Get a Benois Certificate of Authenticity for your painting (COA) for your Benois drawing.

For all your Benois artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Benois Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Benois painting or drawing.

If you want to sell your Benois painting or drawing use our selling services. We offer Benois selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Benois and issuing certificates of authenticity since 2002. We are recognized Benois experts and Benois certified appraisers. We issue COAs and appraisals for all Benois artworks.

Our Benois paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Benois certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Benois painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Benois paintings or drawings take longer.

Our clients include Benois collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Alexandre Benois art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Alexandre Benois or we will sell it for you.

Alexandre Benois was a prominent member of the St. Petersburg artistic intellectual Benois family, an influential art critic, artist, preservationist, and founding member of Mir iskusstva. His influence on the modern ballet and stage design is considered seminal.

Alexandre’s father Nicholas Benois and brother Leon Benois were noted Russian architects. Alexandre didn’t plan to devote his life to art and graduated from the Faculty of Law, St. Petersburg University in 1894. Three years later, while in Versailles, he painted a series of watercolors depicting Last Promenades of Louis XIV. When exhibited by Pavel Tretyakov in 1897, they brought him to the attention of Sergei Diaghilev and Leon Bakst. Together they founded the art magazine and movement Mir iskusstva which aimed at promoting the Aesthetic Movement and Art Nouveau in Russia.

During the first decade of the new century, Benois continued to edit Mir iskusstva but also pursued his scholarly interests. He prepared and printed several monographs on 19th-century Russian art and Tsarskoye Selo. From 1918 to 1926, he ran the gallery of Old Masters in the Hermitage Museum, to which he secured his brother’s heirloom—Leonardo’s Madonna Benois. In 1903, he printed his illustrations to Pushkin’s Bronze Horseman which have since been recognized as one of the landmarks in the genre.

In 1901, Benois was appointed scenic director of the Mariinsky Theatre. Since then, he devoted most of his time to stage design and decor. Les Sylphides (1909), Giselle (1910), and Petrushka (1911) are counted among his greatest triumphs. Although he worked primarily with Diaghilev for the Ballets Russes, he simultaneously collaborated with the Moscow Art Theatre and other notable theatres of Europe. His Memoirs were published in two volumes in 1955. The Russian artists Eugene Lanceray and Zinaida Serebriakova were his nephew and niece, and the British actor Sir Peter Ustinov was his grand nephew. Still wondering about a late 19th or early 20th century Russian painting in your family collection? Contact us…it could be by Alexandre Benois.