Albert Bloch (1882-1961)

Do you think you may own a work of art by Albert Bloch? We perform art authenticationsart appraisalsart research and provide Certificates of Authenticity (COA) as well as consultations, for all works of art by Albert Bloch.

Do you think you may own a painting by Albert Bloch? We authenticate, appraise and issue Certificates of Authenticity (COA) for all paintings by Albert Bloch.

 Self-Portrait 1913

Self-Portrait 1913

Albert Bloch was an American Modernist artist and the only American artist associated with Der Blaue Reiter (Blue Rider), a group of early 20th-century European modernists. Bloch was born in St. Louis, Missouri to a German-Jewish family. Bloch was not raised in the Jewish faith, but would later adopt Christianity.

 Souvenir 1921

Souvenir 1921

At the age of sixteen, Bloch dropped out of high school to study art at the St. Louis School of Fine Arts under Dawson Dawson-Watkins. Between 1905 and 1908 he worked as a caricaturist and illustrator for William Marion Reedy’s literary and political weekly The Mirror. Reedy noticed Bloch’s great talent, and provided him with a stipend to study art in Europe.

 Clowns I

Clowns I

 Harlequin 1913

Harlequin 1913

 Harlequinade 1911

Harlequinade 1911

From 1909 to 1921, Bloch lived and worked mainly in Germany. During this time, he traveled extensively, though kept a home base in Munich. This choice was most likely due to his knowledge of the German language, which he learned from his parents.

 Portrait of a Man, 1911

Portrait of a Man, 1911

 Duel 1912

Duel 1912

 Landscape 1913

Landscape 1913

In 1911, Bloch met Wassily Kandinsky and Franz Marc and was invited to show his work in their exhibit. Thus, Bloch officially became the only American to be involved in The Blue Rider group, and showed six canvases at their December 1911 exhibit at the Tannhauser Gallery. He was invited again to exhibit with The Blue Rider group in 1912, and enjoyed a successful career while living in Germany.

 Summer Night 1913

Summer Night 1913

 Still Life 1914

Still Life 1914

 Interior 1920

Interior 1920

After the end of World War I, Bloch was disheartened with Germany and returned to the United States. He was in dire financial straits at this time, so he took up teaching at the Academy of Fine Arts in Chicago for a year. He would later accept a position as the Departmental Head position at the University of Kansas until his retirement in 1947. Bloch remained in the United States for the rest of his life writing, painting and teaching.

 May, 1924-1956

May, 1924-1956

 Rutted Road 1938

Rutted Road 1938

 Garden of Asses II, 1938-39

Garden of Asses II, 1938-39

Like so many other European artists, Bloch’s oeuvre suffered greatly during World War I. The Nazi’s destroyed much of his art, deeming it degenerate, and may have stolen much of it as well. There is not telling how much stolen work of Bloch’s may be in existence somewhere in Europe or among descendents of Nazi soldiers. Bloch was also known to destroy any of his paintings that he did not think were acceptable, so many of those may have been saved from the rubbish from passers-by.

 Oil for a Chorus Mysticus 1950

Oil for a Chorus Mysticus 1950

Bloch’s style and technique was consistent with that of Franz Marc and the other Blue Rider’s, using geometric forms, animals, religious subject matter and a soft, but bright, color palette. Many of his earliest works are rare, and to find one would be an extraordinary and valuable discovery.

 Conversation 1950

Conversation 1950

 The Blue Bough 1952

The Blue Bough 1952

 The Blue Eclipse 1955

The Blue Eclipse 1955

Still wondering about a painting in your family collection? Contact us…it could be by Albert Bloch.