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Our advisory rate is $100 per hour for all meetings—whether conducted by phone, virtually, or in person. For in-person meetings, applicable travel and expenses are added.
We are completely independent—if you buy work by an artist we suggest, we don't receive a single cent from galleries or sellers.
It depends on how and where you buy, but excessively inflated removing, handling, crating, shipping, processing, storing, and insurance fees are common.
The best market to sell a specific artwork is where the best combination of high demand and low selling taxes is found.
Private collectors are motivated by what they like, so there is an emotional component to their decision—for this reason, a private collector will generally be willing to pay more. art funds are motivated strictly by the prospect of making a profit.
For museums, become a patron, donate, attend the exhibitions they organize, and get to know those who run them. For corporate collections, there is no easy pathway for an outsider; if you want to put a lot of effort into it, try to befriend the curator or join their country club.
It depends on your definition of "most effective." Do you mean selling in the shortest amount of time, at the highest price before expenses, fees, and taxes, at the highest price net of expenses, fees, and taxes, investing the least amount of your time and personal expenses, or having the most control over how much it will sell for?
It is the reverse of a defensive valuation. We look at the highest prices ever achieved, positive news, increased visibility and profile, recent inspiring events, and an expanding economy—banking on no new international crises until it is sold.
There are many. It is a good time to sell if a work by the same artist recently sold for a record price, an exhibition is coming up or recently occurred, no similar artwork has come up for sale in a while, a big book or movie about the artist was recently released, the economy is expanding with low interest rates, no elections or future uncertainty are looming, no major holidays are on the horizon, or if it is winter and cold outside.
For art of some consequence, expect about a year from the very beginning until you see the credit in your bank statement. While it can happen in 6 to 9 months, thinking in terms of a year produces much better results than trying to sell at the wrong time, place, or way. Lower-value art sells faster.
Yes. When you engage us to sell an artwork or a collection, we handle the entire process seamlessly in the background while you go about your life.
Only established ones. We have been working on a predictive model for emerging artists, which is currently in alpha testing.
Neural networks recognize patterns and calculate statistics. When you merge them, the result is a forecast.
Institutional validation, primary market, secondary market, literature, patronage, and discounted social and cultural relevance.
Yes, we do it constantly.
About 30 days.
The owner of the artwork. Sometimes a buyer also wants to run their own tests before completing an acquisition if there is a doubt or question.
It can no longer be considered for acquisition, or if it is in an estate or collection, it comes off the portfolio of saleable artworks.
Through proprietary research.
It is immediately removed from the list of pieces we recommend acquiring.
For a prudent valuation—such as for a client looking to buy—we use a model that provides downside protection to create a baseline market valuation. This is done by performing a defensive, liquidity-adjusted valuation inside a risk-adjusted framework.
It is your choice—whichever is more convenient for you.
Yes, if you don’t mind that some of your art may not be hanging in your primary residence.
It is a secure warehouse where art is temporarily stored until it is shipped to its final destination.
In a free zone, the art has an in-transit status, so nobody taxes it and you own it tax-free. Free zones exist globally, from Singapore to Qatar, the US, and Switzerland.
Investigating which art sellers are in the worst financial situation.
To reach the attribution level, provenance, archival, biographical, historical, or forensic research is often enough. To reach the authenticated level, doubt must be eliminated by introducing a convincing element with greater evidentiary weight.
Number all the pieces with a tag big enough to be visible in a photograph. Use a computer spreadsheet to list all pieces with the artist, type of artwork (painting, watercolor, drawing, print, sculpture), and dimensions. Set up a camera on a tripod in front of a well-lit table set against a wall, and photograph each piece.
Artist, type of artwork, and dimensions.
Yes, we have cataloged collections comprising up to 7,000 pieces.
Photos of the artwork in a historical context, identifiable historical references to the artwork, and documented uninterrupted provenance.
Call us at 1-212-658-0466 or email us at info@artexpertswebsite.com.
Imagine an artwork was stolen in 1950, sold through three different countries, bought by your family member in 1975, and now inherited by you. Or imagine that in 1980 the owner used the artwork as collateral for a loan and disappeared without repaying it—years later your family member bought it, and now you inherited it.
Fair Market Value is what a willing buyer will pay a willing seller. Replacement Value is how much you would have to pay to buy a similar painting by the same artist to replace one that was destroyed. Replacement Value is nearly always higher than Fair Market Value.
This is a question for your accountant.
Currently, values should be updated no less than every two years due to general economic volatility.
It depends on the value of the painting, the extent of the damage, and the cost of restoration. All three factors must be evaluated together to decide how to proceed.
If you like the art, keep enjoying it on your walls. If you don’t, make plans on how and where to sell it before moving it anywhere.
A flat fee based on a work time estimate.
Definitely.
We work with clients worldwide and provide art appraisal, art sales services, and certificates of authenticity wherever our clients are located.
We have experts based in major international cities including New York, Los Angeles, Miami, Washington, D.C., Buenos Aires, Helsinki, London, Paris, Geneva, Zurich, Rome, Milan, Madrid, Berlin, Amsterdam, Brussels, Dubai, Singapore, and Hong Kong. Our experts also frequently travel to other cities and countries when an in-person examination of an artwork is needed.
Examinations can be carried out at the client’s home, office, gallery, storage facility, bank, law firm, or other private premises. Whether you require an appraisal, assistance with selling an artwork, or a certificate of authenticity, our team can assist you wherever you or your artwork are located.