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Samuel HOWITT (1756-1822) Howitt's work is included in the Mellon Collection, which possesses no fewer than 160 of his watercolors, and many of his aquatints. Howitt exhibited at the Royal Academy and illustrated several books, including his own entitled The British Sportsman c.1812 and British Preserve c.1824. Samuel Howitt, "genius, artist, sportsman", concentrated his considerable artistic talents on picturing scenes of horse-racing and hunting in all its aspects. Born in Nottinghamshire, England, Howitt was largely self-taught ,"although he must have been helped by his companions George Morland, Rowlandson and John Raphael Smith. Howitt's watercolours of hunting, shooting and racing have delightful spontaneity. An enthusiastic sportsman himself, he had sufficient family money to paint at first only for his own and his friends pleasure. However, this fortune was quickly dissipated and Howitt moved to London... [He made a living], partly by etching at which he was extremely skilled. As an artist he was prolific. more than 150 of his designs were published in The Sporting Magazine. He illustrated Beckford's Thoughts on Hunting, and other books, including Orme's Collection of British Field Sports... The light touch of his pen, the delicacy of his brushwork and his experience of field sports ensured all that he drew was animated and accurate." During the nineteenth century, field sports, particularly the hunting of wild game, were a common colonial leisure activity in India and Africa. Large-game hunting, the pursual of animals such as elephants, lions, and tigers, was considered to be the most prestigious, thrilling, and dangerous type of hunting.
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