Pablo Picasso was a prolific artist. Below is a gallery of selected works chosen to represent the different periods that influenced his style.
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Self-Portrait, 1896
Pre-1901 Pablo Picasso Art
Picasso's training under his father began before 1890. His progress can be traced in the collection of early works now held by the Museu Picasso in Barcelona. During 1893 the juvenile quality of his earliest work falls away, and by 1894 his career as a painter can be said to have begun. The academic realism apparent in the works of the mid-1890s is well displayed in The First Communion (1896), a large composition that depicts his sister, Lola.

Self Portait 1901

The First Communion, 1895-1896

Portrait of the Artists Mother, 1896

Matador Luis Miguel Dominguin, 1897
Blue Period, Pablo Picasso Art
Picasso's Blue Period (1901-1904) consists of somber paintings rendered in shades of blue and blue-green, only occasionally warmed by other colors.

Woman with Chignon, 1901

Woman with a Cigarette, 1901

Woman with Arms Crossed, 1902

Breakfast of a Blind Man, 1903

Life, 1903

The Tragedy, 1903

The Old Guitarist, 1903
Rose Period, Pablo Picasso Art
The Rose Period (1904-1906) is characterized by a more cheery style with orange and pink colors, and featuring many acrobats and harlequins. The harlequin, a comedic character usually depicted in checkered patterned clothing, became a personal symbol for Picasso. Picasso met Fernande Olivier, a model for sculptors and artists, in Paris in 1904, and many of these paintings are influenced by his warm relationship with her, in addition to his increased exposure to French painting.

Harlequin with a Glass, 1905

Harlequin Sitting on a Red Couch, 1905

Tumblers, Mother and Son, 1905

Acrobat and a Young Harlequin, 1905

Lady with a Fan, 1905

Young Girl with a Goat 1906

Hairdressing, 1906

Self-Portrait with Palette, 1906

Portrait of Gertrude Stein, 1906
Pablo Picasso's African-influenced Period of Art
Picasso's African-influenced Period (1907-1909) begins with the two figures on the right in his painting, Les Demoiselles d'Avignon, which were inspired by African artifacts. Formal ideas developed during this period lead directly into the Cubist period that follows.

Les Desmoiselles d'Avignon, 1907

Self Portait 1907

Composition with a Skull, 1907

Head of a Woman 1907

Woman Seated 1908

Friendship 1908

Woman with a Fan 1908

Portrait of Fernarde 1909

Nude 1909

Factory in Horta de Ebbo 1909
Pablo Picasso Analytic Cubism Period of Art
Analytic cubism (1909-1912) is a style of painting Picasso developed along with Georges Braque using monochrome brownish and neutral colors. Both artists took apart objects and "analyzed" them in terms of their shapes. Picasso and Braque's paintings at this time have many similarities. Synthetic cubism (1912Ð1919) was a further development of the genre, in which cut paper fragmentsÑoften wallpaper or portions of newspaper pagesÑwere pasted into compositions, marking the first use of collage in fine art.

Portrait of Amboise Vollard, 1910

Still Life with Chair Canning, 1911-1912

Nude, I Love Eva, 1912

Guitar 1913

Fruit Vase and Bunch of Grapes, 1914

Harlequin 1915

Portrait of Olga in an Armchair 1917

The Bathers 1918

Pierrot 1918
Classicism and surrealism Period of Picasso Art
In the period following the upheaval of World War I, Picasso produced work in a neoclassical style. This "return to order" is evident in the work of many European artists in the 1920s, including André Derain, Giorgio de Chirico, and the artists of the New Objectivity movement. Picasso's paintings and drawings from this period frequently recall the work of Ingres.

Still Life with Pitcher and Apples 1919

Group of Dancers, 1919-1920

Reading of Letter, 1921

Three Musicians, 1921

Mother and Child, 1921-1922

Women Running on the Beach, 1922

The Lovers 1923

Portrait of Olga Koklova, Picasso's first wife, 1923

Paulo, Picasso's Son, As Harlequin, 1924

Three Dancers 1925

The Three Graces, 1925

Nude in an Armchair, 1929

Nude on a Beach, 1929

Nude and Still Life, 1931

Woman with a Flower, 1932

Girl Before a Mirror, 1932

Marie-Therese Walter, 1937

Nusch Eluard, 1937

Minotaur and his Wife, 1937

Dora Maar, 1937

Guernica, 1937

Girl with a Boat, 1938

Pablo Picasso painting, Portrait of a Young Girl, 1938

Wounded Bird and Cat, 1938

Night Fishing in Antibes, 1939

The Charnel House, 1944-1945

Still Life 1945

The Bull, state II 1945

The Bull, state X, 1945

Portrait of Francoise, 1946

Paloma and Claude, Picasso's Children, 1950

Jacqueline with Crossed Hands, 1954

Paloma Picasso, 1956

Luncheon on the Grass, after Manet, 1961
Later Works of Art by Pablo Picasso
Picasso's final works were a mixture of styles, his means of expression in constant flux until the end of his life. Devoting his full energies to his work, Picasso became more daring, his works more colorful and expressive, and from 1968 through 1971 he produced a torrent of paintings and hundreds of copperplate etchings. At the time these works were dismissed by most as pornographic fantasies of an impotent old man or the slapdash works of an artist who was past his prime. Only later, after Picasso's death, when the rest of the art world had moved on from abstract expressionism, did the critical community come to see that Picasso had already discovered neo-expressionism and was, as so often before, ahead of his time.

Cavalier with Pipe, 1968

Nude Woman with Necklace, 1968

The Kiss, 1969

Portrait of Man in Hat, 1971

Self-Portrait 1972
Sculptures by Pablo Picasso

Sculpture in Chicago

Sculpture in Halmstad

Bust of a Woman, 1932

Cock, 1932

Baboon and Young in bronze, 1951

Bronze Cubist Bust
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