Tamara de Lempicka (1898-1980)

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Self-Portrait in Green Bugatti, 1925

Tamara de Lempicka was born Tamara Gorska in Poland and became one of the best-known painters of the Art Deco era. Sought after mainly as a portrait artist, her paintings are sensual and simple, yet highly stylized. Many of her sensual and exotic nudes have been hailed as being the best of the era, and are many are reflections of her own erotic lifestyle. Hints of old Dutch Master and Cubist techniques are sprinkled through her own unique style, which serves as a reminder of modern tastes in art during the height of her popularity.

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Nude

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Beautiful Rafaella, 1927

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Sleeping Woman, 1935

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Mother Superior, 1939

It is said that Lempicka’s first love of art was founded in 1911 on a trip with her grandmother to Italy. As a young woman, Lempicka married and moved to Russia. Her husband was later arrested during the Russian revolution. After negotiating his release, Lempicka, her young daughter and her husband fled to Paris in 1918 where she took her first art classes at the Academie de la Grand Chaumiere. She also traveled again to Italy in 1925 to study the work of the old masters.

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Unfinished Portrait of First Husband

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The Women

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Women in Green

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Women in Blue

Lempicka quickly became a success in the 1920’s Parisian social scene. A beautiful woman in her own right, Lempicka resembled actress Greta Garbo, which no doubt helped in her rise to fame. Lempicka became notorious for her numerous parties and fashionable hairstyles and dress, as well as for her love affairs with men and women alike. Her style was a perfect reflection of the excess of the roaring 20Õs and was the perfect glamorous illustration her patrons were looking for. Entertainers, artists, writers and European nobility were among her many sitters, as well as her socialite friends. Lempicka also often picked up models straight from the streets of Paris; sailors, policeman, prostitutes, whoever caught her eye would be invited to sit for her.

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The Young Ladies, 1927

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Woman in a Hat with Flowers

Besides gaining notoriety as a great Art Deco portrait painter, Lempicka was also commissioned to create art for magazines, as well as still life. Lempica’s work was unlike anything else at the time, and is still easily distinguished today. She took great pride in the fact that her paintings had a very “finished” look, which was seen as being clean and classic, yet exciting and modern.

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Adam and Eve

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Marquis Sommi, 1925

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Madame Allan Bott

In the late 1930s, Lempicka moved to the United States with her second husband, the Baron Raoul Huffner. Lempicka found herself just as well received among the social scenes in New York and Hollywood. However, her career came to a halt in the 1950s when Art Deco slowly started going out of fashion. She continued to attempt to paint in a looser style, but little interest was shown in these pieces, and after 1962 she swore to never exhibit her work again.

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Calla Lillies, 1941

Near the end of her life in the 1970’s, Art Deco had a brief revival and her older works found a place in the art world again. She gained a short bout of popularity again before her death in 1980. Today, Lempicka’s work is housed in modern art museums around the world including the Pompidou Center in Paris. To own a painting by Tamara de Lempicka would be quite obvious, and also very likely due to the fact that she was a highly prolific painter. Still not quite sure about an Art Deco portrait hanging in your home? Contact us…it could be by Tamara de Lempicka.