiseau certified appraisers. We issue COAs and appraisals for all Loiseau artworks.

Our Loiseau paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Loiseau certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Loiseau painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Loiseau paintings or drawings take longer.

Our clients include Loiseau collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gustave Loiseau art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gustave Loiseau or we will sell it for you.

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L’Hermitage, a Pontoise

Gustave Loiseau was an Impressionist painter born in Paris. After a short stint in the military as a young man, he returned home to work with his family as a decorator. He studied briefly at the Ecole des Beaux-Arts in Paris, but received some of his best training from working with major Impressionist painters of the time. Loiseau first exhibited at the Salon des Independents in 1893.

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La Casa Rosa

In 1889, Loiseau traveled to Pont-Aven a number of times to study with Gaugin. Loiseau was also influenced by Monet, Sisley and Pisarro, and formed a truly traditional Impressionist style on his own. Like his predecessors, Loiseau was fond of painting views of Paris and the Seine River, as well as country scenes of surrounding rural areas.

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Rue a Pont-Aven

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Chaumiere dans la Campagne

Though he belonged to the second generation of Impressionist painters and his work was not as progressive as the Post-Impressionists and Expressionists of the time, Loiseau gained a great deal of acclaim for his talent. Fellow painters marveled at his use of contrasting light and dark colors, and especially at his treatment of light and the seasons. His depiction of snow and mist in particular is intricate and nearly unmatched, and many critics find that his paintings evoke emotion more so than many of his contemporaries.

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L’Arc de Triomphe

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Le Port de Dieppe, 1926

Some of Loiseau’s paintings show hints of Pointillism, though he was never officially affiliated with this movement.

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Riviere de Belon

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Verger En Fleur, Printemps, 1902

Loiseau would typically sign his work “G. Loiseau” and date it on the front of his oil painted canvases. He continued painting nearly up until his death in 1935, still painting in the now dated Impressionist style. He lived in Paris during his final years, painting more cityscapes than nature and landscape during this time.

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La Place de la Bastille, 1922

Though he was primarily a landscape, seascape and city scene painter, he no doubt created a number of sketches and paintings of figure studies and still life.

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La Carpe, 1930

Today his paintings are housed in museums all around the world, and perhaps in your own home. Still wondering about an Impressionist landscape hanging in your home? Contact us…it could be by Gustave Loiseau.


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1414--de-carmontelle.php Louis Carrogis de Carmontelle authentication

Louis Carrogis de Carmontelle (1717-1806)

Get a De Carmontelle Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your De Carmontelle artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a De Carmontelle Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Carmontelle painting, drawing or print.

If you want to sell your De Carmontelle painting, drawing or print use our selling services. We offer De Carmontelle selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Carmontelle and issuing certificates of authenticity since 2002. We are recognized De Carmontelle experts and De Carmontelle certified appraisers. We issue COAs and appraisals for all De Carmontelle artworks.

Our De Carmontelle paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Carmontelle certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Carmontelle painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Carmontelle paintings or drawings take longer.

Our clients include De Carmontelle collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Louis Carrogis de Carmontelle art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Louis Carrogis de Carmontelle or we will sell it for you.

Carmontelle

The Countess of Crosse in the Salon
Art Institute of Chicago

Louis Carrogis de Carmontelle was an 18th century French artist, designer and writer. Most notably, he worked for the Duc de Chartres, and created a series of portraits for the duc’s household and visitors in pencil and watercolor. He created these very quickly, in a matter of less than two hours, and featured his sitters in profile. Some of Carmontelle’s sitters included members of the court and historically famous individuals such as a young Mozart and his father. In all, some 750 of these portraits were collected and sold after his death, and are considered most valuable by art historians.

Carmontelle

The Unfortunate Calas Family
Louvre Museum, Paris

Carmontelle

Portrait of David Hume c. 1764
National Galleries of Scotland

Carmontelle´s not only worked as a painter, but was a skilled writer and was hired as an art critic. Carmontelle wrote a number of pamphlets, some of which were published anonymously. It has been said that Carmontelle’s paintings and writings are invaluable indications of pre-Revolutionary life in France.

Carmontelle

Monsieur de Vairus c. 1770
Graphite, Crayon, Watercolor on Paper
Fine Art Museum of San Francisco

Carmontelle

Pierre Victor, The Baron Bezenal of Bromstatt
Print (Etching)
Metropolitan Museum of Art, New York

Carmontelle

Monsieur Jean-Pierre de Bougainville
Drawing
Metropolitan Museum of Art, New York

Carmontelle

Portrait of Louis-Phillipe, Duke of Orleans
Print (Etching)
Metropolitan Museum of Art, New York

Carmontelle

Monsieur Messer and Madame Boissier
Watercolor
Musée Condé, Chantilly

Carmontelle

Mademoiselle Desgots Playing the Harpsichord with Laurent 1766
Musée Carnavalet

Are you still wondering about an 18th century French portrait or painting in your family collection? Contact us…it could be by Louis Carrogis de Carmontelle.


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1415--francia-francesco.php Francia Artwork Authentication & Art Appraisal

Francesco Raibolini AKA Francia (1450 – 1517)

Get a Francia Certificate of Authenticity for your painting (COA) for your Francia drawing.

For all your Francia artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Francia Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Francia painting or drawing.

If you want to sell your Francia painting or drawing use our selling services. We offer Francia selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Francia and issuing certificates of authenticity since 2002. We are recognized Francia experts and Francia certified appraisers. We issue COAs and appraisals for all Francia artworks.

Our Francia paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Francia certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Francia painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Francia paintings or drawings take longer.

Our clients include Francia collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francesco Raibolini AKA Francia art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Francesco Raibolini AKA Francia or we will sell it for you.

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Baptism of Christ 1509

Francesco Raibolini, called Francia, was a Bolognese painter, goldsmith, and medalist. He was first mentioned as a painter in 1486 and his earliest known work is the Felicini Madonna, which is signed and dated 1494. He worked in partnership with Lorenzo Costa, and was influenced by Ercole de’Roberti’s and Costa’s style, until 1506, when Francia became a court painter in Mantua, after which time he was influenced more by Perugino and Raphael. Raphael’s Santa Cecilia is supposed to have produced such a feeling of inferiority in Francia that it caused him to die of depression.

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Madonna and Child with Two Angels 1495

Still wondering about an Italian painting in your family collection? Contact us…it could be by Francia.


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1416--rivera.php Diego Rivera Artwork Authentication & Art Appraisal

Diego Rivera (1886-1957)

Get a Rivera Certificate of Authenticity for your painting (COA) for your Rivera drawing.

For all your Rivera artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rivera Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rivera painting or drawing.

If you want to sell your Rivera painting or drawing use our selling services. We offer Rivera selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rivera and issuing certificates of authenticity since 2002. We are recognized Rivera experts and Rivera certified appraisers. We issue COAs and appraisals for all Rivera artworks.

Our Rivera paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rivera certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rivera painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rivera paintings or drawings take longer.

Our clients include Rivera collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Diego Rivera art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Diego Rivera or we will sell it for you.

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Baile en Tehuantepec

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Flower Vendor

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La Era

Diego Rivera was born on Dec 8, 1886 in Guanajuanto, Mexico. He grew up in a humble family that resided in Guanajuanto until 1892 when the family moved to Mexico City. From an early age, Rivera showed an interest in drawing. The San Carlos Academy served as the site for his first formal instruction. In 1898, he became a full time student at the academy, and eight years later, he exhibited 26 works there. He was expelled at age 16 when he participated in a student strike.

In 1907, Rivera’s father helped him win a scholarship to study abroad. Rivera traveled to Spain. From there he went on to travel throughout Europe. He exhibited many of his works before making a trip home in 1910. At home, he held an exhibition in Mexico City. It was a smashing success. In fact, the First Lady of Mexico bought several of his paintings, and the Academy of Fine Arts bought several others.

In 1911, Rivera returned to Paris. He became close friends with many Russians, probably because during this time period he had two different Russian mistresses.

Rivera was known for his paintings and his excellent murals, but he was better known for his giant size and womanizing.  

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La Molendera

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Motherhood

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Mural

From 1913 to about 1918 Rivera’s work shows elements of Cubism. In 1917, Rivera had to deal with personal tragedy when his mistress, Angelina Beloff had a baby. The baby was very sick, and eventually died a year later. While the baby was alive, Rivera was jealous of the attention the baby received, and he ended up having an affair with Marievna. She also became pregnant. During this time, Rivera painted feverishly and cut himself off from many of his friends. Soon afterward, Diego abandoned Cubism.

In 1919, Rivera set off for Italy. There, he studied frescoes of Italian artists and contemplated the future of Mexican art. Finally, in 1921, he returned to Mexico. Shortly afterwards, Rivera joined the Communist Party. His work during this time was a mixture of fresco technique with Aztec and Cubist influences. People rioted against some of his murals before they were completed. Other artists fled, but Rivera continued to work with a pistol jammed through his belt. During this time he met Frida Kahlo, who would later become his second wife.

Rivera continued to paint murals. In 1923, he completed his second series at the Ministry of Education. It totaled 124 frescoes. He did smaller scale murals at other sites. In Mexico, his work received a lot of criticism, but it received praise abroad. In 1927, when he finished his large project for the Ministry of Education, he was invited to Russia. It was there that he painted murals for the Red Army Club in Moscow.

Rivera did not get along with his Russian hosts. Soon, the mural project was called off and he was ordered to return home only to be expelled from the communist party in 1929. Soon after, he replaced his wife Marin with Frida Kahlo who later became recognized as an artistic genius in her own right. He and Kahlo were married that August.

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Night of the Rich

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Retrato de Angelina Beloff

Shortly thereafter, he accepted a commission from the American Ambassador to Mexico to paint a series of frescoes in the Palace of Cortez. This is where Rivera produced some of his most memorable work.

In 1930, Rivera traveled to the United States. He painted several murals before returning to Mexico for more exhibits. During this time, Kahlo and Rivera had become somewhat of American celebrities due to a successful exhibit at the Museum of Modern Art. The exhibit had broken all of the museum’s past records for attendance.

Rivera continued to enjoy success in the United States, but the subjects of his work sometimes evoked controversy. Some of his exhibits had to be hidden behind a curtain because they caused scandal. The worst backlash occurred when he featured a portrait of Lenin in his composition which was supposed to depict “Man at the Crossroads Looking with Hope and High Vision to the Choosing of a New and Better Future”. He stubbornly stayed in New York painting smaller scaled murals, but his successful reign had come to an abrupt halt. He found it difficult to secure commissions, so he returned home. Unfortunately, his luck was the same at home. In fact, from the years 1935 to 1943 he received no government commissions of any kind. The only work he secured was a small mural for a hotel in Mexico City. Again, he had a disagreement when they changed the mural without his consent. Fortunately, Rivera was able to win a lawsuit for damages.

Rivera’s life was filled with even more drama as he and his wife engaged in extramarital affairs. His wife even became Trotsky’s lover. Rivera and Kahlo divorced and later remarried, their relationship always tumultuous. Rivera constantly tried to rejoin the Communist party with no success. His humiliating gestures of apology were rejected. They couldn’t forgive him for painting an unflattering portrait of Stalin. Finally in 1954, he was reaccepted into the Communist party after painting a piece that was pro-Stalin.

Along with being a great artists, among many other things, Rivera was an eccentric. He bragged about having prostitute mistresses as early as six years old, and often told wild tales of his sexual conquests as a child. Even more alarming was Rivera’s apparent dabbling in cannibalism. After taking an anatomy class and witnessing a study on cannibalistic cats, Rivera and some friends began to practice cannibalism themselves. It is said that they would buy undiseased corpses from the mortuary and eat the dead. They were convinced that this would make them stronger and healthier. Rivera said that he especially enjoyed the breasts and thighs of women for his cannibalistic feasts.

His reacceptance into the Communist party did not do much to lift his spirits since he had recently buried Frida Kahlo. His later years were darker ones. One of his murals even had to be covered when he painted the slogan “God Does not Exist”. He died in 1957.

Since many of Rivera’s pieces were murals, it is more difficult to acquire an authentic work of the artist. However, some do exist in the United States due to the popularity he enjoyed in the country. These are highly sought after and valued by art dealers.


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1418--kallis.php Oskar Kallis Artwork Authentication & Art Appraisal

Oskar Kallis (1892–1918)

Get a Kallis Certificate of Authenticity for your painting (COA) for your Kallis drawing.

For all your Kallis artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kallis Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kallis painting or drawing.

If you want to sell your Kallis painting or drawing use our selling services. We offer Kallis selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kallis and issuing certificates of authenticity since 2002. We are recognized Kallis experts and Kallis certified appraisers. We issue COAs and appraisals for all Kallis artworks.

Our Kallis paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kallis certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kallis painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kallis paintings or drawings take longer.

Our clients include Kallis collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Oskar Kallis art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Oskar Kallis or we will sell it for you.

1. Self Portrait. 1915. Tartu Art Museum.

1. Self Portrait. 1915. Tartu Art Museum.

2. Linda Carying a Stone. 1917. Oil on Canvas. Art Museum of Estonia.

2. Linda Carying a Stone. 1917. Oil on Canvas. Art Museum of Estonia.

Oskar Kallis was an Estonian artist born in Tallinn. Kalliss’s work is characterized as Romantic nationalism, which uses painting as a platform to bolster patriotism in Estonia. Kallis began his formal training in 1907 in the studio of Ants Laikmaa.

3. Kalevipoeg laudu kandmas (illustration of epic poem of Estonia). 1914. Pastel.

3. Kalevipoeg laudu kandmas (illustration of epic poem of Estonia). 1914. Pastel.

Kallis became a member of the Estonian Artist Society and the association Vikerla. His most substantial body of work was based on Kalevipoeg, a poem by Friedrich Kreutzwald used as the Estonian national epic.

4. Dance of Life. 1916. Oil on Canvas. Art Museum of Estonia.

4. Dance of Life. 1916. Oil on Canvas. Art Museum of Estonia.

Kallis’s most known works were painted between 1914 and 1915. In addition to his nationalist paintings, Kallis designed furniture and textiles. Kallis’s aesthetic in painting and design shows, above all else, his devotion to Estonia. In addition to his large-scale works, Kallis produced a number of drawings and studies with pastel or charcoal on paper.

5. Self Portrait. 1912. Charcoal and chalk on paper. Tartu Art Museum

5. Self Portrait. 1912. Charcoal and chalk on paper. Tartu Art Museum

Kallis’s life was unfortunately cut short in 1918 from tuberculosis. Despite his short career, his work is featured at the Art Museum of Estonia.

If you think you may own original artwork by Oskar Kallis, contact Art Certification Experts for information regarding our services.


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1420--espinoza.php Juan Espinoza de los Monteros Artwork Authentication & Art Appraisal

Juan Espinoza de los Monteros

We Perform Juan Espinoza de los Monteros art authentication. Juan Espinoza de los Monteros appraisal. Juan Espinoza de los Monteros certificates of authenticity (COA). Juan Espinoza de los Monteros analysis, research, scientific tests, full art authentications. We will help you sell your Juan Espinoza de los Monteros or we will sell it for you.

Monteros, La Virgen Entrega el Rosario a Sto. Domingo

La Virgen Entrega el Rosario a Sto. Domingo

Monteros, Family Tree of the Fransiscan Order

La Orden de San Fransiscan

Painter during the 17th century, active in Cusco between 1638 and 1669. This painter reaffirms the baroque with a Zurbaran style by using the Flemish stamps as models. Some documents certificate that he painted for the San Juan de Dios order.

In 1655 he started his monumental “Epilogue” canvas (12 meters x 9 meters) on the San Francisco order, which represents more than 800 outstanding Franciscans. San Francisco de Asis and most important people of the order appear in full-length at the bottom of the picture. The scene is painted in the obscure shade of the Sevillian style.

His style was followed by his son and disciple José Espinoza de los Monteros, who also produced many series of canvas with saints. One of them, Santa Teresa (1682), in the middle of a flemish landscape with many little birds flying around, the same as his father did.

Some of his works are:

  • Family Tree of the Franciscan order Convento de San Francisco, Cusco.
  • Series on Santa Catalina’s life Monasterio de Santa Catalina, Cusco.
  • Latin Virgins Series (inspired by Swelinck engravings).
  • Portrait of Don Fulgencio Maldonado with Santa Catalina de Siena and San Francisco, Monasterio de la Recoleta, Arequipa.

Still wondering about a Peruvian painting in your family collection? Contact us…it could be by Juan Espinoza de los Monteros.


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1422--helion.php Jean Helion Artwork Authentication & Art Appraisal

Jean Helion (1904-1987)

Get a Helion Certificate of Authenticity for your painting (COA) for your Helion drawing.

For all your Helion artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Helion Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Helion painting or drawing.

If you want to sell your Helion painting or drawing use our selling services. We offer Helion selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Helion and issuing certificates of authenticity since 2002. We are recognized Helion experts and Helion certified appraisers. We issue COAs and appraisals for all Helion artworks.

Our Helion paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Helion certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Helion painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Helion paintings or drawings take longer.

Our clients include Helion collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Helion art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean Helion or we will sell it for you.

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Abstract Orthogonal, 1932

Jean Helion was an Abstract painter born in Couterne, France. Helion originally studied chemistry, but moved to Paris in 1920 to study architecture. While in Paris, Helion also took up painting, and his art became noticed by collectors. For the most part, Helion was entirely self-taught. By 1925, he was able to focus completely on painting, and held his first exhibition three years later at the Salon des Independants.

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Ile de France, 1935

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Figure Rose, 1937

Helion embraced Abstract art from the beginning, with his earliest work being non-figurative. In 1930, Helion and other artists formed the Art Concret artist’s association, which eventually turned into the Abstraction-Creation association. Helion would move away from Abstract art later on and form an Expressionistic style all his own. After this point, people and places would dominate his compositions, and he painted very few landscapes or still life. His style would essentially be defined by color and emotion, and was at times cartoon-like and other times, mature and elegant.

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Man Reading a Newspaper, 1952

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People on a Bench

During this time, Helion was traveling extensively all over Europe and to the Soviet Union and the United States. In 1936, Helion settled in the United States, and would live dually in New York and Virginia. Even though he had moved to the United States, he was called to fight for France in World War II. He was taken prisoner in 1940 and escaped in 1942, to return to the states a year later and write a book about his accounts.

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Nude, 1944

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Untitled, 1945

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Untitled, 1943

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Grande Citrouillerie, 1948

Throughout the rest of his life, Helion continued to travel all over the world and work and show his art. Although his work is considered to be Abstract, a number of his paintings are more Expressionist in nature, and show influences of Cubism and Fauvism. Some of his final paintings even show a Surrealist influence.

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Lobsters, 1975

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Une Fable Pour Richard Linder, 1981

Though not as well know as his fellow artists, Helion was a celebrated experimental artist who created art like no one else. He saw art as an adventure, and was quoted in saying that “Art is, from any point of view, the greatest of risks.”

Today, Helion’s paintings are housed in museums worldwide including the Pompidou Center in Paris and the Guggenheim in New York, and perhaps even in your own home. Still wondering about an Abstract or Expressionist painting hanging on your wall? It may be by Jean Helion—contact us to find out.


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1423--strohling.php Eduard Peter (Stroehly) Ströhling Artwork Authentication & Art Appraisal

Eduard Peter (Stroehly) Ströhling (1728-1826)

Get a Ströhling Certificate of Authenticity for your painting (COA) for your Ströhling drawing.

For all your Ströhling artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ströhling Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ströhling painting or drawing.

If you want to sell your Ströhling painting or drawing use our selling services. We offer Ströhling selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ströhling and issuing certificates of authenticity since 2002. We are recognized Ströhling experts and Ströhling certified appraisers. We issue COAs and appraisals for all Ströhling artworks.

Our Ströhling paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ströhling certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ströhling painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ströhling paintings or drawings take longer.

Our clients include Ströhling collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Eduard Peter (Stroehly) Ströhling art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Eduard Peter (Stroehly) Ströhling or we will sell it for you.

Stroehly painting, Portrait of a Russian Soldier

Portrait of a Russian Soldier

Stroehly painting, Peter the Great Meeting his Lover

Peter the Great Meeting his Lover

Eduard Peter Ströhling was a popular portraitist and history painter born in Düsseldorf, Germany. He received commissions for portraits from Princess Karoline von Liechtenstin, King George IV and other members of European nobility. He started his artistic career in Russia, and therefore, many of his early paintings are of the Russian nobility.

Stroehly painting, Portrait of Lord Alexandre Thomas Cochrane

Portrait of Lord Alexandre Thomas Cochrane

Still wondering about a late 18th century European painting in your family collection? Contact us…it could be by Eduard Peter Ströhling.


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1424--perov.php Vasily Grigorevich Perov Artwork Authentication & Art Appraisal

Vasily Grigorevich Perov (Иван Николаевич Крамской) (1834-1882)

We Perform Vasily Grigorevich Perov art authentication. Vasily Grigorevich Perov appraisal. Vasily Grigorevich Perov certificates of authenticity (COA). Vasily Grigorevich Perov analysis, research, scientific tests, full art authentications. We will help you sell your Vasily Grigorevich Perov or we will sell it for you.

Perov, Troika: Students Fetch Water

Troika: Students Fetch Water

Vasily Perov was a Russian painter, best known for his contributions in founding the Peredvizhniki group. Perov was born in Tobolsk, Russia and attended Arzamus uezed school and the Alexander Stupin art school. By 1853, Perov decided to follow an art path and enrolled at the Moscow School of Painting, Sculpture and Architecture.

Perov, The Drowned

The Drowned

Perov received many awards at the Academy and his paintings were highly regarded by the Imperial Academy of Arts. In 1862 Perov was rewarded with a scholarship to travel to Western Europe. Perov spent much of his time in Paris and in many cities of Germany. Perov painted street scenes, statues, musicians, and performers.

Perov, At the Railroad

At the Railroad

Perov, The Birdcatcher

The Birdcatcher

Perov returned to Moscow in 1865 to create many large-scale paintings. Many of his greatest works include A Meal in the Monastery, Troika, Arrival of a New Governess in a Merchant House, A Scene at the Railroad, the Last Tavern at Town Gate, the Birdcatcher and the Hunters at Rest.

Perov, The Hunters at Rest, 1871

The Hunters at Rest, 1871

Perov, A Governess Arriving at a Merchants House

A Governess Arriving at a Merchants House

Perov, The Last Tavern at the City Gates

The Last Tavern at the City Gates

Perov, First Christians of Kiev

First Christians of Kiev

In 1866 he received the title of an academician, and in 1871 he was offered a position as Professor at Moscow School of Arts, Sculpture and Architecture. It was around this period that the Peredvizhniki group was formed. While Ivan Kramskoi was the leader of the group, Perov shared a large role in founding the society of realistic painters.

Perov, Christ on the Mount of Olives

Christ on the Mount of Olives

Perov, A Meal in the Monastery

A Meal in the Monastery

The Peredvizhniki painters were concerned with serving a role in society and promoting a sound political system. The Peredvizhniki artists were also known as the Wanderers or Itinerants, and later became the Society of Travelling Exhibitions. The original group consisted of fourteen artists in protest of the academic and political restrictions in Russia and surrounding countries. The group exhibited forty-eight times. Perov died in 1882, long before the group disbanded in 1923.

Do you think you own a painting by Vasily Perov? Contact us. We are the experts on Vasily Perov.


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1425--murillo_atl.php Gerardo Murillo Artwork Authentication & Art Appraisal

Gerardo Murillo (1875-1964)

We Perform Gerardo Murillo art authentication. Gerardo Murillo appraisal. Gerardo Murillo certificates of authenticity (COA). Gerardo Murillo analysis, research, scientific tests, full art authentications. We will help you sell your Gerardo Murillo or we will sell it for you.

Murillo, La Nube

La Nube

Murillo, Self-Portrait

Self-Portrait

Gerardo Murillo (Dr. Atl) is a well-known Mexican painter, printmaker, writer, theorist and politician. Dr. Atl adopted his pseudonym in exchange for his given name, Murillo in 1902. ‘Dr. Atl’ means ‘Doctor Water’ in the Náhuatl language.

Murillo, La Sombra del Popo

La Sombra del Popo

Dr. Atl began his studies in Guadalajara before going to the Academia de San Carlos in Mexico City. Dr. Atl excelled at the Academy and received a grant from the President Porfirio Diaz to paint in Europe. Dr. Atl travelled to many countries, learning about avant-garde styles and concepts. Dr. Atl spent most of his time in Rome, studying law, philosophy and classics like Michelangelo.

Murillo, Erupcion del Paricutin

Erupcion del Paricutin

In Europe Dr. Atl also became involved in politics, joining the Socialist Party in Italy and worked for a periodical Avanti. It was in Italy that Murillo changed his name to Dr. Atl.

Murillo, Self-Portrait II

Self-Portrait II

Dr. Atl returned to Mexico before the start of the Mexican Revolution, seven years later. Dr. Atl joined the revolutionary movement as a muralist and led exhibitions of Diego Rivera and Francisco Ponce de Leon.

Dr. Atl went to Paris to analyze the politics of Mexico and founded a journal, writing about the social and political issues of Mexico. Dr. Atl supported constitutionalists, leaning towards a biblical socialism.

Murillo, Volcano Nevada

Volcano Nevada

Dr. Atl did some portrait painting, but he was a prolific and innovative painter of landscapes. He used ‘atl colors’, which he made from wax crayons and pigments on wood and board instead of canvases. Dr. Atl often painted the many volcanoes surrounding Mexico City. Dr. Atl loved to be in nature and often climbed the volcanoes Popocatepetl and Iztaccihuatl. Dr. Atl wrote a book “How a Volcano is Born and Grows-Paricutin”, describing the eruption of Paricutin. Unfortunately, his contact with volcanoes gave him a disease, which caused one of his legs to be amputated.

Dr. Atl’s writings “Stories of All Colors” about the Mexican Revolution and “The Pearl” are highly acclaimed pieces of literature. “The Pearl” is known to have inspired a novella by John Steinbeck.

Dr. Atl received many awards for his paintings and writings. Dr. Atl’s paintings are in museums and collections all over the world. Do you think you own a painting by Dr. Atl? Contact us. We are the experts.


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1426--spencer.php Sir Stanley Spencer Artwork Authentication & Art Appraisal

Sir Stanley Spencer (1891 – 1951)

Get a Spencer Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Spencer artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Spencer Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Spencer painting, drawing or print.

If you want to sell your Spencer painting, drawing or print use our selling services. We offer Spencer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Spencer and issuing certificates of authenticity since 2002. We are recognized Spencer experts and Spencer certified appraisers. We issue COAs and appraisals for all Spencer artworks.

Our Spencer paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Spencer certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Spencer painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Spencer paintings or drawings take longer.

Our clients include Spencer collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sir Stanley Spencer art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sir Stanley Spencer or we will sell it for you.

Spencer, Self-Portrait with Patricia Preece

Self-Portrait with Patricia Preece
1937 Oil on Canvas

Spencer, Nursery

Nursery
1936 Oil on canvas 30 1/8 x 36 1/8″ (76.5 x 91.8 cm)
Museum of Modern Art, NY

Sir Stanley Spencer was an English painter, who mostly concentrated on biblical scenes. Spencer was born and spent much of his like in Cookham, a small village near the Thames in Berkshire. Spencer saw Cookham as heavenly, and was often used as the backdrop for his religious paintings.

Spencer, Marriage at Cana

Marriage at Cana
1953 Lithograph 20 11/16 x 17 1/4″ (52.6 x 43.8 cm)
Museum of Modern Art, NY

Spencer, The Dustbin, Cookham

The Dustbin, Cookham
1956 Oil on canvas 768 X 513 mm
Royal Academy of Arts, London

Spencer began his studies in 1908 at the Slade School of Art at the University College in London. Spencer painted alongside such artists as Mark Gertler, Paul Nash and Edward Wadsworth. Henry Tonks was one of Spencer’s more influential and well-known tutors. While in London, Spencer returned to Cookham so often that many of his peers nicknamed him “Cookham”.

Spencer, Cookham Lock

Cookham Lock
Oil on Canvas 50.9 x 61.2 cm
Art Gallery of New South Wales

Spencer, Wheatfields at Starlings

Wheatfields at Starlings
Oil on Canvas 50.7 x 76.2 cm
Art Gallery of New South Wales

In 1915 Spencer hesitantly joined the Royal Army Medical Corps where he was first stationed at a hospital in England, and later in Macedonia with an ambulance unit. Spencer was eventually called upon by the War Artists Advisory Committee to depict events that took place in Macedonia. This first war painting led to further commissions, including a series of murals for the Sandham Memorial Chapel in Burghclere, dedicated to fallen soldiers. Spencer continued to work as a war artist until the end of the Second World War, ultimately painting shipbuilders in Glasgow. After the war Spencer began focusing on religious and apocalyptic paintings.

Spencer was married to a Hilda Carline from 1925 to 1937. The couple met at Slade in London and had two children named Shirin and Unity. After divorcing, Spencer immediately remarried Patricia Preece. While married, Preece lived with her lesbian partner and refused to consummate the union. While their marriage was not sexual, Preece often posed nude for Spencer’s paintings. Spencer continued to visit his ex-wife Hilda who suffered from cancer and mental illness. In 1996 the playwright, Pat Gems wrote an award winning play titled “Stanley” about Spencer’s unusual relationships. The play eventually made it to Broadway and won a Tony award.

Spencer, Christ in Cookham (Last Judgment series)

Christ in Cookham (Last Judgment series)
1951-2 Oil on Canvas 127 x 205.7 cm
Art Gallery of New South Wales

Spencer, The Silence of Gold

Village Gossips
1940 Oil on Canvas 87 x 111.7 cm
Cheltenham Art Gallery & Museum

In 1959 Spencer was knighted for his excellence in painting, becoming Sir Stanley Spencer. After his death, the Stanley Spencer Gallery was opened in Cookham to honor his life and work. The gallery contains a number of Spencer’s paintings as well as many of his personal belongings.

Spencer, Parents Resurrecting

Parents Resurrecting
1933 Oil on Canvas 71.3 x 104.3 cm
National Gallery Victory

Spencer’s work now belongs to important collection in the United Kingdom and around the world. Do you think you own a painting by Sir Stanley Spencer? Contact us. We are the Spencer experts.


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1427--miller.php Alfred Jacob Miller Artwork Authentication & Art Appraisal

Alfred Jacob Miller (1810-1874)

Get a Miller Certificate of Authenticity for your painting (COA) for your Miller drawing.

For all your Miller artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Miller Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Miller painting or drawing.

If you want to sell your Miller painting or drawing use our selling services. We offer Miller selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Miller and issuing certificates of authenticity since 2002. We are recognized Miller experts and Miller certified appraisers. We issue COAs and appraisals for all Miller artworks.

Our Miller paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Miller certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Miller painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Miller paintings or drawings take longer.

Our clients include Miller collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alfred Jacob Miller art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alfred Jacob Miller or we will sell it for you.

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Chinook Indian

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Colonel Jim Bowie

Alfred Jacob Miller was born in Baltimore in 1810. Miller showed signs of artistic talent at a young page, and his parents wholeheartedly supported his training. He studied portraiture under the painter Thomas Sully. During this time, he attracted the attention of Robert Gilmor and Johns Hopkins. He did portraits for them, and Hopkins funded Miller’s trip to Paris and Rome to study European art.

In 1833, he left for Paris to study at the Ecole des Beaux-Arts and the English Life School in Rome. When he returned, he opened a portrait studio in Baltimore. Unfortunately, despite his talent, his business was unsuccessful.

He moved to New Orleans in 1837, and he was given the opportunity to accompany Captain William Drummond Stewart on a journey to the Rocky Mountains, recording the journey in artwork. This was one of the last fur trapping expeditions.

The journey spanned the Oregon Trail, and Miller sketched Native Americans encountered as well as landscapes and mountain men. Miller’s feelings about the trip were mixed. In fact, he was so bothered by the uncivilized behavior of the men that he often wandered off by himself, sketching landscapes. Stewart even snuck up behind him one time, grabbed him around the neck and warned him that he should pay more attention and not get lost in his sketches when there was very real danger of Indians.

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Indian Scout

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The Trapper’s Bride

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Toilette of the Indians

Miller had an endless supply of subjects to sketch while on the trip. From awe-inspiring landscapes to Stewart’s interaction with the Native Americans, he sketched continuously.

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Trappers

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Trappers Dancing

He returned with 166 sketches which were later turned into elaborate oil paintings. He painted buffaloes and grizzly bears. These animals had never been encountered by the people of New York and Baltimore, so it was understandable that they created a big sensation.

From 1840 to 1842, he stayed in Scotland in Stewarts’s Murthly Castle. He wanted Miller to help him redecorate the castle with artwork. During this time, Miller completed over 80 small drawings and watercolors as well as painting oil paintings of favorite parts of his trip.

Miller spent the rest of his life painting portraits and replicating his Western themed pictures.

It is possible that undiscovered works of Miller do exist. This is due in part to the fact that many of his Western paintings were executed for individual clients and remained in private ownership. It wasn’t until after his death that his name became well-known and appreciated by the public.


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1428--de-ribera.php Jusepe de Ribera Artwork Authentication & Art Appraisal

Jusepe de Ribera (1591 – 1652)

Get a De Ribera Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your De Ribera artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a De Ribera Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Ribera painting, drawing or print.

If you want to sell your De Ribera painting, drawing or print use our selling services. We offer De Ribera selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Ribera and issuing certificates of authenticity since 2002. We are recognized De Ribera experts and De Ribera certified appraisers. We issue COAs and appraisals for all De Ribera artworks.

Our De Ribera paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Ribera certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Ribera painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Ribera paintings or drawings take longer.

Our clients include De Ribera collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jusepe de Ribera art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jusepe de Ribera or we will sell it for you.

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Penitent Magdalen 1641

Jusepe de Ribera was a Spanish Tenebrist painter and printmaker, also known as José de Ribera in Spanish and as Giuseppe Ribera in Italian. He was also called by his contemporaries and early writers Lo Spagnoletto, or “the Little Spaniard”. Ribera was a leading painter of the Spanish school, although his mature work was all done in Italy.

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St. Sebastian, St. Irene and St. Lucila, 1628

Ribera was born near Valencia, Spain at Xátiva, now named San Felipe de Jativa. His father was a shoemaker, perhaps on a large scale. His parents intended him for a literary or learned career, but he neglected these studies and is said to have apprenticed with the Spanish painter Francisco Ribalta in Valencia, although no proof of this connection exists. Longing to study art in Italy, he made his way to Rome via Parma, where he is recorded in 1611. According to one source, a cardinal noticed him drawing from the frescoes on a Roman palace facade, and housed him. Roman artists gave him the nickname “Lo Spagnoletto.”

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Archimedes 1630

He became a follower of Michelangelo da Caravaggio’s style, one of the so-called Tenebrosi, or shadow-painters, owing to the sharp contrasts of light and shade marking their style. He traveled to Parma, where he completed a painting on the subject of Jacob’s Ladder, now in the Prado Museum, Madrid. Ribera lived in Rome from 1613-16, on the Via Margutta, and associated with other Caravaggisti, including Gerrit van Honthorst and Hendrik ter Brugghen. He then moved to Naples, to avoid his creditors, according to Giulio Mancini, who described him as extravagant. He may also have already arranged his marriage, to the daughter of a Neapolitan painter, Giovanni Bernardino Azzolino, in November, 1616.

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St. Christopher 1637

The Kingdom of Naples was then part of the Spanish Empire, and ruled by a succession of Spanish Viceroys. Ribera’s Spanish nationality aligned him with the small Spanish governing class in the city, and also with the Flemish merchant community, from another Spanish territory, who included important collectors of and dealers in art. Ribera began to sign his work as “Jusepe de, Español” or “Jusepe de Ribera, Spaniard”. He was able quickly to attract the attention of the Viceroy, the Duke of Osuna, also recently arrived, who gave him a number of major commissions, which showed the influence of Guido Reni.

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Holy Family 1639

The period after Osuna was recalled in 1620 seems to have been difficult. Few paintings survive from 1620 to 1626; but this was the period in which most of his best prints were produced. These were at least partly an attempt to attract attention from a wider audience than Naples. His career picked up in the late 1620s, and he was accepted as the leading painter in Naples thereafter. Although Ribera never returned to Spain, many of his paintings were taken back by returning members of the Spanish governing class, for example the Duke of Osuna, and his etchings were brought to Spain by dealers. His influence can be seen in Velasquez, Murillo, and most other Spanish painters of the period.

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St. Agnes 1641

He has been portrayed as selfishly protecting his prosperity, and is reputed to have been the chief in the so-called Cabal of Naples, his abettors being a Greek painter, Belisario Corenzio and the Neapolitan, Giambattista Caracciolo. It is said this group aimed to monopolize Napolitan art commissions, using intrigue, sabotage of work in progress, and even personal threats of violence to frighten away outside competitors such as Annibale Caracci, the Cavalier d’Arpino, Reni, and Domenichino. All of them were invited to work in Naples, but found the place inhospitable. The cabal ended at the time of Caracciolo’s death in 1641.

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The Beggar, Known as Clubfoot 1642

From 1644, Ribera seems to have suffered serious ill-health, which greatly reduced his ability to work himself, although his workshop continued to produce. In 1647-8, during the Masaniello rising against Spanish rule, he felt forced to take refuge with his family in the palace of the Viceroy for some months. In 1651 he sold the large house he had owned for many years, and when he died in July 1652 he was in serious financial difficulties. His daughter had married in about 1644 a Spanish nobleman in the administration, who died soon after.

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St. Paul the Hermit

In his earlier style, founded sometimes on Caravaggio and sometimes on the wholly diverse method of Correggio, the study of Spanish and Venetian masters can be traced. Along with his massive and predominating shadows, he retained from first to last a great strength in local coloring. His forms, though ordinary and sometimes coarse, are correct; the impression of his works gloomy and startling. He delighted in subjects of horror. In the early 1630s his style changed away from strong contrasts of dark and light to a more diffused and golden lighting. Salvator Rosa and Luca Giordano were his most distinguished followers, who may have been his pupils; others were also Giovanni Do, Enrico Fiammingo, Michelangelo Fracanzani, and Aniello Falcone, who was the first considerable painter of battle-pieces.

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Deposition

Among Ribera’s principal works could be named “St Januarius Emerging from the Furnace” in the cathedral of Naples; the “Descent from the Cross” in the Certosa, Naples, the “Adoration of the Shepherds” (a late work, 1650), now in the Louvre; the “Martyrdom of St Bartholomew” in the Prado; and the “Pieta” in the sacristy of San Martino, Naples. His mythologic subjects are often as violent as his martyrdoms: for example, “Apollo and Marsyas”, with versions in Brussels and Naples, or the “Tityus” in the Prado . The Prado and Louvre contain numbers of his paintings; the National Gallery, London, three. He executed several fine male portraits and a self-portrait. He was an important etcher, the most significant Spanish printmaker before Goya, producing about forty prints, nearly all in the 1620s.

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Christ in the Crown of Thorns

Still wondering about an Italian painting in your family collection? Contact us…it could be by Jusepe de Ribera.


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1429--nesch.php Rolf Nesch Artwork Authentication & Art Appraisal

Rolf (Emil Rudolf) Nesch (1893 – 1975 )

Get a Nesch Certificate of Authenticity for your painting or a COA for your Neschdrawing, print or sculpture.

For all your Neschartworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Nesch Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Neschpainting, drawing, print or sculpture.

If you want to sell your Neschpainting, drawing, print or sculpture use our selling services. We offer Nesch selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Neschand issuing certificates of authenticity since 2002. We are recognized Neschexperts and Nesch certified appraisers. We issue COAs and appraisals for all Nesch artworks.

Our Neschpaintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Neschcertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Neschpainting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Neschpaintings, drawings or sculptures take longer.

Our clients include Neschcollectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Rolf Nesch art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Rolf Nesch or we will sell it for you.

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Elb Bridge, 1932

Rolf Nesch was a German-Norwegian artist and is regarded as one of the greatest and most original printmakers of the 20th century. Nesch worked in a range of disciplines beginning as a painter, and until the end of the 1920s, it was the discipline he concentrated on most. When he left Germany and moved to Norway in 1933, he discarded canvas and paintbrushes for good and produced, the following year, his first “so-called” material picture, and also took up sculpture. Apart from drawing, which was his natural tool and means of expression, it was printmaking he devoted himself to the most and over the greatest number of years. Also, it is as printmaker that Rolf Nesch made his most significant contribution, not merely as a technical innovator who discovered the potential in new materials and methods, but also from the artistic point of view.

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Fisherman, 1970

Still wondering about a Norwegian painting in your family collection? Contact us… we are the Rolf Nesch experts.


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1430--le-scouezec.php Maurice Le Scouëzec Artwork Authentication & Art Appraisal

Maurice Le Scouëzec (1881-1940)

Get a Le Scouëzec Certificate of Authenticity for your painting (COA) for your Le Scouëzec drawing.

For all your Le Scouëzec artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Le Scouëzec Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Le Scouëzec painting or drawing.

If you want to sell your Le Scouëzec painting or drawing use our selling services. We offer Le Scouëzec selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Le Scouëzec and issuing certificates of authenticity since 2002. We are recognized Le Scouëzec experts and Le Scouëzec certified appraisers. We issue COAs and appraisals for all Le Scouëzec artworks.

Our Le Scouëzec paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Le Scouëzec certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Le Scouëzec painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Le Scouëzec paintings or drawings take longer.

Our clients include Le Scouëzec collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Maurice Le Scouëzec art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Maurice Le Scouëzec or we will sell it for you.

Maurice Le Scouëzec was an Expressionist painter born in Le Mans, France. He belonged to the Ecole de Paris, and in the 1920’s was one of the leading artists in Montparnasse. By 1925, Le Scouëzec had left Paris for a trek across Africa and other destinations. Though he was a painter, Le Scouëzec was also an ardent adventurer.

Le Scouëzec created a number of watercolors and charcoals based on his findings from this long voyage. His style is distinct, and often is composed of figures with vague features and empty eyes, all painted in earthy tones.

Still wondering about a mysterious charcoal or watercolor painting hanging in your home? Contact us…it may be by Maurice Le Scouëzec.

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Auto Portrait

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Maris Halants

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Chef Indien a Paris

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Femme du Peintre

le Scouezec

Paysons Bretons

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Lavandieres Bretonnes

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Montparnasse

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Afrique Madagascar

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Partie de Boulles en Bretagne

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Marins

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Conversation Bretonnes

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Femme Africaine

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1431--lenbach.php Franz von Lenbach Artwork Authentication & Art Appraisal

Franz von Lenbach (1836 -1904)

Get a Von Lenbach Certificate of Authenticity for your painting (COA) for your Von Lenbach drawing.

For all your Von Lenbach artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Von Lenbach Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Von Lenbach painting or drawing.

If you want to sell your Von Lenbach painting or drawing use our selling services. We offer Von Lenbach selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Von Lenbach and issuing certificates of authenticity since 2002. We are recognized Von Lenbach experts and Von Lenbach certified appraisers. We issue COAs and appraisals for all Von Lenbach artworks.

Our Von Lenbach paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Von Lenbach certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Von Lenbach painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Von Lenbach paintings or drawings take longer.

Our clients include Von Lenbach collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Franz von Lenbach art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Franz von Lenbach or we will sell it for you.

Self-Portrait

Self-Portrait

Franz von Lenbach was a German painter born at Schrobenhausen, in Bavaria. His father was a mason, and the boy was intended te follow his father’s trade or be a builder.

Otto von Bismarck

Otto von Bismarck

Portrait of a Woman

Portrait of a Woman

With this view he was sent to school at Landsberg, and then to the polytechnic at Augsburg. But after seeing Hofner, the animal painter, executing some studies, he made various attempts at painting, which his father’s orders interrupted. However, when he had seen the galleries of Augsburg and Munich, he finally obtained his father’s permission to become an artist, and worked for a short time in the studio of GrŠfle, the painter; after this he devoted much time to copying.

Portrait of the Artists Daughter

Portrait of the Artists Daughter

Mother and Child

Mother and Child

Portrait of the Artists Daughter

Portrait of the Artists Daughter

Thus he was already accomplished in technique when he became the pupil of Piloty, with whom he set out for Italy in 1858. A few interesting works remain as the outcome of this

first journey A Peasant seeking Shelter from Bad Weather (1855), The Goatherd (1860, in the Schack Gallery, Munich) and The Arch of Titus (in the Palfy collection, Budapest). On returning to Munich, he was at once called to Weimar to take the appointment of professor at the Academy. But he did not hold it long, having made the acquaintance of Count Schack, who commissioned a great number of copies for his collection.

Young Shepherd 1860

Young Shepherd 1860

Lenbach returned to Italy the same year, and there copied many famous pictures. He set out in 1867 for Spain, where he copied not only the famous pictures by Velasquez in the Prado, but also some landscapes in the museums of Granada and the Alhambra (1868).

Mary Leiter Curzon 1901

Mary Leiter Curzon 1901

In the previous year he had exhibited at the great exhibition at Paris several portraits, one of which took a third-class medal. Thereafter he exhibited frequently both at Munich and at Vienna, and in 1900 at the Paris exhibition was awarded a Grand Prix for painting. Lenbach, who died in 1904, painted many of the most remarkable personages of his time. Still wondering about a German painting in your family collection? Contact us…it could be by Franz von Lenbach.


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1432--inside.html Art Experts Artwork Authentication & Art Appraisal

Louise Abbéma (1859-1927)

Art Experts art authentication. Art Experts appraisal from . Art Experts certificates of authenticity (COA). Art Experts analysis, research, scientific tests, full art authentications. We will help you sell your Art Experts or we will sell it for you.

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Louise Abbéma

 

Louise Abbéma created diverse pieces of art throughout her life and was as well-known for these as she was for the life long friendship she had with the stage actress of the time, Sarah Bernhardt.

She started painting in her teens and was the pupil of two well-known artists, Charles Chaplin and Jean-Jacques Henner. It was evident that she was destined to be an artist and even at the age of fourteen she was producing wonderful pieces of art such as the painting named ‘Game of Croquet’. She was an only child and was encouraged by her parents in her artistic pursuits.

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Louise at the Piano

 

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Garden

 

Louise Abbéma achieved enormous success in 1876 when she was only eighteen, with a portrait of Sarah Bernhardt. Sarah Bernhardt was a great actress of the time, indeed, some say the greatest. She appeared on the stage in both Europe and America. She also appeared in some of the very first silent movies. Louise created pieces of art featuring the actress throughout her life and many said that they were lovers. The well-known actress was also a painter, sculptress and writer and perhaps it was the mutual love of the arts which drew them together. They were both known for being rather eccentric and unconventional.

Louise Abbéma was enormously talented and she also received commissions to paint other well-known figures of the day such as Ferdinand de Lesseps, the well-known engineer who created the Suez Canal and Don Pedro the Emperor of Brazil. She also painted a portrait of Charles Garnier, the famous nineteenth century architect responsible for the design of the Opera House in Paris.

Her talents included interior design and she also received a number of civic commissions to paint panels and murals in such places as the Opera House in Paris and also the many town halls and theatres in the city. She also painted the Governors Palace in Dakar, Senegal. She was designated an Official Painter of the Third Republic. However, she did not only accept commissions for the ‘great’ buildings of the time, she was also happy to grant requests for her to produce works of art in private homes.

She was a regular exhibitor at the Paris Salon and the State recognized her artistic talent by awarding her the Legion of Honor in 1906. She also exhibited in Chicago in 1893.

A speciality of hers was paintings of watercolors and flowers and she was influenced by Japanese and Chinese painting in this genre. Flowers featured regularly in a number of her works and unlike other artists of the time she did not have a ‘niche’. She was multi-talented and also worked on illustrations for periodicals of the day and is well-known for illustrations she created for calendars. She also produced a number of sculptures, including a particularly well-known one of the bust of her muse Sarah Bernhardt. Her paintings are valued in the region of $10,000 to $20,000, although it is almost certain that if any forgotten portraits of her lover should turn up, they would be worth much more as they are much sought-after. As many of her paintings are in private collections, this is always possible.

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Calendar

 

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Postcard

  She is an artist that is marked by the diversity of her creations! Think you may own a painting by Louise Abbéma? Contact us, we are the Louise Abbéma experts.  


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1433--marsh.php Reginald Marsh Artwork Authentication & Art Appraisal

Reginald Marsh (1898-1954)

Get a Marsh Certificate of Authenticity for your painting (COA) for your Marsh drawing.

For all your Marsh artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Marsh Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Marsh painting or drawing.

If you want to sell your Marsh painting or drawing use our selling services. We offer Marsh selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Marsh and issuing certificates of authenticity since 2002. We are recognized Marsh experts and Marsh certified appraisers. We issue COAs and appraisals for all Marsh artworks.

Our Marsh paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Marsh certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Marsh painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Marsh paintings or drawings take longer.

Our clients include Marsh collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Reginald Marsh art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Reginald Marsh or we will sell it for you.

Marsh, The Normandie

The Normandie

Marsh, High Yaller

High Yaller

Reginald Marsh is an American painter, known for his illustrative scenes of New York. Marsh was born, and spent the first two years of his life in Paris, France, before relocating to Nutley, New Jersey. Marsh was raised in a family of artists, his mother painted miniatures and his father painted industrial subjects.

Marsh, 20th Century Movie

20th Century Movie

Marsh, Four Girls and a Man on the Boardwalk, 1949

Four Girls and a Man on the Boardwalk, 1949

Marsh, East 10th Street Jungle, 1934

East 10th Street Jungle, 1934

Marsh was fortunate enough to study at Yale University in Connecticut. At Yale Marsh studied art and was praised for his illustrations in Yale publications. After graduating in 1920, Marsh went directly to work as an illustrator for the New York Daily News, the New Yorker and the Marxist publication, New Masses.

Marsh, sketch book page

sketch book page

Marsh, the Bowery

the Bowery

Marsh, Manhattan Skyline

Manhattan Skyline

Marsh did not focus on fine art painting until around 1923, after a trip to Paris. Marsh was greatly inspired by art in Europe, particularly the paintings housed at the Louvre.

Marsh, Tunnel of Love

Tunnel of Love

Marsh, Along the Waterfront

Along the Waterfront

Marsh, Stokey's Bar on the Bowery

Stokey’s Bar on the Bowery

When Marsh returned to the United States he studied painting in New York at the Art Students League. Marsh’s instructors included John Sloan and George Luks of the Ashcan School and Kenneth Hayes Miller. At this time, Marsh did fewer commercial projects to focus on his painting career. In New York Marsh befriended John Steuart Curry, and the two soon began painting together.

Marsh, Locomotives, Jersey City

Locomotives, Jersey City

Marsh, Atlantic Liner in Harbor with Tug

Atlantic Liner in Harbor with Tug

Marsh, Why not use the

Why not use the “L”

Marsh, Usherette

Usherette

Marsh is often referred to as painting in the genre of “social realism” Marsh tried to capture scenes across social classes and boundaries, promoting the need for social change.

Marsh’s social conscious stance towards art making was particularly important as he worked through the Great Depression. The streets of New York were filled with people living in absolute poverty, as well as workers and performers trying to get by on very little. Marsh sometimes painted the bourgeois and lower class together in the same composition to show the gap between people living in the same city.

Marsh also frequented Coney Island, a well-known beach and amusement park in Brooklyn, New York. Marsh loved painting the crowds of sunbathers and circus-like performers that flocked there during hot summers.

Marsh’s work is now in major museums and collections across the United States. Marsh is an important Depression-era, American artist. Do you think you own a painting by Reginald Marsh? Contact us. We are the experts on Reginald Marsh.


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1434--guerrero.php Jesús Guerrero Galván Artwork Authentication & Art Appraisal

Jesús Guerrero Galván (1910-1973)

Jesús Guerrero Galván art authentication. Jesús Guerrero Galván appraisal. Jesús Guerrero Galván certificates of authenticity (COA). Jesús Guerrero Galván analysis, research, scientific tests, full art authentications. We will help you sell your Jesús Guerrero Galván or we will sell it for you.

Guerrero Galván was born in Jalisco, Mexico in 1901. Guerrero became known throughout Mexico for his portrait painting and contributions as a mural painter.

Guerrero, Self-Portrait

Self-Portrait

Guerrero, Scenes of Death, lithograph

Scenes of Death, lithograph

Guerrero painted in a figurative manner using women and children as his most common subjects. While Guerrero’s paintings were noted as capturing the spirit of Mexico, he was highly influenced by Italian painting.

When Guerrero was twelve years old, he began to study painting in Guadalajara in the studio of an established painter, José Vizcarra. In 1928 Guerrero entered the Free School of Painting at the State of Jalisco Museum.

Guerrero, Portrait, Spring, 19571966

Spring, 1957

Guerrero became apart of a group of artists that later founded the University of Guadalajara. Other members of the group included Leon Muñíz, José Parres Arias, Manuel Solorzano, Enrique Celis, Leopoldo Bancalari, Rubén Martínez Ramírez and Hans Christensen. The group initially painted impressionist work but transitioned into a style they called “poetic neo-realism”. This genre was defined by its use of dreamlike images and Italian Renaissance inspired portraiture. Guerrero’s group painted “faux murals” painted on dry wall rather than al fresco.

Guerrero, The Conception, 1939

The Conception, 1939

In 1932 Guerrero collaborated with Francisco Rodríguez Caracalla, Raúl Anguiano, Antonio Servín and Luis Godínez Fonseca to organize the association of Young Painters of Jalisco. The artists exhibited their oil and watercolor pieces at the “Salon de Arte” in the Regional Museum of Jalisco.

Guerrero, Girl with Bird, 1938

Girl with Bird, 1938

Like many of his contemporaries, Guerrero eventually moved to Mexico City to advance his career as an artist. In Mexico City, Guerrero was exposed to the social and political groups that painted murals in response to pressing issues in Mexico. Guerrero painted several murals in schools and was commissioned to do projects throughout the federal district.

Guerrero, Children with Racket, 1936

Children with Racket, 1936

Guerrero was affiliated with the Academy of Fine Art in Mexico City and a group called Liga de Escritores y Artistas Revolucionarios (LEAR). LEAR was a group of artists and writers who were active in fighting against social injustices and fascism.

Guerrero’s work can be seen in collections throughout Mexico and the United States. Guerrero is known today as one of Mexico’s finest portrait artists. Do you think you own a painting by Jesús Guerrero Galván? Contact us. We are the Jesús Guerrero Galván experts.


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1435--martiniere-mayer-la.php Mayer La Martiniere Artwork Authentication & Art Appraisal

Marie-Francoise-Constance Mayer La Martiniere (1774-1821)

Get a Mayer Certificate of Authenticity for your painting (COA) for your Mayer drawing.

For all your Mayer artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mayer Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mayer painting or drawing.

If you want to sell your Mayer painting or drawing use our selling services. We offer Mayer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mayer and issuing certificates of authenticity since 2002. We are recognized Mayer experts and Mayer certified appraisers. We issue COAs and appraisals for all Mayer artworks.

Our Mayer paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mayer certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mayer painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mayer paintings or drawings take longer.

Our clients include Mayer collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Marie-Francoise-Constance Mayer La Martiniere art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Marie-Francoise-Constance Mayer La Martiniere or we will sell it for you.

Mayer painting, Portrait of Ange Lucie

Portrait of Ange Lucie

Marie-Francoise-Constance Mayer La Martiniere was a French 18th century Neoclassical painter. She was born in Paris and was the student and mistress of Pierre-Paul Prud’hon. It is generally thought that many of the paintings Mayer created were credited to Prud’hon, though she is remembered today as an excellent miniaturist and painter of religious and genre scenes.

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Marie-Francoise-Constance Mayer La Martiniere.


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1436--clerisseau.php Charles-Louis Clérisseau Artwork Authentication & Art Appraisal

Charles-Louis Clérisseau (1721-1820)

Get a Clérisseau Certificate of Authenticity for your painting (COA) for your Clérisseau drawing.

For all your Clérisseau artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Clérisseau Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Clérisseau painting or drawing.

If you want to sell your Clérisseau painting or drawing use our selling services. We offer Clérisseau selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Clérisseau and issuing certificates of authenticity since 2002. We are recognized Clérisseau experts and Clérisseau certified appraisers. We issue COAs and appraisals for all Clérisseau artworks.

Our Clérisseau paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Clérisseau certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Clérisseau painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Clérisseau paintings or drawings take longer.

Our clients include Clérisseau collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles-Louis Clérisseau art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles-Louis Clérisseau or we will sell it for you.

Clérisseau painting, Falls of the Aniene at Tivoli

Falls of the Aniene at Tivoli

Charles-Louis Clérisseau was an 18th century French artist. He was a student of Panini, a great painter of ancient ruins, and Clérisseau followed in his masters’ steps. Clérisseau was also an architectural draughtsman and an antiquary and spent much of his life in Rome after winning the Prix de Rome.

Clérisseau painting, Roman Ruins

Roman Ruins

Clérisseau taught many artists of the younger generation the ways of neoclassical architecture painting, such as Francois-Joseph Belanger, who was never able to visit Rome. Most notably, Clérisseau assisted the then American minister and future president, Thomas Jefferson, in producing designs for the Virginia State Capitol building in 1785.

Still wondering about an architectural draft or painting in your family collection? Contact us…it could be by Charles-Louis Clérisseau.


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1437--harris.php Lawren Stewart Harris Artwork Authentication & Art Appraisal

Lawren Stewart Harris (1885-1970)

Get a Harris Certificate of Authenticity for your painting (COA) for your Harris drawing.

For all your Harris artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Harris Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Harris painting or drawing.

If you want to sell your Harris painting or drawing use our selling services. We offer Harris selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Harris and issuing certificates of authenticity since 2002. We are recognized Harris experts and Harris certified appraisers. We issue COAs and appraisals for all Harris artworks.

Our Harris paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Harris certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Harris painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Harris paintings or drawings take longer.

Our clients include Harris collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lawren Stewart Harris art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lawren Stewart Harris or we will sell it for you.

Lawren Stewart Harris was a Canadian landscape painter, born in Brantford, Ontario, Canada. Harris is best known for his involvement in the Group of Seven, which was one of the first groups to create a distinctly Canadian style. The Group of Seven was most active during the 1920s, and later expanded to become the Canadian Group of Painters in the 1930s.

Harris, North Shore, Lake Superior

North Shore, Lake Superior

Harris, Untitled (Mountains near Jasper)

Untitled (Mountains near Jasper)

Harris was the eldest of three sons, born to wealthy, Canadian parents. Harris began his studies at St. Andrew’s College in Toronto, where he took a wide range of courses including philosophy. Harris’s interest in art peaked while living abroad in Berlin, Germany from 1904 to 1908. When Harris returned from Berlin he continued to paint and around the Toronto area, focusing on lower-income and poverty-stricken areas.

Harris, Maligne Lake, Jasper Park, 1924

Maligne Lake, Jasper Park, 1924

In 1910, Harris married Beatrice Phillips, commonly called Trixie. Harris and Trixie had three children together in the years following their marriage. One of his sons, Lawren P. Harris, also became a painter.

Harris, Nerke, Greenland

Nerke, Greenland

Harris, Pine Tree and Red House, Winter City, 1924

Pine Tree and Red House, Winter City, 1924

Harris, Mount Thule, Bylot Island, 1930

Mount Thule, Bylot Island, 1930

Harris, Afternoon Sun, Lake Superior

Afternoon Sun, Lake Superior

Harris, Mount Robson from the Northeast, 1929

Mount Robson from the Northeast, 1929

As Harris matured as a painter, his style became more abstract and expressive. Harris focused on color, form and light, rather than trying to create realistic landscapes. Harris’s favorite locations to paint were in northern Canada, Lake Superior, the Rocky Mountains and the Arctic. Many of Harris’s paintings are not signed, since he wanted the viewer to focus on the piece itself, rather than the artist.

Harris, Lake and Mountains

Lake and Mountains

Harris, Dead Trees

Dead Trees

During the 1930s, Harris moved around the United States, spending considerable time in New Hampshire and New Mexico. It was in Santa Fe, New Mexico that Harris formed another group of artists, known as the Transcendental Painting Group.

After a lengthy and strenuous marriage, Harris eventually divorced his wife Trixie in the late 1930s. By 1940, Harris relocated to Vancouver in British Columbia, where he spent the rest of his life. During Harris’s last years, he made a number of abstract paintings and was appointed “Companion of the Order of Canada.”

Lawren Harris is known throughout Canada for his paintings that define an era of Canadian painting. Do you think you own a painting by Lawren Harris? Contact us. We are the experts on Lawren Harris.


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1439--hudson_school.php The Hudson River School Artwork Authentication & Art Appraisal

The Hudson River School Mid-19th Century American Art

We Perform The Hudson River School art authentication. The Hudson River School appraisal from . The Hudson River School certificates of authenticity (COA). The Hudson River School analysis, research, scientific tests, full art authentications. We will help you sell your The Hudson River School or we will sell it for you.

Hudson River School Members: Albert Bierstadt, John William Casilear, Frederic Edwin Church, Thomas Cole, Samuel Colman, Jasper Francis Cropsey, Thomas Doughty, Robert Duncanson, Asher Brown Durand Sanford Robinson Gifford, James McDougal Hart, William Hart, William Stanley Haseltine, Martin Johnson Heade, Hermann Ottomar Herzog, Thomas Hill, David Johnson, John Frederick Kensett, Jervis McEntee, Thomas Moran, Robert Walter Weir, Worthington Whittredge

The Hudson River School, Thomas Cole: The Voyage of Life: Youth, 1842

Thomas Cole: The Voyage of Life: Youth, 1842

The Hudson River School, Thomas Cole: A View of Fort Putnam, 1825

Thomas Cole: A View of Fort Putnam, 1825

The Hudson River School coincided with a time of social and political changes in the United States. The group therefore attempted to portray the ideals and hopes of a new nation in early stages of development. Their paintings embraced the wildness of the American landscape as it was being threatened by industry and technology. As changes daunted the growing nation, this group of artists wished to preserve the initial concept of the New World in its undeveloped, natural state. The Hudson River School is associated with early conservation movements in America.

The Hudson River School, Albert Bierstadt: The Sierra

Albert Bierstadt: The Sierra

Before the 1820s, most American artists painted portraits and historical paintings. The Hudson River School was unique in its portrayal of wilderness as impressive and awe inspiring. Their romantic paintings depict the Hudson River Valley and the surrounding area, including the Catskill, Adirondack, and the White Mountains.

The Hudson River School, Albert Bierstadt: Seal Rock

Albert Bierstadt: Seal Rock

The origin of the name “Hudson River School” is not known, but some believe it to be coined by the art critic Clarence Cook or painter Homer D. Martin after the group’s popularity waned in the late 19th century.

The Hudson River School, Asher Durand: Sheep the Beeches

Asher Durand: Sheep the Beeches

The Hudson River School, Asher Durand: In the Woods

Asher Durand: In the Woods

Thomas Cole was an early leader of the Hudson River School and is commonly referred to as the founder. In the fall of 1825, Cole travelled on a steamship up the Hudson and Erie Canal. Cole was the first to paint landscapes of this area of river surrounded by the Catskill Mountains of New York State. Later in 1925 the New York Evening Post reviewed Cole’s work. The English born artist Cole’s close friend, Asher Durand, became a prominent figure in the school as well, particularly when the banknote-engraving business evaporated in the Panic of 1837.

The Hudson River School, Frederic Edwin Church: The Iceberg

Frederic Edwin Church: The Iceberg

The Hudson River School, Frederic Edwin Church: Niagara Falls, From the American Side

Frederic Edwin Church: Niagara Falls, From the American Side

After Cole’s death his close friend Asher Durand assumed leadership of the Hudson River School. The painters were complimented by the great writers Nathaniel Hawthorne, Henry David Thoreau and Ralph Waldo Emerson, who wrote literary works praising nature. Hudson River School artists also drew from European masters such as Claude Lorrain, John Constable and JMW Turner.

The Hudson River School, Jasper Francis Cropsey: Starrucca

Jasper Francis Cropsey: Starrucca

The Hudson River School, Jasper Francis Cropsey: Autumn in the Warwick Valley

Jasper Francis Cropsey: Autumn in the Warwick Valley

As the movement progressed it expanded in numbers. Artist such as Frederic Church and Albert Bierstadt migrated westward, painting large and dramatic painting. The Hudson River School artists were not plein-air painters, but rather made preparatory sketches in nature, which were later compiled into a final masterpiece.

The Hudson River School, Thomas Doughty: In the Catskills

Thomas Doughty: In the Catskills

The many of the Hudson River School Artists helped to found one of the United State’s leading fine art museums, the Metropolitan Museum of Art in New York City. Before their paintings were housed museums, interested viewers would stand in long lines to see a single painting on display. The paintings reminded city inhabitants to preserve land for national and city parks.

The Hudson River School, Thomas Worthington Whittredge: River Scene

Thomas Worthington Whittredge: River Scene

Today, many of the Hudson River School’s Paintings are owned by the Wadsworth Athenaeum in Hartford, Connecticut. Their collection included numerous works by Thomas Cole and Frederic Edwin Church. Other collections of Hudson River School paintings are concentrated in museums throughout the Northeast and in private collections internationally.

The Hudson River School, William Stanley Haseltine: Alpine Scene, 1856

William Stanley Haseltine: Alpine Scene, 1856

Do you think you own a historical Hudson School River painting? Contact us. We are the experts on the Hudson River School.


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1440--krestin.php Lazar Krestin Artwork Authentication & Art Appraisal

Lazar Krestin (1868 – 1938)

Do you think you may own a painting by Lazar Krestin?

Get a Krestin Certificate of Authenticity for your painting (COA) for your Krestin drawing.

For all your Krestin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Krestin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Krestin painting or drawing.

If you want to sell your Krestin painting or drawing use our selling services. We offer Krestin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Krestin and issuing certificates of authenticity since 2002. We are recognized Krestin experts and Krestin certified appraisers. We issue COAs and appraisals for all Krestin artworks.

Our Krestin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Krestin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Krestin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Krestin paintings or drawings take longer.

Our clients include Krestin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lazar Krestin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lazar Krestin or we will sell it for you.

1. Portrait of a Jewish Boy. 1923. Oil on Canvas.

1. Portrait of a Jewish Boy. 1923. Oil on Canvas.

2. Jerusalemite Youth. 1910. Oil on Canvas.

2. Jerusalemite Youth. 1910. Oil on Canvas.

Lazar Krestin was a Lithuanian artist born in Kaunas. Krestin began his artistic training in Vilnius before attending the Academy of Fine Arts in Vienna and Munich. Krestin’s most influential teacher was Isidor Kaufmann, a well-known Austro-Hungarian painter. Like Kaufmann, Krestin became known for painting Jewish themes and portraits.

3. Old Jew with a Skullcap. Oil on Canvas

3. Old Jew with a Skullcap. Oil on Canvas

In 1910, Krestin moved to Jerusalem after receiving an invitation form the Bezalel Academy of Arts and Design. Krestin became a recognized Zionist. Some of his beliefs may have stemmed from his father who was a Talmud teacher

4. Portrait of a Jewish Woman Holding a Prayer Book. Oil on Canvas.

4. Portrait of a Jewish Woman Holding a Prayer Book. Oil on Canvas.

Krestin eventually returned to Vienna, where he spent the last years of his life. His paitings continue to sell at major auctions around the world.

5. Reading Rabbi. Oil on Canvas.

5. Reading Rabbi. Oil on Canvas.

If you think you may own original artwork by Lazar Krestin, contact Art Certification Experts for information regarding our services.


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1442--de-camp.php Joseph Rodefer De Camp Artwork Authentication & Art Appraisal

Joseph Rodefer De Camp (1858-1923)

Get a De Camp Certificate of Authenticity for your painting (COA) for your De Camp drawing.

For all your De Camp artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Camp Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Camp painting or drawing.

If you want to sell your De Camp painting or drawing use our selling services. We offer De Camp selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Camp and issuing certificates of authenticity since 2002. We are recognized De Camp experts and De Camp certified appraisers. We issue COAs and appraisals for all De Camp artworks.

Our De Camp paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Camp certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Camp painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Camp paintings or drawings take longer.

Our clients include De Camp collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Joseph Rodefer De Camp art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Joseph Rodefer De Camp or we will sell it for you.

De Camp, The Cellist, 1908

The Cellist, 1908

De Camp, The Blue Cup, 1909

The Blue Cup, 1909

Joseph Rodefer De Camp was an American painter who was born in Cincinnati, Ohio but spent much of his career in Boston. When De Camp was only seventeen he initiated his art studies in Munich, Germany. In Munich, De Camp studied under the American painter, Frank Duveneck who led a group of artists known as the “Duveneck Boys”.

De Camp, The Kreutzer Sonata

The Kreutzer Sonata

De Camp was greatly influenced by the teaching of Duveneck, as well as the Dutch Masters whose work he saw while he was in Europe. De Camp was especially drawn to the work of Jan Vermeer.

De Camp, The Steward, 1919

The Steward, 1919

De Camp was known for his figurative paintings of women in interiors, portraits and landscapes. De Camp’s style referenced both Realism and Impressionism but leaned toward the latter as he matured as an artist.

In 1880 De Camp returned to the United States and secured a job teaching art and painting portraits in Boston. De Camp entered the local art scene in Boston and joined the Boston School of Painting. The Boston school, led by Edmund Charles Tarbell and Emil Otto Grundmann was known for its atmospheric and emotional style known as Tonalism. In 1897 De Camp helped to found a group called the Ten American Painters, who primarily painted in an Impressionist style. De Camp continued to paint portraits throughout his career, including a portrait of Theodore Roosevelt as well as several other well-known people of the time.

De Camp, The Blue Mandarin Coat, 1922

The Blue Mandarin Coat, 1922

Unfortunately in 1904, many of De Camp’s paintings were lost in a fire that destroyed his Boston Studio in the Harcourt Building. While most of his early paintings and landscapes were destroyed, many of his portraits belong to major museums. His paintings are currently in the collections of the Museum of Fine Arts in Boston, the Cincinnati Art Museum, Colby College Museum in Maine, the Harvard University Art Museum and the Terra Foundation of American Art in Chicago. De Camp’s paintings are an asset to any fine art collection.

Do you think you own a painting by Joseph De Camp? Contact us. We are the Joseph De Camp experts.


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1443--ghirlandaio.php Domenico Ghirlandaio Artwork Authentication & Art Appraisal

Domenico Ghirlandaio (1449—1494)

Get a Ghirlandaio Certificate of Authenticity for your painting (COA) for your Ghirlandaio drawing.

For all your Ghirlandaio artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ghirlandaio Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ghirlandaio painting or drawing.

If you want to sell your Ghirlandaio painting or drawing use our selling services. We offer Ghirlandaio selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ghirlandaio and issuing certificates of authenticity since 2002. We are recognized Ghirlandaio experts and Ghirlandaio certified appraisers. We issue COAs and appraisals for all Ghirlandaio artworks.

Our Ghirlandaio paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ghirlandaio certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ghirlandaio painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ghirlandaio paintings or drawings take longer.

Our clients include Ghirlandaio collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Domenico Ghirlandaio art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Domenico Ghirlandaio or we will sell it for you.

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Madonna and Child 1470

Domenico Ghirlandaio was a renowned Florentine Renaissance painter, a contemporary of Botticelli and Filippino Lippi. His many apprentices included Michelangelo. Ghirlandaio’s full name is given as Domenico di Tommaso Curradi di Doffo Bigordi; it appears, therefore, that his father’s surname was Curradi and his grandfather’s Bigordi. Domenico, the eldest of eight children, was at first apprenticed to a jeweller or a goldsmith, most likely his own father. The nickname “Il Ghirlandaio” (garland-maker) came to Domenico from his father, a goldsmith who was renowned for creating the metallic garland-like necklaces worn by Florentine women. In his father’s shop, Domenico is said to have made portraits of the passers-by, and he was eventually apprenticed to Alessio Baldovinetti to study painting and mosaic.

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An Old Man and His Grandson 1490

In 1480, Ghirlandaio painted the Saint Jerome in His Study and other frescoes in the Church of Ognissanti, Florence, and a life-sized Last Supper in its refectory. From 1481 to 1485, he was employed on frescoes in the Sala dell Orologio of the Palazzo Vecchio. He also painted the Apotheosis of St. Zenobius, an over-life-sized work with an elaborate architectural framework, figures of Roman heroes, and other secular details, striking in its perspective and structural/compositional skill.

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The Funeral of St. Fina 1475

In 1483, Ghirlandaio was summoned to Rome by Pope Sixtus IV to paint a wall fresco in the Sistine Chapel, Christ calling Peter and Andrew to their Apostleship. His other works in Rome are now lost. Before 1485, he produced frescoes for Cappella di Santa Fina, in the Tuscan Collegiata di San Gimignano which, after circa 1350, was under the rule of nearby Siena. His future brother-in-law, Sebastiano Mainardi, assisted him with these commissions in Rome and in San Gimignano.

Back in Florence in 1485, Ghirlandaio painted fresco cycles in the Sassetti chapel of Santa Trinita for the donor and banker Francesco Sassetti, the powerful manager of the branch of the Medici bank in Genoa, a position subsequently filled by Giovanni Tornabuoni—Ghirlandaio’s future patron. In the chapel, Ghirlandaio painted six scenes from the life of Saint Francis, including Saint Francis obtaining from Pope Honorius the Approval of the Rules of His Order; Death and Obsequies and Resuscitation, by the interposition of the beatified saint, a child of the Spini family, who died as a result of a fall from a window. The first work depicts a portrait of Lorenzo de Medici; and the third, the painter’s own likeness, which he also included in one of his pictures in the Santa Maria Novella as well as in the Adoration of the Magi in the Ospedale degli Innocenti orphanage. The altarpiece from the Sassetti chapel, the Adoration of the Shepherds, is now in the Florentine Academy.

Immediately after this commission, Ghirlandaio was asked to renew the frescoes in the choir of Santa Maria Novella, which formed the chapel of the Ricci family, but the Tornabuoni and Tornaquinci families, then much more prominent than the Ricci, undertook the cost of the restoration, with conditions—the question of preserving the arms of the Ricci gave rise to some amusing litigation. The frescoes, by Ghirlandaio and many assistants, were painted in four courses along the three walls, the main subjects being the lives of the Madonna and St. John the Baptist. These works are particularly interesting in that they include many historical portraits, a genre in which Ghirlandaio was preeminently skilled.

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Portrait of Lucrezia Tornabuoni 1475

Ghirlandaio’s series on the life of Mary, executed with utmost attention to realistic detail, seems to represent domestic scenes from contemporary life of the Florentine nobility, rather than a cosmic event.

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Madonna and Child 1480-1485

In this cycle, there are no fewer than twenty-one portraits of the Tornabuoni and Tornaquinci families: in the Angel appearing to Zacharias, portraits of Politian, Marsilio Ficino, and others; in the Salutation of Anna and Elizabeth, the beautiful Ginevra de Benci; in the Expulsion of Joachim from the Temple, (Sebastiano) Mainardi and Baldovinetti (or the latter figure may, perhaps, be Ghirlandaio’s father). The Ricci chapel was completed in 1490; the altarpiece was probably executed with the assistance of Domenico’s brothers, Davide and Benedetto; the painted window was from Domenico’s own design.

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The Miracle of a Child

Other distinguished works from Ghirlandaio’s hand are an altarpiece in tempera of the Virgin Adored by Saints Zenobius, Justus and Others, painted for the church of Saint Justus, but now in the Uffizi gallery, a remarkable masterpiece; Christ in Glory with Romuald and Other Saints, in the Badia of Volterra; the Adoration of the Magi, in the church of the Innocenti (already mentioned), perhaps his finest panel-picture (1488); and the Visitation (Louvre) which bears the last ascertained date (1491) of all his works. Ghirlandaio did not often attempt the nude—one of his pictures including nudes, Vulcan and His Assistants Forging Thunderbolts, was painted for Lorenzo II de’ Medici, but (like several others specified by Vasari) no longer exists. The mosaics that he produced date before 1491—one, of special note, is the Annunciation, on a portal of the cathedral of Florence.

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The Calling of St. Peter 1482

Ghirlandaio’s compositional schema were simultaneously grand and decorous, in keeping with the 15th century’s restrained and classicizing experimentation. His chiaroscuro, in the sense of realistic shading and three-dimensionalism, was reasonably advanced, as were his perspectives, which he designed on a very elaborate scale by eye alone, without the use of sophisticated mathematics. His color is more open to criticism, but this remark applies less to the frescoes than the tempera paintings, which are sometimes too broadly and crudely bright. His frescoes were executed entirely in what the Italians term buon fresco, without additions in tempera.

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Adoration of the Shepherds 1485

A certain hardness of outline may attest to his early training in metal work. Vasari says that Ghirlandaio was the first to abandon, in great part, the use of gilding in his pictures, representing by genuine painting any objects supposed to be gilded; yet this claim is not applicable to his entire oeuvre, since the landscape highlights in, for instance, the Adoration of the Shepherds, now in the Florence Academy, were rendered in gold leaf. Many drawings and sketches by this painter, now in the Uffizi gallery, are particularly remarkable for their naturalistic vigor of outline.

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The Visitation

One of the great legacies of Ghirlandaio is that he is commonly credited with having given some early art education to Michelangelo, who cannot, however, have remained with him long. Among other pupils were Francesco Granacci.

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St. Stephen 1480

Ghirlandaio died of “pestilential fever” and was buried in Santa Maria Novella. The day and month of his birth remain undocumented, but since he died in early January, he most likely did not reach his forty-fifth birthday. He had been twice married and left six children, three of them sons. Ridolfo, in particular, was also a painter. He had a long line of descendants, but the family died out in the 17th century, when the last members entered monasteries.

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The Last Supper 1480

Still wondering about an Italian painting in your family collection? Contact us…it could be by Domenico Ghirlandaio.


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1444--belay.php Pierre de Belay Artwork Authentication & Art Appraisal

Pierre de Belay (1890-1947)

We Perform Pierre de Belay art authentication. Pierre de Belay appraisal. Pierre de Belay certificates of authenticity (COA). Pierre de Belay analysis, research, scientific tests, full art authentications. We will help you sell your Pierre de Belay or we will sell it for you.

Like fellow artist of the same era Adolphe Marie Beaufrere, Pierre de Belay was born in Quimperlé, France. The origins and extent of his artistic training are generally little known. At the age of 29, it is known that he was released from military service when he promptly moved to Paris. Either way, Belay’s military had at least a small amount of impact on his artistic work as one can see in this naval painting “Le Haven de Concarneau.”

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Le Haven de Concarneau

Most of Belay’s art work is dated in the 1920’s and on, so it is quite possible that little artwork of his exists from before his move to Paris. In 1925, Belay finally had a studio and was living in Montparnasse. This bustling corner of Paris had given great inspiration to many painters before him, and was certainly gave Belay much inspiration for his Parisian street scenes.

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Les Deux Femmes Au Café

Besides being a painter and engraver, Belay was also an illustrator for the magazine “Harlequin” from 1923-1926. Although he was working steadily and slowly becoming known in art circles, Belay would not find real success until 1930, when an exhibit at the Rotonde and a private exhibit at the Gulot Gallery brought him real fame.

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Two Women and Two Men with Coffee, etching

Belay would continue creating art for the rest of his life, and died in Paris in 1947. Although he spent the bulk of his time working in Paris, he would return to his hometown of Quimperlé in the Brittany area on canvas.

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Fete Bretonne, 1944

Although, like most artists, Belay would go through many periods and styles of paintings, his work is generally recognizable as his own. Bright colors, bold and often thick brushstrokes and scenes of French lifestyles are very typical to the work of Belay.

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Le Port

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Carton

Today, Belay’s work is housed in museums all over France from Paris to Bordeaux and especially in Quimperlé. Because his early art teachings are so sketchy, as are what his earliest artworks may be, the possibility of finding one of Belay’s previously unknown works is very great. If he did produce anything while in the service, his art could have theoretically been created and sold or given away all over Europe.

If you believe you own a work of art by Pierre de Belay, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Pierre de Belay.


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1445--still.php Clyfford Still Artwork Authentication & Art Appraisal

Clyfford Still (1904 – 1980)

Get a Still Certificate of Authenticity for your painting (COA) for your Still drawing.

For all your Still artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Still Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Still painting or drawing.

If you want to sell your Still painting or drawing use our selling services. We offer Still selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Still and issuing certificates of authenticity since 2002. We are recognized Still experts and Still certified appraisers. We issue COAs and appraisals for all Still artworks.

Our Still paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Still certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Still painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Still paintings or drawings take longer.

Our clients include Still collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Clyfford Still art authentication, appraisal from , certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Clyfford Still or we will sell it for you.

Still, 957-D No. 1

957-D No. 1
1957 Oil on canvas 113 x 159 in

Still, Jamais (Never)

Jamais (Never)
1944 Oil on canvas 65 1/16 x 32 1/4 inches (165.2 x 82 cm) Peggy Guggenheim Collection Venice

Still, 1948

1948
1948 Oil on canvas 70 1/2 x 62 1/4 inches (179.07 x 158.12 cm)

Clyfford Still was an American painter of the Abstract Expressionist movement. Still was born in Grandin, North Dakota but spent many of his early years in Spokane, Washington and Bow Island, Canada. Still studied at Spokane University in Washington. Two years later Still enrolled in a graduate program at Washington State University, where he earned a Master of Fine Arts degree from Washington State University.

Still, Untitled

Untitled
ca 1935-1938 Oil on canvas 26 3/4 x 20 3/4 in. (67.9 x 52.7 cm)

Still, 1950-M No. 1

1950-M No. 1

In 1934, Still participated in a residency program at Yaddo, an artist colony and community in Saratoga Springs, New York. After finding Yaddo to be a positive experience, Still helped to found Nespelem Art Colony, a new art community in Washington. Still worked together with Worth Griffin, establishing the colony by 1937. The Nespelem Art Colony was based around the study of the Native American, Colville Indian Reservation.

Still, 1960

1960
Oil on canvas 114 1/2 x 74 1/2 in. (290.8 x 189.2 cm)

Still, 1962-D

1962-D

In the late 1930s Still shifted gears and started creating less representational paintings. Instead, Still focused on expressive brushwork and color field compositions, while his many of his contemporaries were continuing to experiment with surrealism.

By 1941 Still decided to move to San Francisco, where he held a teaching position at the California School of Fine Arts. In 1948, Still decided to spend the summer working on his paintings in New York. It was during this time that Still transformed his style of painting and developed his signature aesthetic. Still returned to San Francisco and continued to teach until 1950, but made frequent trips to New York, where he was represented by the galleries of Peggy Guggenheim and Betty Parsons.

Still, 1948-C

1948-C
1948 Oil on canvas 80 7/8 x 68 3/4 in. (205.4 x 174.6 cm)

Still, 1950-B

1950-B
1950 Oil on Canvas
The Phillips Collection, DC

Still, 1957-D No.2

1957-D No.2

By the late 1950s Still decided to move to New York, where he held several solo exhibitions and was surrounded by other Abstract Expressionist artists. While Still was extremely successful in New York, he grew critical of the art scene and decided to move to Maryland, where he spent the last twenty years of his life. After Still’s death all of his paintings that were not in the public domain were controlled by the Clyfford Still Estate and were removed from the art market.

Still, 1946-H (Indian Red and Black)

1946-H (Indian Red and Black)
1946 Oil on Canvas 198.8 x 173.7 cm

It was not until 2004 that the Clyfford Still Estate chose a site to open a Clyfford Still Museum. The new museum is planned to open in Denver, Colorado in the spring of 2010. The collection will contain more than 2,400 works of art, including drawings, prints and paintings. While 94 % of Still’s work will be housed in the museum, the remaining six percent belongs to various private and museum collections.

Do you think you own a painting by Clyfford Still? Contact us. We are the Still experts.


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1446--dibartolo.php Domenico di Bartolo Artwork Authentication & Art Appraisal

Domenico di Bartolo (1400-1447)

We Perform Domenico di Bartolo art authentication. Domenico di Bartolo appraisal. Domenico di Bartolo certificates of authenticity (COA). Domenico di Bartolo analysis, research, scientific tests, full art authentications. We will help you sell your Domenico di Bartolo or we will sell it for you.

di Bartolo

Madonna of Humanity 1433

Domenico di Bartolo was an Italian painter of the Sienese School. He was born sometime between 1400-1404 in Asciano and died in 1445 (or 1447). According to Vasari, he was a nephew of Taddeo di Bartolo. Employed by Vecchietta in the masterpiece fresco The Care of the Sick in the Pellegrinaio (Pilgrim’s Hall) of the Ospedale de Santa Maria della Scala in Siena.

di Bartolo

Care of Sick, 1441

In this painting, wealthy donors visit the hospital to find men washing the ill, and a rotund friar hearing confession. In 1434, he also painted a fresco panel of Emperor Sigismund Enthroned (Imperatore Sigismundo in trono) for the Duomo di Siena.

di Bartolo

Panel in Sienna

di Bartolo

The Marriage of the Foundlings 1440

Still wondering about a 15th century Italian painting in your family collection? Contact us…we are the Domenico di Bartolo experts.


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1447--fontana-lucio.php Lucio Fontana Artwork Authentication & Art Appraisal

Lucio Fontana (1899 – 1968)

Get a Fontana Certificate of Authenticity for your painting or a COA for your Fontana drawing or sculpture.

For all your Fontana artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Fontana Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fontana painting, drawing or sculpture.

If you want to sell your Fontana painting, drawing or sculpture use our selling services. We offer Fontana selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fontana and issuing certificates of authenticity since 2002. We are recognized Fontana experts and Fontana certified appraisers. We issue COAs and appraisals for all Fontana artworks.

Our Fontana paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fontana certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fontana painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fontana paintings, drawings or sculpture take longer.

Our clients include Fontana collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lucio Fontana art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lucio Fontana or we will sell it for you.

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Blue Composition

Lucio Fontana was a painter and sculptor born in Rosario, province of Santa Fe, Argentina, the son of an Italian father and an Argentine mother. Fontana spent the first years of his life in Italy and came back to Argentina in 1905, where he stayed until 1922, working as a sculptor along with his father and then on his own.

In 1928 he returned to Italy, and there he presented his first exhibition in 1930, organized by the Milano art gallery Il Milione. During the following decade he journeyed Italy and France, working with abstract and expressionist painters.

In 1940 he returned to Argentina. In Buenos Aires (1946) he founded the Altamira academy together with some of his students, and made public the White Manifesto, where he states that “Matter, color and sound in motion are the phenomena whose simultaneous development makes up the new art”. Back in Milano in 1947, he supported, along with writers and philosophers, the first manifesto of spatialism (Spazialismo). He also resumed his ceramics works in Albisola.

From 1958 on he started the so-called slash series, consisting in holes or slashes on the painting surface, drawing a sign of what he named “an art for the Space Age”. In 1959 he exhibited cut-off paintings with multiple combinable elements (he named the sets quanta). He participated in the Bienal de São Paulo and in numerous exhibitions in Europe (including London and Paris) and Asia, as well as New York.

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Concetto Spazial 1961

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Concetto Spaziale, 1962

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Concetto Spazial 1964

Shortly before his death he was present at the “Destruction Art, Destroy to Create” demonstration at the Finch College Museum of New York. Then he left his home in Milano and went to Comabbio (in the province of Varese, Italy), his family’s mother town, where he died in 1968.

Fontana’s works can be found in the permanent collections of more than one hundred museums around the world. He was the sculptor of the bust of Ovidio Lagos, founder of the La Capital newspaper, in Carrara marble.

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Spatial Concept, Nature, Sculpture 1961

Still wondering about an Italian painting in your family collection? Contact us…it could be by Lucio Fontana.


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1448--carcova.php Ernesto de la Cárcova Artwork Authentication & Art Appraisal

Ernesto de la Cárcova (1866-1927)

Get a De La Cárcova Certificate of Authenticity for your painting (COA) for your De La Cárcova drawing.

For all your De La Cárcova artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De La Cárcova Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De La Cárcova painting or drawing.

If you want to sell your De La Cárcova painting or drawing use our selling services. We offer De La Cárcova selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De La Cárcova and issuing certificates of authenticity since 2002. We are recognized De La Cárcova experts and De La Cárcova certified appraisers. We issue COAs and appraisals for all De La Cárcova artworks.

Our De La Cárcova paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De La Cárcova certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De La Cárcova painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De La Cárcova paintings or drawings take longer.

Our clients include De La Cárcova collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Ernesto de la Cárcova art authentication. Ernesto de la Cárcova appraisal. Ernesto de la Cárcova certificates of authenticity (COA). Ernesto de la Cárcova analysis, research, scientific tests, full art authentications. We will help you sell your Ernesto de la Cárcova or we will sell it for you.  

Ernesto de la Cárcova, Sorpresa - 1896

Sorpresa – 1896

He was undoubtedly one of the most outstanding painters of the so-called Generation of the Eighties, during the last years of the 19th century and the first of the following. He began his painting studies in 1885 and then continued his training in Paris, Rome and Turin. There he was influenced by the brothers Doménico and Girolamo Induno, the first to react against academicism.

From the aesthetic point of view, in the early years of the decade the Italian influence predominated in his work, mainly from the “macchiaioli”. The expressive brushstroke against the academic coldness and the preference for verismo in the form of representation. His famous paintings with social content date from this time. This is demonstrated by his 1894 painting “Sin pan y sin trabajo” which was a vibrant reaction against academicism not only for its pathetic and impressive theme, but also for the technique of modeling through color.

Ernesto de la Cárcova, Sin pan y sin trabajo, 1892-93, Óleo sobre tela 125,5 x 216 cm

Without bread and without work, 1892-93, Oil on canvas 125.5 x 216 cm

In the 1890 Turin Salon, King Umberto I acquired one of his works: the Old Man Head cake.

Later he made portraits and still lifes in oil and pastel. Towards the end of his creative cycle, de la Cárcova began to use a lively light, which greatly clarified his palette and announced the Argentine impressionism that was to flourish in the country during the subsequent period. This is demonstrated by his works “Contraluz”, “Sobre el banco del jardín” and “Naturaleza en silencio”.

Ernesto de la Cárcova, La esposa del artista

The artist’s wife

Ernesto de la Cárcova, El banco del jardín, 1927

The garden bench, 1927

He was the founder and first director of both the Superior School of Fine Arts that today bears his name and the National Academy of Fine Arts, he formed numerous disciples, some of whom reached the highest peaks of art such as Carlos Miguel Victorica, Cesáreo B De Quirós, Carlos Ripamonte and others.

Ernesto de la Cárcova, Naturaleza muerta, sin fecha, óleo sobre tela 62 x 56 cm.

Still life, undated, oil on canvas 62 x 56 cm.

He obtained numerous awards in international salons and the Presidency of France awarded him the Legion of Honor in the rank of Knight and later in that of Officer.

Still thinking about that painting from the family collection? Get in contact with us…. It could be from Ernesto de la Cárcova.


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1449--martinez-alfredo.php Alfredo Ramos Martinez Artwork Authentication & Art Appraisal

Alfredo Ramos Martinez (1871 – 1946)

Get a Martinez Certificate of Authenticity for your painting (COA) for your Martinez drawing.

For all your Martinez artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Martinez Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Martinez painting or drawing.

If you want to sell your Martinez painting or drawing use our selling services. We offer Martinez selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Martinez and issuing certificates of authenticity since 2002. We are recognized Martinez experts and Martinez certified appraisers. We issue COAs and appraisals for all Martinez artworks.

Our Martinez paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Martinez certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Martinez painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Martinez paintings or drawings take longer.

Our clients include Martinez collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alfredo Ramos Martinez art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alfredo Ramos Martinez or we will sell it for you.

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Manacacoyota

Alfredo Ramos Martinez is one of the most important Mexican artists of the twentieth century. Ramos Martínez is sometimes referred to as the “Father of Modern Art” in Mexico. La Primavera, Spring is considered to be one of his most important pieces.

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Mujeres con Flores

Alfredo Ramos Martinez was born on November 12, 1872, in Monterrey, Nuevo Leon, in Mexico. Ramos Martinez spent eight years at the Academia Nacional de Bellas Artes in Mexico City, Mexico. Ramos Martínez criticized the school for not valuing individuality and focusing on drawing from plaster casts. Ramos Martínez preferred to work outdoors, painting people and street life.

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Soldados Mexicanos

In 1913 Ramos Martínez was appointed Director of the National Academy. Ramos Martínez opened the Escuelas de Pintura al Aire Libre (Open Air Schools of Painting). One of the first students of this new school was, David Alfaro Siqueiros, now known as one of the most important Mexican muralists.

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El Indio con Tunas

In 1928, Ramos Martinez and his wife moved from Mexico to Los Angeles, California to seek medical treatment for their daughter. Ramos Martínez’s art greatly changed in California. Still painting on newsprint, Ramos Martínez created a modern yet folkloric, ‘Mexicana’ aesthetic. His subjects ranged from ‘Indians’ selling flowers, dramatic landscapes and religious themes of Mexico.

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Vendedora de Flores

Ramos Martínez’s exhibited and painted murals throughout California and Mexico. His prolific work is museums and private collections all over the world.

Still think you might have an Alfredo Ramos Martínez? Art Certification Experts has the answer. Contact us and we will tell you if you are the owner of an Alfredo Ramos Martínez.


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1450--denis.php Maurice Denis Artwork Authentication & Art Appraisal

Maurice Denis (1870-1943)

Get a Denis Certificate of Authenticity for your painting (COA) for your Denis drawing.

For all your Denis artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Denis Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Denis painting or drawing.

If you want to sell your Denis painting or drawing use our selling services. We offer Denis selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Denis and issuing certificates of authenticity since 2002. We are recognized Denis experts and Denis certified appraisers. We issue COAs and appraisals for all Denis artworks.

Our Denis paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Denis certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Denis painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Denis paintings or drawings take longer.

Our clients include Denis collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Maurice Denis art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Maurice Denis or we will sell it for you.

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Homage to Cezanne

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Bacchus and Ariadne, 1907

Born in Granville, France, Maurice Denis was a leading forerunner in the Nabis group of painters. The Nabis, which means “prophet” in Hebrew, were a group of spiritual symbolists. Along with being a painter, Denis was also a writer and his theories on painting were considered crucial in the foundation of the Fauvist, Abstract and Cubist movements. In fact, Denis was the first to write and publish the Le Nabis manifesto explaining their symbolist and religious ideals.

During his artistic career, Denis dabbled in a number of artistic endeavors from carpet design to stained glass, ceramics, lithographs, advertisements and cartoons.

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La Depeche de Toulouse, 1892

Denis received his first formal training at the Academie Julian and the Ecole des Beaux-Arts. There, he was influenced by Gaugin and began to paint in a synthetic style.

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Soir Trinitaire, 1891

He traveled to Italy in the late 1890’s, and his work at this time is very original and is infused with Italian renaissance style. Denis would also be later commissioned to work in Russia and Geneva, decorating ceilings and panels in their theaters and churches.

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Child in an Apron, 1889

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Femme Etendent du Linge

The bulk of Denis’s oeuvre consists of figure studies and landscapes in varying styles. His themes were often of a religious nature, consisting of Jesus figures, crosses and virgin symbols.

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Annunciation

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The Road to Calvary, 1889

Denis was also noted for his use of color—his color palate is certainly a pre-cursor for the bright colors of the Fauves.

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The Offertory at Calvary, 1890

While Denis typically worked in oil on canvas, it was not unusual for him to experiment with other mediums as well, such as gouache on other surfaces such as cardboard.

One of the most intriguing things about this artist is that he did not seem to be married to one certain type of style or another. While many artists grow and change their styles throughout their career, Denis seemed to jump around and embody all of them from Pointillism to post-Impressionism and from Abstract to Symbolist and even in the style of the Realist old masters in “Homage to Cezanne.” He did not paint in specific patterns or specific styles at any given time—rather it seemed as though he preferred to paint in whatever way his subject required.

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Green Trees, 1893

Denis was, above all, an art philosopher and theorist, and was famously quoted saying “Remember that a picture, before being a battle horse, a nude, an anecdote or whatnot, is essentially a flat surface covered with colors and assembled in a certain order.”

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Taches de Soleil sur la Terasse, 1890

While he obviously painted in a certain order, known only to him, this may make authenticating his paintings difficult for an untrained eye. Allow us to help you research a mysterious painting that you may own…it could be by Maurice Denis.


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1452--diebenkorn.php Richard Diebenkorn Artwork Authentication & Art Appraisal

Richard Diebenkorn (1922 – 1993)

Get a Diebenkorn Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Diebenkorn artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Diebenkorn Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Diebenkorn painting, drawing or print.

If you want to sell your Diebenkorn painting, drawing or print use our selling services. We offer Diebenkorn selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Diebenkorn and issuing certificates of authenticity since 2002. We are recognized Diebenkorn experts and Diebenkorn certified appraisers. We issue COAs and appraisals for all Diebenkorn artworks.

Our Diebenkorn paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Diebenkorn certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Diebenkorn painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Diebenkorn paintings or drawings take longer.

Our clients include Diebenkorn collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Richard Diebenkorn art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Richard Diebenkorn or we will sell it for you.

Diebenkorn, Ocean Park No. 129

Ocean Park No. 129
1984 oil on canvas

Diebenkorn, Cityscape I

Cityscape I, (Landscape No. 1)
1963 Oil on canvas 60 1/4 x 50 1/2 in
San Francisco Museum of Modern Art

Richard Diebenkorn was an American painter associated with both the Abstract Expressionist and Bay Area Figurative Movements. Diebenkorn was born in Portland, Oregon but moved to with his family to San Francisco when he was still a small child. Diebenkorn enjoyed drawing at an early age and started to formally study art at Stanford University in 1940. At Stanford, Diebenkorn studied under Professor Victor Arnautoff and Daniel Mendelowitz. Diebenkorn was also heavily influenced by the work of Edward Hopper, which is apparent in his paintings.

Diebenkorn, Woman by Window

Woman by Window
1957 Gouache on paper 17 x 13 7/8 in. (43.2 x 35.2 cm)

After completing his studies, Diebenkorn spent the next decade moving around the United States. He lived in New York City and Woodstock, New York, Albuquerque, New Mexico, Urbana, Illinois and Berkeley, California. Diebenkorn spent some time away from painting during his service in the United States Marine Corps form 1943 to 1945. Under the G.I. Bill Diebenkorn was able to receive funding to continue his studies, and he enrolled in a graduate painting program at the University of New Mexico. At this time Diebenkorn was highly influenced by the Abstract Expressionist Movement, flourishing in New York City. Diebenkorn looked at such artists as Arshile Gorky and Willem de Kooning.

Diebenkorn, Man and Woman in a Large Room

Man and Woman in a Large Room
1957 Oil on canvas 71 1/8 x 62 1/2 in. (180.7 x 158.8 cm)

Diebenkorn, Ocean Park #111

Ocean Park #111
1978 Oil and charcoal on canvas 93 1/8 x 93 1/4 in. (236.5 x 236.9 cm)

By the late 1950s, Diebenkorn’s style became increasingly more figurative. Diebenkorn joined artists such as Elmer Bischoff, Henry Villierme, David Park and James Weeks in forming the Bay Area Figurative Movement in California.

Diebenkorn, Berkeley No. 22

Berkeley No. 22
1954 Oil on canvas 59 x 57 in. (149.8 x 144.8 cm)

Diebenkorn, Untitled

Untitled
1992 Synthetic polymer and pasted paper, mounted on paperboard 27 5/8 X 20 3/4 in. (70.1 X 52.6 cm)

Diebenkorn’s figurative period lasted until the late-1960s, when he returned to abstraction. In 1967 Diebenkorn began his most well known series “Ocean Park”, which was developed over a period of twenty-five years. The series resulted in around one hundred and forty large-scale, abstract paintings. The series was named after the community in Santa Monica, California where he was working. Diebenkorn’s final series consisted of a grouping of prints, illustrating the poems of W.B. Yeats. Diebenkorn died a few years after the publication’s public release.

Diebenkorn, Untitled
Untitled

1950 Linoleum cut, composition on paper 12 11/16 x 8 1/2″ (32.3 x 21.6 cm) sheet 12 15/16 x 8 1/2″ (33 x 21.6 cm)

Diebenkorn, Untitled

Untitled
1961 Lithograph, composition 18 7/8 x 15 7/8″ (48 x 40.3 cm); sheet: 29 1/4 x 20 5/8″ (74.3 x 52.4 cm)

Diebenkorn, Untitled

Untitled
1961 Lithograph, irreg composition 12 1/8 x 17 1/8″ (30.8 x 43.5 cm) sheet 15 1/8 x 20 1/8″ (38.5 x 51.2 cm)

Diebenkorn, Untitled

Untitled
1961 Lithograph, irreg composition 18 7/8 x 13 1/8″ (48 x 33.4 cm) sheet 22 11/16 x 16 1/8″ (57.6 x 40.9 cm)

Diebenkorn, Large Still Life

Large Still Life
1966 Oil on canvas 64 1/2 x 70 1/4″ (163.8 x 178.4 cm)

Richard Diebenkorn’s work is now in major collections in the United States and around the world. Do you think you many own a painting or print by Richard Diebenkorn? Contact us. We are the Diebenkorn experts.


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1454--heade.php Martin Johnson Heade Artwork Authentication & Art Appraisal

Martin Johnson Heade (1819-1904)

Get a Heade Certificate of Authenticity for your painting (COA) for your Heade drawing.

For all your Heade artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Heade Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Heade painting or drawing.

If you want to sell your Heade painting or drawing use our selling services. We offer Heade selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Heade and issuing certificates of authenticity since 2002. We are recognized Heade experts and Heade certified appraisers. We issue COAs and appraisals for all Heade artworks.

Our Heade paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Heade certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Heade painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Heade paintings or drawings take longer.

Our clients include Heade collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Martin Johnson Heade art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Martin Johnson Heade or we will sell it for you.

Heade, Orchideen, Passionsblumen und Kolibris

Orchideen, Passionsblumen und Kolibris

Martin Johnson Heade was an American painter known for his landscapes and seascapes. Heade was born in Lumberville, Pennsylvania, along the Delaware River. Heade remained in rural Pennsylvnia for much of his life, running the family general store.

Heade, Cattleya Orchid and Three Brazilian Hummingbirds

Cattleya Orchid and Three Brazilian Hummingbirds

Art historians currently like to set Heade apart from the Hudson River School since many of his paintings were not even landscapes. Heade did numerous paintings of tropical birds and portraits. Heade was more interested in documenting the natural light and creating emotion than creating photo-realistic landscapes.

Heade, Rio de Janeiro Bay

Rio de Janeiro Bay

It is believed that Heade studied under a local folk-artist named Edward Hicks and painted portraits in his Pennsylvania town. Heade eventually left for Rome, studying and painting abroad for two years. When Heade returned from Europe he exhibited at the Pennsylvania Academy of the Fine Arts and moved to New York in 1859.

Heade, Orchids and Hummingbird

Orchids and Hummingbird

Heade went on many painting trips, working alongside artists in the White Mountains of New Hampshire and in New York State. Heade worked in a New York City studio with many artists of the Hudson River School. Heade became interested in the tropics and travelled to Brazil. Heade hoped to publish his illustrations of his Brazilian hummingbirds but was unable to finance the project.

Heade did not lose momentum in his interest in the tropics and travelled to Florida and many countries in Central America and to Jamaica. It was Heade’s primary passion to paint the tropical flora and birds. In Florida Heade painted may still lifes and Magnolia blossoms on velvet. Not many other artists of Heade’s time were prolific in painting landscapes and still-lifes.

Heade’s work is now in prestigious collections including the Metropolitan Museum of Art in New York City, the National Gallery of Art in Washington DC and the Museum of Fine Arts in Boston.

Do you think you have a painting by Martin Johnson Heade in your fine art collection? Contact us. We are the Martin Johnson Heade experts.


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1455--courbet.php Gustave Courbet Artwork Authentication & Art Appraisal

Gustave Courbet (1819-1877)

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The Grain Sifters

Self-Portrait with Black Dog

Self-Portrait with Black Dog

Get a Courbet Certificate of Authenticity for your painting (COA) for your Courbet drawing.

For all your Courbet artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Courbet Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Courbet painting or drawing.

If you want to sell your Courbet painting or drawing use our selling services. We offer Courbet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Courbet and issuing certificates of authenticity since 2002. We are recognized Courbet experts and Courbet certified appraisers. We issue COAs and appraisals for all Courbet artworks.

Our Courbet paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Courbet certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Courbet painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Courbet paintings or drawings take longer.

Our clients include Courbet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gustave Courbet art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gustave Courbet or we will sell it for you.

Gustave Courbet was the founder of what is known as the French school of Realism. Born into a wealthy farming family, he went to Paris to study law but finally decided to study art. Realism was a reaction to Romanticism and sought to show life as it really was, rather than romanticized idealist visions.

Gustave was determined in his art to portray ordinary places and people. He was a socialist and did not want to shy away from showing how life really was for some of the peasant population. He believed that art had a social and political role to play. He thought it could help eradicate social imbalances and make people aware of the injustices in Society. Later on in life his socialist leanings were to bring him a lot of trouble.

His first two paintings dealt with Literary subjects, but he quickly moved onto what he believed to be his true calling in art, painting life as it really was. He painted landscapes, portraits, nudes and still life as well as a number of seascapes. His first canvas to be accepted by the Salon was a self-portrait entitled ‘Courbet with a Black dog’.

A trip to the Netherlands in 1847 to see some paintings by the Masters there, only served to instill in him a determination to show the reality of everyday life. He admired greatly the works of Rembrandt, Hal and the other Dutch Masters.

Pierre Joseph Proudhon et Ses Enfants en 1853

Pierre Joseph Proudhon et Ses Enfants en 1853

Portrait of Countess Karoly, 1865

Portrait of Countess Karoly, 1865

Two separate visits to visit his family in Ornans served as inspiration for two of his masterpieces. The first painting produced in 1849 is entitled ‘The Stone-Breakers’ and the second in 1850 entitled ‘Burial at Ornans’ depicts what he saw at his Great Uncle’s Funeral in Ornans. The people at the funeral were used as his models and this was a new technique in painting of the day which caused some controversy at the time. His style which showed people in everyday situations such as at work or at funerals contrasted greatly with the style of Romantic painters such as Eugene Delacroix.

Speaking about his painting, ‘The Burial at Ornans,’ he said, ‘the Burial at Ornans was in reality the burial of Romanticism’.

The Burial at Ornans, 1849-1850

The Burial at Ornans, 1849-1850

He frequently returned to Ornans where the peasant community was an inspiration for his art.

Gustave Courbet was a rebel, and in 1855 when a huge canvas entitled ‘The Artist’s Studio’ was refused for an important exhibition, he boldly arranged for it to be displayed himself.

The Artist's Studio, 1855

The Artist

His politics were intrinsically related to his art and in 1850 whilst speaking of his art he said, “… in our so very civilized society it is necessary for me to live the life of a savage. I must be free of even governments. The people have my sympathies; I must address myself to them directly.”

Towards the end of the 1860s he painted a series of erotic paintings, including one of two women in bed together. They caused an outcry and were banned from public display.

He refused the Legion of Honour which was offered to him by Napoleon III and immediately won the popular support of those that were opposed to the Government of the day. Under the revolutionary Paris Commune he was put in charge of the art museums of Paris and saved them from being looted. However, after the fall of the Commune he was arrested and accused of the destruction of the Vendome Column, a French monument. He was imprisoned for six months and afterwards was given a huge fine to cover the reconstruction of the column. He was unable to pay the fine and fled to Switzerland where he later died from liver disease, related to alcohol consumption.

He is the undisputed French master of the Realist school and as such his paintings are worth a great deal of money. A painting of his was entitled ‘La Belle Irlandaise’ sold in Sotheby’s in 1998 for nearly $3,000,000.

La Belle Irlandaise, 1865

La Belle Irlandaise, 1865

If you believe you own a work of art by Gustave Courbet, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Gustave Courbet.


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1456--guillaumin.php Jean Baptiste Armand Guillaumin Artwork Authentication & Art Appraisal

Jean Baptise Armand Guillaumin (1841-1927)

Get a Guillaumin Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Guillaumin artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Guillaumin Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Guillaumin painting, drawing or print.

If you want to sell your Guillaumin painting, drawing or print use our selling services. We offer Guillaumin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Guillaumin and issuing certificates of authenticity since 2002. We are recognized Guillaumin experts and Guillaumin certified appraisers. We issue COAs and appraisals for all Guillaumin artworks.

Our Guillaumin paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Guillaumin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Guillaumin painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Guillaumin paintings or drawings take longer.

Our clients include Guillaumin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Baptise Armand Guillaumin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Jean Baptise Armand Guillaumin or we will sell it for you.

Jean Baptiste Armand Guillaumin was an artist who produced Impressionist paintings and lithographs. He was particularly well known for his landscape paintings of the Paris, Creuse and Esterel regions. He was born in Paris to a working class family who had recently moved there from the Bourbonnais region in France. At the age of fifteen, he started working for his uncle, who owned a lingerie shop. In the evenings, he spent his time attending drawing classes.

He later on attended the Academy of the painter Charles Suisse in Paris where he met the artists Cezanne and Pissarro. He was to make friends with them, and remained so for the rest of his life. He changed his working life to allow himself more time to dedicate himself to his love of art. He began night work at the Highways department which allowed him to paint during the day.

He had a strong interest in painting the lives of the working class in Paris and was particularly interested in depicting the spaces they inhabited. He was drawn towards portraying the new residential and industrial areas of the expanding Paris of the day.

In the beginning of the 1870s, he worked with Pissarro in the village of Pointoise. He shared Pissarro’s love of landscapes and working with Pissarro enabled him to perfect and develop his art of landscape painting. A particularly well known painting from this time entitled, ‘Sunset at Ivry,’ hangs in the Musee d’Orsay. Together with Pissarro he frequently visited Dr Paul Gachet in Auvers. Dr Gachet was a Socialist and ‘Free Thinker’ of the time who had close links with the Impressionists of the day. Whilst in Auvers, Pissarro completed a portrait of Guillaumin entitled, Guillaumin at the Hanged Man.

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Sunset at Ivry, 1873

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Outskirts of Paris, 1873

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Landscape la Folie

Guillaumin was to go on to become very good friends with Vincent Van Gogh, who of course also had strong connections with Dr Gachet. Van Gogh’s brother Theo also sold a number of paintings by Guillaumin. He became a frequent visitor at the Cafe Guerbois in Bagnitolles, where all the of the Impressionist painters of the time met to discuss the politics of the day and of course their art. He formed part of the first group of Impressionist artists to exhibit at the Impressionist exhibition of 1874. He was also to exhibit at a number of subsequent Impressionist exhibitions.

In 1886, Guillaumin married his cousin who was a schoolteacher and she gave him a lot of financial support which enabled him to pass more of his time concentrating on his painting. In 1891, he had an extraordinary stroke of good luck and he won the National Lottery. This enabled him to devote himself entirely to his painting and he spent time traveling and painting in the South of France as well as in Holland.

In the 1890s, he began using more expressive colours and this has led some Art Certification Experts to state that in some of his paintings of this period he was anticipating the Fauves movement. He produced many colour works at this time such as, ‘Ruins in Crozat.’

Whilst Guillaumin never attained the stature of Cezanne and Pissarro, he certainly influenced them, for example Cezanne attempted his first etching based on a Guillaumin painting of barges on the Seine.

Paintings by Guillaumin can be seen all over the world, including in the National Gallery of Art in Washington and the Hermitage Museum in St. Petersburg.

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Maison Par le Pont, 1904

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Sun Rising in the Mist, 1919

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1457--lewitt.php Sol LeWitt Artwork Authentication & Art Appraisal

Sol LeWitt (1928 – 2007)

Get a LeWitt Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your LeWitt artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a LeWitt Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your LeWitt painting, drawing or print.

If you want to sell your LeWitt painting, drawing or print use our selling services. We offer LeWitt selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating LeWitt and issuing certificates of authenticity since 2002. We are recognized LeWitt experts and LeWitt certified appraisers. We issue COAs and appraisals for all LeWitt artworks.

Our LeWitt paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The LeWitt certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your LeWitt painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research LeWitt paintings or drawings take longer.

Our clients include LeWitt collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sol LeWitt art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sol LeWitt or we will sell it for you.

Sol LeWitt was an American artist, known for his minimal structures and drawings. Though Sol Le Witt worked with a variety of media, he is possibly best remembered for his wall drawing installations.

LeWitt was born to a family of Russian immigrants in Hartford, Connecticut. Realizing his interest in art at an early age, LeWitt decided to study art at Syracuse University in upstate New York. After graduating in 1949, LeWitt spent time in Europe, exposing himself to historical architecture and art. After returning from his trip, LeWitt served in the military during the Korean War. LeWitt was stationed in California, Japan and Korea.

After returning from war, LeWitt moved to New York to continue his career in art and design. He took some classes at the School of Visual Arts and worked as a designer for “Seventeen” magazine. In the late 1950s LeWitt was hired to do some work for the architect I.M. Pei and held a low-level job at the Museum of Modern Art (MOMA). At the MOMA, LeWitt saw a number of influential exhibitions and worked alongside other upcoming artists such as Dan Flavin, Robert Mangold and Robert Ryman.

LeWitt soon had the inspiration he needed to begin making his famous wall drawings, structures and prints. His exhibitions travelled across the United States and Europe. His drawings were seen as both minimal and conceptual, as he believed his ideas came before his handwork. LeWitt’s tendency to draw directly on walls challenged the tradition of working on prepared surfaces such as canvas and paper. LeWitt made numerous 3-dimensional series out of metal and wood, which he preferred to call ‘structures’, rather than ‘sculptures’. In addition to gallery work, LeWitt worked with an architect to design a synagogue, Beth Shalom Rodfe Zedek.

The work of LeWitt has travelled to exhibitions around the world. His work continues to appear in museum retrospectives and permanent collections.

Do you think you own a piece by Sol LeWitt? Contact us. We are the LeWitt experts.


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1458--tristan.php Luis Tristán de Escamilla Artwork Authentication & Art Appraisal

Luis Tristán de Escamilla (1585-1624)

Luis Tristán de Escamilla art authentication. Luis Tristán de Escamilla appraisal. Luis Tristán de Escamilla certificates of authenticity (COA). Luis Tristán de Escamilla analysis, research, scientific tests, full art authentications. We will help you sell your Luis Tristán de Escamilla or we will sell it for you.

Tristán de Escamilla, Saint Pedro and Saint Francisco

Saint Pedro and Saint Francisco

Tristán de Escamilla, Saint Jean the Evangelist

Saint Jean the Evangelist

Luis Tristán Escamilla was a Spanish, Mannerist painter during Spain’s “Golden Era” of painting. Luis Tristan was born in Toledo, Spain to a family of artisans and traders. Luis Tristan worked as an assistant for El Greco between 1603 and 1607. Luis Tristan’s paintings were greatly influenced El Greco, and many of his later paintings seem to imitate El Greco’s work. Because of their similar style, the paintings of Luis Tristan and El Greco are often confused.

Tristán de Escamilla, The Cardinal, Child of Guevara

The Cardinal, Child of Guevara

Tristán de Escamilla, Saint Anthony Abbot

Saint Anthony Abbot

Besides a period between 1607 and 1613, when Luis Tristan lived in Italy, he spent much of his life in Toledo. Luis Tristan focused on religious themes paintings , commonly choosing saints as subjects for his paintings. Luis Tristan’s paintings are noted for their dramatic lighting, common in Spanish painting at the time. Luis Tristan would show illuminated figures in front of a darkened non- descript background. Luis Tristan painted altar images in churches as well as portraits for private collections. Luis Tristan painted the main altar in the Catedral de la Mancha in Yepes, Spain. The altar, painted in 1616, contained sixteen scenes depicting the life of Jesus and eight portraits of saints.

Tristán de Escamilla, Worshipping of the Three Holy Kings

Worshipping of the Three Holy Kings

Tristán de Escamilla, Saint Monica

Saint Monica

Luis Tristan’s works now belong to world-renowned museums including the Museo del Prado in Madrid, the Louvre in Paris and the Museo Santa Cruz in Toledo. Do you think you own a painting by the Spanish, Mannerist painter, Luis Tristán Escamilla? Contact us. We are the experts.


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1459--rottenhammer.php Hans Rottenhammer Artwork Authentication & Art Appraisal

Hans Rottenhammer (1564-1625)

Get a Rottenhammer Certificate of Authenticity for your painting (COA) for your Rottenhammer drawing.

For all your Rottenhammer artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rottenhammer Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rottenhammer painting or drawing.

If you want to sell your Rottenhammer painting or drawing use our selling services. We offer Rottenhammer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rottenhammer and issuing certificates of authenticity since 2002. We are recognized Rottenhammer experts and Rottenhammer certified appraisers. We issue COAs and appraisals for all Rottenhammer artworks.

Our Rottenhammer paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rottenhammer certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rottenhammer painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rottenhammer paintings or drawings take longer.

Our clients include Rottenhammer collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Hans Rottenhammer art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Hans Rottenhammer or we will sell it for you.

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Adam and Eve

Hans Rottenhammer was a German painter, born in Munich, where he studied until 1588 under Hans Donauer the Elder. In 1593-4 (and perhaps earlier) he was in Rome, and he then settled in Venice from 1595-6 to 1606, before returning to Germany and settling in Augsburg, working also in Munich. He died in Augsburg, apparently in some poverty, and according to some sources an alcoholic.

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Minerva and the Muses 1603

In Venice he gained a reputation for small highly-finished cabinet paintings on copper, of religious and mythological subjects, combining German and Italian elements of style. In particular he combines the landscape tradition of the North with the compositional and figure styles of Tintoretto and Veronese. He was the first German artist to specialize in cabinet paintings. In Rome he knew the earlier members of the Bamboccianti ,a circle of Northern artists (before the name itself arose), and remained in regular contact with Paul Brill, a Flemish artist living in Rome, sending him plates with the figures painted on for Brill to supply the landscape, according to a dealer’s letter of 1617. He also collaborated with Jan Brueghel the Elder in a similar way. He was commissioned in 1600 to paint a Feast of the Gods for Emperor Rudolph II (now Hermitage).

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The Flight into Egypt, with landscape by Brueghel

Once back in Germany, he worked on larger altarpieces and decorative schemes for palaces, including the Munich Residenz and Schloss Bückeborg(Goldener Saal). He is believed to have employed Adam Elsheimer as an assistant in 1598 or 1599, and no doubt gave Elsheimer an introduction to Bril; when Elsheimer moved on to Rome he and Bril became close friends.

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Allegory 1600

Two drawings by Rottenhammer (now in Copenhagen) belonged to Elsheimer, and have an inscription noting they were a gift from Rottenhammer. Elsheimer’s mature paintings are all small and on copper, and continue to develop Rottenhammer’s synthesis of German and Italian styles, and use of landscape. There are paintings in the main galleries in London, Munich (3), Augsburg, Berlin, Cambridge, St Petersberg, Amsterdam (2), Schwerin, Milan, Los Angeles, and elsewhere. Most of his altarpieces and decorative schemes can still be seen in situ.

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The Judgement of Solomon

Still wondering about a 16th century German painting in your family collection? Contact us…it could be by Hans Rottenhammer.


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1460--nittis.php Giuseppe de Nittis Artwork Authentication & Art Appraisal

Giuseppe de Nittis (1846-1884)

Get a Nittis Certificate of Authenticity for your painting (COA) for your Nittis drawing.

For all your Nittis artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Nittis Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Nittis painting or drawing.

If you want to sell your Nittis painting or drawing use our selling services. We offer Nittis selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Nittis and issuing certificates of authenticity since 2002. We are recognized Nittis experts and Nittis certified appraisers. We issue COAs and appraisals for all Nittis artworks.

Our Nittis paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Nittis certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Nittis painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Nittis paintings or drawings take longer.

Our clients include Nittis collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giuseppe De Nittis art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giuseppe De Nittis or we will sell it for you.

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Lunch in the Garden

Giuseppe de Nittis was an Italian painter who was born in Barletta. He was known for his unique style which art critics claimed to be a merge between Impressionism and the Classical Salon style. He originally studied under Giovanni Battista Calò and in 1863 was expelled from the Instituto di Belle Arti in Naples for insubordination.

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Che Freddo!

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Au Bois

The year after being expelled from the art institute, de Nittis launched his art career by exhibiting two paintings at the Neapolitan Promotrice. He became friends, during this time, with fellow Italian artists from the Macchiaioli Movement and also exhibited in Florence. He would essentially become known for his Parisian genre scenes, Italian landscapes and early Impressionist pieces.

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Le Salon de la Princess Mathilde, 1883

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Barletta, 1883

In 1867, de Nittis moved to Paris and met with Goupil, an art dealer whom he entered into a contract with. For Goupil, de Nittis was to produce saleable genre pieces, which he did with great flair.

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At the Racetrack, 1874

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The Place des Pyramides

During this time, he continued to paint what he wished and gained a great deal of visibility by exhibiting his works in the Salons. Also during this time, he returned to Italy for a brief period and was able to paint landscapes again. Some of these paintings of the Italian countryside included views of Mt. Vesuvius.

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Vesuvius Smoking

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Winter Landscape

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Promenade en Traineau, 1880

Now, no longer under contract, de Nittis returned to Paris and found great success at the salons in 1872. He was later asked to exhibit his work with the Impressionists after his friend Edgar Degas extended him an invitation. He would continue to paint in an Impressionistic style after a trip to London also during this time.

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Westminster Bridge

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Buckingham Palace

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Trafalgar Square

In his last years, de Nittis continued to return to Italy from time to time and took up using pastels later in his career. Pastels would be a very important medium for the artist, and he used them quite frequently. His most notable use of pastels was in creating portraits of his myriad of artist, poet, and writer friends in Paris, such as Manet and de Goncourt.

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Portrait of a Woman

De Nittis’ life was tragically cut short when he died at the young age of 38 of a sudden stroke. He left behind a fairly large oeuvre of paintings, pastels and sketches created in Italy, France and England. Today his work is housed all over Europe and perhaps in your own home. Still wondering about a mid 19th century or early Impressionist painting in your home? Contact us… we are the Giuseppe de Nittis experts.


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1462--daddi.php Bernardo Daddi Artwork Authentication & Art Appraisal

Bernardo Daddi (1280 – 1348)

Get a Daddi Certificate of Authenticity for your painting (COA) for your Daddi drawing.

For all your Daddi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Daddi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Daddi painting or drawing.

If you want to sell your Daddi painting or drawing use our selling services. We offer Daddi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Daddi and issuing certificates of authenticity since 2002. We are recognized Daddi experts and Daddi certified appraisers. We issue COAs and appraisals for all Daddi artworks.

Our Daddi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Daddi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Daddi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Daddi paintings or drawings take longer.

Our clients include Daddi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Bernardo Daddi art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Bernardo Daddi or we will sell it for you.

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Crucifixion 1340-1345

Bernardo Daddi was an early Italian renaissance painter and apprentice of Giotto. He was also influenced by the Sienese art of Lorenzetti.

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St. Paul

Daddis birth date remains unknown. He is first mentioned in 1312. He focused on religious motives and altarpieces. A triptych he painted 1328 is in the Uffizi, and there are several panels in National Gallery of Art and the Walters Art Gallery.

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Madonna and Child 1335

Daddi became the leading painter of Florence during his generation. His last work dates from 1347, and it is believed he died the next year. Still wondering about a 13th century painting in your family collection? Contact us…it could be by Bernardo Daddi.


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1463--stael-de.php Nicolas de Staël Artwork Authentication & Art Appraisal

Nicolas de Staël (1914-1955)

Get a Staël Certificate of Authenticity for your painting (COA) for your Staël drawing.

For all your Staël artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Staël Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Staël painting or drawing.

If you want to sell your Staël painting or drawing use our selling services. We offer Staël selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Staël and issuing certificates of authenticity since 2002. We are recognized Staël experts and Staël certified appraisers. We issue COAs and appraisals for all Staël artworks.

Our Staël paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Staël certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Staël painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Staël paintings or drawings take longer.

Our clients include Staël collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Nicolas de Staël art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Nicolas de Staël or we will sell it for you.

Figures Au Bord de Mer

Figures Au Bord de Mer

Nicolas de Staël was a painter known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles.Nicolas de Staël was the son of a Russian Lieutenant General, Baron Vladimir Stael von Holstein, (a member of the Staël von Holstein family, and the last Commandant of the Peter and Paul Fortress) and his wife, Olga Sakhanskaya. De Staël’s family was forced to emigrate to Poland in 1919 because of the Russian Revolution; Both, his father and stepmother, would die in Poland and the orphaned Nicolas de Staël would be sent with his older sister Marina to Brussels to live with a Russian family (1922).

Le Concert

Le Concert

He eventually studied art at the Brussels Académie royale des beaux-arts (1932). In the 1930s, he traveled throughout Europe, lived in Paris (1934) and in Morocco (1936) (where he first met his companion Jeannine Guillou, also a painter and who would appear in some of his paintings from 1941-1942) and Algeria. In 1936 he had his first exhibition of Byzantine style icons and watercolors at the Galerie Dietrich et Cie, Brussels. He joined the French Foreign Legion in 1939 and was demobilized in 1941. Sometime in 1940 he met one of his future dealers Jeanne Bucher.

Bateaux

Bateaux

In 1941, he moved to Nice where he met Jean Arp, Sonia Delaunay and Robert Delaunay, and these artists would inspire his first abstract paintings, or “Compositions”. In 1942, Jeannine and Nicolas de Staël’s first child, Anne was born. The growing family also included Jeannine’s nine year old son Antoine. In 1943 (during the Nazi occupation), de Staël returned to Paris with Jeannine, but the war years were extremely difficult. During the war his paintings were included in several group exhibitions and in 1944 he had his first one-man exhibition at the Galerie l’Esquisse. In April 1945 he had a one-man exhibition at the Galerie Jeanne Bucher and in May 1945 his paintings were included in the first Salon de Mai. De Staël’s work was also included in the Salon d’Automne that year. In Paris in 1944 he met and befriended Georges Braque, and by 1945 his exhibition’s brought him critical fame. However times were so difficult, and success’s came too late as Jeannine died in February 1946, from illness brought on by malnutrition.

The Shelf

The Shelf

De Staël met Francoise Chapouton in the spring of 1946, and they married in May. In October 1946 thanks to his friendship with artist André Lanskoy (whom he met in 1944) de Staël made a contract with Louis Carré who agreed to buy all the paintings that he produced. By January 1947 the de Staël family moved into larger quarters thanks to increased recognition and increased sales. In 1947 he befriended his neighbor American private art dealer Theodore Schempp. De Stael’s new studio in Paris was very close to Georges Braque’s and the two painters became very close friends. In April 1947 his second daughter Laurence was born.In April 1948 his son Jerome was born, also that same year in Paris he began a long friendship with German artist Johnny Friedlaender. His paintings began to attract attention worldwide. In 1950 he had a one-man exhibition at the Galerie Jacques Dubourg in Paris and Schempp introduced de Stael’s paintings to New York, with a private exhibition at his Upper East Side apartment. He sold several paintings to important collectors including Duncan Phillips of the Phillips Collection. He had considerable success in the United States, and England in the early 1950s. In 1950 Leo Castelli organized a group exhibition at the Sidney Janis Gallery in New York City that included him. In 1952 He had one-man exhibitions in London, Montevideo, Uruguay, and in Paris. In March 1953 he had his first official one-man exhibition at M. Knoedler & Co. in New York City. The show was both a commercial and critical success. In 1953 he had an exhibition at the Phillips Gallery in Washington DC, (known today as The Phillips Collection in Washington DC) and they acquired two more of his canvasses. Visiting the United States in 1953 de Staël and Francoise visited MoMA, the Barnes Foundation in Merion, Pennsylvania and various other important institutions.

Agrigente

Agrigente

After returning to Paris, de Staël met visiting New York art dealer Paul Rosenberg who offered de Staël an exclusive contract. De Staël signed with Paul Rosenberg partially because Rosenberg was French and because he was an important New York art dealer who showed many Cubist painters whom Nicolas de Staël admired. By the end of 1953 the demand for de Staël’s paintings was so great that Paul Rosenberg raised his prices and continually requested more paintings. The demand was so high for his planned spring 1954 exhibition, that Rosenberg requested an additional fifteen paintings. Once again this exhibition was both commercially and critically successful. In April 1954 de Staël’s fourth child Gustave was born. In that spring he had a successful exhibition in Paris at Jacques Dubourg’s gallery. His new paintings marked his departure from abstraction and a return to figuration, still-life and landscape. In the fall of 1954 he moved with his family to Antibes.

Homage a Sydney Bechet

Homage a Sydney Bechet

But by 1953, de Staël’s depression led him to seek isolation in the south of France (eventually in Antibes). He suffered from exhaustion, insomnia and depression. In the wake of a disappointing meeting with a disparaging art critic on March 16, 1955 he committed suicide. He leapt to his death from his eleventh story studio terrace, in Antibes. He was 41 years old.

La Rout d'Ouzes 1954

La Rout d’Ouzes 1954

De Staël ‘s work was quickly recognised within the post-war art world, and he became one of the most influential artists of the 1950s. However, he moved away from abstraction in his later paintings, seeking a more “French” lyrical style, returning to representation (seascapes, footballers, jazz musicians, seagulls) at the end of his life. His return to imagery during the early 1950s can be seen as an influential precedent for the American Bay Area Figurative Movement, as many of those abstract painters made a similar move; returning to imagery during the mid-1950s. His painting style is characterized by a thick impasto showing traces of the brush and the palette knife, and by a division of the canvas into numerous zones of color (especially blues, reds and whites). His most well-known late paintings of beaches and landscapes are dominated by the sky and effects of light.

Les Mouettes 1955

Les Mouettes 1955

Much of de Staël ‘s late work – in particular his thinned, and diluted oil on canvas abstract landscapes of the mid-1950s predicts Color field painting and Lyrical Abstraction of the 1960s and 1970s. Nicolas de Staël ‘s bold and intensely vivid color in his last paintings predict the direction of much of contemporary painting that came after him including Pop Art of the 1960s. Still wondering about a Russian painting in your family collection? Contact us…it could be by Nicolas de Staël.


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1464--del-marle.php Felix del Marle Artwork Authentication & Art Appraisal

Felix del Marle (1889-1952)

Get a Del Marle Certificate of Authenticity for your painting or a COA for your Del Marle drawing or sculpture.

For all your Del Marle artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Del Marle Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Del Marle painting, drawing or sculpture.

If you want to sell your Del Marle painting, drawing or sculpture use our selling services. We offer Del Marle selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Del Marle and issuing certificates of authenticity since 2002. We are recognized Del Marle experts and Del Marle certified appraisers. We issue COAs and appraisals for all Del Marle artworks.

Our Del Marle paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Del Marle certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Del Marle painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Del Marle paintings, drawings or sculpture take longer.

Our clients include Del Marle collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Felix Del Marle art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Felix Del Marle or we will sell it for you.

Futurist painter Felix del Marle was born in Pont-Sur-Sambre, France and studied at the School of Fine Arts in Valenciennes. Later, del Marle would also study in Brussels, and finally moved to Paris in 1912. There he shared a studio with fellow artist Gino Severini and was exposed to Futurism in 1913. He would be the only Frenchman to sign their manifesto and be officially associated with the Futurists.

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Looping, 1914

Like many of the other Futurists, his flirtation with the movement would be short lived—only about three years. The Futurist movement dealt with motion, light and technology, often infusing machinery and other technological symbols, and was started by Italian artists like Giacomo Balla. After he moved on from Futurism, del Marle was influenced by Abstract artist Kupka and would paint in this style from the 1920s until his death. Del Marle has also been associated with the De Stijl style of Abstract painting, which focused on squares of color and can be seen in his 1947 piece “Composition”.

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Composition, 1947

Del Marle would work in a number of mediums from oil to charcoal and gouache. He also painted under the name Mac Del Marle or simply went by just his last name.

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Untitled gouache on paper

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Le Group Vouloir, 1925

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Untitled

Like most Abstract artists of his era, it would not be likely that self-portraits, still life or landscapes would be found an attributed to him, but mostly geometric compositions. However, in the 1930s he worked in neoplasticism, a type of sculpture, and created very linear models. Del Marle did, however, design modular furniture in an Abstract style.

Del Marle was very interested in creating a synthesis of the arts, and was even known to create three-dimensional models of his paintings in order to convince architects to build his designs.

Today, del Marle’s work is housed in museums all over France and Europe. Because he was an Abstract painter for most of his career, his work may be hard to immediately identify. However, a professional authenticator would be able to thoroughly research a piece by del Marle.


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1465--tito-di.php Santi di Tito Artwork Authentication & Art Appraisal

Santi di Tito (1536 – 1603)

Santi di Tito art authentication. Santi di Tito appraisal. Santi di Tito certificates of authenticity (COA). Santi di Tito analysis, research, scientific tests, full art authentications. We will help you sell your Santi di Tito or we will sell it for you.

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Portrait of Niccolo Machiavelli

Santi di Tito was an Italian painter of Late-Mannerist or proto-Baroque style, what is sometimes referred to as Contra-Maniera. Born in Borgo San Sepolcro, in Tuscany. There is little documentation to support the alleged training under Bronzino or Baccio Bandinelli. From 1558-1564, he worked in Rome on frescoes in Palazzo Salviati and the Sala Grande of the Belvedere (Homage of the People) alongside Giovanni de’ Vecchi and Niccolò Circignani. He acquired a classical trait, described as Raphaelesque by S.J. Freedburg. This style contrasted with the reigning ornate Roman painterliness of the Federico and Taddeo Zuccari or their Florentine equivalents: Vasari, Alessandro Allori, and Bronzino. Among his pupils was Cigoli.

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The Holy Family with Saints Elizabeth and John the Baptist

After returning to Florence in 1564, He joined the Accademia del Disegno, and he did not venture to paint outside of Tuscany. He contributed two unusual paintings for the quirky hobby-room of the duke, the Studiolo. The artistic project was partly overseen by Giorgio Vasari. These paintings are (the Sisters of Phaeton and Hercules and Iole). These works, like many of those in the studio appear to have been a uninspired submission of crowded and overworked scenes.

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The Sisters of Phaeton

He contributed a Sacra Conversazione for the Ognissanti and painted two altarpieces for Santa Croce in Florence: a crowded, but monumental Resurrection (1570-74) and a proto-Caravaggesque Supper at Emmaus (1574). His masterpiece, and reflective of his mature style, is of the Vision of Saint Thomas Aquinas, also known as Saint Thomas Dedicating His Works to Christ. It expresses a simple pious gesture that appeared to have been lost from the theoretically-minded Florentine painters since the days of Masaccio, while maintaining the brittle, demarcated color that is classic of Tuscan works. The off-balance of the figures emphasizes a diagonal rise towards the crucified Christ. It is a prescient style that will be more evident in following decades with the ascendant Bolognese School of painting, epitomized by the Agostino and Ludovico Carracci.

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Saint Thomas Aquainas Dedicating his Work to Christ 1593

Partial anthology of works
• Resurrection of Lazarus (1576) – Santa Maria Novella, Florence
• Sacred Conversation
• Annunciation (1576) – Santa Maria Novella, Florence
• Sisters of Phaeton (1572) – Studiolo of Francesco I, Palazzo Vecchio, Florence
• Hercules and Iole (1572) – Studiolo of Francesco I, Palazzo Vecchio, Florence
• Pietà with Saints and Military Officer – Galleria degli Uffizi, Florence
• Holy Family with St. Elizabeth and John the baptist
• Doubting Thomas (1583) – Duomo, Borgo San Sepolcro
• Crucifixion (1588, Santa Croce)
• Marriage at Cana (1593) – Villa Chierichetti, Colazzo
• Vision of Saint Thomas Acquinas (1593) – San Marco, Florence
• Supper at Emmaus (1588) – Santa Croce
• Annunciation (1602) – Santa Maria Novella
• Four ages of Woman and the Written Law – Musee Fesch, Ajaccio

Still wondering about an Italian painting in your family collection? Contact us…it could be by Santi di Tito.


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1467--white.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "white" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "white" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1468--figari-pedro.php Pedro Figari Artwork Authentication & Art Appraisal

Pedro Figari Montevideo, Uruguay 1861-Montevideo, Uruguay 1938

We Perform Pedro Figari art authentication. Pedro Figari appraisal. Pedro Figari certificates of authenticity (COA). Pedro Figari analysis, research, scientific tests, full art authentications. We will help you sell your Pedro Figari or we will sell it for you.

Pedro Figari, El Patio

Pedro Figari, El Patio (ca. 1935); oil on cardboard, 17 ¾ x 25 inches; Organization of American States Museum, Washington, DC

An attorney, politician, and journalist, Figari was a member of the Uruguayan Parliament as well as the Director of the Escula Nacional de Artes y Oficios in Montevideo. Figari traveled throughout Europe in the 1890s after receiving his law degree. He also lived in Paris from 1925-1933.

Pedro Figari, Las vecina

Pedro Figari, Las vecinas (1919); oil on cardboard, 12.4 x 15.5 inches; Museo Nacional de Bellas Artes, Buenos Aires, Argentina

Though a talented artist as a child he did not study art until he was an adult, and then with the Argentine Italian-trained painter Godofredo Sommavilla (1850-1944). He wrote several books on art as well as the law. He was particularly concerned with using the law to aid the poor of Latin America.

Pedro Figari, Pericón entre Ombúes

Pedro Figari, Pericón entre Ombúes, (1925-27); 27.5 x 39.37 inches; Museo M. de Balleas Artes Juan Manuel Blanes, Uruguay.

He moved to Buenos Aires, Argentina in 1921 and lived there for four years. In 1930, a book about Figari was written by Jorge Luis Borges (1899-1986). Many scholars regard his years in Argentina as his most productive period. Figari worked mainly in oil on cardboard during this time. In Buenos Aires, he saw and was deeply influenced by the work of Vuillard and Bonnard. The effect of their work can be seen his paintings of gauchos, pampas, and African-American villages in the dramatic Argentine landscape.

Pedro Figari, Cambacua

Pedro Figari, Cambacua, (1923); oil on cardboard; 27.5 x 40 inches; Museo Nacional de Artes Visuales, Montevideo, Uruguay.

At the end of his life, when he returned home, Figari was appointed the Uruguayan Ministry of Public Education’s art advisor. Art Certification Experts will be pleased to investigate the authenticity and value of your painting by Pedro Figari. We also consult on the sales of works by Pedro Figari.

Pedro Figari, Toque de oracion, 1925

Pedro Figari, Toque de oracion, 1925, oil on cardboard, 27 x 39 “, Museo Nacional de Artes Visuales, Montevideo, Uruguay.

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1469--hansteen.php Aasta Hansteen Artwork Authentication & Art Appraisal

Aasta Hansteen (1824 – 1908)

Get a Hansteen Certificate of Authenticity for your painting (COA) for your Hansteen drawing.

For all your Hansteen artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hansteen Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hansteen painting or drawing.

If you want to sell your Hansteen painting or drawing use our selling services. We offer Hansteen selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hansteen and issuing certificates of authenticity since 2002. We are recognized Hansteen experts and Hansteen certified appraisers. We issue COAs and appraisals for all Hansteen artworks.

Our Hansteen paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hansteen certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hansteen painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hansteen paintings or drawings take longer.

Our clients include Hansteen collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Aasta Hansteen art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Aasta Hansteen or we will sell it for you.

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Portrait of a Woman with a Rose in Her Hair 1853

Aasta Hansteen was a Norwegian painter, writer, and early feminist. The daughter of a Danish mother and Christopher Hansteen , a professor of astronomy and geophysics at the University of Oslo, she started her art education in Copenhagen in 1840, and continued her training for several years in Düsseldorf. She exhibited her work at the 1855 World’s Fair in Paris.

She returned to Norway and settled in Kristiania where she for several years was the in huge demand as the city’s only portrait artist. Her most famous painting is possibly the portrait of her father, which is on permanent exhibit at the National Gallery of Norway.

Overwhelmed by the interest, she resigned from her craft for several years and moved to Telemark, where she developed an interest in Norwegian dialects. When she moved back to Kristiania, she studied with the linguist Ivar Aasen. In 1862 she published anonymously a small book written in nynorsk and has the distinction of being the first woman to publish in this language.

In 1880 she emigrated to the United States, where she lived for nine years and returned with a renewed interest in the women’s movement. She joined the The Norwegian Association for Women’s Rights and became an active contributor in the press on women’s rights. Hansteen was a vocal critic of the Judeo-Christian and Pauline perception of women, which she felt was denigrating of women’s spiritual worth.

A strong and controversial personality, she became the model for Henrik Ibsen’s character Lona Hessel in his play The Pillars of Society, as well as for the title role Gunnar Heiberg’s Aunt Ulrikke. She frequented cafes and markets on her own, and became one of the more colorful fixtures in Oslo. In her time, she was accused of misandry, but posterity has largely vindicated her.

Her grave is in Vår Frelsers gravlund in Oslo, marked with a bust made by Gustav Vigeland. Still wondering about a Norwegian painting in your family collection? Contact us…it could be by Aasta Hansteen.


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1470--van-der-goes-francais.php Hugo van der Goes Artwork Authentication & Art Appraisal

Hugo van der Goes, 1440-1482, Belge

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Tryptique Portinari (panneau central) (1475-1477)

Considéré comme l’un des plus grands peintres flamands de la fin du XVe siècle, Hugo van der Goes était tombé dans l’oubli avant d’être redécouvert au XIXe. D’inspiration assurément catholique, ses œuvres expriment pourtant une troublante mélancolie doublée d’une spiritualité déroutante.

Si l’on sait qu’il naquit à Gand vers 1440, on ignore par contre tout de la jeunesse d’Hugo van der Goes, et en particulier de son lieu d’apprentissage artistique. En 1467, sous le patronage du peintre Joos Van Wassenhove, il a intégré la guilde des peintres de Gand en tant que franc-maître et a plus tard participé aux décorations du mariage entre le duc de Bourgogne, Charles le Téméraire, et Marguerite d’York. L’année suivante, il a collaboré à la « Joyeuse entrée » à Gand du grand Duc d’Occident.

Entre 1468 et 1478, il a travaillé à Bruges et à Gand. Ses nombreuses œuvres de commande étaient destinées à des cérémonies princières ou à des fêtes liturgiques. Il a également réalisé des blasons, dont la décoration héraldique de la chambre mortuaire de Philippe le Bon. C’est lorsque qu’il devint doyen de la guilde gantoise, de 1473 à 1476, qu’il a exécuté son œuvre la plus connue : le Triptyque Portinari, commandé par ce dernier, un banquier qui représentait à Bruges la famille Médicis. Cette œuvre était destinée à orner les murs de l’église San Egidio, à Florence. Les symboles religieux y abondent : notons particulièrement le langage des fleurs (rouges pour représenter le sang du Christ, blanches pour la virginité).

Influencé par d’autres flamands tels que Van Eyck ou Van der Weyden, Hugo van der Goes s’est approprié des éléments typiquement italiens, notamment dans le traitement monumental de l’espace, comme dans L’Adoration des Mages. À travers ses compositions, basées sur une symbolique spirituelle et religieuse, il est parvenu à communiquer davantage d’émotions que ses prédécesseurs, ainsi qu’un certain tourment.

Il est ensuite entré comme frère convers à l’abbaye des chanoines augustins du Rouge-Cloître, près de Bruxelles (1477). Il y a conservé son statut privilégié d’artiste et a même reçu la visite du futur Archiduc Maximilien d’Autriche. On s’adressait également à lui pour expertiser des tableaux. Ainsi, en 1480, il s’est rendu à Leuven afin d’estimer les scènes de Justice, laissées inachevées par la mort du peintre Dieric Bouts.

Dans ses dernières années, il a exécuté La Mort de la Vierge (1477), œuvre particulièrement expressive qui parvient à communiquer une tension dramatique dévoilant l’état d’esprit agité de l’artiste. Les mains et les visages des apôtres sont tordus de la douleur d’avoir perdu la Vierge.

Au retour d’un voyage à Cologne, il fit l’expérience de troubles psychiques aggravés, sous la forme d’une dépression à tendances suicidaires, et il est décédé, au cloître, un an après, en 1482.

Dans ses représentations de l’aristocratie britannique, son style confère à ses modèles un mélange d’autorité et de décontraction qui devait influencer l’art du portrait en Angleterre pendant plus d’un siècle. Entre 1632 et 1641, son atelier a produit le nombre impressionnant de 400 commandes, dont certaines furent réalisées par ses disciples et auxquelles il n’apportait que la touche finale.

Il mourut en 1641, après être tombé malade lors d’un voyage en France, et fut inhumé dans la cathédrale Saint-Paul de Londres, où le roi fit ériger un monument à sa mémoire.


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1471--castro.php José Gil de Castro Artwork Authentication & Art Appraisal

Jose Gil de Castro (1785-1841)

Get a De Castro Certificate of Authenticity for your painting (COA) for your De Castro drawing.

For all your De Castro artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Castro Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Castro painting or drawing.

If you want to sell your De Castro painting or drawing use our selling services. We offer De Castro selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Castro and issuing certificates of authenticity since 2002. We are recognized De Castro experts and De Castro certified appraisers. We issue COAs and appraisals for all De Castro artworks.

Our De Castro paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Castro certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Castro painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Castro paintings or drawings take longer.

Our clients include De Castro collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform José Gil de Castro art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your José Gil de Castro or we will sell it for you.

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Canonigo Don Miguel Jose Verdugo Martinez 1821

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Seniora de la Merced 1814

Jose Gil de Castro was the legitimate son of Don Jose Mariano Carvajal Castro and Maria Leocadia Morales. His artistic formation started in the state school of drawing and painting created by José of the Well and his teacher was the Spanish Julian Payo. In 1805 he is transferred to Santiago de Chile.

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Captain Bernardo O’Higgins 1820

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Simon Bolivar

By his outstanding work as a painter of portraits, he receives the appointment of Greater Teacher of the union of painters by the Town hall of Santiago. And also taking advantage of his military experience and his knowledge of drawing, cartography and cosmography, he enters the Chilean army, like member of the Engineering Corps with the Lieutenant degree.

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Nicolasa de la Morande 1823

In those days he painted a number of religious works including the Our Lady of Mercy (1815) and portraits of prominent ladies of the high society. In the 1820s José Gil de Castro, known as “the Mulatto,” rendered the heroes of Peruvian independence in a precise but boldly flattened and brightly colored documentary style with little emotional expression. These works often reflect the colonial portrait formula of including a shield with documentary information in the lower corner of the painting. When he returned to Peru in 1822, he designed the army uniform and painted portraits of leaders of the Independence movement like O’Higgins, San Martin and Bolivar, among others.

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General San Martin 1818

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Seniora Isabel Riquelme de Meza 1822

While vestiges of colonial art can be seen in de Castro’s work, his subject-matter and his skilled treatment of perspective, color and composition singled him out as the most important painter of the early Republican era, and his work constitutes an invaluable historical record.

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Maria del Transito

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Virgin del Carmen 1822

Still wondering about a Peruvian painting in your family collection? Contact us…it could be by José Gil de Castro.


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1472--latour-fantin.php Henri Fantin-Latour Artwork Authentication & Art Appraisal

Henri Fantin-Latour (1836-1904)

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Self-Portrait, 1859

Realist painter Henri Fantin-Latour is best known for his beautiful still life flower paintings, as well as group paintings of himself with other artists and historical figures. Latour was also heavily involved in lithography and painted in a highly traditional style, and painted nearly 25 self-portraits. It is said that Latour’s own Realist style was a major influence on the symbolist movement for future painters.

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The Reader, 1861

Born in Grenoble, France near the Alps, Latour was taught how to draw at a young age by his artist father. He studied at the Ecole des Beaux-Arts in Paris and painted in an Impressionistic style in the beginning of his career. During this time, he would often visit the Louvre to study and copy the paintings of the old masters. There, he would meet and become friends with other famous artists like Manet and Degas.

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Portrait of Manet, 1867

Sadly, Latour did not get the initial recognition in Paris that he has today, probably because he was painting in the old style while his contemporaries were experimenting and creating new styles. However, Latour would eventually gain notoriety in England through American painter Whistler. With Whistler and artist Alphonse Legros, Latour formed the Societe des Trois, and would have his first exhibition with them at the Salon in Paris in 1861.

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Mr. and Mrs. Edwards, 1875

Besides painting, Latour was also fascinated with music. This fascination can be seen in his lithographs which express his love for his favorite composers, Wagner, Schumann and Brahms.

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Eau Forte, lithograph

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The Awakening, 1887, lithograph

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Manfred and Astarte, 1879

Latour would eventually meet and marry fellow painter Victoria Dubourg, whom he would instruct and essentially paint alongside.

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The Dubourg Family, 1878
  Dubourg focused mainly on floral still life, and her style would often mirror Latour’s.

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Basket of Flowers and Bouquet of Roses

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Nature Morte Aux Fiancailles

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Still Life with Flowers

When Latour was not creating floral still life and lithography, he would typically paint historical scenes dedicated to his artistic heroes. Latour would immortalize his favorite painters, particularly Delacroix and Rubens in a number of Realist paintings, many of which now hang in the Louvre.

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Homage to Delacroix, 1864

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Portrait with Friends, 1879

In 1879, Latour was given the Legion of Honor medal, and is remembered today as a great master of Realist painting in a time when Realism was going out of fashion. Latour’s paintings were so real at times, that they are practically photographic, and at other times contained a mystical property that only Latour could have created.

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The Queen of the Night

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Naiade, 1896

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Andromeda

Despite the fact that Latour met only relative success and recognition during his lifetime as a painter, today his paintings and lithography are in high demand. A new Latour art authentication, though probably rare, could fetch millions of dollars at auction today.

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Parsifal et les Filles-Fleurs, 1893

Latour left behind a number of drawings, etchings and oil paintings, in a number of different styles from Realist portraits to mythological sketches and floral still life’s. Sometimes he would sign his work “Fantin” although he is typically known as “Latour” or “Fantin-Latour.” Still not sure if one of your treasured family heirlooms is a Latour? Contact us to find out.


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1473--doughty.php Thomas Doughty Artwork Authentication & Art Appraisal

Thomas Doughty (1793-1856)

Get a Doughty Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Doughty artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Doughty Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Doughty painting, drawing or print.

If you want to sell your Doughty painting, drawing or print use our selling services. We offer Doughty selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Doughty and issuing certificates of authenticity since 2002. We are recognized Doughty experts and Doughty certified appraisers. We issue COAs and appraisals for all Doughty artworks.

Our Doughty paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Doughty certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Doughty painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Doughty paintings or drawings take longer.

Our clients include Doughty collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Thomas Doughty art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Thomas Doughty or we will sell it for you.

In Nature's Wonderland

In Nature’s Wonderland

Thomas Doughty was an early American landscape painter credited as one of the founders of the Hudson River school. Born in Pennsylvania, Doughty first began painting in 1816 while working for a leather maker. By 1820, he was able to devote himself fully to art, initially creating sketches in sepia tones. Unlike many other painters at the time, Doughty almost exclusively painted landscapes. He began to paint landscapes just as they were beginning to gain popularity in America and found great success as a result.

Denning's Point, Hudson River 1839

Denning’s Point, Hudson River 1839

Autumn Landscape

Autumn Landscape

Doughty created his earliest compositions with virtually no professional training, and still managed to gain many patrons. By 1832, Doughty was living in Boston and enjoying a relatively successful career. Around this time, he traveled to London and Paris where he studied for two years, and upon returning to the United States, settled in New York. He exhibited at the Pennsylvania Academy of Fine Arts, the Boston Athenaeum and the National Academy of Design where he was elected as a member in 1827.

Ships in Rough Coastal Waters

Ships in Rough Coastal Waters

Fanciful Landscape 1834

Fanciful Landscape 1834

Though he traveled abroad to study the works of the old masters, in general, Doughty was completely self taught. By the mid-1830’s, Doughty had formed a style which would be a part of what art historians called the Hudson River school. Doughty was one of the leading members of this movement which featured influences by English landscape artists, touches of the works of French landscape artist Claude Lorraine and a focus on color and detail. Most of the Hudson River school painters created landscapes of the Catskill Mountains and views of its surrounding areas.

Near Little Point, Catskill Mountains

Near Little Point, Catskill Mountains

Susquehanna River

Susquehanna River

In the Catskills

In the Catskills

Many of these Hudson River style landscapes appear to be highly idealized utopias covered in rolling hills, lush vegetation, winding rivers and grazing cattle. These scenes are very typical among early American landscape artists, of which, Doughty is considered by art historians to be one of the finest. Doughty put his own touch on the Hudson River school of landscape painting by adding a European flair. Unlike other American landscape artists of the time, which were few, Doughty used the methods of the Barbizon school when creating trees in his landscapes, giving them a misty and soft quality. Also, unlike many of his contemporary landscape painters, Doughty preferred to add hunters, dogs and travelers into his landscape rather than livestock.

Traveling Companions

Traveling Companions

River View with Hunters and Dogs

River View with Hunters and Dogs

After the 1830’s Doughty worked mainly out of New York City, he often traveled to other areas of New England and the east coast including Philadelphia, Delaware and Boston. Though he mainly painted landscapes, he also left behind a large collection of sketches, and most certainly also created still life paintings and portraits at some point. He created landscapes not just of New England, but also of the Thames River in England and of the Seine River in France, so there is a possibility of an unknown piece by Doughty surfacing almost anywhere.

Carolina Swamp 1825

Carolina Swamp 1825

Landscape after Ruisdael 1846

Landscape after Ruisdael 1846

Some art historians have also credited him as being a pioneer in American lithography. From 1830 to 1832, Doughty created prints lithographs for his publication “Cabinet of Natural History and American Rural Sports.” These lithographs featured hunting scenes, native animals and birds and was considered the first major sport print color book published in America.

Swan lithograph

Swan lithograph

Trout lithograph

Trout lithograph

Grizzly Bear lithograph

Grizzly Bear lithograph

Still wondering about an early American landscape hanging in your home? Contact us…it could be by Thomas Doughty.


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1474--michelangelo.php Michelangelo Artwork Authentication & Art Appraisal

Michelangelo (1475-1564)

Get a Michelangelo Certificate of Authenticity for your painting or a COA for your Michelangelo drawing or sculpture.

For all your Michelangelo artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Michelangelo Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Michelangelo painting, drawing or sculpture.

If you want to sell your Michelangelo painting, drawing or sculpture use our selling services. We offer Michelangelo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Michelangelo and issuing certificates of authenticity since 2002. We are recognized Michelangelo experts and Michelangelo certified appraisers. We issue COAs and appraisals for all Michelangelo artworks.

Our Michelangelo paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Michelangelocertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Michelangelo painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Michelangelo paintings, drawings or sculpture take longer.

Our clients include Michelangelo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Do you think you may own a painting, drawing or sculpture by Michelangelo?

We perform Michelangelo art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Michelangelo or we will sell it for you.

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Study for the Sistine Chapel

Michelangelo was an Italian Renaissance sculptor, painter, poet and architect. In all aspects of the name, he was truly an original Renaissance Man. Michelangelo was a rival of fellow Renaissance master Leonardo da Vinci, however, some art historians would argue that Michelangelo was a better “pure” artist, since his interests did not generally extend to beyond the arts.

Born Michelangelo di Lodovico Buonarroti Simoni, he became commonly known in the art world as Michelangelo. Not only is he considered one of the most talented of the Italian Renaissance Masters, but the most documented as well, perhaps due to the fact that two biographies about him were written in his lifetime. Art historians today know more about his work than any other artist from that period, leaving a wealth of information for authenticators and appraisers to work with.

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Rebellious Slave

As an artist, Michelangelo was more of a sculptor, and had a relatively low opinion of painting. Nonetheless, he ventured into the foray of painting and created masterpieces anyway, generally in the form of frescoes, most famously on the Sistine Chapel in Rome.

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The Creation of Adam, Sistine Chapel

Michelangelo was also a talented architect, and created the design for the dome of St. Peter’s Basilica in Rome, as well as the Laurentian Library in Florence. However, it was his sculptures that he became most well known for. Two of his most famous sculptures are “David” and the “Pieta.” The “Pieta” was sculpted when Michelangelo was only 24 years old.

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Pieta

Unlike his counterpart, da Vinci, Michelangelo did not embrace nature, but fought against it in his statues. His statues were the image of otherworldly perfection, and not necessarily realism. Note the size of David’s head and hands…they are slightly larger than if this were a true anatomical study.

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David

Throughout his career, Michelangelo was fairly prolific in all aspects of art from sketching and sculpture and even in his least favorite, painting. He began his studies when he was only 13, and was apprenticed to sculptor Bertoldo di Giovanni and painter Domenico Ghirlandaio where he worked as a paid apprentice for three years. Later, he studied under Lorenzo di Medici.

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Brutus

Michelangelo worked and lived for most of his life in Florence, with the exception of living in Venice and Bologna briefly during the French invasion. He also worked in Rome and created a number of commissions for the church and the state. It was his work in Rome that made Michelangelo known as “the inventor of obscenities.” Many of his sculptures and frescoes were painted with genitalia in view, and the church did not like this. Thus, it is said that Michelangelo is responsible for the “fig leaf campaign” and all works were ordered to have genitals covered with leaves, starting with Michelangelo’s pieces. Some of these leafs remain on his original pieces today, and some have since been removed.

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David’s Fig Leaf

Michelangelo was also said to have been an arrogant man, and regarded himself very highly. His works were also highly regarded by others in his lifetime, but Michelangelo was not satisfied with that. It is said that on a number of occasions he created statues to look like they were from ancient Rome and even chipped at them and buried them. He was even successful as passing them off as being of ancient origin and sold them at auction. Once the truth of his deception was revealed, instead of being punished, the buyer, Cardinal Raffaele Riario, was actually impressed and hired him to create a statue of Bacchus.

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Bacchus

Though Michelangelo is a very well known Renaissance artist that worked over 500 years ago, he was also very prolific and created artworks in many different mediums. The possibility for finding one of his pieces today, hiding in a book or a church attic is still quite great.

Michelangelo Discoveries

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Recently, a drawing sold for 10 million dollars, at auction, in London. This was after it had been attributed to Michelangelo. It was found by chance, in a stack of old sketches. Before the attribution to Michelangelo, it may have been difficult to get 500 dollars for it. It is only price that makes the Michelangelo drawing exceptional. Unidentified works of art which become valuable after they have been attributed are common. There is no shortage of works by well known painters or important artists which have not yet been identified. The difficulty lies in obtaining the attribution or art authentication that is needed.

The Michelangelo drawing is certainly not the last great discovery to be made. There are other million dollar paintings silently hanging in obscurity.

What is common is for paintings to be worth 10 to 25 times more than the owners realized.

Paintings thought to be worth only a few hundred dollars, that sell for $5,000 to $10,000 once they are correctly identified.

Works estimated in the low thousands, which turn out to be worth $20,000 to $50,000 after research.

Once in a while, a greater discovery, a painting no one had paid much attention to, sells for over $100,000 after art authentication.

Finally, there are the rarer finds which make headlines, when the million dollar mark is broken.

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A unique bas-relief, which might be the first known self-portrait of Michelangelo, has emerged from a private collection, art historians announced in Florence this week.

The sculpture, a white marble round work attached to a flat piece of marble, with a diameter of 14 inches depicting a bearded man, was lent by a noble Tuscan family to the Museo Ideale in the Tuscan town of Vinci for a study on the relationship between Michelangelo and Leonardo.

“The work speaks for itself: it is a very high-quality sculpture which depicts Michelangelo. The skilled chiselling on the back makes us think it might be a self-portrait,” Alessandro Vezzosi, director of the Leonardo da Vinci Museo Ideale, told Discovery News.

The bas-relief would have been sculpted around 1545, when 70-year-old Michelangelo Buonarroti (1475-1564) had already completed masterpieces such as the David, the Pietà in the Basilica of St. Peter, the Medici chapels in Florence and the Last Judgement in the Sistine Chapel.

Although there are no examples of low reliefs from his later phase, Michelangelo did work on bas-reliefs when he was young. Indeed, he produced at least two relief sculptures, the Madonna of the Stairs and the Battle of the Centaurs, by the time he was 16 years old.

“I first saw the portrait about seven or eight years ago, when the owner brought it to my house in Tuscany. To my eyes then and to my eyes now it is surely a portrait of Michelangelo from the mid-sixteenth century, which itself is very rare, and it is a very fine object,” James Beck, professor of art history at Columbia University and the author of “The Three Worlds of Michelangelo,” told Discovery News.

“It is the only portrait of Michelangelo in marble and in relief that I am aware of from his lifetime.”

According to Beck, the sculpture could also be the work of Niccolò Tribolo or Pierino da Vinci, the nephew of Leonardo who died at only 23.

“Pierino was an extraordinary sculptor. Enough to say that 19th century art historians often attributed his works to Michelangelo. Whoever the author, this marble portrait is very precious as it adds new knowledge to the image we have of Michelangelo,” Vezzosi said.

The bas-relief is consistent with known portraits of the Renaissance master, such as paintings by Giuliano Bugiardini and Jacopino del Conte, kept at the Casa Buonarroti museum in Florence, and bronzes by Daniele da Volterra, on display at the Ashmolean Museum in Oxford, England.

Michelangelo left no documented self-portraits. Art historians have speculated that he painted his own image in the flayed skin of St. Bartholomew in the Last Judgment, and in the head of Nicodemus in the Florentine Pietà.

“This could be the first known self-portrait of Michelangelo. But we are cautious, as more studies are needed,” Vezzosi said.

The marble work will be the centerpiece of an exhibition on the image of Michelangelo in the coming months.

By Rossella Lorenzi
Discovery News

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In 1996, a damaged statue that had adorned a fountain in the foyer of a mansion on 5th Avenue since 1906, was identified as the Cupid, sculpted by Michelangelo for one of his patrons, the banker Jacopo Galli. This is the only sculpture by Michelangelo in the United States, which is why it has been nicknamed the “Manhattan Cupid”.

Cut in marble, about one meter high, the statue has lost its arms, and is broken just a bit below the knees. A drawing from the 18th century shows it in its original condition : Cupid standing, in a somewhat dancing position, shooting an arrow toward his left. A vase behind his left leg helped support the figure.

Purchased by the French government, when it bought the Payne-Whitney mansion (now the site of the French Embassy Cultural Services), the Manhattan Cupid belongs incontestably to France. But like the Payne-Whitney mansion (one of the most elegant mansions on 5th Avenue) and its interior decoration, which is representative of the way great American art collectors of the early 20th century showed off their taste, it is rightly considered to be a “historical landmark” of New York City.

The attribution of this work to Michelangelo, suggested in 1996 by the professor Kathleen Weil-Garris Brandt, specialist in Italian Renaissance art, was quite a surprise. The fact that the work was in such a widely visited spot, in the foyer of the French Embassy Cultural Services on 5th Avenue, made this announcement even more spectacular.

The work is not entirely unknown. It had already been attributed to Michelangelo in 1902, by Stefano Bardini, an antique dealer from Florence.

This thesis was championed in 1968 and again in 1981 by Alessandro Parronchi, well-known for his many books about the artist.

In 1992, James Draper compared the Cupid to the works of one of Michelangelo’s masters, the Florentine sculptor Bertoldo di Giovanni. And the drawing he discovered, showing the Cupid before it was broken, added weight to his argument that it was in reality a work by Michelangelo. But the main problem was that Jacopo Galli’s Cupid, which could be identified as the “Manhattan Cupid”, was an early work by the artist, most likely sculpted at the age of 22 or 23.

Most of the sculptures made by Michelangelo during his early years are in Florence (the Virgin on the Stairs, the Battle of the Centaurs, and the Bacchus, that belonged to Jacopo Galli). Other works from Bologna and the National Gallery in London will help put the “Manhattan Cupid” in the artistic context of Michelangelo’s young years.

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Cupid

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The Prado Museum in Madrid has recently discovered that it has been the proud owner, for 70 years now, of two Michelangelo sketches. The sketches depict the “Day of Judgement” on the ceiling of the Sistine Chapel. They were discovered hiding under Goya’s ‘The countess of Chinchón’. The sketches were examined by two experts, Nicholas Turner and Paul Joannides, following which the Prado Museum certified their authenticity as works by the Renaissance genius Michelangelo Buonarroti (1475-1564).

In 1930 the collector Fernandez Durán donated a group of 8 drawings that were considered to be from Michelangelo’s workshop but this recent confirmation has shown that at least two are by his own hand. They are black pencil drawings, shoulder sketches, that were part of the preparation for his work in the Sistine Chapel.

Michelangelo made many such sketches most of which he threw away as having no value but these two now offer significant insight into the creative process of Michelangelo.

The sketches will be exhibited later this year as part of an exhibition of XVI century drawing at the Prado.

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New Lease of Life for Michelangelo’s Secret Drawings

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Drawings by Michelangelo in the basement of St Lorenzo church, Florence

Experts in Florence are restoring drawings Michelangelo doodled on the walls of a cell-like room in which the artist hid for six weeks while the Medici family wanted him dead.

Mould had sprouted and salts had risen up the walls of the dank room under the Medici chapel. It was there that Michelangelo lay low in 1530 after losing the battle for a Florentine republic against the powerful Medici family, his former patrons.

The collection of around 50 “doodles”, first discovered by Paolo dal Poggetto, include a self-portrait, a life-size risen Christ and some sketches experts believe are copies of figures the artist had painted earlier on the ceiling of the Sistine chapel.

Some have been covered with layers of paint or badly damaged by floods and the breath of thousands of people allowed to visit the small, unventilated cell after it was first discovered. Now, restorers have removed human remains found beneath the room, possibly victims of the plague, which continued to contaminate the air and walls.

Scholars, some of whom have questioned the authenticity of the drawings, will be able to view them by the end of this year.

Michelangelo initially flourished under the patronage of the Medici family, which lorded over Florence in the early 16th century. He designed the Medici chapel as the family burial place.

Relations turned sour when the artist became director of fortifications for the republic which ousted the Medicis from Florence in the late 1520s.

“I hid in a tiny cell,” he wrote, “entombed like the dead Medici above, though hiding from a live one. To forget my fears, I fill the walls with drawings.”

The Medici sentence on Michelangelo was eventually lifted by Pope Clement VII, himself a member of the Medici family, so the artist could continue work on the chapel and tombs for the Medici princes. He left Florence in 1534 without finishing the job.

Still wondering about a very old sketch or sculpture in your family’s estate? Contact us… it could be Michelangelo.


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1475--hayet.php Louis Hayet Artwork Authentication & Art Appraisal

Louis Hayet (1864-1940)

Get a Hayet Certificate of Authenticity for your painting (COA) for your Hayet drawing.

For all your Hayet artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hayet Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hayet painting or drawing.

If you want to sell your Hayet painting or drawing use our selling services. We offer Hayet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hayet and issuing certificates of authenticity since 2002. We are recognized Hayet experts and Hayet certified appraisers. We issue COAs and appraisals for all Hayet artworks.

Our Hayet paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hayet certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hayet painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hayet paintings or drawings take longer.

Our clients include Hayet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Louis Hayet art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Louis Hayet or we will sell it for you.

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Self-Portrait

Louis Hayet was a Neo-Impressionist painter born in Pontoise, France to a poor family. He began to show talent in the arts at the age of 12, and as a young man he was able to see the country and work with his father, a traveling salesman.

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Paris, la Tour Eiffel

By the time he was 20, Hayet had already established himself as a painter, working alongside Signac, Seurat and Pissaro. He was a Divisionist and like his fellow painters experimented with Pointillism, as well as light and color theories.

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Scene Animee a Paris

Hayet broke away from the Divisionsists by 1890 and returned to a more traditional style.

Towards the end of his life, Hayet devoted himself to studying colors and their properties using scientific research.

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The Riverbank of the Oise, 1888

It is known that he created nearly 500 small paintings, measuring less than 20×25 inches, which is somewhat unusual for an artist to do. Hayet also had a decorative signature which he would sometimes incorporate on the front of his paintings in red script.

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Personnage Assis

Although he is not as well known as his former Divisionist friends, Hayet is regarded as one of the most important painters of the Neo-Impressionist movement. Today his work is housed all over Europe, and perhaps in your own home.


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1476--carpaccio.php Vittore Carpaccio Artwork Authentication & Art Appraisal

Vittore Carpaccio (1460-1526)

Get a Carpaccio Certificate of Authenticity for your painting (COA) for your Carpaccio drawing.

For all your Carpaccio artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Carpaccio Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Carpaccio painting or drawing.

If you want to sell your Carpaccio painting or drawing use our selling services. We offer Carpaccio selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Carpaccio and issuing certificates of authenticity since 2002. We are recognized Carpaccio experts and Carpaccio certified appraisers. We issue COAs and appraisals for all Carpaccio artworks.

Our Carpaccio paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Carpaccio certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Carpaccio painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Carpaccio paintings or drawings take longer.

Our clients include Carpaccio collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Vittore Carpaccio art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Vittore Carpaccio or we will sell it for you.

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The Dream of Saint Ursula 1495

Vittore Carpaccio was a Venetian painter who studied under Gentile Bellini. He is best known for a cycle of nine paintings, The Legend of Saint Ursula. The facts of his life are obscure, but his principal works were executed between 1490 and 1519; and he ranks among the early Venetian masters. The date of his birth is conjectural. He is first mentioned in 1472 in a will of his uncle Fra Ilario, and Dr Ludwig infers from this that he was born c. 1455, on the ground that no one could enter into an inheritance under the age of fifteen; but the inference ignores the possibility of a testator making his will in prospect of the beneficiary attaining his legal age.

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The Flight into Egypt 1500

Consideration of the youthful style of his earliest dated pictures (“St Ursula” series, Venice, 1490) makes it improbable that at that time he had reached so mature an age as thirty-five; and the date of his birth is more probably to be guessed from his being about twenty-five in 1490.

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Elegant Ladies

What is certain is that he was a pupil (not, as sometimes thought, the master) of Lazzaro Bastiani, who, like the Bellini and Vivarini, was the head of a large atelier in Venice, and whose own work is seen in such pictures as the “S. Veneranda” at Vienna, and the “Doge Mocenigo kneeling before the Virgin” and “Madonna and Child” (formerly attributed to Carpaccio) in the National Gallery, London.

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The Sermon of St. Stephen of Jerusalem

In later years Carpaccio appears to have been influenced by Cima da Conegliano (e.g. in the “Death of the Virgin,” 1508, at Ferrara). Apart from the “St Ursula” series, his scattered series of the “Life of the Virgin” and “Life of St Stephen,” and a “Dead Christ” at Berlin, may be specially mentioned.

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Healing of a Madman

Other works include the Ten thousand martyrs of Mount Ararat , ‘St.Sebastian’ National Museum of Serbia in Belgrade,’Holy Pilgrim’, National Museum of Serbia in Belgrade . Still wondering about an Italian painting in your family collection? Contact us…it could be by Vittore Carpaccio.


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1477--vlaminck.php Maurice de Vlaminck Artwork Authentication & Art Appraisal

Maurice de Vlaminck (1876-1958)

We Perform Maurice de Vlaminck art authentication. Maurice de Vlaminck appraisal. Maurice de Vlaminck certificates of authenticity (COA). Maurice de Vlaminck analysis, research, scientific tests, full art authentications. We will help you sell your Maurice de Vlaminck or we will sell it for you.

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Self-Portrait

Maurice de Vlaminck belonged to a troupe of artists known as the Fauves (which translates in French as Beasts.) The Fauves reign lasted for ten years during the turn of the century in France, and Vlaminck exhibited his work at their gallery the Salon des Independants and d’Automne. Their style of painting was reflective of impressionism, though much wilder, and almost animal like in nature. These artists used pure saturated color straight, un-mixed and right from the package. Fauve painters would paint in an aggressive manner, leaving brush strokes and globs of paint in their wake. This method of painting would result in what some critics would call a messy, yet powerful scene.

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Sunset in the Forest of Senoches

While Vlaminck was most fond of his work as an artist, he was also an author, a poet, a professional musician (violin) and a professional athlete (cycling) in his lifetime. However, before he became a painter who utilized brilliant colors, Vlaminck was a printer who worked in black and white.

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Jeune Fille se Coiffant, Portrait de Femme

It is said that one may easily recognize the work of Vlaminck by simply searching for little clues. His favorite subjects seemed to be of the organic kind; bouquets of flowers, the French countryside, the sea, forests and agriculture. If people appear in any of Vlaminck’s landscape pictures, they are usually given less detail than the flora in the painting, and are not dominant. However, even in his nude paintings (ie, the Bathers, 1908), Vlaminck still gave more detail and life to the back ground objects than to the people.

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The Bathers

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Circus 1906

So how can you tell if you own a Vlaminck or a Fauvist painting? For one thing, note the dates and the signatures of the piece in question. If you have a painting that was painted in France from 1898 to 1908, using brilliant, un-mixed colors and unstructured wild strokes, you may have an original Fauve work.

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Tugboat on the Seine

To determine whether or not you have a Vlaminck may be a bit harder. For starters, anything done before 1898 that is not a black and white lithograph is probably not a Vlaminck. It was not until he met with the Fauves that he began to use color, so look for black and white lithographs of country scenes. Toward the end of his career (the mid to late fifties), Vlaminck aslo went back to creating black and white country scenes, yet these were more refined and often done in ink, rather than as prints. If you are still left with any doubt, look for his trademarked straight line signature. While these may be harder to find on his paintings, they are almost always apparent in his lithographs and prints.

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La Fille du Rat Mort

To have a Vlaminck piece that was painted during his Fauvist period is a great treasure, if it is an original. For example, look at The Remorqueur (1905), a painting done near the end of the Fauve period. At this time, artists such as Cezanne were beginning to experiment with cubism, a more regimented style of painting. This can be seen in The Remourqueur., reflected in the tree trunk, the leaves and the water. Maurice de Vlaminck’s style and form changed along with the changing of styles, and while he always kept an impressionistic “beast-like” way of painting, he incorporated other styles according to what was popular at the time.

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Remorqueur

Other common examples of Vlaminck’s work can be seen is his French village scenes. Vlaminck was fond of roads, and used them often as seen here in the appropriately titled “La Route” (the Road, 1957). At this point, his colors were not nearly as saturated and his brush strokes much less fierce as he had become departed from the Fauve style by this time.

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The Road 1958

Paintings by Vlaminck are a staple in all major museum collections. While Vlaminck’s style may be easily emulated, by looking at certain clues (Does this look like the orange, yellow and green French countryside? Is the focus more about the organic elements, or people and buildings?) One can decide on their own if they have a Fauvist master piece, or a fake. In 2002, a Vlaminck painting brought in around $5 million dollars, the most ever paid for one of his works. Still wondering about a colorful, wildly painting hanging in your home? Contact us…it could be by Maurice de Vlaminck.

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Still Life

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1478--siddons.php Henry Siddons Mowbray Artwork Authentication & Art Appraisal

Henry Siddons Mowbray (1858-1928)

We Perform Henry Siddons Mowbray art authentication. Henry Siddons Mowbray appraisal. Henry Siddons Mowbray certificates of authenticity (COA). Henry Siddons Mowbray analysis, research, scientific tests, full art authentications. We will help you sell your Henry Siddons Mowbray or we will sell it for you.

Mowbray, Studio Lunch

Studio Lunch

Mowbray, A Chess Game

A Chess Game

Henry Siddons Mowbray was born in Alexandria, Egypt to English parents. Mowbray was orphaned at an early age and sent to live with an American uncle in Massachusetts. Mowbray spent a year studying at the United States Military Academy at West Point before leaving for France to study art.

Mowbray, Le Destin, 1896

Le Destin, 1896

Mowbray worked in the studio of Leon Bonnat in Paris and developed his own artistic style. When Mowbray completed his studies he returned to the United States, settling in New York City. Mowbray started making connections in the art scene and became a full member of the National Academy of Design.

Mowbray, Rose Harvest, 1887

Rose Harvest, 1887

Mowbray, Harem Scene

Harem Scene

Mowbray was accepted into the international art scene and began exhibiting in Europe and New York. Mowbray was commissioned to do decorative painting in libraries and government building. Commissions included the residence of F.W. Vanderbilt and the University Cluball in New York City.

Mowbray, Two Women

Two Women

Mowbray, Iridescence

Iridescence

Mowbray taught at various institutions such as the Art Students League in New York and the American Academy in Rome. Mowbray eventually was appointed of the American Academy and divided much of his time between New York and Rome.

The work of Mowbray is in major American museums including the Metropolitan Museum of Art in New York and the Smithsonian American Art Museum. Do you think you own a painting by Henry Siddons Mowbray? Contact us. We are the Henry Siddons Mowbray experts.


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1481--makovsky-vladimir.php Vladimir Makovsky Artwork Authentication & Art Appraisal

Vladimir Makovsky (Владимир Егорович Маковский) (1846-1920)

Get a Makovsky Certificate of Authenticity for your painting (COA) for your Makovsky drawing.

For all your Makovsky artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Makovsky Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Makovsky painting or drawing.

If you want to sell your Makovsky painting or drawing use our selling services. We offer Makovsky selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Makovsky and issuing certificates of authenticity since 2002. We are recognized Makovsky experts and Makovsky certified appraisers. We issue COAs and appraisals for all Makovsky artworks.

Our Makovsky paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Makovsky certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Makovsky painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Makovsky paintings or drawings take longer.

Our clients include Makovsky collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Vladimir Makovsky art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Vladimir Makovsky or we will sell it for you.

Portrait of Empress Maria Fyodovna 1885

Portrait of Empress Maria Fyodovna 1885

Makovsky was the son of collector, Yegor Ivanovich Makovsky, who was one of the founders of the Moscow Art School. Vladimir had two brothers, Nikolai Makovsky and Konstantin Makovsky, and one sister, Alexandra Makovsky. All were famous painters themselves. Vladimir sutided at the Moscow School of Painting, Sculpture, and Architecture. He finished his studies in 1869 and the following year became one of the founding members of the Association of Travelling Art Exhibitions, where his many years of prolific work brought him to a leading position.

At The Theater 1911

At The Theater 1911

Makovsky’s work was defined by a perpetual humor as well as blatant irony and scorn. During the seventies his paintings dealt primarily with small-town folk. His pictures, “The Grape-juice Seller” (1879), “Fruit-Preserving” (1876) and “The Congratulator” (1878) depict various scenes where the mood is finely conceived and almost laughter-inducing. Other works of his, such as “The Benefactor” (1874) and “The Convict” (1878) are profoundly socially-conscious. In them, Makovsky either criticizes the false sympathy of the aristocracy towards the poor, or draws attention to the oppression and persecution of the tsarist gendaremrie. In 1878, he became an academician.

Interior Scene

Interior Scene

In the eighties, during the time of Russian “democratic” painting, Makovsky produced some of his most revered works. In 1882, he was made professor at the Moscow Art School after the death of Vasili Perov. Some of Makovsky’s greatest works of this period include “In the Ante-rooom of the Court of COnciliation” (1880), “The Released Prisoner” (1882), and “The Collapse of the Bank” (1881). From the end of the eighties, Makovsky began to produce more gloomy works. Quintessential works of this period include “You Shall Not Go” (1892), and “On the Boulevard” (1888).

Park Scene

Park Scene

In 1894, Makovsky became Rector of the Preparatoy school of the Academy of Art. After the First Russian Revolution, he painted “January 9th, 1905, on the Vasilyev Island” in which he depicts the armed police firing at defenseless people. In another painting “The Sacrifices on the Khodyn Field” in which a thousand people lost their lives during the coronation ceremony of Nicholas II, he again stood uncompromisingly on the side of the oppressed people. After the October Revolution, Makovsky helped carry lover the realist traditions to the early stages of Socialist Realism.

The Guitar Player

The Guitar Player

Still wondering about a 19th century Russian painting in your family collection? Contact us…it could be by Vladimir Makovsky.


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1483--grunewald.php Matthias Grünewald Artwork Authentication & Art Appraisal

Matthias Grünewald (1470-1528)

Get a Grünewald Certificate of Authenticity for your painting (COA) for your Grünewald drawing.

For all your Grünewald artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Grünewald Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Grünewald painting or drawing.

If you want to sell your Grünewald painting or drawing use our selling services. We offer Grünewald selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Grünewald and issuing certificates of authenticity since 2002. We are recognized Grünewald experts and Grünewald certified appraisers. We issue COAs and appraisals for all Grünewald artworks.

Our Grünewald paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Grünewald certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Grünewald painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Grünewald paintings or drawings take longer.

Our clients include Grünewald collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Matthias Grünewald art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Matthias Grünewald or we will sell it for you.

The Rest of the Flight into Egypt

Crucifixion

Matthias Grünewald was a German artist who painted during the Renaissance and is considered one of the finest painters of his time. He was born in Würzburg in the 1470’s, though the precise year is unknown, and in fact, his real name was not known until only about one hundred years ago. Grünewald’s real name was Mathias Gothart Neithart, and the name Grünewald was mistakenly given to him by a 17th century writer. This mistake was made because he also called himself Nithart, Neithardt and Gothart.

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Detail, the Temptation of St. Anthony

Grünewald was the court painter for the archbishop’s of the city of Mainz for fifteen years, and is considered by some art historians to be the best German painter of all time. He is compared to fellow painter Dürer as being one of the most important northern painters of the 16th century and is praised still today for his use of color and skill with line. It is said that after 1520, Grünewald was forced to leave his post because of his Lutheran faith, and most likely did not paint as much thereafter.

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The Resurrection, Isenheim Altarpiece detail

Grünewald’s painting style was so similar to Dürer that for centuries his work was almost completely forgotten about. His greatest masterpiece, “Isenheim Altarpiece” was previously thought to have been created by Dürer, but has since been attributed to Grünewald. To date, less than 15 paintings have been 100% positively attributed to and identified as Grünewald’s.

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Isenheim Altarpiece

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Altarpiece detail

So how did this highly skilled and regarded German Renaissance painter end up by the wayside? For one, the confusion with his name certainly puts a damper on the art authentication process. It is unknown how many different ways he signed his work, and which names he may or may not have used. Also, since his work is so similar to Dürer’s, who was better known, authenticators may have been quick to attribute Grünewald’s work to him.

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Concert of Angels

Like so many other painters of the day, Grünewald’s oeuvre consists mainly of religions scenes and portraits. However, unlike other painters, Grünewald is regarded for his use of figural distortion to portray tragedy and violence, while using color and chiaroscuro shading to create high drama. The figures within these compositions mirror that of Italian Renaissance style paintings, and are thick and fleshy and lifelike.

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The Mocking of Christ

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The Meeting of St. Erasmus and St. Maurice

Today, more information than ever exists about this previously unknown master of early German Renaissance painting. It is unknown just how many paintings he may have created, leaving a large window of opportunity for new paintings to surface. Still wondering about an early German Renaissance painting hanging in your family’s estate? Contact us…it could be by Matthias Grünewald.

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St. Anthony Visiting St. Paul the Hermit in the Desert

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1484--kittelsen.php Theodor Kittelsen Artwork Authentication & Art Appraisal

Theodor Severin Kittelsen (1857 – 1914)

Get a Kittelsen Certificate of Authenticity for your painting (COA) for your Kittelsen drawing.

For all your Kittelsen artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kittelsen Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kittelsen painting or drawing.

If you want to sell your Kittelsen painting or drawing use our selling services. We offer Kittelsen selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kittelsen and issuing certificates of authenticity since 2002. We are recognized Kittelsen experts and Kittelsen certified appraisers. We issue COAs and appraisals for all Kittelsen artworks.

Our Kittelsen paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kittelsen certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kittelsen painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kittelsen paintings or drawings take longer.

Our clients include Kittelsen collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Theodor Kittelsen art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Theodor Kittelsen or we will sell it for you.

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Sketch of a Troll

Theodor Kittelsen was a Norwegian artist born in the coastal town of Kragerø in Norway. He is famous for his nature paintings on the one hand, and on the other hand for his illustrations of fairytales and legends, especially of trolls.

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The Sea Troll

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Forest Troll

For a time, Kittelsen studied painting and watchmaking. When his talent was discovered by Diderich Maria Aall, he attended classes at the School of Art in Christiania. Because of generous financial support by Aall he was able to continue his study in Munich. However, in 1879 Diderich Aall could no longer manage to support him, so Kittelsen had to earn his money as a draughtsman for German papers and magazines. When back in Norway, he found nature to be a great inspiration. Kittelsen started to write texts to his drawings here.

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The Water Sprite

In 1881, Kittelsen was hired to illustrate Norwegian fairy-tales by the Norwegian folklore collector Peter Christen Asbjørnsen. His style could be classified between (Neo-)Romantic and naive painting. As a national artist he is highly respected and well known in Norway, but doesn’t receive much international attention and that is the reason for the fact that his name is hardly registered in registers of painters.

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Woodpecker 1912

Black metal bands such as Burzum have used nearly all of his pictures as album art, notably illustrations taken from Kittelsen’s book Svartedauen (The Black Death). Still wondering about a Norwegian painting in your family collection? Contact us…it could be by Theodor Kittelsen.


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1485--shishkin.php Ivan Shishkin Artwork Authentication & Art Appraisal

Ivan Shishkin (1832-1898)

Get a Shishkin Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Shishkin artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Shishkin Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Shishkin painting, drawing or print.

If you want to sell your Shishkin painting, drawing or print use our selling services. We offer Shishkin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Shishkin and issuing certificates of authenticity since 2002. We are recognized Shishkin experts and Shishkin certified appraisers. We issue COAs and appraisals for all Shishkin artworks.

Our Shishkin paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Shishkin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Shishkin painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Shishkin paintings or drawings take longer.

Our clients include Shishkin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ivan Shishkin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ivan Shishkin or we will sell it for you.

Oaks

Oaks

Ivan Shishkin was a Russian landscape painter. He studied at the Moscow School of Painting, Sculpture and Architecture for 4 years, then attended the Saint Petersburg Imperial Academy of Arts from 1856 to 1860, graduating with the highest honors and a gold medal. Five years later Shishkin became a member of the Academy, and later a professor. At the same time, Shishkin headed the landscape painting class at the Higher Art School.

Morning in the Pine Forest 1886

Morning in the Pine Forest 1886

For some time, Shishkin lived and worked in Switzerland and Germany. On his return to Saint Petersburg, he became a member of the Circle of the Itinerants and of the Society of Russian Watercolorists. He also took part in exhibitions at the Academy of Arts, the All Russian Exhibition in Moscow (1882), the Nizhniy Novgorod (1896), and the World Fairs (Paris, 1867 and 1878, and Vienna,1873). Shishkin’s painting method was based on analytical studies of nature. He became famous for his forest landscapes, but was also an outstanding draftsman and a printmaker.

The Corn

The Corn

Still wondering about a 19th century Russian painting in your family collection? Contact us…it could be by Ivan Shishkin.


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1486--lethiere.php Guillaume Guillon Lethiere Artwork Authentication & Art Appraisal

Guillaume Guillon Lethiere (1760-1832)

Get a Lethiere Certificate of Authenticity for your painting (COA) for your Lethiere drawing.

For all your Lethiere artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lethiere Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lethiere painting or drawing.

If you want to sell your Lethiere painting or drawing use our selling services. We offer Lethiere selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lethiere and issuing certificates of authenticity since 2002. We are recognized Lethiere experts and Lethiere certified appraisers. We issue COAs and appraisals for all Lethiere artworks.

Our Lethiere paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lethiere certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lethiere painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lethiere paintings or drawings take longer.

Our clients include Lethiere collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Guillaume Guillon Lethiere art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Guillaume Guillon Lethiere or we will sell it for you.

Lethiere painting, Death of Cato of Utica 1795

Death of Cato of Utica 1795

Lethiere painting, Herminie chez les Bergers

Herminie chez les Bergers

Lethiere painting, Le Patrie en Danger 1799

Le Patrie en Danger 1799

Guillaume Guillon Lethiere was an 18th century painter, the son of a Frenchman and a freed slave from Guadeloupe . He is known in art history for his massive-sized history paintings, as well as being a painter of portraits. He was named the director of the French Academy in Rome and was also a professor at the Ecole des Beaux-Arts. He left behind a number of preparatory sketches for his large scale history paintings as well as many oil paintings, many of which are housed all over the world, including at the Louvre.

Lethiere painting, Study for Virginie

Study for Virginie

Lethiere painting, The Death of Virginie

The Death of Virginie

Still wondering about an 18th century French sketch or historical painting in your family collection? Contact us…it could be by Guillaume Guillon Lethiere.


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1487--nordfeldt.php Bror Julius Olsson Nordfeldt Artwork Authentication & Art Appraisal

Bror Julius Olsson (B.J.O.) Nordfeldt (1891-1955)

Get a Nordfel Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Nordfel artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Nordfel Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Nordfel painting, drawing or print.

If you want to sell your Nordfel painting, drawing or print use our selling services. We offer Nordfel selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Nordfel and issuing certificates of authenticity since 2002. We are recognized Nordfel experts and Nordfel certified appraisers. We issue COAs and appraisals for all Nordfel artworks.

Our Nordfel paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Nordfel certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Nordfel painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Nordfel paintings or drawings take longer.

Our clients include Nordfel collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Bror Julius Olsson (B.J.O.) Nordfeldt art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Bror Julius Olsson (B.J.O.) Nordfeldt or we will sell it for you.

Bror Julius Olsson Nordfeldt art authentication. Bror Julius Olsson Nordfeldt appraisal. Bror Julius Olsson Nordfeldt certificates of authenticity (COA). Bror Julius Olsson Nordfeldt analysis, research, scientific tests, full art authentications. We will help you sell your Bror Julius Olsson Nordfeldt or we will sell it for you.

Nordfeldt, Two Birds Watching, 1952

Two Birds Watching, 1952

Nordfeldt was a Swedish-American artist, known for his involvement in the Taos Society of Artists. Nordfeldt was born in Tulstorg, Scania, Sweden but immigrated to the United States with his family at a very young age. As Nordfeldt grew older, he realized his interest in studying art and enrolled at the Art Institute of Chicago. At the age of twenty, he was studying and working as a printer’s assistant for a Chicago-based Swedish newspaper.

Nordfeldt, Two Men Digging, 1906

Two Men Digging, 1906

In 1900, Nordfeldt was chosen to assist muralist Albert Herter on a series of murals for the McCormick Harvester Company. The murals were part of the International Paris Exhibition. When Nordfeldt travelled to Paris to complete the murals, he was so taken with the city that he decided to stay and study under Jean Paul Laurens at the Académie Julian.

Nordfeldt, Still-Life

Still life

After studying in France, Nordfeldt travelled to England to learn printmaking techniques from Frank M. Fletcher in his London studio. Nordfeldt had the opportunity to exhibit his work at the Royal Academy of London before returning to the United States. He spent a few years painting in Chicago before deciding to move to New York in 1907.

Nordfeldt, Fisherman's Family, 1916

Fisherman’s Family, 1916

Nordfeldt married and set up a studio in New York City, making occasional trips back to Chicago to exhibit. In 1914, he began his summer trips to Provincetown, New York was a founder in an innovative theater group called the Provincetown Players, serving as an actor and set designer. In Provincetown, Nordfeldt also developed a new printmaking technique known as “White-line” printing.

Landscape

Landscape

The start of the first World War led Nordfeldt to San Francisco, where he served as an Assistant District “Camoufleur” for the United Stated Shipping Board to develop camouflage patterns for the ships.

Nordfeldt and his wartime friend, William Penhallow Henderson, decided to explore the Southwest before returning to work. After visiting Santa Fe, New Mexico, Nordfeldt knew it was where he wanted to make his new home. Nordfeldt lived in New Mexico for twenty years, painting local subjects and Native American culture.

Nordfeldt, Boats Ashore, Italy

Boats Ashore, Italy

By 1921, Nordfeldt became a part of the thriving Taos Society of Artists, which organized group exhibitions around the country. While many of the Taos artists had solo shows in New York, Nordfeldt preferred not to ship his work across the country. To earn a livable income, Nordfeldt sold prints while he worked on a strong body of paintings.

Nordfeldt, Self-Portrait

Self-Portrait

Nordfeldt, Mare and Foal

Mare and Foal

Nordfeldt, Still Life with Squash

Still life with Squash

During the 1930s, Nordfeldt began teaching at various art institutions including Minneapolis School of Art, Utah State College, and the Wichita Art Association. He also returned to the Midwest under the Works Progress Administration to create a series of lithograph prints.

Nordfeldt spent the last decade of his life moving around the country, painting and travelling with his second wife. When Nordfeldt died in 1955, his name was known in art circles across the country. Nordfeldt’s work is now in major museums and collections. Do you think you own a painting by B.J.O. Nordfeldt? Contact us. We are the experts on B.J.O. Nordfeldt.


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1488--kisling.php Moise Kisling Artwork Authentication & Art Appraisal

Moise Kisling (1891-1953)

Get a Kisling Certificate of Authenticity for your painting (COA) for your Kisling drawing.

For all your Kisling artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kisling Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kisling painting or drawing.

If you want to sell your Kisling painting or drawing use our selling services. We offer Kisling selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kisling and issuing certificates of authenticity since 2002. We are recognized Kisling experts and Kisling certified appraisers. We issue COAs and appraisals for all Kisling artworks.

Our Kisling paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kisling certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kisling painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kisling paintings or drawings take longer.

Our clients include Kisling collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Moise Kisling art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Moise Kisling or we will sell it for you.

Moise Kisling was born in Krakow, Poland and though his parents intended for him to become an engineer, he was drawn to art. At the age of 15 he entered the Art Academy of Krakow where he studied under Pankiewicz and was exposed to the Impressionist style of painting. This inspired Kisling to go to Paris, which he did in 1910. He settled there in the Montparnasse area and became popular amongst the School of Paris artists.

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The Spanish Woman

While living in Paris, he would become friends with Modigliani, Picasso, Braque and others who would all have an impact on his style. His friendship with Modigliani lasted their entire lives, and Kisling even had his portrait painted by his friend and fellow painter, now housed at the Museum of Modern Art in Paris. Kisling would also befriend other bohemian figureheads of the era, such as Jean Cocteau, whose portrait he painted in 1916.

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Portrait of Jean Cocteau, 1916

Kisling finally had his first solo exhibition in 1919, which helped to launch his career as an artist. Kisling looked up to fellow artist Andre Derain for the formation of his style, which was a synthesis of Impressionism and other influences. Derain’s bright and lively color palette matched Kisling’s own ideas, which he incorporated with his Slavic teaching on canvas. His Polish heritage was often expressed in intricate designs in his compositions, mingled with Impressionistic technique.

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Woman in a Shawl

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Flowers

Often, he would sign his work on the front simply “Kisling” followed sometimes by the year.

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Still Life, 1916

He has been compared to fellow School of Paris artist Marc Chagall, but his style is truly his own. However, both artists had a dreamy, surreal quality to their work, so it is not surprising that many critics like to compare the two.

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Nude in the Grass

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Head of a Girl

During World War I, Kisling fought with the Foreign Legion, and was seriously injured in the first year he served. This, however, was how Kisling was awarded French citizenship, and so he stayed in Paris until war broke out again in 1940. He volunteered to serve for a while, but eventually moved to the United States and lived in California, New York and Washington until 1946. While in New York, Kisling held an exhibition at the Whitney Museum. Upon his return to France, Kisling traveled to the Mediterranean coast, where he lived until his death in 1953.

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Bord de Mer en Provence, 1917

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St. Tropez

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Port de Provence

Today, Kisling’s work is housed all over the world, with the largest collection in the Musee de Petit Palais in Switzerland. Because of his extensive travels in the United States and Europe, it is highly likely that he sold his work along the way, and unknown masterpieces of Kisling’s could be literally anywhere. In the past, one New York City gallery owner was charged in a plot to sell both real and forged copies of Kisling’s work in what would have been a multi-million dollar scheme. Could you have obtained one of these originals? Contact us to find out.

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Tulips
(Not real title)

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1489--maufra.php Maxime Maufra Artwork Authentication & Art Appraisal

Maxime Maufra (1861-1918)

Get a Maufra Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Maufra artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Maufra Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Maufra painting, drawing or print.

If you want to sell your Maufra painting, drawing or print use our selling services. We offer Maufra selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Maufra and issuing certificates of authenticity since 2002. We are recognized Maufra experts and Maufra certified appraisers. We issue COAs and appraisals for all Maufra artworks.

Our Maufra paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Maufra certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Maufra painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Maufra paintings or drawings take longer.

Our clients include Maufra collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Maxime Maufra art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Maxime Maufra or we will sell it for you.

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St. Michele’s Church

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Le Dessert

Maxime Maufra was an Impressionist painter and printmaker born in Nantes, France. Maufra was originally set to enter the world of business, but a trip to England changed his mind. He was inspired by the works of Turner and decided to become an artist. Though he did not receive any formal academic training, at the age of eighteen, Maufra began his studies in art locally in Nantes under the artists Charles and Alfred Leduc.

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Place Saint-Andre des Arts, Rue Suger Paris

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Flood, 1910

Maufra held his first exhibit in Nantes in 1886, and again that same year at the Paris Salon. His work was met with great acclaim, and Maufra eventually settled in Paris in 1892. In his early years as an artist, he became friends with Paul Gaugin and traveled all over France, painting as he went. He would later extend his travels to Algeria, Scotland and other regions of Europe.

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The Port at Caen

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The Black Cliffs at Thurso, Ecosse, 1895

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The Village and Chapel of Saint Avoye, 1908

As an Impressionist, Maufra’s work represents the “Pont-Aven” school of style. The majority of his oeuvre is comprised of landscapes and marine scenes in typical Impressionist fashion.

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Les Falaises de Polhor

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Autumn, Fontainebleu Forest, 1909

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Eglise de Saing Nicolas des Champs, rue Saint Martin, 1908

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1490--dandre-bardon.php Michele-Francoise Dandre-Bardon authentication

Michele-Francois Dandre-Bardon (1700-1783)

Get a Dandre-Bardon Certificate of Authenticity for your painting (COA) for your Dandre-Bardon drawing.

For all your Dandre-Bardon artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dandre-Bardon Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dandre-Bardon painting or drawing.

If you want to sell your Dandre-Bardon painting or drawing use our selling services. We offer Dandre-Bardon selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dandre-Bardon and issuing certificates of authenticity since 2002. We are recognized Dandre-Bardon experts and Dandre-Bardon certified appraisers. We issue COAs and appraisals for all Dandre-Bardon artworks.

Our Dandre-Bardon paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dandre-Bardon certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dandre-Bardon painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dandre-Bardon paintings or drawings take longer.

Our clients include Dandre-Bardon collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Michele-Francoise Dandre-Bardon art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Michele-Francoise Dandre-Bardon or we will sell it for you.

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Serment de Mucius Scoevola Baron Hawke

Michele-Francoise Dandre-Bardon was an 18th century French painter who studied at the Academie Royale. Dandre-Bardon took second prize at the Prix de Rome, which enabled him to live in Rome for five years, as well as in Venice. Dandre-Bardon became an Assistant Professor at the Academie Royale, and was also put in charge of the decoration for the royal galleries at Marseilles.

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A Literary Salon in the 18th Century

While it is said by art historians the Dandre-Bardon painted many portraits, none have been located to this date.

Still wondering about a portrait in your family collection? Contact us…it could be a lost portrait from Michele-Francois Dandre-Bardon.


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1491--dali.php Salvador Dali Artwork Authentication & Art Appraisal

Salvador Dali (1904-1989)

Fakes, Prints, Forgeries and Mysteries of the Surreal

Get a Dali Certificate of Authenticity for your painting or a COA for your Dali drawing, print or sculpture.

For all your Dali artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Dali Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dali painting, drawing, print or sculpture.

If you want to sell your Dali painting, drawing, print or sculpture use our selling services. We offer Dali selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dali and issuing certificates of authenticity since 2002. We are recognized Dali experts and Dali certified appraisers. We issue COAs and appraisals for all Dali artworks.

Our Dali paintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dali certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dali painting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dali paintings, drawings or sculptures take longer.

Our clients include Dali collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Salvador Dali art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Salvador Dali or we will sell it for you.

Salvador Dali is known world-wide as one of the greatest artists of the 20th century, and one of the leading names in Surrealism. Second favorite only to Picasso in his native Spain, Dali’s prints, oil paintings and other mediums of art continue to be highly collectible today, and command the highest dollar at auction. However, towards the end of his career, Dali’s art ethics took a turn for the worse in some ways, and through some fault, or none, of his own, a great upheaval began to take place in the art world over his name.

The market is flooded with more Dali prints, sketches, paintings, fakes and forgeries than one can fathom…and all of them hold value. Yes, even a drawing passed off as a Salvador Dali original may be more valuable than you think. Please read our sections above on Dali’s forgeries, fakes and mysteries surrounding his career to understand why.

Despite the numerous problems that may surround authenticating a print by Dali, one thing remains certain…authentic Dali’s are nearly priceless, and collectors are eager to buy his work. It is important for you to protect your investment, and a Certificate of Authenticity will give you the peace of mind you deserve.

Educate yourself about your Dali art print, sketch or painting…only you can help preserve the value of a possibly priceless piece of art. Contact Art Certification Experts today with questions about your Salvador Dali print, painting, sketch or artwork.


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1492--stern.php Irma Stern Artwork Authentication & Art Appraisal

Irma Stern (1894-1966)

Get a Stern Certificate of Authenticity for your painting (COA) for your Stern drawing.

For all your Stern artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Stern Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Stern painting or drawing.

If you want to sell your Stern painting or drawing use our selling services. We offer Stern selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Stern and issuing certificates of authenticity since 2002. We are recognized Stern experts and Stern certified appraisers. We issue COAs and appraisals for all Stern artworks.

Our Stern paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Stern certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Stern painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Stern paintings or drawings take longer.

Our clients include Stern collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Irma Stern art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Irma Stern or we will sell it for you.

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Woman with a Jug 1949

Irma Stern was a South African painter. She studied in Germany and became a member of the German Expressionist movement. Though she lived all over the world, Stern mainly painted African subjects, as well as landscapes.

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Ballet Dancers

Still wondering about a South African painting in your family collection? Contact us…it could be by Irma Stern.


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1493--il-sodoma.php Il Sodoma Artwork Authentication & Art Appraisal

Il Sodoma (1477 – 1549)

Il Sodoma art authentication. Il Sodoma appraisal. Il Sodoma certificates of authenticity (COA). Il Sodoma analysis, research, scientific tests, full art authentications. We will help you sell your Il Sodoma or we will sell it for you.

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Saint Sebastian, 1525

Il Sodoma was the name given to the Italian Mannerist painter Giovanni Antonio Bazzi. Il Sodoma painted in a manner that superimposed the High Renaissance style of early 16th century Rome onto the traditions of the provincial Sienese School. Il Sodoma spent the bulk of his professional life in Siena and some time in Rome.

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Allegory of Celestial Love

Il Sodoma was of the family de Bazis and born at Vercelli in Piedmont in 1477. His first master was the “archaic” Martino Spanzotti, and he also appears to have been a student of the painter Giovenone. After acquiring the strong coloring and other distinctive stylistic features of the Lombard school and somehow absorbing the superficial mannerisms of Leonardo (Freedberg 1993:117), he traveled to Siena before 1503, perhaps at the behest of agents of the Spannocchi family. There, he began with fresco cycles for Olivetan monks and a series of small Ovidian ceiling panels and a frieze depicting the career of Julius Caesar for Sigismondo Chigi at Palazzo Chigi.

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The Three Graces, 1525

Along with Pinturicchio, Il Sodoma was one of the first to practice in Siena the style of the High Renaissance. His first important works were seventeen frescoes in the Benedictine Monastery of Monte Oliveto Maggiore, on the road from Siena to Rome, illustrating the life of St. Benedict in continuation of the series that Luca Signorelli had begun in 1498. Gaining fluency in the prevailing popular style of Pinturicchio, Sodoma completed the set in 1502 and included a self-portrait with badgers.

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Pieta, 1540

Sodoma was invited to Rome in 1508 by the celebrated Sienese merchant Agostino Chigi and was employed there by Pope Julius II in the Stanza della Segnatura in the Vatican. He executed two great compositions and various ornaments and grotesques in vaulted ceilings divided in feigned compartments in the antique manner that Pinturrichio had recently revived, working at the same time as Raphael. Vasari’s rhetorical story that Sodoma’s larger works did not satisfy the pope, who engaged Raphael to substitute a program of Justice, Poetry, and Theology, is not borne out by the documents.

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The Death of Lucretia, 1513

Before October 1510, he was in Siena, where he painted the exterior of Palazzo Chigi in monochrome chiaroscuro with scenes from the Bible and from antiquity, the first such work seen in Siena (Bartalini 2001:553). His painting at this time began to show distinct Florentine influences, especially of Fra Bartolommeo.

Called again to Rome by Chigi, in the Villa Chigi (now the Farnesina), working alongside Baldassare Peruzzi, Sodoma painted subjects from the life of Alexander the Great: Alexander in the Tent of Darius and the Nuptials of the Conqueror with Roxana, which some people consider his masterpiece. When Leo X became pope (1513), Sodoma presented him with a picture of the Death of Lucretia (or of Cleopatra, according to some accounts). Leo gave him a large sum of money as a reward and created a cavaliere for him.

Sodoma returned to Siena and, at a later date, sought work in Pisa, Volterra, and Lucca. From Lucca, he returned to Siena not long before his death on 14 February 1549 (older narratives say 1554). He had supposedly squandered his property and is said, without documentary support, to have died in penury in the great hospital of Siena.

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St. George and the Dragon

In his youth, Sodoma had married, but he and his wife soon separated. A daughter married Bartolomeo Neroni, called also Riccio Sanese or Maestro Riccio, one of Sodoma’s principal pupils. It is said that Sodoma jeered at Giorgio Vasari’s Lives of the Artists, and as a result, Vasari repaid him by presenting a negative account of Sodoma’s morals and demeanor and withheld praise of his work. According to Vasari, the name by which Sodoma was known was “Il Mattaccio” (the Madcap, the Maniac), this epithet having been bestowed upon him by the monks of Monte Oliveto. He dressed gaudily, like a mountebank, and his house was a Noah’s ark, owing to the strange miscellany of animals he kept there. He was a cracker of jokes, fond of music, and he sang poems he composed on indecorous subjects.

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The Rape of the Sabine Women, 1506-1507

Vasari alleges that Sodoma was always a negligent artist. His early success in Siena, where he painted many portraits being partly due to lack of competition, was a judgment in which Sidney Freedberg concurs. Vasari asserts that as he aged, he became too “lazy” to make cartoons for his frescoes but daubed them straight onto the wall. Vasari nevertheless admits that Sodoma produced some works of very fine quality and that during his lifetime his reputation was high.

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The Flagellation of Christ, 1510

Some of his works, including the Holy Family now in the Pinacoteca, have been mistaken for works of Leonardo da Vinci. His easel pictures are rare, and there are two in the National Gallery, London. Some critics see in Sodoma’s Madonna in the Brera the direct influence of this master. Modern criticism follows Morelli in supposing that Raphael painted Sodoma’s portrait in The School of Athens, while a drawing at Christ Church is supposed to be a portrait of Raphael by Sodoma.

Among his masterpieces are the frescoes, completed in 1526, in the Chapel of St. Catherine of Siena painted for the church of San Domenico (Siena), depicting the saint in ecstasy, fainting as she receives the Eucharist from an angel. In the oratory of S. Bernardino, there are scenes from the history of the Virgin, painted in conjunction with Pacchia and Beccafumi (1536-1538) — the Visitation and the Assumption. In S. Francesco, there are the Deposition from the Cross (1513) and Christ Scourged. Many critics regard one or the other of these paintings as Sodoma’s masterpiece. In the choir of the Cathedral at Pisa, there is the Sacrifice of Abraham, and in the Uffizi Gallery of Florence, there is a St. Sebastian.

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The Mystic Marriage of St. Catherine, 1539-1540

Still wondering about an Italian painting in your family collection? Contact us…it could be by Il Sodoma.


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1494--castiglione.php Giovanni Castiglione Artwork Authentication & Art Appraisal

Giovanni Benedetto Castiglione (1609 – 1664)

Get a Castiglione Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Castiglione artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Castiglione Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Castiglione painting, drawing or print.

If you want to sell your Castiglione painting, drawing or print use our selling services. We offer Castiglione selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Castiglione and issuing certificates of authenticity since 2002. We are recognized Castiglione experts and Castiglione certified appraisers. We issue COAs and appraisals for all Castiglione artworks.

Our Castiglione paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Castiglione certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Castiglione painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Castiglione paintings or drawings take longer.

Our clients include Castiglione collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giovanni Castiglione art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni Castiglione or we will sell it for you.

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Jacob Leading the Flocks of Laban, 1632

Giovanni Castiglione was an Italian Baroque artist, painter, printmaker and draftsman, of the Genoese school. He is best known now for his elaborate engravings, and as the inventor of the printmaking technique of monotyping. He was known as Il Grechetto in Italy and in France as Le Benédette.

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Etching

Castiglione was born in Genoa. His early training is unclear. He may have studied with Sinibaldo Scorza (1589-1631). Wittkower describes him as a passionate student of van Dyck, who arrived in 1621, and Rubens who also stayed in Genoa at this time. He may have trained under the Genoese Bernardo Strozzi, and certainly encountered the work of Domenico Fetti in Mantua. He lived in Rome from 1634-c1645, then returned to Genoa. He was back in Rome in 1647 before moving in 1651 to be court artist in Mantua, where he died.

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Sketch of a Man

He painted portraits, historical pieces and landscapes, but chiefly excelled in fairs, markets and rural scenes with animals. Noah’s ark and the animals entering the Ark was a favorite subject of his. His paintings are to be found in Rome, Venice, Naples, Florence, and more especially Genoa and Mantua. The Presepio (Nativity of Jesus) in the church of San Luca, Genoa, ranks among his most celebrated paintings, and the Louvre contains eight characteristic examples.

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In Front of Noah’s Ark, 1650

He was a brilliant draftsman and pioneered the development of the oil sketch (often using a mixture of mediums) as a finished work – previously they had been used only for working studies for another finished piece, for example by Rubens. He returned to the same subjects over and over again, but with significantly different compositions each time.

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The Raising of Lazarus, Etching, 1648

He also executed a number of etchings (see cover of edition of The genius of Castiglione published in 1648).Diogenes searching for a Man is one of the principal of these; others are about religious themes. Some are moralistic stories such as that of the blind leading the blind. The etchings are remarkable for light and shade, and have even earned for Castiglione the name of a second Rembrandt. He was exposed to Rembrandt’s etching by 1630. In about 1648 he invented the monotype, the only printmaking technique to be an Italian invention, making over twenty over the succeeding years.

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Diogenes

In Mantua, he received his name of Grechetto, from the classic air of his pastorals. His brother Salvatore and his son Francesco excelled in the same subjects; and it is thought that many paintings which are ascribed to Benedetto are only copies after him, or perhaps originals by his son or brother. He also influenced Anton Maria Vassallo (c1640-60).

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The Miracle of Soriano 1655

Still wondering about an Italian painting in your family collection? Contact us…it could be by Giovanni Castiglione.


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1495--nunez.php Pedro Núñez de Villavicencio Artwork Authentication & Art Appraisal

Pedro Núñez de Villavicencio (1644-1695)

Get a Núñez Certificate of Authenticity for your painting (COA) for your Núñez drawing.

For all your Núñez artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Núñez Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Núñez painting or drawing.

If you want to sell your Núñez painting or drawing use our selling services. We offer Núñez selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Núñez and issuing certificates of authenticity since 2002. We are recognized Núñez experts and Núñez certified appraisers. We issue COAs and appraisals for all Núñez artworks.

Our Núñez paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Núñez certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Núñez painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Núñez paintings or drawings take longer.

Our clients include Núñez collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pedro Núñez De Villavicencio art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pedro Núñez De Villavicencio or we will sell it for you.

Nunez, Poor Boy with Dog

Poor Boy with Dog

Nunez, Boy Attacked by Dog

Boy Attacked by Dog

Pedro Núñez de Villavicencio was a Spanish painter born in Seville, who studied under Bartolomé Esteban Murillo, from whom he learned many techniques. Núñez was an important participant in the Academy of Painting and Drawing in Seville, which was primarily founded by Murillo.

Nunez, Boy Looking for Fleas on Dog

Boy Looking for Fleas on Dog

Núñez was not only an active painter but served the Sovereign Order of San Juan and spent many years living on the island of Malta. Núñez was eventually knighted for his courageous actions and dedication towards justice. Núñez made important artistic contacts in Malta by meeting Mattia Preti, an Italian Baroque artist. Preti studied under Caravaggio and was sometimes referred to as the Knight of Calabria. Through Preti, Núñez gained an Italian influence, which comes through in his paintings.

Nunez, Boys Playing Dice

Boys Playing Dice

Nunez, Archbishop of Seville

Archbishop of Seville

Nunez, Wine Vendor

Wine Vendor

Nunez, Shepherd Boy and Cow

Shepherd Boy and Cow

After finishing his service in Malta, Núñez returned to Seville, where he became an important figure in the Academy of Drawing and Painting.

Núñez is most known for his paintings of poor boys and dogs. He did not concentrate on nobles as much as everyday life and people. His paintings are important for showing what life was like in Seville. Because of Núñez’s notoriety he did receive some large commissions, including the task of painting King Carlos II. The painting of Carlos II now belongs to the Museo del Prado in Madrid.

While Núñez spend much of his adult life in Seville, he travelled to Madrid during the last years of his life. The work of Núñez is now in major Spanish and international collections.

Pedro Núñez de Villavicencio art authentication. Pedro Núñez de Villavicencio appraisal from . Pedro Núñez de Villavicencio certificates of authenticity (COA). Pedro Núñez de Villavicencio analysis, research, scientific tests, full art authentications. We will help you sell your Pedro Núñez de Villavicencio or we will sell it for you.


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1496--hutin.php Charles Francois Hutin Artwork Authentication & Art Appraisal

Charles Francois Hutin (1715-1776)

Get a Hutin Certificate of Authenticity for your painting or a COA for your Hutin drawing, print or sculpture.

For all your Hutin artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Hutin Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hutin painting, drawing, print or sculpture.

If you want to sell your Hutin painting, drawing, print or sculpture use our selling services. We offer Hutin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hutin and issuing certificates of authenticity since 2002. We are recognized Hutin experts and Hutin certified appraisers. We issue COAs and appraisals for all Hutin artworks.

Our Hutin paintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hutin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hutin painting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hutin paintings, drawings or sculptures take longer.

Our clients include Hutin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles Francois Hutin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles Francois Hutin or we will sell it for you.

Hutin painting, Portrait of a Young Woman Holding a Spaniel

Portrait of a Young Woman Holding a Spaniel

Charles Francois Hutin was an 18th century French Rococo painter and sculptor. He is best known for his quiet and thoughtful portraits of women.

Hutin painting, Woman in an Armchair

Woman in an Armchair

Still wondering about an 18 th century French painting in your family collection? Contact us…it could be by Charles Francois Hutin.


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1498--empoli.php Jacopo da Empoli Artwork Authentication & Art Appraisal

Jacopo da Empoli (1551 – 1640)

Get a Da Empoli Certificate of Authenticity for your painting (COA) for your Da Empoli drawing.

For all your Da Empoli artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Da Empoli Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Da Empoli painting or drawing.

If you want to sell your Da Empoli painting or drawing use our selling services. We offer Da Empoli selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Da Empoli and issuing certificates of authenticity since 2002. We are recognized Da Empoli experts and Da Empoli certified appraisers. We issue COAs and appraisals for all Da Empoli artworks.

Our Da Empoli paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Da Empoli certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Da Empoli painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Da Empoli paintings or drawings take longer.

Our clients include Da Empoli collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jacopo da Empoli art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jacopo da Empoli or we will sell it for you.

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Susanna and the Elders 1600

Jacopo da Empoli was an important figure in Florence painting reform, a movement that followed mannerism in Italy. Da Empoli was born in Florence at the parish of San Lorenzo. He was the son of Chimenti and the grandson of a flax-dresser, Girolamo. His family originally came from the town of Empoli, from which their surname is derived.

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The Sacrifice of Isaac

It is believed that Jacopo exclusively trained in Florence, as there is no documentation leading experts to believe that he travelled outside of the Tuscany region. While Maso da San Friano formally taught Jacopo, most of his training was achieved by copying master paintings. Jacopo looked at artists such as Pontormo, Bartolomeo and Bronzino and is most known for his involvement in the Mannerist reform of Santi di Tito.

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Madonna and Child Adored by Saints

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Still Life

As Jacopo’s career progressed, his reputation grew, and he received important commissions from the cardinal, Carlo de’ Medici. Many of his commissioned pieces are still housed in museums and official buildings in Florence. Jacopo da Empoli was praised both for his larger genre paintings as well as his smaller still life paintings.

Self-portrait

Self-portrait
Uffizi Gallery, Florence

Self-portrait

Still Life with Games, 1620s
Oil on Canvas, 114 x 152 cm

Jacopo occasionally collaborated with Alessandro Tiarini and trained younger students Virgilio Zaballi and Felice Ficherell. Jacopo died in Florence where he was buried at the Basilica di San Lorenzo. His paintings are now in Europe’s finest museums, including the Louvre in Paris, the Uffizi in Florence, and the Kunsthistorisches in Vienna.  Jacopo da Empoli is certainly an important figure in Italian art history.

Jacopo da Empoli art authentication. Jacopo da Empoli appraisal from . Jacopo da Empoli certificates of authenticity (COA). Jacopo da Empoli analysis, research, scientific tests, full art authentications. We will help you sell your Jacopo da Empoli or we will sell it for you.


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1499--all-reviews.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "abbema" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "abbema" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> Art Certification Experts Reviews | Art Certification Experts

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1500--chinard.php Joseph Chinard Artwork Authentication & Art Appraisal

Joseph Chinard (1836-1932)

We Perform Joseph Chinard art authentication. Joseph Chinard appraisal. Joseph Chinard certificates of authenticity (COA). Joseph Chinard analysis, research, scientific tests, full art authentications. We will help you sell your Joseph Chinard or we will sell it for you.

Neoclassical sculptor Joseph Chinard was born in Lyon, France and received his first artistic training in Rome at a government operated school, and later in a workshop. He remained in Rome from 1784-1787, at the same time maintaining his social elite patrons and their commissions from Lyons.

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Bust of Mme Recamier, 1801-1802

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Bust of Mmc Recamier, back view

For the rest of his life, he would live between France and Italy, and was constantly busy with work in both places. Chinard’s sculpture gained much notoriety from the Italian Church, as well as Napoleon’s family and was commissioned three times to create sculptures for them.

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Bust of Empress Josephine, 1805-1806

Chinard was fond of working in terra cotta to create his sculptures of French nobility, as seen here in “Portrait of a Bourgeois”.

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Portrait of a Bourgeois

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Bust of General Guillaume Brun, 1800

The Roman influence is very obvious in works by Chinard, which is probably why his beautiful style was so highly sought after. Some of his works were also a nod to the new Republic formed in France and his support of it.

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The Republic

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Woman Supported on a Cippes

Today many of his works are housed in the Louvre and in private family collections in France and Italy alike. He was a highly sought after sculptor in his day and left a massive oeuvre behind him, which included busts, statuettes, medallions and full-sized statues.

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Young Harpist

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Right Profile of a man, medallion

If you believe you own a work of art by Joseph Chinard, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Joseph Chinard.


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1501--leslie.php Charles Robert Leslie Artwork Authentication & Art Appraisal

Charles Robert Leslie (1794-1859)

Get a Leslie Certificate of Authenticity for your painting (COA) for your Leslie drawing.

For all your Leslie artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Leslie Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Leslie painting or drawing.

If you want to sell your Leslie painting or drawing use our selling services. We offer Leslie selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Leslie and issuing certificates of authenticity since 2002. We are recognized Leslie experts and Leslie certified appraisers. We issue COAs and appraisals for all Leslie artworks.

Our Leslie paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Leslie certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Leslie painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Leslie paintings or drawings take longer.

Our clients include Leslie collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles Robert Leslie art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles Robert Leslie or we will sell it for you.

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Dulcinea del Teboso

Charles Robert Leslie was an English genre painter, born in London on 19 October 1794. His parents were American, and when he was five years of age he returned with them to their native country. They settled in Philadelphia, where their son was educated and afterwards apprenticed to a bookseller. He was, however, mainly interested in painting and the drama, and when George Frederick Cooke visited the city he executed a portrait of the actor from recollection of him on the stage, which was considered a work of such promise that a fund was raised to enable the young artist to study in Europe.

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Lord Cottenham

He left for London in 1811, bearing introductions which procured for him the friendship of West, Beechey, Allston, Coleridge and Washington Irving, and was admitted as a student of the Royal Academy, where he carried off two silver medals. At first, influenced by West and Fuseli, he essayed high art, and his earliest important subject depicted Saul and the Witch of Endor; but he soon discovered his true aptitude and became a painter of cabinet-pictures, dealing, not like those of Wilkie, with the contemporary life that surrounded him, but with scenes from the great masters of fiction, from Shakespeare and Cervantes, Addison and Molière, Swift, Sterne, Fielding and Smollett.

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May Day in the Reign of Queen Elizabeth

Of individual paintings we may specify Sir Roger de Coverley going to Church (1819); May-day in the Time of Queen Elizabeth (1821); Sancho Panza and the Duchess (1824); Uncle Toby and the Widow Wadman (1831); La Malade Imaginaire, act iii. sc. 6 (1843); and the Dukes Chaplain Enraged leaving the Table, from Don Quixote (1849). Many of his more important subjects exist in varying replicas. He possessed a sympathetic imagination, which enabled him to enter freely into the spirit of the author whom he illustrated, a delicate perception for female beauty, an unfailing eye for character and its outward manifestation in face and figure, and a genial and sunny sense of humour, guided by an instinctive refinement which prevented it from overstepping the bounds of good taste.

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Interior Scene

In 1821 Leslie was elected A.R.A., and five years later full academician. In 1833 he left for America to become teacher of drawing in the military academy at West Point, but the post proved an irksome one, and in some six months he returned to England. He died on the 5th of May 1859.

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Autolycus 1836

In addition to his skill as an artist, Leslie was a ready and pleasant writer. His Life of his friend Constable, the landscape painter, appeared in 1843, and his Handbook for Young Painters, a volume embodying the substance of his lectures as professor of painting to the Royal Academy, in 1855. In 1860 Tom Taylor edited his Autobiography and Letters, which contain interesting reminiscences of his distinguished friends and contemporaries. Still wondering about a British painting in your family collection? Contact us…it could be by Charles Robert Leslie.


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1502--olitski.php Jules Olitski Artwork Authentication & Art Appraisal

Jules Olitski (1923-2007)

We Perform Jules Olitski art authentication. Jules Olitski appraisal. Jules Olitski certificates of authenticity (COA). Jules Olitski analysis, research, scientific tests, full art authentications. We will help you sell your Jules Olitski or we will sell it for you.

Bathsheba Reverie Blue 2001

Bathsheba Reverie Blue, 2001

Olitski was born Jevel Demikovski in Snovsk, Russia, a few months after his father, a commissar, was executed by the Russian government. He emigrated to the United States in 1923 with his mother and grandmother and settled in Brooklyn. His grandmother cared for him while his mother worked to support the family. In 1926, his mother married Hyman Olitski, a widower with two sons.

Setting Sail

Setting Sail

Olitski showed an aptitude for drawing and by 1935, was taking occasional art classes in Manhattan. He attended public schools in New York, winning an art prize upon his graduation from high school. At an exhibit of the work of some of the great masters at the New York World’s Fair in 1939, he was very impressed by Rembrandt’s portraits. Subsequently, he won a scholarship to study art at Pratt Institute and was admitted to the National Academy of Design in New York.

The Grey

The Grey

After discharge from the army in 1945, Olitski married and did some traveling before returning to New York. In the late 1940s, he went to Paris on the G.I. Bill. While there, he saw the European modern masters and engaged in a powerful self-analysis, which involved painting while blindfolded to remove himself from all of his customary habits and facilities.

Waves

Waves

In 1951, Olitski returned to New York. Reacting against the color and imagery of his Paris works, he began to paint monochromatic pictures with empty centers. He divorced and began exhibiting in group shows. By 1956, he was remarried and had joined the faculty of C. W. Post College on Long Island. In 1958, he had his first one-man show at the Zodiac Gallery and met Clement Greenberg, who exhibited Olitski’s paintings in a large solo show at French & Company in May 1959.

Shira 1990

Shira, 1990

In 1960, Olitski abruptly moved away from the heavily encrusted abstract surfaces he had evolved and began to stain the canvas with large areas of thin, brightly colored dyes. These were shown at a second French & Co. exhibit in April 1961, and he was asked to join the Poindexter Gallery where he had several exhibitions. Thereafter, he exhibited in numerous venues, won a prize at the Carnegie International, and began to be collected by museums.

Comprehensive Dream 1965

Comprehensive Dream, 1965

By 1965, Olitski had evolved a radically innovative technique of laying down atmospheric blankets of colored spray on the canvas, marked at first by barely discernible straight-edged value changes near the edge of the picture and later by acrylic paint dragged along portions of the edge. He exhibited internationally in the late 1960s and was selected as one of four artists to represent the United States at the Venice Biennale in 1966. In 1969, he was invited to exhibit large, steel spray painted sculptures at the Metropolitan Museum of Art becoming one of the first living American artists to be given a one-person exhibition there.

Estrella Standing 2002

Estrella Standing, 2002

In the late 1960s, Olitski returned to the thick impasto surfaces, which characterized his work in the 1950s but with innovative techniques that took advantage of the newly improved polymer and gel acrylic mediums. Olitski lived and worked in studios in New Hampshire and Florida and exhibited regularly until he died from cancer in 2007 at the age of 84.

Moses Path, Orange and Blue, 2001

Moses Path, Orange and Blue, 2001

Still wondering about a Russian American painting in your family collection? Contact us… we are the Jules Olitski experts.


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1503--gerard.php Francois-Pascal-Simon Baron Gérard Artwork Authentication & Art Appraisal

Francois-Pascal-Simon Gérard (1770-1837)

Get a Gérard Certificate of Authenticity for your painting (COA) for your Gérard drawing.

For all your Gérard artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gérard Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gérard painting or drawing.

If you want to sell your Gérard painting or drawing use our selling services. We offer Gérard selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gérard and issuing certificates of authenticity since 2002. We are recognized Gérard experts and Gérard certified appraisers. We issue COAs and appraisals for all Gérard artworks.

Our Gérard paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gérard certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gérard painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gérard paintings or drawings take longer.

Our clients include Gérard collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francois-Pascal-Simon Baron Gérard art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Francois-Pascal-Simon Baron Gérard or we will sell it for you.

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Portrait of Joachim Murat

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Madame Charles-Maurice de Talleyrand-Périgord

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Julie Recaimer, 1805

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Portrait of Stephanie de Beauharnais

Francois-Pascal-Simon Baron Gérard was a popular portraitist whose career survived the political upheavals of his time. Gérard was one of David’s favorite pupils and was known for historical and genre paintings as well as portraits. He exhibited a well-received portrait of painter Jean-Baptiste Isabey and his daughter at the Salon of 1796.

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Comtesse de Morel-Vindé and Her Daughter

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Psychee et l’amour

Born in Rome, Gerard was granted a place at the Pension du Roi in Paris at the very young age of 12 where he studied under the sculptor Pajou. He would later study under Brenet and then painter Jacques Louis David. Despite his prestigious early studies, Gerard was forced to temporarily return to Rome and leave art when his father died in 1791. During this time, he also married his mother’s youngest sister and shortly thereafter, his mother died as well. By 1793, Gerard was able to return to Paris and art, and he took up a studio in the Louvre. Gerard barely escaped being drafted into the war in 1795 with the help of his teacher David. It was David, in fact, that kept him financially stable and found him work illustrating for various clients during hard times.

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Ossian on the Bank of the Lora, Invoking the Gods to the Strains of a Harp
  Painting in the Realist style of the old masters, Gerard became known for his portraits and was working steadily by 1796.

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Jean Baptiste Isabey and His Daughter

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Mary Nisbet, 1804
  In 1798, he painted one of his most famous paintings “Cupid and Psyche” which brought him great success and notoriety, and he became noticed by Napoleon.

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Cupid and Psyche

Gérard was inducted into the Legion of Honor and given the title Baron, and today his work is housed all over the world. He was a painter in the royal court, knight and student of the great masters, Baron Francois Gerard was one of the finest official painters to ever live.

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Josephine

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Louis Philippe

For the rest of his career, he would be commissioned by the government to create portraits for foreign dignitaries and to create paintings of historical events.

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The Battle of Austerlitz

Gerard was noted for being able to portray his subjects with great dignity and nobility, which is why he was so highly coveted by the government.

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Napoleon

While painting in the court, he had a number of collaborators working for him, creating a great many paintings. Today his paintings are housed all over France from the Louvre to Versailles.

Still wondering about an early 19th century or late 18th century portrait in your family collection? Contact us…it could be by Francois-Pascal-Simon Baron Gérard.


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1504--il-garofalo.php Il Garofalo Artwork Authentication & Art Appraisal

Il Garofalo (1481-1559)

We Perform Il Garofalo art authentication. Il Garofalo appraisal. Il Garofalo certificates of authenticity (COA). Il Garofalo analysis, research, scientific tests, full art authentications. We will help you sell your Il Garofalo or we will sell it for you.

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The Sleeping Baby Jesus

Benvenuto Tisi, or Il Garofalo, was a Late Renaissance-Mannerist Italian painter of the School of Ferrara. Garofalo’s career began in the court of the Duke d’Este. His early works have been described as “idyllic”, but they often conform to the elaborate conceits favored by the artistically refined Ferrarese court.

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The Agony in the Garden

Born in Ferrara, Garofalo is claimed to have apprenticed under Panetti, and perhaps Costa, and was a contemporary of Dosso Dossi and sometimes collaborator. In 1495, he worked at Cremona under Boccaccino, who initiated him into Venetian colouring. He may have spent three years (1509-1512) in Rome. This led to a classical style, more influenced by Giulio Romano.

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A Pagan Sacrifice

Even his least successful works retain, amid their frigid and porcelain quality, a harmony which marks Venetian colouring. His youthful works include the Boar Hunt in the Palazzo Sciarra. Later, the Knight’s Procession in the Palazzo Colonna in Rome — gave promise of an Italianate Cuyp, less commonplace and more romantic and refined than the Dutch artist.

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St. Sebastian

His youthful works, such as The Boar Hunt in the Palazzo Sciarra and The Virgin in the Clouds with Four Saints (1518) in the Academy of Fine Arts in Venice are among his masterpieces. The Pietà (1527) in the Brera Gallery in Milan reveals an increasingly stylized treatment. The Madonna (1532) in the Modena Gallery is a charming picture; however, the large Triumph of Religion in the Atheneum at Ferrara has been described as a “bookish” affair, whose episodes are difficult to elucidate. Garofalo is one of the painters known and described by Vasari. From 1550 until his death, Garofalo was blind. In 1520, Girolamo da Carpi is said to have apprenticed in Garofalo’s workshop and worked with him on the Ferrarese projects from 1530-1540.

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The Holy Family with St. Catherine

Anthology of works:

  • Madonna and Child (1510) – Galleria dell’Arte Studiolo, Milan
  • Holy Family – Musee de Angers
  • Adoration of the Child (1508-1509) – Pinacoteca Nazionale, Ferrara
  • Neptune and Pallas (1512) – Art Gallery, Dresden
  • Madona delle Nuvole (1514) – Pinacoteca Nazionale, Ferrara
  • Madonna del Baldacchino (1517) – National Gallery, London
  • Massacre of the Innocents (1519) – Pinacoteca Nazionale, Ferrara
  • Madonna del Pilastro (1523) – Pinacoteca Nazionale, Ferrara
  • Madonna Enthroned with Saints (1524) – Duomo, Ferrara
  • Madonna in Glory (1532) – Musei Capitolini, Rome
  • St. Sebastian – Museo di Capodimonte, Naples
  • Madonna Enthroned with Saints
  • Annunciation (1528) – Musei Capitolini, Rome
  • Madonna Enthroned with Saints (1532) – Modena
  • Raising of Lazarus (1534) – Pinacoteca Nazionale, Ferrara
  • Washing the Feet of Christ – National Gallery, Washington DC
  • Blessing of Saint John the Baptist (1542) – San Salvatore, Bologna
  • Annunciation (1550) Pinacoteca di Brera, Milan
  • The Virgin and Child with Saints Dominic and Catherine of Siena (c. 1500-1505) – National Gallery, London
  • The Madonna and Child Enthroned with Saints William of Aquitaine, Clare, Anthony of Padua and Francis (1517-1518) – National Gallery, London
  • A Pagan Sacrifice (1526) – National Gallery, London
  • The Holy Family with Saints John the Baptist, Elizabeth, Zacharias and (?) Francis (1520) – National Gallery, London
  • Saint Catherine of Alexandria (c. 1515-1530) – National Gallery, London
  • The Agony in the Garden (1520s-1530s) – National Gallery, London
  • The Vision of Saint Augustine (c. 1518) – National Gallery, London
  • An Allegory of Love (c. 1527-1539) – National Gallery, London
  • Christ and the Samaritan Woman (1536)
  • Madonna with Saint John and Saint Elisabeth – Courtauld Institute, London
  • Jesus in the Orchard
  • The Triumph of Bacchus (1517 unfinished draft by Raffael, 1540 finished by Garofalo) – Gemäldegalerie Alter Meister, Dresden, Germany
  • Holy Family
  • Mars, Venus and Cupido – Wawel Royal Castle, Krakow

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Madonna and Child, 1510

Still wondering about an Italian painting in your family collection? Contact us…it could be by Il Garofalo.


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1505--rosselli.php Matteo Rosselli Artwork Authentication & Art Appraisal

Matteo Rosselli (1578 – 1650)

Get a Rosselli Certificate of Authenticity for your painting (COA) for your Rosselli drawing.

For all your Rosselli artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rosselli Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rosselli painting or drawing.

If you want to sell your Rosselli painting or drawing use our selling services. We offer Rosselli selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rosselli and issuing certificates of authenticity since 2002. We are recognized Rosselli experts and Rosselli certified appraisers. We issue COAs and appraisals for all Rosselli artworks.

Our Rosselli paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rosselli certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rosselli painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rosselli paintings or drawings take longer.

Our clients include Rosselli collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Matteo Rosselli art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Matteo Rosselli or we will sell it for you.

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The Triumph of David

Matteo Rosselli was a Italian painter of the late Florentine Counter-Maniera and early Baroque. He is best known however for his highly-populated grand-manner historical paintings. He first apprenticed with Gregorio Pagani. On 26 February, 1599, he was inducted to the Accademia del Disegno, and in 1605 traveled to Rome to work with Domenico Passignano for six months.

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Portrait Sudies

He completed some frescoes on lives of Servite monks (1614-18) in the Palazzo Pitti and in the Cloister of the Basilica della Santissima Annunziata; a Madonna and child with Saint Francis altarpiece for the Church of Santa Maria Maggiore in Florence; and an Adoration of the Magi (1607) for the Church of Sant’Andrea in Montevarchi. He painted a Crucifixion (1613) now in the parish church at Scarperia. He painted a Last Supper (1614) now in Conservatorio di San Pier Martire. Upon the French monarch’s death, he was commissioned two commemorative paintings of events in the life of Henry IV: his visit to Nantes and Gaudabec (1610). He also completed an Assumption (1613) for the church of San Domenico in Pistoia. He painted a number of frescoes for the Casa Buonarroti based on events of Michelangelo’s life, including Fortifications of San Miniato (1615) and two others (1627 and 1628), all commissioned by his nephew, Michelangelo Buonarroti the younger.

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L’arme e Gli Amori

In 1621, he was commissioned to paint a Triumph of David (Pitti) and a Lot and his Daughters and Tobias and Angel (Galleria Corsini). Further decorations (1622-1623) were commissioned by Leopoldo de’ Medici for the Casino di San Marco: Frederick II rebuilds the Port of Livorno and the Capture of Ippona (Florence, Corte d’Assise). Leopoldo also commissioned from Rosselli the allegorical paintings (1622) in the Sala della Stufa in Palazzo Pitti.

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Standing Man Wearing a Cloak and Hat 1640’s

He frescoed in reception rooms of the Villa di Poggio Imperiale with scenes portraying European emperors amid biblical and historical scenes (1619-1623). He painted a Madonna of the Rosary (1649) for the Cathedral of Pietrasanta and a canvas of the Mission of Saint Paul in Damascus (frame by Nero di Porta Venere, for the Duomo di Volterra.

Among his many pupils were Baldassare Franceschini (il Volterrrano), Lorenzo Lippi, Francesco Furini, Giovanni da San Giovanni (Giovanni Mannozzi), and Jacopo Vignali.

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Angelica Curo Medoro Ferito

Still wondering about an Italian painting in your family collection? Contact us…it could be by Matteo Rosselli.


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1506--hickel-joseph.php Joseph Hickel Artwork Authentication & Art Appraisal

Joseph Hickel (1736-1807)

Get a Hickel Certificate of Authenticity for your painting (COA) for your Hickel drawing.

For all your Hickel artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hickel Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hickel painting or drawing.

If you want to sell your Hickel painting or drawing use our selling services. We offer Hickel selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hickel and issuing certificates of authenticity since 2002. We are recognized Hickel experts and Hickel certified appraisers. We issue COAs and appraisals for all Hickel artworks.

Our Hickel paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hickel certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hickel painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hickel paintings or drawings take longer.

Our clients include Hickel collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Joseph Hickel art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Joseph Hickel or we will sell it for you.

Joseph Hickel painting, Portrait of Ferdinand Archduke of Austria

Portrait of Ferdinand Archduke of Austria and Governor of Milan

Joseph Hickel painted the portraits of the Austrian royal family and about 3000 others, including many actors. He traveled to Italy to paint the portraits of Florentine and other Italian nobility under the commission of Empress Maria-Theresa. Though many of his paintings have been lost, engravings after them still exist.

Joseph Hickel painting, Portrait of a Man

Portrait of a Man

Joseph Hickel painting, Portrait of a Man

Portrait of a Man

Joseph Hickel painting, Portrait of a Man

Portrait of a Man

Still wondering about an 18th century portrait in your family collection? Contact us…it could be by Joseph Hickel.


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1507--hill.php Thomas Hill Artwork Authentication & Art Appraisal

Thomas Hill (1829-1908)

Get a Hill Certificate of Authenticity for your painting (COA) for your Hill drawing.

For all your Hill artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hill Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hill painting or drawing.

If you want to sell your Hill painting or drawing use our selling services. We offer Hill selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hill and issuing certificates of authenticity since 2002. We are recognized Hill experts and Hill certified appraisers. We issue COAs and appraisals for all Hill artworks.

Our Hill paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hill certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hill painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hill paintings or drawings take longer.

Our clients include Hill collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Thomas Hill art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Thomas Hill or we will sell it for you.

Hill, The Last Spike

The Last Spike

Hill, The Great Canyon of the Sierra, Yosemite

The Great Canyon of the Sierra, Yosemite

Thomas Hill was an American artist known for his landscape paintings of California and New Hampshire. Hill was born in England but immigrated to the United States when he was fifteen. Hill spent much of his childhood in Massachusetts before moving to Pennsylvania to study at the Academy of Fine Arts under Peter Frederick Rothermel. As a student Hill painted with many members of the Hudson River School and made many painting trips to the White Mountains of New Hampshire.

Hill, Muir Glacier

Muir Glacier

In 1856 Hill moved to San Francisco and began his exploration of Yosemite and Mount Shasta. Hill supported himself by working at a gallery and selling art materials. For a short time he worked at the San Francisco School of Design. Hill travelled outside of California frequently, including a painting venture to Alaska commissioned by the well-known environmentalist John Muir. Hill continued to make return trips to the east to paint the White Mountains of New Hampshire.

Hill, Donner Lake

Donner Lake

For several years Hill kept a studio the Wawona Hotel in Yosemite where he had close proximity many of his favorite painting spots in the Yosemite Valley. Hill preferred to paint monumental subjects including the Sierra, Yosemite Valley and Vernal Falls. Hill’s most reproduced work is “The Last Spike”. The painting portrays seventy-one portraits of people involved with the First Transcontinental Railroad. Hill’s masterpiece belongs to the California State Railroad Museum in Sacramento, California.

Hill, Mountain Lake

Mountain Lake

Hill’s paintings belong to museums and private collections across the United States. Do you think you own a painting by Thomas Hill? Contact us. We are the Thomas Hill experts.


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1508--carmichael.php Franklin Carmichael Artwork Authentication & Art Appraisal

Franklin Carmichael (1890-1945)

Get a Carmichael Certificate of Authenticity for your painting (COA) for your Carmichael drawing.

For all your Carmichael artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Carmichael Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Carmichael painting or drawing.

If you want to sell your Carmichael painting or drawing use our selling services. We offer Carmichael selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Carmichael and issuing certificates of authenticity since 2002. We are recognized Carmichael experts and Carmichael certified appraisers. We issue COAs and appraisals for all Carmichael artworks.

Our Carmichael paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Carmichael certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Carmichael painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Carmichael paintings or drawings take longer.

Our clients include Carmichael collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Franklin Carmichael art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Franklin Carmichael or we will sell it for you.

Franklin Carmichael was a Canadian painter, best known for co-founding the “Group of Seven.” Carmichael was born to Scottish parents in Orillia, Ontario, Canada, where he lived until starting his studies in Toronto at the age of twenty. Carmichael realized his passion for art at an early age and enrolled at the Ontario College of Art. Carmichael was fortunate enough to study with well-known painters such as William Cruickshank and George Reid. In addition to art courses, Carmichael took some technical courses, where he met Gustav Hahn.

Carmichael, Mirror Lake

Mirror Lake

Carmichael, Light and Shadow

Light and Shadow

Before Carmichael’s career took off as a painter, he was employed as a commercial artist at an advertising agency, Grip Ltd. Luckily, Carmichael’s co-workers shared his enthusiasm for painting, and they often met up on weekends to go on painting trips. His group of friends preferred leaving the city to paint and sketch rural landscapes.

Carmichael, Autumn in Orillia

Autumn in Orillia

By 1913 Carmichael was able to leave the advertising business and continue his painting studies. For a short time, before the outbreak of the war, Carmichael studied in Belgium, lending a European influence to his work. As conditions in Europe intensified, Carmichael returned to Ontario to resume his northern landscape paintings.

Carmichael, Autumn in the Northland

Autumn in the Northland

Between 1915 and the mid 1920s, Carmichael took some time off from painting to build a family. When Carmichael resumed his full-time painting practice, he began focusing on watercolors. Carmichael’s interest and mastery of the medium, led him to found the Ontario Society for Painters in Watercolor. The group was co-founded by painters AJ Casson and FH Brigden.

Carmichael, Bay of Islands

Bay of Islands

Carmichael is possibly best remembered for his involvement in the Group of Seven, of which he was the youngest member. Despite his age, Carmichael was a group leader and served as the Group of Seven’s president for three years, from 1932 to 1934.

Carmichael, Scrub Oaks and Maple

Scrub Oaks and Maple

The Group of Seven members included Lawren Harris, AY Jackson, Frank Johnston, Arthur Lismer, JEH MacDonald, Frederick Varley and Franklin Carmichael. Tom Thomson and Emily Carr were never official members, but are closely affiliated to the Group of Seven.

Carmichael, Froud Lake in the Cloche Hills

Froud Lake in the Cloche Hills

Carmichael, Blisset Farm, 1933

Blisset Farm, 1933

Carmichael, La Cloche #2

La Cloche #2

Carmichael, Autumn Hillside

Autumn Hillside

Tom Thomson was a great friend and influence in Carmichael’s life and career. In 1914, the two painters worked together in a space known as the Studio building. Thomson, who was quite a bit older, died in 1917, before the founding of the Group of Seven in the 1920s.

A few years later, during the 1930s, the Group of Seven grew into the Canadian Group of Painters, to include a greater number of painters from the region.

Carmichael frequently exhibited as a member of multiple groups and societies in Canada. His large oil paintings of northern landscapes became his most iconic images. From 1932 to 1945 Carmichael taught painting at his alma mater, the Ontario College of Art.

Carmichael’s paintings are now in collections and museums throughout Canada. Do you think you own a landscape painting by Franklin Carmichael? Contact us. We are the experts on Franklin Carmichael.


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1509--the-eight.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "the-eight" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "the-eight" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1510--ashcanschool.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "ashcanschool" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "ashcanschool" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1511--boudin.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "boudin" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "boudin" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1512--bando.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bando" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bando" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1513--savoldo.php Girolamo Savoldo Artwork Authentication & Art Appraisal

Girolamo Savoldo (1480-1548)

Get a Savoldo Certificate of Authenticity for your painting (COA) for your Savoldo drawing.

For all your Savoldo artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Savoldo Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Savoldo painting or drawing.

If you want to sell your Savoldo painting or drawing use our selling services. We offer Savoldo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Savoldo and issuing certificates of authenticity since 2002. We are recognized Savoldo experts and Savoldo certified appraisers. We issue COAs and appraisals for all Savoldo artworks.

Our Savoldo paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Savoldo certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Savoldo painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Savoldo paintings or drawings take longer.

Our clients include Savoldo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Girolamo Savoldo art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Girolamo Savoldo or we will sell it for you.

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Old Man Stringing a Lute

Girolamo Savoldo also called Girolamo da Brescia was an Italian High Renaissance painter. Savoldo was born in Brescia, but little is known about his early years. By 1506 he was in Parma, and by 1508, he had joined the Florentine painter’s guild. In this period he finished the Rest at the Flight from Egypt (Augsburg), the Elijah Harassed by a Crow (National Gallery of Art, Washington), and a Deposition.

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The Transfiguration

In 1515 he painted the Portrait of a Clad Warrior, wrongly identified with Gaston de Foix. Also from the same period his Temptation of St. Anthony, which appears to show the influence of the Flemish Hieronymus Bosch. The works was appreciated by the commissioners from Venice, where Savoldo relocated before 1520.

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The Temptation of St. Anthony

On June 15, 1524 he signed a contract for an altarpiece for the church of San Domenico in Pesaro (now in the Brera, Milan). In 1527, he completed a St. Hieronymus for the Brescian family Averoldi, probably the one at National Gallery of London. From the 1530s dates a Nativity at the National Gallery in Washington DC, which seems influenced by the lambent contemporary Corregio painting on the same topic. In 1533 Savoldo painted a Madonna with Four Saints in the church of Santa Maria in Organo ( in Verona), while in 1537-1538 he executed the altarpiece for the main altar of Santa Croce, Brescia (destroyed during World War II). From 1540 are the two Nativity paintings for the church of San Giobbe of Venice and the church of San Barnaba of Brescia, as well as the famous Magdalen painting.

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Portrait of a Woman 1525

Savoldo may have spent some years of his life in Milan. He had a Dutch wife. The exact date of Savoldo’s death is not known: in 1548 he was cited as still living in Venice, though vecchione (“Very old”).

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The Death of St. Peter the Martyr

Savoldo’s paintings show eclectic influences, using Venetian coloration with Lombard modeling to obtain a quiet lyricism. They have an idiosyncratic silvery lining to the figures that gives them a neon-light like glow. He appears to be influenced by Titian and Lorenzo Lotto and, for what concerns his preoccupation with clearly defined shapes in light, by Cima da Conegliano and/or Flemish painters.

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Adoration of the Shepherds 1540

His Magdalen (1540) is a masterpiece of lighting effects, cloacked in an enigmatic white gown, almost completely veiled all but the visage, but a faint sliver of red cloth sleeve emerging in a paradoxically alluring fashion. A Matthew and the Angel prefigures Caravaggio’s famous painting in the Contarelli Chapel in Rome, with a luminescent gown standing in contrast to the dark background.

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Magdalene at the Tomb

Anthology of Works:

  • Elijah in the Desert
  • St Anthony and St Paul as Hermits
  • Madonna with St Francis and St Jerome
  • Adoration of the Child with Donors
  • Flautist
  • Lady as St Margaret
  • Gaston de Foix (Louvre)
  • Magdalen (National Gallery, London)

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Shepherd with a Flute

Still wondering about an Italian painting in your family collection? Contact us…it could be by Girolamo Savoldo.


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1514--conder.php Charles Conder Artwork Authentication & Art Appraisal

Charles Conder (1868-1909)

Get a Conder Certificate of Authenticity for your painting (COA) for your Conder drawing.

For all your Conder artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Conder Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Conder painting or drawing.

If you want to sell your Conder painting or drawing use our selling services. We offer Conder selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Conder and issuing certificates of authenticity since 2002. We are recognized Conder experts and Conder certified appraisers. We issue COAs and appraisals for all Conder artworks.

Our Conder paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Conder certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Conder painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Conder paintings or drawings take longer.

Our clients include Conder collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles Conder art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles Conder or we will sell it for you.

A book recently published on the artist Charles Conder is entitled ‘The Last Bohemian’ and this is an apt and fitting title for this artist because he was indeed a bohemian whose life story spans several continents.

He was born to British parents who moved to India with him when he was two years old, where his father took a job as a railway engineer. It was the age of the British Empire and he was raised there, as was tradition by an Indian ‘ayah.’ At the age of five his mother sadly died and he was sent back to England by his father to be raised by a friend of his Mothers. Although he left India at a young age to some extent his memories of the country never left him, as they were to influence some of his art later on. At the age of sixteen he expressed to his father, who was still living in India his wish to study art. His father dismissed this idea and promptly made arrangements to send him to New South Wales in Australia to take up an apprenticeship with his uncle as a Surveyor.

He started work with his uncle but constantly carried a notebook with him which he filled with drawings and sketches. Although his father forbade him to be an artist he quickly went against his wishes and in 1886 applied for a job at a firm of Lithographic painters in Sydney, and thereafter he worked as an illustrator at the Illustrated Sydney News. He then moved to Melbourne where he became part as what is known as the Heidelberg school of painters. The Heidelberg school of painters was a group of painters who formed one of the first significant art movements in Australia. He became friends and painted with artists such as Arthur Streeton and Tom Roberts. The paintings that Conder produced in Melbourne were of Romantic Expressionism and landscapes.

However, Conder was not happy to rest in Australia, he had a wandering spirit. When Conder was twenty two his uncle offered to pay for him to go to Paris and study art. He jumped at the opportunity.

After arriving in France he took a studio in the artist’s quarter of Monmartre. The decadent lifestyle at the time in Paris suited him well. He was a charmer and liked to drink and chase women. He quickly made friends with characters such as Henri Toulouse-Lautrec. He loved to frequent the dance halls of the time such as the Moulin Rouge and the colors and life there had a strong influence on much of his work.

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Femme dans une Loge au Theater, 1895-1901

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Shore at Dornoch, 1896

Success did not come quickly and he had many money and health problems, having contracted syphilis at the age of nineteen whilst in Australia. By 1891 his health was in a state of collapse and an artist friend of his invited him to spend the winter with him in Algeria, thinking that the sunshine would do him good.

On his return from Algeria he quickly fell in love with the French countryside villages running along the Seine, such as Dennemont and Vethueil. In some ways he was following in the footsteps of Monet, whose paintings he greatly admired. He also spent time at Giverny when Monet was there. Conder particularly loved the blossom trees of this region in the spring time and painted them many times. He spent many happy moments in these villages and friends such as Oscar Wilde came to visit him there.

Although Conder is well known for his landscapes, seaside views of Normandy and trees in blossom he is less well known for another art form of which he produced many magnificent examples. These are his water colors on silk.

Throughout his life he produced stunning pieces of art using this on every available medium. This included silk panels, evening dresses, a ball gowns and fans. His watercolors on fans were particularly stunning. However, he was so often in need of money on many occasions he sold these fans for much less than they were worth. These fans are now collector’s items.

Oscar Wilde said on one occasion talking about his fans,

“Dear Conder, always trying to persuade one to buy a fan for ten guineas for which we would happy to pay 20.”

 

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Springtime

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Swanage Bay

 

Two years ago a couple bought a house in one of the French villages where Conder had stayed. Much to their delight they found a number of paintings by him together with letters between him and Oscar Wilde.

So if you happen to buy or inherit an old house which has still got belongings in it, be careful what you throw out, a dusty old fan with watercolors on it, which you think was only used to wave away the summer heat may in fact be a valuable piece of art!

If you believe you own a work of art by Charles Conder, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Charles Conder.


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1515--jama.php Matija Jama Artwork Authentication & Art Appraisal

Matija Jama

Get a Jama Certificate of Authenticity for your painting (COA) for your Jama drawing.

For all your Jama artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Jama Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Jama painting or drawing.

If you want to sell your Jama painting or drawing use our selling services. We offer Jama selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Jama and issuing certificates of authenticity since 2002. We are recognized Jama experts and Jama certified appraisers. We issue COAs and appraisals for all Jama artworks.

Our Jama paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Jama certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Jama painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Jama paintings or drawings take longer.

Our clients include Jama collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Do you think you may own a painting by Matija Jama?

We perform Matija Jama art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Matija Jama or we will sell it for you.

1. By the River in Spring. Not dated. Oil on Canvas.

1. By the River in Spring. Not dated. Oil on Canvas.

2. Bridge on the Dobra. 1907. Oil on Canvas. National Gallery of Slovenia.

2. Bridge on the Dobra. 1907. Oil on Canvas. National Gallery of Slovenia.

Matija Jama was a Slovenian painter born in Ljubljana. Jama lived in Zagreb with his family during his primary school years. After showing an interest in painting and drawing, Jama moved to Munich to continue his artistic training. After a few years, Jama returned to Ljubljana to work as an illustrator for the publication, Dom in svet.

3. Circle Dance. 1935. Oil on Canvas.

3. Circle Dance. 1935. Oil on Canvas.

In 1902, Jama married A Dutch painter, Luiza van Raders. The couple travelled around Europe together before returning to Slovenia. Jama continued producing illustrations and posters, through collaborations with modernist writers.

4. View of Ljubljana Moor. 1925. Oil on Canvas.

4. View of Ljubljana Moor. 1925. Oil on Canvas.

It was not until Jama’s later career that he fully devoted himself to oil on canvas painting. Jama became a leading Slovenian Impressionist, influenced by his French predecessors. Jama worked as a painter until the end of his life, creating numerous landscapes, portraits and genre scenes. Many of Jama’s paintings are now in the National Gallery of Slovenia in Ljubljana.

5. Rozi Bleiweis with Her Children. 1901. Oil on Canvas.

5. Rozi Bleiweis with Her Children. 1901. Oil on Canvas.

If you think you may own original artwork by Matija Jama, contact Art Certification Experts for information regarding our services.


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1516--mantegna.php Andrea Mantegna Artwork Authentication & Art Appraisal

Andrea Mantegna (1431 – 1506)

Get a Mantegna Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Mantegna artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Mantegna Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mantegna painting, drawing or print.

If you want to sell your Mantegna painting, drawing or print use our selling services. We offer Mantegna selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mantegna and issuing certificates of authenticity since 2002. We are recognized Mantegna experts and Mantegna certified appraisers. We issue COAs and appraisals for all Mantegna artworks.

Our Mantegna paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mantegna certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mantegna painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mantegna paintings or drawings take longer.

Our clients include Mantegna collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Andrea Mantegna art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Andrea Mantegna or we will sell it for you.

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Portrait of Carlo de’ Medici 1467

Andrea Mantegna was an Italian Renaissance artist. Mantegna was a serious student of Roman archaeology and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective as he thought best, e.g., by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He led a workshop that was the leading producer of prints in Italy before 1500.

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The Agony in the Garden 1455

Mantegna was born in Isola di Carturo, close to Padua in the Republic of Venice, second son of a carpenter, Biagio. At the age of eleven he became the apprentice of Francesco Squarcione, Paduan painter. Squarcione, whose original vocation was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was something of a fanatic for ancient Rome: he travelled in Italy, and perhaps Greece, collecting antique statues, reliefs, vases, etc., forming a collection of such works, making drawings from them himself, and throwing open his stores for others to study from, and then undertaking works on commission for which his pupils no less than himself were made available. As many as 137 painters and pictorial students passed through his school, established towards 1440 and which became famous all over Italy. Mantegna was Squarcione’s favorite pupil. Squarcione taught Mantegna the Latin language and instructed him to study fragments of Roman sculpture. He also preferred forced perspective.

Mantegna at the age of 17 separated himself from Squarcione. He later claimed that Squarcione had profited from his work without paying the rights. Padua was attractive for artists coming not only from Veneto but also from Toscana: such as Paolo Uccello, Filippo Lippi and Donatello. Mantegna’s early career was shaped indeed by impressions of Florentine works.

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Fresco Detail

His first work, now lost, was an altarpiece for the church of Santa Sofia in 1448. The same year Mantegna was called, together with Nicolò Pizolo, to work with a large group of painters entrusted with the decoration of the Ovetari Chapel in the abside of the church of Eremitani. After a series of coincidences, Mantegna finished most of the work alone. This work was almost lost in the 1944 Allied bombings of Padua. The most dramatic work of the fresco cycle was the work set in the worm’s-eye view perspective, St. James Led to His Execution. The sketch of this fresco survived and is the earliest known preliminary sketch which still exists to compare to the corresponding fresco. Despite the authentic look of the monument, it is not a copy of any known Roman structure. Mantegna also adopted the wet drapery patterns of the Romans, who derived the form from the Greek invention, for the clothing of his figures, although the tense figures and interactions are derived from Donatello. The drawing shows proof that nude figures were used in the conception of works during the Early Renaissance. In the preliminary sketch, the perspective is less developed and closer to a more average viewpoint however. This worm’s eye perspective, creating an effectively large and prominent setting, is also seen in his work The Holy Trinity with the Virgin, St. John, and Two Donors. Ansuino, who collaborated with Mantegna in the Ovetari Chapel, brought his style in the Forlì school of painting.

As the youth progressed in his studies, he came under the influence of Jacopo Bellini, father of the celebrated painters Giovanni and Gentile, and of a daughter Nicolosia; and in 1453 Jacopo gave Nicolosia to Mantegna in marriage.

Among the other early Mantegna frescoes are the two saints over the entrance porch of the church of Sant’Antonio in Padua, 1452, and an altar-piece of St Luke and other saints for the church of S. Giustina, now in the Brera Gallery in Milan (1453). It is probable, however, that before this time some of the pupils of Squarcione, including Mantegna, had already begun that series of frescoes in the chapel of S. Cristoforo, in the church of Sant’Agostino degli Eremitani, now considered his masterpiece. The now censorious Squarcione carped about the earlier works of this series, illustrating the life of St James; he said the figures were like men of stone, and had better have been colored stone-color at once.

Andrea seems to have been influenced by his old preceptor’s strictures; and the later subjects, from the legend of St Christopher, combine with his other excellences more of natural character and vivacity. Trained as he had been to the study of marbles and the severity of the antique, and openly avowing that he considered the antique superior to nature as being more eclectic in form, he now and always affected precision of outline, dignity of idea and of figure, and he thus tended towards rigidity, and to an austere wholeness rather than gracious sensitiveness of expression. His draperies are tight and closely folded, being studied (it is said) from models draped in paper and woven fabrics gummed. Figures slim, muscular and bony, action impetuous but of arrested energy, tawny landscape, gritty with littering pebbles, mark the athletic hauteur of his style. He never changed the manner which he had adopted in Padua; his coloring, at first neutral and undecided, strengthened and matured. There is throughout his works more balancing of color than fineness of tone. One of his great aims was optical illusion, carried out by a mastery of perspective which, though not always impeccably correct, nor absolutely superior in principle to the highest contemporary point of attainment, was worked out by himself with strenuous labor, and an effect of actuality astonishing in those times.

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Fresco Detail 2

Successful and admired though he was there, Mantegna left his native Padua at an early age, and never resettled there again; the hostility of Squarcione has been assigned as the cause. He spent the rest of his life in Verona, Mantua and Rome; it has not been confirmed that he also stayed in Venice and Florence. In Verona around 1459, he painted, a grand altarpiece for the church of San Zeno Maggiore, a Madonna and angels, with four saints on each side.

The Marquis Ludovico II Gonzaga of Mantua had for some time been pressing Mantegna to enter his service; and the following year, 1460 Mantegna was appointed court artist. He resided at first from time to time at Goito, but, from December 1466 onwards, he moved with his family to Mantua. His engagement was for a salary of 75 lire a month, a sum so large for that period as to mark conspicuously the high regard in which his art was held. He was in fact the first painter of any eminence ever domiciled in Mantua.

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Allegorical Dance of Women 1497

His Mantuan masterpiece were painted in the apartment of the Castle of the city, today known as Camera degli Sposi (literally, “Wedding Chamber”): a series of full compositions in fresco including various portraits of the Gonzaga family and some figures of genii.

The Chamber’s decoration was finished presumably in 1474. The ten years that followed were not happy ones for Mantegna and Mantua: his character grew irritable, his son Bernardino died, as well as the marquis Ludovico, his wife Barbara and his successor Federico (who had declared Mantegna cavaliere, “knight” ). Only with the election of Francesco II of Gonzaga did the artistic commissions in Mantua begin again. He built a stately house in the area of the church of San Sebastiano, and adorned it with a multitude of paintings. The house can be still seen today, although the pictures have perished. In this period he began to collect some ancient Roma busts (which were donated to Lorenzo de Medici when the Florentine leader visited Mantua in 1483), painted some architectonical and decorational fragments, and finished the intense St. Sebastian now in the Louvre.

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Madonna of the Cherubim 1485

In 1488 Mantegna was called by Pope Innocent VIII to paint frescos in a chapel Belvedere in the Vatican. This series of frescos, including a noted Baptism of Christ, was destroyed by Pius VI in 1780. The pope treated Mantegna with less liberality than he had been used to at the Mantuan court; but all things considered their connection, which ceased in 1500, was not unsatisfactory to either party. Mantegna also met the famous Turkish hostage Jem and studied with attention the ancient monuments, but his impression of the city was a disappointing one as a whole. Returned to Mantua in 1490, he embraced again his more literary and bitter vision of antiquity, and entered in strong connection with the new marquise, the cultured and intelligent Isabella d’Este.

In what was now his city he went on with the nine tempera pictures of the Triumphs of Caesar, which he had probably begun before his leaving for Rome, and which he finished around 1492. These superbly invented and designed compositions are gorgeous with the splendour of their subject-matter, and with the classical learning and enthusiasm of one of the master-spirits of the age. Considered Mantegna’s finest work, they were sold in 1628 along with the bulk of the Mantuan art treasures to King Charles I of England. They are now in Hampton Court Palace, somewhat faded, but many repaintings have been removed in a recent restoration. His workshop produced a series of engravings after them, which largely account for their rapid fame throughout Europe.

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Bacchanal with a Vine Engraving

In spite of declining health, Mantegna continued to be active. Other works of this period include the Madonna of the Caves, the St. Sebastian and the famous Lamentation over the Dead Christ, probably painted for his personal funerary chapel. Another work of Mantegna’s later years was the so-called Madonna della Vittoria, now in the Louvre. It was painted in tempera about 1495, in commemoration of the Battle of Fornovo, whose disputable outcome Francesco Gonzaga was eager to show as an Italian League victory; the church which originally housed the picture was built from Mantegnas own design. The Madonna is here depicted with various saints, the archangel Michael and St. Maurice holding her mantle, which is extended over the kneeling Francesco Gonzaga, amid a profusion of rich festooning and other accessory. Though not in all respects of his highest order of execution, this counts among the most obviously beautiful and attractive of Mantegnas works from which the qualities of beauty and attraction are often excluded, in the stringent pursuit of those other excellences more germane to his severe genius, tense energy passing into haggard passion.

After 1497 Mantegna was commissioned by Isabella d’Este to translate the mythological themes written by the court poet Paride Ceresara into paintings for her private apartment (studiolo) in the Palazzo Ducale. These paintings were dispersed in the following years: one of them, the legend of the God Comus, was left unfinished by Mantegna and completed by his successor as court painter in Mantua, Lorenzo Costa.

After the death of his wife, Mantegna became at an advanced age the father of a natural son, Giovanni Andrea; and at the last, although he continued launching out into various expenses and schemes, he had serious tribulations, such as the banishment from Mantua of his son Francesco, who had incurred the marquis’ displeasure. Perhaps the aged master and connoisseur regarded as barely less trying the hard necessity of parting with a beloved antique bust of Faustina.

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Lamentation Over the Dead Christ

Very soon after this transaction he died in Mantua, on September 13, 1506. In 1516 a handsome monument was set up to him by his sons in the church of Sant’Andrea, where he had painted the altar-piece of the mortuary chapel. The dome is decorated by Correggio.

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The Holy Family

Mantegna was no less eminent as an engraver, though his history in that respect is somewhat obscure, partly because he never signed or dated any of his plates, but for a single disputed instance of 1472. The account which has come down to us from Vasari (as usual keen to assert that everything flows from Florence) is that Mantegna began engraving in Rome, prompted by the engravings produced by the Florentine Baccio Baldini after Sandro Botticelli. This is now considered most unlikely as it would consign all the numerous and elaborate engravings made by Mantegna to the last sixteen or seventeen years of his life, which seems a scanty space for them, and besides the earlier engravings indicate an earlier period of his artistic style. He may have begun engraving while still in Padua, under the tuition of a distinguished goldsmith, Niccolò. He and his workshop engraved about thirty plates, according to the usual reckoning; large, full of figures, and highly studied. It is now considered either that he only engraved seven himself, or none. Another artist from the workshop who made several plates is usually identified as Zoan Andrea.

Among the principal examples are: Battle of the Sea Monsters,Virgin and Child, a Bacchanal Festival, Hercules and Antaeus, Marine Gods, Judith with the Head of Holophernes, the Deposition from the Cross, the Entombment, the Resurrection, the Man of Sorrows, the Virgin in a Grotto, and several scenes from the Triumph of Julius Caesar after his paintings. Several of his engravings are supposed to be executed on some metal less hard than copper. The technique of himself and his followers is characterized by the strongly marked forms of the design, and by the oblique formal hatchings of the shadows. The prints are frequently to be found in two states, or editions. In the first state the prints have been taken off with the roller, or even by handpressing, and they are weak in tint; in the second state the printing press has been used, and the ink is stronger. Neither Mantegna or his workshop are now believed to have produced the so-called Mantegna Tarocchi cards.

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The Court of Mantua

Giorgio Vasari eulogizes Mantegna, although pointing out his litigious character. He had been fond of his fellow-pupils at Padua: and for two of them, Dario da Trevigi and Marco Zoppo, he retained a steady friendship. Mantegna became very expensive in his habits, fell at times into difficulties, and had to urge his valid claims upon the marquis’ attention.

In solid antique taste, Mantegna distanced all contemporary competition. Though substantially related to the 15th century, the influence of Mantegna on the style and tendency of his age was very marked over Italian art generally. Giovanni Bellini, in his earlier works, obviously followed the lead of his brother-in-law Andrea. Albrecht Dürer was influenced by his style during his two trips in Italy. Leonardo da Vinci took from Mantegna the use of decorations with festoons and fruit.

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The Adoration of the Shepherds

Mantegna’s main legacy in considered the introduction of spatial illusionism, both in frescoes and in sacra conversazione paintings: his tradition of ceiling decoration was followed for almost three centuries. Starting from the faint cupola of the Camera degli Sposi, Correggio brought on his master and collaborator’s research in perspective constructions, producing eventually a masterwork like the dome of Cathedral of Parma.

Major works

• St. Jerome in the Wilderness (c. 1448-1451) – Tempera on wood, 48 x 36 cm, São Paulo Art Museum, São Paulo, Brazil
• The Adoration of the Shepherds (c. 1451-1453) – Tempera on canvas transferred from wood, 40 x 55,6 cm, Metropolitan Museum of Art, New York
• Crucifixion (1457-1459) – Wood, 67 x 93 cm, Louvre, Paris
• Christ as the Suffering Redeemer (1495-1500) – Tempera on wood, 78 x 48 cm, Statens Museum for Kunst, Copenhagen
• Agony in the Garden (c. 1459) – Tempera on wood, 63 x 80 cm, National Gallery, London
• Portrait of Cardinal Lodovico Trevisano, (c. 1459-1469) – Tempera on wood, 44 x 33 cm, Staatliche Museen, Berlin
• San Luca Altarpiece (1453) – Panel, 177 x 230 cm, Pinacoteca di Brera, Milan
• Death of the Virgin (c. 1461) – Panel, 54 x 42 cm, Museo del Prado, Madrid
• Portrait of a Man (c. 1460) – Wood, National Gallery of Art, Washington
• Presentation at the Temple (c. 1460-1466) – Tempera on wood, 67 x 86 cm, Staatliche Museen, Berlin
• Madonna with Sleeping Child (c.1465-1470) – Oil on canvas, 43×32 cm, Staatliche Museen, Berlin
• St. George (c. 1460) – Tempera on panel, 66 x 32 cm, Gallerie dell’Accademia, Venice
• Altarpiece of San Zeno (1457-1460) – Panel, 480 x 450 cm, San Zeno, Verona
• St. Sebastian (c. 1457-1459)- Wood, 68 x 30 cm, Kunsthistorisches Museum, Vienna
• St. Sebastian – Panel, 255 x 140 cm, Louvre, Paris
• Portrait of Carlo de Medici (c. 1467) – Tempera on panel, 40.6 x 29.5 cm, Uffizi, Florence
• The Madonna of the Cherubim (c. 1485) – Panel, 88 x 70 cm, Pinacoteca di Brera, Milan
• Triumph of Caesar (c. 1486) – Hampton Court Palace, England
• The Lamentation over the Dead Christ (c. 1490) – Tempera on canvas, 68 x 81 cm, Pinacoteca di Brera, Milan
• Madonna of the Caves (1489-1490)) – Uffizi, Florence
• St. Sebastian (1490) – Ca’ d’Oro, Venice
• Madonna della Vittoria (1495) – Oil on canvas, 285 x 168 cm, Louvre, Paris
• Holy Family (c. 1495-1500) – Tempera on canvas, 75.5 x 61.5 cm, The Dresden Gallery, Dresden
• Judith and Holofernes (1495) – Egg-tempera on wood, National Gallery of Art, Washington
• Minerva Chases the Vices from the Garden of Virtue (c. 1502)- Oil on canvas, 160×192 cm, Louvre, Paris
• Parnassus (Mars and Venus) (1497) – Canvas, 160 x 192 cm, Louvre, Paris

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Samson and Delilah

Still wondering about an Italian painting in your family collection? Contact us…it could be by Andrea Mantegna.


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1517--fitzgerald_john.php John Fitzgerald Artwork Authentication & Art Appraisal

John Anster Fitzgerald (1819 – 1906)

We Perform John Fitzgerald art authentication. John Fitzgerald appraisal. John Fitzgerald certificates of authenticity (COA). John Fitzgerald analysis, research, scientific tests, full art authentications. We will help you sell your John Fitzgerald or we will sell it for you.

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The Captive Robin 1864

John Anster Fitzgerald was a Victorian era fairy painter and portrait artist. Many of his fairy paintings were dark and contained images of ghouls, demons, and references to drug use. His work was first shown at the Royal Academy of Arts, London, in 1845 and has also been shown at the British Institution, the Society of British Artists, and the Watercolour Society.

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The Fairy Funeral

In the late 1850’s he created a series of Christmas fairies for The Illustrated London News. He was nicknamed Fairy Fitzgerald by his friends and is also known as J. A. Fitzgerald, or John Anster Christian Fitzgerald. Still wondering about a British painting in your family collection? Contact us…it could be by John Fitzgerald.


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1518--girodet.php Anne Louis Girodet Artwork Authentication & Art Appraisal

Anne Louis Girodet de Roussy Trioson (1767-1824)

Get a Girodet Certificate of Authenticity for your painting (COA) for your Girodet drawing.

For all your Girodet artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Girodet Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Girodet painting or drawing.

If you want to sell your Girodet painting or drawing use our selling services. We offer Girodet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Girodet and issuing certificates of authenticity since 2002. We are recognized Girodet experts and Girodet certified appraisers. We issue COAs and appraisals for all Girodet artworks.

Our Girodet paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Girodet certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Girodet painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Girodet paintings or drawings take longer.

Our clients include Girodet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Anne Louis Girodet art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Anne Louis Girodet or we will sell it for you.

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Self-Portrait

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Endymion Asleep 1793

Anne Louis Girodet was a French Neoclassical painter, and has been dubbed “The Romantic Rebel” by art critics. He has been hailed as being a very precise and clear artist, and is also remembered for his depictions of the Napoleonic family.

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Napoleon in Coronation Robes

Girodet was born in Montargis, France, and was orphaned at a very young age. He was appointed guardianship by M. Troison, and later took her name in 1812. As a young artist, he studied under Neoclassical painter Jacques-Louis David and was deemed one of his most gifted students at the age of 18. Girodet’s painting “Joseph Recognized by His Brothers” won the artist the Prix de Rome in 1789, which allowed him to study in Italy for five years. While living in Italy, Girodet became exposed to and highly influenced by Leondardo da Vinci and Correggio.

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Joseph Recognized by his Brothers

In 1793 while he was still in Italy, Girodet barely escaped with his life when the French Academy in Rome was attacked by locals. At this time, he was forced to flee Rome and ended up working in Naples, and later Genoa and Florence. Girodet returned to France in 1795, and upon his return, resumed his career as a portrait painter. His patrons included a number of notable French figures, as well as members of the Napoleon family.

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Jean-Baptiste Belley, Deputy of Santo Domingo to Convention of France, 1797

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Portrait of a Woman in a Turban, 1820

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Francois-René de Chateaubriand

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Portrait of Doctor Trioson Giving his Son a Geography Lesson

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Hortense de Beauharnais, Napoleonic Family

Girodet was named a member of the Légion d’Honneur in 1808, however, one of Girodet’s most important contributions to art history is his subtle, yet breathtaking transitions from the Neoclassical style to Romanticism. This transition happened over decades as Girodet’s style evolved, and is evident as early as 1793 with his painting “Hippocrates Refusing the Gifts of Artaxerxes” and was nearly complete in his 1808 painting “The Burial of Atala.” This evolution of style brought harsh criticism on Girodet by his master, Jacques-Louis David due to the fact that he abandoned his traditional teachings for more Romantic themes.

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The Burial of Atala 1808

Despite the fact that Girodet more or less abandoned his initial teachings, his work remained consistently precise, rich and beautiful. Like all typical Romantic pieces, Girodet’s compositions generally feature mythological figures in dramatic situations, bathed in warm light and posed languidly in beautiful settings.

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Apotheosis of French Soldiers Fallen in the Liberation of War

Girodet inherited a large sum of money in 1812, and as a result of his new fortune, painted much less. He spent the rest of his days dedicating himself to creating book illustrations, writing poems and translating works from Greek and Roman authors. It is said that Girodet produced a vast quantity of sketches and illustrations, many of which were later engraved by M. Chatillon.

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Malvine Dying in the Arms of Fingal

After Girodet’s death in 1824, many of his pieces were sold and some of his drawings commanded high prices, even in the early 19th century. In 2006, the Art Institute of Chicago displayed the first retrospective of his works in The United States, including 60 paintings and nearly 40 drawings.

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Aenea Welcomed in Hades

Today, his paintings and drawings are housed all over the world, and perhaps in your own home. Still wondering about a French Romantic-style painting in your family estate? Contact us…it could be by Anne Louis Girodet de Roussy-Trioson.


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1519--della-francesca.php Piero della Francesca Artwork Authentication & Art Appraisal

Piero della Francesca (1420 – 1492)

Get a Della Francesca Certificate of Authenticity for your painting (COA) for your Della Francesca drawing.

For all your Della Francesca artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Della Francesca Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Della Francesca painting or drawing.

If you want to sell your Della Francesca painting or drawing use our selling services. We offer Della Francesca selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Della Francesca and issuing certificates of authenticity since 2002. We are recognized Della Francesca experts and Della Francesca certified appraisers. We issue COAs and appraisals for all Della Francesca artworks.

Our Della Francesca paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Della Francesca certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Della Francesca painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Della Francesca paintings or drawings take longer.

Our clients include Della Francesca collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Piero Della Francesca art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Piero Della Francesca or we will sell it for you.

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Self-Portrait *detail from Resurrection

Piero della Francesca was an Italian artist of the Early Renaissance. To contemporaries, he was known as a mathematician and geometer as well as an artist, though now he is chiefly appreciated for his art. His painting was characterized by its serene humanism and its use of geometric forms, particularly in relation to perspective and foreshortening.

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Resurrection

Piero was probably born and died in Borgo Santo Sepolcro, Tuscany. Most of his work was performed in the Tuscan town of Arezzo. He may have learned his trade from one of several Sienese artists working in San Sepolcro during his youth.

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Madonna and Child with Saints

By 1439 Piero was working with Domenico Veneziano on frescoes for the hospital of Santa Maria Nuova in Florence. He also worked in Rimini, Ferrara, and Rome. In Ferrara, his influence is particularly strong in the allegorical works of Cosimo Tura. Among his disciples is Melozzo da Forlì.

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The Baptism of Christ 1450

His deep interest in the theoretical study of perspective and his contemplative approach to his paintings are apparent in all his work, including the panels of the S. Agostino altarpiece. Among other mathematical writing, later in life he wrote a treatise, De prospectiva pingendi, on the rules of mathematical foreshortening applied to any object, be it a cube or human head. He died the very day Christopher Columbus discovered America.

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The Duke and Duchess of Urbino

Still wondering about a 15th century Italian painting in your family collection? Contact us…it could be by Piero della Francesca.


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1520--patinir.php Joachim Patinir Artwork Authentication & Art Appraisal

Joachim Patinir (1480-1524)

We Perform Joachim Patinir art authentication. Joachim Patinir appraisal. Joachim Patinir certificates of authenticity (COA). Joachim Patinir analysis, research, scientific tests, full art authentications. We will help you sell your Joachim Patinir or we will sell it for you.

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Landscape

Joachim Patinir, also called de Patinier and de Patiner was a Flemish Northern Renaissance history and landscape painter. He was probably the uncle of Herri met de Bles, with whom he helped establish a distinct style of northern Renaissance landscapes.

Originally from Dinant or Bouvignes in present-day Belgium, Patinir became registered as a member of Antwerp’s painters’ guild Guild of Saint Luke in 1515, where he spent the rest of his life. He may have studied with Gerard David at Bruges, who had been registered as a guild member in the same year as Patinir. In 1511, Patinir is believed to have travelled to Genoa with David and Adrien Ysenbrandt.

In 1521, Patinir’s friend Albrecht Dürer attended his second wedding and painted his portrait. Dürer called Patinir “der gute Landschaftmaler” (“a good painter of landscapes”), thus creating a neologism translated later into the French. Patinir let his landscapes dwarf his figures, which were often painted by other artists, and his immense vistas combine observation of naturalistic detail with lyrical fantasy, the prime example of which is his The Flight into Egypt (Museum of Antwerp). Other examples of his work include The Rest on the Flight into Egypt (Prado), The Baptism of Christ (Vienna), St. John at Patmos (National Gallery, London), Landscape with the Shepherds (Antwerp), and Rest by the Way (Minneapolis Institute of Arts). There is also a triptych attributed to him called The Penitence of St. Jerome.

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The Baptism of Christ

There are only five paintings signed by Patinir, but many other works have been attributed to him with varying degrees of probability. The ones that are signed read: Opus Joachim D. Patinier, the “D” in his signature signifying Dionantensis (“of Dinant”), which may attest to his provenance from this town.

Patinir was a pioneer of landscape as an independent genre and he was the first Flemish painter to regard himself primarily as a landscape painter. Patinir was the friend of not only Dürer, but with Quentin Metsys as well, with whom he often collaborated. The Temptation of St Anthony (Prado) was done in collaboration with Metsys. Patinir died in Antwerp in 1524, and Quentin Metsys became the guardian of his children.

The landscape with Charon Crossing the Styx is a very intricate painting. At first glance, the focus of the painting stands out clearly. The focus is in the center of the picture, where a man paddles down a river with another man much smaller than himself, in the boat. The man in the boat seems as if he is awaiting his destiny and the boat is leaning towards the right, Hell. The painting visibly depicts the details to the left and right side of the focus: heaven and hell, good and evil. To the left is a heavenly place with bright blue skies, crystal blue rivers with a luminous fountain and angels accenting the grassy hills. To the far right of the painting is a gloomy, depressing site with a dark sky. Also on the right is fire blazing off of the hills with the sky suffocating in smoke, and dead people hanging off the depicted gate of Hell.

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Charon Crossing the Styx

The prevailing direction of the lines in this piece are horizontal and vertical. The painting has a high horizon, as if the viewer was looking from a birds-eye-view over the body of water. The vertical features of Patinir’s painting are the rocks, trees, hills, angels, demons and other little features that make up the details of the painting. The quality of the lines in the painting vary. To the left-hand side in Heaven, the lines are very curvy, fluid, and delicate. The river in the middle is also curvy, accented with the sharp lines of the men and the boat. On the right-hand side in Hell, the lines are very choppy and harsh, giving a distinct contrast between Heaven and Hell.

The light source of the painting is coming from the left side, the side of Heaven. Heaven is clearly lit up with a crystal blue, sunny sky. Nevertheless, there is a great deal of tonal contrast in the painting. Landscape with Charon. Crossing the Styx is representing the journey to Heaven or Hell, Heaven being luminous and Hell being murky. The river is the dividing point, which is modeled with light and shade, light being on the left side and shade being on the right side.

The landscape with Charon Crossing Styx fits into the Northern Renaissance movement of art. The 16th century developed a new era for painting in Germany and the Netherlands. Many artists including Patinir traveled to Italy to study. Their travels to the South drastically influenced their painting style. Nicolas Pioch, who wrote The Northern Renaissance states, “In the North, change was driven by another set of preoccupations: religious reform, the return to ancient Christian values, and the revolt against the authority of the Church” (Pioch). Patinir focused his paintings on religious stories with precise observation and naturalism in his landscape.

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The Rest of the Flight into Egypt

Still wondering about a Flemish landscape painting in your family collection? Contact us…it could be by Joachim Patinir.


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1521--aldine.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "aldine" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "aldine" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1522--carra.php Carlo Carra Artwork Authentication & Art Appraisal

Carlo Carrà (1881—1966)

Get a Carrà Certificate of Authenticity for your painting (COA) for your Carrà drawing.

For all your Carrà artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Carrà Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Carrà painting or drawing.

If you want to sell your Carrà painting or drawing use our selling services. We offer Carrà selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Carrà and issuing certificates of authenticity since 2002. We are recognized Carrà experts and Carrà certified appraisers. We issue COAs and appraisals for all Carrà artworks.

Our Carrà paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Carrà certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Carrà painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Carrà paintings or drawings take longer.

Our clients include Carrà collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carlo Carra art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Carlo Carra or we will sell it for you.

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Funeral of the Anarchist Galli 1910-1911

Carlo Carra was an Italian painter, a leading figure of the Futurist movement that flourished in Italy during the beginning of the 20th century. In addition to his many paintings, he wrote a number of books concerning art. He was long a teacher in the city of Milan. Carrà was born in Quargnento, near Alessandria (Piedmont). At the age of 12 he left home in order to work as a mural decorator.

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Patriotic Celebration 1914

In 1899-1900, Carrà was in Paris decorating pavilions at the Exposition Universelle, where he became acquainted with contemporary French art. He then spent a few months in London in contact with exiled Italian anarchists, and returned to Milan in 1901. In 1906, he enrolled at Accademia di Brera in the city, and studied under Cesare Tallone. In 1910 he signed, along with Umberto Boccioni, Luigi Russolo and Filippo Tommaso Marinetti the Manifesto of Futurist Painters, and began a phase of painting that became his most popular and influential.

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Still Life with Triangle 1917

Carrà’s Futurist phase ended around the time World War I began. His work, while still using some Futurist concepts, began to deal more clearly with form and stillness, rather than motion and feeling. Carrà soon began creating still lifes in a style he, along with Giorgio de Chirico, called “metaphysical painting”. Throughout the 1920s and 1930s, the metaphysical phase gave way to a somber style akin to Masaccio’s. An example from this period is his 1928 Morning by the Sea.

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Inverno Sul Lago

He is best known for his 1911 futurist work, The Funeral of the Anarchist Galli. Carrà was indeed an anarchist as a young man but, along with many other Futurists, later held more reactionary political views, becoming ultra-nationalist and irredentist before and during the war, as well as by Fascism after 1918 (in the 1930s, Carrà signed a manifesto in which called for support of the state ideology through art). The Strapaese group he joined, founded by Giorgio Morandi, was strongly influenced by fascism and responded to the neo-classical guidelines which had been set by the regime after 1937 (but was opposed to the ideological drive towards strong centralism). He died in Milan.

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Futuristic Painting, Man on Horse

Still wondering about an Italian painting in your family collection? Contact us…it could be by Carlo Carra.


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1523--borisov-musatov.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "borisov-musatov" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "borisov-musatov" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1524--manessier.php Alfred Manessier Artwork Authentication & Art Appraisal

Alfred Manessier (1911-1993)

Get a Manessier Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Manessier artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Manessier Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Manessier painting, drawing or print.

If you want to sell your Manessier painting, drawing or print use our selling services. We offer Manessier selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Manessier and issuing certificates of authenticity since 2002. We are recognized Manessier experts and Manessier certified appraisers. We issue COAs and appraisals for all Manessier artworks.

Our Manessier paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Manessier certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Manessier painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Manessier paintings or drawings take longer.

Our clients include Manessier collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alfred Manessier art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alfred Manessier or we will sell it for you.

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Untitled, 1957

Alfred Manessier was a French artist who worked in Cubism, Surrealism and ultimately was an Expressionist painter. He belonged to the School of Paris, and his early studies were under Bissiere. He also attended the Ecole des Beaux-Arts in Paris to study architecture. During this time, he also often frequented the Louvre to copy Old Master paintings, and could also be found in the many studios of Montparnasse.

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La Tache Rouge

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Port de Crotoy le Soir, 1943

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Composition

Manessier’s style in the 1930s was a merge between Surrealism and Cubism, two of the biggest artistic movements of that decade. In the 1940s, Manessier visited a monastery and his artistic style was forever changed. He became more spiritual and his new beliefs began to show up in Abstract compositions. Religious themes and Expressionist landscapes began to dominate his Abstract oeuvre.

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Epiphany

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Figure Of Piety

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Crown of Thorns

In 1949, Manessier held his first one-man show at the Galerie Billiet Caputo in Paris. Around this time, Manessier had also expanded his artistic horizons to designing stained glass, tapestries, and also work for the theater. Like so many other Abstract artists, Manessier also created a great number of lithographs and prints. While it is not likely to find a still life or portrait in a traditional academic hand by Manessier, his Abstract style was quite varied, as he experimented often.

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Untitled Lithograph

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Stained Glass Detail

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Untitled

During his lifetime, Manessier won a number of awards, including the 1962 painting prize at the Venice Biennial. Today his paintings are housed in private and public collections worldwide, including at the Museum of Modern Art in New York City. Still wondering about a Surrealist or Cubist fusion Abstract painting hanging in your home? Contact us… it could be by Alfred Manessier.

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Untitled, 1956

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1525--moroni.php Giovanni Moroni Artwork Authentication & Art Appraisal

Giovanni Battista Moroni (1520 – 1578)

Get a Moroni Certificate of Authenticity for your painting (COA) for your Moroni drawing.

For all your Moroni artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Moroni Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Moroni painting or drawing.

If you want to sell your Moroni painting or drawing use our selling services. We offer Moroni selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Moroni and issuing certificates of authenticity since 2002. We are recognized Moroni experts and Moroni certified appraisers. We issue COAs and appraisals for all Moroni artworks.

Our Moroni paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Moroni certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Moroni painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Moroni paintings or drawings take longer.

Our clients include Moroni collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giovanni Moroni art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni Moroni or we will sell it for you.

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The Gentleman in Pink 1560

Giovanni Moroni was an Italian mannerist painter, son of an architect, Andrea Moroni, born in Albino near Bergamo. He is also called Giambattista Moroni. Moroni was one of the great portrait painters of the sixteenth century. He trained under Alessandro Bonvicino in Brescia and worked mainly in and around his home town of Albino. He spent two short periods spent in Trento (1548 and 1551), at a time when the Council of Trent was in session. On both occasions Moroni painted a number of works (including the Altarpiece of the Doctors of the Church for the church of Santa Maria Maggiore).

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Portrait of a Doctor (The Magistrate) 1560

It was during his stay in Trento that he also made contact with Titian and the Madruzzo family. There are claims he was trained by Titian, however, it is improbable he ever ventured to the Venetian’s studio for long, if at all. From the 1550s onwards, in fact, Moroni was often commissioned for portraits as a cheaper alternative to the busy Titian. This resulted in abundant patronage for portraits. His output was a series of portraits that, while not quite heroic, are full of dignified humanity and grounded in everyday life.

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The Tailor, 1570-1575

His output of religious paintings was smaller; for example, he painted an Ultima Cena (Last Supper) for the parish at Romano in Lombardy; Coronation of the Virgin in San Alessandro della Croce, Bergamo; also for the cathedral of Verona, SS Peter and Paul, and in the Brera of Milan, the Assumption of the Virgin. Moroni was engaged upon a Last Judgment in the church of Corlago (Colnago?), when he died. Overall, his style in these paintings shows influences of his master, Lorenzo Lotto, and Girolamo Savoldo. Giovanni Paolo Cavagna was an undistinguished pupil of Moroni; however, it is said that in following generations, his insightful portraiture influenced Fra’ Galgario and Pietro Longhi.

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Portrait of a Man

Freedberg notes that while his his religious canvases are “archaic” and show stilted unemotive saints, his portraits are remarkable for their sophisticated psychological insight, dignified air, and exquisite silvery tonality. Why was one category of his work is so limpid, and the other so expressive? One explanation is that the demands of the subject matter were different. Patrons for religious art were not interested in an individualized, expressive “Madonna”; they desired numinous archetypal saints. On the other hand, patrons were interested in the animated portraiture.

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Portrait of Antonio Navagaro 1565

The National Gallery (London) has one of the best collections of his work, including the celebrated portrait known as “Il Sarto” (The Tailor) (a member of the Fenaroli family). Other portraits are found in the Uffizi, (the Nobleman pointing to Flame inscribed “Et quid volo nisi ut ardeat?”, Berlin Gallery,the Canon Ludovico de’ Terzi and Moroni’s own portrait; and in Stafford House, the seated half-figure of the Jesuit Ercole Tasso, currently termed “Titian’s Schoolmaster” (although there is no real connection).

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Titians Schoolmaster, 1575

The Ashmolean Museum (University of Oxford), Brooks Museum of Art (Memphis, Tennessee), Detroit Institute of Arts, the Fine Arts Museums of San Francisco, the Hermitage Museum, the Honolulu Academy of Arts, Kunsthistorisches Museum (Vienna), the Liechtenstein Museum (Vienna), the Louvre, Musée Condé Chantilly (Chantilly, France), Museo Poldi Pezzoli (Milan), the Museum of Fine Arts, Boston, National Galleries of Scotland, the National Gallery of Art (Washington D.C.), the National Gallery of Australia, the National Gallery of Canada, the National Gallery, London, the Norton Simon Museum (Pasadena, California), Pinacoteca Ambrosiana (Milan), Pinacoteca di Brera (Milan), Rijksmuseum, the Ringling Museum of Art (Florida), Studio Esseci (Padua, Italy), University of Arizona Museum of Art, Virginia Museum of Fine Arts and the Uffizi are among the public collections holding works by Giovanni Battista Moroni.

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Jacopo Foscarino 1575

Still wondering about an Italian painting in your family collection? Contact us…it could be by Giovanni Moroni.


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1526--pierneef.php Jacobus Hendrik Pierneef Artwork Authentication & Art Appraisal

Jacobus Hendrik Pierneef (1886-1957)

We Perform Jacobus Hendrik Pierneef art authentication. Jacobus Hendrik Pierneef appraisal. Jacobus Hendrik Pierneef certificates of authenticity (COA). Jacobus Hendrik Pierneef analysis, research, scientific tests, full art authentications. We will help you sell your Jacobus Hendrik Pierneef or we will sell it for you.

Mountain Landscape

Mountain Landscape

Jacobus Pierneef (usually referred to as Pierneef) Pretoria, was a South African landscape artist, generally considered to be one of the best of the old South African masters. His distinctive style is widely recognized and his work was greatly influenced by the South African landscape.

Most of his landscapes were of the South African highveld, which provided a lifelong source of inspiration for him. Pierneef’s style was to reduce and simplify the landscape to geometric structures, using flat planes, lines and color to present the harmony and order in nature. This resulted in formalized, ordered and often-monumental view of the South African landscape, uninhabited and with dramatic light and color.

Knysna Heads

Knysna Heads

Pierneef was born in Pretoria, from Dutch parentage. He started his high school career at the Staatsmodelschool (literally “model state school”) there, where he took his first art classes, but it was interrupted by the Second Boer War. Due to the war, the Pierneef family decided to move back to the Netherlands in 1901. While there he studied at the Rotterdamse Kunsakademie. During this time, he also came into contact with the works of the old masters, which left a lasting impression on him.

Pierneef returned to Pretoria at the age of 18, where he met with and was encouraged by already established South African artists such as his godfather Anton van Wouw, Hugo Naude and Frans Oerder. His first public exhibition, where his work was generally well received, was with van Wouw and Naude in 1902. He worked at the State Library during the night for almost ten years and painted in his studio during the day. In 1910, Pierneef married Agatha Delen, a woman 12 years his senior.

Landscape

Landscape

Pierneef held his first solo exhibition in 1913, to great critical acclaim, some even describing his work as that of a genius, which inspired him greatly. His second solo exhibition was held two years later and was also very well received. During this period, he also did various illustrations for a periodicals and books.

In 1918, Pierneef left the State Library and started a career as an art lecturer at the Heidelberg (South Africa) College of Education. During the following year, he also started teaching drawing at the Pretoria College of Education. These positions gave him the opportunity to focus on his art and he participated in many successful solo and group exhibitions during 1920 to 1921. Due to the recognition that he received, Pierneef realized that he was setting the trend for a unique South African style. Personally, it was a difficult time in his life – his wife Agatha suffered from a mental disorder and also started to lose her sight.

Majuba Natal

Majuba Natal

Pierneef resigned as lecturer and became a full-time painter in 1923, due to differences of opinion regarding the curriculum with the Department of Education. Pierneef visited South-West Africa (now Namibia) from 1923 to 1924, where he sketched extensively for paintings that would later be completed in his studio. These would later be considered some of his best works.

Despite his successes, he was experiencing some financial difficulties, and had to resort to other jobs in order to make ends meet. During one of these, an advertising project to sell the land around Hartebeespoort dam, he met his future second wife, a Dutch woman named May Schoep. Pierneef divorced Agatha in 1923 and married May in 1924.

The couple visited Europe from 1925 to 1926, where Pierneef promoted his art and also studied the newest art movements. He also held a solo exhibition in the Netherlands, where his Bushmen drawings drew great attention.

Rustenberg Kloof

Rustenberg Kloof

In 1927 Pierneef’s daughter was born and he held a very successful exhibition of 86 of his works in Pretoria. However, during his solo exhibition the following year, he had some abstract modern works on display, which were very badly received, forcing him to revert to his old style.

Pierneef accepted a commission in 1929 to paint 32 panels for the interior of the then new Johannesburg Railway Station, a task he completed by 1932. The panels are still on display today in Graaff-Reinet and are considered to be some of his best work. In 1933, he was commissioned to do seven murals for South Africa House, the South African embassy on Trafalgar Square, London. Pierneef completed this work in 1934.

Karibib, South West Africa

Karibib, South West Africa

Still wondering about an African painting in your family collection? Contact us…it could be by Jacobus Pierneef.


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1527--fontebasso.php Francesco Fontebasso Artwork Authentication & Art Appraisal

Francesco Fontebasso (1707 – 1769)

Get a Fontebasso Certificate of Authenticity for your painting (COA) for your Fontebasso drawing.

For all your Fontebasso artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Fontebasso Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fontebasso painting or drawing.

If you want to sell your Fontebasso painting or drawing use our selling services. We offer Fontebasso selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fontebasso and issuing certificates of authenticity since 2002. We are recognized Fontebasso experts and Fontebasso certified appraisers. We issue COAs and appraisals for all Fontebasso artworks.

Our Fontebasso paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fontebasso certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fontebasso painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fontebasso paintings or drawings take longer.

Our clients include Fontebasso collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francesco Fontebasso art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Francesco Fontebasso or we will sell it for you.

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Antiochus and Stratonica

Francesco Fontebasso was a Venetian painter of the late-baroque or Rococco period. He first apprenticed with Sebastiano Ricci, but was strongly influenced by his contemporary, Giovanni Battista Tiepolo. In 1761, Fontebasso visited Saint Petersburg and produced ceiling paintings and decorations for the Winter Palace. Fontebasso returned to Venice in 1768. He helped decorate a chapel in San Francesco della Vigna.

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Portrait of F. Tadini, 1761

Still wondering about an Italian painting in your family collection? Contact us…it could be by Francesco Fontebasso.


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1528--schmidt.php Erik Schmidt Artwork Authentication & Art Appraisal

Get a Schmidt Certificate of Authenticity for your painting (COA) for your Schmidt drawing.

For all your Schmidt artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Schmidt Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Schmidt painting or drawing.

If you want to sell your Schmidt painting or drawing use our selling services. We offer Schmidt selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Schmidt and issuing certificates of authenticity since 2002. We are recognized Schmidt experts and Schmidt certified appraisers. We issue COAs and appraisals for all Schmidt artworks.

Our Schmidt paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Schmidt certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Schmidt painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Schmidt paintings or drawings take longer.

Our clients include Schmidt collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Erik Schmidt (1925–2014)

Do you think you may own a painting by Erik Schmidt?

We perform Erik Schmidt art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Erik Schmidt or we will sell it for you.

1. Self-portrait. 1976. Oil on canvas.

1. Self-portrait. 1976. Oil on canvas.

2. Market in Marrakech. 1989. Oil painting.

2. Market in Marrakech. 1989. Oil painting.

Erik Schmidt was an Estonian painter born on the island of Naissaar. Schmidt studied at the Swedish College in Haapsalu, an Estonian seaside town. Schmidt became a primary school teacher at the young age of seventeen to avoid military service. His family eventually fled to Sweden to avoid war and Soviet occupation.

3. Vormsi saarel. 1950. Oil on canvas.

3. Vormsi saarel. 1950. Oil on canvas.

4. Escape from Estonia. 1988.

4. Escape from Estonia. 1988.

Schmidt was eventually forced to fulfill his military duties, which led him to travel on extended naval journeys. It was aboard ship that Schmidt developed his great talent as a painter.

5. Shipwreck. Date unknown.

5. Shipwreck. Date unknown.

If you think you may own original artwork by Erik Schmidt, contact Art Certification Experts for information regarding our services.


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1529--meller.php Vadym Meller Artwork Authentication & Art Appraisal

Vadym Meller (Вадим Георгиевич Меллер) (1884-1962)

Get a Meller Certificate of Authenticity for your painting (COA) for your Meller drawing.

For all your Meller artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Meller Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Meller painting or drawing.

If you want to sell your Meller painting or drawing use our selling services. We offer Meller selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Meller and issuing certificates of authenticity since 2002. We are recognized Meller experts and Meller certified appraisers. We issue COAs and appraisals for all Meller artworks.

Our Meller paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Meller certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Meller painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Meller paintings or drawings take longer.

Our clients include Meller collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Vadym Meller art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Vadym Meller or we will sell it for you.

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Vadym Meller

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Svanetia, Kaukas, waxed paper, watercolour, pencil, 1932

Vadym Meller (also Vadim Meller) was a Ukrainian-Russian Soviet painter, avant-garde artist (Cubist, Constructivist), theatrical designer, book illustrator and architect. The first artist who was awarded a gold medal in Exposition Internationale des Modernes (Art Deco) in Paris 1925. Meller was born in Saint-Petersburg. He was the second son of a top official in the Ministry of Justice in the Russian Empire. His father George Meller was a noble-born Swede, his mother Helena Caruso, half-Italian-half-Greek, was also from a noble family.

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Mask (1919)

From 1903 to 1908 he was the student of Kiev University. In 1905 Vadim Meller visited Geneva, Switzerland where he was taking art lessons in private school of Franz Roubaud. In 1908 with recommendation of Roubaud he continued his education in private art school of Drawing and Painting of Heinrich Knirr in Munich, Germany. There Vadim Meller met his student Paul Klee who introduced him to Der Blaue Reiter group.

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Hello on the Wave (1929)

After graduating from the Kiev University with a degree in law, he acquired artistic education in the Munich Academy of Fine Arts (from 1908 to 1912). He was later married to Nina Genke.  Meller was in close contact with Der Blaue Reiter group. In this time he met Wassily Kandinsky with whom he became friends. He started to exhibit his works after he had moved to Paris, where he joined the Société des Artistes Indépendants. Vadim Meller was also a student of Antoine Bourdelle.

In 1912-1914 together with Kazimir Malevich, Sonia Delaunay, Alexander Archipenko, Aleksandra Ekster he participated in exhibitions: Salon des Indépendants, Spring Salon, and Salon D’ Automne along side Pablo Picasso, Georges Braque and André Derain.

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Ballet Costume Design

After returning to Kiev in 1917, he worked at easel and monumental painting, graphic design, and costume design. His transition to scenography as the main field of artistic activity took place in the first post-revolutionary years. From 1918-1921 , he worked with scenographer and dancer Bronislava Nijinska (Vaslav Nijinsky’s sister) in her ballet studio.

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Ballet Costume Design

In 1922 Les Kurbas invited Vadim Meller to the recently founded Berezil theater. In 1925 Vadim Meller together with Sonia Terk, Alexandra Exter, Nathan Altman participated in Exposition Internationale des Modernes (Art Deco) in Paris. There Vadim Meller was awarded a gold medal for his scenic design of the Berezil theater.

In 1925 Vadim Meller participated in the International Theater Exposition in New York. Vadim Meller became the leader of Constructivism in Ukrainian theater design. He worked in the National theater as a chief artist till 1945.

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Monk

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Blue Dancer

From 1925 he also taught at the Kiev Art Academy (KKHI) together with Vladimir Tatlin and Alexander Bogomazov. In the same year Vadim Meller became the member of the union of artists Association of the Revolutionary Masters of Ukraine together with David Burliuk ( co-founder), Alexander Bogomazov (co-founder), Vasiliy Yermilov, Victor Palmov and Khvostenko-Khvostov.

Meller worked as an acting director of the Monumental Painting and Sculpture Institute of the Academy of Architecture of the Ukrainian SSR (1946-1948), a chief artist of the Kiev Music Comedy Theater (1948 – 1953) and a chief artist of the Iv. Franko Kiev Academic Theater (1953-1959). Vadim Meller died in Kiev in 1962.

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Cubofuturistic Abstract

Like with so many other artists, Vadym Meller has also been frequently copied. One of the most recent discoveries of a fake Meller is this costume design which was previously thought to have been made by the artist.

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Fake Meller

Still wondering about a painting in your family collection? Contact us…it could be by Vadym Meller.


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1530--da-volterra.php Daniele da Volterra Artwork Authentication & Art Appraisal

Daniele da Volterra (1509-1566)

Get a Da Volterra Certificate of Authenticity for your painting or a COA for your Da Volterra drawing or sculpture.

For all your Da Volterra artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Da Volterra Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Da Volterra painting, drawing or sculpture.

If you want to sell your Da Volterra painting, drawing or sculpture use our selling services. We offer Da Volterra selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Da Volterra and issuing certificates of authenticity since 2002. We are recognized Da Volterra experts and Da Volterra certified appraisers. We issue COAs and appraisals for all Da Volterra artworks.

Our Da Volterra paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Da Volterra certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Da Volterra painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Da Volterra paintings, drawings or sculpture take longer.

Our clients include Da Volterra collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Daniele Da Volterra art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Daniele Da Volterra or we will sell it for you.

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The Prophet Elias 1560’s

Daniele Ricciarelli, better known as Daniele da Volterra, was an Italian mannerist painter and sculptor. He is best remembered for his association, for better or worse, with the late Michelangelo. Several of Daniele’s most important works were based on designs made for that purpose by Michelangelo. After Michelangelo’s death Daniele was hired to cover the genitals in his Last Judgment with vestments and loincloths. This earned him the nickname “Il Braghettone” (“the breeches maker”).

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The Last Judgement by Michelangelo, with alterations by da Volterra

Daniele Ricciarelli was born in Volterra (in today’s Lazio). As a boy, he initially studied with the Sienese artists Il Sodoma and Baldassare Peruzzi, but he was not well received and left. He appears to have accompanied the latter to Rome in 1535, and helped paint the frescoes in the Palazzo Massimo alle Colonne. He then became an apprentice to Perin del Vaga.

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Portrait of a Man

From 1538 to 1541 he helped Perin with the painting of frescoes in the villa of Cardinal Trivulvives at Salone, in the Massimi chapel in Trinità dei Monti, and the chapel of the crucifixion in San Marcello al Corso. He was commissioned the painting of a frieze in the main salon of the Palazzo Massimo alle Colonne, with the life of Fabius Maximus.

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Madonna and Child

In Rome he also started working in the circle of Michelangelo and befriended him. Michelangelo used his influence with Pope Paul III to secure Daniele commissions and the post of superintendent of the works of the Vatican, a position he retained until the Pope’s death. Michelangelo provided him with sketches on which Daniele based some of his paintings, especially his series of frescoes in the Orsini chapel in the Trinità dei Monti, the commission for which Daniele had received in December of 1541.

Later Daniele was commissioned by Paul III to complete the decoration of the Sala Regia. On the death of the pope in 1549 he lost his position as superintendent and the pension to which it entitled him. He then devoted himself chiefly to sculpture.He died in Rome, 1566. According to Daniele’s will, the marble knee of the missing left leg of the Christ from Michelangelo’s Deposition was in his possession at the time of his death.

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Descent from the Cross 1545

Daniele’s best-known painting is the Descent from the Cross in the Trinità dei Monti (circa 1545), after drawings by Michelangelo; by an excess of praise this work was at one time grouped with Raphael’s Transfiguration and the Last Communion of St. Jerome by Domenichino as the most famous pictures in Rome. Daniele’s two-sided painting of David killing Goliath (c. 1555) in the Louvre too seems to have been based on Michelangelo’s designs; for a long time it was attributed to him.

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Massacre of the Innocents 1557

Other notable works include the Massacre of the Innocents (1557) in the Uffizi Gallery, Florence, a portrait he drew of Michelangelo and a bust he made from Michelangelo’s death mask.

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Bust of Michelangelo

A well-known sculpture is the Cleopatra in the Belvedere. From France Daniele received the commission to make a bronze equestrian statue of Henry II, but he finished only the horse; this was later used for a statue of Louis XIII at the Place Royale and melted down during the French Revolution.

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Sibyl

He also chiseled away a part of the fresco and repainted the larger part of Saint Catherine and the entire figure of Saint Blaise behind her. This was done because in the original version Blaise had appeared to look at Catherine’s naked behind, and because to some observers the position of their bodies suggested sexual intercourse.

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Moses on Mt. Sinai

The loincloths and draperies in the lower half of the fresco, however, were not painted by Daniele. His work on the Last Judgment was interrupted at the end of 1565 by the death of Pope Pius IV, after which the scaffolding he used had to be removed quickly because the chapel was needed for the election of a new pope. Still wondering about an Italian painting in your family collection? Contact us…it could be by Daniele da Volterra.


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1531--khrutsky.php Alexander Ivan Khrustky Artwork Authentication & Art Appraisal

Ivan Khrustky Иван Фомич Хруцкий (1810-1885)

We Perform Alexander Ivan Khrustky art authentication. Alexander Ivan Khrustky appraisal from . Alexander Ivan Khrustky certificates of authenticity (COA). Alexander Ivan Khrustky analysis, research, scientific tests, full art authentications. We will help you sell your Alexander Ivan Khrustky or we will sell it for you.

Self-Portrait 1883

Self-Portrait 1883

Ivan Khrutsky was a Russian-Polish painter known for his still life paintings and portraits. He was born Ivan Fomich Khrutsky into a family descended from Polish gentry in the village of Ulka, Vitebsk Gubernia (currently Belarus). In 1827, Khrutsky came to St. Petersburg and in 1830 entered the Imperial Academy of Arts.

Still Life, Flowers and Fruit 1839

Still Life, Flowers and Fruit 1839

His first known works are dated 1832. The paintings gradually gathered public and critical acclaim. Khrutsky also worked as an interior designer, and became a popular amongst the wealthy home owners. In 1836, Khrutsky was awarded the Major Silver medal of the Academy for his still-lifes. Khrutsky also executed nice genre pictures and portraits. Old Woman Knitting a Sock, brought him the Minor Gold medal of the Academy. In 1839 he was awarded the title of the Academician.

Family Portrait 1854

Family Portrait 1854

After his father’s death in 1840 Khrutsky left St. Petersburg forever and settled in the family estate Zakharevichi, Polotsk region. This period was one of commisioned religious art, mostly from Lithuania. Besides religious paintings he also worked on portraits, such as I.I. Glazunov’s, Joseph Semashko’s, Mikolay Malynovsky’s and others. He died in 1885.

Girl with Fruit 1850's

Girl with Fruit 1850’s

Still wondering about a 19th century Russian painting in your family collection? Contact us…it could be by Ivan Khrutsky.


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1533--macke.php August Macke Artwork Authentication & Art Appraisal

August Macke (1887 – 1914)

Get a Macke Certificate of Authenticity for your painting (COA) for your Macke drawing.

For all your Macke artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Macke Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Macke painting or drawing.

If you want to sell your Macke painting or drawing use our selling services. We offer Macke selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Macke and issuing certificates of authenticity since 2002. We are recognized Macke experts and Macke certified appraisers. We issue COAs and appraisals for all Macke artworks.

Our Macke paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Macke certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Macke painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Macke paintings or drawings take longer.

Our clients include Macke collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform August Macke art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your August Macke or we will sell it for you.

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Self-Portrait 1906

August Macke was one of the leading members of the German Expressionist group Der Blaue Reiter (The Blue Rider). He lived during a particularly innovative time for German art which saw the development of the main German Expressionist movements as well as the arrival of the successive avant-garde movements which were forming in the rest of Europe. Like a true artist of his time, Macke knew how to integrate into his painting the elements of the avant-garde which most interested him.

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Girls Under Trees 1914

Macke was born in Meschede, Germany. His father, August Friedrich Hermann Macke (1845-1904), was a building contractor and his mother, Maria Florentine, née Adolph, (1848-1922), came from a farming family in Germany’s Sauerland region. The family lived at Brüsseler Straße until August was 13. He then lived most of his creative life in Bonn, with the exception of a few periods spent at Lake Thun in Switzerland and various trips to Paris, Italy, Holland and Tunisia. In Paris, where he traveled for the first time in 1907, Macke saw the work of the Impressionists, and shortly after he went to Berlin and spent a few months in Lovis Corinth’s studio. His style was formed within the mode of French Impressionism and Post-impressionism and later went through a Fauve period. In 1909 he married Elizabeth Gerhardt. In 1910, through his friendship with Franz Marc, Macke met Kandinsky and for a while shared the non-objective aesthetic and the mystical and symbolic interests of Der blaue Reiter.

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View Into a Lane

Macke’s meeting with Robert Delaunay in Paris in 1912 was to be a sort of revelation for him. Delaunay’s chromatic Cubism, which Apollinaire had called Orphism, influenced Macke’s art from that point onwards. His Shops Windows can be considered a personal interpretation of Delaunay’s Windows, combined with the simultaneity of images found in Italian Futurism. The exotic atmosphere of Tunisia, where Macke traveled in 1914 with Paul Klee and Louis Moilliet was fundamental for the creation of the luminist approach of his final period, during which he produced a series of works now considered masterpieces. Macke’s career was cut short by his early death at the front in World War I in September 1914.

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People by the Blue Lake

Still wondering about a German painting in your family collection? Contact us…it could be by August Macke.


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1534--harnett.php William Michael Harnett Artwork Authentication & Art Appraisal

William Michael Harnett (1848-1892)

Get a Harnett Certificate of Authenticity for your painting (COA) for your Harnett drawing.

For all your Harnett artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Harnett Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Harnett painting or drawing.

If you want to sell your Harnett painting or drawing use our selling services. We offer Harnett selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Harnett and issuing certificates of authenticity since 2002. We are recognized Harnett experts and Harnett certified appraisers. We issue COAs and appraisals for all Harnett artworks.

Our Harnett paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Harnett certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Harnett painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Harnett paintings or drawings take longer.

Our clients include Harnett collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform William Michael Harnett art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your William Michael Harnett or we will sell it for you.

Harnett, A Smoke Backstage, 1877

A Smoke Backstage, 1877

Harnett, A Study Table, 1882

A Study Table, 1882

William Harnett was an Irish-American painter born in County Cork, Ireland. During the Potato famine his family relocated to America. Harnett spent much of his childhood in Philadelphia and became a United States citizen in 1868. As a young adult, Harnett made a living as an engraver. When Harnett realized his interest in art he enrolled in courses at the Pennsylvania Academy of Fine Arts. Harnett eventually moved to New York to continue his studies at Cooper Union and the National Academy of Design.

Harnett, Still Life Violin and Music, 1888

Still Life Violin and Music, 1888

Harnett remained in New York where he initiated his career as a still life painter. Harnett innovated a trompe l’oeil style of painting still lifes, in which he made everyday objects look hyper-realistic. Many Dutch painters had the concept in the 17th century, but Harnett was known for unusual choice objects in his still lifes. Harnett painted everything from musical instruments, horseshoes, guns, books and money.

Harnett, After the Hunt, 1883

After the Hunt, 1883

Harnett went to Europe in the 1880s, where he painted many of his most-known paintings. Harnett returned to the United States when rheumatism slowed down his ability to produce work. Harnett spent the last years of his life in New York City.

Harnett,

“Staats Newspaper”, 1890

During Harnett’s lifetime his work was mostly sold to private collectors. Since his death, Hartnett’s work has been purchased by major museums across the United States, including the Art Institute of Chicago, the Brooklyn Museum of Art, the Carnegie Museum of Art, the Cincinnati Art Museum, the Cleveland Museum of Art, the Fine Arts Museums of San Francisco, Harvard University Art Museums, the Honolulu Academy of Arts, the Los Angeles County Museum, the Metropolitan Museum of Art, the National Gallery of Art (Washington D.C.), the Philadelphia Museum of Art and the San Diego Museum of Art.

Harnett, The Faithful Colt

The Faithful Colt

Do you think you own a painting by William Michael Hartnett? Contact us. We are the William Michael Hartnett experts.


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1535--lucrat.php Jean Lurçat Artwork Authentication & Art Appraisal

Jean Lurçat (1892-1966)

Get a Von Aachen Certificate of Authenticity for your painting (COA) for your Von Aachen drawing.

For all your Von Aachen artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Von Aachen Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Von Aachen painting or drawing.

If you want to sell your Von Aachen painting or drawing use our selling services. We offer Von Aachen selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Von Aachen and issuing certificates of authenticity since 2002. We are recognized Von Aachen experts and Von Aachen certified appraisers. We issue COAs and appraisals for all Von Aachen artworks.

Our Von Aachen paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Von Aachen certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Von Aachen painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Von Aachen paintings or drawings take longer.

Our clients include Von Aachen collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Lurçat art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean Lurçat or we will sell it for you.

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Woman With a Cigarette, 1920

Jean Lurçat was a French Expressionist/Surrealist artist born in Vosges. He was exposed to art as a young boy when his parents introduced him to the founder of the Ecole Nancy, Victor Prouve. He traveled to Paris when he was 20, enrolling at the Ecole des Beaux-Arts and then the Academie Colarossi.

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The Collar, 1921

Throughout his career, Lurçat would form a style of his own, derived from his travels through the Mediterranean, North Africa and the Middle East. His unique style had a primitive, native art feel and was composed of symbols and hieroglyphic-like imagery. Within this style, he created ceramics, paintings, tapestry and a number of other art pieces.

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Ceramic Bowl with Lid

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“Le Coque” ceramic tile

It was in fact Lurçat’s tapestry creations that brought him the most attention, and he is even often credited with bringing this age old art form back into fashion. He has been called the leading tapestry designer of the 20th century, and worked for the Aubusson factory creating his textile designs.

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Still Life Tapestry

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Aubusson Tapestry

During his lifetime, Lurçat also traveled to Spain and the Sahara where he was influenced to paint a number of Surrealist landscapes. He was only briefly associated with the Surrealist movement, as he experimented often with Expressionism and tribal art.

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Landscape, 1930


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1536--frothingham.php James Frothingham Artwork Authentication & Art Appraisal

James Frothingham (1786-1864)

Get a Frothingham Certificate of Authenticity for your painting (COA) for your Frothingham drawing.

For all your Frothingham artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Frothingham Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Frothingham painting or drawing.

If you want to sell your Frothingham painting or drawing use our selling services. We offer Frothingham selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Frothingham and issuing certificates of authenticity since 2002. We are recognized Frothingham experts and Frothingham certified appraisers. We issue COAs and appraisals for all Frothingham artworks.

Our Frothingham paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Frothingham certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Frothingham painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Frothingham paintings or drawings take longer.

Our clients include Frothingham collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform James Frothingham art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your James Frothingham or we will sell it for you.

Elias Haskett Derby

Elias Haskett Derby

James Frothingham was an early American painter born in Charlestown, Massachusetts. He received his first artistic instruction while working in his fathers’ carriage company painting chaises. Though he knew little about color theory, Frothingham eventually move away from painting coaches and on to painting portraits. He essentially taught himself how to sketch and paint and became a fairly successful portraitist. Later, he was briefly a student of Gilbert Stuart. Frothingham’s copy of his famous George Washington portrait even earned him great accolades.

Dr. John Collins Warren 1847

Dr. John Collins Warren 1847

Elizabeth Albree Brooks

Elizabeth Albree Brooks

Jonathan Brooks

Jonathan Brooks

Though little is known about the details of Frothingham’s life, he left behind a fairly large oeuvre of work. It is said that most of his paintings were executed in either Salem, Massachusetts or New York, where he eventually took up residence and became a member of the New York National Academy.

Christopher Colles

Christopher Colles

Harriet Martineau

Harriet Martineau

One of the most telling elements of a painting by Frothingham would be to examine the head and the neck and shoulders of the sitter. Frothingham was said to have had an uncanny natural ability to recreate photorealistic images of his sitters, where the head was concerned. However, some art historians and critics say that he was less talented when it came to rendering the neck and shoulders of his sitters.

Samuel Barber Clark

Samuel Barber Clark

Mrs. Ann Cutler Parker

Mrs. Ann Cutler Parker

During his lifetime, Frothingham almost certainly painted landscapes and still life paintings and even left behind a few miniatures. Still wondering about an early American portrait hanging in your home? Contact us…it could be by James Frothingham.


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1538--spada.php Leonello Spada Artwork Authentication & Art Appraisal

Leonello Spada (1576 – 1622)

Get a Spada Certificate of Authenticity for your painting (COA) for your Spada drawing.

For all your Spada artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Spada Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Spada painting or drawing.

If you want to sell your Spada painting or drawing use our selling services. We offer Spada selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Spada and issuing certificates of authenticity since 2002. We are recognized Spada experts and Spada certified appraisers. We issue COAs and appraisals for all Spada artworks.

Our Spada paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Spada certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Spada painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Spada paintings or drawings take longer.

Our clients include Spada collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Leonello Spada art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Leonello Spada or we will sell it for you.

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St. Jerome 1610’s

Leonello Spada was an Italian painter of the Baroque period, active in Rome and his native city of Bologna, where he became known as one of the followers of Caravaggio. He is also called Lionello Spada.

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Abraham and Melchizedek

He first apprenticed with painter Cesare Baglioni. By the early 1600s, Spada was active, together with Girolamo Curti, as a member of a team specializing in decorative quadratura painting in Bologna. His early independent canvases reflect a mannerist style akin to the Bolognese Denis Calvaert. In 1604 he made an unsuccessful bid for the commission to decorate the sacristy of the Basilica di Loreto. By then he had already gravitated to the Carracci Academy, having contributed to the decorations for the funeral of Agostino Carracci in 1603. His earliest surviving major painting, the altarpiece of the Virgin and Saints Dominic & Francis Interceding with Christ (1604), shows that he had modeled his style on that of Ludovico Carracci. He frequently collaborated with other students of Ludovico, especially Francesco Brizio and remained in Bologna until 1607. Spada’s figurative style gradually became more robust, as shown by the Miraculous Draught of Fishes (1607).

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Madonna and Child

Whether Spada either met or became an assistant of Caravaggio, like Manfredi, is unclear. The biographer Malvasia makes plain in his Felsina pittrice his distaste for Caravaggio, and apparently describes Spada and Caravaggio as equally “dissolute” and “precipitous”; and there are suggestions that for Caravaggio, Spada was a man “close to his heart”, and perhaps not metaphorically. Malvasia also tells the story of Spada posing for Caravaggio’s ”Death of John the Baptist”: afraid that Spada might flee and, that without a model the painting would be incomplete, Caravaggio imprisoned him in a room until he had finished. However, it is unclear if Spada ever physically encountered Caravaggio in Rome. Spada supposedly was in Rome after 1608-9, when Caravaggio had fled to Malta. Malvasia suggests the Spada followed Caravaggio to Malta. This is possible since Spada himself painted frescoes in the Magisterial palace of Valleta in 1609-1610; but Caravaggio again had fled to Sicily by 1608, thus their overlap in Malta must have been short. The dark violence of a painting such as the Cain Killing Abel (Capodimonte) and his derivative realism Musical Concert garnered him in Bologna, the maligning appelation of “scimmia del Caravaggio” (ape of Caravaggio).

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Concert 1615

But this, as much of Spada’s output, may not reflect a gathered flame of inspiration but a pale reflection, a mimicry of the harsh passion, which when linked to his Carraci upbringing leads to a weakened pastiche. Leonello Spada is known to have made many copies of other painters.

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Good Fortune

He painted a large canvas for the Basilica of San Domenico in Bologna, depicting St Dominic Burning the Books of the Heretics, (1616). The Ghiara frescoes are perhaps his masterpiece and demonstrate a return to Carraccian models. Other works of this fruitful period include the Return of the Prodigal Son and Aeneas and Anchises (both at Louvre).

In 1617, he was commissioned by Duke Ranuccio I (Farnese) to decorate the newly built Teatro Farnese for Parma. His ”Mystic Marriage of St Catherine’ (1621; Parma, San Sepolcro) is a late painting. Still wondering about an Italian painting in your family collection? Contact us…it could be by Leonello Spada.


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1539--petrov-vodkin.php Kuzma Petrov-Vodkin Artwork Authentication & Art Appraisal

Kuzma Petrov-Vodkin (Кузьма Сергеевич Петров-Водкин) (1878-1939)

We Perform Kuzma Petrov-Vodkin art authentication. Kuzma Petrov-Vodkin appraisal. Kuzma Petrov-Vodkin certificates of authenticity (COA). Kuzma Petrov-Vodkin analysis, research, scientific tests, full art authentications. We will help you sell your Kuzma Petrov-Vodkin or we will sell it for you.

Bathing of a Red Horse

Bathing of a Red Horse

Kuzma Petrov-Vodkin was born in Khvalynsk (now Engels) outside Saratov, to the family of a shoe maker. His first exposure to art was in his early childhood, when he took some lessons from a couple of icon painters and a signmaker. Still, Petrov-Vodkin didn’t quite see himself in art at that time; after graduating from middle school, he took a summer job at a small shipyard with plans to get into railroad college in Samara. After failing his exam, he turned to “Art Classes of Fedor Burov” in 1893.

Motherhood

Motherhood

In April 1895, Burov died and for some time Petrov-Vodkin took different painting jobs in the vicinity of Saratov. By chance, his mother’s employer invited a well-known architect, R. Meltzer. Petrov-Vodkin was introduced to the guest and impressed him enough to get an invitation to study art at Saint Petersburg. The education was financed by a charitable subscription among local merchants. He also met at this time Borisov-Musatov, an important painter resident in Saratov, who encouraged Petrov-Vodkin to continue his studies.

Dream

Dream

Petrov-Vodkin stayed in Saint Petersburg from 1895 to 1897 studying at the Baron Stieglits School, before moving to the Moscow School of Painting, Sculpture and Architecture. There Petrov-Vodkin was a student of Valentin Serov, Isaak Levitan and especially Konstantin Korovin. In 1901 he traveled to Munich to take classes with Aschbe. He graduated in 1904. While in Paris in 1906 he met and married Maria Jovanovic (1885-1960), a daughter of Serbian immigrant hotel-keepers. She remained his lifelong companion. They had two daughters, one of whom died in childhood.

Petrograd Madonna

Petrograd Madonna

Even during his college years, Petrov-Vodkin managed to enter into conflict with the Russian Orthodox Church, which discarded his work on a chapel in Samara and ultimately destroyed it as unacceptable. A number of his early works were deemed too erotic. His first well-known work was The Dream (1910), which sparked a discussion among contemporary Russian artists. The main defender of the painting was Alexandre Benois, and his main detractor – Ilya Repin (thus, the work was discussed by two major Russian painters of the time). Other major works of that time include Boys at play, and, notably, Bathing of a Red Horse, his most iconic work. The latter became an instant classic, and, in a sense, trademark for the artist.

Boys at Play

Boys at Play

During this stage in his artistic development, Petrov-Vodkin extensively used an aesthetic of Orthodox icon together with brighter colors and unusual compositions. His works were often deemed blasphemous and erotic. From 1924 to 1926 Petrov-Vodkin lived in France with his family. During his earlier years, Petrov-Vodkin developed his “spherical perspective”: a unique twist that distorted the drawing as to represent the viewer high enough to actually notice the spherical curve of the globe. He used it extensively through his works like Death of a Comissar and In the Line of Fire, which make the observer seem more distant, but actually close. It is argued that this twist has been built upon Byzantine perspective – an inverted perspective used in iconography.

In the Line of Fire

In the Line of Fire

Petrov-Vodkin used darker tones with time, but his paintings became more detailed. He started painting still life and portraits, stepping further away from his previous themes. With help from the Soviet government, he made several trips across the Soviet Union, producing many works with didactic purposes. In 1927, Petrov-Vodkin contracted pulmonary tuberculosis and had to curtail painting for several years. He turned to literature and wrote three major semi-autobiographical volumes, Khvalynsk, Euclid’s Space and Samarkandia. The first two of these are considered on a par with the finest Russian literature of the time.

Death of a Comissar

Death of a Comissar

The return to painting was problematic: his draftsmanship became caricature-like, and his subjects often turned satirical – this is ascribed to the suffocating atmosphere caused by Stalinist cultural policies of the 1930’s through the Great Purge of 1937-1939. However there arenotable among works of this period, in partucular 1919. Alarm. (1934), which basically displays the uneasiness of the time. Petrov-Vodkin died of tuberculosis in February of 1939. Until the mid-1960s, Petrov-Vodkin was nearly forgotten in the Soviet Union as not true to the spirit of Socialist Realism. However, during the time of Nikita Khrushchev he was rediscovered and rightfully reinstalled as one of the major Russian painters.

Thirsty Warrior

Thirsty Warrior

Still wondering about a 20th century Russian painting in your family collection? Contact us…it could be by Kuzma Petrov-Vodkin.


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1540--del-sarto.php Andrea del Sarto Artwork Authentication & Art Appraisal

Andrea del Sarto (1486-1530)

Get a Del Sarto Certificate of Authenticity for your painting (COA) for your Del Sarto drawing.

For all your Del Sarto artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Del Sarto Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Del Sarto painting or drawing.

If you want to sell your Del Sarto painting or drawing use our selling services. We offer Del Sarto selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Del Sarto and issuing certificates of authenticity since 2002. We are recognized Del Sarto experts and Del Sarto certified appraisers. We issue COAs and appraisals for all Del Sarto artworks.

Our Del Sarto paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Del Sarto certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Del Sarto painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Del Sarto paintings or drawings take longer.

Our clients include Del Sarto collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Andrea del Sarto art authentication. Andrea del Sarto appraisal. Andrea del Sarto certificates of authenticity (COA). Andrea del Sarto analysis, research, scientific tests, full art authentications. We will help you sell your Andrea del Sarto or we will sell it for you.

Andrea del Sarto was one of the most accomplished draftsmen of the High Renaissance and one of its most significant painters. He spent his entire life, in Florence, except for a year in France. His father was a tailor, hence the nickname “del Sarto’ which means of the tailor.

del Sarto Painting, Virgin with the Child and Saints

Virgin with the Child and Saints

del Sarto Painting, The Annunciation

The Annunciation

del Sarto Painting, Virign with Four Saints

Virign with Four Saints

del Sarto Painting, Self-Portrait

Self-Portrait

Del Sarto’s studio was among the most prolific of the early 16th century producing hundreds of drawings and paintings. Del Sarto trained under Piero di Cosimo and other eminent artists of his time. His art shows exposure to the work of Raphael and Fra Bartolommeo, his contemporaries in Florence. Among del Sarto’s influences was Leonardo da Vinci, from whom he adopted the technique sfumato, which means the blending of colors so that they subtly mesh with each other like smoke. But del Sarto used warmer, more mellow tones than Leonardo.

del Sarto Painting, Lamentation of Christ, 1520

Lamentation of Christ, 1520

del Sarto Painting, John the Baptist

John the Baptist

del Sarto Painting, The Virgin and the Infant with Saint Elizabeth and John the Baptist

The Virgin and the Infant with Saint Elizabeth and John the Baptist

Andrea del Sarto’s students included Pontormo, Squazzella, Fiorentino, Salviati, del Conte, and del Buda. His student, Giorgio Vasari, caused a scandal about del Sarto. Vasari vilified del Sarto’s wealthy wife (the widow Lucrezia del Fede), and her supposed malign influence on del Sarto. Most of these accusations have been proven false, and they were taken out of later editions of Vasari’s account of del Sarto’s life. Vasari’s gossip, however, did influence Ernest Jones, a student of Freud, who in 1913 wrote about the deleterious influence of the dominant Lucrezia on the art of del Sarto, and also the poet Robert Browning who wrote on a similar theme in 1855. By the mid-20th century, however, del Sarto’s reputation was restored.

del Sarto Painting, Madonna of the Harpies

Madonna of the Harpies

del Sarto Painting, Portrait of the Artists Wife

Portrait of the Artists Wife

Del Sarto is renowned for his altarpieces (among them The Madonna of the Harpies, now at the Uffizi in Florence), and frescoes, prominent examples of which are in Florence at Chiostro dello Scalzo and SS Annunziata. Del Sarto’s portraits are also considered among the outstanding examples from the first part of the 16th century.

del Sarto Painting, Portrait of a Young Man

Portrait of a Young Man * Thought to be a self-portrait of the artist

del Sarto Painting, St. Sebastian Holding Two Arrows and the Palm of Martyrdom

St. Sebastian Holding Two Arrows and the Palm of Martyrdom

del Sarto Painting, The Holy Family

The Holy Family

del Sarto Sketch, Figure Studies

Figure Studies

del Sarto Painting, Pope Leo X Group Portrait by Del Sarto

Pope Leo X Group Portrait by del Sarto

Coutesy insecula.com
del Sarto Painting, The Holy Family

Pope Leo X Group Portrait by Raphael

del Sarto Painting, The Last Supper, Fresco, Convent of San Salvi, Florence

The Last Supper, Fresco, Convent of San Salvi, Florence

 

Sarto Discoveries

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A painting Madonna and Child by Andrea del Sarto was rediscovered in 2001 after having disappeared in 1649. It was one of the last paintings completed by del Sarto before he died in 1530. The painting is currently in a private collection.

Please contact Art Certification Experts if you have any questions about your del Sarto drawing or painting.

 

 

 

 

del Sarto Painting, Madonna and Child

Madonna and Child

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1541--ruysdael.php Jacob van Ruysdael Artwork Authentication & Art Appraisal

Jacob Isaakszoon van Ruysdael (also Jacob van Ruisdael) (1628-1682)

Jacob van Ruysdael art authentication. Jacob van Ruysdael appraisal. Jacob van Ruysdael certificates of authenticity (COA). Jacob van Ruysdael analysis, research, scientific tests, full art authentications. We will help you sell your Jacob van Ruysdael or we will sell it for you.

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The Windmill at Wijk 1670

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The Large Forest

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The Hunt

Jacob van Ruysdael was a 17th century painter Baroque Dutch artist born in Haarlem in The Netherlands. Some art historians have called Ruysdael the most celebrated Dutch landscape painter to have ever lived. He came from a family of artists and learned to paint from his father, a painter, art dealer and frame maker, and from his uncle, Solomon van Ruysdael. After being under the tutelage of his family, Ruysdael set off for Germany where he studied for a decade, finally settling in Amsterdam. There, he established a productive studio where he trained a generation of Dutch painters.

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View of Amsterdam

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The Dam Square in Amsterdam

It has been noted by art critics that trees were Ruysdael’s specialty when it came to painting. Art critics have noted his great talent for rendering foliage, particularly leaves and oak trees. Although he painted seascapes and coastal scenes as well, it is Ruysdael’s renditions of forests and pastures that were among his best.

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The Great Oak 1652

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The Shore at Egmond-an-Zee 1675

These scenes show the influence of Rembrandt and are often accompanied by far away castles and cities, windmills and other Dutch country symbols. By 1655, Ruysdael had permanently settled in Amsterdam and began to adopt a brighter color palette. During this time, he was mainly painting forest scene, waterfalls and valleys, and towards the end of his career, Ruysdael focused more on distant cities and panoramas.

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Wheat Fields

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Waterfall In The Mountains in a Northern Landscape 1665

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Bentheim Castle 1653

One of the most interesting aspects about Ruysdael’s body of work is the way that he and the other artists in his family signed their name. His fathers’ real name was said to be Isaak de Goyer, and later on changed it to Ruysdael. His uncle, Soloman van Ruysdael, also was said to have variations on his signatures. Other works are signed “Ruisdael,” so there is really no way to tell for certain just by looking at a signature whether a piece was created by Ruysdael, his father, or his uncle.

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The Jewish Cemetary

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Winter Landscape 1670

It is said that during his lifetime, Ruysdael was not nearly as appreciated for his talent as a landscape painter as he is today, and though he was fairly successful, most likely, he lived in poverty. During his lifetime, Ruysdael also created a few etchings, but most likely did not paint any portraits or genre pieces. Only one of his known interior paintings still exist today, however, that leaves a possibility for otherwise unknown architectural pieces by Ruysdael to surface.

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Village at Winter at Moonlight

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Two Watermills and an Open Sluice Near Singraven

Today, Ruysdael’s work is housed all over the world and can be seen in the Louvre, Paris, as well as The Hague and the National Gallery in London, and perhaps in your own home. Still wondering about a 17th century Dutch landscape in your family estate? Contact us…it could be by Jacob van Ruysdael.


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1542--sorolla-y-bastida.php Joaquin Sorolla y Bastida Artwork Authentication & Art Appraisal

Joaquin Sorolla y Bastida (1863-1923)

Get a Sorolla y Bastida Certificate of Authenticity for your painting (COA) for your Sorolla y Bastida drawing.

For all your Sorolla y Bastida artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sorolla y Bastida Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sorolla y Bastida painting or drawing.

If you want to sell your Sorolla y Bastida painting or drawing use our selling services. We offer Sorolla y Bastida selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sorolla y Bastida and issuing certificates of authenticity since 2002. We are recognized Sorolla y Bastida experts and Sorolla y Bastida certified appraisers. We issue COAs and appraisals for all Sorolla y Bastida artworks.

Our Sorolla y Bastida paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sorolla y Bastida certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sorolla y Bastida painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sorolla y Bastida paintings or drawings take longer.

Our clients include Sorolla y Bastida collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Joaquin Sorolla Y Bastida art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Joaquin Sorolla Y Bastida or we will sell it for you.

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Return From Fishing Towing the Bark

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Boys at the Beach

Though his youth was riddled with sorrow and tragedy, Sorolla somehow managed to become one of the greatest painters of light, joy and beauty in his time. Known for the way he captured beauty and light in his outdoor scenes, and grace and dignity in his portraiture’s, Sorolla is also one of the least recognized artists amongst his contemporaries.

At the age of two, Sorolla was orphaned when his parents contracted Cholera and died. While living with his aunt and uncle, Sorolla developed a love of art. By the time he was 15, he was studying painting in his hometown, and even took instruction from sculptor Cayentano Capuz and painter Francisco Pradilla. At 18, he was copying old master paintings at the Museo del Prado in Madrid.

After studying in Rome at the age of 22, Bastida became fascinated with light and mastered the technique that became his trademark. During this time, Sorolla and his colleagues formed a progressive group called “The Macchiaoli” which still has a following today. These artists are generally referred to as the Italian response to the Impressionist movement.

In these early years, before fully utilizing his full potential at painting light, Sorolla often produced paintings of religious or serious social meaning. One of these sad compositions are “Otra Margarita”, which portrays a downtrodden woman, and also “Sad Inheritance” (1899) a painting of laundry workers.

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Otra Margarita, 1892

After this period, Sorolla seemed to lighten up a bit. From 1901 to 1905, he produced more than 500 oil paintings in plein air technique, which is painting outdoor scenes on location. He used a spontaneous approach and often left works looking unfinished, but managed to capture his subjects in a candid and intimate way that only a camera can produce today.

One of the reasons that a Sorolla work can be hard to distinguish is because of his indistinguishable style. Impressionist, Realist, Expressionist and Classicist—he has been called all of these, and in a sense, Sorolla is a culmination of them all. His beach scenes are like impressionist-style snapshots, but he was also able to produce beautifully detailed 17th century-styled portraits. He was commissioned to do portraits of famous people and nobility, such as President William H. Taft and King Alphonso and Queen Victoria Eugenie of Spain.

So how can you tell if you own a Sorolla? If it is a portrait, look at the color scheme. Does it mirror that of Goya, or any other Spanish master? Sorolla borrowed heavily from their classic color palates, giving his work a deep and velvety texture. If the work in question is a beach scene, pay close attention to details. If the water has a mirror-like quality and a brilliant shine, you may have a genuine Sorolla. Few painters have ever mastered the way he portrays reflection in water, and this is perhaps his greatest achievement. Evidence of this style can be seen in his famous “Two Sisters”; the girls on the beach are happy and the water beneath them sparkles as if alive. Most of Sorolla’s beach scenes take place in his hometown of Valencia, Spain, so look for evidence of that in his paintings as well. Sorolla also had a way of painting the opaqueness of thin fabrics (sheets, dresses), and they are always highly animated and billowy in his beach scenes as well.

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Two Sisters, 1909

While it is not likely that a portraiture of Sorolla’s would be uncatalogued or unknown, there are great possibilities for beach scenes and landscapes. Because he was so prolific, Sorolla created hundreds of beach paintings, which often went unsold at his salons and galleries. Could there be a lost Sorolla beach scene hanging on someones wall or hidden in an attic in Valencia or the United States? Most certainly.

During the span of his career, Sorolla was always in demand, but generally disliked or ignored due to newer styles of painting. Sadly, Cubism, Fauvism and Surrealism caught the attention of the art world, and his work was often dismissed as outdated and too classical. The beauty of children at play and common people living their lives was not of interest to his contemporaries.

One of Sorolla’s greatest achievements was a panel painting project that he was commissioned for from the Museum of Hispanic Society. He worked on this project for seven years (1912-1919) and the grueling work took it’s toll on the elderly artist. He suffered a stroke in 1920 and was able to produce little work after that due to paralysis. He died in 1923 while, ironically, painting a portrait in his garden.

Sorolla’s work is house all over Europe and the United States. A large collection of his work was willed to the people of Spain by Sorolla’s wife and is now housed at the Museo Sorolla in Madrid. While Sorolla may not be the best known Spanish painter, he certainly was able to capture light, joy and beauty in a time when political messages and abstraction reigned supreme.


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1543--krimmel.php John Lewis Krimmel Artwork Authentication & Art Appraisal

John Lewis Krimmel (1787-1821)

Get a Krimmel Certificate of Authenticity for your painting (COA) for your Krimmel drawing.

For all your Krimmel artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Krimmel Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Krimmel painting or drawing.

If you want to sell your Krimmel painting or drawing use our selling services. We offer Krimmel selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Krimmel and issuing certificates of authenticity since 2002. We are recognized Krimmel experts and Krimmel certified appraisers. We issue COAs and appraisals for all Krimmel artworks.

Our Krimmel paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Krimmel certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Krimmel painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Krimmel paintings or drawings take longer.

Our clients include Krimmel collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John Lewis Krimmel art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Lewis Krimmel or we will sell it for you.

The Fourth of July 1819

The Fourth of July 1819

John Lewis Krimmel was an early American painter born in Wurtemburg, Germany. Krimmel emigrated to the United States in 1810 and lived in Philadelphia. His earliest influences were Benjamin West and William Hogarth. Krimmel worked in a number of mediums from oil paints and watercolors to gouache and graphite.

Members of the City Troop and Other Philadelphia Soldiery

Members of the City Troop and Other Philadelphia Soldiery

Krimmel had an unusual style that was shaped by his love for engravings. He was highly influenced by European engravings, especially from the Dutch, and became famous for his highly detailed canvases. He favored himself a painter of conversations, portraits and subjects of humor, and was interested in common and exotic subjects. His painting “The Country Wedding” is considered to be his finest piece.

The Country Wedding

The Country Wedding

While in Philadelphia, Krimmel was very active in the artistic community and made friends with many of his contemporaries of the time such as Rembrandt Peale, Charles Bird King and Thomas Sully. He joined a sketch club with those respective members and others in 1812 and worked alongside these other artists.

Black People's Prayer Meeting

Black People’s Prayer Meeting

Election Day 1815

Election Day 1815

Krimmel returned to Europe in 1816 to settle his sisters’ estate and after he conducted his business, he spent the next few years on a leisurely voyage. On his way back to the United States, he stopped off in Bermuda and created a number of sketches of the island. Krimmel also visited Paris during this time, and undoubtedly created sketches or paintings there. His sketchbook also shows that he visited Venice, Salzburg and Munich and also spent his time sketching historic fortresses and castles along the Danube River.

Village Tavern

Village Tavern

Blind Mans Bluff

Blind Mans Bluff

Upon his return to the United States in 1819, Krimmel exhibited his paintings that he created abroad at the Academy of Fine Arts in New York an also in Philadelphia the following year. It is insinuated that Krimmel was not successful enough to support himself solely by painting, and therefore taught drawing to young girls at a boarding school. Catalogues at his exhibitions also do not show if his paintings were sold, so it is likely that often times, they were not.

Parade of the Victuallers

Parade of the Victuallers

View of the Parade

View of the Parade

Krimmel’s career as a painter picked up after 1820, however, when a Philadelphia magazine, “The Analectic Magazine,” published a story about him. From then on, he began to receive commissions from printmakers and paintings for local government buildings and public buildings such as the Pennsylvania Hospital.

The Quilting Frolic

The Quilting Frolic

The Sleighing Frolic

The Sleighing Frolic

Though lesser known, Krimmel also painted a number of portraits to support himself throughout his career. His earliest portraits were probably executed after his return from Europe and he painted portraits for prominent Philadelphia society figures.

Young Girl with a Blue Dress

Young Girl with a Blue Dress

Portrait of Jacob Ritter Sr

Portrait of Jacob Ritter Sr

Sadly, Krimmel’s life was cut short just as his career in the United States was taking off. He was commissioned to create a painting entitled “The Landing of William Penn at Newcastle in October 1682,” however, he never lived to see it completed and died of accidental drowning. This large scale historical piece was a very important commission, and his death was considered to be very tragic among his fellow painters.

The Conflagration of the Masonic Hall, Chestnut Street Philadelphia

The Conflagration of the Masonic Hall, Chestnut Street Philadelphia

Today, Krimmel’s work is housed in public and private collections all over New England and possibly Europe. Still wondering about an early American painting hanging in your home? Contact us…it could be by John Lewis Krimmel.


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1544--kandinsky.php Wassily Kandinsky Artwork Authentication & Art Appraisal

Wassily Kandinsky (1866-1944)

Get a Kandinsky Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Kandinsky artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Kandinsky Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kandinsky painting, drawing or print.

If you want to sell your Kandinsky painting, drawing or print use our selling services. We offer Kandinsky selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kandinsky and issuing certificates of authenticity since 2002. We are recognized Kandinsky experts and Kandinsky certified appraisers. We issue COAs and appraisals for all Kandinsky artworks.

Our Kandinsky paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kandinsky certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kandinsky painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kandinsky paintings or drawings take longer.

Our clients include Kandinsky collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Wassily Kandinsky art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Wassily Kandinsky or we will sell it for you.

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Kandinsky, circa 1910

Wassily Kandinsky was a Russian painter, printmaker and art theorist. One of the most famous 20th-century artists, he is credited with painting the first modern abstract works.

Best known for his work with the Blue Rider group, as well as the Bauhaus movement, Kandinsky was an art theorist and philosopher. Kandinsky created true compositions with musical intonations, color theories, and natural intonations, thus making him a true master in comparison to other artists of his day.

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Autumn in Bavaria, 1908

Today, Kandinsky is one of the most highly sought after and collected artists in the world. Kandinky paintings also fetch some of the highest prices at auction, commanding millions of dollars from collectors, and the interest in this modern day master is not waning.

Like so many other artists of the 20th-century, new and Kandinsky paintings, sketches and drawings are often surfacing in the art market. His name is referenced in popular films, documentaries and his images are slowing becoming just as well known as those of his contemporaries. We gladly welcome all inquiries regarding the works of Wassily Kandinsky.

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Several Circles, 1926

Still wondering about a painting in your family collection? Contact us… it could be by Wassily Kandinsky.


done
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done
1546--grosz.php George Grosz Artwork Authentication & Art Appraisal

George Grosz (1893 – 1959)

Get a Grosz Certificate of Authenticity for your painting (COA) for your Grosz drawing.

For all your Grosz artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Grosz Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Grosz painting or drawing.

If you want to sell your Grosz painting or drawing use our selling services. We offer Grosz selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Grosz and issuing certificates of authenticity since 2002. We are recognized Grosz experts and Grosz certified appraisers. We issue COAs and appraisals for all Grosz artworks.

Our Grosz paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Grosz certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Grosz painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Grosz paintings or drawings take longer.

Our clients include Grosz collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform George Grosz art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your George Grosz or we will sell it for you.

Grosz, Republican Automatons

Republican Automatons
1920
Museum of Modern Art, New York

Grosz, The Painter of the Hole I

The Painter of the Hole I
1948 Oil on Canvas 76.5 x 56.2 cm
Hirshhorn Museum

Grosz, The Survivor

The Survivor
1936 Watercolor, gouache, ink on paper 60.7 x 45.9 cm
Hirshhorn Museum

Georg Ehrenfried Groß, known as George Grosz, was a German artist, active in the Berlin Dada and New Objectivity movements. Before moving to Berlin, Grosz spent much of his childhood in the town of Stolp. In 1914 Grosz joined the military voluntarily, romanticizing the “war to end all wars” motto, created to promote service in the First World War. After only a year of service Grosz was discharged, until being called to duty again in 1917. Grosz only served a few months before receving his second discharge.

Grosz, Upheaval

Upheaval
1952 Watercolor on Paper 23.5 x 17 in
Hirshhorn Museum.

Grosz, Untitled

On the Street
1926 Watercolor, pencil on paper 64.1 x 31.8 cm
Metropolitan Museum of Art, New York

By 1919 Grosz became active in the Communist Part of Germany and engaged in controversial activities, which led to his temporary arrest and a fine of 300 marks. As a communist, Grosz traveled to Russia and met both Lenin and Trotsky. After five months in Russia, Grosz lost his enthusiasm for the KPD and decided to leave the Communist Party in 1922.

Grosz, The Secret Emperor (The Industrialist Hugo Stinnes)

The Secret Emperor (The Industrialist Hugo Stinnes)
1920 Pen, brush, ink on paper 64.5 x 48.3 cm
Metropolitan Museum of Art, New York

Grosz, Berlin Street Scene

Berlin Street Scene
1920 Pen and ink on paper 52.7 x 35.6 cm
Metropolitan Museum of Art, New York

Grosz, Sportsmann

Sportsmann
1922 Pen, ink, watercolor
National Gallery, DC

Grosz was strongly opposed to Hitler’s leadership, and decided to emigrate to the United States before the Nazi’s gained more power. Grosz first went to New York in 1932 to teach a course at the Art Students League. By 1938 he became a naturalized citizen and settled with his family in Bayside, New York. When looking at Grosz’s paintings it can be easily seen that Grosz drastically changed his style of painting after leaving Germany. The change in his paintings, mirror Grosz’s attempt to create a fresh start in a new country.

Grosz, Berlin Street

Berlin Street
1931 Oil on Canvas
Museum of Grenoble

Grosz, I am Glad I Came Back

I am Glad I Came Back
1943 Oil on Masonite

In the 1950s Grosz started teaching art classes out of his home and became a member of the American Academy of Arts and Letters. In The United States, Grosz exhibited frequently and published an autobiography titled, A Little Yes and a Big No.

Grosz, Artist and Model

Artist and Model
1950 Watercolor on paper 23.5 x 17.5 in
Orlando Museum of Art

Grosz, Café

Café
1916 Oil on Canvas 48.3 x 32.4 cm
St. Louis Museum of Art

A few years before his death, Grosz decided to return to Berlin. Grosz died in 1959 after falling down a staircase in an inebriated state. Posthumously, Grosz has become the subject of several films and museum retrospectives. His early paintings create an important picture of the Weimar Republic of Berlin in the 1920s, which is both crude and uncensored. Grosz’s work is now in important museums and private collections around the world.

Do you think you own a painting by George Grosz? Contact us. We are the Grosz experts.


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1547--martin-quinquela.php Quinquela Martin Artwork Authentication & Art Appraisal

Benito Quinquela Martin (1890-1977)

Cree que es propietario de una pintura de Quinquela Martin? Autenticamos, tasamos, investigamos, damos información y emitimos Certificados de Autenticidad (COA) de todas las obras de Quinquela Martin.

Pintor y muralista argentino. Fue uno de los “Pintores de La Boca” (uno de los barrios de su ciudad natal). Con un estilo naturalista, la temática de su obra giró, sobre todo, en torno a los barcos y las labores portuarias en general. Se le consideró el pintor del riachuelo por su tratamiento de los temas portuarios.

Quinquela Martin, Día de Sol
Día de Sol
Quinquela Martin

Nació el 1 de marzo de 1890 y fue abandonado a poco de nacer, permaneció en un orfanato hasta que, a los seis años, fue adoptado por Manuel Chinchella y Justina Molina. Empezó su formación en una escuela de enseñanza en la que únicamente permaneció dos cursos ya que, con tan sólo nueve años, tuvo que empezar a trabajar en la carbonería paterna.

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Buque en reparación, óleo sobre tela, 140.5 x 130.7 cm, 1025

Posteriormente, y hasta que cumplió los quince, fue obrero portuario de La Boca. En 1907 ingresó en una modesta academia de dibujo de su barrio para estudiar pintura con Alfredo Lazzari. Desde entonces se dedicó a la pintura. Conoció al, por entonces, director de la Academia de Bellas Artes, Pío Collivadino, que le ayudó a iniciarse en el dibujo de retratos y a incorporar el color a sus obras.

Puente de La Boca
Puente de La Boca (1946)
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En 1918 exhibió sus pinturas en la Primera Exposición Individual de la Galería Witcomb. La muestra fue un éxito y los críticos hablaron de la aparición de un original pintor, con técnica, estilo y mensaje propios.

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A partir de este momento empezaron sus recorridos por el mundo. En 1921 realizó su primera exposición internacional en Río de Janeiro. Su primer viaje a Europa lo realizó dos años más tarde, concretamente a Madrid. En 1925 llegó a París, dos años más tarde a Nueva York y en 1929 a Italia, donde Mussolini lo nombró su pintor predilecto.

Sus pinturas de escenas portuarias reflejan una fuerte expresión de actividad, de vigor y de aspereza como muestra de la vida en la zona de la Boca. También pintó  numerosos murales y cerámicas de grandes dimensiones en edificios públicos, oficiales y en instituciones privadas. En 1938 inauguró el Museo de Bellas Artes de la Boca en el mismo edificio donde tenía su taller y su vivienda.

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Barcas en el Riachuelo
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Barcos a pleno sol, 1961

Entre sus obras se destacan: Tormenta en el Astillero (Museo de Luxemburgo, París), y Crepúsculo en el astillero (Museo de Bellas Artes Pedro de Mendoza).

Quinquela Martín se convirtió en filántropo, donando al barrio y a la ciudad una serie de obras. Su obra figura en los mejores museos de arte de Europa y América.

Falleció en Buenos Aires el 28 de Enero de 1977.

Se está preguntando todavía si su pintura puede ser de Quinquela Martin? Póngase en contacto con nosotros….quizás lo sea y nosotros se lo podemos confirmar… somos expertos en este autor.


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1548--devis.php Arthur Devis Artwork Authentication & Art Appraisal

Arthur Devis (1712-1787)

Get a Devis Certificate of Authenticity for your painting (COA) for your Devis drawing.

For all your Devis artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Devis Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Devis painting or drawing.

If you want to sell your Devis painting or drawing use our selling services. We offer Devis selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Devis and issuing certificates of authenticity since 2002. We are recognized Devis experts and Devis certified appraisers. We issue COAs and appraisals for all Devis artworks.

Our Devis paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Devis certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Devis painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Devis paintings or drawings take longer.

Our clients include Devis collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Arthur Devis art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Arthur Devis or we will sell it for you.

Devis painting,A Lady in Blue

A Lady in Blue

Arthur Devis was an 18th century British painter. Devis was born in Preston, but spent most of his career in London. He painted mainly portraits and delicate genre scenes. Devis did not paint typical portraits, rather, he would position his sitters in informal poses with interesting backgrounds and landscapes.

Devis painting,Philip Howard of Corby Castle, Cumberland

Philip Howard of Corby Castle, Cumberland

Devis painting, Sir Nathaniel and Lady Caroline Curzon 1754

Sir Nathaniel and Lady Caroline Curzon 1754

Devis painting, The James Family

The James Family

Though Devis found little success in his lifetime, a revival of his work was met with much popularity in the 1930’s. Devis’s paintings are also highly admired by historians and art critics for the wealthy and often historically famous patrons that sat for him.

Devis painting,Sir Roger Newdigate in the Library at Arbury

Sir Roger Newdigate in the Library at Arbury

Devis painting,Mr. And Mrs. Atherton 1743

Mr. And Mrs. Atherton 1743

Still wondering about an 18th century British painting in your family collection? Contact us…it could be by Arthur Devis.


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1549--steinlen.php Théophile Steinlen Artwork Authentication & Art Appraisal

Théophile Alexandre Steinlen (1859-1923)

Get a Steinlen Certificate of Authenticity for your painting or a COA for your Steinlendrawing, print or sculpture.

For all your Steinlenartworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Steinlen Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Steinlenpainting, drawing, print or sculpture.

If you want to sell your Steinlenpainting, drawing, print or sculpture use our selling services. We offer Steinlen selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Steinlenand issuing certificates of authenticity since 2002. We are recognized Steinlenexperts and Steinlen certified appraisers. We issue COAs and appraisals for all Steinlen artworks.

Our Steinlenpaintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Steinlencertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Steinlenpainting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Steinlenpaintings, drawings or sculptures take longer.

Our clients include Steinlencollectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Théophile Steinlen art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Théophile Steinlen or we will sell it for you.

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Tournée du Chat Noir

Théophile Steinlen frequently referred to as just Steinlen was a Swiss-born French Art Nouveau painter and printmaker. Born in Lausanne, Steinlen studied at the local University before taking a job as a designer trainee at a textile mill in Mulhouse in eastern France. In his early twenties he was still developing his skills as a painter when he and his new wife were encouraged by the painter François Bocion to move to the artistic community in the Montmartre Quarter of Paris. Once there, Steinlen was befriended by the painter Adolphe Willette who introduced him the artistic crowd at Le Chat Noir that led to his commissions to do poster art for the cabaret owner/entertainer, Aristide Bruant and other commercial enterprises.

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Clinique Cheron

In the early 1890s, Steinlen’s paintings of rural landscapes, flowers, and nudes were being shown at the Salon des Indépendants. His 1895 lithograph titled Les Chanteurs des Rues was the frontispiece to a work entitled Chansons de Montmartre published by éditions Flammarion with sixteen original lithographs that illustrated the Belle Epoque songs of Paul Delmet. His permanent home, Montmartre and its environs was a favorite subject throughout Steinlen’s life and he often painted scenes of some of the harsher aspects of life in the area. In addition to paintings and drawings, he also did sculpture on a limited basis, most notably figures of cats that he had great affection for as seen in many of his paintings.

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Cats 1910

Steinlen became a regular contributor to Le Rire and Gil Blas magazines plus numerous other publications including L’Assiette au Beurre and Les Humouristes, a short-lived magazine he and a dozen other artists jointly founded in 1911.

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Gil Blas

Between 1883 and 1920, he produced hundreds of illustrations, a number of which were done under a pseudonym so as to avoid political problems due to their harsh criticisms of societal ills.

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La Petit Sou

Théophile Steinlen died in 1923 in Paris and was laid to rest in the Cimetière Saint-Vincent in Montmartre. Today, his works can be found at many important museums around the world including at the Hermitage Museum in St. Petersburg, Russia. and the National Gallery of Art in Washington, D.C., United States.

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Three Young Girls

Still wondering about a late 19th century French print in your family collection? Contact us…it could be by Théophile Steinlen.


done
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1552--carreno.php Juan Carreño de Miranda Artwork Authentication & Art Appraisal

Juan Carreño de Miranda (1614-1685)

Get a Carreño De Miranda Certificate of Authenticity for your painting (COA) for your Carreño De Miranda drawing.

For all your Carreño De Miranda artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Carreño De Miranda Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Carreño De Miranda painting or drawing.

If you want to sell your Carreño De Miranda painting or drawing use our selling services. We offer Carreño De Miranda selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Carreño De Miranda and issuing certificates of authenticity since 2002. We are recognized Carreño De Miranda experts and Carreño De Miranda certified appraisers. We issue COAs and appraisals for all Carreño De Miranda artworks.

Our Carreño De Miranda paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Carreño De Miranda certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Carreño De Miranda painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Carreño De Miranda paintings or drawings take longer.

Our clients include Carreño De Miranda collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Juan Carreño de Miranda art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Juan Carreño de Miranda or we will sell it for you.

Carreño de Miranda, Carlos II

Carlos II

Carreño de Miranda, Irod's Feast

Irod’s Feast

Juan Carreño de Miranda was a Spanish painter of the Baroque period, also known as the Golden Era of painting in Spain. Carreño was born in Avilés in Asturia before moving ot Madridwith his family in 1623. Carreño began his art training in the late 1620s, first studying under Pedro de las Cuevas and Bartolomé Roman.

Carreño de Miranda, Queen Mariana of Austria

Queen Mariana of Austria

Carreño soon received important commissions, including a number of pieces for the cloister of Doña María de Aragón in the cathedral, El Rosario. Carreño’s early projects gained the attention of Diego Velázquez, possibly the most renowned Spanish artist of the Baroque period. Carreño has been criticized for imitating Velazquez’s style, though many Baroque artists demonstrated a similar aesthetic in their work.

Carreño de Miranda, Eugenia Martinez Vallejo

Eugenia Martinez Vallejo

In 1658, Carreño was chosen as an assistant for the royal commission to paint in the Alcázar Palace (the Royal Palace of Madrid). Carreño’s strong work put him next in line for a position as court painter. Several years later, after the death of Sebastian de Herrera in 1971, Carreño became the official painter of the queen.

Carreño de Miranda, Duchess of Feria

Duchess of Feria

Carreño de Miranda, Carlos II

Carlos II

Carreño de Miranda, Carlos II

Carlos II

Carreño de Miranda, Duke of Leoma

Duke of Leoma

Carreño de Miranda, Don Fernando of Valenzuela

Don Fernando of Valenzuela

Carreño spent the next several years painting portraits of royalty. Most commonly painted subject included Carlos II, the Duchess of Feria, the Duke of Leoma and the Queen Marian of Austria.

While Carreño did not wish to be knighted by the court, he was held in high esteem for his exemplary work. Carreño had several assistants, including Ledesma and Sotomayor, Mateo Cerezo, Cabezalero and Donoso.

Carreño’s paintings now belong to major collections in Madrid, Vienna, St. Petersburg and Pamplona, among other locations. Do you think you own a painting by Juan Carreño de Miranda? Contact us. We are the experts.


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1553--soyer-raphael.php Raphael Soyer Artwork Authentication & Art Appraisal

Raphael Soyer (1899-1987)

Get a Soyer Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Soyer artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Soyer Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Soyer painting, drawing or print.

If you want to sell your Soyer painting, drawing or print use our selling services. We offer Soyer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Soyer and issuing certificates of authenticity since 2002. We are recognized Soyer experts and Soyer certified appraisers. We issue COAs and appraisals for all Soyer artworks.

Our Soyer paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Soyer certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Soyer painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Soyer paintings or drawings take longer.

Our clients include Soyer collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Raphael Soyer art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Raphael Soyer or we will sell it for you.

Girl in Brown Jacket 1938

Girl in Brown Jacket 1938

Raphael Soyer was a Russian-born American painter, draftsman, and printmaker. Soyer was referred to as an American scene painter. He is identified as a Social Realist because of his interest in men and women viewed in contemporary settings which included the streets, subways, salons and artists’ studios of New York City, although he avoided subjects that were particularly critical of society. He also wrote several books on his life and art. His brothers Moses Soyer and Isaac Soyer were also painters.

The Model 1944

The Model 1944

Raphael Soyer and his identical twin brother, Moses, were born in Borisoglebsk, Tambov, a southern province of Russia in 1899. Their father, a Hebrew scholar, writer and teacher, raised his five children in an intellectual environment in which much emphasis was placed on academic and artistic pursuits. Due to Russian oppression, the Soyer family was forced to emigrate in 1912 to the United States, where they ultimately settled in the Bronx.

Roomates

Roomates

Raphael pursued his art education at the free schools of the Cooper Union where he met Chaim Gross, who became a lifelong friend from that time. He continued his studies at the National Academy of Design and, subsequently, at the Art Students League of New York. While there, he studied with Guy Pene du Bois and Boardman Robinson, taking up the gritty urban subjects of the Ashcan school. After his formal education ended, Soyer became associated with the Fourteenth Street School of painters that included Reginald Marsh, Isabel Bishop, Kenneth Hayes Miller, Peggy Bacon and, his teacher, Guy Pene du Bois. Soyer persistently investigated a number of themes – female nudes, portraits of friends and family, New York and, especially, its people – in his paintings, drawings, watercolors and prints. He was adamant in his belief in representational art and strongly opposed the dominant force of abstract art during late 1940’s and early 1950’s. Defending his position, he stated: “I choose to be a realist and a humanist in art.”

Working Girls Going Home 1937

Working Girls Going Home 1937

Beginning in the early 1930’s he showed regularly in the large annual and biennial American exhibitions of the Whitney Museum of American Art, the Carnegie Institute, the Art Institute of Chicago, the Corcoran Gallery of Art, the National Academy of Design, and the Pennsylvania Academy of the Fine Arts. He had a series of one – man shows in New York galleries and also worked in the WPA Federal Arts Project in the 1930’s.

Model with Bookcase 1938

Model with Bookcase 1938

Soyer’s teaching career began at the John Reed Club, New York, in 1930 and included stints at the Art Students League, the New School for Social Research and the National Academy. His work is in numerous museums including the Museum of Modern Art; The Corcoran Gallery of Art, Washington, D.C.; Fogg Art Museum, Harvard University; The Phillips Collection, Washington, D.C.; The New York Public Library, New York; Tel Aviv Museum, Israel; Uffizi Gallery, Florence, Italy and Los Angeles County Museum, California.

Model with Bookcase 1938

Model with Bookcase 1938

Still wondering about a Russian painting in your family collection? Contact us…it could be by Raphael Soyer.


done
1554--tosini.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "tosini" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "tosini" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1555--magi.php Konrad Mägi Artwork Authentication & Art Appraisal

Konrad Mägi (1878–1925)

Do you think you may own a painting by Konrad Mägi?

Get a Mägi Certificate of Authenticity for your painting (COA) for your Mägi drawing.

For all your Mägi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mägi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mägi painting or drawing.

If you want to sell your Mägi painting or drawing use our selling services. We offer Mägi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mägi and issuing certificates of authenticity since 2002. We are recognized Mägi experts and Mägi certified appraisers. We issue COAs and appraisals for all Mägi artworks.

Our Mägi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mägi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mägi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mägi paintings or drawings take longer.

Our clients include Mägi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Konrad Mägi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Konrad Mägi or we will sell it for you.

1. A Landscape with a Bell Tower. 1913-14. Oil on Canvas.

1. A Landscape with a Bell Tower. 1913-14. Oil on Canvas.

2. Landscape of Vilsandi. 1913-14. Oil on Canvas. Tartu Art Museum.

2. Landscape of Vilsandi. 1913-14. Oil on Canvas. Tartu Art Museum.

Konrad Mägi was an Estonian artist who made modern landscape paintings. Mägi was born in the Tartu Country of Estonia. His artistic training began in his childhood after he enrolled in drawing courses with the German Artisans Society of Tartu. Mägi continued his training in St. Petersburg and Paris, where Impressionist and Fauvist painters inspired his work. Mägi’s work became notably brighter in color and his brushwork became more experimental.

3. Landscape with a Red Cloud. 1913-14. Oil on Canvas.

3. Landscape with a Red Cloud. 1913-14. Oil on Canvas.

4. Landscape with Rocks. 1913-14. Oil on Canvas.

4. Landscape with Rocks. 1913-14. Oil on Canvas.

Mägi returned to Tartu in 1912, but continued to travel with frequency. Of all the places he visited, Mägi was greatly taken by the landscapes of Italy, which he painted with great passion. Mägi’s style drastically changed during his time in Italy, becoming more Expressionist than Impressionist.

5. Venice. 1922-23. Oil on Canvas.

5. Venice. 1922-23. Oil on Canvas.

Mägi is currently remembered as one of Estonia’s greatest modernist landscape painter. Many of his works are in the Art Museum of Estonia and Tartu Art Museum’s permanent collections. If you think you may own original artwork by Konrad Mägi, contact Art Certification Experts for information regarding our services.


done
1556--abercrombie.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "abercrombie" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "abercrombie" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1557--vonnoh.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vonnoh" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vonnoh" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1558--ponce-fidelio-english.php Fidelio Ponce de Leon Artwork Authentication & Art Appraisal

Fidelio Ponce de Leon (1895-1949)

Get a Ponce De Leon Certificate of Authenticity for your painting (COA) for your Ponce De Leon drawing.

For all your Ponce De Leon artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ponce De Leon Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ponce De Leon painting or drawing.

If you want to sell your Ponce De Leon painting or drawing use our selling services. We offer Ponce De Leon selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ponce De Leon and issuing certificates of authenticity since 2002. We are recognized Ponce De Leon experts and Ponce De Leon certified appraisers. We issue COAs and appraisals for all Ponce De Leon artworks.

Our Ponce De Leon paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ponce De Leon certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ponce De Leon painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ponce De Leon paintings or drawings take longer.

Our clients include Ponce De Leon collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Fidelio Ponce de Leon art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Fidelio Ponce de Leon or we will sell it for you.

Ponce de Leon

Figures, 1935

Mystery shrouds the life of Fidelio Ponce de Leon, named by many as one of the most authentic Cuban painters of his era. His peers and fellow artists have also called him one of the best plastic artists of his time.

Born Alfredo Ramón Jesús de la Paz Fuentes Pons, the details of his life are at times sketchy. He studied at San Alejandro but it is not known if he finished his studies there. Ponce literally disappeared from the art scene from 1918-1923. It was later learned that he spent those years in a small town, teaching children to draw. During this time, it is also said that he was working in advertising, perhaps in Havana. There have even been rumors that he died of starvation, when in fact he died of complications due to tuberculosis.

Ponce de Leon

Sketch of woman with bow

Unlike many of his contemporaries, Ponce never ventured outside of Cuba for artistic training or inspiration. He traveled abroad to Russia and Mexico, but did not search for artistic instruction in Paris or other European art centers. He created almost all of his artwork in Cuba, and he received all of his formal instruction in Cuba as well. For this reason, many have called him one of the most authentic Cuban painters of his era.

Ponce de Leon

Portrait of Dr. Mario D. Cardenas Pupo

Ponce de Leon

Untitled, Portrait of a Woman

It is said by some that Ponce was a very likable person, but it is also said that he was a sad man, and even an alcoholic. It is likely that there is truth to both, but his sadness is what mostly came through in his artwork. Oil paintings, ceramics, watercolors, charcoals, engravings and papier-mâché were all part of his oeuvre, but it is his oil paintings that he is known for.

Ponce de Leon

La Niña Amadita / The Girl Amadita

A student of Romanach while at The San Alejandro Academy, he was very fond of using white space in his compositions. Religious imagery, such as Jesus and crucifixes, sad children and people sick with tuberculosis are major themes in his work. For example, “Figuras” shows his use of white and his somber themes.

Some of Ponce’s oil paintings venture towards the abstract, featuring dripping organic compositions. However, these compositions came much later in his career, between the mid to late 1040s.

Almost as common as his oil paintings are his charcoal sketches. Usually somberly themed, they are wispy portraits, which also utilize the white space that Ponce was so fond of.

Ponce de Leon

Devotional 1947 Oil on Canvas

Ponce’s style is hard to classify—whether Expressionist, Impressionist or Abstract, none would argue that he painted in the true Vanguard spirit. Today, some of his work is deteriorating due to his lack of knowledge on how to mix his oil paints; so authenticating his work has never been more important. The sooner it is in the hands of professionals, the sooner it may be restored or properly displayed.

Today Ponce’s work is housed in museums all over Cuba and has been sold to private collections for hundreds of thousands of dollars.

Still wondering about a Cuban painting in your family collection? Contact us…we are the Fidelio Ponce de Leon experts.


done
1559--vanderbank.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vanderbank" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vanderbank" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1560--de-los-monteros.php Juan Espinoza de los Monteros authentication and appraisal

Juan Espinoza de los Monteros

We Perform Juan Espinoza de los Monteros art authentication. Juan Espinoza de los Monteros appraisal. Juan Espinoza de los Monteros certificates of authenticity (COA). Juan Espinoza de los Monteros analysis, research, scientific tests, full art authentications. We will help you sell your Juan Espinoza de los Monteros or we will sell it for you.

Monteros, La Virgen Entrega el Rosario a Sto. Domingo

La Virgen Entrega el Rosario a Sto. Domingo

Monteros, Family Tree of the Fransiscan Order

La Orden de San Fransiscan

Painter during the 17th century, active in Cusco between 1638 and 1669. This painter reaffirms the baroque with a Zurbaran style by using the Flemish stamps as models. Some documents certificate that he painted for the San Juan de Dios order.

In 1655 he started his monumental “Epilogue” canvas (12 meters x 9 meters) on the San Francisco order, which represents more than 800 outstanding Franciscans. San Francisco de Asis and most important people of the order appear in full-length at the bottom of the picture. The scene is painted in the obscure shade of the Sevillian style.

His style was followed by his son and disciple José Espinoza de los Monteros, who also produced many series of canvas with saints. One of them, Santa Teresa (1682), in the middle of a flemish landscape with many little birds flying around, the same as his father did.

Some of his works are:

  • Family Tree of the Franciscan order Convento de San Francisco, Cusco.
  • Series on Santa Catalina’s life Monasterio de Santa Catalina, Cusco.
  • Latin Virgins Series (inspired by Swelinck engravings).
  • Portrait of Don Fulgencio Maldonado with Santa Catalina de Siena and San Francisco, Monasterio de la Recoleta, Arequipa.

Still wondering about a Peruvian painting in your family collection? Contact us…it could be by Juan Espinoza de los Monteros.


done
1561--van-loo.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "van-loo" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "van-loo" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1562--veronese.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "veronese" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "veronese" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "veronese" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "veronese" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1563--bonnat.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bonnat" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bonnat" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> Leon Florentin Joseph Bonnat Artwork Authentication
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done
1564--domela.php Cesar Domela Artwork Authentication & Art Appraisal

Cesar Domela (1900-1992)

Get a Domela Certificate of Authenticity for your painting or a COA for your Domela drawing or sculpture.

For all your Domela artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Domela Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Domela painting, drawing or sculpture.

If you want to sell your Domela painting, drawing or sculpture use our selling services. We offer Domela selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Domela and issuing certificates of authenticity since 2002. We are recognized Domela experts and Domela certified appraisers. We issue COAs and appraisals for all Domela artworks.

Our Domela paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Domela certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Domela painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Domela paintings, drawings or sculpture take longer.

Our clients include Domela collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Cesar Domela art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Cesar Domela or we will sell it for you.

art

Geometric Composition #4

Cesar Domela was born in Amsterdam and began to seriously paint at the age of 18. Domela had no formal artistic training and like so many other Abstract painters, was self taught. He moved to Switzerland at the age of 19, and exposed with the “Novembergruppe” in Berlin in 1923.

Domela traveled to Paris the following year and until 1925 followed the De Stijl art movement.

art

Composition 1924

The strict rules and guidelines of De Stijl proved to disagree with Domela, so he moved away from their style and began to focus on sculpture. Domela would work in a number of mediums to create his sculpture, from glass to brass, wood and plexiglass.

art

Relief #15 Mixed Media Sculpture, 1943

art

Sculpture Resin and Brass, 1970

art

Sculpture 1962

He created a number of works and traveled between Paris and Berlin often from 1927 to 1933, but the emergence of Nazi power eventually led Domela to stay in Paris.

art

Composition 1950

art

Composition 1957

art

Collage 1958

In general, Domela’s oeuvre is filled with compositions in oil and gouache, mostly Abstract and rarely figurative in nature. Domela continued to paint well into the 1970’s. Because he lived nearly to the end of the 20th century and traveled often, the likelihood of owning one of his Abstract compositions is great.

art

Relief #166, 1977

done
1565--cariani1.php Giovanni Cariani Artwork Authentication & Art Appraisal

Giovanni Cariani (Giovanni Busi/ Il Cariani) (1490 -1547)

We Perform Giovanni Cariani art authentication. Giovanni Cariani appraisal. Giovanni Cariani certificates of authenticity (COA). Giovanni Cariani analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni Cariani or we will sell it for you.

Cariani, Concert

Concert

Cariani, Four Courtesans and Three Gentlemen

Four Courtesans and Three Gentlemen

Giovanni Cariani was an Italian painter during the High Renaissance. It is not known for certain where Cariani was born, but it is believed to be Bergamo. Cariani spent much of his life and career in Venice, where he lived as early as 1509.

Cariani, Poet playing instrument and young woman

Poet playing instrument and young woman

Il Cariani painting, The Concert 1518-1520

The Concert 1518-1520

Many details of Cariani’s life are speculative or not known at all. It can be seen in his paintings that Giovanni Bellini, Carpaccio, Palma il Vecchio and Giorgione influenced Cariani, whether he trained under them or just studied their work.

Cariani, Portrait of Two Young Men

Portrait of Two Young Men

Il Cariani painting, Portrait of a Man

Portrait of a Man

Il Cariani painting, Portrait of a Girl

Portrait of a Girl

Cariani frequently visited Bergamo where he spent time painting in a more relaxed environment. Another well-known painter, Lorenzo Lotto painted in Bergamo during the same time frame.

Cariani, Saint Sebastian

Saint Sebastian

Many details of Cariani’s life are speculative or not known at all. It can be seen in his paintings that Giovanni Bellini, Carpaccio, Palma il Vecchio and Giorgione influenced Cariani, whether he trained under them or just studied their work.

Cariani, Resting Woman with White Dog in Landscape

Resting Woman with White Dog in Landscape

Cariani, Afflicting Mary

The Visitation

Cariani, Portrait of Nürnberger Patriziers

Portrait of Nürnberger Patriziers

Cariani, Portrait of Woman with Subjects

Portrait of Woman with Subjects

Cariani, Portrait of a Gentleman Wearing a Gold Chain

Portrait of a Gentleman Wearing a Gold Chain

Cariani, Portrait of a Man with a Book and a Necklace of Shells

Portrait of a Man with a Book and a Necklace of Shells

Cariani’s name has recently come to the attention of the media after a new portrait of Leonardo da Vinci was found at the National Gallery in Washington D.C.

Cariani, Portrait of Leonardo da Vinci

Portrait of Leonardo da Vinci

Il Cariani painting, Seduction, 1515

Seduction, 1515

Il Cariani painting, Allegory of a Venetian Victory

Allegory of a Venetian Victory

Cariani’s paintings are now in important collections around the world. Some of the high profile museums that own his work, include the Hermitage Museum in Russia, the Kunsthistorisches Museum Databank in Vienna, National Galleries of Scotland, National Gallery of Canada, National Gallery of London, The Royal Collection of the UK, and the National Gallery of Art in Washington D.C. In Cariani’s home country, his work is housed at the Ca’ Rezzonico-Museo del Settecento Veneziano.

Il Cariani painting, Sacred Conversation

Sacred Conversation

Il Cariani painting, Holy Family

Holy Family

Do you think you own a painting by Giovanni Cariani? Contact us. We are the experts on Cariani.


done
1566--ducreux.php Joseph Ducreux Artwork Authentication & Art Appraisal

Joseph Ducreux (1735-1802)

Get a Ducreux Certificate of Authenticity for your painting (COA) for your Ducreux drawing.

For all your Ducreux artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ducreux Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ducreux painting or drawing.

If you want to sell your Ducreux painting or drawing use our selling services. We offer Ducreux selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ducreux and issuing certificates of authenticity since 2002. We are recognized Ducreux experts and Ducreux certified appraisers. We issue COAs and appraisals for all Ducreux artworks.

Our Ducreux paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ducreux certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ducreux painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ducreux paintings or drawings take longer.

Our clients include Ducreux collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Joseph Ducreux art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Joseph Ducreux or we will sell it for you.

Ducreux painting,Self-Portrait 1793

Self-Portrait 1793

Ducreux painting, Self-Portrait, Yawning

Self-Portrait, Yawning

Joseph Ducreux was an 18th century French portrait painter. He was frequently patronized by Marie Antoinette and painted a portrait of her and Louis XVI just before their marriage. Maria Antoinette’s mother, Maria Theresa, also had a portrait painted by Ducreux.

Ducreux painting,Marie Antoinette

Marie Antoinette

Ducreux painting,Empress Maria Theresa

Empress Maria Theresa

Ducreux did not exhibit at the salons, and was not a member of the Academie, though he was a friend and ally of fellow artist and politician Jacque-Louis David

Ducreux painting,Portrait of a Child

Portrait of a Child

Still wondering about a French Revolution era painting in your family collection? Contact us…it could be by Joseph Ducreux.


done
1567--laureus.php Alexander Laureus Artwork Authentication & Art Appraisal

Alexander Laureus (1783-1823)

Get a Laureus Certificate of Authenticity for your painting (COA) for your Laureus drawing.

For all your Laureus artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Laureus Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Laureus painting or drawing.

If you want to sell your Laureus painting or drawing use our selling services. We offer Laureus selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Laureus and issuing certificates of authenticity since 2002. We are recognized Laureus experts and Laureus certified appraisers. We issue COAs and appraisals for all Laureus artworks.

Our Laureus paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Laureus certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Laureus painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Laureus paintings or drawings take longer.

Our clients include Laureus collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alexander Laureus art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alexander Laureus or we will sell it for you.

Laureus painting, Family in the Country

Family in the Country

Laureus painting, Venus and Amor

Venus and Amor

Alexander Laureus was an 18th century Finnish painter. Laureus mainly painted mythological and historical scenes, and often employed chiaroscuro techniques and dark backgrounds in his paintings.

Laureus painting, Fire by the Windmill at Night

Fire by the Windmill at Night

Still wondering about an 18th century European painting in your family collection? Contact us…it could be by Alexander Laureus.


done
1568--slavyansky.php Fedor Slavyansky Artwork Authentication & Art Appraisal

Fedor Slavyansky Фёдор Славянский (1817-1876)

Get a Slavyansky Certificate of Authenticity for your painting (COA) for your Slavyansky drawing.

For all your Slavyansky artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Slavyansky Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Slavyansky painting or drawing.

If you want to sell your Slavyansky painting or drawing use our selling services. We offer Slavyansky selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Slavyansky and issuing certificates of authenticity since 2002. We are recognized Slavyansky experts and Slavyansky certified appraisers. We issue COAs and appraisals for all Slavyansky artworks.

Our Slavyansky paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Slavyansky certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Slavyansky painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Slavyansky paintings or drawings take longer.

Our clients include Slavyansky collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Fedor Slavyansky art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Fedor Slavyansky or we will sell it for you.

Self-Portrait 1850s

Self-Portrait 1850s

Fedor Slavyansky was a Russian painter. He was born a serf of the landlady Avdotya Nikolayevna Semenova, in the village of Vyshkovo in Tver Guberniya. He became Venetsianov’s student in 1839 in his estate of Safonkovo. Venetsianov did his best to buy freedom to Slavyansky. In 1840, he asked the Academy to allow his student to visit lessons in drawing. Slavyansky studied in classes of professors Varnek and Markov, and simultaneously worked with Venetsianov. In 1845, he got the title of a freelance artist.

Peasant Girl 1830s

Peasant Girl 1830s

Still wondering about a 19th century Russian painting in your family collection? Contact us…it could be by Fedor Slavyansky.


done
1569--azou.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "azou" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "azou" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1570--von_aachen.php Hans von Aachen Artwork Authentication & Art Appraisal

Hans von Aachen (1552-1615)

We Perform Hans von Aachen art authentication. Hans von Aachen appraisal. Hans von Aachen certificates of authenticity (COA). Hans von Aachen analysis, research, scientific tests, full art authentications. We will help you sell your Hans von Aachen or we will sell it for you.

art

Self-Portrait

Hans von Aachen was a German Mannerist painter. His name is derived from the birth place of his father, Aachen, in Germany. Other variations of the name include Johann von – and – von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc.

art

Joking Couple

Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own Mannerist technique, by studying Tintoretto and Michelangelo’s followers. However, during all of his life, he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius, who dominated the art scene in Germany at the time.

art

Allegory of the Triumph of Justice, 1598

He returned to Germany in 1588 where he became well-known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I.

art

The Three Graces

Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler. Still wondering about a 16th century German painting in your family collection? Contact us…it could be by Hans von Aachen.


done
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done
1572--ramsey.php Allan Ramsey Artwork Authentication & Art Appraisal

Allan Ramsey (1787-1828)

Get a Ramsey Certificate of Authenticity for your painting (COA) for your Ramsey drawing.

For all your Ramsey artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ramsey Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ramsey painting or drawing.

If you want to sell your Ramsey painting or drawing use our selling services. We offer Ramsey selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ramsey and issuing certificates of authenticity since 2002. We are recognized Ramsey experts and Ramsey certified appraisers. We issue COAs and appraisals for all Ramsey artworks.

Our Ramsey paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ramsey certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ramsey painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ramsey paintings or drawings take longer.

Our clients include Ramsey collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Allan Ramsey art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Allan Ramsey or we will sell it for you.

Ramsey painting, Portrait of Queen Charlotte

Portrait of Queen Charlotte

Ramsey painting, Portrait of David Hume

Portrait of David Hume

Allan Ramsey was an 18th century portrait painter. He was a rival of Sir. Joshua Reynolds, who was the most prominent portrait painter of his time. Ramsey studied portraiture in London and in Naples under Solimena and painted many portraits of aristocratic and noble women. During the 1780’s, Ramsey had taken up archaeology and was living in Italy. A catalogue raisonné of his work was produced in 1999 by the Paul Mellon Centre for British Art at Yale University.

Ramsey painting, Agnes Murray Kynnynmond

Agnes Murray Kynnynmond

Still wondering about an 18th century portrait in your family collection? Contact us…it could be by Allan Ramsey.


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1573--lubarda.php Petar Lubarda Artwork Authentication & Art Appraisal

Petar Lubarda (1907-1974)

Do you think you may own a painting by Petar Lubarda?

Get a Lubarda Certificate of Authenticity for your painting (COA) for your Lubarda drawing.

For all your Lubarda artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lubarda Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lubarda painting or drawing.

If you want to sell your Lubarda painting or drawing use our selling services. We offer Lubarda selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lubarda and issuing certificates of authenticity since 2002. We are recognized Lubarda experts and Lubarda certified appraisers. We issue COAs and appraisals for all Lubarda artworks.

Our Lubarda paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lubarda certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lubarda painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lubarda paintings or drawings take longer.

Our clients include Lubarda collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Petar Lubarda art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Petar Lubarda or we will sell it for you.

1. Heroism of Vision. 1953. Museum of Contemporary Art, Belgrade.

1. Heroism of Vision. 1953. Museum of Contemporary Art, Belgrade.

2. Guslar. 1952

2. Guslar. 1952

Petar Lubarda was an award-winning Montenegrin and Yugoslav painter. Lubarda was born in Ljubotinj, near Cetinje Montenegro. He studied in Paris in Belgrade, remaining in the latter until his death. Lubarda’s work mostly centered around the history of the region, including the Battle of Kosovo in 1389. He also made a number of landscape paintings of Montenegro.

3. “Kosovo boj” 1953. Wall freco in the Festiva Hall of the New Palace in Belgrade.

3. “Kosovo boj” 1953. Wall freco in the Festiva Hall of the New Palace in Belgrade.

4. Kosovo bitka. 1953

4. Kosovo bitka. 1953

Lubarda was commemorated in 2007 in the issue of a stamp printed in his honor by the Serbian post. His history paintings are now held in a number of regional and international museums.

5. Nokturno. 1957.

5. Nokturno. 1957.

If you think you may own original artwork by Petar Lubarda, contact Art Certification Experts for information regarding our services.


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1574--pinturicchio.php Pinturicchio Artwork Authentication & Art Appraisal

Pinturicchio (1452-1513)

We Perform Pinturicchio art authentication. Pinturicchio appraisal. Pinturicchio certificates of authenticity (COA). Pinturicchio analysis, research, scientific tests, full art authentications. We will help you sell your Pinturicchio or we will sell it for you.

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Crucifixion with St. Jerome and St. Christopher 1471

Bernardino di Betti, called Pinturicchio was an Italian painter of the Renaissance. He was born in Perugia, the son of Benedetto or Betto di Blagio. He may have trained under lesser known Perugian painters such as Bonfigli and Fiorenzo di Lorenzo. According to Vasari, Pinturrichio was a paid assistant of Perugino.

The works of the Perugian Renaissance school are very similar; and paintings by Perugino, Pinturicchio, Lo Spagna and a young Raphael may often be mistaken one for the other. In the execution of large frescoes, pupils and assistants had a large share in the work, either in enlarging the master’s sketch to the full-sized cartoon, in transferring the cartoon to the wall, or in painting backgrounds or accessories.

After assisting Perugino in his frescoes in the Sistine Chapel, Pinturicchio was employed by various members of the Della Rovere family and others to decorate a series of chapels in the church of Santa Maria del Popolo in Rome, where he appears to have worked from 1484, or earlier, to 1492. The earliest of these is an altarpiece of the Adoration of the Shepherds, in the first chapel (from the west) on the south, built by Cardinal Domenico della Rovere; a portrait of the cardinal is introduced as the foremost of the kneeling shepherds. In the lunettes under the vault Pinturicchio painted small scenes from the life of St Jerome.

The frescoes which he painted in the next chapel, built by Cardinal Innocenzo Cybo, were destroyed in 1700, when the chapel was rebuilt by Cardinal Alderano Cybo. The third chapel on the south is that of Giovanni della Rovere, duke of Sora, nephew of Sixtus IV, and brother of Giuliano, who was afterwards Pope Julius II. This contains a fine altarpiece of the Madonna enthroned between Four Saints, and on the east side a very nobly composed fresco of the Assumption of the Virgin. The vault and its lunettes are richly decorated with small pictures of the life of the Virgin, surrounded by graceful arabesques; and the dado is covered with monochrome paintings of scenes from the lives of saints, medallions with prophets, and very graceful and powerfully drawn female figures in full length in which the influence of Signorelli may be traced.

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Portrait of a Boy

In the fourth chapel, Pinturicchio painted the Four Latin Doctors in the lunettes of the vault. Most of these frescoes while considerably injured by damp, but suffered little from restoration. The last paintings completed by Pinturicchio in this church were the frescoes on the vault over the retro-choir, a very rich and well-designed piece of decorative work, with main lines arranged to suit their surroundings in a very skilful way. In the centre is an octagonal panel of the coronation of the Virgin, and round it medallions of the Four Evangeliststhe spaces between them being filled up by reclining figures of the Four Sibyls. On each pendentive is a figure of one of the Four Doctors enthroned under a niched canopy. The bands which separate these pictures have elaborate arabesques on a golc ground, and the whole is painted with broad and effective touches, very telling when seen (as is necessarily the case) from a considerable distance below. No finer specimen of the decoration of a simple quadripartite vault can anywhere be seen. In Rome he also frescoed the St. Bernardine Chapel of Santa Maria in Aracoeli.

In 1492 Pinturicchio was summoned to Orvieto, where he painted two Prophets and two of the Doctors in the Cathedral. In the following year he returned to Rome, and was employed by Pope Alexander VI (Borgia) to decorate a suite of six rooms in the Vatican, which Alexander had just built. These rooms, called after their founder the Appartamenti Borgia, now form part of the Vatican library, and five of them still retain the fine series of frescoes with which they were so skillfully decorated by Pinturicchio.

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Penelope and the Suitors

The upper part of the walls and vaults, not only covered with painting, but further enriched with delicate stucco work in relief, are a masterpiece of decorative design applied according to the truest principles of mural ornamental much better model for imitation in that respect than the more celebrated Stanze of Raphael immediately over the Borgia rooms. The main subjects are:

• the Annunciation, the Nativity, the Magi, and the Resurrection
• scenes from the lives of St Catherine, St Antony and other saints
• allegorical figures of music, arithmetic and the like
• four figures in half length, with rich arabesques
• figures of the planets, the occupations of the various months, and other subjects

Though not without interruption, Pinturicchio, assisted by his pupils, worked in these rooms from 1492 till 1498, when they were completed. His other chief frescoes in Rome, still existing in a very genuine state, are those in the Cappella Bufalini at the south-west of S Maria in Ara Coeli, probably executed from 1497 to 1500. These are well-designed compositions, noble in conception, and finished with much care and refinement. On the altar wall is a grand painting of St Bernardino of Siena between two other saints, crowned by angels; in the upper part is a figure of Christ in a mandorla, surrounded by angel musicians; on the left wall is a large fresco of the miracles done by the corpse of St Bernardino, very rich in color, and full of very carefully painted heads, some being portraits of members of the Bufalini family, for whom these frescoes were executed.

One group of three females, the central figure with a child at her breast, recalls the grace of Raphael’s second manner. The composition of the main group round the saint’s corpse appears to have been suggested by Giotto’s painting of St. Francis on his bier in Santa Croce at Florence. On the vault are four noble figures of the Evangelists, usually attributed to Luca Signorelli, but certainly, like the rest of the frescoes in this chapel, by the hand of Pinturicchio. On the vault of the sacristy of S. Cecilia in Trastevere, Pinturicchio painted the Almighty surrounded by the Evangelists. During a visit to Orvieto in 1496 Pinturicchio painted two more figures of the Latin Doctors in the choir of the duomo: now, like the rest of his work at Orvieto, almost destroyed. For these he received fifty gold ducats. In Umbria, his masterpiece is the Baglioni Chapel in the church of S. Maria Maggiore in Spello.

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Madonna and Child

Among his panel pictures the following are the most important. An altarpiece for S. Maria de’ Fossi at Perugia, painted in 1496-1498, now moved to the picture gallery, is a Madonna enthroned among Saints, graceful and sweet in expression, and very minutely painted; the wings of the retable have standing figures of St Augustine and St Jerome; and the preddla has paintings in miniature of the Annunciation and the Evangelists. Another fine altarpiece, similar in delicacy of detail, and probably painted about the same time, is that in the cathedral of San Severino — the Madonna enthroned looks down towards the kneeling donor. The angels at the sides in beauty of face and expression recall the manner of Lorenzo di Credi or Da Vinci.

The Vatican picture gallery has the largest of Pinturicchio’s panels — the Coronation of the Virgin, with the apostles and other saints below. Several well-executed portraits occur among the kneeling saints. The Virgin, who kneels at Christ’s feet to receive her crown, is a figure of great tenderness and beauty, and the lower group is composed with great skill and grace in arrangement.

In 1504 he designed a mosaic floor panel for the Cathedral of Siena: the Story of Fortuna, or the Hill of Virtue. This was executed by Paolo Mannucci in 1506. On top of the panel, Knowledge hands the palm of victory to Socrates.

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Fresco at Siena Cathedral

The Ashmolean Museum (University of Oxford), Biblioteca Ambrosiana (Milan), the Cleveland Museum of Art, the Courtauld Institute of Art (London), the Denver Art Museum, the Fitzwilliam Museum (University of Cambridge), the Honolulu Academy of Arts, the Louvre, the Museum of Fine Arts, Boston, the National Gallery, London, the Palazzo Ruspoli (Rome), the Philadelphia Museum of Art, Pinacoteca Ambrosiana (Milan), Princeton University Art Museum and the Vatican Museums are among the public collections holding works by Pinturicchio. Still wondering about an Italian painting in your family collection? Contact us…it could be by Pinturicchio.


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1576--rebell.php Joseph Rebell Artwork Authentication & Art Appraisal

Joseph Rebell (1787-1828)

Get a Rebell Certificate of Authenticity for your painting (COA) for your Rebell drawing.

For all your Rebell artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rebell Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rebell painting or drawing.

If you want to sell your Rebell painting or drawing use our selling services. We offer Rebell selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rebell and issuing certificates of authenticity since 2002. We are recognized Rebell experts and Rebell certified appraisers. We issue COAs and appraisals for all Rebell artworks.

Our Rebell paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rebell certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rebell painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rebell paintings or drawings take longer.

Our clients include Rebell collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Joseph Rebell art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Joseph Rebell or we will sell it for you.

Rebell painting, Volcano

Volcano

Rebell painting, Napoli, Veduta di Amalfi

Napoli, Veduta di Amalfi

Joseph Rebell was a late 18th century and early 19th century Austrian painter who was initially trained as an architect. He spent much of his life working in Italy, however, his work was highly admired by Emperor Franz I. The emperor eventually made Rebell the head of the Imperial Picture Gallery.

Rebell painting, Seaside Landscape

Seaside Landscape

Rebell was praised in his lifetime and still today by critics for his brilliant use of color, which influenced a number of his fellow European landscape painters. Rebell painted in both watercolor and oil, and rarely painted compositions other than landscapes.

Rebell painting, Wooded Landscape with Figures

Wooded Landscape with Figures

Still wondering about an 18th century painting in your family collection? Contact us…it could be by Joseph Rebell.


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1578--abbema.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "abbema" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "abbema" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1579--inness.php George Inness Artwork Authentication & Art Appraisal

George Inness (1825-1894)

Get a Inness Certificate of Authenticity for your painting (COA) for your Inness drawing.

For all your Inness artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Inness Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Inness painting or drawing.

If you want to sell your Inness painting or drawing use our selling services. We offer Inness selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Inness and issuing certificates of authenticity since 2002. We are recognized Inness experts and Inness certified appraisers. We issue COAs and appraisals for all Inness artworks.

Our Inness paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Inness certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Inness painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Inness paintings or drawings take longer.

Our clients include Inness collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform George Inness art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your George Inness or we will sell it for you.

Inness was an American landscape painter born in Newburgh, New York and was greatly influenced by the Hudson River School and Barbizon painters. Inness was a spiritual artist, who was inspired by the theology of Emanuel Swedenborg.

Inness, Lackawanna Valley 1855

Lackawanna Valley, 1855

Inness, Lake Albano

Lake Albano

Inness moved with his family to New Jersey, where he studied under a travelling painter named John Jesse Barker. Inness eventually moved to New York City, supporting himself by working as a map engraver. He continued to seek out artists from whom he could learn. A French landscape painter, Régis Francois Gignoux, took an interest in Inness’ work and gave him a great deal of instruction and support. Inness also had formal training at the National Academy of Design. He was successful enough to open his own studio in New York City and exhibit regularly.

Inness, Summer Landscape

Summer Landscape

In 1851, Inness departed on a sponsored trip to Europe. Inness based himself out of Rome, renting a studio and befriending many artists. The artist made frequent trips to Paris, acquainting himself with the Barbizon School painters.

When Inness returned to the United States, he received an important commission from the Delaware, Lackawanna and Western Railroad (DLWRR). Inness was assigned to document the progress of the DLWRR and painted railroad station housing, railroad technology and the surrounding landscapes.

Inness, Early Morning, Tarpon Springs

Early Morning, Tarpon Springs

As Inness matured as a painter, he began making his epic, panoramic paintings. Inness describes changing weather patterns in the intensity of his skies, and his sense of spirituality greatly impacted his views on nature and his devotion to painting the landscape. Inness continued to paint and travel to the end of his life, when he suddenly died in Scotland watching the sunset.

Inness, Etretat

Etretat

Inness’ paintings are in museums and collections across Europe and the United States. Do you think you own a landscape painting by George Inness? Contact us. We are the George Inness experts.


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1580--charles-cazin.php Cazin Artwork Authentication & Art Appraisal

Stanislas Henri Jean-Charles Cazin (1841-1901)

Get a Cazin Certificate of Authenticity for your painting (COA) for your Cazin drawing.

For all your Cazin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cazin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cazin painting or drawing.

If you want to sell your Cazin painting or drawing use our selling services. We offer Cazin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cazin and issuing certificates of authenticity since 2002. We are recognized Cazin experts and Cazin certified appraisers. We issue COAs and appraisals for all Cazin artworks.

Our Cazin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cazin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cazin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cazin paintings or drawings take longer.

Our clients include Cazin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Cazin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Cazin or we will sell it for you.

Cazin was an intriguing character, not only a renowned painter but also a ceramist of his time. His father was a doctor and it was thought by his family that he would follow in his Father’s footsteps; however his family, seeing his talent for drawing, began to nurture this.

He studied at the Ecole des Dessins under the famous drawing instructor Horace Lecoq de Boisbaudran and went on to teach at the School of Architecture in Paris. It was whilst in Lecoq’s studio that he began a lifelong friendship with the famous figure artist, Leon Lhermitte. He also met and made friends with other notable artists of the day such as Bonvin and Legros.

He painted near Barbizon, and became known as one of the painters of the Barbizon school. Although his earlier paintings were painted in a realist style he was later to be associated with Impressionism. He was particularly well known for his landscapes and it was landscape paintings that he exhibited in the Salon of 1865 and 1866.

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Les Mueles

Through his former teacher Horace Lecoq de Boisbaudran he was appointed the Director of the Ecole de Dessin (a school that trained artists for local industries) and also became the Curator of the Musee de Tours in 1868. This position as curator allowed him to travel to other villages and countries to see other art collections and this exposure led to an interest in all forms of art. In 1868 he married the painter and ceramist Marie Guillet who had been a student of Rosa Bonheur.

In 1871 the Franco Prussian war and disagreements with other members of the Museum led him to flee to Britain. Whilst there, he developed a particular interest in ceramics. He had pieces of pottery especially made for him in Britain so that he could decorate them. He was particularly inspired by Asian-influenced ceramics.

He returned to France in 1875 but before doing so he traveled to Italy and Holland. He settled on the Channel cost in a place called Equihen and concentrated on his painting. In 1876 he submitted a major work to the Salon entitled The Boatyard. His paintings until 1888 combined religious themes with contemporary settings and after that he turned to pure landscape painting in a style similar to that of Camille Corot.He also produced paintings which drew on his memories of his native Normandy. In 1880 he was awarded a First Class medal by the Salon.

In 1882 he was awarded the Legion of Honour and in 1890 he was made the Vice President of the Society of Fine Arts.

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Cottage in the Dunes

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Weary Wayfarers, 1885

In 1893 he held an exhibition in New York. The fact that he was fluent in English made him popular with American collectors. At the time some collectors were paying considerably more for a painting by Cazin than for paintings by Claude Monet. This exhibition was a great success and only served to increase the interest that American collectors and Art Certification Experts of the time had in him. He not only exhibited paintings in America but also exhibited his ceramics. In 1890 the magazine Harpers and Queens devoted an eight page article to his life and his works.

He was particularly popular with the Bostonian collectors and a number of his paintings such as Farm Beside an Old Road and Riverbank with Bathers, now hang in the Museum of Fine Arts in Boston.

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Farm Beside an Old Road

As a member of the Barbizon school, paintings by Cazin are certainly in demand and collectable. The fact that there was such a fervent interest in this artist in America makes it highly likely there are some paintings out there by Cazin which have not yet been discovered. Do not forget also that Cazin was a renound ceramist and ceramics by Cazin could be worth almost as much as his paintings,so look again at the signature on that Asian style ceramic vase you have, is it signed by Cazin!  

If you believe you own a work of art by Cazin, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Cazin.


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1581--cox.php David Cox Artwork Authentication & Art Appraisal

David Cox (1783 – 1859)

Get a Cox Certificate of Authenticity for your painting (COA) for your Cox drawing.

For all your Cox artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cox Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cox painting or drawing.

If you want to sell your Cox painting or drawing use our selling services. We offer Cox selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cox and issuing certificates of authenticity since 2002. We are recognized Cox experts and Cox certified appraisers. We issue COAs and appraisals for all Cox artworks.

Our Cox paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cox certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cox painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cox paintings or drawings take longer.

Our clients include Cox collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform David Cox art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your David Cox or we will sell it for you.

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Outside the Pengwern Arms

David Cox was an English landscape painter. Cox was born on April 29, 1783 in Deritend Birmingham, the son of a blacksmith, who went on to become one of the most important figures in British Art during the so-called Golden Age of watercolour painting. He was considered by his contemporaries to be rivalled only by Constable in his portrayal of natures moods. In 1852 The Spectator claimed, “in his works there are power and insight enough to swamp all the others put together.”

In around 1798, he was apprenticed to a maker of fancy articles named Fieldler, and soon learnt to paint portrait miniatures. Following Fieldlers suicide, he was next employed as an assistant to scene-painter De Maria in the theater. In 1804, he took up work as a scene painter at Astleys Theatre and moved to London. While living in London, Cox married his landlord’s daughter, Mary Agg, and the couple moved to Dulwich in 1808. In the same year, he abandoned scene-painting, and took up watercolor painting for which he became famous.

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A Welsh Funeral

In 1805 he made his first of many trips to Wales, with Charles Barber, his earliest dated watercolors are from this year. Throughout his lifetime he made numerous sketching tours to the Home Counties, North Wales, Yorkshire, Derbyshire and Devon.

Cox exhibited regularly at the Royal Academy from 1805. His paintings never reached high prices, so he earned his living mainly as a drawing master. His first pupil, Colonel the Hon.H. Windsor (the future Earl of Plymouth) engaged him in 1808, Cox went on to acquire several other aristocratic and titled pupils. He also went on to write several books, including, Ackermanns New Drawing Book 1809: A Series Of Progressive Lessons 1811: Treatise on Landscape Painting 1813, and Progressive Lessons on Landscape 1816. The ninth and last edition of his series Progressive Lessons, was published in 1845.

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In the Hayfield

By 1810 he was elected President of the Associated Artists in Water Color. In 1812, following the demise of the Associated Artists, he was elected as associate of the Society of Painters in Water Color (the old Water Color Society). He was elected a Member of the Society in 1813, and exhibited there every year (except 1815 and 1817) until his death. In about 1814-1815 he went on to be appointed as Drawing Master at the Military Staff College, Farnham. With his appointment as Drawing Master at a Miss Crouchers Girls School, he took up residence in Hereford. He made his first trip to the Continent, to Belgium and the Netherlands in 1826 and subsequently moved to London the following year.

He exhibited for the first time with the Birmingham Society of Artists in 1829, and with the Liverpool Academy in 1831. In 1839, two of Cox’s watercolors were bought from the Old Water Color Society exhibition by the Marquis of Conynha for Queen Victoria.

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The Mill 1853

Cox lived in Hereford and London between 1804 and 1840, returning to Birmingham to live in Harborne. Around 1840, Cox took up oil painting, studying under W. J. Miller. In order to do this, he handed over much of his teaching work to his only son, David Cox Jnr (1809 – 1885). He went on to exhibit two oil paintings at the Royal Academy in 1844. From 1844 until 1856 he spent summers at Bettws-y-Coed in North Wales. His health suffered following a stroke in 1853. In 1855 he was represented by watercolors at the Paris Universal Exhibition.

By 1857 however, his eyesight had deteriorated. An exhibition of his work was arranged in 1858 by the Conversazione Society Hampstead, and in 1859 a retrospective exhibition was held at the German Gallery Bond Street, London. Cox died several months later. He was buried in the churchyard of St Peters, Harborne, Birmingham, under a chestnut tree, alongside his wife Mary.

Several of his works are in Birmingham Museum & Art Gallery, having been donated by Joseph Henry Nettlefold, on the condition it opened on Sunday’s. His work can also be seen at the British Museum, the Tate Gallery, and in Manchester, Newcastle, Liverpool, Edinburgh, Oxford and Cambridge. There are two Blue Plaque memorials commemorating him at 116 Greenfield Road, Harborne, Birmingham, and at 34 Foxley Road, London, SW9.

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Figures on Calais Pier

Still wondering about a British painting in your family collection? Contact us…it could be by David Cox.


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1582--luce.php Maximilien Luce Artwork Authentication & Art Appraisal

Maximilien Luce (1858-1941)

Get a Luce Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Luce artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Luce Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Luce painting, drawing or print.

If you want to sell your Luce painting, drawing or print use our selling services. We offer Luce selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Luce and issuing certificates of authenticity since 2002. We are recognized Luce experts and Luce certified appraisers. We issue COAs and appraisals for all Luce artworks.

Our Luce paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Luce certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Luce painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Luce paintings or drawings take longer.

Our clients include Luce collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Maximilien Luce art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Maximilien Luce or we will sell it for you.

Maximilien Luce lived in Paris most of his life, and was born and died there. Schooled in the Ecole des Arts Decoratifs, he served a term in the military and afterwards started his career as a newspaper engraver. During his time in the service, he met with many other influential artists, such as Camille Pissaro and Charles Emile Carolus-Duran who introduced him to their world of art.

Through his friendship with Pissaro, Luce adopted the ideas of the Divisionists and painted mostly in Pointillism in the beginning. He adhered to the style of Pointillism for quite some time, composing strictly in this manner.

Living in Paris and Montmartre all of his life, naturally Luce’s work took on themes of Parisian life. He mostly painted social scenes, landscapes and portraits, as well as monuments and landmarks such as “Notre-Dame” (1901).

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Notre Dame

Though he painted portraits typical to the Pointillist/Impressionist period—shorelines, still life, flowers in vases, the French countryside—Luce also incorporated a social message into some of his work. He was involved with Anarchists and supported some of their ideas, and even became briefly imprisoned at one time.

One such social message can be seen in “Etude d’Homme, Pêcheur” which depicts the backside of a fisherman at work. This scene glorifies the working class and was perhaps Luce’s way of drawing attention to that aspect of society.

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Etude d’Homme, Pêcheur

Luce was an avid painter of the working class, and often depicted factories, city scenes and construction zones as well as scenes of war and wounded soldiers. Luce was unique in his paintings of factories with smoke billowing into the sky. They were far different from the idealistic paintings of other Impressionists of the day, and create an ominous feeling.

Darker still is his painting “La Commune” (1903-1905) which depicts bodies lying next to rubble in the street.

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La Commune

Luce traveled selectively in his artistic endeavors. London, Brittany and Normandy were some of the few places he ventured to outside of Paris, and during his travels he continued to paint scenes of Social Realism. He served in the army for four years, allowing him some travel, but perhaps his stay in the army is what gave him inspiration for his socially aware paintings. In 1934, Luce was elected the President of the Société des Artistes Indépendents after the retirement of Paul Signac. However, he resigned soon after learning that the society had a policy of not allowing Jewish artists to participate.

Lithos were also a specialty of Luce’s. He was initially trained in wood carving at the Ecole des Arts decoratifs, and before his military service worked as an engraver. He would also sketch in charcoal on paper, and was a master draftsman. Some of Luce’s most famous factory scenes were lithographs such as this one entitled “Les Usines” (1898). His use of light is typical of Pointillism methods, but he still shows a great talent for the use of light by making the foreground dark and the background illuminated.

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Les Usines

Some of Luce’s lithographs are indeed his finest work. Note in this crayon lithograph portrait of his friend “Camille Pissaro” (1890) the Realist method used for the subject but a much looser method for the background.

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Camille Pissaro

Something remarkable about Luce was that he was at times regimented, and at other times was an experimental jet setter. While his style of Pointillism required him to be precise and mathematical, he later on adopted a looser style in his lithographs. He would also paint regimented street scenes, but also went outside the box and painted scenes with social meaning. He was even known to sign his lithographs in red chalk!

Luce also left us a few mysteries regarding his portraits. He would sometimes just stamp them as “Portrait d’homme” (portrait of a man), and not leave the name of his subject. Luce was friendly with many French artists and the upper crust, so it’s possible that his portraits could have been of a historical figure. One such portrait is thought to be of sculptor Andre Millet. Could he also have forgotten to add his signature to certain pieces?

Maximilien Luce’s was an experimental artist who helped to bring Pointillism to life. He worked in many different mediums and a few different styles, and changed his color palate often from light and dark to warm and cool. He favored landscapes and social scenes, though now and then, he would paint something surprising and different.

Not sure if you own a Luce original? Only an expert can tell for sure. We will be happy to consult you.


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1583--hitchcock.php David Howard Hitchcock Artwork Authentication & Art Appraisal

David Howard Hitchcock (1861-1943)

Get a Hitchcock Certificate of Authenticity for your painting (COA) for your Hitchcock drawing.

For all your Hitchcock artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hitchcock Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hitchcock painting or drawing.

If you want to sell your Hitchcock painting or drawing use our selling services. We offer Hitchcock selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hitchcock and issuing certificates of authenticity since 2002. We are recognized Hitchcock experts and Hitchcock certified appraisers. We issue COAs and appraisals for all Hitchcock artworks.

Our Hitchcock paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hitchcock certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hitchcock painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hitchcock paintings or drawings take longer.

Our clients include Hitchcock collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform David Howard Hitchcock art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your David Howard Hitchcock or we will sell it for you.

Hitchcock, Halemaumau

Halemaumau

Hitchcock, View Towards Honolulu

View Towards Honolulu

David Howard Hitchcock was an American painter born in Hilo, Hawaii. Hitchcock is known for his realistic landscape paintings of the Hawaiian Islands. Hitchcock lived in Hilo, Hawaii for most of his childhood, growing up around volcanoes and beaches.

Hitchcock was interested in art from an early age and took drawing courses at the Punahou School in Honolulu. Hitchcock left the islands to attend Oberlin College in Ohio and California School of Design in San Francisco. Hitchcock returned to Hawaii for only a short while before continuing his studies in Paris for three years. Hitchcock received personal training form the talented artist, Jules Tavernier.

Hitchcock, Sunrise Glow from Walloa River, Hilo

Sunrise Glow from Walloa River, Hilo

Hitchcock returned from Paris and set up a studio in Honolulu, Hawaii, making periodic trips to San Francisco. Hitchcock quickly became the most popular and respected artist in Hawaii. Hitchcock founded the Kilohana Art League and became the president of the Honolulu Art Association. Hitchcock often exhibited on both Hawaii and on the mainland. Hitchcock’s major exhibits included the Golden Gate International Exhibition of 1939-40 and the Panama-California Exhibition in San Diego in 1915.

Hitchcock, Kealakekua Bay, 1897

Kealakekua Bay, 1897

Hitchcock, Windward Oahu, Hawaii

Windward Oahu, Hawaii

Hitchcock took many painting trips around the islands, exploring volcanic regions, Kauai, Waimea Canyon and Maui. Hitchcock was a passionate member of Hawaii’s Volcano School. Hitchcock also painted many murals in Honolulu. Hitchcock’s work is now in important collections including the Bishop Museum in Honolulu, the Honolulu Academy of the Arts, the Oakland Museum and the Boston Museum. Do you think you own a painting by David Howard Hitchcock? Contact us. We are the David Howard Hitchcock experts.


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1585--hoffmann.php Oskar Hoffmann Artwork Authentication & Art Appraisal

Oskar Adolfowitsch Hoffmann (1851–1912)

1. Estonian Peasant in Green. Date unknown. Watercolor. Art Museum of Estonia.

1. Estonian Peasant in Green. Date unknown. Watercolor. Art Museum of Estonia.

Get a Hoffmann Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Hoffmann artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Hoffmann Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hoffmann painting, drawing or print.

If you want to sell your Hoffmann painting, drawing or print use our selling services. We offer Hoffmann selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hoffmann and issuing certificates of authenticity since 2002. We are recognized Hoffmann experts and Hoffmann certified appraisers. We issue COAs and appraisals for all Hoffmann artworks.

Our Hoffmann paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hoffmann certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hoffmann painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hoffmann paintings or drawings take longer.

Our clients include Hoffmann collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Oskar Adolfowitsch Hoffmann art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Oskar Adolfowitsch Hoffmann or we will sell it for you.

2. Market in Tortu. 1880s. Oil on veneer, wood.

2. Market in Tortu. 1880s. Oil on veneer, wood.

Oskar Hoffmann was a Baltic German painter born in Tartu, Estonia. As a young man, Hoffmann worked as a printmaker, producing lithographs and photographs. By the 1870s, Hoffmann began exhibiting his own work. Hoffmann decided to receive formal training in Germany at the Art Academy of Düsseldorf. Hoffmann apprenticed under Gregor von Bochmann and Eugen Dücker.

3. Farmers in a Saloon. Not dated. Oil on Canvas. Art Museum of Estonia.

3. Farmers in a Saloon. Not dated. Oil on Canvas. Art Museum of Estonia.

Hoffmann eventually opened his own studio in Düsseldorf where he painted a number of oil portraits as well as etchings. Due to financial struggles the studio was not open for long, but Hoffmann’s reputation did not suffer. Hoffmann soon became a member of the Imperial Academy of Arts in St. Petersburg, which led to a number of exhibitions in Russia, Germany and Austria.

4. Farmer with Tobacco. C. 1890. Oil on Canvas. Art Museum of Estonia.

4. Farmer with Tobacco. C. 1890. Oil on Canvas. Art Museum of Estonia.

While Hoffmann died in St. Petersburg, his legacy remains as a great painter of Estonia. Hoffmann’s favored subject matter was Estonian peasants, rendered both as individual portraits as well as genre scenes. In addition to having a large number of paintings in the collection of the Art Museum of Estonia, Hoffmann’s paintings are often sold at auctions internationally.

5. Man with Pipe. c.1890. Oil on Canvas.

5. Man with Pipe. c.1890. Oil on Canvas.

If you think you may own original artwork by Oskar Hoffmann, contact Art Certification Experts for information regarding our services.


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1587--patini.php Teofilo Patini Artwork Authentication & Art Appraisal

Teofilo Patini (1840-1906)

We Perform Teofilo Patini art authentication. Teofilo Patini appraisal. Teofilo Patini certificates of authenticity (COA). Teofilo Patini analysis, research, scientific tests, full art authentications. We will help you sell your Teofilo Patini or we will sell it for you.

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Testa di Frate

Teofilo Patini was an Italian painter, born in Castel di Sangro. Patinin initially studied at the University of Naples in 1856, as well as the Academy of Fine Arts. Patini’s style was influenced by his classical training, and eventually by Dutch, Roman, and Neopolitan styles as well as French Realism. Patini’s earliest body of work consists of idealized historical scenes and mythological fantasy compositions.

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Per Contattarci

He studied under Italian masters such as Giovanni Salomone and Giuseppe Manicelli, and quickly became associated with a group of fellow painters headed by Filippo Palizzi. Patini took part in his first exposition at the Seconda Promotrice di Belle Arti in Naples in 1863, where he exhibited his piece “Revolver of Masaniello,” which is considered to be one of his lost pieces.

Patini was involved in Socialism, and many of his pieces distinctly show his political leanings. He often featured peasants and pictures portraying poverty and is deep compassion towards those living in poor conditions. Patini created a trilogy of sorts as a part of his social awareness, which were titled “Vanga e Latte,” “Heir” and “Beasts of Burden.”

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Vanga e Latte

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Heir

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Beasts of Burden

Besides his political compositions, Patini also created landscapes, religious paintings and beautiful frescoes in the classical Italian style. He also created portraits of important Italian figureheads and politicians including Representatives of Calais and Edward III.

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Lungo Il Corso Del Sangro

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Angola

During his lifetime, Patini lived all over Italy including in Rome and Florence. Today, Patini’s works are housed in prestigious collections all over the world, and perhaps in your own family collection. Today, there is even a sports arena named after the artist in his home town of Castel di Sangro. Still wondering about a late 19th century Italian painting hanging in your estate? Contact us…it could be by Teofilo Patini.


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1589--manuel.php Victor Manuel Garcia Artwork Authentication & Art Appraisal

Victor Manuel Garcia (1897-1969)

Get a Manuel Certificate of Authenticity for your painting (COA) for your Manuel drawing.

For all your Manuel artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Manuel Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Manuel painting or drawing.

If you want to sell your Manuel painting or drawing use our selling services. We offer Manuel selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Manuel and issuing certificates of authenticity since 2002. We are recognized Manuel experts and Manuel certified appraisers. We issue COAs and appraisals for all Manuel artworks.

Our Manuel paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Manuel certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Manuel painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Manuel paintings or drawings take longer.

Our clients include Manuel collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Victor Manuel Garcia art authentication, appraisal, certificates of authenticity (COA). Victor Manuel Garcia analysis, research, scientific tests, full art authentications. We will help you sell your Victor Manuel Garcia or we will sell it for you.

Victor Manuel Garcia is considered by many as being the father of the Golden Age in Cuban painting. His methods and simple styling have made him a leader in the Vanguard era, and his art has inspired generations to paint Cuban themes.

From a very early age, Manuel showed talent in art. He enrolled at the San Alejandro School in Havana as a child, and by the time he was 16, he was unofficially named the professor of elemental drawing.

Though an extremely talented artist, he did not really recognize his own talent until much later on. His first exhibit was in 1924 in Havana, and a year later, he traveled to study in France. He also made trips to Spain and Belgium to study old masters, new techniques and primitive styles.

It was while he was studying and painting in France, that he became friends with the Impressionists. They encouraged him to sign his work “Victor Manuel” and to drop the “Garcia,” which he began doing from then on.

After his brief stay abroad, Manuel returned to Cuba and taught painting to artists free of charge for a couple of years. He was very involved in the idea that painting was not an outlet for emotion, but rather an expression of the artist.

Most of Manuel’s paintings are of feminine figures, landscapes and country scenes. However, his paintings always had a fiercely Cuban theme.

One of Manuel’s best-known paintings is “La Gitana Tropical”, which translates into “The Tropical Gypsy.”

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La Gitana Tropical, 1929

“La Gitana Tropical” is regarded by the Cuban art community as one of the defining piece of the Vanguard era. In this painting, Manuel has combined his knowledge of European methods with primitive styling and Cuban culture. This is typical of his paintings as can also be seen in his landscape scenes such as “Parque de la Habana”.

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Parque de la Habana, 1940

In the 1940s and 50s, his work began to take on a very distinct style of its own. The women in his paintings began to take on a similar look in their eyes, and had very stylized eyebrows and almond shaped eyes. This look is very different from “La Gitana Tropical” and is typical of the style he uses in his portrait “Joven”.

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Joven, 1955

Toward the end of his career, his work became even more different and even leaned towards the abstract. He began to paint in gouache, almost cubist portraits of women. This would definitely make it hard to recognize one of Manuel’s works from his last few years.

Another interesting aspect of Manuel is that he had absolutely no consistency when it came to signing his work. Sometimes it would just say “VICTOR MANUEL” in all caps in the bottom right hand corner. Other times he would sign in big swirly script, slanted. Other times, there would be no trace of a signature on the front at all. He also signed a different name for the first fifteen or so years of his career as an artist. This may make authenticating a piece of work from Manuel a very interesting and tricky process.

Today, Victor Manuel’s work is housed in Cuba as well as in private collections. He was a teacher to many of the great Cuban artists in his lifetime, and helped to begin the national trend of painting in the spirit of Cuba.


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1590--muks.php Juhan Muks Artwork Authentication & Art Appraisal

Juhan Muks (1899–1983)

Do you think you may own a painting by Juhan Muks?

Get a Muks Certificate of Authenticity for your painting (COA) for your Muks drawing.

For all your Muks artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Muks Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Muks painting or drawing.

If you want to sell your Muks painting or drawing use our selling services. We offer Muks selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Muks and issuing certificates of authenticity since 2002. We are recognized Muks experts and Muks certified appraisers. We issue COAs and appraisals for all Muks artworks.

Our Muks paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Muks certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Muks painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Muks paintings or drawings take longer.

Our clients include Muks collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Juhan Muks art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Juhan Muks or we will sell it for you.

1. Callas Lily. 1960-70. Oil on cardboard.

1. Callas Lily. 1960-70. Oil on cardboard.

2. View of Lake Viljandi. 1959. Oil on Cardboard.

2. View of Lake Viljandi. 1959. Oil on Cardboard.

Juhan Jaagu Muks, known as Juhan Muks, was an Estonian artist born in Tuhalaane, Estonia. Muks began his artistic training at the Estonian Academy of Arts in Tallinn and later trained at the School of Ants Laikmaa. In the 1920s, Muks moved to Riga to continue to training at the Latvian Academy of the Arts. Muks showed exceptional talent and was awarded a grant to live in work in Paris from 1925 to 1926.

3. Landscape. Oil painting.

3. Landscape. Oil painting.

4. Lake Aurub, Landscape painting. Estonian Art Museum.

4. Lake Aurub, Landscape painting. Estonian Art Museum.

Muks returned to Estonia before the outbreak of World War II, settling in Viljandi County, the region where he was born. Muks painted a number of landscapes, depicting rural Estonia.

5. In Castle Park. 1977. Tempera on canvas and cardboard.

5. In Castle Park. 1977. Tempera on canvas and cardboard.

Muks received the Konrad Mäe Medal, one of Estonia’s most prestigious awards in the arts. Muks paintings continue to sell at auctions around the world.If you think you may own original artwork by Juhan Muks, contact Art Certification Experts for information regarding our services.


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1591--michell.php Charles Collier Michell Artwork Authentication & Art Appraisal

Charles Collier Michell (1793-1851)

Get a Michell Certificate of Authenticity for your painting (COA) for your Michell drawing.

For all your Michell artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Michell Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Michell painting or drawing.

If you want to sell your Michell painting or drawing use our selling services. We offer Michell selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Michell and issuing certificates of authenticity since 2002. We are recognized Michell experts and Michell certified appraisers. We issue COAs and appraisals for all Michell artworks.

Our Michell paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Michell certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Michell painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Michell paintings or drawings take longer.

Our clients include Michell collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles Collier Michell art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles Collier Michell or we will sell it for you.

Portrait of Michell, Artist Unknown

Portrait of Michell, Artist Unknown

Charles Collier Michell, later known as Charles Cornwallis Michell 29 March 1793 – 28 March 1851, was a soldier, professor at the Royal Military Academy at Sandhurst, first surveyor-general in the Cape, road engineer, architect, artist and naturalist. Born in Exeter, Devon,and called Charles Cornwallis Michell later in his life, because of the proximity to Cornwall of his birthplace, Michell headed a brigade at the battles of Vittoria and Toulouse, took part in Waterloo and was appointed teacher of military drawing at the Royal Military Academy at Sandhurst on 24 March 1824 and professor of military fortification on 25 December 1825 and promoted to the brevet rank of major shortly thereafter. He was fluent in Spanish, Portuguese and French.

Michell was appointed as surveyor-general at the Cape in 1828, (having probably heard of the post through his cousin Rufane Donkin) at the same time holding the positions of superintendent of public works and civil engineer. For performing these functions, he received an annual salary of £800. The surveyor-general’s duties included taking charge of the detailed surveys needed to produce a good map of the Colony, improving passes and roads and surveying the Colony’s border accurately. He was an outstanding architect, designing various churches such as St. Paul’s in Rondebosch and St. John’s in Bathurst. He suggested improvements to Table Bay Harbour and designed lighthouses at Mouille Point, Cape Agulhas (supposedly modelled on the Pharos of Alexandria) and Cape Recife.

Map of Cape Town 1837

Map of Cape Town 1837

He acted as assistant quartermaster in the Sixth Frontier War in 1834. His most active area was in the planning and construction of roads, as well as their improvement, being responsible for the planning of Michell’s Pass near Ceres – a vast improvement on the old Mostert’s Hoek Pass – and the Houw Hoek Pass near Elgin, both carried out by Andrew Geddes Bain, as well as the Sir Lowry’s and Montagu Passes, the latter constructed over the Outeniqua Mountains by an Australian road-engineer Henry Fancourt White in 1843-47. Besides all his other skills, Michell was an accomplished water-colorist, particularly of landscapes. His illustrations appeared in Narrative of a voyage of observation among the colonies of Western Africa and of a campaign in Kaffirland (1837), written by his son-in-law, Capt. Sir James Edward Alexander. He was granted a pension in 1848 and returned to England where he died on 28 March 1851 at Eltham.

While Michell was posted in Toulouse, he married schoolgirl Anne D’Arragon on 10 October 1814, after eloping. She was the only daughter of a retired officer in the army of King Louis XVI of France and her parents disapproved of the match. Their first two children were born in Lisbon, Julia Anne in 1815 and Frederica Louisa in June 1817. The third, Eveline Marie, was born in Nantes on 16 April 1821, and the last Anne in Cape Town on 28 October 1829.

Cradock Pass, Outeniqua 1840

Cradock Pass, Outeniqua 1840

Still wondering about an African painting in your family collection? Contact us…it could be by Charles Collier Michell.


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1592--hartley.php Marsden Hartley Artwork Authentication & Art Appraisal

Marsden Hartley (1877 – 1943)

Get a Hartley Certificate of Authenticity for your painting (COA) for your Hartley drawing.

For all your Hartley artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hartley Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hartley painting or drawing.

If you want to sell your Hartley painting or drawing use our selling services. We offer Hartley selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hartley and issuing certificates of authenticity since 2002. We are recognized Hartley experts and Hartley certified appraisers. We issue COAs and appraisals for all Hartley artworks.

Our Hartley paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hartley certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hartley painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hartley paintings or drawings take longer.

Our clients include Hartley collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Marsden Hartley art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Marsden Hartley or we will sell it for you.

Mountain Lake-Autumn, 1910

Mountain Lake-Autumn, 1910

Landscape Arrangement, No 2

Landscape Arrangement, No 2

Marsden Hartley was an American Modernist painter of 20th century, born in Lewiston, Maine. Hartley relocated to Ohio in 1892 to study at the Cleveland Institute of Art. After six years living in Ohio, Hartley moved to the American art capital, New York City. Hartley continued his studies at the Art Students League and joined the National Academy of Design. In New York, Hartley had several inspirational instructors and mentors including William Merritt Chase and Albert Pinkham Ryder and the impressionist Giovanni Segantini.

Finnish Yankee Wrestler, 1938

Finnish Yankee Wrestler, 1938

Hartley quickly became a part of the art scene in New York. In 1909 Hartley was invited to show with Alfred Stieglitz’s artist group at 291 Gallery. Hartely’s association with Stieglitz quickly brought him into the spotlight. Hartley befriended avant-garde artists and writers such as Gertrude Stein, Ezra Pound, Hart Cane, Charles Demuth, Georgia O’Keefe and Fernand Léger.

Portrait of German Officer, 1914

Portrait of German Officer, 1914

Though Hartley exhibited frequently in New York, he was known as a nomadic painter. Hartley’s extensive travels took him through Europe and the United States. Popular painting locations included Massachusetts, New Mexico, California, Maine and Western Europe. From 1912 to 1915 Hartely lived in Paris and Berlin, studying the abstract work of Kandinsky and Franz Marc. In his later life, Hartley concentrated on painting his birth-state, Maine, in hopes of defining himself as “the painter of Maine”. In Maine Hartley’s work became more representational, depicting American landscapes and portraits.

Landscape New Mexico, 1920

Landscape New Mexico, 1920

Evening Storm, Schoodic Maine, No. 2, 1942

Evening Storm, Schoodic Maine, No. 2, 1942

Finnish Sauna

Finnish Sauna

In addition to being a greatly skilled painter, Hartely was a poet and a writer. Hartley’s story, “Cleophas and His Own” was adapted into an independent film in 2005 by Michael Maglaras.

Lighthouse

Lighthouse

Musical Theme (Oriental Symphony) 1913

Musical Theme (Oriental Symphony) 1913

Indian Fantasy, 1914

Indian Fantasy, 1914

Adelard

Adelard

Still Life No. 1

Still Life No. 1

New Mexico Recollection #13, 1923

New Mexico Recollection #13, 1923

A Nice Time, 1915

A Nice Time, 1915

Sustained Comedy

Sustained Comedy

Hartley is now recognized as an influential Modernist painter of the twentieth century. Hartley’s work is in major museums and private collections throughout the United States. Hartley is well remembered in every state he lived in, from Ohio to Maine. Do you think you own a painting by Marsden Hartley? Contact us. We are the Marsden Hartley experts.


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1593--beuckelaer.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "beuckelaer" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "beuckelaer" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1594--del-conte.php Jacopino del Conte Artwork Authentication & Art Appraisal

Jacopino del Conte (1510-1598)

Get a Del Conte Certificate of Authenticity for your painting (COA) for your Del Conte drawing.

For all your Del Conte artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Del Conte Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Del Conte painting or drawing.

If you want to sell your Del Conte painting or drawing use our selling services. We offer Del Conte selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Del Conte and issuing certificates of authenticity since 2002. We are recognized Del Conte experts and Del Conte certified appraisers. We issue COAs and appraisals for all Del Conte artworks.

Our Del Conte paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Del Conte certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Del Conte painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Del Conte paintings or drawings take longer.

Our clients include Del Conte collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jacopino Del Conte art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jacopino Del Conte or we will sell it for you.

del Conte, The Holy Family with John the Baptist

The Holy Family with John the Baptist

del Conte, Unfinished Portrait of Michelangelo, 1540

Unfinished Portrait of Michelangelo, 1540

del Conte, Saint Ignatius

Saint Ignatius, 1556

Jacopino del Conte was an eminent Italian Mannerist painter, active in both Rome and Florence. A native of Florence, Jacopino del Conte was born the same year as another Florentine master Cecchino del Salviati (whom Conte outlived by 35 years) and, like Salviati and a number of other painters, he initially apprenticed with the influential painter and draftsman Andrea del Sarto.

del Conte, Detail of Fresco (Preaching), 1538

Detail of Fresco (Preaching), 1538
Oratorio de San Giovanni Decollato (Rome)

del Conte, Detail of Fresco (Baptism of Christ) 1541

Detail of Fresco (Baptism of Christ) 1541
Oratorio de San Giovanni Decollato (Rome)

Conte’s first frescoes, including Annunciation to Zachariah (1536), Preaching of Saint John the Baptist (1538), and Baptism of Christ (1541) were in the Florentine-supported Oratory of San Giovanni Decollato, located in Rome. The ‘Preaching’ fresco was based on a drawing by Perin del Vaga. In 1547–48, in collaboration with Siciolante da Sermoneta, Conte completed the fresco decoration of the chapel of San Remigio in San Luigi dei Francesi. In 1552, he painted another work for the San Giovanni Decollato Oratory, the altarpiece Deposition, whose designs are sometimes attributed to Daniele da Volterra.

del Conte, Portrait of Cardinal Kunsthistorisches Museum, Vienna

Portrait of Cardinal Kunsthistorisches Museum, Vienna

del Conte, Portrait of Sagrada Family

Portrait of Sagrada Family
Museo del Prado, Madrid

del Conte, Portrait of Michelangelo Buonarroti 16th century

Portrait of Michelangelo Buonarroti, 16th century

Although the specific dates of his birth and death were not documented, in his final year Jacopino del Conte would have been 88 years old. Still wondering about an Italian painting in your family collection? Contact us…it could be by Jacopino del Conte.


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1595--licenoski.php Lazar Licenoski Artwork Authentication & Art Appraisal

Lazar Licenoski (1901-1964)

Do you think you may own a painting by Lazar Licenoski?

Get a Licenoski Certificate of Authenticity for your painting (COA) for your Licenoski drawing.

For all your Licenoski artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Licenoski Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Licenoski painting or drawing.

If you want to sell your Licenoski painting or drawing use our selling services. We offer Licenoski selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Licenoski and issuing certificates of authenticity since 2002. We are recognized Licenoski experts and Licenoski certified appraisers. We issue COAs and appraisals for all Licenoski artworks.

Our Licenoski paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Licenoski certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Licenoski painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Licenoski paintings or drawings take longer.

Our clients include Licenoski collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lazar Licenoski art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lazar Licenoski or we will sell it for you.

1. Self-portrait. 1947. Oil painting.

1. Self-portrait. 1947. Oil painting.

2. The motive of the house. 1930. Oil painting.

2. The motive of the house. 1930. Oil painting.

Lazar Licenoski was a Macedonian painter born in Galicnik. Licenoski studied art in Belgrade under Milan Milovanović among others. Licenoski held his first exhibition of paintings in Skopje. He spent a brief amount of time working in Paris before returning to Belgrade, where he joined the group Oblik.

3. Ohrid Lake. 1950. Oil painting.

3. Ohrid Lake. 1950. Oil painting.

Licenoski’s style progressed over the course of his career. He began by focusing on portraits and social themed work. His later work is more expressionist in style. He stopped painting portraits and focused more on landscapes. Licenoski made a number of public works, including murals and mosaics, in addition to his smaller canvases.

4. Still Life with Basket. 1936. Oil painting.

4. Still Life with Basket. 1936. Oil painting.

5. Water Wheel, commemorative Yugoslav stamp. 1975.

5. Water Wheel, commemorative Yugoslav stamp. 1975.

If you think you may own original artwork by Lazar Licenoski, contact Art Certification Experts for information regarding our services.


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1596--de-madrazo-y-garreta.php Raimundy de Madrazo y Garreta authentication and appraisal

Raimundo de Madrazo y Garreta (1841-1920)

Get a De Madrazo Certificate of Authenticity for your painting (COA) for your De Madrazo drawing.

For all your De Madrazo artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Madrazo Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Madrazo painting or drawing.

If you want to sell your De Madrazo painting or drawing use our selling services. We offer De Madrazo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Madrazo and issuing certificates of authenticity since 2002. We are recognized De Madrazo experts and De Madrazo certified appraisers. We issue COAs and appraisals for all De Madrazo artworks.

Our De Madrazo paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Madrazo certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Madrazo painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Madrazo paintings or drawings take longer.

Our clients include De Madrazo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Raimundo De Madrazo Y Garreta art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Raimundo De Madrazo Y Garreta or we will sell it for you.

art

The Love Letter

Raimundy de Madrazo y Garreta was born in Rome and was the son of painter Federico de Madrazo y Kuntz. Though born in Italy and most active in France, he is considered to be a Spanish Realist and Impressionist painter. His earliest artistic training came from his father, and then at the Academy in Madrid. After also studying under Leon Cogniet in Paris, Madrazo began to paint on his own in a distinctly academic style.

art

Aline Masson With A White Mantilla

art

The Music Lesson

Garreta became known as a portraitist and genre painter and is also sometimes credited as Raimundy y Madrazo. He initially started out painting historical scenes, but was influenced into painting genre scenes by the Belgian painter Alfred Stevens. His genre scenes featured beautiful women of the day engaged in leisure activities and sport, parlor scenes and other typical French “genres.” Above all, Garreta was known for his portraits of women in the classical, academic treatment. Sometimes painted in sensual, almost risqué poses; Garreta’s sitters were portrayed as being confident, fashionable and beautiful beings.

art

Portrait of a Lady

art

Gypsy

art

Portrait Of Mrs. James Leigh Coleman

Although he was considered a Spanish artist, Garreta’s art was clearly more influenced by Parisian artists and contemporary styles. In fact, he separated himself so much from the Spanish art world that he never participated in national exhibitions in Spain. None of his works were directly acquired by the state as a result during his lifetime. While Garreta’s style was still sprinkled with Rococo influence, he also borrowed from Japanese technique and art from time to time, and did not limit himself to Spanish academic theory.

art

Woman at a Window

art

The Bouquet

During his lifetime, he lived in Paris and New York, and he traveled and exhibited extensively, particularly in Paris. Today his work is housed in public and private collections all over Europe and the United States, including the Metropolitan Museum of Art in New York, The Musee d’Orsay in Paris and the Prado Museum in Spain. Still wondering about a French parlor scene or 19th century portrait of a lady hanging in your home? Contact us… it could be by Raimundo de Madrazo y Garreta.

art

Hot Chocolate

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1597--kobell-wilhelm-von.php Wilhelm von Kobell Artwork Authentication & Art Appraisal

Wilhelm von Kobell (1766-1853)

We Perform Wilhelm von Kobell art authentication. Wilhelm von Kobell appraisal. Wilhelm von Kobell certificates of authenticity (COA). wilhelm von Kobell analysis, research, scientific tests, full art authentications. We will help you sell your Wilhelm von Kobell or we will sell it for you.

Kobell painting, Self-Portrait

Self-Portrait

Kobell painting, Hunter and Lord at the River

Hunter and Lord at the River

Wilhelm von Kobell was a German painter. He was taught to paint by his father Ferdinand and his uncle Franz, both painters, and attended drawing classes in Mannheim . Through his father, von Kobell learned the ways of the 17th century Dutch masters and became a prominent landscape painter.

Kobell painting, The Siege of Cosell

The Siege of Cosell

Von Kobell often collaborated with his father in painting landscapes in the Aschaffenburg cycle. He also traveled often to Munich , England and Italy , and painted landscapes during his travels, as well as portraits. Toward the end of his career, he was commissioned by the King of Bavaria as well as Prince Ludwig I to paint landscapes and historical scenes, and also taught at the academy in Munich.

Kobell painting, Landscape with Figures

Landscape with Figures

Still wondering about a German landscape in your family collection? Contact us…it could be by Wilhelm von Kobell.


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1598--barnoin.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "barnoin" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "barnoin" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1599--desoria.php Jean-Baptiste Desoria authentication appraisal

Jean-Baptiste François Desoria (1758-1832)

Get a Jean-Baptiste François Desoria Certificate of Authenticity for your painting (COA) for your Jean-Baptiste François Desoria drawing.

For all your Jean-Baptiste François Desoria artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Jean-Baptiste François Desoria Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Jean-Baptiste François Desoria painting or drawing.

If you want to sell your Jean-Baptiste François Desoria painting or drawing use our selling services. We offer Jean-Baptiste François Desoria selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Jean-Baptiste François Desoria and issuing certificates of authenticity since 2002. We are recognized Jean-Baptiste François Desoria experts and Jean-Baptiste François Desoria certified appraisers. We issue COAs and appraisals for all Jean-Baptiste François Desoria artworks.

Our Jean-Baptiste François Desoria paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Jean-Baptiste François Desoria certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Jean-Baptiste François Desoria painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Jean-Baptiste François Desoria paintings or drawings take longer.

Our clients include Jean-Baptiste François Desoria collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean-Baptiste François Desoria art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean-Baptiste François Desoria or we will sell it for you.

desoria

Portrait of Constance Pipelet, 1797
Art Institute of Chicago

Jean-Baptiste François Desoria was an 18th century French portrait painter. He studied with Jean-Baptist Restout the Younger, and exhibited in the Paris Salons of 1791 until his death. Desoria won the medal at the Paris Salon in 1810.

desoria

Portrait of Amedee-Auguste Perier

desoria

Portrait of Charles-Louis Francois Letourneur, 1796
Oil on Canvas

desoria

Portrait of Antoine-Scipion Perier

desoria

Portrait of Madame Camille Teisseire

Today, only a few of his portraits and genre paintings are in existence…could one one of them be in your family collection?

Still wondering about a French portrait or genre scene in your collection? Contact us. We are the experts in Jean-Baptiste Francois Desoria.


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1600--toulouse-lautrec.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "toulouse-lautrec" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "toulouse-lautrec" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1601--vidal.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vidal" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vidal" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "vidal" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
1602--moro.php César Moro Artwork Authentication & Art Appraisal

Alfredo Quispez Asin (César Moro) (1903-1956)

Get a César Moro Certificate of Authenticity for your painting (COA) for your César Moro drawing.

For all your César Moro artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a César Moro Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your César Moro painting or drawing.

If you want to sell your César Moro painting or drawing use our selling services. We offer César Moro selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating César Moro and issuing certificates of authenticity since 2002. We are recognized César Moro experts and César Moro certified appraisers. We issue COAs and appraisals for all César Moro artworks.

Our César Moro paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The César Moro certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your César Moro painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research César Moro paintings or drawings take longer.

Our clients include César Moro collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alfredo Quispez Asin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alfredo Quispez Asin or we will sell it for you.

art

Profundis

art

Collage

Alfredo Quispez Asin was known by the the pseudonym of César Moro. He was a poet and Peruvian surrealist painter. After a self-taught training he signs his first work, a modern drawing, in 1921 like “Cesar Moro”, name of a character of Ramon Gomez of the Serna. Moro changed his name, his language, and in one sense, his sexuality. A triple outsider Moro published one key poem in French, ‘Renommée de l’amour’, in number 5 of Breton’s magazine Le Surréalisme au Service de la Révolution in May 1933. Moro rejected not only a language, Spanish, but a culture and a history.

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Oiseau

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Sin Titulo, Untitled

In 1925 he travels to Paris, inevitable stop for most of the artists of any activity. Then César Moro tries different artistic areas, attends classes of ballet in the Academy of Ballet, and writes poems. In 1926 he offers his first pictorial exhibition and the second one in 1927, both received favorably reviews. In 1928 he discovers the surrealism and begins to write poems in French language. In the period between 1928 and 1933 he continues with his European activities as much in the scope of painting but mainly in poetry (Ces poèmes) and returns to Lima at the end of 1933. In 1935 he organizes with the poet Adolph Westphalen, the first surrealist exhibition in Latin America, in the Academia Alcedo of Lima. Besides Moro, some Chileans like Jaime Dvor, Waldo Parraguez, Gabriela Rivadeneira, Carlos Sotomayor and Maria Valencia also take part of this exhibition.

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Objetos

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Vineta

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Amaru

In 1938 and due to political reasons Moro leaves his country for Mexico where he will remain for 10 years. During that time he continues his painting activities as well as with poetry. In 1940 he promotes with the painter Wolfgang Paalen and André Bretón the Fourth International Surrealism Exhibition at the Galería de Arte Mexicano. This event joints paintings of importat artists such as Pablo Picasso, Agustin Lazo and Salvador Dali. He returns to Lima in 1948 to continue writing with the auspices of the French poet André Coyné. He dies in 1956 victim of an unknown disease. His friend and protector André Coyné continued with the work of compilation, edition and information on Moro´s work.

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Coyne V

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Papel 1954

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Pintura-20

Still wondering about a Peruvian painting in your family collection? Contact us…it could be by César Moro.


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1603--ashcan.php Ashcan School Artwork Authentication & Art Appraisal

Ashcan School (Early 20th Century)

We Perform Ashcan School art authentication. Ashcan School appraisal from . Ashcan School certificates of authenticity (COA). Ashcan School analysis, research, scientific tests, full art authentications. We will help you sell your Ashcan School or we will sell it for you.

Ashcan School, George Wesley Bellows

George Wesley Bellows “Cliff Dwellers”

Ashcan School, George Wesley Bellows

George Wesley Bellows “A Stag at Sharkey’s”

The Ashcan School, also called the Ash Can School, was a group of twentieth century painters, known for their un-idealized paintings of New York City. The group aimed to show another side of the city, that wouldn’t hide grit, tenements, poverty or litter (like ashcans). They are sometimes referred to as the New York realists, for their attempt to “paint life as it is”.

Ashcan School, Robert Henri

Robert Henri “Snow in New York”

Ashcan School, Robert Henri

Robert Henri “Cafferty”

The Ashcan School stemmed from another group of painters, known as The Eight, which was led by Robert Henri, a painter from Philadelphia who moved to to New York in 1900. Henri joined the National Academy in 1905, studying for two years before challenging the institution’s standards. Henri along with seven other painters (Arthur B. Davies, George Luks, William Glackens, John Sloan, Everett Shinn, Maurice Prendergast and Ernest Lawson) held a historical exhibit at the Macbeth Gallery in New York City.

Ashcan School, Luks

Luks “The Miner”

Ashcan School, Luks

Luks “Morning Shadows”

The 1908, Macbeth Gallery exhibition was the only time The Eight formally showed together. The show did however tour the country, affiliating itself with the Pennsylvania Academy of Fine Arts, where many of the Philadelphia artists had previously studied under instructor Thomas Pollock Anshutz.

Ashcan School, Shinn

Shinn “Bowery Museum”

Ashcan School, Shinn

Shinn “Washington Square”

Ashcan School, Sloan

Sloan “Jefferson Market”

Ashcan School, Sloan

Sloan “South Beach Bathers”

Eventually, six members of The Eight went on to form the Ashcan School: Henri, Glackens, Luks, Lawson, Shinn and Sloan. Other painters associated with the group include Alfred Maurer, George Wesley Bellows, Edward Hopper, and Guy Pène Du Bois.

Ashcan School, New York Movie, 1939

New York Movie, 1939

Ashcan School, Automat, 1927

Automat, 1927

Many of the Aschcan artists started out working as illustrators for newspapers, providing on-site sketches before photojournalism took off. Consequently, the artists were not accustomed to painting idealized scenes, but the harsh realities of American life. This became an overriding theme of the Ashcan school.

Ashcan School, Lawson

Lawson “Scene Across the River”

Ashcan School, Lawson

Lawson “Harlem River Valley”

Ashcan School, Glackens

Glackens “Hammerstein’s Roof Garden”

Ashcan School, Glackens Tennis at Newport, 1919

Glackens Tennis at Newport, 1919

The Paintings of the Ashcan school are now in museums and private collections around the world. The Ashcan artists are particularly important for changing the course of art, diminishing the popularity of American Impressionism and giving more artistic freedom to painters. Do you think you own a painting by The Ashcan School? Contact us. We are the experts on The Ashcan School.


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1604--murillo.php Gerardo Murillo Artwork Authentication & Art Appraisal

Gerardo Murillo (1875-1964)

Get a Murillo Certificate of Authenticity for your painting or a COA for your Murillo drawing or print.

For all your Murillo artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Murillo Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Murillo painting, drawing or print.

If you want to sell your Murillo painting, drawing or print use our selling services. We offer Murillo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Murillo and issuing certificates of authenticity since 2002. We are recognized Murillo experts and Murillo certified appraisers. We issue COAs and appraisals for all Murillo artworks.

Our Murillo paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Murillo certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Murillo painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Murillo paintings or drawings take longer.

Our clients include Murillo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gerardo Murillo art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gerardo Murillo or we will sell it for you.

Murillo, La Nube

La Nube

Murillo, Self-Portrait

Self-Portrait

Gerardo Murillo (Dr. Atl) is a well-known Mexican painter, printmaker, writer, theorist and politician. Dr. Atl adopted his pseudonym in exchange for his given name, Murillo in 1902. ‘Dr. Atl’ means ‘Doctor Water’ in the Náhuatl language.

Murillo, La Sombra del Popo

La Sombra del Popo

Dr. Atl began his studies in Guadalajara before going to the Academia de San Carlos in Mexico City. Dr. Atl excelled at the Academy and received a grant from the President Porfirio Diaz to paint in Europe. Dr. Atl travelled to many countries, learning about avant-garde styles and concepts. Dr. Atl spent most of his time in Rome, studying law, philosophy and classics like Michelangelo.

Murillo, Erupcion del Paricutin

Erupcion del Paricutin

In Europe Dr. Atl also became involved in politics, joining the Socialist Party in Italy and worked for a periodical Avanti. It was in Italy that Murillo changed his name to Dr. Atl.

Murillo, Self-Portrait II

Self-Portrait II

Dr. Atl returned to Mexico before the start of the Mexican Revolution, seven years later. Dr. Atl joined the revolutionary movement as a muralist and led exhibitions of Diego Rivera and Francisco Ponce de Leon.

Dr. Atl went to Paris to analyze the politics of Mexico and founded a journal, writing about the social and political issues of Mexico. Dr. Atl supported constitutionalists, leaning towards a biblical socialism.

Murillo, Volcano Nevada

Volcano Nevada

Dr. Atl did some portrait painting, but he was a prolific and innovative painter of landscapes. He used ‘atl colors’, which he made from wax crayons and pigments on wood and board instead of canvases. Dr. Atl often painted the many volcanoes surrounding Mexico City. Dr. Atl loved to be in nature and often climbed the volcanoes Popocatepetl and Iztaccihuatl. Dr. Atl wrote a book “How a Volcano is Born and Grows-Paricutin”, describing the eruption of Paricutin. Unfortunately, his contact with volcanoes gave him a disease, which caused one of his legs to be amputated.

Dr. Atl’s writings “Stories of All Colors” about the Mexican Revolution and “The Pearl” are highly acclaimed pieces of literature. “The Pearl” is known to have inspired a novella by John Steinbeck.

Dr. Atl received many awards for his paintings and writings. Dr. Atl’s paintings are in museums and collections all over the world. Do you think you own a painting by Dr. Atl? Contact us. We are the experts.


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1605--fautrier.php Jean Fautrier Artwork Authentication & Art Appraisal

Jean Fautrier (1898-1964)

Get a Fautrier Certificate of Authenticity for your painting or a COA for your Fautrierdrawing, print or sculpture.

For all your Fautrierartworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Fautrier Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fautrierpainting, drawing, print or sculpture.

If you want to sell your Fautrierpainting, drawing, print or sculpture use our selling services. We offer Fautrier selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fautrierand issuing certificates of authenticity since 2002. We are recognized Fautrierexperts and Fautrier certified appraisers. We issue COAs and appraisals for all Fautrier artworks.

Our Fautrierpaintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fautriercertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fautrierpainting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fautrierpaintings, drawings or sculptures take longer.

Our clients include Fautriercollectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Fautrier art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Jean Fautrier or we will sell it for you.

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Nude

Jean Fautrier was a painter that defied classification, whose style bordered on the edges of Abstraction, Surrealism and Cubism. He has been compared with artist Alberto Giacometti, but truly was an artist in a league of his own. Essentially, Fautrier is known as one of the founders of “informal art” and also as one of France’s greatest painters of post-war themes.

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Dark Landscape, 1945

Raised in London, Fautrier would attend the Royal Academy of Art as well as the Slade School of Art and eventually moved to Paris. Fautrier found this formal teaching too restrictive, however, and went off to create a style of his own. Fautrier was not just a painter, but a sculptor, illustrator and printer as well.

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Large Tragic Head, 1942, sculpture

He had his first solo exhibition in 1924 at the Galerie Visconti. It was here that critics began to take notice of the young Fautrier and he gained a reputation for himself that would last his entire career.

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Vase of Flowers, 1927

Fautrier left Paris during World War II but returned after the war to begin painting again. Fautrier is probably best known for his painting series “Otages” (which means “Hostages”) that serve as a remembrance of the horrors of World War II. This series was well received at his 1945 exhibition and continue to be his leading trademark.

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Hostages

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The Executed, 1945

Besides being a painter, Fautrier also worked as a ski instructor as well as in the hotel and night club industry in the French Alps in the 1930’s. Hard times forced him to quit painting in the 1930s, so he supported himself any way he could. It would be a rare treat to find artwork created by Fautrier during this downtrodden time.

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Fish

Fautrier gained a great deal of notoriety as a painter early on and remained in the public eye until the end of his life. However, Fautrier’s success was mainly celebrated in France, and he was little known abroad. He won a number of awards like the Grand Prix International in 1961, and was the guest of honor at the 1960 Venice Biennial.

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Baby Mine, 1947

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I’m Falling in Love, 1957

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1606--wicar.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "wicar" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "wicar" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1607--beechey.html Sir William Beechey Artwork Authentication & Art Appraisal

Sir William Beechey (1753-1839)

Sir William Beechey art authentication. Sir William Beechey appraisal. Sir William Beechey certificates of authenticity (COA). Sir William Beechey analysis, research, scientific tests, full art authentications. We will help you sell your Sir William Beechey or we will sell it for you.

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Hebe Feeding Jupiter’s Eagle

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The Dashwood Children

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The Oddie Children

Sir William Beechey was an 18th and early 19th century British portrait and history painter. Beechey was originally trained as an attorney, and was eventually appointed court portraitist by King George III’s consort, Queen Charlotte.

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Marcia Fox

Beechey was knighted in 1798, and today some of his best known works are housed in the Louvre.

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Portrait of Rear-Admiral Sir John Jervis

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Portrait of Horatio Viscount Nelson

Still wondering about a British portrait or history painting in your family collection? Contact us…it could be by Sir William Beechey.  

CALL US TO DISCUSS YOUR ART
New York    212-658-0466
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EXPERTS IN ART art authentication
EMAIL US

Email photos of the front/back of your painting to us. Please include the dimensions, what you know about its history/origin, and what State/Country in which it is located:
info@artexpertswebsite.com

About Us

Art Experts is a leading authority in the field of paintings, drawings and prints art authentication and appraisal. We authenticate, certify, issue COA and appraise artworks for auction houses, online selling services, art galleries, fine art museums, insurance companies, the US Marshals, other Federal Agencies, numerous law firms, and celebrities, worldwide. We also make our services available directly to private owners, art collectors, fine art investors, art speculators and treasure hunters.

Pages

Services


General

Contact

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575 Lexington Avenue
4th Floor
New York, NY 10022

info@artexpertswebsite.com

+1-212-658-0466


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1608--tischbein_elder.php Johann Heinrich Tischbein the elder Artwork Authentication & Art Appraisal

Johann Heinrich Tischbein the elder (1722-1789)

We Perform Johann Heinrich Tischbein the elder art authentication. Johann Heinrich Tischbein the elder appraisal. Johann Heinrich Tischbein the elder certificates of authenticity (COA). Johann Heinrich Tischbein the elder analysis, research, scientific tests, full art authentications. We will help you sell your Johann Heinrich Tischbein the elder or we will sell it for you.

Self-Portrait

Self-Portrait

Johann Tischbein the Elder was one of the most respected European painters in the 18th century and an important member of the Tischbein dynasty of German painters, which spanned four generations.

Pastoral Festival in Freihagen

Pastoral Festival in Freihagen

His work consisted primarily of portraits of the nobility, mythology scenes, and historical paintings. For his mythology paintings he mostly resorted to models of the highest aristocracy.

Artemesia

Artemesia

Still wondering about an 18th century German painting in your family collection? Contact us…it could be by Johann Tischbein the Elder.


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1609--refregier.php Anton Refregier Artwork Authentication & Art Appraisal

Anton Refregier (1905-1979)

Get a Refregier Certificate of Authenticity for your painting (COA) for your Refregier drawing.

For all your Refregier artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Refregier Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Refregier painting or drawing.

If you want to sell your Refregier painting or drawing use our selling services. We offer Refregier selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Refregier and issuing certificates of authenticity since 2002. We are recognized Refregier experts and Refregier certified appraisers. We issue COAs and appraisals for all Refregier artworks.

Our Refregier paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Refregier certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Refregier painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Refregier paintings or drawings take longer.

Our clients include Refregier collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Anton Refregier art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Anton Refregier or we will sell it for you.

Picnic 1959

Picnic 1959

Anton Refregier was a Russian immigrant painter in the United States. He made the 27 murals in the Rincon Center in San Francisco, CA, which depict the history of California, in the style of the social realism.

Sir Francis Drake, Mural at the Rincon Center, San Francisco CA

Sir Francis Drake, Mural at the Rincon Center, San Francisco CA

Still wondering about a Russian or American painting in your family collection? Contact us…it could be by Anton Refregier.


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1610--lacamera-espaniol.php Fortunato Lacámera Artwork Authentication & Art Appraisal

Fortunato Lacámera (1887-1951)

Get a Lacámera Certificate of Authenticity for your painting (COA) for your Lacámera drawing.

For all your Lacámera artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lacámera Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lacámera painting or drawing.

If you want to sell your Lacámera painting or drawing use our selling services. We offer Lacámera selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lacámera and issuing certificates of authenticity since 2002. We are recognized Lacámera experts and Lacámera certified appraisers. We issue COAs and appraisals for all Lacámera artworks.

Our Lacámera paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lacámera certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lacámera painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lacámera paintings or drawings take longer.

Our clients include Lacámera collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Fortunato Lacámera art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Fortunato Lacámera or we will sell it for you.

Fortunato Lacámera
Fortunato Lacámera
Fortunato Lacámera, Marina con banderita
Navy with flag, 1940

Fortunato Lacámera was born in Buenos Aires on October 5, 1887. He worked at the Southern Railway as an apprentice telegraph operator, a job he resigned in 1912 to take evening lessons with Alfredo Lazzari at the Unión de la Boca Society. Thus begins his artistic training, while working as a painter of fat brush and interior decorator.

Mural cerámico de 4,80 x 5,00 m en Av. P.de Mendoza 2841, La Boca
Ceramic mural of 4.80 x 5.00 m at Av. P. de Mendoza 2841, La Boca

Since 1919 he has attended the National Salon and, later on, it will also be presented in provincial and municipal salons. In 1922 he made his first solo exhibition at the Chandler Gallery, and later also at the Amigos del Arte Association (1930); in the Salón Salón (1932), in the Moody Gallery (1937), in the Art Rooms of the Municipal Bank (1940), in the Gente de Arte de Avellaneda Association (1942), in Impulso (1943) and in the Galería Antú (1950).

Naturaleza muerta, 1948
Still life, 1948

In 1926 he participated in the beginnings of the Ateneo Popular de La Boca. In 1929 he obtained the “Stimulus Society of Fine Arts” Prize, in 1936 the Watercolorists Award of the National Direction of Fine Arts and two years later, the Stimulus Prize of the National Salon. In 1939, he entered as a teacher at the Technical School of Trades No. 4.

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“Vuelta de Rocha”, oil on canvas, 83 x 110 cm, 1937

In 1940 he founded the Impulso People and Arts Association, where he was president until 1951, the year of his death. The artists Vicente Vento, José Luis Menghi, José Desiderio Rosso accompany him in this company and he has the early support of Miguel Carlos Victorica. The group begins its activities with a large group exhibition in which Quinquela Martín, Victorica, Diomede and Lacámera himself present their works. There they exhibited, among other artists, Pettoruti, Centurión, Butler, Forner, Castagnino, Spilimbergo and Lucio Fontana.

Sobras en la ventana, óleo sobre madera, 41,5 x 26 cm, 1925, Museo Nacional de Bellas Artes
“Study with inkwell”, oil on canvas, 50 x 70 cm

The artist dies on February 26, 1951.

His works make up the heritage of the National Museum of Fine Arts; the Museum of Fine Arts of La Boca “Benito Quinquela Martín”; the Municipal Museum of Plastic Arts “Eduardo Sívori” and the municipal museums of Tandil, Junín, Mar del Plata, Bahía Blanca and Rosario, in addition to the “Pedro de Mendoza” Museum in Santa Fe and the Military High School “Gral. San Martín”, Buenos Aires province.

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“Esquina boquense”, oil on cardboard, 60 x 47 cm

Are you still wondering if your painting may be by Fortunato Lacámera? Get in contact with us … maybe it is and we can confirm it … we are experts in this author.


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1611--kikoine.php Michel Kikoine Artwork Authentication & Art Appraisal

Michel Kikoine (1892-1968)

Get a Kikoine Certificate of Authenticity for your painting (COA) for your Kikoine drawing.

For all your Kikoine artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kikoine Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kikoine painting or drawing.

If you want to sell your Kikoine painting or drawing use our selling services. We offer Kikoine selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kikoine and issuing certificates of authenticity since 2002. We are recognized Kikoine experts and Kikoine certified appraisers. We issue COAs and appraisals for all Kikoine artworks.

Our Kikoine paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kikoine certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kikoine painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kikoine paintings or drawings take longer.

Our clients include Kikoine collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Michel Kikoine art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Michel Kikoine or we will sell it for you.

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Paysage d’Annay-sur-Serein

Michel Kikoine was an Impressionist painter born in Belarus, who would become known for his beautiful landscapes. He began studying art as a boy at the Kruger School of Drawing in Minsk, the Belarusian capital. Here he met and became friends with fellow artists Soutine and Kremegne whom he remained friends with all his life. At the age of 19, Kikoine moved to the Montparnasse district of Paris with his two friends to pursue his artistic career.

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Standing Woman

While in Paris, Kikoine studied at the Ecole Nationale Superieure des Beaux Arts. Among his many teachers were Pissarro and Cezanne, whose teachings would have a lasting impression on the artist.

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French Landscape

Because of his artistic training and the time that he was active, Kikoine is considered to be an artist from the School of Paris. Like his masters, Kikoine would employ rich beautiful colors in bold strokes to create an Impressionist style. He would also typically sign his work “Kikoine” somewhere on the front of his canvas.

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Outdoors: Still Life with a Bird

Kikoine had his first exhibit in 1919, and afterwards would often show his work at the Salon d’Automne. Kikoine married in 1914 and had a daughter and a son, Jankel Jacques, who would also become a painter. Kikoine gained enough success as a painter for his family to live comfortably. He would spend the summers with his family in the country, where he would paint landscapes in homage to Cezanne. In 1926, he settled for a while on a farm in the Burgundy region where he worked with Soutine, Kremegne and others.

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Landscape

The onset of World War II kept Kikoine and his family out of Paris, due to the fact that they were Jewish. Somehow they managed to avoid deportation and death by hiding out in Toulouse during the war. Kikoine is one of many Jewish painters from the Montparnasse area to have survived the Holocaust, and much of his work is now housed in Jewish and Holocaust museums worldwide.

Upon the liberation of France, Kikoine moved back to Paris and resumed painting. However, most of his post-World War II paintings are self-portraits, portraits and nudes. He spent the last decade of his life in Cannes in the south of France, where he would again paint landscapes until his death.

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Landscape, 1960s

Kikoine traveled all over France during his lifetime and was a fairly prolific painter. Some of his work was no doubt lost or stolen during the German occupation of France, so there could be treasured Kikoine works out there, unauthenticated and otherwise unknown. Still wondering about a landscape painting hanging in your home? It may be by Michel Kikoine…contact us to find out.


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done
1613--debucourt.php Philibert-Louis Debucourt Artwork Authentication & Art Appraisal

Philibert-Louis Debucourt (1755-1832)

Get a Debucourt Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Debucourt artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Debucourt Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Debucourt painting, drawing or print.

If you want to sell your Debucourt painting, drawing or print use our selling services. We offer Debucourt selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Debucourt and issuing certificates of authenticity since 2002. We are recognized Debucourt experts and Debucourt certified appraisers. We issue COAs and appraisals for all Debucourt artworks.

Our Debucourt paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Debucourt certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Debucourt painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Debucourt paintings or drawings take longer.

Our clients include Debucourt collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Philibert-Louis Debucourt art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Philibert-Louis Debucourt or we will sell it for you.

Debucourt painting, The Louvre

The Louvre

Debucourt painting, Elle Est Prise

Elle Est Prise

Debucourt painting, La Belle Frascatane

La Belle Frascatane

Philibert-Louis Debucourt was a French painter and print maker. Debucourt found great fame during the late 18th and early 19th centuries, after studying art in Paris under Vien.

Debucourt painting, Passez Payez

Passez Payez

Most of Debucourt’s early work is mezzotint, however, after 1785, Debucourt took up aquatint, which became his calling card. He was gifted in both portraiture and in creating popular genre scenes, and influenced many generations of French artists that would follow in his footsteps.

Debucourt painting, The Promenade at the Royal Palace

The Promenade at the Royal Palace

Debucourt painting, The Public Promenade

The Public Promenade

Today, Debucourt’s paintings are housed all over the world, and perhaps in your own home. Still wondering about a French painting in your family collection? Contact us…it could be by Philibert-Louis Debucourt.


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1614--hogarth.php William Hogarth Artwork Authentication & Art Appraisal

William Hogarth (1697-1764)

Get a Hogarth Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Hogarth artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Hogarth Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hogarth painting, drawing or print.

If you want to sell your Hogarth painting, drawing or print use our selling services. We offer Hogarth selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hogarth and issuing certificates of authenticity since 2002. We are recognized Hogarth experts and Hogarth certified appraisers. We issue COAs and appraisals for all Hogarth artworks.

Our Hogarth paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hogarth certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hogarth painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hogarth paintings or drawings take longer.

Our clients include Hogarth collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform William Hogarth art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your William Hogarth or we will sell it for you.

Hogarth painting, Self-Portrait

Self-Portrait

Hogarth painting, The Reward of Cruelty

The Reward of Cruelty

Hogarth painting, A Midnight Modern Conversation

A Midnight Modern Conversation

William Hogarth was an 18th century English painter, printmaker and cartoonist. His work was a mixture of exquisite realist portraits to outlandish and vicious comics.

Hogarth painting, Portrait of Captain Thomas Coram

Portrait of Captain Thomas Coram

Hogarth painting, Portrait of a Lady

Portrait of a Lady

Hogarth is considered to be one of the greatest British artists of his era by some art historians, and he left behind a large oeuvre of portraits, historical paintings, biblical scenes, and of course, sketches and cartoons.

Hogarth painting, March of the Guards at Finchley

March of the Guards at Finchley

Hogarth painting, Southwark Fair

Southwark Fair

Still wondering about an 18th century English cartoon or portrait in your family collection? Contact us…it could be by William Hogarth.


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1615--kooning.php Willem de Kooning Artwork Authentication & Art Appraisal

Willem de Kooning (1904-1997)

Get a Kooning Certificate of Authenticity for your painting or a COA for your Kooning drawing or sculpture.

For all your Kooning artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Kooning Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kooning painting, drawing or sculpture.

If you want to sell your Kooning painting, drawing or sculpture use our selling services. We offer Kooning selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kooning and issuing certificates of authenticity since 2002. We are recognized Kooning experts and Kooning certified appraisers. We issue COAs and appraisals for all Kooning artworks.

Our Kooning paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kooning certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kooning painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kooning paintings, drawings or sculpture take longer.

Our clients include Kooning collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Willem de Kooning art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Willem de Kooning or we will sell it for you.

Marilyn Monroe 1954

Marilyn Monroe 1954

Untitled 1958

Untitled 1958

Willem de Kooning was an American Abstract Expressionist painter who was born in Rotterdam, the Netherlands. Some art critics have called him the leader of the Abstract Expressionist movement, perhaps even surpassing Picasso in his important contributions to this movement. Though art historians may argue as to whether or not he was the leader in this movement, de Kooning was undoubtedly a pioneer in the field of Abstract art. This is evident simply by looking at recent auction records, which value his work in the excess of $27 million dollars.

Excavation 1950

Excavation 1950

De Kooning initially began his studies at the Academie van Beeldende Kunsten en Technische Wetenschappen in Rotterdam. At night he would work as an apprentice at a commercial art and decorating company, and later, working for an art director. He traveled to Brussels and Antwerp in 1924 to continue his studies and in 1926; he left the Netherlands for The United States. He settled briefly in New Jersey before moving to New York in 1927. Once in New York, he met and became friends with fellow artist Arshille Gorky whom he would eventually share a studio with.

Asheville 1948

Asheville 1948

In his early years in New York, de Kooning took on odd jobs until he obtained a position with the WPA Federal Art Project in 1935. Shortly thereafter, he was able to paint on a full time basis. It was around this time, that de Kooning embraced the newly emerging styles of Cubism as well as Surrealism, and drew influences from his friend Gorky as well as Picasso.

Composition

Composition

Much like fellow Expressionist painter Jackson Pollock, de Kooning was an action painter, and created compositions that were just as chaotic as Pollock, yet with his own distinguishing touches. One of his trademark series began in 1938, and was known as simply “Women.” This would become a recurring theme for de Kooning, and featured women in a way few other Abstract Expressionist artists were at the time.

Woman 1944

Woman 1944

Queen of Hearts 1943

Queen of Hearts 1943

Woman and Bicycle 1952

Woman and Bicycle 1952

It wasn’t until de Kooning held his first solo exhibition in 1948 that he had truly arrived as a major artist. This exhibition featured black and white abstractions which helped to launch his reputation as a respected figure in the art world. In the 1950’s, de Kooning picked up on his “Women” series again, followed by a period of urban landscapes, rural landscapes, and in 1960’s another series of “Women.”

Woman 1949-1950

Woman 1949-1950

Woman 1952

Woman 1952

Gotham News 1955

Gotham News 1955

De Kooning returned to the Netherlands in 1968, his first visit in 42 years, for the opening of his retrospective at the Stedelijk Museum in Amsterdam. While in Europe, he began to work more with a new medium, clay and later, bronze, while he was in Rome in 1969. This would lead de Kooning to later produce life sized figures.

Graver, bronze 1972

Graver, bronze 1972

He spent the rest of his life traveling and exhibiting all over the United States, and finally settled in Long Island, NY in 1963. He received the Andrew W. Mellon prize in 1979, and was honored with a retrospective at the Museum of Modern Art in New York the same year he died, 1997.

Whose Name Was Writ in Water, 1975

Whose Name Was Writ in Water, 1975

Today, de Kooning’s work is housed in modern art museums all over the world, and perhaps in your own home. He remains one of the great American masters of the mid to later 20th century, and any his work is in greater demand today than ever. One of his original Abstract Expressionist pieces could be worth millions of dollars, and could exist anywhere from the United States to Northern Europe. Still wondering about an Abstract Expressionist piece in your family estate? Contact us…it could be by Willem de Kooning.


done
1616--birago.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "birago" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "birago" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> Giovanni Giampietrino authentication and appraisal
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done
1617--collantes.php Francisco Collantes Artwork Authentication & Art Appraisal

Francisco Collantes (1599-1656)

Get a Collantes Certificate of Authenticity for your painting (COA) for your Collantes drawing.

For all your Collantes artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Collantes Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Collantes painting or drawing.

If you want to sell your Collantes painting or drawing use our selling services. We offer Collantes selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Collantes and issuing certificates of authenticity since 2002. We are recognized Collantes experts and Collantes certified appraisers. We issue COAs and appraisals for all Collantes artworks.

Our Collantes paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Collantes certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Collantes painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Collantes paintings or drawings take longer.

Our clients include Collantes collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francisco Collantes art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Francisco Collantes or we will sell it for you.

Collantes, Vision of Ezekiel, 1630

Vision of Ezekiel, 1630

Collantes, The Penitent Magdalena

The Penitent Magdalena

Francisco Collantes was a Spanish painter of the Baroque era. His Baroque contemporaries frequently imitated Collantes exemplary work. While many biographical details about the life of Francisco Collantes remain a mystery, his work is in some of Europe’s finest collections and influenced the School of Flamenca.

Collantes, Saint Jerome

Saint Jerome

It is known that Collantes travelled to Italy to study the great masters of the Renaissance period and Italian Naturalism. Collantes was also an apprentice of Vincente Carducho, whose paintings were highly regarded in Spain.

Collantes, Saint Onuphrius

Saint Onuphrius

Collantes is best known for his paintings of religious and mythological figures. Collantes painted a great number of saints and narrated biblical stories. His biblical scenes often had epic qualities, portraying classical, architectural structures in ruins.

Collantes, Ezekiel Látomasá

Ezekiel Látomasá

Collantes can be described as a ¨tenebrist¨ (painting dramatically lit subjects in front of a nearly blackened background). In addition to Collantes portraits, he painted a number of landscapes and animal paintings. Unfortunately nearly all of Collantes landscape paintings have disappeared over the years.

Unlike most Spanish artists of the time, Collantes received recognition outside of Spain. Collantes work made it into the collection of the French King, Luis XIV. Those works are now permanently housed in the Louvre in Paris.

Apart from the Louvre, Collantes works are housed in Madrid’s Museo del Prado, the Museo de Colonia and the Museo de la Real Academia de Bellas Artes de San Fernando.

While little information is known about Collantes personal life, his paintings have maintained a high level of value and appreciation for centuries. Do you think you own a painting by Francisco Collantes? Contact us. We are the experts.


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1618--da-udine.php Giovanni da Udine Artwork Authentication & Art Appraisal

Giovanni da Udine (1487-1564)

Get a Da Udine Certificate of Authenticity for your painting (COA) for your Da Udine drawing.

For all your Da Udine artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Da Udine Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Da Udine painting or drawing.

If you want to sell your Da Udine painting or drawing use our selling services. We offer Da Udine selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Da Udine and issuing certificates of authenticity since 2002. We are recognized Da Udine experts and Da Udine certified appraisers. We issue COAs and appraisals for all Da Udine artworks.

Our Da Udine paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Da Udine certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Da Udine painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Da Udine paintings or drawings take longer.

Our clients include Da Udine collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giovanni Da Udine art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni Da Udine or we will sell it for you.

art

The Judgement of Paris

Giovanni Nanni, also Giovanni de’ Ricamatori, better known as Giovanni da Udine, was an Italian painter and architect born in Udine. He should not be confused with Martino da Udine, otherwise known as Pellegrino da San Daniele (1467-1547).

art

Study of a Rock Dove

As a student and assistant of Raphael, he was responsible for most of the “decorative” (i.e. non-narrative) elements of the major Raphaellesque projects in Rome, and he was a specialist in fresco and stucco grotesque decorations. These included the stucco work in the Loggia di Raffaello (Vatican, 1517-1519) and the heavy fruit-laden swags in the loggia di psiche in the Villa Farnesina. He also assisted in the construction of a few monumental fountains, which are now destroyed.

art

Villa la Farnesina

After the death of Raphael, da Udine continued to work on projects initiated by his master, namely the Villa Madama in Rome. He continued his work until the sack of Rome (1527) when he departed to work in Florence, where he worked on the stuccoes in Sagrestia Nuova in San Lorenzo, and Venice, where he worked on the stucco decoration in the Palazzo Grimani, around 1540.

art

Sketch of a Squirrel

In Udine, he worked as an architect on the Torre dell’Orologio (Clock-Tower) and the Fontana di Piazza Nuova (Piazza Nuova Fountain). In Cividale, he helped in the construction of Santa Maria dei Battuti. He returned to Rome in 1560 to work on the third floor of the Logge Vaticane, and died in this city in 1564. Still wondering about an Italian painting in your family collection? Contact us…it could be by Giovanni da Udine.


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1619--louis.php Seraphine Louis Artwork Authentication & Art Appraisal

Seraphine Louis (1864-1934)

Get a Louis Certificate of Authenticity for your painting (COA) for your Louis drawing.

For all your Louis artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Louis Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Louis painting or drawing.

If you want to sell your Louis painting or drawing use our selling services. We offer Louis selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Louis and issuing certificates of authenticity since 2002. We are recognized Louis experts and Louis certified appraisers. We issue COAs and appraisals for all Louis artworks.

Our Louis paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Louis certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Louis painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Louis paintings or drawings take longer.

Our clients include Louis collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Seraphine Louis art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Seraphine Louis or we will sell it for you.

art

Tree of Paradise, 1925

Seraphine Louis was a Neo-Primitive French painter who used flowers and the human form to create colorful and fantastical compositions. Originally a shepherdess and kitchen worker, Louis taught herself to paint, and is sometimes credited as Seraphine de Senlis. She is said to have been one of the most influential of all the French na•ve artists, second only to Henri Rousseau.

art

Fleurs

There is much mystique surrounding the legend of Seraphine Louis. It is said that when she painted, she was in a trancelike state, and that she was considered crazy from 1930 on, and sadly died in an asylum. Despite the fact that she was a fairly accomplished artist, Louis lived a life of relative poverty, and often had trouble simply obtaining canvas to work on.

art

Blatter and Berries, 1920

Today her work is housed all over Paris, and perhaps in your own home. Though she did not likely travel abroad due to her relative poverty, there is no telling where or to whom she may have sold her paintings. Still wondering about a French na•ve painting in your home? Contact us…it may be by Seraphine Louise.

art

Ornamental Foliage

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1620--finch-davies.php Claude Gibney Finch-Davies Artwork Authentication & Art Appraisal

Claude Gibney Finch-Davies (1875-1920)

Get a Finch-Davies Certificate of Authenticity for your painting (COA) for your Finch-Davies drawing.

For all your Finch-Davies artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Finch-Davies Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Finch-Davies painting or drawing.

If you want to sell your Finch-Davies painting or drawing use our selling services. We offer Finch-Davies selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Finch-Davies and issuing certificates of authenticity since 2002. We are recognized Finch-Davies experts and Finch-Davies certified appraisers. We issue COAs and appraisals for all Finch-Davies artworks.

Our Finch-Davies paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Finch-Davies certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Finch-Davies painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Finch-Davies paintings or drawings take longer.

Our clients include Finch-Davies collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Claude Gibney Finch-Davies art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Claude Gibney Finch-Davies or we will sell it for you.

Yellow Billed Stork

Yellow Billed Stork

Claude Gibney Finch-Davies was a British soldier, ornithologist and painter who produced a series of paintings of birds of South Africa in the early part of the 20th century. He was born in Delhi, India, the third child and eldest son of Major-General Sir William and Lady Elizabeth B. Davies née Field. His father later became Governor of Delhi and was awarded the Order of the Star of India, while his mother was said to be an expert on Indian snakes. At the age of six, in keeping with the custom of the time, Davies was sent to school in England, where his scholastic performance was unenthusiastic.

Stamp with Davies' Illustration

Stamp with Davies’ Illustration

Having finished his schooling, Davies joined the Cape Mounted Riflemen in 1893 at their recruiting office in London. In that same year his regiment saw service in Pondoland in South Africa. They were sent there to keep the peace after that territory had been annexed by the Cape Colony. As a professional soldier Davies was posted to various remote places in the Eastern Cape, and this fostered an interest in natural history and in particular, birdlife. Within a year or two, he was collecting bird specimens and starting sketches and paintings. In his field sketchbooks he provided copious notes about each species he illustrated – at first his own field observations, but later augmented by information culled from books and scientific journals. His style of painting rapidly evolved to show great detail in the plumage while retaining a life-like appearance. By 1905 he had produced some 200 paintings of consistently high quality.

Lesser Flamingo

Lesser Flamingo

In 1897 Private 1st Class CG Davies, with 15 others of his regiment, was sent to London to attend the Diamond Jubilee of Queen Victoria, and was promoted to corporal on his return to South Africa. The outbreak of the Anglo-Boer War shortly after, put his birding interests on hold, but on the positive side, afforded him the opportunity of extensive travel in southern Africa. Even without the leisure time to paint, he continued to observe, make notes and collect the odd specimen. With the end of the War in 1902, he returned to Pondoland and promotion to sergeant. The next twelve years of relative peace saw Davies’ improvement as artist and ornithologist. He explored the Eastern Cape thoroughly and produced paintings at the rate of about one a week. His completed sketchbooks were sent to his mother in England for safe-keeping, and she transcribed his pencilled notes and had unidentified species labeled by the British Museum (Natural History). He began contributing to scientific journals – his first article on Pondoland birds in the initial volume of the newly-formed South African Ornithologists’ Union of which he was a founder member.

The President of the Ornithologists’ Union at that time was Alwin Haagner, who was an assistant at the Transvaal Museum. He and Davies came to know each other through the many bird specimens he sold and donated to the Museum. Haagner used Davies’ illustrations to accompany several articles describing new forms and species. At about this time Davies made the acquaintance of Major Boyd Horsbrugh who was searching for a competent artist to illustrate a book he had been working on. This collaboration led to the publishing of The Game-Birds and Waterfowl of South Africa in 1912, which besides the colour plates by Davies, incorporated many of his observations.

In 1910 with the formation of the Union of South Africa, Davies’ regiment, now called the 1st South African Mounted Riflemen, was reposted to Matatiele in East Griqualand. Here he fell under the spell of the raptors and devoted his entire twentieth sketchbook, and seven more of his final ten, to this group of birds. He consulted career ornithologists such as William Robert Ogilvie-Grant at the British Museum about difficulties. This productive period of his life was once more interrupted by a declaration of hostilities – the First World War.

Davies’ regiment was dispatched to Port Nolloth near the southern border of German South-West Africa. After an initial skirmish, the regiment’s orders were to patrol the border, part of which ran along the Kalahari Desert. Quite by chance, Davies could once more indulge in a population of bird species which were, for the greater part, new to him. By another stroke of good fortune his Medical Officer was Dr. Louis Clifford Thompson, a fellow birding enthusiast and the owner of a small library which Davies frequently consulted. During this period Davies started corresponding with Austin Roberts of the Transvaal Museum. The regiment returned fleetingly to the Orange River Colony to suppress a minor rebellion, after which they were ordered to Walvis Bay. On arrival Davies was promoted to lieutenant. The German troops surrendered on 1 July 1915. Shortly after the German surrender, Davies travelled to Cape Town for medical attention, returning to South West Africa early in 1916. It is more than likely that he met his future wife Aileen Singleton Finch, daughter of Captain W Finch, on the Cape Town visit, because he returned there and married Aileen on 4 August 1916. From that date on they were known as Finch-Davies.

By 1918 Finch-Davies was publishing papers on the birds of the towns of Okahandja and Outjo in what is now Namibia. He was still supplying specimens to the Transvaal Museum in exchange for access to their journals and preserved specimens, despite the difficulties due to his remote posting. The good news that his regiment was soon to return to South Africa, prompted him to take a month’s leave so that he could visit Walvis Bay, to study the profusion of coastal birds there.

By early 1919 he was stationed at Roberts Heights just outside Pretoria. By now the couple had two children – a son and a recently born daughter. Despite Aileen’s chagrin at his preoccupation with birds, Finch-Davies continued to put in long hours at the Transvaal Museum library. In January 1920 the Museum found that Finch-Davies had removed a number of plates from reference books which he had consulted. Despite the Museum’s not preferring charges, the incident became public knowledge. Finch-Davies’ paintings were held as security by the Museum until such time as he could pay for the replacement of the damaged books. Even though his actions were considered impulsive and that his judgment had been clouded by his obsession with illustrating birds, the damage done to his reputation was irreparable. Finch-Davies was transferred to Cape Town where Aileen, who had produced a second son in June 1920, joined him. It was evident to all who knew him, that Finch-Davies was suffering severe emotional distress. On the morning of 4 August 1920 he was found dead in his bed by his orderly. The cause of his death was recorded as angina pectoris. He was accorded a military funeral and interred at Maitland Cemetery in Cape Town.

Austin Roberts published The Birds of Southern Africa in 1940 and it is readily apparent that the Finch-Davies plates held by the Transvaal Museum were the basis for much of the artwork in his book. Still wondering about an African painting in your family collection? Contact us…it could be by Claude Gibney Finch-Davies.


done
1621--buhot.php Felix Hilaire Buhot authentication and appraisal prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "brueghel" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "brueghel" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "brueghel" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "brueghel" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>

Félix-Hilaire Buhot (1847-1898)

Get a Buhot Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Buhot artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Buhot Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Buhot painting, drawing or print.

If you want to sell your Buhot painting, drawing or print use our selling services. We offer Buhot selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Buhot and issuing certificates of authenticity since 2002. We are recognized Buhot experts and Buhot certified appraisers. We issue COAs and appraisals for all Buhot artworks.

Our Buhot paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Buhot certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Buhot painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Buhot paintings or drawings take longer.

Our clients include Buhot collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Félix-Hilaire Buhot art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Félix-Hilaire Buhot or we will sell it for you.

art

Montmartre Street Scene, Chalk

Félix-Hilaire Buhot was a 19th century French artist. Mainly known for his beautiful sketches and prints of European cities like Paris and London, Buhot was famous for his various techniques used in creating prints. It has been said that next to Degas, Buhot was the greatest master of his day in printmaking.

art

Westminster Bridge

art

Place Pigalle 1878

art The Cliff: Saint-Malo Bay 1886-1890

Today, many of Buhot’s paintings are housed in prestigious collections around the world, including the National Gallery in Washington, D.C. His works are highly collectible and fetch higher prices at auction than that of most other prints or sketches.

art

After the Rain, 1873

Still wondering about a print or painting of a city scene in your family collection? Contact us…it could be by Buhot.

Félix-Hilaire Buhot Artwork Authentication & Art Appraisal

Félix-Hilaire Buhot (1847-1898)

Get a Buhot Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Buhot artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Buhot Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Buhot painting, drawing or print.

If you want to sell your Buhot painting, drawing or print use our selling services. We offer Buhot selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Buhot and issuing certificates of authenticity since 2002. We are recognized Buhot experts and Buhot certified appraisers. We issue COAs and appraisals for all Buhot artworks.

Our Buhot paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Buhot certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Buhot painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Buhot paintings or drawings take longer.

Our clients include Buhot collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Félix-Hilaire Buhot art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Félix-Hilaire Buhot or we will sell it for you.

art

Montmartre Street Scene, Chalk

Félix-Hilaire Buhot was a 19th century French artist. Mainly known for his beautiful sketches and prints of European cities like Paris and London, Buhot was famous for his various techniques used in creating prints. It has been said that next to Degas, Buhot was the greatest master of his day in printmaking.

art

Westminster Bridge

art

Place Pigalle 1878

art The Cliff: Saint-Malo Bay 1886-1890

Today, many of Buhot’s paintings are housed in prestigious collections around the world, including the National Gallery in Washington, D.C. His works are highly collectible and fetch higher prices at auction than that of most other prints or sketches.

art

After the Rain, 1873

Still wondering about a print or painting of a city scene in your family collection? Contact us…it could be by Buhot.


done
1622--bourgeois.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bourgeois" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bourgeois" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "bourgeois" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "bourgeois" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1623--delacroix.php Eugene Delacroix Artwork Authentication & Art Appraisal

Eugene Delacroix (1817-1878)

Get a Delacroix Certificate of Authenticity for your painting (COA) for your Delacroix drawing.

For all your Delacroix artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Delacroix Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Delacroix painting or drawing.

If you want to sell your Delacroix painting or drawing use our selling services. We offer Delacroix selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Delacroix and issuing certificates of authenticity since 2002. We are recognized Delacroix experts and Delacroix certified appraisers. We issue COAs and appraisals for all Delacroix artworks.

Our Delacroix paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Delacroix certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Delacroix painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Delacroix paintings or drawings take longer.

Our clients include Delacroix collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Eugene Delacroix art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Eugene Delacroix or we will sell it for you.

Eugene Delacroix was one of the greatest and most influential Romantic painters of his time. The term Romanticism defines an intellectual movement that flourished in 18th and 19th century Europe. It embraced literature, art and philosophy. In France, Romanticism manifested in art by seeking to portray Nationalism and the power of individual perception. Delacroix came to be known for his flamboyant canvases on historical and literary subjects that displayed this romanticism.

He trained in the studio of the Neo Classical painter Pierre Narcise Guerin, where he met Theodore Gericault, a Romantic painter whom he much admired and was to influence him.

His first painting showing Dante and Virgil in Hell was accepted by the Salon in 1822. His next painting, entitled, ‘Massacre a Chios’ showed 20,000 Greeks being killed by the Turks on the Island of Chios. This was bought by the French State for 6000 Francs and now hangs in the Louvre.

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Girl Seated in a Cemetery, 1824

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Massacre at Chios

In 1830 he was inspired by the French Revolution to produce the Masterpiece ‘Liberty Guiding the People’ which commemorates the July Revolution and shows a woman personifying Liberty holding a tri-colar flag of the French Revolution and leads the people forward over bodies of the dead.

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Liberty

Delacroix had a ‘romantic’ obsession with mortality and he was fascinated by the play Hamlet by William Shakespeare and the themes it dealt with including Hamlet’s tortured existence. A painting by Delacroix entitled ‘Hamlet and Horatio in the graveyard’ now hangs in the Louvre.

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Hamlet and Horatio in the Graveyard

He was also inspired by Michael Angelo and Rubens and even produced some pieces of writing on Michael Angelo. It is said by some that his paintings rediscover the spirit of these two great artists.

The famous French poet Baudelaire said of him ‘The last of the great artists of the Renaissance and the first modern.’

He also painted a group of murals for the King’s chamber at the Palais Bourbon, as well as painting a number of panels for the Louvre.

In 1832 Delacroix traveled to Morocco and developed a passion for the way of life in the Orient and Northern Africa. He was to return on a number of other occasions and this was to mark a period when the style of his paintings changed. From this time on, a great deal of his work was to form part of the school of Orientalism.

Eugene Delacroix is described as being one of the nineteenth century’s French Masters and rightly so. An undiscovered painting by Delacroix properly authenticated would sell in the region of $10,000,000. In 1998 in Paris a painting from his Oriental period entitled ‘Arab Horsemen Fighting,’ sold for $9,000,000.

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The Entry of the Crusaders Into Constantinople, 1840

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A Young Tiger Playing With Its Mother, 1830

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Algerian Women in the Apartments

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The Death of Desdemona

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Odalisque Reclining on a Divan

His former apartment in Paris has been made into a museum entitled the Eugene Delacroix Museum and there you can learn about his life and his art.


done
1624--aulie.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "aulie" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "aulie" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "aulie" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "aulie" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1625--von-kobell.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "von-kobell" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "von-kobell" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "von-kobell" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "von-kobell" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1626--saraceni.php Carlo Saraceni Artwork Authentication & Art Appraisal

Carlo Saraceni (1570-1620)

Get a Saraceni Certificate of Authenticity for your painting (COA) for your Saraceni drawing.

For all your Saraceni artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Saraceni Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Saraceni painting or drawing.

If you want to sell your Saraceni painting or drawing use our selling services. We offer Saraceni selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Saraceni and issuing certificates of authenticity since 2002. We are recognized Saraceni experts and Saraceni certified appraisers. We issue COAs and appraisals for all Saraceni artworks.

Our Saraceni paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Saraceni certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Saraceni painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Saraceni paintings or drawings take longer.

Our clients include Saraceni collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carlo Saraceni art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Carlo Saraceni or we will sell it for you.

art

St. Cecelia with the Angel 1610

Car;p Saraceni was an Italian early-Baroque painter. Though he was born and died in Venice, in style his paintings are more Roman, a city to which he moved to in 1598, and where he lived for the majority of his mature career, joining the Accademia di San Luca in 1607. He never visited France, though he spoke fluent French and had French followers and a French wardrobe. His painting, however, was influenced at first by the densely forested landscape settings for human figures of the German painter (resident in Rome) Adam Elsheimer’s small cabinet paintings on copper, a format Saraceni employed in six landscape panels illustrating The Flight of Icarus; in Moses & daughters of Jethro and Mars and Venus.

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Madonna and Child with St. Anne 1610

When Caravaggio’s notorious Death of the Virgin was rejected in 1606 as an altarpiece suitable for a chapel of Santa Maria della Scala, it was Saraceni who provided the acceptable substitute, which remains in situ. He was influenced by Caravaggio’s dramatic lighting, monumental figures, naturalistic detail, and momentary action (illustration, right), so that he is numbered among the first of the “tenebrists” or “Caravaggisti”. Examples of this style can be seen in the candlelit Judith and the Head of Holofernes.

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Judith and the Head of Holofernes

Saraceni’s matured rapidly between 1606 and 1610, and the next decade gave way to his fully mature works. In 1616-17 he collaborated on the frescoes for the Sala Regia of the Palazzo del Quirinale. In 1618 he received payment for two paintings in the church of Santa Maria dell’Anima. The compositional details of his fresco of The Birth of the Virgin in the Chapel of the Annunciation of the church of Santa Maria in Aquiro are repeated in a panel on copper at the Louvre.

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Gregory the Great 1610

In 1620 he returned to Venice, where he died in the same year. He is said to have been influential for a still life painter in Rome known as Pensionante del Saraceni. Still wondering about an Italian painting in your family collection? Contact us…it could be by Carlo Saraceni.


done
1627--waldmuller.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "waldmuller" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "waldmuller" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "waldmuller" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "waldmuller" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1628--beraud.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "beraud" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "beraud" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "beraud" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "beraud" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1629--coronel.php Pedro Coronel Artwork Authentication & Art Appraisal

Pedro Coronel (1923-1985)

Get a Coronel Certificate of Authenticity for your painting (COA) for your Coronel drawing.

For all your Coronel artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Coronel Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Coronel painting or drawing.

If you want to sell your Coronel painting or drawing use our selling services. We offer Coronel selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Coronel and issuing certificates of authenticity since 2002. We are recognized Coronel experts and Coronel certified appraisers. We issue COAs and appraisals for all Coronel artworks.

Our Coronel paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Coronel certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Coronel painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Coronel paintings or drawings take longer.

Our clients include Coronel collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pedro Coronel art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pedro Coronel or we will sell it for you.

Coronel

Coronel, Deshabitados series

Deshabitados series

Pedro Coronel was born in the city of Zacatecas, Mexico in 1923. During the 1940s Coronel moved to Mexico City to study fine art at La Esmeralda National School of Painting, Sculpture and Engraving.

Coronel, Deshabitados series

Deshabitados series

Coronel travelled to Paris as a student to visit the workshop of the painter Victor Brauner and the sculptor Constantin Brancusi. Both European artists influenced Coronel’s later work.

Coronel returned to Mexico to further his career as an artist. Coronel’s first solo-exhibition was at the Galería Proteo in Mexico City. Coronel’s exhibition drew the attention of poet, Octavio Paz. Coronel was soon known throughout intellectual and artistic circles of Mexico.

Coronel

Coronel died from a stroke at the age of 62. To honor the great artist, Coronel’s funeral was held at the Palacio de Bellas Artes, and was attended by political officers as well as his fellow artists. The Pedro Coronel Museum stands in his hometown, Zacatecas in commemoration of his great work. Do you think you own a painting by Pedro Coronel? Contact us. We are the Pedro Coronel experts.


done
1630--marchand.php Philippe Marchand Artwork Authentication & Art Appraisal

Philippe Marchand

Get a Marchand Certificate of Authenticity for your painting (COA) for your Marchand drawing.

For all your Marchand artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Marchand Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Marchand painting or drawing.

If you want to sell your Marchand painting or drawing use our selling services. We offer Marchand selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Marchand and issuing certificates of authenticity since 2002. We are recognized Marchand experts and Marchand certified appraisers. We issue COAs and appraisals for all Marchand artworks.

Our Marchand paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Marchand certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Marchand painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Marchand paintings or drawings take longer.

Our clients include Marchand collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Philippe Marchand art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Philippe Marchand or we will sell it for you.

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Woman in Orange

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Girl Waiting

In the late twentieth century, Phillipe Marchand made his new style of painting known throughout France. In the 1950’s Phillipe Marchand attended the Academy of Fine Art in Paris, France. Marchand tirelessly studied in the Louvre Museum copying the Masters. Marchand challenged himself to push boundaries, whether he was studying classic or abstract styles. Marchand combined styles of the past with the contemporary style of his peers. Marchand’s work references such painters as Cezanne, Modigliani, Picasso and Braque. Marchand expresses trends from Cubism, Impressionism and Surrealism in his paintings.

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The Kiss

Marchand had great success exhibiting in Paris and New York. In 1965 Fine Arts Press published a book entitled, Phillipe Marchand. The publication contains forty, color, hand-printed plates of Marchand’s paintings with text in English, French, and Italian. Marchand continued to exhibit in France during the remaining years of his life.

art

art

Marchand’s work can be found in private collections throughout Europe and the United States. Do you think you own a Marchand? Contact us. We are the Marchand experts.


done
1631--de-belay.php Pierre de Belay authentication and appraisal prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "de-belay" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "de-belay" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "de-belay" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "de-belay" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>

Pierre de Belay (1890-1947)

Get a De Belay Certificate of Authenticity for your painting (COA) for your De Belay drawing.

For all your De Belay artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Belay Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Belay painting or drawing.

If you want to sell your De Belay painting or drawing use our selling services. We offer De Belay selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Belay and issuing certificates of authenticity since 2002. We are recognized De Belay experts and De Belay certified appraisers. We issue COAs and appraisals for all De Belay artworks.

Our De Belay paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Belay certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Belay painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Belay paintings or drawings take longer.

Our clients include De Belay collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pierre De Belay art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Pierre De Belay or we will sell it for you.

Like fellow artist of the same era Adolphe Marie Beaufrere, Pierre de Belay was born in Quimperlé, France. The origins and extent of his artistic training are generally little known. At the age of 29, it is known that he was released from military service when he promptly moved to Paris. Either way, Belay’s military had at least a small amount of impact on his artistic work as one can see in this naval painting “Le Haven de Concarneau.”

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Le Haven de Concarneau

Most of Belay’s art work is dated in the 1920’s and on, so it is quite possible that little artwork of his exists from before his move to Paris. In 1925, Belay finally had a studio and was living in Montparnasse. This bustling corner of Paris had given great inspiration to many painters before him, and was certainly gave Belay much inspiration for his Parisian street scenes.

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Les Deux Femmes Au Café

Besides being a painter and engraver, Belay was also an illustrator for the magazine “Harlequin” from 1923-1926. Although he was working steadily and slowly becoming known in art circles, Belay would not find real success until 1930, when an exhibit at the Rotonde and a private exhibit at the Gulot Gallery brought him real fame.

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Two Women and Two Men with Coffee, etching

Belay would continue creating art for the rest of his life, and died in Paris in 1947. Although he spent the bulk of his time working in Paris, he would return to his hometown of Quimperlé in the Brittany area on canvas.

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Fete Bretonne, 1944

Although, like most artists, Belay would go through many periods and styles of paintings, his work is generally recognizable as his own. Bright colors, bold and often thick brushstrokes and scenes of French lifestyles are very typical to the work of Belay.

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Le Port

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Carton

Today, Belay’s work is housed in museums all over France from Paris to Bordeaux and especially in Quimperlé. Because his early art teachings are so sketchy, as are what his earliest artworks may be, the possibility of finding one of Belay’s previously unknown works is very great. If he did produce anything while in the service, his art could have theoretically been created and sold or given away all over Europe.


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1632--magnelli.php Alberto Magnelli Artwork Authentication & Art Appraisal

Alberto Magnelli (1888-1971)

Do you think you may own a painting by Alberto Magnelli?

Get a Magnelli Certificate of Authenticity for your painting (COA) for your Magnelli drawing.

For all your Magnelli artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Magnelli Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Magnelli painting or drawing.

If you want to sell your Magnelli painting or drawing use our selling services. We offer Magnelli selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Magnelli and issuing certificates of authenticity since 2002. We are recognized Magnelli experts and Magnelli certified appraisers. We issue COAs and appraisals for all Magnelli artworks.

Our Magnelli paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Magnelli certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Magnelli painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Magnelli paintings or drawings take longer.

Our clients include Magnelli collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alberto Magnelli art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alberto Magnelli or we will sell it for you.

Composition 1965

Composition 1965

Alberto Magnelli was an Italian Abstract painter known for his geometric designs. As a young man, Magnelli was influenced by the masterworks that he saw in his hometown of Florence, and initially taught himself how to paint. Living in Italy, he was exposed to some of the newest movements in avant-garde and made friends with Futurist painters like Boccioni and Marinetti.

Composition

Composition

While Magnelli primarily created colorful and geometric Abstract compositions, hints of Cubism, Futurism and even Fauvism can be seen in his paintings. In the 1930’s, Magnelli was living in Paris and became friends with Picasso, Kandinsky and Le Corbusier, and it was during this time that he was influence by the ideas of Purism and Surrealism. As an Abstract artist, Magnelli did not restrict himself to painting in any one style, and experimented with nearly everything, including Japanese art.

Le Japonaise 1914

Le Japonaise 1914

World War II forced Magnelli and his wife to flee from Paris, so they lived in the south of France during this time. Materials were scarce during this time, so Magnelli spent the majority of the war writing poetry and sketching. Once the war was ended, Magnelli returned to Paris and began painting once again. From this point on until the end of his life, Magnelli continued to paint in his trademark geometric style.

Sketch

Sketch

Composition 1945

Composition 1945

Today, Magnelli’s work is housed in public and private collections around the world, and perhaps in your own home. Still wondering about a colorful Abstract piece of geometric art hanging in your home? Contact us…it could be by Alberto Magnelli.

Linguagem Turbulenta 1937

Linguagem Turbulenta 1937

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1633--destael.php Nicolas de Staël Artwork Authentication & Art Appraisal

Nicolas de Staël (1914-1955)

We Perform Nicolas de Staël art authentication. Nicolas de Staël appraisal. Nicolas de Staël certificates of authenticity (COA). Nicolas de Staël analysis, research, scientific tests, full art authentications. We will help you sell your Nicolas de Staël or we will sell it for you.

Figures Au Bord de Mer

Figures Au Bord de Mer

Nicolas de Staël was a painter known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles.Nicolas de Staël was the son of a Russian Lieutenant General, Baron Vladimir Stael von Holstein, (a member of the Staël von Holstein family, and the last Commandant of the Peter and Paul Fortress) and his wife, Olga Sakhanskaya. De Staël’s family was forced to emigrate to Poland in 1919 because of the Russian Revolution; Both, his father and stepmother, would die in Poland and the orphaned Nicolas de Staël would be sent with his older sister Marina to Brussels to live with a Russian family (1922).

Le Concert

Le Concert

He eventually studied art at the Brussels Académie royale des beaux-arts (1932). In the 1930s, he traveled throughout Europe, lived in Paris (1934) and in Morocco (1936) (where he first met his companion Jeannine Guillou, also a painter and who would appear in some of his paintings from 1941-1942) and Algeria. In 1936 he had his first exhibition of Byzantine style icons and watercolors at the Galerie Dietrich et Cie, Brussels. He joined the French Foreign Legion in 1939 and was demobilized in 1941. Sometime in 1940 he met one of his future dealers Jeanne Bucher.

Bateaux

Bateaux

In 1941, he moved to Nice where he met Jean Arp, Sonia Delaunay and Robert Delaunay, and these artists would inspire his first abstract paintings, or “Compositions”. In 1942, Jeannine and Nicolas de Staël’s first child, Anne was born. The growing family also included Jeannine’s nine year old son Antoine. In 1943 (during the Nazi occupation), de Staël returned to Paris with Jeannine, but the war years were extremely difficult. During the war his paintings were included in several group exhibitions and in 1944 he had his first one-man exhibition at the Galerie l’Esquisse. In April 1945 he had a one-man exhibition at the Galerie Jeanne Bucher and in May 1945 his paintings were included in the first Salon de Mai. De Staël’s work was also included in the Salon d’Automne that year. In Paris in 1944 he met and befriended Georges Braque, and by 1945 his exhibition’s brought him critical fame. However times were so difficult, and success’s came too late as Jeannine died in February 1946, from illness brought on by malnutrition.

The Shelf

The Shelf

De Staël met Francoise Chapouton in the spring of 1946, and they married in May. In October 1946 thanks to his friendship with artist André Lanskoy (whom he met in 1944) de Staël made a contract with Louis Carré who agreed to buy all the paintings that he produced. By January 1947 the de Staël family moved into larger quarters thanks to increased recognition and increased sales. In 1947 he befriended his neighbor American private art dealer Theodore Schempp. De Stael’s new studio in Paris was very close to Georges Braque’s and the two painters became very close friends. In April 1947 his second daughter Laurence was born.In April 1948 his son Jerome was born, also that same year in Paris he began a long friendship with German artist Johnny Friedlaender. His paintings began to attract attention worldwide. In 1950 he had a one-man exhibition at the Galerie Jacques Dubourg in Paris and Schempp introduced de Stael’s paintings to New York, with a private exhibition at his Upper East Side apartment. He sold several paintings to important collectors including Duncan Phillips of the Phillips Collection. He had considerable success in the United States, and England in the early 1950s. In 1950 Leo Castelli organized a group exhibition at the Sidney Janis Gallery in New York City that included him. In 1952 He had one-man exhibitions in London, Montevideo, Uruguay, and in Paris. In March 1953 he had his first official one-man exhibition at M. Knoedler & Co. in New York City. The show was both a commercial and critical success. In 1953 he had an exhibition at the Phillips Gallery in Washington DC, (known today as The Phillips Collection in Washington DC) and they acquired two more of his canvasses. Visiting the United States in 1953 de Staël and Francoise visited MoMA, the Barnes Foundation in Merion, Pennsylvania and various other important institutions.

Agrigente

Agrigente

After returning to Paris, de Staël met visiting New York art dealer Paul Rosenberg who offered de Staël an exclusive contract. De Staël signed with Paul Rosenberg partially because Rosenberg was French and because he was an important New York art dealer who showed many Cubist painters whom Nicolas de Staël admired. By the end of 1953 the demand for de Staël’s paintings was so great that Paul Rosenberg raised his prices and continually requested more paintings. The demand was so high for his planned spring 1954 exhibition, that Rosenberg requested an additional fifteen paintings. Once again this exhibition was both commercially and critically successful. In April 1954 de Staël’s fourth child Gustave was born. In that spring he had a successful exhibition in Paris at Jacques Dubourg’s gallery. His new paintings marked his departure from abstraction and a return to figuration, still-life and landscape. In the fall of 1954 he moved with his family to Antibes.

Homage a Sydney Bechet

Homage a Sydney Bechet

But by 1953, de Staël’s depression led him to seek isolation in the south of France (eventually in Antibes). He suffered from exhaustion, insomnia and depression. In the wake of a disappointing meeting with a disparaging art critic on March 16, 1955 he committed suicide. He leapt to his death from his eleventh story studio terrace, in Antibes. He was 41 years old.

La Rout d'Ouzes 1954

La Rout d’Ouzes 1954

De Staël ‘s work was quickly recognised within the post-war art world, and he became one of the most influential artists of the 1950s. However, he moved away from abstraction in his later paintings, seeking a more “French” lyrical style, returning to representation (seascapes, footballers, jazz musicians, seagulls) at the end of his life. His return to imagery during the early 1950s can be seen as an influential precedent for the American Bay Area Figurative Movement, as many of those abstract painters made a similar move; returning to imagery during the mid-1950s. His painting style is characterized by a thick impasto showing traces of the brush and the palette knife, and by a division of the canvas into numerous zones of color (especially blues, reds and whites). His most well-known late paintings of beaches and landscapes are dominated by the sky and effects of light.

Les Mouettes 1955

Les Mouettes 1955

Much of de Staël ‘s late work – in particular his thinned, and diluted oil on canvas abstract landscapes of the mid-1950s predicts Color field painting and Lyrical Abstraction of the 1960s and 1970s. Nicolas de Staël ‘s bold and intensely vivid color in his last paintings predict the direction of much of contemporary painting that came after him including Pop Art of the 1960s. Still wondering about a Russian painting in your family collection? Contact us…it could be by Nicolas de Staël.


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1634--goncharova.php Natalia Goncharova Artwork Authentication & Art Appraisal

Natalia Goncharova art authentication (Наталья Сергеевна Гончарова) (1881-1962)

Get a Goncharova Certificate of Authenticity for your painting (COA) for your Goncharova drawing.

For all your Goncharova artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Goncharova Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Goncharova painting or drawing.

If you want to sell your Goncharova painting or drawing use our selling services. We offer Goncharova selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Goncharova and issuing certificates of authenticity since 2002. We are recognized Goncharova experts and Goncharova certified appraisers. We issue COAs and appraisals for all Goncharova artworks.

Our Goncharova paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Goncharova certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Goncharova painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Goncharova paintings or drawings take longer.

Our clients include Goncharova collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Natalia Goncharova art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Natalia Goncharova or we will sell it for you.

Self-Portrait with Yellow Lillies 1907

Self-Portrait with Yellow Lillies 1907

Natalia Goncharova was a prominent Russian avant-garde artist (Cubo-Futurism), painter and costume designer. She was born in Nagaevo village near Tula, Russia in 1881. Goncharova studied sculpture at the Moscow Academy of Art, but turned to painting in 1904. She was deeply inspired by the primitive aspects of Russian folk art and attempted to emulate it in her own work while incorporating elements of fauvism and cubism. Together with her husband Mikhail Larionov she first developed Rayonism. They were the main progenitors of the pre-Revolution Russian avant-garde organizing the Donkey’s Tail exhibition of 1912 and showing with the Der Blaue Reiter in Munich the same year.

Cyclist 1913

Cyclist 1913

The Donkey’s Tail was conceived as an intentional break from European art influence and the establishment of an independent Russian school of modern art. However, the influence of Russian Futurism is much in evidence in Goncharova’s later paintings. Initially preoccupied with icon painting and the primitivism of ethnic Russian folk-art, Goncharova became famous in Russia for her Futurist work such as The Cyclist and her later Rayonnist works. As leaders of the Moscow Futurists, they organized provocative lecture evenings in the same vein as their Italian counterparts. Goncharova was also involved with graphic design – writing and illustrating a book in Futurist style.

Sheep Shearing

Sheep Shearing

Goncharova was a member of the Der Blaue Reiter avant-garde group from its founding in 1911. In 1915, she began to design ballet costumes and sets in Geneva. She moved to Paris in 1921 where she designed a number of stage sets of Sergei Diaghilev’s Ballets Russes. In 1962 she died in Paris.

Peasants Dancing

Peasants Dancing

Still wondering about a Russian avant-garde painting in your family collection? Contact us…it could be by Natalia Goncharova.


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1635--von_maron.php Anton von Maron Artwork Authentication & Art Appraisal https://www.artexpertswebsite.com/pages/von-maron.php

Anton von Maron (1733-1808)

Anton von Maron art authentication. Anton von Maron appraisal. Anton von Maron certificates of authenticity (COA). Anton von Maron analysis, research, scientific tests, full art authentications. We will help you sell your Anton von Maron or we will sell it for you.

von Maron painting, Peter du Cane

Peter du Cane

Anton von Maron was an 18th century Austrian painter. He studied at the academy in Vienna and in 1755 he traveled to Rome, where he lived and worked for the rest of his life.

von Maron painting, Portrait of a Man

Portrait of a Man

Von Maron was the first pupil and then the assistant of master painter Anton Raphael Mengs. He married the artists’ sister in 1765, a miniaturist painter named Theresia Concordia Mengs. As a result of their close relationship, von Maron and Mengs often collaborated on frescoes and paintings together.

von Maron painting, Portrait of a Lady

Portrait of a Lady

In 1761, von Maron was appointed court painter to Charles III of Spain and left for Madrid. However, once he returned to Rome, von Maron was quickly established as the most popular painter in the region, and took many commissions away from his master, Mengs.

von Maron painting, Empress Maria Theresa as a Widow

Empress Maria Theresa as a Widow

Towards the later half of the 18th century, von Maron was in high demand as a portrait painter, and in the grand tradition of fellow painter Pompeo Batoni, made a very good living painting the portraits of vacationing English gentlemen.

von Maron painting, Portrait of Two Gentlemen

Portrait of Two Gentlemen

Today, von Maron’s paintings are housed in prestigious collections throughout the world, and perhaps in your own home. Still wondering about an 18th century Italian painting in your family collection? Contact us…it could be by Anton von Maron.


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1636--mijares.php Jose Maria Mijares Fenandes Artwork Authentication & Art Appraisal

Jose Maria Mijares Fernandez (1921-2004)

Do you think you may own a painting by Jose Maria Mijares Fenandes?

Get a Mijares Certificate of Authenticity for your painting (COA) for your Mijares drawing.

For all your Mijares artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mijares Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mijares painting or drawing.

If you want to sell your Mijares painting or drawing use our selling services. We offer Mijares selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mijares and issuing certificates of authenticity since 2002. We are recognized Mijares experts and Mijares certified appraisers. We issue COAs and appraisals for all Mijares artworks.

Our Mijares paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mijares certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mijares painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mijares paintings or drawings take longer.

Our clients include Mijares collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jose Maria Mijares Fernandez art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jose Maria Mijares Fernandez or we will sell it for you.

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Portrait of a Girl

Jose Maria Mijares Fernandes was a Cuban artist, little known in the art world as of yet. As with so many Cuban artists, Mijares attended the San Alejandro School of Art in Havana (from 1936). His major influences were Ponce and Romanach. Stylistically his trajectory is familiar: from figurative Modernism through Abstraction, then to a type of Surrealism in the 70s and finally to a kind of decorative Expressionism. Mijares himself defined major influences: “Ponce was my first influence. He, Carlos Enriquez, Rene Portocarrero…(and others) from the generation that preceded mine became known as the Havana School.”

His first major exhibition was in Havana in 1944. By the 1950s, artists were doing it tough in Cuba, so he returned to San Alejandro to teach art, resigning when Fidel Castro came to power. In 1968 he migrated to Miami, where he abandoned his geometric style in favor of a fluid decorative one, presumably more in keeping with prevailing taste.

As one would expect, Mijares’ abstract period dates from the 1950s, when it was in vogue. Several examples are illustrated below. They are quite various in their approach.

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In 1998 Mijares was interviewed for the Smithsonian Archives of American Art. Mijares was awarded an honorary Doctorate from Florida International University in 2001.

Still wondering about a Cuban painting in your family collection? Contact us…it could be by Jose Maria Mijares Fernandes.


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1637--redmond.php Granville Redmond Artwork Authentication & Art Appraisal

Granville Redmond (1871-1935)

Get a Redmond Certificate of Authenticity for your painting (COA) for your Redmond drawing.

For all your Redmond artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Redmond Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Redmond painting or drawing.

If you want to sell your Redmond painting or drawing use our selling services. We offer Redmond selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Redmond and issuing certificates of authenticity since 2002. We are recognized Redmond experts and Redmond certified appraisers. We issue COAs and appraisals for all Redmond artworks.

Our Redmond paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Redmond certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Redmond painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Redmond paintings or drawings take longer.

Our clients include Redmond collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Granville Redmond art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Granville Redmond or we will sell it for you.

Redmond, Malibu Coast Spring

Malibu Coast Spring

Redmond, Opalescent Sea

Opalescent Sea

Granville Redmond was an American landscape painter based out of California. Redmond was born in Philadelphia, Pennsylvania but relocated with his family to San Jose, California at a very early age. Redmond was diagnosed as deaf at the age of three and attended the Berkeley School for the Deaf, later known as the California School for the Deaf.

Redmond, California Oaks and Poppies

California Oaks and Poppies

Redmond’s hearing impairment did not stand in the way of his career as an artist. A deaf instructor, Theophilus d’Estrella gave Redmond courses in painting, drawing and pantomime. Redmond eventually enrolled at the California School of Design in San Francisco. Redmond excelled as a student of painting and was awarded the W.E. Brown Medal. Redmond also befriended many of his peer artists including Gottardo Piazzoni, who learned American Sign Language in order to make communication easier.

Redmond, Serenity

Serenity

In 1893 Redmond was awarded a scholarship to study painting in Paris at the Académie Julian. In Paris, Redmond studied under Jean-Paul Laurens and Benjamin Constant. In 1895 Redmond exhibited a painting in the Paris Salon.

Redmond, Poppies - Lake

Poppies – Lake

After five years in France, Redmond returned to California, settling in Los Angeles. Redmond married a deaf woman and helped to raise their three children. In Los Angeles Redmond continued to paint, colorful impressionistic landscapes. Redmond often painted poppy fields in broad valleys and California mountain peaks.

Redmond, Sunlight Through the Trees

Sunlight Through the Trees

Redmond, Boats

Boats

Redmond, Twilight Study

Twilight Study

Redmond, Ocean Sunset

Ocean Sunset

Redmond, Coastal Wildflowers

Coastal Wildflowers

Redmond, Coastal scene

Coastal scene

Redmond, Twilight

Twilight

Redmond, Field of Poppies

Field of Poppies

Redmond, Untitled (poppies)

Untitled (poppies)

Redmond, California Poppy Field

California Poppy Field

Redmond also worked with Charles Chaplin, teaching the silent-actor sign language techniques. Chaplin was a promoter and collector of Redmond’s paintings. Redmond is now regarded as an important painter of the California Impressionist movement. Redmond’s paintings are in numerous museums in such California locations as Irvine, Laguna Beach, Los Angeles, San Francisco and Oakland. Redmond’s paintings are not limited to California collections, but are valued by museums and private collectors across the United States. Do you think you own a painting by Granville Redmond? Contact us. We are the experts on Granville Redmond.


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1638--lecomte-du-nouy.php Jules-Jean Antoine Lecomte du Nouy Artwork Authentication & Art Appraisal

Get a Lecomte Certificate of Authenticity for your painting or a COA for your Lecomte drawing or sculpture.

For all your Lecomte artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Lecomte Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lecomte painting, drawing or sculpture.

If you want to sell your Lecomte painting, drawing or sculpture use our selling services. We offer Lecomte selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lecomte and issuing certificates of authenticity since 2002. We are recognized Lecomte experts and Lecomte certified appraisers. We issue COAs and appraisals for all Lecomte artworks.

Our Lecomte paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lecomte certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lecomte painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lecomte paintings, drawings or sculpture take longer.

Our clients include Lecomte collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Jules-Jean-Antoine Lecomte du Nouy (1789-1863)

We perform Jules-Jean-Antoine Lecomte Du Nouy art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jules-Jean-Antoine Lecomte Du Nouy or we will sell it for you.

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Christian Women at the Tomb of the Virgin

Jules-Jean Antoine Lecomte du Nouy was born into a noble piedmontese family who settled in France in the fourteenth century. He entered the Ecole des Beaux -Arts in 1861, where he studied under Charles Gleyre, and two years later he trained under Emile Signol. His fascination with all subjects historical and exotic, lead him to enter the studio of the great painter Jean-Leon Gerome. He was to go on to become a great Orientalist, first rate portraitist, as well as a talented sculptor.

He first exhibited in the Salon in 1863, and received a critical approval in 1865, with his painting entitled, “Le Sentinel grec”. This painting was based on the Greek tragedy, ‘Oresteia,’ by Aeschylus. One year later he won a Gold Medal for another classical subject, with a painting entitled, ‘Invocation of Neptune.’

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Adolphe Cremieux

In 1865, Jean-Leon Gerome persuaded him to go on a trip to Egypt with Felix Clement, as Clement had received a commission to decorate a palace near Cairo. Following this trip, Lecomte du Nouy’s paintings, sought to portray the opulence of the Orient. In his painting entitled, ‘The Guard of the Seraglio: Souvenir of Cairo,’ he portrays the grounds of the Khedival royal family, and shows the Harem Pavillion of the Gazirah Palace.

The painting entitled, ‘A Eunuch’s Dream,’ which hangs in the Cleveland Museum of Art, shows a eunuch dreaming. He exhibited the painting with a passage from the French philosopher, Montesquieu’s Persian letters;

“No passion had ever been more alive than that of the enuch Cosrou for the slave girl Zelide.”

The painting was a mixture of Arabian fable, and topographical observation.

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White Slave

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Demosthenes Practising his Oratory

In both his Orientalist paintings, and his other work, Lecomte du Nouy also sought to make use of the eerie qualities of half light to dramatic, and melancholic effect. He was a successful painter of his time, and in 1869 the French State bought one of his paintings.

In 1872, he was to go on a long voyage, which took in Greece, Egypt, Turkey, and Asia Minor. This lengthy trip was to provide him with much inspiration for his Oriental Paintings. Once back in Paris, he was commissioned by the Roman Catholic church to provide an altar piece for a church of St Vincent de Paul in Paris. He painted scenes from the life of St Paul.

Later on in his life, whilst en route to Constantinople, he stopped in Bucharest to visit his brother, Andre Lecomte du Nouy, who was a court architect. He ended up staying several years, as he received commissions for portraits of members of the royal family, together with commissions for frescoes in Romanian Churches.

In 1895, he exhibited his first sculpture, and he received an honourable mention for his ‘Mort de Gavroche,’ at the Salon of 1901.

Jules-Jean-Antoine- Lecomte du Nouy, throughout his long life lived through many art movements, including the great Impressionist movement. Art historians, and critics have commented that he always remained faithful to his own style of painting, without being influenced by the changing movements around him.

Paintings by Lecomte du Nouy can be found in the Cleveland Museum of Art, the Danish Museum in New York City, and the Musee d’Art et d’Histoire in Paris.

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The Opium Smoker

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1639--krohg_o.php Oda Krohg Artwork Authentication & Art Appraisal

Oda Krohg (1860-1935)

We Perform Oda Krohg art authentication. Oda Krohg appraisal. Oda Krohg certificates of authenticity (COA). Oda Krohg analysis, research, scientific tests, full art authentications. We will help you sell your Oda Krohg or we will sell it for you.

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Japanese Light 1886

Oda Krohg, born Othilia Pauline Christine Lasson, was a Norwegian painter, and the wife of her teacher and colleague Christian Krohg. She had little formal art education, but she quickly absorbed the knowledge of the artistic environment she was a part of. Her debut was in 1886 with “Ved Christianiafjorden (japansk lykt)” (At the Oslofjord (Japanese light)), now in the National Gallery of Norway. Her first years as an artist are seen as an example of new romantic painting. Her later portrait works had another, more robust impression.

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Little Girl with Scissors 1887

She was the daughter of public attorney Christian Lasson and Alexandra von Munthe av Morgenstierne. She was the sister of Per Lasson and Bokken Lasson. She got married in 1881 with the businessman Jørgen Engelhardt (1852-1921), with whom she had two children. She split from Engelhardt in 1883, and divorced in 1888. In 1885 she became a student of Erik Werenskiold and Christian Krohg. She married Krohg in October 1888. In 1885, daughter Nana was born, and in 1889, their son Per, who also would be a known painter. In the period 1901-1909, the family lived in Paris.

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Portrait of the Artist Painted by her Husband 1886

Oda Krohg is known by her landscapes, like “Ved Christianiafjorden (Japansk lykt)” (1886) and “Ved engen (Kinesisk lykt)” (On the meadow (Chinese light), 1889) and other works like “En abonnent på Aftenposten” (A subscriber of Aftenposten, 1887), “Fra festen” (1892) and “Rouge et Noir” (1912) and the brave “Christian Krohg på Karl Johan” (Christian Krohg at Karl Johansgate, 1912). She also painted portraits of, among other Aasta Hansteen, Ivar Arosenius, Gunnar Heiberg, Johanne Dybwad and Christian Krohg.

Oda was also a central figure in the anticulture movement of the Christiania Bohemians (Kristiania-bohemen) in the 1880s and 1990s. The figure of the “Bohemian Princess” has to some extent obscured the impression of a competent painter. In Edvard Munch’s painting “kafeinteriør” (1893), Oda is surrounded of bohemians and people close to them : Munch, Christian Krohg, Jappe Nilssen, Hans Jæger, Gunnar Heiberg og Jørgen Engelhart. Oda is said to have had affairs with four of these men: Engelhart, Jæger, Heiberg and Krohg. In the book Syk Kjærlighet (Seven Loves, 1893), Hans Jæger describe a love triangle where he was strongly in love with a woman who was to marry a painter. Oda is said to have been the model for the woman, and the book describes the relation between Jæger, Oda og Christian in the summer and autumn of 1888.

She also wished to be a writer, but published very little. Her life is described in Ketil Bjørnstad’s novel “Oda!” (1983). She is buried at the Æreslund in the Vår Frelsers gravlund in Oslo. Still wondering about a Norwegian painting in your family collection? Contact us…it could be by Oda Krohg.


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1640--chaissac.php Gaston Chaissac Artwork Authentication & Art Appraisal

Gaston Chaissac (1910-1964)

Get a Chaissac Certificate of Authenticity for your painting or a COA for your Chaissac drawing or sculpture.

For all your Chaissac artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Chaissac Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Chaissac painting, drawing or sculpture.

If you want to sell your Chaissac painting, drawing or sculpture use our selling services. We offer Chaissac selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Chaissac and issuing certificates of authenticity since 2002. We are recognized Chaissac experts and Chaissac certified appraisers. We issue COAs and appraisals for all Chaissac artworks.

Our Chaissac paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Chaissac certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Chaissac painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Chaissac paintings, drawings or sculpture take longer.

Our clients include Chaissac collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Gaston Chaissac art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gaston Chaissac or we will sell it for you.

Symbolist painter Gaston Chaissac was born in Avallon, France to a family of modest means. He was a self-taught painter, and did odd jobs until he moved to Paris in 1937. It was said that his interest in art was brought on by friend and neighbor artist Otto Freundlich, who gave him a great deal of encouragement and helped him to expose his work for the first time in 1938. The same year, he was also hospitalized for tuberculosis but created artwork just the same.

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Pen and Ink

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Untitled

His earliest work is dominated by pen and ink sketches. He would eventually come to also work in colored pencil, gouache, oil and even stained glass. Chaissac would eventually be called a rustic-modern painter, basically a naïve painter who frequently experimented and was always searching for ways to express himself. His work is often mistaken for abstraction, but Chaissac was really a forerunner for European modernism.

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Deux Personnages

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Composition a Une Tete

Chaissac truly tried to separate himself from the current art movements going on in Europe at the time. He preferred to live in the country and would use unconventional materials like wallpaper, leather, furniture, rocks and cardboard, shunning classical mediums and methods. The stained-glass type black lines that would usually be surrounding his subjects are typical characters of his compositions. He also had obvious Cubist influences toward the end of his career.

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Untitled, 1961, gouache on paper

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Untitled on Wood

Chaissac was highly prolific and successful during his lifetime, and his works can be found worldwide, including at the Pompidou Centre in Paris.

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Sculpture, 1961, Pompidou

He worked nearly up until the end of his life creating a number of varied and unique pieces. Most of his works are clearly signed “Chaissac” in capital letters or in cursive script on the front of his paintings, though this may have not been a consistent practice for the artist.

If you believe you own a work of art by Gaston Chaissac, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Gaston Chaissac.

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Personnage, 1962

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1641--sassetta.php Sassetta Artwork Authentication & Art Appraisal

Sassetta (1392 – 1451)

Get a Sassetta Certificate of Authenticity for your painting (COA) for your Sassetta drawing.

For all your Sassetta artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sassetta Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sassetta painting or drawing.

If you want to sell your Sassetta painting or drawing use our selling services. We offer Sassetta selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sassetta and issuing certificates of authenticity since 2002. We are recognized Sassetta experts and Sassetta certified appraisers. We issue COAs and appraisals for all Sassetta artworks.

Our Sassetta paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sassetta certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sassetta painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sassetta paintings or drawings take longer.

Our clients include Sassetta collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sassetta art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sassetta or we will sell it for you.

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The Meeting of St. Anthony and St. Paul 1440

Sassetta was an Italian painter. He was born in Siena, although there is also an hypothesis that he was born in Cortona. However, the first historical record of him was in Siena in 1423. Di Giovanni was probably the apprentice of Paolo di Giovanni Fei although it is also thought that he may have studied under Benedetto di Bindo. He painted in the semi-archaic Sienese School style of painting. Francesco di Giorgio e di Lorenzo, better known as Vecchietta, is said to have been his apprentice.

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St. Francis in Glory

Still wondering about an Italian painting in your family collection? Contact us…it could be by Sassetta.


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1642--archipenko.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "archipenko" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "archipenko" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> Alexander Archipenko Authentication and Appraisal
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1643--moillon.php Louise Moillon Artwork Authentication & Art Appraisal

Louise Moillon (1610-1696)

Get a Moillon Certificate of Authenticity for your painting (COA) for your Moillon drawing.

For all your Moillon artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Moillon Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Moillon painting or drawing.

If you want to sell your Moillon painting or drawing use our selling services. We offer Moillon selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Moillon and issuing certificates of authenticity since 2002. We are recognized Moillon experts and Moillon certified appraisers. We issue COAs and appraisals for all Moillon artworks.

Our Moillon paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Moillon certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Moillon painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Moillon paintings or drawings take longer.

Our clients include Moillon collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Louise Moillon art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Louise Moillon or we will sell it for you.

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Basket with Peaches and Grapes

Louise Moillon, also sometimes known as Louyse Moillon, was a French still-life painter. In an era where men dominated the art world, Moillon was considered to be one of the finest artists of the 17th century. Primarily a still-life, Baroque painter, her depiction of even a simple bowl of cherries is outstanding in its realistic beauty.

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Still Life with Cherries, Strawberries and Gooseberries, 1930

Born in Paris, Moillon was the daughter of painter Nicolas Moillon. Her father died when she was only ten, so instead of training under her father, Moillon received her initial artistic training under her step-father, François Garnier. Moillon showed interest in the arts even as a young girl, and always showed a propensity for drawing and painting.

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Cup of Cherries and a Melon

Moillon was well-received, even as a young artist, and sold her first painting at the age of 19. She is remembered today for her quiet style, which represents the finest that France had to offer in her time. Her compositions were executed with exquisite attention to detail, and indeed have a calm and quiet presence. Though Moillon preferred to paint still-life compositions, in particular of fruit in beautiful Chinese bowls, from time to time, she would also incorporate people into her paintings, still with the same quiet hand.

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The Fruit and the Vegetable Seller

During her career, Moillon was often commissioned by French nobility to render paintings. In particular, some of her more famous patrons were King Charles I of England, as well as many French nobles. Most of Moillon’s work was created prior to her marriage in the 1640s, typically through the 1630s and earlier.

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Still Life with Fruits

Today Moillon’s paintings are housed in public collections world wide, in England, the United States, Germany, Spain and of course, France. Moillon’s paintings are also highly coveted in private collections as well, and it is rumored that Queen Elizabeth II herself owns at least four of Moillon’s paintings. Still wondering about a 17th century still-life painting hanging in your home? Contact us…it could be by Louise Moillon.


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1644--puig.php Ernesto Gonzalez Puig Artwork Authentication & Art Appraisal

Ernesto Gonzalez Puig (1913-1988)

We Perform Ernesto Gonzalez Puig art authentication. Ernesto Gonzalez Puig appraisal. Ernesto Gonzalez Puig certificates of authenticity (COA). Ernesto Gonzalez Puig analysis, research, scientific tests, full art authentications. We will help you sell your Ernesto Gonzalez Puig or we will sell it for you.

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Untitled

A synthetic and self-taught painter, Ernesto Gonzalez Puig was both prolific and extensively exhibited throughout Cuba.

Born in Pinar del Rio, Puig did not attend the available Cuban school of his contemporaries, San Alejandro. Instead, he taught himself how to paint and draw, which led him to create a style all his own.

Initially, Puig would paint a culmination of all of the things which represented Cuba—flowers, animals, birds, the sea and the people. Eventually, these things merged into something more and Puig’s work took on a more Abstract or Expressionist look. However, even these sometimes bizarre compositions still executed the flavor of Cuban life in the colors and details of the painting.

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Azul de Las Islas con Soles

Along with his many oil paintings, Puig was also a muralist. Of all of the Vanguard artists, it has been said that Puig was the one to invest a great part of his life into education. Not just an artist, Puig was also a dean of Psychology at the University of Havana.

During his lifetime, Puig probably did not travel outside of Cuba very often. However, he did exhibit extensively in Cuba, and created a great number of works.

Ernesto Gonzalez Puig art authentication. Ernesto Gonzalez Puig appraisal from . Ernesto Gonzalez Puig certificates of authenticity (COA). Ernesto Gonzalez Puig analysis, research, scientific tests, full art authentications. We will help you sell your Ernesto Gonzalez Puig or we will sell it for you.


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1645--maratta.php Carlo Maratta Artwork Authentication & Art Appraisal

Carlo Maratta (1625 – 1713)

Get a Maratta Certificate of Authenticity for your painting (COA) for your Maratta drawing.

For all your Maratta artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Maratta Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Maratta painting or drawing.

If you want to sell your Maratta painting or drawing use our selling services. We offer Maratta selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Maratta and issuing certificates of authenticity since 2002. We are recognized Maratta experts and Maratta certified appraisers. We issue COAs and appraisals for all Maratta artworks.

Our Maratta paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Maratta certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Maratta painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Maratta paintings or drawings take longer.

Our clients include Maratta collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carlo Maratta art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Carlo Maratta or we will sell it for you.

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Self-Portrait

Carlo Maratta was an Italian painter of High Baroque, active mostly in Rome. Born in Camerano (Marche), then part of the Papal States, and died in Rome. He came as a boy of 12 to apprentice in the studio of Andrea Sacchi. Like Sacchi, his paintings have a classicizing tone, inspired by the works of the great painters from Parma and Bologna: Carracci, Guercino, and Lanfranco. He developed a close relationship with Sacchi till the death of his master in 1661. He worked alongside Francesco Cozza, and Domenico Maria Canuti in the decoration of the Palazzo Altieri.

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Portrait of Andrea Sacchi

His first prominent work is an Adoration of the Shepherds for San Giuseppe die Falegnami in 1650. He came to establish one of the most prominent art studios in Rome of his time. Other major works are the The Mystery of the Trinity Revealed to St. Augustine (c. 1655) painted for the church of Santa Maria dei Sette Dolori, The Appearance of the Virgin to St. Philip Neri (c. 1675) now in the Pitti Palace of Florence, The Virgin with Saints Carlo Borromeo and Ignatius of Loyola and Angels (c. 1685) for the church of Santa Maria in Vallicella, and The Assumption of the Virgin with Doctors of the Church (1689) for Santa Maria del Popolo, . His numerous depictions of the Virgin earned him the nickname Carluccio delle Madonne (“Little Carlo of the Madonnas”).

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Pope Clement IX

The style of Maratta is a classicized Baroque, more restrained and composed than the styles of Cortona and Carracci, thus more allied to the traditions of Sacchi, Albani, and Reni. He was one of the artists favored by Giovanni Bellori. Maratta was known for his insightful portraiture.

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Andre le Notre 1678

In 1650, Maratta was introduced to pope Alexander VII, who commissioned many paintings including one of his greatest works, a painting of Constantine destroying the idols for the Baptistry of the Lateran. This work brought Maratta increased fame in the Vatican, and in 1704 Maratta was knighted by pope Clement XI. Other works include an altarpiece in the San Francesco Saverio Chapel of the Church of the Gesu, in the right transept. He died at Rome.

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Immaculate Conception

Maratta’s Roman studio was extremely prolific, and he hired numerous younger pupils/assistants. Among his many pupils were:

Painter

Dates

Birthplace

Martino Altomonte

 

 

Jean Andre

1662-1753

Paris

Cosmas Damian Asam

 

 

Gérard Audran

 

 

Giovanni Raffaelle Badarocco

1648-1726

Genoa

Antonio Balestra

1666-1740

Verona

Nicolo Bambini

1651-1736

 

Niccolo Berrettoni

1637-1682

Montefeltro

Jean Christian le Blond

1670-

Frankfort

Francesco Boccacino

1680-1750

Cremona

Jean Dominic Bruggieri

1678-1754

Lucca

John van Bunninck

1654-

 

Giacinto Calandrucci

1646-1707

 

Giuseppe Bartolomeo Chiari

 

 

Marc van Duvende

1674-1729

 

Girolamo Ferroni

1681

 

Antonio Filocamo

1669-1748

Messina

Paolo Filocamo

 

 

Messina

(H)

 

Francesco Fernandi (Imperiali)

1679-1740

 

William van Inghen

1651-1709

Utrecht

Francesco Juvani

 

 

Godfrey Kneller

1646-1723

Lübeck, moved to England

Andrea Lanzano

1651-1709

 

Joseph Laudati

1672-

Perugia

Stefano Maria Legnani

1661-1713

Milan

Theodore van Loon

1630-1678

Brussells

Agostino Masucci

1691-1758

Rome

Giovanni Paolo Melchiore

1664-1721

Rome

Sebastian Munoz

 

 

Girolamo Odam

1681-

Lorena

Robert van Oudenarde

1663-1743

Ghent

Paolo Gerolamo Piola

 

 

Pierre Parrocel

 

 

Domenico Parodi

 

 

Giuseppe Passeri

1654-1714

Rome

Pietro da Pietri

1663-1708

Rome

Stefano Pozzi

1699-1768

Rome

Andrea Proccaccini

1671-1734

Rome

Tommaso Redi

1665-1726

Florence

Giovanni Stefano Robato

1649-1733

Savona

Daniel Seiter

1647-1705

Vienna, moved to Turin

Filippo Tancredi

1655-1725

Messina

Lodovico Trasi

1634-1695

Ascoli

Francesco Trevisani

 

 

Nicolas Vleys

1694-1703

Brussels

Still wondering about an Italian painting in your family collection? Contact us…it could be by Carlo Maratta.


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1646--church.php Frederic Edwin Church Artwork Authentication & Art Appraisal

Frederic Edwin Church (1826-1900)

Get a Church Certificate of Authenticity for your painting (COA) for your Church drawing.

For all your Church artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Church Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Church painting or drawing.

If you want to sell your Church painting or drawing use our selling services. We offer Church selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Church and issuing certificates of authenticity since 2002. We are recognized Church experts and Church certified appraisers. We issue COAs and appraisals for all Church artworks.

Our Church paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Church certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Church painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Church paintings or drawings take longer.

Our clients include Church collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Frederic Edwin Church art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Frederic Edwin Church or we will sell it for you.

Frederic Edwin Church was an American painter born in Hartford, Connecticut. Church was a focal member of the Hudson River School of landscape painting. Church pursued art from an early age, using family connections to meet important painters. Church studied under Thomas Cole, the leader of the Hudson River School, in Catskill, New York.

Church, The Natural Bridge, 1852

The Natural Bridge, 1852

Church, Twilight Wilderness, 1860

Twilight Wilderness, 1860

Church had early success and in 1848, became the youngest Associate of the National Academy of Design. Church sold his first painting to Hartford’s Wadsworth Athenaeum. Like all of the Hudson River School painters, Church made frequent painting trips. Church went on a sponsored trip to South America, with the mission of attracting investors. Church spent several years in South America painting and exploring the Andes.

Church, Morning in the Tropics, 1877

Morning in the Tropics, 1877

When Church returned to the United States he painted “The Heart of the Andes”, which now hangs in the Metropolitan Museum of Art. The painting makes a strong impression as it is ten feet in length and five feet high.

Church, The Heart of the Andes

The Heart of the Andes

For several years Church kept a studio the Wawona Hotel in Yosemite where he had close proximity many of his favorite painting spots in the Yosemite Valley. Church preferred to paint monumental subjects including the Sierra, Yosemite Valley and Vernal Falls. Church’s most reproduced work is “The Last Spike”. The painting portrays seventy-one portraits of people involved with the First Transcontinental Railroad. Church’s masterpiece belongs to the California State Railroad Museum in Sacramento, California.

Church, The Icebergs

The Icebergs

In 1860 Church moved with his wife and children to a farm in Hudson, but continued to go on exotic vacations as far as the Middle East. Church built a large house on his farm inspired from the Persian mansions he had seen traveling. Church’s uniquely designed home was the perfect perch to paint the wilderness below. Church’s house in now called Olana State Historic Site, and is open to the public.

Church is one of the most important painters of the Hudson River School. Do you think you own a landscape painting by Frederic Edwin Church? Contact us. We are the experts on Frederic Edwin Church.


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1647--mancini.php Antonio Mancini Artwork Authentication & Art Appraisal

Antonio Mancini (1852-1930)

Get a Mancini Certificate of Authenticity for your painting (COA) for your Mancini drawing.

For all your Mancini artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mancini Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mancini painting or drawing.

If you want to sell your Mancini painting or drawing use our selling services. We offer Mancini selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mancini and issuing certificates of authenticity since 2002. We are recognized Mancini experts and Mancini certified appraisers. We issue COAs and appraisals for all Mancini artworks.

Our Mancini paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mancini certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mancini painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mancini paintings or drawings take longer.

Our clients include Mancini collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Antonio Mancini art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Antonio Mancini or we will sell it for you.

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Self-Portrait in Pastel

Antonio Mancini was an Italian painter. Mancini was born in Rome and showed precocious ability as an artist. At the age of twelve he was admitted to the Institute of Fine Arts in Naples, where he studied under Domenico Morelli (1823-1901), a painter of historical scenes who favored dramatic chiaroscuro and vigorous brushwork, and Filippo Palizzi (1818-1899), a landscape painter. Mancini developed quickly under their guidance, and in 1872 he exhibited two paintings at the Paris Salon.

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After the Duel 1872

While in Paris in the 1870s he met the Impressionists, and also became friends with John Singer Sargent. His mature works showed a brightened palette and bold impasto, and he also excelled in the use of pastels. In 1883, Mancini settled in Rome, and from 1912 to 1918 he lived in Frascati. He died in Rome in 1930.

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Young Woman Playing the Mandolin 1880

His painting,The Poor Schoolboy, exhibited in the Salon of 1876, is now in the Musee d’Orsay. Its realist subject matter and dark palette is typical of his early work.

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The Poor School Boy

Still wondering about an Italian painting in your family collection? Contact us…it could be by Antonio Mancini.


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1648--friesz.php Emile-Othon Friesz Artwork Authentication & Art Appraisal

Emile-Othon Friesz (1895-1975)

Get a Friesz Certificate of Authenticity for your painting (COA) for your Friesz drawing.

For all your Friesz artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Friesz Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Friesz painting or drawing.

If you want to sell your Friesz painting or drawing use our selling services. We offer Friesz selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Friesz and issuing certificates of authenticity since 2002. We are recognized Friesz experts and Friesz certified appraisers. We issue COAs and appraisals for all Friesz artworks.

Our Friesz paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Friesz certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Friesz painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Friesz paintings or drawings take longer.

Our clients include Friesz collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Emile-Othon Friesz art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Emile-Othon Friesz or we will sell it for you.

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Still Life with a Vase of Tulips

Emile-Othon Friesz was born in Le Havre, France and studied at the local Ecole des Beaux-Arts. Here he was able to study under Lhullier, and later won a scholarship to study at the Ecole des Beaux-Arts in Paris under Matisse, Dufy, Marquet and Bonnat. During this time he was also highly influenced by the works of Corot and Pissaro. Friesz would eventually become friends with Pissaro after a brief stint in the military in 1902.

art

Demoiselles de Marseille

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Landscape with Figures

Friesz remained in Paris and had his first exhibition in 1900 at the Salon des Artistes Français. He would continue to show his work all over Paris, and then in Berlin from 1909-1912.

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Trees, Autumn, 1906

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Cathedral and Rooftops, Rouen, 1908

These initial travels to Germany were just the beginning for the young artist, who would travel extensively through Europe over the years to Portugal, Belgium and more.

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The Road, sketch

Freisz lived and worked with Matisse for a short time in 1914, whose influence is quite clear in “Paysage Provencal.”

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Paysage Provencal, 1914

For the bulk of his career as an artist, Friesz was generally a Fauve painter. However, as time went on his work became softer and more Impressionistic.

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Notre Dame de Grace, Hornfleur

From this time on, Friesz took to teaching art; from 1912-1921 he taught at the Academie Moderne and again he taught in 1929 at the Academie Scandinavie. Towards the end of his life he also taught at the Academie de la Grand Chaumiere.

art

Boats

art

Still Life and Landscape

Friesz would eventually go by the name “Othon Friesz” and dropped the “Emile.” However, he sometimes signed his work with a stamped initial “EOF,” which may be confusing to someone trying to authenticate his work. Friesz work was exhibited all over Europe during his lifetime, and is housed today worldwide in Paris, New York, Brussels, Zuric and St. Petersburg.

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Standing Nude, 1922

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1649--marle.php Felix del Marle Artwork Authentication & Art Appraisal

Felix del Marle (1889-1952)

Get a Marle Certificate of Authenticity for your painting or a COA for your Marle drawing or sculpture.

For all your Marle artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Marle Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Marle painting, drawing or sculpture.

If you want to sell your Marle painting, drawing or sculpture use our selling services. We offer Marle selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Marle and issuing certificates of authenticity since 2002. We are recognized Marle experts and Marle certified appraisers. We issue COAs and appraisals for all Marle artworks.

Our Marle paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Marle certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Marle painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Marle paintings, drawings or sculpture take longer.

Our clients include Marle collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Felix Del Marle art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Felix Del Marle or we will sell it for you.

Futurist painter Felix del Marle was born in Pont-Sur-Sambre, France and studied at the School of Fine Arts in Valenciennes. Later, del Marle would also study in Brussels, and finally moved to Paris in 1912. There he shared a studio with fellow artist Gino Severini and was exposed to Futurism in 1913. He would be the only Frenchman to sign their manifesto and be officially associated with the Futurists.

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Looping, 1914

Like many of the other Futurists, his flirtation with the movement would be short lived—only about three years. The Futurist movement dealt with motion, light and technology, often infusing machinery and other technological symbols, and was started by Italian artists like Giacomo Balla. After he moved on from Futurism, del Marle was influenced by Abstract artist Kupka and would paint in this style from the 1920s until his death. Del Marle has also been associated with the De Stijl style of Abstract painting, which focused on squares of color and can be seen in his 1947 piece “Composition”.

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Composition, 1947

Del Marle would work in a number of mediums from oil to charcoal and gouache. He also painted under the name Mac Del Marle or simply went by just his last name.

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Untitled gouache on paper

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Le Group Vouloir, 1925

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Untitled

Like most Abstract artists of his era, it would not be likely that self-portraits, still life or landscapes would be found an attributed to him, but mostly geometric compositions. However, in the 1930s he worked in neoplasticism, a type of sculpture, and created very linear models. Del Marle did, however, design modular furniture in an Abstract style.

Del Marle was very interested in creating a synthesis of the arts, and was even known to create three-dimensional models of his paintings in order to convince architects to build his designs.

Today, del Marle’s work is housed in museums all over France and Europe. Because he was an Abstract painter for most of his career, his work may be hard to immediately identify. However, a professional authenticator would be able to thoroughly research a piece by del Marle.


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1650--angel.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "angel" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "angel" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "angel" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
1651--russell-john.php John Russell Artwork Authentication & Art Appraisal

John Russell (1745-1806)

Do you think you may own a painting by John Russell?

Get a Russell Certificate of Authenticity for your painting (COA) for your Russell drawing.

For all your Russell artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Russell Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Russell painting or drawing.

If you want to sell your Russell painting or drawing use our selling services. We offer Russell selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Russell and issuing certificates of authenticity since 2002. We are recognized Russell experts and Russell certified appraisers. We issue COAs and appraisals for all Russell artworks.

Our Russell paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Russell certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Russell painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Russell paintings or drawings take longer.

Our clients include Russell collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John Russell art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Russell or we will sell it for you.

art

Portrait of a Lady Holding a Book, 1801

John Russell was an English painter renowned for his portrait work in oils and pastels, and as a writer and teacher of painting techniques. Born in Guildford, Surrey, he trained under the tutelage of Francis Cotes RA, one of the pioneers of English pastel painting, and – like Cotes – became an admirer of the pastel drawings of Rosalba Carriera.

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Portrait of George de Ligne Gregory, 1793

Russell set up his own studio in 1767. Although nominally based in London, Russell traveled extensively around Britain, undertaking portraits.

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Portrait of Micoc and her Son, 1769

His pastels technique prompted him to write Elements of Painting with Crayons, published in 1772, by which time he had won premiums for his drawings from the Society of Arts in 1759 and 1760 and entered the Royal Academy school of art in 1770, winning its gold medal for figure drawing the same year. He exhibited at the Society of Artists in 1768 and exhibited 330 works at the Academy from 1769 until his death, being elected a full Academician in 1788.

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The Sign Writer 1790’s

In 1789, Russell was commissioned to paint a portrait of the royal physician Francis Willis. The results obviously pleased the monarch as, in 1790, Russell was appointed Crayon [pastel] Painter to King George III, Queen Charlotte, the Prince of Wales (both of whom Russell also painted) and the Duke of York. With such royal patronage, he developed a large and fashionable clientele.

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Porter of the Royal Academy, 1791-1793

His portraits were engraved by Collyer, Turner, Heath, Dean, Bartolozzi, Trotter and other prominent engravers. A man of deep religious beliefs (a devout follower of George Whitefield), Russell was also interested in astronomy (he was a friend of Sir William Herschel) and in mathematics, inventing a scientific apparatus used to exhibit an accurate map of the moon he painted in 1795.

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Lunar Globe

Unfortunately, he was troubled by ill-health for much of his life and in 1803, became almost deaf following a bout of cholera. He died in Hull in 1806 after contracting typhus. His son, William Russell (1780-1870) was also a successful painter.

art

Portrait of a Man in a Blue Jacket

Still wondering about a British painting in your family collection? Contact us…it could be by John Russell.


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1652--judd.php Donald Clarence Judd Artwork Authentication & Art Appraisal

Donald Clarence Judd (1928 – 1994)

Get a Judd Certificate of Authenticity for your painting or a COA for your Judd drawing or sculpture.

For all your Judd artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Judd Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Judd painting, drawing or sculpture.

If you want to sell your Judd painting, drawing or sculpture use our selling services. We offer Judd selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Judd and issuing certificates of authenticity since 2002. We are recognized Judd experts and Judd certified appraisers. We issue COAs and appraisals for all Judd artworks.

Our Judd paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Judd certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Judd painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Judd paintings, drawings or sculpture take longer.

Our clients include Judd collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Donald Clarence Judd art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Donald Clarence Judd or we will sell it for you. Please contact us for more information.

Judd, Untitled (Six Boxes)

Untitled (Six Boxes)
National Gallery of Australia

Donald Judd was an American Artist associated with the Minimalist movement, despite the fact that he did not like the term ‘minimalism’. Judd was born in Exelsior Springs, Missouri, where he remained, working as a military engineer, from 1946 to 1947. By 1948, Judd decided to study philosophy, first enrolling at the College of William and Mary and later at Columbia University in New York City. Judd earned his philosophy degree from Columbia and continued on to study art history at a postgraduate level. While working towards academic degrees, Judd began to attend fine art classes at the Art Students League of New York.

Judd, Untitled

Untitled
1990, Anodized Aluminum, steel and acrylic
Tate Gallery

Judd, Untitled

Untitled
1984.

Judd was able to support himself by writing art criticism for important art publications, distributed across the United States. Judd held his first solo exhibition in 1957, displaying a series of expressionist paintings. After this point, Judd began to change his style and focus on constructions made out of wood, metal and Plexiglas. When Judd had his next solo show in 1963, he showed a number of his constructions. Judd did not like to call his pieces paintings or sculptures, as they were made out of industrial materials. In 1966, Judd had another exhibit entitled

Primary Structures

, which was held at the Jewish Museum of New York. The exhibition included a critical panel that discussed Judd’s contemporary practices.

Judd, Untitled

Untitled
1968, Enamel on Aluminum, 22 x 50 x 37.5 in
Guggenheim Museum, New York

Judd, Two Edges

Untitled
1969, Copper, 9 x 40 x 31 in
Guggenheim Museum, New York

In 1968, the Whitney Museum of American Art held a retrospective of Judd’s work, reaffirming Judd’s quick success. The same year Judd was able to purchase a five-story building in New York City. The building space allowed Judd to create installations and permanently install his pieces with some distance from external art institutions.

Judd, Untitled

Untitled
1970, Clear and purple anodized aluminum, 8.25 x 21 ft x 8 in
Guggenheim Museum, New York

Judd, Untitled

Untitled
1969, Brass and colored fluorescent Plexiglas on steel brackets, 10 pieces: 6 1/8 x 24 x 27 in
Hirshhorn Museum

Judd, Untitled

Untitled
1963, Oil and Plywood with Iron Pipe, 56.2 x 115.1 x 77.5 cm
Hirshhorn Museum

Judd, Relief

Relief
1961, Oil on Composition board on wood with steel backing pan, 122.2 x 91.8 x 10.2 cm
Museum of Modern Art, New York

To escape from New York, Judd began travelling with his family to Baja, California and Marfa, Texas. Judd felt greatly inspired by the open spaces that he missed living in the city and decided to purchase several buildings in Texas with help from the Dia Art Foundation, including a ranch on the Chinati Hot Springs. On his Texas land, Judd was able to start the Chinati Foundation, a non-profit organization dedicated to the arts. The permanent collection in Texas included Judd’s contemporaries, including Carl Andre, Dan Flavin, John Chamberlain, Richard Long and Claes Oldenburg. When Judd was not in Texas or New York, he gave guest lectures at international universities and art centers.

Judd, Untitled

Untitled
1961, Synthetic Polymer paint and sand, 183 x 121.7 cm

Judd, Untitled (2.L)

Untitled (2.L)
1961-96, Print on Paper, Series of 26 Woodcuts Image, 65.5 x 40.5 cm; sheet, 77.5 x 55.8 cm

Judd, Untitled (Stack)

Untitled (Stack)
1967, Lacquer on Galvanized Iron, 22.8 x 101.6 x 78.7 cm
Museum of Modern Art, New York

In 1994, Judd died in New York City of lymphoma. Since his death, Judd’s foundation has continued to preserve his work, and he is now remembered as an important figure in American Art. Do you think you own a piece by Donald Judd? Contact us. We are the Donald Judd experts.


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1653--chapney.php Benjamin Chapney Artwork Authentication & Art Appraisal

Benjamin Chapney (1817-1907)

Get a Chapney Certificate of Authenticity for your painting (COA) for your Chapney drawing.

For all your Chapney artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Chapney Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Chapney painting or drawing.

If you want to sell your Chapney painting or drawing use our selling services. We offer Chapney selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Chapney and issuing certificates of authenticity since 2002. We are recognized Chapney experts and Chapney certified appraisers. We issue COAs and appraisals for all Chapney artworks.

Our Chapney paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Chapney certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Chapney painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Chapney paintings or drawings take longer.

Our clients include Chapney collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Benjamin Chapney art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Benjamin Chapney or we will sell it for you.

Chapney, Brook

Brook

Benjamin Chapney was born in New Hampshire is 1817. Chapney is an important 19th century painter of the White Mountains in his home state. Chapney trained as a lithographer in Boston but had early success as a painter. Chapney is known for leading a colony of artists who worked in North Conway, New Hampshire. Chapney’s paintings were used to make lithographs, sold to tourists who could not afford original paintings.

Chapney, Big Boulder

Big Boulder

Chapney frequently travelled between Europe and Boston, painting large panoramic landscapes. Chapney exhibited in as diverse locations as Boston, Worcester, New Haven and New York City. Chapney became apart of the Boston art community and helped to found the Boston Art Club.

Chapney, Moat Mountain

Moat Mountain

Chapney eventually returned to the White Mountains, bringing along several artist friends from Boston and New York. In 1853, Chapney married and bought a summerhouse in New Hampshire. For more than fifty years Chapney continued to paint in New Hampshire and build a community of artists around him. Chapney continued to exhibit in big cities to network and recruit more artists to come to North Conway.

Chapney, Glen Ellis falls

Glen Ellis falls

Chapney, Jackson Falls

Jackson Falls

In 1900 Chapney published an autobiography, Sixty Years’ Memories of Art and Artists describing his lengthy and prolific career as a New Hampshire painter. Benjamin Chapney’s paintings are well known throughout the Northeastern region of the United States. Chapney’s paintings are in numerous, prestigious collections.

Benjamin Chapney art authentication. Benjamin Chapney appraisal from . Benjamin Chapney certificates of authenticity (COA). Benjamin Chapney analysis, research, scientific tests, full art authentications. We will help you sell your Benjamin Chapney or we will sell it for you.


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1654--schafer.php Frederick Ferdinand Schafer Artwork Authentication & Art Appraisal

Frederick Ferdinand Schafer (1839-1927)

Get a Schafer Certificate of Authenticity for your painting (COA) for your Schafer drawing.

For all your Schafer artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Schafer Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Schafer painting or drawing.

If you want to sell your Schafer painting or drawing use our selling services. We offer Schafer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Schafer and issuing certificates of authenticity since 2002. We are recognized Schafer experts and Schafer certified appraisers. We issue COAs and appraisals for all Schafer artworks.

Our Schafer paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Schafer certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Schafer painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Schafer paintings or drawings take longer.

Our clients include Schafer collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Frederick Ferdinand Schafer art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Frederick Ferdinand Schafer or we will sell it for you.

Mount Tamalpais From Ross Valley

Mount Tamalpais From Ross Valley

Frederick Ferdinand Schafer was a landscape painter born in Braunschweig, Germany. He emigrated to the United States at the age of 37, and during his stay, created at least 500 landscape paintings of the American western frontier.

Indians On The Inspiration Point Trail

Indians On The Inspiration Point Trail

Schafer’s initial training in Germany is unknown, though art critics say that his work is similar to that of German painter Düsseldorf. Schafer held studios in San Francisco, Almeda and Oakland, and traveled fairly extensively throughout the states visiting Alaska, Idaho, Montana, Oregon, Utah, Washington, Wyoming and British Columbia. Many of his paintings bear titles indicating which of these states he may have painted his landscapes in. It is thought by art historians that most of his paintings depict summer scenes because it may have been difficult to paint at those locations in winter.

Yosemite

Yosemite

Mount Hood From The Dalles Oregon

Mount Hood From The Dalles Oregon

His landscapes have been hailed as being similar in quality to those of Albert Bierstadt and Thomas Cole, and are praised for his depictions of mountains, forests and rivers. Schafer’s “Mount Shasta” has caused speculation in the art world because it bears such a resemblance to other paintings by Albert Bierstadt. So close, in fact, that one Schafer’s paintings was initially attributed to Bierstadt in 1964 after being acquired by the Oakland Museum…the two artists even signed their work similarly.

Mount Shasta

Mount Shasta

Small figures sometimes decorate the midground of his landscapes, and they are usually Native Americans, or occasionally hunters, prospectors or even large animals like deer and bear. Other components such as teepees and campfires are also present, but these small details only enhance the natural surroundings rather than take away from them.

Misty Lake

Misty Lake

On The Merced River CA

On The Merced River CA

Sioux Village At Night

Sioux Village At Night

Schafer died in Oakland, California at the age of 87, and his works are still highly prized today by collectors of western American art. His work is housed in public and private collections all over the United States, including in the Yosemite National Park Museum, and perhaps in your own home. Still wondering about a 19th or early 20th century American landscape painting in your family estate? Contact us…it could be by Frederick Ferdinand Schafer.


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1655--fernandes.php Vasco Fernandes Artwork Authentication & Art Appraisal

Vasco Fernandes (1475-1542)

Get a Fernandes Certificate of Authenticity for your painting (COA) for your Fernandes drawing.

For all your Fernandes artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Fernandes Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fernandes painting or drawing.

If you want to sell your Fernandes painting or drawing use our selling services. We offer Fernandes selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fernandes and issuing certificates of authenticity since 2002. We are recognized Fernandes experts and Fernandes certified appraisers. We issue COAs and appraisals for all Fernandes artworks.

Our Fernandes paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fernandes certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fernandes painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fernandes paintings or drawings take longer.

Our clients include Fernandes collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Vasco Fernandes art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Vasco Fernandes or we will sell it for you.

art

St. Peter in His Throne 1530

Vasco Fernandes, better known as Grão Vasco, was one of the main Portuguese Renaissance painters. Vasco Fernandes was probably born in Viseu, in Northern Portugal, where he began his career in the team of painters executing the main altarpiece of Viseu Cathedral (1501-1506). Between 1506 and 1511 he painted the main altarpiece of Lamego Cathedral. After working in the Santa Cruz Monastery of Coimbra, Vasco Fernandes returned to Viseu and executed a series of altarpieces for Viseu Cathedral, considered his main works.

art

Assumption of the Virgin 1506

Most of his paintings hang nowadays in the Grão Vasco Museum, in Viseu. Still wondering about a painting in your family collection? Contact us…it could be by Vasco Fernandes.


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1656--gonzalez.php Antonio Gonzalez Velazquez Artwork Authentication & Art Appraisal

Antonio Gonzalez Velazquez (1723-1793)

Get a Gonzalez Certificate of Authenticity for your painting (COA) for your Gonzalez drawing.

For all your Gonzalez artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gonzalez Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gonzalez painting or drawing.

If you want to sell your Gonzalez painting or drawing use our selling services. We offer Gonzalez selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gonzalez and issuing certificates of authenticity since 2002. We are recognized Gonzalez experts and Gonzalez certified appraisers. We issue COAs and appraisals for all Gonzalez artworks.

Our Gonzalez paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gonzalez certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gonzalez painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gonzalez paintings or drawings take longer.

Our clients include Gonzalez collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Antonio Gonzalez Velazquez art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Antonio Gonzalez Velazquez or we will sell it for you.

Gonzalez Velazquez painting, Self-Portrait

Self-Portrait

Gonzalez Velazquez painting, Tulia Driving Her Chariot over her Fathers Body

Tulia Driving Her Chariot over her Fathers Body

Antonio Gonzalez Velazquez was an 18th century Spanish painter. He mainly painted religious, mythological and historical subjects, and was a member of a large family of Spanish painters.

Gonzalez Velazquez painting, San Lorenzo

San Lorenzo

Besides his genre and historical scenes, Gonzalez Velazquez also painted a number of portraits in the Baroque style. He lived much of his life in Madrid and also worked in Rome where he painted a number of frescoes.

Gonzalez Velazquez painting, Fresco

Fresco

Still wondering about an 18th century Spanish painting in your family collection? Contact us…it could be by Antonio Gonzalez Velazquez.


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done
1658--roberts.php David Roberts Artwork Authentication & Art Appraisal

David Roberts (1796 – 1864)

Get a Roberts Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Roberts artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Roberts Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Roberts painting, drawing or print.

If you want to sell your Roberts painting, drawing or print use our selling services. We offer Roberts selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Roberts and issuing certificates of authenticity since 2002. We are recognized Roberts experts and Roberts certified appraisers. We issue COAs and appraisals for all Roberts artworks.

Our Roberts paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Roberts certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Roberts painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Roberts paintings or drawings take longer.

Our clients include Roberts collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform David Roberts art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your David Roberts or we will sell it for you.

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A View in Cairo 1840

David Roberts, a Scottish painter, was born at Stockbridge, Edinburgh. His portrait was painted in 1840 by fellow-artist Robert Scott Lauder and was purchased in 1980 by the National Gallery of Scotland. He was apprenticed by his father, a shoemaker, for seven years to a painter and house-decorator; and during this time he employed his evenings in the study of art. In 1820 he formed the acquaintance of Clarkson Stanfield, then painting at the Pantheon, Edinburgh, at whose suggestion he sent three pictures in 1822 to the Exhibition of Works by Living Artists, held in Edinburgh.

In the same year he removed to London, where he worked for the Coburg Theatre, and was afterwards employed, along with Stanfield, at Drury Lane. In 1824 he exhibited at the British Institution a view of Dryburgh Abbey, and sent two works to the first exhibition of the Society of British Artists, of which he was elected president in 1831. In the same autumn he visited Normandy, and the works which were the results of this excursion began to lay the foundation of the artists reputation, one of them, a view of Rouen Cathedral, being sold for eighty guineas. His scenes for an opera, The Seraglio, executed two years later, and the scenery for a pantomime dealing with the naval victory of Navarino, and two panoramas executed jointly by him and Stanfield, were among his last work for the theatres.

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Edinburgh from the Calton Hill, 1858

In 1829 he exhibited the “Departure of the Israelites from Egypt”, in which his style first becomes apparent; three years afterwards he travelled in Spain and Tangiers, returning in the end of 1833 with a supply of effective sketches, elaborated into attractive and popular paintings. His “Interior of Seville Cathedral” was exhibited in the British Institution in 1834, and sold for £300; and he executed a fine series of Spanish illustrations for the Landscape Annual of 1836, while in 1837 a selection of his Picturesque Sketches in Spain was reproduced by lithography.

It was J.M.W. Turner, who managed to persuade him to abandon scene painting and devote himself to becoming a true artist. Set sail for Egypt on 31 August 1838 with the intention of producing drawings that he could later use as the basis for the paintings and lithographs to sell to the public. Egypt was very much in vogue at this time, and travelers, collectors and lovers of antiquities were very keen to buy works depicting the great monuments of ancient Egypt or inspired by the East.

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Under the Great Portico

Roberts arrived in Egypt in 1838, a few years after Owen Jones. He was a prolific artist and executed hundreds of drawings and watercolors during his travels in Egypt and the near East, which, on his return to London, were made into lithographs by Louis Haghe and published in several volumes. He was received by the Muhammad Ali Pasha in Alexandria on 16 of May 1839, shortly before his return to Britain.

In 1838 Roberts made a long tour in the East, and accumulated a vast collection of sketches of a class of scenery which had hitherto been hardly touched by British artists, and which appealed to the public with all the charm of novelty. The next ten years of his life were mainly spent in elaborating these materials. An extensive series of drawings was lithographed by Louis Haghe in Sketches in the Holy Land and Syria, 1842-1849.

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Temple of Philae, Nubia

In 1851, and again in 1853, Roberts visited Italy, painting the “Ducal Palace, Venice”, bought by Lord Londesborough, the “Interior of the Basilica of St Peters, Rome, Christmas Day, 1853”, and “Rome from the Convent of St Onofrio”, presented to the Royal Scottish Academy.

His last volume of illustrations, Italy, Classical, Historical and Picturesque, was published in 1859. He also executed, by command of Queen Victoria, a picture of the opening of the Great Exhibition of 1851. In. 1839 he was elected an associate and in 1841 a full member of the Royal Academy; and in 1858 he was presented with the freedom of the city of Edinburgh. The last years of his life were occupied with a series of views of London from the Thames. He had executed six of these, and was at work upon a picture of St Paul’s Cathedral, when he died suddenly of apoplexy.

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Baalbec

Still wondering about a painting in your family collection? Contact us…it could be by David Roberts.


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1659--orozco-romero.php Carlos Orozco Romero Artwork Authentication & Art Appraisal

Carlos Orozco Romero (1898-1983)

Get a Orozco Romero Certificate of Authenticity for your painting (COA) for your Orozco Romero drawing.

For all your Orozco Romero artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Orozco Romero Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Orozco Romero painting or drawing.

If you want to sell your Orozco Romero painting or drawing use our selling services. We offer Orozco Romero selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Orozco Romero and issuing certificates of authenticity since 2002. We are recognized Orozco Romero experts and Orozco Romero certified appraisers. We issue COAs and appraisals for all Orozco Romero artworks.

Our Orozco Romero paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Orozco Romero certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Orozco Romero painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Orozco Romero paintings or drawings take longer.

Our clients include Orozco Romero collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carlos Orozco Romero art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Carlos Orozco Romero or we will sell it for you.

Romero, El Minero

El Minero

Romero, Camino a la Belleza

Camino a la Belleza

Carlos Orozco Romero was born in Guadalajara, Mexico in 1898. In 1914, Orozco Romero decided to move to Mexico City, where he worked as an illustrator and caricaturist under the pseudonym of Karikato. Orozco Romero contributed to the periodical, El Heraldo de Mexico, Excelsior, El Universal Ilustrado and the Revista.

Romero, Seated Woman

Seated Woman

In 1920 Orozco Romero married Maria Marin. In the same year of his marriage, the governor of Jalisco, Mexico offered Orozco Romero a scholarship to study in Europe. Orozco Romero went to Madrid, Spain where he met the painter Rafael Alberti and the Mexican writers, Luis G. Urbina and Alfonso Reyes.

Romero, Destiny Makers

Destiny Makers

Romero

Orozco Romero and his contemporaries published their prints in a book titled, Los Pequeños. During this same time, Orozco Romero was commissioned to do a mural in the public library of Jalisco, and he painted several murals in the following years.

Romero

In 1928 Orozco Romero exhibited in the capital for the first time in the Sonora Gallery. Orozco Romero also exhibited at the New York Art Center, Delphic Studios, Wilmington Society of Arts, Art Institute of Chicago, and the American Federation of Art.

Romero, Naturaleza Muerta

Naturaleza Muerta

In 1939, the Guggenheim Foundation gave Orozco Romero a grant to study in New York. He had incredible success in his work and became the director of the Museo de Arte Moderno and initiated the Open Studio Movement.

Romero, Cabeza de Maria Marin

Cabeza de Maria Marin

In 1978 and 1980, Orozco Romero had his last expositions at the Modern Museum of Art in Monterrey and later worked as a professor of painting and drawing at various schools in Mexico. He is known as a great muralist, portrait and landscape painter, and his work can be viewed in museums and collections all over the world.

Do you think you own an Orozco Romero? Contact us. We are the Orozco Romero experts.


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1660--fischer.php Alvan Fisher Artwork Authentication & Art Appraisal

Alvan Fisher (1792-1863)

We Perform Alvan Fisher art authentication. Alvan Fisher appraisal from . Alvan Fisher certificates of authenticity (COA). Alvan Fisher analysis, research, scientific tests, full art authentications. We will help you sell your Alvan Fisher or we will sell it for you.

The Hunter, Self-Portrait 1837

The Hunter, Self-Portrait 1837

Alvan Fisher was an early American landscape painter. Born in Boston, Fisher studied under John Ritto Penniman, learning decorative painting techniques. However, Fisher aspired to be an artist and wanted to do more than paint ornamental designs on furniture. Eventually, Fisher taught himself to paint, and had his own studio in 1814. By 1816 he was creating rural paintings of barnyards and farm life. These paintings were fairly original and unique at the time when the majority of artists were creating portraits and historical scenes.

The Discovery 1846

The Discovery 1846

Mount Chocorua

Mount Chocorua

Though he was highly recognized for his portraits during his lifetime, it would be Fishers’ landscape compositions that would earn him his mark in history. Fisher continued to paint his unique rural scenes and mainly painted portraits to support himself. He was a successful enough painter to support himself on his commissions alone and was relatively active in the Boston art community. In 1817, Fisher held his first exhibit with the Pennsylvania Academy of Fine Arts. He also showed his work later on with the National Academy of Design as well as the Boston Athenaeum.

Portrait of J G Spurzheim 1832

Portrait of J G Spurzheim 1832

John Dix Fisher

John Dix Fisher

Portrait of a Child with a Dog

Portrait of a Child with a Dog

Aaron Bancroft

Aaron Bancroft

In 1825, Fisher traveled to Europe where he created many sketches and studied at the many schools in Paris. While in Paris he also spent a great deal of time copying masterworks at the Louvre. He also traveled extensively throughout the east coast of the United States creating landscapes of the places he would visit. In 1827, he was named an honorary member of the National Academy of Design, and continued to paint almost right up until his death in 1863.

View of Nahant

View of Nahant

The Watering Place

The Watering Place

A Meeting By a River

A Meeting By a River

Some art historians credit Fisher as being the first native born American to devote his artistic career to landscape painting. Fisher started out painting his landscapes in a highly formulaic manner, relying on the English school of landscape painting for inspiration. These early paintings were typically bracketed with trees in the English fashion and had other elements of English landscape. However, as he traveled through different American landscapes, Fisher began to change as an artist and developed a landscape style of his own. Instead, Fisher preferred to paint a more natural, realistic landscape that represented what he really saw.

View Near Springfield Massachusetts 1819

View Near Springfield Massachusetts 1819

The Notch

The Notch

In general, Fishers’ oeuvre consists of these pastoral, idyllic landscapes dotted with cows and farmsteads. However, he also painted national landmarks, such as the Niagara Falls and prominent rivers. He was especially fond of painting landscapes of the mountains in Vermont and New Hampshire.

View of Niagara

View of Niagara

Niagara

Niagara

A General View of Niagara Falls

A General View of Niagara Falls

Though he was extremely talented in landscapes, art historians say that the majority of his work was in fact creating portraiture. Fisher was able to find a few patrons over the years for his not yet fashionable landscapes, but in order to support himself, he mainly painted portraits. For this reason, one would probably be more likely to find an unauthenticated portrait by Fisher than a landscape. And on that note, a landscape by Fisher would surely be a treasured piece, full of historic and artistic value.

Flight to the Fort

Flight to the Fort

The Captured Horse

The Captured Horse

Still wondering about an early American landscape hanging in your home? Contact us…it could be by Alvan Fisher.


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1661--schiele.php Egon Schiele Artwork Authentication & Art Appraisal

Egon Schiele (1890 – 1918)

Get a Schiele Certificate of Authenticity for your painting (COA) for your Schiele drawing.

For all your Schiele artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Schiele Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Schiele painting or drawing.

If you want to sell your Schiele painting or drawing use our selling services. We offer Schiele selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Schiele and issuing certificates of authenticity since 2002. We are recognized Schiele experts and Schiele certified appraisers. We issue COAs and appraisals for all Schiele artworks.

Our Schiele paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Schiele certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Schiele painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Schiele paintings or drawings take longer.

Our clients include Schiele collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Egon Schiele art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Egon Schiele or we will sell it for you.

Schiele, Self-Portrait

Self-Portrait
1912 Oil on Canvas 32.2 x 39.8 cm 

Egon Schiele was an influential, figurative painter from Tulln, Vienna. While Schiele developed his own highly distinguished style, the influence of his teacher, Gustav Klimt, can be recognized in his work.

Schiele, Sitting Woman

Sitting Woman
1914 Watercolor on Paper 48.3 x 32 cm

Schiele recognized his interest in art at an early age and in 1906, he enrolled at the Kunstgewerbeschule. During his first year of study, Schiele was sent to a more traditional school known as the Akademie der Bildenden Kunste. In 1907 Schiele began to be mentored by Klimt, who was already an established and well-recognized painter. Klimt introduced Schiele to local art and crafts workshop and helped him set up a network of patrons.

Schiele, The Little City

The Little City
1912 Oil on Canvas 89.5 x 90.5 cm

Schiele, Death and the Woman

Death and the Woman
1915 Oil on Canvas 150.5 x 180 cm

By 1908 Schiele had his first exhibition in Klosterneuburg. The following year Schiele left the Academy and started Neukunstgruppe “New Art Group”. Outside of the Academy Schiele began to expand on human anatomy and explore sexuality. The sexual content of Schiele’s work often caused controversy among conservative critics.

Schiele, Portrait of Johann Harms

Portrait of Johann Harms
1916 Oil with Wax on Canvas 141 x 110.8

Schiele, Seated Woman, Back View

Seated Woman, Back View
1917 Watercolor, gouache, pencil 46.4 x 29.8 cm

In 1909 Klimt invited Schiele to participate in the Vienna Kunstschau among such artists as Edvard Munch and Jan Toorop and Vincent Van Gogh. In 1911 Schiele began to live with one of his models, Valerie (Wally) Neuzil. The couple moved to a small town in Bohemia where his mother had been born. Schiele was not well received in the small community and again relocated to Neulengbach, outside of Vienna. In Neulengbach, law enforcers saw Schiele’s work as pornographic and arrested him, detaining him in prison for nearly one month. In prison Schiele painted a series of pieces related to his experiences.

Schiele, Standing Girl, Back View

Standing Girl, Back View
1908 Gouache, watercolor, pencil 31.4 x 23.2 cm

Schiele, Crouching Nude in Shoes and Black Stockings, Back View

Crouching Nude in Shoes and Black Stockings, Back View
1912 Watercolor, gouache, pencil 48.9 x 32.1 cm

In 1915 Schiele decided to marry Edith Harms, a woman from a socially accepted family. Shortly after his marriage Schiele was called to military duty and was stationed in Prague guarding Russian prisoners. By 1917 Schiele returned to Vienna and returned his focus to painting. Schiele produced an impressive body of work and was invited to participate Secession’s 49th exhibit in Vienna. From this point on Schiele received numerous show invitations and commissions. Schiele exhibited in Zurich, Prague, Budapest, Munich, Paris and Cologne.

Schiele, Self-Portrait

Self-Portrait
1911 Watercolor, gouache, pencil 51.4 x 34.9 cm

Schiele, Street Cart

Street Cart
1914 Watercolor, gouache, pencil on paper 31.4 x 47.9 cm

Schiele, Two Reclining Nudes

Two Reclining Nudes
1911 Watercolor and pencil on Paper 56.5 x 36.8 cm

In 1918 Schiele’s life was cut short by the Spanish flu, which also took the life of his pregnant wife. Schiele was only twenty-eight years old at the time of his death. While Schiele did not live a long life his legacy has kept his spirit alive. Schiele’s paintings are now in museums and collections in Vienna and around the world.

Schiele, Standing Nude with Orange Drapery

Standing Nude with Orange Drapery
1914 Watercolor, gouache, pencil on paper 46.5 x 30.5 cm

Schiele, Standing Nude in Black Stockings

Standing Nude in Black Stockings
1917 Watercolor and charcoal on paper 46 x 29.5cm

Do you think you own a painting by Egon Schiele? Contact us. We are the experts on Egon Schiele.


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1662--klein.php Yves Klein Artwork Authentication & Art Appraisal

Yves Klein (1928-19626)

Get a Klein Certificate of Authenticity for your painting or a COA for your Klein drawing or sculpture.

For all your Klein artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Klein Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Klein painting, drawing or sculpture.

If you want to sell your Klein painting, drawing or sculpture use our selling services. We offer Klein selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Klein and issuing certificates of authenticity since 2002. We are recognized Klein experts and Klein certified appraisers. We issue COAs and appraisals for all Klein artworks.

Our Klein paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Klein certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Klein painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Klein paintings, drawings or sculpture take longer.

Our clients include Klein collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Yves Klein art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Yves Klein or we will sell it for you.

Yves Klein was a French Dadaist painter born in Nice to painters Fred Klein and Marie Raymond. Klein was by no means a typical academic artist, and spent much of his life in other pursuits such as travel and sport. Klein became famous for his monochromatic paintings, most of which were primarily blue by the 1950s.

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Blue Composition, 1959

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Blue, 1960

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Monochrome, 1960

In 1947, Klein became involved in the sport of judo, which for him was a way to channel his sense of adventure and spirituality. Though he did not have much formal artistic training, Klein went right to work in the art world. He participated in music and stage performances and traveled to Italy, Germany and England. It was while Klein was in London that he got a job working in a shop and learning gold leaf gilding. Klein would travel again to Ireland in 1950, then in 1951 to study Spanish in Madrid. From 1952 to 1953, Klein lived in Japan and studied at a judo center there while giving French lessons to support himself. His goal of becoming a judo instructor was eventually foiled, so Klein took to art instead.

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Hiroshima, 1961

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Cosmogonie

Besides his monochromatic works, Klein would also become known for his “female brush” pieces. Again, using the color blue, Klein would use the female form as a sort of brush on his canvas. For this process, Klein would use a number of techniques, such as painting directly on his model and then rolling her on the canvas. At other times, he would lay the model on the canvas and paint directly around her. This eventually turned into a performance art and would entail painted female nudes throwing and dragging each other over his canvas in front of a crowd.

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anthropometry

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Mondo Cane Shroud, 1961

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Blue Female Figure

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Female Brush composition

Klein’s art would eventually take on a zen-like attitude, most likely a holdover from his judo teaching. He would also become a celebrated photographer and believed in a philosophy of empty space. This philosophy, which he referred to as “the void,” was meant for his artistic viewers to emptiness. Klein even managed to sell empty spaces in Paris so that his patrons could experience emptiness and space.

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Charred paper on board, 1961

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Blue Sponge, 1909

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Sculpture of Arman, 1960

Klein was a truly experimental artist, and while he followed a number of rules that were clearly his own, he used a number of methods to create art. Whether it was using the human figure as a tool or burning paper and calling the after image art, Klein was truly an artist of abstract thought.

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Homage to Tennessee Williams

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1663--neiman.php LeRoy Neiman Artwork Authentication & Art Appraisal

LeRoy Neiman ( 1921 – 2012 )

Get a Neiman Certificate of Authenticity for your painting (COA) for your Neiman drawing.

For all your Neiman artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Neiman Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Neiman painting or drawing.

If you want to sell your Neiman painting or drawing use our selling services. We offer Neiman selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Neiman and issuing certificates of authenticity since 2002. We are recognized Neiman experts and Neiman certified appraisers. We issue COAs and appraisals for all Neiman artworks.

Our Neiman paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Neiman certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Neiman painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Neiman paintings or drawings take longer.

Our clients include Neiman collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform LeRoy Neiman art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your LeRoy Neiman or we will sell it for you.

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LeRoy Neiman 1921 – 2012

 

One of the most recognizable modern American artists, LeRoy Neiman is known for his Expressionist paintings of sporting events, travel, leisure, and famous personalities. Influenced by the Impressionists, Fauvists, and Expressionists—especially Jackson Pollock—Neiman used a wide range of media in his work, including enamel, oil, watercolor, pencil, pastel, serigraphy, lithography, and etching. Considered by many as the first major sports artist, his colorful and energetic compositions are perfectly suited to capture and convey the movement and energy of athletic competitions.

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Baden Baden, 1987

 

Dropping out of school to join the Army, Neiman served as a cook during WWII and painted murals for various Red Cross shows. After,he studied at the St Paul School of Art and The School of the Art Institute of Chicago, both on the G.I. Bill. Following his graduation he taught classes that the Art Institute for over a decade. While working as a freelance fashion illustrator for the Carson Pirie Scott department store chain he had a chance encounter with a young Hugh Hefner who was then working as a copywriter.

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leroy neiman delacroix tiger tn

 

This meeting proved to be fortuitous, as shortly after, for the fifth edition of Playboy, Hefner commissioned illustrations for his newly-created magazine.Neiman created the Femlin character, named after a play on the words female and gremlin. Miniature in size, these female sprites were dressed inblack opera gloves, stockings, and high heels, and nothing else.

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leroy neiman femlin tn

 

The characters were immediately popular and have accompanied the Party Jokes pages ever since. Neiman also created a column entitled “Man at His Leisure” with text and accompanying illustrations of his travels to exotic locations and the hottest nightlife of the 1960s.

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Muhammad Ali: The Athlete of the Century, 2001

 

Concurrent with his work at Playboy, Neiman began painting scenes from parties and concerts, depicting a jet-set lifestyle filled with celebrities. He was also commissioned to paint various sporting events around the world, including the Olympics, the Super Bowl, the World Series, the Kentucky Derby, the PGA, the Masters, the Ryder Cup, and Wimbledon, to name a few. Given the subject of such affluence, the artist fashioned himself as a new Toulouse-Lautrec, Renoir, or Degas, who were inspired by contemporary life in bars and at parties.His work was immediately successful financially, earning him millions annually, but, given the commercial nature of his work,the critics never received Neiman favorably.

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leroy neiman opening ceremonies tn

 

The artist gave back widely, including his foundation of the LeRoy Neiman Center for Youth in San Francisco, and the Arts Horizons LeRoy Neiman Art Center in Harlem for underprivilegedchildren. Additionally, he established the LeRoy Neiman Center for Print Studies at Columbia University and the LeRoy Neiman Campus Center at The School of the Art Institute of Chicago.

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leroy neiman stretch stampede tn

 

He has written twelve books on art, and has been awarded five honorary doctorates. His work is displayed around the world in collections prestigious museums including the Smithsonian, the Whitney Museum of American Art, the Brooklyn Museum, the Museum of Fine Arts in Boston, the Hermitage State Museum in Russia, and the Wadham College Collection at Oxford. His autobiography, All Told: My Art and Life Among Athletes, Playboys, Bunnies, and Provocateurs, was published just before his death in 2012.


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1664--burkhardt.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "burkhardt" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "burkhardt" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1665--winterhalter.php Franz Xaver Winterhalter Artwork Authentication & Art Appraisal

Franz Xaver Winterhalter (1805 – 1873)

Get a Winterhalter Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Winterhalter artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Winterhalter Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Winterhalter painting, drawing or print.

If you want to sell your Winterhalter painting, drawing or print use our selling services. We offer Winterhalter selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Winterhalter and issuing certificates of authenticity since 2002. We are recognized Winterhalter experts and Winterhalter certified appraisers. We issue COAs and appraisals for all Winterhalter artworks.

Our Winterhalter paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Winterhalter certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Winterhalter painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Winterhalter paintings or drawings take longer.

Our clients include Winterhalter collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Franz Xaver Winterhalter art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Franz Xaver Winterhalter or we will sell it for you.

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Portrait of Elizabeth of Bavaria, Empress of Austria 1864

Franz Xaver Winterhalter was a German painter and lithographer, known for his portraits of royalty in the mid-nineteenth century. His name has become associated with fashionable court portraiture. Among Winterhalter’s most well known works are: Empress Eugénie Surrounded by her Ladies in Waiting (1855) and the portraits he made of Empress Elisabeth of Austria (1864).

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Empress Eugenie Surrounding by her Ladies in Waiting 1855

Franz Xaver Winterhalter was born in the small village of Menzenschwand in the Black Forest, Grand-Duchy of Baden on April 20, 1805 . He was the sixth child of Fidel Winterhalter, a farmer and resin producer in the village, and his wife Eva Meyer, a member of a long established Menzenschwand family. His father was of peasant stock and was a powerful influence in his life. Of the eight brothers and sisters, only four survived infancy. Throughout his life, Winterhalter remained very close to his family, in particular to his brother Hermann Fidel Winterhalter (1808-1891), who was also a painter.

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Self-Portrait with the Artists Brother, Hermann 1840

After attending school at a Benedictine monastery in Blasien, Winterhalter left Menzenschwand in 1818 at the age of thirteen to study drawing and engraving. He learned the occupation of graphic artist from 1818 to 1824 in Freiburg. Winterhalter had his first training with the popular painter Ludwig Schuler in Freiburg-im-Breisgau. At the age of eighteen with a scholarship, Winterhalter was sent to study painting at the Academy of Arts in Munich with Peter Cornelius, whose academic methods made him uncomfortable. Winterhalter found a more congenial mentor in the fashionable portraitist Joseph Stieler. During this time, he was also active as lithographer.

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Portrait of Madame Barbe de Rimsky-Korsakov 1864

Winterhalter entered court circles when in 1828 he became drawing master to Sophie, margravine of Baden at Karlsruhe. His opportunity to establish himself beyond southern Germany came in 1832 when he was able to travel to Italy,1833-1834, with the support of Grand Duke Leopold of Baden. In Rome he composed romantic genre scenes in the manner of Louis-Leopold Robert and attached himself to the circle of the director of the French Academy, Horace Vernet. On his return to Karlsruhe, he painted the portraits of the Grand Duke Leopold of Baden and his wife and was appointed painter to the grand-ducal court.

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Portrait of Leonilla Bariatinskaia Princess of Sayn Wittengenstein Sayn 1843

Nevertheless, Winterhalter left Baden to move to France where his Italian genre scene Il dolce Farniente attracted notice at the Salons of 1836. Il Decameron a year later was also praised; both paintings are academic compositions in the style of Raphael. In the salon of 1838 he exhibited a portrait of the Prince of Wagram with his young daughter. Winterhalter’s career as a portrait painter was soon secured when in the same year he painted Louise Marie of Orleans, Queen of the Belgians and her son. It was probably through this painting that Winterhalter came to the notice of Louis-Philippe of France, father of the Belgian Queen.

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Emperor Franz Josef

In Paris, Winterhalter quickly became fashionable. He was appointed court painter of Louis-Philippe, the king of France, who commissioned him to paint individual portraits of his large family. Winterhalter would execute more than thirty commissions for him. This success earned the painter the reputation of a specialist in dynastic and aristocratic portraiture, skilled in combining likeness with flattery and enlivening official pomp with modern fashion.

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Countess Alexander Nikolaevitch Lamsdorff

However, Winterhalter’s reputation in artistic circles suffered. The critics, who had praised his debut in the salon of 1836, dismiss him as a painter that could not be taken seriously. This attitude persisted trough out Winterhalter’s career, condemning his work to a category of his own in the hierarchy of painting. Winterhalter himself regarded his first royal commissions as temporary intermission before returning to subject painting and the field of academic respectability, but he was a victim of his own success and for the rest of his life he would work almost exclusively as a portrait painter. This was a field in which he was not only very successful but also made him rich. Winterhalter became an international celebrity enjoying Royal patronage.

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Maria Amalia 1842

Among his many regal sitters was also Queen Victoria. Winterhalter first visited England in 1842, and returned several times to paint Victoria, Prince Albert of Saxe-Coburg and Gotha and their growing family; he did at least 120 works for them. Winterhalter also painted a few portraits of the aristocracy in England, mostly members of court circles. The fall of Louis-Philippe in 1848 did not affect the painter reputation. Winterhalter went to Switzerland and worked in commission in Belgium and England.

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Portrait of Tsarina Alexandra Feodorowna

Persistence saw Winterhalter survived from the fall of a dynasty to the rise of another. Paris remained his home until a couple of years before his death. A halt in portrait commissions in France allowed Winterhalter to return to subject painting with a joyous celebration of female beauty, inspired by a Spanish legend. In this same year he made a marriage proposal but was rejected. Winterhalter remained a bachelor committed to his work.

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The First of May 1851

After the accession of Napoleon III, Winterhalter’s popularity grew. From then on, under the second Empire, Winterhalter became the chief portraitist of the imperial family and court of France. The beautiful French Empress Eugénie became a favorite sitter and she treated him generously. In 1856 Winterhalter painted his masterpiece: Empress Eugénie surrounded by her ladies in waiting. He set the French Empress in a pastoral setting gathering flowers in a harmonious circle with her ladies in waiting. The painting was acclaimed and exhibit in the universal exposition in 1853. This painting remains Winterhalter most famous work.

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The Empress Eugenie as Marie Antoinette

In 1852, Winterhalter went to Spain to paint Queen Isabella II and worked for the Portuguese royal family. Russian aristocratic visitors to Paris also liked to have their portraits executed by the famous master. As the “Painter of Princes”, Winterhalter was thereafter in constant demand by the courts of Britain (from 1841), Spain, Belgium, Russia, Mexico, the German courts, and France. In the following years Winterhalter was in high demand, and in 1856 he went to Poland to paint for the aristocracy there and in 1857 in Upper Bavaria he painted the tsarina Maria Alexandrovna. Over the course of the next years he painted many Russian commissions through the 1860s.

During the Second Mexican Empire in the 1860’s, headed by Maximilian I of Mexico, Winterhalter was commissioned to paint portraits of the Imperial couple. The Empress consort of Mexico, Charlotte of Belgium was the daughter of Louise-Marie of France, Queen of the Belgians, who had used Winterhalter at the beginning of his career in France. Some of Winterhalter’s paintings of the Mexican monarchs still remain in their Mexico City palace, now the National Museum of Anthropology. To deal with the pressure of portrait commissions, many of them calling for multiple replicas, Winterhalter made extensive use of assistants. No portrait painter ever enjoyed such an extraordinary royal patronage as Winterhalter, only Rubens and Van Dyck worked as he did in an international network.

Winterhalter sought respite from the pressures of his work with holidays abroad in Italy, Switzerland and above all in Germany. In spite of his many years living in France, he remained deeply attached to his native country. For all his success and popularity, Winterhalter continued to live simply and abstemiously. In 1859 he bought a villa in Baden-Baden, his favorite vacation spot. In 1864 Winterhalter made his last visit to England. In the autumn of that year he traveled to Vienna to execute the portraits of Emperor Franz Joseph and Empress Elisabeth that remain among his most well-known works. As he grew older, Winterhalter’s links with France weakened while his interest in Germany grew. He was taken a cure in Switzerland at the outbreak of the Franco-Prussian War that ended the second Empire in September of 1870. After the war, the painter did not return to France, going instead to Baden. Without traumatism, he decided to retire in Germany. He was officially still accredited at the court of Baden and he settled in Karlsruhe. During the last two years of his life Winterhalter painted very little. During a visit to Frankfurt am Main in the summer of 1873 he contracted typhus and died on July 8, 1873. He was sixty-eight years old.

Winterhalter came into his own as a portrait painter during the second Empire and he painted his best work during the last two decades of his life. He matched his style to the luxury and relaxed atmosphere of the age, its hedonism and gaiety. His female sitters of the 60s and 50s inhabit a different physiological climate from those he painted earlier, they are not reticence and reserved. His male sitters inspired few original or memorable compositions.

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Queen Victoria 1842

Winterhalter never received high praise for his work from serious critics, being constantly accused of superficiality and affectation in pursuit of popularity. However, he was highly appreciated by his aristocratic patrons. The royal families of England, France, Spain, Russia, Portugal, Mexico and Belgium all commissioned Winterhalter to paint portraits. His monumental canvases established a substantial popular reputation, and lithographic copies of the portraits helped to spread his fame.

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Queen Victoria 1859

Winterhalter’s portraits were prized for their subtle intimacy; the nature of his appeal is not difficult to explain. He created the image his sitters wished or needed to project to their subjects. He was not only skilled at posing his sitters to create almost theatrical compositions, but also was a virtuoso in the art of conveying the texture of fabrics, furs and jewelry, to which he paid no less attention than to the face. Winterhalter painted very rapidly and very fluently, designing most of his compositions directly in the canvas. His portraits are elegant, refined life-like and pleasantly idealized.

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Alber Edward, Prince of Wales 1846

Winterhalter’s style was suave, cosmopolitan and plausible. As an artist he remained a difficult figure to place, there are few painters with whom to compare him and he does not fit into any school. His early affinities were neoclassical but his style can be described as Neo-Rococo. After his death, his painting fell out of favor, being considered romantic, glossy, and superficial. Little was known about him personally and his art was not taken seriuosly until recently. However, a major exhibition of his work at the National Portrait Gallery in London and the Petit Palais in Paris in 1987 brought him into the limelight again. His paintings are exhibited today in leading European and American museums.

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Portrait of Napoleon III

Still wondering about a German painting in your family collection? Contact us…it could be by Franz Xaver Winterhalter.


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1666--mcdougal.php James McDougal Artwork Authentication & Art Appraisal

James McDougal Hart (1828-1901)

We Perform James McDougal art authentication. James McDougal appraisal from . James McDougal certificates of authenticity (COA). James McDougal analysis, research, scientific tests, full art authentications. We will help you sell your James McDougal or we will sell it for you.

James McDougal Hart was a Scottish-born American painter of the Hudson River School. Hart was born in Kilmarnock, Scotland but moved to Albany, New York as a young child. Hart learned a lot from his older brother, William who was also a Hudson River School artist.

Hart, landscape, 1853

landscape, 1853

Hart, Summer in the Catskills

Summer in the Catskills

In New York Hart made a living making carriages before training as an artist in Europe. Hart trained in both Munich and Dusseldorf. When Hart returned to the United States he exhibited at the Academy of Design. Hart soon became an associate at the academy, where he exhibited for decades to follow. Hart also lived and exhibited in Brooklyn, New York.

Hart, Conversation by the River

Conversation by the River

Hart painted similar subjects as his brother, but was known for taking on ambitious, large-scale projects. Both brothers often painted cattle and pastoral scenes outside of New York City. Hart followed the philosophical beliefs of the Hudson River School and cherished the time he spent in nature.

Hart, View on the River, Farmington 1866

View on the River, Farmington 1866

Hart, Autumn Lake

Autumn Lake

Hart’s paintings are now in museums and private collections around the world. Do you think you own a painting by James McDougal Hart? Contact us. We are the James McDougal HArt Certification Experts.


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1667--bartlett.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bartlett" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bartlett" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1668--thornhill.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "thornhill" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "thornhill" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1669--cross.php Henri Edmond Cross Artwork Authentication & Art Appraisal

Henri Edmond Cross (1856-1910)

Get a Cross Certificate of Authenticity for your painting (COA) for your Cross drawing.

For all your Cross artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cross Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cross painting or drawing.

If you want to sell your Cross painting or drawing use our selling services. We offer Cross selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cross and issuing certificates of authenticity since 2002. We are recognized Cross experts and Cross certified appraisers. We issue COAs and appraisals for all Cross artworks.

Our Cross paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cross certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cross painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cross paintings or drawings take longer.

Our clients include Cross collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henri Edmond Cross art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Henri Edmond Cross or we will sell it for you.

Henri Edmond Cross was born in Douai in Northern France and grew up in Lille. He had a British Mother and a French Father. He was encouraged by his Father’s cousin to paint, and he studied at the Ecole des Beaux Arts. He also studied in Paris with the artist Emile Dupont-Zipcy. Henri’s name at birth was Henri Delacroix, and to avoid being confused with the painter Eugene Delacroix, he adopted the English surname of Cross.

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In the Champs Elysees, 1890

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Mme. Hector France, nee Irma Clare and Later, Mme. Henri Edmond Cross, 1891

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Portrait of Madame Cross, 1901

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La Siesta au Bord de la Mer, 1903

His early works were portraits. He used dark colours and he painted in the realist style. However, this was to all change with a meeting with Claude Monet in 1883. After meeting Monet, he began to change the colours that he used and was also to change his style.

He was one of the founders of the Salon des Independants in 1884. It was there that he met Paul Signac, and together with him became one of the leading exponents of Neo Impressionism or Pointillism as it is sometimes known. In 1891, he moved to Saint Clair in the South of France, near St. Tropez. Paul Signac was also to move to Saint Clair in 1891. Henri Cross stayed in Saint Clair for the rest of his life, but traveled annually to Paris for the Salons.

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Ponte Son Trovaso, 1902-1908

It was in the 1890s, that Cross was to paint and develop his Neo Impressionist style. In this period he concentrated mostly on Seascapes and scenes of peasants at work. Like other members of the Neo Impressionist group, he had utopian and anarchist leanings. He contributed illustrations to the anarchist publication, ‘The Wanderer’. His famous painting, ‘Air of the Evening’, which hangs in the Musee d’Orsay is said to reflect his anarchist sentiments. Another example of a painting which was produced in the style of Neo Impressionism is, ‘Evening Breeze,’ which also hangs in the Musee d’Orsay.

His artistic output was hampered throughout his life by continual health problems, such as serious bouts of arthritis, and eye problems. His paintings can be found in museums all over the world, such as the Metropolitan Museum of Art in New York and the Hermitage Museum in St Petersburg.

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Landscape with Stars, 1905-1908

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The Shipwreck, 1906-1907

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Paysage du Midi

Other Neo Impressionists of the day include, Albert-Dubois Pillet, Louis Hayet and Leo Gausson. Leo Gausson, in particular, was an interesting character. Gausson initially studied engraving in Paris. In the mid 1870s, he entered the print shop of Eugene Froment. It was here that he met Maximilien Luce, with Luce he experimented with colour theories and became one of the exponents of Neo Impressionism. He also produced wood carvings.

However, in 1896, Gausson abandoned painting to concentrate on poetry. He published an anthology of verse, as well as illustrating poetry books by other poets. He spent the years between 1901, and 1908, in Africa where he was a Colonial Administrator.

Albert-Dubois Pillet was another Neo Impressionist who had several different careers, as well as being an artist, he was an Officer in the French army, where he fought in the Franco Prussian War. He was captured by the German army and was held prisoner. When released, he took up a career as an artist and began painting in the Neo Impressionist style and was also one of the founders of the Salon des Independants in Paris.

If you believe you own a work of art by Henri Edmond Cross, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Henri Edmond Cross.


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1670--forain.php Jean Louis Forain Artwork Authentication & Art Appraisal

Jean Louis Forain (1852-1931)

Get a Forain Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Forain artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Forain Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Forain painting, drawing or print.

If you want to sell your Forain painting, drawing or print use our selling services. We offer Forain selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Forain and issuing certificates of authenticity since 2002. We are recognized Forain experts and Forain certified appraisers. We issue COAs and appraisals for all Forain artworks.

Our Forain paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Forain certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Forain painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Forain paintings or drawings take longer.

Our clients include Forain collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Louis Forain art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Jean Louis Forain or we will sell it for you.

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At the Cafe

Jean Louis Forain is an interesting figure. He was a member of the group of Impressionist painters, but seems to be the least known amongst them. He studied briefly with Jean Leon Gerome and Jean Baptiste Carpeaux. He was an artist of diverse talents. He produced watercolours, etchings, lithographs and paintings. He began his career as a caricaturist and worked for several Paris journals. His style was a mix of Manet’s realism and Daumier’s sarcasm.

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Femme S’Habillant

He was a talented etcher, and his etchings were often compared to those of Rembrandt. He depicted domestic scenes, cafe life, theatrical performers and dancers. He joined other artists of the day such as Monet, Renoir, Manet and Degas in the Cafe Guerbois in the region of Bagnitolles in Paris. He loved the Bohemian lifestyle of Paris at the time. He had an extraordinarily close friendship with Degas, whom he admired both as a person and as an artist. The two artists worked together on many occasions, painting and drawing dancers, nudes, and scenes from Parisian theatres and cafes. Their style was incredibly similar, which Degas acknowledged when he was quoted as saying of Forain, ‘he paints with his hands in my pockets.’

A particularly famous etching of his is, ‘Les Follies Bergeres’ which was commissioned for the book, ‘Croquis Parisiens’ and the Fine Arts Museum of San Francisco has a good collection of his works. At the age of twenty seven he sent twenty six drawings to the Impressionist exhibition of 1879. Edgar Degas stubbornly defended his work and his qualities as an artist, however Monet and Renoir were not of the same opinion. Things became rather acrimonious, and in protest, both Monet and Renoir temporarily abandoned the Impressionist exhibition and entered the official Salon exhibition. However, Jean Louis Forain continually encouraged and admired by Degas went onto exhibit in all of the Impressionist exhibitions until 1886.

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Les Folles Bergeres, 1880

In 1891, he married the artist Jeanne Bosc, they had a son together and he left his Bohemian days behind him. After his marriage he concentrated on producing illustrations for newspapers and journals. He liked producing court scenes and had a particular interest in the Dreyfus Affair. He was influenced by Daumier in his court drawings and was passionate about the artistry of courtroom dramas. Some of his works such as ‘A Plea for Mercy,’ are particularly well known.

In the early 1900s, he became particularly religious and became a devout practising Catholic, from this date onwards Art Certification Experts have noticed that his palette took on a more darker and sombre note. His paintings became a stark contrast to his paintings of ‘Gay Paris,’ where he depicted cafe life, and the dance halls. At the age of sixty two, during the First World War, he left Paris to fight in the trenches and he became part of the Camouflage corps. He was commissioned by Le Figaro to provide illustrations of the war.

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Danseuse

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Counsel and Accused, 1908

Two other less well known Impressionists of the time were Stanislas Lepine, and Alphonse Maureau. Lepine began his studies under Corot, but then he turned to Impressionism when he exhibited in the first exhibition of Impressionists. His paintings include works such as, ‘A Gateway behind Trees,’ which hangs in the National Gallery in London.

Alphonse Maureau was known for his studies of nature on a small scale which he painted in the Impressionist style. Edouard Manet painted a well known portrait of him entitled, ‘Man with Round Hat.’

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Le Gommeux au Bouquet, 1876

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The Buffet, 1884

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Au Restaurant

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Femme S’Habillant

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1671--chavez.php Jose Chavez Morado Artwork Authentication & Art Appraisal

Jose Chavez Morado (1909-2002)

We Perform Jose Chavez Morado art authentication. Jose Chavez Morado appraisal. Jose Chavez Morado certificates of authenticity (COA). Jose Chavez Morado analysis, research, scientific tests, full art authentications. We will help you sell your Jose Chavez Morado or we will sell it for you.

Morado, Mi Estudio en Los Arcos

Mi Estudio en Los Arcos

Morado was born in Silao, Mexico in 1909. Morado was a painter, printer and sculptor who made monumental murals and mosaics in Mexico. Morado spent time in the United States and Canada in the 1920s, traveling as far north as Alaska. Morado realized his interest and talent as an artist, and enrolled at the Chouinard School of Arts of Los Angeles and at the Academy of San Carlos in Mexico.

Morado, Carnaval en Huejotzingo

Carnaval en Huejotzingo In 1931 Morado received a grant to study at the National School of Fine Art in Guanajuato, Mexico, under Francisco Diaz de Leon. A few years later Morado married Olga Costa, an artist and German exile living in Mexico. Morado was in a circle of other great artists of his time who gravitated around the Taller de la Grafica Popular. Other members included Dolores Alvarez Bravo, Carlos Alvarado Lang, Isidoro Ocampo and Maria Izquierdo.

Morado

Morado, Road to the Quarry Oil on Ma

Road to the Quarry Oil on Ma

In 1944 Morado had his first solo exhibit at the Galeria de Arte Mexicano. In the late 1940s Morado traveled to Europe to study mosaics. Upon Morado’s return to Mexico he built monumental mosaics that have since become internationally recognized.

Moado, Public work, UNAM

Public work, UNAM

Morado’s most famous public pieces can be seen at the Universidad Nacional Autonoma de Mexico (UNAM), the Quetzalcoatl mural at the Medical Center, the tower of the National Museum of Anthropology and History and the murals at the Alhondiga de Granaditas in Guanajuato.

Morado, Abolicion de la Esclavitud, Mural in Guanajuato

Abolicion de la Esclavitud, Mural in Guanajuato

Morado received numerous awards and an honorary degree from the UNAM. Morado is one of the great masters of Mexican Art. While Morado is best known for his public, monumental work his paintings are in numerous museums and private collections. Do you think you own a painting by Morado? Contact us. We are the Morado experts.


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1672--flipart.php Charles Flipart Artwork Authentication & Art Appraisal

Charles Flipart (1721-1797)

Get a Flipart Certificate of Authenticity for your painting (COA) for your Flipart drawing.

For all your Flipart artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Flipart Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Flipart painting or drawing.

If you want to sell your Flipart painting or drawing use our selling services. We offer Flipart selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Flipart and issuing certificates of authenticity since 2002. We are recognized FlipArt Certification Experts and Flipart certified appraisers. We issue COAs and appraisals for all Flipart artworks.

Our Flipart paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Flipart certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Flipart painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Flipart paintings or drawings take longer.

Our clients include Flipart collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles Flipart art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles Flipart or we will sell it for you.

Flipart painting, The Dancing Lesson

The Dancing Lesson

Flipart painting, La Toilette De La Courtisane

La Toilette De La Courtisane

Charles Flipart was an 18 th century French Rococo painter. He studied art in Venice and spent much of his life in Italy . Flipart was one of the court painters at the Spanish court, and was said to have profoundly influenced fellow painter Pietro Longhi.

Flipart painting, Portrait Of Carlo Scalzi

Portrait Of Carlo Scalzi

In his own time, Flipart may have been better known as an engraver, and today, few of his portraits exist. Still wondering about an 18th century French or Spanish painting in your family collection? Contact us…it could be by Charles Flipart.


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1673--johnson.php David Johnson Artwork Authentication & Art Appraisal

David Johnson (1827 – 1908)

Get a Johnson Certificate of Authenticity for your painting (COA) for your Johnson drawing.

For all your Johnson artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Johnson Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Johnson painting or drawing.

If you want to sell your Johnson painting or drawing use our selling services. We offer Johnson selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Johnson and issuing certificates of authenticity since 2002. We are recognized Johnson experts and Johnson certified appraisers. We issue COAs and appraisals for all Johnson artworks.

Our Johnson paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Johnson certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Johnson painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Johnson paintings or drawings take longer.

Our clients include Johnson collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform David Johnson art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your David Johnson or we will sell it for you.

View from Near Fort Montgomery

View from Near Fort Montgomery

David Johnson was a member of the second generation of Hudson River School painters. He was born in New York City. He claimed to have been self-taught, however, there is proof that he studied for two years at the antique school of the National Academy of Design. Johnson also studied briefly with the Hudson River artist Jasper Francis Cropsey.

View from the Hudson River from Palisades, 1871

View from the Hudson River from Palisades, 1871

Along with John Frederick Kensett and John William Casilear, he was best known for the development of Luminism. By 1850, Johnson was exhibiting regularly at the National Academy of Design in New York, where he became an associate in 1860. He exhibited extensively in other major American art centers, including Chicago, Boston and Philadelphia. He died in Walden, New York in 1908.

Catnip Island Near Greenwich Village 1878

Catnip Island Near Greenwich Village, 1878

Johnson experimented with a variety of French, British and American styles to perfect his landscape paintings. His style would also often change to accommodate commercial tastes. During the 1870s, Americans were buying and collecting paintings from Barbizon school artists, so, during this time, Johnson would often emulate the style of Barbizon artists to meet the demand.

Genesee River

Genesee River

Today his work is housed in public and private collections in Chicago, Boston, Philadelphia and New York, and perhaps in your own home. Still wondering about a painting in your family collection? Contact us…it could be by David Johnson.


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1674--calderon.php Charles Clement Calderon Artwork Authentication & Art Appraisal

Charles Clement Calderon (1870-1906)

Get a Calderon Certificate of Authenticity for your painting (COA) for your Calderon drawing.

For all your Calderon artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Calderon Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Calderon painting or drawing.

If you want to sell your Calderon painting or drawing use our selling services. We offer Calderon selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Calderon and issuing certificates of authenticity since 2002. We are recognized Calderon experts and Calderon certified appraisers. We issue COAs and appraisals for all Calderon artworks.

Our Calderon paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Calderon certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Calderon painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Calderon paintings or drawings take longer.

Our clients include Calderon collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles Clement Calderon art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles Clement Calderon or we will sell it for you.

Parisian-born Charles Clement Calderon was primarily a landscape painter. Calderon painted in the style of Expressionism, and his works highly represented this theme. Like many of his fellow landscape artists of this era, Calderon was particularly fascinated with Venice. Therefore, many of his paintings portray Venetian canals or cityscapes, as well as a number of seascapes and paintings of boats. Thus, Calderon’s titles of his Venetian paintings were aptly named “The Grand Canal of Venice.” He created many of these landscape paintings all bearing the same title, but distinctly different.

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Grand Canal of Venice

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Grand Canal of Venice

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Grand Canal of Venice

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Grand Canal of Venice

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Grand Canal of Venice

Calderon was a student of Cabanel and participated in the Colonial Exposition of 1906. He died that same year, and today his works are housed all over the world, and perhaps in your own home.

Still wondering about a painting in your family collection? Contact us….it could be by Charles Clement Calderon.


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1675--pasternak.php Leonid Pasternak Artwork Authentication & Art Appraisal

Leonid Pasternak (Леонид Осипович Пастернак) (1862-1945)

We Perform Leonid Pasternak art authentication. Leonid Pasternak appraisal. Leonid Pasternak certificates of authenticity (COA). Leonid Pasternak analysis, research, scientific tests, full art authentications. We will help you sell your Leonid Pasternak or we will sell it for you.

Island Rugen 1906

Island Rugen 1906

Leonid Pasternak was born in Odessa to the family of a Jewish innkeeper on April 4, 1862. He was the youngest of the six children in the family. He started to draw very early, but his family tried to discourage him, as they feared that his drawing would interfere with his studies. His first sponsor was the local street cleaner who began buying Pasternak’s art when Leonid was seven years old.

Night Before Examination

Night Before Examination

In 1881-1885 Leonid studied at the Moscow University, first at the Medical Department, then at the Department of Law. Eventually he decided to devote his life to Art and entered the Royal Academy of Fine Arts in Munich from which he graduated in 1887. He returned to Russia, served the compulsory two years in the army (artillery regiment) and in 1889 started a career as a full-time painter.

Under a Lamp 1902

Under a Lamp 1902

The start of his career was very successful. His first exhibited painting was bought by Pavel Tretyakov, the most important art sponsor in Russia of the time. He soon became a popular painter, a member of the so called Polenov circle, that included Valentin Serov, Isaac Levitan, Mikhail Nesterov, Konstantin Korovin. In 1889 he married the pianist Rosalia (Raytza Srulevna) Kaufman, and the same year settled in Moscow.

Moscow in Winter 1912

Moscow in Winter 1912

Leonid Pasternak was one of the first Russian painters who labelled himself an Impressionist. In Russia in the 1880s and 1890s such a proclamation was novel enough to draw attention to an artist. Leonid also was a member of the Peredvizhniki and Union of Russian Artists movements. He was a friend of Leo Tolstoy, for months lived in Yasnaya Polyana, and painted many portraits of the great writer, also illustrating his novels War and Peace and Resurrection. He was awarded a medal at the World Fair in Paris (1900) for his illustrations of Tolstoy’s novels.

Leo Tolstoy

Leo Tolstoy

Pasternak was elected a member of the Imperial Academy of Arts (1905), and also taught at the Moscow School of painting, sculpturing and architecture. In 1921 Pasternak needed an eye surgery, that was performed in Berlin. He travelled there with his wife and two daughters, leaving sons (Boris and Alexander) in Russia. After the surgery he decided not to return to Russia, remaining in Berlin until 1938 when he took refuge from the Nazis in Great Britain. He died in Oxford on May 31, 1945. Still wondering about an early 20th century Russian painting in your family collection? Contact us…it could be by Leonid Pasternak.


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1676--der-weyden.php Rogier van der Weyden Artwork Authentication & Art Appraisal

Rogier van der Weyden (1400-1464)

We Perform Rogier van der Weyden art authentication. Rogier van der Weyden appraisal. Rogier van der Weyden certificates of authenticity (COA). Rogier van der Weyden analysis, research, scientific tests, full art authentications. We will help you sell your Rogier van der Weyden or we will sell it for you.

Rogier van der Wedyen

Madonna and Child

Rogier van der Wedyen

St. George and the Dragon

Rogier van der Weyden is considered one of the finest of the 15th century Netherlandish painters, second only to Jan van Eyck. His style was more like that of the Italian painters of his time, in that he developed figural and compositional elements not found among other Northern painters. It may even be said that van der Weyden surpassed his Italian contemporaries, for he was considered one of the most important artists of his day in Italy.

Rogier van der Wedyen

Seven Sacraments Altarpiece

Rogier van der Wedyen

St. Columbia Altarpiece Annunciation

Rogier van der Wedyen

Entombment of Christ

The son of a cutler, Van der Weyden was born in Tournai and was apprenticed to Campin in 1427. He went to Brussels in 1435, and it was at that time that he changed his name from the French “de la Pasture” to the Flemish translation “van der Weyden.” Van der Weyden began his earliest paintings using the same techniques as Campin and van Eyck and clarified their use of three-dimensional figures and anatomical structures. Van der Weyden also paid closer attention to details and interiors as well as landscapes and perspective.

Rogier van der Wedyen

Madonna in Red

Rogier van der Wedyen

St. Luke and a Portrait of the Virgin Mary

Rogier van der Wedyen

Visitation of Mary

After the 1440s, van der Weyden’s work began to surpass that of his master’s as he achieved a balance in depth and plane. His draperies and interiors became more elegant, and his figures were now depicted as more slender and graceful. Van der Weyden visited Rome from 1449 to 1450, which proved to be a pinnacle moment in 15th century art, as it was a meeting of the minds for Northern and Southern artists.

Rogier van der Wedyen

Portrait of a Man

Rogier van der Wedyen

Portrait of a Young Woman, 1445

Rogier van der Wedyen

Portrait of Jean De Gros

Rogier van der Wedyen

Portrait of a Lady

Rogier van der Wedyen

Portrait of Francesco d’Este

When van der Weyden died in 1464, he left behind a massive oeuvre and workshop with a team of well-crafted and extremely trained assistants. It is thought that his workshop was taken over by his son, Pieter, who was also a painter, and he and his assistants kept up the standard for his work long after his death. Despite the fact that he was gone, van der Weyden’s work was still in high demand, and at the time of his death, he was considered to be the best-known and most sought-after painter in the Netherlands.

Rogier van der Wedyen

Dream of Pope Sergius

Rogier van der Wedyen

Exhumation of St. Hubert

Rogier van der Wedyen

St. Catherine of Alexandria

Today, van der Weyden’s work is housed all over Europe in public and private collections, and perhaps in your own home. Still wondering about a 15th century Flemish painting in your family estate? Contact us…we are the Rogier van der Wedyen experts.


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1677--ensor.php James Ensor Artwork Authentication & Art Appraisal

James Ensor (1860-1949)

Get a Ensor Certificate of Authenticity for your painting (COA) for your Ensor drawing.

For all your Ensor artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ensor Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ensor painting or drawing.

If you want to sell your Ensor painting or drawing use our selling services. We offer Ensor selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ensor and issuing certificates of authenticity since 2002. We are recognized Ensor experts and Ensor certified appraisers. We issue COAs and appraisals for all Ensor artworks.

Our Ensor paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ensor certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ensor painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ensor paintings or drawings take longer.

Our clients include Ensor collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform James Ensor art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your James Ensor or we will sell it for you.

Ensor painting, Self-Portrait

Self-Portrait

Ensor painting, Intrigue, 1911

Intrigue, 1911

James Ensor was a Belgian painter and an innovator in the art world. He was ahead of his time and created paintings that would be a precursor to Surrealism. Some art critics say that Ensor was one of the first painters to marry Symbolism and Realism, and that his work helped to pave the way for the transition from Symbolism to Surrealism. It is said that his work inspired the likes of Paul Klee and other Expressionist painters, and was a member of the group “Les Vingts” (the twenty). During his lifetime, Ensor created many paintings that were considered to be scandalous, and much of it was rejected, most notably his painting “Entry of Christ into Brussels.”

Ensor painting, Entry of Christ into Brussels, 1889

Entry of Christ into Brussels, 1889

Ensor was born and lived most of his life in Ostend. His father was English and his mother was Belgian, and Ensor received his first training at the Brussels academy in history and religious painting. Besides being classically trained in the arts, Ensor was also a master draftsman and printmaker. He began his career painting portraits, and eventually became involved in the avant-garde movement. Ensor essentially became the unofficial founder and leader of the “Les Vingts” (also known as Les XX), and he helped to promote new artistic ideas all over Europe. Art critics were not kind to this group, however, and they disbanded after ten years.

Ensor painting, The Dejected Lady

The Dejected Lady

One of Ensor’s most notable and frequently repeated themes are death, and particularly, skeletons. This grim theme is a trademark of Ensor’s, and was a recurring theme, attributed almost solely to Esnor during the early 1890’s.

Ensor painting, The Masks and Death

The Masks and Death

Ensor painting, Skeletons Fighting Over a Smoked Herring 1891

Skeletons Fighting Over a Smoked Herring 1891

Ensor painting, Skeletons Warming Themselves

Skeletons Warming Themselves

As a young man, Ensor suffered a great deal, which perhaps reflected in his art. Not only did he suffer from ulcers, but his family forbad him from marrying the woman that he loved. This brought him great despair, and Ensor eventually returned to painting religious subjects through much of the 1890’s. Towards the end of that decade, he sold the entire contents of his studio, making the whereabouts for many of his sketches and un-cataloged work virtually unknown.

Ensor painting, Still Life With Masks

Still Life With Masks

By the turn of the century, Ensor had found commercial success and the respect of art critics. He was even given the title of Baron and knighted. He continued to work right up until his death at the age of 89, and even created musical compositions and ballet scenery in his later years.

Ensor painting, The Banquet of the Starved 1915

The Banquet of the Starved 1915

Ensor Etching

Etching

Today, Ensor’s work is housed world wide and perhaps in your own home. Still wondering about a Belgian Surrealist/Expressionist piece in your family’s estate? Contact us…it could be by James Ensor.


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1679--gandara-de-la.php Antonio de la Gandara Artwork Authentication & Art Appraisal

Antonio de la Gandara (1861-1917)

Get a La Gandara Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your La Gandara artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a La Gandara Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your La Gandara painting, drawing or print.

If you want to sell your La Gandara painting, drawing or print use our selling services. We offer La Gandara selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating La Gandara and issuing certificates of authenticity since 2002. We are recognized La Gandara experts and La Gandara certified appraisers. We issue COAs and appraisals for all La Gandara artworks.

Our La Gandara paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The La Gandara certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your La Gandara painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research La Gandara paintings or drawings take longer.

Our clients include La Gandara collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Antonio de la Gandara art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Antonio de la Gandara or we will sell it for you.

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Gabriel de Yturri, 1886

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La Femme au Voile

Antonio de la Gandara was born in Paris, France, known for his paintings of the fashionable ladies of the Belle Epoque. His father was from Mexico and his mother was from England, and his artistic abilities eventually became reflective of all three cultures. At age 15, de La Gandara was admitted to the Ecole des Beaux-Arts and was a pupil of Jean-Léon Gérome. He was honored in 1883 at the Salon des Champs-Elysées, and was singled out by the jury for his portrait of Saint Sebastian; the first work he ever exhibited.

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Portrait of Madame Gautrau, 1891

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Portrait of Madame Rémy Salvator

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Portrait of Mme d’Annunzio

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Portrait of M del Solar

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La Bague a l’émeraude

This early achievement was to set the pretense for de La Gandara’s success over the next few years in Paris. He became a favorite among the art elite, and had Princes and Princess sit for him, as well as duchesses and other historical notables like Paul Verlaine and Sarah Bernhardt.

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Paul Verlaine, lithograph, 1895

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Caricature d’artistes du “Chat Noir”

During this time, de La Gandara was highly influenced by fellow painter Chardin, and followed the artists use of simplicity and fine detail to achieve his beautiful portraits. He also worked alongside other famous artists such as James McNeil Whistler and Jean-Louis Forain illustrating books and volumes of poetry, such as “The Bats” by French poet Robert de Montesquiou. This book, published in 1893, has since become a rare collector’s item.

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Robert de Montesquiou

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La Femme au Chien

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Ida Rubenstein

Gandara held his first exhibition in New York in 1898, which was met with much acclaim and great success. Art critics felt that this show confirmed him as one of the greatest painters of his time. His portraits were also routinely published in magazines and newspapers, like the fashionable “Le Figaro” magazine, and many of which even made it to the front page.

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Mme de La Gandara, pastel, 1895

Throughout his career, de la Gandara exhibited all over the world in the United States, Paris, Brussels, Berlin, Barcelona, Dresden and Saragossa. Sadly, after his death in 1917, his popularity quickly waned.

However, a new and growing interest in late 19th century art has brought his work back into the spotlight, and his work has once again regained popularity. Still wondering about a French portrait in your family collection? Contact us…it could be by Antonion de la Gandara.


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1680--garnier.php Michel Garnier Artwork Authentication & Art Appraisal

Michel Garnier (1753-1819)

Get a Garnier Certificate of Authenticity for your painting (COA) for your Garnier drawing.

For all your Garnier artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Garnier Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Garnier painting or drawing.

If you want to sell your Garnier painting or drawing use our selling services. We offer Garnier selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Garnier and issuing certificates of authenticity since 2002. We are recognized Garnier experts and Garnier certified appraisers. We issue COAs and appraisals for all Garnier artworks.

Our Garnier paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Garnier certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Garnier painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Garnier paintings or drawings take longer.

Our clients include Garnier collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Michel Garnier art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Michel Garnier or we will sell it for you.

Garnier painting, Elegant Lady at her Toilette

Elegant Lady at her Toilette

Michel Garnier was an 18th century French painter. Garnier mainly painted genre scenes featuring fashionable young ladies of the era partaking in humorous, scandalous, or elegant activities.

Garnier painting, Fashionable Young Lady at the Palais Royal

Fashionable Young Lady at the Palais Royal

Garnier painting, The Letter

The Letter

Garnier painting, The Poorly Defended Rose

The Poorly Defended Rose

Garnier painting, The Departure of Monsieur de Saint-Marc

The Departure of Monsieur de Saint-Marc

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Michel Garnier.


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1682--pettoruti.php Emilio Pettoruti Artwork Authentication & Art Appraisal

Emilio Pettoruti (1892-1971)

Cree que es propietario de una pintura de Emilio Pettoruti? Autenticamos, tasamos, investigamos, damos información y emitimos Certificados de Autenticidad (COA) de todas las obras de Emilio Pettoruti.

Emilio Pettoruti
Emilio Pettoruti

Fue sin dudas uno de los más destacados pintores de la llamada Generación del Ochenta, durante los últimos años del siglo XlX y los primeros del siguiente. Comenzó sus estudios de pintura en 1885 y luego continuó su formación en Paris, Roma y Turín. Allí recibió la influencia de los hermanos Doménico y Girolamo Induno, los primeros en reaccionar contra el academicismo.

Emilio Pettoruti nació en la ciudad de La Plata, Argentina, el 1 de octubre de 1892 en el seno de una familia de doce hermanos, de los que fue el mayor. Fue un autodidacta ya que no siguió estudios regulares en ninguna disciplina. Sin embargo, decide estudiar perspectiva con Emilio Coutaret y obtiene una beca del gobierno de la provincia de Buenos Aires que le permite viajar a Europa.

Meditazione, mosaico, 78 x 91 cm, 1915, Colección Fundación Pettoruti
Meditazione, mosaico, 78 x 91 cm, 1915, Colección Fundación Pettoruti
Ernesto de la Cárcova, La esposa del artista
El Filósofo

Comenzó a exhibir sus primeras obras en las vidrieras de la tienda Gath & Chaves y a publicarlas en las revistas La Ciudad y Rayos de Sol. En junio de 1911 realizó su primera exposición en las salas del desaparecido diario platense Buenos Aires.

Entre 1913 y 1924 Pettoruti vivirá la experiencia de su primer período europeo. En su libro autobiográfico “Un pintor ante el espejo” (1968) registrará numerosos aspectos relacionados a esos primeros años, por lo demás, bastante dichosos. Luego de desembarcar en Génova se instala en Florencia donde vive experiencias intensas al vincularse con el naciente futurismo italiano. Trabajó gratis para talleres de mosaico, fresco, vitrales, dorado a la hoja. Asiste a la primera exposición de arte futurista Lacerba, organizada por la revista de ese nombre. Participan de ella Marinetti, Balla, Carrá, Boccioni y Russolo, entre otros. A mediados de 1914 produjo sus primeros dibujos abstractos como “Force centripete”, “Espansione dinámica” o “Movimiento nello spazio”. Luego de realizar estudios sobre la luz, elaboró un sistema propio en torno al color, centrado en sus relaciones y armonías, a través de los diferentes porcentajes de cada color. Envía dibujos y óleos a tres muestras colectivas en diferentes centros de exposición florentinos. Uno de esos dibujos, titulado “Disegno astratto”, es considerado como el primer caso en que se utiliza la palabra “abstracto” para designar a una obra de arte.

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En julio de 1916 realiza su primera exposición individual en la galería Gonelli de Florencia que apoyaba abiertamente a los futuristas. Obtiene su primera crítica en el periódico florentino Il Nuovo Giornale, aparecida el 6 de Julio de 1916. También ese año se hace presente en el Salón Nacional de Buenos Aires –que habla iniciado sus ediciones anuales en 1911– con una témpera abstracta, “Armonias”. Es evidente que le atrae la abstracción, pero, al mismo tiempo, le cuesta abandonar la figuración.

Entre 1916 y 1917 vivió en Roma, donde trabó amistad con los artistas del círculo vanguardista de las revistas Cronache d’Attualitá y Valori Plastici, entre ellos, Enrico Prampolini, Giorgio De Chirico y Carlo Carrà. Luego se instaló en Milán, donde fue admitido como “socio pittore” en la Famiglia Artistica. En esta época se ganó la vida ilustrando libros, diseñando vitraux y realizando proyectos escenográficos. En 1919 realiza una muestra individual en las salas del Lyceum de Milán.

Sobras en la ventana, óleo sobre madera, 41,5 x 26 cm, 1925, Museo Nacional de Bellas Artes
Sobras en la ventana, óleo sobre madera, 41,5 x 26 cm, 1925, Museo Nacional de Bellas Artes

En su “Autorretrato” de 1918 realizado al óleo (hoy en el Museo Nacional de Bellas Artes, de Buenos Aires) ya se advierte el planteo cubista, que se afirma en otras obras de ese mismo año como “Istitrutice”, óleo sobre tabla o “Pensierosa”, “La señora Pierrette” también llamada “La señorita del Traje violeta” (1920).

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El Morocho maula, 160 x 62 cm, 1953, Colección Fundación Pettoruti
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El improvisador, 195 x 140 cm, óleo sobre tela, 1937, Museo Nacional de Bellas Artes

En 1923, en la galería Der Sturm, de Berlín, Pettoruti realiza su primera gran exposición individual de importancia. Expone en la sala principal treinta y cinco obras.

Durante una estada en París en 1923 conoce al pintor español Juan Gris, una de las grandes figuras del cubismo, y entablan una amistad que los vincula, sin duda, en el plano estético. Cuando Emilio Pettoruti regresa a Buenos Aires en 1924, es recibido con los brazos abiertos por sus compañeros de generación reunidos en torno de la revista Martín Fierro (1924-1927. Pero, sin duda, el acontecimiento más importante para la vida del artista será la exposición que realiza en la galería Witcomb ,en octubre de ese año. Su primer exposición tras once años de ausencia: las ochenta y seis obras exhibidas causaron un gran revuelo por su vanguardismo asociado al futurismo y al cubismo.

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El hombre de la flor amarilla, óleo sobre tela, 81 x 65 cm, 1932
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Vino Rosso, óleo sobre tela, 65 x 80 cm, 1940

Hubo quien afirmó, que la exposición de Emilio Pettoruti constituía una grave ofensa inferida a la dignidad del país. Lo cierto es, sin embargo, que en rigor de verdad no se trataba estrictamente de la primera exposición cubista en Buenos Aires.

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Invierno en Paris, óleo sobre lienzo, 210 x 134,5 cm, Museo Nacional de Bellas Artes

Es el símbolo de la modernidad, del vanguardismo. Tanto es así que marca un hito; hay un antes y un después en la pintura argentina a partir de este punto de inflexión. Por eso este hecho convierte a Pettoruti en un personaje-símbolo.

Su “Autorretrato” (1925), óleo sobre cartón, muestra su resistencia a abandonar la figuración clásica, sin dejar por ello de introducir elementos del cubismo desde una construcción moderada, conciliadora, que no producía alteraciones esenciales en la visión habitual. Lo mismo ocurre con “Mi madre” y “Carolita”, óeos de ese mismo año. Sin embargo en “Sombras en la ventana”, también de 1925, estamos ante un planteo netamente cubista.

Carolita
Carolita, óleo sobre tela, 48 x 39 cm, 1925

Al final de la década nuestro artista realizará algunas obras notables que se sitúan entre lo mejor de su creación, como “El quinteto” (1927), óleo sobre madera terciada, y “Arlequín” (1928), óleo sobre tela, así como “Arlequín con acordeón” (1928). El tema del arlequín, tan caro a los pintores cubistas, tuvo en Pettoruti a un gran cultor, ya que realizará pinturas con este personaje durante treinta años. Es una figura emblemática de su obra y la identifica por la elevada calidad plástica alcanzada cada vez que pintó esta figura.

En 1930 fue nombrado Director del Museo Provincial de Bellas Artes de La Plata, cargo que ocuparía hasta 1947. En 1934 conoció a María Rosa González, fotógrafa y crítica chilena con quien se casó en 1941.

En 1935 pintó el óleo “Caminantes”, que para él marcó una nueva etapa en su obra. En 1937 inició su amistad con Julio E. Payró; en 1938 polemizaba con Antonio Berni en torno al “nuevo realismo”; un año más tarde se acercaba a Jorge Romero Brest. En 1940, Amigos del Arte realizó una retrospectiva con cuarenta y una obras de 1917-1938. Importantes museos de los Estados Unidos lo invitaron a exponer individual y colectivamente; en 1943 el MoMA de Nueva York le compró su obra “Copa verde-gris”. En 1948 realizó otra retrospectiva en el Salón Peuser y en 1950 la Exposición retrospectiva del pintor Emilio Pettoruti, en el Museo Nacional de Bellas Artes de Chile.

Pensionerosa, óleo sobre tela pegada sobre cartón, 64 x 49 cm, Colección Natalia Kohem
Pensionerosa, óleo sobre tela pegada sobre cartón, 64 x 49 cm, Colección Natalia Kohem

Al año siguiente viajó por Europa y en 1953 se instaló en París, donde inició su última etapa pictórica. Allí participó en las exposiciones Durand-Ruel (1954); Arte Abstracto, Las primeras Generaciones 1910-1939 en el Musée d’Art de Saint.Etienne (1957); 50 Años de Pintura Abstracta, organizada por Michel Seuphor; y en otras muestra individuales que acercaron su obra al público de esa ciudad. En 1960 integró la Primera Exposición Internacional de Arte Moderno en el Museo de Arte Moderno de Buenos Aires y “Construction and Geometry in Painting”, en Nueva York. En 1961 compartió con los artistas más importantes de la abstracción internacional la exposición Arte Abstracto Constructivo Internacional en la Galerie Denise-René de París. En 1966 viajó a la Argentina y terminó sus memorias.

Pensionerosa, óleo sobre tela pegada sobre cartón, 64 x 49 cm, Colección Natalia Kohem
Pensionerosa, óleo sobre tela pegada sobre cartón, 64 x 49 cm, Colección Natalia Kohem

Recibió el Premio Continental Guggenheim de las Américas en 1956 y al año siguiente el Gran Premio otorgado por el Fondo Nacional de las Artes. En sus últimos años presentó exposiciones en Bonn, Berlín, Bruselas y Ginebra, entre otras ciudades europeas, y representó a la Argentina en el envío a la XI Bienal Internacional de São Paulo de 1971. Falleció en París, el 16 de octubre de 1971, a los 79 años.

Se está preguntando todavía si su pintura puede ser de Emilio Pettoruti? Póngase en contacto con nosotros….quizás lo sea y nosotros se lo podemos confirmar… somos expertos en este autor.


done
1683--bottani.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bottani" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bottani" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1684--streeton.php Arthur Streeton Artwork Authentication & Art Appraisal

Get a Streeton Certificate of Authenticity for your painting (COA) for your Streeton drawing.

For all your Streeton artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Streeton Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Streeton painting or drawing.

If you want to sell your Streeton painting or drawing use our selling services. We offer Streeton selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Streeton and issuing certificates of authenticity since 2002. We are recognized Streeton experts and Streeton certified appraisers. We issue COAs and appraisals for all Streeton artworks.

Our Streeton paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Streeton certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Streeton painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Streeton paintings or drawings take longer.

Our clients include Streeton collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Arthur Streeton (1867-1943)

We perform Arthur Streeton art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Arthur Streeton or we will sell it for you.

art

Afternoon Light, Golburn Valley

art

Land of the Golden Fleece

Arthur Streeton, nicknamed “Smike” (for his small stature), was born near Geelong, Victoria on April 8, 1867. Streeton was the fourth of seven children. In 1867, his family moved to Richmond.

Between 1882 and 1888, Streeton studied at the National Gallery Schools in Melbourne. He attended school part time because of his limited financial resources. He and many other students did plein air painting around Melbourne. He was invited by his drawing teacher Fredrick McCubbin to join the artists’ camp at Box Hill. During this time, he developed a fascination with French Impressionism.

art

Pink Roses

Streeton’s first public exhibition was held in 1885 at the Victorian Academy of Art in Melbourne. For the next two years, he was apprenticed as a lithographer to George Troedel. In 1886, he apprenticed to painters Fredrick McCubbin and friend Tom Roberts.

In 1888, he moved to a farmhouse owned by Charles Davies. He lived there rent-free and created many of his landscape masterpieces. He lived there off and on for years, leaving to travel to Sydney. He founded the famous Heidelberg artists’ camp at Eaglemont and contributed 40 works to the group’s Impressionist exhibition the following year.

In 1890, Streeton’s success began to rise when his Still Glides the Stream was purchased by the Art Gallery of South Wales. He began traveling to Sydney where he lived for a while and created art based on his lovely surroundings.

During World War I, he served first in the medical corps, and then he went on to be official war artist. He went on to settle in Victoria and was knighted in 1937 for his service in art.

art

Venus and Adonis

art

The Old Inn

Today, it is quite difficult and extremely costly to acquire a Streeton original. In fact, his paintings have sold for huge sums of money surpassing two million dollars. This has broken records for the highest amount of money collected for a piece by an Australian painter. Many of his paintings are pastoral landscapes. He has been praised for his masterful use of light. His paintings are airy, illuminated compositions.

His early paintings were mainly plein air works, but he occasionally made watercolors or oil paintings for larger studies. He used the “square brush” method of paint application in many of his works. On many of his landscapes, the paint has the appearance of being thickly applied in quick movements. They are often very dramatic and romantic in appearance.


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1685--guillemin.php Emile Coriolan Hippolyte Guillemin Artwork Authentication & Art Appraisal

Emile Coriolan Hippolyte Guillemin (1841-1907)

We Perform Emile Coriolan Hippolyte Guillemin art authentication. Emile Coriolan Hippolyte Guillemin appraisal. Emile Coriolan Hippolyte Guillemin certificates of authenticity (COA). Emile Coriolan Hippolyte Guillemin analysis, research, scientific tests , full art authentications. We will help you sell your Emile Coriolan Hippolyte Guillemin or we will sell it for you.

art
Shakespeare Sitting

Emile Coriolan Hippolyte Guillemin, French school, was born in Paris in 1841 and died in 1907. He was the son of the painter Emile Marie Auguste Guillemin and studied under him and under Salmson.  He started exhibiting at the Paris salon in 1870 and won an award in 1897.

His bronzes are in many collections including the Montreal and Toul museums. Some of his well known bronzes are cavaliers, conquistadores, the Mandolin Player, an Arab Dancing Girl, the busts of Dante Alighieri and Shakespeare, the Alchemist, the Silver Smith, knights in armor, and Arab horsemen.

art
Shakespeare Bust

art
Statues


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1686--johnston.php Frank Johnston Artwork Authentication & Art Appraisal

Frank Johnston (1888-1949)

Get a Johnston Certificate of Authenticity for your painting (COA) for your Johnston drawing.

For all your Johnston artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Johnston Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Johnston painting or drawing.

If you want to sell your Johnston painting or drawing use our selling services. We offer Johnston selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Johnston and issuing certificates of authenticity since 2002. We are recognized Johnston experts and Johnston certified appraisers. We issue COAs and appraisals for all Johnston artworks.

Our Johnston paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Johnston certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Johnston painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Johnston paintings or drawings take longer.

Our clients include Johnston collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Frank Johnston art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Frank Johnston or we will sell it for you.

Johnston, Landscape

Landscape

Frank Johnston was a Canadian painter, best known for his involvement in the Group of Seven. Though born with the name, Francis Hans, Johnston commonly went by ‘Frank’ and later in life ‘Franz’.

Johnston, Sunset in the Bush

Sunset in the Bush

Johnston was born in Toronto, where he continued to live and work for most of his life. Johnston met many of the other Group of Seven members while working as a commercial artist for the company Grip Ltd. Johnston’s colleagues organized weekend painting trips via boxcar, traversing the Canadian countryside. Johnston’s coworkers included J.E.H. Johnston, Tom Thomson, Arthur Lismer, Frederick Varley and Franklin Carmichael. Other Group of seven members met through Toronto’s Arts and Letters Club.

Johnston, Camp Borden

Camp Borden

Johnston, Beauty Mantled Deep

Beauty Mantled Deep

Johnston was accustomed to landscape painting before meeting the others in the Group of Seven. A lover of nature, Johnston would take trips Algonquin Park and Lake Superior. Once he became a member of the Group of Seven, Johnston almost always participated in the trips to Algoma.

Johnston, Fire-Swept, Algoma

Fire-Swept, Algoma

Unlike the other Group of Seven painters who used oil or watercolor paints, Johnston used tempera to create vibrant and textured landscapes. Johnston’s style was therefore less post-impressionistic and more decorative.

Johnston, Autumn, Algoma

Autumn, Algoma

Johnston was probably the least involved with the Group of Seven and only exhibited in their first show in 1920 at the Art Gallery of Toronto. Despite his lack of involvement in the group, he worked prolifically and held frequent solo-exhibitions.

Johnston, Untitled

Untitled

Johnston, Sopwith Camel Looping

Sopwith Camel Looping

By 1921, Johnston left Toronto for a principal position at the Winnipeg School of Art. It was not until 1924 the Johnston officially left the Group of Seven, preferring to work and exhibit independently. Over time Johnston became less fine art orientated and concentrated on making decorative pieces for department stores. Johnston’s aesthetic proved to be financially profitable, as he sold his paintings with great frequency.

During the late 1920s Johnston returned to Toronto where he taught at the Ontario College of Art. Johnston remained in Toronto until the end of his life.

Johnston’s extensive portfolio of landscape paintings, remain to be highly valuable. Johnston’s pieces are currently in museums and private collections. Do you think you own a painting by Frank Johnston? Contact us. We are the experts on Frank Johnston.


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1687--levitan.php Isaac Ilyich Levitan Artwork Authentication & Art Appraisal

Isaac Ilyich Levitan (1860-1900)

Get a Levitan Certificate of Authenticity for your painting (COA) for your Levitan drawing.

For all your Levitan artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Levitan Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Levitan painting or drawing.

If you want to sell your Levitan painting or drawing use our selling services. We offer Levitan selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Levitan and issuing certificates of authenticity since 2002. We are recognized Levitan experts and Levitan certified appraisers. We issue COAs and appraisals for all Levitan artworks.

Our Levitan paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Levitan certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Levitan painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Levitan paintings or drawings take longer.

Our clients include Levitan collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Isaac Ilyich Levitan art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Isaac Ilyich Levitan or we will sell it for you.

Levitan, Eternal Peace, 1894

Eternal Peace, 1894

Levitan, Evening Bells, 1892

Evening Bells, 1892

Isaac Levitan is a well-known Russian landscape painter. Levitan escalated the genre of the “mood landscape”. Levitan was born in the Kaunsas region of Lithuania to a Jewish family. Levitan’s father was a rabbi and translator for railway company. In 1870 Levitan’s family relocated to Moscow, Russia.

Levitan, Lake

Lake

Levitan, Peasant Cottages

Peasant Cottages

Levitan followed in his brother’s footsteps, attending the Moscow School of Painting, Sculpture and Architecture. As a student, Levitan was fortunate enough to study under great names in Russian art, including, Alexei Savrasov, Vasily Perov and Vasily Polenov. Levitan took a number of foundation courses before finding his talent at landscape painting. After the death of his parents in 1875 and 1879, Levitan lost funding for his education. As a reward for Levitan’s exemplary work, he was awarded a full scholarship to complete his studies.

Levitan, Twilight Moon

Twilight Moon

Levitan, Autumn, 1889

Autumn, 1889

Levitan, Oak Tree

Oak Tree

Levitan, Evening on the Volga

Evening on the Volga

Levitan exhibited for the first time in 1877, gaining attention from the Moscow press. Levitan’s family was urged to leave the city for brief amount of time in 1879, as hostility towards Jews began to mount. When Levitan returned a year later, he sold his first painting.

Levitan, In the Sun, Babkino

In the Sun, Babkino

Levitan, Golden Autumn

Golden Autumn

Levitan, Jesién w Sokolnikach

Jesién w Sokolnikach

Levitan, Vladimirka Road

Vladimirka Road

Levitan, March

March

Levitan, Birch Forest

Birch Forest

Levitan, The Watermill Sunset

The Watermill Sunset

By 1891, Levitan joined a group of artists, known as the Peredvizhniki partnership, participating in group exhibitions around Russia. Levitan associated with former classmates, Konstantin Korovin, Mikhail Nesterov, Fyodor Shekhtel and Nikolai Chekhov, who also received noticeable attention for their strong work. Levitan often collaborated with his friends to illustrate publications or design opera sets.

Levitan is best known for his depictions of the Russian landscape, painting rural settings, and emotion-filled skies. While Levitan did not paint urban scenes, he often painted in the outskirts of Moscow.

By 1897, Levitan’s reputation not only spread nationally, but around the world. Levitan was appointed to a position at the Imperial Academy of Arts in Russia, and headed the Landscape Studio at his former University in Moscow. Levitan’s work is continuously admired in his home country of Russia and around the world. Do you think you own a painting by Isaac Levitan? Contact us. We are the experts on Isaac Levitan.


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1688--von-amerling.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "von-amerling" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "von-amerling" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1689--mueller.php Otto Mueller Artwork Authentication & Art Appraisal

Otto Mueller (1874 – 1930)

Get a Mueller Certificate of Authenticity for your painting (COA) for your Mueller drawing.

For all your Mueller artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mueller Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mueller painting or drawing.

If you want to sell your Mueller painting or drawing use our selling services. We offer Mueller selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mueller and issuing certificates of authenticity since 2002. We are recognized Mueller experts and Mueller certified appraisers. We issue COAs and appraisals for all Mueller artworks.

Our Mueller paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mueller certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mueller painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mueller paintings or drawings take longer.

Our clients include Mueller collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Otto Mueller art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Otto Mueller or we will sell it for you.

art

Two Girls in the Woods 1920

Otto Mueller was a German painter and printmaker of the expressionist movement. Mueller was born on October 16, 1874, in Liebau (now Lubawka, Poland), Kreis Landeshut, German Silesia. Between 1890-1892 he was trained in lithography in Görlitz and Breslau. From 1894 to 1896 he studied at the Academy of Fine Arts in Dresden and continued his study in Munich 1898. He left Munich’s academy after Franz von Stuck classified him as untalented.

art

Yellow Cow

His early works are influenced by impressionism, Jugendstil and symbolism. When he settled to Berlin in 1908, he turned more and more to the expressionism. During this time there were meetings with Wilhelm Lehmbruck, Rainer Maria Rilke and Erich Heckel. In 1910, he joined ‘Die Brücke’, a Dresden-based group of Expressionist artists. He was member of the group until it disbanded in 1913 due to artistic differences. At the same time Mueller also had contact with the artists group of the ‘Blaue Reiter’.

art

Two Bathers

During the World War I he fought as a German soldier in France and Russia. After the war he became professor at the academy of arts (Akademie der Bildenden Kunste) in Breslau where he taught until his death on September 24, 1930. Johnny Friedlaender and Isidor Ascheim were among his pupils there. Altogether his printmaking amounted to 172 prints, in woodcut, etching and lithography.

art

Four Nudes

In 1937 the Nazis seized 357 of his works from German museums, since the pictures were considered as degenerate art.

art

Two Girls

Mueller was one of the most lyrical of German expressionist painters. The central topic in Mueller’s works is the unity of humans and nature, whereas his paintings are focused on a harmonious simplification of form, colour and contours. He is especially known for his characteristic paintings of nudes and gypsy women.

art

Pair of Lovers 1919

Still wondering about a German painting in your family collection? Contact us…it could be by Otto Mueller.


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1690--de-gault.php Jacques-Joseph de Gault Artwork Authentication & Art Appraisal

Jacques-Joseph de Gault (1738-1812)

Get a De Gault Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your De Gault artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a De Gault Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Gault painting, drawing or print.

If you want to sell your De Gault painting, drawing or print use our selling services. We offer De Gault selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Gault and issuing certificates of authenticity since 2002. We are recognized De Gault experts and De Gault certified appraisers. We issue COAs and appraisals for all De Gault artworks.

Our De Gault paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Gault certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Gault painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Gault paintings or drawings take longer.

Our clients include De Gault collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jacques-Joseph de Gault art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jacques-Joseph de Gault or we will sell it for you.

art

Cassolette

art

Cassolette, detail

Jacques-Joseph de Gault was an 18th century engraver who emulated the styles of classical Greek and Roman engravings. He executed many portraits during his career, many of which were in the form of miniatures or decorative pieces.

art

Marie Therese Charlotte

Still wondering about a piece of 18th century French engraved art in your home? Contact us…it could be by Jacques-Joseph de Gault.


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1691--sumner.php Maud Sumner Artwork Authentication & Art Appraisal

Maud Sumner (1902-1985)

Get a Sumner Certificate of Authenticity for your painting (COA) for your Sumner drawing.

For all your Sumner artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sumner Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sumner painting or drawing.

If you want to sell your Sumner painting or drawing use our selling services. We offer Sumner selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sumner and issuing certificates of authenticity since 2002. We are recognized Sumner experts and Sumner certified appraisers. We issue COAs and appraisals for all Sumner artworks.

Our Sumner paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sumner certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sumner painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sumner paintings or drawings take longer.

Our clients include Sumner collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Maud Sumner art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Maud Sumner or we will sell it for you.

art

Still Life with Poppies and Flowers

Maud Sumner was a South African painter. She studied at the Rodean School in Johannesburg, later studying in Paris with Maurice Denis.

art

Still Life

art

Chess

Sumner was known for her watercolor paintings and for her landscapes featuring expansive skies. Throughout her career, she held sixteen one-man shows and exhibited all around the world. Today, her paintings are highly valued and are in great demand by collectors.

art

Mary and Martha

Still wondering about a South African painting in your family collection? Contact us…it could be by Maud Sumner.


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1692--stuart.php Gilbert Stuart Artwork Authentication & Art Appraisal

Gilbert Stuart (1755-1828)

Get a Stuart Certificate of Authenticity for your painting (COA) for your Stuart drawing.

For all your Stuart artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Stuart Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Stuart painting or drawing.

If you want to sell your Stuart painting or drawing use our selling services. We offer Stuart selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Stuart and issuing certificates of authenticity since 2002. We are recognized StuArt Certification Experts and Stuart certified appraisers. We issue COAs and appraisals for all Stuart artworks.

Our Stuart paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Stuart certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Stuart painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Stuart paintings or drawings take longer.

Our clients include Stuart collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Do you think you may own a painting by Gilbert Stuart?

We perform Gilbert Stuart art authentication, appraisal, Certificate of Authenticity for your painting (COA) for your Stuart drawing.

For all your Stuart artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Stuart Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Stuart painting or drawing.

If you want to sell your Stuart painting or drawing use our selling services. We offer Stuart selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Stuart and issuing certificates of authenticity since 2002. We are recognized StuArt Certification Experts and Stuart certified appraisers. We issue COAs and appraisals for all Stuart artworks.

Our Stuart paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Stuart certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Stuart painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Stuart paintings or drawings take longer.

Our clients include Stuart collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

ww.artexpertswebsite.com/authentication/certificate-of-authenticity.php"> certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gilbert Stuart or we will sell it for you.

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Self-Portrait

Gilbert Stuart was an early American portrait painter known for his many iconic portraits of George Washington. Stuart was born in Rhode Island and grew up in Newport, receiving his earliest training as a painter from Scottish artist Cosmo Alexander. In 1771, Stuart followed Alexander to Scotland to continue his studies. However, his teacher died only a year later. Stuart attempted to support himself in Scotland as a painter but found no success and sailed back to Newport in 1773.

The Percy Children

The Percy Children

Henrietta Elizabeth Frederica Vane

Henrietta Elizabeth Frederica Vane

Commodore Thomas Macdonough 1818

Commodore Thomas Macdonough 1818

Stuart was again faced with a halt in his artistic career due to the onset of the American Revolution. Like some of his contemporaries, Stuart fled for England in 1775 where he became a student of Benjamin West. Stuart worked with the famous West for six years and finally began to find success as a painter. In 1777, Stuart exhibited his work for the first time at The Royal Academy in London. In 1782, Stuart’s painting entitled “The Skater” was his first truly successful piece and brought him great notoriety.

The Skater

The Skater

Eventually, Stuart became one of the finest and most sought after portrait painters of his time. It is even said that at one point, Stuarts price for portraits exceeded even that of his teacher Benjamin West and were only matched by artists Thomas Gainsborough and Joshua Reynolds. It is said that Stuart would paint directly on his canvas and did not need to sketch his subjects beforehand. He himself had numerous students:

1. Mather Brown, 1761-1831
2. John Trumbull, 1756-1843
3. George Place, died 1809
4. John Comerford, 1762-1832
5. Benjamin Trott, 1770-1841
6. John Vanderlyn, 1775-1852
7. Rembrandt Peale, 1778-1860
8. John R. Penman, 1783-1830
9. Thomas Sully, 1783-1872
10.Gilbert Stuart Newton, 1794-1835
11.Charles Gilbert Stuart, 1787-1813
12.Jane Stuart, 1812-1888
13. James Frothingham, 1788-1864
14. Matthew Harris Jouett, 1787-1827
15. Jacob Eicholtz, 1776-1842
16. Sarah Goodridge, 1788-1853
17. William James Hubbard, 1805-1862
18. John Neagle, 1796-1865
19. Fabius Whiting, 1792-1842
20. Henry Sargent, 1770-1845
21. Francis Alexander, 1800-1881
22. Samuel F.B. Morse

Portrait of Mrs. Josiah Quincy 1809

Portrait of Mrs. Josiah Quincy 1809

Harry Dorsey Gough 1800

Harry Dorsey Gough 1800

Despite the fact that Stuart was, at this point, very successful and had a number of successive commissions, it is said that he was not very good with his finances and was always in danger of being sent to prison for his debts. In 1787, Stuart was even forced to flee England for Ireland where he continued to accumulate even more debt.

Joseph Brant 1786

Joseph Brant 1786

In 1793, Stuart returned to America and lived for a few years in New York City. He moved to Philadelphia in 1795 and opened a studio. This studio was to be the foundation of his American career and would help to create great fame for the artist. It was here that he painted his famous portraits of George Washington, and was kept very busy and wealthy making commissioned copies of the portraits of the first president. In fact, it was Stuart’s painting of Washington, commonly referred to as the “Athenaeum Head” that now appears on the United States dollar bill.

Athenaeum Head

Athenaeum Head

Another of his paintings of Washington was saved from the original White House by first lady Dolley Madison as it was being burned by British troops in 1814. Today this painting still hangs in the White House in the East Room.

Washington

Washington

Stuart opened another studio in Washington D.C. in 1802, and moved again to Boston in 1805 where he continued to paint and teach. Even though by the end of his life Stuart had painted over one thousand portraits of American government officials, he still managed to be in financial ruin his entire career.

Thomas Jefferson 1805

Thomas Jefferson 1805

James Madison

James Madison

John Jay

John Jay

Stuart suffered a stroke in 1824 and continued to paint even though he was left slightly paralyzed. He died at the age of 72 and is buried in Boston. Though it is not confirmed, many art historians suggest that Gilbert Stuart is the grandfather of the 19th century artist, James Everett Stuart (1852-1941).

Bishop Jean Louis Magdelaine Lefebvre de Cheverus 1823

Bishop Jean Louis Magdelaine Lefebvre de Cheverus 1823

Today, Stuart’s paintings are housed literally all over the world as an example of early American art, and perhaps in your own home. Since he worked all over New England as well as in Ireland and England, it is quite possible that some of Stuart’s work could still exist literally anywhere, unauthenticated and otherwise unknown. Still wondering about an heirloom portrait hanging in your family’s estate? Contact us…it could be by Gilbert Stuart.


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1693--gozzoli.php Benozzo Gozzoli Artwork Authentication & Art Appraisal

Benozzo Gozzoli (1421 – 1497)

Get a Gozzoli Certificate of Authenticity for your painting (COA) for your Gozzoli drawing.

For all your Gozzoli artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gozzoli Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gozzoli painting or drawing.

If you want to sell your Gozzoli painting or drawing use our selling services. We offer Gozzoli selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gozzoli and issuing certificates of authenticity since 2002. We are recognized Gozzoli experts and Gozzoli certified appraisers. We issue COAs and appraisals for all Gozzoli artworks.

Our Gozzoli paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gozzoli certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gozzoli painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gozzoli paintings or drawings take longer.

Our clients include Gozzoli collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Benozzo Gozzoli art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Benozzo Gozzoli or we will sell it for you.

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Portrait of Benozzo Gozzoli

Benozzo Gozzoli was an Italian Renaissance painter from Florence. He is best known for a series of murals in the Palazzo Medici-Riccardi depicting festive, vibrant processions with wonderful attention to detail and a pronounced International Gothic influence on Gozzoli’s art.

He was born Benozzo di Lese in the village of Sant’Ilario a Colombano around 1421, and moved with his family to Florence in 1427. According to Giorgio Vasari, in the early part of his career he was a pupil and assistant of Fra Angelico: some of the works in the convent of San Marco of Florence were executed by Gozzoli from Angelico’s design. In 1444-1447 he collaborated with Lorenzo and Vittorio Ghiberti to the Paradise Door of the Battistero di San Giovanni.

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Three Wise Men, Fresco

On May 23, 1447 Gozzoli was in Rome with Angelico, called by Pope Eugene IV to the decoration of a chapel in the Vatican Palace. Later the two worked in the Cappellina Nicolina for Nicholas V (until June 1448). From 1449 is a banner with Madonna and Child in the church of Santa Maria sopra Minerva, perhaps designed by Angelico. In Rome he executed also, in Santa Maria in Aracoeli, a fresco of St Anthony and Two Angels. The last collaboration with Angelico is the vault of the Cathedral of Orvieto in Umbria.

In 1449 he left Angelico, and moved to Umbria. From 1450 is an Annunciation in Narni, signed OPU[S] BENOT[I] DE FLORENT[IA]. In the monastery of S. Fortunato, near Montefalco, he painted a Madonna and Child with Saints and Angels, and three other works. One of these, the altar-piece representing St Thomas receiving the Girdle of the Virgin, is now in the Lateran Museum and shows the affinity of Gozzoli’s early style to Angelico’s. He next painted in the monastery of S. Francesco, Montefalco, filling the choir with a triple course of subjects from the life of the saint, with various accessories, including heads of Dante, Petrarch and Giotto. This work was completed in 1452, and is still marked by the style of Angelico, crossed here and there with a more distinctly Giottesque influence. In the same church, in the chapel of Saint Jerome, is a fresco by Gozzoli of the Virgin and Saints, the Crucifixion and other subjects.

He remained at Montefalco (with an interval at Viterbo) probably till 1456, employing Pier Antonio Mezzastris as assistant. Thence he went to Perugia, and painted in a church a Virgin and Saints, now in the local academy, and soon afterwards to his native Florence, the epicenter of Quattrocento art. By the end of 1459, he had nearly finished his important labour in the chapel of the Palazzo Medici-Riccardi, the Journey of the Magi to Bethlehem, and in the tribune, a composition of Angels in Paradise. It is interesting to note that his patron for the Journey of the Magi, Piero di Cosimo de’ Medici, felt some of the seraphim were unsuitable, and wanted them painted over. Although Gozzoli agreed to do this, it was never actually done. His picture in the National Gallery, London, a Virgin and Child with Saints, 1461, belongs also to the period of his Florentine sojourn. Another small picture in the same gallery, the Rape of Helen, is of dubious authenticity.

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Casting Devils out of Arezzo

In 1464 Gozzoli left Florence for S. Gimignano, where he executed some extensive works; in the church of Sant’Agostino, a composition of St. Sebastian protecting the City from the Plague of this same year, 1464; over the entire choir of the church, a triple course of scenes from the legends of St Augustine, from the time of his entering the school of Tegaste on to his burial, seventeen chief subjects, with some accessories; in the Pieve di San Gimignano, the Martyrdom of Sebastian, and other subjects, and some further works in the city and its vicinity. Here his style combined something of Lippo Lippi with its original elements, and he received co-operation from Giusto d’Andrea.

He stayed in this city till 1467, and then began, in the Campo Santo of Pisa, from 1469, the vast series of mural paintings with which his name is specially identified. There are twentyfour subjects from the Old Testament, from the Invention of Wine by Noah to the Visit of the Queen of Sheba to Solomon. He contracted to paint three subjects per year for about ten ducats each–a sum which may be regarded as equivalent to $150.00 in 1911. It appears, however, that this contract was not strictly adhered to, for the actual rate of painting was only three pictures in two years. Perhaps the great multitude of figures and accessories was accepted as a set-off against the slower rate of production.

By January 1470 he had executed the fresco of Noah and his Family, followed by the Curse of Ham, the Building of the Tower of Babel (which contains portraits of Cosimo de’ Medici, the young Lorenzo, Angelo Poliziano and others), the Destruction of Sodom, the Victory of Abraham, the Marriages of Rebecca and of Rachel, the Life of Moses, etc. In the Cappella Ammannati, facing a gate of the Campo Santo, he painted also an Adoration of the Magi, wherein appears a portrait of himself.

All this enormous mass of work, in which Gozzoli was probably assisted by Zanobi Macchiavelli, was performed, in addition to several other pictures during his stay in Pisa (including the Glory of St. Thomas Aquinas, now in the Louvre), in sixteen years, lasting up to 1485. This is the latest date which can with certainty be assigned to any work from his hand. Gozzoli died in Pistoia in 1497, perhaps of a pestilence.

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The Glory of St. Thomas Aquinas

In 1478 the Pisan authorities had given him, as a token of their regard, a tomb in the Campo Santo. He had likewise a house of his own in Pisa, and houses and land in Florence. In rectitude of life he is said to have been worthy of his first master, Fra Angelico.

The art of Gozzoli does not rival that of his greatest contemporaries either in elevation or in strength, but is pre-eminently attractive by its sense of what is rich, winning, lively and abundant in the aspects of men and things. His landscapes, thronged with birds and quadrupeds, especially dogs, are more varied, circumstantial and alluring than those of any predecessor; his compositions are crowded with figures, more characteristically true when happily and gracefully occupied than when the demands of the subject require tragic or dramatic intensity, or turmoil of action; his color is bright, vivacious and festive. Gozzoli’s genius was, on the whole, more versatile and assimilative than vigorously original; his drawing not free from considerable imperfections, especially in the extremities and articulations, and in the perspective of his gorgeously-schemed buildings. In fresco-painting he used the methods of tempera, and the decay of his works has been severe in proportion. Of his untiring industry the recital of his labors and the number of works produced are the most forcible attestation.

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Angels

Still wondering about a 15th century Italian painting in your family collection? Contact us…it could be by Benozzo Gozzoli.


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1695--meidner.php Ludwig Meidner Artwork Authentication & Art Appraisal

Ludwig Meidner (1884-1966)

Get a Meidner Certificate of Authenticity for your painting (COA) for your Meidner drawing.

For all your Meidner artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Meidner Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Meidner painting or drawing.

If you want to sell your Meidner painting or drawing use our selling services. We offer Meidner selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Meidner and issuing certificates of authenticity since 2002. We are recognized Meidner experts and Meidner certified appraisers. We issue COAs and appraisals for all Meidner artworks.

Our Meidner paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Meidner certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Meidner painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Meidner paintings or drawings take longer.

Our clients include Meidner collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ludwig Meidner art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ludwig Meidner or we will sell it for you.

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Apocalyptic Landscape 1913

Ludwig Meidner was a German expressionist painter. Meidner was born on 18th April 1884 in Bernstadt, Silesia. He studied at the Royal School of Art in Breslau and, from 1906-07 at the Julien and Cormon Academies in Paris where he met and became friends with Amedeo Modigliani. He returned to Berlin to work as a fashion illustrator and produced realistic if uninspired views of Berlin.

In 1912 he began a series of paintings which marked a radical departure in style and would make his reputation. The “Apocalyptic Landscapes” anticipate the horrors of the First World War by several years. The series, produced rapidly in a hectic heatwave, are some of the purest “expressionist” works, portraying the terror of the modern city in catastrophic setings; comets cross the sky like canon shells, fires rage, men scream and flee for their lives, buildings totter on the edge of collapse. Meidner would however never repeat the intensity and creativity of the apocalyptic landscapes.

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The Burning City 1913

After the First World War his art turns to producing religious paintings including a long and repetitive series of portraits of “prophets”. He is a habitual self-portraitist producing a remarkable series of Rembrandt inspired self-portraits that provide a vivid illustration to his passing years. His portraits from 1915 to the end of the 1920s are a gallery of the leading expressionist and Dada writers and poets. Meidner himself increasingly turned to writing – he produced several books of dense expressionist prose and contributed to many newspaper articles.

In 1939 he fled with his family to England (his wife Else Meidner was also an artist) where he was interned as an enemy alien on Isle of Man. He stayed in England, unrecognised, working in odd jobs until 1952 when he returned to Germany. In 1963 he had his first major exhibition since 1918 in Recklinghausen and Berlin. He died on 14th May in Darmstadt, aged 82.

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The Corner House

Still wondering about a German painting in your family collection? Contact us…it could be by Ludwig Meidner.


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1697--les-nabis.php Les Nabis Artwork Authentication & Art Appraisal

Les Nabis

Get a Les Nabis Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Les Nabis artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Les Nabis Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Les Nabis painting, drawing or print.

If you want to sell your Les Nabis painting, drawing or print use our selling services. We offer Les Nabis selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Les Nabis and issuing certificates of authenticity since 2002. We are recognized Les Nabis experts and Les Nabis certified appraisers. We issue COAs and appraisals for all Les Nabis artworks.

Our Les Nabis paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Les Nabis certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Les Nabis painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Les Nabis paintings or drawings take longer.

Our clients include Les Nabis collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Les Nabis art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Les Nabis or we will sell it for you.

Pierre Bonnard and Jean-Édouard Vuillard were particularly well-known members of the group known as Les Nabis. Pierre Bonnard started his painting career in Paris in the 1890s and, like the other Nabis members, was concerned with using colour to evoke a mood or a feeling.

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Bonnard Self-Portrait

He produced paintings, more often than not, of Paris and produced lithographs and posters. He also designed furniture and stained glass. In addition to this, he is renowned for his nude portraits of his wife Marthe, who was his one time model and mistress. Like the rest of Nabis, his work was particularly important in the emergence of the Art Nouveau movement of the 1890s.

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Bonnard Dining Room Overlooking the Garden

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Bonnard Ice Skating

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Bonnard Crouching Nude in Tub

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Bonnard Woman with Black Stockings

Jean-Édouard Vuillard studied with Bonnard in the Julian Academy in Paris.

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Vuillard Self-Portrait

Like Bonnard, he admired Gauguin and Sérusier. Neither of them, however, agreed with Gauguin’s advocacy of pure colours for a broader palette. Vuillard’s early work consisted of small-scale prints, which were primarily colour lithographs of Parisian life. Later on, he often painted interior scenes and was said to be interested in the private world of the person, or their ‘interior’ life rather than a simple portrait of them. He often used textiles as a decorative aspect of the painting.

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Vuillard Madam Hessel on the Sofa

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Vuillard The Boulevard of Batignolles

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Vuillard The Striped Blouse

His mother, with whom he lived until she died, was a corset maker and seamstress, and he was greatly influenced by her in his work. One painting, entitled The Stitch, shows three women absorbed in their work.

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Vuillard The Stitch

Like the rest of Nabis, Vuillard believed that there should not be a distinction between fine art and decorative art. The pieces of art that he created were extremely diverse and ranged from large decorative panels, illustrations for theatre programmes and designs of theatre sets. He designed the set in Paris for two great plays by Ibsen, ‘The Master Builder’ and ‘Enemy of the People’. The Public Gardens is one of Vuillard’s most famous decorative projects. It was influenced by the tapestries from the Musée de Cluny. He became extremely interested in photography, and by the 1900s, he became more naturalistic and concerned with the aspects of light and space in his pictures.

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Vuillard The Breakfast

Maurice Denis was also a member of Les Nabis. In 1890, he published his famous article in the review ‘Art et Critique’, stating the ethos of the group. He was also associated with the Symbolist writers and illustrated books by André Gide and Paul-Marie Verlaine. Like the other members of Nabis, his artistic output was diverse. Apart from painting, he also designed carpets and decorated ceramics. In the 1890s, he undertook some large-scale decorative works and painted a ceiling for the composer,Amédée-Ernest Chausson,in 1894 and designed a series of panels for the collector, Cochin, in 1897. In addition to a wonderful painter and artist, he was also a prominent art theoretician during his time.

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Denis Annunciation

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Denis Mother and Child

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Denis The Muse

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Denis Taches de Soleil Su La Terrasse 1890

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Denis Femme Etendent Du Ligne

Other artists who form part of the Nabis include: George Lacombe

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Lacombe The Ages of Life

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Lacombe The Sea

Felix Vallotton

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Vallotton Le Sommeil

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Vallotton The Rape of Europe

Ker Xavier Roussel

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Roussel Garden Scene

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Roussel Triumph of Bacchus

and Paul Ranson.

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Ranson Apple Tree with Red Fruit

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Ranson Fish and Crustaceans

Still wondering about a late 19th century French painting in your home? Contact us…it could be by one of the members of Les Nabis.


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1698--pirosmani.php Niko Pirosmanashvili Artwork Authentication & Art Appraisal

Niko Pirosmanashvili (1862-1918)

We Perform Niko Pirosmanashvili art authentication. Niko Pirosmanashvili appraisal. Niko Pirosmanashvili certificates of authenticity (COA). Niko Pirosmanashvili analysis, research, scientific tests, full art authentications. We will help you sell your Niko Pirosmanashvili or we will sell it for you.

Pirosmanashvili, Feast with Barrel Organist Datico

Feast with Barrel Organist Datico

Pirosmanashvili, Portrait of Alexander Garanov

Portrait of Alexander Garanov

Niko Pirosmanashvili, commonly known as Pirosmani, was a Georgian painter, born in the village of Mirzaani in the Kakheti province. Pirosmani was orphaned at a young age and moved with his sister to Tbilisi. Pirosmani worked as a servant, at which time he learned to read both Russian and Georgian. For a short time, Pirosmani moved back to his birthplace in Mirzaani and worked as a herdsman.

Pirosmanashvili, A Georgian Woman with Tambourine

A Georgian Woman with Tambourine

In the following years, Pirosmani held several jobs and trades, including opening a painting workshop in Tbilisi, which closed shortly after. Other odd jobs included working as a railroad conductor, house painting, whitewashing buildings and creating signboards. Pirosmani never made a large income, but made enough to continue painting.

Pirosmanashvili, The Feast of Five Princes

The Feast of Five Princes

Pirosmani was a self-taught artist and preferred painting with oils on cloth. His themes often included scenes of Georgian villages and portraits of imaginary and historical Georgians in everyday settings.

Pirosmanashvili, The Russian-Japanese War

The Russian-Japanese War

While Pirosmani stood apart from other professional artists in the region, the Russian poet, Mikhail Le-Dantyu and the artist Kirill Zdanevich noticed his work.

In 1913 two articles about Pirosmani and his paintings were published in Russia and Georgia. A couple of years later, Pirosmani was invited to join The Society of Georgian Painters, where he became better acquainted with regional artists.

Pirosmanashvili, Hunting Scene with a View of the Black Sea

Hunting Scene with a View of the Black Sea

Pirosmanashvili, Portrait of Ilya Zdanevich

Portrait of Ilya Zdanevich

Pirosmanashvili, Roe with a Landscape in the Backyard

Roe with a Landscape in the Backyard

Pirosmanashvili, Mother Bear with Cubs

Mother Bear with Cubs

Pirosmanashvili, A Boy Carrying Food

A Boy Carrying Food

Pirosmanashvili, Rooster and Hen with Chicks

Rooster and Hen with Chicks

Pirosmanashvili, Threshing Yard in Evening

Threshing Yard in Evening

Pirosmanashvili, Cook

Cook

Pirosmanashvili, Gate-Keeper

Gate-Keeper

Pirosmanashvili, Feast in Gazebo

Feast in Gazebo

While Pirosmani died from malnutrition in 1918 with little money or acclaim, his reputation continued to grow posthumously. After World War I his ‘naïve’ style became popular in Paris and exhibitions of his work have been held in cultural capitals around the world. Pirosmani’s work continues to be collected at an international level. Do you think you own a painting by Niko Pirosmani? Contact us. We are the experts on Niko Pirosmani.


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1700--savrasov.php Alexei Savrasov Artwork Authentication & Art Appraisal

Alexei Savrasov (Алексей Кондратьевич Саврасов) (1830-1897)

Get a Savrasov Certificate of Authenticity for your painting (COA) for your Savrasov drawing.

For all your Savrasov artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Savrasov Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Savrasov painting or drawing.

If you want to sell your Savrasov painting or drawing use our selling services. We offer Savrasov selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Savrasov and issuing certificates of authenticity since 2002. We are recognized Savrasov experts and Savrasov certified appraisers. We issue COAs and appraisals for all Savrasov artworks.

Our Savrasov paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Savrasov certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Savrasov painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Savrasov paintings or drawings take longer.

Our clients include Savrasov collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alexei Savrasov art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alexei Savrasov or we will sell it for you.

Alexei Savrasov was a Russian landscape painter and creator of the lyrical landscape style. Savrasov was born into the family of a merchant. He began to draw early and in 1838 he enrolled as a student of professor Rabus at the Moscow School of painting, sculpturing and architecture (graduated in 1850), and immediately began to specialize in landscape painting.

Winter 1870

Winter 1870

In 1852, he traveled to Ukraine. Then, in 1854 by the invitation of the Grand Duchess Maria Nikolayevna, President of the Imperial Academy of Arts, he moved to the neighborhood of St. Petersburg. In 1857, Savrasov became a teacher at the Moscow School of painting, sculpturing and architecture. His best disciples, Isaac Levitan and Konstantin Korovin, remembered their teacher with admiration and gratitude.

Rainbow 1873

Rainbow 1873

In 1857, he married Sophia Karlovna Hertz, sister of art historian K. Hertz. In their home they entertained artistic people and collectors including Pavel Tretyakov. Savrasov became especially close with Vasily Perov. Perov helped him paint the figures of the boat trackers in Savrasov’s Volga near Yuryevets, Savrasov painted landscapes for Perov’s Bird catcher and Hunters on Bivouac.

Rustic View 1867

Rustic View 1867

In the 1860s, he traveled to England to see the International Exhibition, and to Switzerland. In one of his letters he wrote that no academies in the world could so advance an artist as the present world exhibition. The painters who influenced him most were British painter John Constable and Swiss painter Alexandre Calame.

Sukharev Tower 1872

Sukharev Tower 1872

The Rooks Have Come Back (1871) is considered by many critics to be the high point in Savrasov’s artistic career. Using a common, even trivial, episode of birds returning home, and an extremely simple landscape, Savrasov emotionally showed the transition of nature from winter to spring. It was a new type of lyrical landscape painting, called later by critics the mood landscape. The painting brought him fame.

The Rooks Have Come Back 1871

The Rooks Have Come Back 1871

In 1870, he became a member of the Peredvizhniki group, breaking with government-sponsored academic art. In 1871, after the death of his daughter, there was a crisis in his art. The misfortunes in his personal life and, possibly, dissatisfaction with his artistic career were the reasons of his tragedy—he became an alcoholic. All attempts of his relatives and friends to help him were in vain.

Winter Night 1869

Winter Night 1869

The last years of his life Savrasov led the life of a pauper, wandering from shelter to shelter. Only the doorkeeper of the Moscow School of painting, sculpturing and architecture and Pavel Tretyakov, founder of the Tretyakov Gallery, were present at his funeral in 1897. Still wondering about a 19th century Russian painting in your family collection? Contact us…it could be by Alexei Savrasov.


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1701--ushakov.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "ushakov" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "ushakov" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1702--gainsborough.php Thomas Gainsborough Artwork Authentication & Art Appraisal

Sir Thomas Gainsborough (1727 – 1788)

Get a Gainsborough Certificate of Authenticity for your painting (COA) for your Gainsborough drawing.

For all your Gainsborough artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gainsborough Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gainsborough painting or drawing.

If you want to sell your Gainsborough painting or drawing use our selling services. We offer Gainsborough selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gainsborough and issuing certificates of authenticity since 2002. We are recognized Gainsborough experts and Gainsborough certified appraisers. We issue COAs and appraisals for all Gainsborough artworks.

Our Gainsborough paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gainsborough certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gainsborough painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gainsborough paintings or drawings take longer.

Our clients include Gainsborough collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sir Thomas Gainsborough art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sir Thomas Gainsborough or we will sell it for you.

Gainsborough, Landscape in Suffolk 1748

Landscape in Suffolk 1748
Oil on Canvas 66 x 95 cm

Gainsborough, Self-Portrait 1754

Self-Portrait 1754
Oil on Canvas 58 x 49 cm

Thomas Gainsborough was an English portrait and landscape painter born in Sudbury, Suffolk, England. Gainsborough’s father, a humble weaver, was the first to recognize his son’s artistic skills. At the age of thirteen Gainsborough’s parents allowed him to leave home for an apprentice position with engraver Gravelot in London. Once in London, Gainsborough entered an art academy and began studying under William Hogwarth and Francis Hayman.

Gainsborough, Two Daughters with a Cat 1759

Two Daughters with a Cat 1759
Oil on Canvas 76 x 63 cm
National Gallery, London

By the 1740s, Gainsborough had started a family with his wife, Margaret Burr and was shifting his concentration from landscape paintings to portraits. The family moved away from London, living in various towns including Sudbury, Ipswich and Bath. In Bath, Gainsborough began to find a strong client base for his portraits.

Gainsborough, Sunset 1760

Sunset 1760
Oil on Canvas 143.5 x 154 cm
Tate Gallery

Gainsborough, Artist's Daughters, Molly and Peggy 1760

Artist’s Daughters, Molly and Peggy 1760
Oil on Canvas

In 1769 Gainsborough began participating in annual exhibitions at the Royal Academy in London and became one of the earliest members of the Royal Society of the Arts. Gainsborough became known for painting well-known figures in high society. Gainsborough exhibited with the academy until 1773, when his relationship with the academy was strained.

Gainsborough, Karl Friedrich Abel 1765

Karl Friedrich Abel 1765
Oil on Canvas

Gainsborough, Johann Christian Bach

Johann Christian Bach
Oil on Canvas
National Portrait Gallery, London

The following year, Gainsborough returned to London with his family and settled in the Schomberg House, Pall Mall. Gainsborough eventually improved his relationship with the academy and continued to have annual exhibitions. During the following decade, Gainsborough painted portraits of King George III and the queen, in addition to several other members of royalty.

Gainsborough, View of Elizabeth Castle in the Island of Jersey 18th Century

4th Duke of Argyll 1767
Oil on Canvas
National Portrait Gallery of London

Gainsborough, Harvest Wagon 1767

Harvest Wagon 1767
Oil on Canvas

Gainsborough, Lady in Blue 1770

Lady in Blue 1770
Oil on Canvas

Gainsborough, Gainsborough's Daughter Mary 1777

Gainsborough’s Daughter Mary 1777
Oil on Canvas

During Gainsborough’s later years he returned to painting landscape paintings and “ordinary” people that were not particularly well known. By he time of Gainsborough’s death his paintings had spread to important collections throughout England. Gainsborough remains an important name in British painting. Do you think you own a painting by Thomas Gainsborough? Contact us. We are the Gainsborough experts.


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1703--klee.php Paul Klee Artwork Authentication & Art Appraisal

Paul Klee (1879-1940)

Get a Klee Certificate of Authenticity for your painting (COA) for your Klee drawing.

For all your Klee artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Klee Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Klee painting or drawing.

If you want to sell your Klee painting or drawing use our selling services. We offer Klee selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Klee and issuing certificates of authenticity since 2002. We are recognized Klee experts and Klee certified appraisers. We issue COAs and appraisals for all Klee artworks.

Our Klee paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Klee certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Klee painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Klee paintings or drawings take longer.

Our clients include Klee collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Paul Klee art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Paul Klee or we will sell it for you.

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Fish Magic, 1925

Paul Klee was born in Switzerland and became one of the best loved modern painters of the 20th century. By the time of his death at age 60, he left behind a collection of nearly 9,000 masterworks, many of which sell for millions of dollars. Some art critics try to group him with the Expressionists, the Surrealists or the Cubists, and even child-like Primitive art, but Klee is apart of none of these movements and all of them. He worked in a number of different mediums, often combining oil paints, watercolors and ink in the same painting for an effect that was truly his own.

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Rising Sun, 1919

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Feathery Plant, 1919

Klee came from a family of musicians and loved music and art equally, but as a teenager was more drawn to the visual arts. This love of music would later be reflected in his art, as well as his love of poetry and dreams.

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Dream City

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Still Life

His first studies were under Franz von Stuck at the Academy of Fine Arts in Munich, where he settled and married pianist Lily Stumpf. As a young artist, he was inspired by early Christian art, and was influenced by Goya and James Ensor. Most of his earliest work was ink drawings which were satirical, grotesque and surreal. Klee eventually became friends with other artists like Kandinsky, Jawlensky, Franz Marc and others and eventually became associated with the Blue Rider group.

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Head
(Not real title)

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Bob, 1920

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Fuge in Rot, 1921

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Blue
(Not real title)

Throughout his life, Klee would travel around the world from Italy to Egypt, Switzerland, France, Germany and Tunisia, letting his new surroundings inspire him. In fact, it was his journey to Tunisia that opened his eyes to the use of light and color, and he was truly taken with the country’s beauty. After he visited Tunisia, Klee’s use of color was never the same again, and became an integral part of his compositions.

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Tunisian Gardens

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Legends of the Nile

Klee eventually became a leading teacher in the Bauhaus school in Germany, as well as at the Dusseldorf Academy. During this time, he also painted camouflage on airplanes for the German army. However, his work was considered to be “degenerate art” by the up and coming Nazi party in 1933, and they denounced him.

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Architecture of Planes, 1923

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Ancient Sound

Besides incorporating music, poetry and dreams into his compositions, Klee also often added symbols, letters and numerals into his work. Though generally Klee focused on line and color, he also experimented with mosaic style painting as well.

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Park of Idols

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Red and White Domes

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mosaic

In the last years of his life, Klee moved back to Switzerland where he began to show signs of scleroderma, a rare and chronic disease of the skin. This disease plagued him for the rest of his life, and his struggle with it can be seen in some of these final paintings which are simpler as a result of his failing health.

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Figure in the Garden, 1937

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Angel, Still Feminine, 1939

Although today the general body of Klee’s work is housed in modern art museums around the world, it is likely that there are unknown Klee’s still in existence. Because he was so prolific and traveled often and extensively, who knows where a new Klee painting may turn up? Still wondering about an Abstract painting in your home? Contact us…it may be by Paul Klee.


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1704--la-fresnaye.php Roger de la Fresnaye Artwork Authentication & Art Appraisal

Roger de La Fresnaye (1885-1925)

Get a Fresnaye Certificate of Authenticity for your painting or a COA for your Fresnayedrawing, print or sculpture.

For all your Fresnayeartworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Fresnaye Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fresnayepainting, drawing, print or sculpture.

If you want to sell your Fresnayepainting, drawing, print or sculpture use our selling services. We offer Fresnaye selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fresnayeand issuing certificates of authenticity since 2002. We are recognized Fresnayeexperts and Fresnaye certified appraisers. We issue COAs and appraisals for all Fresnaye artworks.

Our Fresnayepaintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fresnayecertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fresnayepainting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fresnayepaintings, drawings or sculptures take longer.

Our clients include Fresnayecollectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Roger De La Fresnaye art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Roger De La Fresnaye or we will sell it for you.

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The Fourteenth of July, 1914

Roger de la Fresnaye was a French Cubist painter, born into a family of aristocracy. He had a classical education and attended the Academie Julien in 1904 and the Ecole des Beaux-Arts in 1908. La Fresnaye also studied under Maurice Denis and Paul Serusier at the Academie Ranson. Their influence on La Fresnaye helped him to develop a Symbolist style.

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Picture of Naomy

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Artillery, 1911

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Man Sitting

By 1912, La Fresnay had become involved with the Section d’Or, which was a group of young up and coming artists that worked in Cubism. He would also become a member of the Puteaux Group, which also focused on Cubist theories. During this time, La Fresnaye was most influenced by Picasso and Georges Braque; however, his paintings were more realistic than theirs.

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Man Sleeping

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Married Life

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Conquest of the Air, 1913

Although his work has been compared to that of Delaunay, La Fresnaye painted in a more decorative style. He used colors to create a prismatic effect in the same way as Delaunay, but was not nearly as simple. La Fresnaye typically painted figure studies and Surrealist themes full of symbolism, but created portraits, still life and landscapes on occasion.

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Portrait of Guynemer

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Still Life with Coffee Pot and Melon, 1911

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The Factory Chimney Meulan Landscape, 1912

Certainly, his earliest work as a student must have been of a more academic approach, but these pieces would be a rare find. However, sketches, watercolors and other mixed media pieces such as lithographs certainly still exist today, and because he was a highly experimental artist, could be in virtually any style.

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Nude Sketch, 1905

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Nude Sketch, 1910

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Cubist Sketch

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Man with a White Horse, 1921

La Fresnaye also worked briefly in sculpture, and surprisingly, most of his sculptures were in a classical style, but some had Cubist influences.

La Fresnaye served in World War I, but after the war, his health began to wane. He continued to paint a little until his death in 1925, but these paintings were a departure from Cubism and were in a more linear style. Though he died relatively young and had his career cut short, La Fresnaye was still a fairly prolific painter and left many pieces behind. Still wondering about a Surrealist/Cubist painting in your home? It may be by Roger de La Fresnaye…contact us to find out.


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1705--klumpke.php Anna Elizabeth Klumpke Artwork Authentication & Art Appraisal

Anna Elizabeth Klumpke (1856-1942)

Get a Klumpke Certificate of Authenticity for your painting (COA) for your Klumpke drawing.

For all your Klumpke artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Klumpke Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Klumpke painting or drawing.

If you want to sell your Klumpke painting or drawing use our selling services. We offer Klumpke selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Klumpke and issuing certificates of authenticity since 2002. We are recognized Klumpke experts and Klumpke certified appraisers. We issue COAs and appraisals for all Klumpke artworks.

Our Klumpke paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Klumpke certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Klumpke painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Klumpke paintings or drawings take longer.

Our clients include Klumpke collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Anna Elizabeth Klumpke art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Anna Elizabeth Klumpke or we will sell it for you.

Klumpke, In the Studios of Paris

In the Washhouse, 1888

Anna Elizabeth Klumpke was an American portrait painter from San Francisco, California. Klumpke is most known is perhaps best known for her portraits of important women such as Rosa Bonheur.

Klumpke, Rosa Bonheur, 1898

Rosa Bonheur, 1898

Klumpke’s father was a wealthy California realtor, which gave her the opportunity to seek the artistic training and education she desired. Unfortunately, Klumpke was handicapped with knee arthritis that made it difficult for her to walk. Klumpke’s mother took her to Berlin for several months of therapy and thermal bath treatments. The treatments were unsuccessful but led her mother’s decision to divorce and remain in Germany. Klumpke was sent to a German boarding school near Stuttgart and later a Swiss boarding school near Lake Geneva.

Klumpke, Catinou Knitting

Catinou Knitting

In 1877 Klumpke moved to Paris, where she became interested in studying paintings. In 1883 Klumpke began taking classes at the Academie Julian under Tony Robert-Fleury, Vuillefroy and Jules Lefebvre. Klumpke was an outstanding art student, winning several awards and showing in the Paris Salon multiple years.

Klumpke, The Red Kerchief

The Red Kerchief

When Klumpke finished school she spent a few years Boston as a painting teacher. Klumpke soon returned to Paris where she had the opportunity to meet the painter Rosa Bonheur. Klumpke greatly admired Bonheur’s work and decided to live with her in Fontainbleau, France. When Bonheur died, Klumpke inherited her estate. In honor of her great friend, Klumpke established a Rosa Bonheur museum.

Klumpke, The Breeze

The Breeze

Klumpke spent the last years of her life in San Francisco, writing her autobiography, Memoirs of an Artist. Klumpke’s paintings are now in museums and private collections across Europe and the United States. Do you think you own a painting by Anna Elizabeth Klumpke? Contact us. We are the Anna Elizabeth Klumpke experts.


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1706--hart.php James McDougal Hart Artwork Authentication & Art Appraisal

James McDougal Hart (1828-1901)

Get a Hart Certificate of Authenticity for your painting (COA) for your Hart drawing.

For all your Hart artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hart Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hart painting or drawing.

If you want to sell your Hart painting or drawing use our selling services. We offer Hart selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hart and issuing certificates of authenticity since 2002. We are recognized HArt Certification Experts and Hart certified appraisers. We issue COAs and appraisals for all Hart artworks.

Our Hart paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hart certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hart painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hart paintings or drawings take longer.

Our clients include Hart collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform James McDougal Hart art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your James McDougal Hart or we will sell it for you.

James McDougal Hart was a Scottish-born American painter of the Hudson River School. Hart was born in Kilmarnock, Scotland but moved to Albany, New York as a young child. Hart learned a lot from his older brother, William who was also a Hudson River School artist.

Hart, landscape, 1853

landscape, 1853

Hart, Summer in the Catskills

Summer in the Catskills

In New York Hart made a living making carriages before training as an artist in Europe. Hart trained in both Munich and Dusseldorf. When Hart returned to the United States he exhibited at the Academy of Design. Hart soon became an associate at the academy, where he exhibited for decades to follow. Hart also lived and exhibited in Brooklyn, New York.

Hart, Conversation by the River

Conversation by the River

Hart painted similar subjects as his brother, but was known for taking on ambitious, large-scale projects. Both brothers often painted cattle and pastoral scenes outside of New York City. Hart followed the philosophical beliefs of the Hudson River School and cherished the time he spent in nature.

Hart, View on the River, Farmington 1866

View on the River, Farmington 1866

Hart, Autumn Lake

Autumn Lake

Hart’s paintings are now in museums and private collections around the world. Do you think you own a painting by James McDougal Hart? Contact us. We are the James McDougal HArt Certification Experts.


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1707--maulbertsch.php Franz Anton Maulbertsch Artwork Authentication & Art Appraisal

Franz Anton Maulbertsch (1724-1796)

Get a Maulbertsch Certificate of Authenticity for your painting (COA) for your Maulbertsch drawing.

For all your Maulbertsch artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Maulbertsch Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Maulbertsch painting or drawing.

If you want to sell your Maulbertsch painting or drawing use our selling services. We offer Maulbertsch selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Maulbertsch and issuing certificates of authenticity since 2002. We are recognized Maulbertsch experts and Maulbertsch certified appraisers. We issue COAs and appraisals for all Maulbertsch artworks.

Our Maulbertsch paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Maulbertsch certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Maulbertsch painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Maulbertsch paintings or drawings take longer.

Our clients include Maulbertsch collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Franz Anton Maulbertsch art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Franz Anton Maulbertsch or we will sell it for you.

Maulbertsch painting, Allegory of the Alba

Allegory of the Alba

Maulbertsch painting, Joseph and His Brothers

Joseph and His Brothers

Matthieu painting, Joachim Ulrich Giese

Rebecca and Eleizer

Franz Anton Maulbertsch was an Austrian artist, considered to be the foremost painter of frescoes during the Hapsburg period. Some of his portraits in the form of oil paintings still survive today, though he is primarily known for his outstanding decorations.

Maulbertsch painting, Glorification of the Union of the Houses of Hapsburg and Lorraine

Glorification of the Union of the Houses of Hapsburg and Lorraine

Maulbertsch was particularly productive and worked all over Europe creating glorious scenes in neoclassical, baroque and rococo styles. For many of these frescoes and decorative paintings, he created a number of preparatory drawings as well as etchings.

Maulbertsch painting, The Education of the Virgin

The Education of the Virgin

Maulbertsch painting, Annunciation

Annunciation

Maulbertsch painting, The Trinity

The Trinity

Today, Maulbertsch’s oeuvre is displayed predominantly in Hungary, and his works are still highly valued and sought after today at auction. Still wondering about an 18th century European painting, sketch or etching in your family collection? Contact us…it could be by Franz Anton Maulbertsch.


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1708--pechstein.php Max Pechstein Artwork Authentication & Art Appraisal

Max Hermann Pechstein (1881 – 1955)

We Perform Max Pechstein art authentication. Max Pechstein appraisal. Max Pechstein certificates of authenticity (COA). Max Pechstein analysis, research, scientific tests, full art authentications. We will help you sell your Max Pechstein or we will sell it for you.

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Portrait of a Woman in a Red Beaded Necklace 1911

Max Pechstein was a German expressionist painter and printmaker, born in Zwickau. Early contact with the art of Vincent Van Gogh stimulated his development toward expressionism. After studying art in Dresden, Pechstein met Erich Heckel and joined the art group Die Brücke in 1906. He was the only member to have formal art training. Later in Berlin, he helped to found the Neue Sezession and gained recognition for his decorative and colorful paintings that were lent from the ideas of Van Gogh, Matisse, and the Fauves. His paintings eventually became more primitive, incorporating thick black lines and angular figures.

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Ballet Dancers 1912

Beginning in 1933, Pechstein was attacked by the Nazis because of his art. 326 of his paintings were removed from German museums. 16 of his works were displayed in the Entartete Kunst (Degenerate Art) exhibition of 1937. During this time, Pechstein went into seclusion in rural Pomerania.

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Two Dancers

He was a prolific printmaker, producing 421 lithographs, 315 woodcuts and linocuts, and 165 intaglio prints, mostly etchings.

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Reclining Nude

Pechstein was a professor at the Berlin Academy for ten years before his dismissal by the Nazis in 1933. He was reinstated in 1945, and subsequently won numerous titles and awards for his work.

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Meadow at the Moritzburg 1910

Still wondering about a German painting in your family collection? Contact us…it could be by Max Pechstein.


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1709--aizenberg-espanol.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "aizenberg-espanol" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "aizenberg-espanol" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1710--allsalu.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "allsalu" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "allsalu" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1711--jonas.php Lucien Jonas Artwork Authentication & Art Appraisal

Lucien Jonas (1880-1947)

Get a Jonas Certificate of Authenticity for your painting (COA) for your Jonas drawing.

For all your Jonas artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Jonas Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Jonas painting or drawing.

If you want to sell your Jonas painting or drawing use our selling services. We offer Jonas selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Jonas and issuing certificates of authenticity since 2002. We are recognized Jonas experts and Jonas certified appraisers. We issue COAs and appraisals for all Jonas artworks.

Our Jonas paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Jonas certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Jonas painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Jonas paintings or drawings take longer.

Our clients include Jonas collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lucien Jonas art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lucien Jonas or we will sell it for you.

Four Soldiers (French, English, Italian, American) with the Statue of Liberty, 1918

Four Soldiers (French, English, Italian, American) with the Statue of Liberty, 1918

Lucien Jonas was a French artist specializing in sketches and paintings about war and patriotism. During World War I, Jonas was commissioned by the French government to create posters, and also worked as an illustrator for Le Journal.

Emprunt de la Liberation/ Loan of the Liberation

Emprunt de la Liberation/ Loan of the Liberation

Born in Valenciennes, Jonas studied art in Paris under Bonnat and Maignan. While Jonas eventually became known for his realistic depictions of soldiers, his earliest artwork as a student was likely to be in an Impressionistic hand.

Plein Air Painter

Plein Air Painter

Market Day in Valenciennes

Market Day in Valenciennes

Prior to World War I, Jonas was also known for painting circus scenes, seascapes, landscapes and other themes.

La Guerre des Nations

La Guerre des Nations

Sappers in the Trenches

Sappers in the Trenches

While war may have been a stopping point in the career of other artists, for Jonas it was truly the beginning. He found his niche creating hundreds of sketches while in the service, and depictions of war became his calling card. Jonas would create charcoal and oil painted portraits of government officials and war torn landscapes and became respected in the military.

Fighters in the First Position

Fighters in the First Position

America Owes France the Most Unalterable Gratitude, 1918

America Owes France the Most Unalterable Gratitude, 1918

After World War I, Jonas continued to paint for the French government and was named the official painter of the French Navy in 1931. Jonas also served as an art instructor and won the Prix de Rome in 1905. In 1933, he traveled to Algeria and created a number of Orientalist compositions during this time.

Day of the African Army and Colonial Troops

Day of the African Army and Colonial Troops

Today, Jonas’s paintings and sketches are housed in Paris, and his art is highly collectible today. Not only are his World War I era sketches and paintings valuable in the art community, but hold a historical value as well. Because Jonas is better known as a war painter, it is highly likely for someone to own a landscape or early figure painting by Jonas. However, he also traveled extensively as a soldier, sketching and painting as he went, and much of his World War I work could have been given away or stolen anywhere in Europe.

One Year of War: The Charge

One Year of War: The Charge

Still wondering about a World War I French poster or military themed painting in your home? It may be by Lucien Jonas…contact us, we are the Lucien Jonas experts.


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1712--mathews.php Arthur F. Matthews Artwork Authentication & Art Appraisal

Arthur F. Matthews (1860-1945)

We Perform Arthur F. Matthews art authentication. Arthur F. Matthews appraisal. Arthur F. Matthews certificates of authenticity (COA). Arthur F. Matthews analysis, research, scientific tests, full art authentications. We will help you sell your Arthur F. Matthews or we will sell it for you.

Mathews, Youth

Youth

Mathews, The Grape

The Grape

Arthur F. Matthews was an American painter of the American Arts and Crafts Movement. Matthews was born in Markesan, Wisconsin but spent most of his childhood in San Francisco. Matthews’ father moved the family to California in 1866 to work as an architect. Matthews assisted his father and learned a great deal about architecture.

Mathews, Afternoon Among the Cypress

Afternoon Among the Cypress

Matthews enrolled at the California School of Design and studied painting under Virgil Williams. Matthews had various jobs in San Francisco, working as an illustrator, designer and lithographer.

Mathews, Vision of Saint Francis

Vision of Saint Francis

In 1885 Matthews travelled to Paris to study at the Académie Julian. Matthews was instructed by Gustave Boulanger and Jules Lefebvre. After four years in Paris, Matthews returned to California to teach at the San Francisco Art Students League and the California School of Design. In 1890 Matthews became the director of the California School of Design. Matthews made a great impact on the Academy and the development of art in California. Many of Matthews students became well-known artists, such as Percy Gray, Xavier Martinez and Maynard Dixon.

Mathews, Nudes in the Landscape

Nudes in the Landscape

Mathews, Woman and children picking poppies in landscape

Woman and children picking poppies in landscape

Mathews, Spring Dance

Spring Dance

In 1906 after the San Francisco earthquake, Matthews left his teaching jobs to open a store of self-designed furniture and to publish Philopolis, a monthly arts and crafts magazine. Matthews was also commissioned to paint several murals, including a series for the State Building in Sacramento, California.

Matthews was known to work in a variety of media, ranging from oil paints, fresco, gouache and watercolor. The Oakland Museum of California boasts the largest collection of Matthews work. Matthews work can also be found at the Metropolitan Museum of Art in New York and numerous private collections throughout the United States. Do you think you may own a painting by Arthur F. Matthews? Contact us. We are the Arthur F. Matthews experts.


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1713--dagoty-jacques.php Jacques Fabien Gautier d’Agoty Artwork Authentication & Art Appraisal

Jacques Fabien Gautier D’Agoty (1710-1781)

We Perform Jacques Fabien Gautier d’Agoty art authentication. Jacques Fabien Gautier d’Agoty appraisal. Jacques Fabien Gautier d’Agoty certificates of authenticity (COA). Jacques Fabien Gautier d’Agoty analysis, research, scientific tests, full art authentications. We will help you sell your Jacques Fabien Gautier d’Agoty or we will sell it for you.

d'Agoty painting, 1.Two heads. Plate from Myology publication, 1746

Two heads. Plate from Myology publication, 1746

d'Agoty painting, Anatomy of a Woman's Spine

Anatomy of a Woman’s Spine

Jacques Fabien Gautier d’Agoty was an 18th century French artist. Best known for his colored mezzotints of anatomical figures, Gautier d’Agoty created images that were somewhat controversial for his era, and remain important as anatomical studies in 18th century art history.

d'Agoty painting, Anatomy of a Pregnant Woman

Anatomy of a Pregnant Woman

Still wondering about an 18th century French painting or mezzotint in your family collection? Contact us..we are the Jacques Fabien Gautier d’Agoty experts.

d'Agoty painting, Anatomy of the Parts of a Man and a Woman

Anatomy of the Parts of a Man and a Woman

d'Agoty painting, Anatomy of the Parts of a Man and a Woman

Anatomy of the Parts of a Man and a Woman

d'Agoty painting, Anatomical cross-section of heads. Plate from the Myology publication, Paris in 1746

Anatomical cross-section of heads. Plate from the Myology publication, Paris in 1746

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1714--grooth.php Johann Friedrich Grooth Artwork Authentication & Art Appraisal

Johann Friedrich Grooth (1717-1801)

Get a Grooth Certificate of Authenticity for your painting (COA) for your Grooth drawing.

For all your Grooth artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Grooth Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Grooth painting or drawing.

If you want to sell your Grooth painting or drawing use our selling services. We offer Grooth selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Grooth and issuing certificates of authenticity since 2002. We are recognized Grooth experts and Grooth certified appraisers. We issue COAs and appraisals for all Grooth artworks.

Our Grooth paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Grooth certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Grooth painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Grooth paintings or drawings take longer.

Our clients include Grooth collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Johann Friedrich Grooth art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Johann Friedrich Grooth or we will sell it for you.

Grooth painting, Portrait of a Dog

Portrait of a Dog

Johann Friedrich Grooth was an 18th century German painter. He was best known for his portraits of animals, including pets and game birds. Still wondering about an 18th century German painting in your family collection? Contact us…it could be by Johann Friedrich Grooth.


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1715--del-piombo.php Sebastiano del Piombo Artwork Authentication & Art Appraisal

Sebastiano del Piombo (1485- 1547)

Get a Del Piombo Certificate of Authenticity for your painting (COA) for your Del Piombo drawing.

For all your Del Piombo artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Del Piombo Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Del Piombo painting or drawing.

If you want to sell your Del Piombo painting or drawing use our selling services. We offer Del Piombo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Del Piombo and issuing certificates of authenticity since 2002. We are recognized Del Piombo experts and Del Piombo certified appraisers. We issue COAs and appraisals for all Del Piombo artworks.

Our Del Piombo paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Del Piombo certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Del Piombo painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Del Piombo paintings or drawings take longer.

Our clients include Del Piombo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sebastiano Del Piombo art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sebastiano Del Piombo or we will sell it for you.

art

Portrait of Pope Clement VII

Sebastiano del Piombo, byname of Sebastiano Luciani, was an Italian Renaissance-Mannerist painter of the early 16th century famous for his combination of the colors of the Venetian school and the monumental forms of the Roman school.

He belongs to the Venetian school, but was active for a large portion of his career in Rome. At first a musician, chiefly a soloist on the lute, he was in great request among the Venetian nobility. He soon showed a turn for painting, and became a pupil of Giovanni Bellini and afterwards of Giorgione, whose influence is apparent in his works. Some of Sebastiano’s works were indeed confused with Giorgione’s, i.e. the Salomè of 1510.

art

Salome with the Head of John the Baptist

His first painting of note was done for the church of San Giovanni Crisostomo in Venice, and is so closely modelled on the style of Giorgione that in its author’s time it often passed for the work of that master. It represents Saint John Chrysostom reading aloud at a desk, a grand Magdalene in front, and two other female and three male saints.

Towards 1511-1512 del Piombo aided Baldassarre Peruzzi in mythologic themes for lunettes in the Sala di Galatea in the villa now-called the Farnesina. There he would have worked alongside Raphael, and executed some mythology-inspired frescoes.

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The Death of Adonis 1511

According to Vasari, Michelangelo befriended Sebastiano and offered pictorial designs for him to develop in paint. Four pictures for which this is claimed are the Pietà in the church of the Conventuali, Viterbo; the Transfiguration and the Flagellation in the Borgherini Chapel of the church of San Pietro in Montorio, Rome; and, most celebrated of all, the Raising of Lazarus, now in the National Gallery, London. This grand work – more remarkable for general strength of pictorial perception than for qualities of detailed intellectual or emotional expression – is more than 3,5 by 2,5 meters in dimensions, with the principal figures of the natural size transferred from wood to canvas in 1771. It was painted in 1517-1519 for Giulio de Medici, for the bishop of Narbonne, afterwards Pope Clement VII; and it remained in Narbonne cathedral until purchased by the duke of Orleans early in the eighteenth century, coming to England with the Orleans gallery in 1792. It has been generally admitted that the design of Michelangelo appears in the figure of Lazarus and of those who are busied about him (the British Museum contains two sketches of the Lazarus regarded as Michelangelo’s handwork); but whether he actually touched the panel, as has often been said, appears more than doubtful, as he left Rome about the time when the picture was commenced. Raphael’s Transfiguration was painted for the same patron and the same destination. The two works were exhibited together, and some admirers did not scruple to give the preference to Sebastiano.

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The Raising of Lazarus

Flagellation of Christ, though ordinarily termed a fresco, is, according to Vasari, painted in oil upon the wall. This was a method first practised by Domenico Veneziano, and afterwards by other artists; but Sebastiano alone succeeded in preventing the blackening of the colours. The contour of the figure of Christ in this picture is supposed by many to have been supplied by Buonarroti’s own hand. Sebastiano, always a tardy worker, was occupied about six years upon this work, along with its companion the Transfiguration, and the allied figures of saints.

After the elevation of Giulio de Medici to the pontificate, the office of the piombo (or leaden seal) that is, the office of sealer of briefs of the apostolic chamber became vacant; two painters competed for it, Sebastiano Luciani, hitherto a comparatively poor man, and Giovanni da Udine. Sebastiano, assuming the habit of a friar, secured the very lucrative appointment with the proviso that he should pay out of his emoluments 300 scudi per annum to Giovanni. If he had heretofore been slow in paintings he became now supine in a marked degree.

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Portrait of a Humanist 1520

One of the few subject-pictures which he executed after taking office was Christ carrying the Cross for the patriarch of Aquileia, also a Madonna with the body of Christ. The former painting is done on stone, a method invented by Sebastiano himself. He likewise painted at times on slate-as in the instance of Christ on the Cross, now in the Berlin gallery, where the slate constitutes the background. In the same method, and also in the same gallery, is the Dead Christ supported by Joseph of Arimathea, with a weeping Magdalene colossal half-length figures.

Late in life Sebastiano had a serious disagreement with Michelangelo with reference to the Florentine’s great picture of the Last Judgment. Sebastiano encouraged the pope to insist that this picture should be executed in oil. Michelangelo, determined from the first upon nothing but fresco, tartly replied to his holiness that oil was only fit for women and for sluggards like Friar Sebastian; and the coolness between the two painters lasted almost up to the friar’s death. This event, consequent upon a violent fever acting rapidly upon a very sanguine temperament, took place in Rome in 1547. Sebastiano directed that his burial, in the church of Santa Maria del Popolo, should be conducted without ceremony of priests, friars or lights, and that the cost thus saved should go to the poor.

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The Martyrdom of St. Agatha 1520

Numerous pupils sought training from Sebastiano del Piombo; but, owing to his dilatory and self-indulgent habits, few adapted his style with the exception of Tommaso Laureti. Sebastiano, conscious of his deficiency in the higher sphere of invention, made himself especially celebrated as a portrait painter: the likeness of Andrea Doria, in the Doria Palace, Rome, is one of the most renowned. In the National Gallery, London, are two fine specimens; one canvas represents the friar himself, along with Cardinal Ippolito de Medici; the other, a portrait of a lady in the character of St Agatha, used to be identified with one of Sebastiano’s prime works, the likeness of Julia Gonzaga (painted for her lover, the aforenamed cardinal), but this assumption is now discredited. Other portraits include those of Marcantonio Colonna, Vittoria Colonna, Ferdinand marquis of Pescara, Popes Adrian VI, Clement VII and Paul III, Sanmicheli, Anton Francesco degli Albizzi and Pietro Aretino. One likeness of the last-named sitter is in Arezzo and another in the Berlin gallery.

Partial anthology of works:

  • Saint John Chrysostom (1509)
  • Polyphemus (1511) – fresco, Villa Farnesina, Rome
  • The Metamorphosis (1511) – fresco, Villa Farnesina, Rome
  • Salome
  • Martyrdom of St. Agatha – Palazzo Pitti, Florence
  • Transfiguration and the Flagellation San Pietro in Montorio, Rome
  • Portrait of a Man (c. 1515) – Oil on poplar, 115 x 94 cm, Museum of Fine Arts, Budapest
  • Portrait of a Girl (c. 1515) – Oil on wood, 52,5 x 42,8 cm, Museum of Fine Arts, Budapest
  • Portrait of a Warrior (c. 1515)
  • Pietà (c. 1517) – Panel painting, Museo Civico, Viterbo, Italy
  • The Raising of Lazarus (1519) National Gallery, London
  • Portrait of Andrea Doria (1526) Galleria Doria Pamphilj, Rome
  • Portrait of Clement VII (1526) Getty Museum, Los Angeles
  • Birth of the Virgin (???) – Oil on peperino, Santa Maria del Popolo, Rome
  • Christ Bearing the Cross (1535-1540) – Oil on slate, 157 x 118 cm, Museum of Fine Arts, Budapest
  • Christ descending into Limbo – Prado Museum, Madrid
  • Portrait of a Young Woman as a Wise Virgin (1510) National Gallery, Washington D.C.
  • Cardinal Bandinello Sauli, His Secretary, and Two Geographers (1516) National Gallery, Washington D.C.
  • Portrait of a Humanist (1520) National Gallery, Washington D.C.
  • A Prophet Addressed by an Angel (1516-17) National Gallery, Washington D.C.

art

Portrait of a Young Woman as a Wise Virgin 1510

Still wondering about an Italian painting in your family collection? Contact us…it could be by Sebastiano del Piombo.


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1716--rodchenko.php Alexander Rodchenko Artwork Authentication & Art Appraisal

Alexander Rodchenko Александр Михайлович Родченко (1891-1956)

Get a Rodchenko Certificate of Authenticity for your painting or a COA for your Rodchenko drawing or sculpture.

For all your Rodchenko artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Rodchenko Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rodchenko painting, drawing or sculpture.

If you want to sell your Rodchenko painting, drawing or sculpture use our selling services. We offer Rodchenko selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rodchenko and issuing certificates of authenticity since 2002. We are recognized Rodchenko experts and Rodchenko certified appraisers. We issue COAs and appraisals for all Rodchenko artworks.

Our Rodchenko paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rodchenkocertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Rodchenko painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rodchenko paintings, drawings or sculpture take longer.

Our clients include Rodchenko collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alexander Rodchenko art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alexander Rodchenko or we will sell it for you.

Composition 1918

Composition 1918

Alexander Rodchenko was a Russian artist, sculptor and photographer. He was one of the founders of constructivism and Russian design; he was married to the artist Varvara Stepanova.

Dance, an Objectless Composition 1915

Dance, an Objectless Composition 1915

Rodchenko was one of the most versatile Constructivist and Productivist artists to emerge after the Russian Revolution. He worked as a painter and graphic designer before turning to photomontage and photography. His photography was socially engaged, formally innovative, and opposed to a painterly aesthetic. Concerned with the need for analytical-documentary photo series, he often shot his subjects from odd angles – usually high above or below – to shock the viewer and to postpone recognition. He wrote: “One has to take several different shots of a subject, from different points of view and in different situations, as if one examined it in the round rather than looked through the same key-hole again and again.”

Non-Objective Composition 1917-1918

Non-Objective Composition 1917-1918

Rodchenko was born in St. Petersburg to a working class family. His family moved to Kazan in 1902 and he studied at the Kazan School of Art under Nikolai Feshin and Georgii Medvedev, and at the Stroganov Institute in Moscow. He made his first abstract drawings, influenced by the Suprematism of Kazimir Malevich, in 1915. The following year, he participated in “The Store” exhibition organized by Vladimir Tatlin, who was another formative influence in his development as an artist.

Suprematist Composition 1918

Suprematist Composition 1918

Rodchenko was appointed Director of the Museum Bureau and Purchasing Fund by the Bolshevik Government in 1920. He was responsible for the reorganization of art schools and museums. He taught from 1920 to 1930 at the Higher Technical-Artistic Studios (VKhUTEMAS/VKhUTEIN). In 1921 he became a member of the Productivist group, which advocated the incorporation of art into everyday life. He gave up painting in order to concentrate on graphic design for posters, books, and films. He was deeply influenced by the ideas and practice of the filmmaker Dziga Vertov, with whom he worked intensively in 1922.

Linear Composition in Black and White

GrandLinear Composition in Black and White

Impressed by the photomontage of the German Dadaists, Rodchenko began his own experiments in the medium, first employing found images in 1923, and from 1924 on shooting his own photographs as well. His first published photomontage illustrated Mayakovsky’s poem, “About This,” in 1923. From 1923 to 1928 Rodchenko collaborated closely with Mayakovsky (of whom he took several striking portraits) on the design and layout of LEF and Novy LEF, the publications of Constructivist artists. Many of his photographs appeared in or were used as covers for these journals. His images eliminated unnecessary detail, emphasized dynamic diagonal composition, and were concerned with the placement and movement of objects in space.

Linear Composition 1920

Linear Composition 1920

Throughout the 1920s Rodchenko’s work was abstract often to the point of being non-figurative. In the 1930s, with the changing Party guidelines governing artistic practice, he concentrated on sports photography and images of parades and other choreographed movements. Rodchenko joined the October circle of artists in 1928 but was expelled three years later being charged with “formalism.” He returned to painting in the late 1930s, stopped photographing in 1942, and produced abstract expressionist works in the 1940s. He continued to organize photography exhibitions for the government during these years. He died in Moscow in 1956.

Graphic Design

Graphic Design

Still wondering about a 20th century Russian painting in your family collection? Contact us…it could be by Alexander Rodchenko.


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1717--chambers.php Thomas Chambers Artwork Authentication & Art Appraisal

Thomas Chambers (1808-1866)

Get a Chambers Certificate of Authenticity for your painting (COA) for your Chambers drawing.

For all your Chambers artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Chambers Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Chambers painting or drawing.

If you want to sell your Chambers painting or drawing use our selling services. We offer Chambers selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Chambers and issuing certificates of authenticity since 2002. We are recognized Chambers experts and Chambers certified appraisers. We issue COAs and appraisals for all Chambers artworks.

Our Chambers paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Chambers certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Chambers painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Chambers paintings or drawings take longer.

Our clients include Chambers collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Thomas Chambers art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Thomas Chambers or we will sell it for you.

The Connecticut Valley. Oil on canvas. 18 x 24. NGA.

The Connecticut Valley. Oil on canvas. 18 x 24. NGA.

Thomas Chambers, American (1808-1866) was born in England, migrating to New York City in 1832. He lived in Boston from 1843 to 1851, then Albany from 1852 to 1857. He spent his last years in New York City. Chambers was without doubt self-taught, and is classed variously as a naïve painter or folk artist?. In later life he described himself as a marine artist, but is also well-known for his landscapes and is known to have painted portraits. Chambers is best-known for his rhythmic, bold colorful style, better suited to maritime scenes than the subtleties of landscape. He often did not sign or date his works and has been described as enigmatic, a euphemism for a lack of documentary information. This dearth of evidence is what one would expect of a naïve artist who was not in any sense part of the academic art establishment.

Lake George and the Village of Caldwell. C 1850. Oil on canvas. 22 x 30. NGA.

Lake George and the Village of Caldwell. C 1850. Oil on canvas. 22 x 30. NGA.

New York Harbor with Pilot Boat. Oil on canvas. 22 x 30. NGA.

New York Harbor with Pilot Boat. Oil on canvas. 22 x 30. NGA.

Generally speaking, Chambers is classed as a Hudson River School artist, as many of his landscapes were aimed at the burgeoning market in Romantic yet convenient wilderness/agricultural views of the mid-19th century.

Mt. Auburn Cemetery. Oil on canvas. 14 x 18. NGA.

Mt. Auburn Cemetery. Oil on canvas. 14 x 18. NGA.

Untitled. Oil on canvas. 22 x 30.

Untitled. Oil on canvas. 22 x 30.

Hudson

Hudson

Note that Chambers is often confused with his namesake Thomas Chambers, a professionally-trained English genre painter who flourished 1849-1858. Their styles have absolutely nothing in common.

Are you still wondering about a painting in your collection Contact usit could be by Thomas Chambers.

Pirate ship

Pirate ship

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1718--vanderlyn-john.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vanderlyn-john" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vanderlyn-john" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1719--rysselberghe.php Theo van Rysselberghe Artwork Authentication & Art Appraisal

Theo van Rysselberghe (1862-1926)

Get a Van Rysselberghe Certificate of Authenticity for your painting (COA) for your Van Rysselberghe drawing.

For all your Van Rysselberghe artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Van Rysselberghe Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Van Rysselberghe painting or drawing.

If you want to sell your Van Rysselberghe painting or drawing use our selling services. We offer Van Rysselberghe selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Van Rysselberghe and issuing certificates of authenticity since 2002. We are recognized Van Rysselberghe experts and Van Rysselberghe certified appraisers. We issue COAs and appraisals for all Van Rysselberghe artworks.

Our Van Rysselberghe paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Van Rysselberghe certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Van Rysselberghe painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Van Rysselberghe paintings or drawings take longer.

Our clients include Van Rysselberghe collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Theo van Rysselberghe art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Theo van Rysselberghe or we will sell it for you.

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Four Bathers

Theo van Rysselberghe was a Belgian painter born in Ghent, Belgium and would become one of the greatest neo-Impressionists to have ever lived.. He received his training at the Academies de Ghent in Brussels, and exhibited there for the first time in 1881. Initially a Realist painter, after studying the works of the French Impressionists in the 1880’s, Rysselberghe formed a group of avant-garde intellectuals known as “Les-Vingt” (the twenty).

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Portrait of Marguerite van Mons

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The Reading

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Anna Boch in her Studio

In 1886, he met and became friends with Georges Seurat and saw his now famous painting “A Sunday Afternoon at the Island of Grande Jatte.” This meeting turned Rysselberghe on to Pointillism, and he became the first to bring this new style of painting to Belgium. Rysselberghe abandoned Pointillism after Seurat’s death, and was highly criticized by friend and fellow painter Paul Signac for using the style in the first place. It is said that in Signac’s opinion, Rysselberghe only adopted Pointillism to bring himself commercial success.

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Family in an Orchard

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The Artists Wife And Daughter

Rysselberghe traveled quite extensively during his career, and visited Spain, North Africa, the Middle East and much of Europe. He finally settled in Paris in 1897. He also traveled several times to Morocco, which prompted him to paint exotic, Arabian compositions, and also ignited his obsession with the use of light. These paintings are extremely rare are some of only a very few Oriental scenes painted in the style of Pointillism. Rysselberghe completely stopped painting Oriental scenes after 1887.

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Figures Near a Well in Morocco

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Moroccan Market

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Moroccan Fruit Market

Among his many landscapes and city scenes and interiors, Rysselberghe also painted many portraits, and continued to do so for the rest of his life. He was a talent scout and mentor for many other great artists, and was said to have helped Vincent van Gogh sell his only painting while he was alive. However, legend also has it that Rysselberghe made the mistake of his life in turning down the talents of a young Pablo Picasso, whose “blue period” work Rysselberghe called uninteresting and ugly.

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Portrait of a Woman in Black

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Portrait of the Painters Uncle

Today, his work is housed all over the world, and perhaps in your own home. It is said that the majority of his works are in private collections, and are rarely seen, making it possible for just about anyone to own a piece of work by this great artist. Still wondering about a Dutch Pointillist painting in your family estate? Contact us…it could be by Theo van Rysselberghe.


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1720--wall.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "wall" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "wall" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1721--dupre.php Jules Dupre Artwork Authentication & Art Appraisal

Jules Dupre (1811-1889)

Get a Dupre Certificate of Authenticity for your painting (COA) for your Dupre drawing.

For all your Dupre artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dupre Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dupre painting or drawing.

If you want to sell your Dupre painting or drawing use our selling services. We offer Dupre selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dupre and issuing certificates of authenticity since 2002. We are recognized Dupre experts and Dupre certified appraisers. We issue COAs and appraisals for all Dupre artworks.

Our Dupre paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dupre certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dupre painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dupre paintings or drawings take longer.

Our clients include Dupre collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jules Dupre art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Jules Dupre or we will sell it for you.

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Cattle Grazing in a Field

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Farm in Normandy

Jules Dupre is said to be one of the most outstanding and influential landscapes painters of his generation. He painted many of his landscapes in the romantic style, and was also a member of the Barbizon school. He was well known for his very close friendship with one of the most important exponents of the school, Theodore Rousseau.

He was born in Nantes, where his Father was the owner of a porcelain factory in Parmain. He went to work in his Father’s factory, but in his spare time he painted, and drew. He later on went to Paris to work in the porcelain factory of his uncle. Whilst there, he was to work with another young man, with whom he would meet later on, in the surroundings of the Forest of Fontainebleau. This other young man was Narcisse Virgile de la Pena, little did they know at their young age that they were both destined to become two of the great painters of the Barbizon school.

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L’Apres Midi a Belfort

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La Vanne

In his spare time he drew, and painted landscapes. He depicted a number of times the area around Limoge, where his Father moved to, to take up the position of the Director of a porcelain factory. He eventually went to Paris to study with the landscape and animal painter, Jean Michel Diebold. He also spent time in the Louvre copying the masterpieces there.

In 1831, he made his debut at the Salon where he exhibited a number of landscapes. Around this time, he visited London, and he was greatly influenced by Constable’s style of painting. It is said that Jules Dupre was responsible for bringing the English style of landscape paintings to France, and for blending it in with the Barbizon school style of painting. Jules Dupre excelled in portraying landscapes, and nature in a dramatic manner. He was admired by many artists of his time, including Eugene Delacroix, who of course excelled in producing paintings in the romantic, and Orientalist style.

His meeting with Theodore Rousseau, in the surrounding region of the Forest of Fontainebleau was in a sense a defining moment for him. They were to become exceptionally good friends. They worked together, and shared a studio for a number of years. They also spent time traveling across France, painting together. In fact, for some time, their artistic relationship was so close that it is difficult for art historians to discern whether it was Dupre who influenced Rousseau, or the other way around.

However, his friendship with Rousseau became doomed when they had some disagreements. The nature of the disagreements apparently stemmed from some gossip started by the daughter of the writer, George Sands, to whom Rousseau was engaged. Things were never to be the same again, yet in a sense they were bound together in eternity due to the strong influence that they had over each other artistically. In fact the painting entitled, ‘La Vanne,’ which now hangs in the Musee d’Orsay is said to depict perfectly their connection with one another. Another example of his work is the painting entitled, ‘Old Oak,’ which hangs in the National Gallery of Art in Washington.

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Fontainebleau Oaks

In the 1860s, he spent much time in Cayeux-sur Mer, where he produced marine and shore line landscapes. In the summer months, Jean Francois Millet joined him there, where he also painted. Jules Dupre also had a brother, named Victor who became a student of his. It is said that both brothers painted landscapes in the same style, but that without a doubt, Dupre’s artistic ability surpassed that of his brother.

If you believe you own a work of art by Jules Dupre, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Jules Dupre.


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1722--catlin.php George Catlin Artwork Authentication & Art Appraisal

George Catlin (1796-1872)

Get a Catlin Certificate of Authenticity for your painting (COA) for your Catlin drawing.

For all your Catlin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Catlin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Catlin painting or drawing.

If you want to sell your Catlin painting or drawing use our selling services. We offer Catlin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Catlin and issuing certificates of authenticity since 2002. We are recognized Catlin experts and Catlin certified appraisers. We issue COAs and appraisals for all Catlin artworks.

Our Catlin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Catlin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Catlin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Catlin paintings or drawings take longer.

Our clients include Catlin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform George Catlin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your George Catlin or we will sell it for you.

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The White Cloud, Iowa Nation Head Chief

George Catlin was a 19th century American painter, famous for his depictions of Native American tribes. Catlin originally worked as a lawyer, but left his career to paint Native Americans. His aim was to depict them in such a way that no one else had done before and to document their looks and customs. Catlin’s mother and grandmother were both captured by Native American tribes at some point, and perhaps this was why he was so interested in their culture.

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Native Americans

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Kee o k k The Watchful Fox Chief of the Tribe 1835

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Comanche Village

Catlin was a self-taught artist and took a number of excursions to create his more than 600 Native American portraits and scenes. Catlin also took descriptive notes of what he encountered and was thought to have met with nearly 50 tribes. Some of his notes, descriptions and paintings of western tribes are the only remaining documents and information about those tribes of long ago.

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The Buffalo Dance

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Bear Dance

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Painting a Chief

Catlin primarily studied and painted the Mandan tribe, a tribe which he believed was comprised of Welsh descendents.

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Mandans with Welsh-like “Bull” boats

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Interior View of the Medicine Lodge Mandan O kee pa Ceremony

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View of the Mandan Village

Catlin also portrayed the Plains Indians, and art historians believe that he was the first artist to ever record them in their own territory. During this time, the Indian Removal Act had just been passed by Congress, and many Native Americans had been forced to migrate to the west. This coupled with a smallpox epidemic and the infiltration of other western explorers and travelers forced many Native Americans of the time to either adapt or die. Catlin felt that the west was truly corrupt and wanted to paint these tribes with the nobility they deserved, and at the same time, knew that this was probably the end of many of them.

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Buffalo Bill’s Back: Fat, Head Chief 1832

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A Grand Pawnee Warrior 1832

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Black Moccasin, Aged Chief

Besides being an artist, Catlin was also an entrepreneur. He organized some of the first “Wild West” shows in the United States in order to showcase the Native American cultures. He traveled all over the United States and Europe with his show, showing his paintings and sketches which were dubbed the Catlin Cartoon Collection.

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Bison

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Buffalo Hunters under Wolf Skin Mask

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Snow Hunt

In 1852, Catlin’s Wild West show went bankrupt and most of his works were sold to a private collector, one Mrs. Joseph Harrison, Jr. Her relatives would later donate these paintings and sketches to the Smithsonian museum. Prior to this sale, Catlin had lobbied for the United States government to purchase these artworks in order to save his Indian Gallery for future generations. Today, Catlin’s paintings are recognized as a great cultural treasure.

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Big Sail, a Chief

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Indian Boy

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Wee-ta-sha-ro, Head Chief of the Tribe 1834

After his Wild West show closed, Catlin traveled throughout South America and the American West. It is quite likely that he continued to paint, sketch and document his findings on his travels west and through South America. To find one of his documented pieces from 1852 to 1872 of the west or South American tribes would be a rare and extraordinary treat.

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General William Clark 1830

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Brick Kilns Clay Bluffs, 1900 miles above St. Louis 1832

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Ambush for Flamingos 1857

Still wondering about a 19th century American Indian sketch or painting hanging in your home? Contact us…it could be by George Catlin.


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done
1724--modigliani.php Amedeo Clemente Modigliani Artwork Authentication & Art Appraisal

Amedeo Clemente Modigliani (1884-1920)

Get a Modigliani Certificate of Authenticity for your painting or a COA for your Modigliani drawing or sculpture.

For all your Modigliani artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Modigliani Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Modigliani painting, drawing or sculpture.

If you want to sell your Modigliani painting, drawing or sculpture use our selling services. We offer Modigliani selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Modigliani and issuing certificates of authenticity since 2002. We are recognized Modigliani experts and Modigliani certified appraisers. We issue COAs and appraisals for all Modigliani artworks.

Our Modigliani paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Modiglianicertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Modigliani painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Modigliani paintings, drawings or sculpture take longer.

Our clients include Modigliani collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Amedeo Clemente Modigliani art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Amedeo Clemente Modigliani or we will sell it for you.

Born in Tuscany, Italy, Amedeo Clemente Modigliani would become one of the most mysterious and tragically legendary painters of his time. Ignored by his contemporaries and critics, Modigliani created a style all his own which is highly sought after today by collectors, and is respected and admired by today’s art critics and appreciators alike. Many would try to pinpoint Modigliani’s style throughout the years, with his work obviously showing traits of Cubism. However, Modigliani never really related himself to Cubism, and in essence, created a league of his own.

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Self  Portrait

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Caryatid

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Portrait of Raymond

A brief stint at the Free School of Nudes in Florence in 1902, followed by the Instituto per le Belle Arti in Venice was the beginning of Modigliani’s studies. However, he was not truly focused on his work at this time, spending it socializing as many young college students do. This would only be the start of self-destructive behavior that would eventually be the cause of his undoing. All his life, Modigliani would struggle and suffer, but continue to make beautiful portraits and paintings just the same.

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Portrait of Paul Guillaume

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Girl in Blue

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Alice

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Young Redhead

He moved to Paris in 1906, and never again received any real academic artistic training. Modigliani basically taught himself by studying the works of Pablo Picasso, Henri Toulouse-Lautrec and Paul Cezanne while in Paris. It is particularly the work of Cezanne which would stick with Modigliani, and be one of his biggest influences. He became friends with artists like Foujita, even though he was often seen by the public as a volatile drunk. Many of Modigliani’s models would attest that he would even drink as he painted, so the possibility of traces of bourbon being found on his portraits is both sad and hilarious.

Modigliani would become known mostly for his flat, yet languid and reclining portraits and nudes. These elongated portraits created an elegant look that has yet to be matched in portraiture. Some of his nudes are so sensual that some critics have even called them pornographic.

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Nude

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Nude

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Nude

With the exception of a very few landscapes, Modigliani painted portraits exclusively.

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Tree and House

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Cypress Trees and House

Those who posed for Modigliani would often say that he had a way of painting that would simply bare their soul.

“What I am seeking is not the real and not the unreal but rather the unconscious,
the mystery of the instinctive in the human race”
(Modigliani)

In these portraits, and all of his work, Modigliani’s style is quite clearly recognizable, characterized by the flat, mostly expressionless empty-eyed faces on his subjects. This was a result of his love for primitive sculpture, tribal masks and African art in particular. Coming from another artist, this style may have look alien, dark or somber, but by Modigliani’s hand, it was beautiful and elegant. His compositions were relatively simple, and usually painted in warm earth tones, and it is said that he almost never retouched or fixed his paintings.

Like many artists, Modigliani would become infatuated with or have affairs with his female portrait sitters. One such famous sitter was “Lunia”, who appears often in his work. Modigliani and Lunia Czechovska would become lifelong friends after a chance meeting with his art dealer. As legend has it, he saw Lunia across a room and began feverishly sketching her. His forwardness initially frightened her, but Modigliani was eventually able to persuade Lunia to model for him. She would eventually become a great support to Modigliani, helping to raise his children and take care of him, and even bringing him new models to paint from time to time (in general, Modigliani could not afford to pay for models, so this was a great help to the artist). The bond between artist and model is obvious in his portraits of her, and it is said that Lunia’s graceful curves and features created some of Modigliani’s most intriguing nudes. Although Lunia was married to a soldier, the extreme bond held between the two suggests that perhaps there was more to their relationship than just friendship.

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Lunia

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Lunia with a fan

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Lunia sketch

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Lunia, 1919

Another model that Modigliani eventually became involved with was Jeanne Hebuterne. Heburterne first met Modigliani when she was 18, and had already posed for Foujita. She is often portrayed in his paintings almost as a goddess of fertility,a nod to Modigliani’s interest in African and tribal art. He would portray Hebuterne and others with large thighs and hips in regal poses, insinuating motherhood, much like ancient Venus,mother earth or fertility goddess images and figurines.

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Jeanne Hebuterne

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Jeanne Hebuterne with Necklace

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Jeanne Hebuterne

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Jeanne Hebuterne, Yellow Sweater, 1919

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Jeanne Hebuterne with White Collar, 1919

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Jeanne Hebuterne, Left Arm

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Jeanne Hebuterne, 1918

Hebuterne was in fact the mother of one of his children, and met her own tragic end shortly after Modigliani died. Distraught over his death, Hebuterne threw herself out of a 5th story window, killing her and her unborn child. In life, Hebuterne’s love for the artist was stronger than family ties, and she renounced her own wealthy bourgeois family to live the bohemian life with Modigliani. Though they were never married, their public fights and often volatile relationship would become legendary.

Other famous models include Beatrice Hastings, one of his lovers and first models who posed for his famous portrait Lady Pompadour.

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Lady Pompadour

Modigliani’s love for tribal art can also be seen in his earliest work which was actually sculpture. The artist originally thought of himself as a sculptor and created beautiful busts that are later echoed in his portraits. He began sculpting initially in 1909 when he met sculptor Constantin Brancussi. Sadly, materials became scarce with the onset of World War 1 and Modigliani took to painting at this time. He did exhibit his work at the Salon d’Automne in 1912, but was not known to sculpt at all after this time.

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Head

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Femme Assise

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Tete de Femme

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Standing Nude

Throughout Modigliani’s life, his self-destructive behavior fought against him in the harshest ways. He was not often able to sell his paintings for much money, and what little he did make often went to pay for his drug and alcohol addiction. Modigliani lived in a number of different places, from Montmarte to Nice, selling his paintings as he traveled and moved. Because of this, Modigliani could have sold a number of paintings in a number of locations, making the full extent of his catalogue unknown.

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Mother and Child

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Man with pipe

Modigliani continued to paint up until his death at the age of 35, but by then his health was clearly deteriorating. He died of tubercular meningitis, complicated and brought on most likely by his reckless lifestyle.

Today, Modigliani’s work is highly sought after, and he is touted as being one of the most important and revolutionary artists of his time. His paintings easily sell for millions of dollars, and his sketches are even priced in the hundred-thousand dollar range. His drawings, in particular, are often the subject of scandal because some authenticators find them hard to validate.

There have been attempts in the past to forge his work (one time as a joke from a group of art students) but good research can always determine his originals from fakes. In his very short career as an artist (about 11 years) Modigliani managed to capture a style and idea that is still celebrated long after he was gone.

Amedeo Clemente Modigliani art authentication. Amedeo Clemente Modigliani appraisal from . Amedeo Clemente Modigliani certificates of authenticity (COA). Amedeo Clemente Modigliani analysis, research, scientific tests, full art authentications. We will help you sell your Amedeo Clemente Modigliani or we will sell it for you.

Last year in Paris, Marc Restellini abandoned his catalogue raisonne of Modigliani drawings, claiming that he had had death threats and that other sorts of pressure had been put on him, including an attempt to bribe his parents.

He says he was receiving up to 20 calls a day: “Some owners of drawings,” he says, “were prepared to do anything to get their drawings included in the catalogue. “First they write to Daniel Wildenstein, then they put pressure on my assistant. It is extremely tiring. I met a lawyer at the Basel fair; he said to me, ‘My drawing is authentic, I am going to take you to court’. I told Daniel, he said we will stop work [on the drawings], I agreed.”

Christian Parisot said he has also received threats. “I had to go to court in an armoured car for my own protection, he says, talking about his appearance as a witness in an Italian case involving fake Modigliani heads which were produced by students as a gag in 1985 (the ensuing lawsuit has dragged on for 17 years).

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Potrait of Jean Alexander

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Portrait of Jeanne Hebuterne

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Portrait of Leopold Zborovski

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The Boy

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Woman With Red Hair

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1725--cades.php Giuseppe Cades Artwork Authentication & Art Appraisal

Giuseppe Cades (1750-1799)

Get a Cades Certificate of Authenticity for your painting (COA) for your Cades drawing.

For all your Cades artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cades Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cades painting or drawing.

If you want to sell your Cades painting or drawing use our selling services. We offer Cades selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cades and issuing certificates of authenticity since 2002. We are recognized Cades experts and Cades certified appraisers. We issue COAs and appraisals for all Cades artworks.

Our Cades paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cades certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cades painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cades paintings or drawings take longer.

Our clients include Cades collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giuseppe Cades art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giuseppe Cades or we will sell it for you.

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Mythological Scene

Giuseppe Cades was an 18th century Italian painter. He was greatly admired for his drawings and created beautiful compositions in red and black chalk, pastels, pen and watercolor. He supported himself as a young man with his drawings alone. He traveled to Rome and created many finished and highly regarded drawings there as well.

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The Coronation of the Virgin

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Christ in the House of Mary and Martha

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Juno Discovers Jupiter with Io

Still wondering about an 18th century drawing in your family collection? Contact us…it could be by Giuseppe Cades.


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1726--nunez-marina-del-prado.php Marina Núñez del Prado Artwork Authentication & Art Appraisal

Marina Núñez del Prado ( 1908-1995 )

We Perform Marina Núñez del Prado art authentication. Marina Núñez del Prado appraisal. Marina Núñez del Prado certificates of authenticity (COA). Marina Núñez del Prado analysis, research, scientific tests, full art authentications. We will help you sell your Marina Núñez del Prado or we will sell it for you.

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Marina Núñez del Prado 1908-1995

 

Marina Núñez del Prado nace el 17 de octubre de 1908 en La Paz, Bolivia. Se formó entre 1926y 1929 en la Escuela Nacional de Bellas Artes de La Paz, admirando el trabajo del escultor italiano Miguel Angel Buonaroti. Desde 1930 a 1938 fue profesora de escultura y anatomía artística.

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marina nunez del prado espiritu de la nube 1958 tn

 

Trabajó principalmente con granito negro, alabastro, basalto y onyx blanco, así como con muchos tipos de maderas nativas de Bolivia.

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marina nunez del prado plegaria tn

 

Su obra se caracteriza por figuras pesadas pero con muchas curvas y sensualidad, así como de estilizados cuerpos femeninos. En su primera época su interés se encaminó hacia lo indígena lo que le permitió, posteriormente construir un lenguaje acorde a su tiempo, una obra ligada al paisaje, al hombre y la mujer de los Andes.

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marina nunez del prado mi madre 1951 tn

 

Es reconocida como la más importante escultora boliviana del siglo XX.

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marina nunez del prado nocturno 1958 tn

 

Entre 1948 y 1958 viajó exhibiendo su obra en numerosos países, regresando posteriormente a Bolivia. En los último años de su vida fijó su residencia en Perú donde viviría con su marido un escritor peruano.

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marina nunez del prado ofrenda a la pachamama 1929 tn

 

En Lima, en el distrito de San Isidro esta aún su casa, hoy convertida en una fundación, donde sus esculturas se muestran al público.

Fallece en Lima en 1995.


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1727--wieghorst-olaf.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "wieghorst-olaf" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "wieghorst-olaf" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "wieghorst-olaf" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "wieghorst-olaf" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1728--sogliani.php Giovanni Sogliani Artwork Authentication & Art Appraisal

Giovanni Antonio Sogliani (1492 -1544)

Get a Sogliani Certificate of Authenticity for your painting (COA) for your Sogliani drawing.

For all your Sogliani artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sogliani Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sogliani painting or drawing.

If you want to sell your Sogliani painting or drawing use our selling services. We offer Sogliani selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sogliani and issuing certificates of authenticity since 2002. We are recognized Sogliani experts and Sogliani certified appraisers. We issue COAs and appraisals for all Sogliani artworks.

Our Sogliani paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sogliani certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sogliani painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sogliani paintings or drawings take longer.

Our clients include Sogliani collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giovanni Sogliani art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni Sogliani or we will sell it for you.

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Sketch of a Woman

Giovanni Antonio Sogliani was a Italian painter of the Renaissance, active mainly in Florence. Giorgio Vasari in his Vite, the main source of Sogliani’s biography, claimed that the painter had apprenticed with Lorenzo di Credi for two decades. While impossible, the legend rings true because of the persistence an archaic style in Sogliani’s paintings. He was the executor of Lorenzo’s will in 1531.

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St. Dominic and His Friars Fed by Angels, fresco

He painted a Martyrdom of St Acasio for the Church of San Lorenzo in Florence. Vasari claims that Sogliani was influenced by Fra Bartolommeo in this painting. He painted a St Martin for the Orsanmichele. He painted an altarpiece of St Brigitta now in the Museo di San Marco. He also painted numerous canvases for the Duomo in Pisa. He painted an Allegory of the Immaculate Conception now in the Accademia di Belli Arti in Florence.

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Multiplication of the Loaves and Fishes 1536

Still wondering about an Italian painting in your family collection? Contact us…it could be by Giovanni Sogliani.


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1729--corinth.php Lovis Corinth Artwork Authentication & Art Appraisal

Lovis Corinth (1858-1925)

Get a Corinth Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Corinth artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Corinth Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Corinth painting, drawing or print.

If you want to sell your Corinth painting, drawing or print use our selling services. We offer Corinth selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Corinth and issuing certificates of authenticity since 2002. We are recognized Corinth experts and Corinth certified appraisers. We issue COAs and appraisals for all Corinth artworks.

Our Corinth paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Corinth certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Corinth painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Corinth paintings or drawings take longer.

Our clients include Corinth collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lovis Corinth art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lovis Corinth or we will sell it for you.

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Self-Portrait with Skeleton 1896

Lovis Corinth was a German painter and printmaker whose mature work realized a synthesis of impressionism and expressionism. Corinth was born in Tapiau, East Prussia. He studied in Paris and Munich, joined the Berlin Secession group, later succeeding Max Liebermann as the group’s president. His early work was naturalistic in approach. Corinth was initially antagonistic toward the expressionist movement, but after a stroke in 1911 his style loosened and took on many expressionistic qualities. His use of color became more vibrant, and he created portraits and landscapes of extraordinary vitality and power. A self-portrait is in the Museum of Modern Art, New York City.

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Corinth with Family 1909

Corinth showed an early talent for drawing and in 1880 he attended the Munich Academy, which rivaled Paris as the avant-garde art center in Europe at the time. There he was influenced by Courbet and the Barbizon school as they were interpreted by the Munich artists Wilhelm Leibl and Wilhelm Trübner. He then traveled to Paris where he studied under William-Adolphe Bouguereau at the Académie Julian. In 1891, Corinth returned to Munich, but in 1892 he abandoned the Munich Academy and joined the very first Sezession. In 1894 he joined the Free Association, and in 1899 he participated in an exhibition organized by the Berlin Secession. These nine years in Munich were not his most productive, and he was perhaps better known for his ability to drink large amounts of red wine and champagne.

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Frau Else Kaufmann in the Garden 1911

In 1900 he moved to Berlin, where he had a one-man exhibition at a gallery owned by Paul Cassirer. In 1902 at the age of 43, he opened a school of painting for women and married his first student, Charlotte Berend, some 20 years his junior. Charlotte was his youthful muse, his spiritual partner, and the mother of his two children. She had a profound influence on him, and family life became a major theme in his art.

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Portrait of Charlotte Berend-Corinth 1912

In 1911 he suffered a stroke, and was partially paralyzed on his left side. With the help of his wife, within a year he was painting again with his right hand. It was at this time that landscapes became a significant part of his oeuvre. From 1915-1925, he served as President of the Berlin Secession. In 1925, he traveled to the Netherlands to view the works of his favorite Dutch masters. He caught pneumonia and died in Zandvoort.

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Magdalen with Pearls in her Hair 1919

Corinth explored every print technique except aquatint; he favored drypoint and lithography. He created his first etching in 1891 and his first lithograph in 1894. In 1919, he experimented with the woodcut medium but only made 11. Corinth was quite prolific, and in the last fifteen years of his life he produced more than 900 graphic works, including 60 self-portraits. The landscapes he created between 1919 and 1925 are perhaps the most desirable images of his entire graphic oeuvre.

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Landscape 1925

Still wondering about a late 19th century or early 20th century German painting in your family collection? Contact us…it could be by Lovis Corinth.


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1730--gericault.php Theodore Gericault Artwork Authentication & Art Appraisal

Theodore Gericault (1791-1824)

Get a Gericault Certificate of Authenticity for your painting (COA) for your Gericault drawing.

For all your Gericault artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gericault Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gericault painting or drawing.

If you want to sell your Gericault painting or drawing use our selling services. We offer Gericault selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gericault and issuing certificates of authenticity since 2002. We are recognized Gericault experts and Gericault certified appraisers. We issue COAs and appraisals for all Gericault artworks.

Our Gericault paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gericault certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gericault painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gericault paintings or drawings take longer.

Our clients include Gericault collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Theodore Gericault art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Theodore Gericault or we will sell it for you.

Theodore Gericault was one of the pioneers of Romanticism. He was born in Rouen in Normandy to a wealthy family. As a teenager he had two passions, art and horses. As a result of an inheritance he received from his Mother when she died in 1808, he was financially independent at a young age. In the same year he studied with the painter Carle Verne, who was well known for his studies and paintings of horses. In 1810, he left his studio to go and study with the painter Pierre Narcise Guerin, where he learnt the art of Neo

Classicism and also began to study the art of history painting. He admired Rubens greatly and was also to form a close friendship with two other artists of the day, Eugene Delacroix and Paul Delaroche.

He competed for the Prix de Rome in 1816, but was unsuccessful. He still went to Italy however, financing the journey himself. He was to stay in Rome and Florence, as well as Naples. Whilst there, he became fascinated by the work of Michael Angelo and Baroque art. His early work on his return from Italy consisted of Military themes, and he created a series of Iithographs on this subject.

In 1818, there was a scandal, when his aunt gave birth to an illegitimate child, and he was said to be the Father. As if to forget his worries, he immersed himself in his work, and produced his masterpiece, the ‘Raft of Medusa.’ The subject matter is a ship wreck off the coast of Morocco. In the painting he recounts a real life incident as the shipwreck really did take place and the remains of the ship acted as the only raft that maintained 149 people without direction for twenty seven days. The painting which hangs in the Louvre, bridged the gap between Neo Classicism and Romanticism. The subject matter of the painting caused a huge controversy in France and its exposure was not successful.

In 1820, he was invited to exhibit the ‘Raft of Medusa’ in England and it was received to much acclaim. On his return from England, he had a number of health problems following two falls from his beloved horses. At this time, he also accepted a commission from a doctor to produce a series of portraits of the insane, each with a different affliction. A well known portrait from this series is, ‘The Woman with Gambling Mania,’ which now hangs in the Louvre.

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The Woman With Gambling Mania

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Portrait of a Woman Suffering From Obsessive Envy, 1822

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Insane

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Raft of the Medusa

He loved horses all his life, both riding them, and painting them. Some magnificent portraits of horses that he undertook include, ‘Dappled Grey,’ and ‘Horse Frightened by Lightning.’ He also painted the Epsom Derby which takes place in England each year and this painting, ‘The Derby at Epsom,’ now hangs in the Louvre. As a Romantic, he believed in the power of the horse both as a mythological and symbolic subject for his art. Sadly, he died at a young age in his thirties from injuries after falling off a horse. His life, as well as his death was marked by his passion for horses.

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Dappled Grey

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Horse Frightened By Lightning

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The Derby at Epsom

Other French Romantic painters of the nineteenth century include, Gustave Dore, Theodore Chasseriau, Antoine Louise Bayre, and Eugene Fromentin.

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Anatomical

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1731--dufy.php Jean Dufy Artwork Authentication & Art Appraisal

Jean Dufy (1888-1964)

Get a Dufy Certificate of Authenticity for your painting (COA) for your Dufy drawing.

For all your Dufy artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dufy Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dufy painting or drawing.

If you want to sell your Dufy painting or drawing use our selling services. We offer Dufy selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dufy and issuing certificates of authenticity since 2002. We are recognized Dufy experts and Dufy certified appraisers. We issue COAs and appraisals for all Dufy artworks.

Our Dufy paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dufy certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dufy painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dufy paintings or drawings take longer.

Our clients include Dufy collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Dufy art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean Dufy or we will sell it for you.

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Paris, the Seine, and Notre Dame

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View from Notre Dame, 1924

Jean Dufy was a French painter, and younger brother to fellow painter Raoul Dufy, known for his beautiful and fluid use of bright color. It was Raoul, in fact, who encouraged Dufy to paint when he began to show talent at the age of 14. His brother later became his teacher when he attended the Ecole des Beaux-Arts in Le Havre. He would also study under Georges Braque, but eventually went back to work with his brother whom he consulted in the arts for the rest of his life.

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Bouquet de Roses a la Tasse Blanche, 1927

The onset of World War I brought Dufy’s painting to a halt when he went to serve. However, during this time he was able to travel extensively throughout Europe and to North Africa. These travels were also often reflected in his work.

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Horses and Carriages in the Park

Like his brother, Jean Dufy typically painted in watercolor and gouache. His subjects were also typical Parisian street scenes, country landscapes and French city and country life. Because of a close bond as brothers and as painters, Jean’s paintings are often compared to Raoul’s in style and subject. However, a skilled authenticator will be able to tell the difference between the style and techniques used by the Dufy brothers. In many cases, Dufy would sign his work “Jean Dufy,” and this mark of authenticity would clear up any confusion between the two artists’ work.

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Seascape

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Landscape

Throughout his life, Dufy was interested in and worked in many aspects of art from set design to the decorative arts, such as tapestry and porcelain. Dufy was also an amateur jazz musician and played the guitar, and this love for music would show up in his compositions from time to time.

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Fantaisie Musicale

While some critics would try to group Dufy with the Fauve movement, he was truly more of an Expressionist or Post-Impressionist. Some of Dufy’s compositions could be interpreted as having been created with “beastly” Fauve brushstrokes, but the bulk of his oeuvre consists of pleasant and precisely painted scenes and compositions.

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Circus Horse Act, 1929, with wild Fauve brushstrokes

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Place de la Concorde

Dufy would spend his last days living in the countryside near the Loire River, and continued to paint nearly up until his death. He was a highly prolific painter and he left behind a catalog of colorful and lively French scenes of an era gone by. Today, his work is housed worldwide, and perhaps even in your own home. If you believe you own a work of art by Jean Dufy, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Jean Dufy.

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Bois de Boulogne, 1950

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1732--serres.php Dominic Serres Artwork Authentication & Art Appraisal

Dominic Serres (1719 – 1793)

Get a Serres Certificate of Authenticity for your painting (COA) for your Serres drawing.

For all your Serres artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Serres Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Serres painting or drawing.

If you want to sell your Serres painting or drawing use our selling services. We offer Serres selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Serres and issuing certificates of authenticity since 2002. We are recognized Serres experts and Serres certified appraisers. We issue COAs and appraisals for all Serres artworks.

Our Serres paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Serres certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Serres painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Serres paintings or drawings take longer.

Our clients include Serres collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Dominic Serres art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Dominic Serres or we will sell it for you.

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Destruction of the American Fleet at Penobscot Bay, 1779

Dominic Serres, also known as Dominic Serres the Elder, was a French-born painter strongly associated with the English school of painting, and with paintings with a naval or marine theme. Such were his connections with the English art world, that he became one of the founding members of the Royal Academy in 1768, and was later briefly (from 1792 until his death) its librarian.

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Portsdown Hill, 1778

Born in Auch, Gascony, he was initially expected to train as a priest but instead travelled to Spain and became a ship’s captain, sailing to Cuba. He was taken prisoner by the British navy towards the end of the 1740s and eventually settled in London in about 1758, where it is believed he trained as a painter in Northamptonshire and later in London under Charles Brooking.

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Foudroyant and Pégase entering Portsmouth Harbour, 1782

Reflecting his early career, many of his paintings have naval themes. Working for a publisher documenting the events in the Seven Years’ War (1756-1763), he painted a series of depictions including the capture of Havana (1762). He also painted events in the American War of Independence (1776-1783). In 1780, he was appointed Marine Painter to King George III.

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Barrington’s Action at St. Lucia

Serres died in 1793, and was buried at St. Marylebone Old Church. His eldest son John Thomas Serres (1759 – 1825) also became a prolific marine artist. Still wondering about a British painting in your family collection? Contact us…it could be by Dominic Serres.


done
1733--tidemand.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "tidemand" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "tidemand" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "tidemand" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
1734--babcock.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "babcock" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "babcock" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "babcock" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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done
1735--molina.php Florencio Molina Campos Artwork Authentication & Art Appraisal

Florencio Molina Campos ( 1891 – 1959 )

We Perform Florencio Molina Campos art authentication. Florencio Molina Campos appraisal from . Florencio Molina Campos certificates of authenticity (COA). Florencio Molina Campos analysis, research, scientific tests, full art authentications. We will help you sell your Florencio Molina Campos or we will sell it for you.

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Molina Campos

 

Nació en Buenos Aires en 1891. Sus estudios primarios y secundarios los cursó en el Colegio del Salvador. Comenzó la carrera de arquitectura, que abandonó para seguir diplomacia, que también dejó. A los 28 años se casó con María Hortensia Palacios Avellaneda, con la que tiene a su única hija Hortensia María, y de la que se separa a los cuatro años.

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Almanaque Alpargatas

 

Su afición por el campo y los paisanos comenzó de niño, cuando era llevado a pasar las vacaciones a las estancias de sus padres. Nunca recibió clases particulares de diseño, ni concurrió a institutos de enseñanza artística. Su maestro fue la naturaleza y consagró su vida al culto de la tradición y lo autóctono de su país, que hizo conocer gráficamente en todos los rincones del mundo.

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molina campos cantandole al morenito

 

Sus compañeros de trabajo lo instaron a presentar los dibujos y pinturas que él realizaba y que llamaba caricaturas. Fue así como en agosto de 1926 realizó su primera exposición en la Feria Ganadera de Palermo, integrada por 61 pasteles y acuarelas, que vende completamente gracias al gran espaldarazo que le dio el presidente de la Nacíón, el doctor Marcelo Torcuato de Alvear, quien le compró dos obras. A los pocos meses, realizó otra exposición en Mar del Plata, en el local de la galería Witcomb. Allí, conoció a Elvira Ponce Aguirre, una maestra mendocina con quien vivió el resto de sus días.

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molina campos gaucho 1956

 

Contribuyó a su éxito inicial, el convenio que firma en 1930, para ilustrar almanaques. La fábrica Alpargatas le encargó doce pinturas para ilustrar el almanaque de 1931. Las obras -que se vendían en 70 pesos- fueron entonces reconocidas por esta empresa que le pagó 500 pesos por cada una. Desde 1931 hasta 1936 se presentaron los almanaques y volvió a realizarlos entre 1940 y 1945. En estos 12 años, cerca de 18 millones de láminas litográficas con sus obras se distribuyeron por la Argentina y países vecinos, y se convirtió en la primera pinacoteca popular del arte argentino. Los almanaques comenzaron a incluir textos, en los cuales Florencio respetaba la forma en que hablaban sus queridos paisanos. Por ejemplo, decía a su personaje Tileforo Areco – “Cansao de andar vagando y de agregao en una estancia u piolando… Me dentró una comezón por saber como estaría lo que dejé cuasi de creatura”. Sus textos causaron un suceso tal, que también fue contratado para contar las historias en la radio. Continuamente viajaba por el interior buscando “su lugar” para instalarse fuera de la ciudad. Y lo encontró en Moreno, a orillas del río Reconquista, Allí, construyó su rancho al cual puso de nombre Los Estribos, en honor a la marca que utilizaba la familia Molina Campos para el ganado, característica en todas las obras de Florencio y que son dos estribos cruzados.

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molina campos la maroma

 

En 1942, fue contratado por el famoso Walt Disney, como asesor técnico para dirigir el rodaje de varias películas de dibujos animados de ambiente argentino: “El gaucho volador”, “El gaucho reidor”, “Gooffy se hace gaucho” y “Saludos amigos”. En 1956, viajó como invitado de honor por el Gobierno de Alemania Occidental para asistir al Festival Internacional cinematográfico llevando la película “Pampa Mansa” en la que aparece con sus motivos vernáculos.

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molina campos va cayendo gente al baile

 

Realizó exposiciones personales en galerías de Buenos Aires y del interior del país así como en París, Nueva York, Palm Springs, Los Angeles, Passadena, Laguna Beach, San Francisco, El Monte y Clermont de California, Minneápolis, Washington, y festejando el 30 aniversario de sus exposiciones, en la Galería Sudamericana de Nueva York. En Estados Unidos conoce al fundador de la Universidad de Texas, Edward Larocque Tinker, quien adquirió una colección de pinturas para la entidad educativa que atesora 45 de sus mejores obras.

Actuó como conferencista, periodista, publicó cuentos, escribió críticas artísticas, colaboró en revistas como narrador y dibujante, realizó paneles decorativos, entre otros, en la South American House de Londres, ilustró diversos libros en Norteamérica y el “Fausto” de Estanislao del Campo y La cierra purpúrea de Enrique Hudson.

Fue socio por aclamación de la “Mark Twain Society” y de la “Sigma-Delta-Pi” de la Universidad de California del Sud. Una serie de sus más importantes cuadros han sido requeridos a los coleccionistas de Estados Unidos por la Universidad de Texas (Austin) para exhibirlos en forma permanente.

Es el único artista extranjero que figura en la Galería Charles M. Russell (Great Falls, Montana, U.S.A.).

Molina Campos desarrolló un estilo personal, representativa de nuestro país y de su gente. Gracias a los almanaques de Alpargatas y a las exposiciones que recorrieron todo el país, su obra es ampliamente conocida. Siempre pintó a sus contemporáneos, representó a los paisanos como él los veía. Pero nunca utilizó modelos ni preparó la escena de sus cuadros. Esto resulta sorprendente cuando se observa el detalle preciosista de sus obras. La témpera era la técnica que le resultaba más cómoda. Lo último que acostumbraba a dibujar era la cara de sus personajes. Llegó a dominar el óleo con maestría, pero sólo realizó menos de 200 obras con dicha técnica.

Falleció en Buenos Aires el 16 de noviembre de 1959.


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1736--argunov.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "argunov" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "argunov" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1737--grandma-moses.php Anna Mary Robertson Moses Artwork Authentication & Art Appraisal

Anna Mary Robertson Moses (Grandma Moses) (1860-1961)

We Perform Anna Mary Robertson Moses art authentication. Anna Mary Robertson Moses appraisal. Anna Mary Robertson Moses certificates of authenticity (COA). Anna Mary Robertson Moses analysis, research, scientific tests, full art authentications. We will help you sell your Anna Mary Robertson Moses or we will sell it for you.

Grandma Moses, Sugaring Off

Sugaring Off

Grandma Moses, A Country Wedding

A Country Wedding

Anna Mary Robertson Moses, known in the art world as Grandma Moses, is a historical figure in American folk art. Grandma Moses did not start painting until she was in her seventies and had no formal art training. Grandma Moses spent most of her life working as an embroidery artist but had to quit after developing arthritis.

Grandma Moses, Pull Boys

Pull Boys

Grandma Moses gave many paintings to friends as gifts or sold them for two to three dollars depending on their size. Grandma Moses was displaying her paintings in a drugstore window in Hoosick Falls, New York at the time she was discovered by a New York collector named Louis J. Caldor. By 1939 Moses was exhibiting in Galerie Saint-Etienne in New York City. Grandma Moses soon gained international attention and continued to exhibit in Europe and Japan.

Grandma Moses, The Old Checkered House

The Old Checkered House

Grandma Moses worked tirelessly, creating over 3600 paintings within her thirty-year career. Grandma Moses’s folk-style paintings became cultural icons as commercial companies started using her images in advertising campaigns. In 1946 Du Barry cosmetics used one of Grandma Moses’s paintings, “The Old Checkered Inn in Summer” for a lip gloss advertisement. Grandma Moses’s paintings have also been used by Hallmark.

Grandma Moses, Bennington

Bennington

In 1949 Grandma Moses was awarded with the Women’s National Press Club trophy for her accomplishments as an artist. Grandma Moses documented her life and career in her autobiography, Grandma Moses: My Life’s History.

Grandma Moses, The Old Oaken Bucket, 1943

The Old Oaken Bucket, 1943

Grandma Moses, A Beautiful World, 1948

A Beautiful World, 1948

Grandma Moses is known for painting rural scenes of New York State. Even after gaining incredible success as an artist, Grandma Moses remained in the small town of Hoosick Falls. Grandma Moses lived to be one hundred and one years old, painting until the end of her life. Grandma Moses’s paintings now belong to major museums and private collections around the world. Grandma Moses’s painting, “Fourth of July”, still hangs in the White House. Do you think you own a painting by folk-artist Grandma Moses? Contact us. We are the Grandma Moses experts.


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1738--ravenet.php Domingo Ravenet Artwork Authentication & Art Appraisal

Domingo Ravenet (1905-1969)

Get a Ravenet Certificate of Authenticity for your painting (COA) for your Ravenet drawing.

For all your Ravenet artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ravenet Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ravenet painting or drawing.

If you want to sell your Ravenet painting or drawing use our selling services. We offer Ravenet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ravenet and issuing certificates of authenticity since 2002. We are recognized Ravenet experts and Ravenet certified appraisers. We issue COAs and appraisals for all Ravenet artworks.

Our Ravenet paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ravenet certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ravenet painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ravenet paintings or drawings take longer.

Our clients include Ravenet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Domingo Ravenet art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Domingo Ravenet or we will sell it for you.

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Self-Portrait

Of all of the Cuban artists to come from the turn of the century, Domingo Ravenet has been called the voice of the Cuban Avant-Guard. A masterful artist, Ravenet dabbled in everything from writing to teaching, and was also a curator. However, it is his artwork that still remains and proves him as the true Renaissance man. Among many other things, Ravenet has also been called a pioneer in modern frescoes and mural art among Cuban artists.

Ravenet was born in Valencia, Spain, but grew up in Havana. Among his many talents, Ravenet was a painter, sculptor, illustrator and a muralist. Schooled at the San Alejandro Academy, Ravenet graduated Cum Laude. From that point on, Ravenet dedicated his life to becoming a teacher and promoter of the arts. 

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Raquel

Along with other Cuban artists of the time, Ravenet decided that he must go to Europe to continue his studies. Because of his Spanish/Cuban lineage, Ravenet often felt connected to both worlds. His sister, Elba Ramirez Corria said that “In him, one could appreciate both the most delicate nuances of tenderness and innocence and the most passionate explosions of his intense inner life. How could it not be so? Cuba and Spain were both present in the blood that ran through his veins!” This is extremely apparent in his art, as his style seems to marry that of the Avant Guard Europeans but with highly Cuban themes, compositions and subjects.

In Europe, Ravenet expanded his studies at the Academy Chaumiere de Paris. During this time, he was also able to study the old masters at the Louvre, and later, at the Prado in Madrid. He returned to Cuba in 1933, where he began to expose his work. In 1933, he also traveled to New York for further study. Like many of the Cuban artists that went to study in Europe, his time back at home in Cuba proved fruitful and he began painting typically “Cuban” themed compositions.

Some critics have compared the passionate brush strokes and bold color palate of Ravenet to that of the European Fauves. His painting “The Jaguey” (1938) which features a country road and farmhouse in the woods is very reminiscent of the style of Fauve painter Maurice de Vlaminck.

Ravenet’s paintings were almost always of idyllic images. About mid-career, Ravenet started painting in the Vanguard style of his contemporaries, painting “guarijo’s” and “campesino’s”—rural cowboys and farmhands of Cuba’s countryside. Usually, Ravenet’s style was more along the lines of painting an almost whimsical world. His portraits of women would usually be executed with idyllic backgrounds. He would also paint circus scenes, and pictures of mothers with their children. His work rarely had a somber or disturbing tone, but still managed to purvey a powerful message all the same.

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Picture of a Man in Paris

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Mayito

Though he worked in ceramics quite extensively, Ravenet was not well known for them. He would usually paint decorative pottery, cups and plates with very traditional Cuban styles. His ceramics were probably the most reflective area of his Cuban heritage, and the bright and tropical color palate he usually chose and native symbols he emblazoned on them were proof of this. His small ceramic statues were also reminiscent of primitive Cuba, and were usually very simple with fluid lined statues of people. Ravenet would also often work alongside Amelia Pelaéz as she made ceramics too.

In the past, Ravenet proved to be a very sought after artists when one of his works was stolen from an exhibit. An oil painting entitled “Ligeia” which was a small portrait of a woman, and was an award-winning piece. It was stolen in 1937, and reappeared in 1980, far after the artist’s death, and the pieces abductor and whereabouts for more than forty years still remains a mystery. Could there be other pieces like this in existence today?

Though he was a very popular artist in Cuba, sadly, little is known about this great artist worldwide. Ravenet traveled to Europe to study without the help of scholarships or a wealthy family, so it is quite likely that he sold his work to make a living in Europe. Truthfully, the possibility for finding one of his works in someone’s home or in Europe is outstanding. He also exhibited all over the United States from New York to California in the 1950s as well as throughout the Caribbean and in France, which makes an even greater likelihood for someone to privately own his work.

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Plate

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Cup

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Ceramic

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Campesinos

A very prolific painter, sadly and ironically, Ravenet was said to have died in front of his easel in Matanzas, Cuba. Today his work is housed worldwide in France, Canada, Russia, Brazil, Spain, The United States, Venezuela, Mexico and of course, Cuba.


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1739--collazo.php Guillermo Collazo Artwork Authentication & Art Appraisal

Guillermo Collazo (1850-1896)

Get a Collazo Certificate of Authenticity for your painting or a COA for your Collazo drawing or sculpture.

For all your Collazo artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Collazo Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Collazo painting, drawing or sculpture.

If you want to sell your Collazo painting, drawing or sculpture use our selling services. We offer Collazo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Collazo and issuing certificates of authenticity since 2002. We are recognized Collazo experts and Collazo certified appraisers. We issue COAs and appraisals for all Collazo artworks.

Our Collazo paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Collazo certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Collazo painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Collazo paintings, drawings or sculpture take longer.

Our clients include Collazo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Guillermo Collazo art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Guillermo Collazo or we will sell it for you.

During the colonial period in Cuba, Guillermo Collazo was perhaps the most controversial artist among his contemporaries. Possessing highly political views and upholding French artistic ideals, Collazo’s artwork expresses his contrary lifestyle among other Cuban artists.

Little is known about Collazo’s formal training, or whom he studied under in Cuba. During the Revolution, one of his young cousins was shot and killed, which sent him into a rage. Collazo’s elite parents knew of his political views, and before he could do anything in response, they sent the young artist to the United States.

Collazo ended up staying in New York for a long period of time. He arrived there not knowing the language, and eventually ended up doing illustrations for magazines and publications.

In 1883, he returned to Havana, and then decided to make his home in Paris where he moved to in 1888. Along with his separatist views, Collazo also stirred up controversy with his dedication to the French style of paintings. He was known as “the painter of the great ladies and charming landscapes” and truly lived up to it.

His dedication to the French way of painting made Collazo also known as a great painter of light and texture in his time. Collazo’s most famous painting, “La Siesta” shows his full range for painting light and details in a Realist yet dreamy way.

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La Siesta

Collazo’s seems to purposely avoid the “Cuban” tradition of painting scenes relative to Cuba and it’s history. He would focus most of his attention on the details of a dress or foliage in a garden, and was well known for depicting ladies of the day in a radiant light.

Since Collazo’s earliest training is generally unknown, the possibility for finding some of his early work unauthenticated is endless. His time spent abroad in the United States and Europe also leaves wide-open possibilities for his work to exist outside of Cuba.

Towards the end of Collazo’s short life and career he turned to sculpture. By this time, his eyes were failing him due to his drug addiction, and he could no longer paint. Collazo’s sculpture is also not widely catalogued, and to come across one of these would be quite a find. His sculpture would probably have been created in Paris around the end of the 1890s.

Guillermo Collazo art authentication. Guillermo Collazo appraisal from . Guillermo Collazo certificates of authenticity (COA). Guillermo Collazo analysis, research, scientific tests, full art authentications. We will help you sell your Guillermo Collazo or we will sell it for you.


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1740--regnault.php Baron Jean Baptiste Regnault Artwork Authentication & Art Appraisal

Baron Jean Baptiste Regnault (1754-1829)

Get a Regnault Certificate of Authenticity for your painting (COA) for your Regnault drawing.

For all your Regnault artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Regnault Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Regnault painting or drawing.

If you want to sell your Regnault painting or drawing use our selling services. We offer Regnault selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Regnault and issuing certificates of authenticity since 2002. We are recognized Regnault experts and Regnault certified appraisers. We issue COAs and appraisals for all Regnault artworks.

Our Regnault paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Regnault certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Regnault painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Regnault paintings or drawings take longer.

Our clients include Regnault collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Baron Jean Baptiste Regnault art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Baron Jean Baptiste Regnault or we will sell it for you.

Regnault painting, La Toilette de Venus

La Toilette de Venus

Jean Baptiste Regnault was an 18th century French painter. Regnault painted in both the academic and Neoclassical style. Regnault won the Prix de Rome in 1776 and studied there alongside Jacques Louis David.

Regnault painting, The Education of Achilles by a Centaur

The Education of Achilles by a Centaur

Regnault became an elected member of the Academy of Art in 1782, and later, submitted his Revolution themed compositions to the Salons. Regnault was professor and mentor to a number of great artists of the next generation, including Merry-Joseph Blondel, Pierre-Narcisse Guerin, Robert Lefevre and others.

Regnault painting, Liberty or Death

Liberty or Death

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Baron Jean Baptiste Regnault.


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1741--nabis.php Les Nabis Artwork Authentication & Art Appraisal

Les Nabis

Get a Nabis Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Nabis artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Nabis Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Nabis painting, drawing or print.

If you want to sell your Nabis painting, drawing or print use our selling services. We offer Nabis selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Nabis and issuing certificates of authenticity since 2002. We are recognized Nabis experts and Nabis certified appraisers. We issue COAs and appraisals for all Nabis artworks.

Our Nabis paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Nabis certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Nabis painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Nabis paintings or drawings take longer.

Our clients include Nabis collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Les Nabis art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Les Nabis or we will sell it for you.

Pierre Bonnard and Jean-Édouard Vuillard were particularly well-known members of the group known as Les Nabis. Pierre Bonnard started his painting career in Paris in the 1890s and, like the other Nabis members, was concerned with using colour to evoke a mood or a feeling.

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Bonnard Self-Portrait

He produced paintings, more often than not, of Paris and produced lithographs and posters. He also designed furniture and stained glass. In addition to this, he is renowned for his nude portraits of his wife Marthe, who was his one time model and mistress. Like the rest of Nabis, his work was particularly important in the emergence of the Art Nouveau movement of the 1890s.

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Bonnard Dining Room Overlooking the Garden

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Bonnard Ice Skating

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Bonnard Crouching Nude in Tub

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Bonnard Woman with Black Stockings

Jean-Édouard Vuillard studied with Bonnard in the Julian Academy in Paris.

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Vuillard Self-Portrait

Like Bonnard, he admired Gauguin and Sérusier. Neither of them, however, agreed with Gauguin’s advocacy of pure colours for a broader palette. Vuillard’s early work consisted of small-scale prints, which were primarily colour lithographs of Parisian life. Later on, he often painted interior scenes and was said to be interested in the private world of the person, or their ‘interior’ life rather than a simple portrait of them. He often used textiles as a decorative aspect of the painting.

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Vuillard Madam Hessel on the Sofa

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Vuillard The Boulevard of Batignolles

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Vuillard The Striped Blouse

His mother, with whom he lived until she died, was a corset maker and seamstress, and he was greatly influenced by her in his work. One painting, entitled The Stitch, shows three women absorbed in their work.

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Vuillard The Stitch

Like the rest of Nabis, Vuillard believed that there should not be a distinction between fine art and decorative art. The pieces of art that he created were extremely diverse and ranged from large decorative panels, illustrations for theatre programmes and designs of theatre sets. He designed the set in Paris for two great plays by Ibsen, ‘The Master Builder’ and ‘Enemy of the People’. The Public Gardens is one of Vuillard’s most famous decorative projects. It was influenced by the tapestries from the Musée de Cluny. He became extremely interested in photography, and by the 1900s, he became more naturalistic and concerned with the aspects of light and space in his pictures.

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Vuillard The Breakfast

Maurice Denis was also a member of Les Nabis. In 1890, he published his famous article in the review ‘Art et Critique’, stating the ethos of the group. He was also associated with the Symbolist writers and illustrated books by André Gide and Paul-Marie Verlaine. Like the other members of Nabis, his artistic output was diverse. Apart from painting, he also designed carpets and decorated ceramics. In the 1890s, he undertook some large-scale decorative works and painted a ceiling for the composer,Amédée-Ernest Chausson,in 1894 and designed a series of panels for the collector, Cochin, in 1897. In addition to a wonderful painter and artist, he was also a prominent art theoretician during his time.

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Denis Annunciation

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Denis Mother and Child

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Denis The Muse

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Denis Taches de Soleil Su La Terrasse 1890

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Denis Femme Etendent Du Ligne

Other artists who form part of the Nabis include: George Lacombe

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Lacombe The Ages of Life

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Lacombe The Sea

Felix Vallotton

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Vallotton Le Sommeil

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Vallotton The Rape of Europe

Ker Xavier Roussel

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Roussel Garden Scene

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Roussel Triumph of Bacchus

and Paul Ranson.

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Ranson Apple Tree with Red Fruit

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Ranson Fish and Crustaceans

Still wondering about a late 19th century French painting in your home? Contact us…it could be by one of the members of Les Nabis.


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1742--primaticcio.php Francesco Primaticcio Artwork Authentication & Art Appraisal

Francesco Primaticcio (1504 – 1570)

We Perform Francesco Primaticcio art authentication. Francesco Primaticcio appraisal. Francesco Primaticcio certificates of authenticity (COA). Francesco Primaticcio analysis, research, scientific tests, full art authentications. We will help you sell your Francesco Primaticcio or we will sell it for you.

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Ulysses and Penelope

Francesco Primaticcio was an Italian Mannerist painter, architect and sculptor who spent most of his career in France. Born in Bologna, he trained under Giulio Romano in Mantua, executing decorations at the Palazzo Te before securing a position in the court of Francis I of France in 1532.

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The Holy Family

Together with Rosso Fiorentino he was one of the leading artists to work at the Chateau Fontainebleau (where he is grouped with the so-called “First School of Fontainebleau”) spending much of his life there. Following Rosso’s death in 1540, Primaticcio took control of the artistic direction at Fontainebleau, furnishing the painters and stuccators of his team, such as Nicolò dell’Abate, with designs. He made cartoons for tapestry-weavers and, like all 16th-century court artists, was called upon to design elaborate ephemeral decorations for masques and fêtes, which survive only in preparatory drawings and, sometimes, engravings. François trusted his eye and sent him back to Italy on buying trips. Primaticcio retained his position as court painter to François’ heirs, Henri II and François II. His masterpiece, the Salle d’Hercule at Fontainebleau, occupied him and his team from the 1530s to 1559.

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The Rape of Helena 1530-1539

Primaticcio’s crowded Mannerist compositions and his long-legged canon of beauty influenced French art for the rest of the century.

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Minerva Carried to Heaven by the Graces, Sketch

Primaticcio turned to architecture towards the end of his life, his greatest work being the Valois Chapel at the Abbey of Saint-Denis, although this was not completed until after his death and was destroyed in 1719.

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A Royal Staircase, Stucco

Still wondering about an Italian painting in your family collection? Contact us…it could be by Francesco Primaticcio.


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1744--malbone.php Edward Greene Malbone Artwork Authentication & Art Appraisal

Edward Greene Malbone (1777-1807)

Do you think you may own a miniature painting by Edward Greene Malbone?

Get a Malbone Certificate of Authenticity for your painting (COA) for your Malbone drawing.

For all your Malbone artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Malbone Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Malbone painting or drawing.

If you want to sell your Malbone painting or drawing use our selling services. We offer Malbone selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Malbone and issuing certificates of authenticity since 2002. We are recognized Malbone experts and Malbone certified appraisers. We issue COAs and appraisals for all Malbone artworks.

Our Malbone paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Malbone certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Malbone painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Malbone paintings or drawings take longer.

Our clients include Malbone collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Edward Greene Malbone art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Edward Greene Malbone or we will sell it for you.

Ira Allen

Ira Allen

Edward Greene Malbone was one of the leading miniaturist painters in early American art. Malbone was born illegitimate and went by the name “Greene,” his mothers name for most of his life until the court mandated that he could use his fathers’ name, “Malbone.” Born in Newport, Rhode Island, Malbone cultivated a love for the arts as a young boy. He would watch the scenery painters at the local theater in Newport and taught himself to paint. After he painted a landscape for that same theater, Malbone was able to financially support himself as an artist.

Henry B. Bounetheau's Aunt

Henry B. Bounetheau’s Aunt

In 1794, Malbone moved to Providence, Rhode Island where he stayed for two years and enjoyed a relatively successful career painting portraits. From 1796 until 1800, Malbone became an itinerant painter, traveling between New York, Boston and Philadelphia. In 1801, Malbone traveled with his friend and fellow painter Washington Allston south the Charleston, South Carolina. From there, the two traveled to Europe and studied under Benjamin West. Despite the fact that West encouraged Malbone to remain in London, he returned to Charleston with Allston that following December.

Washington Allston

Washington Allston

Malbone created a reputation for himself of being a very precise and forgiving portrait painter. Malbone was said to have brought out the best in his sitters, while still staying true to their likeness and never taking away beauty from his sitters. Perhaps this way of accentuating the best in his patrons was his recipe for success.

Charlotte Drayton

Charlotte Drayton

As with most miniaturist painters, Malbone mainly painted small circular cameo paintings with watercolor on ivory. There are more than 150 of his miniatures catalogued, with the possibility of many others existing unknown. His paintings have been described as being graceful and delicate, and were like no others painted during their time. It is said that toward the end of his career Malbone began to paint in oil, including a self-portrait. Throughout his career he also occasionally painted oil landscapes and figure pieces on ivory.

Dr. Elisha Poinsett

Dr. Elisha Poinsett

Susan Poinsett

Susan Poinsett

Today, Malbone’s work is housed in public and private collections all over New England including at the Boston Museum of Fine Arts and the Pennsylvania Academy of Fine Arts. Malbone died in Savannah, Georgia, and because he so extensively traveled the eastern United States and Europe, it is likely that one of his unknown miniature portraits could turn up virtually anywhere.

Mr. Lawrence of Boston

Mr. Lawrence of Boston

Some art historians say that Malbone was in a league of his own as a miniature painter and was matched by no other in the United States during his lifetime. His miniatures today still remain as a reminder of his great skill for painting likenesses so precisely on such a small canvas. Still wondering about a miniature heirloom portrait hanging in your family’s estate? Contact us…it could be by Edward Greene Malbone.


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1745--tura.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "tura" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "tura" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1746--bearden.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bearden" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bearden" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1747--agnelli.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "agnelli" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "agnelli" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1748--peale-james.php James Peale Artwork Authentication & Art Appraisal

James Peale (1749-1831)

Do you think you may own a painting by James Peale?

We Perform James Peale art authentication. James Peale appraisal. James Peale certificates of authenticity (COA). James Peale analysis, research, scientific tests, full art authentications. We will help you sell your James Peale or we will sell it for you.

Self-Portrait 1805

Self-Portrait 1805

James Peale was an early American portrait and still life painter and the brother of famous painter Charles Willson Peale. He studied under his brother, learning how to paint from him, and worked in his studio until 1776 when he went to fight for the Continental Army. Shortly thereafter he made captain, fighting battles in Long Island, White Plains and Princeton.

George Washington

George Washington

Peale resigned from the army in 1779 and moved to Philadelphia to be with his brother. From then on and through the early 1800’s, Peale devoted himself to painting miniature paintings and portraits. Most of these were created with watercolor on ivory.

Mary Mitchell 1795 miniature watercolor on ivory

Mary Mitchell 1795 miniature watercolor on ivory

Miniature

Miniature

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Rembrandt Peale

However, by 1810, his eyesight began to fail him and Peale then turned to painting large portraits and still life paintings.

Still Life With Fruit on a Tabletop 1825

Still Life With Fruit on a Tabletop 1825

Balsam Apple and Vegetables

Balsam Apple and Vegetables

It is believed that Peale painted more than 200 miniature watercolors on ivory, and as many as 100 still life paintings. It is also believed that he painted less than 100 full sized portraits, and about 8 historical paintings. However, the number of landscape paintings that Peale painted remains unknown today, and the possibility of many more still life, portraits and miniatures of his existing today unknown is great.

Madame Dubocq and her Children 1807

Madame Dubocq and her Children 1807

Portrait of Samuel L.Logan

Portrait of Samuel L.Logan

Because there were so many members of the Peale family that were artists, it may be difficult for some to tell which ones were in fact painted by James. However, a skilled art historian and authenticator should be able to distinguish between the works of the two brothers, as well as the works of all of their artist children. Still wondering about a portrait or miniature painting in your family’s estate? Contact us…it could be by James Peale.

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View of the Wissahickon 1830

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1749--kokolja.php Tripo Kokolja Artwork Authentication & Art Appraisal

Tripo Kokolja (1671 -1713)

Do you think you may own a painting by Tripo Kokolja?

Get a Kokolja Certificate of Authenticity for your painting (COA) for your Kokolja drawing.

For all your Kokolja artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kokolja Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kokolja painting or drawing.

If you want to sell your Kokolja painting or drawing use our selling services. We offer Kokolja selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kokolja and issuing certificates of authenticity since 2002. We are recognized Kokolja experts and Kokolja certified appraisers. We issue COAs and appraisals for all Kokolja artworks.

Our Kokolja paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kokolja certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kokolja painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kokolja paintings or drawings take longer.

Our clients include Kokolja collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Tripo Kokolja art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Tripo Kokolja or we will sell it for you.

1. Self Portrait of Tripo Kokolja

1. Self Portrait of Tripo Kokolja

2. Ceiling of Our Lady of the Rock, detail

2. Ceiling of Our Lady of the Rock, detail

Tripo Kokolja was a Venetian painter born on the Bay of Kotor, in what is presently Montenegro. Kokolja received a number of commissions from churches to depict various biblical scenes. He worked in a Baroque style, depicting such subjects as the Virgin, angels, prophets, etc.

3. Painting at Our Lady of the Rock in Perast.

3. Painting at Our Lady of the Rock in Perast.

In addition to his religious paintings, Kokolja painted a number of landscapes of the Adriatic and still life paintings of flower baskets.

Kokolja spent his later years in Croatia, painting for Dominican churches on various islands.

While little is known regarding the details of Kokolja’s life, his paintings serve an historic role in 17th century Montenegrin art. A bust was created in his birth town of Perast.

4. Bust of Kokolja in Perast

4. Bust of Kokolja in Perast

If you think you may own original artwork by Tripo Kokolja, contact Art Certification Experts for information regarding our services.


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1750--lafresnaye.php Roger de la Fresnaye Artwork Authentication & Art Appraisal

Roger de La Fresnaye (1885-1925)

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The Fourteenth of July, 1914

Roger de la Fresnaye was a French Cubist painter, born into a family of aristocracy. He had a classical education and attended the Academie Julien in 1904 and the Ecole des Beaux-Arts in 1908. La Fresnaye also studied under Maurice Denis and Paul Serusier at the Academie Ranson. Their influence on La Fresnaye helped him to develop a Symbolist style.

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Picture of Naomy

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Artillery, 1911

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Man Sitting

By 1912, La Fresnay had become involved with the Section d’Or, which was a group of young up and coming artists that worked in Cubism. He would also become a member of the Puteaux Group, which also focused on Cubist theories. During this time, La Fresnaye was most influenced by Picasso and Georges Braque; however, his paintings were more realistic than theirs.

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Man Sleeping

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Married Life

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Conquest of the Air, 1913

Although his work has been compared to that of Delaunay, La Fresnaye painted in a more decorative style. He used colors to create a prismatic effect in the same way as Delaunay, but was not nearly as simple. La Fresnaye typically painted figure studies and Surrealist themes full of symbolism, but created portraits, still life and landscapes on occasion.

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Portrait of Guynemer

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Still Life with Coffee Pot and Melon, 1911

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The Factory Chimney Meulan Landscape, 1912

Certainly, his earliest work as a student must have been of a more academic approach, but these pieces would be a rare find. However, sketches, watercolors and other mixed media pieces such as lithographs certainly still exist today, and because he was a highly experimental artist, could be in virtually any style.

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Nude Sketch, 1905

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Nude Sketch, 1910

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Cubist Sketch

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Man with a White Horse, 1921

La Fresnaye also worked briefly in sculpture, and surprisingly, most of his sculptures were in a classical style, but some had Cubist influences.

La Fresnaye served in World War I, but after the war, his health began to wane. He continued to paint a little until his death in 1925, but these paintings were a departure from Cubism and were in a more linear style. Though he died relatively young and had his career cut short, La Fresnaye was still a fairly prolific painter and left many pieces behind. Still wondering about a Surrealist/Cubist painting in your home? It may be by Roger de La Fresnaye…contact us to find out.


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1751--carmontelle.php Louis Carrogis de Carmontelle Artwork Authentication & Art Appraisal

Louis Carrogis de Carmontelle (1717-1806)

Get a Carmontelle Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Carmontelle artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Carmontelle Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Carmontelle painting, drawing or print.

If you want to sell your Carmontelle painting, drawing or print use our selling services. We offer Carmontelle selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Carmontelle and issuing certificates of authenticity since 2002. We are recognized Carmontelle experts and Carmontelle certified appraisers. We issue COAs and appraisals for all Carmontelle artworks.

Our Carmontelle paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Carmontelle certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Carmontelle painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Carmontelle paintings or drawings take longer.

Our clients include Carmontelle collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Louis Carrogis de Carmontelle art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Louis Carrogis de Carmontelle or we will sell it for you.

Carmontelle

The Countess of Crosse in the Salon
Art Institute of Chicago

Louis Carrogis de Carmontelle was an 18th century French artist, designer and writer. Most notably, he worked for the Duc de Chartres, and created a series of portraits for the duc’s household and visitors in pencil and watercolor. He created these very quickly, in a matter of less than two hours, and featured his sitters in profile. Some of Carmontelle’s sitters included members of the court and historically famous individuals such as a young Mozart and his father. In all, some 750 of these portraits were collected and sold after his death, and are considered most valuable by art historians.

Carmontelle

The Unfortunate Calas Family
Louvre Museum, Paris

Carmontelle

Portrait of David Hume c. 1764
National Galleries of Scotland

Carmontelle´s not only worked as a painter, but was a skilled writer and was hired as an art critic. Carmontelle wrote a number of pamphlets, some of which were published anonymously. It has been said that Carmontelle’s paintings and writings are invaluable indications of pre-Revolutionary life in France.

Carmontelle

Monsieur de Vairus c. 1770
Graphite, Crayon, Watercolor on Paper
Fine Art Museum of San Francisco

Carmontelle

Pierre Victor, The Baron Bezenal of Bromstatt
Print (Etching)
Metropolitan Museum of Art, New York

Carmontelle

Monsieur Jean-Pierre de Bougainville
Drawing
Metropolitan Museum of Art, New York

Carmontelle

Portrait of Louis-Phillipe, Duke of Orleans
Print (Etching)
Metropolitan Museum of Art, New York

Carmontelle

Monsieur Messer and Madame Boissier
Watercolor
Musée Condé, Chantilly

Carmontelle

Mademoiselle Desgots Playing the Harpsichord with Laurent 1766
Musée Carnavalet

Are you still wondering about an 18th century French portrait or painting in your family collection? Contact us…it could be by Louis Carrogis de Carmontelle.


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1752--stuck.php Franz Stuck Artwork Authentication & Art Appraisal

Franz von Stuck (1863 – 1928)

Franz Stuck art authentication. Franz Stuck appraisal. Franz Stuck certificates of authenticity (COA). Franz Stuck analysis, research, scientific tests, full art authentications. We will help you sell your Franz Stuck or we will sell it for you.

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Self-Portrait 1905

Franz Stuck was a German Symbolist/Art Nouveau painter, sculptor, engraver, and architect. He is considered by some to be one of the artistic inspirations to German Fascism. Stuck was born at Tettenweis, in Bavaria. From an early age he displayed an affinity for drawing and caricature. To begin his artistic education in 1878 he went to Munich, where he would settle for life. From 1881 to 1885 Stuck attended the Munich Academy.

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Medusa

He first made a name with cartoons for Fliegende Blätter, and vignette designs for programmes and book decoration. In 1889 he exhibited his first paintings at the Munich Glass Palace, winning a gold medal for The Guardian of Paradise.

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The Guardian of Paradise

In 1892 Stuck co-founded the Munich Secession, and also executed his first sculpture, Athlete. The following year he won further acclaim with the critical and public success of what is now his most famous work, The Sin. Also in 1893, Stuck was awarded a gold medal for painting at the Chicago World’s Fair and was appointed to a royal professorship. In 1895 he began teaching painting at the Munich Academy.

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The Sin 1893

In 1897 Stuck married an American widow, Mary Lindpainter, and began work designing his own residence and studio, the Villa Stuck. His designs for the villa included everything from layout to interior decorations; for his furniture Stuck received another gold medal at the 1900 Paris World Exposition.

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Dying Amazon

Having attained a high degree of fame by this time, Stuck was elevated to the aristocracy on December 9, 1905 and would receive further public honors from around Europe during the remainder of his life. Even as new trends in art left Stuck behind, he continued to be highly respected among young artists in his capacity as professor at the Munich Academy. Notable students of his over the years include Paul Klee, Hans Purrmann, Wassily Kandinsky, and Josef Albers. Franz Stuck died in 1928; his funeral address memorialized him as “the last prince of art of Munich’s great days”. He is buried in the Munich Waldfriedhof next to his wife Mary.

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Sisyphus 1920

Stuck’s subject matter was primarily drawn from mythology, inspired by the work of Arnold Böcklin. Large, heavy forms dominate most of his paintings and point toward his proclivities for sculpture. His seductive female nudes, in the role of the femme fatale, are a prime example of popular Symbolist content. Stuck paid close attention to the frames for his paintings and generally designed them himself with such careful use of panels, gilt carving and inscriptions that the frames must be taken as an integral part of the overall piece.

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Lucifer

The number of Stuck’s pupils who went on to great success served to enhance the teacher’s own fame even further. Yet by the time of his death, Stuck’s importance as an artist in his own right had almost been forgotten: his art seemed old-fashioned and irrelevant to a generation shattered by the First World War. Adolf Hitler was among those who still admired the painters of nineteenth century Munich, and when the Nazis came to power Stuck was among the artists of the past cited as an example of proper Germanic values. But Stuck generally remained lost to public memory until the late 1960s when a renewed interest in Art Nouveau brought him to attention once more. In 1968 the Villa Stuck was opened to the public; today it is a museum.

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Circe

Still wondering about a German painting in your family collection? Contact us…it could be by Franz Stuck.


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1753--gausson.php Leo Gausson Artwork Authentication & Art Appraisal

Leo Gausson (1860-1944)

Get a Guerrero Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Guerrero artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Guerrero Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Guerrero painting, drawing or print.

If you want to sell your Guerrero painting, drawing or print use our selling services. We offer Guerrero selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Guerrero and issuing certificates of authenticity since 2002. We are recognized Guerrero experts and Guerrero certified appraisers. We issue COAs and appraisals for all Guerrero artworks.

Our Guerrero paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Guerrero certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Guerrero painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Guerrero paintings or drawings take longer.

Our clients include Guerrero collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Leo Gausson art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Leo Gausson or we will sell it for you.

Leo Gausson was a student of the engraver Theophile Chauvel and worked in the print shop of Eugene Froment as a young man. In 1883, the print shop closed and Gausson formed a trio with fellow workers and artists Cavallo-Peduzzi and Max Luce. Gausson shared studio space with these artists from that point on in Paris.

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Lessive Figaro, poster

Though he lived a relatively long life, Gausson’s career as a painter really only lasted from 1886 to 1900. During this period, Gausson painted in neo-Impressionist and Symbolist styles. Towards the end of the 19th century, Gausson generally worked in lithography and illustration, and focused more on writing poetry. Like fellow artist Toulouse-Lautrec, Gausson generally became known for his posters and vibrant prints.

Gausson also traveled to Africa in 1901 where he stayed until 1908 where he worked in the French colonies as an administrator. After he returned to Paris, Gausson remained working for the government, and retired in Lagny. Due to his short career as an artist, Gausson remains lesser known than his contemporaries. However, he is still considered to be one of the greatest poster artists of 19th century Paris.


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1754--sharples.php Rolinda Sharples Artwork Authentication & Art Appraisal

Rolinda Sharples (1793-1838)

Get a Sharples Certificate of Authenticity for your painting (COA) for your Sharples drawing.

For all your Sharples artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sharples Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sharples painting or drawing.

If you want to sell your Sharples painting or drawing use our selling services. We offer Sharples selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sharples and issuing certificates of authenticity since 2002. We are recognized Sharples experts and Sharples certified appraisers. We issue COAs and appraisals for all Sharples artworks.

Our Sharples paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sharples certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sharples painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sharples paintings or drawings take longer.

Our clients include Sharples collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Rolinda Sharples art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Rolinda Sharples or we will sell it for you.

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Self-Portrait with her mother

Rolinda Sharples is considered by some art historians as the first American female artist. Born in New York, Sharples was the daughter of artists James and Ellen Sharples. Her father was a successful portrait painter and she received some of her earliest training from him.

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The Cloak Room, Clifton Assembly Room 1817

Sharples painted portraits and scenes of contemporary events. She spent most of her adult life in Bristol, England where she was one of the founders of the Bristol Fine Arts Academy. Art critics have commented that even though Sharples paintings are not the best, they serve as historic reminders of events of the day.

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The Embarkation of the Ferry Boat 1834

Towards the end of her fairly short life, Sharples lived with her mother and died at the age of 45. Today, her paintings are housed in the United States and England and perhaps in your own home. Still wondering about a portrait hanging in your family’s estate? Contact us…it could be by Rolinda Sharples.


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1755--osbert.php Alphonse Osbert Artwork Authentication & Art Appraisal

Alphonse Osbert (1857-1939)

We Perform Alphonse Osbert art authentication. Alphonse Osbert appraisal. Alphonse Osbert certificates of authenticity (COA). Alphonse Osbert analysis, research, scientific tests, full art authentications. We will help you sell your Alphonse Osbert or we will sell it for you.

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Evening in Antiquity

Alphonse Osbert was a French Symbolist painter known for his beautifully executed landscapes and genre scenes. He was touted by his contemporaries as a visual poet and a “painter of evenings” and was praised for his ability to create mood and mystery in his paintings. In particular, Osbert was fond of painting scenes of women admiring the sunset, and he created many that were quite similar throughout his career.

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Harmonie Luminaire, 1904

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Dans le Silence du Soir, 1917

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La Muse au Lever du Soleil, 1918

Osbert initially trained at the École des Beaux-Arts and studied under Henri Lehmann and Leon Bonnat. During this time, he studied and admired the works of 17th century Spanish Realists, which was apparent in his first compositions submitted to the Salon of 1880. Impressionism, however, was becoming very popular and influenced Osbert to lighten his color palette dramatically. Though he was never a true Impressionist, he employed a number of their techniques, such as pointillism and creating plein air landscapes, which is the practice of painting outside and away from the studio.

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Lyricism of the Forest

Towards the beginning of the 1890s, Osbert began to associate himself with Symbolist poets, writers, and artists, including painter Puvis de Chavannes. It was de Chavannes that influenced Osbert to adopt a poetic style of painting including simplified landscapes and dreamlike, otherworldly subjects. It was Osbert’s goal to purvey inner thoughts and feelings with symbolic elements in his compositions using mystery, color, and light.

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Sunset in the Woods

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Lake in the Woods

Osbert typically employed saints, lambs, and muses to convey his messages in his paintings, which were beautifully executed in blue, silver, violet, and yellow. He would employ pastels and oils to create his beautiful and dreamlike compositions, many of which had an almost misty and ghost-like quality.

His paintings were praised by his fellow Symbolists and were often used as counterparts and illustration for poems by Paul Verlaine and Stephane Mallarme.

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Vision

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Nymph

Today Osbert’s paintings are housed all over the world and perhaps, in your own home. Still wondering about a French Symbolist painting hanging in your wall? Contact us… we are the Alphonse Osbert experts.


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1756--feke.php Robert Feke Artwork Authentication & Art Appraisal

Robert Feke (1707-1752)

Get a Feke Certificate of Authenticity for your painting (COA) for your Feke drawing.

For all your Feke artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Feke Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Feke painting or drawing.

If you want to sell your Feke painting or drawing use our selling services. We offer Feke selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Feke and issuing certificates of authenticity since 2002. We are recognized Feke experts and Feke certified appraisers. We issue COAs and appraisals for all Feke artworks.

Our Feke paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Feke certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Feke painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Feke paintings or drawings take longer.

Our clients include Feke collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Robert Feke art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Robert Feke or we will sell it for you.

Portrait of Brigadier General Samuel Waldo 1750

Portrait of Brigadier General Samuel Waldo 1750

Robert Feke was one of the earliest American portrait painters, who left behind 50 known portraits and could possibly be credited with many more. He was active between 1741 and 1751, and traveled all over New England to paint important and wealthy Colonial American families. Feke is considered by some art historians to be “the first American-born painter of note.”

William Bowdoin

William Bowdoin

Feke was born in Long Island, New York, and essentially taught himself to paint in the rococo style. It is said that as a young man, he was taken prisoner and sent to Spain, and while in prison, he bided his time by drawing. It is said that the sale of these drawings helped Feke to fund his passage home. The whereabouts of these drawings today are unknown, and could be virtually anywhere from Europe to the United States. However, the details of Feke’s life before he began actively painting in 1741 are sketchy, making it possible that his tale of being in a Spanish prison is more myth than fact.

Mrs. Isaac Winslow

Mrs. Isaac Winslow

Once Feke presumably returned to America, he settled in Newport, Rhode Island. He was influenced by fellow American painter John Smibert, and adopted a very personal style of portrait painting. Feke became known for the elegance and charm he brought to his sitters, and was commissioned to create portraits in Rhode Island, Boston, Philadelphia and New York. Feke even painted the portrait of future great American Benjamin Franklin.

Young Benjamin Franklin 1748

Young Benjamin Franklin 1748

One of Feke’s most famous paintings was “The Isaac Royall Family” painted in 1741, and now housed at Harvard College.

Isaac Royall Family 1741

Isaac Royall Family 1741

Some accounts have claimed that there are perhaps only a dozen or more paintings that are genuinely by Feke, and that there are upwards of 60 portraits merely attributed to him. It is also said that a painting previously thought to have been by Feke’s idol, John Smibert, was in fact painted by Feke. While the two did paint in a similar fashion, Feke was known for his great skill at painting textured fabrics in his portraits, and would be a sure sign to art historians if they were trying to distinguish Smibert from Feke. Feke’s paintings are also very formulaic in nature, and have beautiful depth of color.

Thomas Hopkinson

Thomas Hopkinson

It is said that Feke disappeared at sea, as he was also a notable mariner, likely often traveling between America and Europe. Some speculate that he died in either Barbados or Bermuda, but again, mystery surrounds one of America’s first painters, even in death.

Portrait of a Woman

Portrait of a Woman

Today his paintings are housed all over New England in college libraries and other public buildings, and perhaps in your own home. Some of Feke’s work is even housed in Bermuda, and could also possibly be in Europe, unknown and otherwise unauthenticated. Still wondering about that portrait hanging in your family’s estate? Contact us…it could be by Robert Feke.

Tench Francais

Tench Francais

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1757--whiteley.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "whiteley" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "whiteley" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1758--cavallucci.php Antonio Cavallucci Artwork Authentication & Art Appraisal

Antonio Cavallucci (1752-1795)

Get a Cavallucci Certificate of Authenticity for your painting (COA) for your Cavallucci drawing.

For all your Cavallucci artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cavallucci Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cavallucci painting or drawing.

If you want to sell your Cavallucci painting or drawing use our selling services. We offer Cavallucci selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cavallucci and issuing certificates of authenticity since 2002. We are recognized Cavallucci experts and Cavallucci certified appraisers. We issue COAs and appraisals for all Cavallucci artworks.

Our Cavallucci paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cavallucci certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cavallucci painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cavallucci paintings or drawings take longer.

Our clients include Cavallucci collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Antonio Cavallucci art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Antonio Cavallucci or we will sell it for you.

art

The Penitent Magdalene

Antonio Cavallucci was an 18th century Italian painter. He painted in the Barogue style, and generally created compositions of religious and mythological subjects as well as portraits. He studied at the Accademia di San Luca and was also a pupil of Stefano Pozzi and Gaetano Lupis. Cavallucci was highly influenced by the works of fellow painters Pompeo Batoni and Anton Raphael Mengs.

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The Adoration of the Shepherds

Besides his religious paintings, Cavallucci also painted a great number of portraits. During the 1780’s, he painted mostly portraits, many of which was for one of his most important patrons, Cardinal Romualdo Braschi-Onesti. He was later recognized by the Accademia di San Luca in 1786 and the Academy of Arcadia in 1788.

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The Sacred Family

Still wondering about an 18th century Italian painting in your family collection? Contact us…it could be by Antonio Cavallucci.


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1759--cambiasi.php Luca Cambiasi Artwork Authentication & Art Appraisal

Luca Cambiasi (1527-1585)

Get a Cambiasi Certificate of Authenticity for your painting (COA) for your Cambiasi drawing.

For all your Cambiasi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cambiasi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cambiasi painting or drawing.

If you want to sell your Cambiasi painting or drawing use our selling services. We offer Cambiasi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cambiasi and issuing certificates of authenticity since 2002. We are recognized Cambiasi experts and Cambiasi certified appraisers. We issue COAs and appraisals for all Cambiasi artworks.

Our Cambiasi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cambiasi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cambiasi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cambiasi paintings or drawings take longer.

Our clients include Cambiasi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Luca Cambiasi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Luca Cambiasi or we will sell it for you.

Luca Cambiasi (surname also written Cambiaso or Cangiagio) was an Italian painter, familiarly known as Lucchetto da Genova. Cambiasi was born at Moneglia, a town in the Genoese state, the son of a painter named Giovanni Cambiasi.

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Vanity of Earthly Love 1570’s

Cambiasi was precocious, and at the age of fifteen he painted, along with his father, some subjects from Ovid’s Metamorphoses on the facade of a house in Genoa. In 1544, at the age of seventeen, he was involved in the decoration of the Palazzo Doria, now the Prefettura, perhaps working with Marcantonio Calvi, a painter of his father’s generation. He aided in the vault decoration of the church of San Matteo, in collaboration with Giambattista Castello. His Resurrection and Transfiguration altarpieces for San Bartolommeo degli Armeni date from c. 1560. In 1563, he painted a Resurrection for San Giovanni Battista in Montalto Ligure.

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Sketch

This was followed by frescoes for the Villa Imperiale at Genoa-Turalba (also called the Palazzo Imperiali Terralba) with a Rape of the Sabines (c. 1565) and the Palazzo Meridiana (foremerly Grimaldi) (also in 1565). In the Capella Lercari of the Duomo di San Lorenzo, Cambiasi frescoed a Presentation and Marriage of the Virgin in 1569, remainder of chapel by Castello.

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Pieta

The 1911 Britannica states that Cambiasi by his 30s began to decline in power, though not at once in reputation, owing to the vexations brought upon him by a passion which he conceived for his sister-in-law. His wife having died, and the sister-in-law had taken charge of his house and children, he failed to procure a papal dispensation for marrying her.

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Justice Sketch

In 1583 he accepted an invitation from Philip II to complete for the Escorial a series of frescoes begun by Castello; and the 1911 encyclopedia states the principal reason for traveling to Spain was that he hoped royal influence would gain favor with the Vatican for his marriage plans, but this failed. In the Escorial he executed a Paradise on the vaulting of the church, with a multitude of figures. For this picture he received 2,000 ducats, probably the largest sum that had, up to that time, ever been given for a single work. His paintings in Spain, hew to strict religious thematic.

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Christ Led out of Pilate’s House 1570’s

His son Orazio Cambiasi became a painter. Other followers from Genoa, include Giovanni Andrea Ansaldo, Simone Barabino, Giulio Benso, Battista and his brother Bernardo Castello, Giovanni Battista Paggi, Francesco Spezzini, and Lazzaro Tavarone.

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Esther and Ahasuerus 1565-1570

Cambiasi had an ardent fancy, and was a bold designer in a Raphaelesque mode. His main influences are said to have been Correggio and the Late Renaissance Venetian school. The artist painted sometimes with a brush in each hand, and with a certainty equalling or transcending that even of Tintoretto.

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Madonna and Child 1550

Cambiasi is best represented in Genoa. In the church of San Giorgio is a canvas of the Martyrdom of San Giorgio; in Santa Maria da Carignano, there is a “Pietà,” containing his own portrait and (according to tradition) that of his beloved sister-in-law. Cambiasi is also known for having painted notable nocturnes, including an Adoration of the Shepherds (1570) and the so called Madonna of the Candle (1575). The former painting appears inspired by Corregio’s Nativity.

Still wondering about an Italian painting in your family collection? Contact us…it could be by Luca Cambiasi.


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1760--kreutzmann.php Johannes Kreutzmann Artwork Authentication & Art Appraisal

Johannes Kreutzmann (1862-1940)

We Perform Johannes Kreutzmann art authentication. Johannes Kreutzmann appraisal. Johannes Kreutzmann certificates of authenticity (COA). Johannes Kreutzmann analysis, research, scientific tests, full art authentications. We will help you sell your Johannes Kreutzmann or we will sell it for you.

1. Painted Inuit figure. Driftwood and paint. Signed JK.

1. Painted Inuit figure. Driftwood and paint. Signed JK.

Johannes Kreutzmann art authentication. Johannes Kreutzmann appraisal from . Johannes Kreutzmann certificates of authenticity (COA). Johannes Kreutzmann analysis, research, scientific tests, full art authentications. We will help you sell your Johannes Kreutzmann or we will sell it for you.

2. Group of four Inuit figures. Driftwood and paint.

2. Group of four Inuit figures. Driftwood and paint.

Kreutzmann spent the majority of his life on Kangaamiut, a small Greenlandic trading station. Following the tradition of his grandfather and father, he learned to hunt and kayak in the waters surrounding their island. Beyond his adventurous expeditions, Kreutzman also carried on the oral tradition of storytelling.

3. Pair of Inuit figures with snowballs. Driftwood and paint.

3. Pair of Inuit figures with snowballs. Driftwood and paint.

It was not until his later life that Kreutzmann became known as a sculptor, by carving Inuit figures out of driftwood. After he finished the carving he painted his figures in bold colors.

4. Pair of Inuit figures (hunters). Driftwood and paint.

4. Pair of Inuit figures (hunters). Driftwood and paint.

Many of his carved figures found their way to Denmark, where they were exhibited in the 1920s and 30s. Kreutzmann’s sculptures were so popular they continued on to exhibitions in Paris, Rome and eventually the 1939 World’s Fair in New York.

5. Inuit woman and child. Driftwood and paint.

5. Inuit woman and child. Driftwood and paint.

Today, Kreutzmann’s wood sculptures remain in high demand, selling at auctions and continuing to appear in museum exhibitions. His carvings are masterful works that illustrate the life at a Greenlandic trading station.

If you think you may own original artwork by Johannes Kreutzmann, contact Art Certification Experts for information regarding our services.


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1761--bellucci.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bellucci" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bellucci" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1762--haubenstricker.php Paul Haubenstricker Artwork Authentication & Art Appraisal

Paul Haubenstricker (1750-1793)

Get a Haubenstricker Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Haubenstricker artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Haubenstricker Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Haubenstricker painting, drawing or print.

If you want to sell your Haubenstricker painting, drawing or print use our selling services. We offer Haubenstricker selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Haubenstricker and issuing certificates of authenticity since 2002. We are recognized Haubenstricker experts and Haubenstricker certified appraisers. We issue COAs and appraisals for all Haubenstricker artworks.

Our Haubenstricker paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Haubenstricker certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Haubenstricker painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Haubenstricker paintings or drawings take longer.

Our clients include Haubenstricker collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Paul Haubenstricker art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Paul Haubenstricker or we will sell it for you.

Haubenstricker painting, Crucifixion of Christ

Crucifixion of Christ

Paul Haubenstricker was an 18th century Austrian artist. He was mainly known for his etchings of religious subjects. Still wondering about an 18th century etching in your family collection? Contact us…it could be by Paul Haubenstricker.


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1763--lacroix.php Charles LaCroix de Marseilles Artwork Authentication & Art Appraisal

Charles LaCroix de Marseilles (1700-1782)

Get a LaCroix De Marseilles Certificate of Authenticity for your painting (COA) for your LaCroix De Marseilles drawing.

For all your LaCroix De Marseilles artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a LaCroix De Marseilles Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your LaCroix De Marseilles painting or drawing.

If you want to sell your LaCroix De Marseilles painting or drawing use our selling services. We offer LaCroix De Marseilles selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating LaCroix De Marseilles and issuing certificates of authenticity since 2002. We are recognized LaCroix De Marseilles experts and LaCroix De Marseilles certified appraisers. We issue COAs and appraisals for all LaCroix De Marseilles artworks.

Our LaCroix De Marseilles paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The LaCroix De Marseilles certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your LaCroix De Marseilles painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research LaCroix De Marseilles paintings or drawings take longer.

Our clients include LaCroix De Marseilles collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles LaCroix de Marseilles art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles LaCroix de Marseilles or we will sell it for you.

LaCroix de Marseilles painting, View of a Harbor

View of a Harbor

LaCroix de Marseilles painting, The Fishers

The Fishers

Charles LaCroix de Marseilles was an 18th century French landscape painter. He was one of the few French painters who concentrated almost exclusively on the painting of polished marine scenes.

LaCroix de Marseilles painting, Mediterranean Port Scenes

Mediterranean Port Scenes

Still wondering about a French marine landscape in your family collection? Contact us…it could be by Charles LaCroix de Marseilles.


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1764--poliakoff.php Serge Poliakoff Artwork Authentication & Art Appraisal

Serge Poliakoff (Поляков Серж) (1900-1969)

Do you think you may own a painting by Serge Poliakoff?

We Perform Serge Poliakoff art authentication. Serge Poliakoff appraisal. Serge Poliakoff certificates of authenticity (COA). Serge Poliakoff analysis, research, scientific tests, full art authentications. We will help you sell your Serge Poliakoff or we will sell it for you.

Composition 1957

Composition 1957

Serge Poliakoff was typical of many young Russian artists caught up in the ferment of art and politics early in the 20th century. Fleeing the Russian Revolution in 1917, he went first to Istanbul and then to Paris. He studied in Paris and at the Slade School in London from 1935. He was thus quite a late developer, meeting Kandinsky at what was for Poliakoff a formative stage. Poliakoff became a notable member of The School of Paris. In 1962 he became a French citizen, like so many of his émigré compatriots.

Seascape 1935

Seascape 1935

Poliakoff’s art is nothing if not consistent after WWII. His relationship with the ageing Kandinsky in the late 1930’s drove Poliakoff in the direction of abstract art. Prior to that he had oscillated around the Realist canon, true to his academic roots but unable to find clear bearings in an art world which had been permanently radicalized. Poliakoff’s Kandinskyesque geometric line and color works of the 1940’s are poor indeed compared to the master.

Composition 1948

Composition 1948

Composition 1948

Composition 1948

Poliakoff’s strength was as a colorist, and once he had dispensed with line he remained consistent for the rest of his life. His palette went through phases, from brighter to almost monochrome in the late 1950’s and mid-1960’s, but the overwhelming majority of his paintings follow the same pattern: a quadrangular arrangement of rectangular shapes each of one color but repeated in the picture, two, three or four colors only being used. The rectangular canvas is integral to this design, the composition usually being balanced in the corners.

Composition 1951

Composition 1951

Composition 1952

Composition 1952

Occasionally he tried diffusing, wavy monochrome patterns (as in the 1958 example below) but invariably reverted to type. Being primarily a colorist, Poliakoff’s trademark is a systematic arrangement of bright complementary colors, in effect linear arrangements of colored geometric blocks.

1958

1958

Today, Poliakoff’s paintings are housed all over the world, and perhaps in your own home. Still wondering about an abstract painting in your family estate? Contact us…it could be by Serge Poliakoff.


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1765--ingres.php Jean-Auguste-Dominique Ingres Artwork Authentication & Art Appraisal

Jean-Auguste-Dominique Ingres (1780-1867)

Get a Ingres Certificate of Authenticity for your painting (COA) for your Ingres drawing.

For all your Ingres artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ingres Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ingres painting or drawing.

If you want to sell your Ingres painting or drawing use our selling services. We offer Ingres selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ingres and issuing certificates of authenticity since 2002. We are recognized Ingres experts and Ingres certified appraisers. We issue COAs and appraisals for all Ingres artworks.

Our Ingres paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ingres certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ingres painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ingres paintings or drawings take longer.

Our clients include Ingres collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean-Auguste-Dominique Ingres art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Jean-Auguste-Dominique Ingres or we will sell it for you.

 

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Vow of Louis XIII

Jean-Auguste-Dominique Ingres was a highly successful and established painter. He was born in Montauban, in the Tarn et Garonne region of France. His Father was a painter, sculptor and violinist, and he taught Ingres all of these disciplines. In 1791, Ingres entered the Royal Academy of Arts in Toulouse, where he studied art, under the artist Joseph Roques and sculpture J.Vignan. In 1797, he moved to Paris, where he entered the studio of Jacques-Louis David. He was to go on to become a neoclassical painter, a major portrait painter of the 19th century, as well as an Orientalist.

In 1801, he won the Prix de Rome with his Ambassadeurs d’Agamemnon. He delayed his departure for Italy until 1806, where he remained until 1824. He then spent the last four years in Florence. Ingres adored Italy and was a life long admirer of Raphael. During his time in Italy, Ingres had a number of financial problems and was often forced to live hand to mouth, surviving by drawing portraits of wealthy French people on holiday.

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Madame Ingres

Upon his return to Paris, Ingres received the Croix de Legion de Honneur and was elected to the Institute of France. He also received a number of official commissions, including one to paint the Opotheosis of Homer on a ceiling of the Louvre and The Martyrdom of St. Symphorian for the Cathedral of Autun. He was, however, at the same time a violent opponent of the emerging Romantic movement in the world of art.

In 1825, Ingres opened a studio, which was attended by young artists such as, Amaury-Duval, Flandrin, Ziegler, and Chasseriau. Ingres was appointed the Director of the Villa de Medici in Rome and remained there from1835 to 1840. During these years in Rome, Ingres executed numerous portraits and also became very popular in official circles, which meant that he received a large number of commissions for large scale decorative works, as well as smaller literary and genre scenes.

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Adam and Eve

Despite the fact that he only traveled in Europe, Ingres has been labeled an Orientalist due to his interest in overtly unclassical and exotic themes. He was particularly taken with depicting the odalisque in his paintings, which was a female slave, or concubine, in the harems of the Middles East. Whilst in Rome in 1813, he was commissioned by the Queen of Naples, who was the sister of Napoleon to produce the famous painting La Grande Odalisque. Paintings showing the odalisque were produced time and time again by Ingres, but his artistic talent was at its best when portraying woman in all forms, which included portraits and nudes. He particularly liked to portray the odalisque in the Turkish bath. He had no first hand experience on which to draw on, and he therefore sought documentary evidence in the form of traveller’s accounts, especially the letters of Mary Wortley Montague describing the interior of the baths at Andrianopolis.

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Grande Odalisque

He particularly liked to portray the Odalisque in the Turkish Bath. He had no first hand experience on which to draw on. He therefore sought documentary evidence in the form of traveller’s accounts, and especially the letters of Mary Wortley Montague describing the interior of the baths at Andrianopolis.

The Louvre has a number of paintings of the Odalisque, including

Une Odalisque

, which was produced in 1814 and the Odalisque and the Slave. The painting, which is considered to be his masterpiece,

The Turkish Bath

, 1862 also hangs in the Louvre.

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Odalisque and Slave

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Turkish Bath

After his death, he left a huge bequest of his work to his home town of Montauban and are now in a museum bearing his name. Ingres was unique in the sense that he was an Orientalist painter who never visited the Orient.

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Jupiter and Thetis

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Untitled

Do you think you own a painting by Jean-Auguste-Dominique Ingres? Contact us. We are the Jean-Auguste-Dominique Ingres experts.


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1766--wyant.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "wyant" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "wyant" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1767--graff.php Anton Graff Artwork Authentication & Art Appraisal

Anton Graff (1736-1813)

Get a Graff Certificate of Authenticity for your painting (COA) for your Graff drawing.

For all your Graff artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Graff Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Graff painting or drawing.

If you want to sell your Graff painting or drawing use our selling services. We offer Graff selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Graff and issuing certificates of authenticity since 2002. We are recognized Graff experts and Graff certified appraisers. We issue COAs and appraisals for all Graff artworks.

Our Graff paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Graff certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Graff painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Graff paintings or drawings take longer.

Our clients include Graff collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Anton Graff art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Anton Graff or we will sell it for you.

Graff painting, Self-Portrait

Self-Portrait

Graff painting, Portrait of Princess Louise Auguste

Portrait of Princess Louise Auguste

Anton Graff was an 18th century German painter. Though born in Switzerland , Graff spent much of his life in Germany , and is considered by some art historians to be one of the most important painters of his time.

Graff painting, Portrait of Prince Heinrich XIII

Portrait of Prince Heinrich XIII

Graff served as a lecturer at the Dresden Academy , and was a highly sought after portrait painter. Towards the end of his life, Graff painted mainly landscapes, most likely due to failing eyesight or health conditions. He was a very prolific painter, and today, more than 2000 of his works survive.

Graff painting, Portrait of Conrad Ekhof

Portrait of Conrad Ekhof

Still wondering about an 18th century Italian painting in your family collection? Contact us…it could be by Graff.


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1768--casanova.php Francesco Giuseppe Casanova authentication and appraisal

Francesco Giuseppe Casanova (1727-1802)

Get a Casanova Certificate of Authenticity for your painting (COA) for your Casanova drawing.

For all your Casanova artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Casanova Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Casanova painting or drawing.

If you want to sell your Casanova painting or drawing use our selling services. We offer Casanova selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Casanova and issuing certificates of authenticity since 2002. We are recognized Casanova experts and Casanova certified appraisers. We issue COAs and appraisals for all Casanova artworks.

Our Casanova paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Casanova certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Casanova painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Casanova paintings or drawings take longer.

Our clients include Casanova collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francesco Giuseppe Casanova art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Francesco Giuseppe Casanova or we will sell it for you.

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Battle Scenes

Francesco Giuseppe Casanova was an 18th century Italian painter. He mainly painted battle scenes and lanscapes of the Italian countryside. Still wondering about an 18th century Italian battle scene in your family collection? Contact us…it could be by Francesco Giuseppe Casanova.


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1769--brangwyn.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "brangwyn" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "brangwyn" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1770--fabre.php François-Xavier-Pascal Fabre authentication and appraisal

François-Xavier-Pascal Fabre (1766-1837)

Get a Fabre Certificate of Authenticity for your painting (COA) for your Fabre drawing.

For all your Fabre artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Fabre Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fabre painting or drawing.

If you want to sell your Fabre painting or drawing use our selling services. We offer Fabre selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fabre and issuing certificates of authenticity since 2002. We are recognized Fabre experts and Fabre certified appraisers. We issue COAs and appraisals for all Fabre artworks.

Our Fabre paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fabre certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fabre painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fabre paintings or drawings take longer.

Our clients include Fabre collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform François-Xavier-Pascal Fabre art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your François-Xavier-Pascal Fabre or we will sell it for you.

Fabre painting, Gladiator In Repose

Gladiator In Repose

Fabre painting, Oedipus and the Sphynx

Oedipus And The Sphynx

François-Xavier-Pascal Fabre was an 18 th century French painter who studied under Jacques-Louis David. He moved to Paris at the age of 17 and studied at the Academie Royale Peinture et de Sculpture. In 1787, he won the Prix de Rome, which allowed him to study in Italy . Thereafter, he spent much of the rest of his life in Florence.

Fabre painting, View Of Florence

View Of Florence

Besides painting beautiful Classical style scenes of mythological figures, Fabre also painted portraits of notable figures of the day, including members of the Bonaparte family.

Fabre painting, Portrait Of Lucien Bonaparte

Portrait Of Lucien Bonaparte

Fabre painting, Vittorio Alfieri

Vittorio Alfieri

Still wondering about an 18th century French or Italian painting in your family collection? Contact us…it could be by François-Xavier-Pascal Fabre.


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1771--manfredi.php Bartolomeo Manfredi Artwork Authentication & Art Appraisal

Bartolomeo Manfredi (1582-1622)

Get a Manfredi Certificate of Authenticity for your painting (COA) for your Manfredi drawing.

For all your Manfredi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Manfredi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Manfredi painting or drawing.

If you want to sell your Manfredi painting or drawing use our selling services. We offer Manfredi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Manfredi and issuing certificates of authenticity since 2002. We are recognized Manfredi experts and Manfredi certified appraisers. We issue COAs and appraisals for all Manfredi artworks.

Our Manfredi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Manfredi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Manfredi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Manfredi paintings or drawings take longer.

Our clients include Manfredi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Bartolomeo Manfredi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Bartolomeo Manfredi or we will sell it for you.

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The Guardroom

Bartolomeo Manfredi was an Italian painter, a leading member of the Caravaggisti (followers of Michelangelo Merisi da Caravaggio) of the early 16th century. Manfredi was born in Ostiano, near Cremona. He may have been a pupil of Caravaggio in Rome—at his famous libel trial in 1603 Caravaggio mentioned that a certain Bartolomeo, accused of distributing scurrilous poems attacking Caravaggio’s detested rival Baglione, had been a servant of his. Certainly the Bartolomeo Manfredi known to art history was a close follower of Caravaggio’s innovatory style, with its enhanced chiaroscuro and insistence on naturalism, with a gift for story-telling through expression and body-language.

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Mars Chastizing Cupid

Caravaggio in his brief career—he rocketed to fame in 1600, was exiled from Rome in 1606, and was dead by 1610—had a profound effect on the younger generation of artists, particularly in Rome and Naples. And of these Caravaggisti (followers of Caravaggio), Manfredi seems in turn to have been the most influential in transmitting the master’s legacy to the next generation, particularly with painters from France and the Netherlands who came to Italy. Unfortunately no documented, signed works by Manfredi survive, and several of the forty or so works now attributed to him were formerly believed to be by Caravaggio. The steady disentangling of Caravaggio from Manfredi has made clear that it was Manfredi, rather than his master, who was primarily responsible for popularising low-life genre painting among the second generation of Caravaggisti.

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Bacchus and a Drinker

Manfredi was a successful artist, able to keep his own servant before he was thirty years old, “a man of distinguished appearance and fine behaviour” according to the biographer Giulio Mancini, although seldom sociable. He built his career around easel paintings for private clients, and never pursued the public commissions upon which wider reputations were built, but his works were widely collected in the 17th century and he was considered Caravaggio’s equal or even superior. His Mars Chastising Cupid offers a tantalising hint at a lost Caravaggio: the master promised a painting on this theme to Mancini, but another of Caravaggio’s patrons, Cardinal Francesco Maria Del Monte, had taken it, and Mancini therefore commissioned Manfredi to paint another for him, which Mancini considered Manfredi’s best work.

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Carita Romana

Manfredi died in Rome in 1622. Gerard Seghers (or Segers; 1589-1651) was one of his pupils. Still wondering about an Italian painting in your family collection? Contact us…it could be by Bartolomeo Manfredi.


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1772--lepicie.php Michael Nicolas Bernard Lepicie Artwork Authentication & Art Appraisal

Michael Nicolas Bernard Lepicie (1735-1784)

Get a Lepicie Certificate of Authenticity for your painting (COA) for your Lepicie drawing.

For all your Lepicie artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lepicie Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lepicie painting or drawing.

If you want to sell your Lepicie painting or drawing use our selling services. We offer Lepicie selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lepicie and issuing certificates of authenticity since 2002. We are recognized Lepicie experts and Lepicie certified appraisers. We issue COAs and appraisals for all Lepicie artworks.

Our Lepicie paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lepicie certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lepicie painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lepicie paintings or drawings take longer.

Our clients include Lepicie collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Michael Nicolas Bernard Lepicie art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Michael Nicolas Bernard Lepicie or we will sell it for you.

Lepicie painting, Woman Reading

Woman Reading

Michael Lepicie was an 18th century French painter. Lepicie was the son of an engraver, and he received his initial training from him. However, Lepicie gravitated more towards painting than engraving, and began to paint primarily historical and domestic genre scenes. Lepicie’s work is reminiscent of Greuze and Chardin, and today he is remembered for his interior domestic scenes.

Lepicie painting, Portrait of a Girl

Portrait of a Girl

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Michael Lepicie n


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1773--maritime.php Maritime Painters Artwork Authentication & Art Appraisal

Maritime Painters

Get a Maritime Certificate of Authenticity for your painting (COA) for your Maritime drawing.

For all your Maritime artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Maritime Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Maritime painting or drawing.

If you want to sell your Maritime painting or drawing use our selling services. We offer Maritime selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Maritime and issuing certificates of authenticity since 2002. We are recognized Maritime experts and Maritime certified appraisers. We issue COAs and appraisals for all Maritime artworks.

Our Maritime paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Maritime certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Maritime painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Maritime paintings or drawings take longer.

Our clients include Maritime collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Maritime Painters art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Maritime Painters or we will sell it for you.

Naval fleets gliding along calm waters, tiny ships being tossed about on a stormy sea; these are the works of talented Maritime Painters. Numerous European, American and Australian painters have looked to the seas for centuries for inspiration on painting some of the finest compositions in art history.

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The Four Days Battle by Abraham Storck 1666

Maritime art is perhaps one of the more collectible types of paintings on the art market today. Artists like Thomas Buttersworth, Joseph Turner, Eugene Boudin and many more were primarily maritime painters and created stunning seascapes of the Atlantic Ocean and other bodies of water. This love affair with the sea is resonated in a multitude of styles starting with Realism to Impressionism, and in a number of themes from war and adventure to majesty and serenity to simple port scenes.

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La Bassin, Deauvill by Eugene Boudin

Many of these maritime paintings have underlying themes, whether it is the hope of a new day echoed in a seaside sunrise or death and tragedy mirrored in a stormy sea. Some maritime paintings have considerably less thought put into them, and are simply fantastic documentations of naval fleets from days gone by.

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An Early Sailing Ship 1850’s by Gordon Grant

A maritime painting can be categorized into two groups: seascapes and vessel portraits. Seascapes are just what they sound like; landscapes of the sea. This could include the surrounding beaches, lighthouses, rocky cliffs or simply a calm blue horizon. Vessel portraits are also just what they sound like, and are paintings of majestic sailboats chartering dangerous waters, billowy sails blowing in the breeze.

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British Frigate and Brig by Thomas Buttersworth

As with most paintings, one of the most important aspects of finding the value or importance of a maritime painting rests in the name of the artist that created it. However, the rising popularity of maritime paintings may up the value of any seascape or vessel portrait.

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A Ship Sinking off of Fire Island New York 1920 by Francis Muller

Another thing to consider with maritime paintings is the history behind the scene which is pictured. Do you have a simple painting of a beach, or could it be a painting of Normandy Beach only a week before D-Day? Is your painting a simple portrait of a grand sailboat, or is it a portrait of a royal pleasure boat? With the right kind of research, you may be surprised to know that your maritime painting is actually far more important than you think.

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Two Decker off Gibraltar by William John Huggins

If you are still wondering about a seascape, painting of a boat or maritime painting in your family collection, contact us for more information on your valuable piece.


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1775--humphry.php Ozias Humphry Artwork Authentication & Art Appraisal

Ozias Humphry (1742-1810)

Get a Humphry Certificate of Authenticity for your painting (COA) for your Humphry drawing.

For all your Humphry artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Humphry Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Humphry painting or drawing.

If you want to sell your Humphry painting or drawing use our selling services. We offer Humphry selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Humphry and issuing certificates of authenticity since 2002. We are recognized Humphry experts and Humphry certified appraisers. We issue COAs and appraisals for all Humphry artworks.

Our Humphry paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Humphry certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Humphry painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Humphry paintings or drawings take longer.

Our clients include Humphry collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ozias Humphry art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ozias Humphry or we will sell it for you.

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Lady Elizabeth Berkeley 1770

Ozias Humphry was a leading English painter of portrait miniatures, later oils and pastels, of the 18th century. He was elected to the Royal Academy in 1791, and in 1792 he was appointed Portrait Painter in Crayons to the King (ie pastels). Born and schooled in Honiton, Devon, Humphrey was attracted by the gallery of casts opened by the Duke of Richmond and came to London to study art at Shipley’s school. He also studied art in Bath (under Samuel Collins, taking over his practice in 1762); in Bath, he lodged with Thomas Linley. As a young artist, his talent was encouraged by Thomas Gainsborough and Sir Joshua Reynolds, among others. His problems with his sight, which were finally to lead to blindness, began in the early 1770s and forced him to paint larger works in oils and pastel.

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Captain Constantine John Phipps 1779

He travelled to Italy in 1773 with his great friend George Romney, stopping en route at Knole, near Sevenoaks in Kent, where the Duke of Dorset commissioned several works from him. His stay in Italy lasted until 1777.

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The Rice Portrait, Claimed to Be of Jane Austen, 1790’s-1810’s

On his return, his numerous subjects included George Stubbs (1777), fellow Academician Dominic Serres, the chemist Joseph Priestley, and a portrait claimed to be of the teenage Jane Austen, from perhaps as early as 1790 (clothing styles suggest a later date), known as the “Rice” portrait after a later owner, though this has always been a controversial attribution of the sitter. This failed to reach its minimum estimate in a Christies auction in April 2007, and was withdrawn from sale. His pupils included John Opie. He compiled a fifty page manuscript A Memoir of George Stubbs, based on what Stubbs had related to him; it is the only contemporary biography. This was edited and privately published in the 1870’s and republished in 2005. He also knew William Blake, and commissioned copies of some of his illustrated books. At least one of Blake’s letters to him is a significant document for Blake’s biography.

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Miss. Copley

From 1785 to 1787, he traveled to India, producing many miniatures and sketches. He was elected a member of the Royal Academy in 1791. In 1792 he was appointed Portrait Painter in Crayons to the King. Most of his many portraits of the Royal Family are still in the Royal Collection.His sight finally failed in 1797 and he died in 1810 in Hampstead, north London.

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Portrait of Mrs. Pearson

The bulk of his possessions came into the hands of his natural son, William Upcott, the book collector. From him the British Museum acquired a large number of papers relating to Humphry. He is alluded to in some lines by Hayley.

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George Frederick Ryves

Still wondering about a British painting in your family collection? Contact us…it could be by Ozias Humphry.


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1776--jourdan.php Emile Jourdan Artwork Authentication & Art Appraisal

Emile Jourdan (1860-1931)

Get a Jourdan Certificate of Authenticity for your painting (COA) for your Jourdan drawing.

For all your Jourdan artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Jourdan Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Jourdan painting or drawing.

If you want to sell your Jourdan painting or drawing use our selling services. We offer Jourdan selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Jourdan and issuing certificates of authenticity since 2002. We are recognized Jourdan experts and Jourdan certified appraisers. We issue COAs and appraisals for all Jourdan artworks.

Our Jourdan paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Jourdan certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Jourdan painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Jourdan paintings or drawings take longer.

Our clients include Jourdan collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Emile Jourdan art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Emile Jourdan or we will sell it for you.

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La Chapelle de Trimalo

Jourdan was a student and friend of Gaugin, and his style is a direct fusion of his master’s influence and Oriental technique. In his time, Jourdan was called a “painter of light.” His paintings starkly contrasted that of his contemporaries because he painted pastoral scenes of the Brittany landscape with a Japanese flair. Jourdan was also known for the elimination of detail in his paintings; an almost stripped-down style that was both minimalist and aesthetically pleasing.

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Brittany Oriental Landscape

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Brittany Oriental Landscape 2

In 1883, Jourdan traveled to Algeria, and also to Finland in 1895. Towards the turn of the century, Jourdan began to paint with a more Impressionistic hand.

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Les Voiliers Rouges, 1889

He lived a bohemian lifestyle, as so many other painters of his time did, and traveled often, living in a number of places. Sadly, his bohemian lifestyle left him overcome by poverty and alcoholism and he died alone and abandoned in a retirement home in Quimperle.

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Rain at Pont Aven

Although his name today does not ring as familiar as his friend and teacher Gaugin, Jourdan left a distinct mark in art history. Today his work is housed all over France, and a street in the Brittany region in Vannes is even named in his honor. Still wondering about a curious Oriental-inspired French landscape in your home? It may be by Emile Jourdan…contact us to find out.


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1777--proctor.php Alexander Phimister Proctor Artwork Authentication & Art Appraisal

Alexander Phimister Proctor (1860-1950)

We Perform Alexander Phimister Proctor art authentication. Alexander Phimister Proctor appraisal. Alexander Phimister Proctor certificates of authenticity (COA). Alexander Phimister Proctor analysis, research, scientific tests, full art authentications. We will help you sell your Alexander Phimister Proctor or we will sell it for you.

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Buffalo

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Big Horn Mountain Sheep

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The Buckaroo

Alexander Phimister Proctor was born in 1860. Born in humble settings, he was destined to live in the West, a destiny that would shape his career. He was born in Canada but his family moved several times, finally settling in Colorado. Proctor was the fourth of eleven children.

Nicknamed “Young Phim”, Proctor had two interests as a child. They were the wilderness and art. He spent his time both drawing and fishing. His father was extremely supportive of his art talent and urged his son to take art lessons. Proctor attended public school until the 8th grade and then began an apprenticeship under engraver J. Harrison Mills.

Proctor realized it was necessary to travel to New York in order to receive formal art training, but he wasn’t financially able to do so. He experimented with different professions including mining in order to earn money for the trip. Finally, he had to sell his home in Colorado. 

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Sketch

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Stalking Panther

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Puma

In 1885, he moved to New York and enrolled in a class at the National Academy of Design. He began sketching wild animals in his spare time. After admiring the works of Antoine-Louis Barye, Proctor’s interests shifted from painting to sculpture.

For the next few years, he divided his time between the City where he needed to be for his training and the wilderness that was so dear to his heart. Throughout his almost 70 year career, he developed a reputation as one of the best animalier sculptors in America.

Proctor was an extremely talented artist, especially in his depictions of wild animals. His sculptures appear throughout the Bronx Zoo, and one can see how he displays all the different animals in his unique style. His style is a blend of naturalistic and lively. His last great commission is at the University of Texas in Austin. It’s titled Mustangs.

Today, Proctor is remembered for his sculpted monuments (usually of western themes) and his General Robert E. Lee in Dallas and Theodore Roosevelt in Portland Oregon.

During his lifetime, Proctor enjoyed a lot of recognition for his work. Among his honors were the prestigious Prix de Rome in 1898 and a Gold Medal at the Paris Universal Exposition.

Proctor was quoted as saying, “I am eternally obsessed with two deep desires- one, to spend as much time in the wilderness, and the other, to accomplish something worthwhile in art.”

Proctor, fondly remembered as the “sculptor in buckskin” died in 1950, having lived to achieve his two desires. His life was a long and happy one. He is remembered not only for his talent but also his good humor. He was a lover of intellectual challenges and he constantly strived to improve his art.

It is possible that undiscovered works of Phimister exist. Although many of his projects were large scale monuments, he produced some incredible smaller bronzes. Many of them echo the western themes of his larger monuments. They can be characterized by a naturalistic style that still resonates with life.

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Elephant

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Fate

done
1778--charreton.php Victor Charreton Artwork Authentication & Art Appraisal

Victor Charreton (1864-1936)

Get a Charreton Certificate of Authenticity for your painting (COA) for your Charreton drawing.

For all your Charreton artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Charreton Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Charreton painting or drawing.

If you want to sell your Charreton painting or drawing use our selling services. We offer Charreton selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Charreton and issuing certificates of authenticity since 2002. We are recognized Charreton experts and Charreton certified appraisers. We issue COAs and appraisals for all Charreton artworks.

Our Charreton paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Charreton certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Charreton painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Charreton paintings or drawings take longer.

Our clients include Charreton collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Victor Charreton art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Victor Charreton or we will sell it for you.

Born in Auverne, France, Victor Charreton grew up with an admiration for poetry and painting. However, he began his studies as a lawyer, but eventually gave it up for painting. Charreton studied under Ernest Hareux, Louis Japy and Armand Balouzet and held his first exhibition at the Salon in 1894. Despite the fact that he was already showing his work, Charreton could not devote himself entirely to painting until 1902 when he moved to Paris.

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Paysage a Sant Amand

Charreton would typically become known for his landscapes and city scenes, as well as for still life paintings. Critics have compared him to the likes of Monet, Sisley and Pissaro as he carried on the style and tradition of the old Impressionists.

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Coastal View

Although he was compared to the Impressionists, Charreton really walked a fine line between Fauvism and classical Impressionism. He was fond of bright colors and bold brushstrokes like the Fauves, but also honored the beauty and use of light that the Impressionists were known for. Typically, Charreton would work in oil and watercolor on either canvas or board, and his signature is usually present on the front of his compositions.

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A Paris Street Scene

In his lifetime Charreton traveled a great deal all over Europe from France to Belgium, Holland, Spain, England and even to Algeria. His work was also exhibited worldwide in New York, Japan, and even Toledo, Ohio.

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Village in Snow

Charreton won a silver medal at the Salon in 1913, and was also made an officer of the Legion of Honor. Charreton was even one of the founding members of the Salon d’Automne. Today, his work is housed all over the world, and perhaps even in your own home.

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Le Hameau

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Garden in Spring

If you believe you own a work of art by Victor Charreton, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Victor Charreton.


done
1779--twachtman.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "twachtman" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "twachtman" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1780--schnorr.php Julius Schnorr Artwork Authentication & Art Appraisal

Julius Schnorr von Carolsfeld (1794 -1872)

Get a Schnorr Certificate of Authenticity for your painting (COA) for your Schnorr drawing.

For all your Schnorr artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Schnorr Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Schnorr painting or drawing.

If you want to sell your Schnorr painting or drawing use our selling services. We offer Schnorr selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Schnorr and issuing certificates of authenticity since 2002. We are recognized Schnorr experts and Schnorr certified appraisers. We issue COAs and appraisals for all Schnorr artworks.

Our Schnorr paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Schnorr certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Schnorr painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Schnorr paintings or drawings take longer.

Our clients include Schnorr collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Julius Schnorr art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Julius Schnorr or we will sell it for you.

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Portrait of Klara Blanka von Quandt 1820

Julius Schnorr von Carolsfeld was aGerman painter. Schnorr was born at Leipzig, where he received his earliest instruction from his father Johann Veit Schnorr (1764-1841), a draughtsman, engraver and painter.

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The Wedding at Cana 1820

At seventeen he entered the Academy of Vienna, from which Johann Friedrich Overbeck and others who rebelled against the old conventional style had been expelled about a year before. In 1818 he followed the founders of the new artistic brotherhood, the Nazarene movement in their pilgrimage to Rome. This school of religious and romantic art abjured modern styles and reverted to and revived the principles and practice of earlier periods. At the outset an effort was made to recover fresco painting and monumental art, and Schnorr found opportunity of proving his powers, when commissioned to decorate with frescoes, illustrative of Ariosto, the entrance hail of the Villa Massimo, near the Lateran. His fellow-laborers were Cornelius, Overbeck and Veit.

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Ruth in Boaz’s Field 1828

His second period dates from 1825, when he left Rome, settled in Munich, entered the service of King Ludwig, and transplanted to Germany the art of wall-painting learnt in Italy. He showed himself qualified as a sort of poet-painter to the Bavarian court; he organized a staff of trained executants, and set about clothing five halls in the new palace with frescoes illustrative of the Nibelungenlied. Other apartments his prolific pencil decorated with scenes from the histories of Charlemagne, Frederick Barbarossa and Rudolph of Habsburg. These interminable compositions are creative, learned in composition, masterly in drawing, but exaggerated in thought and extravagant in style.

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Nude 1820

Schnorr’s third period is marked by his biblical illustrations. The artist was a Lutheran, and took a broad and un-sectarian view which won for his Pictorial Bible ready currency throughout Christendom. Frequently the compositions are crowded and confused, wanting in harmony of line and symmetry in the masses; thus they suffer under comparison with Raphael’s “Bible”. The style is severed from the simplicity and severity of early times, and surrendered to the florid redundance of the later Renaissance. Yet throughout are displayed fertility of invention, academic knowledge with facile execution. Biblical drawings and cartoons for frescoes formed a natural prelude to designs for church windows.

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Madonna and Child 1820

The painter’s renown in Germany secured commissions in Great Britain. Schnorr made designs, carried out in the royal factory, Munich, for windows in Glasgow cathedral and in St Paul’s Cathedral, London. This Munich glass provoked controversy: medievalists objected to its want of luster, and stigmatized the windows as colored blinds and picture transparencies. But the opposing party claimed for these modern revivals the union of the severe and excellent drawing of early Florentine oil-paintings with the coloring and arrangement of the glass-paintings of the latter half of the 16th century.

Schnorr died at Munich in 1872. His brother Ludwig Ferdinand (1789-1853) was also a painter. Still wondering about a 19th century painting in your family collection? Contact us…it could be by Julius Schnorr von Carolsfeld.


done
1781--homer.php Winslow Homer Artwork Authentication & Art Appraisal

Winslow Homer (1836-1910)

Get a Homer Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Homer artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Homer Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Homer painting, drawing or print.

If you want to sell your Homer painting, drawing or print use our selling services. We offer Homer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Homer and issuing certificates of authenticity since 2002. We are recognized Homer experts and Homer certified appraisers. We issue COAs and appraisals for all Homer artworks.

Our Homer paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Homer certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Homer painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Homer paintings or drawings take longer.

Our clients include Homer collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Winslow Homer art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Winslow Homer or we will sell it for you.

Picking Cotton

Picking Cotton

Hound and Hunter

Hound and Hunter

Canoe in the Rapids

Canoe in the Rapids

The Adirondack Guide

The Adirondack Guide

Winslow Homer was born in Boston, Massachusetts, and became an apprentice to a lithographer when he was 19 years old. By the time he was 21, Homer had established a successful freelance career as a magazine illustrator and contributed to magazines like “Harper’s Weekly” and “Ballou’s Pictorial.” Most of his early works were engravings, characterized by simplified forms, clean outlines and dramatic contrasts of dark and light. These initial qualities remained constant and were important foundations that would follow him throughout his career.

The Russian Ball

The Russian Ball

A Bivouac Fire on the Potomac

A Bivouac Fire on the Potomac

Self-Portrait ***YES, this is the correct name of the picture

Self-Portrait

Homer opened up his first studio in New York City in 1859, and officially began his career as a painter. He was sent by “Harper’s Weekly” to the front lines of the Civil War during this time to paint pictures of mundane camp life and scenes at the battlefield. After he returned home from the war, Homer set to work on creating a number of war related paintings which are noted today by art critics for their realism and objectivity.

Home Sweet Home 1863

Home Sweet Home 1863

In 1867, Homer traveled to Paris, France where he worked and lived for a year. While he was there, he honed his landscape painting skills and continued to work for “Harper’s Weekly.” While he showed great interest in the techniques used by the Impressionists during this time, his existing paintings show little proof that he implemented them.

Fox Hunt

Fox Hunt

Snap the Whip

Snap the Whip

From the 1870’s to the 1880’s, Homer became known for his idyllic scenes of young adults courting, children playing and farm life in general. He began to paint in watercolor in 1873, and unwittingly began to create works that would create a big impact on the use of the medium in the art world. These watercolor paintings were original, fresh and exquisitely executed, yet loose and spontaneous just the same. Homer loved the medium so much that he was even quoted as saying “I will live by my watercolors.”

Children Picking Apples

Children Picking Apples

Waiting an Answer

Waiting an Answer

By 1875, Homer retired from working as a commercial illustrator, and began to travel widely. He spent two years on the English coast of Northumberland, and created many seaside scenes. Upon his return to the United States, Homer settled in Maine, and continued to paint the seascapes that he is best known for today. During the winter months, Homer also took up residencies in Florida, Cuba and the Bahamas, and also spent some of his summers in the Adirondack Mountains and in Minerva, New York. He worked right up until his death at the age of 74, leaving his painting “Shoot the Rapids” unfinished.

The Gulf Stream

The Gulf Stream

A Fair Wind

A Fair Wind

Sloop, Nassau

Sloop, Nassau

Today, Homer’s work is housed in a number of prominent American public and private collections, and perhaps in your own home. Still wondering about a 19th century landscape or Civil War era illustration in your family estate? Contact us…it could be by Winslow Homer.


done
1782--azagury.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "azagury" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "azagury" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1783--carus.php Carl Gustav Carus Artwork Authentication & Art Appraisal

Carl Gustav Carus (1789 – 1869)

Get a Carus Certificate of Authenticity for your painting (COA) for your Carus drawing.

For all your Carus artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Carus Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Carus painting or drawing.

If you want to sell your Carus painting or drawing use our selling services. We offer Carus selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Carus and issuing certificates of authenticity since 2002. We are recognized Carus experts and Carus certified appraisers. We issue COAs and appraisals for all Carus artworks.

Our Carus paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Carus certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Carus painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Carus paintings or drawings take longer.

Our clients include Carus collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carl Gustav Carus art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Carl Gustav Carus or we will sell it for you.

art

Cemetary on Mount Oybin 1828

Carl Gustav Carus was a German physiologist and painter, born at Leipzig. A friend of Johann Wolfgang von Goethe, he was a many-sided man: a doctor, a naturalist, a scientist and a psychologist and an advocate of the theory that health of body and mind depends on the equipoise of antagonistic principles. A landscape painter, he had drawing lessons from Julius Diez and subsequently studied under Julius Schnorr von Carolsfeld at the Oeser drawing academy. From 1814 to 1817 he taught himself oil painting working under Casper David Friedrich, a Dresden landscape painter.

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Gondola on the Elbe near Dresden 1827

In 1811 he graduated as a doctor of medicine and a doctor of philosophy. In 1814 he was appointed professor of obstetrics and director of the maternity clinic at the teaching institution for medicine and surgery in Dresden. He wrote on art theory. He is best known to scientists for originating the concept of the vertebrate archetype, a seminal idea in the development of Darwin’s theory of evolution.

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Pilgrim in a Rocky Valley

Still wondering about a 19th century German painting in your family collection? Contact us…it could be by Carl Gustav Carus.


done
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done
1785--la-escalera-de.php Jose Nicolas De la Escalera Artwork Authentication & Art Appraisal

Jose Nicolas de la Escalera (1734-1804)

art

The Holy Trinity

The First Cuban Painter

Jose Nicolas De la Escalera is considered to be the first true Cuban painter. Perhaps there were others before him to, but Escalera’s work has stood the test of time, and he is believed to be the oldest known Cuban painter. Little is known about Escalera today, but certainly, he received training from one of the many artists or European artistocrats which streamed into Europe during the later half of the 1600’s.

Before his time, any art that existed on the island was primitive in nature by self-taught “mulattos” or was graphic art used for the production of tobacco ads. It was Escalera that started the beginnings of non-commercial painting and brought art to this island nation. Before Escalera, there were many European, non-native artists that would produce art on the island. Escalera was truly the first Cuban to produce work in the Classic style.

Much of the work that exists today of Escalera’s are portraits and religious imagery. Some have said that his painting is in the Cuban baroque style, and mostly grace the walls of churches and cathedrals in Cuba. One may compare him as the Cuban equivalent to Michelangelo, not necessarily because of style, but because of their similarities in subject matter and innovation in the world of art. Escalera uses a style which suggests European Classical styling, and this is echoed in his color choices, as well as subject matter.

While painting under the watchful eye of the clergy, Escalera was said to have had little control over the styles of his paintings. He would be commissioned for these jobs, and would paint in a style to please his patrons. However, Escalera would have a very playful color palate at times, which would echo in the clothing on the subjects in his paintings.

When Escalera was not commissioned for murals and art work, he would paint portraits of the early Cuban aristocracy. By doing this, Escalera was also documenting life on this somewhat remote country in some of their earliest known history. Escalera was also the first to paint a picture of a “negro” slave, which appeared in a painting in the Santa Maria del Rosario church.

To find a piece of Escalera’s work would not only be worthy artistic find, but a priceless piece of Cuban history as well. Today, Escalera’s work is housed at the Museuo Nacional de Bellas Artes in Havana, as well as in churches throughout Cuba. Could you own a historic piece of art from Jose Nicolas De la Escalera? The possibilities are endless. We would be glad to help you authenticate a piece of art from this original Cuban artist, the one who started it all in the Cuban art world.

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Virgin

done
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done
1787--jacquemin.php Jeanne Jacquemin Artwork Authentication & Art Appraisal

Jeanne Jacquemin (1863-1938)

Get a Jacquemin Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Jacquemin artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Jacquemin Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Jacquemin painting, drawing or print.

If you want to sell your Jacquemin painting, drawing or print use our selling services. We offer Jacquemin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Jacquemin and issuing certificates of authenticity since 2002. We are recognized Jacquemin experts and Jacquemin certified appraisers. We issue COAs and appraisals for all Jacquemin artworks.

Our Jacquemin paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Jacquemin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Jacquemin painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Jacquemin paintings or drawings take longer.

Our clients include Jacquemin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jeanne Jacquemin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jeanne Jacquemin or we will sell it for you.

Jeanne Jacquemin was a French Symbolist artist who was little known during her lifetime but is highly regarded by critics today. Until just recently, the details of her life were generally unknown. However, it has been discovered that Jacquemin did indeed live a tumultuous life.

art

Daydream

She was born to an unwed mother and did not become “legitimized” until her stepfather adopted her in 1874. Four years later, she became an orphan and at the age of 18 married illustrator Edouard Jacquemin. They were a bohemian couple, and she became an artist while he worked at the Musee d’histoire naturelle.

art

The Painful and Glorious Clown

Jacquemin first exhibited in 1892 at Le Barc at Bouteville and unveiled her Symbolistic works to a harsh crowd. Her critics deemed her work to be too decadent, morbid and even narcissistic. By this time, she was living with a friend of the painter Puvis de Chavannes, and later worked at La Salpêtrière. She married Lucien Pautrier, a physician in 1902, whom she later divorced.

Jacquemin married again in 1921 to Sedir, a mystic and famous occult leader. Most of Jacquemin’s paintings can easily be identified by the sad figures which haunt her canvases. These paintings likely mirrored the anguish Jacquemin felt inside, and usually featured waif-like or gaunt women in dreamlike states or deep in anguished thought. It was typical of Jacquemin to use lighter mediums such as pastels in her dream-like compositions and darker colors in her darker themed pieces, such as in the lithograph “Coup de Suavite.”

Still wondering about a Symbolist French painting hanging in your home? Contact us…it could be by Jeanne Jacquemin.


done
1788--fossati.php Davide Antonio Fossati Artwork Authentication & Art Appraisal

Davide Antonio Fossati (1708-1779)

Get a Fossati Certificate of Authenticity for your painting (COA) for your Fossati drawing.

For all your Fossati artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Fossati Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fossati painting or drawing.

If you want to sell your Fossati painting or drawing use our selling services. We offer Fossati selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fossati and issuing certificates of authenticity since 2002. We are recognized Fossati experts and Fossati certified appraisers. We issue COAs and appraisals for all Fossati artworks.

Our Fossati paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fossati certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fossati painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fossati paintings or drawings take longer.

Our clients include Fossati collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Davide Antonio Fossati art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Davide Antonio Fossati or we will sell it for you.

Fossati painting, Landscape

Landscape

Davide Antonio Fossati was an 18th century Swiss artist. He mainly created etchings of landscapes. Though he was born in Switzerland , he eventually settled in Venice , Italy , where many of his landscapes are set.

Fossati painting, Landscape With Rain And Horseback Riders

Landscape With Rain And Horseback Riders

Still wondering about an 18 th century landscape etching in your family collection? Contact us…it could be by Davide Antonio Fossati.


done
1789--khrustky.php Alexander Ivan Khrustky Artwork Authentication & Art Appraisal

Ivan Khrustky Иван Фомич Хруцкий (1810-1885)

Get a Khrustky Certificate of Authenticity for your painting (COA) for your Khrustky drawing.

For all your Khrustky artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Khrustky Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Khrustky painting or drawing.

If you want to sell your Khrustky painting or drawing use our selling services. We offer Khrustky selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Khrustky and issuing certificates of authenticity since 2002. We are recognized Khrustky experts and Khrustky certified appraisers. We issue COAs and appraisals for all Khrustky artworks.

Our Khrustky paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Khrustky certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Khrustky painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Khrustky paintings or drawings take longer.

Our clients include Khrustky collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alexander Ivan Khrustky art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alexander Ivan Khrustky or we will sell it for you.

Self-Portrait 1883

Self-Portrait 1883

Ivan Khrutsky was a Russian-Polish painter known for his still life paintings and portraits. He was born Ivan Fomich Khrutsky into a family descended from Polish gentry in the village of Ulka, Vitebsk Gubernia (currently Belarus). In 1827, Khrutsky came to St. Petersburg and in 1830 entered the Imperial Academy of Arts.

Still Life, Flowers and Fruit 1839

Still Life, Flowers and Fruit 1839

His first known works are dated 1832. The paintings gradually gathered public and critical acclaim. Khrutsky also worked as an interior designer, and became a popular amongst the wealthy home owners. In 1836, Khrutsky was awarded the Major Silver medal of the Academy for his still-lifes. Khrutsky also executed nice genre pictures and portraits. Old Woman Knitting a Sock, brought him the Minor Gold medal of the Academy. In 1839 he was awarded the title of the Academician.

Family Portrait 1854

Family Portrait 1854

After his father’s death in 1840 Khrutsky left St. Petersburg forever and settled in the family estate Zakharevichi, Polotsk region. This period was one of commisioned religious art, mostly from Lithuania. Besides religious paintings he also worked on portraits, such as I.I. Glazunov’s, Joseph Semashko’s, Mikolay Malynovsky’s and others. He died in 1885.

Girl with Fruit 1850's

Girl with Fruit 1850’s

Still wondering about a 19th century Russian painting in your family collection? Contact us…it could be by Ivan Khrutsky.


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1790--dufresne.php Charles Dufresne Artwork Authentication & Art Appraisal

Charles Dufresne (1876-1938)

Get a Dufresne Certificate of Authenticity for your painting or a COA for your Dufresnedrawing, print or sculpture.

For all your Dufresneartworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Dufresne Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dufresnepainting, drawing, print or sculpture.

If you want to sell your Dufresnepainting, drawing, print or sculpture use our selling services. We offer Dufresne selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dufresneand issuing certificates of authenticity since 2002. We are recognized Dufresneexperts and Dufresne certified appraisers. We issue COAs and appraisals for all Dufresne artworks.

Our Dufresnepaintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dufresnecertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dufresnepainting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dufresnepaintings, drawings or sculptures take longer.

Our clients include Dufresnecollectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles Dufresne art authentication, Charles Dufresne appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Charles Dufresne or we will sell it for you.

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Nude, 1929

Charles Dufresne was a French Expressionist painter. He left school at the age of 11 and worked as an apprentice to an engraver. Dufresne would eventually make his way to Paris to study at the Ecole des Beaux-Arts. Here he worked under the artist Hubert Ponscarme.

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Bain Maure

Dufresne had his first one-man exhibit in 1905 at the Salon des Independents in Paris, and traveled to Italy the following year. Dufresne traveled to Algeria in 1912, and became fascinated by the people and lifestyle of the Algerians. This time in Algeria would also impact his color palate and subjects in future compositions.

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Abd El Tif, 1912

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Algerian Oasis

Prior to his time in Algeria, Dufresne mainly painted typical Parisian café scenes in pastels. However, after his trip to Algiers, Dufresne used mainly oil and he painted Oriental scenes more and more.

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Oriental Scene, 1936

Dufresne exhibited often during his lifetime in Paris, Brussels and London, and participated in a number of Paris salons. While Dufresne is typically known for his paintings, he created sculptures and murals as well as cartoons and lithographs.

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Etching, 1919

Today Dufresne’s paintings are housed worldwide, including the Pompidou Center in Paris, and perhaps even in your own home.


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1791--vecchio.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vecchio" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vecchio" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "vecchio" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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1792--vasilyev.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vasilyev" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vasilyev" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "vasilyev" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

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1793--walkowitz.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "walkowitz" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "walkowitz" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1794--manet.php Edouard Manet Artwork Authentication & Art Appraisal

Edouard Manet (1832-1883)

Get a Manet Certificate of Authenticity for your painting or a COA for your Manet drawing or sculpture.

For all your Manet artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Manet Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Manet painting, drawing or sculpture.

If you want to sell your Manet painting, drawing or sculpture use our selling services. We offer Manet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Manet and issuing certificates of authenticity since 2002. We are recognized Manet experts and Manet certified appraisers. We issue COAs and appraisals for all Manet artworks.

Our Manet paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Manetcertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Manet painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Manet paintings, drawings or sculpture take longer.

Our clients include Manet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Edouard Manet art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Edouard Manet or we will sell it for you.

Olympia 1863

Olympia 1863

Edouard Manet was born into the bourgeois class to noble Parisian parents. Manet was taught how to draw as a young boy by his uncle, and later on studied at College Rollin. After a failed attempt at being a naval sailor, Manet decided to try his hand at painting.

The Fifer 1866

The Fifer 1866

Though claiming not to be a radical artist or a bohemian, Manet was considered a leader in experimental art. His work reflected life in Paris and the people who lived there, and echoed the changes in society that were happening at that time. It was the work of Manet that helped to make a transition in the art world from Realism to Impressionism.

The Picnic 1862-1863

The Picnic 1862-1863

While Manet studied the Old Masters in Italy and Germany, it was the works of Velasquez and Goya that truly influenced him. Manet went on to create his own style of Contemporary Realism. Even though he was often in the company of Impressionists, he had no designs to join their group, and was annoyed when critics confused him with Monet. Manet fulfilled his wish of not wanting to be grouped together with the Impressionists, for no known work to this day of his can truly be described as “Impressionist.”

Angelina 1865

Angelina 1865

One way to spot a Manet is to study the subjects in the painting. Though from the bourgeois class, Manet chose to depict less savory members of society; prostitutes, beggars and substance abusers. His work reflected modern day life and was almost always controversial. While Manet liked to stress that he was no radical, his subject matter proved to be otherwise. Manet pushed the boundaries of society with his famous paintings “Olympia” (housed at the Louvre) and “Le Dejeuner Sur l’herbe” both painted in 1863. In both of these paintings, a nude woman is in the company of clothed people and critics and society found this to be shocking. In fact, “Olympia” was inspired by Titians classical work “Venus of Urbino” (1538). A scandal erupted from Manets’ contemporary take on a masters’ classic. In the eyes of the art world at the time, the subject matter of Paris’s less fortunate was not deemed worthy of “high art”.

Nude 1872

Nude 1872

Manet received much criticism for depicting Paris’s “indigents” in the way of the old masters. However, one only has to look at his work to notice that he often distanced himself from his subjects. The paintings, from his point of view, are that of an outsider. This may be stemmed from his bourgeois upbringing, and is certainly another way of translating a Manet in question.

Plum Brandy 1877-1878

Plum Brandy 1877-1878

While the majority of Manet’s work surrounds Parisian life, he also did a number of seascapes from 1864-1881. While his color palate is more vibrant than his contemporary, Claude Monet, their seascapes bear striking resemblance to each other. Much like other artists of the time, Manet’s studio was ransacked during the Franco-Prussian war. This leaves a possibility that there is some missing Manet work from the spring of 1871, partially done or otherwise, hanging on someone’s wall or tucked away in a basement.

Claude Monet Painting on his Studio Boat 1874

Claude Monet Painting on his Studio Boat 1874

Manet may have other lost work due to his apparent inability to handle criticism. In 1864, Manet exhibited a large oil painting called “The Incident of a Bullfight” which was scoffed at and panned.

Dead Torreador 1864

Dead Torreador 1864

Frustrated, Manet cut up his canvas and reworked the pieces into smaller individual paintings. The result was his famous painting “The Dead Toreador” as well as the lesser known “The Bullfight”. It is said that Manet left no record of the original “Incident” piece, and apparently threw out the rejected parts of his canvas. Could Manet have done the same thing with other paintings? This leaves a very wide possibility for partial works to be unknown and in existence. These works may also be unsigned and unframed if they were simply extra pieces of a rejected work.

Woman with Fans 1873

Woman with Fans 1873

Manet also did illustrations for books, such as “Les Chats” by Champfleury. In 1875, Manet collaborated with Edgar Allen Poe and did five etchings for the French translated edition of his poem “The Raven”. Only 240 copies of this text, “Le Corbeau” were ever produced, and did not sell well. To find an original copy of this book, or the poster or lithographs that were made in conjunction with the books would be a rare find.

Berthe Morisot 1872

Berthe Morisot 1872

Though disliked through much of his career, an original Manet would market in the millions of dollars today. Still wondering about a painting in your family collection? Contact us…it could be by Edouard Manet.


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1795--dauzats.php Adrien Dauzats Artwork Authentication & Art Appraisal

Adrien Dauzats (1804-1868)

Get a Dauzats Certificate of Authenticity for your painting (COA) for your Dauzats drawing.

For all your Dauzats artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dauzats Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dauzats painting or drawing.

If you want to sell your Dauzats painting or drawing use our selling services. We offer Dauzats selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dauzats and issuing certificates of authenticity since 2002. We are recognized Dauzats experts and Dauzats certified appraisers. We issue COAs and appraisals for all Dauzats artworks.

Our Dauzats paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dauzats certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dauzats painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dauzats paintings or drawings take longer.

Our clients include Dauzats collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Adrien Dauzats art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Adrien Dauzats or we will sell it for you.

Adrien Dauzats was born in Bordeaux in 1804. He was a painter, illustrator, and writer. His early training was as a theatrical scene painter, and designer of lithographs. He first worked in Bordeaux under Pierre Lacour. He later became an assistant to the scene painter Thomas Olivier, who was the Chief Decorator at the Grand Theatre in Bordeaux. He moved to Paris, and joined the studio of Julien Michel Gue, the historical and landscape painter. Julien Gue recommended him to the decorators of the Theatre Italien, as well as Mattis, Desroches and Blanchard.

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Eglise De Guebwiller

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Passage Des Portes De L’Enfer

Dauzats had a very close association with Baron Isidore Justin Severin Taylor, who was the Royal commissioner for the Theatre Francais dating from 1827. Baron Isidore Taylor was responsible for editing, “Voyages pittoresques et romantiques dans l’ancienne France.” He was also an avid collector of lithographed drawings, and paintings. Dauzats, together with Bonnington, Villeneuve and Ebeniste Fragomand contributed designs for lithographs to the, ‘Voyages pittoresques dans l’ancienne France.’

It was through Baron Isidore Taylor that Dauzats made his first voyage to Eygpt, Syria, Palestine, and Turkey in 1830 on a civil matter. He was employed as a lithographer, and the main purpose of the mission was to secure two obelisks from the ruins of Thebes.

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Porte D’Alger A Blidah

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The Mosque Of Al Azhar

The travelling party arrived in Cairo, and spent several weeks there, before setting off to cross the Sinai desert. After three weeks they reached the monastery of St Catherine. The party spent a number of days there, sketching, and getting used to their surroundings. Dauzats described his time there as, “the most perfectly spent and happiest of my life.” The monastery of St. Catherine was very popular with artists, and writers of the nineteenth century. Dauzats was to produce a painting of the Monastery, entitled, “Monastery of St. Catherine, Mount Sinai,” which now hangs in the Louvre. Art critics have commented that Dauzats training in the theatre, together with his ability to create the ‘picturesque,’ within the confines of a stage is very apparent in this magnificent imposing painting of the monastery.

Dauzats was very interested in depicting the architecture of the Orient, in his paintings. Paintings such as, “Portes de Fer,” which now hangs in the Musee des Beaux Arts in Lille and “Sinbad le marin,” which is in the Musee des Beaux Arts in Bordeaux, show his fascination with the picturesque,and emotive qualities of architecture.

Dauzats had a love of the use of strong colours in his works, and Oriental subject matters, gave him the perfect scope to use them to good effect. We need only look at the rich and opulent colours of the costumes of the Orient to understand why he was seduced by this.

Dauzats was also admired by Delacroix, a fellow Orientalist. Delacroix particularly admired his technical skill as an architectural painter. Delacroix consulted him on the background for the Deux Foscari, and Dauzats for his part helped to promote local interest in Delacroix in his native Bordeaux.


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1796--janscha.php Lorenz Janscha Artwork Authentication & Art Appraisal

Lorenz Janscha (1746-1812)

Get a Janscha Certificate of Authenticity for your painting (COA) for your Janscha drawing.

For all your Janscha artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Janscha Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Janscha painting or drawing.

If you want to sell your Janscha painting or drawing use our selling services. We offer Janscha selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Janscha and issuing certificates of authenticity since 2002. We are recognized Janscha experts and Janscha certified appraisers. We issue COAs and appraisals for all Janscha artworks.

Our Janscha paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Janscha certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Janscha painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Janscha paintings or drawings take longer.

Our clients include Janscha collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lorenz Janscha art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lorenz Janscha or we will sell it for you.

Janscha painting, Landscape

Landscape

Lorenz Janscha was an 18th century painter who was born in Slovenia and spent most of his life in Austria . He studied at the Viennese Fine Art Academy under one of the masters of landscape painting, Johann Christian Brand. He was known for painting Austrian and Czech landscapes as well as historical scenes.

Janscha painting, View of Worms

View of Worms

Still wondering about an 18th century European landscape or history painting in your family collection? Contact us…it could be by Lorenz Janscha.


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1797--lopez-espanol.php Cándido López Artwork Authentication & Art Appraisal

Cándido López 1840 – 1902

We Perform De padres argentinos y nacido en la ciudad de Buenos Aires en 1840, Cándido López muestra tempranamente aptitud para la pintura. Ha sido categorizado en el conjunto naïf, célebre por sus cuadros históricos sobre la Guerra de la Triple Alianza. Tuvo como maestros a Baldassare Verazzi y Carlos Descalzo. Inicia su carrera artística como fotógrafo daguerrotipista, lo que le ayudaría para su posterior carrera como pintor: se hizo observador de encuadres, minucioso por la realidad, y se interesó por documentar lo que veía como momentáneo, para intentar “eternizarlo”.

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200px Candido lopez selfportrait 1858

 

En 1860 instaló su hogar en Mercedes donde dos años más tarde retrató al recientemente asumido presidente Bartolomé Mitre.

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lopez desembarco de tropas aliadas 1860

 

En 1863 trabó amistad con el pintor muralista Ignacio Manzoni, quien promovió en él la idea de explorar los colores y las perspectivas

Estaba planeando un viaje de perfeccionamiento a Europa cuando estalla la guerra del Paraguay se enrola en el Batallón San Nicolás y va a la zona de conflicto con el grado de teniente segundo.

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lopez invernada del ejercito oriental 1866

 

Participó en los combates de Paso de la Patria e Itapirú. Durante el tiempo libre entre combates – su regimiento no participó en operaciones ofensivas en ese período- pintó varios paisajes de campamentos militares. Los envió a Buenos Aires, donde fueron vendidos y se hicieron muy populares, ya que la población estaba interesada en cualquier cosa que la acercara a la situación en el frente de combate. En septiembre de 1866 es herido en la batalla de Curupaytí y pierde parte del brazo derecho. Cuando recupera progresivamente la salud comienza a educar su mano izquierda, con la que realiza la mayor parte de su obra conocida.

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lopez pasaje del arroyo san joaquin 1865

 

En 1872 se casa con Emilia Magallanes con la que tiene doce hijos. En 1879 se traslada de Carmen de Areco, concluyendo allí los 29 óleos basados en apuntes tomados durante la guerra, que expone en marzo de 1885.

Para desplegar las escenas de las batallas, los movimientos y desembarcos de las tropas y la vida en los campamentos, el pintor eligió sobre todo un formato muy poco usual de telas muy horizontales, en una proporción de uno a tres, que le permitía narrar con todo detalle acciones múltiples y simultáneas y describir los escenarios naturales en que transcurrían los episodios. Al mismo tiempo, optó por puntos de vista altos que extienden aún más la profundidad de las perspectivas, pudiendo desarrollar las acciones bélicas en superficies de terreno que se prolongan extensas hasta las líneas de horizonte ubicadas en la parte superior de los cuadros. El color, tan definitorio de su pintura, no es resultado de la fidelidad visual sino de la memoria emotiva y del aprendizaje juvenil anterior a la guerra. López ya reconocido como pintor-soldado inválido, se afianzó en un modo de representación, sostenido en la minuciosidad de los detalles de pequeñas anécdotas, el punto de vista alto y las vistas panorámicas, en el efecto de la narración de la cotidianidad de los campamentos –tan presente en la literatura sobre la guerra-, en los movimientos de las tropas y los avances hacia la batalla.

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lopez retrato de bartolome mitre 1862

 

López trabaja todas las imágenes con el detalle de la miniatura aplicado a obras, sin embargo, de gran tamaño. Crea estructuras pictóricas simples y firmes entre los planos de tierra y de cielo y las construcciones de los campamentos y las presencias de ríos, esteros, árboles y montes. Se trata de cuadros armados sobre el valor de la narración total y de los fragmentos, y sobre su veracidad documental.

Entre 1888 y 1895 sigue trabajando instalado en la localidad de Merlo. Pintan entonces cuadros sobre la guerra del Paraguay a partir de sus libretas de apuntes del campo de batalla, pero también empieza a cultivar con mayor frecuencia la naturaleza muerta y los bodegones, algunos de los cuales firma como “Zepol” (reversión de su apellido.

En 1895 establece su taller en el Cuartel de Inválidos en Buenos Aires. Su obra Ataque del Boquerón- Batalla del Sauce forma parte de la exposición organizada en el Pabellón Argentino de 1898 y es adquirida por el Museo Histórico Nacional.

Murió en 1902 siendo enterrado en la bóveda del Círculo Militar del Cementerio de la Recoleta.


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1798--kensett.php John Frederick Kensett Artwork Authentication & Art Appraisal

John Frederick Kensett (1816-1872)

Get a Kensett Certificate of Authenticity for your painting (COA) for your Kensett drawing.

For all your Kensett artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Kensett Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Kensett painting or drawing.

If you want to sell your Kensett painting or drawing use our selling services. We offer Kensett selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Kensett and issuing certificates of authenticity since 2002. We are recognized Kensett experts and Kensett certified appraisers. We issue COAs and appraisals for all Kensett artworks.

Our Kensett paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Kensett certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Kensett painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Kensett paintings or drawings take longer.

Our clients include Kensett collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John Frederick Kensett art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Frederick Kensett or we will sell it for you.

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An Ilex Tree on Lake Albano, Italy 1846

Artist John Frederick Kensett was born on March 22, 1816 in Cheshire, Connecticut, and died on December 14, 1872 in New York City. He attended school at Cheshire Academy, and studied engraving with his immigrant father, Thomas Kensett, and later with his uncle, Alfred Dagget. He worked as engraver in the New Haven area until about 1838, after which he went to work as a bank note engraver in New York City.

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The Old Pine, Darien, Connecticut

In 1840, along with Asher Durand and John William Casilear, Kensett traveled to Europe in order to study painting. There he met and traveled with Benjamin Champney. The two sketched and painted throughout Europe, refining their talents. During this period, Kensett developed an appreciation and affinity for 17th century Dutch landscape painting. Kensett and Champney returned to the United States in 1847. After establishing his studio and settling in New York, Kensett traveled extensively throughout the Northeast and the Colorado Rockies as well as making several trips back to Europe.

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Beacon Rock, Newport Harbor 1857

Kensett is best known for his landscape of upstate New York and New England and seascapes of coastal New Jersey, Long Island and New England. He is most closely associated with the so-called “second generation” of the Hudson River School. Along with Sanford Robinson Gifford, Fitz Hugh Lane, Jasper Francis Cropsey, Martin Johnson Heade and others, the works of the “Luminists,” as they came to be known, were characterized by unselfconscious, nearly invisible brushstrokes used to convey the qualities and effects of atmospheric light. It could be considered the spiritual, if not stylistic, cousin to Impressionism.

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Niagara Falls 1851

In 1851 Kensett painted a monumental canvas of Mount Washington that has become an icon of White Mountain art. Mount Washington from the Valley of Conway was purchased by the American Art Union, made into an engraving by James Smillie, and distributed to 13,000 Art Union subscribers throughout the country. Other artists painted copies of this scene from the print. Currier and Ives published a similar print in about 1860. This single painting by Kensett helped to popularize the White Mountain region of New Hampshire.

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Mount Washington from the Valley of Conway

Kensett’s style evolved gradually, from the traditional Hudson River School manner in the 1850s into the more refined Luminist style in his later years. By the early 1870s Kensett was spending considerable time at his home on Contentment Island, on Long Island Sound near Darien, Connecticut. It was during this time that Kensett painted some of his finest works. Many of these were spare and luminist seascapes, the prime example being Eaton’s Neck, Long Island (1872) now in the collection of the Metropolitan Museum of Art in New York.

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Bash Bish Falls 1855

The artist was widely acclaimed and financially successful during his lifetime. In turn, he was generous in support of the arts and artists. He was a full member of the National Academy of Design, the founder and president of the Artists’ Fund Society, and a founder and trustee of the Metropolitan Museum of Art. Kensett contracted pneumonia (perhaps during the attempted rescue of the wife of his friend and fellow artist Vincent Colyer in Long Island Sound) and died of heart failure at his New York studio in December of 1872.

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View of the Hudson 1865

Still wondering about a 19th century American painting in your family collection? Contact us…it could be by John Frederick Kensett.


done
1799--bernard.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bernard" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bernard" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1800--acosta.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "acosta" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "acosta" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1801--velasco.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "velasco" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "velasco" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1802--zucchi.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "zucchi" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "zucchi" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1803--renoir.php Pierre-Auguste Renoir Artwork Authentication & Art Appraisal

Pierre-Auguste Renoir (1841 – 1919)

Get a Renoir Certificate of Authenticity for your painting (COA) for your Renoir drawing.

For all your Renoir artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Renoir Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Renoir painting or drawing.

If you want to sell your Renoir painting or drawing use our selling services. We offer Renoir selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Renoir and issuing certificates of authenticity since 2002. We are recognized Renoir experts and Renoir certified appraisers. We issue COAs and appraisals for all Renoir artworks.

Our Renoir paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Renoir certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Renoir painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Renoir paintings or drawings take longer.

Our clients include Renoir collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pierre-Auguste Renoir art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pierre-Auguste Renoir or we will sell it for you.

Best known for his paintings that depict people in candid, real-life compositions, especially the female nude, and scenarios that are pleasant, beautiful and giddy, French oil painter Pierre-Auguste Renoir is considered to be a founding member of the Impressionist movement. With his enthusiasm and determination to be distinctive, Renoir gave the movement a new flair by breaking from its contemporary style and combining it with more traditional, classicism.

His unique style of painting has made him one of the most famous painters of all-time, despite that some critics consider him overvalued. This is evident in a recent review of his work exhibited at the National Art Center Tokyo, where C.B. Liddell called him “one of the most overrated individuals to ever push a brush” in Metropolis Art & Entertainment magazine.

Despite this, Renoir continues to have a huge following and his artwork is of the most reproduced, such as his The Bathers and Nude in the Sun. His work is much sought after, selling for millions, with one of his best works, the Dance at Le Moulin de la Galette, painted in 1876 and depicting a large, outside gathering of people who are dancing, drinking and having fun, selling for $78.1 million in 1990.

Renoir’s use of the soft light fused with the placement of figures, his use of broken brush strokes and freely touched bright, vivid colors, his contrasting lines and his candid subject matter, largely of female figures, make his paintings easily identifiable. He drew inspiration from artists like Boucher, Fragonard, Watteau, Corot, Courbet and Manet.

Renoir painting, Two Young Girls at the Piano

French Young Girls at the Piano, 1889

Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, on February 25, 1841, to a working class family. He began painting at 13 when he found a job as a porcelain painter in a Parisian factory. He was noticed for his talent at drawing, and was chosen to create flower designs on fine china, decorations on fans and wall hangings.

In 1862, he began studying art at the studio of Swiss Artist Charles Gleyre in Paris. There he met fellow students Alfred Sisley, Frederic Bazille and Claude Monet. Renoir and Monet began sketching on the Seine River banks together. They teamed up as they practiced painting light and water in the open air (en-plein-air), and realized that shadows are not brown or black, but a reflective color of the objects that surround them. This is known as diffuse reflection. With this in mind, they broke from the traditional way of painting, and within a few years developed their now famous technique of using light colors with quick brush strokes to define the then modern art form of Impressionism. One of Renoir’s best known Impressionist works that depicts an open-air scene is his 1876 Dance at Le Moulin de la Galette (Bal du Moulin de la Galette). The painting shows people crowded at a garden dance on the Butte Montmartre, which is close to where he lived.

Dance at Le Moulin de la Galette

Dance at Le Moulin de la Galette, 1876

Renoir sketch, On the Terrace of a Hotel in Bordighera: The Painter Jean Martin Reviews his Bill, 1881

On the Terrace of a Hotel in Bordighera: The Painter Jean Martin Reviews his Bill, 1881

In his studies, Renoir was influenced by a wide range of artists from various time periods, such as the realism of Edouard Manet and Gustave Courbet, the coloring of Eugene Delacroix, the luminosity of Camille Corot and the movement of Edgar Degas, as evident in his first paintings that resemble their styles. He frequently visited the Louvre museum where he studied the works of French masters such as Boucher, Fragonard and Watteau, which inspired him to create a classic form while retaining the bright-colored palette central to Impressionism.

The diversity of his tastes helped Renoir develop his technique of broken brush strokes and bright colors that portrayed light and movement. He also became good at illustrating facial expressions as he painted portraits of his young artist and writer friends. He enjoyed painting figures, of women in particular, which is what inspired him to paint works that capture real-life scenarios with pleasant, non-political themes.

Renoir painting, Diana, 1867

Diana, 1867

In these early years, Renoir struggled and often could not afford paint. Further difficulties with family friends led to the loss of much-needed support and a favorite painting spot that was located near a scenic forest where he could no longer go. This resulted in a change of subject matter, when he turned to portraits in the late 1870s.

Renoir painting, The Swing (La Balançoire), 1876

The Swing (La Balançoire), 1876

In 1864, Renoir had his first exhibition at the “Paris Salon,” but his work was still not well-known. It would be another 10 years before he was recognized, which came in 1874 when six of his paintings were hung in the first Impressionist exhibition. In the same year, two of his works were shown in London.

In his middle years, Renoir’s works were typically Impressionist compositions of real life, with bright colors and vivid light. However, in 1881 when Renoir traveled to Italy, Algeria and Madrid, he was further inspired by the works of Raphael and other Renaissance masters, such as Diego Velazquez, Eugene Delacroix, Titian and Rubens. After this, his art went in a new direction as he broke with Impressionism. He began to experiment with the more linear, disciplined and formal style of painting portraits, such as with his Bathers, 1884-87. It is said that Renoir used a palette of just five colors, having learned to combine colors when he was a porcelain painter.

Renoir painting, The Bathers, 1884-87

The Bathers, 1884-87

Renoir’s next few paintings were in a classic style, focusing on drawing and emphasizing figure outlines. This period in his career is known as the “Ingres period.” He focused on drawing and emphasized the outlines of figures, as the subject matter shifted from the contemporary to the more timeless. He also began to paint more nudes. While in Algeria, he came down with pneumonia that caused permanent damage to his respiratory system.

Renoir painting, Le Déjeuner des canotiers; Luncheon of the Boating Party, 1881

Le Déjeuner des canotiers; Luncheon of the Boating Party, 1881

In Palermo, Sicily, on January 15, 1882, Renoir met the Composer Richard Wagner, and in 35 minutes was said to have painted his portrait. In 1883, he spent the summer in Moulin Huet, a bay in Saint Martin’s, Guernsey, one of the English Channel Islands, and in a little more than a month, produced 15 paintings that feature beaches, bays and cliffs.

While studying his techniques, Renoir often used his fellow painters for his portraits. One of these was Suzanna Valadon, the subject of his The Bathers and Dance at Bougival, 1883. She later became a leading painter of the day. Another model was Aline Victorine Charigot, who in 1890 he married after already having a child with her, son Pierre in 1885. He used her for his Le Déjeuner des canotiers; Luncheon of the Boating Party, 1881.

They went on to have two more sons, Jean and Claude. Thereafter, Renoir painted many scenes that featured his wife and children, and even of the kids’ nurse, as well as of their family life.

In the late 19th Century, Renoir changed his painting style yet again. He was less concerned with outlines and began using thin brush strokes, creating a sketchier look. One of his most successful works from this time was his Girls at the Piano, 1892 and Grandes Baigneuses, 1887.

Renoir painting, Girls at the Piano , 1892

Girls at the Piano , 1892

In 1887, an associate of Queen Victoria requested Renoir donate several paintings to the “French Impressionist Paintings Catalog” in celebration of the queen’s Golden Jubilee. He was fast becoming one of the most famous artists of his time.

After developing rheumatoid arthritis in the last part of the 19th Century, Renoir moved to a farm at Cagnes-sur-Mer in 1907, which was a much-needed warm climate close to the Mediterranean Coast. He had great difficulty painting thereafter, and for the last 20 years of his life was severely limited in movement and bound to a wheelchair. His hands became progressively deformed and he developed problems with his right shoulder.

With all his physical ailments, however, Renoir continued to paint but had to adapt. He used assistants to place a brush in his hand and, as it is rumored, had a brush strapped to his fingers at times. To prevent skin irritation, his hands were wrapped in bandages. Renoir also used a movable canvas, called a picture roll, so he could paint with his limited mobility.

Despite his sufferings, with the help of Richard Guino, an upcoming artist, he began in a new medium, sculpture, with Guino working the clay. And yet again, during his later years, Renoir changed his style of painting. Now he began to use stronger colors with lots of reds and oranges, and thicker brush strokes. The female nude was still a favorite subject of his, and he detailed scenes with flecks of bright color that combined figures and their surroundings. His portrait of Austrian Actress Tilla Durieux, which he painted in 1914 just five years before his death and with limited physical ability, is a good example of his new use of color, such as on her shawl, and the classical pose.

Renoir painting, Tilla Durieux, 1914

Tilla Durieux, 1914

Le Forgeron, A bronze by Renoir we recently appraised

Le Forgeron
A bronze by Renoir we recently appraised

In 1919, Renoir visited the Louvre one last time to see his paintings that were now hanging there along with that of several old masters. On December 3, 1919, at the age of 78, Renoir died at his house in the village of Cagnes-sur-Mer. In that same year, a well-known art dealer named Ambroise Vollard published a book about the life and work of Pierre-Auguste Renoir, La Vie et l’Ceuvre de Pierre-Auguste Renoir. The book included some of Renoir’s etchings and watercolors and was signed by the artist. It was created on copper plates and numbered 1,000 copies. Later in 1986, Vollard’s heirs made reprints using the original plates.

In the years following his death, Renoir’s artwork has become famous and has sold for millions. Two of Renoir’s paintings sold for more than $70 million a piece, such as his Bal au moulin de la Galette that sold for $78.1 million in 1990. He was a prolific artist and made several thousand paintings over his lifetime. The largest collection of his works is at the Barnes Foundation in Philadelphia, PA, where there are 181 paintings in all.

If you have a painting that you think may be by Pierre-Auguste Renoir, we can research, appraise and authenticate it for you to make that determination. We issue certificates of authenticity (COA) and provide consultations for all your paintings and other artwork by Renoir. Contact us, we are the Renoir experts.


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1804--sully.php Thomas Sully Artwork Authentication & Art Appraisal

Thomas Sully (1783-1872)

Do you think you may own a painting by Thomas Sully?

Get a Sully Certificate of Authenticity for your painting (COA) for your Sully drawing.

For all your Sully artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sully Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sully painting or drawing.

If you want to sell your Sully painting or drawing use our selling services. We offer Sully selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sully and issuing certificates of authenticity since 2002. We are recognized Sully experts and Sully certified appraisers. We issue COAs and appraisals for all Sully artworks.

Our Sully paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sully certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sully painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sully paintings or drawings take longer.

Our clients include Sully collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Thomas Sully art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Thomas Sully or we will sell it for you.

Self-Portrait

Self-Portrait

Thomas Sully was an early American painter, born in Lincolnshire, England. He immigrated to the United States with his parents at the age of nine, and as a young man initially worked for an insurance broker in Philadelphia. However, Sully was passionate about art and when he was 16, Sully joined his brother, a miniaturist, in Virginia. Sully studied under his brother, but it was quickly evident that he was the more talented artist. He began to move away from painting miniatures like his brother and created oil portraits with the help of fellow painter Henry Bembridge.

The Torn Hat

The Torn Hat

Mother and Son

Mother and Son

The Walsh Sisters

The Walsh Sisters

It was Sully’s goal to travel to London to continue his studies, but his brothers’ untimely death in 1804 changed his plans. He stayed in the United States instead to take care of his family estate. In 1806, Sully married his brothers’ widow and relocated to New York that same year.

Edward James Roye

Edward James Roye

Peter Stephen Duponceau

Peter Stephen Duponceau

Portrait of Levi Fletcher

Portrait of Levi Fletcher

While in New York, Sully made a brief trip to Boston. While in Boston he consulted with fellow painter Gilbert Stuart. In 1809, Sully moved back to Philadelphia and that same year he was finally able to make his trip to London. While in London, he studied under Benjamin West, like so many other American artists. He worked alongside West for a year, copying the works of the Old Masters and in 1810 he returned to the United States, permanently settling in Philadelphia.

Mrs. Edward Hudson

Mrs. Edward Hudson

Alexander Macomb

Alexander Macomb

In the following years, Sully was commissioned to create a number of portraits for notable Philadelphia society figures and government officials. Art historians, however, note that Sully was most successful in his portraits of women.

Mother and Child 1827

Mother and Child 1827

Abby Ann King Turner Van Pelt

Abby Ann King Turner Van Pelt

Woman in a Bonnet

Woman in a Bonnet

Blanche and Rosalie

Blanche and Rosalie

It is thought that he created some 2,000 portraits in his lifetime in England and all over the coastal United States.

John Eager Howard, Governor of Maryland

John Eager Howard, Governor of Maryland

Patrick Henry

Patrick Henry

Thomas Jefferson

Thomas Jefferson

Besides creating portraits, Sully also painted large scale historical paintings. In one occasion, Sully was commissioned to create a full length portrait of George Washington and instead, painted a massive historical scene of Washington crossing the Delaware. This is considered to be his most famous painting, though at the time, it cost Sully a great deal of frustration and expense. The patron that originally commissioned this piece from him found it too large and Sully was left with this massive composition and no one to buy it. This painting is now housed at the Museum of Fine arts in Boston.

Washington Crossing the Delaware

Washington Crossing the Delaware

Throughout his career, Sully created a number of portraits for many important people like John Quincy Adams, Thomas Jefferson and Queen Victoria on his second trip to England. These portraits now hang in a great many public and private collections and historical sites.

Queen Victoria

Queen Victoria

Although he was best known for his portraits, Sully was a very prolific painter and also painted landscapes, genre paintings and of course, historical scenes.

Wissahickon Creek 1845

Wissahickon Creek 1845

Lady with a Harp

Lady with a Harp

Little Red Riding Hood

Little Red Riding Hood

Still wondering about a portrait or early American historical painting hanging in your home? Contact us…it could be by Thomas Sully.


done
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done
1807--franceshini.php Marcantonio Franceschini Artwork Authentication & Art Appraisal

Marcantonio Franceschini (1648 – 1729)

Get a Franceschini Certificate of Authenticity for your painting (COA) for your Franceschini drawing.

For all your Franceschini artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Franceschini Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Franceschini painting or drawing.

If you want to sell your Franceschini painting or drawing use our selling services. We offer Franceschini selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Franceschini and issuing certificates of authenticity since 2002. We are recognized Franceschini experts and Franceschini certified appraisers. We issue COAs and appraisals for all Franceschini artworks.

Our Franceschini paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Franceschini certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Franceschini painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Franceschini paintings or drawings take longer.

Our clients include Franceschini collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Marcantonio Franceschini art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Marcantonio Franceschini or we will sell it for you.

art

Annunciation 1700

Marcantonio Franceschini was an Italian painter of the Baroque period, active mostly in Bologna. He was a pupil of Carlo Cignani, with whom he worked on the frescoes in the Palazzo del Giardino in Parma (1678-1681). He worked closely for many years with his brother-in-law, Luigi Quaini, who also was the cousin of Cignani.

Franceschini had a long career painting canvases on religious and mythological subjects for patrons throughout Europe. Franceschini decorated the palazzo Ranuzzi (1680) and palazzo Marescotti Brazzetti (1682) in Bologna. Among his most prominent extant masterpieces, are the fresco cycle in the church of Corpus Domini in Bologna (1688-94) and San Bartolomeo (1690). Franceschini frescoed the Sala d’Onore (“Hall of Honor”) in the Ducal palace of Modena. He painted the altarpiece in the Duomo di Finale and the canvas of San Carlo in the church of the same name in Modena.

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Sibilla Delfica

Unfortunately, his massive program of historical and mythologic scenes in the Sala del Maggior Consiglio of the Palazzo Ducale of Genoa (1701-1704) were destroyed by a fire in 1777. He painted 26 canvases of mythological subjects for the Prince of Liechtenstein in Vienna (1692-1700). He also painted for the palaces Spinola and the Pallavicini Podestà (1715) of Genoa. Canvases of the four seasons (1716) are now found in the Pinacoteca di Bologna. There are two canvases of the Story of Rachel in the Pinacoteca B.P.E.R.

He painted the “cartoons” used to make the mosaic decoration of the Cappella del Coro in St. Peter’s Basilica. Knighted by pope Clement XI. He was founding a member and a subsequent director of the Clementine Academy in Bologna.

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The Last Communion of St. Mary of Egypt, 1690

His paintings have an academic and idealist strain, even for a member of the Bolognese School of Painting. The sparse figures are severely arranged and often porcelain in features. He worked with a younger colleague, Donato Creti. His style is often classified as Barochetto, a mixture of baroque and rococo; but it also could be said the neoclassical influence of French artists was beginning to overtake the baroque tradition. Wittkower describes him as the “Bolognese Maratta”.

Numerous painters worked and trained in his prolific studio. Among those who spent time as pupils, apprentices, or assistants were Tomasso Aldrovandini, Luca Antonio Bistoia, Giacomo Boni, Francesco Caccianiga, Ferdinando del Cairo, Antonio Cifrondi, Giacinto Garofalini, Ercole Graziani the elder, Girolamo Gatti, Pietro Gilardi, Giuseppe Marchesi (il Sansone), Michelangelo Monticelli, Giuseppe Pedretti,Pietro Francesco Prina, Antonio Rossi (painter), Gentile Zanardi, his son Jacopo, and Giacomo Boni.

Still wondering about an Italian painting in your family collection? Contact us…it could be by Marcantonio Franceshini.


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1809--dinet.php Etienne Dinet Artwork Authentication & Art Appraisal

Etienne Dinet (1861-1929)

Get a Dinet Certificate of Authenticity for your painting (COA) for your Dinet drawing.

For all your Dinet artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dinet Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dinet painting or drawing.

If you want to sell your Dinet painting or drawing use our selling services. We offer Dinet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dinet and issuing certificates of authenticity since 2002. We are recognized Dinet experts and Dinet certified appraisers. We issue COAs and appraisals for all Dinet artworks.

Our Dinet paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dinet certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dinet painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dinet paintings or drawings take longer.

Our clients include Dinet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Etienne Dinet art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Etienne Dinet or we will sell it for you.

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Self-Portrait

Etienne Dinet was a French painter who painted in the style of the Orientalists. Born in Paris to a middle-class family, he attended the local School of Fine Arts.

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Slave of Love and Light of My Eyes, 1904

In 1884, Dinet was awarded a medal at The Show of Visual Arts and was awarded a small scholarship. Dinet made his first travels to Algeria that same year, and spent the next 45 years of his career traveling between France and Algeria. Like many of the other Orientalists, Dinet would paint his scenes of Algiers in a Realistic style, infused with golden light and whimsical, Expressionist touches.

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The Snake Charmer, 1889

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Young Rider with a Gun

Dinet would eventually settle in Bou-Saada after the death of his wife, and loved the Algerian culture so much that he learned the Arabic language and eventually converted to Islam. He would also adopt the name Hadj Nasr Ed Dine Dini, and devoted much of his life to bettering French and Algerian relations.

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Meddah

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At the Window

Some critics felt as though Dinet was abandoning his French heritage and his conversion to the Algerian lifestyle even had a small impact on his career.

Though he changed his name, Dinet would continue to paint under his given name and almost always signed in a very distinct “E. Dinet” in capital letters in the lower left or right hand corners of his work.

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Scarf Dance

His themes were generally real-life events consisting of real people in his beloved adopted town of Bou-Saada. During his lifetime, Dinet gained much notoriety for his Orientalist paintings of Bou-Saada and made this small village known world-wide. While Orientalists often have similar styles, Dinet sets himself apart by showing a real sense of humanity in his compositions. To him, his paintings don’t just portray exotic people as objects, but as a respected society.

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“Piggyback Ride”
(Not the real name of this painting)

Dinet eventually died in Paris, but was buried in his beloved Algeria. Though it may be difficult to find art by Dinet that was not Orientalist-themed, he certainly created a number of paintings and sketches in his early years as a student-artist.

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Femme Nue se Baignant

Because Dinet traveled often between France and Algeria, it is highly likely that he may have sold Orientalist-themed paintings or his earlier works in stops along the way. Contact us to research paintings that you think may have been created by Etienne Dinet.


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1811--de-nittis.php Giuseppe de Nittis Artwork Authentication & Art Appraisal

Giuseppe de Nittis (1846-1884)

Get a De Nittis Certificate of Authenticity for your painting (COA) for your De Nittis drawing.

For all your De Nittis artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Nittis Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Nittis painting or drawing.

If you want to sell your De Nittis painting or drawing use our selling services. We offer De Nittis selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Nittis and issuing certificates of authenticity since 2002. We are recognized De Nittis experts and De Nittis certified appraisers. We issue COAs and appraisals for all De Nittis artworks.

Our De Nittis paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Nittis certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Nittis painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Nittis paintings or drawings take longer.

Our clients include De Nittis collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giuseppe de Nittis art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giuseppe de Nittis or we will sell it for you.

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Lunch in the Garden

Giuseppe de Nittis was an Italian painter who was born in Barletta. He was known for his unique style which art critics claimed to be a merge between Impressionism and the Classical Salon style. He originally studied under Giovanni Battista Calò and in 1863 was expelled from the Instituto di Belle Arti in Naples for insubordination.

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Che Freddo!

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Au Bois

The year after being expelled from the art institute, de Nittis launched his art career by exhibiting two paintings at the Neapolitan Promotrice. He became friends, during this time, with fellow Italian artists from the Macchiaioli Movement and also exhibited in Florence. He would essentially become known for his Parisian genre scenes, Italian landscapes and early Impressionist pieces.

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Le Salon de la Princess Mathilde, 1883

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Barletta, 1883

In 1867, de Nittis moved to Paris and met with Goupil, an art dealer whom he entered into a contract with. For Goupil, de Nittis was to produce saleable genre pieces, which he did with great flair.

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At the Racetrack, 1874

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The Place des Pyramides

During this time, he continued to paint what he wished and gained a great deal of visibility by exhibiting his works in the Salons. Also during this time, he returned to Italy for a brief period and was able to paint landscapes again. Some of these paintings of the Italian countryside included views of Mt. Vesuvius.

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Vesuvius Smoking

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Winter Landscape

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Promenade en Traineau, 1880

Now, no longer under contract, de Nittis returned to Paris and found great success at the salons in 1872. He was later asked to exhibit his work with the Impressionists after his friend Edgar Degas extended him an invitation. He would continue to paint in an Impressionistic style after a trip to London also during this time.

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Westminster Bridge

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Buckingham Palace

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Trafalgar Square

In his last years, de Nittis continued to return to Italy from time to time and took up using pastels later in his career. Pastels would be a very important medium for the artist, and he used them quite frequently. His most notable use of pastels was in creating portraits of his myriad of artist, poet, and writer friends in Paris, such as Manet and de Goncourt.

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Portrait of a Woman

De Nittis’ life was tragically cut short when he died at the young age of 38 of a sudden stroke. He left behind a fairly large oeuvre of paintings, pastels and sketches created in Italy, France and England. Today his work is housed all over Europe and perhaps in your own home. Still wondering about a mid 19th century or early Impressionist painting in your home? Contact us… we are the Giuseppe de Nittis experts.


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1812--dahl_j.php Johan Christian Dahl Artwork Authentication & Art Appraisal

Johan Christian Dahl (1788 – 1857)

We Perform Johan Christian Dahl art authentication. Johan Christian Dahl appraisal. Johan Christian Dahl certificates of authenticity (COA). Johan Christian Dahl analysis, research, scientific tests, full art authentications. We will help you sell your Johan Christian Dahl or we will sell it for you.

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Moonlight Study 1831

Johan Christian Dahl (also known as I.C. Dahl) was a Norwegian landscape painter, born in Bergen. He formed his style without much tuition, remaining at Bergen until he was twenty-four, when he left for the better field of Copenhagen, and ultimately settled in Dresden in 1818. There he was much influenced by the great German Romantic painter Caspar David Friedrich. He is usually included in the German school, although he was thus close on forty years of age when he finally took up his abode in Dresden, where he was quickly received into the Academy and became professor.

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Outbreak of the Vesuvius, 1826

German landscape-painting was not greatly advanced at that time, and Dahl contributed to improve it. He continued to reside in Dresden, though he travelled into Tirol and in Italy, painting many pictures, one of his best being that of the Outbreak of Vesuvius, 1820. He was fond of extraordinary effects, as seen in his Winter at Münich, and his Dresden by Moonlight; also the Haven of Copenhagen, and the Schloss of Friedrichsburg, under the same condition. At Dresden may be seen many of his works, notably a large picture called Norway, and a Storm at Sea. He was received into several academic bodies, and had the orders of Vasa and St. Olav sent him by the king of Norway and Sweden.

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Lyshornet Near Bergen 1836

Still wondering about a Norwegian painting in your family collection? Contact us…it could be by Johan Christian Dahl.


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1813--delvaux.php Paul Delvaux Artwork Authentication & Art Appraisal

Paul Delvaux (1897-1994)

Get a Delvaux Certificate of Authenticity for your painting (COA) for your Delvaux drawing.

For all your Delvaux artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Delvaux Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Delvaux painting or drawing.

If you want to sell your Delvaux painting or drawing use our selling services. We offer Delvaux selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Delvaux and issuing certificates of authenticity since 2002. We are recognized Delvaux experts and Delvaux certified appraisers. We issue COAs and appraisals for all Delvaux artworks.

Our Delvaux paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Delvaux certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Delvaux painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Delvaux paintings or drawings take longer.

Our clients include Delvaux collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Paul Delvaux art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Paul Delvaux or we will sell it for you.

The Call of the Night

The Call of the Night

Paul Delvaux was a Belgian painter, famous for his surrealist paintings with female nudes. Delvaux was born in Antheit in the Belgian province of Lige, the son of a lawyer. The young Delvaux took music lessons, studied Greek and Latin, and absorbed the fiction of Jules Verne and the poetry of Homer. All of his work was to be influenced by these readings, starting with his earliest drawings showing mythological scenes. He studied at the Brussels Académie royale des Beaux-arts, albeit in the architecture department owing to his parents’ disapproval of his ambition to be a painter. Nevertheless, he pursued his goal, attending painting classes taught by Constant Montald and Jean Deville. The painters Frans Courtens and Alfred Bastien also encouraged Delvaux, whose works from this period were primarily naturalistic landscapes. He completed some 80 paintings between 1920 and 1925, which was the year of his first solo exhibition.

The Chateau

The Chateau

Entry into the City

Entry into the City

Reclining Nude 1947

Reclining Nude 1947

Delvaux’s paintings of the late 1920s and early 1930s, which feature nudes in landscapes, are strongly influenced by such Flemish Expressionists as Constant Permeke and Gustave De Smet. A change of style around 1933 reflects the influence of the metaphysical art of Giorgio de Chirico, which he had first encountered in 1926 or 1927. In the early 1930s Delvaux found further inspiration in visits to the Brussels Fair, where the Spitzner Museum, a museum of medical curiosities, maintained a booth in which skeletons and a mechanical Venus figure were displayed in a window with red velvet curtains. This spectacle captivated Delvaux, supplying him with motifs that would appear throughout his subsequent work. In the mid-1930s he also began to adopt some of the motifs of his fellow Belgian Rene Magritte, as well as that painter’s deadpan style in rendering the most unexpected juxtapositions of otherwise ordinary objects.

Dawn Over the City

Dawn Over the City

Pygmalion 1939

Pygmalion 1939

Delvaux acknowledged his influences, saying of de Chirico, “with him I realized what was possible, the climate that had to be developed, the climate of silent streets with shadows of people who can’t be seen, I’ve never asked myself if it’s surrealist or not.” Although Delvaux associated for a period with the Belgian surrealist group, he did not consider himself “a Surrealist in the scholastic sense of the word.” As Marc Rombaut has written of the artist: “Delvaux … always maintained an intimate and privileged relationship to his childhood, which is the underlying motivation for his work and always manages to surface there. This ‘childhood,’ existing within him, led him to the poetic dimension in art.”

The Tree Women of Giorno 1937

The Tree Women of Giorno 1937

Sea Nymphs 1938

Sea Nymphs 1938

The paintings Delvaux became famous for usually feature numbers of nude women who stare as if hypnotized, gesturing mysteriously, sometimes reclining incongruously in a train station or wandering through classical buildings. Sometimes they are accompanied by skeletons, men in bowler hats, or puzzled scientists drawn from the stories of Jules Verne. Delvaux would repeat variations on these themes for the rest of his long life, although some departures can be noted. Among them are his paintings of 1945-47, rendered in a flattened style with distorted and forced perspective effects, and the series of crucifixions and deposition scenes enacted by skeletons, painted in the 1950s.

The Sleeping Venus

The Sleeping Venus

Good Friday

Good Friday

The Conversation

The Conversation

In the late 1950s he produced a number of night scenes in which trains are observed by a little girl seen from behind. These compositions contain nothing overtly surrealistic, yet the clarity of moonlit detail is hallucinatory in effect. Trains had always been a subject of special interest to Delvaux, who never forgot the wonder he felt as a small child at the sight of the first electric trams in Brussels.

The Iron Age 1951

The Iron Age 1951

Girl at a Train Station 1976

Girl at a Train Station 1976

In 1959 he executed a mural at the Palais du Congrés in Brussels, one of several large scale decorative commissions Delvaux undertook. He was named director of the Académie royale des Beaux-arts in 1965. In 1982 the Paul Delvaux Museum opened in Saint-Idesbald. Delvaux died in Veurne in 1994.

The Village of the Mermaids 1942

The Village of the Mermaids 1942

L'Offrande, 1963

L’Offrande, 1963

Still wondering about a painting in your family collection? Contact us…it could be by Paul Delvaux.


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1814--hoin.php Claude Jean Baptiste Hoin Artwork Authentication & Art Appraisal

Claude Jean Baptiste Hoin (1750-1817)

Get a Hoin Certificate of Authenticity for your painting (COA) for your Hoin drawing.

For all your Hoin artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hoin Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hoin painting or drawing.

If you want to sell your Hoin painting or drawing use our selling services. We offer Hoin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hoin and issuing certificates of authenticity since 2002. We are recognized Hoin experts and Hoin certified appraisers. We issue COAs and appraisals for all Hoin artworks.

Our Hoin paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hoin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hoin painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hoin paintings or drawings take longer.

Our clients include Hoin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Claude Jean Baptiste Hoin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Claude Jean Baptiste Hoin or we will sell it for you.

Hoin painting, Self-Portrait

Self-Portrait

Hoin painting, Portrait of a Girl with a Garland of Flowers

Portrait of a Girl with a Garland of Flowers

Claude Jean Baptiste Hoin was an 18th century French painter. He was mainly a portrait painter, known for his charming depictions of women. Still wondering about an 18th century French portrait in your family collection? Contact us…it could be by Claude Jean Baptiste Hoin.


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1815--augustin.php Jules Robert Auguste Artwork Authentication & Art Appraisal

Jules Robert Auguste (1789-1859)

We Perform Jules Robert Auguste was born into a family of rich goldsmiths, yet rather than go into the family business he followed his own unique path.

At first he though he thought his vocation was in the domain of sculpture and indeed it could have been. He was very talented in this art form and in 1810 at the age of just twenty one he won the ‘Grand Prix de Rome’. Just as he was achieving success in this field he abandoned it to dedicate his artistic pursuits to watercolors and pastels and more importantly travel to far off fields. His travels were to engrain in him a passion and love of the Orient that was to last his whole life.

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Portrait du Comte Palatiano

 

Although little has been written about him, he was in fact one of the pioneers of Orientalism and was the first artist to travel to the region. His travels were extensive and included Morocco, Turkey, Egypt and countries of the Middle East. His family’s wealth enabled him to finance these travels and also to build up an extraordinary collection of clothes, carpets, trinkets and other objects to be used as props in paintings. He always visited Bazaars on his travels and picked up artifacts of every description.

Paris in the mid nineteenth century had a fascination in artistic circles, for Middle East and Arab life, as well as Islamic art. By the mid nineteenth century Parisians became used to seeing reconstructions of Mosques, Arab Villages and Bazaars in the annual exhibitions in the city.

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Etude d’homme nu

 

When he came to having his own studio he filled it with so many objects from his travels to the Orient that it was said to resemble a Bazaar.

It is not only his studio which housed his collections; his own home also contained magnificent collections of ceramics, weapons, glassware and costumes. He held many memorable gatherings there with his unique collections providing the background.

He was a generous figure and rather than hoard his collections he was happy to lend them to any artists or students who needed his costumes or any trinkets he had gathered. The artists that used them the most were those that painted in the Romantic style.

He was a very good friend of the great Romantic painter, Eugene Delacroix and provided him with the props and costumes for his wonderful painting, ‘The Plague Victims of Jaffa.’ He was also friends with the painter Theodore Gericault who has been described as the leader of the Romantic school and who produced such great work of arts such as the ‘Raft of Medusa’ which showed the dying survivors of a ship wreck in Morocco and caused a huge political scandal at the time.

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Symbole de la liberte

 

The Museum of Fine Arts in Orleans in France has a sizeable collection of his paintings. At the end of the day it is probably true to say that his legacy to the art world was not in terms of great paintings but in his ardent desire to instill in other artists a love of the Orient and in this he certainly was successful.  


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1816--sterne.php Maurice Sterne Artwork Authentication & Art Appraisal

Maurice Sterne (1878-1957)

Do you think you may own a painting by Maurice Sterne?

Get a Sterne Certificate of Authenticity for your painting or a COA for your Sterne drawing or sculpture.

For all your Sterne artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Sterne Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sterne painting, drawing or sculpture.

If you want to sell your Sterne painting, drawing or sculpture use our selling services. We offer Sterne selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sterne and issuing certificates of authenticity since 2002. We are recognized Sterne experts and Sterne certified appraisers. We issue COAs and appraisals for all Sterne artworks.

Our Sterne paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sternecertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Sterne painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sterne paintings, drawings or sculpture take longer.

Our clients include Sterne collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Maurice Sterne art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Maurice Sterne or we will sell it for you.

1. Bali, Rice Market. Not dated. Oil Painting. Smithsonian American Art Museum.

1. Bali, Rice Market. Not dated. Oil Painting. Smithsonian American Art Museum.

2. On the Ganges. 1952. Oil Painting. Smithsonian American Art Museum.

2. On the Ganges. 1952. Oil Painting. Smithsonian American Art Museum.

Maurice Sterne was an American painter and sculptor, born in Libau, Latvia. Sterne spent most of his life and career in the United States, where he became a citizen. Sterne began his studies at the National Academy of Design. As a student he travelled extensively, visiting ancient site in Greece and the Far East.

3. Sitting Figure. 1932. Marble. National Gallery of Art, D.C.

3. Sitting Figure. 1932. Marble. National Gallery of Art, D.C.

In addition to international travel, Sterne spent several years living and painting in New Mexico and California. Sterne taught at the California School of Fine Arts before deciding to return to the East Coast.

4. Village Scene. 1910-20. Oil on Canvas. Brooklyn Museum.

4. Village Scene. 1910-20. Oil on Canvas. Brooklyn Museum.

In the 1940s, Sterne setup his own studio in Mount Kisco, New York. Sterne remained in New York until the end of his life. He received a number of awards and commissions for his paintings, sculptures. Sterne was honored to paint murals for the Library of the Department of Justice in Washington D.C.

5. The Reapers. 1925. Oil on Canvas. Phillips Collection.

5. The Reapers. 1925. Oil on Canvas. Phillips Collection.

If you think you may own original artwork by Maurice Sterne, contact Art Certification Experts for information regarding our services.


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1817--mazev.php Petar Mazev Artwork Authentication & Art Appraisal

Petar Mazev (1927-1993)

Get a Mazev Certificate of Authenticity for your painting or a COA for your Mazev drawing or sculpture.

For all your Mazev artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Mazev Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mazev painting, drawing or sculpture.

If you want to sell your Mazev painting, drawing or sculpture use our selling services. We offer Mazev selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mazev and issuing certificates of authenticity since 2002. We are recognized Mazev experts and Mazev certified appraisers. We issue COAs and appraisals for all Mazev artworks.

Our Mazev paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mazevcertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Mazev painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mazev paintings, drawings or sculpture take longer.

Our clients include Mazev collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Do you think you may own a painting by Petar Mazev?
We perform Petar Mazev art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Petar Mazev or we will sell it for you.

1. Net. 1987

1. Net. 1987

2. Courtesan 2. 1985.

2. Courtesan 2. 1985.

Petar Mazev was a Macedonian painter born in the town of Kavadarci. Mazev studied at the Academy of Arts in Belgrade under the painter Zoran Petrovic. After graduating in 1953 he became a professor in Skopje, Macedonia’s capital city.

3. Hommage to my Son Koce. 1990.

3. Hommage to my Son Koce. 1990.

Mazev was best known for his expressive, non-figurative paintings. Despite his transition to abstraction, his earlier works appeared more figurative and academic. Over time, he became increasingly experimental, using metal, glass and sand in his works. In addition to painting, Mazev created mosaics, sculptures and murals.

4. Clowns. 1990.

4. Clowns. 1990.

Mazev exhibited internationally, showing his works across Europe and the United States. Several of his paintings are in the permanent collection of The Museum of Contemporary Art in Skopje.

5. Red Expression. 1983. Oil on Canvas

5. Red Expression. 1983. Oil on Canvas

If you think you may own original artwork by Petar Mazev, contact Art Certification Experts for information regarding our services.


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1818--segantini.php Giovanni Segantini Artwork Authentication & Art Appraisal

Giovanni Segantini (1858 – 1899)

Get a Segantini Certificate of Authenticity for your painting (COA) for your Segantini drawing.

For all your Segantini artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Segantini Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Segantini painting or drawing.

If you want to sell your Segantini painting or drawing use our selling services. We offer Segantini selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Segantini and issuing certificates of authenticity since 2002. We are recognized Segantini experts and Segantini certified appraisers. We issue COAs and appraisals for all Segantini artworks.

Our Segantini paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Segantini certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Segantini painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Segantini paintings or drawings take longer.

Our clients include Segantini collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giovanni Segantini art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni Segantini or we will sell it for you.

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Self-Portrait 1895

Giovanni Segantini was an Italian painter. He was born at Arco in the Trentino. His mother, who died in 1863, came from an old mountain family. His father, a commoner, left for Milan, to seek his fortune with another son, leaving Segantini behind. At age seven he ran away and was later found perishing of cold and hunger; he began to earn his bread by herding flocks in the hills and there he spent his long hours of solitude in drawing.

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Life 1898

As news of his fame reached the ears of a syndic, Segantini was sent back to Milan; unable to endure domestic life, he soon escaped again, and led the life of wanderer until, at Arco, he met up with his half-brother, who offered him the job of cashier in his grocery store. After more flights and more returns, Segantini finally settled in Milan to attend classes at the Brera. In Milan he was able to earn a living by teaching art and painting portraits.

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Nature

His first picture, The Choir of Sant Antonio, was noticed for its powerful quality. After painting this, however, he shook himself free by degrees of academical teaching, as in his picture The Ship. He subsequently painted The Falconer and The Dead Hero, and then settled in Brianza, near Como. There he gave himself up to the study of mountain life, and became in truth the painter of the Alps.

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Death

At this time he painted the Ave Maria, which took a gold medal at the Amsterdam Exhibition (1883), Mothers, After a Storm in the Alps, A Kiss, and Moonlight Effect. Deeply impressed by Millet, the artist nevertheless quickly strove to reassert his individuality, as may be seen in “The Drinking-place,” which gained a gold medal in Paris (1889), In the Sheep-fold, By the Spinning-wheel, and Ploughing in the Engadine, for which he was awarded a gold medal at the Turin Exhibition (1892).

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Le Cattive Madri 1894

Besides those works in which he studied simple effects of light and Alpine scenery, such as Midday on the Alps and Winter at Savognino, he also painted symbolical subjects: The Punishment of Luxury, and the Unnatural Mothers (in the Walker Art Gallery, Liverpool). Segantini died at Maloja in October 1899 while working on his famous piece Alpentriptychon. An exhibition of his works was held in London, and afterwards at Brussels in 1899, and at Milan in 1900.

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Noontime in the Alps 1891

Still wondering about an Italian painting in your family collection? Contact us…it could be by Giovanni Segantini.


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1819--braque.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "braque" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "braque" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1820--vandergoes.php Hugo van der Goes Artwork Authentication & Art Appraisal

Hugo van der Goes, 1440-1482, Belge

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Tryptique Portinari (panneau central) (1475-1477)

Considéré comme l’un des plus grands peintres flamands de la fin du XVe siècle, Hugo van der Goes était tombé dans l’oubli avant d’être redécouvert au XIXe. D’inspiration assurément catholique, ses œuvres expriment pourtant une troublante mélancolie doublée d’une spiritualité déroutante.

Si l’on sait qu’il naquit à Gand vers 1440, on ignore par contre tout de la jeunesse d’Hugo van der Goes, et en particulier de son lieu d’apprentissage artistique. En 1467, sous le patronage du peintre Joos Van Wassenhove, il a intégré la guilde des peintres de Gand en tant que franc-maître et a plus tard participé aux décorations du mariage entre le duc de Bourgogne, Charles le Téméraire, et Marguerite d’York. L’année suivante, il a collaboré à la « Joyeuse entrée » à Gand du grand Duc d’Occident.

Entre 1468 et 1478, il a travaillé à Bruges et à Gand. Ses nombreuses œuvres de commande étaient destinées à des cérémonies princières ou à des fêtes liturgiques. Il a également réalisé des blasons, dont la décoration héraldique de la chambre mortuaire de Philippe le Bon. C’est lorsque qu’il devint doyen de la guilde gantoise, de 1473 à 1476, qu’il a exécuté son œuvre la plus connue : le Triptyque Portinari, commandé par ce dernier, un banquier qui représentait à Bruges la famille Médicis. Cette œuvre était destinée à orner les murs de l’église San Egidio, à Florence. Les symboles religieux y abondent : notons particulièrement le langage des fleurs (rouges pour représenter le sang du Christ, blanches pour la virginité).

Influencé par d’autres flamands tels que Van Eyck ou Van der Weyden, Hugo van der Goes s’est approprié des éléments typiquement italiens, notamment dans le traitement monumental de l’espace, comme dans L’Adoration des Mages. À travers ses compositions, basées sur une symbolique spirituelle et religieuse, il est parvenu à communiquer davantage d’émotions que ses prédécesseurs, ainsi qu’un certain tourment.

Il est ensuite entré comme frère convers à l’abbaye des chanoines augustins du Rouge-Cloître, près de Bruxelles (1477). Il y a conservé son statut privilégié d’artiste et a même reçu la visite du futur Archiduc Maximilien d’Autriche. On s’adressait également à lui pour expertiser des tableaux. Ainsi, en 1480, il s’est rendu à Leuven afin d’estimer les scènes de Justice, laissées inachevées par la mort du peintre Dieric Bouts.

Dans ses dernières années, il a exécuté La Mort de la Vierge (1477), œuvre particulièrement expressive qui parvient à communiquer une tension dramatique dévoilant l’état d’esprit agité de l’artiste. Les mains et les visages des apôtres sont tordus de la douleur d’avoir perdu la Vierge.

Au retour d’un voyage à Cologne, il fit l’expérience de troubles psychiques aggravés, sous la forme d’une dépression à tendances suicidaires, et il est décédé, au cloître, un an après, en 1482.

Dans ses représentations de l’aristocratie britannique, son style confère à ses modèles un mélange d’autorité et de décontraction qui devait influencer l’art du portrait en Angleterre pendant plus d’un siècle. Entre 1632 et 1641, son atelier a produit le nombre impressionnant de 400 commandes, dont certaines furent réalisées par ses disciples et auxquelles il n’apportait que la touche finale.

Il mourut en 1641, après être tombé malade lors d’un voyage en France, et fut inhumé dans la cathédrale Saint-Paul de Londres, où le roi fit ériger un monument à sa mémoire.


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1821--soroka.php Grigory Soroka Artwork Authentication & Art Appraisal

Grigory Soroka Григорий Васильевич Сорока (1823-1864)

Get a Soroka Certificate of Authenticity for your painting (COA) for your Soroka drawing.

For all your Soroka artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Soroka Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Soroka painting or drawing.

If you want to sell your Soroka painting or drawing use our selling services. We offer Soroka selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Soroka and issuing certificates of authenticity since 2002. We are recognized Soroka experts and Soroka certified appraisers. We issue COAs and appraisals for all Soroka artworks.

Our Soroka paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Soroka certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Soroka painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Soroka paintings or drawings take longer.

Our clients include Soroka collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Grigory Soroka art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Grigory Soroka or we will sell it for you.

Self-Portrait

Self-Portrait

Grigory Soroka was a Russian painter, one of the most notable members of Venetsianov school. Though Soroka’s heritage is relatively small and includes no more than 20 undated paintings, Soroka proved himself to be a gifted draughtsman. He also painted several icons for local churches, among them Saviour Not Made by Hands.

Peasant Boy 1840s

Peasant Boy 1840s

Soroka was born in Pokrovskoye village (Tver Guberniya), in the family of landowner Milyukov. In 1842-1847 he studied art from Alexey Venetsianov then he was returned to his owner. In 1850s-1860s he resided in his home village. He fell in love with his owners daughter Lydia but was forced to marry a serf woman. After the emancipation reform of 1861 in Russiam Soroka remained under the serfdom. He made a complaint but it was rejected and he was flogged. Soroka hung himself in the baking room and shortly thereafter, Lydia poisoned herself.

Lydia Milyukov

Lydia Milyukov

Still wondering about a 19th century Russian painting in your family collection? Contact us…it could be by Grigory Soroka.


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1822--chiparus.php Demeter Chiparus authentication and appraisal

Demeter (Demetre) H. Chiparus (1886-1947)

We Perform Demeter (Demetre) H. Chiparus art authentication. Demeter (Demetre) H. Chiparus appraisal from . Demeter (Demetre) H. Chiparus certificates of authenticity (COA). Demeter (Demetre) H. Chiparus analysis, research, scientific tests, full art authentications. We will help you sell your Demeter (Demetre) H. Chiparus or we will sell it for you.

Chiparus, Scarabee, circa 1928. gilt-bronze and carved ivory and with a marble base

Scarabee, circa 1928. gilt-bronze and carved ivory and with a marble base

Chiparus, Russian Dancers”, 1928, Gilt, cold-painted and ivory

Russian Dancers, 1928, Gilt, cold-painted and ivory

Demetre H. Chiparus was a Romanian sculptor known for his ivory and bronze sculptures of Russian dancers. Chiparus was born in Romania but spent much of his life and career in France, before the start of World War I.

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The Russian dancer, bronze, ivory on marble and onix 15,4 x 0 in. / 39 x 0 cm. 1928

Chiparus studied in both Italy and France at the Ecole des Beaux Arts in Paris. Chiparus had success in Paris as an artist of the Art Deco era, and exhibited at the Salon in 1914. Chiparus was a master of the sculpting technique, chryselephantine. Chryselephantine is the combined use of bronze and ivory.

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Antinea, ivory, silvered and cold-painted bronze and marble 26,5 x 0 in. / 67,3 x 0 cm.

During the 1920s, Chiparus was inspired by the excavation of Tutankhamen’s tomb and began to make sculptures with an Egyptian influence.

Chiparus most commonly sculpted dancers, modeled from the Russian Ballet and French theatre. Chiparus created his dancers in various dance poses and in elaborate costume. Chiparus’s masterful use of bronze and ivory give his figures an amazing life-like quality.

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Cossack dancer figure, cold-painted, gilt-bronze and ivory 22,5 x 0 in. / 57,2 x 0 cm. 1925

Chiparus, Dancer bronze with polychrome patina and ivory 22,8 x 0 in. / 58 x 0 cm.

Dancer, bronze with polychrome patina and ivory 22,8 x 0 in. / 58 x 0 cm.

Chiparus, Young Girl bronze w/patina, ivory and onyx

Young Girl, bronze w/patina, ivory and onyx

Chiparus, Indiscreet cold-painted, parcel-gilt and silver bronze with patina, carved and tinted ivory on onyx base 16,9 x 8,3 x 4,7 in. / 43 x 21 x 12 cm.

Indiscreet, cold-painted, parcel-gilt and silver bronze with patina, carved and tinted ivory on onyx base 16,9 x 8,3 x 4,7 in. / 43 x 21 x 12 cm.

Chiparus, The Little Sad One, Ivory Sculpture on Marble Base

The Little Sad One, Ivory Sculpture on Marble Base

Demetre Chiparus did most of his work at the Etling Foundry in Paris. Chiparus signed almost all of his pieces, “D. H. Chiparus”, which he etched on the sculpture’s base. Do you think you may own an ivory sculpture by Demeter H. Chiparus? Contact us, we are the Chiparus experts.


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1823--diazdelapena.php Narcisse-Virgile Diaz de la Pena Artwork Authentication & Art Appraisal

Narcisse-Virgile Diaz de la Pena (1808-1876)

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Bathroom

Narcisse-Virgile Diaz de la Pena was one of the founding members of the Barbizon school. A sad set of circumstances marked his early life. He was born in Bordeaux to Spanish parents, hence his name. At the age of ten he was orphaned and brought up by a priest in Bellevue near Paris. During his teenage years he had to have one of his legs amputated due to blood poisoning. At the age of fifteen he was apprenticed to a pottery decorator. It was whilst here that he also took to painting Eastern figures in richly coloured garments.

He undertook his artists training like many artists of the day at the Louvre, where he copied the great works of art there. He was particularly inspired by the Italian High Renaissance painter Antoine de Correggio, who painted many mythological scenes and in particular his painting, ‘Antiope’, which hangs in the Louvre. He interpreted this painting in his own, ‘Nymphe Endormie’ which also now hangs in the Louvre. He was also inspired by the eighteenth century painters of the ‘fetes-galantes’, He admired Watteau and his painting ‘The Clown’, which hangs in the Phoenix Museum of art is composed of elements of Watteau’s painting’Gilles’.

He also admired enormously the work of Eugene Delacroix, particularly his orientalist paintings, and also his paintings of nymphs. He was to incorporate these orientalist themes into many of his paintings. His lameness meant he could not travel extensively, as the other artists that he admired had done. He used his imagination and the paintings of others such as Delacroix for inspiration when he was approaching orientalist themes.

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Women of the Seraglio

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Venus Disarming Cupid

Narcisse-Virgile Diaz de la Pena was initially known for his figure painting, until 1837 when he was to became a core member of the Barbizon school, and became good friends with Theodore Rousseau whom he admired greatly. During this time he was particularly known for his depiction of the dark, somber woodlands which he juxtaposed with the light. He was to incorporate his interest in orientalism into these scenes such as in the painting which hangs in the Museum of Fine Arts in Boston, ‘Bohemians going to a Fete’, which depicts exotically dressed figures descending through the Forest for a picnic. It is paintings such as these, with mythical and oriental elements that probably distinguish him from other members of the Barbizon school. This painting in particular brought him success in the Salon. He was to become a very successful artist of the day. He won three Gold medals at the Salon, and was also made a Knight of the Legion of Honour in 1851.

Due to the success of his paintings he was also quite financially well of. He was to help out a number of his artist friends of the Barbizon school such as Theodore Rousseau and Jean Francois Millet. It seems that he was an incredibly kind and gentle character. The Impressionists were of course particularly inspired by the painters of the Barbizon School, and the way in which these painters handled the light. He was to become particularly friendly with the young Renoir who went to the Forest of Fontainebleau to paint, and as well as giving him advice he also paid for canvases and pigments for him.

The Louvre has a substantial collection of works by Narcisse-Virgile Diaz de la Pena, as does the Wallace Collection in London.

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In the Fontainbleau Fores, 1860

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In the Forest

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1824--bruce.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bruce" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bruce" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1825--charlier.php Jacques Charlier Artwork Authentication & Art Appraisal

Jacques Charlier (1705-1790)

Get a Charlier Certificate of Authenticity for your painting (COA) for your Charlier drawing.

For all your Charlier artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Charlier Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Charlier painting or drawing.

If you want to sell your Charlier painting or drawing use our selling services. We offer Charlier selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Charlier and issuing certificates of authenticity since 2002. We are recognized Charlier experts and Charlier certified appraisers. We issue COAs and appraisals for all Charlier artworks.

Our Charlier paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Charlier certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Charlier painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Charlier paintings or drawings take longer.

Our clients include Charlier collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jacques Charlier art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jacques Charlier or we will sell it for you.

art

Detail from The Birth of Venus

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Nude in Her Bed, Embarrassed by the Absence of her Friend

Jacques Charlier was an 18th century French miniaturist. He mainly painted scenes of mythological and religious figures, as well as miniature portraits.

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Nude

Still wondering about a miniature painting in your family collection? Contact us…it could be by Jacques Charlier.


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done
1827--rosa-dalla.php Saverio dalla Rosa Artwork Authentication & Art Appraisal

Saverio dalla Rosa (1745-1821)

Get a Dalla Rosa Certificate of Authenticity for your painting (COA) for your Dalla Rosa drawing.

For all your Dalla Rosa artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dalla Rosa Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dalla Rosa painting or drawing.

If you want to sell your Dalla Rosa painting or drawing use our selling services. We offer Dalla Rosa selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dalla Rosa and issuing certificates of authenticity since 2002. We are recognized Dalla Rosa experts and Dalla Rosa certified appraisers. We issue COAs and appraisals for all Dalla Rosa artworks.

Our Dalla Rosa paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dalla Rosa certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dalla Rosa painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dalla Rosa paintings or drawings take longer.

Our clients include Dalla Rosa collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Saverio dalla Rosa art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Saverio dalla Rosa or we will sell it for you.

dalla Rosa painting, Mozart at Verona

Mozart at Verona

Saverio dalla Rosa was an 18th century painter. Known best for his portrait of Wolfgang Amadeus Mozart, dalla Rosa most likely painted portraits of other affluent Austrians and European nobility as well. Still wondering about an 18th century portrait in your family collection? Contact us…it could be by Saverio dalla Rosa.


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1828--dix.php Otto Dix Artwork Authentication & Art Appraisal

Otto Dix (1891 – 1969)

Get a Dix Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Dix artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Dix Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dix painting, drawing or print.

If you want to sell your Dix painting, drawing or print use our selling services. We offer Dix selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dix and issuing certificates of authenticity since 2002. We are recognized Dix experts and Dix certified appraisers. We issue COAs and appraisals for all Dix artworks.

Our Dix paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dix certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dix painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dix paintings or drawings take longer.

Our clients include Dix collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Otto Dix art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Otto Dix or we will sell it for you.

Otto Dix was a German painter and printmaker. Noted for his ruthless depictions of Weimar society and of the brutality of war, he is one of the most important artists of the Neue Sachlichkeit (New Objectivity).

Otto Dix was born in Untermhaus, Germany, now a part of the city of Gera. The eldest son of an iron foundry worker, he was exposed to art from an early age; his mother had written poetry in her youth, and he had a cousin who was a painter. In 1910, he entered the Dresden School of Arts and Crafts and supported himself as a portrait painter.

When the First World War erupted, Dix enthusiastically volunteered for the German Army. He was taken to a field artillery regiment in Dresden. In the fall of 1915 he was assigned as a non-commissioned officer of a machine-gun unit in the Western front and took part of the Battle of the Somme. He was seriously wounded several times. In 1917, his unit was transferred to the Eastern front until the end of hostilities with Russia. Back in the western front, he fought in the German Spring offensive. He earned the Iron Cross (second class) and reached the rank of vice-sergeant-major.

Dix was profoundly affected by the sights of the war, and would later describe a recurring nightmare in which he crawled through destroyed houses. He represented his traumatic experiences in many subsequent works, including a portfolio of fifty etchings called War, published in 1924.

At the end of 1918 Dix returned to Gera, but the next year he moved to Dresden, where he studied at the Hochschule für Bildende Künste. He became a founder of the Dresden Secession group in 1919, during a period when his work was passing through an expressionist phase. In 1920 he met George Grosz and, influenced by Dada, began incorporating collage elements into his works, some of which he exhibited in the first Dada Fair in Berlin. He also participated in the German Expressionists exhibition in Darmstadt that year.

In 1924 he joined the Berlin Secession; by this time he was developing an increasingly realistic style of painting that used thin glazes of oil paint over a tempera underpainting, in the manner of the old masters. His 1923 painting The Trench, which depicted dismembered and decomposed bodies of soldiers after a battle caused such a furor that the Wallraf-Richartz Museum hid the painting behind a curtain. In 1925 the then-mayor of Cologne, Konrad Adenauer, cancelled the purchase of the painting and forced the director of the museum to resign.

Dix was a contributor to the Neue Sachlichkeit exhibition in Mannheim in 1925, which featured works by George Grosz, Max Beckmann, Heinrich Maria Davringhausen, Karl Hubbuch, Rudolf Schlichter, Georg Scholz and many others. Dix’s work, like that of Grosz—his friend and fellow veteran—was extremely critical of contemporary German society and often dwelled on the act of Lustmord, or sexual murder. He drew attention to the bleaker side of life, unsparingly depicting prostitution, violence, old age and death.

Among his most famous paintings are the triptych Metropolis (1928) and the startling Portrait of the Journalist Sylvia von Harden (1926). His depictions of the legless and disfigured veterans that were a common sight on Berlin’s streets in the 1920s, very clearly illustrate their forgotten status within contemporary German society, a concept also developed in Erich Maria Remarque’s All Quiet on the Western Front.

When the Nazis came to power in Germany, they regarded Dix as a degenerate artist and had him sacked from his post as an art teacher at the Dresden Academy. He later moved to Lake Constance. Dix’s paintings The Trench and War cripples were exhibited in the Nazi exhibition of degenerate art, Entartete Kunst. They were later burned.

Dix was forced to join the Nazi-controlled Imperial chamber of Fine Arts in order to be able to work as an artist at all and had to promise to paint only landscapes. He still painted an occasional allegorical painting that criticized Nazi ideals. In 1939 he was arrested on a trumped-up charge of being involved in a plot against Hitler (see Georg Elser) but was later released.

During World War II Dix was conscripted into the Volkssturm. He was captured by French troops at the end of the war and released in February 1946. Dix eventually returned to Dresden. After the war most of his paintings were religious allegories or depictions of post-war suffering. Otto Dix died in Singen, Germany, in 1969. Still wondering about a German painting in your family collection? Contact us…it could be by Otto Dix.


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1829--caravia.php Enrique Caravia Artwork Authentication & Art Appraisal

Enrique Caravia Montenegro (1905-1992)

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Portrait of Eugene Maria de Hostos

Get a Caravia Certificate of Authenticity for your painting (COA) for your Caravia drawing.

For all your Caravia artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Caravia Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Caravia painting or drawing.

If you want to sell your Caravia painting or drawing use our selling services. We offer Caravia selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Caravia and issuing certificates of authenticity since 2002. We are recognized Caravia experts and Caravia certified appraisers. We issue COAs and appraisals for all Caravia artworks.

Our Caravia paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Caravia certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Caravia painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Caravia paintings or drawings take longer.

Our clients include Caravia collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Enrique Caravia art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Enrique Caravia or we will sell it for you.

A director at San Alejandro Academy, Enrique Caravia would become the father of poster art in Cuba.

Born in Havana, Caravia studied drawing and painting at both the School of Villate and San Alejandro Academy. In 1924, he was able to move to the United States to study commercial art. By 1929, he had gained a scholarship to continue his studies in Europe, where he mainly took instruction in Madrid and Rome. After he completed his studies in Europe, Caravia traveled to Mexico to study engraving and print making at the School of Free Arts. Along the way, Caravia also worked in watercolors and became a truly multifaceted and talented artist.

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Mercado de Oxaca

Though he is revered as a landscape and portrait painter, Caravia also created a number of murals and even mosaics. Along with his interior decorative paintings, Caravia also exhibited his oil paintings of seascapes and portraits in the United States and abroad. Caravia held solo and group exhibitions in New York, Pennsylvania, Los Angeles, Vienna, Berlin, Munich, Madrid, Czechoslovakia and of course, Havana. Caravia also collected a number of prizes in his lifetime for his art, such as the gold medal at the Annual Hall of the Belles Artes in Havana in 1930, and the silver medal at the Latin American Exhibition of Seville. Caravia also won a number of first prize awards for his work in poster art.

Today, Caravia’s work is housed all over Cuba and in private collections. Upon his death, he left a countless number of engravings, lithographs and paintings, and proved to be a very prolific artist. Due to his wide range of artistic ability and extensive travel, the possibility for anyone owning a piece of art by Caravia. And just because this former director of San Alejandro isn’t a household name doesn’t mean that his art holds little value—one of his seascapes alone commanded thousands of dollars at auction.

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Seashore

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Jose Marti

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El Pintor Marin

If you believe you own a work of art by Enrique Caravia, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Enrique Caravia.


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1830--battiss.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "battiss" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "battiss" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1831--dubourg.php Victoria Dubourg Artwork Authentication & Art Appraisal

Victoria Dubourg (1840-1926)

Get a Dubourg Certificate of Authenticity for your painting (COA) for your Dubourg drawing.

For all your Dubourg artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dubourg Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dubourg painting or drawing.

If you want to sell your Dubourg painting or drawing use our selling services. We offer Dubourg selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dubourg and issuing certificates of authenticity since 2002. We are recognized Dubourg experts and Dubourg certified appraisers. We issue COAs and appraisals for all Dubourg artworks.

Our Dubourg paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dubourg certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dubourg painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dubourg paintings or drawings take longer.

Our clients include Dubourg collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Victoria Dubourg art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Victoria Dubourg or we will sell it for you.

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Roses

Victoria Dubourg gained notoriety during her lifetime as a painter of still life fruits and flowers, but most remember her as the wife of famous painter Henri Fantin-Latour. It is argued that Dubourg was taught how to paint by Latour because some of her paintings exhibited in the 1860’s and 1870’s were in his style, and were a departure from her usual work.

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Vase de Fleurs

It is said that besides Latour, Dubourg was one of the most prolific painters of flowers in the 19th century. Though often overshadowed by her famous husband, Dubourg held her own as an artist and won awards at the Paris Salon in 1894 and 1895.

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Vase de Fleurs, 1882

Dubourg was a Realist and cited the painter Chardin as one of her influences. Through Latour, Dubourg became acquainted with other famous French artists of the day, and even had her portrait painted by Edgar Degas.

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Vase de Fleurs

She would often sign her work either “V. Dubourg” or “VD” in the lower right or left hand corner on the front of her compositions. Dubourg primarily painted in oil, and while her compositions were neither groundbreaking in style nor emotionally evocative, she was truly a master of her craft. Many art critics have touted her (and Latour) at being masters in creating the perfect floral still life, using light and color to their advantage.

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Dahlias Next to a Vase, 1871

Because her style was so similar to her husbands when paintings flowers, sometimes authenticators have a hard time distinguishing whether a painting is by Dubourg or Latour. Sometimes they are accredited to both. However, since Dubourg outlived Latour by nearly 22 years, one may assume that anything painted after the death of Latour would be accredited to Dubourg. Also confusing is that sometimes her work is signed or accredited to Victoria Fantin-Latour, as opposed to Dubourg.

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Vase de Fleurs, 1913

While her oeuvre is primarily filled with still life florals, Dubourg certainly painted landscapes, portraits and other subjects prior to meeting Latour. To find one of her early paintings, or even a piece that is a departure from her usual work, would be a treasure indeed. Still wondering about that floral still life hanging in your home? Contact us…perhaps it is an original from Victoria Dubourg.


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1832--antropov.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "antropov" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "antropov" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1833--costa.php Lorenzo Costa Artwork Authentication & Art Appraisal

Lorenzo Costa (1460 – 1535)

Get a Costa Certificate of Authenticity for your painting (COA) for your Costa drawing.

For all your Costa artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Costa Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Costa painting or drawing.

If you want to sell your Costa painting or drawing use our selling services. We offer Costa selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Costa and issuing certificates of authenticity since 2002. We are recognized Costa experts and Costa certified appraisers. We issue COAs and appraisals for all Costa artworks.

Our Costa paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Costa certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Costa painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Costa paintings or drawings take longer.

Our clients include Costa collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lorenzo Costa art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lorenzo Costa or we will sell it for you.

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Holy Family

Lorenzo Costa was an Italian painter of the Renaissance. He was born at Ferrara, but moved to Bologna by his early twenties, and would be more influential to the Bolognese school of painting. However, many artists worked in both nearby cities, and thus others consider him a product of the School of Ferrara. There are claims that he trained with Cosimo Tura.

In 1438 he painted his famous Madonna and Child with the Bentivoglio family, and other frescoes, on the walls of the Bentivoglio chapel in San Giacomo Maggiore, and he followed this with many other works. He was a great friend of Francesco Francia, who was much influenced by him. In 1509 he went to Mantua, where his patron was the Marquis Francesco Gonzaga, and he eventually died there. His Madonna and Child enthroned is in the National Gallery, London, but his chief works are at Bologna. His sons, Ippolito (1506-1561) and Girolamo, were also painters, and so was Girolamo’s son, Lorenzo the younger (1537-1583). Many contemporaries who worked with or below him include Cosimo Tura, Dosso Dossi and Ludovico Mazzolino.

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The Court of Isabella D’Este

Still wondering about an Italian painting in your family collection? Contact us…it could be by Lorenzo Costa.


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1834--dmitrienko.php Pierre Dmitrienko Artwork Authentication & Art Appraisal

Pierre Dmitrienko (1925-1974)

Get a Dmitrienko Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Dmitrienko artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Dmitrienko Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dmitrienko painting, drawing or print.

If you want to sell your Dmitrienko painting, drawing or print use our selling services. We offer Dmitrienko selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dmitrienko and issuing certificates of authenticity since 2002. We are recognized Dmitrienko experts and Dmitrienko certified appraisers. We issue COAs and appraisals for all Dmitrienko artworks.

Our Dmitrienko paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dmitrienko certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dmitrienko painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dmitrienko paintings or drawings take longer.

Our clients include Dmitrienko collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pierre Dmitrienko art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Pierre Dmitrienko or we will sell it for you.

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Abstract Composition, 1949

Pierre Dmitrienko was born in Paris to Greek/Russian parents. He initially studied architecture at the Ecole des Beaux Arts, but found a passion for art and taught himself how to paint. He would eventually develop an abstract style all his own. His earliest works were influenced by Bazaine, and associated himself with other up and coming abstract artists of the day.

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Homme Baillonne

Dmitrienko would have his first one man show at the Galerie de la Paix in 1950. Throughout his life he would move all over France and exhibit worldwide including Tokyo.

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Untitled, 1969

Though his work was generally considered Abstract, Dmitrienko would also work in landscape themes. He also created a series of “heads” which were oval-shaped compositions that he called “presences.”

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Presence

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Presence, 1965

Towards the end of his life, Dmitrienko went into seclusion and he produced paintings less and less. Some of his last compositions are darkly themed and feature tortured people being tied up.

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Untitled, 1970

Dmitrienko worked in a number of mediums from oil to gouache and created etchings and lithographs as well.


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1835--posada.php José Guadalupe Posada Artwork Authentication & Art Appraisal

José Guadalupe Posada (1852-1913)

Do you think you may own a print or drawing by José Guadalupe Posada?

We Perform José Guadalupe Posada art authentication. José Guadalupe Posada appraisal. José Guadalupe Posada certificates of authenticity (COA). José Guadalupe Posada analysis, research, scientific tests, full art authentications. We will help you sell your José Guadalupe Posada or we will sell it for you.

Jose Posada was born in Aguascalientes, Mexico in 1852. Posada is known as a one of the most important graphic artists of Mexico. Posada focused on social-political issues in his work. Posada’s political caricatures with skeleton figures reference to Day of the Dead and Mexican symbolism.

Posada, La Catrina

La Catrina

Posada started his career by making drawings and copying religious images. In 1866 Posada worked in a print shop, learning lithography and engraving in the Taller de Trinidad Pedroza.

Posada, Revolution, woodcut

Revolution, woodcut

In 1872 Posada moved to the city of Guanajuato, where he began making prints on wood to illustrate documents and books. Eventually, Posada moved to Mexico City, installing his first exposition in the street of Santa Teresa. Posada continued to live in Mexico City as an illustrator in the studio of Antonio Vanegas Arroyo, for whom he made thousands of drawings. All of Posada’s drawings at this time were made in opposition to the government and the President Porfirio Díaz. Posada became well known for his political activism and strong, radical imagery.

Posada, Don Quixote

Don Quixote

The work of Posada is vast and varied. Posada’s graphic work is highly valuable. It is said that Posada’s work will inevitably provoke a smile, curiosity, fear and the spirit of activism with its dark humor.

Posada, Gran Calavera Electrica (Grand Electric Skull)

Gran Calavera Electrica (Grand Electric Skull)
1900-1913 Etching on fabric (21.4 x 34 cm) 
Library of Congress

Posada is considered to be a popular artist and a master of Mexican art. Posada fought the inequality and social injustices of his corrupt government. Posada’s work is conserved in major institutions in Mexico such as the National Institute of Fine Art and The Museum of Jose Guadalupe Posada in Aguascalientes. Do you think you own a piece by Posada? Contact us. We are the Posada experts.


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1836--ouwater.php Isaak Ouwater Artwork Authentication & Art Appraisal

Isaak Ouwater (1750-1793)

We Perform Isaak Ouwater art authentication. Isaak Ouwater appraisal. Isaak Ouwater certificates of authenticity (COA). Isaak Ouwater analysis, research, scientific tests, full art authentications. We will help you sell your Isaak Ouwater or we will sell it for you.

Ouwater painting, The Spaarne Canal

The Spaarne Canal

Ouwater painting, The Lottery Office

The Lottery Office

Isaak Ouwater was an 18th century Dutch painter and a follower of Jan van der Heyden. Ouwater was a painter of street scenes and other urban landscapes, and though his critics may call his work somewhat dry in comparison to van der Heyden’s, it was painstakingly executed nonetheless.

Ouwater painting, View of the Westerkerk

View of the Westerkerk

Still wondering about an 18th century Dutch city scene in your family collection? Contact us…it could be by Isaak Ouwater.


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1837--arke.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "arke" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "arke" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1838--morisot.php Berthe Morisot Artwork Authentication & Art Appraisal

Berthe Morisot (1841-1895)

Get a Morisot Certificate of Authenticity for your painting (COA) for your Morisot drawing.

For all your Morisot artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Morisot Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Morisot painting or drawing.

If you want to sell your Morisot painting or drawing use our selling services. We offer Morisot selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Morisot and issuing certificates of authenticity since 2002. We are recognized Morisot experts and Morisot certified appraisers. We issue COAs and appraisals for all Morisot artworks.

Our Morisot paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Morisot certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Morisot painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Morisot paintings or drawings take longer.

Our clients include Morisot collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Berthe Morisot art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Berthe Morisot or we will sell it for you.

Berthe Morisot was the only woman amongst the founding members of the Impressionist movement. She was the daughter of a highly placed Government Official and the Granddaughter of the well known painter, Jean-Honore Fragonard. Encouraged by her parents she began studying art with her sister Edma at a very young age.

She began by copying masterpieces from the Louvre and then began painting with the famous landscape painter Camille Corot who was to become a close friend. He taught her the ‘plein air’ technique. She took her studies very seriously and under the guidance of Corot she even travelled around the Pyrenees on a mule with her sister in order to draw and paint.

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Skating in the Park

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Head of a Young Girl

She began exhibiting at the Salon at a young age in 1864 and her first two paintings were of Landscapes. However, after a meeting with the painter Edouard Manet, she abandoned the painting techniques she learnt from Corot and even went so far as to destroy a number of the paintings that she had produced during her time with him. Manet was to have a great influence on her and her on him. She was to feature in a number of famous paintings by him such as ‘Balcony’ and ‘Repose’.

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Balcony

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Repose

She married Edouard Manet’s brother Eugene, who was also a painter. He was relatively wealthy and this gave her the financial security she needed to continue with her painting. She had a child by him whom they named Julie. She was to paint her daughter many times as well as other members of her family such as her nieces and her sister Edma. Some of the paintings of her family were considered very daring and intimate for the time, For example, she painted a number of portraits of her sister when pregnant. The famous painting, entitled ‘The Cradle’ which caused a sensation at an exhibition, showed her sister with her new born daughter and now hangs in the Musee d’Orsay.

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The Cradle

Her meeting with some of the founding members of Impressionism such as Edgar Degas, Claude Monet and Auguste Renoir was to change her life in an artistic sense. They believed that her way of painting, her vibrant brush strokes and use of colour and the light made her a perfect exponent of the Impressionist technique.

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Eugene Manet on the Isle of Wight

Her husband, Eugene, sadly died at a young age but her friends who included by then such people Renoir, Degas and other members of the Impressionist group rallied around to support her. She was an extremely cultured woman and her other friends included masters of other forms of art, such as the great poet Baudelaire and the writer Emile Zola. Although she spent much time with her Impressionist friends, she was never really to partake in an important part of their social life, which was of course, the cafes of Paris. As a woman of a certain standing it was not the done thing to frequent such cafes, even for a woman as independent as Berthe.

The year 1874 was a defining moment for her, against the advice of Edouard Manet and a number of other friends she decided not to exhibit at the Salon and instead took part in the first independent exhibition of Impressionist painting. This led to strong differences of artistic opinion with her friend and one time mentor Edouard Manet, as he refused to exhibit with the Impressionists, wanting to achieve success in the normal and orthodox way by exhibiting at the Salon. She exhibited in every Impressionist exhibition at the time, apart from the year when she gave birth to her daughter.

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On the Lake

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In the Grass

At the time she achieved extraordinary success, as her paintings outsold those by Renoir and Monet. It was also a time when Impressionism was ridiculed by many. She was therefore a sort of rebel of her time. Not only was it extremely unusual for women to exhibit professionally in the male driven art world but she also was to do so in a manner, that at the time drew her contempt and scorn.

In 1892 she had her first solo exhibition and in 1894 the French State commissioned a painting by her entitled ‘Young Woman in an Evening Dress’. She sadly died of pneumonia at the age of 54 and following her death, her friends, Renoir and Degas arranged a retrospective of her work.

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Young Woman in an Evening Dress

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Peasant Hanging Out the Washing

Her role in art history is an important one, not only was she the only woman among the founding members of Impressionism but her paintings also recorded the life of bourgeoisie woman in nineteenth century France. As with all paintings by the Impressionist group of painters her paintings are worth an enormous amount of money.


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1839--philipsen.php Theodor Philipsen Artwork Authentication & Art Appraisal

Theodor Philipsen (1840 – 1920)

We Perform Theodor Philipsen art authentication. Theodor Philipsen appraisal. Theodor Philipsen certificates of authenticity (COA). Theodor Philipsen analysis, research, scientific tests, full art authentications. We will help you sell your Theodor Philipsen or we will sell it for you.

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An Avenue in Kastrup 1892

Theodor Philipsen was a Danish painter. He was a great innovator of 19th century Danish art. He took Danish art into a new level of impressionism and naturalism. He was influenced by French art as well, this influence beginning in his first time in Paris, from 1874-1876. He was impressed by the painters Theodore Rousseau, Constant Troyon, and perhaps Jean-Francois Millet. He traveled to many places in the world for inspiration including North Africa and Andalusia. His first impressionist masterpiece was Late Autumn Day in the Jægersborg Deer Park which he painted in 1886. The painting is currently in Statens Museum for Kunst. He participated in the exhibition Nordic and French Impressionists. Another one of his more famous paintings is An Avenue in Kastrup, which he painted in 1892. He was one of the most influential impressionist Danish painters of all time.

Still wondering about a Danish painting in your family collection? Contact us…it could be by Theodor Philipsen.


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1840--paolo-di.php Giovanni di Paolo Artwork Authentication & Art Appraisal

Giovanni di Paolo 1395 (or 1407) – 1482

We Perform Giovanni di Paolo art authentication. Giovanni di Paolo appraisal. Giovanni di Paolo certificates of authenticity (COA). Giovanni di Paolo analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni di Paolo or we will sell it for you.

di Paolo, Saint Ansanus, The Baptizer

Saint Ansanus, The Baptizer

di Paolo, Saint Ambrose, 1465-1470

Saint Ambrose, 1465-1470
Siena, Italy
Tempera on Wood, gold ground 60.6 x 36.8 cm
Metropolitan Museum of Art, NY

di Paolo, Paradise, 1445

Paradise, 1445
Tempera and Gold on Canvas on Wood 47 x 40.6 cm
Metropolitan Museum of Art, New York

di Paolo, The Annunciation to Zacharias; The Angel of the Annunciation

The Annunciation to Zacharias; The Angel of the Annunciation, c. 1455-60
Tempera on Gold Wood 75.9 x 43.2 cm
Metropolitan Museum of Art, New York

di Paolo, The Baptism of Christ

The Baptism of Christ
Tempera and Gilding on Panel 25.7 x 35.7 cm
Ashmolean Museum of Art and Archaeology University of Oxford

Giovanni di Paolo was 15th century, Italian painter of the Sienese School. It is believed that Di Paolo apprenticed with Taddeo di Bartolo, though his later work was influenced by the Gothic painters such as Gentile da Fabriana. He was a prolific painter and illustrator of manuscripts, including Dante’s texts.

Still wondering about an Italian painting in your family collection? Contact us… we are the Giovanni di Paolo. experts.


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1841--krafft-johann.php Johann Peter Krafft Artwork Authentication & Art Appraisal

Johann Peter Krafft (1780-1856)

Get a Krafft Certificate of Authenticity for your painting (COA) for your Krafft drawing.

For all your Krafft artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Krafft Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Krafft painting or drawing.

If you want to sell your Krafft painting or drawing use our selling services. We offer Krafft selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Krafft and issuing certificates of authenticity since 2002. We are recognized Krafft experts and Krafft certified appraisers. We issue COAs and appraisals for all Krafft artworks.

Our Krafft paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Krafft certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Krafft painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Krafft paintings or drawings take longer.

Our clients include Krafft collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Johann Peter Krafft art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Johann Peter Krafft or we will sell it for you.

Johann Krafft painting, Portrait of Count Ferenc Barkoczy

Portrait of Count Ferenc Barkoczy

Johann Krafft painting, Maria Angelica Richter von Binnenthal

Maria Angelica Richter von Binnenthal

Johann Krafft painting, Franz Xaver Richter von Binnenthal

Franz Xaver Richter von Binnenthal

Johann Peter Krafft was an Austrian painter who studied with David in Paris . He was known for his large historical paintings, particularly battle scenes, which were composed on a monumental scale. Krafft was known for adding extraordinary detail to his paintings, and also created portraits.

Johann Krafft painting, Battle Scene

Battle Scene

Johann Krafft painting, Rindaldo and Armida

Rindaldo and Armida

He lived in Rome in 1808 and was made a full member of the Akademie der Bilden Kunste in 1813.

Johann Krafft painting, Franz Anton Zauner

Franz Anton Zauner

Johann Krafft painting, Equestrian Portrait of Franz I

Equestrian Portrait of Franz I

Johann Krafft painting, Rudolf von Habsburg Goup Portrait

Rudolf von Habsburg Goup Portrait

Still wondering about an early 19th century historical scene or portrait in your family collection? Contact us…it could be by Johann Peter Krafft.


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1842--charlot.php Jean Charlot Artwork Authentication & Art Appraisal

Jean Charlot (1897-1979)

Get a Charlot Certificate of Authenticity for your painting (COA) for your Charlot drawing.

For all your Charlot artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Charlot Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Charlot painting or drawing.

If you want to sell your Charlot painting or drawing use our selling services. We offer Charlot selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Charlot and issuing certificates of authenticity since 2002. We are recognized Charlot experts and Charlot certified appraisers. We issue COAs and appraisals for all Charlot artworks.

Our Charlot paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Charlot certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Charlot painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Charlot paintings or drawings take longer.

Our clients include Charlot collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Charlot art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean Charlot or we will sell it for you.

Though French-born, Jean Charlot would become a well-known Mexican painter and muralist, working alongside Diego Rivera and others. Born to a French/Jewish/Mexican mother, Charlot studied at the Ecole des Beaux-Arts in Paris.

art

The Tortilla Makers, 1937

art

The Hammock, 1937

During this time, he became interested in Folk Art, which would later be reflected in his Mexican compositions. This interest in Folk Art was also what helped him to devote his themes to the working class, family and humanity.

art

Mother and Child, 1930

art

Las Lavenderas, 1923

In the early 1920s, Charlot’s mother introduced him to Mexico where his grandfather lived. Shortly after his arrival he painted his first mural at the National Preparatory School in Mexico City. Charlot’s friends in the art world were amazed at his talents as a lithographer and wood cutter, skills that he brought with him from Europe. These skills would later name his as a masterful color lithographer.

art

Spear Thrower, 1974, silk screen

By mid 1925, Charlot was in a Dark Period, creating mostly small easel paintings. This was later followed by a stint as an archeological artist for the Carnegie Institute at their site in the Yucatan, Mexico. By 1930, Charlot had moved to New York where he taught art at Columbia University, and would later move to Athens, Georgia, and then Colorado to teach art there as well. This marked the end of Charlot’s stay in Mexico as he would travel and live around the world for the rest of his life.

art

Fiesta Head Dress, 1933

While Charlot is decidedly claimed by the Mexican art community, he also created murals in Hawaii, Fiji, Kansas, Ohio and a number of other places. Even though at this time Charlot was either teaching or editing and writing art books, he still managed to be a rather prolific artist. He continued to create frescos and murals up until the year before he died in Hawaii in 1979.

art

University of Hawaii mural, Relation of Man and Nature

Even though Charlot was not an exclusively Mexican painter, he helped to bring forth the new modern movement among his Mexican contemporaries. Today his works are part of the permanent collections of The Museum of Modern Art and The Metropolitan Museum of Art in New York as well as the Smithsonian Institution in San Francisco and the Art Institute of Chicago.

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Snake Dance, 1952

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Luz y Concha, 1930

If you believe you own a work of art by Jean Charlot, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Jean Charlot.


done
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done
1844--purvitis.php Vilhelms Purvītis Artwork Authentication & Art Appraisal

Vilhelms Purvītis (1872-1945)

Do you think you may own a painting by Vilhelms Purvītis?

We Perform Vilhelms Purvītis art authentication. Vilhelms Purvītis appraisal. Vilhelms Purvītis certificates of authenticity (COA). Vilhelms Purvītis analysis, research, scientific tests, full art authentications. We will help you sell your Vilhelms Purvītis or we will sell it for you.

1. Winter. 1910. Oil painting. Latvian National Museum of Art.

1. Winter. 1910. Oil painting. Latvian National Museum of Art.

2. Spring Waters. 1910. Oil painting. Latvian National Museum of Art

2. Spring Waters. 1910. Oil painting. Latvian National Museum of Art

Vilhelms Purvītis was a Latvian painter born in Zaube, Latvia. Born to a family of millers, Purvītis worked for his father’s mill before pursuing a career as a painter. In 1890, Purvītis began his artistic training at the Imperial Academy of Arts in Saint Petersburg, Russia. Purvītis studied from 1890 until 1897, winning a gold medal for his excellent work. After finishing his studies, Purvītis travelled across Europe, before returning to Latvia to teach art in the city of Riga. Purvītis eventually became the director if Riga’s art program.

3. Autumn Sun. 1909. Oil painting. Latvian National Museum of Art.

3. Autumn Sun. 1909. Oil painting. Latvian National Museum of Art.

Purvītis briefly left Riga in 1915 after World War I led to the closure of Riga’s art school. Just a few years later, Purvītis gained another position as director of of the Riga Art Museum, now known as the Latvian National Museum of Art. Purvītis also played an influential role in the founding of the Art Academy of Latvia.

4. Early Spring. Not dated. Oil painting.

4. Early Spring. Not dated. Oil painting.

Purvītis again lost his position under Soviet occupation in 1940, leading to his relocation to Danzig, where Purvītis died in 1945. The artist’s remains were eventually returned to Lativia, where is remembered as a crucial figure in the Lativian arts. Many of his landscape paintings now hang in the Latvian National Museum of Art.

5. Seascape. Not dated. Oil painting.

5. Seascape. Not dated. Oil painting.

If you think you may own original artwork by Vilhelms Purvītis, contact Art Certification Experts for information regarding our services.


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1845--fresnaye.php Roger de la Fresnaye Artwork Authentication & Art Appraisal

Roger de La Fresnaye (1885-1925)

Get a La Fresnaye Certificate of Authenticity for your painting or a COA for your La Fresnayedrawing, print or sculpture.

For all your La Fresnayeartworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a La Fresnaye Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your La Fresnayepainting, drawing, print or sculpture.

If you want to sell your La Fresnayepainting, drawing, print or sculpture use our selling services. We offer La Fresnaye selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating La Fresnayeand issuing certificates of authenticity since 2002. We are recognized La Fresnayeexperts and La Fresnaye certified appraisers. We issue COAs and appraisals for all La Fresnaye artworks.

Our La Fresnayepaintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The La Fresnayecertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your La Fresnayepainting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research La Fresnayepaintings, drawings or sculptures take longer.

Our clients include La Fresnayecollectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Roger De La Fresnaye art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Roger De La Fresnaye or we will sell it for you.

art

The Fourteenth of July, 1914

Roger de la Fresnaye was a French Cubist painter, born into a family of aristocracy. He had a classical education and attended the Academie Julien in 1904 and the Ecole des Beaux-Arts in 1908. La Fresnaye also studied under Maurice Denis and Paul Serusier at the Academie Ranson. Their influence on La Fresnaye helped him to develop a Symbolist style.

art

Picture of Naomy

art

Artillery, 1911

art

Man Sitting

By 1912, La Fresnay had become involved with the Section d’Or, which was a group of young up and coming artists that worked in Cubism. He would also become a member of the Puteaux Group, which also focused on Cubist theories. During this time, La Fresnaye was most influenced by Picasso and Georges Braque; however, his paintings were more realistic than theirs.

art

Man Sleeping

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Married Life

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Conquest of the Air, 1913

Although his work has been compared to that of Delaunay, La Fresnaye painted in a more decorative style. He used colors to create a prismatic effect in the same way as Delaunay, but was not nearly as simple. La Fresnaye typically painted figure studies and Surrealist themes full of symbolism, but created portraits, still life and landscapes on occasion.

art

Portrait of Guynemer

art

Still Life with Coffee Pot and Melon, 1911

art

The Factory Chimney Meulan Landscape, 1912

Certainly, his earliest work as a student must have been of a more academic approach, but these pieces would be a rare find. However, sketches, watercolors and other mixed media pieces such as lithographs certainly still exist today, and because he was a highly experimental artist, could be in virtually any style.

art

Nude Sketch, 1905

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Nude Sketch, 1910

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Cubist Sketch

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Man with a White Horse, 1921

La Fresnaye also worked briefly in sculpture, and surprisingly, most of his sculptures were in a classical style, but some had Cubist influences.

La Fresnaye served in World War I, but after the war, his health began to wane. He continued to paint a little until his death in 1925, but these paintings were a departure from Cubism and were in a more linear style. Though he died relatively young and had his career cut short, La Fresnaye was still a fairly prolific painter and left many pieces behind. Still wondering about a Surrealist/Cubist painting in your home? It may be by Roger de La Fresnaye…contact us to find out.


done
1846--vigee-lebrun.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vigee-lebrun" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vigee-lebrun" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1847--credi.php Lorenzo di Credi Artwork Authentication & Art Appraisal

Lorenzo di Credi (1459-1537)

Get a Credi Certificate of Authenticity for your painting or a COA for your Credi drawing or sculpture.

For all your Credi artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Credi Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Credi painting, drawing or sculpture.

If you want to sell your Credi painting, drawing or sculpture use our selling services. We offer Credi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Credi and issuing certificates of authenticity since 2002. We are recognized Credi experts and Credi certified appraisers. We issue COAs and appraisals for all Credi artworks.

Our Credi paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Credi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Credi painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Credi paintings, drawings or sculpture take longer.

Our clients include Credi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lorenzo di Credi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lorenzo di Credi or we will sell it for you.

di Credi

Madonna and Child with Saints

Lorenzo di Credi was an Italian painter and sculptor. He first influenced Leonardo da Vinci and then was greatly influenced by him. Born in Florence, he started to work in Andrea del Verrocchio’s workshop. After the death of his master, he inherited the direction of the workshop.

di Credi

Portrait of Perugino, 1504

One of di Credi’s works gained attention when scholars pointed out a resemblance between the face of Mona Lisa by Leonardo da Vinci and the face of Caterina Sforza in a portrait by Lorenzo di Credi. Caterina Sforza was the Lady of Forlì and Imola (in Italy), later prisoner of Cesare Borgia. The portrait, known also as La dama dei gelsomini, is now in the Museum of Forlì. Among his pupils were Giovanni Antonio Sogliani and Antonio del Ceraiolo.

di Credi

Madonna with Child and Pomegranate 1469 Oil on Panel

di Credi

Adoration
Tempera on Wood
National Museum of Serbia

di Credi

Birth of Christ
Alte Pinakothek

di Credi

Head of an Old Man Facing Forward and Wearing a Cap
Drawing (metal point on paper)
Louvre Museum, Paris

di Credi

The Virgin and Child in between Julian and Saint Nicolas of Myre
Louvre Museum, Paris

Still wondering about an Italian painting in your family collection? Contact us…we are the Lorenzo di Credi experts.


done
1848--brand.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "brand" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "brand" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1850--maurer-alfred.php Alfred Henry Maurer Artwork Authentication & Art Appraisal

Alfred Henry Maurer (1868-1932)

Get a Alfred Maurer Certificate of Authenticity for your painting (COA) for your Alfred Maurer drawing.

For all your Alfred Maurer artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Alfred Maurer Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Alfred Maurer painting or drawing.

If you want to sell your Alfred Maurer painting or drawing use our selling services. We offer Alfred Maurer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Alfred Maurer and issuing certificates of authenticity since 2002. We are recognized Alfred Maurer experts and Alfred Maurer certified appraisers. We issue COAs and appraisals for all Alfred Maurer artworks.

Our Alfred Maurer paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Alfred Maurer certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Alfred Maurer painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Alfred Maurer paintings or drawings take longer.

Our clients include Alfred Maurer collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alfred Henry Maurer art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alfred Henry Maurer or we will sell it for you.

Maurer, Arrangement

Arrangement

Alfred Henry Maurer was an American modernist painter born in New York City. Maurer left school at the age of sixteen to work as a lithographer for his father. Growing up in New York City, Maurer had the opportunity to meet a variety of artists and craftsmen. In addition to working as a printer, Maurer was exposed to sculpture by John Quincy Adams Ward and painting by William Merritt Chase.

Maurer, Girl

Girl

Maurer moved to Paris for four years to paint and immerse himself in the European art world. Maurer established an international reputation as an artist and won several awards in New York, Belgium and Munich. As Maurer matured as an artist he began to deviate in style from other artists. Maurer stopped making realist paintings and primarily painted in a cubist or fauvist manner. Though seen as avant-garde, Maurer exhibited at the 291 Gallery and in the 1913 Armory Show in New York City.

Maurer, Bowl with Pear, Still Life

Bowl with Pear, Still Life

Maurer befriended other avant-garde artists in New York such as Arthur Dove, Marsden Hartley and John Marin. The Society of Independent Artists frequently asked Maurer to exhibit with them, and in 1919 he became their director.

Maurer, Abstract Head

Abstract Head

Maurer, Still Life with Bananas and Pomegranate

Still Life with Bananas and Pomegranate

Maurer, Two Heads, 1929

Two Heads, 1929

Maurer, Head with Green Dress

Head with Green Dress

Erhard Weyhe, who managed his paintings and exhibitions for the rest of his career, represented Maurer. While many of Maurer’s paintings are in private collections, major museums, including the Whitney Museum of American Art in New York, also own his paintings. Maurer made an important impression on abstract art in America.

Maurer, Two Sisters

Two Sisters

Maurer, Fauve Landscape with Trees

Fauve Landscape with Trees

Maurer, Standing Figure and a Study of a Milliner Shop, 1900

Standing Figure and a Study of a Milliner Shop, 1900

Maurer, Portrait of a Girl in a Flowered Dress

Portrait of a Girl in a Flowered Dress

Maurer, Fauve Landscape, 1907

Fauve Landscape, 1907

Maurer, Floral Still Life with Calla Lily, 1928

Floral Still Life with Calla Lily, 1928

Maurer, Blue Flowers

Blue Flowers

Maurer, Still Life with Orange Carnation

Still Life with Orange Carnation

Maurer, Still Life with Cup

Still Life with Cup

Do you think you own a painting by Alfred Henry Maurer? Contact us. We are the experts on Alfred Henry Maurer.


done
1851--von-gebhardt.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "von-gebhardt" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "von-gebhardt" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
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done
1853--pforr.php Johann Georg Pforr Artwork Authentication & Art Appraisal

Johann Georg Pforr (1745-1798)

Do you think you may own a painting by Johann Georg Pforr.

We Perform Johann Georg Pforr art authentication. Johann Georg Pforr appraisal. Johann Georg Pforr certificates of authenticity (COA). Johann Georg Pforr analysis, research, scientific tests, full art authentications. We will help you sell your Johann Georg Pforr or we will sell it for you.

Pforr painting, Man with Camel

Man with Camel

Johann Pforr was an 18th century German painter. Still wondering about an 18th century German painting in your family collection? Contact us…it could be by Johann Pforr.


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1854--gauguin.php Paul Gauguin Artwork Authentication & Art Appraisal

Paul Gauguin (1848-1903)

We Perform Paul Gauguin art authentication. Paul Gauguin appraisal from . Paul Gauguin certificates of authenticity (COA). Paul Gauguin analysis, research, scientific tests, full art authentications. We will help you sell your Paul Gauguin or we will sell it for you.

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Tahitian Women

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Riders on the Beach, 1902

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By The Sea

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Woman With Flower

Known as one of the fathers of modern art, Paul Gauguin left a legacy for the next generations of artists. He didn’t embrace naturalism, and he actually rejected it in his use of nature only as a backdrop or point of origin from which to display other abstract images. Gauguin turned away from impressionism and adapted the less naturalistic style called synthesism. His fascinating color patterns infused his work with an undercurrent of mystery.

Paul Gauguin was born in 1848. His background did not begin in art. In fact, he was a sailor who went on to become a successful stockbroker in Paris. In 1874, he began to develop an interest for painting. By the time he turned 35, he focused his attention solely on his art. He even went so far as to separate from his wife and children.

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Les Alyscamps

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Self-Portrait

From 1879-1886, Gauguin exhibited with the impressionists. He opted to sail off to Panama and Martinique because he felt he was being poisoned by civilization. Unfortunately, he became ill and had to return to France.

In 1888, Gauguin’s style began to evolve. He drew influences from Japanese prints and stained glass. At this time, he began to utilize flat planes and bright color. He paired these with primitive subjects or subjects that were highly symbolic. He sold 30 canvases in 1891 and moved to Tahiti where he painted and wrote an autobiographical novel. When he returned to France a year later, he exhibited his work but still made little money.

The last years of Gauguin’s life were spent in suffering. His paintings became bolder and more powerful. He was poor, dying from syphilis, and suicidal. In fact, he attempted to commit suicide and failed. After the botched suicide attempt, he actually painted for five more years before he died. The bold experiments he did with coloring in his later paintings actually set the stage for fauvism.

The work of Gauguin continues to be popular today. Among his most famous pieces in the United States are such works as The Day of the God and Where do we come from? What are we? Where are we going?

When looking at Gauguin’s art as a complete body of work, there is one similar undercurrent. Gauguin’s desire to free himself from the evils of civilization actually manifests itself subtly in the paintings. There is a sense that each work has an element of trying to break free from civilization. He has impressionistic threads in his body of work, but above all, he is a symbolist. His creations suggest a reality far removed from civilization.

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Christ in the Garden of Olives

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Portrait of Alice, Gauguin’s daughter

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Still Life With Mandolin

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Deux Tetes

Along with his paintings, Gauguin also left behind some impressive lithographs as well as a number of pottery pieces.

Gaugin Discovery

Copenhagen. A bust by French artist Paul Gauguin of one of his sons has been discovered in Denmark where a family had unwittingly been using it as a Christmas decoration, a museum said yesterday.

The work of art will be added to a large Gauguin exhibition set to open at the Ordrupsgaard museum near Copenhagen this week.

“I inherited this bust from my grandparents and I never thought it was authentic, even though Gauguin’s name was inscribed on it,” the former owner of the bust, Bent Avnsoe, told AFP.

Suspicions that it might be an original Gauguin were first raised about five years ago, when Avnsoe took the bust to an insurance agent for appraisal following a break-in at his home.

“The insurance agent gawped at it and sent the child bust in for art authentication at a Danish auction house and then to a conservationist and Gauguin specialist at the Ordrupgaard museum, Anne-Birgitte Fonsmark, who bought it for US$34,000,” he explained.

Still wondering about a painting in your family collection? Contact us…it could be by Paul Gauguin.


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1855--gillray.php James Gillray Artwork Authentication & Art Appraisal

James Gillray (1757-1815)

Get a Gillray Certificate of Authenticity for your painting (COA) for your Gillray drawing.

For all your Gillray artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gillray Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gillray painting or drawing.

If you want to sell your Gillray painting or drawing use our selling services. We offer Gillray selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gillray and issuing certificates of authenticity since 2002. We are recognized Gillray experts and Gillray certified appraisers. We issue COAs and appraisals for all Gillray artworks.

Our Gillray paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gillray certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gillray painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gillray paintings or drawings take longer.

Our clients include Gillray collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform James Gillray art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your James Gillray or we will sell it for you.

Gillray painting, John Bull Taking his Luncheon

John Bull Taking his Luncheon

James Gillray was an 18th century British artist and charicaturist. He was famous for his political cartoons and satires of social situations, mainly those that were published from 1792 until 1810.

Gillray painting, Modern Grace

Modern Grace

Gillray studied at the Royal Academy as a young man and supported himself as an engraver. During these early years, he likely submitted a number of drawings to various newspapers and publications under pen names, making it very likely that an unknown early drawing of his may surface somewhere. During this time, Gillray was heavily influenced by the work of Hogarth.

Gillray painting, Monstrous Craws

Monstrous Craws

During this time, Gillray became involved with printmaker and publisher Miss. Hannah Humphrey. Gillray would display his work in Humphrey’s shop, and the two caused quite a scandal by living together, unmarried. Though rumors circulated about their relationship, historians are still uncertain whether theirs was a romantic or strictly business relationship.

Gillray painting, Humphrey's Shop, Displaying Gillray's Caricatures

Humphrey’s Shop, Displaying Gillray’s Caricatures

Gillray was at his height of popularity during the French Revolution, and as a result, produced a great many caricatures of Napoleon, among many other noticeable politicians and public figures of the era.

Gillray painting, Plum Pudding in Danger

Plum Pudding in Danger

Some art historians have hinted that Gillray may have suffered from insanity, if not temporary insanity at times, but created a large volume of work nonetheless. Towards the end of his career, Gillray’s eyesight began to fail and he suffered from the gout his entire life due to incessant drinking. Gillray even survived a suicide attempt in 1811 after throwing himself out of a window.

Gillray painting, The Gout

The Gout

Today Gillray’s caricatures are valued not only as works of art, but as historical documents of a bygone era. In recent years, Gillray’s cartoons and sketches have become quite collectible, with some originals fetching upwards of $20,000 at auction.

Gillray painting, Light Expelling Darkeness

Light Expelling Darkeness

Still wondering about an 18 th century English caricature in your family collection? Contact us…it could be by James Gillray.


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1856--ferat.php Serge Ferat Artwork Authentication & Art Appraisal

Serge Ferat (1874-1942)

Get a Ferat Certificate of Authenticity for your painting (COA) for your Ferat drawing.

For all your Ferat artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Ferat Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Ferat painting or drawing.

If you want to sell your Ferat painting or drawing use our selling services. We offer Ferat selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Ferat and issuing certificates of authenticity since 2002. We are recognized Ferat experts and Ferat certified appraisers. We issue COAs and appraisals for all Ferat artworks.

Our Ferat paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Ferat certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Ferat painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Ferat paintings or drawings take longer.

Our clients include Ferat collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Serge Ferat art authentication, appraisal. certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Serge Ferat or we will sell it for you.

The Rest of the Flight into Egypt

Still Life with Fruits and Fish

The Rest of the Flight into Egypt

Composition

Serge Ferat was a French Cubist painter, born Serguei Nicolaiveich Jastrebzov in Russia. Ferat came from a wealthy family in Moscow and came to Paris at the age of 20. It is said that while in Paris, Ferat became friends with Picasso who turned him onto Cubism. Subsequently, as his skill began to grow, it is said that fellow painter Apollinaire coined the name “Serge Ferat” for him, and the young Russian painter began to sign that as his name shortly thereafter.

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Vase de Fleurs

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Harlequin with a Guitar

Ferat continued to work alongside Picasso, and remained in France for the rest of his life. In 1906, he exposed at the Salon des Independents, and created a number of illustrations. He was very active in the avant-garde movement, creating costume design as well as floral still life, cubist compositions and more.

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Still Life with a Hat and Grapes

Still wondering about an avant-garde, early 20th century French painting hanging in your home? Contact us…it could be by Serge Ferat.


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1857--gandolfi-ubaldo.php Ubaldo Gandolfi Artwork Authentication & Art Appraisal

Ubaldo Gandolfi (1728-1781)

Get a Gandolfi Certificate of Authenticity for your painting (COA) for your Gandolfi drawing.

For all your Gandolfi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gandolfi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gandolfi painting or drawing.

If you want to sell your Gandolfi painting or drawing use our selling services. We offer Gandolfi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gandolfi and issuing certificates of authenticity since 2002. We are recognized Gandolfi experts and Gandolfi certified appraisers. We issue COAs and appraisals for all Gandolfi artworks.

Our Gandolfi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gandolfi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gandolfi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gandolfi paintings or drawings take longer.

Our clients include Gandolfi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ubaldo Gandolfi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ubaldo Gandolfi or we will sell it for you.

Ubaldo Gandolfi painting, Portrait of a Woman

Portrait of a Woman

Ubaldo Gandolfi painting, Head of a Boy in Profile

Head of a Boy in Profile

Ubaldo Gandolfi was an 18th century Italian painter. Gandolfi generally painted mythological and religious scenes in the Rococo style.

Ubaldo Gandolfi painting, Mercury Lulling Argus to Sleep

Mercury Lulling Argus to Sleep

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Bacchus and Ariadne

Still wondering about an 18th century Italian painting in your family collection? Contact us…it could be by Ubaldo Gandolfi.


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1858--tsingos.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "tsingos" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "tsingos" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1859--romano-giulio.php Giulio Romano Artwork Authentication & Art Appraisal

Giulio Romano (1499-1546)

Get a Romano Certificate of Authenticity for your painting (COA) for your Romano drawing.

For all your Romano artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Romano Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Romano painting or drawing.

If you want to sell your Romano painting or drawing use our selling services. We offer Romano selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Romano and issuing certificates of authenticity since 2002. We are recognized Romano experts and Romano certified appraisers. We issue COAs and appraisals for all Romano artworks.

Our Romano paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Romano certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Romano painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Romano paintings or drawings take longer.

Our clients include Romano collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giulio Romano art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giulio Romano or we will sell it for you.

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Madonna and Child 1523

Giulio Romano was an Italian painter and architect. A prominent pupil of Raphael, his stylistic deviations from high Renaissance classicism help define the 16th century style known as Mannerism. Giulio’s drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi, were a significant contribution to the spread of 16th century Italian style throughout Europe.

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Eros and Psyche, Fresco Detail

Giulio Romano was born in Rome. In his native city, as a young assistant in Raphael’s studio, he worked on the frescos in the Vatican loggias to designs by Raphael and in Raphael’s Stanze in the Vatican painted a group of figures in the Fire in the Borgo (L’incendio di Borgo) fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. After the death of Raphael in 1520, he helped complete the Vatican frescoes of the life of Constantine as well as Raphael’s Coronation of the Virgin and the Transfiguration in the Vatican. In Rome, Giulio decorated the Villa Madama for Cardinal Giuliano de’ Medici, afterwards Clement VII. The crowded Giulio Romano frescoes lack the stately and serene simplicity of his master.

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Mars and Venus Bathing, Fresco Detail

After the Sack of Rome (1527) and the death of Leo X, artistic patronage in Rome slackened. Vasari tells how Baldassare Castiglione was delegated by Federico Gonzaga to procure Giulio to execute paintings and architectural and engineering projects for the duchy of Mantua. His masterpiece of architecture and fresco painting in that city is the suburban Palazzo del Te, with its famous illusionistic frescos (c. 1525-1535). He also help rebuilt the ducal palace in Mantua, reconstructed the cathedral, and designed the nearby Church of San Benedetto. Sections of Mantua that had been flood-prone were refurbished under Giulio’s direction, and the duke’s patronage and friendship never faltered: Giulio’s annual income amounted to more than 1000 ducats. His studio became a popular school of art.

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The Wedding Feast of Cupid and Psych Fresco

In Renaissance tradition, many works of Giulio’s were only temporary:
“When Charles V came to Mantua, Giulio, by the duke’s order, [Giulio] made many fine arches, scenes for comedies and other things,in which he had no peer, no one being like him for masquerades, and making curious costumes for jousts, feasts, tournaments, which excited great wonder in the emperor and in all present. For the city of Mantua at various times he designed temples, chapels, houses, gardens, facades, and was so fond of decorating them that, by his industry, he rendered dry, healthy and pleasant places previously miry, full of stagnant water,and almost uninhabitable.” – Vasari, Vita

He traveled to France in the first half of the 16th century and brought concepts of the Italian style to the French court of Francis I.

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I Modi, from The Sixteen Pleasures 1520

Giulio also designed tapestries and the erotic album I Modi which was expertly engraved by Raimondi, a project that landed Raimondi in jail in Rome. In 1546, just as he was appointed architect to St. Peter’s, Giulio Romano died.

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Two Lovers

Giulio Romano has the distinction of being the only Renaissance artist to be mentioned by William Shakespeare. In Act V, Scene II of The Winter’s Tale Queen Hermione’s statue is by “that rare Italian master, Julio Romano”, although Giulio was not a sculptor.

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Woman at the Mirror

Still wondering about an Italian painting in your family collection? Contact us…it could be by Giulio Romano.


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1860--knaus.php Ludwig Knaus Artwork Authentication & Art Appraisal

Ludwig Knaus (1829-1910)

Get a Knaus Certificate of Authenticity for your painting (COA) for your Knaus drawing.

For all your Knaus artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Knaus Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Knaus painting or drawing.

If you want to sell your Knaus painting or drawing use our selling services. We offer Knaus selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Knaus and issuing certificates of authenticity since 2002. We are recognized Knaus experts and Knaus certified appraisers. We issue COAs and appraisals for all Knaus artworks.

Our Knaus paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Knaus certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Knaus painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Knaus paintings or drawings take longer.

Our clients include Knaus collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ludwig Knaus art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ludwig Knaus or we will sell it for you.

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Nude

Ludwig Knaus was a German genre painter of the younger Düsseldorf school. He was born at Wiesbaden and studied from 1845 to 1852 under Sohn and Schadow in Düsseldorf. His early works, like “The Gamblers,” in the Düsseldorf Gallery, are in the manner of that school, being dark and heavy in color. This deficiency was remedied by study at Paris, whither he went in 1852 and enrolled as a pupil of Couture. In 1853 his “Morning after the Kermess” received the second gold Medal of the Salon and made him a celebrated painter. Except for a year’s study in Italy he remained in Paris until 1860.[1] His chief works of this period include “The Golden Wedding,” “The Baptism,” and “The Promenade,” purchased for the Luxembourg. From 1861 to 1866 he practiced at Berlin, producing such works as “Boys Playing Cards,” “Looking for a Bride” (Wiesbaden Museum), and “His Highness on His Travels.” The next eight years of his life saw the production of much of his best work, including “The Children’s Festival” (Nation Gallery, Berlin), “In Great Distress,” and “The Village Prince.” From 1874 to 1883 he was professor at the Academy of Berlin, continuing to reside in that city until his death.

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The Young Mother 1872

Among the most importand works of his last period were: “The Holy Family” and “The Road to Ruin,” both painted in 1876 and now in the Metropolitan Museum of Art, New York; “Behind the Curtain” (1880), Dresden Gallery; “The Rag Baby” (1880) and “A Village Festival” (1881), both in the Vanderbilt collection, Metropolitan Museum, New York; and “A Duel.” During his last period Knaus also painted a series of “Idyls,” with nudes in a rather classical style, of which an important example is in the Wiesbaden Museum. The most famous examples of his portraits, which are genre in character, are those of the scientist Helmholtz and the historian Mommsen, both in the National Gallery, Berlin. Among his many distinctions were the great gold medal of the Berlin Exhibition of 1861 and the grand medal of honor at the Paris Exposition of 1867. He was a member of the Berlin, Munich, and many other academies; an Officer of the Legion of Honor and a Knight of the Prussian Order Pour le Mérite.

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The Dissatisfied One

Still wondering about a German painting in your family collection? Contact us…it could be by Ludwig Knaus.


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1861--fattori.php Giovanni Fattori Artwork Authentication & Art Appraisal

Giovanni Fattori (1825-1905)

Get a Fattori Certificate of Authenticity for your painting (COA) for your Fattori drawing.

For all your Fattori artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Fattori Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fattori painting or drawing.

If you want to sell your Fattori painting or drawing use our selling services. We offer Fattori selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fattori and issuing certificates of authenticity since 2002. We are recognized Fattori experts and Fattori certified appraisers. We issue COAs and appraisals for all Fattori artworks.

Our Fattori paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fattori certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fattori painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fattori paintings or drawings take longer.

Our clients include Fattori collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giovanni Fattori art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni Fattori or we will sell it for you.

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Cousin Argia 1861

Giovanni Fattori was an Italian artist who was one of the leaders of the group known in the art world as the Macchiaoli. Fattori was born in Livorno, but would spend much of his career working in Florence. Though he came from a modest family, his talent in drawing at an early age convinced Fattori’s parents to allow him to pursue art. In 1845, Fattori was apprenticed to fellow Italian artist Giuseppe Baldini, and the following year, traveled to Firenze to study under Giuseppe Bezzuoli.

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Diego Martinelli

Many of Fattori’s earliest works have not survived the years, but even if they did, most art critics and historians would note that they are rather crude in comparison to those of his contemporaries. Fattori’s progress in artistic skill was said to have been rather slow by the standards of other artists of the day. Fattori’s earliest pieces were said to have been sketches, portraits and historical scenes, mostly influence by Bezzuoli. It is possible that many of these “inferior” paintings still exist today, but un-attributed or wrongly assigned to another painter.

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sketch

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Portrait of a Man

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Mary Stuart at Crookstone 1861

Fattori began to frequent the Café Michelangiolo in the 1850’s, which was a meeting ground for other artists. There he would take part in artistic and political discussions with other painters. Fattori would travel with friends that he met in the café to Paris in 1855 and there they discovered the techniques of the Barbizon School, and their use of “plein air” (or painting directly in the outdoors from nature). This in turn influenced Fattori’s style immensely. One of the most telling signs of how the French style influenced his work can be seen in his self-portraits; Fattori’s self-portrait as a young man is clearing in a more classical style, while his self-portrait as an older man clearly exhibits the ideals of Impressionism.

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Self-Portrait

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Self-Portrait 1894

From this French influence, thus, the Macchiaioli group was born. These artists were forerunners of the Impressionist style, and, in a way, offered the Italian equivalent to French Impressionism. Much like their fellow French artists, Fattori and his Macchiaioli accomplices met much criticism for their “unfinished” compositions and unconventional style.

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Grey Day 1893

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Buoi al Carro 1890

Much of Fattori’s oeuvre that still exists is dominated by military scenes, Tuscan landscapes, portraits and horses.

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Watchguards 1872

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Soldiers

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Garibaldi a Palermo

Fattori was known by his fellow painters for his candor and honesty and was greatly admired in his lifetime. In 1869, he began to teach at the Florentine Academy where he had a number of famous pupils, among them, Amadeo Modigliani.

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Portrait of a Woman 1865

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The Goddaughter 1889

Today, Fattori’s works are housed all over the world, with one of the biggest collections being in his hometown of Livorno at the Giovanni Fattori Museum. Still wondering about a Macchiaioli influence, Italian “Impressionist” piece hanging in your home? Contact us…it could be by Giovanni Fattori.


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1862--blake.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "blake" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "blake" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1863--jarnefelt.php Eero Järnefelt Artwork Authentication & Art Appraisal

Eero Erik Nikolai Järnefelt (1863 – 1937)

Get a Järnefelt Certificate of Authenticity for your painting (COA) for your Järnefelt drawing.

For all your Järnefelt artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Järnefelt Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Järnefelt painting or drawing.

If you want to sell your Järnefelt painting or drawing use our selling services. We offer Järnefelt selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Järnefelt and issuing certificates of authenticity since 2002. We are recognized Järnefelt experts and Järnefelt certified appraisers. We issue COAs and appraisals for all Järnefelt artworks.

Our Järnefelt paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Järnefelt certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Järnefelt painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Järnefelt paintings or drawings take longer.

Our clients include Järnefelt collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Eero Järnefelt art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Eero Järnefelt or we will sell it for you.

Eero Järnefelt was a Finnish realist painter and was born in Viipuri, Finland. His father, August Aleksander Järnefelt, was an officer in the Russian army and his mother was Elisabeth Järnefelt (née Clodt von Jürgensburg). He studied at the St. Petersburg Art Academy between 1883 and 1885, which is the same school Albert Edelfelt had studied at. Eero Järnefelt’s sister, Aino Järnefelt, married to composer Jean Sibelius in 1892.

He went to study in Paris in 1886 where he became friends with Akseli Gallen-Kallela, Emil Wikström and Louis Sparre. He was inspired by the plein-air and naturalistic paintings by Jules Bastien-Lepage.

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Evening Landscape

On a trip to Keuruu in 1889, he met actress Saimi Swan. They were married in 1890. His most famous painting is probably The Wage Slaves, 1893, which is about slash-and-burn agriculture.

Eero Järnefelt was especially inspired by nature in the Koli area, nowadays known as Koli National Park. Together with A.W. Finch and Ilmari Aalto, he painted a large scenery of Koli in 1911. It can be seen in the restaurant of Helsinki railway station.

Still wondering about a painting in your family collection? Contact us…it could be by Eero Järnefelt.


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1864--celommi.php Pasquale Celommi Artwork Authentication & Art Appraisal

Pasquale Celommi (1851-1928)

Get a Celommi Certificate of Authenticity for your painting (COA) for your Celommi drawing.

For all your Celommi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Celommi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Celommi painting or drawing.

If you want to sell your Celommi painting or drawing use our selling services. We offer Celommi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Celommi and issuing certificates of authenticity since 2002. We are recognized Celommi experts and Celommi certified appraisers. We issue COAs and appraisals for all Celommi artworks.

Our Celommi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Celommi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Celommi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Celommi paintings or drawings take longer.

Our clients include Celommi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pasquale Celommi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pasquale Celommi or we will sell it for you.

Celommi, A Walk on the Beach

A Walk on the Beach

Celommi, Retorno Dalla Pesca

Retorno Dalla Pesca

Pasquale Celommi was born in Montepagano, Italy in 1851. Celommi showed an early interest in art and often drew in his home as a child. Celommi decided to receive academic training and moved Florence to study under Antonio Ciseri at the Academy of Florence. Celommi was a strong student and often praised by his teacher Ciseri. Celommi started exhibiting his work in various regions of Italy. Celommi had a large exhibition in Turin and eventually in Rome.

Celommi, A Tender Moment

A Tender Moment

Celommi, Summer Fun

Summer Fun

Celommi’s work was represented in Rome by the D’Atri Gallery, which helped him gain a great deal of recognition in the art scene. Celommi’s reputation took off internationally and he began showing throughout Europe. Celommi was represented by Baviera Gallery in Berlin, Winterstein Gallery in Vienna and by Beckerans Gallery in Monaco.

Celommi, Prize of the Sea

Prize of the Sea

Celommi, Celebrator of the Sea

Celebrator of the Sea

Celommi, Little Shepardess

Little Shepherdess

Celommi is most remembered for his outdoor scenes of Italian life. Celommi was tremendously skilled at depicting the bright sun of Italy and has been referred to as “The Painter of Light”. Celommi often painted women and children playing on beaches or in the sea.

Celommi’s paintings continue to rise in value and are in collections and museums throughout Europe and the United States. Do you think you own a painting by the Italian master, Pasquale Celommi? Contact us. We are the Pasquale Celommi experts.


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1865--tischbein-anton.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "tischbein-anton" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "tischbein-anton" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1866--raeburn.php Sir Henry Raeburn Artwork Authentication & Art Appraisal

Sir Henry Raeburn (1756 – 1823)

Get a Raeburn Certificate of Authenticity for your painting (COA) for your Raeburn drawing.

For all your Raeburn artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Raeburn Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Raeburn painting or drawing.

If you want to sell your Raeburn painting or drawing use our selling services. We offer Raeburn selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Raeburn and issuing certificates of authenticity since 2002. We are recognized Raeburn experts and Raeburn certified appraisers. We issue COAs and appraisals for all Raeburn artworks.

Our Raeburn paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Raeburn certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Raeburn painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Raeburn paintings or drawings take longer.

Our clients include Raeburn collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Sir Henry Raeburn art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Sir Henry Raeburn or we will sell it for you.

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The Skating Minister

Sir Henry Raeburn was a Scottish portrait-painter. He was born at Stockbridge, a suburb of Edinburgh, the son of a manufacturer. Orphaned, he was placed in Heriot’s Hospital, where he received an education, and at the age of fifteen was apprenticed to a goldsmith. Here he had some opportunity to practice a kind of art; various pieces of jewelery, mourning rings and the like, adorned with minute drawings on ivory by his hand, still exist. Soon he took to the production of carefully finished portrait miniatures; meeting with success and patronage, he extended his practice to oil-painting, at which he was self-taught. The goldsmith watched the progress of his pupil with interest, and introduced him to David Martin, who bad been the favorite assistant of Allan Ramsay the Latter, and was now the leading portrait-painter in Edinburgh. Raeburn was especially aided by the loan of portraits to copy. Soon he had gained sufficient skill to make him decide to devote himself exclusively to painting.

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Sir Walter Scott 1822

In his early twenties, he was asked to paint the portrait of a young lady whom he had previously observed and admired when he was sketching from nature in the fields. She was the daughter of Peter Edgar of Bridgelands, and widow of Count Leslie. Fascinated by the handsome and intellectual young artist, she became his wife within a month, bringing him an ample fortune. The acquisition of wealth did not affect his enthusiasm or his industry, but spurred him on to acquire a thorough knowledge of his craft. It was usual for artists to visit Italy, and Raeburn set off with his wife. In London he was kindly received by Sir Joshua Reynolds, who advised him on what to study in Rome, especially recommending the works of Michelangelo. Raeburn carried with him to Italy many valuable introductions from the president of the Royal Academy. In Rome he met Gavin Hamilton, Pompeo Girolamo Batoni and Byers — whose advice proved particularly useful, especially the recommendation that “he should never copy an object from memory, but, from the principal figure to the minutest accessory, have it placed before him.” After two years of study in Italy he returned to Edinburgh in 1787, and began a successful career as a portrait-painter. In that year he executed a seated portrait of the second Lord President Dundas.

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Mrs. Robert Scott Moncriett

Examples of his earlier portraiture include a bust of Mrs Johnstone of Baldovie and a three-quarter-length of Dr James Hutton, works which, if somewhat timid and tentative in handling and not as confident as his later work, nevertheless have delicacy and character. The portraits of John Clerk, Lord Eldin, and of Principal Hill of St Andrews belong to a later period. Raeburn was fortunate in the time in which he practiced portraiture. Sir Walter Scott, Hugh Blair, Henry Mackenzie, Woodhouselee, Robertson, John Home, Robert Fergusson, and Dugald Stewart were resident in Edinburgh, and they were all painted by Raeburn. Mature works include his own portrait and that of the Rev. Sir Henry Moncrieff Wellwood, the bust of Dr Wardrop of Torbane Hill, the two full-lengths of Adam Rolland of Gask, the remarkable paintings of Lord Newton and Dr Alexander Adam in the National Gallery of Scotland, and that of William Macdonald of St Martin’s.

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Colonel Alastair Macdonell

It was commonly believed that Raeburn was less successful in painting female portraits, but the exquisite full-length of his wife, the smaller likeness of Mrs R. Scott Moncrieff in the Scottish National Gallery, and that of Mrs Robert Bell, and others, argue against this. Raeburn spent his life in Edinburgh, rarely visiting London, and then only for brief periods, thus preserving his individuality. Although he, personally, may have lost advantages resulting from closer association with the leaders of English art, and from contact with a wider public, Scottish art gained much from his disinclination to leave his native land. He became the acknowledged chief of the school which was growing up in Scotland during the earlier years of the 19th century, and his example and influence at a critical period were of major importance. So varied were his other interests that sitters used to say of him, “You would never take him for a painter till he seizes the brush and palette.”

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Sir John Sinclair 1794

In 1812 he was elected president of the Society of Artists in Edinburgh, in 1814 associate, and in the following year full member of the Royal Scottish Academy. In 1822 he was knighted by George IV and appointed His Majesty’s limner for Scotland. He died at Edinburgh.

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Janet Dundas 1790

Raeburn had all the essential qualities of a popular and successful portrait-painter. He was able to produce a telling and forcible likeness; his work is distinguished by Powerful characterization, stark realism, dramatic and unusual lighting effects, and swift and broad handling of the most resolute sort. David Wilkie recorded that, while traveling in Spain and studying the works of Diego Velázquez, the brush-work reminded him constantly of the “square touch” of Raeburn.

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Portrait of Sir John and Lady Clerk of Penicuik, 1792

Raeburn was unusual amongst many of his contemporaries such as Reynolds in the extent of his philosophy of painting everything directly from life. This attitude partly explains the often coarse modeling and clashing color combinations he employed which may not be to everyone’s taste, particularly those more used to the more refined style of Gainsborough and Reynolds. However these qualities and those mentioned above anticipate many of the later developments in painting of the nineteenth century from romanticism to impressionism. Sir Henry Raeburn died in St Bernard’s House, Stockbridge, Edinburgh.

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Portrait of Neil Gow 1793

Still wondering about a British painting in your family collection? Contact us…it could be by Sir Henry Raeburn.


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1867--spitzweg.php Carl Spitzweg Artwork Authentication & Art Appraisal

Carl Spitzweg (1808 – 1885)

Get a Spitzweg Certificate of Authenticity for your painting (COA) for your Spitzweg drawing.

For all your Spitzweg artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Spitzweg Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Spitzweg painting or drawing.

If you want to sell your Spitzweg painting or drawing use our selling services. We offer Spitzweg selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Spitzweg and issuing certificates of authenticity since 2002. We are recognized Spitzweg experts and Spitzweg certified appraisers. We issue COAs and appraisals for all Spitzweg artworks.

Our Spitzweg paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Spitzweg certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Spitzweg painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Spitzweg paintings or drawings take longer.

Our clients include Spitzweg collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carl Spitzweg art authentication appraisal, certificates of authenticity (COA),analysis, research, scientific tests, full art authentications. We will help you sell your Carl Spitzweg or we will sell it for you.

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The Poor Poet 1839

Carl Spitzweg was a German romanticist painter and poet. He is considered to be one of the most important representatives of the Biedermeier era. He was born in Unterpfaffenhofen as the second of three sons of Franziska and Simon Spitzweg. His father, a wealthy merchant, had Carl trained as a pharmacist. He took up painting after an illness, and was self-taught, beginning by copying the works of Flemish masters. He contributed his first work to satiric magazines.

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The Bookworm1850

Later, Spitzweg visited European art centers, studying the works of various artists and refining his technique and style; he visited Prague, Venice, Paris, London, and Belgium. His later paintings and drawings are often humorous and eccentric portraits. Still wondering about a 19th century German painting in your family collection? Contact us…it could be by Carl Spitzweg.


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1868--kauffmann.php Angelika Kauffmann Artwork Authentication & Art Appraisal

Angelika Kauffmann (1741-1807)

We Perform Angelika Kauffmann art authentication. Angelika Kauffmann appraisal. Angelika Kauffmann certificates of authenticity (COA). Angelika Kauffmann analysis, research, scientific tests, full art authentications. We will help you sell your Angelika Kauffmann or we will sell it for you.

Kauffmann painting, Self-Portrait

Self-Portrait

Angelika Kauffmann was an 18th century Rococo and Neoclassical painter who was born in Switzerland . She was the daughter of painter Johann Josef Kauffmann who has been called a far inferior painter than his daughter by art historians. As a young girl, she quickly learned a number of languages and became a talented musician. However, her true talent lay in painting, and by the age of 12, she became an artist of note, and even had noblemen and bishops sitting for her.

Kauffmann painting, Juliane von Krudener and her Son

Juliane von Krudener and her Son

Kauffmann often painted mythological or allegorical scenes, as well as creating designs for interior decoration.

Kauffmann painting, Miranda and Ferdinand in The Tempest

Miranda and Ferdinand in The Tempest

Kauffmann painting, Venus Convinces Helen to Go with Paris

Venus Convinces Helen to Go with Paris

Kauffmann painting, Mythological Scene

Mythological Scene

She spent much of her life in England and was one of the original members of the Royal Academy of Art. As a result, many of her paintings are housed in collections in Britain . She moved to Rome in 1781 after marrying the decorative painter Antonio Zucchi, and died there in 1807.

Kauffmann painting, Maria Carolina and Her Family

Maria Carolina and Her Family

Today, Kauffmann’s paintings do not remain as well known by the general public as they were in her lifetime, but are still quite valuable nonetheless. Still wondering about an 18th century painting in your family collection? Contact us…it could be by Angelika Kauffmann.


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1869--blarenberghe.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "blarenberghe" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "blarenberghe" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> Louis Nicolas van Blarenberge authentication and appraisal
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done
1870--boza.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "boza" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "boza" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1871--dunton.php William Herbert Dunton Artwork Authentication & Art Appraisal

William Herbert “Buck” Dunton (1878-1936)

Get a Dunton Certificate of Authenticity for your painting (COA) for your Dunton drawing.

For all your Dunton artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dunton Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dunton painting or drawing.

If you want to sell your Dunton painting or drawing use our selling services. We offer Dunton selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dunton and issuing certificates of authenticity since 2002. We are recognized Dunton experts and Dunton certified appraisers. We issue COAs and appraisals for all Dunton artworks.

Our Dunton paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dunton certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dunton painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dunton paintings or drawings take longer.

Our clients include Dunton collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform William Herbert Dunton art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your William Herbert Dunton or we will sell it for you.

William Herbert Dunton (often called “Buck”) was born on his family’s farm near Augusta, Maine. During Dunton’s childhood years, he spent most of his time in rural Maine with his maternal grandfather of the Pillsbury family. Dunton learned how to hunt and proficiently navigate the outdoors.

Dunton, Study ·56

Study ·56

Dunton, Cottonwood in the Indian Canyon

Cottonwood in the Indian Canyon

Dunton, Evening Meal, The Hunter's Supper

Evening Meal, The Hunter’s Supper

Dunton, Composition for Sunset in the Foothills

Composition for Sunset in the Foothills

Dunton, The Heritage Spill

The Heritage Spill

In 1896 Dunton travelled to Montana, a trip that was the first of many travels to the West. In the next decade, Dunton travelled to Wyoming, Colorado, Oregon and New Mexico. Dunton paid his way during his trips by making illustrations for newspapers.

Dunton, In the Tetons

In the Tetons

In 1897, Dunton spent a short amount of time at the Cowles Art School in Boston before beginning a career as an illustrator. By 1903 Dunton moved to New York to find full-time illustration work. Dunton worked for high profile publications, including Harper’s and Schribner’s.

Dunton, The Horse Rustler

The Horse Rustler

Eventually, Dunton continued his studies at the Art Students League, studying under Frederick C. Yohn, Frank V. DuMond, and Ernest Blumenschein. Dunton grew tired of commercial illustration, and was urged by Ernest Blumenschein to go to Taos, New Mexico. After his first visit, Dunton decided to make a permanent move to New Mexico in 1914.

Dunton, Hunter's Return

Hunter’s Return

In New Mexico, Dunton continued to work as a painter and illustrator, but found time to go hunting and explore the wilderness. Dunton’s paintings were accepted into exhibitions around the country, including the National Academy of Design in New York, the Pennsylvania Academy of the Fine Arts at Philadelphia, and the Art Institute of Chicago.

Dunton, Cottonwood Trees

Cottonwood Trees

Living in the West, Dunton had to sacrifice an east-coast income and frequently lived below the poverty line. By 1915, Dunton was greatly aided by joining the Taos Society of Artists. Other artists in the group included Berninghaus, Blumenschein, Couse, Phillips, and Sharp. The group exhibited in major cities and galleries throughout the United States. Dunton also organized solo-exhibitions in Kansas City, Missouri; Tulsa, Oklahoma; Amarillo, Dallas, El Paso, Fort Worth, Galveston, Houston, and San Antonio, Texas.

During the Great Depression it was harder for Dunton to sell his work, forcing him to do portrait painting and other commission jobs. Dunton was also a painter for the government run, Public Works of Art Project in New Mexico.

In 1928 Dunton began to have health problems caused by a horse accident that caused multiple ulcers. Dunton died in Taos several years later after battling cancer.

Dunton’s paintings are now in collections across the country. The The Stark Museum of Art, The Eiteljorg Museum, Kit Carson Memorial Museums, Museum of New Mexico, Panhandle-Plains Historical Museum, The Rockwell Museum, and the San Antonio Art League own most of Dunton’s paintings. Dunton is an important member of the Taos Society of Artists. Do you think you own a painting by William Herbert (Buck) Dunton? Contact us. We are the William Herbert (Buck) Dunton experts.


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1872--melendez.php Luis Egidio Meléndez Artwork Authentication & Art Appraisal

Luis Egidio Meléndez (1716-1780)

Get a Meléndez Certificate of Authenticity for your painting (COA) for your Meléndez drawing.

For all your Meléndez artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Meléndez Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Meléndez painting or drawing.

If you want to sell your Meléndez painting or drawing use our selling services. We offer Meléndez selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Meléndez and issuing certificates of authenticity since 2002. We are recognized Meléndez experts and Meléndez certified appraisers. We issue COAs and appraisals for all Meléndez artworks.

Our Meléndez paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Meléndez certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Meléndez painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Meléndez paintings or drawings take longer.

Our clients include Meléndez collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Luis Egidio Meléndez art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Luis Egidio Meléndez or we will sell it for you.

Meléndez, Self-Portrait

Self-Portrait

Meléndez, Still Life, Melon and Pears

Still Life, Melon and Pears

Luis Egidio Melendez was a Spanish still-life painter during the eighteenth century. Melendez was the son of a Spanish miniaturist painter from the small town of Oveido, Pain. His father, Francisco Melendez de Rivera Diaz, studied in Madrid before moving to Italy to pursue a career as a painter. Francisco Melendez settled in Naples, where Luis was born. Luis Melendez only lived in Italy for one year before his father moved the family back to Madrid. Luis and two of his siblings studied under their father, who gained a title as a painter of miniatures for the King.

Meléndez, Still Life with Salmon and Lemons

Still Life with Salmon and Lemons

Luis Melendez worked in the workshop of Louis Michel van Loo for many years, copying van Loo’s royal portraits for commercial and international sale. This work helped to prepare Melendez for his own painting career.

Meléndez, Still Life with Figs

Still Life with Figs

In 1744 Luis’s father became the honorary director of the Real Academia de Bellas Artes de San Fernando. Luis was one of the first students to enroll at the Academy. Unfortunately, Luis’s father lost his teaching position after angrily claiming that he was the institution’s true founder. The dispute let to Luis’s expulsion from the school, after aiding his father in presenting libelous documents about the Academy.

Meléndez, Still Life with Chilled Wine

Still Life with Chilled Wine

Meléndez, Still Life with Artichoke and Peas

Still Life with Artichoke and Peas

Meléndez, Still Life with Figs and Bread

Still Life with Figs and Bread

After Luis’s dramatic exit from the Academy, he relocated to Italy in search of new opportunities. Luis spent time in Rome and finally Naples, where he painted for the King. Luis lived in Italy until 1753, when his father encouraged him to return to Spain and re-paint miniatures that were lost in a fire at the Alcázar in Madrid. Luis followed his father’s advice and proceeded to paint numerous paintings for the court.

Meléndez, Still Life with Bread and Grapes

Still Life with Bread and Grapes

Meléndez, Still Life with Oranges and Melon

Still Life with Oranges and Melon

Luis became known for his still life paintings, executing nearly fifty “bodegón” paintings from 1759 to 1772. Luis’s still-lifes were painted in a decorative style, typical of Spain at that time. Artists Juan Sanchez Cotán and Francisco de Zurbarán started the bodegón style.

Meléndez painted his still-lifes with a serious sense of reverence. The grand themes did not attract him, but the ordinary stuff of every day life, which he studied with an enormous visual interest in the every day normality of form. Though Luis was not the first, nor the last to paint bodegón’s, his works show tremendous skill and mastery of the subject. Luis Melendez’s works are now in major museum collections, including the Museo del Prado and the National Gallery of London. Do you think you own a painting by Luis Melendez? Contact us. We are the Melendez experts.


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1873--isabey.php Eugene Isabey Artwork Authentication & Art Appraisal

Eugene Isabey (1803-1886)

Get a Isabey Certificate of Authenticity for your painting (COA) for your Isabey drawing.

For all your Isabey artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Isabey Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Isabey painting or drawing.

If you want to sell your Isabey painting or drawing use our selling services. We offer Isabey selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Isabey and issuing certificates of authenticity since 2002. We are recognized Isabey experts and Isabey certified appraisers. We issue COAs and appraisals for all Isabey artworks.

Our Isabey paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Isabey certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Isabey painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Isabey paintings or drawings take longer.

Our clients include Isabey collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Eugene Isabey art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Eugene Isabey or we will sell it for you.

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Beach at Low Tide, 1833

Eugene Isabey was a French Romantic painter born Louis Gabriel Eugene Isabey. Isabey was well-rounded and created landscapes, portraits and historical scenes with equal grace and beauty. Isabey was the son of painter Jean-Baptiste Isabey, whom he initially studied under and worked with. Like so many other painters, he spent his formative years as an artist studying the masters at the Louvre and also spent a great deal of time in Le Havre on the northern coast of France where he perfected his technique painting seascapes.

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Storm with a Shipwreck, 1835

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Refitting a Boat at Low Tide, 1840

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Departure for Fishing

It was his talent for creating unparalleled landscape and seascapes that helped Isabey earn his place in the art world. Isabey became friends with Delacroix and Bonington, who both were influential on the young artist. His first exhibition was in 1824, and in the same year, he won a medal for his marine and seascape paintings.

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Cottage Near the Bay, 1860

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The Fisherman’s Girl

Besides his oil paintings of the sea, Isabey also worked in watercolors. He even traveled to England to continue his study of watercolor and perfect his technique. Isabey became known for his watercolors and his style of painting on light ground as opposed to dark ground that was popular at the time. He loved watercolors throughout his career so much that he even assisted in starting the Society de Aquarellistes.

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Cliffs by the Sea at Cezembre, Brittany

As his career advanced, he was often commissioned to paint historical scenes for the state and for individuals. In the 1830s, he was also named the official artist of a French excursion to Algiers, and he sketched and documented the entire trip. These oils and sketches failed to sell, and it was a minor setback for the artist. However, by 1831, he had successful exhibitions at the Salons, and his name was redeemed.

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Arrival of the Duke of Alba at Rotterdam

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La Tentation de Saint Antoine, 1889

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The Alchemist, 1886

Despite the fact that he was highly skilled as a landscape painter, Isabey was also sought out by the court to paint family portraits. His attention to detail creating the tumultuous waves of his seascapes was echoed in the folds of the fabric of aristocratic dress. His Romantic, pre-Impressionist style brought him great praise and notoriety in his lifetime though he remains lesser-known outside of the art community today.

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The Young Mother, 1852

Toward the end of his career, Isabey’s compositions became increasingly violent, and he often painted scenes of duels, massacres and fights in bright, vibrant colors.

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Le Coup de Vent

Do you think you own a painting by Eugene Isabey? Contact us. We are the Eugene Isabey experts.


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1874--farinati.php Paolo Farinati Artwork Authentication & Art Appraisal

Paolo Farinati (1524 – 1606)

Get a Farinati Certificate of Authenticity for your painting or a COA for your Farinati drawing, print or sculpture.

For all your Farinati artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Farinati Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Farinati painting, drawing, print or sculpture.

If you want to sell your Farinati painting, drawing, print or sculpture use our selling services. We offer Farinati selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Farinati and issuing certificates of authenticity since 2002. We are recognized Farinati experts and Farinati certified appraisers. We issue COAs and appraisals for all Farinati artworks.

Our Farinati paintings, drawings, prints and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Farinati certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Farinati painting, drawing, print or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Farinati paintings, drawings or sculptures take longer.

Our clients include Farinati collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Paolo Farinati art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Paolo Farinati or we will sell it for you.

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Portrait of a Man

Paolo Farinati (also called as Farinato or Farinato degli Uberti) was an Italian painter of the Mannerist style, active in mainly in his native Verona, but also in Mantua and Venice. He may have ancestors among Florentine stock to which belonged the Ghibelline leader Farinata degli Uberti, celebrated in Dante’s Divina Commedia. He was a contemporary of the prominent artist of Verona, Paolo Veronese. He was succeeded by other members of the Cagliari family, of whom most or all were outlived by Farinato. He was instructed, according to Giorgio Vasari, by his father and by the Veronese Niccolo Giolfino, and probably by Antonio Badile and Domenico del Riccio (Brusasorci). His first major work was an altarpiece for the duomo di Mantua.

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Religious Scene 1560’s

Proceeding to Mantua, he formed his initial style partly on the influence of Giulio Romano. Vasari praised his thronged compositions and merit of draughtsmanship. His works are to be found not only in Venice and principally in Verona, but also in Padua and other towns belonging or adjacent to the Venetian territory. Later, he accommodated to a style similar to that of Paolo Veronese.

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Saint Barbara with Saint Anthony Abbot and Saint Roch

He was a prosperous and light-hearted man, and continually progressed in his art, passing from a comparatively dry manner into a larger and bolder one, with much attraction of drapery and of landscape. The Miracle of the Loaves and Fishes, painted in the church of S. Giorgio in Verona, is accounted his masterpiece, executed at the advanced age of seventy-nine. A Last Supper was painted by him in Santa Maria in Organo; also in this church, he painted a Michael expelling Lucifer and Massacre of the Innocents. In Piacenza is a St Sixtus; in Berlin a Presentation in the Temple; and in the communal gallery of Verona one of his masterpieces, the Marriage of St Catherine. Farinati executed some sculptures, and various etchings of sacred and mythological subjects. He is said to have died at the same hour as his wife. His son Orazio was also a painter of merit.

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The Entombment

Farinati is notable for having kept a detailed journal of his activities from 1573 until his death. His many drawings on tinted paper are particularly notable.

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Ecce Homo

Still wondering about an Italian painting in your family collection? Contact us…it could be by Paolo Farinati.


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1875--lessing.php Karl Friedrich Lessing Artwork Authentication & Art Appraisal

Karl Friedrich Lessing (1808-1880)

Get a Lessing Certificate of Authenticity for your painting (COA) for your Lessing drawing.

For all your Lessing artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lessing Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lessing painting or drawing.

If you want to sell your Lessing painting or drawing use our selling services. We offer Lessing selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lessing and issuing certificates of authenticity since 2002. We are recognized Lessing experts and Lessing certified appraisers. We issue COAs and appraisals for all Lessing artworks.

Our Lessing paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lessing certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lessing painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lessing paintings or drawings take longer.

Our clients include Lessing collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Karl Friedrich Lessing art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Karl Friedrich Lessing or we will sell it for you.

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Return from the Crusade

Karl Friedrich Lessing was a German historical and landscape painter, grandnephew of Gotthold Ephraim Lessing. He was born near Breslau, February 15, 1808, and was a pupil of Dähling at the Berlin Academy. He first devoted himself to landscape and in 1826 obtained a prize with his “Cemetery in Ruins.” He accompanied Schadow to Düsseldorf, where he continued his studies, devoting himself to historical paintings. In 1830, when Schadow went to Italy, Lessing occupied his place as director of the academy, exercising great influence on the Düsseldorf school. His picture “Das trauernde Königspaar” (Mourning Royal Couple) brought him great popularity. In 1837 he received a gold medal at Paris; he was a member of the Berlin Academy and was the recipient of several orders. In 1858 he was appointed director of the gallery at Karlsruhe, where he continued his activity as a painter until his death, January 4, 1880.

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Castle in a Landscape

Still wondering about a 19th century German painting in your family collection? Contact us…it could be by Karl Friedrich Lessing.


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1876--mango-de.php Leonardo de Mango Artwork Authentication & Art Appraisal

Leonardo de Mango (1843-1930)

Get a Mango Certificate of Authenticity for your painting (COA) for your Mango drawing.

For all your Mango artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mango Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mango painting or drawing.

If you want to sell your Mango painting or drawing use our selling services. We offer Mango selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mango and issuing certificates of authenticity since 2002. We are recognized Mango experts and Mango certified appraisers. We issue COAs and appraisals for all Mango artworks.

Our Mango paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mango certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mango painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mango paintings or drawings take longer.

Our clients include Mango collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Leonardo De Mango art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Leonardo De Mango or we will sell it for you.

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City at Night

Leonardo de Mango was an Orientalist Italian painter known for his exotic portrayals of Eastern landscapes and figure study compositions. Like many other Orientalist painters, Mango delved himself into the culture of his subjects, and lived in and traveled to many places worldwide instead of just passing through. Though he spent most of his life in Turkey, Mango also traveled to Syria, Lebanon, Egypt and a number of other places in his lifetime

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Man and Dog

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Market Scene

He would generally date and sign his work “De Mango” in a distinct script on the front of his canvas. Mango is primarily known for his Orientalist compositions, and though he certainly painted academic subjects as a student, these pieces would likely be a rare find.

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Still Life with Fruits

Mango’s interest in art began when he taught himself to draw at the age of 19. Two years later, he enrolled in the Naples Academy of Fine Arts where he studied until 1870. While he was a student, Mango studied under Flippo Palizzi, a landscape artist. However, he was most certainly more influenced by teacher and painter Domenico Morelli, an Orientalist painter. Morelli painted romantic genre themes that include religious imagery and historical activities, and his style was certainly a precursor to the one that Mango would adapt.

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Scena Orientale Lungo il Fiume, 1910

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Boy on a Bull

Mango spent nearly 50 years living in Istanbul, Turkey, arriving during the reign of the Sultan Abjulhamid II. It is said that while he lived there, he created some 1,500 paintings and drawings in his Beyoglu studio. Mango lived in Istanbul until his death in 1930, and painted in the plein air technique, as well as in his studio. He was forced to leave briefly in 1911 during the Tripolitanian War, but returned in 1912.

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Studio of Leonardo de Mango

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Il Faro Ahirkapi

He was known for his delicate treatment of scenes and was praised for his creation of soft light on his canvases. He was a highly prolific artist, and worked in a number of mediums, but generally chose to use oil, watercolor, ink and pencil. He exhibited quite often, and was always well received, and considered to be a gateway painter to the East.

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Fishing

Today, Mango’s work is housed in public and private collections all over the world, and perhaps in your own home. Still wondering about an Orientalist painting hanging on your wall? Contact us; it could be by Leonardo de Mango.

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Merchant with Basket

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1877--carriere.php Eugene Carriere Artwork Authentication & Art Appraisal

Eugene Carriere (1849-1906)

Get a Carriere Certificate of Authenticity for your painting or a COA for your Carriere drawing or sculpture.

For all your Carriere artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Carriere Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Carriere painting, drawing or sculpture.

If you want to sell your Carriere painting, drawing or sculpture use our selling services. We offer Carriere selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Carriere and issuing certificates of authenticity since 2002. We are recognized Carriere experts and Carriere certified appraisers. We issue COAs and appraisals for all Carriere artworks.

Our Carriere paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Carriere certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Carriere painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Carriere paintings, drawings or sculpture take longer.

Our clients include Carriere collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Eugene Carriere art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Eugene Carriere or we will sell it for you.

Symbolist painter Eugene Carriere grew up in Strasbourg, Austria. Here he received his first training at the Ecole Municipale de Dessin to learn commercial lithography. However, after one visit to Paris he truly discovered art and made the city his home. Carriere studied the masterworks at the Louvre and eventually enrolled in the Ecole des Beaux-Arts.

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Self-Portrait, 1893

In his early works, Carriere adopted the dark color palate of the old masters like Velazquez and Rubens, but as he developed as a painter, he would create his own style and incorporated misty vapors around some of his subjects.

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Lady Leaning on her Elbows on a Table

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The First Communion

Carriere was briefly imprisoned during the war in 1870 and after he was released, studied under Alexandre Cabanel. Carriere was also a lithographer and sculptor, but was best known for his portraits and scenes of domestic life. From 1877 on, he often used his wife to portray maternity and would include her in many of his compositions.

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Shepherd and Flock

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In Mother’s Arms

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Woman and Child, 1900

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Sculpture

Throughout the 1880s, Carriere maintained a friendship with the sculptor Rodin, who admired his work. During this time, the artists were both working in the Sevre’s factory. He was friendly with other artists as well and painted portraits of Rodin and others.

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Rodin, 1897 Lithograph

Although Carriere exhibited his works at the salons, he didn’t receive much attention from the art world…or from buyers. He would have to take jobs working for printing companies in order to care for his family until 1889. It wasn’t until the turn of the century that Carriere really came into the public eye. Towards the end of his life he also became an art instructor, teaching future greats like Matisse and Derain.

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Woman in Profile, 1895

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Magny aux Les Hameaux

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Infant

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La Fileuse

Today, Carriere’s work still remains little known, but portraits of his such as the one of Paul Verlaine now hang in his beloved Louvre.

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Paul Verlaine, 1891

However, during his lifetime, and especially towards the end of his career, Carrier found much success and acclaim as an artist. Carriere painted right up until his death in 1906 and left an extensive oeuvre behind of beautiful, original paintings and lithographs.

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The Young Mothers, 1906

If you believe you own a work of art by Eugene Carriere, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Eugene Carriere.


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1878--van-rysselberghe.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "van-rysselberghe" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "van-rysselberghe" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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1880--figari.php Pedro Figari Artwork Authentication & Art Appraisal

Pedro Figari (1861-1938)

Get a Figari Certificate of Authenticity for your painting (COA) for your Figari drawing.

For all your Figari artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Figari Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Figari painting or drawing.

If you want to sell your Figari painting or drawing use our selling services. We offer Figari selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Figari and issuing certificates of authenticity since 2002. We are recognized Figari experts and Figari certified appraisers. We issue COAs and appraisals for all Figari artworks.

Our Figari paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Figari certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Figari painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Figari paintings or drawings take longer.

Our clients include Figari collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pedro Figari art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Pedro Figari or we will sell it for you.

Pedro Figari
Pedro Figari
Pedro Figari, El Patio
Pedro Figari, El Patio (ca. 1935); oil on cardboard, 17 ¾ x 25 “; Organization of Museums of American States, Washington, DC

Lawyer, politician and journalist, he was born in Montevideo in 1861. Figari was a member of the Uruguayan Parliament as well as Director of the National School of Arts and Crafts in Montevideo. Figari traveled throughout Europe in the 1890s after receiving his law degree. Later he will live in Paris, from 1925 to 1933.

Pedro Figari, Las vecinas
Pedro Figari, The neighbors (1919); Oil on cardboard, 12.4 x 15.5 “; National Museum of Fine Arts, Buenos Aires, Argentina

Although he excels as a talented artist, he never studied art as a child but only in adulthood with the painter Godofredo Sommavilla (1850-1944). He wrote several books, both art and law.

Candombe
Candombe, oil on cardboard, 40 x 50 cm

Pedro Figari’s story is very curious. He started painting late, at the age of 60, the age at which people retire, and after a successful career as a lawyer, intellectual judge, journalist pedagogue, politician and philosopher, he decided indulge in painting. In 1921 he abandoned all these activities and devoted himself to art, although he had a previous career as a draftsman and painter, little known at the time. Everything he did and previously thought he dumped into his painting. At that time he moved to Buenos Aires where he remained for four years. In 1930 Jorge Luis Borges (1899-1986) wrote a book about Figari. During his stay in Argentina, Figari works especially on cardboard, and is also influenced by the work of Vuillard and Bonnard. This effect can be seen in his paintings of gauchos and the Pampas landscape.

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Pedro Figari, Pericón entre Ombúes, (1925-27); 27.5 x 39.37 “; Ballas Artes Juan Manuel Blanes Museum, Uruguay.

From 1925 onwards he remained in Paris for eight years. There, in his workshop he is visited by famous artists and intellectuals of the moment. Figari perfectly separated the two times of the artists’ works: creation and production.

Pedro Figari, Cambacua
Pedro Figari, Cambacua, (1923); oil on cardboard, 27.5 x 40 “; National Museum of Visual Arts, Montevideo, Uruguay.

At the end of his days, Figari was appointed Art Counselor at the Ministry of Public Education.

Pedro Figari, Toque de oración
Pedro Figari, Touch of Prayer, 1925, oil on cardboard, 27 x 39 “, National Museum of Visual Arts, Montevideo, Uruguay.

He painted scenes that recreate the historical and cultural past of regional and American identity.

Their cards show black candomberos, gauchos, pampas and ombúes, colonial courtyards, bowling players. He took up certain formal conquests of Impressionism and transformed them into a personal style of which no other influences are recognized.

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Dancing

His works are represented in the salons of the Naval League, of the Ministry of Public Works; from the Directorate of the Navy, the Provincial Museum of Fine Arts of La Plata, and the Pedro de Mendoza in Buenos Aires.

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art
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Are you still wondering if your painting may be by Pedro Figari? Get in contacto with us … perhaps it is and we can confirm it … we are experts in this author.


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1881--mcentee.php Jervis McEntee Artwork Authentication & Art Appraisal

Jervis McEntee (1828-1891)

Get a McEntee Certificate of Authenticity for your painting (COA) for your McEntee drawing.

For all your McEntee artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a McEntee Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your McEntee painting or drawing.

If you want to sell your McEntee painting or drawing use our selling services. We offer McEntee selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating McEntee and issuing certificates of authenticity since 2002. We are recognized McEntee experts and McEntee certified appraisers. We issue COAs and appraisals for all McEntee artworks.

Our McEntee paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The McEntee certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your McEntee painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research McEntee paintings or drawings take longer.

Our clients include McEntee collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jervis McEntee art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jervis McEntee or we will sell it for you.

McEntee, Mount Desert Island, Maine, 1864

Mount Desert Island, Maine, 1864

McEntee was an American painter of the Hudson River School born in Rondout, New York. McEntee was not one of the principle painters in the group of landscape painters but made a substantial body of work during his career. McEntee left behind detailed writings that describe the everyday life of the Hudson River School members. McEntee’s journals now belong to the Smithsonian Institute Archives. Many of McEntee’s writings have also been published on the internet.

McEntee, The Stream

The Stream

Few details are known of McEntee’s childhood in Rondout. As a young adult McEntee moved to New York City in order to pursue a career as a painter. McEntee first exhibited at the National Academy of Design in 1850. McEntee studied under Frederic Edwin Church, affording him the opportunity to befriend other painters such as Sanford Robinson Gifford and Worthington Whittredge.

McEntee, Eagle Cliff

Eagle Cliff

McEntee’s paintings are particularly forlorn and dramatic, often depicting the foreboding weather of autumn. Like the other artists of the Hudson River School, McEntee had a spiritual relationship with nature and cherished his time in natural beauty.

McEntee, Winter Storm

Winter Storm

McEntee, Cliff View, Catskills

Cliff View, Catskills

McEntee remained in New York for the majority of his career, making the frequent painting trips to the countryside. McEntee’s paintings now belong to major collections and museums in the United States. Do you think you own a painting by Jervis McEntee? Contact us. We are the McEntee experts.


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1882--vargas.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "vargas" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "vargas" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1883--portocarrero.php Rene Portocarrero Artwork Authentication & Art Appraisal

Rene Portocarrero (1912-1985)

We Perform Rene Portocarrero art authentication. Rene Portocarrero appraisal. Rene Portocarrero certificates of authenticity (COA). Rene Portocarrero analysis, research, scientific tests, full art authentications. We will help you sell your Rene Portocarrero or we will sell it for you.

Mother and House

Mother and House

When Rene Portocarrero died in 1986, the result of an accidental kitchen fire, the New York Times described him as Cuba’s greatest modern painter. Born in Havana in 1912, Portocarrero’s talent for drawing was quickly recognized. During 1924-26 he briefly attended two arts academies but the formal classicism of the time irked him and he abandoned formal studies. He was essentially a self-taught artist.

Retrato de Flora

Retrato de Flora

Portocarrero’s career was crammed with activity, social, artistic and political. He traveled widely but Havana was always his home and the life of Cuba his chief subject. Portocarrero showed his talent as an artist at a very young age, and enrolled at the San Alejandro Academy at the age of 14. He left before finishing his studies there because the institutionalized atmosphere did not agree with him, and he went to learn and work on his own. However, later on he went to teach at Eduardo Abela’s Painting and Sculpture Free Studios in 1939.

Mujer en el Parque 1941

Mujer en el Parque 1941

Portocarrero was a painter, printmaker, muralist and ceramacist. His murals adorn Havana Prison (1942) and the Havana Hilton (1957), among others. Nothing if not eclectic, Portocarrero flirted with numerous styles and influences. From his academic early work, to his Rivera-like Latino Modernism of the later 1930’s and simultaneous interest in Surrealism (he published two books of drawings in the late 30’s), he evolved a kind of semi-abstract Expressionism which echoes Picasso. Having said that, Portocarrero in fact produced paintings in a variety of styles right to the end. A Cuban website opined that “he has no idea of what he will work on until the brush strikes the canvas”, and they have a point. But behind the apparently random enthusiasm there is method and theme. Portocarrero returns again and again to religious and mythological subjects, to women and to Latin festivals.

untitled

untitled

Cathedrals, witches and devils populate his oeuvre. His eclectic mélange of styles did merge into a familiar pattern in the later 1940’s, being a convoluted swirling mass of detail with one or more discernable figures or objects emerging from it. His still lives are also busy and crowded, often with a striking palette. They are explosions of flora. Compositionally they are very alike. The incendiary flowers are packed into the vase and fill the canvas to bursting point, arranged (if that’s not too strong a word) in a circular mass.

Flowers

Flowers

Carnival

Carnival

Dibujo

Dibujo

Cathedral

Cathedral

In 1962, Portocarrero held an exhibition called “Color of Cuba” which highlighted his works involving religious imagery. For this exhibition, and throughout his entire catalog, he would often use images of Santeria and other ornamentation, which stemmed from his travels through the Caribbean.

Pareja

Pareja

One of the most intriguing facts about Portocarrero is that he never knew what he was going to paint until his brush touched the canvas. The lack of planning in his compositions gave him an Expressionistic edge, but did not hurt his art in the least. His themes were often rich with feminine themes and hinted at cultural history. Portocarrero often painted in a mosaic-like style, and his portraits were often almost Cubist in nature. One such example is “Josephine Baker”.

Josephine Baker 1966

Josephine Baker 1966

Portocarrero’s free-spirited style of painting led his work to be ever evolving. He did not stick with one particular style for too long, and worked heavily in Abstract art. Some of his more notable pieces are reminiscent of the work of M.C. Escher, and are very intricately crafted, such as “Gestaltica.” At a casual glance, one may only see swirls of bright colors and geometric shapes, but upon closer inspection, you will see eyes and a body within this composition.

Gestaltica 1946

Gestaltica 1946

Like one of his contemporaries, Pablo Picasso, Portocarrero used the very prominent “African” nose in some of his sketches and paintings. This square nose is common in Cubist paintings, yet Portocarrero seems to have mastered the style on the same level as Picasso.

Cerro, Interior

Cerro, Interior

Also like Picasso, Portocarrero did many “linear’ or one-lined sketches. These were usually profiles of women or had Cuban heritage themes, and these sketches have a very distinct look. He would often incorporate birds, flowers and are highly ornamented. The majority of these sketches came from later in his career, such as “Rostro y Palomas”.

Rostro Y Palomas 1981

Rostro Y Palomas 1981

Portocarrero is remembered for his innovative use of color and his Caribbean themes. Today, his work is housed in San Francisco, New York, Sao Paulo, and many other museums world wide. Still wondering about a Cuban composition hanging in your home? Contact us…it could be by Rene Portocarrero.


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1884--bellini-gentile.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bellini-gentile" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bellini-gentile" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1885--volaire.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "volaire" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "volaire" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1886--novelli.php Pietro Novelli Artwork Authentication & Art Appraisal

Pietro Novelli (1603-1647)

Get a Novelli Certificate of Authenticity for your painting (COA) for your Novelli drawing.

For all your Novelli artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Novelli Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Novelli painting or drawing.

If you want to sell your Novelli painting or drawing use our selling services. We offer Novelli selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Novelli and issuing certificates of authenticity since 2002. We are recognized Novelli experts and Novelli certified appraisers. We issue COAs and appraisals for all Novelli artworks.

Our Novelli paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Novelli certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Novelli painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Novelli paintings or drawings take longer.

Our clients include Novelli collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pietro Novelli art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pietro Novelli or we will sell it for you.

Novelli painting, Portrait of an Elderly Woman

Portrait of an Elderly Woman

Pietro Novelli was a 17th century Italian artist, who mainly painted in the Baroque style and was known for his portraits of Italian country folk.

Novelli painting, Portrait of a Young Man with an Earring

Portrait of a Young Man with an Earring

Some art historians consider Novelli to be the most important painter of the 1600’s. His fame was brought on perhaps due to his masterful skill in blending the techniques of the Dutch masters with that of the Italian old masters.

Novelli painting, David with the Head of Goliath

David with the Head of Goliath

Still wondering about a 17th century Italian painting in your family collection? Contact us… we are the Pietro Novelli experts.



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1887--lauvray.php Abel Lauvray Artwork Authentication & Art Appraisal

Abel Lauvray (1870-1950)

Get a Lauvray Certificate of Authenticity for your painting (COA) for your Lauvray drawing.

For all your Lauvray artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lauvray Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lauvray painting or drawing.

If you want to sell your Lauvray painting or drawing use our selling services. We offer Lauvray selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lauvray and issuing certificates of authenticity since 2002. We are recognized Lauvray experts and Lauvray certified appraisers. We issue COAs and appraisals for all Lauvray artworks.

Our Lauvray paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lauvray certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lauvray painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lauvray paintings or drawings take longer.

Our clients include Lauvray collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Abel Lauvray art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Abel Lauvray or we will sell it for you.

Abel Lauvray is perhaps best known for his affiliation with Claude Monet. Lauvray met Monet, then his neighbor in Vetheuil, France, as a young boy in 1879. In fact, with the assistance of Lauvray’s father, Monet was able to purchase a tract of land near their homes in Giverny. This land would later be used in Monet’s famous lily pond paintings. The two retained a lifelong friendship, and it was undoubtedly Monet’s influence on Lauvray that helped him to become a talented landscape painter.

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Vetheuil

Lauvray’s earliest instruction was from Monet and later at the School of Fine Arts. While he was inspired by and looked up to Monet, Lauvray did not imitate his friend and master. While Monet became famous for his Impressionist landscapes, Lauvray chose to paint in a more realistic tone, and typically signed his work “Lauvray” on the front of his canvas. However, Lauvray did learn lighting and plein-air techniques from Monet, which would be integral in the formation of his personal style.

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Paysage

During his lifetime, Lauvray did not travel much outside of his beloved country settings. As a young man, he ventured to the south of France, Italy and to metropolitan French cities, but was most at home on the country banks of the Seine. However, Lauvray did venture to Greece once, and produced some 20 paintings while he was there. This was unusual as many painters during this time traveled instead to the United States or Africa, and very few ventured to the Grecian isles.

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Syracuse

By 1906, Lauvray had begun exhibiting regularly at the Salon des Independants. He had found success at other salons from the start of his career, but did not truly begin to blossom as a painter until much later on. Lauvray never really received the acclaim that he was due, perhaps because he was so far removed from the Parisian art scene. While other artists were busy making friends and connections with art dealers, Lauvray was happy painting alone and unbothered in his rural home. As a young man, he worked just as hard as any other artists to promote himself, but after his marriage, was less concerned with gaining notoriety. Sadly, this has carried over into today, and his name still remains lesser known outside of certain art circles.

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St. Tropez

Lauvray continued to live a quiet, but successful existence as a painter with his family until 1939, when World War II was beginning to break out. Luckily, Lauvray escaped, but was removed from his home and studio until 1945. Sadly, many of his treasured items were stolen or destroyed, including numerous paintings and drawings from all stages in his career. It is not known for sure exactly what was taken, but the possibility for these paintings to exist virtually anywhere is great.

Do you think that you might own an Abel Lauvray? Contact us. We are the Abel Lauvray experts.

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Paysage, Southern France

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The Seine in Lavacourt

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1888--laurent.php Jean Antoine Laurent Artwork Authentication & Art Appraisal

Jean Antoine Laurent (1763-1832)

Get a Laurent Certificate of Authenticity for your painting (COA) for your Laurent drawing.

For all your Laurent artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Laurent Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Laurent painting or drawing.

If you want to sell your Laurent painting or drawing use our selling services. We offer Laurent selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Laurent and issuing certificates of authenticity since 2002. We are recognized Laurent experts and Laurent certified appraisers. We issue COAs and appraisals for all Laurent artworks.

Our Laurent paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Laurent certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Laurent painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Laurent paintings or drawings take longer.

Our clients include Laurent collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Antoine Laurent art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean Antoine Laurent or we will sell it for you.

Laurent painting, Three Young Women in the Study

Three Young Women in the Study

Laurent painting, The Meeting of Eleanor Guyenne and the Sultan of Iconia

The Meeting of Eleanor Guyenne and the Sultan of Iconia

Jean Antoine Laurent was an 18th century French painter. Laurent painted portraits and interior scenes in a Realist style, as well as historical and mythological compositions.

Laurent painting, Portrait of a Young Woman

Portrait of a Young Woman

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Jean Antoine Laurent.


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1889--laszlo.php Philip Alexius de Laszlo Artwork Authentication & Art Appraisal

Philip Alexius de Laszlo (AKA Philip Alexius Laszlo de Lombos) (1869-1937)

Get a De Laszlo Certificate of Authenticity for your painting (COA) for your De Laszlo drawing.

For all your De Laszlo artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Laszlo Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Laszlo painting or drawing.

If you want to sell your De Laszlo painting or drawing use our selling services. We offer De Laszlo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Laszlo and issuing certificates of authenticity since 2002. We are recognized De Laszlo experts and De Laszlo certified appraisers. We issue COAs and appraisals for all De Laszlo artworks.

Our De Laszlo paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Laszlo certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Laszlo painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Laszlo paintings or drawings take longer.

Our clients include De Laszlo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Philip Alexius de Laszlo art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Philip Alexius de Laszlo or we will sell it for you.

Condesa Meyendorff

Condesa Meyendorff

Mrs. Philip Leyland Kindersley

Mrs. Philip Leyland Kindersley

Philip Alexius de Laszlo was a Hungarian-born painter who moved to England in 1907 and became a British citizen in 1914. He was initially trained in Budapest, and also studied and Munich and Paris before settling in England. In the beginning, de Laszlo established himself as a well-known portraitist, and eventually was commissioned by high profile clientele such as Edward VII and other aristocrats.

JudgeTurner

Judge Turner

Portrait Of A Lady

Portrait Of A Lady

Portrait Of Mrs. Francis P. Garvan And Her Four Children

Portrait Of Mrs. Francis P. Garvan And Her Four Children

De Laszlo received his first important commission in 1894 by the Bulgarian royal family. He eventually would be sought after to paint kings of England and Spain, as well as President Roosevelt, the German Kaiser and the Emperor Franz Joseph of Austria.

Henry Petty Fitzmaurice

Henry Petty Fitzmaurice

Mrs. Lucy De Laszlo

Mrs. Lucy De Laszlo

Portrait Of A Man 1904

Portrait Of A Man 1904

In 1917, de Laszlo was imprisoned and his health took a turn for the worse. He was then sent to a nursing home under house arrest until 1919 when his name was cleared. De Laszlo did not resume portrait painting until after World War I, so during these years, it is not likely that he created much art. However, once he was back to painting again, de Laszlo was hailed by some art critics as Europe’s leading portrait painter.

Prince Boris Of Bulgaria

Prince Boris Of Bulgaria

Adele Van Loon 1901

Adele Van Loon 1901

Portrait Of Miss Anny Ahlers

Portrait Of Miss Anny Ahlers

During his lifetime, de Laszlo had a number of prestigious awards bestowed upon him for his skill as a portrait painter. In 1900, he earned a grand gold medal at the Paris International Exhibition for his portrait of Pope Leo XIII, and was named a member of the Royal Victorian Order by Kind Edward VII in 1909. He traveled all over the world creating his large oeuvre of portraits, and was in high demand by royalty and affluent individuals. Though it is likely that he painted some landscapes, still life and other compositions, they are generally lesser known.

Portrait Of A Man

Portrait Of A Man

Lady Deterding 1928

Lady Deterding 1928

Mrs. Frederick Trouton With Her Two Daughters

Mrs. Frederick Trouton With Her Two Daughters

Today, de Laszlo’s work is housed all over the world in private collections as well as public collections like the National Gallery in London. Still wondering about an heirloom portrait in your family estate? Contact us…it could be by Philip de Laszlo.


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1890--lelie-de.php Adriaan de Lelie Artwork Authentication & Art Appraisal

Adriaan de Lelie (1755-1820)

Get a De Lelie Certificate of Authenticity for your painting (COA) for your De Lelie drawing.

For all your De Lelie artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a De Lelie Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your De Lelie painting or drawing.

If you want to sell your De Lelie painting or drawing use our selling services. We offer De Lelie selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating De Lelie and issuing certificates of authenticity since 2002. We are recognized De Lelie experts and De Lelie certified appraisers. We issue COAs and appraisals for all De Lelie artworks.

Our De Lelie paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The De Lelie certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your De Lelie painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research De Lelie paintings or drawings take longer.

Our clients include De Lelie collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Adriaan de Lelie art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Adriaan de Lelie or we will sell it for you.

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The Grape Seller

Adriaan de Lelie was an 18th century Dutch painter, known for his portraits of Dutch aristocrats and the nobility. De Lelie studied portraiture in Düsseldorf as well as Antwerp, and was said to have essentially invented the Dutch conversation piece. He is best known for his historical paintings which depict the Felix Meritis Society, a group of forty prominent Antwerp residents.

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Conversation About a Painting

Still wondering about a Dutch portrait or historical painting in your family collection? Contact us…it could be by Adriaan de Lelie.


done
1891--ufer.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "ufer" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "ufer" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1892--balla.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "balla" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "balla" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "balla" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1893--jeppe.php Barbara Jeppe Artwork Authentication & Art Appraisal

Barbara Jeppe (1921-1999)

Get a Jeppe Certificate of Authenticity for your painting (COA) for your Jeppe drawing.

For all your Jeppe artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Jeppe Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Jeppe painting or drawing.

If you want to sell your Jeppe painting or drawing use our selling services. We offer Jeppe selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Jeppe and issuing certificates of authenticity since 2002. We are recognized Jeppe experts and Jeppe certified appraisers. We issue COAs and appraisals for all Jeppe artworks.

Our Jeppe paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Jeppe certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Jeppe painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Jeppe paintings or drawings take longer.

Our clients include Jeppe collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Barbara Jeppe art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Barbara Jeppe or we will sell it for you.

Butterflies

Butterflies

Barbara Jeppe was a South African botanical artist. Born in the mining town of Pilgrim’s Rest, she was the daughter of Victor Brereton, a land-surveyor, and Gladys Evans. At an early age her mother introduced her to the world of wild flowers.

She was married to Carl Louis Jeppe, a psychiatrist, and had four children, Leigh, Marie, Carl and David. Twenty years into her marriage, she illustrated her first book, Trees and Shrubs of the Witwatersrand (Witwatersrand University Press) which made her mark in the field of botanical art.

Ehretia Rigida

Ehretia Rigida

At the invitation of Hendrik van Zijl, a retired attorney from Cape Town, Barbara stayed with his family in Constantia. Over a period of three years, she spent a year with the family illustrating and writing the text for her book on Cape bulbs. This passion for bulbs resulted in the publication of The Spring and Winter Flowering Bulbs of the Western Cape (Oxford University Press). Her definitive work on Amaryllidaceae in collaboration with Piet Vorster, has yet to be published, the illustrations being finished by her daughter, Leigh Voigt.

Besides her botanical paintings, Barbara Jeppe had a great love for butterflies and painted many for friends and family. She also occasionally ventured into painting landscapes. She was awarded two gold medals in 1990, one by the Botanical Society of South Africa, the Cythna Letty Gold medal for contributions to botanical illustrations in South Africa, and another by the South African Nurserymen’s Association. The Transvaal Horticultural Society bestowed on her a silver medal in 1991.

Pappea Capensis

Pappea Capensis

Still wondering about an African painting in your family collection? Contact us…it could be by Barbara Jeppe.


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1894--escobar.php Vicente Escobar Artwork Authentication & Art Appraisal

Vicente Escobar y de Flores (1762-1834)

Get a Escobar Certificate of Authenticity for your painting (COA) for your Escobar drawing.

For all your Escobar artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Escobar Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Escobar painting or drawing.

If you want to sell your Escobar painting or drawing use our selling services. We offer Escobar selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Escobar and issuing certificates of authenticity since 2002. We are recognized Escobar experts and Escobar certified appraisers. We issue COAs and appraisals for all Escobar artworks.

Our Escobar paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Escobar certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Escobar painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Escobar paintings or drawings take longer.

Our clients include Escobar collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Vicente Escobar Y De Flores art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Vicente Escobar Y De Flores or we will sell it for you.

art

Portrait

After Jose Nicolas De la Escalera was Vicente Escobar. Escobar was the second truly Cuban artist in history whose art is still in existence today. Escobar was not only one of the first Cuban natives to being painting in a style other than “primitive,” but was also the first to open a painting workshop/studio in Cuba.

Escobar painted in the Classical style during the Colonial era, and was best known for his portraits of the royal court. He would mostly paint portraiture of the generals and social ladies of Havana high society. However, it was through a very rare and interesting history that this came to be.

In Cuba in the 1700s, only “white” painters were allowed to come to court and paint for nobility. Escobar was a native Cuban, and was considered “black.” However, his style must have impressed the Cuban aristocrats because he was in high demand, despite his social status. However, through paperwork and royal decrees, Escobar bought his way into the royal court and was issued a certificate of “blood purity.” Therefore, in the Havana art world, Escobar is sometimes mentioned as “the black painter who died being white.” Eventually, Escobar was appointed Royal Court Artists by the Spanish Queen.

Though little is known about his formal training, many have compared his works to that of Goya. His lively color palate is reminiscent of Spanish Realism, and Escobar employed some of the same methods as Goya in his portraits by posing them in certain angles. By doing this, Escobar was able to capture the same kinds of darks and lights that are familiar in Spanish art. His subjects often have the stiff and cold characteristics that come along with portraits of nobility.

While most of Escobar’s existing works are in Cuba, the possibility for them to exist elsewhere is quite great. Though Escobar probably never traveled abroad himself, his wealthy clients certainly must have. Some of his most frequent commissions were for naval captains, who may have brought portraits of themselves or their family back to Spain or other parts of Europe. Due to the similarity of Escobar’s style to that of many Spanish artists, some of his work could have been wrongly authenticated or otherwise ignored.

Today, Escobar’s work hangs in museums in Havana and all over Cuba. Escobar was said to have helped to characterize the transition from 18th to 19th century painting in Cuba. To own one of his oil paintings would not only be a valuable asset to the art world, but to history as well. Could you possibly own a piece of art piece of art from Vicente Escobar? We would be happy to help you authenticate a piece of art from this great historic Cuban artist.

art

Agustin de la Heras

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1895--fiebig.php Frédéric Fiebig Artwork Authentication & Art Appraisal

Frédéric Fiebig (1885-1953)

Do you think you may own a painting by Frédéric Fiebig?

Get a Fiebig Certificate of Authenticity for your painting (COA) for your Fiebig drawing.

For all your Fiebig artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Fiebig Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fiebig painting or drawing.

If you want to sell your Fiebig painting or drawing use our selling services. We offer Fiebig selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fiebig and issuing certificates of authenticity since 2002. We are recognized Fiebig experts and Fiebig certified appraisers. We issue COAs and appraisals for all Fiebig artworks.

Our Fiebig paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fiebig certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fiebig painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fiebig paintings or drawings take longer.

Our clients include Fiebig collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Frédéric Fiebig art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Frédéric Fiebig or we will sell it for you.

1. Le Chateau de Giersberg. 1930. Oil on Board.

1. Giersberg. 1934. Oil on Board.

Frédéric Fiebig was a Lativian painter born in Talsen (Talsi), Latvia near the Baltic Sea. Friebig showed an interest in painting at an early age under the tutelage of Elisabet Auguste Krause. Fiebig eventually enrolled at the prestigious, Imperial Academy of Arts St. Petersburg.

2. Children in the Field. 1930. Palette knife, oil painting.

2. Children in the Field. 1930. Palette knife, oil painting.

Over time, Fiebig became more interested in modern movements happening outside of Russia. Fiebig decided to move to Paris, where he enrolled at the Academie Julian. In Paris, Fiebig worked to develop his own style, which gradually became looser and more expressive.

3. Self-Portrait. 1905. Oil on Board.

3. Self-Portrait. 1905. Oil on Board.

4. The Kitchen 1930 Oil on Carton

4. The Kitchen. 1930. Oil on Carton.

Fiebig travelled extensively around Europe, visiting Italy and Switzerland among other countries. Over time his style transitioned from Impressionism, to Cubism to Expressionism. Fiebig is often remembered as an Expressionist through his involvement with the Die Brücke movement.

5. La Lecture, Madame Fiebig. 1911. Oil painting.

5. La Lecture, Madame Fiebig. 1911. Oil painting.

If you think you may own original artwork by Frédéric Fiebig, contact Art Certification Experts for information regarding our services.


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1896--okas.php Evald Okas Artwork Authentication & Art Appraisal

Evald Okas (1915–2011)

Do you think you may own a painting by Evald Okas?

We Perform Evald Okas art authentication. Evald Okas appraisal. Evald Okas certificates of authenticity (COA). Evald Okas analysis, research, scientific tests, full art authentications. We will help you sell your Evald Okas or we will sell it for you.

1. Atla Landscape. 1958. Oil on canvas.

1. Atla Landscape. 1958. Oil on canvas.

2. Miners. 1960. Oil on cavas.

2. Miners. 1960. Oil on cavas.

Evald Okas was an Estonian painter born in the city of Tallinn. Okas began his studies at the Estonian Academy of Arts (EKA). With the outbreak of World World II, Okas was enlisted to serve in the Soviet army. Okas was first stationed at a battalion in Kotlas, Russia until joining a Soviet art collective known as the Yaroslavl artists. Under Soviet supervision, Okas was confined to painting in the style of socialist realism.

3. Hiroshima. 1965. Oil painting.

3. Hiroshima. 1965. Oil painting.

After World War II ended, Okas continued painting within the Soviet Union. Okas made a variety of works, including graphics, public commissions and paintings. Beyond his genre paintings, Okas produced a number of landscapes, nudes and portraits paintings.

4. Mahtra War. 1958. Oil painting. Estonian Museum of Art.

4. Mahtra War. 1958. Oil painting. Estonian Museum of Art.

By the 1950s, Okas became a professor at the Estonian State Art Institute. Okas was also a member of the Estonian Arts Association and the Academy of Arts of the Soviet Union.

5. Crimea. 1949. Watercolor.

5. Crimea. 1949. Watercolor.

An Evald Okas Museum now stands in Estonia to honor the work and legacy of Okas. If you think you may own original artwork by Evald Okas, contact Art Certification Experts for information regarding our services.


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1897--dolci.php Carlo Dolci Artwork Authentication & Art Appraisal

Carlo Dolci (1616-1686)

Get a Dolci Certificate of Authenticity for your painting (COA) for your Dolci drawing.

For all your Dolci artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dolci Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dolci painting or drawing.

If you want to sell your Dolci painting or drawing use our selling services. We offer Dolci selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dolci and issuing certificates of authenticity since 2002. We are recognized Dolci experts and Dolci certified appraisers. We issue COAs and appraisals for all Dolci artworks.

Our Dolci paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dolci certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dolci painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dolci paintings or drawings take longer.

Our clients include Dolci collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carlo Dolci art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Carlo Dolci or we will sell it for you.

Self-Portrait

Self-Portrait

Carlo (or Carlino) Dolci was an Italian painter of the Baroque period, active mainly in Florence. Dolci was born and died in Florence, the grandson of a painter on his mother’s side. While he was precocious and apprenticed at a young age with Jacopo Vignali, Dolci was not prolific. It is said that in 1682, when he saw Giordano, nicknamed “fa presto” (∼quick), paint more in five hours than he could have completed in months, he fell into depression.” He would take weeks over a single foot”, according to biographer Baldinucci. This painstaking technique made him unsuited for large-scale fresco painting. He used pencil chiefly for sacred subjects, and generally painted in a small size, although he made a few life-size pictures. His daughter, Agnese Dolci, showed excellence in copying the works of her father.

Mary Magdalene

Mary Magdalene

Madonna and Child

Madonna and Child

Mary with the Infant Jesus

Mary with the Infant Jesus

Dolci works are easily distinguishable by the detail of the composition. Pilkington declared: “His touch inexpressibly neat, and … though he has often been censured for the excessive labor bestowed on his pictures, and for giving his carnations more of the appearance of ivory than the look of flesh”, a flaw that had been already apparent in Agnolo Bronzino.

Child with Flowers

Child with Flowers

L'angelo Custode, 1675

L’angelo Custode, 1675

St. Catherine Reading a Book

St. Catherine Reading a Book

The grand manner, vigorous coloration or luminosity, and dynamic emotion of the Bolognese-Roman Baroque are foreign to Dolci and Baroque Florence. While he fits into a long tradition of prestigious official Florentine painting, Dolci appears constitutionally blind to the new aesthetic, shackled by the Florentine tradition that holds each drawn figure under a microscope of academicism. Wittkower describes him as the Florentine counterpart, in terms of devotional imaging, of the Roman Sassoferrato.

Blue Madonna

Blue Madonna

Portrait of a Man 1650

Portrait of a Man 1650

St. Rose of Lima

St. Rose of Lima

Dolci was notoriously pious; it is said that during Passion week every year, he painted a half-figure of the Savior wearing the Crown of Thorns. His masterpieces are about sacred themes, where the protagonist is often highly emotive, somewhat over-wrought. There is a want of character in his pictures, and his grouping lacks harmony, but the general tone accords with the idea of the passion portrayed.

Christ Suffering

Christ Suffering

Among the best works of this master are the St Sebastian; the Four Evangelists at Florence; Christ Breaking the Breadd; the St Cecilia; an Adoration of the Magi; and a masterpiece is his St Andrew praying before his Crucifixion in the Pitti gallery. He completed his portrait of Fra Ainolfo de’ Bardi, when he was 16 years old. He also painted a large altarpiece (1656) for the church of Sant’ Andrea Cennano in Montevarchi. As was not atypical for Florentine painters, it was a painting about painting – and has the Virgin of Soriano upholding a miraculous and iconic painting of the St. Dominic.

Salome with the Head of John the Baptist, 1665-1670

Salome with the Head of John the Baptist, 1665-1670

In 1976, one of Dolci’s painting “Madonna of the Veil” was stolen from a private collector and has not been recovered since. How many other stolen or missing paintings by Dolci are out there? We may never know.

Madonna of the Veil

Madonna of the Veil

Still wondering about a painting in your family collection? Contact us…it could be by Carlo Dolci.


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1898--altdorfer.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "andre" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "andre" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1899--paulin.php Paul Paulin Artwork Authentication & Art Appraisal

Paul Paulin (1853-1937)

We Perform Paul Paulin art authentication. Paul Paulin appraisal. Paul Paulin certificates of authenticity (COA). Paul Paulin analysis, research, scientific tests, full art authentications. We will help you sell your Paul Paulin or we will sell it for you.

Paul Paulin was born on July 13, 1853 in Chamaliers, France. He was not a man born knowing he would pursue an artistic career. Although he worked as a dentist, he had a passion for the arts. His affection for the arts prompted him to model and cast in bronze portrait busts of many notable French artists.

One of his most prized portraits was of Queen Victoria of England. Among the artists he featured in his portraits were Monet, Degas, and Renoir. All of his bronzes were stunning representations of their subjects. From 1882 through 1998, Paulin exhibited at the Salon des artists Francais. Two years later, he began showing his work at the Salon des Beaux-Arts.

Paulin died in 1937, leaving behind some impressive portraits.

art

Claude Monet

art

Potrait of Albert Lebourg

The most noteworthy of Paulin’s exhibitions took place after his death. In 1983, in Clermont-Ferrand, France, the largest showing of his works ever occurred. The bronzes had been collected from museums throughout France and other locations across the globe. Some of the bronzes were cast by the Valsuani foundry.

It is possible that Paulin pieces do exist. The sculptures displayed in the large 1983 exhibition had been gathered from private collections across the world, so it is a very likely possibility that other pieces do exist.


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1900--harlamov.php Alexei Harlamov Artwork Authentication & Art Appraisal

Alexei Harlamov (also, Harlamoff, and Алексей Алексеевич Харламов) (1842-1923)

Get a Harlamov Certificate of Authenticity for your painting (COA) for your Harlamov drawing.

For all your Harlamov artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Harlamov Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Harlamov painting or drawing.

If you want to sell your Harlamov painting or drawing use our selling services. We offer Harlamov selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Harlamov and issuing certificates of authenticity since 2002. We are recognized Harlamov experts and Harlamov certified appraisers. We issue COAs and appraisals for all Harlamov artworks.

Our Harlamov paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Harlamov certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Harlamov painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Harlamov paintings or drawings take longer.

Our clients include Harlamov collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alexei Harlamov art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alexei Harlamov or we will sell it for you.

Portrait of a Young Woman 1923

Portrait of a Young Woman 1923

Alexei Harlamov was a Russian painter, who was born close to Saratov on the Volga River, and enrolled at the Academy of Fine Arts in Saint Petersburg at the age of 14. He won a gold medal in 1868 for his painting entitled The Return of the Prodigal Son. This enabled him to study in Paris at the école des Beaux Arts under the great portrait painter and teacher Leon Bonnat. Harlamoffs talent in this area soon became clear as Emile Zola rated his portrait of Ivan Turgenev as amongst the best works of the Paris Salon of 1876. He regularly exhibited at the Paris Salon and won a second-class medal at the 1878 Paris Universal Exhibition.

Innocence

Innocence

Harlamoff learned his skills copying old master paintings such as Rembrandt’s Anatomy Lessons. He painted many military scene’s and covered religious subjects in his early years. When his career evolved he became a repected portrait painter with important sitters as Tsar Alexander II, Prince Demidoff-San Domato and Ivan Tourgueneff. Harlamoff is however best known for his informal portraits of sitters who he painted for their beauty and innocence. Harlamoff often used flowers to symbolize the short-lived innocence of youth. He preserved the Russsian ambience in the details of for example a dress or facial features.

Portrait of a Young Beauty

Portrait of a Young Beauty

Queen Victoria greatly admired his painting of children playing with flowers that was exhibited at the Glasgow International Exhibition of 1888.Harlamoff came to the attention of wealthy American and European collectors who appreciated his idealized portraits of young women and girls.

The Flower Girl

The Flower Girl

The question about the time and the place for death of Alexei Harlamoff remains open. In literature it is most frequently indicated he died in Paris in 1922. Claims he died in Saratov are not likely to be true. Books with the records about death in 1922 from the Civil Registry Office Saratov were preserved completely, but his name is not mentioned. In 2005 a painting signed by Harlamoff and dated 1923 was discovered in a private collection.

Young Girl in a Bonnet

Young Girl in a Bonnet

Work of Alexei Harlamoff is displayed in many musea around the world. For example: J. Paul Getty Museum, Los Angeles (Sweet Thoughts, 1890), The Athenaeum (The Young Model, 1883), Chi-Mei Museum, Taiwan (Blowing Bubbles), Alexander III Museum in St Petersburg, the Tretiakov Gallery in Moscow and in the Brobinksi Collection.

Girl with a Bow in Her Hair

Girl with a Bow in Her Hair

Still wondering about a late 19th century Russian painting in your family collection? Contact us…it could be by Alexei Harlamov.


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1901--henri.php Robert Henri Artwork Authentication & Art Appraisal

Robert Henri (1865-1929)

Get a Henri Certificate of Authenticity for your painting (COA) for your Henri drawing.

For all your Henri artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Henri Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Henri painting or drawing.

If you want to sell your Henri painting or drawing use our selling services. We offer Henri selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Henri and issuing certificates of authenticity since 2002. We are recognized Henri experts and Henri certified appraisers. We issue COAs and appraisals for all Henri artworks.

Our Henri paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Henri certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Henri painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Henri paintings or drawings take longer.

Our clients include Henri collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Robert Henri art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Robert Henri or we will sell it for you.

Henri, Snow in New York

Snow in New York

Henri, Cafferty

Cafferty

Robert Henri was an American painter of the Ashcan school, born in Cincinnati, Ohio by the name Robert Henry Cozad. Henri’s family moved to Nebraska in 1871 and founded the town, Cozad. In 1882 the family was forced to move to Denver, Colorado after his father shot a man over a land dispute. Upon the move, the family decided to hide their identity by not using the name Cozad.

Henri, Girl Seated by the Sea

Girl Seated by the Sea

In 1883 Henri headed eastward, making his first paintings in New York and New Jersey. Henri began to formally study painting in 1886 at the Pennsylvania Academy of Fine Arts. Henri continued his studies in Paris at the Académie Julian under the instructor William-Adolphe Bouguereau. Henri was influenced by the Impressionist movement, which was greatly popular in France. Henri took additional courses at the Ecole des Beaux Arts before retuning to Philadelphia in 1891.

Henri, Salome

Salome

Upon Henri’s return to the United States, he was invited to teach at the Philadelphia School of Design for Women. Henri remained active in his painting and formed a group known as the Philadelphia Four, which included William Glackens, George Luks, Everett Shinn and John French Sloan. The group would refer to themselves as the “Charcoal Club”, and get together for readings of Emerson, Whitman, Zola and Thoreau.

Henri, Bernadita

Bernadita

Henri made frequent visits to Paris, where he would paint on pocketsize panels called “pochades”. Henri’s easily transportable work became more spontaneous.

In 1902 Henri relocated to begin a teaching position at the New York School of Art. Henri taught many students who would become extremely well-know in the future, including Edward Hopper, Rockwell Kent, George Bellows and Stuart Davis.

Henri, The Laundress. 1916

The Laundress. 1916

Henri, Girl with doll

Girl with doll

Henri, Laughing Child, 1907

Laughing Child, 1907

Henri, Irish Girl (Mary O'Donnel) 1913

Irish Girl (Mary O’Donnel) 1913

Henri, Girl with Fan, 1911

Girl with Fan, 1911

Henri, Ruth St. Denis in the Peacock Dance, 1919

Ruth St. Denis in the Peacock Dance, 1919

Henri, Green Ribbon, 1924

Green Ribbon, 1924

Henri, Agnes in Red, 1921

Agnes in Red, 1921

Henri, Gypsy Girl

Gypsy Girl

Henri, Girl with green fan

Girl with green fan

Henri consistently countered the National Academy of Design, and organized his own show known as “The Eight”. The participants of this show later became the Ashcan school. Henri was also an important organizer of the 1910 Exhibition of Independent Artists and the 1913 Armory Show.

Robert Henri played an important role in the Modern art movement in America. Henri’s paintings are now in major American art collections across the United States. Do you think you own a painting by Robert Henri? Contact us. We are the experts on Robert Henri.


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1902--bierstadt.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bierstadt" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bierstadt" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1903--burdette.php prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "burdette" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "burdette" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1904--puigaudeau.php Ferdinand du Puigaudeau Artwork Authentication & Art Appraisal

Ferdinand du Puigaudeau (1864-1930)

We Perform Ferdinand du Puigaudeau art authentication. Ferdinand du Puigaudeau appraisal. Ferdinand du Puigaudeau certificates of authenticity (COA). Ferdinand du Puigaudeau analysis, research, scientific tests, full art authentications. We will help you sell your Ferdinand du Puigaudeau or we will sell it for you.

art

Chinese Shadows, The Rabbit 1895

Ferdinand du Puigaudeau was a French Impressionist artist born in Nantes. At the age of 18, Puigaudeau took up painting, but did not begin to truly form his own style until he traveled to Tunisia and Italy. His first known works are dated in 1886, the same year that he moved to Pont-Aven where he became friends with Paul Gaugin.

art

La Charette au bord du Chemin

art

Table with Yellow Bouquet

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Sunset of the Breton Coast

While in Pont-Aven, Puigaudeau made plans to visit Martinique and Panama with Gaugin. However, this was never realized as Puigaudeau was called away to war. After his service in the military, he traveled to Belgium in 1889. There he became associated with the “Group of Twenty.” The following year, Puigaudeau presented one of his pieces for the first time to the Salon de la Societe National des Beaux-Arts.

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Children on a Dune

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Breton Landscape

In 1893, Puigaudeau married and had a daughter shortly thereafter named Odette. During the subsequent years, he continued to live in Pont-Aven and became friends with Paul Durand-Ruel and Edgar Degas. During this time, Puigaudeau painted compositions of lively merry-go-round scenes and fun fairs, which some art critics claim to be his most beautiful.

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Quatorze de Juillet, Fete Forain

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Evening Party at Saint-Pol-de-Leon

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Breton Girls with Chinese Lanterns

Puigaudeau was generally a landscape artist, who was quite talented in portraying light in his Impressionistic compositions. In 1904, he traveled to Venice where he completed more than 50 beautiful Italian landscapes, cityscapes and nighttime scenes. However, upon his return to Paris, Puigaudeau’s landscapes were generally panned at the Salons. Shamed by this great rejection, he feels forced to leave Paris and settles in the village of Bourg on the Loire River.

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View of Venice at Night

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Gondolas at Night

In 1907, Puigaudeau bought the Kervaudu estate where he remained for the rest of his life. Though he still participated in exhibitions in Nantes, he essentially became a recluse and was nicknamed “the hermit of Kervaudu” by his friend Degas. Here, he painted tranquil, sweeping landscapes and Impressionist scenes of his gardens and flowerbeds.

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Le Chemin du Jardin de Kervaudu

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Jardin de Kervaudu, Roses Tremieres 1915

The war of 1914, caused Puigaudeau several setbacks and his output generally began to slow down. In 1919, he was invited to work on an exhibition in New York. However, this too fell through and plunged him head first into a deep depression. Though Puigaudeau was also an alcoholic by this time and was terribly depressed, he managed to receive a few commissions toward the end of his life, including creating illustrations for the novel “La Briere” by Alphonse de Chateaubriant.

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Soleil Couchant sur les Marais Salants

Though Puigaudeau did not find the same kind of success as his contemporaries during his lifetime, today collectors acknowledge his great talent and his works are in demand. Due to his extensive travels, Puigaudeau’s landscapes, still life and genre scenes could be found virtually anywhere in Europe. Still wondering about a late 19th century or early 20th century Impressionistic piece in your home? Contact us….it could be by Ferdinand du Puigaudeau.

  • Experts In Art art authentication

       

    Email photos of the front/back of your painting to us. Please include the dimensions, what you know about its history/origin, and what State/Country in which it is located: info@artexpertswebsite.com

    Please call us to discuss your painting:
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1905--tiziano.phpTiziano Vecellio Artwork Authentication & Art Appraisal

Tiziano Vecellio AKA Titian (c.1488-1576)

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Woman with a Fruit Bowl

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Venus of Urbino

Tiziano Vecellio, known as Titian, is remembered as the greatest painter of the Venetian School. The date of his birth is contradictory. The artist did little to help end this confusion since he was fond of making exaggerations about his age. The best estimate of his birth year is between 1488 and 1490. Although some of the background of Titian is unclear, he was probably a student of Giovanni Bellini.

In 1508, Titian assisted Giorgione with a fresco decoration, and it was for this reason that after Giorgione’s death, Titian was to complete a number of his paintings. Some of these paintings are quite famous, and many people dispute who the works should be attributed to.

Titian’s first solo artistic venture was a series of frescoes documenting the life of St. Anthony. Shortly after, Titian became official painter of the Republic, a title which he held until his death.

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Perseus and Andromeda

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Allegory of Time Governed By Providence

After 1510, Titian strayed from the style of Giorgione to experiment with his own. A blend of the structured and the poetic, his style became much bolder and more passionate than it had been. His paintings rivaled anything else that had been done before in their splendor and color. They set the stage for Baroque art. His altarpieces are some of the greatest examples of his dynamic work. Many of the other paintings in this time period are grand creations of mythological figures, all alive with color.

In 1530, Titian’s wife died. His vibrant former art became more subdued. The bold color schemes were now muted. Bright reds and blues were traded for soft yellows or other pale shades. Still, Titian enjoyed huge success. During this time frame, he became famous throughout Europe. He began to paint many portraits. He was eventually appointed court painter by Charles V.

In the 1540s, Titian made a journey to Rome. He was moved by the works of Michelangelo. As the year 1550 approached, he painted portraits of royalty as well as several mythological paintings. He referred to the pictures as “poesie”. The pictures were different from his earlier, more passionate paintings. The newer creations were indeed poetic.

Titian didn’t work alone. He ran a very busy studio. Among his assistants were Francesco Vecellio, his cousin Cesare, and his son Orazio. During the last 20 years of Titian’s life, the look of his paintings changes. Subdued colors are plentiful. They are referred to as the “dark paintings” and are very different from his usual colorful style. Titian died in 1576 at around age 91. He continued to create masterpieces until his death.

Titian was regarded as a genius during his lifetime, and his works continue to inspire awe today. There have, however been recent controversies to suggest that some of the later paintings were possibly produced by one of his assistants since the style is so obviously different.

Anyone who owns a Titian painting will notice the free, passionate brushwork, explosions of color, and the appearance of his paintings resonating with life. They look as if they were effortlessly painted with quick, fluid strokes while in actuality they are intricately painted masterpieces that definitely took a great deal of time to execute. If viewed closely, the brushstrokes are visible. If the viewer is standing far away from the painting, it appears flawless. Most of his works are altarpieces, paintings with mythological themes, pastoral landscapes, or portraits.

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Adam and Eve

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Portrait of a Man

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1906--guerard.phpHenri Guérard Artwork Authentication & Art Appraisal

Henri Guérard (1846-1897)

Get a Guérard Certificate of Authenticity for your painting (COA) for your Guérard drawing.

For all your Guérard artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Guérard Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Guérard painting or drawing.

If you want to sell your Guérard painting or drawing use our selling services. We offer Guérard selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Guérard and issuing certificates of authenticity since 2002. We are recognized Guérard experts and Guérard certified appraisers. We issue COAs and appraisals for all Guérard artworks.

Our Guérard paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Guérard certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Guérard painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Guérard paintings or drawings take longer.

Our clients include Guérard collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Henri Guérard art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Henri Guérard or we will sell it for you.

The Rest of the Flight into Egypt

Landscape

The Rest of the Flight into Egypt

Sunset, Hornfleur 1896

The Rest of the Flight into Egypt

Wagonnets, Hornfleur

Henri Guérard was a French Impressionist graphic artist painter, etcher and woodcut artist. Guérard was known for his color and black and white etchings, and it is said that he was instrumental in introducing Japanese art into the western world. He initially received his training at the Ecole des Beaux-Arts, but later broke away to study under Nicolas Berthon. Guérard held his first exhibition in Paris at the Salons that same year, and quickly became well known amongst other artists.

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Decorative Japanese Style Borders

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Japanese Style Calling Cards

Guérard was held in such high regard by other artists that they often came to him for advice or help with their own painting. Famous artists such as Edouard Manet collected his work and looked up to Guérard, whom he assisted in his engravings and etchings.

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Still Life

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Rabbits 1893

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Elephant and Monkey

Guérard even sat for Manet in a few of his café scene paintings. The two became very good lifelong friends, and interesting correspondences, such as this letter from Manet to Guérard, still exist today. In 1874, Guérard also posed for another famous artist, Eva Gonzales, who eventually became his wife.

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Letter from Manet to Guérard Guérard was, and is still considered a master of etching, landscapes, still life and portraits. His oil paintings were few and are very rare, and consist mostly of coastal harbor scenes or landscapes, and may resemble that of Manet or Eugene Boudin. Today his work is housed all over the world, and perhaps in your own family estate. Still wondering about a French Impressionist painting hanging in your home? Contact us…it could be by Henri Guérard.


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1907--laikmaa.phpAnts Laikmaa Artwork Authentication & Art Appraisal

Ants Laikmaa (1866–1942)

Do you think you may own a painting by Ants Laikmaa?

Get a Laikmaa Certificate of Authenticity for your painting (COA) for your Laikmaa drawing.

For all your Laikmaa artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Laikmaa Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Laikmaa painting or drawing.

If you want to sell your Laikmaa painting or drawing use our selling services. We offer Laikmaa selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Laikmaa and issuing certificates of authenticity since 2002. We are recognized Laikmaa experts and Laikmaa certified appraisers. We issue COAs and appraisals for all Laikmaa artworks.

Our Laikmaa paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Laikmaa certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Laikmaa painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Laikmaa paintings or drawings take longer.

Our clients include Laikmaa collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ants Laikmaa art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ants Laikmaa or we will sell it for you.

1. Self Portriat. 1920. Pastel.

1. Self Portriat. 1920. Pastel.

2. Portrait of Marie Under, Estonian Poet. 1904. Pastel.

2. Portrait of Marie Under, Estonian Poet. 1904. Pastel.

Ants Laikmaa was an Estonian painter born in the rural village of Araste with the given name, Hans Laipman. Laikmaa officially changed his name is 1935. Depite being from a poor family, Laikmaa was able to attend school, where he realized his talent in the arts. Laikmaa moved to Düsseldorf where he studied and worked at the Düsseldorf Art Academy.

3. Capri Landscape. 1910. Pastel on paper.

3. Capri Landscape. 1910. Pastel on paper.

In 1899 Laikmaa returned to Estonia, settling in the vibrant city of Tallinn. Back in Estonia, Laikmaa led Estonia’s first local art exhibitions in Tallinn and Tartu. Laikmaa proceeded to found the Estonian Art Association in 1907 and the Estonian National Museum in Tartu.

4. Portrait of Fr.R. Kreutzwald. 1924. Pastel on paper.

4. Portrait of Fr.R. Kreutzwald. 1924. Pastel on paper.

Laikmaa’s style was bold and Impressionist, bringing a modern approach that connected Estonia with movements spreading across Europe. Laikmaa preferred working with pastels, a medium with which he created a large number of portrait and landscape drawings. Estonian artists flocked to Laikmaa’s studio in Tallinn, where they learned his fresh approach.

5. Talu/ Tent. 1920. Pastel on paper. Haus Gallery.

5. Talu/ Tent. 1920. Pastel on paper. Haus Gallery.

Laikmaan’s leadership inspired generations of Estonian artists, who continued his legacy. If you think you may own original artwork by Ants Laikmaa, contact Art Certification Experts for information regarding our services.


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1908--paolozzi.phpSir Eduardo Paolozzi Artwork Authentication & Art Appraisal

Sir Eduardo Paolozzi (1924 – 2005)

Do you think you may own a work by Sir Eduardo Paolozzi?

We Perform Sir Eduardo Paolozzi art authentication. Sir Eduardo Paolozzi appraisal. Sir Eduardo Paolozzi certificates of authenticity (COA). Sir Eduardo Paolozzi analysis, research, scientific tests, full art authentications. We will help you sell your Sir Eduardo Paolozzi or we will sell it for you.

Paolozzi, Week by Week

Week by Week
1944 Collage on paper 39.4 x 26.7 cm

Paolozzi, The Offspring of Eos

The Offspring of Eos
1961 Collage on paper 29.9 x 21.3 cm

Eduardo Paolozzi was a Scottish artist who came from an Italian immigrant family in north Edinburgh. Paolozzi is one of the most famous Scottish artists and is remembered for his playful sculptures and collages.

Paolozzi, Futurism at Lenabo

Futurism at Lenabo
1964 Cut-and-pasted printed paper and gouache on cut-and-pasted gelatin silver print 75.5 x 59.9 cm

Many of Paolozzi’s family members died when a ship carrying them to Canada, the Arandora Star, was sunk by s German U-boat. Paolozzi remained in the United Kingdom and studied at the Edinburgh College of Art, St. Martin’s School of Art and the Slade School of Fine Art at University College London. Paolozzi finally finished his studied in 1947, and proceeded to move to Paris for a few years. In Paris Paolozzi met artists, such as Alberto Giacometti, Jean Arp, Constantin Brancusi and Georges Braque, who influenced his development as an artist.

Paolozzi, Tortured Life from As Is When

Tortured Life from As Is When
1965 One from an illustrated book with thirteen screen-prints, page: 37 96 x 66 cm

Paolozzi, Morris Singer Foundry

Morris Singer Foundry
Photograph
Courtauld Institute of Art

By the 1950s, Paolozzi moved back to London and set up his studio, filled with materials and collected objects. Paolozzi worked with a variety of media, but it was his silkscreen prints that led to his initial fame. His prints took on a colorful, collage-like aesthetic, containing a variety of pop imagery.

Paolozzi, Horizon of Expectations

Horizon of Expectations, from Universal Electronic Vacuum portfolio
1967 Color screen-print 92.71 x 60.96 cm

Paolozzi, 7 Pyramid in form einer achtelskugel

“7 Pyramid in form einer achtelskugel” ( Uinversdas Electronic Vacuum portfolio)
1967 Color screenprint 88.9 x 60.96 cm

In 1952 Paolozzi founded the Independent Group, which is thought to have led to the American Pop Art movement. As Paolozzi’s career progressed he became known primarily as a sculptor, creating monumental, statuary works. His sculptures were often deconstructed human forms that seemed to reference machinery and the industrial age.

Paolozzi, Fisherman and Wife

Fisherman and Wife  
1946 Drawing, watercolor and mixed media on paper 768 x 610 mm
Tate Gallery

Paolozzi, I was a Rich Man's Plaything (Ten Collages from BUNK )

I was a Rich Man’s Plaything   (Ten Collages from BUNK)
1947 Collage on card 359 x 238 mm
Tate Gallery

Once Paolozzi’s career was established, he was invited to teach at a number of Universities, including University of California, Berkeley, the Royal College of Art, Fachhochschule, Cologne and the Akademie der Bildenden Kunste, Munich.

Paolozzi, Meet the People (Ten Collages from BUNK)

Meet the People (Ten Collages from BUNK)
1948 Collage mounted on card 359 x 241 mm
Tate Gallery

Paolozzi, Sack-o-sauce (Ten Collages from BUNK)

Sack-o-sauce (Ten Collages from BUNK)
1948 Collage mounted on card 356 x 264 mm

In 1979 Paolozzi was elected to the Royal Academy, a few years after being awarded the CBE (Commander of the British Empire) by the British order of chivalry. In 1986 Paolozzi joined the office of Her Majesty’s Sculptor in Ordinary for Scotland. A few years later, Paolozzi was knighted by Queen Elizabeth II and awarded the KBE.

Paolozzi, Silk

Silk
1965 Steel and chrome 31.25 x 45.75 x 36 in
Walker Art Center

Paolozzi, Tottenham Court Road Station

Tottenham Court Road Station
Mosaic tiles Subway station installation
London England

Paolozzi, Head of Invention

Head of Invention
Installed outside the Design Museum, London

In 1994 Paolozzi donated the contents of his studio to the Scottish National Gallery of Modern Art, where the public can still view it. Paolozzi’s art has made a major impact on Modern Art in the United Kingdom, and around the world. Do you think you own a piece by Eduardo Paolozzi? Contact us. We are the experts on Paolozzi.


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1909--lampi-the-elder.phpJohann Baptist Lampi the Elder Artwork Authentication & Art Appraisal

Johann Baptist Lampi the Elder (1751-1830)

Get a Lampi Certificate of Authenticity for your painting (COA) for your Lampi drawing.

For all your Lampi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lampi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lampi painting or drawing.

If you want to sell your Lampi painting or drawing use our selling services. We offer Lampi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lampi and issuing certificates of authenticity since 2002. We are recognized Lampi experts and Lampi certified appraisers. We issue COAs and appraisals for all Lampi artworks.

Our Lampi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lampi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lampi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lampi paintings or drawings take longer.

Our clients include Lampi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Johann Baptist Lampi the Elder art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Johann Baptist Lampi the Elder or we will sell it for you.

Lampi the Elder painting, Portrait of a Man

Portrait of a Man

Johann Baptist Lampi the Elder was an 18th century Austrian painter. He studied in Salzburg and traveled often. Lampi worked in many European courts and was a member of the Veronese Academy of Arts. Lampi mainly painted portraits of his affluent patrons.

Lampi the Elder painting, Catherine the Great

Catherine the Great

From 1786, Lampi was a professor at the Vienna Academy , and he later lived in Poland and Russia . He had two sons who also became painters; Johann Baptist Lampi the Younger and F.K. Lampi.

Lampi the Elder painting, Theodosia Burr Prince Nikolay Yusupov

Theodosia Burr Prince Nikolay Yusupov

Still wondering about an 18th century European portrait in your family collection? Contact us…it could be by Johann Baptist Lampi the Elder.


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1911--shenau.phpJohann Eleazar Zeissig Shenau Artwork Authentication & Art Appraisal

Johann Eleazar Zeissig Shenau (1737-1806)

Get a Shenau Certificate of Authenticity for your painting (COA) for your Shenau drawing.

For all your Shenau artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Shenau Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Shenau painting or drawing.

If you want to sell your Shenau painting or drawing use our selling services. We offer Shenau selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Shenau and issuing certificates of authenticity since 2002. We are recognized Shenau experts and Shenau certified appraisers. We issue COAs and appraisals for all Shenau artworks.

Our Shenau paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Shenau certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Shenau painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Shenau paintings or drawings take longer.

Our clients include Shenau collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Johann Eleazar Zeissig Shenau art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Johann Eleazar Zeissig Shenau or we will sell it for you.

Shenau painting, Elbflorenz

Elbflorenz

Johann Eleazar Zeissig Shenau was an 18th century European genre painter. He rarely painted portraits, and the only portraits that he did produce were mainly self-portraits. He was a pupil of portraitist Johann Christian Bessler, who brought the young artist to the Dresden academy. He later moved to Paris where he worked as an autodictat and an engraver. He spent his time in Paris copying masterworks at the Louvre and later at Versaille.

Shenau Drawing

Drawing

One of the most famous portraits by Shenau was that of Saxon elector Frederic August III (later, the King of Saxony from 1806-1827). Though his portraits were fine and in demand, Shenau eventually became known for his historical and genre subjects, due to his friendship with fellow painters Greuze and Chardin. Throughout his career, he served as a professor at both the Dresden Academy and at the Messen Porcelain Manufactory.

Shenau painting, Domestic Scene

Domestic Scene

Today, Shenau’s work is housed in major art museums in German and around the world, and perhaps in your own home. Still wondering about an 18th century European painting in your family collection? Contact us…it could be by Johann Eleazar Zeissig Shenau.


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1912--fiedler.phpJohann Christian Fiedler Artwork Authentication & Art Appraisal

Johann Christian Fiedler (1697-1765)

Get a Fiedler Certificate of Authenticity for your painting (COA) for your Fiedler drawing.

For all your Fiedler artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Fiedler Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fiedler painting or drawing.

If you want to sell your Fiedler painting or drawing use our selling services. We offer Fiedler selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fiedler and issuing certificates of authenticity since 2002. We are recognized Fiedler experts and Fiedler certified appraisers. We issue COAs and appraisals for all Fiedler artworks.

Our Fiedler paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fiedler certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fiedler painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fiedler paintings or drawings take longer.

Our clients include Fiedler collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Johann Christian Fiedler art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Johann Christian Fiedler or we will sell it for you.

Fiedler painting, Portrait Of Princess Luise-Albertine Von Hessen-Darmstadt

Portrait Of Princess Luise-Albertine Von Hessen-Darmstadt

Johann Christian Fiedler was an 18th century German painter. He painted portraits of affluent and noble Europeans in the classical style. He painted in the style of the Dutch and employed methods of chiaroscuro in his interior scenes.

Fiedler painting, Two Children, A Smoker And A Dog

Two Children, A Smoker And A Dog

Fiedler painting, Portrait Of A Couple

Portrait Of A Couple

Still wondering about an 18th century German painting in your family collection? Contact us…it could be by Johann Christian Fiedler.


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1913--madrazo-y-garretta.phpRaimundy de Madrazo y Garreta Artwork Authentication & Art Appraisal

Raimundo de Madrazo y Garreta (1841-1920)

Get a Madrazo y Garreta Certificate of Authenticity for your painting (COA) for your Madrazo y Garreta drawing.

For all your Madrazo y Garreta artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Madrazo y Garreta Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Madrazo y Garreta painting or drawing.

If you want to sell your Madrazo y Garreta painting or drawing use our selling services. We offer Madrazo y Garreta selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Madrazo y Garreta and issuing certificates of authenticity since 2002. We are recognized Madrazo y Garreta experts and Madrazo y Garreta certified appraisers. We issue COAs and appraisals for all Madrazo y Garreta artworks.

Our Madrazo y Garreta paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Madrazo y Garreta certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Madrazo y Garreta painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Madrazo y Garreta paintings or drawings take longer.

Our clients include Madrazo y Garreta collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Raimundo De Madrazo Y Garreta art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Raimundo De Madrazo Y Garreta or we will sell it for you.

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The Love Letter

Raimundy de Madrazo y Garreta was born in Rome and was the son of painter Federico de Madrazo y Kuntz. Though born in Italy and most active in France, he is considered to be a Spanish Realist and Impressionist painter. His earliest artistic training came from his father, and then at the Academy in Madrid. After also studying under Leon Cogniet in Paris, Madrazo began to paint on his own in a distinctly academic style.

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Aline Masson With A White Mantilla

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The Music Lesson

Garreta became known as a portraitist and genre painter and is also sometimes credited as Raimundy y Madrazo. He initially started out painting historical scenes, but was influenced into painting genre scenes by the Belgian painter Alfred Stevens. His genre scenes featured beautiful women of the day engaged in leisure activities and sport, parlor scenes and other typical French “genres.” Above all, Garreta was known for his portraits of women in the classical, academic treatment. Sometimes painted in sensual, almost risqué poses; Garreta’s sitters were portrayed as being confident, fashionable and beautiful beings.

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Portrait of a Lady

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Gypsy

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Portrait Of Mrs. James Leigh Coleman

Although he was considered a Spanish artist, Garreta’s art was clearly more influenced by Parisian artists and contemporary styles. In fact, he separated himself so much from the Spanish art world that he never participated in national exhibitions in Spain. None of his works were directly acquired by the state as a result during his lifetime. While Garreta’s style was still sprinkled with Rococo influence, he also borrowed from Japanese technique and art from time to time, and did not limit himself to Spanish academic theory.

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Woman at a Window

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The Bouquet

During his lifetime, he lived in Paris and New York, and he traveled and exhibited extensively, particularly in Paris. Today his work is housed in public and private collections all over Europe and the United States, including the Metropolitan Museum of Art in New York, The Musee d’Orsay in Paris and the Prado Museum in Spain. Still wondering about a French parlor scene or 19th century portrait of a lady hanging in your home? Contact us… it could be by Raimundo de Madrazo y Garreta.

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Hot Chocolate

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1914--montagna.phpBartolomeo Montagna Artwork Authentication & Art Appraisal

Bartolomeo Montagna (1450- 1523)

Get a Montagna Certificate of Authenticity for your painting (COA) for your Montagna drawing.

For all your Montagna artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Montagna Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Montagna painting or drawing.

If you want to sell your Montagna painting or drawing use our selling services. We offer Montagna selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Montagna and issuing certificates of authenticity since 2002. We are recognized Montagna experts and Montagna certified appraisers. We issue COAs and appraisals for all Montagna artworks.

Our Montagna paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Montagna certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Montagna painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Montagna paintings or drawings take longer.

Our clients include Montagna collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Bartolomeo Montagna art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Bartolomeo Montagna or we will sell it for you.

art

The Virgin and Child with Saint 1483-1499

Bartolomeo Montagna was an Italian painter and architect who worked in Vicenza and Venice. He putatively was born near Brescia . His initial training was presumably under Domenico Morone in Verona, where he seems to have acquired a late Quattrocento refinement, similar to that of Carpaccio and Mantegna. The figures have a strict organization in space, and the peaceful expressions of classic detachment. Benedetto Montagna, a productive engraver, was his son and pupil and active till past 1540.

art

Madonna and Child Enthroned with Saints 1498

Still wondering about an Italian painting in your family collection? Contact us…it could be by Bartolomeo Montagna.


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1916--chirico.phpGiorgio de Chirico Artwork Authentication & Art Appraisal

Giorgio de Chirico (1888-1978)

We Perform Giorgio de Chirico art authentication. Giorgio de Chirico appraisal. Giorgio de Chirico certificates of authenticity (COA). Giorgio de Chirico analysis, research, scientific tests, full art authentications. We will help you sell your Giorgio de Chirico or we will sell it for you.

Born in Greece to Italian parents, Giorgio de Chirico was one of the forerunners of the Surrealist movement. Before Salvador Dali, there was de Chirico, who was a great influence on Dali’s early work. One only has to look at the works of de Chirico in the 1910’s and compare it to Dali’s work in the late 1920’s and early 30’s to see the similarities. Many of de Chirico’s oil paintings are reflective of Italian landscaping, as one can see in “O Enigma de Um Dia” (1914). Dali used this same landscaping style almost two decades later in his famed “Persistence of Memory” (1931).

While studying art in Athens and Munich, de Chirico stumbled across the workings of Symbolist painter Arnold Bocklin. From Bocklin’s allegorical work, de Chirico was inspired to paint his dreamlike cityscapes, which were desolate and dreamlike and filled with shadows. Columns, sand, wooden planks and broken statues were some of his common symbolic images. Faceless people and disassociated objects were also common in the works of de Chirico. These cityscapes were praised by Picasso and other members of bohemian Europe at the time and quickly elevated de Chirico’s standing amongst the Surrealists. His work even went to inspire pop-artist Andy Warhol later on who produced a series of t-shirts based on de Chirico’s work.

Together with his friend Carlo Carra, de Chirico founded the style of Pittura Metafisica, which means Metaphysical Painting. This style was meant to break the boundaries and limitations of cubism, and explore other realms and perspectives, and was rooted in the ideals of philosopher Friedrich Nietzsche. His work “The Nostalgia of the Infinite” (1911) which is housed at the Museum of Modern Art in New York is one of his greatest examples of Metaphysical Painting. In the style of his cityscapes, this oil-on-canvas work is full of shadowy symbolism. While the Metaphysical Painting movement was short-lived, ending in the 1920s, it greatly impacted many Surrealist painters in their works.

His later work from the 1930s on was a great departure from his earlier Surrealist work. He painted horses, portraits and still-life paintings in a more classical, baroque style. For this reason, some of de Chirico’s later work may have been mis-labeled or ignored, and it’s highly likely those works may be publicly owned and unrecognized.

Along with being an artist, de Chirico was also a writer, and wrote a collection of stories and poems in his Surrealist novel “Hebdomeros.” His memoirs, titled “The Memoirs of Giorgio de Chirico” also provide great insight into the works of this artistic master.

Also, look for some of his work signed “Pictor Optimus” (the best painter). During the height of his career, de Chirico had a large ego about his talent as a painter, and his quick rise to fame fed this ego. Otherwise, his works are clearly signed “Giorgio de Chirico” on the back-side of his canvas.

Although a Surrealist painter by early definition, de Chirico was also a talented classical painter, though met little commercial success with this style of painting. His “Self-Portrait” (1922) shows how de Chirico gracefully marries Surrealist landscaping and imagery (statue, orange blossom and leaves) with true to life portraiture of himself. This style of portraiture and still life’s of fruit against landscaping became common in de Chirico’s later work.

One of the most prolific painters of his day, de Chirico painted nearly up until his death in 1978. However, as his work “Sole sul Cavalletto” (1972) may suggest, it appears as though de Chirico embraced Surrealism again in his later years. For that reason, it is highly possible that some of his later work in the Surrealist style may have been either mis-dated or not identified as his own. In this piece, de Chirico again embraces symbolism and his former style of cityscape, wooden planks and metaphysical undertones.

If you believe you own a work of art by Giorgio de Chirico, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Giorgio de Chirico.


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1917--pacheco.phpFrancisco Pacheco Artwork Authentication & Art Appraisal

Francisco Pacheco del Río (1564-1654)

We Perform Francisco Pacheco art authentication. Francisco Pacheco appraisal. Francisco Pacheco certificates of authenticity (COA). Francisco Pacheco analysis, research, scientific tests, full art authentications. We will help you sell your Francisco Pacheco or we will sell it for you.

Pacheco, Final Judgement

Final Judgement

Pacheco, Saint Inés

Saint Inés

Francisco Pacheco del Río was a Spanish painter born in Sanlúcar de Barrameda, Spain. Pacheco is mostly known for being the tutor and father-in-law of Diego Velazquez. Though his father’s name was Juan Perez and his mother, Leonor del Rió, the artist adopted the name “Pacheco” as a young man in honor of his uncle. Around 1580, Pacheco moved to the city of Seville, where he spent much of his adult life.

Pacheco, Young Lady and Gentleman

Young Lady and Gentleman

Pacheco spent his early years as a painter studying under the painter, Luis Fernánadez, who was well known in Seville. By 1585, Pacheco completed his apprenticeship and moved into a studio house on “la calle de los limones” or “the street of lemons” in Seville. At this point Pacheco earned the title of master painter.

Pacheco, Portrait

Portrait

In 1594, Pacheco married María Ruiz de Páramo. During this same time frame, Pacheco began to paint notable figures of the aristocracy and engaged in political -activities that arouse during a tumultuous time in Seville and the reign of Felipe II.

Pacheco, Flagellation of Christ

Flagellation of Christ

At the turn of the seventeenth century became known as the greatest painter in Seville. This rise to fame outshined the popularity of Juan de Roelas. Around 1610 Pacheco travelled to Madrid where he visited El Escorial y Toledo. Pacheco’s notoriety began to spread throughout Spain. Pacheco continuously, received lofty commissions.

Pacheco, Christ Served by Angels of the Desert

Christ Served by Angels of the Desert

Pacheco is not only considered the teacher of Velazquez, but family relation, after Velazquez married Pacheco’s daughter Juana.

Pacheco, Christ on the Cross

Christ on the Cross

Pacheco is characterized as a Mannerist painter, heavily influenced by Flamenco and Italian art. His nearly iconic paintings define an era of Spanish culture and religious influence. Pacheco not only painted framed pieces, but large-scale frescoes that adorned the Casa de Pilatos in Seville. Pacheco’s narrative paintings contain mythological, historical, and religious imagery.

Works by Pacheco are now in various collections throughout Spain including the Museo Lázaro Galdiano in Madrid. Pacheco is one of the great Spanish master painters of the late sixteenth, early seventeenth century. Do you think you own a painting by Francisco Pacheco? Contact us. We are the experts on Francisco Pacheco.


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1918--fussli.phpJohann Heinrich Füssli Artwork Authentication & Art Appraisal

Johann Heinrich Füssli (1741-1825)

Get a Füssli Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Füssli artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Füssli Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Füssli painting, drawing or print.

If you want to sell your Füssli painting, drawing or print use our selling services. We offer Füssli selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Füssli and issuing certificates of authenticity since 2002. We are recognized Füssli experts and Füssli certified appraisers. We issue COAs and appraisals for all Füssli artworks.

Our Füssli paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Füssli certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Füssli painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Füssli paintings or drawings take longer.

Our clients include Füssli collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Johann Heinrich Füssli art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Johann Heinrich Füssli or we will sell it for you.

Fussli painting, The Nightmare

The Nightmare

Johann Heinrich Füssli was an 18 th century Symbolist painter. Born in Switzerland, Füssli was the son of a painter, Johann Caspar Füssli (also sometimes spelled Fuseli). Despite his fathers’ influence, Füssli became an ordained pastor at the age of 20. Nonetheless, his father eventually did push him to leave the church and travel with him throughout Europe.

Fussli painting, Fantasy Scene

Fantasy Scene

Füssli and his father spent a great deal of time studying in Germany and in Italy. While in Italy, Füssli became greatly influenced by the works of Michelangelo, among others. The father and son duo then moved on to London, where he became a member of the Royal Academy in 1790. Though he would continue to travel extensively throughout the rest of his life, Füssli made London his home.

Fussli painting, Thor

Thor

While in London, Füssli no doubt came into contact with the work of early symbolist painter and rival William Blake. Like Blake’s work, Füssli’s paintings held disturbing undertones and featured grotesque images from literature, history and mythology. He engraved many of the works of William Shakespeare, and in fact created a large output of engravings, the exact number being unknown. Füssli left behind many unfinished engravings, as well as a number of large scale paintings, some as large as 12 feet by 10 feet.

Fussli painting, Scene From Macbeth

Scene From Macbeth

Though Füssli’s fame has not endured the test of time nearly as well as Blake’s, his engravings and paintings remain a testament to his great and largely unrecognized talent.

Fussli painting, Portrait Of The Artists Wife

Portrait Of The Artists Wife

Still wondering about an 18 th century engraving or painting in your family collection? Contact us…it could be by Johann Heinrich Füssli.


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1921--pater.phpJean-Baptiste Pater Artwork Authentication & Art Appraisal

Jean-Baptiste Pater (1695-1736)

We Perform Jean-Baptiste Pater art authentication. Jean-Baptiste Pater appraisal. Jean-Baptiste Pater certificates of authenticity (COA). Jean-Baptiste Pater analysis, research, scientific tests, full art authentications. We will help you sell your Jean-Baptiste Pater or we will sell it for you.

Jean-Baptiste Pater was an 18th century French painter. Pater was the son of sculptor Antoine Pater and was born in Valenciennes.

Pater painting, Country Scene

Country Scene

Pater studied under Antoine Watteau and studied at the academy in 1728. Throughout his career, Pater often received commissions from his most famous patron, Frederick the Great, whom he painted two portraits of.

Pater work, The Fair at Bezons

The Fair at Bezons

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Jean-Baptiste Pater.


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1922--juel.phpJens Juel Artwork Authentication & Art Appraisal

Jens Juel (1745-1802)

Get a Juel Certificate of Authenticity for your painting (COA) for your Juel drawing.

For all your Juel artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Juel Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Juel painting or drawing.

If you want to sell your Juel painting or drawing use our selling services. We offer Juel selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Juel and issuing certificates of authenticity since 2002. We are recognized Juel experts and Juel certified appraisers. We issue COAs and appraisals for all Juel artworks.

Our Juel paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Juel certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Juel painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Juel paintings or drawings take longer.

Our clients include Juel collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jens Juel art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jens Juel or we will sell it for you.

Juel painting, Self-Portrait with Wife

Self-Portrait with Wife

Jens Juel was an 18th century Danish painter and was known primarily as a portrait painter. Today, many of his portraits are housed at the Frederiksborg Castle.

Juel painting, Portrait of a Mother and Her Child

Portrait of a Mother and Her Child

Juel was apprenticed at a young age to the painter Gehrmann in Hamburg and before he was 20 years old, had established himself as a respected painter of portraits and landscapes. Juel attended the Royal Danish Academy of Art in Copenhagen and was awarded gold medals from the Academy in 1767 and 1771.

Juel painting, Portrait of Madame de Prangin

Portrait of Madame de Prangin

Juel painting, Portrait of Jean Armand Tronchin

Portrait of Jean Armand Tronchin

Juel left Copenhagen to study in Rome and would later study in Paris and Geneva. It was in Geneva that Juel further enhanced his reputation as a painter and later returned to Copenhagen where he was highly sought after by nobility and the affluent. Juel was later named a member of the academy at Mandelbert, Abildgaard and Weidenhaupt and was named director in 1795.

Juel painting, A Running Boy

A Running Boy

Juel painting, A Storm Brewing Behind A Farmhouse

A Storm Brewing Behind A Farmhouse

Still wondering about a Danish painting in your family collection? Contact us…it could be by Jens Juel.


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1923--lopez2.phpJuan Pedro Lopez Artwork Authentication & Art Appraisal

Juan Pedro Lopez (1724-1787)

We Perform Juan Pedro Lopez art authentication. Juan Pedro Lopez appraisal. Juan Pedro Lopez certificates of authenticity (COA). Juan Pedro Lopez analysis, research, scientific tests, full art authentications. We will help you sell your Juan Pedro Lopez or we will sell it for you.

Lopez, Virgin and Child

Virgin and Child, c.1780

One of the prominent colonial Venezuelan artists of the 18th century was Juan Pedro Lopez. Although he was born in the Canary Islands, he is still considered on of the greatest Venezuelan artist of all time, and the grandfather of Andre Bello. Renowned for his sculpture of St. Joseph, which serves as the afterpiece for the Caracas Cathedral, his work was often concentrated on religious imagery.

Lopez, Nuestra Senora Del Socorro De Valencia

Nuestra Senora Del Socorro De Valencia

Both a painter and a sculptor, Lopez, like most other Venezuelan artists of the time, was commissioned mostly on behalf of the church. Compositions of the Immaculate Conception and the Virgin Mary are common amongst his catalogue, and are generally in the Baroque style. A great many of his paintings are still hanging today in the cathedral in Caracas.

Lopez, Immaculate Conception

Immaculate Conception

In March of 2004, one of Lopez’s pieces was stolen from the Museo de Art Colonial in Caracas, Venezuela. The painting “Nuestra Senora de Atocha”, an oil painting on cedar wood panel featured the Virgin Mary and baby Jesus and is still missing to this date.

Lopez, Our Virgin of Atocha

Our Virgin of Atocha

Still wondering about a painting in your family collection? Contact us…it could be by Juan Pedro Lopez.


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1924--drouais.phpJean-Germain Drouais Artwork Authentication & Art Appraisal

Jean-Germain Drouais (1763-1788)

Get a Drouais Certificate of Authenticity for your painting (COA) for your Drouais drawing.

For all your Drouais artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Drouais Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Drouais painting or drawing.

If you want to sell your Drouais painting or drawing use our selling services. We offer Drouais selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Drouais and issuing certificates of authenticity since 2002. We are recognized Drouais experts and Drouais certified appraisers. We issue COAs and appraisals for all Drouais artworks.

Our Drouais paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Drouais certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Drouais painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Drouais paintings or drawings take longer.

Our clients include Drouais collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean-Germain Drouais art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean-Germain Drouais or we will sell it for you.

Drouais painting,Roman Soldier

Roman Soldier

Jean-Germain Drouais was an 18th century French Neoclassical painter. He was born in Paris and mainly painted historical scenes. He learned to paint from his father, Hubert Drouais, who was also an artist, and also studied under David.

Drouais painting,Study for Marius, Prisoner of Minturnae

Study for Marius, Prisoner of Minturnae

Drouais was highly influenced by the old masters, such as Raphael, and completed his last painting “Philoctetus on the Island of Lemnos” in 1788 before he died at the very young age of 25.

Drouais painting,Philoctetus on the Island of Lemnos

Philoctetus on the Island of Lemnos

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Jean-Germain Drouais.


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1925--friedrich.phpCaspar David Friedrich Artwork Authentication & Art Appraisal

Caspar David Friedrich (1774-1840)

Get a Friedrich Certificate of Authenticity for your painting (COA) for your Friedrich drawing.

For all your Friedrich artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Friedrich Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Friedrich painting or drawing.

If you want to sell your Friedrich painting or drawing use our selling services. We offer Friedrich selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Friedrich and issuing certificates of authenticity since 2002. We are recognized Friedrich experts and Friedrich certified appraisers. We issue COAs and appraisals for all Friedrich artworks.

Our Friedrich paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Friedrich certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Friedrich painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Friedrich paintings or drawings take longer.

Our clients include Friedrich collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Caspar David Friedrich art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Caspar David Friedrich or we will sell it for you.

art

The Artist in his Studio, 1812

art

Self-Portrait in Chalk, 1810

Caspar David Friedrich was a master of ethereal, symbolic landscapes. Moon-dappled valleys, enchanted forests and desolate winter nights were some of his trademarks; created in a style all his own that would later be emulated by others for years to come.

art

Man and Woman Contemplating Over the Moon

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The Wanderer Above the Mist, 1818

art

Trees in the Moonlight

Born in Griefswald, Germany (then a Swedish territory), Friedrich studied at the Academy in Copenhagen. He would eventually settle in Dresden and paint for most of his life in Germany. The Black Forest and other wooded areas in Germany would become his studio, and he rarely traveled elsewhere to paint.

art

Paysage

Religious mysticism was also a theme in many of his landscapes. Whether frightening and stormy or somber, Friedrich’s religious paintings were more about symbolism than composition. In many of his landscape paintings, crucifixes are an integral part of the landscape, with mountains in the background symbolizing unmoving faith or evergreen trees symbolizing everlasting life or hope.

art

The Cross on the Mountain

art

Abbey in the Oakwood

It is speculated that Friedrich’s religious influence was due to witnessing his brother’s death by drowning while ice skating on the frozen Baltic Sea. Friedrich also lost his mother and two sisters before his 18th birthday, which certainly added to his already tumultuous childhood.

art

The Sea of Ice

art

Winter Landscape with Church

Though Friedrich painted in a somewhat Realist style, his art is considered anti-Classical. His use of light (including moonlight) was a pre-cursor for future Impressionist landscape painters. His motifs were almost fairytale-like, and his love for gothic and medieval themes was often fueled by friend and author Goethe. Friedrich’s own life was at times shrouded in mystery, as he was described by others as having a mystical quality, and led an almost monk-like lifestyle. His quarters would be minimal and he led a very solitary life, but eventually married and had children just the same.

art

Two Men Observing the Moon

art

Town at Moonrise

While Friedrich was finding success as a painter in Germany, his work was not widely known throughout Europe until it was plundered by Napoleon’s army. Many of his paintings were stolen from estates and private collections and taken back to the Louvre, and it was then that Northern Europe began to truly take notice of the artist. Who knows how many of his paintings didn’t make it to the Louvre, but to a private home or bartered off instead. Friedrich was not a supporter of Napoleon, and it is said that his paintings represented German patriotism in the time of the Napoleonic wars. Friedrich’s work would again be used later on as German patriotism, but unfortunately by Adolph Hitler, and some of his work was hailed as showing Aryan ideals and was used as Nazi propaganda.

art

Solitary Tree

Sadly, at the time of Friedrich’s death he was still a relatively unknown painter. Today his work is housed all over Europe, serving as a reminder of nature and mystery in post-medieval Germany.


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1926--lacour.phpPierre Lacour Artwork Authentication & Art Appraisal

Pierre Lacour

Get a Lacour Certificate of Authenticity for your painting (COA) for your Lacour drawing.

For all your Lacour artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lacour Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lacour painting or drawing.

If you want to sell your Lacour painting or drawing use our selling services. We offer Lacour selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lacour and issuing certificates of authenticity since 2002. We are recognized Lacour experts and Lacour certified appraisers. We issue COAs and appraisals for all Lacour artworks.

Our Lacour paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lacour certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lacour painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lacour paintings or drawings take longer.

Our clients include Lacour collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Pierre Lacour art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Pierre Lacour or we will sell it for you.

Self-Portrait

Lacour painting, Enee and Dideon

Enee and Dideon

Pierre Lacour was an 18th century French painter. Lacour was mainly known for painting portraits as well as mythological and historical scenes. Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Pierre Lacour.



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1928--alfonzo.phpCarlos Alfonzo authentication and appraisalprepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "alfonzo" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "alfonzo" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?>
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Carlos Alfonzo (1950-1991)

Get a Alfonzo Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Alfonzo artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Alfonzo Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Alfonzo painting, drawing or print.

If you want to sell your Alfonzo painting, drawing or print use our selling services. We offer Alfonzo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Alfonzo and issuing certificates of authenticity since 2002. We are recognized Alfonzo experts and Alfonzo certified appraisers. We issue COAs and appraisals for all Alfonzo artworks.

Our Alfonzo paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Alfonzo certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Alfonzo painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Alfonzo paintings or drawings take longer.

Our clients include Alfonzo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carlos Alfonzo art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Carlos Alfonzo or we will sell it for you.

Born in Havana, Carlos Alfonzo attended the San Alejandro School, and later attended the Cuban Academy. Alfonzo eventually graduated from The University of Havana in 1977. After he graduated, he also taught at the San Alejandro School for some time.

He was at times a colorful Expressionist but mostly a fantastic graphic and abstract artist. Above all, Alfonzo was perhaps the Cuban equivalent to Frida Kahlo in terms of expressing his internal suffering and the suffering of others on canvas. He would often incorporate nails, spikes, knives, anguished faces and other frightening images into his work to create an effect that was both scary and intriguing. A classic example of Alfonzo’s style is depicted in his painting ‘Murano Waters” (1987).

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Murano Waters

 

In 1980, Alfonzo fled from Cuba to Key West, Florida, to seek political asylum. He eventually resided and worked in Miami. From that point on, his paintings took the theme of exile and suffering that had become his entire existence.

Prior to 1980, Alfonzo felt that his work was somewhat limited due to Cuba’s internal political struggles. He had to be very careful with what he painted, for fear of being reprimanded by the government. Some of his earliest work pre-dating his exile features swarms of little people, combined with literary text. This had become a sort of formula for him, and he often painted in this way. Alfonzo was always afraid that his themes would be too controversial and wanted to avoid suspicion or harsh criticism. These early works are housed mostly in Cuba.

Alfonzo’s earliest work was very graphic in nature, and almost had a print-like quality. He even established his own style of print making that was similar to using stencils. His earliest work also included stencil prints of palm trees, whimsical objects such as stars, and even themes that subtly expressed his homosexuality. He would draw upon his own experience, as well as his heritage, and paint symbols of Cuban mythology, Santeria and Catholic imagery.

By 1980, Alfonzo was tired of having to suppress himself within Cuban government standards. He had to hide his homosexuality in Cuba, but was able to live his life freely once in the United States. It took Alfonzo nearly a year to begin painting once he reached American soil, and from then on his formula was broken. He began to paint themes of exile, and the trauma and sense of displacement he felt in a new country.

Once Alfonzo was an established painter in the United States, he began to take on ambitious projects. He would paint large-scale paintings by piecing together different canvases. Alfonzo even dabbled in Surrealism at this point, painting bizarre dreamscapes, such as in “Sea Bitch Born Deep.” He would also incorporate images of fetuses, or pregnant women in many of his paintings. Look closely at this painting, “God Turned Backwards” (1987), and you will notice that the swirl in the center of the painting turns into the head of a fetus.

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God Turned Backwards

 

Some of his paintings were not as dark as his usual work, though they still included sad or disturbing images. For example, he would incorporate bright tropical-colored backgrounds with an image of a fetus, such as “Embryo II” (1990).

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Embryo II

 

In the last couple of years of his life, Alfonzo began to paint in a black period. These paintings were, in a sense, a foreshadowing of his young death due to AIDS or HIV (it was never disclosed which level of the disease the artist had). This series truly explored his final feelings and were the final chapter to this truly gifted Cuban artist’s catalog. His 1990 painting “Told” was the artists’ expression at the horror of finding out that he was diagnosed with AIDS.

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Told

 

Before his death, he was listed as one of “The Ten Artist’s to Watch in the 1990s” by ARTnews Magazine. Today, Alfonzo’s work is housed in Cuba as well as all over the United States. Because he lived and worked half of his artistic career in the US, there is a great possibility for someone here to own one of his works.

Think you may own a painting by Carlos Alfonzo? Contact us, we are the Carlos Alfonzo experts.


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1929--o-keefe.phpGeorgia O’Keeffe Artwork Authentication & Art Appraisal

Georgia O’Keeffe (1887-1986)

Get a O’Keeffe Certificate of Authenticity for your painting (COA) for your O’Keeffe drawing.

For all your O’Keeffe artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a O’Keeffe Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your O’Keeffe painting or drawing.

If you want to sell your O’Keeffe painting or drawing use our selling services. We offer O’Keeffe selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating O’Keeffe and issuing certificates of authenticity since 2002. We are recognized O’Keeffe experts and O’Keeffe certified appraisers. We issue COAs and appraisals for all O’Keeffe artworks.

Our O’Keeffe paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The O’Keeffe certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your O’Keeffe painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research O’Keeffe paintings or drawings take longer.

Our clients include O’Keeffe collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Georgia O’Keeffe art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Georgia O’Keeffe or we will sell it for you.

Photo of the Artist taken by Stieglitz, 1918

Photo of the Artist taken by Stieglitz, 1918

Georgia O’Keeffe was an American painter, who was famous for her abstract flower paintings and nature-themed compositions. She is considered to be one of the greatest painters of the 20th century, let alone one of the greatest female artists to ever have lived. She was famous for painting magnified, large-scale images of flowers as well as shells, leaves, bones, and landscapes of New Mexico.

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Music Pink And Blue II

Shell No.1

Shell No.1

Not from My Garden

Not from My Garden

O’Keeffe was born in Wisconsin to a family of dairy farmers. As a girl, she took watercolor courses from Sarah Mann, a local artist. Later, her family would move to Williamsburg, Virginia, and in 1905, O’Keeffe enrolled in the Art Institute of Chicago. In 1907, she moved to New York and studied at the Art Students League under the famous painter, William Merritt Chase.

Jack in the Pulpit, No. IV

Jack in the Pulpit, No. IV

Poppies 1950

Poppies, 1950

In 1908, O’Keeffe moved back to Chicago where she found work as an illustrator. However, she became ill with measles in 1910 and moved back to Virginia to be with her family. From 1908 to 1912, it is said that O’Keeffe stopped painting completely. Apparently, she had an epiphany that she could not distinguish herself as a painter in the traditional academic style.

Autumn Leaves

Autumn Leaves

In 1912, O’Keeffe found inspiration to paint again after taking a summer class at the University of Virginia. She was introduced to the work of Arthur Wesley Dow and was encouraged to express herself on canvas through lines, color and shape. From 1912 to 1916, O’Keeffe would teach drawing at a number of schools in New York, South Carolina, and Texas. By 1916, O’Keeffe had fostered a relationship with her future husband, photographer Alfred Stieglitz. O”Keeffe moved back to New York, and they married when his divorce from his first wife was finalized in 1924. She was often a model for Stieglitz, sometimes in the nude, and photos of her caused a sensation at his exhibitions.

Photo By Stieglitz 1921

Photo By Stieglitz, 1921

O’Keeffe’s earliest work in New York, in the 1920s, featured her large-scale flower paintings. Most of these are painted as though the artist was looking at the subject close-up, as if through a magnifying glass. By this time, O’Keeffe had begun to paint primarily in oil, which was a major change considering that she had painted almost exclusively with watercolors throughout the 1910’s. With help from Stieglitz, her work gradually was exhibited every year, and by the later half of the 1920’s, O’Keeffe had earned a reputation as an important painter. She was extremely popular, and her paintings were highly sought-after and commanded even higher prices. In fact, a 1928 sale of six of her calla lily paintings for $25,000 was the largest sum ever commanded for a living American artist at that time.

Calla Lily Turned Away

Calla Lily Turned Away

Other than her large-scale paintings of sensuous looking flowers, O’Keeffe is also known for her almost surrealist landscape paintings of the American Southwest. From 1929 until 1949, O’Keeffe visited Santa Fe and Taos, New Mexico often. On her journeys there, she collected and painted bones and was inspired by the beautiful colors of the desert.

Ram's Head White Hollyhock and Little Hills 1935

Ram’s Head White Hollyhock and Little Hills, 1935

Horses Skull on Blue

Horses Skull on Blue

Ranchos Church New Mexico 1930

Ranchos Church New Mexico. 1930

O’Keeffe’s popularity continued to grow through the 1930s and 1940s, though a bout with illness again kept her from working through most of 1932, and she did not paint again until 1934. She had a number of one-woman exhibitions at this time, most notably at the Museum of Modern Art in New York in 1946, which was the first solo female exhibition the museum ever had. She also showed her work at the Whitney and at The Art Institute of Chicago. That same year, her husband died and after taking care of his estate, O’Keeffe settled in New Mexico permanently in 1949.

Oriental Poppies

Oriental Poppies

Throughout the 1950s and 1960s, O’Keeffe continued to paint in her adobe house in Abiquiu, New Mexico; however, by the early 1970s, her eyesight began to fail her. In 1973, O’Keeffe became friends with local potter Juan Hamilton who taught her how to work clay. Though her health was deteriorating, O’Keeffe continued to create art. She continued to work unassisted right up until she was 96 years old. Her last unassisted oil painting was created in 1972; watercolor in 1978; and graphite in 1984.

Banana Flower No. 1 1935 charcoal drawing

Banana Flower No. 1, 1935, charcoal drawing

One of the most enduring mysteries about Georgia O’Keeffe that remains is her undiscovered works on paper. For reasons unknown, O’Keeffe had a hidden cache of drawings, pastels, watercolors, and charcoals that, until recently, were hidden from the public. Until recently, only a few of O’Keeffe’s works on paper had been seen by art scholars, so it had been assumed that O’Keeffe generally did not work on paper or simply threw her sketches out. These uncovered works now show that O’Keeffe had a lifelong love affair with sketching and working on paper and left a very extensive catalogue of them behind. Sketchbooks, floral pastels, abstract watercolors and more revealed a different side of O’Keeffe to art critics. It is said that after her death and at the closing of her estate, her drawers were overflowing with literally hundreds of sketches and watercolors.

Evening Star No. V 1917 watercolor

Evening Star No. V, 1917, watercolor

Blue Shapes 1919 watercolor

Blue Shapes, 1919, watercolor

Perhaps this new discovery of O’Keeffe’s works on paper is so surprising is because Stieglitz was a fervent promoter of her work, yet her works on paper were rarely exhibited until after his death. Surely, he would have tried to implore O’Keeffe to show these works, which are more than just practice sketches. However, some critics conclude that perhaps O’Keeffe and Stieglitz considered her watercolors to be of a lower class than her oil paintings, and in the best interest of her career, decided not to show them. Throughout her life, O’Keeffe retained an air of mystery about herself by dressing dramatically, not smiling in photos and being a generally reserved person. Perhaps in the end, O’Keeffe was just too shy to show these sketches and watercolors which showed her more spontaneous side. To O’Keeffe, these works must have been very special and private, and art lovers and critics are lucky to have access to them. Art collectors are also lucky because this new discovery means that perhaps a number of O’Keeffe’s sketches are still out there, unknown and otherwise unauthenticated from virtually any point in her artistic career.

Drawing 1915

Drawing, 1915

Still wondering about that floral watercolor or sketch of a New Mexico landscape in your home? Contact us… we are the Georgia O’Keeffe experts.


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1930--foppa.phpVincenzo Foppa Artwork Authentication & Art Appraisal

Vincenzo Foppa (1430 – 1515)

Get a Foppa Certificate of Authenticity for your painting (COA) for your Foppa drawing.

For all your Foppa artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Foppa Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Foppa painting or drawing.

If you want to sell your Foppa painting or drawing use our selling services. We offer Foppa selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Foppa and issuing certificates of authenticity since 2002. We are recognized Foppa experts and Foppa certified appraisers. We issue COAs and appraisals for all Foppa artworks.

Our Foppa paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Foppa certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Foppa painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Foppa paintings or drawings take longer.

Our clients include Foppa collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Vincenzo Foppa art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Vincenzo Foppa or we will sell it for you.

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St. Francis of Assisi Receiving Stigmata 1490-1515

Vincenzo Foppa was a Northern-Italian Renaissance painter. He was an elderly contemporary of Leonardo da Vinci. Born at Bagnolo Mella, near Brescia in the Republic of Venice, he settled in Pavia around 1456, serving the dukes of Milan and emerging as one of the most prominent Lombard painters. Foppa returned to Brescia in 1489. His style shows affinities to Andrea del Castagno and Carlo Crivelli. Vasari claimed he had trained in Padua, where he may have been strongly influenced by Mantegna.

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Madonna and Child 1475

During his lifetime, he was highly acclaimed, especially for his skill in perspective and foreshortening. His important works include a fresco in the Brera Gallery of Milan, the Martyrdom of St. Sebastian, and a Crucifixion (1435) in the Accademia Carrara of Bergamo. Many of his works have been lost. He was influential in the styles of Vincenzo Civerchio and Girolamo Romanino.

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The Young Cicero Reading 1464

Still wondering about an Italian painting in your family collection? Contact us…it could be by Vincenzo Foppa.


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1931--di-credi.phpLorenzo di Credi Artwork Authentication & Art Appraisal

Lorenzo di Credi (1459-1537)

Get a Di Credi Certificate of Authenticity for your painting or a COA for your Di Credi drawing or sculpture.

For all your Di Credi artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Di Credi Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Di Credi painting, drawing or sculpture.

If you want to sell your Di Credi painting, drawing or sculpture use our selling services. We offer Di Credi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Di Credi and issuing certificates of authenticity since 2002. We are recognized Di Credi experts and Di Credi certified appraisers. We issue COAs and appraisals for all Di Credi artworks.

Our Di Credi paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Di Credi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Di Credi painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Di Credi paintings, drawings or sculpture take longer.

Our clients include Di Credi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lorenzo di Credi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lorenzo di Credi or we will sell it for you.

di Credi

Madonna and Child with Saints

Lorenzo di Credi was an Italian painter and sculptor. He first influenced Leonardo da Vinci and then was greatly influenced by him. Born in Florence, he started to work in Andrea del Verrocchio’s workshop. After the death of his master, he inherited the direction of the workshop.

di Credi

Portrait of Perugino, 1504

One of di Credi’s works gained attention when scholars pointed out a resemblance between the face of Mona Lisa by Leonardo da Vinci and the face of Caterina Sforza in a portrait by Lorenzo di Credi. Caterina Sforza was the Lady of Forlì and Imola (in Italy), later prisoner of Cesare Borgia. The portrait, known also as La dama dei gelsomini, is now in the Museum of Forlì. Among his pupils were Giovanni Antonio Sogliani and Antonio del Ceraiolo.

di Credi

Madonna with Child and Pomegranate 1469 Oil on Panel

di Credi

Adoration
Tempera on Wood
National Museum of Serbia

di Credi

Birth of Christ
Alte Pinakothek

di Credi

Head of an Old Man Facing Forward and Wearing a Cap
Drawing (metal point on paper)
Louvre Museum, Paris

di Credi

The Virgin and Child in between Julian and Saint Nicolas of Myre
Louvre Museum, Paris

Still wondering about an Italian painting in your family collection? Contact us…we are the Lorenzo di Credi experts.


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1932--newman.phpBarnett Newman Artwork Authentication & Art Appraisal

Barnett Newman (1905 – 1970)

Get a Newman Certificate of Authenticity for your painting or a COA for your Newman drawing or sculpture.

For all your Newman artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Newman Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Newman painting, drawing or sculpture.

If you want to sell your Newman painting, drawing or sculpture use our selling services. We offer Newman selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Newman and issuing certificates of authenticity since 2002. We are recognized Newman experts and Newman certified appraisers. We issue COAs and appraisals for all Newman artworks.

Our Newman paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Newmancertificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Newman painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Newman paintings, drawings or sculpture take longer.

Our clients include Newman collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Barnett Newman art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Barnett Newman or we will sell it for you.

Newman, Covenant

Covenant, 1949
Oil on canvas, 121.3 x 151.4 cm

Newman, Concord

Concord, 1949
Oil and masking tape on canvas, 228 x 136.2 cm

Newman, The Blessing

The Blessing, 1944
Oil crayon and wax on paper, 65 x 49 cm

Barnett Newman was an American, Abstract Expressionist painter best-known for his color field paintings. Newman was born in New York City to a Russian-Polish immigrant family. Before realizing his interest in painting, Newman studied philosophy at the City College of New York.

Newman, Untitled

Untitled, 1945
Watercolor on paper, 29.2 x 41.2 cm

Newman, Untitled

Untitled, 1946
Ink on paper, 24 x 18 in

During the 1940s, Newman began to both write critical art reviews and make his own paintings. His first exhibit was in 1948 at Betty Parsons Gallery. At this point, his paintings were somewhat surrealist or expressionistic. As his style matured and developed, he began to paint pure, vertical strips of color, which were divided by a marking known as a ¨zip¨.

Newman, Two Edges

Two Edges, 1948
Oil on canvas, 48 x 36 in

Newman, Head VI

Onement 1, 1948
Oil and tape on canvas, 69.2 x 41.2 cm

From 1958 to 1966, Newman did a series of white paintings after recovering from a heart attack. The series was titled Lema sabachthani and is thought to be a memorial for holocaust victims.

Newman, Figure in Frame

The Voice, 1950
Egg tempera and enamel on canvas, 244.1 x 268 cm

Newman, Number VII from Eight Studies for a Portrait

Vir Heroicus Sublimis, 1950
Oil on canvas, 242.2 x 541.7 cm

Newman, Untitled

Untitled, 1961
Lithograph, 37.2 s 28.4 cm

Newman, Canto VII from 18 Cantos

Canto VII from 18 Cantos, 1963
Color lithograph, 41 x 40 cm

Newman, Broken Obelisk

Broken Obelisk, 1963-1969
Cor-Ten Steel Structure

After the white paintings, Newman began to use vibrant primary colors and oddly shaped canvases. In addition to painting, Newman made several steel sculptures, and his most famous was Broken Obelisk, a monument of a pyramid and inverted obelisk.

While Newman’s work was not greatly appreciated during his life, he has remained an influence to artists today. After his death, the Barnett Newman Foundation was established to honor his accomplishments. Newman’s work is now in private collections and public spaces across the United States. Do you think you own a piece by Barnett Newman? Contact us. We are the Barnett Newman experts.


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1933--cotman.phpJohn Sell Cotman Artwork Authentication & Art Appraisal

John Sell Cotman (1782 – 1842)

Get a Cotman Certificate of Authenticity for your painting (COA) for your Cotman drawing.

For all your Cotman artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cotman Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cotman painting or drawing.

If you want to sell your Cotman painting or drawing use our selling services. We offer Cotman selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cotman and issuing certificates of authenticity since 2002. We are recognized Cotman experts and Cotman certified appraisers. We issue COAs and appraisals for all Cotman artworks.

Our Cotman paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cotman certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cotman painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cotman paintings or drawings take longer.

Our clients include Cotman collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John Sell Cotman art authentication, Cotman appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John Sell Cotman or we will sell it for you.

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The Waterfall 1803

John Sell Cotman was an artist of the Norwich school and an associate of John Crome. He was born in Norwich, England and worked mainly in watercolour, but also produced architectural etchings. He spent virtually all his life in England, apart from three trips to Normandy financed by rich patrons. He moved to London at the age of sixteen, and was based there for the rest of his life.

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Seashore with Boats 1808

His sons, Miles Edward Cotman and John Joseph Cotman, also became painters of note. The British Museum in London, England has a large collection of Cotman’s works, as do the Victoria and Albert Museum and the Norwich Castle Museum in Norwich. Cotman’s name is used as a trademark by Winsor & Newton for a range of artist’s watercolor materials.

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Greta Bridge, 1805

Still wondering about a British painting in your family collection? Contact us…it could be by John Sell Cotman.


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1934--sittow.phpMichael Sittow Artwork Authentication & Art Appraisal

Michael Sittow (1469–1525)

Do you think you may own a painting by Michael Sittow?

Get a Sittow Certificate of Authenticity for your painting (COA) for your Sittow drawing.

For all your Sittow artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Sittow Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Sittow painting or drawing.

If you want to sell your Sittow painting or drawing use our selling services. We offer Sittow selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Sittow and issuing certificates of authenticity since 2002. We are recognized Sittow experts and Sittow certified appraisers. We issue COAs and appraisals for all Sittow artworks.

Our Sittow paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Sittow certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Sittow painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Sittow paintings or drawings take longer.

Our clients include Sittow collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Michael Sittow art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Michael Sittow or we will sell it for you.

1. Portrait of Diego de Guevara. 1515-1518. Oil on Panel. National Gallery of Art.

1. Portrait of Diego de Guevara. 1515-1518. Oil on Panel. National Gallery of Art.

2. Portrait of a Man. 1510. Oil on oak panel. Royal Picture Gallery of Mauritshuis, the Hague.

2. Portrait of a Man. 1510. Oil on oak panel. Royal Picture Gallery of Mauritshuis, the Hague.

Michael Sittow was a Reval artist from what is now Tallinn, Estonia. Sittow, also know as Master Michiel, was trained as an Early Netherlandish painter. This style was popular in the 15th and 16th century Northern Renaissance.

3. Portrait of a noblewoman. 1514. Oak on panel. Kunsthistorisches Museum.

3. Portrait of a noblewoman. 1514. Oak on panel. Kunsthistorisches Museum.

Sittow worked as a court painter for Isabella of Castille and the Habsburgs in Spain and the Netherlands. Sittow painted a large number of portraits, as well as religious paintings. It is believed that Sittow was one of the highest paid court painters of his time, a testament to his skill and popularity.

4. Passion Altarpiece in St. Nicholas’ Church, Tallinn. 1498. Art Museum of Estonia.

4. Passion Altarpiece in St. Nicholas’ Church, Tallinn. 1498. Art Museum of Estonia.

In 1507, after losing his patron, Sittow joined the local Guild of Kanut. Eventually Sittow received additional commissions, painting royal portraits in Spain, Denmark and the Netherlands.

5. The Virgin and Child. 1489-1492. Oil on oak panel. Museum of Fine Arts, Budapest.

5. The Virgin and Child. 1489-1492. Oil on oak panel. Museum of Fine Arts, Budapest.

Sittow’s surviving works are now in major collections such as the Louvre in Paris, the Pushkin in Moscow, and the National Gallery of Art in Washington D.C. Followers of Sittow have also made a number of masterful copies, taking the place of lost or destroyed works.

If you think you may own original artwork by Michael Sittow, contact Art Certification Experts for information regarding our services.


done
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done
1936--dumont.phpFrancois Dumont Artwork Authentication & Art Appraisal

Francois Dumont (1751-1831)

Get a Dumont Certificate of Authenticity for your painting (COA) for your Dumont drawing.

For all your Dumont artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dumont Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dumont painting or drawing.

If you want to sell your Dumont painting or drawing use our selling services. We offer Dumont selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dumont and issuing certificates of authenticity since 2002. We are recognized Dumont experts and Dumont certified appraisers. We issue COAs and appraisals for all Dumont artworks.

Our Dumont paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dumont certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dumont painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dumont paintings or drawings take longer.

Our clients include Dumont collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francois Dumont art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Francois Dumont or we will sell it for you.

Dumont painting,Miniature of Marguerite Gerard

Miniature of Marguerite Gerard

Francois Dumont was an 18th century French painter. He generally painted miniature portraits on ivory. For a time he lived in Rome, and also took up an apartment at the Louvre after being accepted as an Academician.

Dumont painting, Marie Antoinette

Marie Antoinette

He married the daughter of miniaturist Antoine Vestier, and thus was married into a family of fellow miniaturist painters. His younger brother, as well as his two sons, were also artists. Today, many of Dumont’s paintings are housed at the Louvre and other prestigious collections throughout the world.

Dumont painting,Antoine Augustin Parmentier

Antoine Augustin Parmentier

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Francois Dumont.


done
1937--milian.phpRaul Milian Artwork Authentication & Art Appraisal

Raul Milian (1914-1986)

Get a Milian Certificate of Authenticity for your painting (COA) for your Milian drawing.

For all your Milian artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Milian Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Milian painting or drawing.

If you want to sell your Milian painting or drawing use our selling services. We offer Milian selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Milian and issuing certificates of authenticity since 2002. We are recognized Milian experts and Milian certified appraisers. We issue COAs and appraisals for all Milian artworks.

Our Milian paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Milian certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Milian painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Milian paintings or drawings take longer.

Our clients include Milian collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Raul Milian art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Raul Milian or we will sell it for you.

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Abstracto En Ocres

Cuba’s classic tortured artist is Raul Milian. Self-taught and original, Milian studied under Rene Portocarrero and used innovative methods to create a style all his own.

Milian was born in Havana and even though he was very near to Cuba’s art school Mecca, the San Alejandro Academy, he did not attend there. Instead, he taught himself his own unique style. Milian got a very late start in his artistic career, and didn’t actually begin to paint until 1952, when he was almost 40. He traveled Europe extensively, and perhaps picked up some of the ideas of the Cubists, the Spanish Futurists or the Nordic design school of Bauhaus along the way.

While Milian has been called an abstract artist, perhaps the best way to describe his work would be Graphic and definitely Modernist. Milian never used oil paint in his art, and always worked in ink or mixed media to create his gritty images. The message that Milian tried to convey in these pieces of art was one of a sensible man caught in the midst of a world of violence. His work clearly shows repetitions, be it through shapes or lines, and certainly convey a sort of madness.

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Interior en Abstracto

One way to tell if you own a piece of art by Milian is to note not only the medium but the surface on which the piece has been created. Milian would often use cardboard in lieu of canvas, probably due to the fact that he was using inks instead of oils. Many of his works are untitled as well, or named very simply, if at all. It was also typical of Milian to not include his signature on the front of his pieces. Interestingly, much of Milian’s pieces are originals, and not prints or lithographs. This makes his original works even more rare and interesting to find. For example, one of his 11 inch x 15 inch ink-on-paper originals from 1959 is worth a whopping $7,000 U. S. dollars.

Due to Milian’s extensive travel and unusual style, the possibilities for owning his work are immense. Abstract art of this nature can often be hard to authenticate, so you may very well own an original Milian and not even know it! Be careful of throwing out small ink drawings for this very reason…one may be from this artist! Pressed between books or stuffed in a suitcase from a long-ago trip to Cuba, you never know when a real piece of art will find you.

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Standing Figure

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Untitled, 1959

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Untitled, 1959

In his lifetime, Milian was able to show his work at a number of venues, and even at universities in Vermont and Toronto. Today, his work is housed worldwide, but especially in the America’s. Milian’s work hangs at the Museum of Modern Art in New York, as well as in galleries in Houston, Ottowa, Buenos Aires, Sao Paulo and Rio de Janeiro. Milian committed suicide by jumping off of a roof in 1986.

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Losa, 1954

done
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done
1939--heysen.phpHans Heysen Artwork Authentication & Art Appraisal

Sir Hans Heysen (1877-1968)

Get a Heysen Certificate of Authenticity for your painting (COA) for your Heysen drawing.

For all your Heysen artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Heysen Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Heysen painting or drawing.

If you want to sell your Heysen painting or drawing use our selling services. We offer Heysen selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Heysen and issuing certificates of authenticity since 2002. We are recognized Heysen experts and Heysen certified appraisers. We issue COAs and appraisals for all Heysen artworks.

Our Heysen paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Heysen certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Heysen painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Heysen paintings or drawings take longer.

Our clients include Heysen collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Hans Heysen art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Hans Heysen or we will sell it for you.

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Cattle Drinking 1915

Hans Heysen was a well-known Australian artist. He was particularly recognised for his watercolours of the Australian bush. He won the Wynne Prize for landscape painting a record nine times. Wilhelm Ernst Hans Franz Heysen was born in Hamburg, Germany. He migrated to Adelaide in South Australia with his family in 1884 at the age of 6. As a young boy Heysen showed an early interest in art. At 14 he left school to work with a hardware merchant, later studying art during nights at Art School in his spare time.

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A Lord of the Bush 1908

In 1912 Hans Heysen had earned enough from his art to purchase a property called “The Cedars” near Hahndorf in the Adelaide Hills, which remained as his home until his death in 1968 aged 90. The Heysen Trail was named after Sir Hans Heysen, and his daughter Nora Heysen was also a successful artist.

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Red Gold

Still wondering about an Australian painting in your family collection? Contact us…it could be by Hans Heysen.


done
1940--hayez.phpFrancesco Hayez Artwork Authentication & Art Appraisal

Francesco Hayez (1791-1882)

Get a Hayez Certificate of Authenticity for your painting (COA) for your Hayez drawing.

For all your Hayez artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hayez Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hayez painting or drawing.

If you want to sell your Hayez painting or drawing use our selling services. We offer Hayez selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hayez and issuing certificates of authenticity since 2002. We are recognized Hayez experts and Hayez certified appraisers. We issue COAs and appraisals for all Hayez artworks.

Our Hayez paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hayez certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hayez painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hayez paintings or drawings take longer.

Our clients include Hayez collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francesco Hayez art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Francesco Hayez or we will sell it for you.

Hayez painting, Self-Portrait

Self-Portrait

Hayez painting, Accusa Segreta

Accusa Segreta

Hayez painting, Man in a Turban

Man in a Turban

Hayez painting, Odalisque with Book

Odalisque with Book

Francesco Hayez was a 19th century Italian Romantic painter, who was originally trained as a painting restorer. He came from a poor family and was the youngest of five sons. He was initially trained under Francisco Magiotto and was admitted to the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini.

Hayez painting, The Kiss

The Kiss

Hayez painting, Nude with Skull and Cross

Nude with Skull and Cross

Hayez painting, Sampson and the Lion

Sampson and the Lion

In 1814, Hayez was living in Rome and later moved to Naples . While in Naples , he was commissioned by Joachim Murat to paint a major work which depicted Ulysses and the court of Alcinous.

Hayez painting, Ulysses at the Court of Alcinous

Ulysses at the Court of Alcinous

He was a highly political history painter and participated in the political upheavals of 1848. He was named the director of the Academy of Brera in 1850. Hayez painted portraits from 1823-1848, and his later works showed the influence of the Classical revival.

Hayez painting, Rinaldo and Armida

Rinaldo and Armida

Hayez painting, Crusaders Thirsting Near Jerusalem

Crusaders Thirsting Near Jerusalem

Hayez painting, The Temple of Jerusalem

The Temple of Jerusalem

Art historians and researchers have discovered that Hayez generally did not date or sign his works. The only evidence that researchers have of the age of his paintings are generally based on when they were initially sold by the artist, and not by when the artist created them. So the age of most of Hayez’s paintings are not approximate. In addition, Hayez was known to create the same composition several times, making almost exact duplicates of the same paintings. Therefore, one may have an original painting by Hayez and not know it, thinking that it is a copy!

Hayez painting, Portrait of a Woman

Portrait of a Woman

Hayez painting, Aristotle

Aristotle

Hayez painting, Meditation on the History of Italy

Meditation on the History of Italy

Hayez painting, Portrait of Antoinetta Tarsis Basilico

Portrait of Antoinetta Tarsis Basilico

Hayez painting, Portrait of Count Baglioni

Portrait of Count Baglioni

Today, Hayez’s work is housed all over the world, and perhaps in your own home. Still wondering about a 19 th century Italian Romantic painting in your family collection? Contact us…it could be by Francesco Hayez.


done
1941--moreau-louis.phpLouis Gabriel Moreau Artwork Authentication & Art Appraisal

Louis Gabriel Moreau (the Elder) (1740-1806)

Get a Moreau Certificate of Authenticity for your painting (COA) for your Moreau drawing.

For all your Moreau artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Moreau Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Moreau painting or drawing.

If you want to sell your Moreau painting or drawing use our selling services. We offer Moreau selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Moreau and issuing certificates of authenticity since 2002. We are recognized Moreau experts and Moreau certified appraisers. We issue COAs and appraisals for all Moreau artworks.

Our Moreau paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Moreau certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Moreau painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Moreau paintings or drawings take longer.

Our clients include Moreau collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Louis Gabriel Moreau art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Louis Gabriel Moreau or we will sell it for you.

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Terrace of a Chateau 1790

Louis Gabriel Moreau was an 18th century French painter. Moreau mainly painted landscapes of the French and Italian countryside.

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View of a Roman Triumphal Arch

Still wondering about an 18th century French landscape in your family collection? Contact us…it could be by Louis Gabriel Moreau.


done
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done
1943--raud.phpKristjan Raud Artwork Authentication & Art Appraisal

Kristjan Raud (1865–1943)

Do you think you may own a painting by Kristjan Raud?

Get a Raud Certificate of Authenticity for your painting (COA) for your Raud drawing.

For all your Raud artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Raud Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Raud painting or drawing.

If you want to sell your Raud painting or drawing use our selling services. We offer Raud selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Raud and issuing certificates of authenticity since 2002. We are recognized Raud experts and Raud certified appraisers. We issue COAs and appraisals for all Raud artworks.

Our Raud paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Raud certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Raud painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Raud paintings or drawings take longer.

Our clients include Raud collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Kristjan Raud art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Kristjan Raud or we will sell it for you.

1. Kalev. Proposes Marriage, from Kalevipoeg. 1935. Tempera painting.

1. Kalev. Proposes Marriage, from Kalevipoeg. 1935. Tempera painting.

2. The Oath. 1928. Drawing. Estonian Art Museum.

2. The Oath. 1928. Drawing. Estonian Art Museum.

Kristjan Raud was an Estonian artist born in Vinni Parish, Estonia. Raud is best remembered for his folkloric paintings and illustrations. Raud began his career as a teacher in Tartu after studying in Rakvere.

3. Kalevipoeg’s Ride to Nordic Countries. 1935. Drawing. Estonian Art Museum.

3. Kalevipoeg’s Ride to Nordic Countries. 1935. Drawing. Estonian Art Museum.

In the early 1890s, Raud moved to St. Petersburg and enrolled at the Imperial Academy of Arts. After several years of artistic training and travel, Raud returned to Tartu, Estonia and started teaching art to children. Raud eventually helped to found the Estonian National Museum, dedicated to national folklore.

4. The Sleeping Kalevipoeg. 1933. Drawing. Tartu Art Museum.

4. The Sleeping Kalevipoeg. 1933. Drawing. Tartu Art Museum.

Raud continued to paint and produce illustrations until the end of his life. His artwork, teaching and organizing efforts led to Raud receiving the Order of the Estonian Red Cross.

5. Music. 1933. Drawing. Estonian Art Museum.

5. Music. 1933. Drawing. Estonian Art Museum.

If you think you may own original artwork by Kristjan Raud, contact Art Certification Experts for information regarding our services.


done
1944--cerra.phpMirta Cerra Artwork Authentication & Art Appraisal

Mirta Cerra (1904-1986)

Get a Cerra Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Cerra artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Cerra Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cerra painting, drawing or print.

If you want to sell your Cerra painting, drawing or print use our selling services. We offer Cerra selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cerra and issuing certificates of authenticity since 2002. We are recognized Cerra experts and Cerra certified appraisers. We issue COAs and appraisals for all Cerra artworks.

Our Cerra paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cerra certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cerra painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cerra paintings or drawings take longer.

Our clients include Cerra collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Mirta Cerra art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Mirta Cerra or we will sell it for you.

Mirta Cerra was a very unconventional Cuban artist. She did not want to be categorized as a Cubist, a Classicist or an Abstract artist. She painted in her own style, and clearly stated that whenever asked. Though not well-known outside of Cuba, Cerra exhibited and traveled all over the world and left an extensive collection behind.

A student under Leopold Romanach at the San Alejandro School, Cerra painted in earthy tones. Her earliest work is of her childhood memories on the farm, and she painted many “guajirito’s” (earth men, as the local farmers were called). These paintings are soft, yet eerie. Her trademark for painting these farmers was to depict them with vacant, dark almond shaped eyes, like in “Guajirito” (1949).

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Guajirito

In 1934, she obtained a scholarship fund for a trip to New York. There, Cerra began to fully embrace Cubist ideas. She was highly influenced by the New York City architecture-the gothic arches and square high rises and windows. After she returned to Cuba, her work became more infused with cityscapes, such as her famous painting, “Habana” (1948).

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Habana

One could compare her cityscapes to the style of Gustav Klimt-warm tones, intense blue and rose colors and an almost mosaic-like approach to Cubism. While Cerra embraced some of the Cubist ideas, she would usually only incorporate them through buildings and windows in her city scenes, as apposed people or plants.

Because Cerra also dabbled in Abstract art, some of her work may be harder to recognize right away. Sometimes she incorporated Cuban themes, other times Surrealist themes like a giant eye. Cerra would also paint sea themes, such as fish and sailboats in an abstract composition. It is very possible that this artist has abstract work floating around, not authenticated or otherwise ignored. Pottery was also an arena that Cerra worked with.

Another interesting thing about Cerra is that she was one of the first artists in her generation to use engraving extensively. During her trip to New York, Cerra picked up this technique, and began to use it. Could there be prints of Cerra’s in New York that was previously undiscovered? Absolutely. However, very little is known of her sketches and engravings. Not only would one of her early prints be a valuable piece of art, but would also be very valuable to Cuban art history.

Mirta Cerra exhibited her work all around the world during her lifetime-Mexico, France, Spain, Italy and the United States, to name a few. Today, there is a Museum dedicated to her in Cuba, and her work is owned in public and private collections world wide.

If you believe you own a work of art by Mirta Cerra, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Mirta Cerra.


done
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prepare("SELECT * from seophrases"); $seo->execute(); $seocek=$seo->fetch(PDO::FETCH_ASSOC); $seotext=$seocek["SeoPhrase"]; ?> prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "barbari" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; if ($type == "h1") { $seoad=$artistcek["Aciklama"]; } } ?>

prepare("SELECT * from icerik where SPN=:SPN"); $artist->execute(array( "SPN" => "barbari" )); while ($artistcek=$artist->fetch(PDO::FETCH_ASSOC)) { $type=$artistcek["ContentType"]; $aciklama=$artistcek["Aciklama"]; if ($type == "p") {?>


done
1946--masaccio.phpMasaccio Artwork Authentication & Art Appraisal

Masaccio (1401-1428)

Get a Masaccio Certificate of Authenticity for your painting (COA) for your Masaccio drawing.

For all your Masaccio artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Masaccio Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Masaccio painting or drawing.

If you want to sell your Masaccio painting or drawing use our selling services. We offer Masaccio selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Masaccio and issuing certificates of authenticity since 2002. We are recognized Masaccio experts and Masaccio certified appraisers. We issue COAs and appraisals for all Masaccio artworks.

Our Masaccio paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Masaccio certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Masaccio painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Masaccio paintings or drawings take longer.

Our clients include Masaccio collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Masaccio art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Masaccio or we will sell it for you.

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Self-Portrait, Brancacci Chapel Fresco

Masaccio, born Tommaso Cassai or in some accounts Tommaso di Ser Giovanni di Mone, was the first great painter of the Italian Renaissance. His frescoes are the earliest monuments of Humanism, and introduce a plasticity previously unseen in figure painting.

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St. Paul

The name Masaccio is a humorous version of Tommaso, meaning “big”, “clumsy” or “messy” Tom. The name was created to distinguish him from his principal collaborator, also called Tommaso, who came to be known as Masolino (“little/delicate Tom”).

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San Giovenale Triptych 1422

Despite his brief career, he had a profound influence on other artists. He was one of the first to use scientific perspective in his painting. He also moved away from the Gothic style and elaborate ornamentation of artists like Gentile da Fabriano to a more naturalistic mode which employed perspective for greater realism.

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Portrait of a Young Man 1425

Masaccio was born to Giovanni di Mone Cassai and Jacopa di Martinozzo in Castel San Giovanni di Altura, now San Giovanni Valdarno (now part of the province of Arezzo, Tuscany). His father was a notary and his mother the daughter of an innkeeper of Barberino di Mugello, a town a few miles south of Florence. His family name, Cassai, comes from the trade of his grandfather Simone and granduncle Lorenzo, who were carpenters – cabinet makers (“casse”, hence “cassai”). His father died in 1406, when Tommaso was only five; in that year another brother was born, called Giovanni after the dead father. He also was to become a painter, with the nickname of “Scheggia”. The mother was remarried to an elderly apothecary, Tedesco, who guaranteed Masaccio and his family a comfortable childhood.

The family probably moved to Florence at the death of Tedesco, in August 1417. Little is known about this period until Tommaso joined one of the seven main craft’s guilds in Florence, on January 7, 1422, signing as “Masus S. Johannis Simonis pictor populi S. Nicholae de Florentia”. In the new city Tommaso received his nickname, meaning “Clumsy Thomas” for the little care he gave to wordly affairs and to personal appearance: otherwise he was considered a good-natured person.

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Adoration of the Magi 1426

The first works attributed to Masaccio are the Cascia Altarpiece, (1422), picturing the Madonna enthroned with angels and saints, and a Virgin and Child with St. Anne, (ca. 1424) at the Uffizi: they are already works of very high quality. The second work was a collaboration with an older and already renowned artist, Masolino da Panicale, and for many years it was assumed Masaccio was simply an apprentice to Masolino. More recently it has been noted that Masaccio gained entry to the Painters’ Guild before Masolino, suggesting that their collaboration was for convenience or simply moved by mutual esteem. Masaccio’s talent was apparent, and was probably already superior to that of Masolino. The source of the younger master’s education remains an enigma; it is still not known where Massaccio received his training in art.

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The Madonna and Child with Saint Anne 1424

In Florence, Masaccio could study the works of Giotto and become friends with Alberti, Brunelleschi and Donatello. According to Vasari, at their prompting in 1423 Masaccio travelled to Rome with Masolino: from that point he is freed of all Gothic and Byzantine influence, as may be seen in his altarpiece for the Carmelite Church in Pisa, the central panel of which (The Madonna and the Child) is now in the National Gallery, London. As well as a sculptural and human Madonna the work features a convincing perspectival depiction of her throne. The traces of influences from ancient Roman and Greek art that are present in some of Masaccio’s works presumably originated from this trip: they should also have been present in a lost Sagra, (today known through some drawings, including one by Michelangelo), a fresco commissioned for the consecration ceremony of the church of Santa Maria del Carmine in Florence (April 19, 1422). It was destroyed when the church’s cloister was rebuilt at the end of the 16th century.

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Madonna with Child and Angels 1426

In 1424 the “duo preciso e noto” (“well and known duo”) of Masaccio and Masolino was commissioned by the powerful and rich Felice Brancacci to execute a cycle of frescoes for the Brancacci Chapel in the church of Santa Maria del Carmine in Florence. The theme of the frescoes in the little chapel was to be the “Histories of St. Peter”. The genius of Masaccio shows clearly in these frescoes. In the “Resurrection of the Son of Theophilus”, he painted a pavement in perspective, framed by large buildings to obtain a depth of field and three-dimensional space in which the figures are placed proportionate to their surroundings. In this he was a pioneer in applying the newly discovered rules of perspective.

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The Expulsion of Adam and Eve *note, the restored version shows the removal of the fig leaves from the original painting

Masaccio’s scenes show his reference to Giotto especially. The Expulsion from the Garden of Eden, depicting a distressed Adam and Eve nude, had a huge influence on Michelangelo. Another major work is the Tribute Money in which Jesus and the Apostles are depicted as neo-classical archetypes.

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The Tribute Money

On September 1425 Masolino left the work and went to Hungary. It is not known if this was because of money quarrels with Felice or even if there was an artistic divergence with Masaccio. It has also been supposed that Masolino planned this trip from the very beginning, and needed a close collaborator who could continue the work after his departure.

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Crucifixion 1426

Some of the scenes completed by the duo were lost in a fire in 1771; we know about them only through Vasari’s biography. The surviving parts were extensively blackened by smoke, and the recent removal of marble slabs covering two areas of the paintings has revealed the original appearance of the work. Masaccio left the frescoes unfinished in 1426 in order to respond to other commissions, probably coming from the same patron. However, it has also been suggested that the declining finances of Felice Brancacci were insufficient to pay for any more work, so the painter therefore sought work elsewhere.

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Fresco in Brancacci Chapel

Masaccio returned in 1427 to work again in the Carmine, beginning the Resurrection of the Son of Theophilus, but apparently left it, too, unfinished, though it has also been suggested that the painting was severely damaged later in the century because it contained portraits of the Branacci family, at that time excoriated as enemies of the Medici. This painting was either restored or completed more than fifty years later by Filippino Lippi.

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Resurrection of the Son of Theophilus

On February 19, 1426 Masaccio was commissioned by Giuliano di Colino degli Scarsi, for the sum of 80 florins, to paint a major altarpiece, the Pisa Polyptych, for his chapel in the church of Santa Maria del Carmine in Pisa. The work was dismantled and dispersed in the 18th century, and only eleven of about twenty original panels have been rediscovered in various places in the world. Masaccio probably worked on it entirely in Pisa, shuttling back and forth to Florence, where he was still working on the Histories of St. Peter. In these years Donatello was also working in Pisa at a monument for Cardinal Rinaldo Brancacci, to be sent to Naples. It has been suggested that Masaccio’s first ventures in plasticity and perspective were based on Donatello’s sculpture, before he could study Brunelleschi’s more scientific approach to perspective.

Through the help of Brunelleschi, in 1427 Masaccio won a prestigious commission to produce a Holy Trinity for the Santa Maria Novella church in Florence. The fresco, considered by many his masterwork, marks the first use of systematic linear perspective, possibly devised by Masaccio with the assistance of Brunelleschi himself.

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Holy Trinity

Masaccio produced two other works, a Nativity and an Annunciation, now lost, before leaving for Rome, where his companion Masolino was frescoing the Basilica di San Clemente. It has never been confirmed that Masaccio collaborated on that work, even though it is possible that he contributed to Masolino’s polyptych of the altar of St. Mary Major with his panel portraying St. Jerome and St. John the Baptist, now in the National Gallery of London. Masaccio died at the end of 1428. According to a legend, he was poisoned by a jealous rival painter.

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St. Gerome and St. John the Baptist 1428

Only four frescoes undoubtedly from Masaccio’s hand still exist today, although many other works have been at least partially attributed to him. Others are believed to have been destroyed.

Masaccio profoundly influenced the art of painting in the Renaissance. According to Vasari, all Florentine painters studied his frescoes extensively in order to “learn the precepts and rules for painting well”. He transformed the direction of Italian painting, moving it away from the idealizations of Gothic art, and, for the first time, presenting it as part of a more profound, natural, and humanist world.

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The Crucifixion of St. Peter

Still wondering about an Italian painting in your family collection? Contact us…it could be by Masaccio.


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1947--sarto-del.phpAndrea del Sarto Artwork Authentication & Art Appraisal

Andrea del Sarto (1486-1530)

Get a Del Sarto Certificate of Authenticity for your painting (COA) for your Del Sarto drawing.

For all your Del Sarto artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Del Sarto Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Del Sarto painting or drawing.

If you want to sell your Del Sarto painting or drawing use our selling services. We offer Del Sarto selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Del Sarto and issuing certificates of authenticity since 2002. We are recognized Del Sarto experts and Del Sarto certified appraisers. We issue COAs and appraisals for all Del Sarto artworks.

Our Del Sarto paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Del Sarto certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Del Sarto painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Del Sarto paintings or drawings take longer.

Our clients include Del Sarto collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Andrea del Sarto art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Andrea del Sarto or we will sell it for you.

Andrea del Sarto was one of the most accomplished draftsmen of the High Renaissance and one of its most significant painters. He spent his entire life, in Florence, except for a year in France. His father was a tailor, hence the nickname “del Sarto’ which means of the tailor.

del Sarto Painting, Virgin with the Child and Saints

Virgin with the Child and Saints

del Sarto Painting, The Annunciation

The Annunciation

del Sarto Painting, Virign with Four Saints

Virign with Four Saints

del Sarto Painting, Self-Portrait

Self-Portrait

Del Sarto’s studio was among the most prolific of the early 16th century producing hundreds of drawings and paintings. Del Sarto trained under Piero di Cosimo and other eminent artists of his time. His art shows exposure to the work of Raphael and Fra Bartolommeo, his contemporaries in Florence. Among del Sarto’s influences was Leonardo da Vinci, from whom he adopted the technique sfumato, which means the blending of colors so that they subtly mesh with each other like smoke. But del Sarto used warmer, more mellow tones than Leonardo.

del Sarto Painting, Lamentation of Christ, 1520

Lamentation of Christ, 1520

del Sarto Painting, John the Baptist

John the Baptist

del Sarto Painting, The Virgin and the Infant with Saint Elizabeth and John the Baptist

The Virgin and the Infant with Saint Elizabeth and John the Baptist

Andrea del Sarto’s students included Pontormo, Squazzella, Fiorentino, Salviati, del Conte, and del Buda. His student, Giorgio Vasari, caused a scandal about del Sarto. Vasari vilified del Sarto’s wealthy wife (the widow Lucrezia del Fede), and her supposed malign influence on del Sarto. Most of these accusations have been proven false, and they were taken out of later editions of Vasari’s account of del Sarto’s life. Vasari’s gossip, however, did influence Ernest Jones, a student of Freud, who in 1913 wrote about the deleterious influence of the dominant Lucrezia on the art of del Sarto, and also the poet Robert Browning who wrote on a similar theme in 1855. By the mid-20th century, however, del Sarto’s reputation was restored.

del Sarto Painting, Madonna of the Harpies

Madonna of the Harpies

del Sarto Painting, Portrait of the Artists Wife

Portrait of the Artists Wife

Del Sarto is renowned for his altarpieces (among them The Madonna of the Harpies, now at the Uffizi in Florence), and frescoes, prominent examples of which are in Florence at Chiostro dello Scalzo and SS Annunziata. Del Sarto’s portraits are also considered among the outstanding examples from the first part of the 16th century.

del Sarto Painting, Portrait of a Young Man

Portrait of a Young Man * Thought to be a self-portrait of the artist

del Sarto Painting, St. Sebastian Holding Two Arrows and the Palm of Martyrdom

St. Sebastian Holding Two Arrows and the Palm of Martyrdom

del Sarto Painting, The Holy Family

The Holy Family

del Sarto Sketch, Figure Studies

Figure Studies

del Sarto Painting, Pope Leo X Group Portrait by Del Sarto

Pope Leo X Group Portrait by del Sarto

Coutesy insecula.com
del Sarto Painting, The Holy Family

Pope Leo X Group Portrait by Raphael

del Sarto Painting, The Last Supper, Fresco, Convent of San Salvi, Florence

The Last Supper, Fresco, Convent of San Salvi, Florence

 

Sarto Discoveries

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A painting Madonna and Child by Andrea del Sarto was rediscovered in 2001 after having disappeared in 1649. It was one of the last paintings completed by del Sarto before he died in 1530. The painting is currently in a private collection.

Please contact Art Certification Experts if you have any questions about your del Sarto drawing or painting.

 

 

 

 

del Sarto Painting, Madonna and Child

Madonna and Child

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1948--northcote.phpJames Northcote Artwork Authentication & Art Appraisal

James Northcote (1746 – 1831)

Get a Northcote Certificate of Authenticity for your painting (COA) for your Northcote drawing.

For all your Northcote artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Northcote Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Northcote painting or drawing.

If you want to sell your Northcote painting or drawing use our selling services. We offer Northcote selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Northcote and issuing certificates of authenticity since 2002. We are recognized Northcote experts and Northcote certified appraisers. We issue COAs and appraisals for all Northcote artworks.

Our Northcote paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Northcote certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Northcote painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Northcote paintings or drawings take longer.

Our clients include Northcote collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform James Northcote art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your James Northcote or we will sell it for you.

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Portrait of Walter Stirling

James Northcote was an English painter. He was born at Plymouth, and was apprenticed to his father, a poor watchmaker. In his spare time, he drew and painted. In 1769 he left his father and set up as a portrait painter. Four years later he went to London and was admitted as a pupil into the studio and house of Sir Joshua Reynolds. At the same time he attended the Royal Academy schools.

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Portrait of William Godwin

In 1775 he left Reynolds, and about two years later, having made some money by portrait painting back in Devon, he went to study in Italy. On his return to England, three years later, he revisited his native county, then settled in London, where John Opie and Henry Fuseli were his rivals. He was elected associate of the Academy in 1786, and full academician in the following spring. The “Young Princes murdered in the Tower,” his first important work on a historical subject, dates from 1786, and it was followed by the “Burial of the Princes in the Tower”. Both paintings, along with seven others, were intended for Boydell’s Shakespeare gallery. The “Death of Wat Tyler”, now in the Guildhall, London, was exhibited in 1787; and shortly afterwards Northcote began a set of ten subjects, entitled “The Modest Girl and the Wanton”, which were completed and engraved in 1796. Among the productions of Northcote’s later years are the “Entombment” and the “Agony in the Garden,” besides many portraits, and several animal subjects, such as “Leopards”, “Dog and Heron”, and “Lion”; these were more successful than the artist’s efforts in the higher departments of art, as was indicated by Fuseli’s caustic remark on examining the “Angel opposing Balaam” –“Northcote, you are an angel at an ass, but an ass at an angel.” Northcote’s works number about two thousand, and he made a fortune of £40,000.

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A Tigers Den 1816

Northcote also sought fame as an author, and his first essays were contributions to the Artist, edited by Prince Hoare. In 1813 he embodied his recollections of his old master in a Life of Reynolds. His Fables–the first series published in 1828, the second posthumously in 1833–were illustrated with woodcuts by Harvey from Northcote’s own designs. In the production of his Life of Titian, his last work, which appeared in 1830, he was assisted by William Hazlitt, who previously, in 1826, had given to the public in the New Monthly Magazine his recollections of Northcote’s pungent and cynical “conversations”, causing some problems for the painter and his friends.

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Ira Aldridge as Othello

Still wondering about a British painting in your family collection? Contact us…it could be by James Northcote.


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1949--christinek.phpCarl-Ludwig Johann Christinek authentication

Carl-Ludwig Johann Christinek (1732-1792)

Get a Christinek Certificate of Authenticity for your painting (COA) for your Christinek drawing.

For all your Christinek artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Christinek Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Christinek painting or drawing.

If you want to sell your Christinek painting or drawing use our selling services. We offer Christinek selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Christinek and issuing certificates of authenticity since 2002. We are recognized Christinek experts and Christinek certified appraisers. We issue COAs and appraisals for all Christinek artworks.

Our Christinek paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Christinek certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Christinek painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Christinek paintings or drawings take longer.

Our clients include Christinek collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carl-Ludwig Johann Christinek art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Carl-Ludwig Johann Christinek or we will sell it for you.

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Portrait of a Young Woman in a Red Dress

Carl-Ludwig Johann Christinek was an 18th century Russian portrait painter. He was born to German parents and lived in Russia his entire life. In Russian, his name is Login Zakharovich. He painted a number of portraits of the Russian nobility, though art historians have criticized him for painting his sitters in too doll–like a fashion. However, he has also been praised for his clean colors and exact lines, as well as for his rendition of the Russian nobility.

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Portrait of Alexey Bobrinsky as a Child

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Portrait of Alexandra Perfilyeva

Still wondering about an 18th century Russian portrait in your family collection? Contact us…it could be by Carl-Ludwig Johann Christinek.  


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1950--nogari.phpGiuseppe Nogari Artwork Authentication & Art Appraisal

Giuseppe Nogari (1699-1763)

Get a Nogari Certificate of Authenticity for your painting (COA) for your Nogari drawing.

For all your Nogari artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Nogari Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Nogari painting or drawing.

If you want to sell your Nogari painting or drawing use our selling services. We offer Nogari selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Nogari and issuing certificates of authenticity since 2002. We are recognized Nogari experts and Nogari certified appraisers. We issue COAs and appraisals for all Nogari artworks.

Our Nogari paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Nogari certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Nogari painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Nogari paintings or drawings take longer.

Our clients include Nogari collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giuseppe Nogari art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giuseppe Nogari or we will sell it for you.

Nogari Portrait of Field Marshal Count Johann Matthias von der Schulenberg on Horseback

Portrait of Field Marshal Count Johann Matthias von der Schulenberg on Horseback

Giuseppe Nogari was an 18 th century Italian painter. Nogari painted primarily in the Rococo style, and is best known for his portraits of nobles as well as country folk.

Nogari work, Woman with a Hammer

Woman with a Hammer

Nogari painting, Woman in a Striped Shawl

Woman in a Striped Shawl

Still wondering about an 18th century Italian painting in your family collection? Contact us…it could be by Giuseppe Nogari.


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1951--rodriguez.phpMariano Rodriguez Artwork Authentication & Art Appraisal

Mariano Rodriguez (1912-1990)

Get a Rodriguez Certificate of Authenticity for your painting (COA) for your Rodriguez drawing.

For all your Rodriguez artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Rodriguez Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rodriguez painting or drawing.

If you want to sell your Rodriguez painting or drawing use our selling services. We offer Rodriguez selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rodriguez and issuing certificates of authenticity since 2002. We are recognized Rodriguez experts and Rodriguez certified appraisers. We issue COAs and appraisals for all Rodriguez artworks.

Our Rodriguez paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rodriguez certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rodriguez painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rodriguez paintings or drawings take longer.

Our clients include Rodriguez collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Mariano Rodriguez art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Mariano Rodriguez or we will sell it for you.

Born in Havana and drawn to art at a young age, Mariano Rodriguez was one of the many Cuban painters of his era that tried to break away from institutionalized teaching. He rebelled against many modern trends in his art, and considered himself more of an Expressionist than an Abstract artist.

At the age of 24, Rodriguez left for Mexico and studied under muralist Rodriguez Lozano. It was after this trip that he devoted himself entirely to painting, and eventually became a professor at the Escuela Libre de Pintura. Rodriguez’s trip to Mexico had a deep impact on his painting, not only in methods, but in content. Many have compared Rodriguez’s work to that of modern Mexican’s of the day, but in truth, he struck out in a direction all his own.

If there is one theme that is prevalent through all of Rodriguez’s work, then it is roosters. He began to paint his roosters (or gallos) in the 1940s and they became very popular and are highly recognizable. If you own a Cuban painting of a rooster that was created from the 1940s-80s, chances are it is a Rodriguez. His rooster Rodriguez named simply “Gallo” is a perfect example of his style.

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Gallo, 1983

He would paint his roosters in almost any medium from oil to gouache and watercolor, as well as ink on paper or canvas. Rodriguez’s series of roosters was the product of his inspiration from Picasso and Matisse. It was also his answer to painting Cuban themes, as roosters are a very recognizable figure in that country, and are actually a symbol of power.

One of the striking things to notice about Rodriguez is that he would sign his works “Mariano” and then the year he painted his work along with his signature. This was certainly due to the fact that he had a common last name. His signature is almost always visible on the front of his works, especially in his later compositions. There is also a Guatemalan painter named Mariano Rodriguez, but his paintings are very abstract and are painted at a birds eye view. From a distance, the Guatemalan Rodriguez’s paintings look like a mosaic, and could never be confused for the Cuban artists work.

Though Rodriguez has been pegged as painting in a Mexican style, his color palates and themes are also true to his Cuban heritage. Tropical fruits, flowers and animals also dominate his oeuvre, as well as figure studies of women. Some of his fruit still life paintings take on an almost Surrealist edge, such as “De la Serie Frutas y Realidad”.

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De la Serie Frutas y Realidad, 1969

His Surrealist fruit images were a part of his “Fruit and Reality” series, in which he began in 1967. Sometimes Rodriguez would also paint groups of people in an abstract fashion, such as “Massas”.

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Massas, 1981

Could this series of paintings of huddled masses be a social statement on Rodriguez’s part? This painting was a part of a series that he began in the 1980’s of groups of people, or masses. If you own a similar piece like this from Cuba, it could very well be a Rodriguez. These scenes were painted in a time of great social and political disturbance in Cuba, and their historical meaning far outweighs their artistic value.

Rodriguez also extends a social message in his painting “Mujere’s Llorando” (1943).

This painting truly shows his strength in the use of chromatics and his departure from the styles of other Cuban artists of the day. Rodriguez was revered in his day for his use of light and the way that he portrayed the human form, nature and wildlife.

Today, Rodriguez’s work is housed in museums in Ecuador, Colombia, Nicaragua, Argentina, Stockholm, San Francisco, Chicago, Paris and the Museum of Modern Art in New York. In his lifetime, Rodriguez won a number of awards for his exhibitions. His work lies somewhere between Matisse and Dali, but is all a product of his Mexican teaching and Cuban heritage. Do you think you own a painting by Mariano Rodriguez? If you do please contact us. We authenticate, certify and appraise the value of all paintings by Mariano Rodriguez. We are the Mariano Rodriguez experts.


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1952--jongkind.phpJohan-Barthold Jongkind Artwork Authentication & Art Appraisal

Johan-Barthold Jongkind (1819-1891)

Get a Jongkind Certificate of Authenticity for your painting (COA) for your Jongkind drawing.

For all your Jongkind artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Jongkind Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Jongkind painting or drawing.

If you want to sell your Jongkind painting or drawing use our selling services. We offer Jongkind selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Jongkind and issuing certificates of authenticity since 2002. We are recognized Jongkind experts and Jongkind certified appraisers. We issue COAs and appraisals for all Jongkind artworks.

Our Jongkind paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Jongkind certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Jongkind painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Jongkind paintings or drawings take longer.

Our clients include Jongkind collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Johan-Barthold Jongkind art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Johan-Barthold Jongkind or we will sell it for you.

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La Seine et Notre Dame de Paris, 1864

Johan-Barthold Jongkind was born in the Netherlands, but spent most of his life and career as an artist in France. Jongkind was one of the initial artists to contribute to the Impressionist movement. It is said that Monet even referred to Jongkind as his “true master.” He moved to Paris in 1846, but received much of his early training at The Hague in Holland. Jongkind’s first exhibits were with the Barbizon School, and he received some of his first Parisian training from Isabey and Picot. Jongkind also exhibited with Cezanne, Pissaro, Latour and others at the Salon des Refuses in 1863, which proved to be a breakthrough exhibition.

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City scene

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Winter scene

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Untitled

River scenes and landscapes would eventually become Jongkind’s specialty, though he also would paint figure studies, portraits and still life paintings. The painter Manet hailed him as “the father of the modern landscape.” Though his loose style was a pre-cursor to Impressionism, as we know it, it is amazing that Jongkind painted in his own unique style at all. Being of Dutch origin, Jongkind certainly received rigid training in the style of the old masters like Vermeer. However, instead of implying chiaroscuro methods, he opted for loose brush strokes and an airy color palette. However, windmills were constant subjects in his compositions, painted during his return to the Netherlands in the 1850s and 60s.

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Canal Scene in Holland, 1862

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Moulins en Hollande, 1867

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Patineurs en Hollande, 1868

Even though Jongkind gained great acclaim as a painter early on, his life was dotted with bouts of alcoholism and depression. In one of these low periods, his work was even rejected by the Impressionists in their first official exhibit of 1874. He eventually moved with his wife, painter Josephine Fesser to the south of France where he lived and worked for the rest of his life. He would typically sign his work “Johan Jongkind” and date it in the bottom corner of his paintings.

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Dutch Fishing Boats

Today Jongkind’s work is housed worldwide in New York, Paris and London. Though his students surpassed him in fame, he is still remembered as one of the founders of Impressionism. Still wondering about a beautiful early Impressionist French seascape? It may be by Johan Jongkind. Contact us to find out.

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Entrée du Port D’Hornfleur, 1877

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Street in Nevers

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1953--mucha.phpAlfons Mucha Artwork Authentication & Art Appraisal

Alfons Mucha (1860-1939)

Get a Mucha Certificate of Authenticity for your painting (COA) for your Mucha drawing.

For all your Mucha artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mucha Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mucha painting or drawing.

If you want to sell your Mucha painting or drawing use our selling services. We offer Mucha selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Mucha and issuing certificates of authenticity since 2002. We are recognized Mucha experts and Mucha certified appraisers. We issue COAs and appraisals for all Mucha artworks.

Our Mucha paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mucha certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mucha painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mucha paintings or drawings take longer.

Our clients include Mucha collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alfons Mucha art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alfons Mucha or we will sell it for you.

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Jaroslava

Alfons Mucha was a leading painter in the Art Nouveau movement, born in Moravia. As a child, he showed talent in both singing and painting, but never really received any academic artistic training early in his career. As a young man, he received commissions for executing decorative painting and theatrical design in Moravia, and in 1879 he moved to Vienna to work for a design company. 

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Poster

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Four Seasons

After returning to Moravia, Mucha resumed painting decorative scenes and portraits, and was commissioned to paint a mural for the Count Karl Khuen. The Count was so impressed by his work that he offered to pay for Mucha’s tuition at the Munich Academy of Fine Arts. After studying in Munich, Mucha moved to Paris in 1887 where he continued his studies at the Academie Colarossi and the Academie Juilen.

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Princess Hyacinth

While in Paris, Mucha began to work in advertising and magazines, as so many other Art Nouveau artists of the time did. He also created a number of paintings, posters, illustrations, and also carpet and tapestry design, and even jewelry. In fact, a snake bracelet and ring that he designed for the actress Sarah Bernhardt has been called the finest piece of costume jewelry ever created.

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“Gismonda” Sarah Bernhardt

His personal Art Nouveau style would feature young and vibrant woman in neo-classical dress, surrounded by halos of light, flowers and other idyllic scenes. Mucha’s style was often imitated, and quickly became fashionable. While some other artists may have been more prolific or well-known in the Art Nouveau movement, it has been said that Mucha was the most influential of them all.

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Autumn, 1986

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Dansel

Mucha, however, did not want to associate himself exclusively with this style. He would eventually return to his home country and settle in Prague, focusing more on creating work that reflected his heritage. After World War I, Mucha even designed bank notes and postage stamps for the newly independent country Czechoslovakia. Towards the end of his career, Mucha worked diligently on a series of paintings that he considered his masterworks which documented the history of the Slavic people. This series was gifted by him in 1928 to the city of Prague.

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Abolition of Serfdom in Russia

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Introduction of the Slavonic Liturgy

Mucha was arrested by German officials during the outbreak of World War II, and though he was released, he would forever be devastated by this event. Mucha never recovered from the shock of invasion and died in 1939.

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Woman in the Wilderness, 1923

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Heraldic Chivalry

While Mucha is probably best known for his Art Nouveau decoration, posters, and advertising, he was also a proficient painter, and executed a great many paintings during his career. Today, his work is housed all over Europe, and especially in his beloved Prague. Still wondering about an Art Nouveau painting or piece of art hanging in your home? Contact us… it may be by Alfons Mucha.


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1954--sidebar-right.htmlArt Experts Artwork Authentication & Art Appraisal

FIND OUT IF YOUR MUNCH IS AUTHENTIC

Submit photos and dimensions of your Munch to begin authenticating it

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To get started please click on “Validate Your Artwork” below and we’ll send you information explaining the art authentication process.

YOU NEED TO FIND OUT IF YOUR MUNCH IS AUTHENTIC

IF YOU WANT TO:

  •  sell it
  •  insure it
  •  donate it for a tax deduction
  •  know its value for estate planning
  •  distribute an estate equitably
  •  to split assets
  •  buy a painting, drawing or a print
  • We have been authenticating since 2002.
  • We are experts at investigating, analyzing and cracking the most difficult cases. Rejections and unsolved art authentications are our specialty.

FAST TURNAROUND TIME

An art authentication Process That Works With Your Schedule

The artwork stays with you. We work from good photos and use advanced digital image analysis software. We will examine the artwork physically if and when necessary, at your location, if you bring it in person or if you ship it to a secure art storage.

After we receive your photos and you share what you know about your painting we will recommend how to proceed for its art authentication.

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HOW MUCH IS YOUR MUNCH WORTH?

We appraise value for insurance, sale, loan collateral, estate planning, estate valuation, equitable distribution, divorce settlements, tax-deductible donations and investment purposes.

All appraisals are USPAP compliant and we are licensed, certified and qualified appraisers as defined by § 170(f)(11) and 6695A of the Internal Revenue Code.

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TESTIMONIALS

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“I was presented with a comprehensive research and valuation on my Picasso – at a very fair price and within a very quick timescale.”

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“Many many many thanks for your time, kindness and professionalism. Thanks much.”

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“How can I thank you? You are so very nice to do this for me. I so wish that you were close and I could show you. Where are you located? I am in Houston, Texas. THANK YOU SO MUCH.”

CONTACT US

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    575 Lexington Avenue, 4th Floor
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1955--van-dyck-antoine.phpAntoine van Dyck Artwork Authentication & Art Appraisal

Antoine van Dyck, 1599-1641, Belge

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Triple portrait de Charles Ier (1635 ou 1636)

 

Antoine van Dyck était un peintre et graveur baroque, connu pour ses portraits de cour.

 

Né à Anvers, Van Dyck montrait un talent précoce et a commencé à peindre dès l’âge de dix ans, auprès de Hendrick van Balen. Six ans plus tard, il a monté son propre atelier aux côtés de son ami Jan Brueghel et, en 1618, il a rejoint la guilde de Saint-Luc et est devenu le principal assistant et disciple de Pierre Paul Rubens.

 

C’est durant un premier séjour en Angleterre qu’il a étudié les compositions du Titien rassemblées dans la collection privée du comte d’Arundel et qu’il a ajouté à sa palette la subtilité du maître. Cela lui a inspiré un séjour de six ans en Italie, où il s’établit comme portraitiste. Il a travaillé sur des œuvres de commande, s’attachant à représenter des familles nobles de plain-pied, dans la tradition de Véronèse. Rentré en Flandres, il établit de bons contacts avec les milieux aristocratiques et a réalisé des portraits (notamment celui, en grandeur nature, de vingt-quatre conseillers municipaux de Bruxelles), mais également des retables et des gravures.

 

Considéré comme un genre mineur par rapport à la peinture d’histoire et religieuse, le portrait a connu au XVIIe siècle un souffle nouveau. En effet, dans une société dirigée par des laïcs, ces derniers aimaient à se faire représenter dans de riches atours afin d’affirmer leur position sociale et leur nouvelle autorité.

 

Repéré par Charles Ier, grand collectionneur d’art, il fut appelé en Angleterre et devint peintre officiel de cour en 1632. Une maison lui fut offerte à Blackfriars, dans les environs de Londres, et il reçut, en plus des émoluments de ses commandes, une pension royale qui lui permettait de vivre confortablement. Ce fut dans cet atelier qu’il réalisa les portraits de Charles Ier et de son épouse, Henriette Marie de France, de leurs enfants et des nombreux personnages de la cour du roi. Il a épousé au bout de quelques années Marie Ruthven, qui est alors devenue dame de compagnie de la reine, probablement sur l’ordre du souverain, qui désirait conserver Van Dyck à sa cour. Il a réalisé environ quarante portraits du roi et une trentaine de portraits de la reine. Les plus connus sont Charles Ier à la chasse et le Triple portrait de Charles Ier (1636), qui représente le roi de face et sous ses deux profils. Selon l’histoire, cette étrange peinture aurait été envoyée à un sculpteur italien afin qu’il s’en inspirât dans la réalisation d’un buste à l’effigie du monarque.

 

Dans ses représentations de l’aristocratie britannique, son style confère à ses modèles un mélange d’autorité et de décontraction qui devait influencer l’art du portrait en Angleterre pendant plus d’un siècle. Entre 1632 et 1641, son atelier a produit le nombre impressionnant de 400 commandes, dont certaines furent réalisées par ses disciples et auxquelles il n’apportait que la touche finale.

 

Il mourut en 1641, après être tombé malade lors d’un voyage en France, et fut inhumé dans la cathédrale Saint-Paul de Londres, où le roi fit ériger un monument à sa mémoire.


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1957--navez.phpFrançois-Joseph Navez Artwork Authentication & Art Appraisal

François-Joseph Navez, 1787-1869, Belge

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La Famille De Hemptinne (1816)

François-Joseph Navez était un peintre néo-classique belge, principalement connu pour ses portraits et ses scènes historiques.

Né en 1787, Navez s’est formé de 1803 à 1808 à l’Académie des Beaux-Arts de Bruxelles, sous la direction de Joseph François. Encore étudiant, il a remporté plusieurs prix. Son Virgile lisant l’Énéide a tellement impressionné la Société des Beaux-Arts qu’elle lui octroyé une bourse lui permettant de poursuivre ses études à Paris. De 1813 à 1816, il a ainsi travaillé dans le studio du naturaliste Jacques-Louis David et sa technique a énormément progressé, même si des œuvres telles que Sainte Véronique de Milan (1816) ou La Famille De Hemptinne (1816) montrent clairement l’influence technique de son maître. Engagé dans la promotion d’un art traditionnel, il a fondé, en 1910, avec d’autres peintres classiques tels qu’Antoine Brice et Antoine Cardon, une Société des Amateurs d’Arts.

 

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Sainte Véronique de Milan (1816)

Entre 1817 et 1821, Navez a passé plusieurs années en Italie, grâce à une bourse de recherche. C’est là qu’il s’est lié d’amitié avec le groupe d’artistes français domiciliés à la Villa Médicis : Victor Schnetz, Léopold Robert et François-Marius Granet. Fervent admirateur de Jean-Auguste-Dominique Ingres, à qui il s’apparentait, même s’il montrait davantage de fougue, il s’est également intéressé aux Nazaréens, dont l’archaïsme avait eu une certaine influence outre-manche sur le mouvement Préraphaélite. Avec une certaine austérité, il s’est attaqué à des sujets bibliques, comme sa toile monumentale Le jugement de Salomon. D’un autre côté, il a également su faire valoir une sensibilité quasi romantique dans son Homme à la Guitare (1821). C’est malgré tout dans l’art du portrait qu’il acquiert toute sa renommée.

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Le Sommeil de Jésus (1834)

De retour d’Italie, il produisit des compositions italianisantes, à l’atmosphère sentimentale et nostalgique, peut-être en réaction à la déception de ce retour dans la capitale belge : se percevant comme un peintre fondamentalement historique, il se rendit pourtant compte qu’on le considérait davantage comme un peintre de genre et un portraitiste. Il a alors essayé d’adopter le style romantique en vogue à l’époque. Cela ne l’a pas empêché, entre 1835 et 1859, d’exercer les fonctions de directeur de l’Académie Royale des Beaux-Arts de Bruxelles. On lui connaît alors deux disciples principaux. Le premier, son beau-fils, Jean-François Portaels, est resté dans une mouvance historique teintée d’orientalisme. Le deuxième, Jean Carolus, son protégé, s’était spécialisé dans les scènes de genre et les intérieurs.

Après le succès des réalistes belges au Salon de Bruxelles de 1851, Navez a décidé de ne plus exposer, sans toutefois cesser de peindre. Démissionnant de son poste de directeur et frappé par la cécité, il a consacré les dix dernières années de sa vie à sa correspondance, une source extraordinaire d’informations sur la vie artistique du milieu du dix-neuvième siècle.


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1958--hofmann.phpHans Hofmann Artwork Authentication & Art Appraisal

Hans Hofmann (1880-1966)

Get a Hofmann Certificate of Authenticity for your painting (COA) for your Hofmann drawing.

For all your Hofmann artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hofmann Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hofmann painting or drawing.

If you want to sell your Hofmann painting or drawing use our selling services. We offer Hofmann selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hofmann and issuing certificates of authenticity since 2002. We are recognized Hofmann experts and Hofmann certified appraisers. We issue COAs and appraisals for all Hofmann artworks.

Our Hofmann paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hofmann certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hofmann painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hofmann paintings or drawings take longer.

Our clients include Hofmann collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Hans Hofmann art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Hans Hofmann or we will sell it for you. Please contact us for more information.

Hofmann, The Gate

The Gate

Hofmann, Equinox

Equinox

Hans Hofmann was a German-American abstract expressionist painter. Hofmann was born in Weißenburg, Bavaria and immigrated to the United States in 1932. Hofmann was well known as a teaching artist in both, both Germany and the U.S. Hofmann founded a school in Munich, where Louise Nevelson, Wolfgang Paalen, Worth Rider and Alfred Jensen studied. The school was open until 1932, the year Hofmann immigrated to the U.S.

Hofmann, Pink and Lime Green

Pink and Lime Green

In the United States, Hofmann settled in California, where he was hired to teach at the University of California in Berkeley and Chouinard Art Institute in Los Angeles. Hofmann returned to Germany for a brief amount of time, before his big move to New York City. Hofmann was hired to teach at the Art Students League, which exposed him the artist community of New York.

Hofmann, Autumn Gold

Autumn Gold

Eventually, Hofmann opened his own schools in New York and Massachusetts. Many of Hofmann’s students became big names in the art world, including Joan Mitchell, Michael Goldberg, Lee Krasner and Wolf Kahn. Despite Hofmann’s reputation as an excellent teacher, he decided to solely concentrate on his own work after 1958.

Hofmann, Morning Mist

Morning Mist

Hofmann, The Voice of the Wind

The Voice of the Wind

Hofmann also wrote extensively about his artistic theories and philosophies. One of his essays, “Search for the Real” is highly regarded by art critics and theorists. Hofmann’s theories on color and line are easily seen in his abstract expressionist paintings.

Hofman, Rising Moon

Rising Moon

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Stardust

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Untitled #5

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Indian Summer

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Color Poem #6

According to the Hofmann biography, Hofmann’s work is distinguished by “a rigorous concern with pictorial structure, spatial illusion, and color relationships.” Other information on Hofmann states that his “completely abstract works date from the 1940s.” Hofmann believed that abstract art was a way to get at what was really important. He famously stated that “the ability to simplify means to eliminate the unnecessary so that the necessary may speak.”

Hofmann, Pre-Dawn

Pre-Dawn

Hofmann

Hofmann, The Polynesian

The Polynesian

Hofmann

Hofmann, Towering Spaciousness

Towering Spaciousness

Hofmann, Provincetown House

Provincetown House

Hofmann, Hearld

Hearld

Hofmann, Memoria in Aeternum

Memoria in Aeternum

Hofmann, Song of the Nightingale

Song of the Nightingale

The paintings of Hofmann are now in major collections around the world, including the Metropolitan Museum of Art, the Solomon R. Guggenheim Museum, the Whitney Museum, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Museum of Fine Art in Boston, the Art Institute of Chicago, the Honolulu Academy of Arts, the Städtische Galerie in Munich, the Museum of Contemporary Art in Barcelona, and the Tate Gallery in London. Do you think you own a painting by Hans Hofmann? Contact us. We are the experts on Hans Hofmann.


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1959--cosimo.phpPiero di Cosimo Artwork Authentication & Art Appraisal

Piero di Cosimo (1462-1522)

Get a Di Cosimo Certificate of Authenticity for your painting (COA) for your Di Cosimo drawing.

For all your Di Cosimo artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Di Cosimo Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Di Cosimo painting or drawing.

If you want to sell your Di Cosimo painting or drawing use our selling services. We offer Di Cosimo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Di Cosimo and issuing certificates of authenticity since 2002. We are recognized Di Cosimo experts and Di Cosimo certified appraisers. We issue COAs and appraisals for all Di Cosimo artworks.

Our Di Cosimo paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Di Cosimo certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Di Cosimo painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Di Cosimo paintings or drawings take longer.

Our clients include Di Cosimo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Piero di Cosimo art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Piero di Cosimo or we will sell it for you.

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Portrait of Simonetta Vespucci 1480

Piero di Cosimo, also known as Piero di Lorenzo, was an Italian painter. The son of a Florentine goldsmith, Piero was born in Florence and apprenticed under the artist Cosimo Rosseli, from whom he derived his popular name and whom he assisted in the painting of the Sistine Chapel in 1481.

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Study for the Head of an Old Man 1480

In the first phase of his career, Piero was influenced by the Netherlandish naturalism of Hugo van der Goes, whose Portinari Triptych (now at the Spedale of Santa Maria Novella in Florence) helped to lead the whole of Florentine painting into new channels. From him, most probably, Cosimo acquired the love of landscape and the intimate knowledge of the growth of flowers and of animal life. The manner of Hugo van der Goes is especially apparent in the Adoration of the Shepherds, at the Berlin Museum.

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Madonna and Child with Angels

He journeyed to Rome in 1482 with his master, Rosselli. He proves himself a true child of the Renaissance by depicting subjects of Classical mythology in such pictures as the Venus, Mars, and Cupid, The Death of Procris, the Perseus and Andromeda series, at the Uffizi, and many others. Inspired to the Vitruvius’ account of the evolution of man, Piero’s mythical compositions show the bizarre presence of hybrid forms of men and animals, or the man learning to use fire and tools. The multitude of nude in these works shows the influence of Luca Signorelli on Piero’s art.

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A Satyr Mourning a Nymph

If, as Vasari asserts, he spent the last years of his life in gloomy retirement, the change was probably due to Savonarola, under whose influence he turned his attention once more to religious art. The death of his master Roselli may also have had an impact on Piero’s morose elder years. The Immaculate Conception with Saints, at the Uffizi, and the Holy Family, at Dresden, best illustrate the religious fervour to which he was stimulated by the stern preacher.

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The Immaculate Conception with Saints

With the exception of the landscape background in Rosselli’s fresco of the Sermon on the Mount, in the Sistine Chapel, we have no record of any fresco work from his brush. On the other hand, Piero enjoyed a great reputation as a portrait painter: the most famous of his work is in fact the portrait of a Florentine noblewoman, Simonetta Vespucci, mistress of Giuliano de Medici. According to Vasari Piero excelled in designing pageants and triumphal processions for the pleasure-loving youths of Florence, and gives a vivid description of one such procession at the end of the carnival of 1507, which illustrated the triumph of death. Piero di Cosimo exercised considerable influence upon his fellow pupils Albertinelli and Bartolomeo della Porta, and was the master of Andrea del Sarto.

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Allegory

Giorgio Vasari includes a biography of Piero di Cosimo in his Lives of the Artists. Vasari gave Piero’s date of death as 1521, and this date is still repeated by many sources, including the Encyclopedia Britannica. However, contemporary documents reveal that he died of plague on April 12, 1522.

Selected works:

  • Portrait of Simonetta Vespucci (c. 1480) Oil on panel, 57 x 42 cm, Musée Condé, Chantilly, France
  • Story of Jason (1486) National Gallery of South Africa, Cape Town
  • The Visitation with Saints Nicholas and Anthony (1489-1490) Wood, 184 x 189, National Gallery of Art, Washington
  • Venus, Mars, and Cupid (1490) Wood panel, 72 x 182 cm, Staatliche Museen, Berlin
  • St. Mary Magdalene (1490s) Tempera on panel, 72,5 x 76 cm, Galleria Nazionale d’Arte Antica, Rome
  • Mystical Marriage of St. Catherine of Alexandria (1493) Oil on panel, Ospedale degli Innocenti, Florence
  • Allegory (1500) Panel, National Gallery of Art, Washington
  • St. John the Evangelest (1504-1506) oil on panel, Honolulu Academy of Arts
  • The Discovery of Honey (c. 1505-1510) Oil on panel, Art Museum, Worcester, Massachusetts
  • Vulcan and Aeolus (c. 1495-1500) Oil and tempera on canvas, National Gallery of Canada, Ottawa
  • The Finding of Vulcan on Lemnos (1495-1505) Oil and tempera on canvas, Wadsworth Atheneum, Hartford, Connecticut
  • Perseus Frees Andromeda c. 1515, Oil on wood, 70 x 123 cm, Uffizi, Florence
  • Giuliano da San Gallo (c. 1500) Wood panel, 47,5 x 33,5 cm, Rijksmuseum, Amsterdam
  • The Death of Procris (c. 1500) Oil on panel, 65 x 183 cm, National Gallery, London
  • The Adoration of the Christ Child (1505) Oil on wood, Galleria Borghese, Rome
  • Immaculate Conception with Saints (c. 1505) Wood panel, 206 x 172 cm, Uffizi, Florence
  • The Misfortunes of Silenus (c.1505-1510) Oil on panel, Fogg Art Museum, Cambridge, Massachusetts
  • The Myth of Prometheus (1515) Oil on panel, Alte Pinakothek, Munich
  • The Building of a Palace (1515-1520) oil on panel, 83 x 197 cm, Ringling Museum of Art, Sarasota, Florida

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The Myth of Prometheus 1515

Still wondering about an Italian painting in your family collection? Contact us…it could be by Piero di Cosimo.


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1960--eisen.phpCharles Dominique Eisen Artwork Authentication & Art Appraisal

Charles Dominique Eisen (1720-1778)

Get a Eisen Certificate of Authenticity for your painting (COA) for your Eisen drawing.

For all your Eisen artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Eisen Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Eisen painting or drawing.

If you want to sell your Eisen painting or drawing use our selling services. We offer Eisen selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Eisen and issuing certificates of authenticity since 2002. We are recognized Eisen experts and Eisen certified appraisers. We issue COAs and appraisals for all Eisen artworks.

Our Eisen paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Eisen certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Eisen painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Eisen paintings or drawings take longer.

Our clients include Eisen collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles Dominique Eisen art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles Dominique Eisen or we will sell it for you.

Eisen painting, Deux Atlantes Supportant une Corniche

Deux Atlantes Supportant une Corniche
Work on Paper
Louvre Museum

Eisen painting, Homme, vetu d'une robe, assis (Man, dressed in a robe, seated)

Homme, vetu d’une robe, assis (Man, dressed in a robe, seated)
Work on Paper
Louvre Museum

Eisen painting,The Dancing Dog

The Dancing Dog

Eisen was a French painter, illustrator and draughtsman born in Valenciennes.  Eisen moved to Paris around 1740 to work for the engraver, Jacques-Philippe Lebas. In the studio of Lebas, Eisen made drawings that other assistants diligently engraved.

Eisen illustration , Study of heads, two Turkish men and one woman

Etude de deux tetes de turcs et de celle d’une femme (Study of heads, two Turkish men and one woman)
Work on Paper
Louvre Museum

In 1745, Eisen was commissioned to illustrate the engagement of the Dauphin Louis to Maria Theresa of Spain. This first major project greatly boosted Eisen’s reputation and independence as an artist. A few years later, Eisen produced forty-three drawings for the work of a well-known French poet, Nicolas Boileau.

Eisen painting, Group of Amorini on a Cloud, 18th century

Group of Amorini on a Cloud, 18th century
Pen and Ink on Paper, 8.5 x 12.3 cm
Courtauld Institute

During the late 1740s, Eisen entered a financial battle with the Académie de Saint-Luc after refusing to pay an entry fee. Eisen eventually won the battle and was able to maintain his studio without paying the regular fee.

Eisen painting, Apollo Presiding at an Academy, 1762

Apollo Presiding at an Academy, 1762
Pen and Ink on Paper, 29.3 x 23 cm

Eisen painting, The Dancing Dog

The Dancing Dog
Oil on Canvas

Eisen is generally classified as a figure of the French Rococo era, known for being ornate and florid. Eisen was skilled at the decorative style and received steady illustration commissions, complimenting the classical texts of Virgil, Tacitus, Ovid and Erasmus. Later in Eisen’s career, he gave drawing lessons to the infamous Madame de Pompadour and became an official court painter by 1750.

Eisen painting, Second Livre

Second Livre (Second Book)
Print on paper

Eisen painting, Allegory of the Painter

Allegory of the Painter
Oil on Canvas

Eisen painting, Pleasures of Winter

Pleasures of Winter
Oil on Canvas, 32 x 44 in
Indianapolis Museum of Art

Eisen painting, PleasSaint

Saint
Crayon Manner Engraving on Paper
Indianapolis Museum of Art

Toward the end of his life, the Rococo style was no longer popular, and Eisen stopped receiving commissions for illustrations or paintings. Eisen died in Brussels in a poor state. Since Eisen’s death, his work has resurfaced and is now in major museum collections around the world and valued for his contributions to the Rococo period.

Do you think you own a painting by Charles Dominique Eisen? Contact us. We are the Eisen experts.


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1961--guttero.phpAlfredo Guttero Artwork Authentication & Art Appraisal

Alfredo Guttero (1882-1932)

Get a Guttero Certificate of Authenticity for your painting (COA) for your Guttero drawing.

For all your Guttero artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Guttero Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Guttero painting or drawing.

If you want to sell your Guttero painting or drawing use our selling services. We offer Guttero selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Guttero and issuing certificates of authenticity since 2002. We are recognized Guttero experts and Guttero certified appraisers. We issue COAs and appraisals for all Guttero artworks.

Our Guttero paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Guttero certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Guttero painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Guttero paintings or drawings take longer.

Our clients include Guttero collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alfredo Guttero art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Alfredo Guttero or we will sell it for you.

Guttero, Lazy Women

Lazy Women

Guttero, Portrait of Alberto

Portrait of Alberto

Alfredo Guttero was an Argentine artist born at the end of the 19th century who could not leave aside the Modernism that took place up until the first decade of the following century. This movement that was a combination between technique and art that appeared at the same time in different European countries and in the United States had many points of contact with regard to the style, in spite of different stands.

Probably Guttero was the Argentine plastic artist much more motivated to faithfully capture the Modernism techniques in his work, because Guttero could observe the evolution of this movement directly during his long stay in Europe between 1904 and 1927. Thus the drawings of his characters appear in static attitudes. Nevertheless the intention of initiating certain movements is also expressed, bringing them precisely to the kinetic thing. His work would then be identified with the participation in the cinema art of remarkable development since the end of the 19th century. These characters could be well observed in “Feria” (Fair)” Fair” or “La Feria” (The Fair) (1929). Also in his painting “Bathers or Florentine Bathers”(1925) where the movement is insinuated by the tracing of the waves as a slightly perceptible detail so as not to be immediately noticed. This picture specially remarks naturalism in the sensual attitudes of the bathers in full suits emphasizing realistic details like the wet clothes stuck on the rounded shapes of their bodies and the noticeable hair in the armpits of the women.

Guttero, The Announcement

The Announcement

Guttero, Ligure Baggers, 1926

Ligure Baggers, 1926

The portraits, specially men portraits (Guttero seems to be mostly interested in the masculine psychology), fully represent the melancholy. They are Fitzgerald-men, languid men with an ambiguous sexuality. When we analyze Lucien Cavarry’s portrait, we observe that the musician is leaned on an armchair, his cadaverous arms hanging inert like the needles of a clock stopped at nine thirty. The pink and violet color of his skin, and the deep circles around his eyes insinuate he might be ill. The strange white of his suit, between contamination and perversion, demonstrates that Guttero’s paintings with people using clothes are much more sexy than those of nude people. Also the portrait of Alberto Candioti, Argentine diplomatic in Italy,where Guttero paints the man in a boastful attitude, almost a metaphysical count. He uses a conceited black cap with the volume and the gravity of the mountains and a monocle that seems to muddy rather than to clarify his vision.

But with regard to women, the relation of Guttero with them is different. The artist tends to keep certain distance. Sometimes he paints them like sketches of his ideas, almost like molds or stereotypes; and sometimes Guttero shows them with an arrogant attitude like his “Georgelina”, with distrust mounted on the fallen eyelids, the black bow of her hat that becomes a way and the minimal smile of her lips.

Guttero, Florentine Bathers

Florentine Bathers

Guttero, Women facing the sea

Women facing the sea

The artist clearly identifies himself by using the colors imagined by us to represent the elements of technology of that time. This is evident in a series of landscapes of the twenties and the thirties. These landscapes show port zones with predominance of industrial buildings of impersonal architecture and other innovative elements of technology. The planes transmit a cold sensation with predominance of straight lines forming squared surfaces, with only the appearance of a solitary tree. An example is the “El Arroyo Vega” (1930) (“The Vega Creek”) for the exquisite and graceful composition of riders on celestial animals crossing upon the round arch bridge thus achieving a fantasy scene of “naive ” art which is not to be seen in other pieces of Guttero.

But Guttero is also the artist of textures. His paintings are made with oily pencil, oil, tempera and cooked plasters, this latter technique invented by the artist. This cooked plaster is a mixture of plaster paste and pigments joined with glue that the artist generally applied on wood panels.

Guttero, The boat on the river

The boat on the river

Guttero, Suburb

Suburb

Between 1927 and 1932, year of his sudden death, Alfredo Guttero took part in an intensively managed many exhibitions and other activities that dramatically impacted the Argentine cultural life. Besides he actively continued with the production and exhibition of works of art. In 1931 Guttero took part in the First Baltimore Pan-American Exhibition of Contemporary Paintings where he was awarded with the Museum of Art prize for his painting Annunciation ” (“The Announcement”). In 1932 Guttero achieved the First Municipal Prize with his work “Oda” (“The Ode”). He died when he was fifty years old.

Still wondering about that Argentine painting in your family collection? Contact us…we are the Alfredo Guttero experts.

Guttero, Georgelina, 1915

Georgelina, 1915

Guttero, Venus of River Plate 1928

Venus of River Plate 1928

Guttero, Figure

Figure

Guttero, The Market

The Market

Guttero, Portrait of Lucien de Cavarry , 1911

Portrait of Lucien de Cavarry , 1911

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1962--ducreux_joseph.phpJoseph Ducreux Artwork Authentication & Art Appraisal

Joseph Ducreux (1735-1802)

We Perform Joseph Ducreux art authentication. Joseph Ducreux appraisal. Joseph Ducreux certificates of authenticity (COA). Joseph Ducreux analysis, research, scientific tests, full art authentications. We will help you sell your Joseph Ducreux or we will sell it for you.

Ducreux painting,Self-Portrait 1793

Self-Portrait 1793

Ducreux painting, Self-Portrait, Yawning

Self-Portrait, Yawning

Joseph Ducreux was an 18th century French portrait painter. He was frequently patronized by Marie Antoinette and painted a portrait of her and Louis XVI just before their marriage. Maria Antoinette’s mother, Maria Theresa, also had a portrait painted by Ducreux.

Ducreux painting,Marie Antoinette

Marie Antoinette

Ducreux painting,Empress Maria Theresa

Empress Maria Theresa

Ducreux did not exhibit at the salons, and was not a member of the Academie, though he was a friend and ally of fellow artist and politician Jacque-Louis David

Ducreux painting,Portrait of a Child

Portrait of a Child

Still wondering about a French Revolution era painting in your family collection? Contact us…it could be by Joseph Ducreux.


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1963--laloue.phpEugene Galien Laloue Artwork Authentication & Art Appraisal

Eugene Galien Laloue (1854-1941)

Get a Laloue Certificate of Authenticity for your painting (COA) for your Laloue drawing.

For all your Laloue artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Laloue Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Laloue painting or drawing.

If you want to sell your Laloue painting or drawing use our selling services. We offer Laloue selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Laloue and issuing certificates of authenticity since 2002. We are recognized Laloue experts and Laloue certified appraisers. We issue COAs and appraisals for all Laloue artworks.

Our Laloue paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Laloue certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Laloue painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Laloue paintings or drawings take longer.

Our clients include Laloue collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Eugene Galien Laloue art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Eugene Galien Laloue or we will sell it for you.

Eugene Galien Laloue was one of the great artists of the Paris street scene, which he produced in an Impressionist style. His paintings stand out from those of other artists of the day due to the way in which he was able to depict the landmarks and monuments of Paris, giving special attention to the architectural detail.

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Paris le Marche aux Fleurs
Courtesy Rehs Galleries, Inc., New York

He was born in Paris, in Monmartre, and was one of nine children. After the death of his Father at the age of sixteen, he left school to work in the office of a Notary. However, this was the time of the Franco Prussian War and he quickly left this job to enlist in the army. It is thought that whilst in the military he decided to become an artist. After leaving the army he found a job with French Railways as an illustrator. He produced illustrations of the tracks that were being laid from Paris to the provinces.

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Place de la Republique
Courtesy Rehs Galleries, Inc., New York

He exhibited for the first time at the Museum of Reims with a painting entitled, ‘Flower Market along the Seine under the Snow.’ After that he exhibited at the Paris Salon, and was to exhibit there regularly thereafter. He was said to have taken scrupulous notes of the paintings he sold and the price paid.

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Flower Market
Courtesy Rehs Galleries, Inc., New York

He was to produce paintings of his beloved Paris all his life, and particularly liked to portray the city in Autumn and Winter. He was to go on to produce countless paintings of the monuments of Paris such as the Arc de Triomphe and the Louvre. Many of his paintings tell a story, in that they show what Paris life of the early 1900s, was like, with its horse drawn carriages, trolley cars, bustling boulevards, and its markets. In a sense he was a recorder of the history of the city.

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Un 14 Juillet Place de la Republique de la Bastille
Courtesy Rehs Galleries, Inc., New York

He was, however, a solitary figure and did not have close friends among other artists of the day, and also did not like to travel. When he painted other cities, it was from postcards and photographs. He also used pseudonyms, and art historians have said that this was due to his reclusive personality and the wish to remain somewhat anonymous.

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Foire aux Pains D’epicerie La Nation
Courtesy Rehs Galleries, Inc., New York

One of the pseudonyms that he used was J. Lievin. He took this name from the name of a soldier that he met during the Franco Prussian war. He also used the surname Galiany. Galiany was an Italian version of his French surname. His father was Italian. The third name that he was known to have used is Dupuy Leon after someone that lived in his region. There is a possibility that he also used other pseudonyms as well.

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La Madeleine Sous La Neige
Courtesy Rehs Galleries, Inc., New York

Although his notoriety is due to the depiction of Paris street scenes, it should not be forgotten that his paintings dealt with other subjects also. At the beginning of the First World War he was too old to join up and so he took to painting scenes of battle. He paid particular attention to the details of the individual soldiers, and in particular their costumes. He also produced magnificent landscapes of Normandy, and the area around Barbizon, and the Forest Of Fontainebleau. Whereas his Paris scenes dealt with the seasons of autumn and winter, he depicted his landscapes of Normandy and the area around the Forest of Fontainebleau in the spring and summer.

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La Place de la Republique Sous la Neige
Courtesy Rehs Galleries, Inc., New York

Eugene Galien Laloue, as a man, is certainly a bit of a mystery, his reclusive nature, and the number of pseudonyms that he used certainly set him apart from his contemporaries of the day. He was also to marry three times, but the strange thing about his marriages was that they were all sisters, whom he married one after the other!

Towards the beginning of the Second World War he went to live with his daughter in the village of Cherence, just a mile or so from Vetheuil, the village where Monet lived for a number of years. It was there that he died.

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Place Clichy
Courtesy Rehs Galleries, Inc., New York

Paris street scenes by Eugene Galien Laloue are certainly sought after and valuable. If you have a painting of a Paris street scene with particular attention paid to the architectural detail, it is possible that it is by him. The fact that the signature is not Galien Laloue or any of his other known pseudonyms should not discount it as one of his paintings, as art historians believe there is a possibility that he may have used other names as well of which we are not aware. If you suspect you may own a Laloue, please contact us.


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1964--hanicotte.phpAugustin Hanicotte Artwork Authentication & Art Appraisal

Augustin Hanicotte (1870-1957)

Get a Hanicotte Certificate of Authenticity for your painting (COA) for your Hanicotte drawing.

For all your Hanicotte artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hanicotte Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hanicotte painting or drawing.

If you want to sell your Hanicotte painting or drawing use our selling services. We offer Hanicotte selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hanicotte and issuing certificates of authenticity since 2002. We are recognized Hanicotte experts and Hanicotte certified appraisers. We issue COAs and appraisals for all Hanicotte artworks.

Our Hanicotte paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hanicotte certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hanicotte painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hanicotte paintings or drawings take longer.

Our clients include Hanicotte collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Augustin Hanicotte art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Augustin Hanicotte or we will sell it for you.

Augustin Hanicotte was born in Bethune, France, and moved to Paris in 1891 to pursue his art career. The following year, he meets Toulouse-Lautrec and Steinlen who become his friends and mentors.

Hanicotte left Paris in 1899 to seek out new artistic inspiration in the Netherlands. It is here that he merges the oriental style of the new poster artists with classical Flemish folk elements. Hanicotte’s thus created “Volendam” which was the name of the town in which he stayed.

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Volendam

While in Volendam, Hanicotte earned himself the nickname of “St. Nicolas” by the children of the town after he organized a December celebration.

Although Hanicotte would travel between the Netherlands and France, and exhibit all over Europe, Flemish themes would dominate his oeuvre from then on. Be it an ice skating scene or Nordic fisherman, Hanicotte had truly delved into this new Northern culture, and it showed in his compositions. Hanicotte so loved his new home that he even married a woman from Volendam in Paris in 1914.

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Winter, 1911

Hanicotte has been tied to the Nabi movement, and his early work is very Expressionistic in nature. However, towards the end of his career, he began to embrace the Fauve movement. Although little known today, Hanicotte’s paintings are housed all over Europe, and perhaps in your own home. Still wondering about that winter scene hanging in your home? It could be from Augustin Hanicotte. Contact us to find out.


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1965--charchoune.phpSerge Charchoune Artwork Authentication & Art Appraisal

Serge Charchoune (1888-1975)

Get a Charchoune Certificate of Authenticity for your painting (COA) for your Charchoune drawing.

For all your Charchoune artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Charchoune Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Charchoune painting or drawing.

If you want to sell your Charchoune painting or drawing use our selling services. We offer Charchoune selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Charchoune and issuing certificates of authenticity since 2002. We are recognized Charchoune experts and Charchoune certified appraisers. We issue COAs and appraisals for all Charchoune artworks.

Our Charchoune paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Charchoune certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Charchoune painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Charchoune paintings or drawings take longer.

Our clients include Charchoune collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Serge Charchoune art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Serge Charchoune or we will sell it for you.

Russian-born Serge Charchoune was an artist that moved within the Dada and Cubist circles, although never really associated himself with one or the other. He was said to be the first Russian Dadaist poet, and would author a number of books on this subject.

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Les Joyaux de la Couronne, 1944

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Bateau Ivre, 1948

The Dada movement lost its glamour for Charchoune around 1925 because he was no longer interested in the political aspect of it. This gave way for the artist to begin using symbols and elements from his native Russia and French roots, which became apparent throughout the rest of his artistic career.

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Untitled

Charchoune would often create his compositions based on music, and would try to find a marriage between the two. In Charchoune’s work, musical notes took the form of colors in what some people called Abstract, but what was clearly a work of his own.

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Il Mare, 1950

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Composition Inspire par une Suite de Bach, 1958

Although he moved within certain artistic circles, critics have attributed his failure to connect with one group of artists as his reason for being a lesser-known artist today. Charchoune had his first exhibit in the United States in 1960, and it wasn’t really until then that his work had become noticed.

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Abstract Composition

Today Charchoune’s work is housed worldwide, and perhaps even in your own home. If you believe you own a work of art by Serge Charchoune, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Serge Charchoune.


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1966--peale-rembrandt.phpRembrandt Peale Artwork Authentication & Art Appraisal

Rembrandt Peale (1778-1860)

Do you think you may own a painting by Rembrandt Peale?

We Perform Rembrandt Peale art authentication. Rembrandt Peale appraisal. Rembrandt Peale certificates of authenticity (COA). Rembrandt Peale analysis, research, scientific tests, full art authentications. We will help you sell your Rembrandt Peale or we will sell it for you.

Self-Portrait

Self-Portrait

Rembrandt Peale was an early American portrait painter, born in Pennsylvania. He camefrom a family of talented artists and was the second son of famous painter Charles Willson Peale and the brother of fellow painters Raphaelle and Rubens Peale. Like his brother, Peale was trained by his father and became one of the leading portrait painters of his day.

Rubens Peale

Rubens Peale

He began to paint portraits at the age of 17, and eventually traveled to London to study under his father and Benjamin West for three years. Peale also traveled the east coast of the United States from 1795-1800 with his brother, Raphaelle painting portraits of prominent figures in each of the towns they visited from New York to Georgia.

William Short 1806

William Short 1806

Mrs. Halsey 1835

Mrs. Halsey 1835

Robert Patterson

Robert Patterson

HPeale, like his father and brother, painted portraits of prominent people of the day, including important early American figureheads like George Washington and Thomas Jefferson. Peale, like so many other artists of the day, created a series of portraits of George Washington. His portrait of Jefferson has been hailed as the standalone masterpiece in his oeuvre.

Washington 1795

Washington 1795

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Washington

George Washington on Horseback

George Washington on Horseback

Washington Before Yorktown 1824

Washington Before Yorktown 1824

Jefferson

Jefferson

Thomas Jefferson 1800

Thomas Jefferson 1800

Rembrandt Peale was perhaps one of the more talented painters in his family, exceeding even his father in mastery of portraiture. Peale portrayed his sitters looking very dignified, realistic and luminous. Perhaps Peale’s success in portraiture was due to the fact that his father, Charles Willson, was more interested in being a “Renaissance Man” and did not devote himself wholly to art. His brother, Raphaelle, was also more interested in still life compositions. Undoubtedly, Rembrandt appears to be the master of portraiture in his family, not unlike the old master Rembrandt which was his namesake.

Louis Clapier

Louis Clapier

Dr. John Davidson Godman

Dr. John Davidson Godman

portrait of a man

portrait of a man

One of the most intriguing things about Rembrandt Peale’s portraits is the attention given to the expression and position of his sitters. Each of his sitters has their own personality and Rembrandt Peale was not afraid to portray them situated in unusual profiles, amusing positions and interesting compositions. While many other portrait painters in early America were subscribing to a regimented method of creating portraiture, Rembrandt Peale had a slightly more loose method.

Michael Angelo and Emma Clara Peale

Michael Angelo and Emma Clara Peale

Girl at a Window

Girl at a Window

Samuel Elliot

Samuel Elliot

Rembrandt Peale also certainly created a few landscapes and still life compositions throughout his career, though these are far less common or grand. Peale created lithographs as well, and like his father, was something of a renaissance man and wrote and lectured on natural history.

Niagara Falls, American Side

Niagara Falls, American Side

Peale also painted genre scenes and was the court appointed painter to Napoleon I while he was living in Paris from 1808-1810. Upon his return from Europe, Peale took over for John Trumbull as the President of the American Academy. He also became one of the founding members of the rival Academy of Design, and helped his father to run their museum in Baltimore.

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Boy From the Taylor Family

Rosalba Peale

Rosalba Peale

Three Children

Three Children

Today, Rembrandt Peale’s portraits and paintings are housed in public and private collections world wide, and perhaps in your own home. Still wondering about an heirloom portrait hanging in your family’s estate? Contact us…it could be by Rembrandt Peale.


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1967--ducker.phpEugen Dücker Artwork Authentication & Art Appraisal

Eugen Dücker (1841–1916)

Do you think you may own a painting by Eugen Dücker?

Get a Dücker Certificate of Authenticity for your painting (COA) for your Dücker drawing.

For all your Dücker artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Dücker Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Dücker painting or drawing.

If you want to sell your Dücker painting or drawing use our selling services. We offer Dücker selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Dücker and issuing certificates of authenticity since 2002. We are recognized Dücker experts and Dücker certified appraisers. We issue COAs and appraisals for all Dücker artworks.

Our Dücker paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Dücker certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Dücker painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Dücker paintings or drawings take longer.

Our clients include Dücker collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Eugen Dücker art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Eugen Dücker or we will sell it for you.

1. Landscape with a windmill. Watercolour and gouache on paper.

1. Landscape with a windmill. Watercolour and gouache on paper.

2. Seashore at Tiskre. 1866. Art Museum of Estonia.

2. Seashore at Tiskre. 1866. Art Museum of Estonia.

Eugen Dücker was an Estonian painter born in Arensburg. Dücker spent much of his artistic career in Düsseldorf, Germany, working with artists of the Düsseldorf School of Painting. Dücker had several pupils and followers who made similar works.

3. Herd Near a Forest. 1871. Oil on Canvas. Art Museum of Estonia.

3. Herd Near a Forest. 1871. Oil on Canvas. Art Museum of Estonia.

Dücker’s paintings largely consist of highly detailed and romantic landscapes. He painted both countryside and seascapes in an idyllic manner. Many of Dücker’s paintings are oil on canvas, though he also did works on paper with watercolor and gouache. Dücker often painted ‘en plein air’ allowing him to give a more naturalistic quality to his paintings.

4. Forest Opening. 1893. Oil on Canvas.

4. Forest Opening. 1893. Oil on Canvas.

While Dücker spent much of his later life in Germany, he often returned to Estonia where he made a number of paintings.

5. Self-Portrait by Baltic. 1900.

5. Self-Portrait by Baltic. 1900.

If you think you may own original artwork by Eugen Dücker, contact Art Certification Experts for information regarding our services.


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1968--martinez-alfredo_ramos.phpAlfredo Ramos Martinez Artwork Authentication & Art Appraisal

Alfredo Ramos Martinez (1871 – 1946)

Alfredo Ramos Martinez art authentication. Alfredo Ramos Martinez appraisal. Alfredo Ramos Martinez certificates of authenticity (COA). Alfredo Ramos Martinez analysis, research, scientific tests, full art authentications. We will help you sell your Alfredo Ramos Martinez or we will sell it for you.

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Manacacoyota

Alfredo Ramos Martinez is one of the most important Mexican artists of the twentieth century. Ramos Martínez is sometimes referred to as the “Father of Modern Art” in Mexico. La Primavera, Spring is considered to be one of his most important pieces.

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Mujeres con Flores

Alfredo Ramos Martinez was born on November 12, 1872, in Monterrey, Nuevo Leon, in Mexico. Ramos Martinez spent eight years at the Academia Nacional de Bellas Artes in Mexico City, Mexico. Ramos Martínez criticized the school for not valuing individuality and focusing on drawing from plaster casts. Ramos Martínez preferred to work outdoors, painting people and street life.

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Soldados Mexicanos

In 1913 Ramos Martínez was appointed Director of the National Academy. Ramos Martínez opened the Escuelas de Pintura al Aire Libre (Open Air Schools of Painting). One of the first students of this new school was, David Alfaro Siqueiros, now known as one of the most important Mexican muralists.

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El Indio con Tunas

In 1928, Ramos Martinez and his wife moved from Mexico to Los Angeles, California to seek medical treatment for their daughter. Ramos Martínez’s art greatly changed in California. Still painting on newsprint, Ramos Martínez created a modern yet folkloric, ‘Mexicana’ aesthetic. His subjects ranged from ‘Indians’ selling flowers, dramatic landscapes and religious themes of Mexico.

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Vendedora de Flores

Ramos Martínez’s exhibited and painted murals throughout California and Mexico. His prolific work is museums and private collections all over the world.

Still think you might have an Alfredo Ramos Martínez? Art Certification Experts has the answer. Contact us and we will tell you if you are the owner of an Alfredo Ramos Martínez.


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1969--higgins.phpWilliam Victor Higgins Artwork Authentication & Art Appraisal

William Victor Higgins (1884-1949)

Get a Higgins Certificate of Authenticity for your painting (COA) for your Higgins drawing.

For all your Higgins artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Higgins Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Higgins painting or drawing.

If you want to sell your Higgins painting or drawing use our selling services. We offer Higgins selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Higgins and issuing certificates of authenticity since 2002. We are recognized Higgins experts and Higgins certified appraisers. We issue COAs and appraisals for all Higgins artworks.

Our Higgins paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Higgins certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Higgins painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Higgins paintings or drawings take longer.

Our clients include Higgins collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform William Victor Higgins art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your William Victor Higgins or we will sell it for you.

Higgins, Landscape with Tall Trees border=

Landscape with Tall Trees

Higgins, Aspens Up Twinning Way

Aspens Up Twinning Way

William Higgins was an American painter, best known for his contributions to the Taos Society of Artists in New Mexico. Higgins was born and raised in Shelbyville, Indiana. Higgins realized his interest in art a young age and studied at the Art Institute in Chicago and at the Chicago Academy of Fine Arts.

Higgins, Canyon Drive, Santa Fe

Canyon Drive, Santa Fe

As a student, Higgins spent some time in Europe, working under Robert Henri, René Menard and Lucien Simon in Paris, and Hans von Hyeck in Munich. Higgins travelled to Taos for the first time in 1913. The initial visit was sponsored by, Chicago Mayor Carter H. Harrison. In return, Higgins was commissioned to paint several paintings to be sent back to Chicago. By 1914, Higgins made the decision to permanently settle in Taos, and officially joined the Taos Society of Artists in 1917. Higgins was a member until 1927, when the group ceased to produce work together.

Higgins, Pink and Black

Pink and Black

Higgins, Four Shawled Women

Four Shawled Women

Higgins, Fiesta Day, 1918

Fiesta Day, 1918

Higgins, New Mexico Skies, 1943

New Mexico Skies, 1943

Higgins, watercolor

watercolor

Higgins tirelessly painted landscapes, portraits of Pueblo Indians and abstracted images. Higgins was known for his modernist touch and vibrant palette. Higgins continued to exhibit in Chicago, as well as smaller towns throughout the country.

Higgins, On the Way Home

On the Way Home

Higgins, Eucalyptus Tree

Eucalyptus Tree

A large number of Higgins paintings are now owned by the Eiteljorg Museum in Indianapolis, Indiana. The Eiteljorg is a museum devoted to preserving Native American art, history and cultural artifacts. As a native of Indiana, Higgins life and work is well represented by his home state. Higgins work can also be found throughout the southwest, in regional galleries, museums and private collections. Do you think you own a painting by Higgins? Contact us. We are the experts on William Victor Higgins.


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1971--magritte-rene.phpRene Magritte Artwork Authentication & Art Appraisal

Rene Magritte (1898-1967)

We Perform Rene Magritte art authentication. Rene Magritte appraisal from . Rene Magritte certificates of authenticity (COA). Rene Magritte analysis, research, scientific tests, full art authentications. We will help you sell your Rene Magritte or we will sell it for you.

The Son of Man 1964

The Son of Man 1964

Rene Magritte was a Surrealist painter, born in Belgium as the son of a tailor. Magritte’s mother committed suicide when he was only 14 for unknown reasons. A year later, he met his future wife and model for some of his paintings, Georgette Berger. Magritte went on to receive his first artistic training at the Royal Academy of Arts in Burssels from 1916-1918. Magritte initially worked as a commercial artist and even created designs for wallpaper and posters. His early influences were Fernand Leger and his earliest works were based on Cubism and Futurism.

Untitled 1926

Untitled 1926

The Menaced Assassin 1926

The Menaced Assassin 1926

In 1925, Magritte became affiliated with the Dada movement, which in turn affected his painting. During this time, he became friends with Man Ray and other Dada artists and worked for the Dada magazines “Marie” and “Aesophage.” In 1926, Magritte painted his first truly Surrealist painting entitled “The Lost Jockey.”

The Lost Jockey 1926

The Lost Jockey 1926

Magritte held his first one-man show in Brussels in 1927, which was not well-received.

Pleasure 1927

Pleasure 1927

After this, Magritte left for Paris where he stayed until 1930, where he began to work more and more with the Surrealists. He became especially close to Paul Eluard and Max Ernst during these early years.

The Lovers 1928

The Lovers 1928

Homesickness

Homesickness

Le Movement Perpetual

Le Movement Perpetual

The Cicerone 1947

The Cicerone 1947

It was while he was in Paris that Magritte formed his trademark style of academically polished paintings with the Surrealist touch. Much in the same way that Dali would paint very clean and realistic portraits and images in some of his paintings, but infused with Surrealistic elements, so would Magritte. These paintings incorporated elements of the unreal, such as a man with a trunk-like nose, or a woman’s face with the female anatomy representing her features. This would be the way that Magritte would continue to paint until his death in 1967.

Collective Invention 1934

Collective Invention 1934

The Pleasure Principle, Portrait of Edward James 1937

The Pleasure Principle, Portrait of Edward James 1937

The Rape 1945

The Rape 1945

Also not unlike Dali, Magritte would often incorporate familiar elements within his compositions. Hats, umbrellas and smoking pipes were frequently part of his compositions.

Hagel's Holiday 1958

Hagel’s Holiday 1958

The Two Mysteries 1966

The Two Mysteries 1966

Presence of Mind 1960

Presence of Mind 1960

Bright blue skies with puffy white clouds, birds, and statues, such as the Venus de Milo were also recurring themes throughout his oeuvre. Each of these recurring themes can be interpreted differently, and had significant meaning to Margritte. .

L'Avenir des Statues 1932

L’Avenir des Statues 1932

Black Magic 1934

Black Magic 1934

Memory 1948

Memory 1948

The Large Family 1963

The Large Family 1963

Self-Portrait

Self-Portrait

Even more curious are his “Treason of Pictures” paintings in which he makes the statement “This is not…,” which was perhaps Magritte’s way of making his viewers look past the painting of the apple or the pipe to see something different.

This is Not a Pipe

This is Not a Pipe

In the 1940’s, Magritte made a brief effort to change his style of painting. Following the style of Renoir, Magritte tried his hand at plein-air Impressionistic paintings from 1945-1947.

The Flowers of Evil 1946

The Flowers of Evil 1946

Le Premier Jour 1943

Le Premier Jour 1943

He also had another change in style from 1947-1948 which he called his “Cow Period” which also did not last. This period was a parody of Fauvism and was an attempt on his part to annoy the French art elite. During this period he created strange, crude paintings, with quick brush strokes. Magritte later showed these, creating something of a scandal, and even won a few admirers on the way. He essentially went back to his original Surrealist style.

Le Contenu Pictural 1947

Le Contenu Pictural 1947

La Famine 1948

La Famine 1948

In the 1950’s, he was commissioned to create frescos for the Palais des Beaux-Arts in Charleroi, and towards the end of his career began experimenting in sculpture.

The Blank Check 1965

The Blank Check 1965

statue 1967

statue 1967

Today his work is housed in modern museums all over the world, and perhaps in your own home. His paintings were often humorous and thought provoking, and to this day many of his images are still used in popular culture. Still wondering about a Surrealist painting hanging in your home? Contact us…it may be by Rene Margritte.


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1972--richard_hamilton.phpRichard Hamilton Artwork Authentication & Art Appraisal

Richard Hamilton ( 1922 – 2011 )

Richard Hamilton art authentication. Richard Hamilton appraisal. Richard Hamilton certificates of authenticity (COA). Richard Hamilton analysis, research, scientific tests, full art authentications. We will help you sell your Richard Hamilton or we will sell it for you.

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richard hamilton portrait

 

British painter and collage artist Richard Hamilton is widely considered by critics and art historians as the creator of Pop Art; his 1956 collage Just What Is It That Makes Today’s Homes So Different, So Appealing? is deemed the first Pop work. Like all of his pieces, this collage critiques contemporary society and the trappings of popular culture.

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AAH!, 1963, collotype, screenprint, and ink on paper

 

Born in Pimlico, London, Hamilton discovered his skill for drawing while working for an electrician at an early age. He eventually enrolled in night classes at Saint Martins School of Art, which eventually led to admission into the Royal Academy of Art. After the war, where he continued to make use of his skills as a technical draftsman, he went back to the Royal Academy, only to be expelled due to “not profiting from the instruction” of the school. He thus enrolled at the Slade School of Art, University College, London. Shortly after he began showing work at the Institute of Contemporary Arts while teaching classes at the Central School of Art and Design.

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$he, 1958-1961, oil, cellulose nitrate paint, paper and plastic, on wood

 

The Hanover Gallery in London hosted the artist’s first show in 1955. The work created for this show owed a large debt to the artist Marcel Duchamp, one of Hamilton’s primary sources of inspiration. Hamilton was attracted not only to the messages about modern life inherent in much of Duchamp’s work, but was also influenced by the concept of a ‘ready-made’ object. This working method materialized in Hamilton’s own use of popular magazines and mass-produced newspapers as the primary source material for his collages.

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Just What Is It That Makes Today’s Homes So Different, So Appealing?, 1956, collage

 

For the This is Tomorrow exhibition at the Whitechapel Gallery in London in 1956, Hamilton created his iconic collage Just What Is It That Makes Today’s Homes So Different, So Appealing?, which shows the affluent ideal home of the time, with a beautiful couple and all the accoutrements of modernity. The piece was reproduced for posters and catalogs for the show and was therefore widely circulated.

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The Transmogrifications of Bloom, 1984-1985, etching and aquatint on paper, from Ulysses series

 

In a letter dated January 16, 1957 Hamilton explains his idea of Pop Art and the inspiration behind the piece: “Pop Art is: popular, transient, expendable, low-cost, mass-produced, young, witty, sexy, gimmicky, glamorous, and Big Business.” In 1992 the BBC asked Hamilton to recreate his famous collage based upon the ideals of the 90s. He replaced the original male body builder for an accountant and used a female body builder in place of the original nude woman sitting on the sofa.

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Image 1 of Le Chef-d’oevre inconnu- a painting in three parts, 2012, computer generated image with overpainting

 

After This is Tomorrow, Hamilton taught classes at the Royal College of Art from 1957 – 1961. After the death of his first wife he traveled to the U.S. in 1963 where he met and befriended Duchamp at that artist’s show at the Pasadena Art Museum in California. Because of this meeting, Hamilton would later curate an exhibition of Duchamp’s work at the Tate Gallery in London in 1966, the first retrospective of Duchamp’s art in Britain.

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Portrait of Hugh Gaitskell as a Famous Monster of Filmland, 1964, photograph and oil

 

In the 1970s much of Hamilton’s work centered on the process of printmaking. Demonstrating the increasingly political nature of the artist’s work is his 1982 painting The Citizen. Commenting on the Blanket Protests in Northern Ireland, the work recalls a devotional diptych and contrasts a Christ-like figure on the right with excrement-smeared walls of the prison on the left. Hamilton’s final work, Le chef d’oevre inconnu – a painting in three parts, was left unfinished. A large triptych, the work is composed of inkjet prints with images manipulated in Photoshop that depict critical moments from Balzac’s The Unknown Masterpiece.

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The Citizen, 1981-1983, oil on canvas

 

Retrospectives of Hamilton’s work have been held at the Tate Gallery, London; the Solomon R. Guggenheim Museum in New York; the Museu d’Art Contemporani de Barcelona; the Museum Ludwig in Cologne; and the Neue Nationalgaleri, Berlin. The Tate Gallery and the Kunstmuseum Winterthur in Winterthur Switzerland contain the largest collections of his work.


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1973--larionov.phpMikhail Larionov Artwork Authentication & Art Appraisal

Mikhail Larionov (Михаил Фёдорович Ларионов) (1881-1964)

Get a Larionov Certificate of Authenticity for your painting (COA) for your Larionov drawing.

For all your Larionov artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Larionov Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Larionov painting or drawing.

If you want to sell your Larionov painting or drawing use our selling services. We offer Larionov selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Larionov and issuing certificates of authenticity since 2002. We are recognized Larionov experts and Larionov certified appraisers. We issue COAs and appraisals for all Larionov artworks.

Our Larionov paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Larionov certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Larionov painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Larionov paintings or drawings take longer.

Our clients include Larionov collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Mikhail Larionov art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Mikhail Larionov or we will sell it for you.

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Self-Portrait

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A Girl at the Hairdressers

Mikhail Larionov was a Cubist painter born near Odessa in what was formerly Russia. He was a founding member of two of the most important groups of Russian artists during his time. Larionov named both of these short lived groups, The Jack of Diamonds from 1909-1911, followed by the more radical group, The Donkey’s Tail from 1912-1913. He painted in a number of differentiating styles throughout his career from Impressionist and Post-Impressionist to Neo-Primitive, Futurist, Abstract and Cubist. Though Larionov is not as widely remembered today as many of his peers, he made major contributions to Russian art that are still emanated and respected today.

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Provincial Coquette

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A Gypsy Woman

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A Soldier Riding A Horse

Larionov entered the School of Painting, Sculpture and Architecture in Moscow in 1898 and studied under Valentin Serov and Isaac Levitan. Due to his radical outlook, Larionov was suspended three times while he was a student. He became friends with fellow artist Natalia Goncharova in 1900, and would remain lifelong friends with her.

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Snowy Landscape 1899

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Portrait of Natalia Goncharova 1910

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Soldier Resting 1911

Initially, Larionov painted in an Impressionist style, creating pastel hued landscapes in the Impressionist hand as early as 1902. However, a visit to Paris in 1906 would inspire him to shift his style to that of a Post-Impressionist, followed by a more Neo-Primitive style. This new interest in the Neo-Primitive was also a reflection of his interest in Russian sign painting.

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Acacias in Spring 1904

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Lilacs 1904

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Rain

Larionov organized an exhibition of works by international avant-garde artists in 1908 which he called The Golden Fleece. He promoted a number of prominent artists such as van Gogh, Gauguin, Matisse, Derain and Braque, as well as Malevich and Chagall. Larionov also held his own one day solo exhibit in 1911 in Moscow.

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A Turkey Cock 1905

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Venus 1912

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Still Life with Pears

In 1912, Larionov created Rayonism, which is thought to be the first creation of near-abstract art in Russia at the time. He created Rayonism after hearing lectures about Futurism and speed, and this style was officially introduced to the public in 1913 at the Target Exhibition. The name Rayonism was derived from their use of dynamic rays of contrasting color, meant to represent lines of reflected light.

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Portrait of a Man, Rayonism

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Red Rayonism 1913

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Blue Rayonism

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The Cockerel

In 1914, Larionov was injured while conscripted in the army. Art historians believe that because he was badly wounded, Larionov could no longer concentrate on art in the same way that he used to. As a result, he suffered a lack of creativity as well, and began to produce less and less work. Nonetheless, Larionov left Russia for Paris in 1915 to work with ballet owner Sergei Diaghilev on productions of the Ballets Russes. He designed sets for “Soleil de Nuit” in 1915 and “Kikmore” in 1916. He traveled with the Ballets Russes from 1915-1918, visiting Spain, Rome and Switzerland.

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Fantasy Ballet

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A Group of Dancers and a Mask on the Floor 1915

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A Forest, Set Design for Baba-Yaga 1916

Larionov finally settled in Paris in 1918, and lived there until his death in 1964. He continued to paint and create graphic art and theatrical design, as well as publish written work and create book illustrations. He sadly suffered a stroke in 1950 which left him severely handicapped, and unable to produce much work during the last 14 years of his life, and died in poverty.

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Peacocks Under a Tree 1928

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A Turkish Woman with a Pipe 1928

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Cover for the Book “Old Time Love”

Today, Larionov’s work is housed in museums all over the world, and perhaps in your own home. Still wondering about a Russian Cubist or Futurist painting in your family estate? Contact us…it could be by Mikhail Larionov.


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1977--carracci.phpAnnibale Carracci Artwork Authentication & Art Appraisal

Annibale Carracci (1560-1609)

Get a Carracci Certificate of Authenticity for your painting (COA) for your Carracci drawing.

For all your Carracci artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Carracci Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Carracci painting or drawing.

If you want to sell your Carracci painting or drawing use our selling services. We offer Carracci selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Carracci and issuing certificates of authenticity since 2002. We are recognized Carracci experts and Carracci certified appraisers. We issue COAs and appraisals for all Carracci artworks.

Our Carracci paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Carracci certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Carracci painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Carracci paintings or drawings take longer.

Our clients include Carracci collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Annibale Carracci art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Annibale Carracci or we will sell it for you.

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Self-Portrait

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Venus and Adonis

Annibale Carracci was a 16th century Italian painter, engraver and etcher. Born in the city of Bologna, he was one of the finest painters of his era. Along with his brother Agostino and his cousin Lodovico, the Carracci family of painters was very prominent artists and was very progressive in their time. During the height of their careers, the Carracci’s were working against the popular “Mannerist” styles of the day and created striking and unique compositions.

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Lamentation of Christ

Some critics say that it is difficult to distinguish one Carracci from another in their early works because their styles were so similar. However, it is generally agreed that Annibale became by far and large the most talented of the three. He worked alongside his brother and his cousin at the painters academy that they opened, Academy of Desiderosi, as well as the “School of the Eclectics” until he was called away to work in Rome.

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Venere con Satiro e Cupido

While in Rome, Carracci was commissioned by the Cardinal Odoardo Farnese to decorate the Farnese Gallery. He painted frescoes on the ceilings and walls telling out the stories of the gods in High Renaissance style, inspired by the works of fellow masters Michelangelo and Raphael. This was considered his greatest masterpiece, and to create this ambitious project, he created literally hundreds of preparatory sketches. While in Rome, he also created a number of paintings that were very striking including genre scenes and landscapes.

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River Landscape

Towards the end of his life, Carracci became very depressed and did not produce much after 1606. After his death in 1609, his engravings and paintings of the human form were used as inspiration for countless students for over 200 years.

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Study Sketch

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San Giovanni Battista

Carracci, though not as widely known as some of his 16th century Italian contemporaries, was a fairly progressive artist. Some art historians credit him as the inventor of the caricature. He was also a very free spirited and unrestricted artist in terms of his genre pieces which featured unique and less formal themes and subjects for his time period. During the 19th century, the Carracci’s became almost completely forgotten when Italian art critic John Ruskin panned all of their works as being unoriginal, colorless, thoughtless and basically no good. The Carracci name has since been redeemed and catapulted into the ranks of Raphael and Rubens, both of which admired their work.

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The Assumption of the Virgin

Still wondering about a 16th century Italian painting in your home? Contact us…it could be by Annibale Carracci or one of his relatives.

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The Beaneater
A Lost Carracci Found

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Montalto Madonna

The painting was well known to scholars, from early copies and engravings, but the original was one of the many lost masterpieces. The whereabouts of “Montalto Madonna” were unknown and had apparently disappeared early. The last mention of it was in 1672 by the biographer Gian Pietro Bellori.

Since then, no one knew if the painting had been destroyed or perhaps had survived somewhere. After more than 300 years of mysterious absence, someone casually walked in with a dusty painting they had inherited, wrapped in an old dog blanket, to have it looked at and appraised.

Painted on a copper sheet, it was very dirty but in marvelous condition, underneath the grime and centuries of fireplace and candlelight smoke deposits. It was purchased by the City of Bologna, the birthplace of the famous master.


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1979--plamondon.phpAntoine Plamondon Artwork Authentication & Art Appraisal

Antoine Plamondon (1804-1895)

Do you think you may own a painting by Antoine Plamondon?

We Perform Antoine Plamondon art authentication. Antoine Plamondon appraisal. Antoine Plamondon certificates of authenticity (COA). Antoine Plamondon analysis, research, scientific tests, full art authentications. We will help you sell your Antoine Plamondon or we will sell it for you.

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Virgin and Child

Antoine Plamondon was a Canadian painter born in L’Ancienne-Lorette. Plamondon has been called one of the greatest figures of 19th century art in Quebec.

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Portrait of a Lady 1826

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Adele Fortier 1834

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Portrait of a Lady

He began his career as an artist working under painter Joseph Légaré in 1819 in Québec City. Plamondon traveled to Paris in 1826 where he began to study under Paulin-Guérin. While in Paris, he was able to study the works of the Old Masters at The Louvre. In 1830, Plamondon returned to Québec City and began to establish himself in the art community. He eventually earned a reputation as a respected portraitist of the elite and bourgeoisie, and also copied a number of religious as well as secular paintings.

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Julie Papineau and her Daughter 1836

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Louis-Joseph Papineau 1836

During this time, he also had apprentices such as Théophile Hamel and also was a drawing instructor at various schools of art. Plamondon was also heavily involved in politics, and often used the press as a means of promoting himself and his style.

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The Flute Player

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The Pigeon Hunt

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Portrait of a Man

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Portrait of Monseigneur Plessis

Plamondon was a fervent polemicist, and was often writing to newspapers expressing his beliefs in politics, religion and philosophical matters. Despite his brazen self promotion, Plamondon was eventually forced to leave his studio in 1851 due to increasing competition. He moved to Pointe-aux-Trembles (now Neuville) and surprisingly became a very successful farmer.

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Still Life with Apples and Grapes

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Still Life with Two Dogs

Despite the fact that Plamondon was now a farmer in the country, he still maintained his status as a painter. He would often use photographs during this time to complete his still life and genre scenes. In 1880, he was given the honor of his lifetime when he was appointed as the founding Vice President of the Royal Canadian Academy of Arts. He retired five years later and died at the age of 91.

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Portrait of a Nun

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Marguerite Bourgeoys 1895

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Sister St. Alphonse

Plamondon is particularly remembered today for his fine portraits, which included depictions of nuns as well as of wealthy aristocrats. His portrait “Sister St. Alphonse” is an exceptional example of the neo-classical style that Plamondon used, and included religious elements such as a triangular composition. The book that the sister is holding is also a signal of her religious devotion, and the use of light and modeling of the subject was also a sign of her otherworldly affiliations. The same triangular composition, lighting and religious iconography can be seen in his painting “Saint Francis Xavier Preaching in India.”

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Saint Francis Xavier Preaching in India

Today his work is housed in public and private collections worldwide, and perhaps in your own home. Still wondering about a 19th century Canadian portrait in your family estate? Contact us…it could be by Antoine Plamondon.


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1980--davis.phpCharles Harold Davis Artwork Authentication & Art Appraisal

Charles Harold Davis (1856-1933)

Get a Davis Certificate of Authenticity for your painting (COA) for your Davis drawing.

For all your Davis artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Davis Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Davis painting or drawing.

If you want to sell your Davis painting or drawing use our selling services. We offer Davis selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Davis and issuing certificates of authenticity since 2002. We are recognized Davis experts and Davis certified appraisers. We issue COAs and appraisals for all Davis artworks.

Our Davis paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Davis certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Davis painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Davis paintings or drawings take longer.

Our clients include Davis collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Charles Harold Davis art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Charles Harold Davis or we will sell it for you.

Davis, A View to the River

A View to the River

Davis, Winter Morning in the Woods, 1892

Winter Morning in the Woods, 1892

Charles Harold Davis was an American landscape painter born in Amesbury, Massachusetts. Davis moved to Boston as a young man to study at the School of the Boston Museum of Fine Art. Davis excelled in school and was advised to further his studies in Paris at the Academie Julian. In France Davis studied under Jules Joseph Lefebvre and Gustave Boulanger. In 1889 Davis won a silver medal at the Paris Exhibition. Davis met many of the Barbizon School painters, who he painted with in the forest of Fontainbleau. It was in France that Davis became primarily a landscape painter.

Davis, Connecticut Landscape

Connecticut Landscape

Davis returned to America in 1890 and settled in Mystic, Connecticut. Davis started painting impressionist paintings of landscapes, mostly concentrating on dramatic, cloudy skies. Davis was active in a local art colony and in 1913 he founded the Mystic Art Association.

Davis, Autumn, 1912

Autumn, 1912

Davis, Passing Summer, 1912

Passing Summer, 1912

Davis continued to travel and exhibit internationally throughout the 1920s. Davis was associated with the National Academy of Design and had many friends and painting companions through his membership with the group. Davis’s influence in painting was known throughout the northeast region of the United States.

Davis, Twilight

Twilight

Davis’s work in now in important museum collections including the Metropolitan Museum of Art in New York, the Corcoran Gallery of Art in Washington D.C., the Boston Museum of Fine Arts and the Pennsylvania Academy of Art in Philadelphia. Davis’s work is also in numerous private collections in the United States. Do you think you own a painting by Charles Harold Davis? Contact us. We are the Charles Harold Davis experts.


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1981--de-laszlo.phpPhilip Alexius de Laszlo Artwork Authentication & Art Appraisal

Philip Alexius de Laszlo (AKA Philip Alexius Laszlo de Lombos) (1869-1937)

We Perform Philip Alexius de Laszlo art authentication. Philip Alexius de Laszlo appraisal. Philip Alexius de Laszlo certificates of authenticity (COA). Philip Alexius de Laszlo analysis, research, scientific tests, full art authentications. We will help you sell your Philip Alexius de Laszlo or we will sell it for you.

Condesa Meyendorff

Condesa Meyendorff

Mrs. Philip Leyland Kindersley

Mrs. Philip Leyland Kindersley

Philip Alexius de Laszlo was a Hungarian-born painter who moved to England in 1907 and became a British citizen in 1914. He was initially trained in Budapest, and also studied and Munich and Paris before settling in England. In the beginning, de Laszlo established himself as a well-known portraitist, and eventually was commissioned by high profile clientele such as Edward VII and other aristocrats.

JudgeTurner

Judge Turner

Portrait Of A Lady

Portrait Of A Lady

Portrait Of Mrs. Francis P. Garvan And Her Four Children

Portrait Of Mrs. Francis P. Garvan And Her Four Children

De Laszlo received his first important commission in 1894 by the Bulgarian royal family. He eventually would be sought after to paint kings of England and Spain, as well as President Roosevelt, the German Kaiser and the Emperor Franz Joseph of Austria.

Henry Petty Fitzmaurice

Henry Petty Fitzmaurice

Mrs. Lucy De Laszlo

Mrs. Lucy De Laszlo

Portrait Of A Man 1904

Portrait Of A Man 1904

In 1917, de Laszlo was imprisoned and his health took a turn for the worse. He was then sent to a nursing home under house arrest until 1919 when his name was cleared. De Laszlo did not resume portrait painting until after World War I, so during these years, it is not likely that he created much art. However, once he was back to painting again, de Laszlo was hailed by some art critics as Europe’s leading portrait painter.

Prince Boris Of Bulgaria

Prince Boris Of Bulgaria

Adele Van Loon 1901

Adele Van Loon 1901

Portrait Of Miss Anny Ahlers

Portrait Of Miss Anny Ahlers

During his lifetime, de Laszlo had a number of prestigious awards bestowed upon him for his skill as a portrait painter. In 1900, he earned a grand gold medal at the Paris International Exhibition for his portrait of Pope Leo XIII, and was named a member of the Royal Victorian Order by Kind Edward VII in 1909. He traveled all over the world creating his large oeuvre of portraits, and was in high demand by royalty and affluent individuals. Though it is likely that he painted some landscapes, still life and other compositions, they are generally lesser known.

Portrait Of A Man

Portrait Of A Man

Lady Deterding 1928

Lady Deterding 1928

Mrs. Frederick Trouton With Her Two Daughters

Mrs. Frederick Trouton With Her Two Daughters

Today, de Laszlo’s work is housed all over the world in private collections as well as public collections like the National Gallery in London. Still wondering about an heirloom portrait in your family estate? Contact us…it could be by Philip de Laszlo.


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1982--cornelius.phpPeter von Cornelius Artwork Authentication & Art Appraisal

Peter von Cornelius (1784-1867)

We Perform Peter von Cornelius art authentication. Peter von Cornelius appraisal. Peter von Cornelius certificates of authenticity (COA). Peter von Cornelius analysis, research, scientific tests, full art authentications. We will help you sell your Peter von Cornelius or we will sell it for you.

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Joseph Interpreting Pharaohs Dream

Peter von Cornelius was a German painter born in Düsseldorf. His father, who was inspector of the Düsseldorf gallery, died in 1799, and the young Cornelius was stimulated to extraordinary exertions. In a letter to the Count Raczynski he says, “It fell to the lot of an elder brother and myself to watch over the interests of a numerous family. It was at this time that it was attempted to persuade my mother that it would be better for me to devote myself to the trade of a goldsmith than to continue to pursue painting–in the first place, in consequence of the time necessary to qualify me for the art, and in the next, because there were already so many painters. My dear mother, however, rejected all this advice, and I felt myself impelled onward by an uncontrollable enthusiasm, to which the confidence of my mother gave new strength, which was supported by the continual fear that I should be removed from the study of that art I loved so much.”

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Tavern 1820

His earliest work of importance was the decoration of the choir of the church of St Quirinus at Neuss. At the age of twenty-six he produced his designs from Faust. On October 14, 1811, he arrived in Rome, where he soon became one of the most promising of that brotherhood of young German painters which included Overbeck, Schadow, Veit, Schnorr and Ludwig Vogel (1788-1879), a fraternity (some of whom selected a ruinous convent for their home) who were banded together for resolute study and mutual criticism. Out of this association came the men who, though they were ridiculed at the time, were destined to found a new German school of art, the Nazarene movement.

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The Three Mary’s at the Grave 1815/1822

At Rome Cornelius participated, with other members of his fraternity, in the decoration of the Casa Bartoldi and the Villa Massimi, and where thus employed he was also engaged upon designs for the illustration of the Nibelungenlied. From Rome he was called to Düsseldorf to remodel the Academy, and to Munich by the then crown-prince of Bavaria, afterwards Louis I, to direct the decorations for the Glyptothek. Cornelius, however, soon found that attention to such widely separated duties was incompatible with the just performance of either, and most inconvenient to himself; eventually, therefore, he resigned his post at Düsseldorf to throw himself completely and thoroughly into those works for which he had been commissioned by the crown-prince. He therefore left Düsseldorf for Munich, where he was joined by those of his pupils who elected to follow and to assist him. At the death of Director Langer, 1824-1825, he became director of the Munich Academy.

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The Holy Family 1809/1811

The fresco decorations of the Ludwigskirche, which were for the most part designed and executed by Cornelius, are perhaps the most important mural works of modern times. The large fresco of the Last Judgment, over the high altar in that church, measures 62 ft. in height by 38 ft. in width. The frescoes of the Creator, the Nativity, and the Crucifixion in the same building are also upon a large scale. Amongst his other great works in Munich may be included his decorations in the Pinakothek and in the Glyptothek; those in the latter building, in the hall of the gods and the hail of the hero-myths, are perhaps the best known. About the year 1839-1840 he left Munich for Berlin to proceed with that series of cartoons, from the Apocalypse, for the frescoes for which he had been commissioned by Frederick William IV, and which were intended to decorate the Campo Santo or royal mausoleum. These were his final works.

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Fresco 1816

Cornelius, as an oil painter, possessed but little technical skill, nor do his works exhibit any instinctive appreciation of color. Even as a fresco painter his manipulative power was not great. And in critically examining the execution in color of some of his magnificent designs, one cannot help feeling that he was, in this respect, unable to do them full justice. Cornelius and his associates endeavored to follow in their works the spirit of the Italian painters. But the Italian strain is to a considerable extent modified by the Dürer heritage. This Dürer influence is manifest in a tendency to overcrowding in composition, in a degree of attenuation in the proportions of, and a poverty of contour in, the nude figure, and also in a leaning to the selection of Gothic forms for draperies. These peculiarities are even noticeable in Cornelius’s principal work of the “Last Judgment,” in the Ludwigskirche in Munich.

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The Last Judgement

The attenuation and want of flexibility of contour in the nude are perhaps most conspicuous in his frescoes of classical subjects in the Glyptothek, especially in that representing the contention for the body of Patroclus. But notwithstanding these peculiarities there is always in his works a grandeur and nobleness of conception, as all must acknowledge who have inspected his designs for the Ludwigskirche, for the Campo Santo, etc. If he were not dexterous in the handling of the brush, he could conceive and design a subject with masterly purpose. If he had an imperfect eye for color, in the Venetian, the Flemish, or the English sense, he had vast mental foresight in directing the German school of painting; and his favorite motto of “Deutschland uber alles” indicates the direction and the strength of his patriotism. Karl Hermann was one of Cornelius’s earliest and most esteemed scholars, a man of simple and fervent nature, painstaking to the utmost, a very type of the finest German student nature; Kaulbach and Adam Eberle were also amongst his scholars. Every public edifice in Munich and other German cities which were embellished with frescoes, became, as in Italy, a school of art of the very best kind; for the decoration of a public building begets a practical knowledge of design. The development of this institution of scholarship in Munich was a work of time. The cartoons for the Glyptothek were all by Cornelius’s own hand. In the Pinakothek his sketches and small drawings sufficed; but in the Ludwigskirche the invention even. of some of the subjects was entrusted to his scholar Hermann.

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Portrait of a Young Maid 1816

To comprehend and appreciate thoroughly the magnitude of the work which Cornelius accomplished for Germany, we must remember that at the beginning of the 19th century Germany had no national school of art. Germany was in painting and sculpture behind all the rest of Europe. Yet in less than half a century Cornelius founded a great school, revived mural painting, and turned the gaze of the art world towards Munich. The German revival of mural painting had its effect upon England, as well as upon other European nations, and led to the famous cartoon competitions held in Westminster Hall, and ultimately to the partial decoration of the Houses of Parliament. When the latter work was in contemplation, Cornelius, in response to invitations, visited England (November 1841).

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The Wise and the Foolish Virgins 1813

His opinion was in every way favorable to the carrying out of the project, and even in respect of the durability of fresco in the climate of England. Cornelius, in his teaching, always inculcated a close and rigorous study of nature, but he understood by the study of nature something more titan what is ordinarily implied by that expression, something more than constantly making studies from life; he meant the study of nature with an inquiring and scientific spirit. Study nature, was the advice he once gave, in order that you may become acquainted with its essential forms.

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The Apocalypse 1848

The personal appearance of Cornelius could not but convey to those who were fortunate enough to come into contact with him the impression that he was a man of an energetic, firm and resolute nature. He was below the middle height and squarely built. There was evidence of power about his broad and overhanging brow, in his eagle eyes and firmly gripped attenuated lips, which no one with the least discernment could misinterpret. Yet there was a sense of humor and a geniality which drew men towards him; and towards those young artists who sought his teaching and his criticism he always exhibited a calm patience. Still wondering about a 19th century German painting in your family collection? Contact us…it could be by Peter von Cornelius.


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1983--romney.phpGeorge Romney Artwork Authentication & Art Appraisal

George Romney (1734 – 1802)

Get a Romney Certificate of Authenticity for your painting (COA) for your Romney drawing.

For all your Romney artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Romney Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Romney painting or drawing.

If you want to sell your Romney painting or drawing use our selling services. We offer Romney selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Romney and issuing certificates of authenticity since 2002. We are recognized Romney experts and Romney certified appraisers. We issue COAs and appraisals for all Romney artworks.

Our Romney paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Romney certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Romney painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Romney paintings or drawings take longer.

Our clients include Romney collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform George Romney art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your George Romney or we will sell it for you.

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Portrait of Miss. Willoughby

George Romney was a noted English portrait painter. He was born on Boxing Day 1734 in Dalton-in-Furness, Lancashire, and apprenticed to his father as a cabinet-maker. In 1755 he went to Kendal to learn painting from a Cumberland artist by the name of Christopher Steele, and within two years was becoming well-known as a portraitist. He fell ill during his apprenticeship and was nursed back to health by Mary Abbott, daughter of his landlady.

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Mrs. John Sargent

In 1762, by which time he was married with two children, he went to London, and saw early success with a painting, The Death of General Wolfe which won a prize from the Royal Society of Arts. Romney soon had a thriving portrait business in Long Acre. Romney was invited to join the newly-formed Royal Academy but refused to resign from another artistic society, violating the Academy’s exclusive membership rules.

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Group Portrait 1780

In 1773 he travelled to Italy with fellow artist Ozias Humphrey to study art in Rome and Parma, returning to London in 1775 to resume business, this time in Cavendish Square (in a house formerly owned by noted portraitist Francis Cotes). In 1782 he met Emma Hamilton (then called Emma Hart) who became his muse. He painted over 60 portraits of her in various poses, sometimes playing the part of historical or mythological figures. He also painted many other contemporaries, including fellow artist Mary Moser. After an absence of almost forty years, he returned to his family in Kendal in the summer of 1799. He was greeted by his loyal, devoted and unquestioning wife.

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Lady Hamilton as Circe 1782

Abbot Hall Art Gallery (Kendal, UK), the Ackland Art Museum (University of North Carolina), the Art Gallery of the University of Rochester (New York), the Art Institute of Chicago, the Ashmolean Museum (University of Oxford), the Beaverbrook Art Gallery (New Brunswick), the Blanton Museum of Art (University of Texas, Austin), Brigham Young University Museum of Art (Utah), the Carnegie Museum of Art (Pittsburgh), the Courtauld Institute of Art (London), the Crawford Municipal Art Gallery (Ireland), the Detroit Institute of Arts, Dulwich Picture Gallery (London), Falmouth Art Gallery (England), the Fine Arts Museums of San Francisco, the Fitzwilliam Museum (University of Cambridge), the Fleming Museum (University of Vermont), the Frick Collection (New York City), the Getty Museum (Los Angeles), Harvard University Art Museums, the Hermitage Museum, the Honolulu Academy of Arts, the Huntington Library (California), the Kimbell Art Museum (Fort Worth, Texas), the Los Angeles County Museum of Art, the Louvre, Manchester City Art Gallery (UK), Musée des beaux-arts (Pau, France), the Metropolitan Museum of Art, the Museum of Fine Arts, Houston (Texas), the Museum of Fine Arts, Boston, the National Galleries of Scotland, the National Gallery of Art (Washington D.C.), the National Gallery of Victoria (Australia), the National Gallery of Canada, the National Maritime Museum (Greenwich, UK), the National Museums and Galleries of Wales, the National Museums Liverpool (UK), the National Portrait Gallery, London, the New Art Gallery (Walsall, England), the Norton Simon Museum (Pasadena, California), the Philadelphia Museum of Art, the Tate Gallery and the Wallace Collection (London) are among the public collections holding works by George Romney.

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Emma Hart

Still wondering about a British portrait in your family collection? Contact us…it could be by George Romney.


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1984--delverrocchio.phpAndrea del Verrocchio Artwork Authentication & Art Appraisal

Andrea del Verrocchio (1435-1488)

Andrea del Verrocchio art authentication. Andrea del Verrocchio appraisal. Andrea del Verrocchio certificates of authenticity (COA). Andrea del Verrocchio analysis, research, scientific tests, full art authentications. We will help you sell your Andrea del Verrocchio or we will sell it for you.

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del Verrocchio, Madonna and Child, ca. 1420, Gemäldegalerie, Berlin, Germany

Andrea del Verrocchio, born Andrea di Michele di Francesco de’ Cioni, was an influential Italian sculptor, goldsmith and painter who worked at the court of Lorenzo de’ Medici in Florence. His pupils included Leonardo da Vinci, Perugino, Ghirlandaio and Sandro Botticelli, but he also influenced Michelangelo. He worked in the serenely classic style of the Early-High Renaissance.

Verrocchio was born in Florence in 1435 to Michele di Francesco Cioni, who worked as a tile and brick maker and, later, as a tax collector. Michele never married, and had to provide financial support for some members of his family. Michele’s fame rose upon his joining the Medici court, in which he remained until his workshop moved to Venice.

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Baptism of the Christ, 1474-5, Uffizi Gallery, Florence, Italy

Andrea started to work as a goldsmith in the workshop of Giulio Verrocchi, from whom it seems that he took his surname. The possibility of an apprenticeship with Donatello remains unconfirmed. His first efforts in painting date probably from the 1460s, when he worked in Prato alongside Filippo Lippi.

Around 1465 he worked at the lavabo of the Old Sacristy in San Lorenzo (Florence). Between 1465 and 1467 he executed the funerary monument to Cosimo de’ Medici for the crypt under the altar of the same church, and in 1472 he completed the monument to Piero and Giovanni de’ Medici in the Old Sacristy.

In 1466 the Guild of Traders of Florence commissioned from Verrocchio a bronze group entitled Christ and St. Thomas for an external niche of the church of Orsanmichele. The work was placed there in 1483. He devised a composition of two figures, with Christ in the centre of the niche, and the Saint stretched out, in order to avoid a rigid frontal view and to aid the spectator in better identifying the two characters.

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Madonna with St. John the Baptist, 1475-8, Duomo, Pistoia,Italy

In 1468 Verrocchio made a famous candelabra, now in Amsterdam, for a corridor of Florence’s Town Hall. In the early 1470s he made a voyage to Rome, while in 1474 he executed the Forteguerri monument for the Cathedral of Pistoia, which he left unfinished.From 1474-1475 is the Baptism of Christ, now housed in the Uffizi. Leonardo helped his master finish the background and the left angel. The only autograph painting by Verrocchio is the Madonna with Child and Saints, in the Cathedral of Pistoia.

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Statue of David, ca. 1473-5, Bronze, Museo Nazionale del Bargello,Florence, Italy

After the mid-1470s Verrocchio was devoted mainly to sculpture, at first following the standard Florentine canons. These are well in evidence in the bronze statue of David (c. 1476, now at Bargello), commissioned by Lorenzo and Giuliano de’ Medici. Verrocchio’s David is underage, modestly clad in contrast to Donatello’s provocative David, and haughty in his conquest. The Gothic-like, idealistic beauty of the features is closer in spirit to Ghiberti than to the innovative Donatello. Around 1478 he finished a Winged Cherubim with Dolphin, today housed in Palazzo Vecchio and originally intended for a fountain in the Medici villa of Careggi: this work is influenced by dynamic naturalism which Verrocchio learned from Desiderio da Settignano. Of the same period are the Dama col mazzolino and the relief for the funerary monument of Francesca Tornabuoni for Santa Maria sopra Minerva in Rome (now in the Bargello).

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Putto with Dolphin. ca. 1470. Bronze. Palazzo Vecchio, Florence, Italy

In 1478 Verrocchio began what was to become his most famous work, an equestrian statue of the condottiero Colleoni, who had died three years before. The work was commissioned by the Republic of Venice. It was the first attempt to produce such a group with one of the horse’s legs not touching the base. The statue is also notable for the carefully-observed expression of stern command upon Colleoni’s face.

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Portrait of a Woman with Bouquet, ca. 1475-80, Marble, height: 61 cm, Museo Nazionale del Bargello, Florence, Italy

Verrocchio sent to his commissioners a wax model in 1480, and in 1488 he finally moved to Venice to assist at the metal fusion of the group. However, he died in the same year before the work was finished.

Major works
• The Baptism of Christ (1472-1475) – Oil on wood, 177 x 151 cm, Galleria degli Uffizi, Florence
• Madonna with the Saints John the Baptist and Donatus (1475-1483) – Wood, 189 x 191 cm, Duomo, Pistoia
• Saint Monica – Panel, Santo Spirito, Florence
• Tobias and the Angel (1470-1480) – Egg tempera on poplar, National Gallery, London
• Christ and St. Thomas (1467-83) – Bronze, Orsanmichele, Florence

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Tobias and the Angel, ca. 1470, National Gallery of Art, London, England

Still wondering about an Italian painting in your family collection? Contact us…it could be by Andrea de Verrocchio.


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1985--bottner.phpprepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bottner" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bottner" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1986--o-neil.phpHenry Nelson O’Neil Artwork Authentication & Art Appraisal

Henry Nelson O’Neil (1817-1880)

We Perform Henry Nelson O’Neil art authentication. Henry Nelson O’Neil appraisal. Henry Nelson O’Neil certificates of authenticity (COA). Henry Nelson O’Neil analysis, research, scientific tests, full art authentications. We will help you sell your Henry Nelson O’Neil or we will sell it for you.

The Pre-Raphaelite 1857

The Pre-Raphaelite, 1857

Henry Nelson O’Neil was a historical genre painter and minor Victorian writer. He worked primarily with historical and literary subjects, but his best-known paintings dealt with the Indian Mutiny. Eastward, Ho! dates August 1857 but exhibited the following year and depicts the British troops embarking for India. A second painting, Home Again, (1859) shows the troops returning to England. He also had popular successes with romantic scenes portraying the deaths of Mozart and Raphael, depicted as though mentally transported to heaven by their own religious art. In The Last Moments of Mozart, the dying composer listens to singers performing part of his Requiem. The Last Moments of Raphael shows the painter contemplating the unseen figure of Christ in his Transfiguration.

Ophelia

Ophelia

O’Neil was a member of The Clique, a group of artists in the 1840s who, like the later Pre-Raphaelite Brotherhood, met regularly to discuss and criticize one another’s works. The other members of The Clique were Augustus Egg, Alfred Elmore, Richard Dadd, William Powell Frith, John Phillip, and Edward Matthew Ward.

A Picnic

A Picnic

Most of The Clique opposed the Pre-Raphaelites, but O’Neil was the most virulent in his condemnation of the movement, attacking them in both paintings and writings. Among them was his futuristic fantasy 2000 Years Hence, which portrayed Britain in the year 3967 as a frozen wasteland excavated by an archaeologist from New Zealand. The archaeologist uncovers evidence of the decline of British culture in the nineteenth century, allowing O’Neil to vent his own distinctly reactionary political views, predicting dire consequences of the Reform Act of 1867.

Home Again 1858

Home Again, 1858

Still wondering about a 19th century painting in your family collection? Contact us… we are the Henry Nelson O’Neil experts.


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1987--graham.phpJohn D. Graham Artwork Authentication & Art Appraisal

John D. Graham (1886-1961)

Get a Graham Certificate of Authenticity for your painting (COA) for your Graham drawing.

For all your Graham artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Graham Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Graham painting or drawing.

If you want to sell your Graham painting or drawing use our selling services. We offer Graham selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Graham and issuing certificates of authenticity since 2002. We are recognized Graham experts and Graham certified appraisers. We issue COAs and appraisals for all Graham artworks.

Our Graham paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Graham certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Graham painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Graham paintings or drawings take longer.

Our clients include Graham collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform John D. Graham art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your John D. Graham or we will sell it for you.

Untitled

Untitled

John D. Graham was a Russian-born American Modernist / Minimalist painter. He was born in Kiev, Ukraine and moved to New York in 1920. He trained at the Art Students League of New York, where he briefly assisted Ashcan School painter John F. Sloan. In 1925 he relocated to Baltimore with his third wife artist Elinor Gibson. In addition to painting, Graham established himself as an art connoisseur and collector. He is associated with the New York School as an arist and impresario. In 1942 he curated a group show at the McMillen Gallery that exhibited work by Jackson Pollock (it was his first New York exhibition), William de Kooning, and Lee Krasner alongside work by Pablo Picasso and Henri Matisse. He died in London in 1961.

Abstraction

Abstraction

Still wondering about a 19th century American or Russian painting in your family collection? Contact us…it could be by John D. Graham.


done
1988--la-gandara-de.phpAntonio de la Gandara Artwork Authentication & Art Appraisal

Antonio de la Gandara (1861-1917)

We Perform Antonio de la Gandara art authentication. Antonio de la Gandara appraisal. Antonio de la Gandara certificates of authenticity (COA). Antonio de la Gandara analysis, research, scientific tests, full art authentications. We will help you sell your Antonio de la Gandara or we will sell it for you.

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Gabriel de Yturri, 1886

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La Femme au Voile

Antonio de la Gandara was born in Paris, France, known for his paintings of the fashionable ladies of the Belle Epoque. His father was from Mexico and his mother was from England, and his artistic abilities eventually became reflective of all three cultures. At age 15, de La Gandara was admitted to the Ecole des Beaux-Arts and was a pupil of Jean-Léon Gérome. He was honored in 1883 at the Salon des Champs-Elysées, and was singled out by the jury for his portrait of Saint Sebastian; the first work he ever exhibited.

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Portrait of Madame Gautrau, 1891

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Portrait of Madame Rémy Salvator

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Portrait of Mme d’Annunzio

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Portrait of M del Solar

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La Bague a l’émeraude

This early achievement was to set the pretense for de La Gandara’s success over the next few years in Paris. He became a favorite among the art elite, and had Princes and Princess sit for him, as well as duchesses and other historical notables like Paul Verlaine and Sarah Bernhardt.

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Paul Verlaine, lithograph, 1895

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Caricature d’artistes du “Chat Noir”

During this time, de La Gandara was highly influenced by fellow painter Chardin, and followed the artists use of simplicity and fine detail to achieve his beautiful portraits. He also worked alongside other famous artists such as James McNeil Whistler and Jean-Louis Forain illustrating books and volumes of poetry, such as “The Bats” by French poet Robert de Montesquiou. This book, published in 1893, has since become a rare collector’s item.

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Robert de Montesquiou

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La Femme au Chien

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Ida Rubenstein

Gandara held his first exhibition in New York in 1898, which was met with much acclaim and great success. Art critics felt that this show confirmed him as one of the greatest painters of his time. His portraits were also routinely published in magazines and newspapers, like the fashionable “Le Figaro” magazine, and many of which even made it to the front page.

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Mme de La Gandara, pastel, 1895

Throughout his career, de la Gandara exhibited all over the world in the United States, Paris, Brussels, Berlin, Barcelona, Dresden and Saragossa. Sadly, after his death in 1917, his popularity quickly waned.

However, a new and growing interest in late 19th century art has brought his work back into the spotlight, and his work has once again regained popularity. Still wondering about a French portrait in your family collection? Contact us…it could be by Antonion de la Gandara.


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1989--giaquinto.phpCorrado Giaquinto Artwork Authentication & Art Appraisal

Corrado Giaquinto (1703 -1765)

Get a Giaquinto Certificate of Authenticity for your painting (COA) for your Giaquinto drawing.

For all your Giaquinto artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Giaquinto Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Giaquinto painting or drawing.

If you want to sell your Giaquinto painting or drawing use our selling services. We offer Giaquinto selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Giaquinto and issuing certificates of authenticity since 2002. We are recognized Giaquinto experts and Giaquinto certified appraisers. We issue COAs and appraisals for all Giaquinto artworks.

Our Giaquinto paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Giaquinto certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Giaquinto painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Giaquinto paintings or drawings take longer.

Our clients include Giaquinto collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Corrado Giaquinto art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Corrado Giaquinto or we will sell it for you.

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Nativity

Corrado Giaquinto was an Italian Rococo painter. As a boy, Giaquinto apprenticed with a modest local painter Saverio Porta, (c1667-1725), escaping the religious career his parents had intended for him. By October 1724, he left Molfetta, and along with contemporary Francesco de Mura (1696-1784) and Giuseppe Bonito (1707-1789), he trained from 1719-23 in the prolific Neapolitan studio of Francesco Solimena, either with Solimena or his pupil, Nicola Maria Rossi. Throughout his life, Giaquinto was a peripatetic painter, with long soujourns in Naples, Rome (between 1723-53), Turin (1733 and 1735-9), and Madrid (1753-1761).

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Farinello

In 1723, he moved to Rome to work in the studio of Sebastiano Conca. He painted in San Lorenzo in Damaso, San Giovanni Calibita, and the ceiling at Santa Croce in Gerusalemme. In March 1727, Giaquinto opens, along with Giuseppe Rossi as an assistant, an independent studio near the Ponte Sisto, in the parish of Saint Giovanni of the Malva in Rome. In 1734, he marries Caterina Silvestri Agate.

The first documented work by his hand is Christ crucified with the Madonna, Saint John Evangelist, and Magdalene commissioned in 1730 by king John V of Portugal for the cathedral of the Mafra. In 1731, he received a prestigious commission, to execute frescoes in the church of San Nicola dei Lorenesi: Saint Nicholas water gush from cliff, three theologic and cardinal Virtues, and in the cupola Paradise. The latest restoration confirms Giaquinto’s stylistic independence from Solimena, and how his style shows greater dependence on Luca Giordano,

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Justice and Peace

In 1733, the architect and artistic director for the House of Savoy, Filippo Juvarra, invites Giaquinto to Turin, where he completes an altarpiece of Saint John Nepomunk. He then decorates the ceiling of a Villa della Regina with a triumph of the House of Savoy, destroyed during World War II – Death of Adonis and Apollo & Daphne, and Story of Aenid. Giaquinto returns briefly Rome in 1735, where his wife dies soon after childbirth. He then returns for the next three years, to complete frescoes for the chapel of Saint Giuseppe in the Turinese church of Santa Teresa; they depict events in the life and death of Saint Joseph, including his Assumption and Rest in Egypt.

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San Filippo Neri

Giaquinto returns to Rome in 1738, and executes the next year, frescoes an Assumption of the Virgin for the church of Rocca di Papa, a commission for a relative of Pope Alexander VIII Ottoboni. In 1740, Giaquinto becomes a member and donates to Academy of Saint Luke, his sketch of Immaculate Conception with Elias the prophet for the Turinese church of the Carmine, a canvas commissioned by marquis Giuseppe Turinetti di Priero, which finally reached Turin in 1741. A report of 1742, states that Pope Benedict XIV “was taken to the church of San Giovanni Calabita… where he observed with much pleasure the restoration of that Church embellished with altapieces from the Painter Signor Corrado Napolitano.

In Madrid, he was patronized by Ferdinand VI, and was ultimately appointed director of the Academy of San Fernando. His influence there was felt by painters such as González Velázquez, José del Castillo, and Salvador Maella. His paintings include A Kneeling Male Nude. He returned to Naples in 1762-1766 to decorate the sacristy in San Luigi di Palazzo, the royal monastery. He is described by some as an Italian Francois Boucher.

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Saints in Glory

Still wondering about an Italian painting in your family collection? Contact us…it could be by Corrado Giaquinto.


done
1990--lowry.phpLaurence Stephen Lowry Artwork Authentication & Art Appraisal

Laurence Stephen Lowry (1887 – 1976)

Get a Lowry Certificate of Authenticity for your painting (COA) for your Lowry drawing.

For all your Lowry artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lowry Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lowry painting or drawing.

If you want to sell your Lowry painting or drawing use our selling services. We offer Lowry selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lowry and issuing certificates of authenticity since 2002. We are recognized Lowry experts and Lowry certified appraisers. We issue COAs and appraisals for all Lowry artworks.

Our Lowry paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lowry certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lowry painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lowry paintings or drawings take longer.

Our clients include Lowry collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Laurence Stephen Lowry art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Laurence Stephen Lowry or we will sell it for you.

Lowry, Station Approach

Station Approach
1962 Oil on board 407 X 509 mm

Lowry, Fever Van

Fever Van
1935 Oil on Canvas
Walker Art Gallery, Liverpool

L.S. Lowry was an English artist, known for painting industrial landscapes in Northern England. Lowry was born in Stretford, Lancashire, but spent most of his life in Salford and Pendlebury.

Lowry, Landscape with Farm Buildings

Landscape with Farm Buildings
1954 Oil on canvas board 40.4 cm x 50.2 cm

As a child Lowry showed an interest in art and took private drawing classes. In 1905 Lowry began to study formally at Manchester Municipal College of Art. As a student, Lowery was tutored by Pierre Adolphe Valette, an accomplished French, Impressionist painter. Lowry excelled in his studies and continued to study at Salford School of Art from 1915 to 1925. It was in Salford that Lowry began painting industrial landscapes and developed his signature style of painting.

Lowry, Industrial Scene

Industrial Scene
1953 Oil on canvas board 34.7 cm x 24.6 cm.

Lowry, Machester City vs. Sheffield United

Machester City vs. Sheffield United
Oil on Canvas

After Lowry’s father died in 1932 his mother become gravely ill and unable to leave her bed. Lowry took on the responsibility of taking care of her, and only had time to paint late at night. At this time Lowry produced a series of dark, self-portraits, known as the “Horrible Heads”.

Lowry, Dwelling, Ordsall Lane, Salford

Dwelling, Ordsall Lane, Salford
1927 Oil on Wood 43.2 x 53.3 cm

In the early 1940s Lowry became a war artist after volunteering in the military service as a fire watchman. Lowry’s reputation spread through his wartime paintings, and in 1953 Lowry was an official artist during the coronation of Queen Elizabeth II. Lowry was also employed by the Pall Mall Property Company for many years, retiring in the early fifties to boost his reputation as a devoted artist.

Lowry, Canal and Factories

Canal and Factories
1955 Oil on Canvas 61 x 76.30 cm
National Gallery of Scotland

As Lowry grew older he started vacationing by the sea in Sunderland, where he would paint ports, beaches and coalmines. While Lowry never married he had several close friendships and relationships. In the late 1950s Lowry became more private about his personal life and discouraged visitors. Lowry was offered status as a Commander of the British Empire, Knighthood and appointment to the Order of the Companions of Honour. Lowry declined all three offers, setting a record for the highest number of honors declined.

Lowry, On the Promenade

On the Promenade
Oil on Canvas

Lowry is now remembered as an important figure in British art. His industrial landscapes and daily street scenes are a valuable addition to any private or museum art collection. Do you think you own a painting by L.S. Lowry? Contact us. We are the Lowry experts.


done
1991--albertos.phpprepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "albertos" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "albertos" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> Francisco Javier Ramos y Albertos authentication
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done
1992--bertram.phpprepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "bertram" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "bertram" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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done
1993--rosa.phpSalvator Rosa Artwork Authentication & Art Appraisal

Salvator Rosa (1615 – 1673)

Do you think you may own a painting by Salvator Rosa?

Get a Rosa Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Rosa artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Rosa Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rosa painting, drawing or print.

If you want to sell your Rosa painting, drawing or print use our selling services. We offer Rosa selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rosa and issuing certificates of authenticity since 2002. We are recognized Rosa experts and Rosa certified appraisers. We issue COAs and appraisals for all Rosa artworks.

Our Rosa paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rosa certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Rosa painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rosa paintings or drawings take longer.

Our clients include Rosa collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Salvator Rosa art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Salvator Rosa or we will sell it for you.

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Self-Portrait 1641

Salvator Rosa was an Italian Baroque painter, poet and printmaker, active in Naples, Rome and Florence. As a painter, he is best known as an “unorthodox and extravagant” and a “perpetual rebel” proto-Romantic. His life and writings were equally colorful.

He was born in Arenella, in the outskirts of Naples: either June 20 or July 21, 1615. His father, Vito Antonio de Rosa, a land surveyor, urged his son to become a lawyer or a priest, and entered him into the convent of the Somaschi fathers. Yet, Salvator showed a preference for the arts, thus secretly worked with his maternal uncle Paolo Greco to learn about painting, and soon transferred himself to his own brother-in-law Francesco Francanzano, a pupil of Ribera, and afterwards to either Aniello Falcone, contemporary with Domenico Gargiulo, or Ribera himself. Some sources claim he spent time living with roving bandits. At the age of seventeen he lost his father; his mother was destitute with at least five children, and Salvator found himself without financial support.

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Portrait of a Man

He continued apprenticeship with Falcone, aiding him complete his battlepiece canvases. In that studio, it is said that Lanfranco took notice of his work, and advised him to relocate to Rome, where he stayed for from 1634-6.

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Landscape

Returning to Naples, he began painting haunting landscapes, overgrown with vegetation, or jagged beaches, mountains, and caves. Rosa was among the first to paint “romantic” landscapes, with a special turn for scenes of picturesque often turbulent and rugged scenes peopled with shepherds, brigands, seamen, soldiers. These early landscapes were sold cheaply through private dealers. This class of paintings peculiarly suited him.

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Evening Landscape

He returned to Rome in 1638-39, where he was housed by Cardinal Francesco Maria Brancaccio, bishop of Viterbo. For the Chiesa Santa Maria della Morte in Viterbo, Rosa painted his first and one of his few altarpieces with an Incredulity of Thomas. While Rosa had a facile genius at painting, he pursued a wide variety of arts: music, poetry, writing, etching, and acting. In Rome, he befriended Pietro Testa and Claude Lorraine. During a Roman carnival play he wrote and acted in a masque, in which his character bustled about Rome distributing satirical prescriptions for diseases of the body and more particularly of the mind. In costume, he inveighed against the farcical comedies acted in the Trastevere under the direction of Bernini.

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Landscape with Figures

While his plays were successful, this also gained him powerful enemies among patrons and artists, including Bernini himself, in Rome. By late 1639, he had had to relocate to Florence, where he stayed for 8 years. He had been in part, invited by a Cardinal Giancarlo de Medici. Once there, Rosa sponsored a combination of studio and salon of poets, playwrights, and painters –the so called Accademia dei Percossi (“Academy of the Stricken”). To the rigid art milieu of Florence, he introduced his canvases of wild landscapes; while influential, he gathered few true pupils. Another painter poet, Lorenzo Lippi, shared with Rosa the hospitality of the cardinal and the same circle of friends. Lippi encouraged him to proceed with the poem Il Malmantile Racquistato. He was well acquainted also with Ugo and Giulio Maffei, and housed with them in Volterra, where he wrote four satires Music, Poetry, Painting and War. About the same time he painted his own portrait, now in the Uffizi Gallery.

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A Friar Tempted by Demons 1660-1665

In 1646 he returned to Naples, and appears to have sympathized with the insurrection of Masaniello, as a passage in one of his satires suggests. His actual participation in the revolt is dubious. It is alleged that Rosa, along with other painters–Coppola, Paolo Porpora, Domenico Gargiulo, Dal Po, Marzio Masturzo, the two Vaccari and Cadogna–all under the captaincy of Aniello Falcone, formed the Compagnia della Morte, whose mission it was to hunt down Spaniards in the streets, not sparing even those who had sought some place of religious asylum. He painted a portrait of Masaniello–probably from reminiscence rather than life. On the approach of Don Juan de Austria, the blood-stained Compagnia dispersed.

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Anchorites Tempted by Demons

Other tales tell that from there he escaped and joined with brigands in the Abruzzi. Although this incident which cannot be conveniently dove-tailed into known dates of his career, in 1846 a famous romantic ballet about this story titled Catarina was produced in London by the choreographer Jules Perrot and composer Cesare Pugni).

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Landscape with St. John the Baptist Pointing out Christ 1655-1660

Finally he returned to stay in Rome in 1649. Here he painted some important subjects, showing the uncommon bent of his mind as it passed from landscape into history Democritus amid Tombs, Death of Socrates, Regulus in the Spiked Cask (these two are now in England), Justice Quitting the Earth and the Wheel of Fortune. This last satirical work raised a storm of controversy. Rosa, endeavoring at conciliation, published a description of its meaning (probably softened down not a little from the real facts); none the less he was nearly arrested. It was about this time that Rosa wrote his satire named Babylon, under which name Rome was of course indicated.

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Democritus in Meditation 1650s

Much enmity still brooded there against him. An allegation arose that his published satires were not his own, but filched. Rosa indignantly denied the charges, although it is true that the satires ~deal so extensively and with such ready manipulation in classical names, allusions and anecdotes, that one is rather at a loss to fix upon the period of his busy career at which Rosa could possibly have imbued his mind with such a multitude of semi-erudite details. It may perhaps be legitimate to assume literary friends in Florence and Volterra coached him about the topic of his satires, as compositions, remaining none the less strictly and fully his own. To confute his detractors he now wrote the last of the series, entitled Envy.

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Figure Seen from the Rear, drawing

Among the pictures of his last years were the admired Battlepiece and Saul and the Witch of Endor (latter perhaps final work) now in Louvre, painted in 40 days, full of longdrawn carnage, with ships burning in the offing; Pythagoras and the Fishermen; and the Oath of Catiline (Pitti Palace).

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Saul and the Witch of Endor 1668

While occupied with a series of satirical portraits, to be closed by one of himself, Rosa was assailed by dropsy. He died a half year later. In his last moments he married a Florentine named Lucrezia, who had borne him two sons, one of them surviving him, and he died in a contrite frame of mind. He lies buried in the Chiesa degli Angeli, where a portrait of him has been set up. Salvator Rosa, after struggles of his early youth, had successfully earned a handsome fortune.

He was a significant etcher, with a highly popular and influential series of small prints of soldiers, and a number of larger and very ambitious subjects. Rosa was indisputably a leader in that tendency towards the romantic and picturesque. It is an open question how influential his work was in the following decades or in following centuries. Wittkower rightly states that it is his landscapes, not his grand historical or religious dramas, that Rosa truly expresses a novel and innate spark; he may have dismissed them as frivolous cappricci in comparison to his other themes, but these academically conventional canvases often restrained his rebellious streak. In general, in landscapes he avoided the idyllic and pastoral calm countrysides of Claude Lorraine and Paul Brill, and created brooding, melancholic fantasies, awash in ruins and brigands. The contrasts between the artists of his day is illustrated by the lines of Poetry written in 1748: Whate’er Lorraine light touched with softening hue/ Or savage Rosa dashed, or learned Poussin drew. He influenced Gaspar Dughet’s landscape style.

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Etching

In a time when artists where often highly constrained by patrons, Rosa had a plucky streak of independence, which celebrated the special role of the artist. Our wealth must consist in things of the spirit, and in contenting ourselves with sipping, while others gorge themselves in prosperity. He refused to paint on commission or to agree on a price beforehand, and he chose his own subjects. He painted in order to be carried away by the transports of enthusiasm and use my brushes only when I feel myself rapt. This tempestuous spirit became the darling of British Romantics.

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Portrait of the Artists Wife Lucrezia

The satires of Salvator Rosa deserve more attention than they have generally received. There are, however, two recent books taking account of them–by Cesareo, 1892, and Cartelli, 1899. The satires, though considerably spread abroad during his lifetime, were not published until 1719. They are all in terza rima, written without much literary correctness, but remarkably spirited, pointed and even brilliant. They are slashingly denunciatory, and from this point of view too monotonous in treatment. Rosa here appears as a very severe castigator of all ranks and conditions of men, not sparing the highest, and as a champion of the poor and down-trodden, and of moral virtue and Catholic faith. It seems odd that a man who took so free a part in the pleasures and diversions of life should be so ruthless to the ministers of these.

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View of the Gulf of Salerno

The satire on Music exposes the insolence and profligacy of musicians, and the shame of courts and churches in encouraging them. Poetry dwells on the pedantry, imitativeness, adulation, affectation and indecency of poets–also their poverty, and the neglect with which they were treated; and there is a very vigorous sortie against oppressive governors and aristocrats. Tasso’s glory is upheld; Dante is spoken of as obsolete, and Ariosto as corrupting.

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Diogenes Casting Away his Cup 1650s

Painting inveighs against the pictorial treatment of squalid subjects, such as beggars (though Rosa must surely himself have been partly responsible for this misdirection of the art), against the ignorance and lewdness of painters, and their tricks of trade, and the gross indecorum of painting sprawling half-naked saints of both sexes. War (which contains the eulogy of Masaniello) derides the folly of hireling Mter Focke soldiers, who fight and perish while kings stay at home; the vile morals of kings and lords, heresy and unbelief also come in for a flagellation.

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Odyssius and Nausicaa

In Babylon ofrece Rosa represents himself as a fisherman, Tirreno, constantly unlucky in his net-hauls on the Euphrates; he converses with a native of the country, Ergasto. Babylon (Rome) is very severely treated, and Naples much the same.

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Harbor with Ruins 1640-1643

Envy (the last of the satires, and generally accounted the best, although without strong apparent reason) represents Rosa dreaming that, as he is about to inscribe in all modesty his name upon the threshold of the temple of glory, the goddess or fiend of Envy obstructs him, and a long interchange of reciprocal objurgations ensues. Here occurs the highly charged portrait of the chief Roman detractor of Salvator (we are not aware that he has ever been identified by name); and the painter protests that he would never condescend to do any of the lascivious work in painting so shamefully in vogue. Still wondering about an Italian painting in your family collection? Contact us…it could be by Salvator Rosa.


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1995--palmezzano.phpMarco Palmezzano Artwork Authentication & Art Appraisal

Marco Palmezzano (1459 – 1539)

We Perform Marco Palmezzano art authentication. Marco Palmezzano appraisal. Marco Palmezzano certificates of authenticity (COA). Marco Palmezzano analysis, research, scientific tests, full art authentications. We will help you sell your Marco Palmezzano or we will sell it for you.

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The Virgin and Child with the Infant St. John the Baptist

Marco Palmezzano was an Italian painter and architect, who painted in a style recalling earlier Nothern Renaissance models, and was mostly active near Forlì. Palmezzano was born in Forlì, Romagna. After his initial training with the painter Melozzo da Forlì — who had collaborated with Piero della Francesca and was widely esteemed as a master of perspective and foreshortening techniques— Palmezzano went to Rome in the early 1490s.

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Virgin and Child with Saints

It is rumored that Palmezzano may have then traveled to Jerusalem to join the team painting frescoes at the Holy Cross church there, but no documentary evidence exists. He is, however, noted in property records as residing in Venice in 1495. Shortly thereafter, Palmezzano returned to Forlì, where he spent the rest of his long life—apparently with only brief excursions connected with commissions in other places in the region—until his death in 1539.

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Angel

Palmezzano’s studio was prolific in producing altarpieces, most commonly featuring the iconic arrangement of an enthroned Virgin with child on her lap, while below, symmetrically sited in the foreground are flanking saints. Venetian painting, in general, and the work of Giovanni Bellini and Cima da Conegliano, in particular, were to remain the most powerful influences on Palmezzano’s output. Moreover, he remained faithful to the Venetian style of the later 15th and early 16th century. Mannerism entirely passed him by, and he seemed immune to subsequent developments in Venetian painting. One of the most attractive facets of Palmezzano’s oeuvre are the distinctive and suggestive landscapes that form the backdrops of many of his altarpieces. These are a blend of the ideal and lyrical, and of the observed reality of the Apennine foothills and mountains to the south of Forli for which Palmezzano clearly had a real affection. These landscapes are also employed to subtle and imaginative effect to convey the symbolic religious messages of the works.

Chronology of work:

From his early period exists a Crucifixion in the Pinacoteca Civica of Forlì.

• Virgin with Child between Saints Giovanni Battista and Margherita (1492)
• Decorations in the Chapel Feo in Church of San Biagio at Forlì, destroyed in bombing during World War II (1493-34)
• Annunciation altarpiece for Forlì’s Carmelite church (1495-57)
• Virgin and Child with Saints Giacomo and Michele (1490s)
• Madonna and Child with Saints (1493) -Pinacoteca di Brera
• Virgin and Child with Saints John the Baptist and Filippo Bennizi -Gallery of Antique Art of Cassa di Risparmio di Cesena
• Virgin and Child with Saints Francesco and Caterina, created in Matelica (1501)
• Crucifixion between Gualberto and Maddalena
• Holy Communion of Apostles (1506) – Oil on wood, Pinacoteca Civica, Forlì
• The Dead Christ in the Tomb with the Virgin Mary and Saints (1506) – Oil on wood, National Gallery, London
• Virgin and Child Enthroned between Saints John the Baptist and Jerome (1510) – Oil on wood panel, Vatican Picture Gallery
• Dead Christ with Two Angels (1510) – Tempera on panel, 81 x 79 cm, Musée du Louvre, Paris
• Holy Family with Saint Elizabeth and the Infant Saint John (1515) – Oil on wood panel, Vatican Picture Gallery
• Hospital Beaten for Forlì (1517)
• The Baptism of Christ (1535) – Oil on panel, 90 x 70 cm, Pinacoteca Civica, Forlì
• Virgin and Child Surrounded by Saints (1537) – Oil on wood panel, Vatican Picture Gallery
• Christ Bearing the Cross – Oil on wood panel, Vatican Picture Gallery
• Madonna and Child with the Infant Saint John the Baptist – Oil on panel, 65 x 52 cm, Private collection
• The Annunciation with City by the Sea – Oil on wood panel, Vatican Picture Gallery

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The Baptism of Christ

Still wondering about an Italian painting in your family collection? Contact us…it could be by Marco Palmezzano.


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1996--elsheimer.phpAdam Elsheimer Artwork Authentication & Art Appraisal

Adam Elsheimer (1578-1610)

Get a Elsheimer Certificate of Authenticity for your painting (COA) for your Elsheimer drawing.

For all your Elsheimer artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Elsheimer Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Elsheimer painting or drawing.

If you want to sell your Elsheimer painting or drawing use our selling services. We offer Elsheimer selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Elsheimer and issuing certificates of authenticity since 2002. We are recognized Elsheimer experts and Elsheimer certified appraisers. We issue COAs and appraisals for all Elsheimer artworks.

Our Elsheimer paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Elsheimer certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Elsheimer painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Elsheimer paintings or drawings take longer.

Our clients include Elsheimer collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Adam Elsheimer art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Adam Elsheimer or we will sell it for you.

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Holy Family with Angels

Adam Elsheimer was an influential artist in the early 17th century. His paintings were small scale, nearly all painted on copper plates, of the type often known as cabinet paintings. They include a variety of light effects, and an innovative treatment of landscape. He was an influence on many other artists, including Rembrandt and Peter Paul Rubens.

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Jupiter and Mercury in the house of Philemon and Baucis 1608

Elsheimer was one of ten children and the son of a master-tailor. His father’s house (which survived until destroyed by Allied bombs in 1944) was a few metres from the church where Albrecht Dürer’s Heller Altarpiece was then displayed. He was apprenticed to the artist Philipp Uffenbach. He probably visited Strasbourg in 1596. At the age of twenty, he travelled to Italy via Munich, where he is documented in 1598.

His stay in Venice is undocumented, but the influence on his style is clear. He probably worked as an assistant to Johann Rottenhammer, some of whose drawings he owned. Rottenhammer was a German who had been living in Italy for some years, and was the first German painter to specialize in cabinet paintings. Uffenbach had specialized in large altarpieces, and although Elsheimer’s earliest small paintings on copper seem to date from before he arrived in Italy, Rottenhammer’s influence is clear on his mature work.

Elsheimer is believed to have produced some significant works in Venice, such as The Baptism of Christ (National Gallery, London) and The Holy Family (Gemäldegalerie, Berlin) which show the influence of the Venetian painters Tintoretto and Paolo Veronese, as well as Rottenhammer.

In early 1600, Elsheimer arrived in Rome and quickly made friends with contacts of Rottenhammer, notably Johann Faber, a Papal doctor, botanist and collector originally from Bamberg. He was Curator of the Vatican Botanical Garden, and a member of the Accademia dei Lincei, a small intellectual coterie founded in 1603, and mainly concerned with the natural sciences.

Another friend of Rottenhammer was the Flemish landscape painter Paul Bril, already established in Rome, who was (with Faber) a witness at Elsheimer’s marriage, painted a picture together with him (now Chatsworth House), and was owed money by him at his death. Like Faber, Bril was a long-term resident in Rome who had converted from Lutheranism to Catholicism, as Elsheimer did later.

Both Faber and Bril knew Rubens, who was in Rome in 1601, and who became another friend, later reproaching Elsheimer for not producing more work. He knew David Teniers the Elder, recently Rubens’ pupil, and there is evidence that they lodged together. In 1604 Karel van Mander, a Dutchman recently returned from Rome, published his Schilder-Boeck which praised Elsheimer’s work, and described him as slow-working and making few drawings. He also spent much time in churches, studying the works of the masters. Other writers mention his exceptional visual memory, his melancholy and his kind-heartedness. In a letter after his death, Rubens wrote: “he had no equal in small figures, landscapes, and in many other subjects. …one could have expected things from him that one has never seen before and never will see.”

In 1606, Elsheimer married Carola Antonia Stuarda da Francoforte (ie Stuart of Frankfurt- she was of Scottish ancestry and a fellow Frankfurter), and in 1609 they had a son. The son was not mentioned in a census a year later, possibly (Klessman says optimistically) because he had been put out to a wet-nurse. She was the recent widow of the artist Nicolas de Breul (born in Verdun) and after Elsheimer’s death remarried an Italian artist, Ascanio Quercia, within a year of his death. Elsheimer converted to Catholicism by 1608 (possibly 1606). He was admitted to the Accademia di San Luca, the Roman painters’ Guild in 1606, giving them a self-portrait (his only portrait, and only painting on canvas) now in the Uffizi. In spite of his fame and talents, he appears to have both lived and died in difficult financial circumstances.

Elsheimer’s painting of Tobias and the Angel (1602-1603) (the “small” Tobias – now Frankfurt) was especially well received because of its new conception of landscape. This picture was engraved by Count Hendrick Goudt and as a result was published across Europe. However, his association with Goudt, who lodged and trained with him for several years, was difficult. Elsheimer seems to have borrowed money from Goudt, which according to one account resulted in his brief incarceration in Debtor’s prison. After Elsheimer’s early death in 1610, Goudt owned several of his pictures. Goudt made seven engravings of Elsheimer’s paintings, which were crucial in spreading his influence, as very few of his paintings were viewable even by artists; as cabinet paintings they were mostly kept in small and very private rooms.

Elsheimer had a definite preference for chosing rare or original subjects, both for his mythological and religious paintings. Jupiter & Mercury in the house of Philemon & Baucis, (c1608, now Dresden) is based on an episode in Ovid, and had never been painted before. The Mocking of Ceres (US private collection, copy Prado), Apollo and Coronis (Liverpool), and Il Contento (Edinburgh) were equally new. Some of his religious scenes were more conventional, but his selection of the moment to depict, as in St Lawrence prepared for Martyrdom (London), is often unusual.

His prefectionism, and an apparent tendency to depression resulted in a small total output, despite the small size of all his pictures. In all about forty paintings are now generally agreed to be by him (see Kressmann below). He made a few etchings, not very successfully. However, his work was highly regarded by other artists and a few important collectors for its quality. He had a clear and direct influence on other Northern artists who were in Rome such as Paul Bril, Jan Pynas and Pieter Lastman, later Rembrandt’s master, who was probably in Rome by 1605. Rembrandt’s first dated work is a Stoning of St Stephen which appears to be a response to Elsheimer’s painting of the subject, now in Edinburgh. Some works by Italian artists, such as the six pictures from Ovid by Carlo Saraceni now in the Museo di Capodimonte, Naples, also show Elsheimer’s clear influence. Rubens, who owned at least four of his works, knew Elsheimer in Rome, and praised him highly in a letter after his death.

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The Burning of Troy 1604

In a wider sense, he was influential in three respects. Firstly his night scenes were highly original. His lighting effects in general were very subtle, and very different from those of Caravaggio. He often uses as many as five different sources of light, and graduates the light relatively gently, with the less well-lit parts of the composition often containing important parts of it.

Secondly, his combination of poetic landscape with large foreground figures gives the landscape a prominence that had rarely been seen since the Early Renaissance. His landscapes do not always feature an extensive view; often the lushness of the vegetation closes it off. They are more realistic, but no less poetic, than those of Bril or Jan Brueghel, and play a part in the formation of those of Poussin and Claude. His treatment of large figures with a landscape backdrop looks forward, through Rubens and Van Dyke, to the English portrait in the eighteenth century. Soon after his death he became very popular with English collectors, notably King Charles I of England, the Earl of Arundel, and the George Villiers, 1st Duke of Buckingham, and over half his paintings have been in English collections at some time (nearly one third are still in the UK).

Thirdly, his integration of Italian styles with the German tradition he was trained in is perhaps more effective than that of any Northern painter since Dürer (with the exception of his friend Rubens). His compositions tend to underplay the drama of the events they depict (in noticeable contrast to those of Rubens), but often show the start of moments of transformation. His figures are relatively short and stocky, and reflect little of classical ideals. Their poses and gestures are unflamboyant, and their facial expressions resemble those in Early Netherlandish painting rather than the bella figura of most Italian Renaissance work.

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The Flight into Egypt

The largest collection of his work is in Frankfurt. The Alte Pinakothek, Munich has two of his finest night-scene paintings, and Berlin, Bonn, Dresden and Hamburg have paintings. The National Gallery, London has three paintings with others in the National Gallery of Scotland, Edinburgh, Apsley House,Windsor Castle, Petworth House, the Wellcome Institute and Liverpool. The only work on public display outside Europe is a tiny but beautiful one in the Kimbell Art Museum, Fort Worth. There are drawings, especially in the Louvre and Edinburgh. Still wondering about a German painting in your family collection? Contact us…it could be by Adam Elsheimer.


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1997--steiner.phpJohann Nepomuk Steiner Artwork Authentication & Art Appraisal

Johann Nepomuk Steiner (1725-1793)

Get a Steiner Certificate of Authenticity for your painting (COA) for your Steiner drawing.

For all your Steiner artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Steiner Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Steiner painting or drawing.

If you want to sell your Steiner painting or drawing use our selling services. We offer Steiner selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Steiner and issuing certificates of authenticity since 2002. We are recognized Steiner experts and Steiner certified appraisers. We issue COAs and appraisals for all Steiner artworks.

Our Steiner paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Steiner certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Steiner painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Steiner paintings or drawings take longer.

Our clients include Steiner collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Johann Nepomuk Steiner art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Johann Nepomuk Steiner or we will sell it for you.

Altar

Altar

Johann Nepomuk Steiner was an 18th century painter. He mainly painted portraits and religious compositions. Still wondering about an 18th century painting in your family collection? Contact us…it could be by Johann Nepomuk Steiner.


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1998--francesca-della.phpPiero della Francesca Artwork Authentication & Art Appraisal

Piero della Francesca (1420 – 1492)

Get a Della Francesca Certificate of Authenticity for your painting (COA) for your Della Francesca drawing.

For all your Della Francesca artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Della Francesca Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Della Francesca painting or drawing.

If you want to sell your Della Francesca painting or drawing use our selling services. We offer Della Francesca selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Della Francesca and issuing certificates of authenticity since 2002. We are recognized Della Francesca experts and Della Francesca certified appraisers. We issue COAs and appraisals for all Della Francesca artworks.

Our Della Francesca paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Della Francesca certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Della Francesca painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Della Francesca paintings or drawings take longer.

Our clients include Della Francesca collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Piero della Francesca art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Piero della Francesca or we will sell it for you.

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Self-Portrait *detail from Resurrection

Piero della Francesca was an Italian artist of the Early Renaissance. To contemporaries, he was known as a mathematician and geometer as well as an artist, though now he is chiefly appreciated for his art. His painting was characterized by its serene humanism and its use of geometric forms, particularly in relation to perspective and foreshortening.

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Resurrection

Piero was probably born and died in Borgo Santo Sepolcro, Tuscany. Most of his work was performed in the Tuscan town of Arezzo. He may have learned his trade from one of several Sienese artists working in San Sepolcro during his youth.

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Madonna and Child with Saints

By 1439 Piero was working with Domenico Veneziano on frescoes for the hospital of Santa Maria Nuova in Florence. He also worked in Rimini, Ferrara, and Rome. In Ferrara, his influence is particularly strong in the allegorical works of Cosimo Tura. Among his disciples is Melozzo da Forlì.

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The Baptism of Christ 1450

His deep interest in the theoretical study of perspective and his contemplative approach to his paintings are apparent in all his work, including the panels of the S. Agostino altarpiece. Among other mathematical writing, later in life he wrote a treatise, De prospectiva pingendi, on the rules of mathematical foreshortening applied to any object, be it a cube or human head. He died the very day Christopher Columbus discovered America.

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The Duke and Duchess of Urbino

Still wondering about a 15th century Italian painting in your family collection? Contact us…it could be by Piero della Francesca.


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1999--dreux.phpAlfred de Dreux Artwork Authentication & Art Appraisal

Alfred de Dreux (1810-1860)

We Perform Alfred de Dreux art authentication. Alfred de Dreux appraisal. Alfred de Dreux certificates of authenticity (COA). Alfred de Dreux analysis, research, scientific tests, full art authentications. We will help you sell your Alfred de Dreux or we will sell it for you.

Alfred de Dreux specialized in equestrian and dog paintings, and was himself a frequent horse rider and hunter. He was a Parisian gentleman and social figure who died tragically after being challenged to a duel.

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White Horse

In his childhood, de Dreux met with fellow painter Theodore Gericault who was a friend of the family. It was at Gericault’s studio that he learned to paint and also cultivated a love for horse riding and painting equestrian portraits.

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Horse Going into Battle, litho

De Dreux was also known to create paintings of not just French and English nobility on horseback, but “oriental” nobility and other cultures as well.

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King on a Horse

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An African Groom Holding a Stallion With a Dog

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The Pasha’s Pride

At the age of 21, de Dreux had his first exhibition of his horse paintings that was met with great success. He became famous for his series of equestrian portraits and was often commissioned by nobility and high society figures.

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Equestrian Portrait of Napoleon III

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The Amazone

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Life at the Chateau

De Dreux’s style can be easily noted by his talent for creating beautiful landscapes, noble poses and always a hunting or equestrian theme. He painted in the Classical style and was not known to create a great number of portraits, still life or landscapes which did not incorporate a four legged animal.

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In an Armchair

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Two French Hounds

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Dogs, lithograph

Today his work is housed all over France and Europe, including in the Louvre, as well as in the United States, Russia and Mexico. He was quite prolific and popular throughout his entire career, so the possibility of owning one of his exquisite oil paintings or prints is very likely. However, his style was so similar to fellow painter and teacher Gericault that it would truly take the work of an authenticator to distinguish between the two.

If you suspect you own a work by De Dreux, please contact us.

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Morning Gallop

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2000--latapie.phpLouis Latapie Artwork Authentication & Art Appraisal

Louis Latapie (1895-1973)

Get a Latapie Certificate of Authenticity for your painting (COA) for your Latapie drawing.

For all your Latapie artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Latapie Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Latapie painting or drawing.

If you want to sell your Latapie painting or drawing use our selling services. We offer Latapie selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Latapie and issuing certificates of authenticity since 2002. We are recognized Latapie experts and Latapie certified appraisers. We issue COAs and appraisals for all Latapie artworks.

Our Latapie paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Latapie certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Latapie painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Latapie paintings or drawings take longer.

Our clients include Latapie collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Louis Latapie art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Louis Latapie or we will sell it for you.

Latapie, The Guitar with the Fruit Dish

The Guitar with the Fruit Dish

Latapie, Boissierettes, 1920

Boissierettes, 1920

Latapie, Still Life with Fruit

Still Life with Fruit
Oil on Canvas,23.63 x 28.63 in

Louis Latapie was a French painter, known mostly for his Cubist compositions and still life and nude paintings. Born Louis Robert Arthur Latapie, he showed interest in art as a boy, and luckily for him, his family moved to Paris in 1900.

Still Life, 1925

Still Life,1925

His earliest training was under Jean-Paul Laurens and enrolled in the Julien Academy in 1911. That same year, Latapie also took courses at the Ranson Academie, where he discovered Cubism under the supervision of Paul Serusier.

Latapie, Violin, 1953

Violin, 1953

Latapie, Head of Woman

Head of Woman
Oil on Canvas

Latapie, Pen and Watercolor

Pen and Watercolor drawing
20 x 13 cm

World War I put a temporary damper on Latapie’s career, when he was stationed in Albi, and later mobilized in 1914. The war took a great toll on Latapie because he was wounded three times and also lost one of his brothers in the war. By 1920, Latapie was able to again devote himself to art and also became a professor at the Ranson Academy. Latapie was finally able to expose his work in 1922, including a number of well-received one-man shows at the Galerie Druet. However, he was set back again when his wife mysteriously disappeared that same year. As a result he moved to Toulon in 1925, and met fellow artist Juan Gris. In 1927, Latapie remarried and moved to Paris, and spent the next few years teaching and living between Toulon and Paris.

Latapie, Petite Cariatide

Petite Cariatide

Latapie, Petite Cariatide

In the Studio, 1953

During this time, Latapie continued to paint in a Cubist style. He served in the war again briefly during World War II in 1939, and in the mid 1940s he bought a workshop in Seine-Port. During this time, he would exhibit along Desnoyer, Fautrier and others and became associated with the School of Paris. He also began create designs for tapestries in the early 1950s, and shortly afterwards, his work began to sway towards Abstraction.

Latapie, Self Portrait, 1928

Self Portrait, 1928

Towards the end of his career, Latapie was commissioned to create murals and mosaics for public buildings. Throughout his career, his styles and techniques changed often, and he sometimes signed his work “Latapie” in cursive on the front of his canvas. He continued to work himself until his own mysterious disappearance in 1972, which is the assumed date of his death. Today his work is housed all over Europe, and perhaps in your own home. Still wondering about a Cubist painting hanging on your wall? Contact us to find out… we are the Louis Latapie experts.


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2001--peale_rembrandt.phpRembrandt Peale Artwork Authentication & Art Appraisal

Rembrandt Peale (1778-1860)

Do you think you may own a painting by Rembrandt Peale?

We Perform Rembrandt Peale art authentication. Rembrandt Peale appraisal. Rembrandt Peale certificates of authenticity (COA). Rembrandt Peale analysis, research, scientific tests, full art authentications. We will help you sell your Rembrandt Peale or we will sell it for you.

Self-Portrait

Self-Portrait

Rembrandt Peale was an early American portrait painter, born in Pennsylvania. He camefrom a family of talented artists and was the second son of famous painter Charles Willson Peale and the brother of fellow painters Raphaelle and Rubens Peale. Like his brother, Peale was trained by his father and became one of the leading portrait painters of his day.

Rubens Peale

Rubens Peale

He began to paint portraits at the age of 17, and eventually traveled to London to study under his father and Benjamin West for three years. Peale also traveled the east coast of the United States from 1795-1800 with his brother, Raphaelle painting portraits of prominent figures in each of the towns they visited from New York to Georgia.

William Short 1806

William Short 1806

Mrs. Halsey 1835

Mrs. Halsey 1835

Robert Patterson

Robert Patterson

HPeale, like his father and brother, painted portraits of prominent people of the day, including important early American figureheads like George Washington and Thomas Jefferson. Peale, like so many other artists of the day, created a series of portraits of George Washington. His portrait of Jefferson has been hailed as the standalone masterpiece in his oeuvre.

Washington 1795

Washington 1795

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Washington

George Washington on Horseback

George Washington on Horseback

Washington Before Yorktown 1824

Washington Before Yorktown 1824

Jefferson

Jefferson

Thomas Jefferson 1800

Thomas Jefferson 1800

Rembrandt Peale was perhaps one of the more talented painters in his family, exceeding even his father in mastery of portraiture. Peale portrayed his sitters looking very dignified, realistic and luminous. Perhaps Peale’s success in portraiture was due to the fact that his father, Charles Willson, was more interested in being a “Renaissance Man” and did not devote himself wholly to art. His brother, Raphaelle, was also more interested in still life compositions. Undoubtedly, Rembrandt appears to be the master of portraiture in his family, not unlike the old master Rembrandt which was his namesake.

Louis Clapier

Louis Clapier

Dr. John Davidson Godman

Dr. John Davidson Godman

portrait of a man

portrait of a man

One of the most intriguing things about Rembrandt Peale’s portraits is the attention given to the expression and position of his sitters. Each of his sitters has their own personality and Rembrandt Peale was not afraid to portray them situated in unusual profiles, amusing positions and interesting compositions. While many other portrait painters in early America were subscribing to a regimented method of creating portraiture, Rembrandt Peale had a slightly more loose method.

Michael Angelo and Emma Clara Peale

Michael Angelo and Emma Clara Peale

Girl at a Window

Girl at a Window

Samuel Elliot

Samuel Elliot

Rembrandt Peale also certainly created a few landscapes and still life compositions throughout his career, though these are far less common or grand. Peale created lithographs as well, and like his father, was something of a renaissance man and wrote and lectured on natural history.

Niagara Falls, American Side

Niagara Falls, American Side

Peale also painted genre scenes and was the court appointed painter to Napoleon I while he was living in Paris from 1808-1810. Upon his return from Europe, Peale took over for John Trumbull as the President of the American Academy. He also became one of the founding members of the rival Academy of Design, and helped his father to run their museum in Baltimore.

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Boy From the Taylor Family

Rosalba Peale

Rosalba Peale

Three Children

Three Children

Today, Rembrandt Peale’s portraits and paintings are housed in public and private collections world wide, and perhaps in your own home. Still wondering about an heirloom portrait hanging in your family’s estate? Contact us…it could be by Rembrandt Peale.


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2003--knight.phpDaniel Knight Artwork Authentication & Art Appraisal

Daniel Ridgway Knight (1839 – 1924)

Get a Knight Certificate of Authenticity for your painting (COA) for your Knight drawing.

For all your Knight artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Knight Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Knight painting or drawing.

If you want to sell your Knight painting or drawing use our selling services. We offer Knight selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Knight and issuing certificates of authenticity since 2002. We are recognized Knight experts and Knight certified appraisers. We issue COAs and appraisals for all Knight artworks.

Our Knight paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Knight certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Knight painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Knight paintings or drawings take longer.

Our clients include Knight collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Daniel Knight art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Daniel Knight or we will sell it for you.

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At the Well

Daniel Knight was an American artist born at Philadelphia, Pennsylvania. He was a pupil at the Ecole des Beaux-Arts, Paris, under Gleyre, and later worked in the private studio of Meissonier. After 1872 he lived in France, having a house and studio at Poissy on the Seine.

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Life is Sweet 1900-1915

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The Letter

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An Autumn Evening

He painted peasant women out of doors with great popular success. He was awarded the silver medal and Cross of the Legion of Honor, Exposition Universelle, Paris, 1889, and was made a Knight of the Royal Order of St. Michael of Bavaria, Munich, 1893, and receiving the gold medal of honor from the Pennsylvania Academy of the Fine Arts, Philadelphia, 1893. His son, Louis Aston Knight (1873 – 1948), is also known as a landscape painter.

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The Gossips

Still wondering about a late 19th century American landscape painting in your family collection? Contact us…it could be by Daniel Ridgeway Knight.


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2004--pezold.phpAugust Georg Wilhelm Pezold Artwork Authentication & Art Appraisal

August Georg Wilhelm Pezold (1794–1859)

Do you think you may own a painting by August Georg Wilhelm Pezold?

We Perform August Georg Wilhelm Pezold art authentication. August Georg Wilhelm Pezold appraisal. August Georg Wilhelm Pezold certificates of authenticity (COA). August Georg Wilhelm Pezold analysis, research, scientific tests, full art authentications. We will help you sell your August Georg Wilhelm Pezold or we will sell it for you.

1. Self-Portrait. 1855. Pastel

1. Self-Portrait. 1855. Pastel

2. Portrait of Doeppi Family. 1845. Oil on Canvas. Eesti Art Museum.

2. Portrait of Doeppi Family. 1845. Oil on Canvas. Eesti Art Museum.

August Georg Wilhelm Pezold was a Baltic-German artist born in Rakvere, Estonia. Pezold was both a painter and printmaker, who produced a number of lithographs. Before deciding to be an artist, Pezold studied medicine at the University of Dorpat in Tartu. After changing, course, Pezold studied at art academies in Berlin and Vienna, which gave him the chance to tour Europe.

3. A Portrait of a Woman. 1816. Pencil on paper. Art Museum of Estonia.

3. A Portrait of a Woman. 1816. Pencil on paper. Art Museum of Estonia.

Pezold returned to Estonia in 1821, where he worked as a portrait painter. His talent and ambitions soon led him to travel again, for a teach post in St. Petersburg where he was named a “free artist.”

4. Portrait of a Young Man. 1824. Pencil, gouache, watercolor. Art Museum of Estonia.

4. Portrait of a Young Man. 1824. Pencil, gouache, watercolor. Art Museum of Estonia.

Pezold continued painting portraits, along with landscapes and genre scenes of peasants. His paintings and lithographs were widely exhibited and are now in major art museums and collections around the world. A large number of his lithographs and drawings are at the Eesti Kunstmuuseum or the Art Museum of Estonia in Tallinn.

5. Italian Landscape. Undated. Watercolor on paper. Art Museum of Estonia.

5. Italian Landscape. Undated. Watercolor on paper. Art Museum of Estonia.

If you think you may own original artwork by August Georg Wilhelm Pezold, contact Art Certification Experts for information regarding our services.


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2005--chagall.phpMarc Chagall Artwork Authentication & Art Appraisal

Marc Chagall (Марк Захарович Шагал) (1887-1985)

Get a Chagall Certificate of Authenticity for your painting or a COA for your Boucher drawing or print.

For all your Chagall artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Chagall Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Chagall painting, drawing or print.

If you want to sell your Chagall painting, drawing or print use our selling services. We offer Chagall selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Chagall and issuing certificates of authenticity since 2002. We are recognized Chagall experts and Chagall certified appraisers. We issue COAs and appraisals for all Chagall artworks.

Our Chagall paintings, drawings and print authentications are accepted and respected worlwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Chagall certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Chagall painting, drawing or print anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Chagall paintings or drawings take longer.

Our clients include Chagall collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Marc Chagall art authentication, appraisal, certificates of authenticity (COA) , analysis, research, scientific tests , full art authentications. We will help you sell your Marc Chagall or we will sell it for you.

Marc Chagall was a Russian-born French painter. Born on July 7, 1887, he came from humble, Jewish beginnings. At a young age, his mother encouraged him to pursue his interest in art. She enrolled him in a St. Petersburg art school. In 1910, he moved to Paris where he was exposed to Fauvism, which often dealt with traditional landscapes painted in an untraditional way. He also experimented a bit with Cubism. In 1912, Chagall held his first solo exhibition.

Chagall visited Russia two years later. The outbreak of war kept him from returning to Paris. He settled in Vitebsk and was appointed Commissioner for Art in 1918. He then founded the Vitebsk Popular Art School. He oversaw the school until disagreements with the Supremists prompted him to resign two years later.

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Rain, 1911

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Bride With a Fan, 1911

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I and the Village, 1911

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The Birthday, 1915

In 1923, Chagall truly found himself artistically while in Paris. Some of the movements of the time came as a shock to him. Although he sometimes experimented with them briefly, he eventually discarded them, opting for his own style, a style that was imaginative and almost magical, incorporating bold color schemes.

Chagall was commissioned to produce black and white etchings and lithography. Although he was new to the medium, his talent is evident in the tentative creations. His only frustration was the lack of color that he felt creatively inhibited him.

Chagall had been commissioned to do many of these etchings style projects, and although he wholeheartedly devoted himself to producing excellent work, he felt that the lack of color was a hindrance on his creative ability. When he fled to America, he created color prints. Thirteen lithographs were published in 1948, a brilliant achievement for someone so new to the medium.

As his career evolved, Chagall found his niche in lithography. Many of his lithographs are still sold today. They often have similar features. Although bold in color and abstract, they are quite different from a Picasso creation. Henri Deschamps who printed some of Chagall's lithographs said that he didn't think it was possible for Chagall to paint like Picasso because being Jewish, he saw things in a different light because of his origin.

Chagall's paintings are much softer and never harsh like many of Picasso's. There is an underlying lyrical quality to the lithographs.

Chagall found color lithography to be the ideal medium for his art. Color is splashed through his work with waves of intensity. From subtle bursts of color to solid, dark splashes, the lithographs are eye-catching and vivid. As Chagall embraced his medium of choice, he created over 1,000 color and black and white lithographs.

When looking back on his body of work, each piece has something in common. These magical creations are rich in color and defy the conventions of our everyday world.

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The Juggler, 1943

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Violinist Blue

Marc Chagall will always be known as one of the most popular artists of his century. He challenged the themes of science and reason by luring his viewers in through brilliant color and abstract representations of his subject matter. The fact that Chagall hated being labeled as falling under one particular art movement is evident in his art, which seems to have a genre of its own.

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The Sky, 1960

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Violinist with a Rooster, 1982

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Bouquet With a Blue Sky, 1984

 


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2006--matthews.phpArthur F. Matthews Artwork Authentication & Art Appraisal

Arthur F. Matthews (1860-1945)

Get a Matthews Certificate of Authenticity for your painting (COA) for your Matthews drawing.

For all your Matthews artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Matthews Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Matthews painting or drawing.

If you want to sell your Matthews painting or drawing use our selling services. We offer Matthews selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Matthews and issuing certificates of authenticity since 2002. We are recognized Matthews experts and Matthews certified appraisers. We issue COAs and appraisals for all Matthews artworks.

Our Matthews paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Matthews certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Matthews painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Matthews paintings or drawings take longer.

Our clients include Matthews collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Arthur F. Matthews art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Arthur F. Matthews or we will sell it for you.

Mathews, Youth

Youth

Mathews, The Grape

The Grape

Arthur F. Matthews was an American painter of the American Arts and Crafts Movement. Matthews was born in Markesan, Wisconsin but spent most of his childhood in San Francisco. Matthews’ father moved the family to California in 1866 to work as an architect. Matthews assisted his father and learned a great deal about architecture.

Mathews, Afternoon Among the Cypress

Afternoon Among the Cypress

Matthews enrolled at the California School of Design and studied painting under Virgil Williams. Matthews had various jobs in San Francisco, working as an illustrator, designer and lithographer.

Mathews, Vision of Saint Francis

Vision of Saint Francis

In 1885 Matthews travelled to Paris to study at the Académie Julian. Matthews was instructed by Gustave Boulanger and Jules Lefebvre. After four years in Paris, Matthews returned to California to teach at the San Francisco Art Students League and the California School of Design. In 1890 Matthews became the director of the California School of Design. Matthews made a great impact on the Academy and the development of art in California. Many of Matthews students became well-known artists, such as Percy Gray, Xavier Martinez and Maynard Dixon.

Mathews, Nudes in the Landscape

Nudes in the Landscape

Mathews, Woman and children picking poppies in landscape

Woman and children picking poppies in landscape

Mathews, Spring Dance

Spring Dance

In 1906 after the San Francisco earthquake, Matthews left his teaching jobs to open a store of self-designed furniture and to publish Philopolis, a monthly arts and crafts magazine. Matthews was also commissioned to paint several murals, including a series for the State Building in Sacramento, California.

Matthews was known to work in a variety of media, ranging from oil paints, fresco, gouache and watercolor. The Oakland Museum of California boasts the largest collection of Matthews work. Matthews work can also be found at the Metropolitan Museum of Art in New York and numerous private collections throughout the United States. Do you think you may own a painting by Arthur F. Matthews? Contact us. We are the Arthur F. Matthews experts.


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2008--savitsky.phpKonstantin Savitsky Artwork Authentication & Art Appraisal

Konstantin Savitsky (Константин Апполонович Савицкий) (1844-1905)

Get a Savitsky Certificate of Authenticity for your painting (COA) for your Savitsky drawing.

For all your Savitsky artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Savitsky Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Savitsky painting or drawing.

If you want to sell your Savitsky painting or drawing use our selling services. We offer Savitsky selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Savitsky and issuing certificates of authenticity since 2002. We are recognized Savitsky experts and Savitsky certified appraisers. We issue COAs and appraisals for all Savitsky artworks.

Our Savitsky paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Savitsky certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Savitsky painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Savitsky paintings or drawings take longer.

Our clients include Savitsky collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Konstantin Savitsky art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Konstantin Savitsky or we will sell it for you.

Repairing the Railroad

Repairing the Railroad

Konstantin Savitsky was a Russian realist painter born in the city of Taganrog in the village Frankovka or Baronovka, named after former governor Otto Pfeilizer-Frank. Today this area is occupied by Taganrog Iron and Steel Factory TAGMET. Savitsky’s family lived in the building of Taganrog Gymnasium for Boys, where his father worked as a doctor. In Frankovka the family rented a summer house. Savitsky spent his childhood and youth in Taganrog. He showed an interest for painting in the early childhood. Being on the shore of Azov Sea with his parents, he loved to make sketches, and drawing lessons at Gymnasium were his favorite subject.

When Konstantin was a fifth-grader at Taganrog Gymnasium, his life changed unexpectedly when both of his parents suddenly died. Kostya was taken by his uncle who lived in present-day Latvia and became his guardian. There Savitsky entered a private boarding-school and in 1862 he graduated and left for Saint Petersburg, where entered The Imperial Academy of Arts in Saint Petersburg. Personal contacts with outstanding representatives of Russian culture – Ilya Repin, Ivan Shishkin, Viktor Vasnetsov, Mark Antokolski, Stasov, Nikolai Mikhailovich Karamzin – made a great influence on development of the young artist.

Soon Savitsky became one of the best students of the Imperial Academy of Arts. His student paintings were awarded with silver medals and for his painting “Cain and Abel”1871 he received a gold medal. After graduation from Imperial Academy of Arts and two years abroad, the artist becomes co-partner of mobile art exhibitions (Peredvizhniki, a group of Russian realist artists who in protest to academic restrictions formed an artists’ cooperative, which evolved into the Society for Traveling Art Exhibitions in 1870. The artwork “Repairing Railway” was one of the first paintings of that time dedicated to life of the working class.

Konstantin Savitsky is a co-author of the famous painting Morning in the Pine Forest. On the original Peredvizhniki exhibition the painting was shown by two authors Ivan Shishkin and Konstantin Savitsky. It was assumed that Savitsky had painted the bears and Shishkin the forest but later the scholars found that preparational drawing of the pine forest were made by both Savitsky and Shishkin. Later Savitsky withdrew his signature from the painting and it is currently exponated as a sole Shishkin’s work.

The titles of his artworks as “Lost all their possessions in the fire”, “To war”, “Herdsmen”, “Krutchnik”, “Argument at the Bound” speak about the direction of his art. After graduation from Imperial Academy of Arts the artist dedicated more than 20 years to teaching arts in the art schools of Moscow, Saint Petersburg and Penza. In 1897 Konstantin Savitsky became member of the Imperial Academy of Arts.

Still wondering about a 19th century Russian painting in your family collection? Contact us…it could be by Konstantin Savitsky.


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2010--delatour.phpMaurice Quentin de la Tour Artwork Authentication & Art Appraisal

Maurice Quentin de la Tour (1704-1788)

Maurice Quentin de la Tour art authentication. Maurice Quentin de la Tour appraisal. Maurice Quentin de la Tour certificates of authenticity (COA). Maurice Quentin de la Tour analysis, research, scientific tests, full art authentications. We will help you sell your Maurice Quentin de la Tour or we will sell it for you.

Self-Portrait 1751

Self-Portrait 1751

Maurice Quentin de la Tour was a French portrait painter of the Rococo style, who worked primarily with pastels. Among his most famous subjects were Voltaire, Louis XV, and Madame de Pompadour. He was born in Saint-Quentin, Aisne, the son of a musician who disapproved of his painting career. At the age of fifteen, La Tour went to Paris where he entered the studio of the Flemish painter Jacques Spoede. He then went to Rheims in 1724, and England in 1725, returning to Paris to resume his studies around 1727. After his return to Paris, he began working with pastels.

Madame de Pompadour

Madame de Pompadour

In 1737 La Tour exhibited the first of a splendid series of 150 portraits that served as one of the glories of the Paris Salon for the next 37 years. He was able to endow his sitters with a distinctive air of charm and intelligence, and he excelled at capturing the delicate play of facial features.

Portrait of Brother Fiacre

Portrait of Brother Fiacre

In 1746, he was received into the Academie Royale and in 1751 was promoted to councillor. La Tour was made portraitist to the king in 1750, a position he held until 1773, when he suffered a nervous breakdown. For a time, the painter Joseph Ducreux was his only student. He founded an art school and became a philanthropist before being confined to his home because of mental illness. He retired at the age of 80 to Saint-Quentin.

Self-Portrait

Self-Portrait

de la Tour Discovery

artThe director of the Instituto Cervantes, César Antonio Molina, the director of the Museo del Prado, Miguel Zugaza, and Professor José Milicua, a Trustee of the Museum, today announced the discovery of a previously unknown work by the French artist Georges de la Tour (1593-1652).

The attribution was made by Professor Milicua, while the painting belongs to the Spanish State and was on long term deposit at the Palacio de la Trinidad, headquarters of the Instituto Cervantes.

The discovery of the painting, now identified as undoubtedly a work by La Tour depicting Saint Jerome reading a Letter, is an exceptionally important one, as it represents a further addition to the small corpus of known works by the leading French painter of the 17th century. Only one other work by La Tour is to be found in Spain: the Blind Man playing the Hurdy-gurdy, acquired by the Museo del Prado in 1991 with funds from the Villaescusa Bequest.

The recently discovered painting of Saint Jerome reading a Letter by Georges de la Tour depicts the saint half-length, without any specific attributes, situated in the centre of the composition and reading a letter, holding a pair of pince-nez.

Given the lack of documentary evidence, the attribution­ as argued in the report by Professor Milicua and the opinion of other experts consulted – has been based on the quality of handling, which is comparable to other autograph works by the artist. It can be detected in details such as the free brushwork of the hair and the characteristic light touches to the picture surface made with the point of the brush, as well through comparisons with other similar compositions.

Until now, the only early biographical reference to locate a work by La Tour in Spain is a reference by the Count de Maule, a 19th-century traveler.

In 1813, the Count pointed to the existence of the painting “Man blowing on an ember to light his pipe, by Georges de la Tour” in the collection of Sebastián Martínez, a collector and friend of Goya who lived in Cadiz.

The whereabouts of that canvas is now unknown, although a number of copies exist.

For this reason, the first and only work which has until now filled the total gap in this great master’s representation in Spain is the painting acquired in London by the Museo del Prado in 1991, once again underlining the importance of the present discovery of Saint Jerome reading a Letter.

Recognition of Georges de la Tour as one of the most important French painters of the 17th century dates back to 1915, when the great German connoisseur Hermann Voss definitively identified De La Tour as the author of some of his famous night scenes.

Since then, various exhibitions and a recent bibliography have added to and disseminated our knowledge of the artist’s oeuvre. The only exhibition to have been devoted to De La Tour in Spain was the one held in 1994 at the Museo del Prado, which reunited the series of “Musicians”, with a catalogue by Juan J. Luna, Curator at the Museum.

Georges de La Tour was born in Vic sur la Seille (Lorraine) in 1593 and died in Lunéville (Lorraine) in 1652. He is known to have been “painter in ordinary” to the King of France and to have received commissions from the Duke of Lorraine as well as other leading members of the regional aristocracy, but the high esteem in which he was held during his lifetime soon declined after his death.

For this reason, there is little secure information with regard to his artistic training, although his evident early absorption of elements of Caravaggio’s style may point to a possible study trip to Italy. On the other hand, he may have gained this knowledge in Flanders or, less probably, in Paris.

Still wondering about an 18th century French painting in your family collection? Contact us…it could be by Maurice Quentin de la Tour.


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2012--aertsen.phpprepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "aertsen" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "aertsen" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> <?php echo $titletext ?>
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2013--piombo-del.phpSebastiano del Piombo Artwork Authentication & Art Appraisal

Sebastiano del Piombo (1485- 1547)

We Perform Sebastiano del Piombo art authentication. Sebastiano del Piombo appraisal. Sebastiano del Piombo certificates of authenticity (COA). Sebastiano del Piombo analysis, research, scientific tests, full art authentications. We will help you sell your Sebastiano del Piombo or we will sell it for you.

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Portrait of Pope Clement VII

Sebastiano del Piombo, byname of Sebastiano Luciani, was an Italian Renaissance-Mannerist painter of the early 16th century famous for his combination of the colors of the Venetian school and the monumental forms of the Roman school.

He belongs to the Venetian school, but was active for a large portion of his career in Rome. At first a musician, chiefly a soloist on the lute, he was in great request among the Venetian nobility. He soon showed a turn for painting, and became a pupil of Giovanni Bellini and afterwards of Giorgione, whose influence is apparent in his works. Some of Sebastiano’s works were indeed confused with Giorgione’s, i.e. the Salomè of 1510.

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Salome with the Head of John the Baptist

His first painting of note was done for the church of San Giovanni Crisostomo in Venice, and is so closely modelled on the style of Giorgione that in its author’s time it often passed for the work of that master. It represents Saint John Chrysostom reading aloud at a desk, a grand Magdalene in front, and two other female and three male saints.

Towards 1511-1512 del Piombo aided Baldassarre Peruzzi in mythologic themes for lunettes in the Sala di Galatea in the villa now-called the Farnesina. There he would have worked alongside Raphael, and executed some mythology-inspired frescoes.

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The Death of Adonis 1511

According to Vasari, Michelangelo befriended Sebastiano and offered pictorial designs for him to develop in paint. Four pictures for which this is claimed are the Pietà in the church of the Conventuali, Viterbo; the Transfiguration and the Flagellation in the Borgherini Chapel of the church of San Pietro in Montorio, Rome; and, most celebrated of all, the Raising of Lazarus, now in the National Gallery, London. This grand work – more remarkable for general strength of pictorial perception than for qualities of detailed intellectual or emotional expression – is more than 3,5 by 2,5 meters in dimensions, with the principal figures of the natural size transferred from wood to canvas in 1771. It was painted in 1517-1519 for Giulio de Medici, for the bishop of Narbonne, afterwards Pope Clement VII; and it remained in Narbonne cathedral until purchased by the duke of Orleans early in the eighteenth century, coming to England with the Orleans gallery in 1792. It has been generally admitted that the design of Michelangelo appears in the figure of Lazarus and of those who are busied about him (the British Museum contains two sketches of the Lazarus regarded as Michelangelo’s handwork); but whether he actually touched the panel, as has often been said, appears more than doubtful, as he left Rome about the time when the picture was commenced. Raphael’s Transfiguration was painted for the same patron and the same destination. The two works were exhibited together, and some admirers did not scruple to give the preference to Sebastiano.

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The Raising of Lazarus

Flagellation of Christ, though ordinarily termed a fresco, is, according to Vasari, painted in oil upon the wall. This was a method first practised by Domenico Veneziano, and afterwards by other artists; but Sebastiano alone succeeded in preventing the blackening of the colours. The contour of the figure of Christ in this picture is supposed by many to have been supplied by Buonarroti’s own hand. Sebastiano, always a tardy worker, was occupied about six years upon this work, along with its companion the Transfiguration, and the allied figures of saints.

After the elevation of Giulio de Medici to the pontificate, the office of the piombo (or leaden seal) that is, the office of sealer of briefs of the apostolic chamber became vacant; two painters competed for it, Sebastiano Luciani, hitherto a comparatively poor man, and Giovanni da Udine. Sebastiano, assuming the habit of a friar, secured the very lucrative appointment with the proviso that he should pay out of his emoluments 300 scudi per annum to Giovanni. If he had heretofore been slow in paintings he became now supine in a marked degree.

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Portrait of a Humanist 1520

One of the few subject-pictures which he executed after taking office was Christ carrying the Cross for the patriarch of Aquileia, also a Madonna with the body of Christ. The former painting is done on stone, a method invented by Sebastiano himself. He likewise painted at times on slate-as in the instance of Christ on the Cross, now in the Berlin gallery, where the slate constitutes the background. In the same method, and also in the same gallery, is the Dead Christ supported by Joseph of Arimathea, with a weeping Magdalene colossal half-length figures.

Late in life Sebastiano had a serious disagreement with Michelangelo with reference to the Florentine’s great picture of the Last Judgment. Sebastiano encouraged the pope to insist that this picture should be executed in oil. Michelangelo, determined from the first upon nothing but fresco, tartly replied to his holiness that oil was only fit for women and for sluggards like Friar Sebastian; and the coolness between the two painters lasted almost up to the friar’s death. This event, consequent upon a violent fever acting rapidly upon a very sanguine temperament, took place in Rome in 1547. Sebastiano directed that his burial, in the church of Santa Maria del Popolo, should be conducted without ceremony of priests, friars or lights, and that the cost thus saved should go to the poor.

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The Martyrdom of St. Agatha 1520

Numerous pupils sought training from Sebastiano del Piombo; but, owing to his dilatory and self-indulgent habits, few adapted his style with the exception of Tommaso Laureti. Sebastiano, conscious of his deficiency in the higher sphere of invention, made himself especially celebrated as a portrait painter: the likeness of Andrea Doria, in the Doria Palace, Rome, is one of the most renowned. In the National Gallery, London, are two fine specimens; one canvas represents the friar himself, along with Cardinal Ippolito de Medici; the other, a portrait of a lady in the character of St Agatha, used to be identified with one of Sebastiano’s prime works, the likeness of Julia Gonzaga (painted for her lover, the aforenamed cardinal), but this assumption is now discredited. Other portraits include those of Marcantonio Colonna, Vittoria Colonna, Ferdinand marquis of Pescara, Popes Adrian VI, Clement VII and Paul III, Sanmicheli, Anton Francesco degli Albizzi and Pietro Aretino. One likeness of the last-named sitter is in Arezzo and another in the Berlin gallery.

Partial anthology of works:

  • Saint John Chrysostom (1509)
  • Polyphemus (1511) – fresco, Villa Farnesina, Rome
  • The Metamorphosis (1511) – fresco, Villa Farnesina, Rome
  • Salome
  • Martyrdom of St. Agatha – Palazzo Pitti, Florence
  • Transfiguration and the Flagellation San Pietro in Montorio, Rome
  • Portrait of a Man (c. 1515) – Oil on poplar, 115 x 94 cm, Museum of Fine Arts, Budapest
  • Portrait of a Girl (c. 1515) – Oil on wood, 52,5 x 42,8 cm, Museum of Fine Arts, Budapest
  • Portrait of a Warrior (c. 1515)
  • Pietà (c. 1517) – Panel painting, Museo Civico, Viterbo, Italy
  • The Raising of Lazarus (1519) National Gallery, London
  • Portrait of Andrea Doria (1526) Galleria Doria Pamphilj, Rome
  • Portrait of Clement VII (1526) Getty Museum, Los Angeles
  • Birth of the Virgin (???) – Oil on peperino, Santa Maria del Popolo, Rome
  • Christ Bearing the Cross (1535-1540) – Oil on slate, 157 x 118 cm, Museum of Fine Arts, Budapest
  • Christ descending into Limbo – Prado Museum, Madrid
  • Portrait of a Young Woman as a Wise Virgin (1510) National Gallery, Washington D.C.
  • Cardinal Bandinello Sauli, His Secretary, and Two Geographers (1516) National Gallery, Washington D.C.
  • Portrait of a Humanist (1520) National Gallery, Washington D.C.
  • A Prophet Addressed by an Angel (1516-17) National Gallery, Washington D.C.

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Portrait of a Young Woman as a Wise Virgin 1510

Still wondering about an Italian painting in your family collection? Contact us…it could be by Sebastiano del Piombo.


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2014--petter.phpAnton Petter Artwork Authentication & Art Appraisal

Anton Petter (1745-1829)

We Perform Anton Petter art authentication. Anton Petter appraisal. Anton Petter certificates of authenticity (COA). Anton Petter analysis, research, scientific tests, full art authentications. We will help you sell your Anton Petter or we will sell it for you.

Petter painting, Portrait of a Man

Portrait of a Man

Petter painting, Kaiser Maximillian I and Maria von Burgund 1813

Kaiser Maximillian I and Maria von Burgund 1813

Anton Petter was a 19th century Austrian painter who studied at the Academy of Fine Arts in Vienna, as well as in Rome. He was the son of architect Johann Baptist Petter and the cousin of sculptor Franz Xaver Petter.

Petter painting, Birds and Fruit

Birds and Fruit

He eventually became a professor of history painting at the Vienna Academy, and as a result, much of his oeuvre consists of historical paintings. He also painted portraits and still life and nature compositions, and his work is now house all over the world. Still wondering about an early 19th century European painting in your family estate? Contact us…it could be by Anton Petter.


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2015--courdouan.phpVincent Courdouan Artwork Authentication & Art Appraisal

Vincent Courdouan (1810-1893)

Get a Courdouan Certificate of Authenticity for your painting (COA) for your Courdouan drawing.

For all your Courdouan artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Courdouan Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Courdouan painting or drawing.

If you want to sell your Courdouan painting or drawing use our selling services. We offer Courdouan selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Courdouan and issuing certificates of authenticity since 2002. We are recognized Courdouan experts and Courdouan certified appraisers. We issue COAs and appraisals for all Courdouan artworks.

Our Courdouan paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Courdouan certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Courdouan painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Courdouan paintings or drawings take longer.

Our clients include Courdouan collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Vincent Courdouan art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Vincent Courdouan or we will sell it for you.

Vincent Courdouan was born in Toulan, France in the same home where he would die at the age of 83. The street on which this house stood now bears his name. Courdouan earliest artistic training in Toulan took place in the workshop of Felix Brun where he learned how to draw. Courdouan would eventually move to Paris to study under portrait painter Paul Guerin. However, due to homesickness, Courdouan does not stay in Paris long and returns to Toulan.

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Vallée d’El Biard

Like so many landscape painters of the day, Courdouan applied the plein air technique to his paintings. He would eventually adopt a Naturalist style of painting, which was very Realist, but also embraced the light of the Impressionists. However, he mainly worked in watercolors and pastels and completed sketches until 1846 when he first started to work in oil paint. Courdouan’s home in Toulan gave the artist access to beautiful sea coast and all that the Mediterranean had to offer.

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Petite rade de Toulon, 1882

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Le retour des Pecheurs, 1842

Although Courdouan would later travel to both Algeria and Egypt, these trips did not have a massive effect on his work. However, he created enough work as a result of these trips to be considered among the Orientalists.

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Batiment Francais, Embosse a Eyoub, 1858

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Alexandria, 1868

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Embarquement des Zouaves Partant d’Alger pour la Crimee, 1855

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Bataille navale en Afrique du Nord

Aside from his beautiful provincial landscapes, Courdouan was also known for his paintings of naval scenes. Like so many other artists, Courdouan would also become a professor and taught drawing.

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Episode de L’expedition du Mexique en 1862-1867

Courdouan is considered one of the finest provincial landscape painters of the Riviera of his time, among other artists from the Toulan School like Bertrand and Dauphin. Today his work is housed all over France, and particularly in Toulan.

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Barque Dans Une Anse, 1846

If you believe you own a work of art by Vincent Courdouan, contact Art Certification Experts. We authenticate, appraise, research and provide Certificates of Authenticity (COA's) for works by Vincent Courdouan.


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2016--ruysdael-van.phpJacob van Ruysdael Artwork Authentication & Art Appraisal

Jacob Isaakszoon van Ruysdael (also Jacob van Ruisdael) (1628-1682)

Get a Van Ruysdael Certificate of Authenticity for your painting (COA) for your Van Ruysdael drawing.

For all your Van Ruysdael artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Van Ruysdael Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Van Ruysdael painting or drawing.

If you want to sell your Van Ruysdael painting or drawing use our selling services. We offer Van Ruysdael selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Van Ruysdael and issuing certificates of authenticity since 2002. We are recognized Van Ruysdael experts and Van Ruysdael certified appraisers. We issue COAs and appraisals for all Van Ruysdael artworks.

Our Van Ruysdael paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Van Ruysdael certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Van Ruysdael painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Van Ruysdael paintings or drawings take longer.

Our clients include Van Ruysdael collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perfrom Jacob van Ruysdael art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jacob van Ruysdael or we will sell it for you.

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The Windmill at Wijk 1670

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The Large Forest

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The Hunt

Jacob van Ruysdael was a 17th century painter Baroque Dutch artist born in Haarlem in The Netherlands. Some art historians have called Ruysdael the most celebrated Dutch landscape painter to have ever lived. He came from a family of artists and learned to paint from his father, a painter, art dealer and frame maker, and from his uncle, Solomon van Ruysdael. After being under the tutelage of his family, Ruysdael set off for Germany where he studied for a decade, finally settling in Amsterdam. There, he established a productive studio where he trained a generation of Dutch painters.

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View of Amsterdam

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The Dam Square in Amsterdam

It has been noted by art critics that trees were Ruysdael’s specialty when it came to painting. Art critics have noted his great talent for rendering foliage, particularly leaves and oak trees. Although he painted seascapes and coastal scenes as well, it is Ruysdael’s renditions of forests and pastures that were among his best.

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The Great Oak 1652

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The Shore at Egmond-an-Zee 1675

These scenes show the influence of Rembrandt and are often accompanied by far away castles and cities, windmills and other Dutch country symbols. By 1655, Ruysdael had permanently settled in Amsterdam and began to adopt a brighter color palette. During this time, he was mainly painting forest scene, waterfalls and valleys, and towards the end of his career, Ruysdael focused more on distant cities and panoramas.

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Wheat Fields

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Waterfall In The Mountains in a Northern Landscape 1665

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Bentheim Castle 1653

One of the most interesting aspects about Ruysdael’s body of work is the way that he and the other artists in his family signed their name. His fathers’ real name was said to be Isaak de Goyer, and later on changed it to Ruysdael. His uncle, Soloman van Ruysdael, also was said to have variations on his signatures. Other works are signed “Ruisdael,” so there is really no way to tell for certain just by looking at a signature whether a piece was created by Ruysdael, his father, or his uncle.

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The Jewish Cemetary

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Winter Landscape 1670

It is said that during his lifetime, Ruysdael was not nearly as appreciated for his talent as a landscape painter as he is today, and though he was fairly successful, most likely, he lived in poverty. During his lifetime, Ruysdael also created a few etchings, but most likely did not paint any portraits or genre pieces. Only one of his known interior paintings still exist today, however, that leaves a possibility for otherwise unknown architectural pieces by Ruysdael to surface.

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Village at Winter at Moonlight

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Two Watermills and an Open Sluice Near Singraven

Today, Ruysdael’s work is housed all over the world and can be seen in the Louvre, Paris, as well as The Hague and the National Gallery in London, and perhaps in your own home. Still wondering about a 17th century Dutch landscape in your family estate? Contact us…it could be by Jacob van Ruysdael.


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2017--duveneck.phpFrank Duveneck Artwork Authentication & Art Appraisal

Frank Duveneck (1848-1919)

Get a Duveneck Certificate of Authenticity for your painting or a COA for your Duveneck drawing or sculpture.

For all your Duveneck artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Duveneck Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Duveneck painting, drawing or sculpture.

If you want to sell your Duveneck painting, drawing or sculpture use our selling services. We offer Duveneck selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Duveneck and issuing certificates of authenticity since 2002. We are recognized Duveneck experts and Duveneck certified appraisers. We issue COAs and appraisals for all Duveneck artworks.

Our Duveneck paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Duveneck certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Duveneck painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Duveneck paintings, drawings or sculpture take longer.

Our clients include Duveneck collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Frank Duveneck art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Frank Duveneck or we will sell it for you.

Duveneck, The Whistling Boy, 1872

The Whistling Boy, 1872

Frank Duveneck was an American figure and portrait painter born in Covington Kentucky. Duveneck, born with the name Frank Decker, was raised by a German, working-class family. Duveneck’s father died when he was a small child and his mother remarried, changing the family name from Decker to Duveneck.

The family relocated to Cincinnati, Ohio where Duveneck worked for German artisans who decorated Catholic churches and studied under the painter Johann Schmitt.

Duveneck, Maggie Wilson

Maggie Wilson

Duveneck showed great skill in the arts at a young age and was prompted to study in Germany. From 1870 to 1873 Duveneck enrolled in the Royal Academy in Munich and studied under Wilhelm von Diez and Wilhelm Leibl. Duveneck was praised as a student, winning many painting awards for his mastery of the “bravura brush” technique. Duveneck concentrated on portrait paintings, which were frequently exhibited in Munich.

Duveneck, Little Girl in a Red Dress

Little Girl in a Red Dress

Along with William Merritt Chase, John Henry Twachtman and Walter Shirlaw, Duveneck became an influential part of a group of young, American artists who broke away from the popular Hudson River School.

Duveneck, The Cobbler's Apprentice, 1877

The Cobbler’s Apprentice, 1877

Duveneck returned to Cincinnati for only a few years before returning to Munich as a teacher. Duveneck opened his own schools in Munich and in a small Bavarian village named Polling. Several American painters saw Duveneck’s portrait work and followed Duveneck to Munich. Duveneck’s loyal students were known as the “Duveneck Boys”, and included Otto Bacher, Joseph deCamp and Theodore Wendel.

Duveneck, Caucasian soldier

Caucasian soldier

In 1886 Duveneck married a student in his school named Elizabeth Boott. When Boot died from pneumonia Duveneck became less active as an artist, except for a monumental sculpture he made in his wife’s honor. Duveneck spent some time in France and Italy but returned to the United States, where he spent the last years of his life teaching at the Cincinnati Fine Arts Academy.

Duveneck, Guard of Harem (study)

Guard of Harem (study)

Duveneck’s paintings can be seen in major museums across the United States. The Metropolitan Museum of Art in New York City, the National Gallery of Art in Washington, DC, the Cincinnati Art Museum are only a few of the many collections that house Duveneck’s work. Do you think you own a painting by Frank Duveneck? Contact us. We are the Frank Duveneck experts.


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2018--cropsey.phpJasper Francis Cropsey Artwork Authentication & Art Appraisal

Jasper Francis Cropsey (1828-1891)

Get a Cropsey Certificate of Authenticity for your painting (COA) for your Cropsey drawing.

For all your Cropsey artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Cropsey Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Cropsey painting or drawing.

If you want to sell your Cropsey painting or drawing use our selling services. We offer Cropsey selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Cropsey and issuing certificates of authenticity since 2002. We are recognized Cropsey experts and Cropsey certified appraisers. We issue COAs and appraisals for all Cropsey artworks.

Our Cropsey paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Cropsey certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Cropsey painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Cropsey paintings or drawings take longer.

Our clients include Cropsey collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jasper Francis Cropsey art authentication, appraisal, certificates of authenticity (COA), Jasper Francis Cropsey analysis, research, scientific tests, full art authentications. We will help you sell your Jasper Francis Cropsey or we will sell it for you.

Cropsey, Autumn on the Hudson River, 1860

Autumn on the Hudson River, 1860

Jasper Francis Cropsey was an American artist of the Hudson River School. Cropsey was born on Staten Island, New York. Cropsey had frequent childhood illnesses, which forced him to stay home. During his time of illness he picked up drawing as a hobby.

Cropsey, The Spirit of War, 1851

The Spirit of War, 1851

Cropsey decided to put his talent in drawing to practical use and went to school to become an architect. After several years of architectural study, Cropsey realized his calling as a painter. Cropsey took a few courses at the National Academy of Design in watercolor, and decided to leave his architecture office behind.

Cropsey, By the Sea, Lulworth, 1857

By the Sea, Lulworth, 1857

Cropsey began landscape painting under the guidance of Edward Maury. Through training and extensive travel in Europe, Cropsey broadened his view of art. Cropsey lived in London for many years, exhibiting at the Royal Academy and in the International Exhibition of 1862.

Winter in Switzerland

Winter in Switzerland

Cropsey eventually established himself as a painter in New York City. Cropsey worked for more than twenty years in his Manhattan studio until moving up- state to Hastings-on-Hudson.

Cropsey, Petrarch's Home Vaucluse, Italy, 1855

“Petrarch’s Home Vaucluse”, 1855

Cropsey’s background in architecture influenced the form and precision of his paintings. What Cropsey loved about fine art, however, was the expression of bold color. Cropsey’s paintings are in major American museums, including the National Gallery of Art, the Metropolitan Museum of Art, the Los Angeles County Museum of Art, the Honolulu Academy of Arts, the Fine Arts Museums of San Francisco, the Museum of Fine Arts Boston and in the White House. Cropsey’s home and studio in Hastings-on-Hudson, New York is now a museum, housing his work. Do you think you own one of Jasper Francis Cropsey’s landscapes? Contact us. We are the Jasper Francis Cropsey experts.


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2019--group-of-seven.phpGroup of Seven Artwork Authentication & Art Appraisal

Group of Seven Canadian Landscape Painters

Get a Group of Seven Certificate of Authenticity for your painting (COA) for your Group of Seven drawing.

For all your Group of Seven artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Group of Seven Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Group of Seven painting or drawing.

If you want to sell your Group of Seven painting or drawing use our selling services. We offer Group of Seven selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Group of Seven and issuing certificates of authenticity since 2002. We are recognized Group of Seven experts and Group of Seven certified appraisers. We issue COAs and appraisals for all Group of Seven artworks.

Our Group of Seven paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Group of Seven certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Group of Seven painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Group of Seven paintings or drawings take longer.

Our clients include Group of Seven collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Group of Seven art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Group of Seven or we will sell it for you.

Group of Seven, MacDonald

MacDonald “Mist Fantasy”

Group of Seven, MacDonald

MacDonald “Lake O’Hara”

The Group of Seven consisted of Canadian based artists: Franklin Carmichael, Lawren Harris, A.Y. Jackson, Frederick Varley, Frank Johnson, Arthur Lismer, J.E.H. MacDonald. The seven members were highly influenced by Tom Thomson, who died before the group was officially formed. Emily Carr is also had connections to the group, but was never an official member.

Group of Seven, Jackson

Jackson “Road to St. Fidele”

The group members are most remembered for their post-impressionistic landscape paintings of the Canadian wilderness. Few artists succeeded in creating a truly Canadian painting aesthetic before the Group of Seven.

Group of Seven, Jackson

Jackson “Evening” 1918

Many of the artists first met at the commercial art firm, Grip Ltd in Toronto. Tom Thomson, J.E.H. MacDonald, Arthur Lismer, Frederick Varley, Franklin Carmichael and Franklin Johnston were all employed by Grip, and shared a passion for painting and the outdoors. The colleagues started taking weekend painting trips outside of the city.

Group of Seven, Johnston

Johnston “Sunset in the Bush”

Group of Seven, Johnston

Johnston “Fire-Swept Algoma”

The other members, A.Y. Jackson and Lawren Harris, met through the Arts and Letters Club of Toronto, which frequently held painting exhibitions and art discussions.

Group of Seven, Lismer

Lismer “Pine Trees, Georgian Bay”

Group of Seven, Lismer

Lismer “Pines, Georgian Bay”

The Group of Seven was able to create its own studio space with funding from Harris, who inherited money through a family farm machinery industry. The studio building was erected in an area known as the Rosedale ravine. The group also received support from Dr. James MacCallum, who owned land on Georgian Bay, where the group often went to paint.

Group of Seven, Harris

Harris “Mount Thule, Bylot Island”

Group of Seven, Harris

Harris “Afternoon Sin, Lake Superior”

The Group of Seven briefly disbanded during the First World War. Members, Varley and Jackson became official war artists, documenting historic events for the Canadian archives. It was not until 1919 that the painters coined the term, Group of Seven. The members reunited to paint the wilderness of Muskoka an Algoma in northern Ontario. In 1920 the group became official and held their first cohesive exhibition.

Group of Seven, Carmichael

Carmichael “Mirror Lake”

Group of Seven, Carmichael

Carmichael “Autumn in the Northland”

A year after their first group show, Frank Johnston resigned from the group, preferring to develop his own career. By 1926, the remaining six members decided to allow new members to join, including A.J. Casson, Edwin Holgate and Le Moine Fitzgerald. The newly expanded group ventured to British Columbia, Nova Scotia, Quebec, and the icy Arctic to capture majestic and dramatic scenes of the wilderness.

Group of Seven, Varley

Varley “Stormy Weather, Georgian Bay”

Group of Seven, Varley

Varley “On the Road to Marble Mountain” 1955

The Group of Seven held eight exhibitions before its reincarnation as the larger association known as the Canadian Group of Painters, which formed in 1933. Though the Group of Seven was a short-lived movement, they were seen as pioneers in the field of Canadian landscape painting. Many of their paintings are in major museums and collections, including the McMichael Canadian Art Collection in Kleinberg, Ontario. Do you think you own a painting by one of the Group of Seven members? Contact us. We are experts on the Group of Seven.


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2020--rodin.phpAuguste Rodin Artwork Authentication & Art Appraisal

Auguste Rodin (1840-1917)

Get a Rodin Certificate of Authenticity for your painting or a COA for your Rodin drawing or sculpture.

For all your Rodin artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Rodin Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Rodin painting, drawing or sculpture.

If you want to sell your Rodin painting, drawing or sculpture use our selling services. We offer Rodin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Rodin and issuing certificates of authenticity since 2002. We are recognized Rodin experts and Rodin certified appraisers. We issue COAs and appraisals for all Rodin artworks.

Our Rodin paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Rodin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensicstudies.

We are available to examine your Rodin painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Rodin paintings, drawings or sculpture take longer.

Our clients include Rodin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Auguste Rodin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Auguste Rodin or we will sell it for you.

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The Kiss

Auguste Rodin was one of the greatest sculptors of the late 19th and 20th centuries. Born in Paris to a working class family, Rodin exemplified talent in art so innovative, it was not accepted at the time. He was denied acceptance to the Ecole des Beaux-Arts, but was accepted at a school for decorative sculpture.

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Male Nude

What many people do not realize is that Rodin was not strictly a sculptor, but created watercolors, sketches and other non-sculpture art pieces. These pieces were not just created as a young man, but towards the end of his life as well. Around 1915, Rodin became obsessed with the idea of depicting dancers, and created a number of loose sketches of them. Many of his sketches and watercolors, like his sculptures, were fluid and erotic in nature, and were in a style of his own.

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Five Dancers, sketch

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Seated Male Nude

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Female Nude, watercolor & pencil

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Spring, etching & drypoint

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Nero

Fame did not come quickly for Rodin, but took many years for him to gain artistic acceptance. His methods, subjects and techniques were far different from the academic school and he was shunned or ignored for many years before being accepted. Rodin preferred to use colorful figures such as street performers, acrobats and dancers as well as amateur models for his sculptures.

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Eternal Springtime

Rodin moved to Belgium early in his career where he worked in a studio creating decorative sculpture, all the while continuing to create sculpture on his own. Despite having little academic training in traditional sculpture, Rodin had the natural talent to create extremely lifelike sculpture on his own. In fact, as a beginning sculptor, Rodin was even accused of surmoulage, a method of taking plaster molds directly from a live model, because the features on one of his pieces was so perfect.

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Bust of Balzac

By 1880, Rodin had been able to revive his career after having his reputation as a sculptor drug through the mud. Thus began a very long project, which would be one of Rodin’s biggest achievements. The Museum of Decorative Arts commissioned him to create a grand entryway, and for the next 37 years Rodin worked on “The Gates of Hell” for the museum. This enormous piece, which featured scenes from Dante’s “Inferno” would be one of his greatest achievements. Alas, the museum was never built, but the infamous gate remains today.

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The Gates of Hell

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The Gates of Hell, detail

Dante would again show up in Rodin’s work in the form of one of his other famous pieces “The Thinker”. This sculpture, which depicts the poet Dante, is perhaps one of his most enduring pieces, and has been replicated, parodied and used as a popular icon worldwide. This statue, and many others, were meant to accompany “The Gates of Hell” but instead became independently famous and important sculptures.

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The Thinker

While Rodin’s talent as a sculptor was undeniable, his private life was just as colorful and was constantly under scrutiny. Despite having a long-standing relationship with a Belgian woman (and also the mother of his only son), Rodin was unfaithful with both his models and his students. In 1883, a beautiful and extremely talented 18 year-old student named Camille Claudel came to work in his studio, and the two instantly became an intimate, working couple. The two would work together and have a tumultuous affair for the following 15 years, but it would not last. Rodin would not leave the mother of his child for Claudel, and so their relationship ended and Claudel would live the rest of her life in a mental institution.

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Cupid and Psyche

By the 1890s, Rodin began receiving fewer public commissions because his work was not widely accepted. However, he still continued to create pieces on a grand scale and was considered France’s greatest artist in his lifetime. He had an enormous staff of stonecutters, students and other workers in his studio to help him create his sculptures, and continued to create work up until the very end.

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Bust of composer Gustav Mahler

Today, it is not very likely that someone would come across a sculpture by Rodin that was unknown or wrongly authenticated because of his great fame. However, because his paintings and drawings are much lesser known, it is more likely that one of his paper pieces turns up. Figure studies for future sculptures, as well as practice paintings in his early career could be anywhere, of anything. It is unknown how many of these may be in existence, but in truth, the possibility for one of his paper pieces turning up is quite great.

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Sketch for the Gates of Hell

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Cambodian Dancer

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2021--marcoussis.phpLouis Marcoussis Artwork Authentication & Art Appraisal

Louis Marcoussis (1878-1941)

Do you think you may own a painting by Louis Marcoussis?

Get a Marcoussis Certificate of Authenticity for your painting (COA) for your Marcoussis drawing.

For all your Marcoussis artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Marcoussis Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Marcoussis painting or drawing.

If you want to sell your Marcoussis painting or drawing use our selling services. We offer Marcoussis selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Marcoussis and issuing certificates of authenticity since 2002. We are recognized Marcoussis experts and Marcoussis certified appraisers. We issue COAs and appraisals for all Marcoussis artworks.

Our Marcoussis paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Marcoussis certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Marcoussis painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Marcoussis paintings or drawings take longer.

Our clients include Marcoussis collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Louis Marcoussis art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Louis Marcoussis or we will sell it for you.

Le Bar du Port 1913

Le Bar du Port 1913

Louis Marcoussis was a French Cubist painter born Ludwig Casimir Ladislas Markous in Poland. He received his first artistic training in Krakow at the Academy of Fine Arts where he studied under Stanislawski. In 1903, Marcoussis moved to Paris where he studied under Jean Lefebvre at the Academie Julian, and initially painted in an Impressionistic style.

Guéridon Devant le Balcon 1929

Guéridon Devant le Balcon 1929

Marcoussis first exhibited his work at the Salon d’Automne in 1905, then at the Salon des Independents in 1906. During this time, he supported himself by creating sketches and cartoons for Le Journal and La Vie Parisienne. While living in Paris, he became friends with Degas and later, Braque and Picasso in 1910. Picasso and Braque would introduce him to Cubism and Marcoussis would continue to paint this way for the rest of his career. Marcoussis would eventually pull away from Picasso’s style of Cubism and find a vein of his own. His style of Cubism was almost strictly geometric, and rarely featured any sort of representational or figurative subjects.

Composition au Visage et au Coquillage 1939

Composition au Visage et au Coquillage 1939

Concert 1928

Concert 1928

Rain 1929

Rain 1929

Also during this time, Marcoussis changed from Ludwig Markous to Louis Marcoussis because Marcoussis was the name of a French village. Therefore, one can surmise that Marcoussis’s paintings and sketches pre-dating 1910 were neither Cubist, nor signed “Marcoussis.” For nearly a decade, he created a great number of varying pieces, likely in an Impressionist or academic hand under “Markous” that could have easily been overlooked or otherwise unnoticed.

Le Bossu 1905

Le Bossu 1905

World War I put a five year halt on Marcoussis’s career as an artist starting in 1914. He was able to paint only a very few Cubist compositions before his deployment. However, by 1921 he was exhibiting again, and for the rest of his life would show his work around the world in London, Chicago, Berlin New York. He traveled extensively throughout Europe, Northern Africa and the United States, certainly selling and painting as he went.

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Composition 1930

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Planches de Salut 1930

Portrait de Malene 1940

Portrait de Malene 1940

Today, Marcoussis’s paintings are housed all over the world in London, Chicago, Philadelphia and of course, France. Still wondering about a Cubist painting hanging in your home? Contact us…it could be by Louis Marcoussis.

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Interior with a Double Bass 1929

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done
2023--dagoty.phpprepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $title->execute(array( "ContentType" => "title", "SPN" => "dagoty" )); $titlecek=$title->fetch(PDO::FETCH_ASSOC); $titletext=$titlecek["Aciklama"]; ?> prepare("SELECT * from icerik where ContentType=:ContentType and SPN=:SPN"); $meta->execute(array( "ContentType" => "meta", "SPN" => "dagoty" )); $metacek=$meta->fetch(PDO::FETCH_ASSOC); $metatext=$metacek["Aciklama"]; ?> Jacques Fabien Gautier d'Agoty authentication
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done
2024--prochazka.phpAntonin Prochazka Artwork Authentication & Art Appraisal

Antonin Prochazka (1882-1945)

We Perform Antonin Prochazka art authentication. Antonin Prochazka appraisal. Antonin Prochazka certificates of authenticity (COA). Antonin Prochazka analysis, research, scientific tests, full art authentications. We will help you sell your Antonin Prochazka or we will sell it for you.

Prochazka, The Violinist

The Violinist

Prochazka, Still Life with Flowers

Still Life with Flowers

Antonin Prochazka is an influential, twentieth century artist from Czechoslovakia. Prochazka’s paintings helped to define and popularize modern Czech art. Prochazka was inspired by the work of Edward Much, as well as Expressionism and French Fauvism. Prochazka created an original style by synthesizing a variety of European styles including Cubism and Neo-Classical principles.

Prochazka, Urban Scene

Urban Scene

Prochazka, Still life

Still life

Prochazka was the contemporary of Czech artist, Emil Filla. Both Filla and Prochazka helped to give Czechloslovakia a cultural identity in the international art community. Prochazka’s art was particularly popular in between the First and Second World Wars. During the inter-war period European painters enjoyed a time of creative growth and tolerance. The Czech Cubists were most active in Prague between 1910 and 1914. Other prominent artists in the group included Pavel Janak, Josef Gocar, Josef Chocol and Vlastislav Hofman. Czech Cubism became popular, not only in the fine art but design. Architecture, home furnishings and everyday objects referenced the Czech Cubist movement.

Prochazka, Still life with Coffee and Apricots

Still life with Coffee and Apricots

Prochazka, Kopretiny

Kopretiny

Prochazka, Zpevák, 1916

Zpevák, 1916

Prochazka is sometimes compared to Picasso because of his use of Cubism. Like Picasso, Prochazka painted many abstracted still lifes and portraits. Prochazka’s work however, tends to be more decorative than that of Picasso. Prochazka’s paintings are now in museums and private collections across Europe and North America. Do you think you own a painting by Antonin Prochazka? Contact us. We are the Antonin Prochazka experts.


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2025--enriquez.phpCarlos Enriquez Artwork Authentication & Art Appraisal

Carlos Enriquez (1900-1957)

Get a Enriquez Certificate of Authenticity for your painting (COA) for your Enriquez drawing.

For all your Enriquez artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Enriquez Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Enriquez painting or drawing.

If you want to sell your Enriquez painting or drawing use our selling services. We offer Enriquez selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Enriquez and issuing certificates of authenticity since 2002. We are recognized Enriquez experts and Enriquez certified appraisers. We issue COAs and appraisals for all Enriquez artworks.

Our Enriquez paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Enriquez certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Enriquez painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Enriquez paintings or drawings take longer.

Our clients include Enriquez collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Carlos Enriquez art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Carlos Enriquez or we will sell it for you.

Painter and writer Carlos Enriquez is perhaps one of the least known of the great Cuban masters. In his home country, he is regarded as one of the greatest artists of all time, yet even today his work is still generally unknown world wide. He was a leader in the Cuban avant-garde through his work with the marriage of painting and his writing.

Enriquez had very little artistic training, and in fact, initially wanted to be a writer. He left Cuba and graduated from business school in Philadelphia in 1924. He had taken some art instruction in high school, as well as at an academy in Pennsylvania, but most of his artistic training came from traveling abroad. After graduation, he moved back to Cuba with his wife, Alice Neel (also a painter), where he worked at a coal mine and painted in his spare time. From 1927-1933, Enriquez traveled extensively and lived in New York, Paris and Madrid. He visited museums and became friends with the Surrealists in Paris.

With American schooling and European art instruction tucked in his back pocket, Enriquez returned to Cuba in 1934. In the tradition of the vanguards artists of this time, his return to Cuba spawned a new subject for the painter; his home culture and history. Typically, he would paint scenes of whimsical Cuban landscapes, nudes, portraits, and Cuban lifestyles. He would paint portraits of friends, as well as peasants and wildlife, but it was his whimsical paintings that are the most remarkable.

His earlier work had a very dark color palate and his style was very rounded and soft, sometimes taking on elements similar to Cubism, such as “Desnudo” (1930) and “Roda Pesquera de Santander” (1930).

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Desnudo

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Roda Pesquera de Santander

These paintings were created during his stay in Europe. There is no doubt that more work of his similar to this exists elsewhere in either Paris or Madrid. These were painted before he gained much notoriety and it was likely that he sold work like this to support himself in Europe.

It was very typical of Enriquez to experiment with many different mediums from crayon to gouache, ink, graphite and oil, and used different surfaces such as paper, canvas and board. He also had a very distinctive signature, which he would usually sign at the bottom right hand corner of his paintings, though he would also sign on the left, and was signed at an almost 45 degree angle.

Toward the end of his career, he began to embrace Surrealism even more, and took on the bright and sometimes even pastel color palate of the Impressionists. Enriquez was always painting with some sort of whimsy in mind, whether it was horses or a mystical landscape or seahorses. His themes also often take on mythological Creole and ethnic elements, which were certainly spawned from his trips to Mexico and Haiti.

One of his best known paintings, “Paisaje” (1943) is a great example of his landscape treatment. Birds of paradise and palmetto fronds are painted in bright Caribbean colors with an Impressionistic hand.

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Paisaje

Wildlife was also a frequent theme in Enriquez paintings. In particular, he painted horses and sea creatures a great deal. One great example is “Caballitos de Mar” (1942).

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Horse

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Caballitos de Mar

Though usually painting in a whimsical style, Enriquez was not blind to the political turmoil happening in his country. He also used his artistic talent to express his political and social ideas through his depictions of the Cuban peasantry and guerilla fighters. Expressionist-style paintings and sketches such as “Caballos en Combate” (1953) are perfect examples of his politically fueled pieces.

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Caballos en Combate

Enriquez style was very fluid, and though he considered an Expressionist, he combines many different styles to create one of his own. He was well published and wrote many accompaniments to his paintings, and illustrated many books as well. Enriquez also completed murals and frescoes, one of which was destroyed. Toward the last decade of his career, his work began to suffer and he didn’t paint as much due to sickness and alcoholism.

Today, the work of Carlos Enriquez is housed in Cuba, Europe and the America’s. His home in Cuba has been converted into a museum of his work, and many of his paintings are owned privately world wide.


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2026--curradi.phpFrancesco Curradi Artwork Authentication & Art Appraisal

Francesco Curradi (1570-1661)

Get a Curradi Certificate of Authenticity for your painting (COA) for your Curradi drawing.

For all your Curradi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Curradi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Curradi painting or drawing.

If you want to sell your Curradi painting or drawing use our selling services. We offer Curradi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Curradi and issuing certificates of authenticity since 2002. We are recognized Curradi experts and Curradi certified appraisers. We issue COAs and appraisals for all Curradi artworks.

Our Curradi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Curradi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Curradi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Curradi paintings or drawings take longer.

Our clients include Curradi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francesco Curradi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Francesco Curradi or we will sell it for you.

The Rest of the Flight into Egypt

Narcissus at the Spring

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Artemisia Drinking the Ashes of Germanicus

Francesco Curradi was a Baroque-era Italian artist born in Florence, and had been called one of the most important painters in the first half of the 17th century by some art historians. Like many other old master artists of his day, Curradi created Romanticized compositions featuring mythological, literary or historical figures in dramatic shadowing and bold colors.

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Mose Salvato Dalle Acque

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Visitazione

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The Triumph of Judith

Curradi began his artistic training under the tutelage of Giovanni Naldini Batiste, creating paintings and commissions for churches. In his early years, Curradi also created decorative ornamentation for public works, such as the bridge in the city Cristina di Lorena. Curradi was also a student at the Academy of Design in the late 1500’s.

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Christ

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Quadro

It wasn’t until the late 1610’s to early 1620’s that Curradi reached full maturity as an artist. During this time, Curradi became associated with other artists at the Buonarroti House. He lived his entire life in Florence, and continued to receive commissions from churches and church officials as well as prominent Florentine families. He died in Florence at the fairly old age of 91, and is buried in his family tomb at Saint Gaetano.

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Study of a Naked Man, attributed

Many of Curradi’s known works are attributed to him, due to the fact that it is often hard to be 100% certain about pieces created hundreds of years ago. For that reason, it is quite possible that unauthenticated work by Curradi could still exist somewhere, either wrongly attributed to another artist or as a work by an unknown artist. Today, Curradi’s work is housed in prominent collections throughout the world, and perhaps in your own home. Still wondering about a 17th century Italian masterpiece in your family’s estate? Contact us…it could be by Francesco Curradi.


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done
2028--hamonet.phpLeon Hamonet Artwork Authentication & Art Appraisal

Leon Hamonet (1877-1953)

Get a Hamonet Certificate of Authenticity for your painting (COA) for your Hamonet drawing.

For all your Hamonet artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Hamonet Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Hamonet painting or drawing.

If you want to sell your Hamonet painting or drawing use our selling services. We offer Hamonet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Hamonet and issuing certificates of authenticity since 2002. We are recognized Hamonet experts and Hamonet certified appraisers. We issue COAs and appraisals for all Hamonet artworks.

Our Hamonet paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Hamonet certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Hamonet painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Hamonet paintings or drawings take longer.

Our clients include Hamonet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Leon Hamonet art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Leon Hamonet or we will sell it for you.

Hamonet painting, Self-Portrait

Self-Portrait

Hamonet Painting, Still Life

Still Life

Hamonet painting, Bouquet

Bouquet

Hamonet painting, Descente au Guen

Descente au Guen

Leon Hamonet was a French Impressionist painter who specialized in beautiful pastel hued landscapes. At the age of 15, his family moved to the Bordeaux region where he began to take drawing lessons, and at the age of 18, attended the local school of art. In 1903, he took a job in Port de Bouc at Saint-Pierre and Miquelon, and didn’t return to the Breton area until 1910.

Hamonet painting, Sunset

Sunset

Hamonet painting, Watercolor landscape

Watercolor landscape

Hamonet paintings, Situee Caroual Erquy

Situee Caroual Erquy

Once back in Brittany, Hamonet began his family and had two children, Henri and Susanne, with his wife, Anna L’hévéder. He would later have to travel with his son Henri to Pau due to respiratory problems. In his hometown, however, Hamonet would focus on painting the mountains, his gardens and the sea, and passed the time riding his bicycle, which inspired his work even more.

Hamonet painting, Le Goareva, Ile de Bréhat

Le Goareva, Ile de Bréhat

Art critics have said that his works in all mediums show a true beauty in the countryside found in few other artists of his time. Hamonet used a number of mediums from oil and watercolor to gouache, and executed his paintings with equal beauty no matter what materials he used. His critics have also called him an excellent portraitist, and his sketches and depictions of families and babies, as well as his representation of women were particularly praised.

Hamonet sketch of a baby

Sketch of a Baby

Hamonet sketch of a sleping child

Sketch of a Sleeping Child

Hamonet sketch of a woman

Sketch of a Woman

Hamonet also created many sketches of boats, landscapes and other interesting subjects.

Hamonet sketch of a boat

Sketch of a Boat

Hamonet landscape sketch

Landscape Sketch

Hamonet sketch, Figure Studies

Figure Studies

Today, Hamonet’s work is housed all over the world, and perhaps in your own home. He created an enormous oeuvre during his lifetime, so the possibility of someone owning one of his works is quite great. Still wondering about a French Impressionist landscape in your family estate? Contact us…it could be by Leon Hamonet.

Hamonet painting, La Femme du Peintre a Lourtuais

La Femme du Peintre a Lourtuais

Hamonet painting, Port d’Erquy

Port d’Erquy

Hamonet painting, Pommiers En Fleurs

Pommiers En Fleurs

If you suspect you may own a Hamonet, please contact us.


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2030--grotuss.phpHugo Kārlis Grotuss Artwork Authentication & Art Appraisal

Hugo Kārlis Grotuss (1884-1951)

Get a Grotuss Certificate of Authenticity for your painting (COA) for your Grotuss drawing.

For all your Grotuss artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Grotuss Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Grotuss painting or drawing.

If you want to sell your Grotuss painting or drawing use our selling services. We offer Grotuss selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Grotuss and issuing certificates of authenticity since 2002. We are recognized Grotuss experts and Grotuss certified appraisers. We issue COAs and appraisals for all Grotuss artworks.

Our Grotuss paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Grotuss certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Grotuss painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Grotuss paintings or drawings take longer.

Our clients include Grotuss collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

Do you think you may own a painting by Hugo Kārlis Grotuss?

We perform Hugo Kārlis Grotuss art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Hugo Kārlis Grotuss or we will sell it for you.

1. Flowers. 1943. Mixed Media on Canvas.

1. Flowers. 1943. Mixed Media on Canvas.

Hugo Kārlis Grotuss was a Latvian painter born in Jaunpils parish, Latvia. Grotuss is best remembered for his realist landscapes and flower paintings. In his lifetime it is estimated that he completed around 2,000 painted works.

2. Gathering Hay Before Rain. 1942. Oil on board.

2. Gathering Hay Before Rain. 1942. Oil on board.

Grotuss began his studies under artist, Jūlijs Madernieks. Grotuss took formal classes at the Central School of Technical Drawing in Saint Petersburg. Grotuss stayed in Saint Petersburg, working as an instructor for several years.

3. Flowers. 1939. Mixed-Media on Canvas.

3. Flowers. 1939. Mixed-Media on Canvas.

In 1920 Grotuss returned to Latvia, joining the Union of Independent Painters. Grotuss exhibited regularly with the Union, and continued to work as an art instructor. Grotuss died at the young age of 66 in Dillingen, Germany.

4. Roses. 1943. Oil on Canvas.

4. Roses. 1943. Oil on Canvas.

5. Stone Seaside. 1944. Oil on Canvas.

5. Stone Seaside. 1944. Oil on Canvas.

If you think you may own original artwork by Hugo Kārlis Grotuss, contact Art Certification Experts for information regarding our services.


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2031--lantara.phpSimon Lantara Artwork Authentication & Art Appraisal

Simon Mathurin Lantara (1729-1778)

Get a Lantara Certificate of Authenticity for your painting (COA) for your Lantara drawing.

For all your Lantara artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lantara Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lantara painting or drawing.

If you want to sell your Lantara painting or drawing use our selling services. We offer Lantara selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lantara and issuing certificates of authenticity since 2002. We are recognized Lantara experts and Lantara certified appraisers. We issue COAs and appraisals for all Lantara artworks.

Our Lantara paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lantara certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lantara painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lantara paintings or drawings take longer.

Our clients include Lantara collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Simon Lantara art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Simon Lantara or we will sell it for you.

Lantara painting, Landscape in the Moonlight

Landscape in the Moonlight

Simon Lantara was an 18th century French landscape painter. Lantara began life working the fields as a herd boy, however, his talent caught the eye of Gille de Reumont and he eventually landed himself a position as a painter at Versailles.

Lantara painting, Landscape with Castle

Landscape with Castle

Lantara was renowned for his beautiful landscapes, although, it is said that he could not produce his paintings at the demand of his wealthy patrons. Lantara simply created his best work among every day people and surroundings.

Lantara painting, Seascape with Ships

Seascape with Ships

Still wondering about an 18th century French landscape in your family collection? Contact us…it could be by Simon Lantara.


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2032--gault-de.phpJacques-Joseph de Gault Artwork Authentication & Art Appraisal

Jacques-Joseph de Gault (1738-1812)

We Perform Jacques-Joseph de Gault art authentication. Jacques-Joseph de Gault appraisal. Jacques-Joseph de Gault certificates of authenticity (COA). Jacques-Joseph de Gault analysis, research, scientific tests, full art authentications. We will help you sell your Jacques-Joseph de Gault or we will sell it for you.

art

Cassolette

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Cassolette, detail

Jacques-Joseph de Gault was an 18th century engraver who emulated the styles of classical Greek and Roman engravings. He executed many portraits during his career, many of which were in the form of miniatures or decorative pieces.

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Marie Therese Charlotte

Still wondering about a piece of 18th century French engraved art in your home? Contact us…it could be by Jacques-Joseph de Gault.


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2033--fechin.phpNicolai Fechin Artwork Authentication & Art Appraisal

Nicolai Fechin (1881-1955)

Get a Fechin Certificate of Authenticity for your painting or a COA for your Fechin drawing or sculpture.

For all your Fechin artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Fechin Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fechin painting, drawing or sculpture.

If you want to sell your Fechin painting, drawing or sculpture use our selling services. We offer Fechin selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fechin and issuing certificates of authenticity since 2002. We are recognized Fechin experts and Fechin certified appraisers. We issue COAs and appraisals for all Fechin artworks.

Our Fechin paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fechin certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fechin painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fechin paintings, drawings or sculpture take longer.

Our clients include Fechin collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Nicolai Fechin art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Nicolai Fechin or we will sell it for you.

Self-Portrait

Self-Portrait

Nicolai Fechin was born in 1881 in Kazan, Russia. At age eleven, he drew designs that his father used in the construction of altars. When he was thirteen, he enrolled at the Kazan School of Art. At the Imperial Academy of Arts in Saint-Petersburg he studied with Ilya Repin and Filipp Malyavin. In 1909 he graduated with the highest grade possible and his final competitive canvas won him the Prix de Rome, a traveling scholarship, that allowed him to roam the artistic capitals of Europe in 1910. Within this year he first began exhibiting his art in America, one exhibit was an international exhibition at the Carnegie Institute in Pittsburgh.

Albidia

Albidia

When Fechin returned from traveling, he resumed teaching at Kazan where he taught for ten years and, in 1913, married the daughter of the director. He was a popular instructor. Because he was mostly self-taught, he was apt to give instruction in a manner less demanding than the grueling exercises he was forced to complete at the Academy. In 1910 he was a founder of the Commune of Artists, and he exhibited with the Itinerants from 1912 to 1922 and with the Academy of Artists of Revolutionary Russia (AKhRR) from 1922 to 1926. In addition, he was also a theater artist from 1920 to 1922.

The Artists Father Reading a Newspaper 1916

The Artists Father Reading a Newspaper 1916

In 1923 he emigrated to the United States and landed in New York. He was already well known in the States from canvases sent to American and European exhibitions. In fact, it was his American friends and patrons that helped him leave Russia. His portraits were in demand immediately and he won the first prize at the Academy in New York in 1924 and a medal at the 1926 International Exposition in Philadelphia.

Girl in an Orange Shawl

Girl in an Orange Shawl

Fechin became well-known for his powerful portraits that always seemed to radiate from the eyes of the subject. Some of his more renowned subjects are Nikolai Lenin, Karl Marx, Frieda Lawrence and Lillian Gish. At an early age he had learned carving and produced impressionistic sculpture primarily from wood. At the Academy he used other materials but he was impatient about the necessary construction of armatures and had no care for the seemingly endless casting processes, while the creative process became the lesser part. With wood he could begin creating immediately.

Indian Portrait

Indian Portrait

Fechin almost died from meningitis as a child and unfortunately developed tuberculosis when he was in New York. Doctors told him to move to a dryer climate which sent Fechin traveling west. He eventually moved to Taos, New Mexico in 1927. The Taos mountains reminded him of the beauty he had seen in Siberia. He soon painted with fervor and felt particularly close to the Indians. His greatest American works were of the Native Americans. Fechin had great affection for Taos and became a naturalized American citizen while living there. He built a house in Taos of which he carved the doors, the window frames, the pillars, the furniture, and designed the adobe structure.

Log Cabin

Log Cabin

He stopped building when he and his wife divorced. He left the house in Taos and went back to New York with his daughter for the winter. After New York, he traveled to Southern California, Mexico, Japan, and the Pacific Islands of Java and Bali. Soon he bought a spacious house in Hollywood, but quickly sold it and moved into a studio in Santa Monica in 1948. There he taught small groups of students, painted, and happily entertained guests in his studio. In 1955 he passed away in Santa Monica, California. Some paintings and portraits along with his work table and easel are on display at the National Cowboy Hall of Fame and Western Heritage Center, and the rest of his works are displayed in different countries around the world.

Portrait of Rae Gorson 1926

Portrait of Rae Gorson 1926

Still wondering about a 20th century Russian painting in your family collection? Contact us…it could be by Nicolai Fechin.


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2034--marzal.phpJulio Suárez Marzal Artwork Authentication & Art Appraisal

Julio Suárez Marzal (1906 – date unknown)

Do you think you may own a painting or illustration by Julio Suárez Marzal?

Get a Marzal Certificate of Authenticity for your painting (COA) for your Marzal drawing.

For all your Marzal artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Marzal Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Marzal painting or drawing.

If you want to sell your Marzal painting or drawing use our selling services. We offer Marzal selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Marzal and issuing certificates of authenticity since 2002. We are recognized Marzal experts and Marzal certified appraisers. We issue COAs and appraisals for all Marzal artworks.

Our Marzal paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Marzal certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Marzal painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Marzal paintings or drawings take longer.

Our clients include Marzal collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Julio Suárez Marzal art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Julio Suárez Marzal or we will sell it for you.

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Camino a La Cantera, Cerro Leones, 1930

Julio Suárez Marzal was born on November 18, 1906, at Tapalque in the Province of Buenos Aires, Argentina. His mother was French, his father from the Spanish province of Galicia.

Suárez began to paint at the age of fifteen, enrolling in the school of Fine arts, Buenos Aires, in 1923. In 1926 he graduated first in sculpture and second in painting. In 1929 he registered as an art teacher and soon moved to Mendoza, the city, which became his life-long home.

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Poema de la pampa

Suárez Marzal is known as an illustrator, cartoonist, painter, muralist, writer and teacher. Suárez Marzal drew animated film cartoons for the Herald Tribune Company of the USA and illustrated books in Mendoza. Suárez Marzal taught art in Mendoza schools and at the University of Cuyo.

From the late 1920s to the early 1950s, Suárez Marzal participated in numerous Argentinean exhibitions. In the early 1950s, his work was included in national exhibitions with the most important Argentinean artists of the time. Suárez Marzal is known for creating “muralism” which modifies the Latin American muralist style of the 1920s and 30s in a Cubist manner.

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Canterista cenando

Suárez Marzal is perhaps most noted for founding and directing the Fader Museum. Suárez Marzal converted the magnificent mansion and grounds of Emiliano Guinazu in Mendoza into an innovative museum.

Suárez Marzal preserved Fader’s original murals inside the Guinazu mansion, and provided many additional works by Fader and other renowned artists.

Suárez Marzal worked diligently to create the first “museum park” on the Guinazu grounds. Suárez Marzal used geometric lines and cypress trees to form outdoor rooms for sculptural exhibitions. Suárez Marzal attempted to make a museum that stepped outside of the traditional, formal boundaries.

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Mensaje de la tierra

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Suárez Marzal

Suárez Marzal retired in 1967. While little documentation can be found on the life of Suárez Marzal, he has been called “The unsung hero of Argentinean art.”

Do you think you own a Suárez Marzal painting or illustration? Contact us, we are experts on the work of Suárez Marzal.


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2035--callet.phpAntoine François Callet Artwork Authentication & Art Appraisal

Antoine François Callet (1741-1823)

Get a Callet Certificate of Authenticity for your painting (COA) for your Callet drawing.

For all your Callet artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Callet Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Callet painting or drawing.

If you want to sell your Callet painting or drawing use our selling services. We offer Callet selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Callet and issuing certificates of authenticity since 2002. We are recognized Callet experts and Callet certified appraisers. We issue COAs and appraisals for all Callet artworks.

Our Callet paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Callet certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Callet painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Callet paintings or drawings take longer.

Our clients include Callet collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Antoine François Callet art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Antoine François Callet or we will sell it for you.

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Saturnalia

Antoine François Callet was an 18th century French painter. Callet generally painted scenes of mythological figures as well as portraits of notable figures of the day. Callet studied under Boizot and attended drawing classes at the Academie Royale. He won the Prix de Rome in 1764, and remained in Italy until 1772. While in Italy, he painted frescoes, including one for the Palazzo Spinola in Genoa.  He also painted the decoration of the Salon d’Apollon in the Louvre along with artists Taraval, Renou and Durameau.

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Louis Philippe II, Duke of Orleans

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Louis XVI, 1788

Still wondering about a French portrait or mythological scene in your family collection ? Contact us…it could be by Antoine François Callet.


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2036--laneuville.phpJean-Louis Laneuville Artwork Authentication & Art Appraisal

Jean-Louis Laneuville (1748-1826)

Get a Laneuville Certificate of Authenticity for your painting (COA) for your Laneuville drawing.

For all your Laneuville artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Laneuville Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Laneuville painting or drawing.

If you want to sell your Laneuville painting or drawing use our selling services. We offer Laneuville selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Laneuville and issuing certificates of authenticity since 2002. We are recognized Laneuville experts and Laneuville certified appraisers. We issue COAs and appraisals for all Laneuville artworks.

Our Laneuville paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Laneuville certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Laneuville painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Laneuville paintings or drawings take longer.

Our clients include Laneuville collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean-Louis Laneuville art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jean-Louis Laneuville or we will sell it for you.

Laneuville painting, Jean-Mathieu-Philbert Serurier

Jean-Mathieu-Philbert Serurier

Jean-Louis Laneuville was a French Revolution era painter who studied with David. He was a Leftist who exhibited regularly at the Salons fron 1791-1817, and mainly painted portraits of society and political figures.

Laneuville painting, Portrait of Jean Debry

Portrait of Jean Debry

Laneuville painting, Pierre Francois Joseph Robert

Pierre Francois Joseph Robert

Laneuville painting, Portrait of Rep. Bertrand Barère

Portrait of Rep. Bertrand Barère

Still wondering about a portrait in your family collection? Contact us…it could be by Jean-Louis Laneuville.


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2037--phillips_bert.phpBert G. Phillips Artwork Authentication & Art Appraisal

Bert G. Phillips (1868-1956)

We Perform Bert G. Phillips art authentication. Bert G. Phillips appraisal. Bert G. Phillips certificates of authenticity (COA). Bert G. Phillips analysis, research, scientific tests, full art authentications. We will help you sell your Bert G. Phillips or we will sell it for you.

Phillips, Portrait of an Indian Chief

Portrait of an Indian Chief

Phillips, The Rabbit Hunt

The Rabbit Hunt

Phillip’s first heard of Taos from his friend, Joseph H. Sharp, who travelled to Taos in 1883. Several years later, in 1898, Phillips and fellow painter, Ernest L. Blumenschein, planned a trip that would take them through Taos on their way to Mexico. After a wheel of their wagon broke, they stayed in Taos, setting up the beginning of what would soon become a thriving art colony.

Phillips, Wild Iris

Wild Iris

Phillips and Blumenschein promoted Taos to other artists, and successfully recruited many talented painters from the east coast. Forming the colony was Phillips passion and life work. He worked diligently to illustrate legendary cowboys and Native American culture, which he had previously only seen in children’s books.

Phillips, War Captain Rides

War Captain Rides

While Phillips is best known for his work in Taos, he was formally trained in highly esteemed institutions. Phillips grew up in Hudson, New York, but started training in New York City as a teenager. Phillips attended the Art Students League and the National Academy of Design. Phillips, like many artists oh his time, worked as a commercial illustrator to make a living. In the 1890s, Phillips travelled to Europe, painting in England and France. It was in Paris, that Phillips met Joseph Sharp, who inspired him to travel to Taos.

Phillips, Spring Time in Taos

Spring Time in Taos

Phillips, Taos Mountain

Taos Mountain

Phillips, Aspens

Aspens

Phillips, In the Aspens

In the Aspens

Phillips, Moonlight Vigil

Moonlight Vigil

It was not until 1915, that the original six members formed the Taos Society of Artists. The founding members included: Phillips, Blumenschein, Couse, Sharp, Berninghaus, and Dunton. The Taos Society of Artists was immediately well received by public critics. The group’s first exhibition traveled to major American art capitals.

Phillips, In the Lake at Timberlane

In the Lake at Timberlane

Phillips remained in Taos until the end of his life in 1956. The paintings of Phillips are now in major American Art collections throughout the country. So you think you own a painting by Bert. G. Phillips. Contact us. We are the experts on Bert G. Phillips.


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2038--lampi-the-younger.phpJohann Baptist Lampi the Younger Artwork Authentication & Art Appraisal

Johann Baptist Lampi the Younger (1775-1837)

Get a Lampi Certificate of Authenticity for your painting (COA) for your Lampi drawing.

For all your Lampi artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lampi Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lampi painting or drawing.

If you want to sell your Lampi painting or drawing use our selling services. We offer Lampi selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lampi and issuing certificates of authenticity since 2002. We are recognized Lampi experts and Lampi certified appraisers. We issue COAs and appraisals for all Lampi artworks.

Our Lampi paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lampi certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lampi painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lampi paintings or drawings take longer.

Our clients include Lampi collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Johann Baptist Lampi the Younger art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Johann Baptist Lampi the Younger or we will sell it for you.

Lampi the Younger painting, Portrait in Chalk

Portrait in Chalk

Johann Baptist Lampi the Younger was an early 19th century Austrian artist. Taught primarily by his father, Johann Baptist Lampi the Elder, Lampi spent much of his life in Austria painting portraits. Still wondering about an early 18th century European portrait in your family collection? Contact us…it could be by Johann Baptist Lampi the Younger.


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2039--lentulov.phpAristarkh Lentulov Artwork Authentication & Art Appraisal

Aristarkh Lentulov (Аристрах Васильевич Лентилов) (1882-1943)

Get a Lentulov Certificate of Authenticity for your painting (COA) for your Lentulov drawing.

For all your Lentulov artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Lentulov Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Lentulov painting or drawing.

If you want to sell your Lentulov painting or drawing use our selling services. We offer Lentulov selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Lentulov and issuing certificates of authenticity since 2002. We are recognized Lentulov experts and Lentulov certified appraisers. We issue COAs and appraisals for all Lentulov artworks.

Our Lentulov paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Lentulov certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Lentulov painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Lentulov paintings or drawings take longer.

Our clients include Lentulov collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Aristarkh Lentulov art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Aristarkh Lentulov or we will sell it for you.

St. Basils Catherdral 1913

St. Basils Catherdral 1913

Artistarkh Lentulov was a Russian avant-garde artist of Cubist orientation who also worked on set designs for the theatre. Aristarkh Lentulov was born in the town of Nizhny Lomov near Penza into the family of a rural priest. He studied art in the Penza and Kiev art schools from 1897 to 1905, and then in the private studio of Dmitry Kardovsky in Saint Petersburg in 1906. He lived in Moscow from 1909, and he was one of the founders of the avant-garde exhibiting association of artists, the Jack of Diamonds group. This group remained active until its dissolution in 1916.

Woman with a Guitar 1913

Woman with a Guitar 1913

From 1910 to 1911 Lentulov studied at the Le Fauconnier studio and the La Palette Academy in Paris. Whilst there, he became acquainted with contemporary French painters such as Albert Gleizes, Jean Metzinger, Fernand Léger and Robert Delaunay, and joined the ranks of the Cubo-Futurists. From pre-revolutionary times, Lentulov was actively involved in various theatrical projects, designing for plays in the Kamerny Theatre (The Merry Wives of Windsor, 1916) and contributing sets for a production of Scriabin’s Prometheus in the Bolshoi Theatre in 1919.

Industrial Landscape

Industrial Landscape

In 1928 Lentulov entered into the Society of Moscow artists, which included artists formerly associated with the Jack of Diamonds group. He became chairman of the Society and also started teaching at the Russian state art and technical school. Lentulov died in Moscow and is buried in the Vagankovo Cemetery.

Moscow 1913

Moscow 1913

Still wondering about a Cubist Russian painting in your family collection? Contact us…it could be by Aristarkh Lentulov.


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2040--carlo_crivelli.phpCarlo Crivelli Artwork Authentication & Art Appraisal

Carlo Crivelli (1435 – 1495)

We Perform Carlo Crivelli art authentication. Carlo Crivelli appraisal. Carlo Crivelli certificates of authenticity (COA). Carlo Crivelli analysis, research, scientific tests, full art authentications. We will help you sell your Carlo Crivelli or we will sell it for you.

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Madonna and Child 1482

Carlo Crivelli was a Venetian Renaissance or Quattrocento painter. Crivelli was born around 1435 in Venice. The only dates that can with certainty be given about his life as a painter are 1468 and 1493: these are, respectively, the earliest and the latest years signed on his pictures–the former on an altar-piece in the church of San Silvestro at Massa near Fermo, and the latter on a picture in the Oggioni collection in Milan.

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St. Michael 1476

Though born in Venice, Crivelli seems to have worked chiefly in Le Marche of Ancona, and especially in and near Ascoli; there are only two pictures in Venice, in the church of San Sebastiano. He is said to have studied under Jacobello del Fiore, who was painting as late at any rate as 1436; at that time Crivelli was probably only a boy. He also studied at the school of Vivarini in Venice, then left Venice, initially, it is generally believed, for Padua, where he is believed to have worked in the workshop of Francesco Squarcione and then for Zara in Dalmatia (now part of Croatia, but then a Venetian territory) in 1459, following legal trouble after he was sentenced to prison for six months for having an affair with a married woman, Tarsia Cortese, the wife of a sailor.

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Annunciation 1486

The artist always signed himself by a variant of “Carlo Crivelli of Venice, e.g. Carolus Crivellus Venetus; from 1490 he added the title “Miles”, by then having been knighted (Cavaliere) by Ferdinand II of Naples. He painted in tempera only, despite the increasing popularity of oil painting during his life-time. Unlike the naturalistic trends arising from Florence at the same time, Crivelli’s style still echoes the Byzantine sensibility. The urban settings are jewel-like, and full of elaborate allegorical detail.

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Madonna Enthroned 1475

He introduced agreeable landscape backgrounds, and was particularly partial to giving fruits and flowers as accessories, often in pendant festoons, which are a characteristic of the Paduan studio of Francesco Squarcione, where Crivelli may have worked. The National Gallery, London is well supplied with examples of Crivelli; the Annunciation with St Emidius, possibly his most famous painting, and the Beato Ferretti (of the same family as Pope Pius IX) in religious ecstasy, may be specified. Another of his principal pictures is in San Francesco di Matelica; in Berlin is a Madonna and Saints (1491); in the Vatican Gallery a Dead Christ, and in the Brera of Milan the Madonna of the Candle. There are also examples of his work in several major US galleries.

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Saint Stephen 1476

Despite his Venetian birth, his paintings have a linear Umbrian quality. Crivelli is a painter of marked individuality; unlike Giovanni Bellini, his contemporary, his works are not “soft”, but are clear and definite in contour and with an astounding attention to detail. His use of “trompe l’oeil,” often compared to painters of the Northern Renaissance such as Rogier van der Weyden, includes raised objects, such as tears and “jewels” made of gesso. Commissioned by the Franciscans and Dominicans of Ascoli, Crivelli’s work is exclusively religious in nature. His paintings consist largely of Madonna and Child images, Pietas, and the by-then-old-fashioned altarpiece known as the polyptych. Often filled with images of suffering, such as gaping wounds in Christ’s hands and side and the mouths of mourners twisted in agony, Crivelli’s work appropriately fulfills the spiritual needs of his patrons. These ultra-realistic, sometimes disturbing, qualities have often led critics to label Crivelli’s paintings “grotesque,” much like his fellow Northern Italian painter, Cosimo Tura.

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Madonna of the Taper 1490

Few artists seem to have worked with more uniformity of purpose, or more forthright command of his materials and this was recognized by the number of prestigious commissions he was awarded. It is possible that Carlo was of the same family as the painters as Donato Crivelli (who was working in 1459, and was also a scholar of Jacobello) – Vittorio Crivelli, with whom he occasionally collaborated, was his younger brother. Pietro Alemanno, a painter who had traveled to Le Marche from Germany/Austria) was his pupil/collaborator.

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St. Catherine of Alexandria, St. Peter and Mary Magdalene, 1475

Carlo Crivelli died in the Marche (probably Ascoli Piceno) around 1495. His work fell out of favor following his death and he is not mentioned in Vasari’s Lives of the Artists (which is notably Florence-centric). He had something of a revival, especially in the UK, during the time of the pre-Raphaelite painters, several of whom, including Edward Burne-Jones were admirers of Crivelli. Admiration for his work declined with the decline of the pre-Raphaelites during the Modernist period, but recent writings on his work and a re-hanging of his work in the National Gallery, London, are again bringing him more attention.

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Madonna of the Swallow

Still wondering about a 15th century Italian painting in your family collection? Contact us…it could be by Carlo Crivelli.


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2041--kaulbach-von.phpWilhelm von Kaulbach Artwork Authentication & Art Appraisal

Wilhelm von Kaulbach (1805 – 1874)

We Perform Wilhelm von Kaulbach art authentication. Wilhelm von Kaulbach appraisal. Wilhelm von Kaulbach certificates of authenticity (COA). wilhelm von Kaulbach analysis, research, scientific tests, full art authentications. We will help you sell your Wilhelm von Kaulbach or we will sell it for you.

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Painting School in Munich 1853

Wilhelm von Kaulbach was a German painter. He was born in Arolsen in Waldeck (now Bad Arolsen, Hesse). His father, who was poor, combined painting with the goldsmith’s trade, but means were found to place Wilhelm, a youth of seventeen, in the art academy of Düsseldorf, then becoming renowned under the directorship of Peter von Cornelius. Young Kaulbach contended against hardships, even hunger. But his courage never failed; and, uniting genius with industry, he was ere long foremost among the young national party which sought to revive the arts of Germany. The ambitious work by which Louis I sought to transform Munich into a German Athens afforded the young painter an appropriate sphere. Cornelius had been commissioned to execute the enormous frescoes in the Glyptothek, and his custom was in the winters, with the aid of Kaulbach and others, to complete the cartoons at Düsseldorf, and in the summers, accompanied by his best scholars, to carry out the designs in colour on the museum walls in Munich. But in 1824 Cornelius became director of the Bavarian academy. Kaulbach, not yet twenty, followed, took up his permanent residence in Munich, labored hard on the public works, executed independent commissions, and in 1849, when Cornelius left for Berlin, succeeded to the directorship of the academy, an office which he held till his death. His son Hermann (1846-1909) also became a distinguished painter.

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Portrait of a Nursemaid 1850

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Portrait of a Nursemaid (#2) 1850

Kaulbach matured, after the example of the masters of the Middle Ages, the practice of mural or monumental decoration; he once more conjoined painting with architecture, and displayed a creative fertility and readiness of resource scarcely found since the era of Raphael and Michelangelo. Early in the series of his multitudinous works came the famous Narrenhaus, the appalling memories of a certain madhouse near Düsseldorf; the composition all the more deserves mention for points of contact with Hogarth. Somewhat to the same category belong the illustrations to Reineke Fuchs. These, together with occasional figures or passages in complex pictorial dramas, show how dominant and irrepressible were the artists sense of satire and enjoyment of fun; character in its breadth and sharpness is depicted with keenest relish, and at times the sardonic smile bursts into the loudest laugh. Thus occasionally the grotesque degenerates into the vulgar, the grand into the ridiculous, as in the satire on the Pigtail Age, a fresco outside the New Pinakothek.

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Sketches for the Frescoes at New Pinakothek 1850

Yet these exceptional extravagances came not of weakness but from excess of power. Kaulbach tried hard to become Grecian and Italian; but he never reached Phidias or Raphael; in short the blood of Dürer, Holbein and Martin Schöngauer ran strong in his veins. The art products in Munich during the middle of the 19th century were of a quantity to preclude first-rate quality, and Kaulbach contracted a fatal facility in covering wall and canvas by the acre. He painted in the Hofgarten, the Odeon, the Palace and on the external walls of the New Pinakothek. His perspicuous and showy manner also gained him abundant occupation as a book illustrator: in the pages of the poets his fancy revelled; he was glad to take inspiration from Wieland, Goethe, even Klopstock; among his engraved designs are the Shakespeare gallery, the Goethe gallery and a folio edition of the Gospels. With regard to these examples of the Munich school, it was asserted that Kaulbach had been unfortunate alike in having found Cornelius for a master and King Louis for a patron, that he attempted subjects far beyond him, believing that his admiration for them was the same as inspiration; and supplied the lack of real imagination by “a compound of intellect and fancy.”

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Illustration for Faust

Nevertheless in such compositions as the “Destruction of Jerusalem” and the “Battle of the Huns” Kaulbach shows creative imagination. As a dramatic poet he tells the story, depicts character, seizes on action and situation, and thus as it were takes the spectator by storm. The manner may be occasionally noisy and ranting, but the effect after its kind is tremendous. The cartoon, which, as usual in modern German art, is superior to the ultimate picture, was executed in the artist’s prime at the age of thirty. At this period, as here seen, the knowledge was little short of absolute; subtle is the sense of beauty; playful, delicate, firm the touch; the whole treatment artistic.

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Destruction of Jerusalem

Ten or more years were devoted to what the Germans term a “cyclus” – a series of pictures depicting the Tower of Babel, the Age of Homer, the Destruction of Jerusalem, the Battle of the Huns,(Hunnenschlact) the Crusades and the Reformation. These major tableaux, severally 30 feet long, and each comprising over one hundred figures above life-size, are surrounded by minor compositions making more than twenty in all. The idea is to congregate around the world’s historic dramas the prime agents of civilization; thus here are assembled allegoric figures of Architecture and other arts, of Science and other kingdoms of knowledge, together with lawgivers from the time of Moses, not forgetting Frederick the Great. The chosen situation for this imposing didactic and theatric display is the Treppenhaus or grand staircase in the new museum, Berlin; the surface is a granulated, absorbent wall, specially prepared; the technical method is that known as “water-glass,” or “liquid flint,” the infusion of silica securing permanence. The same medium was adopted in the later wall-pictures in the Houses of Parliament, Westminster.

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Butterflies 1860

The painter’s last period brings no new departure; his ultimate works stand conspicuous by exaggerations of early characteristics. The series of designs illustrative of Goethe, which had an immense success, were melodramatic and pandered to popular taste. The vast canvas, more than 30 ft. long, the Sea Fight at Salamis, painted for the Maximilianeum, Munich, evinces wonted imagination and facility in composition; the handling also retains its largeness and vigor; but in this astounding scenic uproar moderation and the simplicity of nature are thrown to the winds, and the whole atmosphere is hot and feverish.

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The Guardian Angel

Kaulbach’s was a beauty-loving art. He is not supreme as a colorist; he belongs in fact to a school that holds color in subordination; but he laid, in common with the great masters, the sure foundation of his art in form and composition. Indeed, the science of composition has seldom if ever been so clearly understood or worked out with equal complexity and exactitude; the constituent lines, the relation of the parts to the whole, are brought into absolute agreement; in modern Germany painting and music have trodden parallel paths, and Kaulbach is musical in the melody and harmony of his compositions. His narrative too is lucid, and moves as a stately march or royal triumph; the sequence of the figures is unbroken; the arrangement of the groups accords with even literary form; the picture falls into incident, episode, dialogue, action, plot, as a drama. The style is eclectic; in the Age of Homer the types and the treatment are derived from Greek marbles and vases; then in the Tower of Babel the severity of the antique gives place to the suavity of the Italian renaissance; while in the Crusades the composition is let loose into modern romanticism, and so the manner descends into the midst of the eighth century. And yet this scholastically compounded art is so nicely adjusted and smoothly blended that it casts off all incongruity and becomes homogeneous as the issue of one mind. But a fickle public craved for change; and so the great master in later years waned in favor, and had to witness, not without inquietude, the rise of an opposing party of naturalism and realism. Still wondering about a 19th century German painting in your family collection? Contact us…it could be by Wilhelm von Kaulbach.


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