Get a Bonifacio Bembo (1447-1477) Certificate of Authenticity for your painting (COA) for your Bonifacio Bembo (1447-1477) drawing.

For all your Bonifacio Bembo (1447-1477) artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Bonifacio Bembo (1447-1477) Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Bonifacio Bembo (1447-1477) painting or drawing.

If you want to sell your Bonifacio Bembo (1447-1477) painting or drawing use our selling services. We offer Bonifacio Bembo (1447-1477) selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Bonifacio Bembo (1447-1477) and issuing certificates of authenticity since 2002. We are recognized Bonifacio Bembo (1447-1477) experts and Bonifacio Bembo (1447-1477) certified appraisers. We issue COAs and appraisals for all Bonifacio Bembo (1447-1477) artworks.

Our Bonifacio Bembo (1447-1477) paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Bonifacio Bembo (1447-1477) certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Bonifacio Bembo (1447-1477) painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Bonifacio Bembo (1447-1477) paintings or drawings take longer.

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We perform Bonifacio Bembo art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Bonifacio Bembo or we will sell it for you.

Bonifacio Bembo was an Italian painter and miniaturist. Born in Brescia and formed in the late Gothic school, he was influenced by the Renaissance style. After his knowledge with Gemistus Pletho, he absorbed the latter’s Neoplatonic ideals, which are reflected in the symbolism of his famous tarot cards.

His paintings include the frescoes of the church of St. Augustine in Cremona and the portrait of Francesco I Sforza and his wife Bianca Maria Visconti (both from 1462), now in the Pinacoteca di Brera of Milan.